DO NOT cut off the mains plug from this equipment. If the
plug fitted is not suitable for the power points in your home or
the cable is too short to reach a power point, then obtain an
appropriate safety approved extension lead or consult your
dealer.
BE SURE to replace the fuse only with an identical approved
type, as originally fitted.
If nonetheless the mains plug is cut off ensure to remove the
fuse and dispose of the plug immediately, to avoid a possible
shock hazard by inadvertent connection to the mains supply.
If this product is not supplied fitted with a mains plug then
follow the instructions given below:
IMPORTANT:
DO NOT make any connection to the terminal which is
marked with the letter E or by the safety earth symbol or
coloured green or green-and-yellow.
The wires in the mains lead on this product are coloured in
accordance with the following code:
Blue : Neutral
Brown : Live
As these colours may not correspond with the coloured
markings identifying the terminals in your plug proceed as
follows:
The wire which is coloured blue must be connected to the
terminal which is marked with the letter N or coloured black.
The wire which is coloured brown must be connected to the
terminal which is marked with the letter L or coloured red.
Caution–– STANDBY/ON button!
Disconnect the mains plug to shut the power off completely.
The STANDBY/ON button in any position does not
disconnect the mains line. The power can be remote
controlled.
CAUTION
To reduce the risk of electrical shocks, fire, etc.:
1. Do not remove screws, covers or cabinet.
2. Do not expose this appliance to rain or moisture.
CAUTION
• Do not block the ventilation openings or holes.
(If the ventilation openings or holes are blocked by a
newspaper or cloth, etc., the heat may not be able to get
out.)
• Do not place any naked flame sources, such as lighted
candles, on the apparatus.
• When discarding batteries, environmental problems must be
considered and local rules or laws governing the disposal of
these batteries must be followed strictly.
• Do not expose this apparatus to rain, moisture, dripping or
splashing and that no objects filled with liquids such as
vases, shall be placed on the apparatus.
IF IN DOUBT - CONSULT A COMPETENT ELECTRICIAN.
G-1
RX-D201S
Caution: Proper Ventilation
To avoid risk of electric shock and fire and to protect from damage.
Locate the apparatus as follows:
Front:No obstructions open spacing.
Sides:No obstructions in 10 cm from the sides.
Top:No obstructions in 10 cm from the top.
Back:No obstructions in 15 cm from the back.
Bottom:No obstructions, place on the level surface.
In addition, maintain the best possible air circulation as illustrated.
Spacing 15 cm or more
Front
Wall or
obstructions
Floor
Stand height
15 cm or more
G-2
SAFETY INSTRUCTIONS
“SOME DOS AND DON’TS ON THE SAFE USE OF EQUIPMENT”
This equipment has been designed and manufactured to meet international safety standards but, like any electrical equipment, care
must be taken if you are to obtain the best results and safety is to be assured.
Do read the operating instructions before you attempt to use the equipment.
Do ensure that all electrical connections (including the mains plug, extension leads and interconnections between pieces of equipment)
are properly made and in accordance with the manufacturer’s instructions. Switch off and withdraw the mains plug when making or
changing connections.
Do consult your dealer if you are ever in doubt about the installation, operation or safety of your equipment.
Do be careful with glass panels or doors on equipment.
DON’T continue to operate the equipment if you are in any doubt about it working normally, or if it is damaged in any way—switch
off, withdraw the mains plug and consult your dealer.
DON’T remove any fixed cover as this may expose dangerous voltages.
DON’T leave equipment switched on when it is unattended unless it is specifically stated that it is designed for unattended operation
or has a standby mode.
Switch off using the switch on the equipment and make sure that your family know how to do this.
Special arrangements may need to be made for infirm or handicapped people.
DON’T use equipment such as personal stereos or radios so that you are distracted from the requirements of traffic safety. It is illegal
to watch television whilst driving.
DON’T listen to headphones at high volume as such use can permanently damage your hearing.
DON’T obstruct the ventilation of the equipment, for example with curtains or soft furnishings.
Overheating will cause damage and shorten the life of the equipment.
DON’T use makeshift stands and NEVER fix legs with wood screws—to ensure complete safety always fit the manufacturer’s approved
stand or legs with the fixings provided according to the instructions.
DON’T allow electrical equipment to be exposed to rain or moisture.
ABOVE ALL
— NEVER let anyone, especially children, push anything into holes, slots or any other opening in the case—this could result in
a fatal electrical shock.;
— NEVER guess or take chances with electrical equipment of any kind—it is better to be safe than sorry!
G-3
Table of Contents
Parts identification ................................................ 2
Getting started ...................................................... 4
Before Installation .................................................................. 4
Checking the supplied accessories ....................................... 4
Putting batteries in the remote control ................................... 4
Connecting the FM and AM (MW) antennas ......................... 5
Connecting the speakers ....................................................... 6
Connecting video components .............................................. 7
USB connection ................................................................... 10
Connecting the power cord .................................................. 11
• Adjusting buttons for speaker and subwoofer output level
and sound adjustment (22)
TEST, FRONT L, FRONT R, EFFECT, CENTER, SUBWFR,
C. TONE, SURR L, SURR R, D. EQ FREQ, S BACK L, S
BACK R
• RETURN button (36)
3 SOUND button (22 – 24)
4 • Operating buttons for DVD recorder or DVD player*
cursor buttons (3, 2, 5, ∞), ENTER (37, 40)
• Adjusting buttons for speakers and subwoofer output level
and D. EQ FREQ level (22)
LEVEL9, LEVEL(
q SURROUND button (35)
w EX/ES/PLIIx button (18)
e DIMMER button (14)
r SLEEP button (14)
t STB CONT button (40)
y ANALOG/DIGITAL button (12)
u TV/VIDEO button (36, 38)
i VOLUME +/– button (13)
o MUTING button (14)
* These buttons can be used for operating a JVC DVD recorder
or DVD player with the mode selector set to “DVR” or “DVD”
(see page 37).
If these buttons do not function normally, use the remote control
supplied with your DVD recorder or DVD player. Refer also to
the manuals supplied with the DVD recorder or DVD player for
details.
• When operating a DVD recorder (for JVC products
ONLY), set the mode selector (1) to “DVR.”
• When operating a DVD player, set the mode selector (1)
& and indicator (31 – 33)
* AUTO MODE indicators (20)
( Main display
) Frequency unit indicators
MHz (for FM stations), kHz (for AM (MW) stations)
Rear panel
1 Power cord (11)
2 COMPONENT VIDEO (Y, PB, PR) jacks (8, 9)
VIDEO IN, DVR/DVD IN, MONITOR OUT
3 AV IN/OUT terminals (7)
TV, VCR, DVR/DVD
4 DIGITAL IN terminals (10)
• Coaxial: 1(DVR/DVD)
• Optical: 2(VIDEO)
5 ANTENNA terminals (5)
6 SUBWOOFER OUT jack (6)
7 VIDEO jacks (9)
VIDEO (composite video), S-VIDEO
8 AUDIO jacks (8, 9)
VIDEO IN, DVR/DVD IN
9 Speakers terminals (6)
SURROUND BACK SPEAKERS, SURROUND SPEAKERS,
CENTER SPEAKER, FRONT SPEAKERS
3
Getting started
123
Before Installation
General precautions
• Be sure your hands are dry.
•Turn the power off to all components.
• Read the manuals supplied with the components you are going
to connect.
Locations
• Install the receiver in a location that is level and protected from
moisture and dust.
• The temperature around the receiver must be between –5˚C
and 35˚C.
• Make sure there is good ventilation around the receiver. Poor
ventilation could cause overheating and damage the receiver.
• Leave sufficient distance between the receiver and the TV.
Handling the receiver
• Do not insert any metal object into the receiver.
• Do not disassemble the receiver or remove screws, covers, or
cabinet.
• Do not expose the receiver to rain or moisture.
• Do not pull on the power cord to unplug the cord. When
unplugging the cord, always grasp the plug so as not to damage
the cord.
• When you are away on travel or otherwise for an extended
period or time, remove the plug from the wall outlet. A small
amount of power is always consumed while the power cord is
connected to the wall outlet.
Putting batteries in the remote control
Before using the remote control, put two supplied batteries first.
1
Press and slide the battery cover on the back
of the remote control.
2
Insert batteries.
Make sure to match the polarity: (+) to (+) and (–) to (–).
3
Replace the cover.
If the range or effectiveness of the remote control decreases,
replace the batteries. Use two R6(SUM-3)/AA(15F) type dry-cell
batteries.
• Supplied butteries are for initial setup. Replace for continued
use.
CAUTION:
Follow these precautions to avoid leaking or cracking cells:
• Place batteries in the remote control so they match the polarity:
(+) to (+) and (–) to (–).
• Use the correct type of batteries. Batteries that look similar may
differ in voltage.
• Always replace both batteries at the same time.
• Do not expose batteries to heat or flame.
When using the remote control, aim the remote control directly at
the remote sensor on the front panel.
Remote sensor
The receiver has a built-in cooling fan which operates
while the receiver is turned on. Be sure to leave enough
ventilation to obtain sufficient cooling effect.
CAUTION:
Do not connect the AC power plug to the wall outlet until all
connections are completed.
Checking the supplied accessories
Check to be sure you have all of the following supplied
accessories. If anything is missing, contact your dealer
immediately.
• Remote control (× 1)
• Batteries (× 2)
• AM (MW) loop antenna (× 1)
• FM antenna (× 1)
4
Connecting the FM and AM (MW) antennas
ANTENNA
COAXIAL
FM 75
AM EXT
AM LOOP
AM EXT
ANTENNA
Do not connect the AC power plug to the wall outlet until all connections are completed.
AM (MW) loop antenna
(supplied)
Snap the tabs on the
loop into the slots of the
base to assemble the AM
(MW) loop antenna.
If FM reception is poor, connect an
outdoor FM antenna (not supplied).
If AM (MW) reception is poor,
connect an outdoor single vinylcovered wire (not supplied).
AM (MW) antenna connection
Connect the AM (MW) loop antenna supplied to the AM LOOP
terminals.
Connect the white cord to the AM EXT terminal, and connect the
black cord to the H terminal.
Tu rn the loop until you have the best reception.
• If the reception is poor, connect an outdoor single vinyl-covered
wire (not supplied) to the AM EXT terminal. Keep the AM (MW)
loop antenna connected.
FM antenna connection
Connect the FM antenna supplied to the FM 75 Ω COAXIAL
terminal as a temporary measure.
Extend the supplied FM antenna horizontally.
• If the reception is poor, connect an outdoor FM antenna (not
supplied). Before attaching a 75 Ω coaxial cable with a
connector (IEC or DIN 45325), disconnect the supplied FM
antenna.
FM antenna (supplied)
NOTES
• If the AM (MW) loop antenna wire is covered with
vinyl, remove the vinyl while twisting it as shown
on the right.
• Make sure the antenna conductors do not touch
any other terminals, connecting cords and power
cord. This could cause poor reception.
5
AM EXT
L
R
LS
RS
SBL
C
SW
CAUTION:SPEAKER IMPEDANCE 6 -16
SURROUND BACK
SPEAKERS
SURROUND
SPEAKERS
CENTER
SPEAKER
FRONT
SPEAKERS
LEFTRIGHTLEFTRIGHTLEFTRIGHT
SUBWOOFER
OUT
SBR
(*SB)
Connecting the speakers
123
+
–
+
–
1
2
Do not connect the AC power plug to the wall outlet until all connections are completed.
Speaker Layout Diagram
Right surround
back speaker
(SBR)
Center
speaker
(C)
*Left surround
back speaker
(SBL)
CAUTIONS:
• Use speakers with the SPEAKER IMPEDANCE indicated by the
speaker terminals (6 Ω – 16 Ω).
• DO NOT connect more than one speaker to one speaker
terminal.
Connecting the speakers
Turn off all components before making connections.
Right surround
speaker (RS)
Left surround
speaker (LS)
*When using a single speaker for the surround back speaker
You can enjoy the surround sound by one surround back
speaker. When using one surround back speaker,
– set “SB OUT” to “<1SPK>” (see page 17) and
– connect the surround back speaker to the left surround back
speaker terminal. (No sound comes from the speaker if
you connect it to the right surround back speaker
terminal.)
Connecting the powered subwoofer
By connecting a subwoofer, you can enhance the bass or
reproduce the original LFE signals recorded in digital software.
Connect the input jack of a powered subwoofer to the
1
Twist and remove the insulation at the end of each
speaker cord.
2
Open the terminal (1), then insert the speaker cord
(2).
•For each speaker, connect the (+) and (–) terminals on the
3
Close the terminal.
rear panel to the (+) and (–) terminals marked on the
speakers.
SUBWOOFER OUT jack on the rear panel, using a cord
with RCA pin plugs (not supplied).
• Refer also to the manual supplied with your subwoofer.
After connecting all the speakers and/or a subwoofer, set the
speaker setting information properly to obtain the best possible
surround effect. For details, see pages 15 to 19.
NOTE
You can place a subwoofer wherever you like since bass sound is
non-directional. Normally place it in front of you.
Left front
speaker
(L)
Right front
speaker
(R)
Powered
subwoofer
(SW)
6
AM EXT
VCR
TV
DVR/DVD
AV IN/OUT
Connecting video components
Do not connect the AC power plug to the wall outlet until all connections are completed.
SCART connection
You can enjoy pictures and sounds from playback components
simply by connecting with the SCART cable.
• If your video components have digital output terminal, also
connect them using the digital terminals explained in “Digital
connection” (see page 10).
CAUTION:
If you connect a sound-enhancing device such as a graphic
equalizer between the source components and this receiver, the
sound output through this receiver may be distorted.
DO NOT use a TV through a VCR or a TV with a built-in
VCR; otherwise, the picture may be distorted.
Turn off all components before making connections.
• Illustrations of the input/output terminals are typical
examples. When you connect other components, refer also
to their manuals since the terminal names actually printed on
the rear vary among different components.
