Games PC RESERVOIR DOGS User Manual

TM

*Not Rated

Program Content: © 1991 Dog Eat Dog Productions, Inc. All Rights Reserved. www.lionsgate.com

FOR STRONG VIOLENCE

AND LANGUAGE

[NYSE: LGF]

PRESDPUS03

TM

installing the game 2
running the game 2
pro or psycho? 3
in-game controls 4
getting into the game 6
let’s go to work 8
game screen 11
pausing the action 12
driving screen 13
saving your progress 15
other characters 15
professional or psycho route? 16
credits 17
tech support 20

EPILEPSY WARNING

A very small percentage of individuals may experience epileptic seizures
when exposed to certain light patterns or flashing lights. Exposure to
certain patterns or backgrounds on a television screen or while playing
video games may induce an epileptic seizure in these individuals.
Certain conditions may induce previously undetected epileptic
symptoms even in persons who have no history of prior seizures or
epilepsy. If you, or anyone in your family, has an epileptic condition,
consult your physician prior to playing. If you experience any of the
following while playing a video game — dizziness, altered vision, eye
or muscle twitches, loss of awareness, disorientation, any involuntary
movement, or convulsions — IMMEDIATELY discontinue use and consult
a physician before resuming play.

PRECAUTIONS TO TAKE DURING USE

• This game disc is intended for use exclusively on Windows®-based
systems with the minimum configurations specified on the system
requirements of the game purchased.

• Do not sit too close to the screen. Sit a good distance away
from the monitor, as far away as the length of the cable allows.

• Avoid playing if you are tired or have not had much sleep.

• Make sure that the room in which you are playing is well lit.

• Rest for at least 10 to 15 minutes per hour while playing
a video game.

HANDLING YOUR GAME DISC

• Avoid bending the disc. Do not touch, smudge or scratch its surface.

• Do not leave the disc in direct sunlight or near a radiator or other
source of heat.

• Take occasional rest breaks during extended play.

• Always store the disc in its protective case.

ESRB RATING

This product has been rated M for Mature by the Entertainment Software
Rating Board. For information about the ESRB rating, or to comment
about the appropriateness of the rating, please contact the ESRB
at www.esrb.org.

3

2

installing the game

running the game

1. Make sure the system requirements shown on the game packaging match those
of your machine. Quit all applications and close all windows on your desktop.

2. Place the

RESERVOIR DOGS™DVD-ROM into your computer’s DVD-ROM drive.

The disk should autorun and take you to the installation menu.
If autorun is disabled on your machine: Double-click

MY COMPUTER

on your Windows
desktop. Double-click the DVD-ROM drive icon. and the installation screen should appear.
Double-click

autorun.exe

and the installation screen should appear. Otherwise, double-click

setup.exe

.

3. Follow the onscreen prompts to proceed through the installation.

4. When installation is complete, you will see options to launch the game or quit without
playing. You can also browse through the Readme file, which contains game updates,
manual changes and troubleshooting.

UNINSTALLING THE GAME

To uninstall the game, use one of the following methods:

• Insert the

RESERVOIR DOGS™DVD-ROM into the DVD-ROM drive to activate Autorun

and display the Launch Panel. Click

UNINSTALL

and follow the prompts.

• Click

START

from the Windows taskbar. Choose

PROGRAMS

from the pop-up menu.

Locate the

RESERVOIR DOGS™shortcut menu inside the Eidos folder, click

UNINSTALL

and follow the prompts.

• From the Control Panel, select

ADD/REMOVE PROGRAMS

. Click

RESERVOIR

DOGS

™

, click

ADD/REMOVE

button and follow the prompts.

NOTE: If you experience difficulty uninstalling the game, please consult Troubleshooting
and Performance Issues in the ReadMe file.

Insert the

RESERVOIR DOGS

™ DVD-ROM into the DVD-ROM drive.

• If Autorun is enabled, the game will automatically launch. Select

PLAY

to run the game.

— OR —

• Double-click the

RESERVOIR DOGS

™ icon on the computer’s desktop (if you chose this

option when you installed the game).

— OR —

• From the desktop, select

START3PROGRAMS3EIDOS3RESERVOIR

DOGS

™.

pro or psycho?

Six professionals have been brought together
by crime boss Joe Cabot and his son Nice Guy Eddie
for a heist at Karina’s Wholesale Diamonds.

