Games PC MARC ECKOS GETTING UP-CONTENTS UNDER PRESSURE User Manual

GU_PC_ManInt 10/11/05 1:58 PM Page 1

PC MANUAL FRONT COVER

GU_PC_ManInt 10/11/05 1:58 PM Page 2

***DISCLAIMER***

Defacing or vandalizing public, commercial or private property is a crime

in most jurisdictions. This game and its instruction manual, strategy guide

and marketing materials are provided for the purposes of entertainment

only. Atari, Inc., Ecko Unltd. Games and The Collective do not encourage

or condone defacing, destroying, or vandalizing public or private property.

This game is intended only to provide a fictional environment in which

players can view a depiction of the graffiti culture and can act virtually

without breaking any laws or affecting the rights of others in any adverse

manner.

TABLE OF CONTENTS

Setup and Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2

Saving and Loading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Welcome to New Radius . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

In-Game Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Intuition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Graffiti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Reputation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Combat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Black Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Graffiti Legends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Mark Eckō’s Special Thanks . . . . . . . . . . . . . . . . . . . . . . . .38

Atari Web Sites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Technical Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

End-User License Agreement . . . . . . . . . . . . . . . . . . . . . . .43

DEDICATED TO ALL THE GRAF WRITERS

WHOSE ART WAS DISMISSED AS FILTH.

1

GU_PC_ManInt 10/11/05 1:58 PM Page 2

SETUP AND INSTALLATION

THE README FILE

Marc Eckō’s Getting Up®: Contents Under Pressure has a ReadMe file where you
can view both the License Agreement and updated information about the game.
We strongly encourage you to read this file in order to benefit from changes made
after this manual went to print.

To view this file, double-click on it in the Marc Eckō’s Getting Up®: Contents
Under Pressure directory found on your hard drive (usually C:\Program
Files\Atari\TBD). You can also view the ReadMe file by first clicking on the
Start button on your Windows®taskbar, then on Programs, then on Atari, then on
TBD, and then on the ReadMe file.

SYSTEM REQUIREMENTS

Operating System: Windows®2000/XP
Processor: Pentium 4 1.8 GHz or AMD Athlon 1.8 GHz or

higher
Memory: 512 MB RAM
Hard Disk Space: 3 GB free
DVD-ROM Drive: 6X speed or faster
Video: 64MB Hardware T&L compatible video card*
Sound: DirectX®version 9.0c-compatible sound card
DirectX®: DirectX®version 9.0c (included) or higher

* Hardware T&L video cards that do not support shaders, such as the GeForce 4
MX or Intel Extreme Graphics family, are not supported.

INSTALLATION INSTRUCTIONS

1. Start Windows®2000/XP.

2. Insert the Marc Eckō’s Getting Up®: Contents Under Pressure disc

3. If AutoPlay is enabled, a title screen should appear. If AutoPlay is not

4. Follow the remainder of the on-screen instructions to finish installing

5. Once installation is complete, click on the Start button on the

Note: You must have the Marc Eckō’s Getting Up®: Contents Under Pressure
game disc in your DVD-ROM drive to play.

Installation of DirectX

Marc Eckō’s Getting Up®: Contents Under Pressure requires DirectX®9.0c or
higher in order to run. If you do not have DirectX®9.0c or higher installed on
your computer, click “Yes” when asked if you would like to install it.

into your DVD-ROM drive.

enabled, or the installation does not start automatically, click on the
Start button on your Windows®taskbar, then on Run. Type D:\Setup
and click on OK. Note: If your DVD-ROM drive is assigned to a
letter other than D, substitute that letter.

Marc Eckō’s Getting Up®: Contents Under Pressure.

Windows®taskbar and choose Programs/Atari/PRODUCT FOLDER
NAME/EXECUTABLE NAME to start the game.

®

SAVING AND LOADING

Marc Eckō’s Getting Up®: Contents Under Pressure has an autosave feature.
Once you start a new game, the game automatically saves after each level.

To load a previously saved game, select Load Game from the Main Menu and
choose the profile name you want to load.

2

3

GU_PC_ManInt 10/11/05 1:58 PM Page 4

GU_PC_ManInt 10/11/05 1:58 PM Page 6

GU_PC_ManInt 10/11/05 1:59 PM Page 8

GU_PC_ManInt 10/11/05 1:59 PM Page 10

GU_PC_ManInt 10/11/05 1:59 PM Page 12

GU_PC_ManInt 10/11/05 1:59 PM Page 14

CONTROLS

NAVIGATION AND COMBAT

W Move forward
A Move left
S Move backward
D Move right
Mouse Move camera
Left Shift Strafe / Sneak
Left mouse button(LMB) Punch
A button Spacebar
Right mouse button (RMB) Kick / throw weapon
E Special action (pickup / push-pull / climb down / evade)
TBD iPod (Main Menu only)
TBD Crouch when not detected by an enemy / Block / Dodge when in com-

Center mouse button (CMB) Graffiti Mode
F Intuition
Tab Inventory
Enter Pause Menu

FREEFORM GRAFFITI (STENCILS, MARKERS, SPRAY PAINT, STICKERS, POSTERS)

CMB Enter Freeform Graffiti Mode (Press and hold when standing next to or

TBD Select wall position (High/Medium/Low)
1 or 3 Select color
2 or 4 Select style
CMB + LMB Place graffiti

PAINTING/ROLLER

CMB Enter Paint Mode (Press and hold the when standing in front of a Throw

1 or 3 Select size
2 or 4 Select style
CMB + LMB Paint (normal flow)
CMB + RMB Paint (fast flow – unlockable)
TBD Move spray can or roller up/down / Move Trane left/right
TBD Move camera

WHEAT PASTE

CMB Enter Wheat Paste Mode (Press and hold the when standing in front of a

TBD Select style
CMB + LMB Apply Paste
CMB + RMB Apply Poster
TBD Move roller up/down / Move Trane left/right
TBD Move camera

bat

facing a wall)

Up/Mural template)

Wheat Paste template)

15

GU_PC_ManInt 10/11/05 1:59 PM Page 16

WELCOME TO NEW RADIUS

In a world where graffiti has been banned and justice is outlawed, an unlikely hero rises
to save his neighborhood and become an urban legend. You play as Trane, a talented
graffiti artist with urban street smarts, crazy athletic abilities and a drive to make your
mark. You live the sport of graffiti, risking it all to reach the city’s dangerous sweet
spots, where a well-placed graf piece will bring respect and reputation.