TV
SCART cable
(not supplied)
NOTES
• Select the analogue input mode. See “Selecting the analogue or
digital input mode” on page 12.
• When the TV is equipped with multiple SCART terminals, refer
to the TV manual to check the available video signals for each
terminal, then connect the SCART cable correctly.
Input
Output
T-V LINK*3*3*3
SCART Terminal Specifications
TVVCRDVR/DVD
AudioL/R
Composite
Video
S-video (Y/C)
RGB−
AudioL/R−
Composite*1*2*1*2*1*2
Video
S-video (Y/C)
RGB*2−−
−
*2−−
Terminal name
DVD recorder or
DVD player
VCR
*1 The signals input from a SCART terminal cannot be output
through the same SCART terminal.
*2 The video format of the output video signals are consistent
with that of the input video signals. For example, if S-video
signals are input to this receiver, no signals other than Svideo signals can be output from this receiver.
Refer to the manuals supplied with the video components to
check the setting of the input/output video signals.
*3 The signals for the T-V LINK function are always going
through the receiver.
: Available, –: Not available
CONTINUED ON THE NEXT PAGE
7
For TV and video format
AM EXT
VIDEO
IN
DVR/DVD
IN
L
R
AUDIO
Å
ı
Y
P
B
P
R
COMPONENT VIDEO
MONITOR OUTDVR/DVD INVIDEO IN
This receiver cannot convert the video signals. When the video
signal of one video component is different from that of the other
(for example, one is S-video, the other is Composite), you may
not see the pictures appropriately. In this case, unify the video
signals of all the video components, or you need to switch the
video signal of TV each time you change the source.
For T-V LINK
•You can use the T-V LINK function if you connect a T-V LINK
compatible TV and VCR to this receiver with a fully wired
SCART cables. For details on T-V LINK, refer also to the
manuals supplied with the TV and the VCR.
• Connect a SCART cable to EXT-2 terminal on the JVC’s T-V
LINK compatible TV for the T-V LINK function.
• Some video components support the data communication like
For an analogue decoder
To watch through or to record a scrambled program on your
T-V LINK. For complete details, refer also to the manuals
supplied with these components.
VCR, connect the analogue decoder to your VCR and select the
scrambled channel on your VCR.
If there is not an appropriate terminal for the decoder connection
on your VCR, connect the decoder to your TV.
Refer also to the manuals supplied with these components.
Audio/video connection
In addition to the SCART terminals, this receiver is equipped with the following video terminals:
• Component video input/output: VIDEO IN, DVR/DVD IN, MONITOR OUT
• Composite and S-video input: VIDEO IN
IMPORTANT
The component video signals from the COMPONENT VIDEO jacks are transmitted only through the MONITOR OUT jacks.
Therefore, if the TV is connected to the receiver through the SCART terminal (TV) and a playing video component is connected to the
receiver through the component video jacks (VIDEO IN or DVR/DVD IN), you cannot view the playback picture on the TV.
7 Connecting a DVD recorder or DVD player to the DVR/DVD IN jacks
To fully enjoy Dolby Digital and DTS multi-channel software (including Dual Mono software), connect the DVD recorder or DVD player
through the digital input terminals (see page 10).
When you connect a DVD recorder or DVD player with its stereo output jacks:
Turn off all components before making
connections.
Green
Blue
Component video cable (not supplied)
Red
DVD recorder or DVD player
White
Red
Stereo audio cable (not supplied)
NOTES
• Do not connect different components to the AUDIO DVR/DVD IN jacks and AV IN/
OUT (SCART) DVR/DVD terminal (see page 7); otherwise, sounds from both
components are come out of the speakers at the same time.
• Select the analogue input mode. See “Selecting the analogue or digital input mode”
on page 12.
• You can enjoy digital sound if using a digital coaxial or optical cable. When shipped
from the factory, the audio input mode for a DVD recorder and DVD player is set to
use the digital coaxial terminal (DIGITAL IN 1 (DVR/DVD)). For details of digital
connection, see page 10.
• When connecting a DVD recorder or DVD player to the component video input jacks,
select the component video input mode (DVD VIDEO IN) correctly. If you do not, you
cannot view the playback picture on the TV. See page 20 for details.
8
Å To component video output
• Connect Y, P
B, and PR correctly.
ı To left/right audio channel output
AM EXT
Y
PB
PR
COMPONENT VIDEO
MONITOR OUTDVR/DVD INVIDEO IN
Å
ı
ÎÇ
Å
VIDEO IN
VIDEO
S-VIDEO
VIDEO
VIDEO IN
DVR/DVD IN
L
R
AUDIO
Do not connect the AC power plug to the wall outlet until all connections are completed.
AM EXT
Y
PB
PR
COMPONENT VIDEO
MONITOR OUTDVR/DVD INVIDEO IN
Å
7 Connecting another video component to the VIDEO IN jacks
If your video components have S-video (Y/C-separation) and/or component video (Y, PB, PR) terminals, connect them using an S-video
cable (not supplied) and/or component video cable (not supplied). By using these jacks, you can get better picture quality in the order:
Component video > S-video > Composite video
To enjoy the playback from the component connected to these jacks, select “VIDEO” as the source (see page 12).
Turn off all components before making
Green
connections.
Component video cable (not supplied)
Blue
Red
VCR, etc.
White
Red
Stereo audio cable
(not supplied)
Composite video cable (not supplied)
S-video cable (not supplied)
NOTES
• Select the analogue input mode. See “Selecting the analogue or digital input mode”
on page 12.
• You can enjoy digital sound if using a digital coaxial or optical cable. When shipped
from the factory, the audio input mode for a video component other than DVD
recorder and DVD player is set to use the digital optical terminal (DIGITAL IN 2
(VIDEO)). For details of digital connection, see page 10.
• When connecting a video component other than DVD recorder or DVD player to the
component video input jacks, select the component video input mode (VIDEO
VIDEOIN) correctly. If you do not, you cannot view the playback picture on the TV. See
page 20 for details.
7 Connecting a TV to the MONITOR OUT jacks
Green
Blue
Component video cable (not supplied)
Red
Å To component video output
• Connect Y, P
B, and PR correctly.
ı To left/right audio channel output
Ç To composite video output
Î To S-video output
Turn off all components before making
connections.
TV
NOTES
• Select the analogue input mode. See “Selecting the analogue or
digital input mode” on page 12.
•You can enjoy digital sound if using a digital coaxial or optical
cable. For details of digital connection, see page 10.
Å To component video input
• Connect Y, P
B, and PR correctly.
9
Digital connection
AM EXT
DIGITAL IN
2(VIDEO)
1(DVR/DVD)
USB
This receiver is equipped with two DIGITAL IN terminals—one
digital coaxial terminal and one digital optical terminal.
To reproduce the digital sound, use the digital connection in
addition to the analogue connection methods described on pages
7 to 9.
Digital coaxial cable (not supplied)
USB Connection
This receiver is equipped with a USB terminal on the front panel.
You can connect your PC to this terminal and enjoy sound
reproduced through your PC.
When you connect your PC for the first time, follow the procedure
below.
• Remember you cannot send any signal or data to your PC from
this receiver.
Digital optical cable (not supplied)
Turn off all components before making connections.
• When you connect other components, refer also to their
manuals.
When the component has a digital coaxial output
terminal, connect it to the 1(DVR/DVD) terminal,
using a digital coaxial cable (not supplied).
IMPORTANT:
Check if your PC equipped with the CD-ROM drive is running on
Windows® 98 SE*, Windows® Me*, Windows® 2000* or Windows
XP* and prepare its CD-ROM.
How to install the USB drivers
The following procedure is described using the English version of
Windows® XP. If your PC is running on a different version of
operation system or language, the screens shown on your PC’s
monitor will differ from the ones used in the following procedure.
1. Turn on your PC and start running Windows® 98 SE,
Windows
®
Me, Windows® 2000, or Windows® XP.
• If the PC has been turned on, quit all the applications now
running.
2. Turn on the receiver, and select the source as “USB
DIGITAL.”
3. Set the volume to minimum.
IMPORTANT:
Always set volume to “0” when connecting or disconnecting the
other equipment.
4. Connect the unit to the PC using a USB cable (not
supplied).
®
When the component has a digital optical output
terminal, connect it to the 2(VIDEO) terminal, using
a digital optical cable (not supplied).
Before connecting a digital
PC
optical cable, unplug the
protective plug.
USB cable
(not supplied)
NOTES
• When shipped from the factory, the DIGITAL IN terminals have
been set for use with the following components:
– 1(DVR/DVD):For DVD recorder or DVD player
– 2(VIDEO):For video components other than DVD
If you connect other components, change the digital input
recorder and DVD player
• Use “USB series A plug to B plug” cable when connecting.
(DIGITAL IN) terminal setting correctly. See “Setting the digital
input (DIGITAL IN) terminals—DIGITAL IN 1/2” on page 20.
• Select the correct digital input mode. See “Selecting the
analogue or digital input mode” on page 12.
10
5. The USB drivers are installed automatically.
• If the USB drivers are not installed automatically, install the
USB drivers by following the instructions on the PC’s
monitor.
[Sound, video and game controllers] = [Universal Serial
Bus controllers].
• The following window appears, and you can check whether
the drivers are installed.
NOTES
• DO NOT turn off the receiver or disconnect the USB cable while
installing the drivers and for several seconds while your PC is
recognizing the receiver.
• Use a USB cable (version 1.1 or later). Recommended cord
length is 1.5 m.
• If your PC does not recognize the receiver, disconnect the USB
cable and connect it again. If it does not work yet, restart
Windows.
• The installed drivers can be recognized only when the USB
cable is connected between the receiver and your PC.
• The sound may not be played back correctly—interrupted or
degraded—due to your PC settings and PC specifications.
®
* Microsoft
and Windows
corporation.
, Windows® 98 SE, Windows® Me, Windows® 2000,
®
XP are registered trademarks of Microsoft
Connecting the power cord
When all the audio/video connections have been made, connect
the AC power plug to the wall outlet. Make sure that the plugs are
inserted firmly. The standby lamp lights in red.
CAUTIONS:
• Do not touch the power cord with wet hands.
• Do not alter, twist or pull the power cord, or put anything heavy
on it, which may cause fire, electric shock, or other accidents.
• If the cord is damaged, consult a dealer and have the power
cord replaced with a new one.
Now PC is ready for playback through the USB connection.
After installation is completed, you can use your PC as the
playback source. The PC automatically recognizes the receiver
whenever a USB cable is connected between the PC and the
receiver while the receiver is turned on.
• When not using the PC as the playback source, disconnect the
USB cable.
To play back sounds on the PC, refer to the manuals supplied
with the sound reproduction application installed in the PC.
If no sound comes from the speakers, check the following
items:
- select the source as “USB DIGITAL”.
- connect the USB cable correctly.
- check the USB device is recognized properly.
- check the playback software in your PC is compatible with the
USB device.
- open the Control Panel on your PC, select [Sounds and Audio
Devices] = [Audio] tab = [Sound playback] = [Default device],
and check [Default device] is set to [USB Audio device].
NOTES
•Keep the power cord away from the connecting cables and the
antenna. The power cord may cause noise or screen
interference.
• The preset settings such as preset channels and sound
adjustment may be erased in a few days in the following cases:
– When you unplug the power cord.
– When a power failure occurs.
• When you unplug the power cord with the receiver on and
connect the power cord again, the receiver enters standby
mode.
11
Basic operations
1
4
7
10
2
5
8
0
3
6
9
10
1
2
3
1
2
3
L
S.WFR
R
AUTO SURR
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
L
S.WFR
R
AUTO SURR
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
DVR/DVD (DGTL)
VCR (DIGITAL)
VIDEO (DIGITAL)
TV (DIGITAL)
FM
AM
(Back to the beginning)
USB DIGITAL
L
LSRS
S.WFR LFE
CR
AUTO SURR
DIGITAL
DIGITAL AUTO
DGTL AUTODOLBY DIGITAL
DTS
(Back to the beginning)
ANALOGUE
Source lamps
2
Select the source to play
On the front panel:
Turn SOURCE SELECTOR until the source name
you want appears on the display.
The source lamp corresponding to the selected source lights in
red.
• As you turn SOURCE SELECTOR, the source changes as
follows:
DVR/DVD (DGTL)*: Select the DVD recorder or DVD player.
VCR (DIGITAL)*:Select the VCR.
VIDEO (DIGITAL)*:Select the component connected to the
TV (DIGITAL)*:Select the TV.
USB DIGITAL:Select the PC component.
FM:Select an FM broadcast.
AM:Select an AM (MW) broadcast.
VIDEO IN jacks on the rear of the
receiver.
From the remote control:
Press one of the source selecting buttons.
•For the tuner, press FM/AM. Each time you press FM/AM, the
band alternates between FM and AM (MW).
* Selecting the analogue or digital input mode
You need to select the proper input mode according to the
connection method (analogue or digital) on pages 7 to 10.
• In case of digital connection, you also need to select the correct
digital input terminal. (See “Setting the digital input (DIGITAL IN)
terminals—DIGITAL IN 1/2” on page 20.)
1
Turn on the power
• “DGTL AUTO” and “ANALOGUE” setting are memorized for
each source.
Press STANDBY/ON (or STANDBY/ON
AUDIO on the remote control).
The standby lamp goes off and the source lamp of the current
source lights in red.
Current source name appears.
From the remote control ONLY:
Press ANALOG/DIGITAL to select the analogue
or digital input mode.
• Each time you press the button, the input mode changes as
follows:
To turn off the power (into standby)
Press STANDBY/ON (or STANDBY/ON AUDIO on the
remote control) again.
The standby lamp lights in red.
NOTE
A small amount of power is consumed in standby mode. To turn
the power off completely, unplug the AC power cord.
12
DGTL AUTO (DIGITAL AUTO):
L
S.WFR
R
AUTO SURR
ANALOG
L
LSRS
S.WFR LFE
CR
AUTO SURR
DIGITAL
DIGITAL AUTO
Select for the digital input mode. The
receiver automatically detects the
incoming signal format, then the digital
signal format indicator (LINEAR PCM,
, , or 96/24) for the
detected signal lights up.