They don’t know each other; they don’t want
to know each other.

Each man has a job to do and each has a color­coded name to protect his identity: Mr. White,
Mr. Blonde, Mr. Brown, Mr. Orange, Mr. Blue
and Mr. Pink.

It’s the perfect setup — it’s planned to be
the perfect crime. The orders are simple: get in,
get the diamonds and then get out quick.

Two minutes max and away with the rocks that will
fetch big bucks.

But the heist goes wrong. Cops come out of nowhere
and all hell breaks loose. Alarms are triggered
and the cops are breathing down the team’s necks.

That’s when this game kicks off.
What happens next? Six professionals are out there,

on their own and put to the test. How do they
handle it? The cool Mr. Professional or loose-cannon
Mr. Psycho?

Now that’s your job to sort out.

4

5

in-game controls

MENU CONTROLS

Select option arrow keys 1/2
Action / Confirm settings

Enter

Back

Backspace

WEAPONS

Shoot* left mouse button
Aim* mouse cursor
Lock-on target* right mouse button (hold)
Reload

R

key

Precise Target*

X

key

Change weapon up

1

key

Change weapon down

2

key

Select / Holster

~

key

Pick up / Swap weapon

E

key (hold)

Bullet Festival

Q

key

Signature Move* (requires Adrenaline)

Q

key (with hostage only)

MOVING AROUND & COVER

Move forward

W

key

Move back*

S

key

Strafe left / right*

A/ D

key

Roll

Left Shift

Crouch / Stand up

C

key (toggle)
Aim* mouse cursor
Enter / Exit cover

Left Shift

(toggle)

Aim from cover (lean out)

A/ D

+ mouse cursor movement

NOTE: Controls marked with an asterisk (*) will also work when you are holding a hostage.

TAKING CHARGE: HOSTAGES & STANDOFFS

Target person* right mouse button
Herd target person* right mouse button (hold) + mouse movement
Look back*

Ctrl

Threaten* / Neutralize*

Alt

Order* (e.g. “open safe”) / Disarm*

E

key

Take* / Release* hostage

Spacebar

Beat up hostage*

E

key

Knock out hostage*

E

key + left mouse button

Head Slam*

E

key when facing a wall or low

horizontal surface.

DRIVING

Accelerate

W

key

Steer

A/ D

key

Brake / Reverse

S

key

Handbrake

Spacebar

Speed Boost

Left Shift

Horn

E

key

Change view

C

key (Chase / Extreme / Bumper)

Look behind

Ctrl

Rotate camera left / right keypad 4/

6

Center camera behind car keypad

5

Shoot left mouse button
Lock-on target right mouse button
Skip song keypad

+/ -

Pause Menu

Esc

NOTE: Controls marked with an asterisk (*) will also work when you are holding a hostage.

6

7

getting into the game

When the game first begins you can select from two on-screen options:

• Load Game

Continue with a previously saved game. You will be taken

to the last saved checkpoint.

• New Game

Begin a new game of

RESERVOIR DOGS™. This takes you

to the Main Menu screen.

MAIN MENU

The Main Menu screen gives you options to:

•Play

Start a new game of

RESERVOIR DOGS™from the beginning. Get your black suit

and shades ready — you will be thrown into the full game.
When you start a game from scratch you can select a difficulty level:

– Easy

A more forgiving difficulty level and ideal for a rookie who can easily screw up

under pressure.

– Normal

Requires more precision in aiming and shooting. If you get shot, those bullets

are gonna hurt a lot more.

• Select Chapter

Choose a chapter to play from the 16 available missions in the game.

Scroll through the list to select a chapter.
After you select a chapter, you will have the options to:

– Resume from Last Checkpoint

Begin the chapter from your last saved checkpoint

(if any).

– Restart Chapter

Play the chapter from the beginning.

• A Matter of Business

Come here to brush up your skills in firing weapons, using cover,
controlling people (including cops) and taking hostages. Joe and the boys will guide you
through the basics and won’t mind you trying things over and over — they appreciate the
hard work that goes into making a professional. They don’t want you shot when you’ve got
a job to do for them.

• The Missions

You can also select any of the other 15 chapters for a one-off blast of
action. Return here as often as you like for a dose of your favorite missions. These missions
include at least one of the team and sometimes, in the driving missions, several of them.

• Options

Provides a list of options for adjusting game settings, including:

– Controls

Set the controls your way.

