Harman-Kardon AVR 125 User Manual

AVR 125
AM/FM
AVR 125
AUDIO/VIDEO RECEIVER
OWNER’S MANUAL
Power for the Digital Revolution.
®
Typographical Conventions
In order to help you use this manual with the remote control, front-panel controls and rear-panel connections, certain conventions have been used.
EXAMPLE – (bold type) indicates a specific remote control or front-panel button, or rear-panel connection jack
EXAMPLE – (OCR type) indicates a message that is visible on the front-panel information display 1 – (number in a square) indicates a specific front-panel control ¡ – (number in a circle) indicates a rear-panel connection
a – (number in an oval) indicates a button or indicator on the remote A – (letter in a square) indicates an indicator in the front-panel information display
2 TABLE OF CONTENTS
3 Introduction 4 Safety Information 4 Unpacking 5 Front-Panel Controls 7 Front-Panel Information Display
9 Rear-Panel Connections 11 Remote Control Functions 14 Installation and Connections 14 System Installation 14 Audio Equipment Connections 14 Video Equipment Connections 15 Power Connections 16 System Configuration 16 Speaker Selection and Placement 17 System Setup 17 Speaker Setup 18 Configuring the Surround Off (Stereo) Modes 18 Stereo-Direct (Bypass) Mode 18 Stereo-Digital Mode 18 Output Level Adjustment 19 Delay Settings 20 Additional Input Adjustments 21 Operation 21 Basic Operation 21 Source Selection 21 Volume Control 22 Surround Mode Chart 23 Surround Mode Selection 23 Digital Audio Playback 23 Selecting a Digital Source 24 Digital Status Indicators 24 Night Mode 25 Tuner Operation 25 Tape Recording 25 Output Level Trim Adjustment 26 6-Channel Direct Input 26 Display Brightness 27 Programming the Remote 27 Direct Code Entry 27 Auto Search Method 27 Code Readout 28 Macro Programming 28 Programmed Device Functions 28 Punch-Through Programming 29 Volume Punch-Through 29 Channel Control Punch-Through 29 Transport Control Punch-Through 29 Resetting the Remote Memory 31 Function List 33 Setup Code Tables 42 Troubleshooting Guide 42 Processor Reset 43 Technical Specifications
AVR 125 AUDIO/VIDEO RECEIVER
INTRODUCTION 3
INTRODUCTION
Thank you for choosing Harman Kardon®! With the purchase of a Harman Kardon AVR 125 you are about to begin many years of listening enjoyment. The AVR 125 has been custom-designed to provide all the excitement and detail of movie soundtracks and every nuance of musical selections. Onboard Dolby
®
* Digital
and DTS
®
* decoding allows you to take advantage of digital soundtracks from the latest DVD releases and Digital Television broadcasts.
While complex digital systems are hard at work within the AVR 125 to make all of this happen, hookup and operation are simple. Color-keyed connections and a programmable remote control make the AVR 125 easy to use. To obtain the maximum enjoyment from your new receiver, we urge you to take a few minutes to read through this manual. This will ensure that con­nections to speakers, source playback units and other external devices are made properly. In addition, a few minutes spent learning the functions of the various controls will enable you to take advantage of all the power the AVR 125 is able to deliver.
If you have any questions about this product, its instal­lation or its operation, please contact your retailer or custom installer. They are your best local sources of information.
Description and Features
The AVR 125 is among the most versatile and multi­featured A/V receivers available, incorporating a wide range of listening options. In addition to Dolby Digital and DTS decoding for digital sources, a broad choice of analog surround modes are available for use with sources such as CD,VCR, TV broadcasts and the AVR 125’s own FM/AM tuner.Along with the latest Dolby Pro Logic
®
* II decoding technology, Dolby 3 Stereo and custom Hall and Theater modes, only Harman Kardon receivers offer Logic 7
®
* to create a wider, more enveloping field environment and more defined fly-overs and pans.Another Harman Kardon exclusive is VMAx
®
*, which uses proprietary process­ing to create an open, spacious sound field even when only two front speakers are available.
In addition to providing a wide range of listening options, the AVR 125 is easy to configure so that it provides the best results with your speakers and spe­cific listening-room environment. A Stereo-Direct mode bypasses the digital processor to preserve all of the subtleties of older analog, two-channel materials, while bass management, available in the surround and Stereo-Digital modes, improves your ability to tailor the sound to suit your room acoustics or taste.
For the ultimate in flexibility, the AVR 125 features connections for four video devices, all with both com­posite and S-Video inputs, including the front-panel inputs.Two additional audio inputs are available, and a total of six digital inputs make the AVR 125 capable of handling all the latest digital audio sources. Coax and optical digital audio outputs are also available for direct connection to digital recorders.A video recording output and a six-channel input make the AVR 125 virtually future-proof, with everything needed to accommodate tomorrow’s new formats right on board. The AVR 125’s powerful amplifier uses traditional Harman Kardon high-current, ultrawide bandwidth design technologies.
Harman Kardon invented the high-fidelity receiver almost fifty years ago.With state-of-the-art circuitry and time-honored circuit designs, the AVR 125 is one of the finest receivers ever offered by Harman Kardon.
Onboard Dolby
®
* Digital and DTS®* Decoding
Using Crystal
®
* Chip Technology
Harman Kardon’s Exclusive Logic 7
®
* and
VMAx
®
Modes
Dolby Laboratories’ Latest Pro Logic
®
*II
Decoding Technology
Stereo-Direct Mode for Two-Channel Sources
Bypasses DSP Processing to Preserve the Integrity of Analog Materials
Stereo-Digital Mode for Programmable Bass
Management of Low Frequencies Between Main Speakers and Subwoofer
Front-Panel Digital Inputs for Easy Connection
to Portable Digital Devices and the Latest Video Game Consoles
Multiple Digital Inputs and Outputs
6-Channel Direct Input for Use With DVD-
Audio Players, Other Products With Internal Surround Decoders or External Surround Decoders
Color-Coded Input, Output and Speaker
Terminals Comply With the Latest CEA Standards for Easy Installation
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: To reduce the risk
of electric shock,
do not remove cover (or back).
No user-serviceable parts inside.
Refer servicing to
qualified service personnel.
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
TO THE USER
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.These limits are designed to provide reasonable protection against interference in a residential area. This device generates and uses radio frequency energy and if not installed and used in accordance with the instructions, it may cause interference to radio or TV reception.
If this unit does cause interference with TV or radio reception, you can try to correct the interference by one or more of the following measures:
A. Reorient or relocate the receiving antenna. B. Increase the separation between the equipment
and the receiver.
C. Plug the equipment into a different outlet so that it
is not on the same circuit as the receiver. If necessary, consult the dealer or an experienced radio/TV technician for additional suggestions.
CAUTION:
Changes or modifications to this equipment not expressly approved by
harman consumer group
for compliance could void the user’s authority to operate this equipment.
CORDE DE CONNEXION CA ATTENTION:
POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRO­DUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND.
AC POWER CORD CONNECTION CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
For CANADA
Pour le CANADA
4 SAFETY INFORMATION
SAFETY INFORMATION
Important Safety Information
Verify Line Voltage Before Use
Your AVR 125 has been designed for use with 120-
volt AC current. Connection to a line voltage other than
that for which it is intended can create a safety and
fire hazard and may damage the unit.
If you have any questions about the voltage requirements
for your specific model, or about the line voltage in your
area, contact your selling dealer before plugging the unit
into a wall outlet.
Do Not Use Extension Cords
To avoid safety hazards, use only the power cord
attached to your unit. We do not recommend that
extension cords be used with this product. As with all
electrical devices, do not run power cords under rugs
or carpets or place heavy objects on them. Damaged
power cords should be replaced immediately by an
authorized service center with a cord meeting factory
specifications.
Handle the AC Power Cord Gently
When disconnecting the power cord from an AC out-
let, always pull the plug, never pull the cord. If you do
not intend to use the unit for any considerable length
of time, disconnect the plug from the AC outlet.
Do Not Open the Cabinet
There are no user-serviceable components inside this
product. Opening the cabinet may present a shock
hazard, and any modification to the product will void
your guarantee. If water or any metal object such as a
paper clip, wire or a staple accidentally falls inside the
unit, disconnect it from the AC power source immedi-
ately, and consult an authorized service station.
CATV or Antenna Grounding
If an outside antenna or cable system is connected to
this product, be certain that it is grounded so as to pro-
vide some protection against voltage surges and static
charges. Section 810 of the National Electrical Code,
ANSI/NFPA No. 70-1984, provides information with
respect to proper grounding of the mast and supporting
structure, grounding of the lead-in wire to an antenna
discharge unit, size of grounding conductors, location
of antenna discharge unit, connection to grounding
electrodes and requirements of the grounding electrode.
NOTE TO CATV SYSTEM INSTALLER: This reminder
is provided to call the CATV (Cable TV) system
installer’s attention to article 820-40 of the NEC that
provides guidelines for proper grounding and, in par-
ticular, specifies that the cable ground shall be con-
nected to the grounding system of the building, as
close to the point of cable entry as possible.
Installation Location
To ensure proper operation and to avoid the poten-
tial for safety hazards, place the unit on a firm and level surface.When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product.
Make certain that proper space is provided both
above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet. Under some cir­cumstances a fan may be required.
Do not place the unit directly on a carpeted surface.
Avoid installation in extremely hot or cold locations,
or an area that is exposed to direct sunlight or heating equipment.
Avoid moist or humid locations.
Do not obstruct the ventilation slots on the top of
the unit, or place objects directly over them.
Cleaning
When the unit gets dirty, wipe it with a clean, soft, dry cloth. If necessary, wipe it with a soft cloth dampened with mild soapy water, then a fresh cloth with clean water. Wipe dry immediately with a dry cloth. NEVER use benzene, aerosol cleaners, thinner, alcohol or any other volatile cleaning agent. Do not use abrasive cleaners, as they may damage the finish of metal parts. Avoid spraying insecticide near the unit.
Moving the Unit
Before moving the unit, be certain to disconnect any interconnection cords with other components, and make certain that you disconnect the unit from the AC outlet.
Important Information for the User
This equipment has been tested and found to comply with the limits for a Class-B digital device, pursuant to Part 15 of the FCC Rules. The limits are designed to provide reasonable protection against harmful interfer­ence in a residential installation. This equipment gener­ates,
uses and can radiate radio-frequency energy
and, if not installed and used in accordance with the instruc­tions, may cause harmful interference to radio com­munication. However, there is no guarantee that harm­ful interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and
receiver.
Connect the equipment into an outlet on a circuit
different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV tech-
nician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept interference received, including interference that may cause undesired operation.
NOTE: Changes or modifications may cause this unit to fail to comply with Part 15 of the FCC Rules and may void the user’s authority to operate the equipment.
Unpacking
The carton and shipping materials used to protect your new receiver during shipment were specially designed to cushion it from shock and vibration. We suggest that you save the carton and packing materials for use in shipping if you move, or should the unit ever need repair.
To minimize the size of the carton in storage, you may wish to flatten it. This is done by carefully slitting the tape seams on the bottom and collapsing the carton. Other cardboard inserts may be stored in the same manner. Packing materials that cannot be collapsed should be saved along with the carton in a plastic bag.
If you do not wish to save the packaging materials, please note that the carton and other sections of the shipping protection are recyclable. Please respect the environment and discard those materials at a local recycling center.
At this time you should remove the protective plastic film from the front-panel lens. Leaving the film in place may affect the performance of your remote control.
FRONT-PANEL CONTROLS 5
1 Main Power Switch: Press this button to apply power to the AVR 125.When the switch is pressed in, the unit is placed in a Standby mode, as indicated by the amber LED
3 surrounding the System
Power Control
2. This button MUST be pressed in to operate the unit. To turn the unit off and prevent the use of the remote control, this switch should be pressed until it pops out from the front panel so that the word “OFF” may be read at the top of the switch.
NOTE: This switch is normally left in the “ON” position.
2 System Power Control: When the Main Power Switch
1
is “ON,” press this button to turn on the AVR 125; press it again to turn the unit off. Note that the
Power Indicator3surrounding the switch will
turn green when the unit is on.
3 Power Indicator: This LED will be illuminated in amber when the unit is in the Standby mode to signal that the unit is ready to be turned on. When the unit is
in operation, the indicator will turn green. Should the indicator turn red, turn the unit off using the
Main
Power Switch
1 and check the speaker wire con­nections to make certain that there are no short circuits.
4 Headphone Jack: This jack may be used to listen to the AVR 125’s output through a pair of headphones. Be certain that the headphones have a standard
1
/4" stereo phone plug. The speakers will automatically be turned off when the headphone jack is in use.
5 Selector Buttons: When you are establishing the AVR 125’s configuration settings, use these buttons to select from the choices available,
as shown in the Main
Information Display
Û.
6 Tone Mode: Pressing this button enables or dis-
ables the Bass and Treble tone controls. When the button is pressed so that the words
TONE IN
appear in the Main Information Display Û, the
settings of the
Bass & and Treble ( controls may
be used to adjust the output signals.When the button is pressed once or twice so that the words
TONE
OUT
appear in the Main Information Display Û,
the output signal will be “flat,” without any bass or tre­ble alteration, no matter how the actual
Bass and
Treble Controls &( are adjusted.
7 Surround Mode Selector: Press this button to change the surround mode by scrolling through the list of available modes. Depending on the type of input, some modes are not always available. (See page 22 for more information about surround modes.)
8 Tuning Selector: Press the left side of the button to tune lower-frequency stations and the right side of the button to tune higher-frequency stations. When a station with a strong signal is reached, the
TUNED
Indicator
Q will be illuminated in the Main
Information Display
Û .
FRONT-PANEL CONTROLS
1 Main Power Switch 2 System Power Control 3 Power Indicator 4 Headphone Jack 5 Selector Buttons 6 Tone Mode 7 Surround Mode Selector 8 Tuning Selector 9 AM/FM Selector ) Preset Stations Selector
! Input Source Selector @ Tuning Mode Selector # Digital Optical 3 Input $ Digital Coax 3 Input % Video 3 Video Input Jacks ^ Video 3 Audio Input Jacks & Bass Control * Balance Control ( Treble Control Ó Volume Control
Ô Set ButtonInput Indicators Ò Delay Ú Digital Input Selector Û Main Information Display Ù Channel Select Button ı Speaker Select Button ˆ Test Tone Selector ˜ Surround Mode Indicators ¯ Remote Sensor Window
AVR 125
AM/FM
dB
4
Ú
1
3
7
8
9
)
!
@
#
$
%
^
* &
(
Ó
29
Û
Ô
2
6
30
Ò
ˆ
5
Ù
ı
6 FRONT-PANEL CONTROLS
FRONT-PANEL CONTROLS
In Manual tuning mode, tap the button lightly and note that the tuner will step up one frequency increment per button press.When the button is held for a few sec­onds you will note that the unit will quickly advance through the frequency band. Release it and the tuner will stop. In Auto tuning mode, each press of the but­ton will search for the next station with an acceptable signal. Press and hold the button to skip through the acceptable stations.When the button is released, the tuner will not stop until it reaches a station with an acceptable frequency.
To switch back and forth between the Auto and Manual tuning modes, press the
Tuning Mode
Selector
@.
9 AM/FM Selector: Pressing this button will auto-
matically switch the AVR 125 to the Tuner mode. Pressing it again will switch between the AM and FM frequency bands. (See page 25 for more information on the tuner.)
) Preset Stations Selector: Press this button to scroll up or down through the list of stations that have been entered into the preset memory. (See page 25 for more information on tuner presets.)
! Input Source Selector: Press this button to change the input by scrolling up or down through the list of
Input Indicators .
@ Tuning Mode Selector: Press this button to select
Auto or Manual tuning. When the button is pressed so that the
AUTO Indicator R lights, the tuner will search
for the next station with an acceptable signal when the Tuning Selector 8u is pressed. When the button is pressed so that the
AUTO Indicator R is not lit,
each press of the
Tuning Selector 8u will
increase the frequency.This button may also be used to switch between Stereo and Mono modes for FM radio reception. When weak reception is encountered, press the button until the
STEREO Indicator P goes out to
switch to Mono reception. Press and hold again to switch back to STEREO mode. (See page 25 for more information on using the tuner.)
# Digital Optical 3 Input: Connect the optical digital audio output of an audio or video product to this jack. When the input is not in use, be certain to keep the plastic cap installed to avoid dust contamination that might degrade future performance.
$ Digital Coax 3 Input: This jack is used for con- nection to the output of portable audio devices, video game consoles or other products that have a coax digital audio jack.
% Video 3 Video Input Jacks: These jacks may be used for temporary connection to the composite or S­Video output of video games, camcorders or other portable video products.
^ Video 3 Audio Input Jacks: These audio jacks may be used for temporary connection to video games or portable audio/video products such as cam­corders and portable audio players.
& Bass Control: Turn this control to modify the low­frequency output of the left/right channels by as much as ±10dB, when the unit is in the “Surround Off” mode. Set this control to a suitable position for your taste or room acoustics.
* Balance Control: Turn this control to change the relative volume for the front left/right channels.
NOTE: For proper operation of the surround modes this control should be at the midpoint or “12 o’clock” position.
( Treble Control: Turn this control to modify the high frequency output of the left/right channels by as much as ±10dB, when the unit is in the “Surround Off” mode. Set this control to a suitable position for your taste or room acoustics.
Ó Volume Control: Turn this knob clockwise to increase the volume, counterclockwise to decrease the volume. If the AVR 125 is muted, adjusting the Volume Control Ó will automatically release the unit from the silenced condition.
Ô Set Button: When making choices during the setup and configuration process, press this button to enter the desired setting as shown in the
Main
Information Display
Û into the AVR 125’s memory. The set button may also be used to change the display brightness. (See page 26.)
Input Indicators: A green LED will light in front of the input that is currently being used as the source for the AVR 125.
Ò Delay: Press this button to begin the sequence of steps required to enter delay time settings. (See page 19 for more information on delay times.)
Ú Digital Input Selector: When playing a source that has a digital output, press this button to select between the
Optical #c and Coaxial $·
Digital inputs or to select the source’s analog input.