DOLBY DIGITAL*: Select to play back software encoded with
Dolby Digital.
DTS*:Select to play back software encoded with
DTS.
ANALOGUE:Select for the analogue input mode. The
ANALOG indicator lights up on the
display.
Initial setting: DGTL AUTO
* If the following symptoms occur while playing Dolby Digital or
DTS software with “DGTL AUTO” selected, select “DOLBY
DIGITAL” or “DTS.”
• Sound does not come out at the beginning of playback.
• Noise comes out while searching for or skipping chapters or
tracks.
Ex.: When Dolby Digital is selected
3
Adjust the volume
To increase the volume, turn MASTER VOLUME
control clockwise (or press VOLUME + on the
remote control).
To decrease the volume, turn MASTER VOLUME
control counterclockwise (or press VOLUME – on
the remote control).
• When you adjust the volume, the volume level indication
appears on the display for a while.
CAUTION:
Always set the volume to the minimum before starting any
sources. If the volume is set at its high level, the sudden blast of
sound energy can permanently damage your hearing and/or ruin
your speakers.
NOTE
The volume level can be adjusted within the range of “0” (minimum)
to “50” (maximum).
NOTES
•You cannot select the digital input mode when selecting “FM” or
“AM” as the source.
• The input mode is fixed to “DGTL AUTO” when selecting “USB
DIGITAL” as the source.
• When you turn off the power or select another source,
“DOLBY DIGITAL” or “DTS” is canceled and the digital mode is
automatically reset to “DGTL AUTO.”
The following digital signal format indicators on the display
indicate what type of signal comes into the receiver.
LINEAR PCM: Lights up when Linear PCM signal comes in.
:• Lights up when Dolby Digital signal comes
in.
• Flashes when “DOLBY DIGITAL” is selected
for any software other than Dolby Digital.
:• Lights up when conventional DTS signal
comes in.
• Flashes when “DTS” is selected for any
software other than DTS.
96/24:Lights up when DTS 96/24 signal comes in.
NOTE
When “DGTL AUTO” cannot recognize the incoming signal, no
digital signal format indicator lights up on the display.
Listening with headphones
You can enjoy not only stereo software but also multi-channel
software through the headphones. (Sounds are down-mixed to the
front channels while playing multi-channel software.)
Connect a pair of headphones to the PHONES jack on the
front panel to activate the HEADPHONE mode.
The HEADPHONE indicator lights up on the display.
•You can also enjoy the Surround/DSP mode through the
headphones—3D HEADPHONE mode. For details, see page
28.
• Disconnecting a pair of headphones from the PHONES jack
cancels the HEADPHONE (or 3D HEADPHONE) mode and
activates the speakers.
CAUTION:
Be sure to turn down the volume:
• Before connecting or putting on headphones, as high volume
can damage both the headphones and your hearing.
• Before removing headphones, as high volume may output from
the speakers.
13
S.WFR
Turning off the sounds temporarily
L
S.WFR
R
AUTO SURR
ANALOG
L
S.WFR
R
AUTO SURR
SLEEP
ANALOG
10min
20min
30min 40min
50min
60min
90min
OFF (canceled)
80min
70min
LINEAR PCM
L
LSSBRS
S.WFR
PL
NEO : 6
DSP
3D-PHONIC
LFE
C
96 / 24
AUTO SURR
VIRTUAL SB
HEADPHONE
x
DIGITAL
DIGITAL AUTO
ANALOG
DUAL MONO
SBSSB
R
L
LSSBRS
S.WFR LFE
C
SBSSB
R
L
LS
SB
RS
S.WFR LFE
C
SBSSB
R
From the remote control ONLY:
Press MUTING to turn off the sound through all
connected speakers and headphones.
“MUTING” appears on the display and the volume turns off.
To restore the sound, press MUTING again.
• Pressing VOLUME +/– (or turning MASTER VOLUME control
on the front panel) also restores the sound.
Changing the display brightness
You can dim the display—Dimmer.
Basic adjustment of auto memory
This receiver memorizes sound settings for each source:
• when you turn off the power, and
• when you change the source.
When you change the source, the memorized settings for the
newly selected source are automatically recalled.
The following can be stored for each source:
• Analogue/digital input mode (see page 12)
• Bass boost (see page 23)
• Digital equalization pattern (see page 22)
• Input attenuator mode (see page 23)
• Midnight mode (see page 19)
• Speaker output level (see page 22)
• Surround/DSP mode selection (see page 34)
NOTE
If the source is FM or AM (MW), you can assign a different
setting for each band.
Signal and speaker indicators on the display
Press DIMMER repeatedly.
• Each time you press the button, the display brightness changes
as follows:
DIMMER 1:Dims the display.
DIMMER 2:Dims the display more than DIMMER 1.
DIMMER 3:Turns off the display.
(Temporarily canceled when you operate the
receiver.)
DIMMER OFF: Cancels the Dimmer (normal display).
Turning off the power with the Sleep
Timer
You can fall asleep while listening to music—Sleep Timer.
From the remote control ONLY:
Press SLEEP repeatedly.
• Each time you press the button, the shut-off time changes in 10
minute intervals. The SLEEP indicator lights up on the display.
SLEEP indicator
Signal indicatorsSpeaker indicators
The signal indicators light up as follows:
L:• When digital input is selected: Lights up when the
left channel signal comes in.
• When analogue input is selected: Always lights up.
R:• When digital input is selected: Lights up when the
right channel signal comes in.
• When analogue input is selected: Always lights up.
C:Lights up when the center channel signal comes in.
LS:Lights up when the left surround channel signal comes
in.
RS: Lights up when the right surround channel signal comes
in.
S:Lights up when monaural surround signal comes in.
SB: Lights up when the surround back channel signal
comes in.
LFE: Lights up when the LFE channel signal comes in.
The speaker indicators light up as follows:
• The subwoofer indicator (
“SUBWOOFER” is set to “SUBWFR <YES>.” For details,
see page 17.
• The other speaker indicators light up only when the
corresponding speaker is set to “SML (small)” or “LRG
(large),” and also when required for the current playback.
) lights up when
When the shut-off time comes:
The receiver turns off automatically.
To check or change the remaining time until the shut-off
time:
Press SLEEP once.
The remaining time (in minutes) until the shut-off time appears.
•To change the shut-off time, press SLEEP repeatedly.
To cancel the Sleep Timer:
Press SLEEP repeatedly so that “SLEEP OFF” appears on the
display. (The SLEEP indicator goes off.)
• The Sleep Timer is also canceled when you turn off the
receiver.
14
Basic settings
L
S.WFR
R
ANALOG
L
S.WFR
R
ANALOG
3.1ch
4.0ch
6.0ch
6.1ch
4.1ch
2.0ch
2.1ch
5.0ch
5.1ch
7.0ch*
7.1ch
3.0ch
(Back to the beginning)
L
S.WFR
R
ANALOG
L
S.WFR
R
ANALOG
(Back to the beginning)
S
M
L*
L
S.WFR
R
ANALOG
1,7
2,4,6
1,3,5
To obtain the best possible sound effect from Surround/DSP
modes (see pages 31 to 35), you need to set up the speaker and
subwoofer information after all the connections are completed.
From pages 15 to 20, how to set speakers and other basic items
of the receiver are explained.
3
Turn MULTI JOG to select an appropriate
number of the connected speakers (speaker
channel number).
As you turn the jog, the speaker channel number changes as
follows.
•For the details of speaker channel number, see “ Speakers
(channels) number and the size” on page 16.
Setting the speaker information
easily—Quick Speaker Setup
Quick Speaker Setup helps you to easily and quickly register the
speaker size, speaker distance, and output level of each speaker
according to your listening room to create the best possible
surround effect.
•You can also register each speaker’s information manually.
For details, see page 18.
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 1 again.
1
Press SETTING and turn MULTI JOG until
“QUICK SPK SET” appears on the display.
2
Press SET.
* “7.0ch” is the initial setting.
4
Press SET.
5
Turn MULTI JOG to select an appropriate
room size to match to your listening room.
As you turn the jog, the room size changes as follows.
•To select your appropriate room size, see “Room size and
the speaker distance/output level” on page 16.
*“L” is the initial setting.
6
Press SET.
QUICK SPEAKER SETUP is now completed, then the display
goes back to SETTING menu.
7
Press SETTING.
NOTES
• This procedure will not be completed if you stop in the middle of
the setting process.
• Once Quick Speaker Setup is performed, the speaker output
levels are also set to appropriate values automatically (common
to all sources). If you want to set the speaker output levels
separately for each source, see “Adjusting the speaker output
levels” on page 22.
CONTINUED ON THE NEXT PAGE
15
Speakers (channels) number and the size
You can find how each of the speaker size is defined according to
the number of connected speakers (speaker channel “ch” number)
you select.
• Subwoofer is counted as 0.1 channel.
The size of connected speakers
CHL/RCLS/RSSBSUBWFR
2.0CHLARGENONENONENONENO
2.1CHSMALLNONENONENONEYES
3.0CHLARGESMALLNONENONENO
3.1CHSMALLSMALLNONENONEYES
4.0CHLARGENONESMALLNONENO
4.1CHSMALLNONESMALLNONEYES
5.0CHLARGESMALLSMALLNONENO
5.1CHSMALLSMALLSMALLNONEYES
6.0CHLARGESMALLSMALLNO
6.1CHSMALLSMALLSMALLYES
7.0CHLARGESMALLSMALLNO
7.1CHSMALLSMALLSMALLYES
SMALL
(1SPK)
SMALL
(1SPK)
SMALL
(2SPK)
SMALL
(2SPK)
Room size and the speaker distance/output level
According to the selected room size, speaker distance and
speaker output level for each activated speaker is set as follows:
Room size
SpeakerDistance
LL/R3.0 m (10 ft)0 dB
(Large)C3.0 m (10 ft)0 dB
LS/RS3.0 m (10 ft)0 dB
SBL(SB)/SBR3.0 m (10 ft)0 dB
ML/R2.7 m (9 ft)0 dB
(Medium)C2.4 m (8 ft)–2 dB
LS/RS2.1 m (7 ft)–3 dB
SBL(SB)/SBR1.8 m (6 ft)–4 dB
SL/R2.4 m (8 ft)0 dB
(Small)C2.1 m (7 ft)–2 dB
LS/RS1.5 m (5 ft)–4 dB
SBL(SB)/SBR1.2 m (4 ft)–6 dB
NOTE
Abbreviations used in the tables above stand for the following
speakers and the subwoofer:
- L: Left front speaker
- R: Right front speaker
- C: Center speaker
- LS: Left surround speaker
- RS: Right surround speaker
- SB: Surround back speaker
- SBL: Left surround back speaker
- SBR: Right surround back speaker
- SUBWFR: Subwoofer
Output
level
Basic setting items
You can adjust the following items. See pages in parentheses for
details.
•You cannot select the items which is not available with the
current setting. For example, when the speaker channel number
is set to “
the following items:
S BACK OUT, S BACK DIST, S BACK L DIST, S BACK R DIST
ItemsTo do
QUICK SPK SET Register the number of speakers you connect
SUBWOOFER*Register your subwoofer. (17)
FRONT SPK*Register your front speaker size. (17)
CENTER SPK*Register your center speaker size. (17)
SURROUND SPK* Register your surround speaker size. (17)
S BACK SPK*Register your surround back speaker size.
S BACK OUT*Register the number of your surround back
DIST UNITSelect the measuring unit for the speaker
FRONT L DIST*Register the distance from the left front
FRONT R DIST*Register the distance from the right front
CENTER DIST*Register the distance from the center speaker
SURR L DIST*Register the distance from the left surround
SURR R DIST*Register the distance from the right surround
S BACK DIST*Register the distance from the surround back
S BACK L DIST* Register the distance from the left surround
S BACK R DIST* Register the distance from the right surround
EX/ES/PLIIxSelect the EX/ES/PLIIx reproduction mode.
DUAL MONOSelect the Dual Mono sound channel. (19)
SUBWOOFER OUT
CROSSOVERSelect the cutoff frequency to the subwoofer.
LFE ATTAttenuate the bass (LFE) sounds. (19)
MIDNIGHT MODE
DIGITAL IN 1Select the component connected to the digital
DIGITAL IN 2Select the component connected to the digital
AUTO MODESelect Auto Function mode. (20)
DVD VIDEO INSelect the type of video terminal used for the
VIDEO VIDEOINSelect the type of video terminal used for the
* If you have used Quick Speaker Setup on page 15, these
settings are not required.
<5.1ch>” in Quick Speaker Setup, you cannot select
and the size of your listening room. (15)
(17)
speaker(s). (17)
distance. (18)
speaker to your listening point. (18)
speaker to your listening point. (18)
to your listening point. (18)
speaker to your listening point. (18)
speaker to your listening point. (18)
speaker to your listening point. (18)
back speaker to your listening point. (18)
back speaker to your listening point. (18)
(18)
Select sounds emitted from the subwoofer.
(19)
(19)
Reproduce a powerful sound at night. (19)
coaxial terminal—1(DVR/DVD). (20)
optical terminal—2(VIDEO). (20)
DVD recorder or DVD player. (20)
component connected to the VIDEO IN jacks
on the rear of the receiver. (20)
16
Operating procedure
S.WFR
2,4
1,7
3,5
L
S.WFR
R
ANALOG
DVR/DVD
VIDEO
TV
VCR
L
S.WFR
R
ANALOG
L
S.WFR
R
ANALOG
CENTER SPK
SURROUND SPK
FRONT R DIST
CENTER DIST
(Back to the beginning)
S BACK SPK
SUBWOOFER
FRONT SPK
DIST UNIT
FRONT L DIST
SURR L DIST
S BACK DIST
SURR R DIST
DUAL MONO
CROSSOVER
SUBWOOFER OUT
EX/ES/PLIIx
LFE ATT
MIDNIGHT MODE
DVD VIDEO IN
VIDEO VIDEOIN
DIGITAL IN 1DIGITAL IN 2
QUICK SPK SET
S BACK OUT
S BACK L DIST
S BACK R DIST
AUTO MODE
Setting the speakers
To obtain the best possible surround effect from the Surround and
DSP modes, register the setting about the speaker after all
connections are completed.