> Look Sensitivity

Set the sensitivity of the camera control somewhere

between minimum and maximum on the slider.

> Invert Vertical Axis

Turn on/off.

> Invert Horizontal Axis

Turn on/off.

> Hold Lock-on to Target

Turn on/off.

> Controller Vibration

Turn on/off.

> Remap Controls

Customize the game controls.

– Display

Set up display controls to suit your

monitor and personal preferences:

> Subtitles

Turn on/off to display/hide

character speech on screen.

> Aspect Ratio

Select a screen aspect ratio

(4:3 or 16:9) to suit your monitor.

– Audio

Use the arrow keys to adjust:

> Effects Volume

Adjust the game’s

sound effects volume.

> Speech Volume

Adjust the game’s

speech volume.

> Music Volume

Adjust the game’s

music volume.

• Extras

Check out bonus extras, including:

– Movie Viewer

Watch the FMV movies
from the game. Scroll through the list
and play your favorites.

– Art Gallery

View concept art you’ve found

while playing the game.

– Cheats

See a list of cheats that you might

appreciate when you replay the game.

– Credits

Look at a line-up of the people

responsible for getting

RESERVOIR DOGS

™

to you.

– Quit

End the game.

8

9

let’s go to work

If you’re new to the game, then you’ve got to start somewhere. This is it.

• Select

Play

from the Main Menu.

After the opening titles you will go to the first chapter of

RESERVOIR DOGS™, “A Matter

of Business,” the training session in Joe Cabot’s warehouse.

TRAINING (A MATTER OF BUSINESS)

You might think you know it all, but there’s a lot to learn in a short space of time. This training
session is in five sections: Weapons, Cover, Crowd Control, Hostage-Taking and Neutralizing;
these are all key elements in the game.

Some controls will seem complex to start with but you’ve got to practice them ‘til they’re
second nature. Be cool.Take your time. Learn your lesson.

WEAPONS

The first training session explains all aspects
of weapons.

Your weapons and how you handle them are
key to your survival. You’ll get away with
a lot with accurate aim, straight shooting and
a quick reload. You do not have an unlimited
capacity to carry all the weapons you might
find, only a maximum of two handguns
and one machine gun/rifle or shotgun
(with suitable ammo).

NOTE: See WEAPONS controls, page 4.

WEAPON TYPES

RESERVOIR DOGS™features an extensive range of different weapons: pistols, silenced

pistols, semi-automatic pistol, machine pistols (all of which can be carried and fired in both
hands at the same time); sub-machine guns, assault rifles, shotguns, sniper rifles and
tranquilizer rifles. All have varying degrees of effectiveness (fire rate, accuracy and damage)
and ammo clip size. Remember to use the right weapon for the right job; against armored
SWAT team personnel you might try to bring something a little more substantial than a pistol
to the party.

The Training session lets you get used to firing pistols, a sub-machine gun, sniper rifle
and a shotgun.

COVER

Joe and the boys will also teach you the importance of using movement and cover — all that
commando shit they talk about in cop school might save your sorry ass from getting shot up.

Remember that it’s not just you who’ll be using effective cover. Cops and SWAT teams are
trained in the same way and will also be in cover so you’ve got to use your brain (if you don’t
want to see it splattered over the floor). Outflank them, try a shot from the side or behind,
or a precise shot to the head.

NOTE: See MOVING AROUND & COVER controls, page 4.

CROWD CONTROL

In this part of the Training session you’ll learn the basics of controlling people. Ordinary people
will get in your way, raise the alarm or tell the police where you are when you’re trying to get
away.You’ve got to focus on key issues and control them. Taking them out permanently is
an option. but that’s just more noise and alarm and if cops are around they’ll hear you.
You’ve got to use good judgment: get the civilians safely out of
the way or put them somewhere where they can do you no harm
(neutralize them).

NOTE: See TAKING CHARGE: HOSTAGES & STANDOFFS
controls, page 5.

USING HOSTAGES

If civilians are around, you might also think about using
them to your advantage. In this part of the Training session
you’ll learn the basics of hostage-taking and how to use
hostages: to help get you out of a tight spot or to give
you leverage to get others to do something for you.

Taking hostages isn’t just a matter of using “human
shields”; you’ve got to figure out how security guards
or cops will react when they see you threaten or rough
up an “innocent victim.”You’ll also find that you’ll get
away with a lot more by aggressive intimidation —
waving a big gun in the face of a security guard might
just get you through a locked door super fast.