(See pages 23–25 for more information on digital audio.)
Û Main Information Display: This display delivers messages and status indications to help you operate
the receiver. (See pages 7–8 for a complete explana­tion of the Information Display.)
Ù Channel Select Button: Press this button to begin the process of trimming the channel output lev­els using an external audio source. (For more informa­tion on output level trim adjustment, see page 25.)
ı Speaker Select Button: Press this button to begin the process of configuring the unit to match the type of speakers used in your listening room. (See pages 16–19 for more information on speaker setup and configuration.)
ˆ Test Tone Selector: Press this button to begin the process of adjusting the channel output levels using the internal test tone as a reference. (For more information on output level adjustment, see page 18.)
˜ Surround Mode Indicators: A green LED will light in front of the surround mode that is currently in use.
¯ Remote Sensor Window: The sensor behind this window receives infrared signals from the remote control. Aim the remote at this area and do not block or cover it.
33
FRONT-PANEL INFORMATION DISPLAY 7
FRONT-PANEL INFORMATION DISPLAY
MEM PRESET
SLEEP
AUTOANALOGCOAX 123OPT 123DTS
PCM
TUNED ST
DDPL II 3ST DSP VMAx NF LOGIC 7 CM
KHz
dB
MHz
NIGHT
LR
C
SL SR
LFE
A
K
S RTU Q PO M L
B
C D E
J
N
FG H I
A Bitstream Indicators B DTS Mode Indicator C Dolby Digital Indicator D Dolby Pro Logic II Indicator E Dolby 3 Stereo Indicator/Stereo Indicator F Main Information Display G DSP Mode Indicator H VMAx Mode Indicators
I Logic 7 Mode Indicators J Preset Number/Sleep Timer K Night Mode Indicator L Speaker/Channel Input Indicators M Preset Indicator N Sleep Indicator O Memory Indicator P Stereo Indicator
Q Tuned Indicator R Auto Indicator S Analog Input Indicator T Coaxial Digital Input Indicators U Optical Digital Input Indicators
A Bitstream Indicators: When the input is a digital
source, one of these indicators will light to display the spe­cific type of data signal in use.
B DTS Mode Indicator: This indicator lights when a DTS-encoded source is playing and DTS Surround decoding is in use.
C Dolby Digital Indicator: This indicator lights when a Dolby Digital source is being played and Dolby Digital surround decoding is in use.
D Dolby Pro Logic II Indicator: This indicator lights when the Dolby Pro Logic II mode has been selected.
It is possible to see the Dolby Pro Logic II indicator lit simultaneously with the Dolby Digital indicator, even though the Dolby Digital surround mode has been selected. This is due to the specifications for Dolby Digital pro
cessing, which require that the Dolby
Pro Logic II
mode be used any time a 2-channel
Dolby signal is detected.
• If you desire 5.1-channel audio, check the audio settings in the menus for both your DVD player and your DVD disc to make sure that a 5.1-channel Dolby Digital sound track is available and has been selected.
E Dolby 3 Stereo Indicator/Stereo Indicator: The entire indicator lights when the Dolby 3 Stereo mode has been selected. When the surround modes are turned off so that two-channel stereo playback is in use, only the “ST” indicator will light.
F Main Information Display: This display shows messages relating to the status, input source, surround mode, tuner, volume level or other aspects of the AVR 125’s operation.
G DSP Mode Indicator: This indicator lights when any of the surround modes created by Digital Signal Processing, or DSP are in use. These modes include Hall 1, Hall 2, Theater and 5-Channel Stereo.
H
VMAx Mode Indicators: This indicator lights when
the VMAx mode is in use. VMAx F
appears when
the Far Field VMAx mode is selected;
VMAx N
appears when the Near Field VMAx mode is selected. (See page 22 for a description of the VMAx modes.)
I Logic 7 Mode Indicators: These indicators light when the Logic 7 mode is in use.
LOGIC 7C ap­pears for the Cinema version of Logic 7; LOGIC 7M appears for the Music version of Logic 7. (See page 22 for a description of the Logic 7 modes.)
J Preset Number/Sleep Timer: When the tuner is in use, these numbers indicate the specific preset memory location in use. (See page 25 for more infor­mation on preset stations.) When the Sleep function is in use, these numbers show how many minutes remain before the unit goes into the Standby mode. (See page 21 for information on the Sleep Function.)
K Night Mode Indicator: This indicator lights when the AVR 125 is in the Night mode, which preserves the dynamic range of digital program material at low
volume levels.This mode is only available with specially encoded Dolby Digital sources. (See page 24 for a description of the Night Mode.)
L Speaker/Channel Input Indicators: These indica- tors are multipurpose, indicating either the speaker type selected for each channel or the incoming data-signal configuration. The left, center, right, right surround and left surround speaker indicators are composed of three boxes, while the subwoofer is a single box. The center box lights when a “small” speaker is selected, and the two outer boxes light when “large” speakers are select­ed. When none of the boxes are lit for the center, sur­round or subwoofer channels, no speaker has been assigned to one of those positions. (See page 17 for more information on configuring speakers.) The letters inside each of the center boxes display active input channels. For standard analog inputs, only the L and R will light, indicating a stereo input. When a digital source is playing, the indicators will light to display the channels being received at the digital input. When the letters flash, the digital input has been interrupted. (See pages 18–19 for more information on the Channel Indicators.)
M Preset Indicator: This indicator lights when the tuner is in use to show that the
Preset Number/
Sleep Timer
J is showing the station’s preset memory number. (See page 25 for more information on tuner presets.)
N Sleep Indicator: This indicator lights when the Sleep function is in use.The numbers in the Preset Number/Sleep Timer Indicators will show the minutes
8FRONT-PANEL INFORMATION DISPLAY
FRONT-PANEL INFORMATION DISPLAY
remaining before the AVR 125 goes into the Standby mode. (See page 21 for more information.)
O
Memory Indicator: This indicator flashes when
entering presets and other information into the tuner’s memory.
P Stereo Indicator: This indicator lights when an FM station is being tuned in stereo.
Q
Tuned Indicator:
This indicator lights when a station is being received with sufficient signal strength to pro­vide acceptable listening quality.
R Auto Indicator: This indicator lights when the tuner’s Auto mode is in use.
S Analog Input Indicator: This indicator lights when an analog input source has been selected.
T Coaxial Digital Input Indicators: These indicators light to show when a Coaxial Digital Input has been selected.
U Optical Digital Input Indicators: These indicators light to show when an Optical Digital Input has been selected.
NOTE: See page 23 for information on assigning either an analog input or one of the digital inputs to the source currently in use.
REAR-PANEL CONNECTIONS 9
REAR-PANEL CONNECTIONS
°
¢
¡
£
¤
b
c
d
e
f
g
j
k
h
i
·
a
ª
§
31
33
32
SURR SURR
, 1A
, 0.5A
¡ AM AntennaFM Antenna £ CD Inputs ¢ Tape Outputs Tape Inputs
§ Subwoofer OutputFront Speaker Outputs
Surround Speaker Outputs ª Front Speaker Outputs Surround Speaker Outputs Front Speaker Outputs ¤ Switched AC Accessory Outlet Unswitched AC Accessory Outlet
AC Power CordOptical Digital OutputCoaxial Digital OutputVideo Monitor S-Video Output ° DVD S-Video Input
· Coaxial Digital Inputs a Video 1 S-Video Input b Video 1 S-Video Output c Optical Digital Inputs d Video 2 S-Video Input e 6-Channel Direct Inputs f Video Monitor Composite Video Output g DVD Composite Video Input
h DVD Audio Inputs i Video 1 Composite Video Input j Video 1 Audio Inputs k Video 1 Composite Video Output
Video 1 Audio Outputs Video 2 Composite Video Input Video 2 Audio Inputs
¡ AM Antenna: Connect the AM loop antenna sup- plied with the receiver to these terminals. If an external AM antenna is used, make connections to the
AM and
GND terminals in accordance with the instructions sup-
plied with the antenna.
FM Antenna: Connect the supplied indoor or an optional external FM antenna to this terminal.
£ CD Inputs: Connect these jacks to the output of a compact disc player or CD changer.
¢ Tape Outputs: Connect these jacks to the RECORD/INPUT jacks of an audio recorder.
Tape Inputs: Connect these jacks to the PLAY/OUT jacks of an audio recorder.
§ Subwoofer Output: Connect this jack to the line- level input of a powered subwoofer. If an external sub­woofer amplifier is used, connect this jack to the sub­woofer amplifier input.
¶ª⁄ Front Speaker Outputs: Connect these outputs to the matching + or – terminals on your front speakers.When making speaker connections, always make certain to maintain correct polarity by connecting the black terminal to the negative (–) terminal on the speakers. Connect the white terminal to the positive (+) terminal on the left front speaker, the red terminal to the positive (+) terminal on the right front speaker and the green terminal to the positive (+) terminal on the center front speaker. Newer speakers may have matching color terminals in accordance with the new CEA specifications, while existing speakers typically use a red terminal for the positive (+) speaker wire
connection. (See page 14 for more information on speaker polarity.)
•‚ Surround Speaker Outputs: Connect these outputs to the matching + or – terminals on your left and right surround speakers.When making speaker connections always make certain to maintain correct polarity by connecting the black terminal to the nega­tive (–) terminal on the speakers. Connect the blue terminal to the positive (+) terminal on the left sur­round speaker and the gray terminal to the positive (+) terminal on the right surround speaker. Newer speakers may have matching color terminals in accor­dance with the new CEA specifications, while existing speakers typically use a red terminal for the positive (+) speaker wire connection. (See page 14 for more information on speaker polarity.)
31
32
33
10 REAR-PANEL CONNECTIONS
REAR-PANEL CONNECTIONS
¤ Switched AC Accessory Outlet: This outlet may be used to power any device you wish to have turned on or off at the same time as the AVR 125.Any device connected to this outlet will be off when the AVR 125 is in the Standby mode, and power will be supplied to the outlet when the AVR 125 is turned on.
Unswitched AC Accessory Outlet: This outlet may be used to power any AC device. The power will remain on at this outlet regardless of whether the AVR 125 is on or off.
IMPORTANT NOTE: The total power consumption of all devices connected to the accessory outlets should not exceed 100 watts. Do not connect power amplifiers or other high-current draw devices to these outlets.
AC Power Cord: Connect the AC plug to an unswitched AC wall outlet.
Optical Digital Output: Connect this jack to the matching digital audio input connector on a digital recorder such as a CD-R or MiniDisc recorder.
Coaxial Digital Output: Connect this jack to the matching digital audio input connector on a digital recorder such as a CD-R or MiniDisc recorder.
‡f Video Monitor Outputs: Connect these jacks to the composite or S-Video input of a TV monitor or video projector to view the output of any standard video source selected by the receiver’s video switcher.
°g DVD Video Inputs: Connect one of these jacks to the composite or S-Video output jacks on a DVD or other video source.
· Coaxial Digital Inputs: Connect the coax digital audio output from a DVD player, HDTV receiver, LD player, satellite receiver, cable box, MiniDisc recorder or CD player to these jacks.The signal may be either a Dolby Digital signal, DTS signal or a standard PCM digital source. Do not connect the RF digital output of an LD player to these jacks.
ai Video 1 Video Inputs: Connect one of these jacks to the
PLAY/OUT composite or S-Video jacks
on a VCR or other video source.
bk Video 1 Video Outputs: Connect one of these jacks to the
RECORD/INPUT composite or S-Video
jack on a VCR.
c Optical Digital Inputs: Connect the optical digital audio output from a DVD player, HDTV receiver, LD player, satellite receiver, cable box, MiniDisc player or recorder, or CD player to these jacks. The signal may be either a Dolby Digital signal, a DTS signal or a standard PCM digital source.
d Video 2 Video Inputs: Connect one of these jacks to the
PLAY/OUT composite or S-Video jacks
on a TV, VCR or other video source.
e 6-Channel Direct Inputs: If an external digital audio decoder is used, connect the outputs of that decoder to these jacks.
These jacks have been color-coded as follows to assist you in making correct channel connections:
Front Left White Front Right Red Center Green Surround Left Blue Surround Right Gray Subwoofer Purple
h DVD Audio Inputs: Connect these jacks to the analog audio jacks on a DVD player or other source device.
NOTE: The default setting for the audio input associated with DVD is the Coaxial Digital Input 1 ·. If you connect the audio outputs of a DVD player to the ana­log jacks
h, change the input setting as shown on
page 20.
j Video 1 Audio Inputs: Connect these jacks to the
PLAY/OUT audio jacks on a VCR or other video
source.
Video 1 Audio Outputs: Connect these jacks to
the
RECORD/INPUT audio jacks on a VCR.
Video 2 Audio Inputs: Connect these jacks to
the
PLAY/OUT audio jacks on a VCR, satellite receiver,
cable box, video game or other composite video source.
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REMOTE CONTROL FUNCTIONS 11
REMOTE CONTROL FUNCTIONS
s
a
bc
d
e
f
g
h
i
j
k
n
p
o
q
r
t
v
w
`
32
30
29
28
36
34
33
31
z
x
y
35
POWER
MUTE
AVR
DVD
AM/FM
CD
TAPE
VID 2
VCR
TV
CBL/SAT
6 CH.
VID 1
VID 3
OFF
ON
SLEEP
T/V
SURR.
CH.
VOL.
G
U
I
D
E
C
H
.
E
X
I
T
D
I
G
I
T
A
L
M
E
N
U
S
P
K
R
P
R
E
V
.
C
H
.
D
E
L
A
Y
SET
1
2
3
4
7
6
5
9
0
TUN-M
MEM
M2
M3
M4
D.SKIP
M1
DIRECT
TUNING
PRESET
CLEAR
DW
N
UP
TEST
NIGHT
125
8
SKIP
l
m
u
a Power Off Button b IR Transmitter Window c Program Indicator d Power On Button e Input Selectors f AVR Selector g AM/FM Tuner Select h Test Button i Sleep Button j Surround Mode Selector k Night Mode l Channel Select Button m⁄Button n‹Button o Set Button p Digital Select q¤Button r Numeric Keys s Tuner Mode t Direct Button u Tuning Up/Down v Macro Buttons w Transport Controls x Skip Up/Down Buttons y Disc Skip Button z Preset Up/Down ` Clear Button
28
Memory Button
29
Delay/Prev. Ch.
30
Button
31
Speaker Select
32
Spare Button
33
Volume Up/Down
34
TV/Video Selector
35
6-Channel Direct Input
36
Mute
NOTE: The function names shown here refer to each button’s feature when used with the AVR 125. Most buttons have additional functions when used with other devices. See pages 31–32 for a list of these functions.
12 REMOTE CONTROL FUNCTIONS
REMOTE CONTROL FUNCTIONS
IMPORTANT NOTE: The AVR 125’s remote may be programmed to control up to seven devices, including the AVR 125. Before using the remote, remember to press the
Input Selector Button e that corre-
sponds to the unit you wish to operate. In addition, the AVR 125’s remote is shipped from the factory to oper­ate the AVR 125 and most recent Harman Kardon products.The remote is also capable of operating a wide variety of other products using the control codes that are part of the remote. Before using the remote with other products, follow the instructions on pages 27–30 to program the proper codes for the products in your system.
It is also important to remember that many of the but­tons on the remote take on different functions, depend­ing on the product selected using the Device Control Selectors.The descriptions shown here primarily detail the functions of the remote when it is used to operate the AVR 125. (See pages 31–32 for information about alternate functions for the remote’s buttons.)
a Power Off Button: Pressing this button turns off (places in the Standby mode) the device that was last selected by pressing one of the
Input Selectors e.
To place the AVR 125 in the Standby mode, first press the
AVR Selector Button f and then press this
button.
b IR Transmitter Window: Point this window towards the AVR 125 when pressing buttons on the remote to make certain that infrared commands are properly received.
c Program Indicator: This three-color indicator is used to guide you through the process of program­ming the remote. (See pages 27–30 for information on programming the remote.)
d Power On Button: After selecting a device by pressing one of the
Input Selectors e, press this
button to turn the device on. To turn on the AVR 125, press the
AVR Selector Button f.
e Input Selectors: Pressing one of these buttons
will perform three actions at the same time. First, if the AVR 125 is not turned on, this will power up the unit. Next, it will select the source shown on the button as the input to the AVR 125. Finally, it will change the remote control so that it controls the device selected. After pressing one of these buttons you must press the
AVR Selector Button f again to operate the
AVR 125’s functions with the remote.
f AVR Selector: Pressing this button will switch the remote so that it will operate the AVR 125’s functions. If the AVR 125 is in the Standby mode, it will also turn the AVR 125 on.
g AM/FM Tuner Select: Press this button to select the AVR 125’s tuner as the listening choice. Pressing this button when the tuner is already in use will switch between the AM and FM bands.
h Test Button: Press this button to begin the sequence used to calibrate the AVR 125’s output levels. (See pages 18–19 for more information on calibrating the AVR 125.)
i Sleep Button: Press this button to place the unit in the Sleep mode.After the time shown in the display, the AVR 125 will automatically go into the Standby mode. Each press of the button changes the time until turn-off in the following order:
This button is also used to change channels on your TV when the TV is selected, and it is also used to end the process of creating a macro command. (See page 28 for more information on creating macros.)
j Surround Mode Selector: Press this button to begin the process of changing the surround mode.After the button has been pressed, use the
⁄/¤
Buttons
mq to select the desired surround mode. (See page 22 for more information.) This button is also used to tune channels when the TV is selected, and during the process of erasing stored macro com­mands. (See page 28 for more information on macros.)
NOTE: The Sleep Button i and Surround Mode Selector
j may also function as the Channel + and – keys when the remote is programmed for use with TVs, cable boxes, VCRs, satellite receivers or other video devices with tuners. See page 29 for information on programming the remote for Channel Control Punch-Through capability so that you may change channels on a separate device when the remote is in AVR mode.
k Night Mode: Press this button to activate the Night mode.This mode is available in specially encod­ed digital sources to preserve dialog (center channel) intelligibility at low volume levels.
l Channel Select Button: This button is used to start the process of setting the AVR 125’s output levels to an external source. Once this button is pressed, use the
⁄/¤
Buttons mq to select the channel being
adjusted, then press the
Set Button o, followed by
the
⁄/¤
Buttons mq again, to change the level setting. (See page 25 for more information.)
m⁄Button: This multipurpose button is used to change configuration settings such as output levels. When changing an item such as the surround mode or digital input directly, first press the function or mode to be changed (e.g., press the
Surround Mode Selector j to select a surround mode or the Digital Select Button
p to change the digital input) and then press
this button to scroll through the list of available choices.
n‹Button: This button is used to change the setting during some of the setup procedures for the AVR 125.
o Set Button: This button is used to enter settings into the AVR 125’s memory. It is also used in the setup procedures for delay time, speaker configuration and channel output level adjustment.
p Digital Select: Press this button to assign one of the digital inputs
·c#$ to the source currently in use. (See page 23 for more information on using digital inputs.)
q¤Button: This multipurpose button is used to change configuration settings such as output levels. When changing an item such as the surround mode or digital input directly, first press the function or mode to be changed (e.g., press the
Surround Mode Selector j to select a surround mode or the Digital Select Button
p to change the digital input) and then press
this button to scroll through the list of available choices.
r Numeric Keys: These buttons serve as a ten- button numeric keypad to enter tuner preset positions. They are also used to select channel numbers when TV has been selected on the remote, or to select track numbers on a CD, DVD or LD player, depending on how the remote has been programmed.
s Tuner Mode: Press this button when the tuner is in use to select between automatic tuning and manual tuning. In automatic tuning mode, the
AUTO Indicator