• If you have used Quick Speaker Setup on page 15, this setting
is not required.
On the front panel ONLY:
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 1 again.
Ex.: When setting DIGITAL IN 1 terminal.
1
Press SETTING.
MULTI JOG now works for the setting operation.
2
Turn MULTI JOG until the item you want to set
appears on the display.
• As you turn MULTI JOG, the setting items change as
follows:
Setting subwoofer information—SUBWOOFER
Select whether you have connected a subwoofer or not.
SUBWFR <YES>Select when you have connected a
SUBWFR <NO>Select when you have disconnected a
Initial setting: SUBWFR
subwoofer.
The subwoofer indicator (
on the display. You can adjust the
subwoofer output level (see page 22).
subwoofer. Selecting this changes the
front speaker size to “LRG” (see below).
) lights up
<NO>
Setting the speaker size—FRONT SPK (front
speakers), CENTER SPK (center speaker),
SURROUND SPK (surround speakers), S BACK SPK
(surround back speakers)
Register the sizes of all the connected speakers.
<LRG> (large)Select when the cone speaker size is
larger than 12 cm.
<SML> (small)Select when the cone speaker size is
smaller than 12 cm.
<NO>Select when you have disconnected a
speaker. (Not selectable for the front
speakers.)
3
Press SET.
The current setting of the selected item appears.
4
Turn MULTI JOG to select the appropriate
setting.
Your setting is stored.
5
Press SET.
6
Repeat steps 2 to 5 to set other items if
necessary.
7
Press SETTING.
The source indication resumes on the display.
Initial setting: <LRG> (for the front speakers)
<SML> (for other speakers)
Setting the surround back speaker(s)—S BACK OUT
Register the number of the surround back speaker(s).
SB OUT <1SPK> Select when you use 1 surround back
speaker.
SB OUT <2SPK> Select when you use 2 surround back
speakers.
Initial setting: SB OUT <2SPK>
NOTES
• If you have selected “SML (small)” for the front speaker size,
you cannot select “LRG (large)” for other speakers.
• When “SUBWOOFER” is set to “SUBWFR <NO>,” the front
speaker size is fixed to “LRG” (and you cannot select “SML”).
• When “SURROUND SPK” is set to “SML (small),” you cannot
select “LRG (large)” for the surround back speaker.
• When “SURROUND SPK” is set to “NO,” the surround back
speaker is fixed to “NO.”
• When “S BACK SPK” is set to “NO,” you cannot select “S BACK
OUT.”
• When “SB OUT” is set to “<1SPK>,” connect the surround back
speaker to the left surround back speaker terminal (see page 6).
No sound comes from the surround back speaker if you connect
it to the right surround back speaker terminal.
17
Setting the speaker distance
4
5
6
C
L
R
LS
RS
SBL
SBR
2.1 m
(7 ft)
2.4 m
(8 ft)
2.7 m
(9 ft)
3.0 m
(10 ft)
3.3 m
(11 ft)
The distance from your listening point to the speakers is one of
the important elements to obtain the best possible sound effect
from the Surround/DSP modes.
By referring to the speaker distance, the receiver automatically
sets the delay time of the sound through each speaker so that
sounds through all the speakers can reach you at the same time.
7 Measuring unit—DIST UNIT
Select which measuring unit you use.
UNIT <meter> Select to set the distance in meters.
UNIT <feet>Select to set the distance in feet.
Initial setting: UNIT <meter>
7 Speaker distance—
FRONT L DIST (for the left front speaker),
FRONT R DIST (for the right front speaker),
CENTER DIST (for the center speaker),
SURR L DIST (for the left surround speaker),
SURR R DIST (for the right surround speaker),
S BACK L DIST (for the left surround back speaker),
S BACK R DIST (for the right surround back speaker)
Adjustable range: 0.3 m to 9.0 m in 0.3 m intervals
(1 ft to 30 ft in 1 ft intervals)
Initial setting: 3.0 m (10 ft) for all speakers
Activating the EX/ES/PLIIx setting—
EX/ES/PLIIx
Depending on this setting, available Surround modes for digital
multi-channel software vary—EX/ES/PLIIx (7.1-channel)
reproduction or 5.1-channel reproduction. Select an appropriate
setting for your enjoyment.
•For details about relation between EX/ES/PLIIx setting and
available Surround mode, see page 34.
•To activate the Surround mode, see page 35.
<AUTO>According to the incoming signal, an appropriate
Surround mode is applied.
•For Dolby Digital Surround EX and DTS-ES
software, 6.1-channel reproduction is applied*.
•For other multi-channel (more than 4 channel)
encoded software, 5.1-channel reproduction is
applied.
<ON>Select to apply 6.1-channel reproduction to both
5.1-channel and 6.1-channel encoded software.
<PLIIx MOVIE>Select to apply PLIIx MOVIE (7.1-channel)
reproduction to both 5.1-channel and 6.1channel encoded software.
<PLIIx MUSIC>Select to apply PLIIx MUSIC (7.1-channel)
reproduction to both 5.1-channel and 6.1channel encoded software.
<OFF>Select to cancel the EX/ES/PLIIx (7.1-channel)
reproduction.
Initial setting: <AUTO>
*For some Dolby Digital Surround EX software, Dolby Digital 5.1-
channel reproduction (“DOLBY DIGITAL”) may be applied even
though you have selected “<AUTO>”. In this case, select
“<ON>”to apply“DOLBY D EX.”
From the remote control:
Press EX/ES/PLIIx repeatedly to select either one of the
above.
7
9
8
10
10
0
In this case, set the distance as follows:
Left front speaker (L):“FRONT L <3.0m> (10ft)”
Right front speaker (R):“FRONT R <3.0m> (10ft)”
Center speaker (C):“CENTER <3.0m> (10ft)”
Left surround speaker (LS):“SURR L <2.7m> (9ft)”
Right surround speaker (RS):“SURR R <2.7m> (9ft)”
Left surround back speaker (SBL) :“SBACK L <2.4m> (8ft)”
Right surround back speaker (SBR) : “SBACK R <2.4m> (8ft)”
NOTES
•You cannot set the speaker distance for the speakers you have
set to “NO.”
• If you have selected “<1SPK>” for “S BACK OUT” (see page
17), “S BACK DIST” appears instead of “S BACK L DIST” and
“S BACK R DIST.”
NOTES
• When “SURROUND SPK” is set to “NO” (see page 17), this
function is not available.
• When “S BACK SPK” is set to “NO” (see page 17), the Virtual
Surround Back (see page 34) is applied for EX/ES/PLIIx (6.1channel) reproduction.
18
Selecting the main or sub channel
DUAL MONO
setting
Ch 1
Ch 1
Ch 1
Ch 2
Ch 1Ch 1
SUBCh 2Ch 2Ch 2Ch 2Ch 2
Ch1
Ch 1+Ch 2Ch 1+Ch 2Ch 1+Ch 2
LRL RCLR
MAIN
ALL
SURROUND
OFF
With Surround Activated
CENTER SPK setting
SML/LRGNO
—DUAL MONO
You can select the playback sound (channel) you want while
playing digital software recorded (or broadcasted) in Dual Mono
mode (see page 32), which includes two monaural channels
separately. When the receiver detects Dual Mono signals, the
DUAL MONO indicator lights up on the display.
Setting the crossover frequency—CROSSOVER
Small speakers cannot reproduce the bass sounds efficiently. If
you use a small speaker in any position, this receiver
automatically reallocates the bass sound elements assigned to
the small speaker to the large speakers.
To use this function properly, set this crossover frequency level
according to the size of the small speaker connected.
• If you have selected “LRG (large)” for all speakers (see page
17), this function will not take effect (“CROSS OFF” appears).
D MONO <MAIN>Select to play back the main channel (Ch 1).*
Signal indicator “L” lights up while playing
back this channel.
D MONO <SUB> Select to play back the sub-channel (Ch 2).*
Signal indicator “R” lights up while playing
back this channel.
D MONO <ALL> Select to play back both the main and sub-
channels (Ch 1/Ch 2).*
Signal indicators “L” and “R” light up while
playing back these channels.
Initial setting: D MONO <MAIN>
* Dual Mono signals can be heard from the following speakers—L
(left front speaker), R (right front speaker), and C (center
speaker), with respect to the current Surround setting:
NOTE
The Dual Mono format is not identical with bilingual broadcasting
for TV programs. So this setting does not take effect while
watching such bilingual programs.
CROSS <80Hz> Select when the cone speaker unit built in the
speaker is about 12 cm.
CROSS <100Hz> Select when the cone speaker unit built in the
speaker is about 10 cm.
CROSS <120Hz> Select when the cone speaker unit built in the
speaker is about 8 cm.
CROSS <150Hz> Select when the cone speaker unit built in the
speaker is about 6 cm.
CROSS <200Hz> Select when the cone speaker unit built in the
speaker is less than 5 cm.
Initial setting: CROSS <100Hz>
NOTE
Crossover frequency is not valid for the HEADPHONE and 3D
HEADPHONE modes.
Setting the low frequency effect attenuator—LFE
ATT
If the bass sound is distorted while playing back software
encoded with Dolby Digital or DTS, set the LFE level to eliminate
distortion.
• This function takes effect only when the LFE signals come in.
LFE <0dB> Normally select this.
LFE <–10dB>Select when the bass sound is distorted.
Initial setting: LFE <0dB>
Setting bass sound
Setting subwoofer output—SUBWOOFER OUT
The subwoofer emits the LFE signals* and the bass elements of
each speaker set to “SML.”
You can make the bass elements of the front speaker channels
(MAIN) emitted through the subwoofer.
SW <LFE>Select to emit the LFE signals and the bass
SW <LFE+MAIN> Select to emit the bass elements of the front
Initial setting: SW <LFE>
NOTE
• When “SUBWOOFER” is set to “SUBWFR <NO>” (see page
17), this function is not available.
* The LFE signals are emitted only when playing the following
software with the LFE signals:
-Dolby Digital multi channel software
-DTS multi channel software
When playing analogue source or linear PCM software, no LFE
signals are emitted.
elements of each speaker set to “SML.”
speakers' channels (MAIN) when no bass
elements are emitted through the subwoofer
in “SW <LFE>.”
Using the Midnight mode
—MIDNIGHT MODE
You can enjoy a powerful sound at night using the Midnight mode.
When the Midnight mode is activated, the MIDNIGHT indicator
lights up on the display.
MIDNIGHT <OFF>Select when you want to enjoy surround
with its full dynamic range. (No effect
applied.)
MIDNIGHT <1>Select when you want to reduce the
dynamic range a little.
MIDNIGHT <2>Select when you want to apply the
compression effect fully (useful at night).
Initial setting: MIDNIGHT <OFF>
19
Setting the digital input (DIGITAL IN)
terminals—DIGITAL IN 1/2
When you use the digital input terminals, register what
components are connected to which terminals—DIGITAL IN 1/2
(see page 10) so that the correct source name will appear when
you select the digital source.
Select one of the following components for each terminal:
DVR/DVD For the DVD player (or DVD recorder).
VIDEOFor the component connected to the VIDEO IN jacks
on the rear of the receiver.
VCRFor the VCR.
TVFor the TV.
Initial setting: DVR/DVD (for “DIGITAL IN 1”)
VIDEO (for “DIGITAL IN 2”)
NOTES
•You cannot assign the same component for different terminals.
“DIGITAL IN 1” has the priority for assignment to “DIGITAL IN 2.”
Ex.: When “DIGITAL IN 1” is set to “DVR/DVD”, “DIGITAL IN 2”
is selectable for the other components.
Selecting the component video input
mode—DVD VIDEO IN/VIDEO VIDEO
IN
When you use the component video inputs for connecting the
DVD recorder (or DVD player), VCR, or other video components
(STB, for example), register the type of video input jacks.
If you have not selected appropriate video input jacks, you cannot
view the playback picture on the TV.
For the DVD recorder or DVD player (DVD VIDEO IN):
DVD <RGB/C/S> Select when connecting the DVD recorder
(or DVD player) to the SCART input, the
composite video or S-video input jacks.
DVD <CMPNT>Select when connecting the DVD recorder
(or DVD player) to the component video
input jacks.
Initial setting: DVD <RGB/C/S>
For the component connected to the VIDEO IN jacks on the
rear of the receiver (VIDEO VIDEOIN):
• Setting “DIGITAL IN 1” affects “DIGITAL IN 2” settings. When
you have changed “DIGITAL IN 1,” confirm the components
assigned to “DIGITAL IN 2.”
Setting the Auto Function mode
—AUTO MODE
The source will be selected automatically simply by turning on a
video component.
• This function takes effect for the video components connected
to the receiver using the SCART cable—DVR/DVD and VCR.
Auto Function mode works as follows:
• When a video component is turned on, the receiver selects the
video component as the source (and the TV input is changed
automatically).
• When a video component currently selected as the source is
turned off, the receiver changes the source to the video source
previously selected—DVR/DVD, VCR, or VIDEO.
MODE <AUTO1>Auto Function mode works when the
receiver is on.
MODE <AUTO2>Auto Function mode works whether or not
the receiver is on. When the receiver is
off, turning on a video component turns
on the receiver, then the video component
is selected as the source.
MODE <MANUAL> You need to select the source manually.
VIDEO <S/C>Select when connecting the video
component to the composite video or Svideo input jacks.
VIDEO <CMPNT> Select when connecting the video
component to the component video input
jacks.
Initial setting: VIDEO <S/C>
Initial setting: MODE <MANUAL>
When “MODE <AUTO 1>” or “MODE <AUTO2 >” is selected, the
AUTO MODE indicator lights up on the display.