10

11

SIGNATURE MOVE

Each of the heist team has his own Signature Move. This can be quite persuasive against cops
or guards who won’t cooperate. This usually encourages most people, no matter how tough they
think they are, to cooperate. The others? Well, that’s for you to find out!

To perform a Signature Move, you must have a hostage and a full adrenaline bar.

• Take a hostage (hit

Spacebar

).

• Hit the

Q

key.

KNOCKING OUT A HOSTAGE

Sometimes you’ll just want to silence a hostage you are holding.

• Hold the

E

key and press the left mouse button to knock the hostage unconscious.

BULLET FESTIVAL

If you’re high on adrenaline in any firefight you might enjoy
a few moments of Bullet Festival. This slows down
the action (in super slo-mo) and you can target an enemy,
fire your weapon and watch the bullets travel through
the air and pierce the target in a blood-splattering
gore fest.

• Make sure you have a full Adrenaline Bar.

• Hit the

Q

key.

• Aim (mouse cursor).

• Fire a number of rounds (hit the left
mouse button).

• Watch the bullets hit the target.

The action will then return to normal.

game screen

1 TARGET CURSOR

2 HOSTAGE TOLERANCE METER

3 HEALTH METER

4 WEAPON(S) IN HAND

5 AMMO IN WEAPON / TOTAL AMMO

6 ADRENALINE

The Game Screen is generally left clear and uncluttered to let you concentrate on the action,
but some important stuff is shown that you should know about.

Health

The green meter shows the amount of current Health for your character in the mission. Keep
an eye on this — too low and he’ll never make it out of there alive.You can boost your Health
levels by using the Medical Boxes found in various places throughout the mission. Keep a look
out for them — they’re marked with a white border with a green cross — they might just make
the difference.

• Approach a Medical Box and press the

E

key when you see the prompt to add Health

on the meter.

Adrenaline

The blue meter shows your character’s Adrenaline level. Adrenaline is boosted by killing
or neutralizing cops and civilians. A high Adrenaline level will also let you carry out your
character’s specialty Signature Move or give you a blast of Bullet Festival.

Weapon(s) in Hand

This icon shows the active weapon (or weapons) in hand. You can carry one large weapon
(such as a sub-machine gun or shotgun) and a maximum of two handguns (one in each hand).
If you are holding a grenade or shield it is also shown here.

When a large weapon is holstered (

~

key) it will be shown on the character’s back.

To draw a weapon, press the

~

key again.

To the right side of the weapon icon are two numbers. The top number is the total number
of bullets held in the current clip; the bottom number is the number of bullets you have
in reserve. When the top number reaches zero, the weapon is reloaded with the bullets taken
from your reserve (if available).

1

2

3

4

5

6

12

13

Target Cursor

The Target Cursor will appear if you have a weapon in your hand. Use it to aim before pulling
the trigger. If you want a more precise aim, press the

X

key and the view will zoom-in.

If you have picked up a Sniper Rifle, press the

X

key twice to get a super accurate zoom-in shot.

Press again to toggle back to normal mode.
The Target Cursor will flash to indicate if you have targeted (locked-on) to a person (either to

shoot or to control by moving). The Target Cursor will disappear if you do not have a weapon
in hand but will reappear if you press the right mouse button (lock-on). Your weapon will then
be placed in your hand, ready for action.

Hostage Tolerance Meter

If you have a hostage, you will see the hostage’s current tolerance level on the red bar just
above your own Health level. The bar reduces when you do something with or to the hostage.
It is an indication of how far you can push before the hostage collapses/faints and becomes
useless to you.

End of Mission

You can also view a statistical breakdown of the mission summary. The ranking you get depends
on your performance:

• Time Taken • Disarms

• Shots Fired • Threats Neutralized

• Targets Hit • Body Count

• Accuracy • Unlockables

• Hostages Taken

pausing the action

It’s going to get hot in there when you’re in the thick of it and you’ll want to take a breather
at times. Even the toughest player wants an occasional break in the commotion.

• Press

Esc

to pause the action at any point.

Pausing the game opens the Pause Menu with the following selections:

• Options

Access the game options (see page 7).

• Restart

Restart the current level.

• Save

Save your current level.

