which speeding up post-production. Footage is recorded in native file formats
that are understood by most major editing applications without transcoding.
(at highest bit rate)
Apple ProRes 422 HQ151/18 075/9038/45
This is helpful for efficient workflow of editing and post process. The 4:2:2
format also provides richer color information and 10-bit recording delivers rich
gradations—a definite advantage for grading work after recording.
Apple ProRes 422 LT324 /388 162/19481/97
Note:
Apple ProRes 422 recording req uires SSD media and
the optional K A-MC100G media adapter.
SSD Enables Extended Time 4K UHD 60p/50p Shooting
Large-capacity, readily-available SSDs (2.5", M.2 SATA) are compatible, so extended-
time 4K UHD up to 60p/50p video recording is possible. Just plug it into the
camera’s ex tended slot (using the optional SSD adapter K A-MC100G). SSD media
delivers excellent sequential read speed to tackle professional workload. High-
speed transfer of huge amounts of recorded footage is possible.
(Approx. min.)
4K UHD 60p/50p
Apple ProRes 422226/271113/13 556/68
SSD Capacity
2TB1TB500GB
(2.5" M.2 SATA)
SSD
SSD Media
SSD Media Adapter KA-MC100G (optional)
Note: • Approved SSD media should be us ed. More detailed infor mation is available on the JVC website.
• HD forma t recording to SSD i s a planne d future u pgrade.
Inser t into an
extended slot (SSD slot)
GY-H C5 00
HDR via HLG/J-Log 1
3
The GY-HC500 is equipped with a HDR compatible
HLG (Hybrid Log Gamma) mode and JVC’s proprietary
J-Log 1 Gamma mode. These enable high dynamic
HLG & J-Log 1 Color Gamut
range capture of a broad color spectrum with 10-
bit recording for better color grading and to avoid
banding. Footage recorded in HLG mode will deliver
a full HDR image when viewed on HLG-compatible
monitors. The J-Log 1 mode delivers wide latitude
and a high dynamic range of 800%. In the field, it’s
possible to record while checking the image on the
GY-HC500’s LCD screen or viewfinder to get a grasp
of the final output.
[ HLG Workflow ]
GY-HC500 supports HLG recording which enables simple HDR workflow without color grading. Avoiding clipped highlights or shadows, images are more
realistic and vibrant. BT.2020 which offers wider color gamut is also supported.
[ J-log 1 Workflow ]
Shooting at 4K J-Log 1 color space modeConverting to ITU709/HLG/DCIDistribution
J-Log 1 and Rec709+Knee Gamma
120
100
80
60
40
OUTPUT (I RE)
20
0
0 100 200 3 00 400 500 60 0 700 800
TONE CURVE
INPUT (%)
HLG
J-Log1
ITU709+KNEE
GY-H C5 00
4K J-Log 1
SSD
4K 4:2:2 10-bit Apple ProRes
SD Card
4K 30p/25p/24p
4:2:2 10-bit
32-bi t
floating-point
processing
Non-linear editing and grading
3D- LUT fil e which converts
J-Log 1 file to HLG HDR
High-Speed Recording for
1080p Slow Motion Playback
High-speed recording (1920x1080) at up to 120fps (59.94Hz)/100fps (50Hz) is
available for smooth slow motion playback (up to 1/5 slow at 24p mode). It helps
create artistic effects and lets you watch replays to examine sporting skills.
Various Codecs and
Recording Formats
With a variety of recording formats, the
GY-HC500 provides professionals with
unprecedented flexibility to meet production
standards through a wide range of workflows.
Note: Apple ProRes 422 is recorded to only SSD.