NOTE
When selecting VCR as the source, only turning on the VCR may
not activate “MODE <AUTO1>.” If this happens, you may need to
start playback to activate Auto Function mode.
20
Sound adjustments
L
S.WFR
R
ANALOG
L
S.WFR
R
ANALOG
–10
0+10
L
S.WFR
R
ANALOG
CENTER LVL
SURR L LVL
D EQ 63Hz
D EQ 250Hz
(Back to the beginning)
SURR R LVL
FRONT L LVL
FRONT R LVL
S BACK L LVL
S BACK R LVL
D EQ 4kHz
BASS BOOST
D EQ 16kHz
LIVENESS
CENTER WIDTH
PANORAMA
ROOM SIZE
DIMENSION
CENTER GAINCENTER TONE
CENTER ALIGN
SUBWFR LVL
S BACK LVL
INPUT ATT
EFFECT
D EQ 1kHz
2,4
1,7
3,5
Operating procedure
On the front panel:
You can make sound adjustment to your preference after
completing basic setting.
Basic adjustment items
You can adjust the following items. See pages in parentheses for
details.
•You cannot select the items which is not available with the
current setting.
ItemsTo do
SUBWFR LVL*
FRONT L LVL*1*2Adjust the left front speaker output level.
FRONT R LVL*1*2Adjust the right front speaker output level.
CENTER LVL*1*2Adjust the center speaker output level. (22)
SURR L LVL*1*
SURR R LVL*1*2Adjust the right surround speaker output
S BACK LVL*1*
S BACK L LVL*1*2Adjust the left surround back speaker output
S BACK R LVL*1*2Adjust the right surround back speaker
D EQ 63Hz*
D EQ 250Hz*
D EQ 1kHz*
D EQ 4kHz*
D EQ 16kHz*
BASS BOOSTBoost the bass level. (23)
INPUT ATTAttenuate the input level of analogue source.
EFFECT*
ROOM SIZESelect the room size for your virtual listening
LIVENESSSelect the liveness level for your virtual
PANORAMAAdd “wraparound” sound effect with side-
CENTER WIDTHAdjust the center channel localization
DIMENSIONAdjust sound localization pattern. (24)
CENTER GAINAdjust the sound localization of the center
CENTER TONE*1Make the center tone soft or sharp. (24)
CENTER ALIGNAlign the vertical localization of the center
*1You can also use the remote control for the adjustment.
*2If you have used Quick Speaker Setup on page 15, these
settings are not required.
1
Adjust the subwoofer output level. (22)
(22)
(22)
2
Adjust the left surround speaker output level.
(22)
level. (22)
2
Adjust the surround back speaker output
level. (22)
level. (22)
output level. (22)
1
1
1
1
Adjust the equalization pattern of each
1
band. (22)
1
(23)
Adjust the effect level. (23)
room. (23)
listening room. (23)
wall image. (23)
between the center speaker and the left/
right speakers. (24)
channel. (24)
channel signals. (24)
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 1 again.
Ex.: When adjusting subwoofer output level.
1
Press ADJUST.
MULTI JOG now works for the sound adjustment.
2
Turn MULTI JOG until the item you want to
adjust appears on the display.
• As you turn MULTI JOG, the adjustment items change as
follows:
3
Press SET.
The current setting for the selected item appears.
4
Turn MULTI JOG to adjust the selected item.
Your adjustment is stored.
5
Press SET.
6
Repeat steps 2 to 5 to adjust other items if
necessary.
7
Press ADJUST.
The source indication resumes on the display.
21
Adjusting the speaker output levels
1
4
7
10
2
5
8
0
3
6
9
10
1
2,4
3
• SUBWFR LVL (subwoofer output level),
•FRONT L LVL (left front speaker output level),
•FRONT R LVL (right front speaker output level),
• CENTER LVL (center speaker output level),
• SURR L LVL (left surround speaker output level),
• SURR R LVL (right surround speaker output level),
•S BACK L LVL (left surround back speaker output level),
•S BACK R LVL (right surround back speaker output level)
You can adjust the speaker output levels.
Adjust all the speakers’ output levels so that you can listen to the
sounds from all the speakers at the same level.
• Once you have made an adjustment, it is memorized for each
source.
Adjustable range: –10 (dB) to +10 (dB) (in 1 step intervals)
Initial setting: 0 (dB) for all speakers
Adjusting the equalization patterns—
D EQ 63Hz/250Hz/1kHz/4kHz/16kHz
You can adjust equalization patterns in five frequency bands
(center frequency: 63 Hz, 250 Hz, 1 kHz, 4 kHz, 16 kHz) for the
front speakers.
• Once you have made an adjustment, it is memorized for each
source.
Adjustable range: –8 (dB) to +8 (dB) (in 2 dB intervals)
Initial setting: 0 (dB) for all bands
• When adjustment is made, the DIGITAL EQ indicator lights up
on the display.
If no adjustment is required, set all the frequency bands to
“0 (dB).”
• The DIGITAL EQ indicator goes off from the display.
NOTES
• If you have selected “NO” for a speaker (see page 17), the
output level for the corresponding speaker is not adjustable.
• If you have selected “<1SPK>” for “S BACK OUT” (see page
17), “S BACK LVL” appears instead of “S BACK L LVL” and “S
BACK R LVL.”
• While using the headphones, you can adjust only the left and
right front speakers’ output level.
From the remote control:
1
Press SOUND.
2
Press TEST to check the speakers’ output balance.
“TEST: FRONT L” starts flashing on the display, and a test
tone comes out of the speakers clockwise.
•You can adjust the speaker output levels without the test
tone.
3
Adjust the speaker output levels.
Press the numeric button corresponding to the
speaker you want to adjust, then LEVEL9 or LEVEL(
to adjust the output level.
From the remote control:
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 2 again.
1
Press SOUND.
2
Press D. EQ FREQ repeatedly to
select the band you want to adjust.
3
Press LEVEL9 or LEVEL( to
adjust the equalization pattern of
the selected band.
4
Repeat steps 2 and 3 to adjust
other bands.
NOTE
After pressing SOUND, the numeric buttons work for sound
adjustments. To use the numeric buttons to operate your target
source, press the corresponding source selecting button before
operation.
1
3
2
5
4
6
7
9
8
10
0
2
10
3
1
Ex.: To adjust the output level for the left front speaker
(L), press FRONT L, then LEVEL9 or LEVEL(.
4
Press TEST again to stop the test tone.
NOTES
• No test tone comes out of the speakers for which the
speaker setting is set to “NO” (see page 17).
• No test tone is available when the headphone is in use.
• If you have selected “<1SPK>” for “S BACK OUT” (see
page 17), press S BACK L, then LEVEL9 or LEVEL( to
adjust the output level.
• After pressing SOUND, the numeric buttons work for sound
adjustments. To use the numeric buttons to operate your
target source, press the corresponding source selecting
button before operation.
22
Adjusting the bass sounds
Reinforcing the bass—BASS BOOST
You can boost the bass level—Bass Boost.
• Once you have made an adjustment, it is memorized for each
source.
•You cannot use the remote control for this setting.
B BOOST <ON>Select to boost the bass level.
The B.BOOST indicator lights up on the
display.
B BOOST <OFF>Select to deactivate the Bass Boost.
Initial setting: B BOOST <OFF>
NOTE
This function affects only the sound coming out through the front
speakers.
From the remote control:
Press SOUND, then EFFECT to select the level you want to
adjust.
1
3
2
5
4
6
7
9
8
10
10
0
NOTE
After pressing SOUND, the numeric buttons work for sound
adjustments. To use the numeric buttons to operate your target
source, press the corresponding source selecting button before
operation.
Attenuating the input signal—INPUT ATT
When the input level of analogue source is too high, the sound
will be distorted. If this happens, you need to attenuate the input
signal level to prevent the sound distortion.
• Once you have made an adjustment, it is memorized for each
source.
•You cannot use the remote control for this setting.
ATT <ON>Select to attenuate the input signal level.
The INPUT ATT indicator lights up on the
display.
ATT <NORMAL> Select to deactivate attenuation.
Initial setting: ATT <NORMAL>
Adjusting the sound parameters for
the Surround/DSP modes
You can adjust the Surround/DSP sound parameters to your
preference.
•For details about the Surround/DSP modes, see pages 31 to 35.
Adjusting the effect level for DSP modes—EFFECT
This setting is available only when one of the DSP modes (except
ALL CH STEREO) is in use. To activate DSP mode, see page 35.
• Once you have made an adjustment, it is memorized for each
DSP mode.
Adjustable range: 1 to 5 (in 1 step intervals)
Initial setting: EFFECT <3>
As the number increases, the effect becomes stronger.
Normally, select “3.”
Adjusting the virtual room size for DSP modes—
ROOM SIZE
This setting is available only when one of the DSP modes (except
ALL CH STEREO) is in use. To activate DSP mode, see page 35.
• If “SURROUND SPK” is set to “<NO>” (see page 17), this item
is not adjustable.
• Once you have made an adjustment, it is memorized for each
DSP mode.
•You cannot use the remote control for this setting.
Adjustable range: 1 to 5 (in 1 step intervals)
Initial setting: ROOM SIZE <3>
As the number increases, the interval between reflections
increases so that you will feel as if you were in a larger room.
Normally, select “3.”
Adjusting the liveness effect for DSP modes—
LIVENESS
This setting is available only when one of the DSP modes (except
ALL CH STEREO) is in use. To activate DSP mode, see page 35.
• If “SURROUND SPK” is set to “<NO>” (see page 17), this item
is not adjustable.
• Once you have made an adjustment, it is memorized for each
DSP mode.
•You cannot use the remote control for this setting.
Adjustable range: 1 to 5 (in 1 step intervals)
Initial setting: LIVENESS <3>
As the number increases, the attenuation level of reflections over
time decreases so that acoustics change from “Dead” to “Live.”
Normally, select “3.”
Adjusting the panorama control for Pro Logic IIx
Music and Pro Logic II Music—PANORAMA
This setting is available when Pro Logic IIx Music or Pro Logic II
Music is activated for the analogue or digital 2-channel sound
signal. To activate Pro Logic IIx Music or Pro Logic II Music, see
page 35.
• Once you have made an adjustment, it is memorized until you
change the setting.
•You cannot use the remote control for this setting.
PANORAMA <ON>Select to add “wraparound” sound effect
with side-wall image.
PANORAMA <OFF> Select to listen to originally recorded
sound.
Initial setting: PANORAMA <OFF>
23
Adjusting the center channel localization for Pro
Logic IIx Music and Pro Logic II Music—CENTER
WIDTH
This setting is available when Pro Logic IIx Music or Pro Logic II
Music is activated for the analogue or digital 2-channel sound
signal. To activate Pro Logic IIx Music or Pro Logic II Music, see
page 35.
• If “CENTER SPK” is set to “NO” (see page 17), this item is not
adjustable.
• Once you have made an adjustment, it is memorized until you
change the setting.
•You cannot use the remote control for this setting.
Adjustable range: OFF and 1 to 7 (in 1 step intervals)
Initial setting: C WIDTH
<3>
As the number increases, the center channel sound moves
toward the left and right speakers.
Normally, select “3.”
Adjusting the sound localization position for Pro
Logic IIx Music and Pro Logic II Music—
DIMENSION
This setting is available when Pro Logic IIx Music or Pro Logic II
Music is activated for the analogue or digital 2-channel sound
signal. To activate Pro Logic IIx Music or Pro Logic II Music, see
page 35.
• Once you have made an adjustment, it is memorized until you
change the setting.
•You cannot use the remote control for this setting.
Adjustable range: 1 to 7 (in 1 step intervals)
Initial setting: DIMENSION <4>
As the number increases, the sound localization moves towards
forward from backward.
Normally, select “4.”
Adjusting the sound localization of the center
channel—CENTER GAIN
This setting is available only when Neo:6 Music is in use.
• If “CENTER SPK” is set to “NO” (see page 17), this item is not
adjustable.
• Once you have made an adjustment, it is memorized until you
change the setting.
•You cannot use the remote control for this setting.
Adjustable range: 0 to 1.0 (in 0.1 step intervals)
Initial setting: C GAIN <0.3>
As the number increases, the center channel will be localized
clearly.
Normally, select “0.3.”
Adjusting the center tone—CENTER TONE
This setting is available when one of the Surround/DSP modes is
in use. To activate Surround/DSP mode, see page 35.
• If “CENTER SPK” is set to “NO” (see page 17), this item is not
adjustable.
• This setting is common to all Surround modes, and is
memorized separately for DSP modes.
Adjustable range: 1 to 5 (in 1 step intervals)
Initial setting: C TONE <3>
As the number increases, the dialogue becomes stronger.
Normally, select “3.”
• When the center tone is set to other than “C TONE <3>,” the
C.TONE indicator lights up on the display.
From the remote control:
Press SOUND, then C. TONE to select the level you want to
adjust.
1
3
2
5
4
6
7
9
8
10
10
0
NOTE
After pressing SOUND, the numeric buttons work for sound
adjustments. To use the numeric buttons to operate your target
source, press the corresponding source selecting button before
operation.
Aligning the vertical localization of the center
channel for Surround/DSP modes—CENTER ALIGN
This setting is available when one of the Surround/DSP modes
(except Pro Logic llx Music, Pro Logic ll Music, NEO:6 Music, and
ALL CH STEREO) is in use. To activate Surround/DSP mode, see
page 35.
• If “CENTER SPK” is set to “NO” (see page 17), this item is not
adjustable.
• Once you have made an adjustment, it is memorized for each
Surround/DSP mode.
•You cannot use the remote control for this setting.
C ALIGN <ON>Select this when you cannot feel as if the
C ALIGN <OFF> Center alignment is turned off.
actors or singers are speaking or singing on
the screen.