• Quit

Quit the current game.

driving screen

RESERVOIR DOGS™features six driving missions that put a character from the team

behind the wheel of a car.The game screen you’ll see for Driving Missions is different
from the normal screen.

NOTE: See DRIVING controls, page 5.

Speedometer

Shows the speed of your car in miles per hour.

Damage Gauge

Shows your vehicle’s status.As the car takes more damage, this meter reduces.

Timer

In timed missions, the timer will appear on the HUD. It flashes red when you run out of time.

BOOST GAUGE

Your car’s “Adrenaline” level. The following will cause the Boost Gauge to rise:

• Fast driving

• Performing handbrake turns

• Driving over jumps

• Near misses into oncoming traffic

• Crashing though gates or other barriers

• Narrowly missing pedestrians

A high Adrenaline level allows you to get a Speed Boost (hit

Left Shift

when the Boost Gauge

is at least one-third full).

1 COMPASS

2 MINI MAP

3 YOUR CAR (RED) / OPPONENT CARS

4 TIMER

5 DAMAGE GAUGE

6 SPEEDOMETER

7 BOOST GAUGE

1

2

3

4

5

6

7

14

15

Mini-map

A top down view of the route you are driving on the mission. Often there are several different
ways to get through to your objective. Keep an eye on the map — you might spot a shortcut.

• The compass needle shows where North (N) is located to help you orient your car.

• Your car is shown as the red triangle.

• Other cars relevant to the mission are shown as yellow circles.

• Cops are shown as blue circles.

• The green arrow points in the direction you should be heading.

Toward the end of the mission, a green marker shows your destination. When you get there you
will see a green circle. Drive into the circle to end the mission.

Other Driving Screen Graphics

Certain missions require extra HUD elements such as timers and additional Health gauges.
For example, in the mission where Mr. Orange is bleeding in the back of the car, an additional
Health meter appears on screen. Drive carefully with Mr. Orange, as collisions will cause him
to lose more blood.

DRIVING TIPS

Lock-on and shoot while driving:

• Press the right mouse button to lock-on to the nearest target (car or person).

• Fire with the right mouse button.

An erratic driving style will lead to loss of lock-on. A good lock-on for a prolonged period
of time will lead to a more accurate and damaging shot.

Precision Immobilization Technique (PIT)

The PIT or “fishtail” maneuver is very effective against cop cars.

• At speed, sideswipe the rear quarter of the target vehicle.

• The target vehicle should spin out, leaving you free to put your foot down.

The Boost

When you have a high Adrenaline level, press

Left Shift

to kick off a Speed Boost. If you
collide with oncoming vehicles under boost, those vehicles will be destroyed. Any traffic going
in your direction will be shoved away with a greater force.

Driving Missions

At the end of a driving mission you will receive a mission summary with the following details:

• Time Taken • Pedestrians Killed

• Max Speed • Shots Fired

• Average Speed • Accuracy

• Police Vehicles Destroyed • PIT Maneuvers

• Civilian Vehicles Destroyed

saving your progress

At the end of each level, or when you quit the game, you will have the chance
to store your current position in the game.

other characters

CIVILIANS

Civilians might seem like nobodies to you but they could make
the difference between you getting out of this mess or sinking
in the shit. Most times they’ll react the way you expect them
to (if you think about it long enough).

If a civilian sees you with a gun, that person is going to run —
and raise the alarm. It’s in your best interests to stop this from
happening — but how you do it is up to you. If you take the
professional approach (threatening), you’ll find that a civilian
can be moved around, ordered to unlock doors and
neutralized (made to kneel against a wall).

Neutralizing is the only safe way of preventing a civilian
from posing a threat. But be warned — if you start
shooting the place up, everyone is going to panic and run.

Every character has a “tolerance” level that will appear
when you take the person hostage.This level is
represented by a red bar that appears above your own
Health bar.The red bar diminishes when a hostage is
moved, threatened or beaten. If it empties completely,
the hostage will collapse and you’ll be left
completely exposed.