In Marc Ecko’s Getting Up®: Contents Under Pressure, you must prove your worth as a
graf writer from subterranean subway lay-ups, to above ground bombing as the trains go
“silver,” to tagging the vertical heights of New Radius. Build your skills from a toy with
stickers and markers, to all city king with an arsenal of wildstyles, rollups, stencils and
wheatpastes. But you’ll need more than graffiti skills to survive the corrupt police state
that wants to stamp you out and what you stand for.

MENUS

NEWSSTAND

The Newsstand is home to the Getting Up Browser

Mode. In this mode, you can choose to go to any of

the levels in the game except for levels 9, 10 and 11.

The only way to open these levels is to play through to

them in the Story Mode. (Note: You cannot save your

game in Browse Mode).

STAIRCASE

The Staircase leads to Story Mode, an 11-mission tour
of New Radius. New Game brings you to the profile
creation screen section of the Memory Kiosk machine,
while Load Game lets you continue existing profiles.
Press Enter to select either option.

MEMORY KIOSK MACHINE

There are two options in the Staircase that bring you to
separate areas of the Memory Kiosk Machine.

New Game brings you to the create a new profile section
of the Memory Kiosk Machine. Create a name and then
select a save slot and press the Enter key to continue.
Press the Esc key to return to the previous menu.

Load Game brings you to the profile selection screen,
where you can continue a Story Mode game already in progress. Select a saved
game and press the Enter key to continue. Press the Esc key to return to the previ­ous menu.

GAME INFORMATION MENU

At the Game Information Menu you
can select a mission, change option
settings, view current statistics, read
your Black Book and access unlocked
material.

MISSION SELECT

Head toward the Subway Car where you can select your destination.

BLACK BOOK

Select the pieces and tags for your next mission, and browse Graffiti Legends art and
info (see Black Book on page 26).

UNLOCKS

Once you’ve earned enough Rep, check out this area, where you can find concept art,
movies and Beat Down®content.

OPTIONS

Adjust game options (see next page).

STATISTICS

View the statistics for the current profile, including Total Rep, completed Graffiti
Bonus objectives, Freeform Challenges completed, Legend Photos taken and Secrets
Found. Press the Esc key to return to the Game Information Menu.

EXIT

Quit current game and return to the Main Menu.

16 17

GU_PC_ManInt 10/11/05 1:59 PM Page 18

Apple®iPod

Press the Y key at the Game Information Menu to
open your Apple®iPod, where you can select the
music you want to hear. Press the W key or the S
key to select a song and press the Enter key to play
it. Press the Esc key to return to the Game
Information Menu. Only a few songs are available in the Apple®iPod when you
start the game. Keep a lookout for Apple®iPods scattered throughout the game
to increase Trane’s playlist.

OPTIONS MENU

Controls

Choose between 3 controller configurations.

Camera

Invert the vertical or horizontal camera controls.

Audio

Adjust music, sound effects and voice volume.

Gameplay

Toggle autosave ON/OFF, turn subtitles ON/OFF, turn tips ON/OFF, turn
Vibration ON/OFF and set game difficulty level (easy, normal, hard).

Codes

Enter cheat codes.

Restore Defaults

Return all options to default settings.

SUBWAY CAR

Use the movement keys (A & D) or the arrow
keys to select a Mission, press Enter, then
select a level within the mission by using the
movement keys (A & D) or arrow keys and
pressing Enter. As you earn new graffiti you
can revisit older levels and place new pieces
of graf art.

Press the Y key to open Trane’s Black Book (see page 26). This is where you
selects the graffiti that Trane will use on the upcoming mission. If you do not
choose graffiti, Trane will enter the level with the default graf pieces.

Press the Delete key to view a mission summary for any unlocked level. The
summary includes Trane’s total earnings for Rep, Bonus Graffiti, Freeform
Graffiti, Legend Photos, and Secrets Found.

Esc to go back to the Game Information Menu.

Press
When you finish a mission, you return to the Subway Car, where you can see a

list all of the content you unlocked during that mission.

PAUSE MENU

Press Enter while playing to pause the game and display the following:

Resume

Resume gameplay.

Objectives

View current objectives.

Options

Adjust game options (see Options Menu on previous page).

Restart

Restart the current level.

Quit

Quit to the Main Menu.

18

19

GU_PC_ManInt 10/11/05 1:59 PM Page 20

IN-GAME INTERFACE

HEALTH

SKILLS

REP

As the story unfolds, you’ll receive Mission Objectives, which are required to com­plete a level. These might include graffiti-under-pressure scenarios, navigational chal­lenges or stealth-based objectives. As you explore each level, you will also find Bonus
Tags, Legend Tags and Hidden Challenges. These additional elements are not required
to finish the level, but earn you Rep points (see Reputation on page 22).

HEALTH

The Health Bar represents Trane’s current health level. You can replenish Trane’s
health by grabbing Health Pickups (see Pickups on page 25). You can increase Trane’s
Health permanently by finding Health Max Increase pickups stashed throughout the
city. When Trane’s health is fully depleted, you will fail the mission and can choose to
start over at the most recent save point.

SKILLS

The Skills meter shows Trane’s current Power Level. You’ll need your Skills to be
charged if you want to land a Power Move (see Power Moves on page XX). You can
increase Trane’s Skills permanently by finding Skills Max Increase pickups stashed
throughout the city.

REP

The Rep Meter shows Trane’s reputation score for the current level (see Reputation on
page 22).

INTUITION

Trane has an instinctive ability to zero in on graffiti “sweet spots,”
Legendary Pieces and other important objects in the environment. When
you use Trane’s Intuition, the following important locations and items are
represented:

Graffiti “sweet spots” are marked
with glowing Xs. Color is also
important: Filled Orange Xs
indicate Required Mission
Objectives; Hollow blue Xs
indicate Bonus Tag locations.
Interactive objects flash to indi­cate that Trane can use them.
Intuition also reveals security
cameras, allowing Trane to
avoid their attention.

USING INTUITION

There are two ways that you can activate Trane’s Intuition: Press the F
key once or press and hold the F key.

Pressing the F key once allows Trane to quickly look for visual clues
while he is still moving. For several seconds, Trane’s field of vision will
glow. You can move the mouse to shift Trane’s field of vision.

When you press and hold the F key, Trane immediately stops moving
and the camera switches to first-person view. Trane will stay in this
mode for as long as you hold down on the F key, and Intuition clues
within Trane’s field of view will
glow. Move the mouse to shift
Trane’s field of vision. Release the

F key to exit Intuition mode.
Warning: While Trane is in

Intuition mode, his movement is
halted but the game world is not.
You must remain aware of Trane’s
surroundings.