24
Initial setting: C ALIGN <OFF>
Tuner operations
1
4
7
10
2
5
8
0
3
6
9
10
FM/AM
TUNING/REW
MEMORY
FF/TUNING
FM MODE
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
Tuner operations are mainly done from the remote control.
Tuning in to stations manually
From the remote control ONLY:
1
Press FM/AM to select the band.
The last received station of the selected band is tuned in.
• Each time you press the button, the band alternates
between FM and AM (MW).
2
Press repeatedly or hold TUNING 9 or
( TUNING until the station you want is tuned
in.
• Pressing (or holding) TUNING 9 increases the frequency.
• Pressing (or holding) ( TUNING decreases the frequency.
NOTES
• When you hold and release TUNING 9 or ( TUNING, the
frequency keeps changing until a station is tuned in.
• When a station of sufficient signal strength is tuned in, the
TUNED indicator lights up on the display.
• When an FM stereo program is received, the STEREO indicator
also lights up.
NOTE
When you have selected “FM” or “AM” by using SOURCE
SELECTOR on the front panel, the remote control may not
work for tuner operations. To use the remote control for tuner
operations, select “FM” or “AM” by using FM/AM button on the
remote control.
Using preset tuning
Once a station is assigned a channel number, the station can be
quickly tuned simply by selecting the number. You can preset up to
30 FM and 15 AM (MW) stations.
To store the preset stations
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 2 again.
From the remote control ONLY:
1
Tune in to the station you want to preset (see
“Tuning in to stations manually” above).
• If you want to store the FM reception mode for this station,
select the FM reception mode you want. See “Selecting the
FM reception mode” on page 26.
2
Press MEMORY.
The channel number position starts flashing on the display for
about 5 seconds.
CONTINUED ON THE NEXT PAGE
25
3
2
1,3
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
Press the numeric buttons (1 – 10, +10) to
select a channel number while the channel
number position is flashing.
•For channel number 5, press 5.
•For channel number 15, press +10, then 5.
•For channel number 30, press +10, +10, then 10.
4
Press MEMORY again while the selected
channel number is flashing on the display.
The selected channel number stops flashing.
The station is assigned to the selected channel number.
5
Repeat steps 1 to 4 until you store all the
stations you want.
To erase a stored preset station
Storing a new station on a used channel number erases the
previously stored one.
To tune in a preset station
From the remote control:
1
Press FM/AM to select the band.
The last received station of the selected band is tuned in and
the numeric buttons now work for tuner operations.
• Each time you press the button, the band alternates
between FM and AM (MW).
On the front panel:
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 2 again.
1
Turn SOURCE SELECTOR to select “FM” or
“AM.”
The last received station of the selected band is tuned in.
2
Press TUNER PRESET.
“P” appears on the display, and MULTI JOG now works for
selecting preset channels.
3
Turn MULTI JOG to select a preset channel
number.
•To increase the preset channel numbers, turn MULTI JOG
clockwise.
•To decrease the preset channel numbers, turn MULTI JOG
counterclockwise.
Selecting the FM reception mode
When an FM stereo broadcast is hard to receive or noisy, you can
change the FM reception mode while receiving an FM broadcast.
•You can store the FM reception mode for each preset station
(see page 25).
2
Press the numeric buttons (1 – 10, +10) to
select a preset channel number.
•For channel number 5, press 5.
•For channel number 15, press +10, then 5.
•For channel number 30, press +10, +10, then 10.
From the remote control ONLY:
While listening to an FM station, press FM MODE.
• Each time you press the button, the FM reception mode
alternates between “AUTO MUTING” and “MONO.”
AUTO MUTINGNormally select this.
When a program is broadcast in stereo,
you will hear stereo sound; when in
monaural, you will hear monaural sound.
This mode is also useful to suppress
static noise between stations. The AUTO
MUTING indicator lights up on the display.
MONOSelect this to improve the reception (but
stereo effect will be lost).
In this mode, you will hear noise while
tuning in to the stations. The AUTO
MUTING indicator goes off from the
display. (The STEREO indicator also goes
off.)
Initial setting: AUTO MUTING
26
Using the Radio Data System (RDS)
L
S.WFR
R
TUNED
STEREO
AUTO MUTING
MHz
ANALOG
RDS
PSPTY
RT
Frequency
(Normal indication)
FM/AM
1
4
7
10
2
5
8
0
3
6
9
10
TA/NEWS/INFO
PTY-PTY SEARCH-PTY
DISPLAY MODE
to receive FM stations
Only the buttons on the remote control are used for RDS
operations.
With the receiver, you can receive the following types of RDS
signals:
PS (Program Service):Shows commonly known station
names.
PTY (Program Type):Shows types of broadcast
programs.
RT (Radio Text):Shows text messages the station
sends.
Enhanced Other Networks:See page 30.
NOTES
• RDS is not available for AM (MW) broadcasts.
• RDS may not operate correctly if the station tuned is not
transmitting RDS signal properly or if the signal strength is
weak.
What information can RDS signals provide?
You can see the RDS signals the station sends on the display.
Press DISPLAY MODE while listening to an FM
station.
• Each time you press the button, the display changes to show
the following information:
RDS allows FM stations to send an additional signal along with
their regular program signals. For example, the stations send their
station names, as well as information about what type of program
they broadcast, such as sports or music, etc.
When an FM station which provides the RDS service is tuned in,
the RDS indicator lights up on the display.
RDS indicator
PS (Program Service):
While searching, “PS” appears and then the station names will
be displayed. “NO PS” appears if no signal is sent.
PTY (Program Type):
While searching, “PTY” appears and then the type of the
broadcast program will be displayed. “NO PTY” appears if no
signal is sent.
RT (Radio Text):
While searching, “RT” appears and then text messages the
station sends will be displayed. “NO RT” appears if no signal is
sent.
Frequency:
Station frequency (non-RDS service).
About characters shown on the display
When the display shows PS, PTY, or RT signals, the following
characters are used:
• The display cannot show accented letters, “A” for instance, may
stand for accented “A’s” like “Å, Ä, Ã, Á, À, Â, å, ä, ã, á, à, and
â.”
NOTE
If searching finishes at once, “PS,” “PTY,” and “RT” will not appear
on the display.
27
Searching for a program by PTY
Travel
Affairs
Rock M (Music)
Religion
Easy M (Music)
Children
Classics
Finance
Weather
Other M (Music)
Social
Phone In
Light M (Music)
Info (Information)
Sport
Educate (Education)
Folk M (Music)
Oldies
Drama
Nation M (Music)
Culture
Jazz
Varied
Pop M (Music)
Country
Science
Leisure
Alarm !
TEST
Document
None
News
codes
One of the advantages of the RDS service is that you can locate a
particular kind of program from the preset channels (see pages
25 and 26) by specifying the PTY codes.
To search for a program using the PTY codes
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 1 again.
1
Press PTY SEARCH while listening to an FM
station.
“PTY SELECT” flashes on the display.
2
While “PTY SELECT” is flashing, press PTY 9
or ( PTY until the PTY code you want appears
on the display.
3
Press PTY SEARCH again, while the PTY code
selected in the previous step is still on the
display.
While searching, “SEARCH” and the selected PTY code
alternatively appears on the display.
The receiver searches 30 preset FM stations, stops when it
finds the one you have selected, and tunes in to that station.
•To stop searching any time, press PTY SEARCH while
searching.
• If no program is found, “NOT FOUND” appears on the
display.
PTY codes
To continue searching after the first stop
Press PTY SEARCH again while the indications on the display
are flashing.
•For details about each code, see “Description of the PTY
codes” on page 29.
28
Description of the PTY codes:
News:News.
Affairs:Topical program expanding or enlarging upon the
news—debate or analysis.
Info (Information): Programs the purpose of which is to impart
advice in the widest sense.
Sport:Programs concerned with any aspect of sports.
Educate (Education): Educational programs.
Drama:All radio plays and serials.
Culture:Programs concerning any aspect of national or
regional culture, including language, theatre, etc.
Science:Programs about natural sciences and technology.
Varied:Used for mainly speech-based programs such as
quizzes, panel games and personality interviews.
Pop M (Music):Commercial music of current popular appeal.
Rock M (Music): Rock music.
Easy M (Music): Current contemporary music considered to be
“easy-listening.”
Light M (Music): Instrumental music, and vocal or choral works.
Classics:Performances of major orchestral works,
symphonies, chamber music, etc.
Other M (Music): Music not fitting into any of the other categories.
Weather:Weather reports and forecasts.
Finance:Stock Market reports, commerce, trading, etc.
Children:Programs targeted at a young audience.
Social:Programs about sociology, history, geography,
psychology and society.
Religion:Religious programs.
Phone In:Involving members of the public expressing their
views either by phone or at a public forum.
Tra vel:Tr avel information.
Leisure:Programs about recreational activities.
Jazz:Jazz music.
Country:Songs which originate from, or continue the
musical tradition of the American Southern
States.
Nation M (Music): Current popular music of the nation or region
in that country’s language.
Oldies:Music from the so-called “golden age” of popular
music.
Folk M (Music):Music which has its roots in the musical culture of
Alarm !:Emergency announcement.
None:No program type, unidentified program, or difficult
to categorize into particular types.
Classification of the PTY codes for some FM stations may be
different from the above list.
29
Switching to broadcast program of
TA
NEWS/INFO
TA/INFO
NEWS
TA/NEWS/INFO
INFO
TA/NEWS
Canceled
your choice temporarily
Another convenient RDS service is called “Enhanced Other
Networks.”
This allows the receiver to switch temporarily to a broadcast
program of your choice (TA, NEWS, and/or INFO) from a different
station except in the following case:
• The Enhanced Other Networks mode only works when
receiving an FM station with the Enhanced Other Networks
code.
Before you start, remember...
The Enhanced Other Networks function is only applicable to
preset FM stations.
Press TA/NEWS/INFO repeatedly until the
program type you want appears on the display.
• Each time you press the button, the program type(s) change,
and the corresponding indicator(s) light up as follows:
To stop listening to the program selected by Enhanced Other
Networks
Press TA/NEWS/INFO repeatedly again so that the program type
(TA/NEWS/INFO) indicator goes off from the display. The receiver
exits from Enhanced Other Networks standby mode and goes
back to the previously selected station.
When an emergency broadcast (Alarm ! signal) is sent from
an FM station
The receiver automatically tunes in to the station except in the
following cases:
• When you are listening to non-RDS Networks—all AM (MW)
stations, some FM stations and other sources.
• When the receiver is in standby mode.
While receiving an emergency broadcast, “Alarm !” appears on
the display.
The TEST signal is used for equipment test—whether it can
receive the Alarm ! signal correctly
The TEST signal makes the receiver work in the same way as the
Alarm ! signal does. If the TEST signal is received, the receiver
automatically switches to the station broadcasting the TEST
signal.
While receiving the TEST signal, “TEST” appears on the display.
TA:Tr affic Announcement in your area.
NEWS: News.
INFO:Program the purpose of which is to impart advice in the
widest sense.
How the Enhanced Other Networks function actually works:
If another FM station starts broadcasting the program type
you have selected while you are listening to an FM station
The receiver automatically switches to the station. The
indicator of the received program type starts flashing.
‘
When the program is over, the receiver goes back to the
station previously tuned in, but still remains in Enhanced Other
Networks standby mode. The indicator of the received program
type stops flashing and remains lit.
If the station currently tuned in starts broadcasting the
program type you have selected
The receiver continues to receive the station, but the indicator
of the received program type starts flashing.
‘
When the program is over, the indicator of the received
program type stops flashing and remains lit, but the receiver
remains in Enhanced Other Networks standby mode.
NOTES
• Enhanced Other Networks data sent from some stations may
not be compatible with this receiver.
• Enhanced Other Networks does not function for some FM
stations with RDS service.
• While listening to a program tuned in by the Enhanced Other
Networks function, the station does not change even if another
network station starts broadcasting a program of the same
Enhanced Other Networks data.
• While listening to a program tuned in by the Enhanced Other
Networks function, you can only use the TA/NEWS/INFO and
DISPLAY MODE.
CAUTION:
If the stations alternate intermittently between the station tuned by
the Enhanced Other Networks function and the currently tuned
station, press TA/NEWS/INFO repeatedly to cancel the Enhanced
Other Networks function.
If you do not press the button, the currently tuned station is
received finally, and the indication of the Enhanced Other
Networks data type flashing on the display disappears.
30
Creating realistic
L
R
LS
RS
SBL
C
SW
SBR
(SB)
sound fields
Reproducing theatre ambience
In a movie theatre, many speakers are located on the walls to
reproduce impressive multi-channel sound, reaching you from all
directions.
With these many speakers, sound localization and sound
movement can be expressed.
Surround/DSP modes built in this receiver can create almost the
same Surround sound as you can feel in a real movie theatre.
Introducing the Surround modes
■ Dolby Digital*
Dolby Digital is a digital signal compression method, developed by
Dolby Laboratories, and enables multi-channel encoding and
decoding.
• When Dolby Digital signal is detected through the digital input,
the indicator lights up on the display.
Dolby Digital 5.1CH
Dolby Digital 5.1CH (DOLBY DIGITAL) encoding method records
and digitally compresses the left front channel, right front channel,
center channel, left surround channel, right surround channel, and
LFE channel signals (total 6 channels, but the LFE channel is
counted as 0.1 channel. Therefore, called 5.1 channel).
Dolby Digital enables stereo surround sounds, and sets the cutoff
frequency of the surround treble at 20 kHz, compared to 7 kHz for
Dolby Pro Logic. As such, the sound movement and “being-there”
feeling are enhanced much more than Dolby Pro Logic.
Dolby Digital EX
Dolby Digital EX (DOLBY D EX) is a digital surround encoding
format that adds the third surround channels, called “surround
back.”
Compared to the conventional Dolby Digital 5.1CH, these newly
added surround back channels can reproduce more detailed
movements behind you while viewing the video software. In
addition, surround sound localization will become more stable.