16

17

credits

Senior Executive Producer

Simon Prytherch

CEO

Jane Cavanagh

Commercial Director

Bill Ennis

Financial Director

Rob Murphy

Company Secretary

Anthony Price

Head of European Publishing

Scott Dodkins

Product Acquisition Director

Ian Livingstone

Development Director

Darren Barnett

Development Manager

Grant Dean

Senior Producer

Pete Hickman

Assistant Producer

Luke Timms

Development Support

Louise Fisher

VP Licensing

Simon Hewitt

Creative Development Director

Patrick O’Luanaigh

Designer

Paul Wright

Head of Global Brand

Larry Sparks

Brand Director

Fabien Rossini

Brand Manager

Helen Lawson

Head of Support Services

Flavia Timiani

QA Manager

Marc Titheridge

QA Supervisor

Dave Isherwood

QA Lead Technicians

Lawrence Day, Hugo Hirsh, William Wan

QA Technicians

Richard Abbott, Dom Andoh, Sam Beard,
Warren Beckett, David Klein, Andrae McKenzie,
Daniel Mills, Andrew Nicholas, Matthew Poon,
Zesh Sadique

Mastering Supervisor

Jason Walker

Mastering Engineer

Ray Mullen

Senior Localisation Manager

Monica Dalla Valle

Localisation Manager

Jan Buchner

Localisation QA Supervisor

Arnaud Messager

Lead Localisation QA Technicians

Laure Diet, Augusto d’Apuzzo

Localisation QA Technicians

Curri Barceló, Edwige Béchet, Arianna Pizzi,
Laëtitia Wajnapel

Creative Manager

Quinton Luck

Senior Designer

Jodie Brock

Web Manager

Christophe Taddei

Lead Online Creative

Olaf Siebert

Senior Online Designer

Leigh Kirwan

Junior Coder Designer

Shane Auckland

Manual Support Services

Tom Waine

Manual Writer

Alkis Alkiviades

Special Thanks

A big thanks to all our European Marketing
and Sales teams as well as our Finance
Department who have done a wonderful job
to make this game happen — your tremendous
work is much appreciated

eidos u.k.

COPS

Cops will behave the way you’d expect them to. They’ll try and arrest you and if you resist,
they’ll open fire. Cops won’t respond to verbal threats alone, but if you rough up a hostage
or perform a Signature Move in front of the cops, it usually persuades them to drop their guns.

Disarmed cops will act in much the same way as a civilian. If you can neutralize them, they
shouldn’t bother you. Just be aware that if you suddenly decide to go psycho on them, they
won’t hesitate to break away and look for the nearest dropped weapon.

If you find yourself in a firefight, taking a hostage is a sure-fire way to calm things down —
and buy yourself some precious seconds. Just don’t take this as a license to start shooting
people without consequence, because it won’t be — cops will return fire.

And don’t assume that taking a hostage is a guarantee of avoiding getting shot.
Cops will try and flank you, and will fire at the first opportunity.

SECURITY GUARDS

Although security guards appear to behave exactly like cops, they are not as tough mentally
or physically.After all, what’s in it for them to be the big hero? If you have a hostage,
a simple threat will be enough to disarm a guard. From that point on, guards act exactly
like disarmed cops.

professional or psycho route?

At the end of each mission, you are rated on how you played through the chapter.
The game also gives you an overall rating as you progress through the story. Three main
ratings are available: Professional, Psycho and Career Criminal.

If you progress by mostly shooting and killing, you’ll end up with a Psycho rating.
Conversely, if you mostly threaten and neutralize, you’ll end up with a Professional rating.
Engaging in a combination of the two will yield a Career Criminal Rating.

The Driving sections are rated in a similar way. Causing damage and shooting will give you
a Psycho rating; driving fast and carefully will give you a Professional rating.

Two additional ratings can be achieved by playing exclusively as a Professional or Psycho:
Consummate Pro and Stone Cold Psycho.

18

19

Project Manager

Dave Manuel

Technical Manager

Tony Povey

Creative Manager

Ian Pestridge

Design Manager

Nick Adams

Assistant Project Manager

Vicky Page

Assistant Technical Manager

Claude Dareau

Assistant Creative Manager

Darren Nourish

Initial Pre-Dev Manager

Jon Cartwright

Programmers

Matt Hampton, Michael Higgs, Will Myles,
Tim Page, Phil Palmer, Nathan Pritchard,
Craig Rushforth, Johnny Trainor, Andrew Wallen,
Fred Williams, Toby Jones

Concept Artist

Stephen Baskerville

Character Artists

Nadine Mathias, Rob Price

Run & Gun Artists

Auburn Hodgson, Sebastian Livall, Soo-Ling Lyle,
Wayne Peters, Chris Southall, Chris Brooker

