From
documentary
director to blockbuster
producer , the versatility of digital video has long
intrigued programme makers. Now, JVC introduces
their native 16:9 camcorder that reveals, once-and-forall, a solution to the long-standing problem of how to originate
low-cost, broadcast quality digital programme material in wide screen.
Unprecedented performance from a DV camcorder.
This powerful DV camcorder is ready to handle the sophisticated requirements of the most demanding
feature production, yet it’s priced within reach of virtually everyone. Developed in cooperation with the BBC, the
GY -DV700WE combines three state-of-the-art 2/3-inch, true 16:9 CCDs with JVC’s original high-performance dual-pipeline 14-bit DSP
(Digital Signal Processing) for truly exceptional image quality. This combination gives you the power to unleash the creative
potential of the DV format like never before.
Page 3
Truly professional in every way
Right down to the fundamental design, the DV700 was built with the
professional’s needs in mind. Controls are exactly where you expect to find
them. A wide range of accessories are available to satisfy the operational
requirements of any experienced TV or film crew. And EBU time-code and
automatic scene logging, via JVC’s proprietary Super Scene Finder (SSF), come
as standard.
Impressive image meets incredible value
Hardware innovations are only part of the DV700 story because this camcorder
affords programme producers some very practical financial benefits as well.
Superior cost efficiency in both camcorder and tape costs allows for more of the
precious programme budget to be spent on other essentials.
Proven ability in the real world
In the ever-changing world of programme production, the demands on quality,
cost-effectiveness and versatility are many and varied. As a result, even in its
infancy, the outstanding qualities of the DV700 have led to its starring role in
the making of many “prime-time” programmes. Its operational flexibility
makes the GY -DV700WE the perfect partner to a producer’s creativity .
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2/3" 3-CCD image pickup
High-quality performance
High-quality/resolution
The GY-DV700WE incorporates three 2/3" true
16:9 IT CCDs that combine with an F1.4 prism
to provide sensitivity of F11 at 2,000 lux and
exceptionally sharp pictures. Each CCD is
equipped with highly advanced circuitry that
virtually eliminates vertical smear, ensuring
lights or dark environments. Colour reproduction is faithfully reproduced
throughout the whole digital range.
Native 16:9/4:3 switchable
4:3
quality pictures even when shooting into bright
Professional DV recording on a MiniDV tape
The GY-DV700WE combines the
convenience and affordability of
readily available MiniDV cassettes
with the high-quality camera
performance you need for professional
use. A single MiniDV cassette can
record up to 80 minutes* of highquality 8-bit, 13.5 kHz, 4:2:0 DV
component digital images and can be
played back in DVCPRO and
DVCAM units.
Tape pattern
*With an MDV-80 tape.
16:9
With more and more high-end television production and
independent movie producers turning
to digital video for their production
needs, the advantages of selectively
shooting the original footage in the
4:3 or 16:9 aspect ratio of the finished
programme are obvious. The higher
pixel density of the 2/3" 16:9 CCDs
provide beautiful results in either
aspect ratio, without aliasing or rescaling artefacts. Native 16:9 makes
a big difference for large screen
projection, high definition upconversion or 35-mm blowup.
2/3" bayonet lens mount
The GY-DV700WE’s standard “B4
type” professional 2/3" bayonet lens
mount is compatible with the widest
selection of lenses, including standard
TV lenses, switchable aspect ratio,
cine style prime lenses and highdefinition lenses.
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High-quality PCM digital audio
EBU time code input/output
EBU TC I/O connectors for multicamera shooting allow
synchronisation to other devices
such as Nagra, DAT’s and TC
Slate. The GY-DV700WE’s
internal EBU TC reader generator
provides user bit at any tape speed.
Connector
Connector
To complement its superior pictures, the GY-DV700WE offers outstanding
digital PCM sound. Audio signals are locked with video signals for smooth
editing. Y ou can choose from two 16-bit 48-kHz channels or two 12-bit, 32kHz channels with a dynamic range of more than 85 dB.
CH1 and CH2 audio channels with manual audio controls are provided on
both the back and front of the unit, assuring that your primary audio is always
within easy reach during shooting. In addition, auto mode with limiter
compressor and low cut filter for outdoors shooting are provided. Three
XLR connectors provide line or microphone input level with selectable
phantom power while a built-in wireless microphone receiver receptacle can
be used to carry Sony 820 wireless receiver.
LOLUX 0.75 lux
When activated, the LOLUX
LOLUX
NORMAL
mode (an original JVC
invention)
increases
sensitivity with minimal
increase in noise.
LOLUX lets you shoot in near darkness (as low
as 0.75 lux). As a result, you can capture
footage under the most challenging conditions.