■ Dolby Surround
Dolby Pro Logic II
Dolby Pro Logic II is a multi-channel playback format to convert
2-channel software into 5-channel (plus subwoofer). The matrixbased conversion method used for Dolby Pro Logic II makes no
limitation for the cutoff frequency of the surround treble and
enables stereo surround sound.
• This receiver provides two types of Dolby Pro Logic II modes—
Pro Logic II Movie (PLII MOVIE) and Pro Logic II Music (PLII
MUSIC).
When Dolby Pro Logic II is activated, the indicator lights
up on the display.
PLII MOVIESuitable for playing any Dolby Surround encoded
PLII MUSICSuitable for playing any 2-channel stereo
* Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, and the double-D symbol are
trademarks of Dolby Laboratories.
software. You can enjoy a sound field very close
to the one created with discrete 5.1-channel
sounds.
software. You can enjoy wide and deep sounds.
CONTINUED ON THE NEXT PAGE
31
Dolby Pro Logic IIx
Dolby Pro Logic IIx is a newly introduced multi-channel playback
format to convert not only multi-channel software but 2-channel
software into 7.1 channel (or 6.1 channel) that developed from
Dolby Pro Logic II. The matrix-based conversion method used for
Dolby Pro Logic IIx makes no limitation for the cutoff frequency of
the surround treble.
• This receiver provides two types of Dolby Pro Logic IIx modes—
Pro Logic IIx Movie (PLIIx MOVIE) and Pro Logic IIx Music
(PLIIx MUSIC).
When Dolby Pro Logic IIx is activated, "PLIIx MOVIE" or "PLIIx
MUSIC" appear and the
display.
PLIIx MOVIE Suitable for playing any Dolby Surround encoded
software. You can enjoy a sound field with a
natural wraparound effect.
PLIIx MUSIC Suitable for playing any 2-channel stereo
software. You can enjoy wide and deep 7.1channel sounds.
indicator lights up on the
DTS Neo:6
DTS Neo:6 is another conversion method to create 6-channel
(plus subwoofer) from analogue/digital 2-channel software by
using the high precision digital matrix decoder used for DTS-ES
Matrix 6.1ch.
• This receiver provides the following DTS Neo:6 modes—Neo:6Cinema (NEO:6 CINEMA) and Neo:6 Music (NEO:6 MUSIC).
When one of them is activated, the NEO:6 indicator lights up on
the display.
NEO:6 CINEMA Suitable for playing movies. You can get the
same atmosphere with 2-channel software as
with 6.1-channel software. It is also effective for
playing software encoded with conventional
surround formats.
NEO:6 MUSIC Suitable for playing music software. The front
channel signals bypass the decoder (resulting in
no loss of sound quality) and the surround
signals transmitted through the other speakers
expand the sound field naturally.
•To enjoy software encoded with Dolby Digital, connect the
source component using the digital terminal on the rear of this
receiver. (See page 10.)
■ DTS**
DTS is another digital signal compression method, developed by
Digital Theater Systems, Inc., and enables multi-channel
encoding and decoding (1ch up to 6.1ch).
• When DTS signal is detected through the digital input, the
indicator lights up on the display.
DTS Digital Surround
DTS Digital Surround (DTS) is another discrete 5.1 channel
digital audio format available on CD, LD, and DVD software.
Compared to Dolby Digital, the DTS Digital Surround format has a
lower audio compression rate which enables it to add breadth and
depth to the sounds reproduced. As such, DTS Digital Surround
features natural, solid, and clear sound.
DTS Extended Surround (DTS-ES)
DTS-ES is another multi-channel digital encoding format.
It greatly improves the 360-degree surround impression and
space expression by adding the third surround channel—surround
back channel.
DTS-ES includes two signal formats with different surround signal
recording methods—DTS-ES Discrete 6.1ch (ES DISCRETE)
and DTS-ES Matrix 6.1ch (ES MATRIX).DTS-ES Discrete 6.1ch has been designed to encode (and
decode) a 6.1-channel signal discretely to avoid interference with
each channel.
DTS-ES Matrix 6.1ch has been designed to add an extra
surround channel to DTS Digital Surround 5.1-channel. By using a
matrix encoding/decoding method, an additional “surround back”
channel signal is encoded (and decoded) in both the left and right
surround channel signals.
DTS 96/24
In recent years, there has been increasing interest in higher
sampling rates both for recording and for reproducing at home.
Higher sampling rates allow wider frequency range and greater bit
depths provide extended dynamic range.
DTS 96/24 is a multi-channel digital signal format (fs 96 kHz/24
bits) introduced by Digital Theater Systems, Inc. to deliver “betterthan-CD sound quality” into the home.
• When DTS 96/24 signal is detected, the and 96/24
indicators light up. You can enjoy its 5.1-channel sound with fullquality.
** “DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks
of Digital Theater Systems, Inc.
When using Surround mode, the sounds come out of the
activated speakers which the Surround mode requires.
• If either “SURROUND SPK” or “CENTER SPK” is set to
“<NO>” in the speaker setting (see page 17), the
corresponding channel signals are allocated to and emitted
through the front speakers.
• If both “SURROUND SPK” and “CENTER SPK” are set to
“<NO>” in the speaker setting (see page 17), JVC’s original
3D-PHONIC processing (which has been developed to create
the surround effect through the front speakers only) is used. The
3D-PHONIC indicator lights up on the display.
3D HEADPHONE mode
If you connect a pair of headphones while one of the Surround
modes is in use, the 3D HEADPHONE mode is activated
without respect to the type of software played back.
“3D HEADPHONE” appears on the display and the DSP and
HEADPHONE indicators light up.
About other digital signals
Linear PCM
Uncompressed digital audio data used for DVDs, CDs, and
Video CDs.
DVDs support 2 channels with sampling rates of 48/96 kHz, at
quantization of 16/20/24 bits. On the other hand, CDs and
Video CDs are limited to 2 channels with 44.1 kHz at 16 bits.
• When Linear PCM signal is detected, the LINEAR PCM
indicator lights up.
Dual Mono
Dual Mono can be easily understood when you think of the
bilingual broadcast for TV programs (however, the Dual Mono
format is not identical with those analogue formats).
This format is now adopted in Dolby Digital, DTS, and so on. It
allows two independent channels (called main channel and
sub-channel) to be recorded separately.
•You can select either channel you want to listen to (see
page 19).
32
Introducing the DSP modes
The sound heard in a concert hall, club, etc. consists of direct
sound and indirect sound—early reflections and reflections from
behind. Direct sounds reach the listener directly without any
reflection. On the other hand, indirect sounds are delayed by the
distances of the ceiling and walls. These direct sounds and
indirect sounds are the most important elements of the acoustic
surround effects.
The DSP modes can create these important elements, and give
you a real “being there” feeling.
Reflections from behind
Early reflections
Direct sounds
The DSP modes include the following modes:
• Digital Acoustic Processor (DAP) modes—HALL1, HALL2, LIVE
CLUB, DANCE CLUB, PAVILION, THEATRE1, THEATRE2
• MONO FILM—Used for all types of 2-channel signals (including
Dual Mono signal)
• All Channel Stereo mode (ALL CH STEREO)
When one of the DSP modes is activated, the DSP indicator lights
up on the display.
When using the DAP mode, the sounds come out of all the
connected and activated speakers.
• If “SURROUND SPK” is set to “
setting (see page 17), JVC’s original 3D-PHONIC processing
(which has been developed to create the surround effect
through the front speakers only) is used.
The 3D-PHONIC indicator lights up on the display.
<NO>” in the speaker
■ MONO FILM
In order to reproduce a more acoustic sound field in your listening
room while viewing monaural sound video software (analogue
and 2-channel digital signals including Dual Mono signal), you can
use this mode.
The surround effect will be added, and the sound localization of
actor’s words will be improved.
This mode cannot be used for multi-channel digital signals.
When “MONO FILM” is used, sounds come out of all the
connected (and activated) speakers.
• If “SURROUND SPK” is set to “<NO>” in the speakersetting (see page 17), JVC’s original 3D-PHONIC processing
(which has been developed to create the surround effect
through the front speakers only) is used.
The 3D-PHONIC indicator lights up on the display.
• If incoming signals change from 2-channel digital signal to
another digital signal type, “MONO FILM” is canceled and an
appropriate Surround mode is activated.
■ All Channel Stereo mode (ALL CH STEREO)
This mode can reproduce a larger stereo sound field using all the
connected (and activated) speakers. This mode cannot be used
if “SURROUND SPK” is set to “<NO>” in the speaker setting
(see page 17).
■ Digital Acoustic Processor (DAP) modes
You can use the following DAP modes in order to reproduce a
more acoustic sound field in your listening room.
HALL1Reproduces the spatial feeling of a large
shoebox-shaped hall designed primarily for
classical concerts. (Its seating capacity is about
2000.)
HALL2Reproduces the spatial feeling of a large
vineyard-shaped hall designed primarily for
classical concerts. (Its seating capacity is about
2000.)
LIVE CLUBReproduces the spatial feeling of a live music club
with a low ceiling.
DANCE CLUB Reproduces the spatial feeling of a rocking dance
club.
PAVILIONReproduces the spatial feeling of an exhibition
hall with a high ceiling.
THEATRE1Reproduces the spatial feeling of a large theatre
where the seating capacity is about 600.
THEATRE2Reproduces the spatial feeling of a small theatre
where the seating capacity is about 300.
NOTE
When “THEATRE1” or “THEATRE2” is activated while playing
back 2-channel analogue or digital source, the built-in Dolby Pro
Logic II decoder is activated and the indicator lights up.
Sound reproduced from
normal stereo
Sound reproduced from All
Channel Stereo mode
33
Using the Surround/DSP modes
Available Surround/DSP modes vary depending on the speaker settings and the incoming signals. See the table below.
• The numbers inside the parentheses following the incoming signal type indicate the number of the front channels and that of the
surround channels. For example, (3/2) indicates that the signals are encoded with three front signals (left/right/center) and two (stereo)
surround signals.
•For EX/ES/PLIIx setting, see page 18.
Incoming Signal Type
EX/ES/PLIIx setting
AUTOONPLIIx MOVIEPLIIx MUSICOFF
Dolby Digital Surround EXDOLBY D EX*
3,5
DOLBY D EX*
Dolby Digital (3/2, 2/2)DOLBY DIGITALDOLBY D EX*
3
3
D+PLIIx MOVIE*
D+PLIIx MOVIE*
2,3
D+PLIIx MUSIC*3DOLBY DIGITAL
2,3
D+PLIIx MUSIC*3DOLBY DIGITAL
Dolby Digital (3/1, 2/1, 3/0, 1/0)DOLBY DIGITAL
Dolby Digital
Dolby Digital (Dual Mono)DUAL MONO
DTS-ES Discrete*
DTS-ES Matrix*
DTS (3/2, 2/2)*
DTS
1
1
1
DTS-ES DSCRT*3DTS-ES DSCRT*3DTS+PLIIx MOVIE*
DTS-ES MATRIX*3DTS-ES MATRIX*3DTS+PLIIx MOVIE*
DTS SURROUNDDTS+NEO:6*3DTS+PLIIx MOVIE*
2,3
DTS+PLIIx MUSIC*3DTS SURROUND
2,3
DTS+PLIIx MUSIC*3DTS SURROUND
2,3
DTS+PLIIx MUSIC*3DTS SURROUND
DTS (3/1, 2/1, 3/0, 1/0)DTS
DTS (Dual Mono)
Analogue/LINEAR PCM
Dolby Digital (2/0)
PLIIx MOVIE*4/PLIIx MUSIC*4/NEO:6 CINEMA/NEO:6 MUSIC
DUAL MONO
PLII MOVIE/
PLII MUSIC/
NEO:6 CINEMA/
NEO:6 MUSIC
*1DTS 96/24 processing is not applied when the EX/ES/PLIIx setting is activated. If you want to apply the processing, set the EX/ES/
PLIIx setting to “OFF” (see page 18).
2
*
When “S BACK OUT” is set to “<1SPK>,” D+PLIIx MOVIE is changed to DOLBY D EX and DTS+PLIIx MOVIE is changed to
DTS+ EX.
3
*
When “S BACK SPK” is set to “<NO>,” Virtual Surround Back is activated for the modes and the VIRTUAL SB indicator lights up on
the display.
4
*
When “S BACK SPK” is set to “<NO>,” PLllx MOVIE is changed to PLll MOVIE and PLllx MUSIC is changed to PLll MUSIC.
*5For some Dolby Digital Surround EX software, Dolby Digital 5.1-channel reproduction (“DOLBY DIGITAL”) may be applied even
though you have selected “<AUTO>”. In this case, select “<ON>”to apply“DOLBY D EX.”
About the DSP modes
• The following DSP modes are available regardless of incoming signal type.
HALL1, HALL2, LIVE CLUB, DANCE CLUB, PAVILION, THEATRE1, THEATRE2
• If an incoming signal is a multi-channel (more than 2 channel) digital signal, “MONO FILM” is not available.
• If “SURROUND SPK” is set to “<NO>,” “ALL CH STEREO” is not available.
Virtual Surround Back
This function creates the great surround effect from the behind as if you have connected the surround back speaker. The VIRTUAL
SB (Surround Back) indicator lights up on the display.
If you have connected (and activated) the surround speakers, you can use Virtual Surround Back without connecting the surround
back speaker.
Virtual Surround Back is activated when EX/ES/PLIIx is set to other than “<OFF>” and when playing back the software including the
following signals:
-Dolby Digital Surround EX
-DTS-ES
-Dolby Digital or DTS with more than 4-channels
34
Activating the Surround/DSP modes
1
2
1,32
L
LSRS
S.WFR LFE
CR
DIGITAL
DIGITAL AUTO
SURROUND OFF
(Back to the beginning)
Surround modes
*
2
AUTO SURROUND
*
1
HALL1HALL2LIVE CLUBDANCE CLUB
PAVILIONTHEATRE1THEATRE2
MONO FILM
*
3
ALL CH STEREO
*
4
L
LSRS
S.WFR LFE
CR
DIGITAL
DIGITAL AUTO
SURROUND OFF
(Back to the beginning)
Surround modes
*
2
AUTO SURROUND
*
1
HALL1HALL2LIVE CLUBDANCE CLUB
PAVILIONTHEATRE1THEATRE2
MONO FILM
*
3
ALL CH STEREO
*
4
Available Surround/DSP modes vary depending on the speaker
settings and the incoming signals. For details, see page 34.