Lead Driving Artist

Rupert Lewis Jones

Driving Artists

Malcolm Burke, Mike Procter, Simon Reed
Lead Animator, Jason Tassell

Animators

Paul Gartland, Gerald Udogaranya,
Peter Whiting, Alan Paul

Run & Gun Designers

Benjamin M. Fisher, Bob Hands,
James Hargreaves, James Parker,
Lauren Grindrod, Simon Smith

Lead Driving Designer

Mark Digger

Driving Designers

David Fewtrell, Aron Tomlin

Lead Audio Designer

Rob Blake

Audio Designers

Todd Baker, Chris Hockey

QA Manager

Joe Lenton

QA

Daniel Brock, Duncan Fewkes, Lee Roberts,
Nick Scurr

volatile games

CEO & President, Eidos North America

Bill Gardner

Executive Vice President of Sales & Marketing

Robert Lindsey

Vice President of Legal & Business Affairs

James O’Riordan

Vice President of Finance

Malcolm Dunne

Director of Marketing

Matt Gorman

Senior Product Manager

Kevin Gill

Director of Public Relations

Michelle Seebach Curran

Senior Public Relations Manager

Oonagh Morgan

Public Relations Manager

Tali Fischer

Senior Public Relations Specialist

Matt Dalghren

Community Specialist

Tony Perata

Events Specialist

Annie Meltzer

National Sales Manager

Joe Morici

Channel Marketing Manager

Janty Sumimoto

Channel Marketing Project Manager

Diane Eng

Channel Marketing Coordinator

Rafal Dudziec

Sales & Marketing Analyst

Ilana Budanitsky

Director of Marketing Communications

Stephanie Lipetzky

Web Producer

Roderick van Gelder

Web Designer

John Lerma

Media Manager

Micheal Tran

Creative Director

Karl Stewart

Creative Services Project Manager

Eileen Buenviaje

Graphic Designer

James Song

Operations Manager

Gregory Wu

Publishing Support Coordinator

Clint Waasted

Senior External Producer

Nick Goldsworthy

Associate Manager of Product Operations

Colby McCracken

QA/Customer Service Manager

Mark Cartwright

QA Supervisor

Aaron Safronoff

Lead QA Technicians

Aaron Keillor, Joshua Pfeiffer

QA Technicians

David Bushee, Nicholas Lutz, Stephen Cavoretto,
Nicholas Cooprider, Wilfredo Dimas,
Mackenzie Hume

Special Thanks

Danny Jiang, Kevin Witte, Joe Bruce,
Joey Eustler, Rudy Hill, Sumer Thompson,
Mike Schmitt, Jeff Green, Patrick Laciste,
John Hayes, Hanshaw Ink & Image

eidos u.s. publishing

Senior VP, Business & Legal Affairs

J. David Nonaka

EVP of Marketing

Anne Parducci

Executive Director of Marketing

Chela Johnson

lionsgate entertainment

Marc Canham, Richard Aitken, Edwin Scroggie

written by

Nimrod @ Nimrod Studios www.nimrodproductions.com

recorded, produced, mixed & mastered by

Michael Madsen’s name, voice and likeness Licensed by Choctaw, Inc and Represented by Vicki Roberts,
Esq., www.restmycase.com™.

Additional music tracks courtesy of Nimrod Productions 2006 © 2006 Eidos.
RESERVOIR DOGS ™ interactive game, software and packaging © 2006 SCi Games Ltd. "Eidos" and the

Eidos logo are trademarks of Eidos Plc, Eidos Interactive Ltd and Eidos Inc. RESERVOIR DOGS ™ motion
picture © 1991 Dog Eat Dog Productions, Inc. LIONSGATE and the logo are trademarks of Lions Gate
Entertainment Inc. All rights reserved. All rights reserved. The rating icon is a registered trademark
of the Entertainment Software Association. Software platform logo (™ and ©) IEMA 2006.