R will be lit, and only stations with acceptable signal quality may be tuned by pressing the
Tuning Up/
Down Buttons
8u. When the button is pressed
so that the
AUTO Indicator R goes out, manual
tuning mode is engaged, and pressing the
Tuning
Buttons
u8 will move the frequency up or down in single-step increments.When the FM band is in use, pressing this button when a station’s signal is weak will change to monaural reception. (See page 25 for more information.)
t Direct Button: When the tuner is in use, press this button to start the sequence for direct entry of a station’s frequency. After pressing the button simply press the proper
Numeric Keys r to select a sta-
tion. (See page 25 for more information on the tuner.)
90
min80min70min60min50min
40
min
30
min20min10min
OFF
REMOTE CONTROL FUNCTIONS 13
u Tuning Up/Down: When the tuner is in use, these buttons will tune up or down through the selected fre­quency band. If the
Tuner Mode Button s@ has
been pressed so that the
AUTO Indicator R is illumi-
nated, pressing either of the buttons will cause the tuner to seek the next station with acceptable signal strength for quality reception. When the
AUTO Indicator R is
NOT illuminated, pressing these buttons will tune sta­tions in single-step increments. (See page 25 for more information.)
v Macro Buttons: Press these buttons to store or recall a “Macro”, which is a preprogrammed sequence of commands stored in the remote. (See page 28 for more information on storing and recalling macros.)
w Transport Controls: These buttons do not have any functions for the AVR 125, but they may be pro­grammed for the forward/ reverse play operation of a wide variety of CD or DVD players, and audio or video cassette recorders. (See page 29 for more information on programming the Transport Control Punch-Through capability of the remote.)
x Skip Up/Down Button: These buttons have no direct function with the AVR 125, but when used with a compatibly programmed CD or DVD changer, they will change the track or chapter of the disc currently being played in the changer.
y Disc Skip Button: This button has no direct function for the AVR 125, but when used with a com­patibly programmed CD or DVD changer, it will change the disc currently being played in the changer. (See page 28 for more information on using the remote with other devices.)
z Preset Up/Down: When the tuner is in use, press these buttons to scroll through the stations pro­grammed into the AVR 125’s memory. When some source devices, such as CD players, VCRs and cas­sette decks, are selected using the device
Input
Selectors
e, these buttons may function as
Chapter Step or Track Advance.
` Clear Button: Press this button to clear incorrect entries when using the remote to directly enter a radio station’s frequency.
Memory Button: Press this button to enter a radio
station into the AVR 125’s preset memory. Once the Memory Indicator O flashes, you have five seconds to enter a preset memory location using the
Numeric
Keys
r. (See page 25 for more information.)
Delay/Prev Ch.: Press this button to begin
the process for setting the delay times used by the
AVR 125 when processing surround sound. After pressing this button, the delay times are entered by pressing the
Set Button o and then using the
⁄/¤
Buttons mq to change the setting. Press
the
Set Button o again to complete the process.
(See page 19 for more information.)
Button: Press this button to change a setting
or selection when configuring many of the AVR 125’s settings.
Speaker Select: Press this button to begin the
process of configuring the AVR 125’s bass manage­ment system for use with the type of speakers used in your system. Once the button has been pressed, use the
⁄/¤
Buttons mq to select the chan-
nel you wish to set up. Press the
Set Button o
and then select another channel to configure. When all adjustments have been completed, press the Set Button o twice to exit the settings and return to normal operation. (See page 17 for more information.)
Spare Button: This button does not have any
function for the operation of the AVR 125, but it is available for use when programmed with the code from another remote. (See page 27 for information on programming the remote with codes for other devices.)
Volume Up/Down: Press these buttons to raise
or lower the system volume. See page 29 for more information on programming the Volume Punch­Through capability of the remote, which allows you to change the AVR 125’s volume while the remote is set to control another device.
TV/Video Selector: This button does not have a
direct function on the AVR 125, but when used with a compatibly programmed VCR, DVD or satellite receiver that has a “TV/Video” function, pressing this button will switch between the output of the player or receiver and the external video input to that player. Consult the owner’s manual for your specific player or receiver for the details of how it implements this function.
6-Channel Direct Input: Press this button to
select the component connected to the
6-Channel
Direct Input
e as the source.
Mute: Press this button to momentarily silence
the AVR 125 or TV set being controlled, depending on which device has been selected. When the AVR 125 is muted, press this button or use the
Volume
Control
Ó to return to the previous volume
level. When the AVR 125 remote is being programmed
to operate another device or when a macro command is being programmed, this button is pressed with the Input Selector Button e to begin the program­ming process. (See page 27 for more information on programming the remote.)
REMOTE CONTROL FUNCTIONS
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14 INSTALLATION AND CONNECTIONS
System Installation
After unpacking the unit, and placing it on a solid surface capable of supporting its weight, you will need to make the connections to your audio and video equipment.
Audio Equipment Connections
We recommend that you use high-quality interconnect cables when making connections to source equipment and recorders to preserve the integrity of the signals.
When making connections to audio source equipment or speakers it is always a good practice to unplug the unit from the AC wall outlet. This prevents any possibil­ity of accidentally sending audio or transient signals to the speakers that may damage them.
1. Connect the analog output of a CD player to the
CD Inputs £.
NOTE: When the CD player has both fixed and vari-
able audio outputs it is best to use the fixed output unless you find that the input to the receiver is so low that the sound is noisy, or so high that the signal is distorted.
2. Connect the analog Play/Out jacks of a cassette deck, MD, CD-R or other audio recorder to the
Tape
Input Jacks
. Connect the analog Record/In jacks
on the recorder to the
Tape Output Jacks ¢ on the
AVR 125.
3. Connect the output of any digital sources to the appropriate input connections on the AVR 125 rear panel. Note that the
Optical and Coaxial Digital
Inputs
·c#$ may be used with a Dolby Digital or DTS source such as a DVD player, or the output of a conventional CD or LD player’s PCM (S/P-DIF) output.
4. Connect the
Optical Digital Output or Coaxial
Digital Output
on the rear panel of the AVR 125 to the matching digital input connections on a CD-R or MiniDisc recorder.
5. Assemble the AM Loop Antenna supplied with the unit as shown below. Connect it to the
AM and GND
Screw Terminals
¡ .
6. Connect the supplied FM antenna to the
FM
Antenna (75 ohm) Connection
. The FM antenna may also be an external roof antenna, an inside pow­ered or wire lead antenna or a connection from a
cable TV system. Note that if the antenna or connec­tion uses 300-ohm twin-lead cable, you must use the 300-ohm-to-75-ohm adapter supplied with the unit to make the connection.
7. If you have a DVD-Audio or SACD player, or other component that includes an onboard surround decoder and 6-channel line-level audio outputs, you may connect these audio outputs to the
6-Channel
Direct Inputs
e. It is also necessary to connect the coax or optical digital output of a DVD player to coax or optical digital inputs on the AVR 125
·c#$
to take advantage of Dolby Digital or DTS soundtracks. Connect the DVD player’s video outputs to the
DVD
Video Input Jacks
°g.For audio-only sources, such as DVD audio or SACD, select the 6-Channel Direct Input source. For video sources, such as a DVD select the DVD Input.
8. Connect the front, center and surround
Speaker
Outputs
¶•ª‚⁄ to the respective speakers.
To ensure that all the audio signals are carried to your speakers without loss of clarity or resolution, we sug­gest that you use high-quality speaker cable. Many brands of cable are available and the choice of cable may be influenced by the distance between your speakers and the receiver, the type of speakers you use, personal preferences and other factors. Your dealer or installer is a valuable resource to consult in selecting the proper cable.
Regardless of the brand of cable selected, we recom­mend that you use a cable constructed of fine, multi­strand copper with a gauge of 14 or smaller. Remember that in specifying cable, the lower the number, the thicker the cable.
Cable with a gauge of 16 may be used for short runs of less than ten feet. We do not recommend that you use cables with an AWG equivalent of 18 or higher due to the power loss and degradation in performance that will occur.
Cables that are run inside walls should have the appro­priate markings to indicate listing with UL, CSA or other appropriate testing agency standards. Questions about running cables inside walls should be referred to your installer or a licensed electrical contractor who is famil­iar with the NEC and/or the applicable local building codes in your area.
When connecting wires to the speakers, be certain to observe proper polarity. Remember to connect the “negative” or “black” wire to the same terminal on both the receiver and the speaker. The AVR 125 con­forms to the latest CEA-recommended color-coding for speaker terminals. Accordingly, the positive (+) terminal, which was previously red, is now a specific
color to assist you in making the correct connections. If your speakers have color-coded connections, match the terminal on the AVR 125 to the like terminal on your speakers. For existing speakers with a red termi­nal for the positive connection, the connections on the AVR 125 are as follows:
Front Left = White Front Right = Red Center = Green Surround Left = Blue Surround Right = Gray
While most speaker manufacturers adhere to an industry convention of using black terminals for nega­tive and red ones for positive, some manufacturers may vary from this configuration. To ensure proper phase and optimal performance, consult the identifica­tion plate on your speaker or the speaker’s manual to verify polarity. If you do not know the polarity of your speaker, ask your dealer for advice before proceeding, or consult the speaker’s manufacturer.
We also recommend that the length of cable used to connect speaker pairs be identical. For example, use the same length piece of cable to connect the front-left and front-right or surround-left and sur­round-right speakers, even if the speakers are a different distance from the AVR 125.
9. Connections to a subwoofer are normally made via a line-level audio connection from the
Subwoofer
Output
§ to the line-level input of a subwoofer with a built-in amplifier. When a passive subwoofer is used, the connection first goes to a power amplifier, which will be connected to one or more subwoofer speakers. If you are using a powered subwoofer that does not have line-level input connections, follow the instruc­tions furnished with the speaker for connection information.
Video Equipment Connections
Video equipment is connected in the same manner as audio components.Again, the use of high-quality intercon­nect cables is recommended to preserve signal quality.
Although any compatible video device may be con­nected to any video input (with the exception of the Video 1 Output Jacks bk , which may only be connected to a video recorder), to make programming device codes into the remote control easier, we rec­ommend that you connect your VCR to the
Video 1
Connectors
abijk , your television to the
Video 2 Connectors d , and your cable-TV converter or satellite receiver to the
Video 3
Connectors
%^.
1. Connect a VCR’s audio and video Play/Out jacks to the
Video 1 Input Jacks aij on the rear panel.
The Audio and Video Record/In jacks on the VCR
INSTALLATION AND CONNECTIONS
32
31
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33
INSTALLATION AND CONNECTIONS 15
INSTALLATION AND CONNECTIONS
should be connected to the Video 1 Out Jacks bk on the AVR 125.
2. Connect the analog audio and video outputs of a television set or any other video source to the
Video 2
Jacks
d .
3. Connect the analog audio and video outputs of a cable TV converter or satellite receiver, or any other video source, to the
Video 3 Jacks %^ on the
front panel of the AVR 125.
4. Connect the analog audio and video outputs of a DVD or laser disc player to the
DVD Jacks
°gh. When a digital audio connection is used for your DVD player, the default connection is the Coaxial Digital Input 1 Jack ·. However, the connection may also be made to any of the
Optical
c# or Coaxial ·$ Digital Inputs, provided that the digital input source selection is changed as shown on page 23. If your DVD or DVD-Audio player includes an onboard surround decoder and 6-channel line-level audio outputs, you may connect these audio outputs to the
6-Channel Direct Inputs e. When
you wish to hear this decoded audio, select the DVD Input first in order to select the video signal from the DVD player, then select the 6-Channel Direct Input source for the audio.
5. Connect the digital audio outputs of a DVD player, satellite receiver, cable box or HDTV converter to the appropriate
Optical or Coaxial Digital Inputs
·c#$.
6. Connect the
Video Monitor Output ‡f jacks
on the receiver to the composite or S-Video input of your television monitor or video projector.
VIDEO CONNECTION NOTE:
• Composite and S-Video signals may only be viewed in their native formats. The AVR 125 will not convert signals from composite to S-Video, or vice versa. S-Video inputs may only be viewed when the AVR 125 is connected to a TV set or video display with S-Video capability. If you use both standard composite video and S-Video sources in your system, it is important that you connect both an S-Video cable and a standard composite video cable (a coax cable with an RCA plug on both ends) between the AVR 125 and your TV or projec­tor. When it is necessary to make both types of connections to your TV set, use different inputs if possible. Consult the instructions for your TV set or projector for more information on connecting both types of signals.
Power Connections
This unit is equipped with two accessory AC outlets. They may be used to power accessory devices, but they should not be used with high-current draw equip­ment such as power amplifiers.The total power draw to each outlet may not exceed 100 watts.
The
Switched AC Accessory Outlet ¤ will receive
power only when the unit is on. This is recommended for devices that have no power switch or a mechanical power switch that may be left in the “ON” position.
NOTE: Many audio and video products go into a Standby mode when they are used with switched out­lets, and cannot be fully turned on using the outlet alone without a remote control command.
The
Unswitched AC Accessory Outlet ‹ will
receive power as long as the unit is plugged into a powered AC outlet.
Finally, when all connections are complete, plug the Power Cord › into a nonswitched 120-volt AC wall outlet. You’re almost ready to enjoy the AVR 125!
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16 SYSTEM CONFIGURATION
SYSTEM CONFIGURATION
When all audio, video and system connections have been made, there are a few configuration adjustments that must be made.A few minutes spent to correctly configure and calibrate the unit will greatly add to your listening experience.
Speaker Selection and Placement
The placement of speakers in a multichannel home theater system can have a noticeable impact on the quality of sound reproduced. No matter which type or brand of speakers is used, the same model or brand of speaker should be used for the left front, center and right front speakers. This creates a seamless front soundstage and eliminates the possibility of dis­tracting sonic disturbances that occur when a sound moves across mismatched front-channel speakers.
Speaker Placement
Depending on the type of center channel speaker in use and your viewing device, place the center speaker either directly above or below your TV, or in the center behind a perforated front projection screen.
Once the center channel speaker is installed, position the left front and right front speakers so that they are as far away from one another as the center channel speaker is from the preferred listening position. Ideally, the front-channel speakers should be placed so that their tweeters are no more than 24" above or below the tweeter in the center channel speaker.
Depending on the specifics of your room acoustics and the type of speakers in use, you may find that imaging is improved by moving the left front and right front speakers slightly forward of the center channel speaker. If possible, adjust all front loudspeakers so that they are aimed at ear height when you are seated in the listening position.
Using these guidelines, you’ll find that it takes some experimentation to find the correct location for the front speakers in your particular installation. Don’t be afraid to move things around until the system sounds correct. Optimize your speakers so that audio transitions across the front of the room sound smooth, and that sounds from all speakers appear to arrive at the listening posi­tion at the same time (without delay from the center speaker compared to the left and right speakers).
Surround speakers should be placed on the side walls of the room, at or slightly behind the listening position. The center of the speaker should face into the room. The speakers should be located so that the bottom of the cabinet is at least two feet higher than the listeners’ ears when the listeners are seated in the desired area.
If side-wall mounting is not practical, the speakers may be placed on a rear wall, behind the listening
position. Again, they should be located so that the bottom of the cabinet is at least two feet higher than the listeners’ ears.The speakers should be no more than six feet behind the rear of the seating area.
Subwoofers produce nondirectional sound, so they may be placed almost anywhere in a room. Actual placement should be based on room size and shape and the type of subwoofer used. One method of find­ing the optimal location for a subwoofer is to begin by placing it in the front of the room, about six inches from a wall, or near the front corner of the room. Another method is to temporarily place the subwoofer at your normal listening position, and then walk around the room until you find a spot where the sub­woofer sounds best. Place the subwoofer in that spot. You should also follow the instructions of the sub­woofer’s manufacturer, or you may wish to experi­ment with the best location for a subwoofer in your listening room.
Once the speakers have been placed in the room and connected, the remaining steps in the setup process are to program the AVR 125’s bass manage­ment system for the type of speakers used in your system, calibrate the output levels, and set the delay times used by the surround sound processor.
You are now ready to power up the AVR 125 to begin these final adjustments.
1. Plug the
Power Cord › into an unswitched AC
outlet.
2. Press the
Main Power Switch 1 in until it
latches and the word “OFF” on the top of the switch disappears inside the front panel. Note that the
Power Indicator 3 will turn amber,
indicating that the unit is in the Standby mode.
3. Remove the protective plastic film from the front­panel lens. If left in place, the film may affect the performance of your remote control.
4. Install the three supplied AAA batteries in the remote as shown. Be certain to follow the (+) and (–) polarity indicators that are on the bottom of the battery compartment.
A) Front-Channel Speaker Installation with Direct­View TV Sets or Rear-Screen Projectors
B) The distance between the left and right speakers should be equal to the distance from the seating position to the viewing screen. You may also experiment with placing the left and right speakers slightly forward of the center speaker.
C) Optimal placement of surround speaker
Center Front Speaker
No more
than 24"
Left Front
Speaker
Right Front Speaker
TV or Projection Screen
Left Front
Speaker
Center Front
Speaker
No more than 6 feet
when rear-mounted
speakers are used
Optional Rear-Wall Mounting
Right Front
Speaker
At least 6 inches from ceiling
At least 2 feet
SYSTEM CONFIGURATION 17
5. Turn the AVR 125 on either by pressing the
System Power Control 2 on the front panel, or via the remote by pressing the
AVR Selector
f or any of the Input Selectors eg on the remote.The Power Indicator 3 will turn green to confirm that the unit is on, and the
Main
Information Display Û will also light up.