20

21

GU_PC_ManInt 10/11/05 1:59 PM Page 22

GRAFFITI

Trane uses his Intuition (“street smarts”) to locate
prime graffiti sweet spots. Well-painted pieces earn
you Rep Points, which translate into improved Skills.
There are a maximum number of Rep Points you can
earn on any level, indicated by the Rep Meter (see
Reputation on page 22).

Trane will have the following tools at his disposal:

• Aerosol

• Marker Pen Tags

• Stickers

• Stencils

• Posters

• Rollers

Trane’s graffiti style will evolve as his Rep improves. As Trane discovers the works of
Graffiti Legends and captures them with his Digital Camera (see Graffiti Legends on
page 28), his knowledge will grow and his own methods for expression will mature. As
Trane’s Rep improves, he will unlock additional tagging tools.

Trane will also learn to create larger, more artistic pieces such as Burners, Murals, Top­To-Bottoms and Wheat Pastes.

APPLYING GRAFFITI

There are two kinds of graffiti in Marc Eckō’s Getting Up®: Contents Under Pressure:
Freeform Tags that Trane can put on almost any surface using the tools in his inventory,
and Prime Pieces, which go in the sweet spots marked as glowing Xs when Trane uses
his Intuition.

Inventory Wheel

Before Trane can apply a Freeform Tag, you must
first choose a graffiti tool. Press and hold the Tab
key to display Trane’s inventory and then move the
mouse to highlight the tool you want Trane to use.
Release the Tab key to select the highlighted tool.
You can also roll the mouse wheel up or down to
change graffiti tools. Trane will use this tool for all
Freeform tags until you choose another.

Freeform Tags

Press and hold the center mouse button
(CMB) when Trane is facing a wall or other

paintable surface, and a ghost image of the
art will appear. While holding the CMB,
press the RMB or the LMB and Trane will
apply the art.

Trane can apply tags in three positions. To
apply a high tag press W to apply low tag
press S.

To change the Freeform graffiti style, press the 2 key or 4 key. To change the
color of a Freeform graffiti style, press the 1 key or 3 key.

Pieces

There are prime spots in New Radius where
a well-placed tag will earn Trane massive
Rep Points. Use Trane’s Intuition (F key) to
spot them.

Once Trane has located a prime spot, move
him in front of it and press and hold the
CMB. Then press the LMB or RMB while
moving the mouse to make Trane paint.

While Trane is tagging, you can move to
make Trane look around for threats.

GRAFFITI SCORING

Trane earns Rep points for tags
based on five qualities: Go Big, Go
Over, Heaven Spot, Time, and No
Drips.

Go Big: Completing a larger piece.
Press 1 and 3 to cycle between big
and small tagsBig pieces don’t fit in
all locations.

Go Over: Complete a piece over a
rival tag.

Heaven Spot: Complete a piece high above ground level.
Time: Complete a piece quickly and without interruption.
No Drips: Complete a piece without drips.

22

23

GU_PC_ManInt 10/11/05 2:00 PM Page 24

REPUTATION

Reputation is how Trane’s progress is measured. Each time Trane completes a mission
objective, his Reputation score increases (indicated by the Rep meter). Rep Points con­vert into Unlocks, including new Graffiti Tools and Styles, Combat Abilities, Fight
Arenas and concept artwork.

OBJECTIVES

In each mission, Trane only needs to complete the
required mission objectives to advance to the next,
however, completing other elements hidden in each
level earns more Rep points.

Intermittently, Trane will find Freeform challenges,
which provide extra Rep when completed. Freeform
challenges are monitored by Timer coverage, and inge­nuity.

Press the Enter key to display the Pause Menu, and select Statistics, where you can
check the total number of potential and completed objectives for the current mission.

REP SCORE

Trane’s Rep score is displayed as a horizontal bar beneath the Skill Bar in the upper­left corner of the screen. The filled-in portion represents how many Rep points Trane
has earned on the mission so far.

The number of Rep points earned is based on the difficulty of the objective and, for
some graffiti pieces, the quality of Trane’s work (see Graffiti Scoring on page 21).

Unlocks you earn are available once you return to the Main Menu. Select Unlocks at
the Main Menu. The Unlocks Menu also shows the next item to unlock and the
amount of Rep you will need to unlock it.

COMBAT

GRAPPLE

When Trane’s hands are free, he can grab an oppo­nent by pressing the LMB and the RMB simultane­ously. Once Trane grabs an opponent, he will need to
win the grapple. To do this, rapidly press the LMB
and the RMB to overwhelm your opponent. Follow
through by tapping the LMB and Trane will perform
an elbow attack; tap the RMB to make Trane per­form a knee attack. Push the movement keys to
make Trane toss the opponent. Try aiming opponents
at walls or ledges!

STUNNING

STUN COMBOS

11

+ + LMB
+ + RMB

11

INSULTING

These are special moves where Trane can insult
rivals by openly shaming them. Be careful
though, nobody likes to be humiliated! You can
only insult a stunned opponent. Experiment with
different keys to find the best insult combina­tions. There are a total of seven insult moves.

FIGHTING COMBOS

PUNCH COMBOS

LMB + LMB + LMB (near on-ground opponent)
LMB + LMB + LMB
LMB + LMB
LMB + RMB
RMB + LMB
RMB + RMB
SPACEBAR (facing wall) + LMB
SPACEBAR

KICK COMBOS

RMB (near on-ground opponent)
RMB + RMB + RMB
RMB + RMB
RMB + LMB
LMB + RMB
LMB

POWER MOVE COMBOS

RMB + RMB + (hold) RMB
RMB + LMB + (hold) RMB
LMB + RMB + (hold) RMB
LMB + LMB + (hold) RMB
LMB + LMB + (hold) LMB
LMB + RMB + (hold) LMB
RMB + LMB + (hold) LMB
RMB

(facing wall) + RMB

+ LMB

+ RMB + (hold) LMB

24

25

GU_PC_ManInt 10/11/05 2:00 PM Page 26

REVERSALS

Rapidly press the LMB or RMB when an opponent has Trane in their hold; he can
perform several different types of reversal moves depending on the opponent.

WEAPONS

The streets of New Radius are littered with
potential weapons, such as crow bars, baseball
bats, trashcan lids, 2x4s and car batteries. To
pick up a weapon, press the E key. To swing a
weapon, press the LMB.