additional credits

20

Register online at www.eidosregistration.com

EIDOS, INC., LICENSE & LIMITED WARRANTY

Eidos, Inc., warrants to you, the original purchaser of this disc, that for a period of
ninety (90) days from the date of your purchase, this disc shall be free from defects
in materials and workmanship. If, at any time during the applicable ninety (90) day
warranty period you determine that this limited warranty has been breached, Eidos,
Inc., agrees, in its sole option, to repair or replace, free of charge, any such disc,
provided the disc is returned postage-paid to the Eidos, Inc., Factory Service Center
and a proof of date of purchase is included. This limited warranty is not applicable
to normal wear and tear and shall be void with respect to any defects that arise
from disc abuse, unreasonable use, mistreatment or neglect. This disc is sold “as is”
without any warranties of any kind, express or implied, including implied
warranties of merchantability or fitness for a particular purpose, other than the
limited warranty expressly stated above. No other claims arising out of your
purchase and use of this disc shall be binding on or obligate Eidos, Inc., in any
manner. Eidos, Inc., will not be liable to you for any losses or damages incurred
for any reason as a result of your use of this disc, including, but not limited to, any
special, incidental, or consequential damages resulting from your possession, use
or malfunction of this disc. This limited warranty states the entire obligation of
Eidos, Inc., with respect to the purchase of your disc. If any part of this limited
warranty is determined to be void or illegal, the remainder shall remain in full force
and effect.

For warranty support please contact our Customer Support department at
[phone]. Our staff is available Monday through Friday, 9:00 a.m. to 12:00
noon and 1:00 p.m. to 5:00 p.m. Pacific Time. You are responsible for all toll
charges. Customer Support Representatives will not provide game hints,

strategies or codes.

PRODUCT RETURN PROCEDURE

In the event our support agents determine that your game disc is defective, you will
need to forward material directly to us. Please include a brief letter explaining what
is enclosed and why you are sending it to us. The agent you speak with will give
you an authorization number that must be included and you will need to include
a daytime phone number so that we can contact you if necessary. Any materials not
containing this authorization number will be returned to you unprocessed and
unopened. Send your postage-paid package to the following address:

Eidos, Inc. Customer Services
RMA# (state your authorization number here)
651 Brannan Street, Suite 400
San Francisco, CA 94107

You are responsible for postage of your game to our service center.

CONTACTING TECH SUPPORT

If you have a technical problem with the
game, our Support Department is here
to help. Our web site contains up-to-date
information on the most common
difficulties with our products; this
information is the same as that used
by our support agents. If you are unable
to find the information you need on our
web site, please feel free to contact us via
email, fax, telephone or letter. (When
contacting us via email or fax, please be
sure to put the game title in the subject of
your message.)

ASSISTANCE VIA
THE WORLD WIDE WEB

The fastest way to answer most questions
is by visiting our online support. You can
find the latest support information at
http://support.eidosinteractive.com/. Our
support FAQ’s are available 24/7 for your
convenience. These pages are updated
frequently and have the same information
that our support techs will use to answer
your question if you call or email us. The
answers to about 90% of the questions
we are asked can be found there, so it
really is worth the time to take a look!

The second fastest way to get an answer
to your question is to email us. (You will
find our email submission forms at our
web site.) We typically respond to email
queries within 24-48 hours during the
business week. Response times can be
considerably longer over the weekend,
holidays and immediately after a product
release. It all depends on how many
people we have working and how much
email is coming in at any one time, but
we do try really hard to get you the right
answer as quickly as possible. Weekdays,
excluding holidays, during the hours
when the phones are open, we still give
email questions our highest priority.

Through this site you will also have
access to our FTP (File Transfer Protocol)
area where you can download patches
and new enhancements as soon as they
become available.

ASSISTANCE VIA TELEPHONE
OR FAX

We are available to take your calls
Monday through Friday, 9:00 a.m. –
12 noon and 1 p.m – 5:00 p.m.,
Pacific Time at [phone] (voice) or
[phone] (fax). Our tech support
department is closed on all major
holidays.

Note: You are responsible for all toll
charges when calling.

To ensure the quickest service you will
need to be at your computer and have the
following information at hand:

• A complete listing of your computer’s
hardware. (Contact your computer
manufacturer if you are unsure.)

• What version of Windows®you
are using.

• A copy of your DirectX Diagnostics
report.

1. Click Start.

2. Click Run.

3. Type dxdiag.

4. Click OK.

5. Click the Save Information button

and save the file to your computer.

6. When you call our Technical

Support line, either have this file
open or have a printed copy.
If you send an email query you may
attach the file to the email.

• What error message(s), if any, you
have had.

• How the game is currently configured.

NOTE: OUR SUPPORT AGENTS DO NOT HAVE AND WILL NOT GIVE
GAME HINTS STRATEGIES OR CODES

TECH SUPPORT