System Setup

The AVR 125 features an advanced memory system that enables you to establish different configurations for the bass management, digital input, surround mode, delay times and output levels for each input source.This flexibility enables you to custom-tailor the way in which you listen to each source and have the AVR 125 memorize those settings. This means, for example, that you may use different output levels or trims for different sources, or set different speaker configurations with the resultant changes to the bass management system. Once these settings are made, they will automatically be recalled whenever you select that input.
The factory default settings for the AVR 125 have all inputs configured for an analog source (except for the DVD input, which has the
Coaxial Digital Input 1 ·
as the default), Stereo as the surround mode, all speaker positions set to “small,” and a subwoofer con­nected. Before using the unit, you will probably want to change the settings for most inputs so that they are properly configured to reflect the use of digital or ana­log inputs, the type of speakers installed and the sur­round mode specifics. Remember that since the AVR 125 memorizes the settings for each input indi­vidually, you will need to make these adjustments for each input used. However, once they are made, further adjustment is only required when system components are changed.
Once you have completed the settings for the first input, many settings may be duplicated for the remain­ing inputs. Remember that once the settings are entered for one input, they must be completed for all other input sources in your system.

Speaker Setup

These adjustments tell the AVR 125 which type of speakers are in use.This is important as it adjusts the settings that determine which speakers receive low­frequency (bass) information. For each of these set­tings use the
LARGE setting if the speakers for a particular position are traditional full-range loudspeak­ers that are capable of reproducing sounds below 100Hz. Use the
SMALL setting for smaller, fre­quency-limited satellite speakers that do not reproduce sounds below 100Hz. Note that when “small” speak­ers are used, a subwoofer is required to reproduce low-frequency sounds. Remember that the “large” and
“small” descriptions do not refer to the actual physical size of the speakers, but to their ability to reproduce low-frequency sounds. If you are in doubt as to which category describes your speakers, consult the specifi­cations in the speakers’ owner’s manual, or ask your dealer.
With the AVR 125 turned on, follow these steps to configure the speakers:
1. Put the AVR 125 in the Dolby Pro Logic II mode by pressing the
Surround Mode Selector 7 on
the front panel or by pressing the
Surround Mode
Selector
j on the remote, until DOLBY
PRO LOGIC II
MOVIE appears
in the
Main Information Display F and the
Pro Logic II Indicator D lights.
2. Press the
Speaker Select Button on
the remote or front panel.
FNT SPKR will
appear in the
Main Information Display F.
3. Press the
Set Button o .
4. Press the
/Buttons mq on the remote
or the
Selector Buttons 5 on the front panel
until either
LARGE or SMALL appears, matching the type of speakers you have at the left­front and right-front positions, as described by the definitions shown in the preceding section.
When
SMALL is selected, low-frequency sounds will be sent to the subwoofer output only. Note that if you choose this option, and there is no subwoofer connected, you will not hear any low­frequency sounds from the front channels.
When
LARGE is selected, a full-range output will be sent to the front-left and front-right outputs, and NO low-frequency signals will be sent to the subwoofer output.
5. When you have completed your selection for the front channel, press the
Set Button o , and
then press the
/Buttons mq on the
remote or the
Selector Buttons 5 on the front
panel to change the display to C SPKR.
6. Press the Set Button o again, and use the
/Buttons mq on the remote, or the Selector Buttons 5 on the front panel, to select
the option that best describes your system based on the speaker definitions shown in the preceding section.
When
C SMALL is selected, low-frequency center-channel sounds will be sent to the sub­woofer output only. Note that if you choose this option and there is no subwoofer connected, you will not hear any low-frequency sounds from the center channel speaker.
When
C LARGE is selected, a full-range output
will be sent to the center speaker output, and NO center-channel low-frequency information will be sent to the subwoofer output.
NOTE: If you choose Logic 7 as the surround mode for the particular input source for which you are configuring your speakers, the AVR 125 will not make the LARGE option available for the center speaker. This is due to the requirements of Logic 7 processing, and does not indicate a problem with your receiver.
When
C NONE is selected, no signals will be
sent to the center-channel output.
7.When you have completed your selection for the center channel, press the
Set Button o ,
and then press the
/Buttons n on the
remote or the
Selector Buttons 5 on the front
panel to change the display to SR SPKR.
8.Press the Set Button o again, and then use the
/Buttons mq on the remote or
the
Selector Buttons 5 on the front panel to
select the option that best describes your system based on the speaker definitions shown in the preceding section.
When
SR SMALL is selected, low-frequency surround-channel sounds will be sent to the sub­woofer output only. Note that if you choose this option and there is no subwoofer connected, you will not hear any low-frequency sounds from the surround speaker.
When
SR LARGE is selected, a full-range out­put will be sent to the surround-channel outputs, and NO surround-channel signals will be sent to the subwoofer output.
When
SR NONE is selected, surround sound information will be split between the front-left and front-right outputs. Note that for optimal perform­ance when no surround speakers are in use, the Dolby 3 Stereo mode should be used instead of Dolby Pro Logic II.
9. When you have completed your selection for the surround channel, press the
Set Button o ,
and then press
/Buttons mq on the
remote or the
Selector Buttons 5 on the front
panel to change the display to S-W SPKR.
10. Press the Set Button o , and then press
the
/Buttons mq on the remote or the
Selector Buttons 5 on the front panel to select
the option that best describes your system.
The choices available for the subwoofer position will depend on the settings for the other speakers, particu­larly the front left/right positions.
If the front left/right speakers are set to
SMALL,
the subwoofer will automatically be set to
SUB,
which is the “ON” position.
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SYSTEM CONFIGURATION
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18 SYSTEM CONFIGURATION
SYSTEM CONFIGURATION
If the front left/right speakers are set to LARGE, three options are available:
• If no subwoofer is connected to the AVR 125, press the
/Buttons mq on the remote
so that
SW NONE appears in the Main
Information Display
F. When this option is selected, all bass information will be routed to the front left/right “main” speakers.
• If a subwoofer is connected to the AVR 125, you have the option to have the front left/right “main” speakers reproduce bass frequencies at all times, and have the subwoofer operate only when the AVR 125 is being used with a digital source that contains a dedicated Low-Frequency Effects, or LFE, soundtrack. This allows you to use both your main and subwoofer speakers to take advantage of the special bass created for certain movies. Press
/Buttons mq on the remote
so that
SW (LFE) appears in the Main
Information Display
F.
• If a subwoofer is connected and you wish to use it for bass reproduction in conjunction with the main front left/right speakers, regardless of the type of program source or surround mode you are listen­ing to, press the
/Buttons mq on the
remote so that
L/R+LFE appears in the
Main Information Display F. When this option is selected, a “complete” feed will be sent to the front left/right “main” speakers, and the subwoofer will receive bass frequencies below 100Hz.
11. When all speaker selections have been made, press the
Set Button o to return to
normal operation.
Configuring the Surround Off (Stereo) Modes
For superior reproduction of two-channel program materials, the AVR 125 offers two Stereo modes: an analog Stereo-Direct mode that bypasses the digital signal processing circuitry for a completely analog sig­nal path that preserves the purity of the original signal, and a digital mode that is capable of providing bass management for optimal distribution of the low fre­quencies between smaller speakers and a subwoofer.
Stereo-Direct (Bypass) Mode
When the analog Stereo-Direct mode is selected by pressing the
Surround Mode Selector 7j until
SURROUND OFF STEREO scrolls across t
he Main Information Display F and the
Surround
Mode Indicator ˜ for Surround Off is lit,
the AVR 125 will pass the analog source material directly through to the front left and right speakers, bypassing the digital processing circuitry.
In this mode, the front left and right speakers will auto­matically be configured as
LARGE, and it will not be
possible to configure these speakers as
SMALL.
You may configure the subwoofer as
ON or OFF
by pressing the Speaker Select Button ı until S-W SPKR appears in the Main Information
Display
F. Press the ¤Buttons mq or
the
Selector Buttons 5 to select the desired
option, and the
Set Button Ôo to enter the
selection.
Stereo-Digital Mode
If your front left and right speakers are not capable of handling a full-range input, you may prefer to take advantage of the AVR 125’s bass management capa­bility.When listening in the Stereo mode, press the
Surround Mode Selector 7j until SUR- ROUND OFF
A/D MODE scrolls across
the
Main Information Display F, the Surround
Mode Indicator
˜ for Surround Off is lit and both
the
Stereo Indicator E and the DSP Mode
Indicator
G are lit. In this mode, the analog input will be converted to digital and routed to the digital signal processor for bass management processing before it is converted back to analog and output to the front left and right speakers.
To configure your front left and right speakers in this mode, press the
Speaker Select Button ı until FNT SPKR appears in the Main Information Display
F, and then press the Set Button Ôo.
Press the ⁄¤Buttons mq or the Selector
Buttons
5 until either LARGE or SMALL appears, matching the type of speakers you have at the front-left and front-right positions, as described on page 17.
When
SMALL is selected, low-frequency sounds will be sent to the subwoofer output only, and the sub­woofer speaker will automatically be configured as ON. If you choose the SMALL configuration and there is no subwoofer connected, you will not hear any low-frequency sounds.
When
LARGE is selected, a full-range output will be sent to the front-left and front-right speakers, and NO low-frequency signals will be sent to the sub­woofer output.

Output Level Adjustment

Output level adjustment is a key part of the configura­tion process for any surround sound product. It is par­ticularly important for a Dolby Digital receiver such as the AVR 125, as correct output levels will ensure that you hear sound tracks in their proper place with the
proper directionality and intensity. IMPORTANT NOTE: Listeners are often confused
about the operation of the surround channels.While some assume that sound should always be coming from each speaker, most of the time there will be little or no sound in the surround channels.This is because they are only used when a movie director or sound mixer specifically places sound there to create ambience, a special effect or to continue action from the front of the room to the rear. When the output lev­els are properly set, it is normal for surround speakers to operate only occasionally.Artificially increasing the volume to the rear speakers may destroy the illusion of an enveloping sound field that duplicates the way you hear sound in a movie theater or concert hall.
Before beginning the adjustment process, make cer­tain that all speaker connections have been properly made.The system volume should be set to the level that you will use during a typical listening session. Finally, make certain that the
Balance Control * is
set to the center “12 o’clock” position.
To assist in making speaker configuration settings, the icons in the
Speaker/Channel Input Indicators L
change as the speaker type is selected at each posi­tion. When only the center icon box containing the abbreviation for the speaker position is lit, the speaker is set for “small.” When the inner box and the two outer boxes are lit, the speaker is set for “large.” When no indicator appears at a speaker location, that posi­tion is set for “none” or “no” speaker.
For example, in the following figure, the left front and right front speakers are set for “large,” the center, sur­round left (SL) and surround right (SR) speakers are set for small, and a subwoofer is set, as shown by the box with the abbreviation “LFE”, which stands for “low­frequency effects.”
To adjust and calibrate the output levels, follow these steps. For accurate calibration, it is a good idea to make these adjustments while seated in your favorite listening position:
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C
LR
SL SR
LFE
SYSTEM CONFIGURATION 19
1.Put the AVR 125 in the Dolby Pro Logic II mode by pressing the
Surround Mode Selector 7 on the front panel, or by pressing the Surround Mode Selector
j on the remote, until
DOLBY PRO LOGIC IIMOVIE scrolls across the Main Information Display F and the Pro Logic II Indicators D light. Output level adjustment using the test tone is not available in the Stereo modes. However, in the Stereo-Digital mode, you
may trim the output
levels using program material,
as described on
page 25.
2.Press the
Test Button h on the remote.
TEST FL 0dB will appear in the Main Information Display
F and the letters FL
will flash once each second.
3.The test noise will immediately begin to circulate among the speakers in a clockwise rotation, pausing at each position for three seconds.As the test noise rotates, the speaker position will be shown in the
Main Information Display F.
NOTE: This is a good time to verify that the
speakers have been properly connected. As the test noise circulates, listen to make certain that the sound comes from the speaker position shown in the Main Information Display. If the sound from a speaker location does NOT match the position indicated in the display, turn the AVR 125 off using the
Main Power Switch 1
and check the speaker wiring to make certain that each speaker is connected to the correct output terminal.
4.After checking for speaker placement, let the test noise circulate, and listen to see which channels sound louder than the others. Using the front left (
FL in the display) speaker as a reference,
press the
/Buttons mq on the
remote or the
Selector Buttons 5 on the front
panel for each channel to begin to bring them to the same level. Note that when one of the but­tons is pushed, the test noise circulation will pause on the channel being adjusted to give you time to make the adjustment. When you release the button, the circulation will resume after 15 seconds.
5.Continue to adjust the individual speakers until they all have the same volume. Note that adjust­ments should be made with the
/Buttons
mq on the remote or the Selector Buttons
5 on the front panel only, NOT the
main volume controls.Then press the
Set
Button
o to memorize the change. If you are using a sound pressure (SPL) meter for pre­cise level adjustment, set the volume so that the meter reads 75dB, C-Weighting Slow.
NOTE: The subwoofer output level is not adjustable using the test tone.To change the subwoofer level, follow the steps for Output Level Trim Adjustment on page 25.
6.When you have adjusted the output so that all channels have the same level, press the
Test
Button
h on the remote to complete the
adjustment.
Delay Settings
Due to the different distances between the front-chan­nel speakers and the listening position compared to the surround speakers and the listening position, the amount of time it takes for sound to reach your ears from the front or surround speakers may differ. You may compensate for this difference through the use of the delay settings to adjust the timing to tailor the spe­cific speaker placement and acoustic conditions in your listening room or home theater.
The factory setting is appropriate for most rooms, but some installations create an uncommon distance between the front and surround speakers that may cause the arrival of front-channel sounds to become disconnected from surround-channel sounds.
To resynchronize the front and surround channels, fol­low these steps:
1.Measure the distance from the listening/ viewing position to the front speakers.
2.Measure the distance from the listening/ viewing position to the surround speakers.
3.
Subtract the distance to the surround speakers from the distance to the front speakers.
a. When setting the delay time for the Dolby
Digital surround mode, the optimal delay time is the result of that subtraction. For example, if the front speakers are 10 feet away and the sur­round speakers are five feet away, the optimal delay time is figured as 10–5=5. Thus, in this example, the delay time for Dolby Digital should be set at five milliseconds.
b. When setting the delay time for the Pro Logic II
modes, take the result of the subtraction and add 15 to obtain the optimal delay time. For example, if the front speakers are 10 feet away and the surround speakers are five feet away, the optimal delay time is figured as 10–5+15=20. Thus, in this example, the Pro Logic II delay should be set at 20 milli­seconds.
NOTE: The Theater and Hall modes use a fixed, non­adjustable delay time.
The Dolby Digital mode also includes a separate set­ting for the center channel delay mode, since the dis­crete nature of these signals makes the location of the center channel speaker more critical. To calculate the
delay for the center channel, measure the distance from the preferred listening position in the center of the room to both the center channel speaker and either the left or right speaker.
If the distances are equal, no further adjustment is required and the center delay should be set to zero. If the distance to the front speakers is greater than the distance to the center speaker, you may wish to repo­sition the speakers by moving the front-left and front­right speakers closer to the listening position or the center speaker further away from the listening position.
If repositioning of the speakers is not possible, adjust the center delay time, adding one millisecond of center channel delay for every foot closer to the listening position the center speaker is than the front speaker. For example, if the front-left and front-right speakers are each 10 feet from the listening position and the center channel speaker is eight feet away, the delay is figured as 10–8=2, suggesting an optimal center delay of two milliseconds.
To set the delay times, follow these steps:
1. Put the AVR 125 in the Dolby Pro Logic II – Movies mode by pressing the
Surround Mode
Selector
7 on the front panel or by pressing the
Surround Mode Selector
j on the remote,
until
DOLBY PRO LOGIC II MOVIE
appears in the Main Information Display F and the
Pro Logic II Indicator D lights up.
2. Press the
Delay Button on the remote
or front panel. The words
SR DELAY will
appear in the
Main Information Display F.
3. Press the
Set Button o
.
4. Adjust the delay time by pressing the /
Buttons mq on the remote or the Selector Buttons
5 on the front panel until the delay time figure calculated using the formula entered above appears in the display.
5. If only analog sources will be used, no adjustment is needed for the center channel delay. In that case, press the
Set Button o to enter the
surround delay settings into the AVR 125’s mem­ory. However, if you will be using digital sources and the calculations outlined above indicate that the center channel delay requires an adjustment, continue with the following steps.
6. Before setting the center channel delay time, make certain that a digital source has been selected.
7. Select the Dolby Digital mode by pressing either the
Surround Mode Selector 7 on the front
panel or the
Surround Mode Selector j on
the remote, until
DOLBY DIGITAL
appears in the Main Information Display F.
SYSTEM CONFIGURATION
29
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20 SYSTEM CONFIGURATION
SYSTEM CONFIGURATION
8. Press the Delay Button on the remote
or front panel. The words
SR DELAY will
appear in the
Main Information Display F.
9. Press the
Set Button o , and then imme-
diately press the
/Buttons mq on the
remote or the
Selector Buttons 5 on the front
panel until the desired delay time for the surround channels is shown in the display.
10. Press the
Set Button o within three sec-
onds after the desired setting is shown.
11. Press the
/Buttons mq on the remote
once so that
CT DELAY appears in the Main
Information Display
F.
12. Press the the
Set Button o .
13. Press the
/Buttons mq on the remote
or the
Selector Buttons 5 on the front panel
until the desired delay time for the center channel appears in the display.
14. Press the
Set Button o to enter the set-
ting into the AVR 125’s memory.
Additional Input Adjustments
In addition to the major adjustments described in the preceding pages, you may also wish to set the type of audio source (analog or digital) to be used with an input at this time. Once a specific audio source type is associated with any of the inputs, it will remain in the memory until it is changed, even when another input is selected. To attach one of the digital inputs to a specific source, follow these steps:
1. Press the
Digital Button p .
2. Immediately press the
/Buttons mq or
Selector Buttons 5 to scroll through the list of
available digital inputs or the analog input.
3. When the desired input type is shown in both the
Main Information Display F and in the Analog S, Coaxial Digital Input T or Optical Digital
Input
U Indicators, press the Set Button o
to enter the setting into the unit's memory.
When the Stereo-Direct (Surround Off) mode is in use, you may only select the analog input for a source. When the Stereo-Digital mode is in use, you may select from any of the digital inputs that you have connected to your source components.
You may also “memorize” a specific surround mode so that it will always be used when an input is selected. The AVR 125 always remembers the last surround mode used with any input, but during the setup process you may wish to preset the modes for each source.To do that, follow these steps:
1. Select an input by pressing one of the
Input
Selectors
e!or the AM/FM Tuner
Select
g.
2. Press the
Surround Mode Selector j7, and
immediately press the
/Buttons mq or
Surround Mode Selector 7 to scroll through the
list of available surround modes. Note that the name of each mode will scroll from right to left across the
Main Information Display F.To
avoid having the system “time out” and exit the select process, be sure to press the
/Buttons
mq or Surround Mode Selector 7 to select the next mode at any time the mode name is displayed.
3. When the desired mode name appears in the
Main
Information Display
F and in the Surround
Mode Indicators
, simply pause for a few seconds to allow the unit to “time out.” Your selec­tion will be memorized and will be activated each time the input is selected until another mode is selected.
4. Repeat the process for each of the inputs.
5. When the desired Surround mode has been entered for all inputs, press the
Set Button o.
Once the settings outlined on the previous pages have been made, the AVR 125 is ready for operation. While there are some additional settings to be made, these are best done after you have had an opportunity to lis­ten to a variety of sources and different kinds of pro­gram material. These settings are described on pages 21 through 26 of this manual. In addition, any of the settings made in the initial configuration of the unit may be changed at any time.As you add new or dif­ferent sources or speakers, or if you wish to change a setting to better reflect your listening taste, simply fol­low the instructions for changing the settings for that parameter, as shown in this section.
Having completed the setup and configuration process for your AVR 125, you are about to experience the finest in music and home theater listening. Enjoy!
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OPERATION 21
OPERATION
Basic Operation
Once you have completed the setup and configuration of the AVR 125, it is simple to operate and enjoy. The following instructions will help you maximize the enjoy­ment of your new receiver:
Turning the AVR 125 On or Off
• When using the AVR 125 for the first time, you must press the
Main Power Switch1on the front panel
to turn the unit on. This places the unit in a Standby mode, as indicated by the amber color of the
Power
Indicator
3
. Once the unit is in Standby, you may
begin a listening session by pressing the
System
Power Control
2
on the front panel or the AVR
Selector
f. Note that the Power Indicator3will
turn green. This will turn the unit on and return it to the input source that was last used. The unit may also be turned on from Standby by pressing any of the
Input
Selector Buttons
eg on the remote or the
Input Source Selector!on the front panel.
NOTE: After pressing one of the Input Selector Buttons
eg to turn the unit on, press the
AVR Selector f to set the remote control to the AVR 125’s functions.
To turn the unit off at the end of a listening session, simply press the
System Power Control 2 on the
front panel or the
Power Off Button a on the
remote. Power will be shut off to any equipment plugged into the rear-panel
Switched AC Outlet ¤
and the Power Indicator 3 will turn amber.
When the remote is used to turn the unit “off” it is actually placing the system in a Standby mode, as indi­cated by the amber color of the
Power Indicator 3.
•To program the AVR 125 for automatic turn-off, press the
Sleep Button i on the remote. Each
press of the button will decrease the time before shut down in the following sequence:
The sleep time will be displayed in the
Preset
Number/Sleep Timer Indicator
J and it will count
down until the time has elapsed.
When the programmed sleep time has elapsed, the unit will automatically turn off. Note that the front panel display will dim to one half brightness when the Sleep
function is programmed. To cancel the Sleep function, press and hold the
Sleep Buttoni until the infor-
mation display returns to normal brightness, the Sleep indicator numbers disappear and the words
SLEEP 0 appear in the Main Information
Display
F.
When you will be away from home for an extended period of time it is always a good idea to completely turn the unit off with the front-panel
Main Power
Switch
1
.
NOTE: All preset memories are lost if the unit is left turned off by using the
Main Power Switch1for
more than one week.
Source Selection
•To select a source, press any of the Source Selector Buttons
eg on the remote.
• The input source may also be changed by pressing the front-panel
Input Source Selector !. Each
press of the button will move the input selection through the list of available inputs.
• As the input is changed, the AVR 125 will automati­cally switch to the digital input (if selected), surround mode, speaker configuration, output levels and night mode status that were entered during the configura­tion process for that source.
• The front-panel
Video 3 Inputs
%^
may be used to connect your cable television converter or satellite receiver, or you may connect a device such as a video game or camcorder to your home entertain­ment system on a temporary basis.
• As the input source is changed, the new input name will momentarily appear in the
Main Information
Display
F and a green LED will light next to the
selected input’s name in the front-panel
Input
Indicators
.
• When an audio source is selected, the last video input used remains routed to the
Video 1 Outputs
bk and Video Monitor Outputs ‡f. This
allows you to listen to an audio input such as the tuner while watching one of the video inputs.
• When a Video source is selected, the video signal for that input will be routed to the
Video Monitor Outputs
‡f
and will be viewable on a TV monitor con-
nected to the AVR 125.
Volume Control
• Adjust the volume to a comfortable level using the front-panel
Volume Control Ó or remote Volume
Up/Down
buttons.
• When listening in one of the Stereo modes with the surround circuits off, the
Balance Control * may be
used to adjust the relative sound output between the front left and right speakers.
• To temporarily silence all speaker outputs press the Mute Button . This will interrupt the output to all speakers and the headphone jack, but it will not affect any recording or dubbing that may be in progress. Press the
Mute Button again or adjust the vol-
ume to return to normal operation.
• During a listening session you may wish to adjust the
Bass Control & and Treble Control ( to suit
your listening tastes or room acoustics.
• To set the output of the AVR 125 so that the output is “flat,” with the tone controls deactivated, press the
Tone Mode Button 6 until the words Tone Out
appear momentarily in the Main Information
Display
F.To return the tone controls to an active
condition, press the
Tone Mode Button 6 until the
words
Tone In momentarily appear in the Main
Information Display
F.
• For private listening, plug the 1/4" stereo phone plug from a pair of stereo headphones into the front panel
Headphone Jack4. Note that when the
headphone’s plug is connected, the word HEADPHONE IN will scroll once across the Main Information Display F and all speakers will be silenced. When the headphone plug is removed, the audio feed to the speakers will be restored.
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22 OPERATION
OPERATION
MODE FEATURES DELAY TIME RANGE
Dolby Digital Available only with digital input sources encoded with Dolby Digital data. It provides Center: 0ms – 5ms
up to five separate main audio channels and a special dedicated Low-Frequency Effects Initial Setting: 0ms channel. Surround: 0ms –15ms
Initial Setting: 0ms
DTS Available only with digital input sources encoded with DTS data. Available on special DVD, Delay time not adjustable
LD and audio-only discs, DTS provides up to five separate main audio channels and a special dedicated low-frequency channel.
Dolby Pro Logic II Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology Movies: 10ms – 25ms
Movies that decodes full-range, discrete left, center, right, right surround and left surround channels Music: 0ms – 15ms Music from either matrix surround-encoded programs or conventional stereo sources. The Emulation: 10ms – 25ms Emulation Dolby Pro Logic II Movies mode is optimized for movie soundtracks, while the Pro Logic II
Music mode should be used with musical selections.The Pro Logic II Emulation mode re-creates original Pro Logic processing for those who prefer that presentation.
Logic 7 C Logic 7 is an advanced mode that extracts the maximum surround information from either Delay time not adjustable Logic 7 M surround-encoded programs or conventional stereo material. The Logic 7 C, or Cinema, mode
should be used with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers increased center-channel intelligibility, and more accurate placement of sounds with fades and pans that are much smoother and more realistic than with other decoding techniques.The Logic 7 M, or Music, mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct low-frequency information to the subwoofer (if installed and configured) to deliver maximum bass impact.
Dolby 3 Stereo Uses the information contained in a surround-encoded or two-channel stereo program to create No surround channels
center-channel information. In addition, the information that is normally sent to the rear-channel surround speakers is carefully mixed in with the front-left and front-right channels for increased realism. Use this mode when you have a center channel speaker but no surround speakers.
Theater The Theater mode creates a sound field that resembles the acoustic feeling of a standard Delay time not adjustable
live performance theater.
Hall 1 The two Hall modes create sound fields that resemble a small (Hall1) or medium-sized (Hall 2) Delay time not adjustable Hall 2 concert hall.
VMAx Near When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode delivers a three- No surround channels VMAx Far dimensional sound space with the illusion of “phantom speakers” at the center and surround positions.
The VMAx N, or Near Field, mode should be selected when your listening position is less than five feet from the speakers.The VMAx F, or Far Field, mode should be selected when your listening position is greater than five feet from the speakers.The VMAx modes are also available using the Headphone Jack 4. When headphones are being used, the Far Field mode will appear to push the sound field away from your ears, reducing the “inside the head” sensation often experienced when using headphones.
5-Channel Stereo This mode takes advantage of multiple speakers to place a stereo signal at both the front and No delay is available for
back of a room. Ideal for playing music in situations such as a party, it places the same signal this mode at the front-left and surround-left, and front-right and surround-right speakers. The center channel is fed a summed mono mix of the in-phase material of the left and right channels.
Surround Off (Stereo) These modes turn off all surround processing and present the pure left- and right-channel presentation No surround channels
Stereo-Direct
(Bypass)
of two-channel stereo programs.The Stereo-Direct (Bypass) mode may only be used with analog source
Stereo-Digital inputs, as it preserves the analog format of the audio signal for its entire path of travel through the receiver
to the speaker and subwoofer outputs, bypassing all digital processing. Digital bass management is not available in Stereo-Direct mode.The Stereo-Digital mode can be used with either an analog or digital input, as the signal undergoes digital bass management to optimize the distribution of the low frequencies between the main speakers and a subwoofer.