This feature is a real plus for ENG, reality TV
or documentaries.
14-bit digital signal processor
(DSP)
The GYDV700WE applies
JVC’s DSP with
advanced highspeed dual pipeline
14-bit video
processing. Colour
highlight chroma and no black compression
bring out natural details, eliminate spot noise,
and accurately reproduce dark areas, allowing
you to get great footage using only ambient
light.
matrix, skin detail,
Super Scene Finder (SSF™)
A JVC exclusive, Super Scene Finder lets you log scenes automatically or
manually in the field while shooting, and optionally mark the best ones. The
SSF data for the last six tapes is retained in the camcorder’s non-volatile
memory. Data for up to 134 scenes may be permanently stored on the head
of the corresponding tape. The camcorder possesses an RS-232 port for
controlling the tape mechanism and downloading the scene data to a PC
running logging software. Super Scene Finder dramatically speeds up and
simplifies not only the production, but also the NLE transfer process and
saves disk space, because you digitize only those scenes you need for editing.
Convenient facilities
The GY-DV700WE is provided with a tripod and lens mount compatible
with a wide range of peripherals such as Steadicams, cranes, dollies and
matte boxes/rail systems.
Compact, lightweight design
Only 3 kg for the main unit
Because it uses MiniDV tapes, high-tech materials, advanced
microprocessors and highly-integrated electronics, the GY-DV700WE is able
to pack a lot of performance into a very compact body. Built entirely of a
strong yet lightweight die-cast magnesium alloy, the camcorder body itself
weighs only 3 kg. Even when you add lens, viewfinder, battery pack and
tape, it is still surprisingly light — weighing in at 5.5 kg or less.
User-friendly design
Viewfinder status display
The viewfinder status display uses characters and menus to display selected
information in the viewfinder. For example, 4:3 or 16:9 safe area, time
code/tape remain, F stop, battery condition, shutter speed, zebra pattern for
skin detail and brightness indication are all displayed, as well as various
events, camera setting status, recorder operation, and selected setup
parameters.
Versatile functions
IEEE 1394 (Firewire) output
BR-DV600
GY-DV700W
compatible with most NLE
systems
This allows high-quality compressed
digital video signal transfer directly to
a computer, a non-linear editing
system, or to another DV recorder.
Producers can now digitally spool
directly to a non-linear editing platform
without loss.
Convenient menu dial
Quickly and easily navigate through the camera’s powerful setup menu or
select the shutter-speed with the convenient menu point and click dial.
Tally lamps
Tally lamps on the viewfinder and rear panel indicate when the camera enters
the record mode and flash when the battery level is too low, the remaining
tape time is less than 3 minutes, etc. Either tally may be switched off at the
user’s discretion.
Back-lit LCD display
Clear and easy to see even in the dark, this display shows operation status
and warning indicators including audio level indicators, remaining
tape/battery power display, time code reader/generator indication, menu
setting and time date display.
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Professional camera features
Full auto shooting
When you are in a hurry and there is no time to set up for a shot, this function
provides point-and-shoot ease of operation — all you have to do is zoom,
focus and press the record button. Activating full auto shooting sets the
camera to the Auto Iris mode, even if the lens is set to manual. If the auto-iris
runs out of range, the Automatic Video Level Control (ALC), along with
Extended Electronic Iris (EEI) takes over to provide both variable gain and
variable shutter, extending the operating range 10,000 times! Also activated
is Full Auto White, which provides white balance even under continuously
varying colour temperatures. Full auto shooting makes possible seamless
shooting from a dark area to a bright area without changing gain, iris, or ND
filter.
Shutter/variable scan view
The electronic shutter speed range varies from 1/100 to 1/2,000 sec. By
selecting the alternate Variable Scan function, you can capture flicker-free
footage of the computer screens whose vertical scan rates differ from that of
the camera.
Black stretch/compress
This function enhances or suppresses the details of dark areas on the picture.
Adjustable detail frequency
This feature gives you control over the picture sharpness for a bolder or more
detailed look.
Precision ‘‘accu-focus’’ mode
In the ACCU-FOCUS position, the electronic shutter is activated for
approximately ten seconds, forcing the iris fully open. As a result, the depth
of field is minimised so the lens can be focused quickly and precisely. This
feature combined with VF-P116WE viewfinder peaking allows quick precise
focusing.
Continuous auto black (CAB)
JVC’s Continuous Auto Black circuit continuously corrects black balance by
sampling the CCD’s optical black. As a result, perfect black balance is
assured in a changing environment without interrupting shooting.