THROWING WEAPONS

Trane can throw a weapon to inflict damage from a distance. To throw, press and
hold the TBD. The longer you hold the button, the further Trane will throw the
weapon. You can aim the throw by moving the mouse [TBD].

WEAPON COMBOS

WEAPON COMBOS

LMB + LMB + LMB (while a weapon is equipped)

SPECIAL ATTACKS

These are combat moves where Trane can attack an enemy while on ladders and
ledges.

SPECIAL ATTACKS

Y or X (while hanging on a ledge)
Y (while standing above an enemy who’s hanging on a ledge)
Y or X (while on a ladder)

SNEAK ATTACK

Press and hold the LMB to make Trane sneak up
behind an opponent undetected, then press the

LMB and Left Shift simultaneously or press the
RMB to make Trane take the opponent down.

DODGING AN ATTACK

To make Trane dodge an opponent’s attack, press
and hold Left Shift, and tap a movement key (W
A S D) and Spacebar at the same time. Trane will
dodge to the direction of the movement keys.

PICKUPS

In addition to weapons, Trane will find a variety of pick-ups in the environment.

• 25% Health

• 100% Health

• Gold Montana Spray Paint Can – Gives you extra spray paint can pressure until

the end of the level.

®

• Apple

• Health Max Increase – Permanently extends Trane’s health bar.

• Skills Max Increase – Permanently extends Trane’s health bar.

• Tall Can Pressure Booster – Extends the

• Eck

• Tools – Crowbars and blot cutters get you

iPod – Unlocks new song

time that Trane can spray without having to
shake by 50% (current level only).

ō

Rhinos – Find these for extra rep.

Find all eleven for a special unlock.

past locked doors.

26

27

GU_PC_ManInt 10/11/05 2:00 PM Page 28

BLACK BOOK

Trane’s Black Book
contains Graffiti Legends,
Mission Graffiti, and Credits.
This book is a Graffiti Artist’s life and
is located at the Main Menu.

Use the movement keys or arrow keys to

press Enter to select it. Press Esc to return to the previous menu.
You can also access the Black Book at the Mission Select screen just before

starting a mission.

MISSION GRAFFITI PAGE

Before you begin a level, select graffiti pieces and Freeform Tags you want
Trane to use in the next mission in the Mission Graffiti pages.

The game selects four default pieces in each category for each mission. To
change the default art, press the movement keys to highlight a category and
press Enter to go to that category. (If a category is grayed-out, it means you
haven’t unlocked that type of graffiti yet.)

Pieces Graffiti

At the Pieces page, you can choose pieces that Trane will use on a mission, or use the
pieces already assigned on the train ticket. These are the pieces that Trane uses to bomb
“sweet spots” (see Intuition on page 19). You can select any of the graffiti pieces you’ve
unlocked and carry up to four styles and/or colors.

To change a piece, use the move forward and back keys (W and S) or arrow keys to
select a piece slot and press the Enter key, then choose the type of graffiti you wish to
use (Mural, Roll-Ups, Throw-Ups, Wheat Paste,
Wildstyle) by moving the selector with the arrow
keys and pressing Enter. Use the up and down
arrow keys or the W and S keys to select a piece,
and the left and right arrow keys or the A and D
keys to change the color. Once satisfied with the
piece and color, press
piece. Repeat until all four graffiti slots are filled
(Note that in some levels a graffiti slot may be

Enter to use the selected

move the cursor to highlight an item and

locked, disallowing any changes to the piece selected in that slot.) Press Esc to return
to the previous menu.

Freeform Graffiti

At the Freeform page, you choose the Freeform art
that Trane will use on the next mission. These are the
pieces you use to complete Freeform Challenges (see
Intuition on page 19). There are five Freeform cate­gories:

• Stickers

• Aerosol

• Marker

• Stencils

• Posters

To change a Freeform Tag on the train ticket, use
the arrow keys or the move forward and back keys
(W and S) to highlight a graffiti slot to change, and
press Enter. Select a type of Freeform to use
(Stickers, Marker Tags, Aerosol Tags, Stencils,
Posters), highlight a piece to use, and press Enter
to select it. Repeat until all four graffiti slots are
filled.

As you earn Rep points, you will unlock new pieces and Freeform Tags.

GRAFFITI LEGENDS

Review the unlocked Graffiti Legends pages.

CREDITS

View the game credits.

28

29

GU_PC_ManInt 10/11/05 2:00 PM Page 30

Airborn

Ban2

Blue
CES

Charlie TDK

Chino
Crash

Cycle
Dash
Daze
Delta

Dero
Duel

Duro

Ease

Ewok

Frame

Freedom

Fuzz

Ghost

Iz the Wiz

JA

Jest

Kaves

Kaws

Kel

KET

Mare 139

Know/Wane

Min

Mode2

Noxer

Os Gemeos

Peak Diva

GRAFFITI LEGENDS

When you spot a camera icon,
move Trane to that location, then
press the E key; Trane will take a
picture with his Digital Camera.
Capturing a Graffiti Legend piece
in the game unlocks it in your
Black Book.

Select Graffiti Legends in the
Black Book Main Page to check
out info and art of all unlocked
Graffiti Legends. There are 56
Graffiti Legends whose art you
can find and photograph in the
game:

Phase 2

Pink

Psycho

Quik
Reas
Skuf

Sonic

SP One

Tat’s Cru

Trim

Veefer

Ve n
Wen
West
YMI

Zebster

CREDITS

ATARI

Peter Wyse

EXECUTIVE PRODUCER

Leslie Alviani

SENIOR BRAND MANAGER

Todd Hartwig
Aron Drayer

SENIOR PRODUCER

Keith Hargrove

PRODUCER

Jean-Marcel Nicolai

VICE PRESIDENT OF
PRODUCTION

Bruno Bonnell

CHIEF CREATIVE OFFICER AND
CHIEF EXECUTIVE OFFICER

Peter Wyse

VOICE OVER DIRECTING

John Suytak

VICE PRESIDENT OF BUSINESS
DEVELOPMENT

Marc Metis

SENIOR VICE PRESIDENT OF
MARKETING

Nique Fajors

VICE PRESIDENT OF MARKETING

Steve Tucker

DIRECTOR OF CATEGORY
MARKETING

Eric Horowitz

ASSOCIATE BRAND MANAGER

Martin Currie

VICE PRESIDENT OF CREATIVE
SERVICES

David Leitner

DIRECTOR OF MEDIA

Andrea Schneider

DIRECTOR OF PR

Don Vu

SENIOR WEB AND CRM
MANAGER

Andrew Green

TRAFFIC MANAGER

Red Sheet, LLP – Essex, MA

DOCUMENTATION

Ken Ford

DIRECTOR OF IT AND WEB
STRATEGY

Jason Hartnell

INTERNET DEVELOPMENT
GROUP

John Suytak

V.P. OF BUSINESS
DEVELOPMENT

Todd Curtis

VICE PRESIDENT,OPERATIONS

Eddie Pritchard

DIRECTOR OF MANUFACTURING

Gardnor Wong

SENIOR BUYER

Lisa Leon

LEAD SENIOR BUYER

Tara Moretti

MANUFACTURING BUYER

Wim Stocks

EXECUTIVE VICE PRESIDENT,
NORTH AMERICAN SALES

Maleea Barnett

VICE PRESIDENT,NORTH
AMERICAN SALES

Christine Fromm

NATIONAL CHANNEL
MARKETING MANAGER

Joy Schneer

DIRECTOR, STRATEGIC
RELATIONS

Cecelia Hernandez

SR. MANAGER, STRATEGIC
RELATIONS

Arthur Long

STRATEGIC RELATIONS
SPECIALIST

Dave Strang

ENGINEERING & COMPATIBILITY
LAB MANAGER

Ken Edwards

ENGINEERING SPECIALIST

Eugene Lai

TECHNICIAN

Dan Burkhead

TECHNICIAN

Patricia-Jean Cody

COMPATIBILITY LEAD

Chris McQuinn

COMPATIBILITY ANALYST

Cuong Vu

COMPATIBILITY ANALYST

Ezequiel “Chuck” Nunez

MANAGER OF PUBLISHING
SUPPORT

Jason Cordero

Q.A. SUPERVISOR

Jeffrey L. Loney

Q.A. PROJECT LEAD

Jesse Woodward
Randy Nguyen
John ‘Alex” Mack
Michael Yim

ASSISTANT LEADS

Sam Mansour
Phil Dickerson
Paul Phillips
Richard Garcia
Chad Eatinger
John Fu
Victor Kim
Justin Rybij
Anthony Adams
Phil Farkalay
Mark Alibayan
Kimo Pamintuan
Tom Reposa
Allen Valenzuela
Robert Tibbets
Don Tran
Jung Park
Lee Bendo
Bryce Ericson
Bobby Schneider
Duong Nguyen
Marc Mangum
Ceaser Samonte
David Gomez
Aldrin Daligcon
Guy Romhild
Glad Pappelero
Jesse Thurman
Mia Pelayo
Kyle Iufer
Dat Tu
Alvaro Melaro
Brian Salwesser
Daniel Burns
Carrie Greenler
Carl Vogel
Juan Jaime Moreno

TESTERS

30

31

GU_PC_ManInt 10/11/05 2:00 PM Page 32

SPECIAL THANKS

Heather Thompson
Tara Bruno
HighWater Group
Code & Theory
RedSheet, LLP, Essex, MA
the truth

Yukako Inoue and Sona
Terry "Bubblegum" Hererra
Kyle Peschel
Chris Hepburn, Forward Never
Straight

MANUAL DESIGNED BY:

Code & Theory

ART DIRECTOR

Brandon Ralph
Dan Gardner

Jeremy Davis
Chris Delia
Mark Forscher

CREATIVE DIRECTOR

Brandi Tufenkjian

PROJECT MANAGER

VIDEO & DOCUMENTARY BY:

g-NET Media, LLC

ECKO UNLTD.
GAMES

STORY AND CREATIVE
DIRECTION BY

Marc Eck

ō

EXECUTIVE PRODUCER

Marc Eck

ō

Shawn Rosen

PRESIDENT OF ECKO UNLTD.

Seth Gerszberg

SR. VICE PRESIDENT OF ECKO
UNLTD. GAMES

Mike Lynch

DIRECTOR OF GAME DESIGN/
VOICE-OVER CONSULTANT

Marc Fernandez

ART DIRECTOR

Mike Evans

ASSOCIATE PRODUCER

Geno Betancourt

ECKO MARKETING

VICE PRESIDENT ENTERTAIN­MENT MARKETING

Raphie Aronowitz

VICE PRESIDENT ECKO
MARKETING

Rob Weinstein

DIRECTOR CORPORATE
COMMUNICATIONS

Clint Cantwell

SENIOR DIRECTOR
ENTERTAINMENT MARKETING

Chris Barnett

GETTING UP MARKETING
MANAGER

Miryam Reinitz

LEAD GRAFFITI/ENVIRONMENT
CONSULTANT

Alan Ket

ADVERTISING DIRECTOR

Brigitte Contre

ENTERTAINMENT MARKETING
MANAGER

Monica Dozier

WEBSITE MANAGER/EDITOR

Shahendra Ohneswere

SENIOR ENTERTAINMENT MAR­KETING ADMINISTRATOR

Ruth Wood

ECKO CREATIVE SERVICES

CREATIVE SERVICES PROJECT
MANAGER

Mitch Del Valle

LEAD ARTIST OF MARKETING
AND PACKAGING DESIGNS

Brian Mackin

GRAPHIC DESIGNER

Romeo Tehngal

GETTING UP CLOTHING/
STYLE GUIDE

Max Vogel
Kimou Meyer
John Dunzelman
Eli Reinitz
Pete Christopherson
Christian Jaquet

EXECUTIVE ASSISTANTS

Jessica Munger
Lindsey Calem

ECKO LEGAL ADVISOR

Elliott Brown

GETTING UP LOGO DESIGN

Malcolm Buick

GETTING UP MUSIC

EXECUTIVE PRODUCERS MUSIC

Marc Eck

ō

Sean “Diddy” Combs

MUSIC SUPERVISOR

Francesca Spero

CREATIVE SUPERVISOR

Corey Smyth

MUSIC CONSULTANT

Neil “NICE” Whiting
Lindsay Rodman

CHARACTER THEME MUSIC

created by RJD2 (for inquiries,
contact rjd2management@hot­mail.com)

Midori Nishijima
Deborah Manis Gardner
Doug Davis
Amaechi Uzoigwe
Jeff Gandell
Joe Carlone

Q DEPARTMENT

LOADING SCREEN
PHOTOGRAPHY

Noel Spirandelli

REFERENCE PHOTOGRAPHY

Jen Galatioto
Ken Eiken
Sarah Stetmiller

THE COLLECTIVE

EXECUTIVE STAFF

CREATIVE DIRECTOR,VP

Richard Hare

VP OF DEVELOPMENT

Gary Priest

VP OF PRODUCTION

Doug Hare

DIRECTOR OF TECHNOLOGY

Nathan Hunt

CONSOLE TECHNICAL DIRECTOR

William Chen

PROJECT LEADS

SENIOR PRODUCER

Rick Watters

PRODUCER

Marwan Abderrazzaq

LEAD ARTIST

Brian Horton

LEAD DESIGNER

John Manley

LEAD PROGRAMMER

Kevin Christensen

LEAD ANIMATOR

Ed Schofield

LEAD SCRIPTER

Noah Tool

LEAD LEVEL DESIGNER

Rudy Pollorena Jr.