Surround Mode Chart

OPERATION 23
OPERATION

Surround Mode Selection

One of the most important features of the AVR 125 is its ability to reproduce a full multichannel surround sound field from digital sources, analog matrix sur­round-encoded programs and standard stereo pro­grams. In all, a total of 16 listening modes are avail­able on the AVR 125.
Selection of a surround mode is based on personal taste, as well as the type of program source material being used. For example, motion pictures or TV pro­grams bearing the logo of one of the major surround­encoding processes, such as Dolby Surround
®
*, DTS
Stereo
®
* or UltraStereo™* may be played in either the Dolby Digital, Dolby Pro Logic II or Logic 7 Cinema sur­round modes depending on the source material.
NOTE: Once a program has been encoded with matrix surround information, it retains the surround information as long as the program is broadcast in stereo.Thus, movies with surround sound may be decoded via any of the analog surround modes such as Pro Logic II or Logic 7, when they are broadcast via conventional TV stations, cable, pay TV and satellite transmission. In addi­tion, a number of made-for-television programs, sports broadcasts, radio dramas and music CDs are also recorded in surround sound. You may view a list of these programs at the Dolby Laboratories Web site at www.dolby.com.
Even when a program is not listed as carrying intentional surround information, you may find that the Pro Logic II, Logic 7, VMAx and the Hall or Theater modes often deliver enveloping surround presentations through the use of the natural information present in all stereo record­ings. However, for stereo, but not surround programs, we suggest that you experiment with the other modes.
Surround modes are selected using either the front panel controls or the remote.To select a surround mode from the front panel, press the
Surround Mode
Selector
7 to scroll up or down through the list of available modes.To select a surround mode using the remote, press the
Surround Mode Selectorj and
then press the
⁄/¤
Buttons mq to change the
mode.As you press the buttons, the Surround mode name will appear in the
Main Information Display
F, and an individual mode indicator will also light up BCDEGHI. As the surround modes
change, a green LED will light next to the current mode in the
Surround Mode Indicators ˜ list on
the front panel.
NOTE: The name of each Surround Mode will scroll across the
Main Information Display F while the
modes are being selected. To avoid exiting from the surround mode selection process, push the
or
Button mq while a mode name is still visible.
The Dolby Digital and DTS modes may only be select­ed when a digital input is in use. In addition, when a digital source is present, the AVR 125 will automatical­ly select and switch to the correct mode (Dolby Digital or DTS), regardless of the mode that has been previ­ously selected. For more information on selecting digital sources, see the following section of this manual.
To listen to a program in traditional two-channel stereo, using the front-left and front-right speakers only (plus the subwoofer if installed and configured), follow the instructions shown above for using the remote until
SURR OFF appears in the Main Information Display
F. The Stereo-Direct (Bypass) mode may
only be selected when an analog input is in use.

Digital Audio Playback

Digital audio is a major advancement over older analog matrix surround systems. It delivers five discrete chan­nels: left-front, center, right-front, left-surround and right­surround. Each channel reproduces full frequency range (20Hz to 20kHz) and offers dramatically improved dynamic range and significant improvements to signal­to-noise ratios. In addition, digital systems have the capa­bility to deliver an additional channel that is specifically devoted to low-frequency information. This is the “.1” channel referred to when you see these systems described as “5.1”. The bass channel is separate from the other channels, but since it is intentionally bandwidth­limited, sound designers have given it that unique designation.
Dolby Digital
Dolby Digital (originally known as AC-3®) is a standard part of the DVD format, and is also part of the new digital broadcasting system and it is available with many satellite receivers and some digital cable boxes, as well as with specially encoded LD discs.
An optional, external RF demodulator is required to use the AVR 125 to listen to the Dolby Digital sound tracks available on laser discs. Connect the RF output of the LD player to the demodulator and then con­nect the digital output of the demodulator to the Optical or Coaxial Inputs ·c#$ of the AVR 125. No demodulator is required for use with DVD players or DTS-encoded laser discs.
DTS
DTS is another digital audio system that is capable of delivering 5.1 audio.Although both DTS and Dolby Digital are digital, they use different methods of encoding the signals, and thus they require different decoding circuits to convert the digital signals back to analog.
DTS-encoded sound tracks are available on select DVD and LD discs, as well as on special audio-only DTS discs.You may use any LD or CD player equipped with a digital output to play DTS-encoded discs with the AVR 125.All that is required is to con­nect the player’s output to either the
Optical or
Coaxial input on the rear panel ·c or front panel
#$.
In order to listen to DVDs encoded with DTS sound tracks, the DVD player must be compatible with the DTS signal as indicated by a DTS logo on the player’s front panel. Early DVD players may not be able to play DTS-encoded DVDs.This does not indicate a problem with the AVR 125, as some players cannot pass the DTS signal through to the digital outputs. If you are in doubt as to the capability of your DVD player to handle DTS discs, consult the player’s owner’s manual. Please note that some DVD players are shipped with their output set for Dolby Digital only.To insure that DTS data is being sent to the AVR, please check the setup menu system on your DVD player to make certain that DTS data output is enabled.

Selecting a Digital Source

To utilize either digital mode you must have properly connected a digital source to the AVR 125. Connect the digital outputs from DVD players, HDTV receivers, satellite systems or CD players to the
Optical or
Coaxial Inputs ·c#$. In order to provide a
backup signal and a source for analog stereo record­ing, the analog outputs provided on digital source equipment should also be connected to their appropri­ate inputs on the AVR 125 rear panel (e.g., connect the analog stereo audio output from a DVD to the DVD Audio Inputs h on the rear panel when you connect the source’s digital outputs).
When playing a digital source such as DVD, first select the source input using the remote or front-panel con­trols as described on page 21. Next, select the digital source by pressing the
Digital Input Selector Button
and then using the
⁄/¤
Buttons mq
on the remote or the Selector Buttons 5 on the front panel to
choose any of the OPTICAL or
COAXIAL
inputs, as they appear in the Main
Information Display
F, the Digital Input
Indicators
TU. When the digital source is playing, the AVR 125 will automatically detect whether it is a multichannel Dolby Digital or DTS source, or a con­ventional PCM signal, which is the standard output from CD players.A
Bitstream Indicator A will light
in the
Main Information Display Û to confirm that
the digital signal is Dolby Digital, DTS or PCM.
24 OPERATION
OPERATION

Digital Status Indicators

When a digital source is playing, the AVR 125 senses the type of bitstream data that is present. Using this information, the correct surround mode will automati­cally be selected. For example, DTS bitstreams will cause the unit to switch to DTS decoding, and Dolby Digital bitstreams will enable Dolby Digital decoding. When the unit senses PCM data from CDs or LDs, you may select any of the standard surround modes, such as Dolby Pro Logic II or Logic 7. Since the range of available surround modes is dependent on the type of digital data that is present, the AVR 125 uses a variety of indicators to let you know what type of signal is present. This will help you to understand the choice of modes.
When a digital source is playing, a
Bitstream
Indicator
A will light to show which type of signal is
playing:
D: When the DOLBY D indicator lights, a Dolby Digital bitstream is being received. Depending on the settings on the source player and specific surround information and number of channels on the disc, a number of surround modes are possible. For discs with full 5.1 audio, only the Dolby Digital and VMAx modes are available.When the Dolby Digital signal is only two-channel, you may also select from the Logic 7 Cinema/Music, Hall 1/2, Theater, Dolby Pro Logic II Movies, Music or Emulation, or Dolby 3 Stereo modes. When the AVR 125 senses a 2.0-channel Dolby Digital signal, the unit will automatically select Dolby Pro Logic II as the surround processing mode, and both the
Dolby Digital C and Dolby Pro Logic II
D surround-mode indicators will light in accordance
with the requirements of Dolby Laboratories.
DTS: When the DTS indicator lights, a DTS bitstream is being received. When the unit senses this type of data, only the DTS mode may be used.
PCM: When the PCM indicator lights, a standard Pulse Code Modulation, or PCM, signal is being received. This is the type of digital audio used by con­ventional compact disc and laser disc recordings. When a PCM bitstream is present, all modes except Dolby Digital and DTS are available.
When a high-resolution, 96kHz/24-bit PCM signal is detected, the name of the current source input fol­lowed by
96K, for example, DVD/96K, will be
displayed in the
Main Information Display F. This
type of program material can be found on specially marked discs that were recorded using a higher sam­pling rate than the 44kHz or 48kHz typically used on compact discs.The Stereo-Digital (Surround Off) mode will be available to process a 96/24 signal. The Stereo-Analog mode will not be available since, by
definition, a 96/24 signal may be supplied only via a digital input.
In addition to the bitstream indicators, the AVR 125 features a set of unique channel-input indicators that tell you how many channels of digital information are being received and/or whether the digital signal is interrupted.
These indicators are the L/C/R/SL/SR/LFE letters that are inside the center boxes of the
Speaker/Channel
Input Indicators
L in the front panel Main
Information Display
Û. When a standard analog signal is in use, only the “L” and “R” indicators will light, as analog signals have only left and right chan­nels, respectively.
Digital signals, however, may have two, five or six sep­arate channels, depending on the program material, the method of transmission and the way in which it was encoded. When a digital signal is playing, the let­ters in these indicators will light in response to the specific signal being received. It is important to note that although Dolby Digital, for example, is referred to as a “5.1” system, not all Dolby Digital DVDs or pro­grams are encoded with 5.1 channels.Thus, it is sometimes normal for a DVD with a Dolby Digital soundtrack to trigger only the “L” and “R” indicators.
NOTE: Many DVD discs are recorded with both “5.1” and “2.0” versions of the same sound-track.When playing a DVD, always be certain to check the type of material on the disc. Most discs show this information in the form of a listing or icon on the back of the disc jacket. When a disc does offer multiple sound track choices you may have to make some adjustments to your DVD player (usually with the “Audio Select” button or in a menu screen on the disc) to send a full 5.1 feed to the AVR 125. It is also possible for the type of signal feed to change during the course of a DVD playback. In some cases the previews of special mate­rial will only be recorded in 2.0 audio, while the main feature is available in 5.1 audio.As long as your DVD player is set for 6-channel output, the AVR 125 will automatically sense changes to the bitstream and channel count and reflect them in these indicators.
The letters used by the
Speaker/Channel Input
Indicators
L also flash to indicate when a bitstream has been interrupted. This will happen when a digital input source is selected before the playback starts, or when a digital source such as a DVD is paused. The flashing indicators remind you that the playback has stopped due to the absence of a digital signal and not through any fault of the AVR 125. This is normal, and the digital playback will resume once the playback is started again.