Video CodecMode (Bit rate)ResolutionFile format
4K UHD 59.94p/50p/29.97p/25p/23.98p
Apple P roRes
422
MPE G- 4 AVC/
H.264
Apple P roRes 422 HQ 10- bit
Apple P roRes 422 10-bit
Apple P roRes 422 LT 10-bi t
4K UHD 29.97p/25p/23.98p
4:2:2 10 -bit / 4:2:0 8- bit
4:2:2 10 -bit / 4:2:0 8- bit, ot hers
For Sports System
MPE G- 4 AVC/
H.264
Exchange (U model)
MP4 (E/EC model)
HD
SD
Web (Proxy)
ITU709
HLG
DCI
384 0 x 2160QuickTime
384 0 x 2160
(150M bps / 70Mbp s)
1920 x 1080, 1280 x 720
(70Mb ps / 50M bps /
35Mbps)
720 x 48 0 / 576
(8Mbp s)
960 x 540, 48 0 x 270
(3 to 1.2Mb ps)
1920 x 1080 (12Mbps)
1280 x 720 (8Mbps)
QuickTime
MP4
1" CMOS 4K Image Sensor
4
The GY-HC500 features a 1-inch CMOS
4K image for uncompromised cinema
and video production. This large
sensor delivers a superior dynamic range, high S/N ratio and high
sensitivity (F11 at 2000lx), contributing artistic visual expression
including shallow depth of field ’bokeh’ capability.
20x Optical/40x Dynamic Zoom Lens with Manual Functions
The GY-HC500 is equipped with a newly developed wide-angle 20x
optical zoom lens to offer optimal magnification for shooting.
When shooting in HD mode, Dynamic Zoom combines optical
zoom and pixel mapping from a 4K image sensor to create
seamless and lossless 40x zoom. Take total control of the scene
with triple large rings for zoom, focus, and iris for smooth
shooting. Other features include an optical image stabilizer and
chromatic aberration correction.
Original image at wide end
Extremely Practical Auto Focus and Assist Functions
The Auto Focus and Focus Assist functions of the
GY-HC500 provide the highly accurate, stable focusing
that is essential for 4K shooting. Moreover, its broad
customizability enables it to perform in a variety of
shooting situations.
• Customizable AF: AF speed, AF sensitivity, AF area,
and Near Limiter can be adjusted as needed.
• Customizable AF A ssist: Turning the focus ring varies
the function depending on the Focus/Assist mode
status to fully control focusing.
Robust Body and Excellent in
Weather Resistance
• One Button Control: “PUSH AUTO/LOCK” but ton enables you to lock focus, or
engage AF for as long as you keep the button pressed, etc., for one-but ton focus
control according to the focus mode you have selected.
• Advanced Face Detec tion
Face Only AF: OFFFace Detection: ONFace Only AF: ON
When the face turns away
and fac e detec tion f ails, focus
comes into the subjec t in the
background.
Its robust body makes the GY-HC500 ready to work in harsh environments
and situations. Excellent construction in weather resistance enables image
gathering in the field with confidence.
20x Optical Zoom
MF
When face dete ctio n fails,
focusing automatic ally switches
to MF while maintaining the
focus on the position of the fac e.
As a CONNECTED CAM series camcorder, the GY-HC500 features JVC’s latest IP
The GY-HC500 is capable of streaming LIVE HD/SD and proxy video/audio files via network up to
24Mbps with low latency. High quality, stable streaming is possible from the field using just the camera
itself*. No need to carry a heavy backpack or external boxes.
*With an appropriate network connection
It’s possible to upload video clips to an FTP server via IP. Auto FTP function allows you to
start uploading a recorded clip without opening the menu screen.
Versatile IP Functions
It’s possible for the person in front of the camera to engage in a 2-way interview with return video and audio while streaming live to
air via IP network. This allows reporters to wirelessly receive directions from the station, and camera operators to re-adjust framing as
directed from another location. Multi-camera applications are supported as well.