LEAD TOOLS PROGRAMMER

Jason King

PRODUCTION

PRODUCTION ASSISTANTS

Ron Allen
Chris Impola
Brian Zenns

ART TEAM

ANIMATION

John Behrns
Jason Hall
Danny Ho
Jamaal Bradley

CHARACTERS

Nghia Lam
Kenzie Lamar

VISUAL EFFECTS

Eric Greenlief
Mark Bergo

ENVIRONMENT ART

Everardo Acosta
Jaehoon Chun
J.R. Register
Bobby Rice
Danny Tamez
Mehran Torgoley
Susan Won

SHELL/HUD

Dan Mycka

DESIGN TEAM

COMBAT DESIGN AND
SCRIPTING

John "Doughboy" Bautista
Dave Hall
John Watson
Preston Whitney

LEVEL DESIGN

John Epp
Rick Huenink
Joseph “INVIS” Mauke
Ian Miller
Mike Pirozzi
Brian Smith

AUDIO

J.P. Walton
Josh Jones
Alain Larose

TOOLS AND TECHNOLOGY

ASSISTANT PRODUCER

Amy Kong

CORE GAMEPLAY
PROGRAMMING

Kurt Arnlund
Jason Boyle
Colin Byrne
Kevin Jenkins
Darren Walker
Dustin McCartney

CORE TECHNOLOGY

David Mark Byttow
Justin Chin
Neil Devine
Zhenping Guo
Robert Slater
Eubank Wang
Zhongshan Zhang
Emil Dotchevski

TOOLS PROGRAMMERS

Mason McCuskey

ADDITIONAL GAME DESIGN AND
CHARACTER GAMEPLAY
PROGRAMMING BY:

CrunchTime Games Inc.
DJAMES Goddard

SUPPORT STRUCTURE

VP, CHIEF FINANCIAL OFFICER

Steve Sardegna

SYSTEM ADMINISTRATOR

Daniel Salzedo

NETWORK SUPPORT ENGINEER

Erick Ocampo

ADMINISTRATIVE

Wanda Carlow
Shelley Campion

HUMAN RESOURCES

Karen Powers

ADDITIONAL SUPPORT

ADDITIONAL PRODUCTION

Victor Rodriguez

ADDITIONAL SCRIPTING

Anthony Doe

ADDITIONAL LEVEL DESIGN

Temara Schulze

ADDITIONAL ANIMATION

Paul Belmore

ADDITIONAL ENVIRONMENT ART

Matt Olson

ADDITIONAL PROGRAMMING

Rachid El Guerrab
Jean-Louis Clement
Randy Culley
Baback Elmieh
Ryan Greene
Stephen Martin
Michel De Messieres
Vincent Scheib
Tammy Yap
Jun Zhang

32

33

GU_PC_ManInt 10/11/05 2:00 PM Page 34

GETTING UP
GRAFFITI

STILL FREE CREW

TRANE’S GRAFFITI:

Tony SUB Curanaj

ADDITIONAL TRANE
GRAFFITI:

Ewok
Dan Funderberg
DOC
STAK
NOAH
KEL
KET
TEST ONE
Todd Carosielli
Raul Gamboa “Frame”
Banksy
Geno Betancourt

KRY1 GRAFFITI

Dan Funderberg

WHITE MIKE

Ewok

VANDALS OF NEW
RADIUS

GABE’S GRAFFITI

Scien and Klor - 123KLAN
Ghost
KET
TEST ONE

SPLEEN’S GRAFFITI

Min One

DIP’S GRAFFITI

Doc TC5

WRONG WAY
ASSASSINS

STAKE’S GRAFFITI

Ewok

CUDA’S GRAFFITI

Ewok

DECOY’S GRAFFITI

Scien and Klor - 123KLAN
AMMIRATI
BANKSY

GRAFFITI ARTISTS

Airborn
Ban2
Banksy

Blue
CAV
CES
Charlie DTK
Chino
Cope2
Crash
CRO
Cycle
Dash
Daze
Delta
Dero
DIVA
DOC TC5
Duel
Duro
Ease
Ewok
Ezo
Frame
Freedom
Futura
Fuzz
Ghost
Iz the Wiz
JA
Jest
Kaves
Kaws
Kel
Ket
Klor 123 klan
Know
Min
Mode2
Mare139
Montana Writer Team (Atom,
Can2, Kent, Dash, Smash)
Nic One
Noah
Noxer
Obey/Shepard Fairey
Os Gemeos
Peak
Persue
Phase 2
Pink
Quik
Reas
Scien 123 klan
Seen
SENTO
Skuf
Smith
Stak
Sub

34

Sonic
Superblast
SP One
Tat’s Cru
T-Kid
Trim
Veefer
Ven
Virus
Wen
West
YMI crew
Zebster

SPECIAL THANKS

Seth Gerszberg
Marci Tapper

ō

Allison Eck
John Sutyak
Wim Stocks
Effy Zinkin
Harold Jennett
Kimou Meyer
Todd Carosielli
Zoran Miller
Ket
BANKSY
Ridwan
T.Eric Monroe
Randy Wells
Lori Earley
Guy Burwell
Chris Pape
Josh Rochlin
Vincent Mayta (Story and
Character Consulting)
Max Vogel (Early environment
concepts)
Ryan O’leary
John lee
Cristina Calotta
Luis Cruz
Stan Sang
Andi Calotta
Ruby Millien
Jeffrey Fredrick
CBGB’s
ALIFE
Montana Paint Germany
Astor Place Hair Cutters
SOB’s
SCRAPYARD
THE TRUTH
APPLE
NOKIA
PNB Nation
Ammirati
Writer’s Bench