Night Mode

A special feature of Dolby Digital is the Night mode, which enables Dolby Digital input sources to be played back with full dialogue intelligibility while reducing the minimum peak level by
1
/4 to 1/3. This prevents abruptly loud transitions from disturbing others, without reducing the impact of the digital source.The Night mode is available only when Dolby Digital signals with special data are being played.
The Night mode may be engaged when a Dolby Digital DVD is playing by pressing the
Night Mode
Button
k on the remote. Next, press the
⁄/¤
Buttons mq to select either the middle range or maximum-compression versions of the Night mode.To turn the Night mode off, press the
⁄/¤
Buttons mq until the message in the Main Information Display
F reads D-R Off. When the Night
mode is active, the
Night Mode Indicator K will
also light.
IMPORTANT NOTES ON DIGITAL PLAYBACK:
1. When the digital playback source is stopped, or in a
Pause, Fast Forward or Chapter Search mode, the digital audio data will momentarily stop, and the channel position letters inside the
Speaker/
Channel Input Indicators
L will flash. This is normal and does not indicate a problem with either the AVR 125 or the source machine. The AVR 125 will return to digital playback as soon as the data is available and when the machine is in a standard play mode.
2. Although the AVR 125 will decode virtually all DVD movies, CDs and HDTV sources, it is possible that some future digital sources may not be compatible with the AVR 125.
3. Note that not all digitally encoded programs contain full 5.1-channel audio. Consult the program guide that accompanies the DVD or laser disc to deter­mine which type of audio has been recorded on the disc.The AVR 125 will automatically sense the type of digital surround encoding used and adjust to accommodate it.
4. When a digital source is playing, you may not be able to select some of the analog surround modes such as Dolby Pro Logic II, Dolby 3 Stereo, Hall, Theater or Logic 7.
5. When a Dolby Digital or DTS source is playing, it is not possible to make an analog recording using the
Tape ¢ and Video 1 Audio Outputs .
However, the digital signals will be passed through to the
Optical and Coaxial Digital Audio
Outputs
.
31
OPERATION 25
OPERATION

PCM Audio Playback

PCM (Pulse Code Modulation) is the noncompressed digital audio system used for compact discs and laser discs.The digital circuits in the AVR 125 are capable of high-quality digital-to-analog decoding, and they may be connected directly to the digital audio output of your CD or LD player.
Connections may be made to either the rear-panel
Optical or Coaxial Inputs ·c or the front-panel Optical or Coaxial Digital Inputs #$.
To listen to a PCM digital source, first select the input for the desired source (e.g., CD). Next, press the
Digital
Input Selector
Úp and then use the
⁄/¤
Buttons mq on the remote, or the Selector Buttons
5 on the front panel, until the desired choice
appears in the
Main Information Display F.
When a PCM source is playing, the
PCM Indicator
A will light. During PCM playback, you may select any surround mode except Dolby Digital or DTS.
If a 96kHz/24-bit PCM signal is detected, the name of the current source input followed by
96K, for
example,
DVD/96K, will be displayed in the
Main Information Display F.You may select the Stereo-Digital (Surround Off) mode to process this type of signal.
Playback from PCM sources may also benefit from the Logic 7 Mode.When playing back a surround-encoded PCM source, such as an LD or surround-encoded CD, use the Logic 7 C or Cinema mode.When playing true stereo recordings, use the Logic 7 M or Music mode for a wider soundstage and increased rear­channel ambience.
NOTE: When a Logic 7 mode is in use with a Dolby Digital 2.0 digital input source, that mode, rather than Logic 7, will be used by the AVR after the digital bit­stream is interrupted for any reason such as stopping or pausing the digital playback. Note, also, that Logic 7 is not available with digital playback unless a two­channel bitstream is in use.

Tuner Operation

The AVR 125’s tuner is capable of tuning AM, FM and FM Stereo broadcast stations. Stations may be tuned manually, or they may be stored as favorite station pre­sets and recalled from a 30-position memory.
Station Selection
1. Press the AM/FM Tuner Select Button g on
the remote to select the tuner as an input. The tuner may be selected from the front panel by either pressing the
Input Source Selector ! until the tuner is active or by pressing the AM/FM Band Selector
9.
2. Press the
AM/FM Tuner Select Button g or
AM/FM Band Selector 9 again to switch
between AM and FM so that the desired frequency band is selected.
3. Press the
Tuning Mode Button@s to select
manual or automatic tuning.
In automatic tuning mode, the
AUTO Indicator R
is illuminated in the Main Information Display Û and the tuner will stop only at those stations that have a signal strong enough to be received with acceptable quality.
When the
AUTO Indicator R is not illuminated,
the tuner is in a manual mode and will stop at each frequency increment in the selected band.
4. To select stations, press the
Tuning Selector
Button
8
u.When the AUTO Indicator R is
illuminated, press the button and then release to cause the tuner to search for the next highest- or lowest-frequency station that has an acceptable signal. When tuning FM stations in the Auto mode, the tuner will select only stereo stations.To tune to the next station, press the button again. If the
Stereo Indicator P is not illuminated, press the Tuning Mode Button@s to activate the
manual mode, and tap the
Tuning Selector
Button
8
u to advance one frequency incre-
ment at a time, or press and hold it to locate a spe­cific station. When the
TUNED Indicator Q lights,
the station is properly tuned and should be heard with clarity.
5. Stations may also be tuned directly in either auto­matic or manual tuning mode by pressing the
Direct Button t, and then pressing the Numeric Keysrthat correspond to the sta-
tion’s frequency. The desired station will automati­cally be tuned. If you press an incorrect button while entering a direct frequency, press the
Clear
Button
` to start over.
NOTE: When the FM reception of a station is weak, audio quality will be increased by switching to Mono mode by pressing the
Tuning Mode Button@s
until the Stereo Indicator P goes out. This will also activate manual tuning mode.
Preset Tuning
Using the remote, up to 30 stations may be stored in the AVR 125’s memory for easy recall using the front panel controls or the remote.
To enter a station into the memory, first tune the sta­tion using the steps outlined above.Then:
1. Press the
Memory Button on the remote.
Note that the
Memory Indicator O will be
illuminated and flash in the
Main Information
Display
Û.
2. Within five seconds, press the
Numeric Keys r
corresponding to the location where you wish to store this station’s frequency. Once entered, the preset number will appear in the
Preset
Number/Sleep Time Display
J.
3. Repeat the process after tuning any additional sta­tions to be preset.
Recalling Preset Stations
• To manually select a station previously entered in the
preset memory, press the
Numeric Keys r that
correspond to the desired station’s memory location.
• To manually tune through the list of stored preset
stations one by one, press the

Preset Stations

Selector Buttons
)z on the front panel or
remote.
Tape Recording
In normal operation, the audio or video source selected for listening through the AVR 125 is sent to the record outputs.This means that any program you are watching or listening to may be recorded simply by placing machines connected to the outputs for Tape Outputs ¢ or Video 1 Outputs bk in the Record mode.
When a digital audio recorder is connected to the Optical fi or Coaxial Digital Audio Outputs, you may record the digital signal using a CD-R, MiniDisc or other digital recording system.
NOTES ON RECORDING:
• The AVR 125 converts analog inputs to a PCM
digital signal, enabling you to record the material on a CD or MD recorder connected to
one of the
AVR 125’s
Digital Audio Outputs fifl.
The digital recorder must be compatible with the output signal. For example, the PCM digital input from a CD player may be recorded on a CD-R or MiniDisc, but Dolby Digital or DTS signals may not.
• Please make certain that you are aware of any copyright restrictions on any material you copy. Unauthorized duplication of copyrighted materials is prohibited by federal law.
Output Level Trim Adjustment
Normal output level adjustment for the AVR 125 is established using the test tone, as outlined on pages 18 and 19. In some cases, however, it may be desir­able to adjust the output levels using program material such as a test disc, or a selection you are familiar with.
28
31
26 OPERATION
OPERATION
Additionally, the output level for the subwoofer can only be adjusted using this procedure.
To adjust the output levels using program material, first set the reference volume for the front-left and front­right channels using the
Volume Control Ó .
Once the reference level has been set, press the
Channel Select ButtonlÙ and note that FL LEVEL
will appear in the Main Information
Display
F.To change the level, first press the Set
Button
, and then use the Selector Buttons
5 or the
⁄/¤
Buttons
mq
to raise or lower the level. DO NOT use the volume control, as this will alter the reference setting.
Once the change has been made, press the
Set
Button
and then press the Selector
Buttons
5 or the
⁄/¤
Buttons
mq
to select the next output channel location that you wish to adjust. To adjust the subwoofer level, press the
Selector Buttons 5 or the
⁄/¤
Buttons
mq
until SW LEVEL appears in the Main Information Display
F.
Press the
Set Button oÔ when the name of the
desired channel appears in the
Main Information
Display
F, and follow the instructions shown earlier
to adjust the level.
Repeat the procedure as needed until all channels requiring adjustment have been set. When all adjust­ments have been made and no further adjustments are made for five seconds, the AVR 125 will return to normal operation.
NOTES:
• The output levels may be separately trimmed for each digital and analog surround mode. If you wish to have dif­ferent trim levels for a specific mode, select that mode and then follow the instructions in the steps shown earlier.
• In Stereo-Digital (Surround Off) mode, only the front-left, front-right and subwoofer channels may be trimmed. It is not possible to trim the output levels in Stereo-Direct mode, since that mode bypasses the digital circuitry used for output-level trimming.
6-Channel Direct Input
The AVR 225 is equipped for future expansion through the use of optional, external adapters for formats that the AVR 225 may not be capable of processing. When an adapter is connected to the 6-Channel Direct Inputs e, you may select it by pressing the
6-Ch Direct Input Selector . The
6-Channel Direct input may also be selected by pressing the
Input Source Selector Button ! on
the front panel until
6CHDIRECT appears in
the
Main Information Display F, and a green LED
lights next to
6 CH in the Input Indicators .
When the 6-Channel Direct input is in use, you may not select a surround mode, as the external decoder determines processing. In addition, there is no signal at the record outputs when the 6-Channel Direct input is in use.
Memory Backup
This product is equipped with a memory backup system that preserves the system configuration information and tuner presets if the unit is accidentally unplugged or subjected to a power outage.This memory will last for approximately one week, after which time all information must be reentered.
Display Brightness
The AVR 125’s Main Information Display is set at a default brightness that is sufficient for viewing in a normally lit room. However, in some home theater installations, you may wish to occasionally lower the brightness of the display or turn it off completely.
To change the display brightness, press and hold the Set Button Ô on the front panel for three seconds
until the message in the
Main Information Display
F reads VFD FULL. Within five seconds, press the Selector Buttons 5 on the front panel until the desired display brightness level is shown. At that point, press the
Set Button Ô again to enter the setting.
When FULL appears in the Main Information Display F, the display is at its normal brightness. When HALF appears, the display is at half the nor­mal brightness level. When
OFF appears, all of the
indicators in the Main Information Display F will go dark. Note, however, that the green LEDs for the
Input Indicators and the Surround Mode Indicators
, as well as the Power Indicator 3
will always remain lit to remind you that the AVR 125 is still turned on.
Once the desired brightness level is selected, it will remain in effect until it is changed again or until the unit is turned off.
33
29
22
25
35
PROGRAMMING THE REMOTE 27

PROGRAMMING THE REMOTE

Programming the Remote
The AVR 125 is equipped with a powerful remote control that will control both the receiver’s functions and most popular brands of audio and video equip­ment, including CD players, cassette decks, TV sets, cable boxes,VCRs, satellite receivers and other home theater equipment. Once the AVR 125’s remote is programmed with the codes for the products you own, it is possible to eliminate most other remotes and replace them with the convenience of a single, univer­sal remote control.
As shipped from the factory, the remote is fully pro­grammed for all AVR 125 functions, as well as those of most Harman Kardon CD changers, DVD players, CD recorders, CD players and cassette decks. In addition, by following one of the methods below, you may pro­gram the remote to operate a wide range of devices from other manufacturers.

Direct Code Entry

This method is the easiest way to program your remote to work with different products.
1. Use the tables in the following pages to determine the three-digit code or codes that match both the product type printed on the remote above the Input Selector e (e.g., VCR, TV), and the specific brand name. If there is more than one number for a brand, make note of the different choices.
2. Turn on the unit you wish to program into the AVR 125 remote.
3. Press and hold both the
Input Selector e for
the product you wish to control (e.g., VCR, TV) and the
Mute Button at the same time.When
the
Program Indicator c turns amber and
begins flashing, and the
Input Selector e turns
red, release the buttons. It is important that you begin the next step within 20 seconds.
4. Point the AVR 125’s remote towards the unit to be programmed and enter the first three-digit code number using the
Numeric Keys r. The
Program Indicator c will change to a flashing
green to indicate that a code has been entered. If the unit turns off, the correct code has been entered. Press the
Input Selector e again, and
note that the red light will flash three times before going dark to confirm the entry.
5. If the device to be programmed in does NOT turn off, continue to enter three-digit code numbers until the equipment turns off. At this point, the cor­rect code has been entered. Press the
Input
Selector
e again and note that the red light
under the Input Selector e will flash three times before going dark to confirm the entry.
6. Try all of the functions on the remote to make cer­tain that the product operates properly. Keep in mind that many manufacturers use a number of different combinations of codes, so it is a good idea to make certain that not only the power con­trol, but the volume, channel and transport controls work as they should. If functions do not work properly, you may need to use a different remote code.
7. If a code cannot be entered to turn the unit off, if
the code for your product does not appear in the tables in this manual, or if not all functions oper­ate properly, try programming the remote with the Auto Search Method.
Auto Search Method
If the unit you wish to include in the AVR 125’s remote is not listed in the code tables in this manual or if the code does not seem to operate properly, you may wish to program the correct code using the Auto Search method that follows:
1. Turn on the unit that you wish to include in the AVR 125 remote.
2. Press the
Input Selector e for the type of
product to be entered (e.g., VCR, TV) and the Mute Button at the same time. Hold both buttons until the red light under the
Input Selector
e stays lit and the Program Indicator c turns amber and begins flashing. Note that the next step must take place while the red light is on, and it must begin within 20 seconds after the light appears.
3. Point the AVR 125 remote toward the unit to be programmed and press either the
or ¤Button
mq. The Program Indicator c will change to a flashing green to indicate that a code has been entered. Each press will send out a three­digit code from the remote’s built-in database.When the unit being programmed turns off, release the
or¤Button mq, as that is your indication that the correct code is in use.
4. Press the
Input Selector e, and note that the
red light under the Input Selector will flash three times before going dark to confirm the entry.
5. Try all of the functions on the remote to make cer­tain that the product operates. Keep in mind that many manufacturers use a number of different combinations of codes, and it is a good idea to make certain that not only the power control works, but also that the volume, channel and
transport controls function properly. If all functions do not work properly, you may need to Auto­Search for a different code, or enter a code via the Direct Code Entry method.
Code Readout
When the code has been entered using the Auto Search method, it is always a good idea to find out the exact code so that it may be easily reentered if neces­sary.You may also read the codes to verify which device has been programmed to a specific Control Selector button.
1. Press and hold both the
Input Selector e for
the device for which you wish to find the code and the
Mute Button at the same time.
Note that the
Program Indicator c will initally
turn amber. Release the buttons and begin the next step within 20 seconds.
2. Press the
Set Button o. The Program
Indicator
c will then blink green in a sequence that corresponds to the three-digit code, with a one­second pause between digits. Count the number of blinks between pauses to determine the digit of the code. One blink is the number 1, two blinks indicate the number 2, and so forth, while 10 blinks are used to indicate a “0.”
Example: One blink, followed by a one-second pause, followed by six blinks, followed by a one-second pause, followed by 10 blinks indicates that the code has been set to 160.
For future reference, enter the Setup Codes for the equipment in your system here:
DVD ____________ CD ________________
VID1/VCR __________ VID2/TV ____________
VID3/CBL/SAT ________________________
VID______________ TAPE______________
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28 PROGRAMMING THE REMOTE
PROGRAMMING THE REMOTE

Macro Programming

Macros enable you to easily repeat frequently used combinations of commands with the press of a single button on the AVR 125 remote control. Once pro­grammed, a macro will send out up to 19 different remote codes in a predetermined sequential order, enabling you to automate the process of turning on your system, changing devices, or other common tasks. The AVR 125 remote can store up to five separate macro command sequences: one that is associated with the
Power On Button d, and four more that
are accessed by pressing the
Macro Buttons v.
1. Press the Mute Button and the Macro
Button
v to be programmed or the Power On
Button
d at the same time. Note that the last
Input Selector e pressed will light red, and the Program Indicator c will flash amber.
2. Enter the steps for the macro sequence by press­ing the button for the actual command step. Although the macro may contain up to 19 steps, each button press, including those used to change devices, counts as a step. The
Program Indicator
c will flash green to confirm each button press as you enter commands.
NOTE: While entering commands for Power On/Off of any device during a macro sequence, press the
Mute
Button
.DONOT press the actual Power Button.
3. When all the steps have been entered, press the
Sleep Button i to enter the commands.The Program Indicator c will flash green three
times and then turn off.
Example: To program the Macro 1 Button v so that it turns on the AVR 125, TV and a Cable Box, follow these steps:
• Press the
Macro 1 v and Mute buttons
at the same time and then release them.
• The
Program Indicator c will flash amber.
• Press the
AVR Selector f.
• Press the
Mute Button to store the
AVR 125’s Power On command.
• Press the
VID2 Input Selector Button e to
indicate the next command is to be transmitted to the TV.
• Press the
Mute Button to store the TV
Power On Command.
• Press the
VID3 Input Selector Button e to
indicate the next command is to be transmitted to the cable box.
• Press the
Mute Button to store the Cable
Power On command.
• Press the
Sleep Button i to complete the
process and store the macro sequence.
After following these steps, each time you press the
Macro 1 Button v, the remote will send
the Power On/Off command to the AVR 125, the television and the cable box with a single button press.
Erasing Macro Commands
To erase the commands that have been programmed into one of the Macro buttons, follow these steps:
1. Press the
Mute Button and the Macro
Button
v that contains the commands you
wish to erase.
2. The
Program Indicator c will flash amber, and
the LED under the AVR Selector f will turn red.
3. Within 10 seconds, press the Surround Mode
Selector/Channel Down Button
j.
4. The red LED under the
AVR Selector f will go
out, and the
Program Indicator c will turn
green and flash three times before it goes out.
5. When the
Program Indicator c goes out, the
Macro has been erased.