Activating one of the Surround/DSP modes automatically
recalls the memorized settings and adjustments.
•To adjust the speaker output level, see page 22.
• When activating one of the Surround/DSP modes, you
can adjust CENTER TONE. (see page 24)
• When activating one of the Surround/DSP modes
(except Pro Logic IIx Music, Pro Logic II Music, NEO:6
Music, and ALL CH STEREO), you can adjust CENTER
ALIGN. (see page 24)
• When activating NEO:6 MUSIC, you can adjust CENTER
GAIN. (see page 24)
• When activating the DSP mode (except All Channel
Stereo mode), you can adjust the following settings:
EFFECT (see page 23)
LIVENESS (see page 23)
ROOM SIZE (see page 23)
• When activating “PLIIx MUSIC” and “PLII MUSIC”, you
can adjust the following settings:
CENTER WIDTH (see page 24)
DIMENSION (see page 24)
PANORAMA (see page 23)
Selecting the Surround/DSP modes
From the remote control:
On the front panel:
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 2 again.
1
Select and play any source.
• Make sure you have selected the input mode (analogue or
digital) correctly.
2
Press SURROUND.
MULTI JOG now works for selecting Surround/DSP modes.
3
Turn MULTI JOG to select the Surround/DSP
mode you want.
Ex.: When “DOLBY DIGITAL” is selected for Dolby Digital
multi-channel software:
1
Select and play any source.
• Make sure you have selected the input mode (analogue or
digital) correctly.
2
Press SURROUND repeatedly to select the
Surround/DSP mode you want.
Ex.: When “DOLBY DIGITAL” is selected for Dolby Digital
multi-channel software:
*1“AUTO SURROUND” is the initial setting.
*2Available Surround modes vary depending on the speaker
settings and the incoming signals. For details, see page
34.
*3 If an incoming signal is a multi-channel (more than 2
channel) digital signal, “MONO FILM” is not available.
*4 If “SURROUND SPK” is set to “<NO>,” “ALL CH STEREO”
is not available.
To cancel Surround/DSP modes
Press SURROUND repeatedly so that “SURROUND OFF”
appears on the display.
*1“AUTO SURROUND” is the initial setting.
*2Available Surround modes vary depending on the speaker
settings and the incoming signals. For details, see page
34.
*3 If an incoming signal is a multi-channel (more than 2
channel) digital signal, “MONO FILM” is not available.
*4 If “SURROUND SPK” is set to “<NO>,” “ALL CH STEREO”
is not available.
To cancel Surround/DSP modes
Tu rn MULTI JOG so that “SURROUND OFF” appears on the
display.
When you select “AUTO SURROUND”
You can enjoy the Surround mode easily.
•For details about the Surround modes, see page 34.
• When “AUTO SURROUND” is activated, the AUTO SURR indicator
lights up on the display.
How does “AUTO SURROUND” work?
• If a multi-channel signal comes in, an appropriate Surround
mode will be selected automatically.
• If a Dolby Digital 2-channel with surround signal comes in,
“PLIIx MOVIE” or “PLII MOVIE” will be selected.
• If a Dolby Digital 2-channel without surround signal comes in,
“SURROUND OFF (stereo)” will be selected.
• If a Linear PCM signal comes in, “SURROUND OFF (stereo)”
will be selected.
NOTE
“AUTO SURROUND” does not take effect in the following cases:
– While playing an analogue source,
– While selecting one of the fixed digital decode mode—“DOLBY
DIGITAL” or “DTS” (see page 13).
35
Operating other
1
4
7
10
2
5
8
0
3
6
9
10
1
4
7
10
2
5
8
0
3
6
9
10
JVC products
You can use the supplied remote control to operate not only
this receiver but also other JVC products.
• Refer also to the manuals supplied with the other products.
– Some JVC VCRs can accept two types of the control
signals—remote codes “A” and “B.” This remote control can
operate a VCR whose remote control code is set to “A.”
– Some JVC DVD recorders can accept four types of the control
signals. This remote control can operate a DVD recorder
whose remote control code is set to the initial code. For
details, refer to the manual supplied with the DVD recorder.
•To operate other products, aim the remote control directly at the
remote sensor on the target product.
7 VCR
7 TV
You can always perform the following operations:
TV VOLUME +/–:Adjust the volume on the TV.
TV/VIDEO:Change the input mode (either video
input or TV tuner) on the TV.
You can always perform the following operation:
STANDBY/ON Turn on or off the VCR.
VCR:
After pressing VCR, you can perform the following operations on
the VCR.
CHANNEL +/–:Change the channel numbers on the
VCR.
3:Start playback.
7:Stop playback.
8:Pause playback. To release it, press 3.
FF:Fast-wind a tape.
REW:Rewind a tape.
REC PAUSE:Enter recording pause. To start
recording, press this button then 3.
After pressing TV, you can perform the following operations on the
TV.
STANDBY/ON Turn on or off the TV.
TV/STB:
CHANNEL +/–:Change the channel numbers.
1 – 9, 0, 100+:Select the channel numbers.
RETURN (10):Switch between the previous channel
and the current channel.
36
1
4
7
10
2
5
8
0
3
6
9
10
DVRDVD
DVRDVD
7 DVD recorder or DVD player
You can always perform the following operation:
STANDBY/ON Tu rn on or off the DVD recorder or DVD
DVR/DVD:player.
To operate the DVD
recorder, set the
mode selector to
“DVR.”
To operate the DVD
player, set the mode
selector to “DVD.”
After setting the mode selector correctly, you can perform the
following operations on the DVD recorder or DVD player.
See the instructions supplied with the DVD recorder or DVD
player for details.
7 Changing the remote control code for DVD
recorder
Some JVC DVD recorders can accept four types of the control
signals. You can assign one of four codes to the remote
control supplied with this receiver for operating your DVD
recorder. For details, refer to the manual supplied with the
DVD recorder.
Initial setting: 03
After pressing DVR/DVD, you can perform the following operations
on the DVD recorder and DVD player.
3:Start playback.
7:Stop playback.
8:Pause playback. To release it, press 3.
¢:Skip to the beginning of the next
chapter.
4:Return to the beginning of the current
(or previous) chapter.
5/∞/3/2:Select an item on the menu screen.
MENU:Display the menu recorded on discs.
ENTER:Enter the selected item, channel
number, chapter/title number, or track
number (if required).
Only for DVD recorder operations:
CHANNEL +/–:Change the channel numbers.
1 – 9, 0:Select a channel number (while stopped)
or a chapter/title number, track number
(while playing back). Press ENTER to
enter the number.
REC PAUSE:Enter recording pause. To start recording,
press 3.
Only for DVD player operations:
1 – 10, 0, +10:Select a chapter/title number, track
number, menu item, etc.
1
Set the mode selector to “DVR.”
2
Press and hold STANDBY/ON DVR/DVD.
If these buttons do not function normally, use the remote
control supplied with your DVD recorder or DVD player.
Refer also to the manuals supplied with the DVD recorder
3
Press DVR/DVD.
4
Enter the remote control code you want using
or DVD player for details.
buttons 1 – 4, and 0.
EX.: To enter the code “2”, press 0, then 2.
Code for DVRNumber to enter
101
202
303
5
Release STANDBY/ON DVR/DVD.
Now, the remote control code has been changed.
404
37
Manufacturers’ codes for TV
Operating other
manufacturers’
products
By changing the transmittable signals, you can use the
supplied remote control to operate other manufacturers’
products.
• Refer also to the manuals supplied with the other products.
•To operate those components with the remote control, first you
need to set the manufacturers’ codes each for the TV, VCR,
STB, and DVD player.
• After replacing batteries of the remote control, set the
manufacturers’ codes again.
• All the functions may not be assigned to the buttons in some
equipment.
❏ Changing the transmittable signals for operating
a TV
1
Press and hold STANDBY/ON TV/STB.
2
Press TV.
3
Enter the manufacturer’s code using buttons
1 – 9, and 0.
You cannot use this remote control to operate other
manufacturers’ DVD recorder.
Manufacturers’ codes are subject to change without
notice. If they are changed, this remote control cannot
operate the equipment.
Troubleshooting
Use this chart to help you solve daily operational problems. If
there are any problems you cannot solve, contact your JVC’s
service center.
PROBLEM
The power does not come on.
The receiver turns off (enters standby
mode).
Power
“OVER HEAT” flashes on the display,
then the receiver turns off.
No sound from speakers.
Sound
Sound from one speaker only.
Sounds are intermittently distorted by
the outside noise such as a lightning
discharge.
Remote control does not operate as
you intend.
Remote control does not work.
Remote control
Continuous hiss or buzzing during FM
reception.
Tuner
Occasional cracking noise during FM
reception.
POSSIBLE CAUSE
The power cord is not plugged in.
Speakers are overloaded because of high
volume.
Speakers are overloaded because of a
short circuit at the speaker terminals.
The receiver is overloaded because of a
high voltage.
The receiver is overloaded because of high
volume or long time usage.
Speaker signal cables are not connected.
Connections are incorrect.
An incorrect source is selected.
Muting is activated.
An incorrect input mode (analogue or
digital) is selected.
Speaker signal cables are not connected
properly.
When you use the digital coaxial connection,
the sounds may be intermittently distorted
by the outside noise such as a lightning
discharge but the sound will be restored
automatically.
The remote control is not ready for your
intended operation.
There is an obstruction hiding the remote
sensor on the receiver.
Batteries are weak.
The mode selector is set to the incorrect
position.
Incoming signal is too weak.
The station is too far away.
The wrong antenna is being used.
Antennas are not connected properly.
Ignition noise from automobiles.
SOLUTION
Plug the power cord into an AC outlet.
1. Stop the playback source.
2. Turn on the receiver again, then turn the
volume down.
Check the speaker wiring. If speaker wiring
is not short-circuited, contact your dealer.
Consult your dealer after unplugging the
power cord.
Tu rn the volume down or turn off the
receiver for a while and turn it on again.
If the receiver turns off soon after doing
solutions above, consult your dealer after
unplugging the power cord.
Check speaker wiring, then reconnect if
necessary (see page 6) after unplugging
the power cord.
Check the audio connections (see pages 7
to 11) after unplugging the power cord.
Select the correct source.
Press MUTING to cancel the mute (see
page 14).
Select the correct input mode (analogue or
digital).
Check speaker wiring and reconnect if
necessary (see page 6) after unplugging
the power cord.
This is not a malfunction.
Set the mode selector correctly, then press
the corresponding source selecting button
or SOUND before operation.
Remove the obstruction.
Replace batteries.
Set the mode selector to the proper
position.
Connect an outdoor FM antenna or contact
your dealer.
Select another station.
Check with your dealer to be sure you have
the correct antenna.
Check the connections.
Move the antenna farther from automobile
traffic.
41
Specifications
Designs and specifications are subject to change without
notice.
Amplifier
Output Power
At stereo operation:
Front channels:100 W per channel, min. RMS,driven into
At surround operation:
Front channels:100 W per channel, min. RMS, driven into
Center channel:
Surround channels: 100 W per channel, min. RMS, driven into
Surround back channels:
6 Ω at 1 kHz with no more than 0.8% total
harmonic distortion (IEC268-3).
6 Ω at 1 kHz with no more than 0.8% total
harmonic distortion.
100 W, min. RMS, driven into 6 Ω at 1 kHz,
with no more than 0.8% total harmonic
distortion.
6 Ω at 1 kHz, with no more than 0.8%
total harmonic distortion.
100 W
per channel
6 Ω at 1 kHz, with no more than 0.8% total
harmonic distortion.
, min. RMS, driven into
Video
Video Input Sensitivity/Impedance:
Composite video: DVR/DVD, VCR, VIDEO:
S-video: DVR/DVD, VCR, VIDEO:
Y (luminance):1 V(p-p)/75 Ω
C (chrominance, burst):0.3 V(p-p)/75 Ω
RGB: DVR/DVD, VCR:0.7 V(p-p)/75 Ω
Component: DVR/DVD, VIDEO:
Y (luminance):1 V(p-p)/75 Ω
P
B, PR:0.7 V(p-p)/75 Ω
Video Output Level/Impedance:
Composite video: DVR, VCR, TV:
S-video: DVR, VCR, TV:
Y (luminance):1 V(p-p)/75 Ω
C (chrominance, burst):0.3 V(p-p)/75 Ω
RGB: TV:0.7 V(p-p)/75 Ω
Component: MONITOR OUT:
Y (luminance):1 V(p-p)/75 Ω
PB, PR:0.7 V(p-p)/75 Ω
Synchronization:Negative
1 V(p-p)/75 Ω
1 V(p-p)/75 Ω
FM tuner (IHF)
Tuning Range:87.50 MHz to 108.00 MHz
Usable Sensitivity:
Monaural:17.0 dBf (1.9 µV/75 Ω)
50 dB Quieting Sensitivity:
Monaural:21.3 dBf (3.2 µV/75 Ω)
Stereo:41.3 dBf (31.8 µV/75 Ω)
Stereo Separation at REC OUT:35 dB at 1 kHz
Audio
Audio Input Sensitivity/Impedance:
DVR/DVD, VCR, VIDEO, TV:
270 mV/47 kΩ
Audio Input (DIGITAL IN)*:
Coaxial: DIGITAL IN 1(DVR/DVD):
0.5 V(p-p)/75 Ω
Optical: DIGITAL IN 2(VIDEO):
–21 dBm to –15 dBm
(660 nm ±30 nm)
USB: USB DIGITAL
* Corresponding to Linear PCM, Dolby Digital, and DTS (with