Automatic level control (ALC)
ALC with Extended Electronic Iris allows continuous automatic shooting in
all light levels, by varying the gain from 0 dB to +18 dB.
System configuration
Adjustable gamma point
By adjusting the contrast, you can alter the “mood” of the picture according
to your taste,
Time code reader/generator
EBU-standard time code can be recorded and read for accurate editing.
Sync lock mode
This enables a number of cameras to be synchronised for multi-camera
shooting.
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GY-DV700WE controls, indicators and connectors
[Front section]
Viewfinder mount base, sliding securing ring
[VF] viewfinder connector (20-pin)
[MIC IN] microphone input connector (XLR 3-pin)
[LENS] lens control connector
[ZEBRA] switch
[VTR] trigger button
[AUDIO LEVEL CH-1] CH-1 recording level control
[AUTO WHITE/ACCU FOCUS] switch
[TAKE] button
Lens mounting ring/lens lock lever
[FILTER] colour temperature conversion filter control knob
[Right side section — camera setting]
[ALARM] volume control
[MONITOR] audio monitor volume control
[STATUS] status/menu button
[SHUTTER/MENU] dial
[LOLUX] LOLUX on/off button
[BLACK] black stretch/black compression switch
[FULL AUTO] full auto shooting ON/OFF button and indicator
[AUTO IRIS] auto iris level switch
[GAIN] switch
[VTR SAVE/STBY] switch
[OUTPUT] colour bar/camera/auto knee switch
[WHT.BAL] white balance switch
[NG] button
[POWER] switch
Power requirements: DC 10.5 V to 17 V
Power consumption: Approx. 20 W
Dimensions: 290 (W) x 245 (H) x 130 (D) mm
Weight: 3 kg (main unit only)
Temperature
separation prism
Number of effective pixels: 570,000 (980 (H) x 582 (V))
Colour system: PAL (R-Y, B-Y encoder)
Colour bars: EBU type
Sync system: Internal sync, external sync (VBS)
Lens mount: 2/3" bayonet system
Optical filter: 3200K, 5600K, 5600K + 1/8ND/5600K +
1/64ND
Sensitivity: F11, 2000 lux
Gain: -3, 0, 6, 9, 12, 18 dB, variable gain in ALC and
LOLUX
Minimum illumination: 0.75 lux with F1.4, LOLUX
Registration: 0.05% or less (excluding lens distortion)
Detail correction: Horizontal and vertical dual-edged
Electronic shutter variable range:
Standard value: 50 Hz
Fixed values: 120, 250, 500, 1000, 2000 Hz
Variable scan: 50.1 to 2067.8 Hz
VTR section
Format: DV format
Signal format: PAL
Usable tape: MiniDV tape
Tape speed: 18.831 mm/sec. (SP mode)
Record/play time: 60 minutes or more (with an MDV-60
tape)
FF/rewind time: 120 sec. or less (with an MDV-60 tape)
[Video]
Video signal recording format: 8-bit, 13.5 MHz, 4:2:0
component recording
[Audio]
Audio signal recording format: 16-bit, 48 kHz or 12-bit, 32
kHz PCM for 2 channels
Frequency response: 20 Hz to 20 kHz (16-bit), 20 Hz to
14.5 kHz (12-bit)
S/N: 59 dB or more
Dynamic range: 79 dB or more
Options----- A wide range of options are available to expand the flexibility of this camcorder.
Professional DV VTR
BR-DV600E Professional DV recorder/player
DV recording on a MiniDV tape
PCM digital audio
Various video inputs/outputs (IEEE 1394 input/output, composite/YC/component inputs/outputs)
RS-422 interface/JVC bus interface and optional RS-232C interface
Super Scene Finder
Insert/assemble editing and audio dubbing (usable functions vary depending on the editing controller used)
EBU-standard LTC time code generator
VF-P116WE
1.5" viewfinder
YJ18 x 9BK12U
18:1 power zoom lens
DVCAM and DVCPRO are trademarks of their respective owners.
A19 x 8.7B12U
19:1 power zoom lens
MV-P615U
Monaural microphone with XLR
connector
(For attachment, the KA-A50U
adapter is required.)
DISTRIBUTED BY
A19 x 8.7BE12U
19:1 power zoom lens with x2
extender
AA-P250E
AC power adapter/charger
Design and specifications subject to change without notice.
A19 x 8.7B12WU
19:1 power zoom lens
NP-1 type batteries
Anton Bauer batteries
JQA-0288
The Hachioji Plant of Victor Company of Japan, Ltd., has received ISO14001 and ISO9001
Certifications under the global standard for environmental management.
KCS-8363 CEDV700WEN0102
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Printed in Japan
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