Programmed Device Functions

Once the AVR 125’s remote has been programmed for the codes of other devices, press the appropriate
Input
Selector
e to change the remote from controlling the AVR 125 to controlling the additional product.When you press any one of the selectors, it will briefly flash in red to indicate that you have changed the device being controlled.
When operating a device other than the AVR 125, the controls may not correspond exactly to the function printed on the remote or button. Some commands, such as the Volume Control, are the same as they are with the AVR 125. Other buttons will change their func­tion so that they correspond to a secondary label on the remote. For example, the Sleep and Surround mode selector buttons also function as the Channel Up and Channel Down buttons when operating most TV sets,VCRs or cable boxes. The Channel Up/Down indi­cation is printed directly on the remote. For many stan­dard CD players, cassette decks, VCRs and DVD func­tions, the standard function icons are printed on top of the buttons.
For some products, however, the function of a particu­lar button does not follow the command printed on the remote. In order to see which function a button controls, consult the Function List tables on pages 31 and 32 To use those tables, first check the type of device being controlled (e.g., TV, VCR). Next, look at
the remote control diagram pictured just before the Function List tables. Note that each button has a num­ber on it.
To find out what function a particular button has for a specific device, find the button number on the Function List and then look in the column for the device you are controlling. For example, button num­ber 50 is the Macro 2 button for the AVR 125, but it is the “Favorite” button for many cable television boxes and satellite receivers. Button number 29 is the Delay button for the AVR 125, but the Time Display button for CD players.
NOTE: The numbers used to describe the button functions in the diagram on page 30 for the purposes of describing how a button operates are a different set of numbers than those used in the rest of this manual to describe the button functions for the AVR 125.
Notes on Using the AVR 125 Remote With Other Devices
• Manufacturers may use different code sets within the same product category, such as TV sets or VCRs.They may also change codes for a certain category from one model year to the next. For that reason, it is important that you check to see whether the code set you have entered operates as many controls as possible. If it appears that only a few functions operate, check to see whether another code set will work with more buttons.
• When a button is pressed on the AVR 125 remote,
the red light under the
Input Selector e for the
product being operated should flash briefly. If the Device Control Selector flashes for some but not all buttons for a particular product, it does NOT indi­cate a problem with the remote but rather that no function is programmed for the button being pushed.

Punch-Through Programming

The AVR 125's remote may be programmed to con­trol one device, such as a TV, while simultaneously directing only certain functions to another device, such as the transport controls of a DVD player, without hav­ing to switch back and forth between inputs.You may also use the remote to control the system volume on the AVR without the need to switch between different devices.This is called "Punch-Through," and this sec­tion will show you how to program the remote for these functions.
NOTE: All programming for the rem codes needed to operate specific devices, such as a TV, DVD, cable box, satellite receiver or VCR, should be completed before programming punch-through commands.
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PROGRAMMING THE REMOTE 29
PROGRAMMING THE REMOTE
Volume Punch-Through
The AVR 125’s remote may be programmed to oper­ate the
Volume Control and Mute func-
tions of either the TV or the AVR 125 in conjunction with any of the devices controlled by the remote. For example, since the AVR 125 will likely be used as the sound system for TV viewing, you may wish to have the AVR 125’s volume activated, although the remote is set to run the TV. Either the AVR 125 or TV volume control may be associated with any of the remote’s devices.To program the remote for Volume Punch­Through, follow these steps:
1. Press the
Input Selector e for the unit you will
be using (e.g., TV) when you wish to have Volume Punch-Through to your audio system active and the Mute Button at the same time until the red light appears under the
Input Selector e and
note that the
Program Indicator c will flash
amber.
2. Press the
Volume Up Button and note that
the
Program Indicator c will stop flashing and
stay amber.
3. Press either the
AVR Selector f or the Input
Selector
e, depending on which system’s volume control you wish to have attached for the punch-through mode.The
Program Indicator c
will blink green three times and then go out to con­firm the data entry.
Example: To have the AVR 125’s volume control activated even though the remote is set to control the TV, first press the
Video/TV Input Selector
e and the Mute Button at the same time. Next, press the
Volume Up Button , followed
by the
AVR Input Selector f.
NOTE: Should you wish to return the remote to the
original configuration after entering a Volume Punch­Through, you will need to repeat the steps shown above. However, press the same Input Selector in Steps 1 and 3.
Channel Control Punch-Through
The AVR 125’s remote may be programmed to operate so that the channel control function for either the TV, cable or satellite receiver used in your system may be used in conjunction with one of the other devices con­trolled by the remote. For example, while using and con­trolling the VCR, you may wish to change channels on a cable box or satellite receiver without having to change the device selected by the AVR 125 or the remote. To program the remote for Channel Control Punch-Through, follow these steps:
1. Press the
Input Selector Button e for the device
you will be using (e.g., VCR) when you wish to have Channel Punch-Through active and the
Mute
Button
at the same time until the red light
appears under the
Input Selector e and the
Program Indicator c flashes amber.
2. Press the
Volume Down Button .The
Program Indicator c will stop flashing and stay
amber.
3. Press and release the
Input Selector Button e
for the device that will be used to change the chan­nels.The
Program Indicator c will blink green
three times and then go out to confirm the data entry.
Example: To control the channels using your Cable Box or Satellite Receiver while the remote is set to control the VCR, first press the
VID1/VCR Input
Selector Button
e and the Mute Button
at the same time. Next, release them and press the
Volume Down Button , followed by the VID2/TV Input Selector Button e.
NOTE: To remove the Channel Control Punch-Through
and return the remote to its original configuration, repeat the steps shown above. However, press the same but­ton in Steps 1 and 3.
Transport Control Punch-Through
The AVR 125’s remote may be programmed to operate so that the
Transport Control Functions w (Play,
Stop, Fast Forward, Rewind, Pause and Record) for a VCR, cassette deck, DVD or CD will operate in conjunc­tion with one of the other devices controlled by the remote. For example, while using and controlling the TV, you may wish to start or stop your VCR or DVD without having to change the device selected by the AVR 125 or the remote.To program the remote for Transport Control Punch-Through, follow these steps:
1. Press the
Input Selector e for the device you
will be using (e.g., TV) when you wish to have Transport Control Punch-Through active and the Mute Button at the same time until the red light appears under the
Input Selector e and the
Program Indicator c flashes amber.
2. Press the
Play Button w. The Program
Indicator c will stop flashing and stay amber.
3. Press and release the Input Selector Button e
for the device whose transport mechanism will be controlled (e.g., DVD, CD). The
Program Indicator
c will blink green three times and then go out to confirm the data entry.
Example: To control the transport of a DVD player while the remote is set to control the TV, first press the
VID2/TV Input Selector Button e and the Mute Button
at the same time. Next, release them
and press the
Play Button w, followed by the
DVD Input Selector Button e.
NOTE: To remove the Channel Control Punch-Through
and return the remote to its original configuration, repeat the steps shown above. However, press the same but­ton in Steps 1 and 3.
Resetting the Remote Memory
As you add components to your home theater system, occasionally you may wish to totally reprogram the remote control without the confusion of any commands, macros or ”Punch-Through“ programming that you may have done.To do this, it is possible to reset the remote to the original factory defaults and command codes by following these steps. Note, however, that once the remote is reset, all commands or codes that you have entered will be erased and will need to be reentered:
1. Press any of the
Input Selector Buttons e and
the
“O” Button r at the same time until the
Program Indicator c begins to flash amber.
2. Press the
“3” Button r three times.
3. The red LED under the
Input Selector e will go
out and the
Program Indicator c will stop flash-
ing and turn green.
4. The
Program Indicator c will remain green until
the remote is reset. Note that this may take a while, depending on how many commands are in the memory and need to be erased.
5. When the
Program Indicator c goes out, the
remote has been reset to the factory settings.
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33
33
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30 PROGRAMMING THE REMOTE
PROGRAMMING THE REMOTE
The diagram on this page shows the button numbers used in the Function List tables on pages 31–32. Do not confuse these numbers with those used throughout the rest of this manual to indicate the specific buttons used to operate the AVR 125’s functions.The key to those button numbers, which are shown inside an oval is found on pages 11–13.
125
FUNCTION LIST 31
FUNCTION LIST
No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) TV (VID1) CBL (VID3) SAT (VID3)
1 Power On Power On Power On Power On Power On Power On Power On Power On Power On 2 Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off 3 Mute Mute Mute Mute Mute Mute Mute Mute Mute 4 AVR AVR Select 5 DVD DVD Input Select DVD Select 6 CD CD Input Select CD Select 7 Ta pe Tape Input Select Tape Select 8 VID1 Video 1 Select VCR Select
9 VID2 Video 2 Select TV Select 10 VID3 Video 3 Select VID3 Select 11 AM/FM Tuner Select 12
6 CH Input Select
13 Sleep Sleep Channel + Channel + Channel + 14 Test Test Tone Input Select 15
TV
TV/DVD CDP Select TV/VCR TV/VCR TV/Cable TV/Sat
16 Volume Up Volume Up Input Level Up Volume Up Volume Up Volume Up Volume Up 17 Surround Select
Surround Mode Select
CDR Select Channel – Channel – Channel –
18 Night Night Mode Select 19 Spare 20 Volume Down Volume Down
Input Level Down
Volume Down Volume Down Volume Down
21 Channel/Guide Channel Trim Title Info/Guide Info/Guide 22 Speaker/Menu Speaker Adjust Menu Menu Menu Menu Menu 23
Move/Adjust Up Up Up Up Up Up
24
Move/Adjust Left Left Left Left Left Left
25 Set Set Enter Enter Enter Enter Enter 26
Right Right Right Right Right
27
¤
Move/Adjust Down
Down Down Down Down Down
28 Digital/Exit
Digital Input Select
Subtitle Exit Exit Exit Exit
29 Delay/Prev. Ch. Delay Adjust Return Time Prev Channel Prev Channel Prev Channel 30 1 11 1 1 1 1 31 2 22 2 2 2 2 32 3 33 3 3 3 3 33 4 44 4 4 4 4 34 5 55 5 5 5 5 35 6 66 6 6 6 6 36 7 77 7 7 7 7 37 8 88 8 8 8 8 38 Tun-M Tuning Mode 39 9 99 9 9 9 9 40 0 00 0 0 0 0 41 Memory Memory 42 Tune Up Tune Up Next Chapter 43 Direct Direct Tuner Entry Track Direct
32 FUNCTION LIST
No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) TV (VID1) CBL (VID3) SAT (VID3)
44 Clear Clear Clear Clear Clear Clear Clear Clear 45 Preset Up Preset Tune Up Slow Forward 46 Tune Down Tune Down Prev Chapter
Track Increment
47 D. Skip Disc Skip Disc Skip Stop Stop 48 Preset Down
Preset Tune Down
Slow Rev Intro Scan
49 M1 Open/Close Open/Close Cancel Sleep PPV Cancel 50 M2
Subtitle On/Off
Repeat Fav Fav
51 M3 Audio Select Random Play Bypass Next 52 M4 Angle Select Music Alt 53 Rewind R. Search R. Search Rewind Rewind Day – Day – 54 Play Play Play Play Play 55 Fast Forward F. Search F. Search Fast Fwd Fast Fwd Day + Day + 56 Record Record Record Record 57 Stop Stop Stop Stop Stop 58 Pause Pause Pause Pause Pause 59 Skip Down Skip – Skip – Scan – Page – Page – 60 Skip Up Skip + Skip + Scan + Page + Page +
FUNCTION LIST
SETUP CODES 33
Manufacturer/Brand Setup Code Number
A MARK 103 132 ADMIRAL 192 AKAI 123 160 AMPRO 164 ANAM 045 103 106 109 112 122 AOC 103 123 128 BLAUPUNKT 084 BROKSONIC 205 206 CANDLE 123 128 CAPEHART 059 CENTURION 123 171 CENTRONIC 045 CITIZEN 045 123 128 132 CLASSIC 045 CONCERTO 128 CONTEC 045 CORANDO 172 CORONADO 132 CRAIG 045 157 158 159 CROWN 045 132 CURTIS MATHES 123 128 132 CXC 045 DAEWOO 045 087 102 105 106 108 111 114 116 119 127 128 132 DAYTRON 128 132 DIGI LINK 200 DYNASTY 045 DYNATECH 063 ELECTROHOME 115 132 EMERSON 045 123 128 132 139 157 158 159 162 205 FUNAI 045 FUTURETECH 045 GE 087 121 123 128 133 145 159 163 GOLDSTAR 101 103 110 128 132 GRUNDIG 193 HALL MARK 128 HARMAN KARDON 201 HITACHI 123 128 132 144 147 INFINITY 148 INKEL 125 JBL 148 JC PENNEY 115 123 128 132 145 JENSEN 019 JVC 079 087 134 KAWASHO 173 KEC 045 KENWOOD 123 204 KMC 132 KTV 045 123 132 162 LLOYTRON 172 173 LODGENET 069
SETUP CODE TABLE: TV
34 SETUP CODES
Manufacturer/Brand Setup Code Number
LOGIK 069 LUXMAN 128 LXI 077 145 148 MAGNAVOX 123 128 132 145 148 MARANTZ 115 123 148 MATSUI 148 MEMOREX 069 128 METZ 084 MGA 115 123 128 MINERVA 084 MITSUBISHI 077 115 123 128 160 167 168 MTC 175 176 NATIONAL 148 177 179 180 181 182 NEC 115 121 123 125 NIKEI 045 ONKING 045 ONWA 045 OPTONICA 077 ORION 207 208 209 210 211 PANASONIC 087 148 169 PHILCO 045 115 123 128 132 148 PHILIPS 123 128 132 145 148 PIONEER 024 123 128 213 214 PORTLAND 128 132 PROSCAN 133 PROTON 059 122 128 132 165 QUASAR 087 RADIO SHACK 045 128 132 180 196 197 RCA 115 123 128 133 145 161 163 REALISTIC 045 196 197 RUNCO 152 153 SAA 183 SAMPO 059 123 128 SAMSUNG 124 128 132 145 SANYO 054 SCOTT 045 128 132 SEARS 128 132 145 SHARP 077 128 132 SIEMENS 084 SIGNATURE 069 SONY 117 130 136 194 212 SOUNDESIGN 045 128 SPECTRICON 103 SSS 045 SYLVANIA 123 128 145 148 SYMPHONIC 184 TANDY 077 TATUNG 063 TECHNICS 080 TECHWOOD 128
SETUP CODE TABLE: TV
SETUP CODES 35
Manufacturer/Brand Setup Code Number
AIWA 040 AKAI 048 108 109 126 AMPRO 076 ASA 134 AUDIO DYNAMICS 018 048 BROKSONIC 110 147 CANDLE 134 135 CANON 135 140 CAPEHART 094 CITIZEN 134 CRAIG 045 116 DAEWOO 017 094 104 DAYTRON 094 DBX 018 048 DYNATECH 040 EMERSON 013 040 042 110 112 FISHER 017 FUNAI 040 GE 076 095 124 GO VIDEO 113 GOLDSTAR 018 107 HARMAN KARDON 018 049 HITACHI 040 048 JC PENNEY 018 045 JENSEN 048 JVC 018 048 111 132 KENWOOD 020 048 LLOYD 040 LXI 020 040 MAGIN 045 MAGNAVOX 040
SETUP CODE TABLE: TV/VCR
Manufacturer/Brand Setup Code Number
TEKNIKA 045 069 115 123 128 132 TELERENT 069 TERA 156 THOMSON 190 191 TMK 128 TOSHIBA 063 129 202 TOTEVISION 132 VIDEO CONCEPTS 160 VIDTECH 128 WARDS 069 128 132 148 YAMAHA 123 128 YORK 128 YUPITERU 045 ZENITH 069 090 ZONDA 103
SETUP CODE TABLE: VCR
36 SETUP CODES
Manufacturer/Brand Setup Code Number
MARANTZ 018 MEMOREX 017 020 040 076 MGA 049 MITSUBISHI 049 131 MULTITECH 040 NAD 139 NATIONAL 140 NEC 018 048 NORDMENDE 048 OPTIMUS 159 ORION 147 PANASONIC 125 150 167 172 PHILCO 040 PHILIPS 040 075 PORTLAND 094 PULSAR 076 QUASAR 001 125 RADIO SHACK 134 140 142 158 159 RCA 095 124 125 157 172 REALISTIC 017 020 040 045 159 SALORA 020 SAMSUNG 045 095 105 109 SANSUI 048 116 147 SANYO 017 020 SCOTT 110 112 SEARS 017 020 SHARP 129 156 SONY 080 129 SOUNDESIGN 040 SYLVANIA 040 SYMPHONIC 040 TANDY 017 040 TASHICO 134 TATUNG 048 TEAC 040 048 TEKNIKA 040 THOMAS 040 TMK 013 TOSHIBA 112 155 TOTEVISION 045 UNITECH 045 VECTOR RESEARCH 018 VIDEO CONCEPTS 018 040 VIDEOSONIC 045 WARDS 040 045 112 YAMAHA 018 040 048 ZENITH 040 076 083
SETUP CODE TABLE: VCR
SETUP CODES 37
SETUP CODE TABLE: CD
Manufacturer/Brand Setup Code Number
ADCOM 063 069 AIWA 072 111 118 156 170 AKAI 050 177 184 AUDIO TECHNICA 053 AUDIOACCESS 125 AUDIOFILE 211 BSR 044 CALIFORNIA AUDIO 015 109 CAPETRONIC 070 CARRERA 087 CARVER 136 140 141 143 144 145 185 186 CASIO 117 122 166 CLARINETTE 122 166 DENON 187 188 213 EMERSON 052 093 108 FISHER 055 068 FRABA 117 FUNAI 126 GE 164 GENEXXA 108 GOLDSTAR 016 087 HAITAI 099 214 HARMAN KARDON 001 002 025 054 190 218 219 HITACHI 093 INKEL 216 JC PENNEY 098 147 JENSEN 153 JVC 176 195 196 KENWOOD 030 062 078 079 148 151 176 178 181 LOTTE 108 LUXMAN 077 102 LXI 164 MAGNAVOX 039 113 MARANTZ 058 084 191 192 193 MCINTOSH 194 MCS 080 098 MITSUMI 152 MODULAIRE 122 166 NAD 013 074 197 198 NAKAMICHI 199 200 201 NEC 069 NIKKO 053 055 ONKYO 037 038 045 046 171 175 202 203 OPTIMUS 065 089 091 092 099 104 212 PANASONIC 015 075 109 119 158 183 204 PHILIPS 039 138 149 209 PIONEER 071 094 100 112 123 131 161 162 215 PROTON 210 QUASAR 015 109 RADIO SHACK 122 126 213 RCA 024 081 093 150
Manufacturer/Brand Setup Code Number
APEX DIGITAL 061 DENON 019 051 GE 003 004 GOLDSTAR 005 HARMAN KARDON 001 JVC 006 LG 005 055 064 MAGNAVOX 056 MARANTZ 059 MITSUBISHI 023 NAD 062 ONKYO 009 048 PANASONIC 024 030 044 PHILIPS 056 PIONEER 041 065 PROCEED 060 PROSCAN 003 004 RCA 003 004 SAMSUNG 053 054 SHARP 028 SONY 043 045 THOMSON 003 004 TOSHIBA 009 058 YAMAHA 030 063 ZENITH 005 055 064
38 SETUP CODES
SETUP CODE TABLE: CD/DVD
SETUP CODE TABLE: DVD
Manufacturer/Brand Setup Code Number
RCX 169 REALISTIC 058 093 095 104 105 108 164 166 SANSUI 047 081 134 157 172 SANYO 033 068 082 095 168 SCOTT 108 SHARP 058 105 114 151 159 167 180 181 SHERWOOD 003 041 058 105 133 SONY 103 115 116 118 132 139 163 205 206 207 208 212 217 SOUNDSTREAM 124 SYMPHONIC 059 110 TAEKWANG 177 TEAC 011 058 085 086 106 107 110 121 137 146 154 THETA DIGITAL 039 TOSHIBA 013 074 097 151 155 173 VECTOR RESEARCH 087 VICTOR 125 130 WARDS 095 YAMAHA 019 031 053 061 135 169 YORK 122 166
SETUP CODES 39
SETUP CODE TABLE: SAT
Manufacturer/Brand Setup Code Number
ALPHASTAR 472 ALPHASTAR DBS 450 ALPHASTAR DSR 442 BIRDVIEW 425 CHANNEL MASTER 320 321 322 325 361 CHAPARRAL 315 316 380 451 CITOH 360 DRAKE 313 317 318 413 481 DX ANTENNA 331 352 362 379 483 ECHOSTAR 395 397 452 453 463 477 478 484 485 ELECTRO HOME 392 FUJITSU 324 329 334 GENERAL INSTRUMENT 303 311 323 365 403 454 468 474 HITACHI DBS 455 HOUSTON TRACKER 463 HUGHES 437 JANIEL 366 JERROLD 454 468 484 KATHREIN 410 LEGEND 453 MACOM 317 365 369 370 371 MAGNAVOX 461 473 MEMOREX 453 NEXTWAVE 423 NORSAT 373 OPTIMUS 466 PANASONIC 366 469 PANASONIC DBS 457 PANSAT 420 PERSONAL CABLE 418 PHILIPS 375 PICO 407 PRESIDENT 381 404 PRIMESTAR 412 454 468 475 RCA 301 439 458 465 REALISTIC 349 480 SAMSUNG 442 SATELLITE SERVICE CO 335 388 SCIENTIFIC ATLANTA 339 SONY 405 STAR CHOICE DBS 459 STARCAST 347 SUPER GUIDE 327 423 TEECOM 330 333 390 391 393 409 TOSHIBA 302 426 460 461 462 470 UNIDEN 323 332 348 349 350 351 354 355 381 383 389 403 466 479 480 ZENITH 384 385 387 394 419
40 SETUP CODES
SETUP CODE TABLE: TAPE/CBL
Manufacturer/Brand Setup Code Number
ABC 001 011 ALLEGRO 111 AMERICAST 212 ARCHER 112 BELCOR 113 CABLE STAR 033 113 CITIZEN 111 COLOUR VOICE 085 090 DIGI 114 EAGLE 186 EASTERN 066 070 ELECTRICORD 039 EMERSON 112 FOCUS 116 G.I. 001 011 017 096 097 GC ELECTRONICS 113 GEMINI 032 060 GENERAL 210 GENERAL INSTRUMENT 168 GOODMIND 112 HAMLIN 056 099 100 101 117 175 208 HITACHI 001 188 JASCO 111 JERROLD 001 002 011 017 073 096 097 162 168 188 210 LINDSAY 118 MACOM 191 MAGNAVOX 017 019 068 MOVIE TIME 035 039 NSC 035 190 OAK 197 PACE 179 PANASONIC 053 176 177 189 214 PANTHER 114 PHILIPS 013 019 020 085 090 PIONEER 001 041 119 171 209 POPULAR MECHANICS 116 PRELUDE 125 PRIMESTAR 162 RADIO SHACK 111 112 213 RCA 053 214 RECOTON 116 REGAL 056 099 100 101 208
Manufacturer/Brand Setup Code Number
HARMAN KARDON 001
SETUP CODE TABLE: CBL
SETUP CODES 41
SETUP CODE TABLE: CBL
Manufacturer/Brand Setup Code Number
REMBRANT 032 SAMSUNG 072 186 SCIENTIFIC ATLANTA 183 203 SEAM 121 SIGNATURE 001 188 SPRUCER 053 081 177 189 STARCOM 002 011 163 STARGATE 125 TANDY 024 TELECAPATION 028 TEXSCAN 036 TFC 122 TIMELESS 123 TOCOM 170 205 UNITED CABLE 011 UNIVERSAL 033 034 039 042 113 VIDEOWAY 124 211 VIEWSTAR 019 025 086 089 190 ZENITH 065 125 211 ZENTEK 116
42 TROUBLESHOOTING GUIDE
TROUBLESHOOTING GUIDE
SYMPTOM CAUSE SOLUTION
Unit does not function when Main • No AC Power • Make certain AC power cord is plugged into Power Switch is pushed a live outlet
• Check to see whether outlet is switch-controlled
Display lights, but no sound • Intermittent input connections • Make certain that all input and speaker connections or picture are secure
Mute is on • Press Mute button
• Volume control is down • Turn up volume control
Unit turns on, but front-panel • Display brightness is turned off • Follow the instructions in the Display Brightness section display does not light up on page 26 so that the display is set to VFD FULL
No sound from any speaker; • Amplifier is in protection mode • Check speaker wire connections for shorts at receiver and light around power switch is red due to possible short speaker ends
• Amplifier is in protection mode • Contact your local Harman Kardon service center, which you can due to internal problems locate by visiting our Web site at www.harmankardon.com
No sound from surround or • Incorrect surround mode • Select a mode other than Stereo or Dolby 3 Stereo center speakers • Input is monaural • There is no surround information from mono sources
• Incorrect configuration • Check speaker mode configuratioin
• Stereo or Mono program material • The surround decoder may not create center- or rear-channel
information from nonencoded programs
Unit does not respond to • Weak batteries in remote • Change remote batteries remote commands • Wrong device selected • Press the AVR selector
• Remote sensor is obscured • Make certain front-panel sensor is visible to remote
or connect remote sensor
Intermittent buzzing in tuner • Local interference • Move unit or antenna away from computers, fluorescent
lights, motors or other electrical appliances
Letters flash in the channel indicator • Digital audio feed paused • Resume play for DVD display and digital audio stops • Check that Digital Input is selected
Processor Reset
In the rare case where the unit’s operation or the displays seem abnormal, the cause may involve the erratic operation of the system’s memory or micro­processor.
To correct this problem, first unplug the unit from the AC wall outlet and wait at least three minutes. After the pause, reconnect the AC power cord and check the unit’s operation. If the system still malfunctions, a sys­tem “reset” may clear the problem.
To clear the AVR 125’s entire system memory includ­ing tuner presets, output level settings, delay times and speaker configuration data, first put the unit in Standby by pressing the
System Power Control Button 2.
Next, press and hold the
Tone Mode 6 button for
three seconds.
The unit will turn on automatically and display the