STATE YOUR NAME
BTS
Vince “Vinny” Pacifico - VISTA
FOOD EXCHANGE, INC.
Christian Wiseman
Millie Hysu
Karen Lamberton
Rich Kleiman
Rod Kottler
Barbie Baylis
Dina LaPolt
Rich Newman
Will Fulton
Diana LaPointe
Nick Guarino
Suzanne Moss
Jane Ventom
Stacey Neisig
Sal Principato
Bohannon
Jim David
Melissa Munana
Wolfgang Frank
Bob Harding
Charlie Ahearn
Deborah Hicks
Iris Torres
Nasheim Myrick
Michael Weiss
Madeline Smith
Sean McGraw
Jennifer Showalter
Scott Gardner
Tanya Bridges
Justin Kay
Peter Christopherson
Miguel Torres
James Goddard
ACKER
SUPER POSITION
SITE
LOW RIDER
LAPS
JEST
IRAK
GROTESK
2ÈME FOURNÉE
Jessica Munger
Jeff Staple
Beno and Braden from Velvet
Hammer
Angie Aguirre
Scott Felcher
Evan Freifeld
Wayne Barrow
Voletta Wallace
Faith Evans
Adam Kaplan
Bert Padell

Domingo Padilla and Mecca QN5
Jeff Burroughs
Marcus Thomas
Knox
Robinson
Maria Gaztambide
Marc Underwood
Scott Solasz MASTER
PURVEYORS, INC.
Munir Hadaad
Steve Marcus
Jen Cho
PSYOP CREW: Eben Mears, Elbra
Beitsayad, Editor, Jed Boyar,
Jaime Aguirre, Joerg Liebold,
Hae-jin Cho, Daniel
Piwowarczyk, Pal Moore, Todd
Akita, Chris Bach, Alvin Bae,
Laurent Barthelemy, Pakorn
Bupphavesa, Adam Burke, Gerald
Ding, Sean Eno, Kevin Estey,
Domel Libid, Joerg Liebold, Brett
Purmal, Carlos Sandoval, Sandor
Toledo, Marko Vukovic, Florian
Witzel, Eric Finkelman, Joe
Vitale, Benjamin Chan,
Metricminds

“TOO COLD”

Roots Manuva
Written by Rodney Smith /
Rodney Lamb / Andrew Ross
Published by Chrysalis Songs
(BMI)
(R. Smith/R. Lamb/A. Ross)
Produced by Roots Manuva/Easy
Access Orchestra
Additional production and
arrangement by Steve Dub and
Roots Manuva
Backing vocals: Hazel Sim
Bass: Limmie Snell
Cuts: DJ MK
All other instruments: Ralph
Lamb
Published by Chrysalis Music
© Big Dada 2005
taken from the album ‘Awfully
Deep’ (BD072/CD072)

“VERSION 78 STYLE”

Artist Glen Brown
Written by Glenmore Brown
Published by Red Hills Music
Limited
Produced by Glen Brown
Licensed Courtesy of Blood and
Fire Limited

35

“BOXCUTTER EMPORIUM
PART 2”

by Sixtoo:
(R. Squire)
Produced by Sixtoo
Published by Just Isn’t Music
© Ninja Tune 2004
taken from the album ‘Chewing
On Glass & Other Miracle Cures’
(ZEN 86/CD86)

“AURAL PROSTITUTION”

by DJ Vadim
(V.Peare)
Produced by DJ Vadim
Published by Just Isn’t Music
© Ninja 1995
taken from the album ‘USSR
Repertoire’ (ZEN 25/CD25)
“Helicopter”
By Bloc Party ISRC:
GBDNH0400364 Time: 00:03:42
Written by Bloc Party. Published
by EMI Music Publishing Ltd
Produced by Paul Epworth.
Additional production by Eliot
James. Mixed by Rich Costey.©

P 2004 Bloc Party, under exclu-

sive license to Wichita
Recordings. Marketed and dis­tributed by V2 Music. Licensed
courtesy of V2 Music Limited.
Taken from the album “Silent
Alarm”.
Performed by Bloc Party
Courtesy of Bloc Party under
exclusive license to Vice Music
Inc. By arrangement with Warner
Strategic Marketing
Bloc Party under exclusive
license to Vice Music, Inc.
By Kele Okereke, Russell
Lissack, Gordon Moakes and
Matt Tong
Published by EMI Blackwood
Music Inc.

P 2005

GU_PC_ManInt 10/11/05 2:00 PM Page 36

“MOTION 2000”

by Polyrhythm Addicts
Master Usage Licensor: Nervous,
Inc.
Synch Usage Licensor: MJJN LLC
Writers: Corey Roberts/Apani
Smith/Marcus Vialva/Vincent
Williams, Jr.
Publishers: Illmental Music,
Synistas Voicez Music, ABMC
Muzik International, Core Cords
Music, all administered by MJJN
LLC d/b/a Two Twenty Four
Music
Motion 2000 by Polyrhythm
Addicts used courtesy of Nervous
Inc.

“Follow The Leader”
(samples “Nautilus”)
Words and Music by Bob James,
Eric Barrier and William Griffin
Published by Spirit Two Music,
Inc. o/b/o Remidi Music (ASCAP)
and EMI Blackwood Music, Inc.
(BMI)
All rights reserved Used by per­mission
FOLLOW THE LEADER

“MOUNTAIN SONG”

by Jane’s Addiction
Courtesy of Warner Bros. Records
Inc.
By arrangement with Warner
Strategic Marketing

P 1988 Warner Bros. Records

Inc.
By EricAvery, Perry Farrell,Dave
Navarro and Stephen Perkins
Published by EMI BLACKWOOD
MUSIC INC.

“CATCH A BAD ONE”

Performed by Del Tha Funkee
Homosapien
Courtesy of Elektra Entertainment
Group
By arrangement with Warner
Strategic Marketing

P 1993 Elektra Entertainment

Group
(Jones, Owens)
50% Zomba Songs, Inc. (BMI)
o/b/o Eighty Second Sounds©

“CLUB FOOT”

Performed by Kasabian
Written by Sergio Pizzorno and
Christopher Karloff
Published by EMI BLACKWOOD
MUSIC INC.
Courtesy of the RCA Records
Label
By Arrangement with SONY BMG
MUSIC ENTERTAINMENT

“BOOK OF JUDGES”

performed by Pharoahe Monch
By Troy Jamerson and Will Fulton
Published by EMI BLACKWOOD
MUSIC INC.
Lyrics: Pharoahe Monch
Produced by: ILL Will Fulton &
Shiner Massive
(T.Jamerson, W. Fulton)
Trescadecaphobia Music, EMI
Music Publishing (BMI); Shiner
Massive Music(ASCAP)
Pharoahe Monch appears cour­tesy of Geffen Records