AudioAAC 2ch 128 Kbps (1.5M bps over), 64K bps (0.8Mbp s under )
Video/audio output3 G-SDI ou tput (BNC x 1) (up to 1920 x 10 80 60p 4:2:2 10 -bit), HDMI ou tput x 1 (up to 384 0 x 2160 60p 4:2:2 10 -bit)
Audio inputXLR x 2 (MIC, +48V/L INE), ø3.5mm min i jack x 1
Headphoneø3.5mm mini jack x 1
Remoteø2.5mm mi ni jack x 1
Time code input/output R CA x 1
USBHOST x 1 (ne twor k conne ction, USB 2.0)
EthernetRJ-4 5 x 1
Extended slotK A-MC10 0G and for fut ure exp ansion p urpose
SDHC/S DXC memor y card x 2
SSD (Soli d State Dr ive) Type M.2 SATA With KA-MC100 G (optional)
HD
SD720 x 48 0 (59.94i) (U mode l), 720x576 (50i ) (E/EC m odel) 8/5/3/1.5/0 .8/0.3 Mbps
Low
4K (150Mb ps): UHS-1 U3, 4K (70M bps)/H D (70Mb ps/50Mb ps): Clas s 10,
HD (35M bps): Cla ss 6, SD: Cl ass 4, Web: C lass 4, High-Sp eed: UHS -1 U3,
Excha nge (U model) /MP4 (E mod el): Class 4
1920 x 108 0 (59.94p/50p) 24/20/16/12/8Mbps
1920 x 108 0 (59.94i/50i /29.97p/25p) 20 /16/12/8/5/3Mbps
1280 x 720 (59.94p/5 0p) 20/16/12/8/5/ 3Mbps
1280 x 720 (2 9.97p/25p) 8/5/3 /1.5Mbps
640 x 3 60 (59.94p/5 0p) 3/1.5Mbps
640 x 3 60 (29.97p/25p) 3/1.5/0.8 /0.3Mbps
Recording Formats
SystemVideo formatResolutionFrame rateSamplingBit rateAudioRec time (min.)
Apple ProRes 42 2 HQ
384 0 x 216059.94p/50p/29.97p/25p/23.98p4:2:2 10-bit
Apple ProRes 42 2 LT821/684/410/342/328Mbps162/194/323/387/403
4K UHD
HD
QuickTime
(MPEG-4. AVC/H.264)
QuickTime
(MPEG-4. AVC/H.264)
384 0 x 21602 9.97p/25p/ 23.98 p
1920 x 108 0
59.94 p/5 9.94i /50p/5 0i/2 9.97p/25 p/23 .98 p
59.94p /5 0p
1280 x 72059.94p /5 0p
1920 x 108 0
59.94 p/5 9.94i /50p/5 0i/2 9.97p/25 p/23 .98 p
59.94i/5 0i/2 9.97p/25p/ 23.98 p
4:2:2 10-bit 150Mbp sLPCM 2ch 48kHz /24bit 56
4:2:0 8-bit
4:2:2 10-bit
4:2:0 8-bit
1280 x 72059.94p /5 0p
Exchange (U m odel)
MP4 (E/EC model )
SD
WEB
(Proxy)
High-
Speed
Product and company names mentioned here are trademarks or registered trademarks of their respective owners. HDMI, the HDMI logo
and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. Zixi and the Zixi logo are
trademarks of Zixi LLC. The SD, SDHC and SDXC are trademarks of the SD Card Association.
QuickTime
(MPEG-4. AVC/H.264)
QuickTime
(MPEG-4. AVC/H.264)
QuickTime
(MPEG-4. AVC/H.264)
1920 x 108 0
1280 x 720 8Mbp s (LP)892
720 x 48 0
(U model)
720 x 576
(E/EC model)
960 x 54 02 9.97p/25p/23 .98p
480 x 27029.97p/2 5p /23.98 p1.2Mbps (LP)5392
1920 x 108 0
120 fps59.94 p/2 9.97p/23.98 p
100 fps50p/25p
59.94p /5 0p4:2:0 8-bit
59.94i
50i
4:2:0 8-bit 8Mbp s (HQ)LPCM 2ch 48kHz/16bit881
4:2:0 8-bit
4:2:0 8-bit 50Mbps (XHQ)/35Mbps (UHQ)—(Differs by set ting)
1768/1475/884/737/707Mbps
75/90/150/180/188
LPCM 2ch 48kHz/24bit
150 Mb ps
70Mbps119
LPCM 2ch 48kHz/16bit
70Mbps (422 XHQ )
50Mbps (422 X HQ)162
LPCM 2ch 48kHz/24bit
50Mbps (XHQ)
35Mbps (UHQ)233
12Mbps (LP)
3Mbp s (HQ)
LPCM 2ch 48kHz/16bit
AAC 2ch 48kHz/16bit
μ-law 2c h 16kHz
56
117
165
628
2518
Simulated pictures.
The values for weight and dimensions are approximate.
E.&O.E. Design and specifications subject to change without notice.