RESET message in the Main Information Display

F. Note that once you have cleared the memory in this manner, it is necessary to reestablish all system configuration settings and tuner presets.
The reset will not affect settings that were programmed into the remote control. To reset the remote control and restore it to its factory default settings, please follow the instructions on page 29.
If these steps do not solve the problem, consult an authorized Harman Kardon service center.You can locate the service center nearest to you by visiting our Web site at www.harmankardon.com.
Memory Backup
This product is equipped with a memory backup sys­tem that preserves the system configuration informa­tion and tuner presets if the unit is accidentally unplugged or subjected to a power outage.This mem­ory will last for approximately one week, after which time all information must be reentered.
Your AVR 125 receiver has been designed to provide many years of trouble-free service. In the event that you are experiencing difficulties, please check the suggestions below for a possible solution to your problem. Additional information on the AVR 125, including updated information and user hints, is available from our Web site at www.harmankardon.com.
TECHNICAL SPECIFICATIONS 43
TECHNICAL SPECIFICATIONS
Audio Section
Stereo Mode Continuous Average Power (FTC)
55 Watts per channel, @ < 0.07% THD, 20Hz – 20kHz, both channels driven into 8 ohms
Five-Channel Surround Modes Power Per Individual Channel
Front L&R channels: 45 Watts per channel @ < 0.07% THD, 20Hz–20kHz into 8 ohms
Center channel: 45 Watts @ < 0.07% THD, 20Hz–20kHz into 8 ohms
Surround channels: 45 Watts per channel @ < 0.07% THD, 20Hz–20kHz into 8 ohms
Input Sensitivity/Impedance
Linear (High-Level) 200mV/47k ohms Signal-to-Noise Ratio (IHF-A) 95dB Surround System Adjacent Channel Separation
Pro Logic II 45dB
Dolby Digital (AC-3) 55dB
DTS 55dB
Frequency Response
@ 1W (+0dB, –3dB) 10Hz–100kHz High Instantaneous
Current Capability (HCC) ±25 Amps Transient Intermodulation
Distortion (TIM) Unmeasurable Slew Rate 40V/µsec
FM Tuner Section
Frequency Range 87.5–108.0MHz Usable Sensitivity IHF 1.3µV/13.2dBf Signal-to-Noise Ratio Mono/Stereo 70dB/68dB Distortion Mono/Stereo 0.2%/0.3% Stereo Separation 40dB @ 1kHz Selectivity ±400kHz, 70dB Image Rejection 80dB IF Rejection 90dB
AM Tuner Section
Frequency Range 520–1720kHz Signal-to-Noise Ratio 45dB Usable Sensitivity Loop 500 µV Distortion 1kHz, 50% Mod 0.8% Selectivity ±10kHz, 30dB
Video Section
Television Format NTSC Input Level/Impedance 1Vp-p/75 ohms Output Level/Impedance 1Vp-p/75 ohms Video Frequency
Response 10Hz–8MHz (–3dB)
General
Power Requirement AC 120V/60Hz Power Consumption 68W idle, 540W maximum
(2 channels driven)
Dimensions
Width 17.3 inches (440mm) Height 6.6 inches (168mm) Depth 15.4 inches (390mm)
Weight 23.8 lb (10.8kg)
Depth measurement includes knobs, buttons and terminal connections. Height measurement includes feet and chassis. All features and specifications are subject to change without notice.
* See the following trademark acknowledgements:
Harman Kardon and Power for the Digital Revolution are registered trademarks of Harman Kardon, Inc.
Manufactured under license from Dolby Laboratories.“Dolby,” “Pro Logic” and the Double-D symbol are registered trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992–1999 Dolby Laboratories, Inc. All rights reserved.
“DTS” and “DTS Digital Surround” are registered trademarks of Digital Theater Systems, Inc.
UltraStereo is a trademark of UltraStereo Corp.
VMAx is a registered trademark of Harman International Industries, Inc., and is an implementation of Cooper Bauck Transaural Stereo under patent license.
Logic 7 is a registered trademark of Lexicon, Inc., a Harman International Company, and Harman International Industries, Inc..
Crystal is a registered trademark of Cirrus Logic Corp.
250 Crossways Park Drive,Woodbury, New York 11797 www.harmankardon.com © 2002 Harman Kardon, Incorporated Part No.: CQX1A778Z
®
Power for the Digital Revolution.
®
®
Thank you for purchasing a Harman Kardon AVR 125. This Quick-Start Guide will help you with a basic system installation. For detailed information on any step in this Guide, please refer to the pages referenced in the Owner’s Manual. We strongly recommend that you read the Owner’s Manual for complete details on how to install, configure and operate the AVR 125, as well as for the important safety information it contains.
Figure 1 – Speaker Placement
The colors shown for each speaker correspond to the matching output terminal connection on the back of the AVR 125 (see page 14).
FRONT
LEFT
SPEAKER
(White)
CENTER
SPEAKER
(Green)
SUBWOOFER
(Purple)
SURROUND
LEFT
SPEAKER
(Blue)
FRONT
RIGHT
SPEAKER
(Red)
SURROUND
RIGHT
SPEAKER
(Gray)
Step 1. Place your speakers in the listening room
(see page 16).
SPEAKER PLACEMENT
Connections Color Guide
Audio Connections Left Right
Front
Center
Surround
Subwoofer
Digital Audio Connections
Coax
Optical
Video Connections
Composite
S-Video
Match the colored jacks on the AVR 125 to the appropriate jacks on your source equipment or speakers. The colors are standardized, but not all equipment or connectors use them.
AVR 125 QUICK-START GUIDE
AVR 125 QUICK-START GUIDE
Figure 2 – Speaker Connections
Step 2. Connect the speakers to the receiver: red (+)
on speaker to colored (+) on receiver and black (–) to black (–). (See page 14.)
Step 3. Connect the Subwoofer Pre-Out jack to
the Line-In jack on your subwoofer (see page 14). Adjust the settings on the subwoofer as needed.
Figure 3 – How to Use the Binding-Post
Speaker Terminal
Power for the Digital Revolution.
®
®
LINE IN/SUB/LFE
SUBWOOFER
SURR SURR
_
+
FRONT RIGHT
SPEAKER
RIGHT SPEAKER
_
+
SURROUND
, 1A
, 0.5A
_
+
CENTER SPEAKER
_
+
SURROUND
LEFT SPEAKER
_
+
FRONT LEFT
SPEAKER
SPEAKER AND VIDEO CONNECTIONS
CD PLAYERAM AntennaFM Antenna
Step 4. Connect AM and FM antennas (as shown above). (See page 14.) Step 5. Connect source components, as shown in Figures 4 and 5, and the
Device Connection Options chart on the back of this Guide (see pages 14–15). AUDIO connections: Right channel (red) on source to right (red) on AVR, and left channel (
white) on source to left (white) on AVR.
DIGITAL AUDIO connections, if available: Choose either coax
(
orange) to coax (orange) OR optical to optical for each device.
The Coax 1 input defaults to the DVD player, but may be reassigned. Assign the other digital inputs and outputs as appropriate for your equipment (see Step 7). VIDEO connections: Choose either composite (yellow) or S-Video (4-pin) for each video source. Connect the composite and S-Video
Monitor outputs to your Video Monitor (TV). Switch your TV set’s input to match the type of video used for the currently selected source.
Step 6. Plug all components into AC power outlets. The outlets on the back
of the AVR 125 should be used
only for low-current products, such
as CD or DVD players, and the total should not exceed 100 watts.
Basic Receiver Configuration
Step 7. Select digital inputs: If your DVD is connected to Coax 1, no adjust-
ment is needed. For any other digital-device connections, use the front-panel Digital Select button and the arrow buttons to select an optical or coax digital input (see pages 20 and 23).
Step 8.
Select a surround mode: Press the Surround Mode button on the front panel to select Dolby
®
Pro Logic®II – Movie. (You may select
other modes later as you become familiar with the AVR 125; see
pages 17, 20 and 22–23.)
Step 9.
Configure speakers: No action is needed if you have five “small” satellite-type speakers and a subwoofer. Otherwise, press the Speaker button and then the Set and arrow buttons to select the correct speaker choices for your system (see pages 17–18).
Step 10.
Set output levels: Set the Balance to 12 o’clock, and the Volume to –15dB. Sit in the listening position and press the Test button on the remote. The Test tone (it sounds like static) will circulate from speaker to speaker. Press the up/down arrow keys to adjust the level of each speaker until they all sound the same. If you have an SPL meter, set it to 75dB, C-Weighting Slow. Press the Test button again. (See pages 18–19).
Step 11.
Your system is configured – sit back and enjoy!
Figure 4 – Audio Connections
Dashed lines (––––) indicate coax and optical digital audio connections. Choose either type (but not both) for each digital audio source.
L R Optical Coax
L R Optical Coax
SURR SURR
, 1A
, 0.5A
REC/IN
PLAY/OUT
AUDIO RECORDER
SURR
, 1A
, 0.5A
DVD PLAYER
VCR (Video 1) TV or Video Monitor (Video 2)
In/Rec
Out/Play
OUT
IN
L R VIDEO
L R Video S-Video
Optical Coax
L R Video S-Video
SURR
VIDEO CONNECTIONS
Device Connection Options: Recommended connections are shown in red, but connections may be made to best fit your system requirements. The Video 3 inputs are on the front panel of the receiver.
Device Input Name Audio Input Connections Audio Output Connections Video Connections
CD Player CD CD L/R Inputs, Optical Digital 1 or 2, or Coaxial Digital 1 or 2 Not required Not required
DVD Player DVD Coaxial Digital 1 or 2, Optical Digital 1 or 2, or DVD L/R Inputs Not required DVD Composite or S-Video
VCR Video 1 Video 1 L/R Inputs Video 1 L/R Outputs Video 1 Composite or S-Video Input and Output Cable Box or Satellite Receiver Video 3 Video 3 L/R Inputs, Optical Digital 3*, or Coaxial Digital 3* Inputs Not required Video 3 Composite or S-Video Input Audio Recorder Tape Tape L/R Inputs, Optical Digital 1/2** or Coaxial Digital 1/2** Inputs Tape L/R Outputs, Digital Optical** or Coaxial Outputs** Not required
TV or Projector Video 2 or 3 Video 2 or 3 L/R Inputs Not required Monitor-Out Composite and/or S-Video
*
Check with your cable company to determine whether digital audio is available for all channels. It may be necessary to make BOTH analog and digital connections if it is not.**Digital audio recorders only.
250 Crossways Park Drive,Woodbury, New York 11797 www.harmankardon.com © 2002 Harman International Industries, Incorporated Part No.: CQE1A188Z
Figure 5 – Video Connections
Dashed lines (––––) indicate coax and optical digital audio connections. Choose either type (but not both) for each digital audio source. Dotted lines (
••••) indicate composite or S-Video connections. S-Video is the preferred connection when available, but you may use either type (but not both). When both composite and S-Video sources are connected to the AVR you must also connect both outputs from the AVR to your TV.
Power for the Digital Revolution.
®
®
Cable or Sat or HDTV Set-Top Box (Video 3)
FRONT PANEL
OUT
L R Video S-Video
Optical Coax
Optical 3 Coax 3
Digital Input
Video 3
S-Video Video L-Audio-R
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