“MY PEOPLE HOLD ON”

By Leonard Caston and Anita
Poree
Published by STONE AGATE
MUSIC (A DIVISION OF JOBETE
MUSIC CO., INC.)
Performed by Eddie Kendricks

P 1972 Motown Records, a

Division of UMG Recordings, Inc.
Courtesy of Motown Records
under license from Universal
Music Enterprises

“WHO SHOT YA”

By Sean Combs, Christopher
Wallace, Nashiem Myrick,Allie
Wrubel and Herb Magidson
Published by EMI APRIL MUSIC
INC.
Constructed, remixed, and pro­duced by Serj Tankian from
System of a Down
©1999 BERNHARDT MUSIC
(ASCAP), MUSIC SALES CORP.
(ASCAP),
EMI APRIL MUSIC INC. (ASCAP),
JUSTIN COMBS PUBLISHING INC.
(ASCAP),
BIG POPPA MUSIC (ASCAP) &
TOP OF NEW YORK (ASCAP)
ALL RIGHTS ON BEHALF OF
BERNHARDT MUSIC (ASCAP)
ADMINISTERED BY WB MUSIC
CORP. (ASCAP)
{CONTAINS SAMPLE FROM “I’M
AFRAID THE MASQUERADE IS
OVER” BY HERBERT MAGIDSON
& ALLIE WRUBEL, WB MUSIC
CORP. O/B/O BERNHARDT MUSIC
(ASCAP)}
ALL RIGHTS RESERVED. USED
BY PERMISSION.

“SUBWAY THEME”

from the Wild Style soundtrack
Scratch Mixed by Grand Wizard
Theodore
written by Fred Brathwaite
published by Mad Monkey Music
courtesy of Pow Wow
Productions

“WANTED”

performed by Rhymefest featur­ing Samantha Ronson
Written by M. Ronson, S. Ronson,
C. Smith
INOUYE (BMI), Black Hand
Entertainment/BMG Songs
(ASCAP), Samantha Ronson
(ASCAP)
Produced by Mark Ronson for
Allido Sound
Rhymefest appears courtesy of
J-Records
45% BMG Songs, Inc. (ASCAP)
o/b/o Solomon Ink

“CLIK, CLAK, AND SPRAY”

performed by PackFM
Written by O. Tull, W. Polk
QN5 Music (ASCAP), FMania
Inc (ASCAP)
Produced by Deacon the Villain
of CunninLynguists

“GETTING UP ANTHEM:
PART 1”

performed by Rakim and Talib
Kweli
Written by TK Green, W.
Griffith, H. Charlemagne
Penskills Music administered
by Songs of Windswept
Pacific/BMI, Notting Hill Music
(BMI) obo Johnny Handsome
Music (BMI)
Produced by Charlemagne of
Johnny Handsome
Entertainment, Inc./Relentless
Management featuring TagYerit
Talib Kweli appears courtesy of
Blacksmith Music/Warner
Music

“SINNERMAN”

Performed by Nina Simone
Courtesy of The Verve Music
Group under license from
Universal Music Enterprises
(Trad.Adapt by Nina Simone)
©1965 (RENEWED) WB MUSIC
CORP. (ASCAP)
ALL RIGHTS RESERVED. USED
BY PERMISSION.

“SHOOK ONES PT. 1”

Performed by Mobb Deep
(Muchita, Johnson)
100% BMG Songs, Inc.
(ASCAP) o/b/o Juvenile Hell
Publishing, Careers ­BMG Music Publishing, Inc., P.
Noid Publishing
Courtesy of the RCA Records
Label
By Arrangement with SONY
BMG MUSIC ENTERTAINMENT

“SURVIVAL OF THE
FITTEST”

Performed by Mobb Deep
(Muchita, Johnson)
100% BMG Songs, Inc.
(ASCAP) o/b/o Juvenile Hell
Publishing, Careers ­BMG Music Publishing, Inc., P.
Noid Publishing
Courtesy of the RCA Records
Label
By Arrangement with SONY
BMG MUSIC ENTERTAINMENT

“I SMELL A RAT”

performed by Big Mama
Thornton
Courtesy of Geffen Records
under license from Universal
Music Enterprises
Published by Songs of
Universal, Inc. (BMI)

“SAVE THEIR SOULS”

by Bohannon
written by Hamilton Bohannon
Published by Ponte Verde
Music

“CAVERN”

by Liquid Liquid
Written by Hartley, McGuire,
Principato ,Young
Published by Liquid Liquid
Publishing
Performed by Liquid Liquid

P 1995 A&M Records Ltd.

Courtesy of Universal-Island
Records Ltd. under license
from Universal Music
Enterprises and Liquid Liquid

“THERE THEY GO”

By Fort Minor
All music by Mike Shinoda.
Kenji Kobayashi Music/Zomba
songs Inc. BMI.
Lyrics by Mike Shinoda. Kenji
Kobayashi Music/Zomba songs
Inc. BMI. and Sixx John 913
Music ASCAP

“CHIN HIGH”

Roots Manuva
Written by Rodney Smith /
Rodney Lamb / Andrew Ross
Published by Chrysalis Songs
(BMI)
(R. Smith/R. Lamb/A. Ross)
Produced by Roots
Manuva/Easy Access Orchestra
Additional production and
arrangement by Steve Dub and
Roots Manuva
Published by Chrysalis Music
© Big Dada 2005

“DULCE’S THEME”

by DJ Nature featuring Tek
One and Velcro
Published by Ghetto Arc
Publishing

“BOMBA’S THEME”

by DJ Nature featuring Tek
One and Velcro
Published by Ghetto Arc
Publishing

“WALK ON BY”

by Isaac Hayes
written by Hal David and Burt
Bacharach
1964 (Renewed) New Hidden
Valley Music Company (ASCAP)
and CASA DAVID Music
Company (ASCAP)
All Rights on behalf of New
Hidden Valley Music Company
Administered by WB Music
Corp.
All Rights Reserved, Used by
Permission

“AULD LANG SYNE”

Public Domain, Q Department
Thomas Rusiak - Song title:

Throne of Redemption –
INSTRUMENTAL ONLY
Artist: Thomas Rusiak
Written, produced and
arranged by Thomas Rusiak.
Published by LED Songs /
Universal Music Publishing
Scandinavia.
Track time: 03.42

36 37

GU_PC_ManInt 10/11/05 2:00 PM Page 38

MARK ECKO’S SPECIAL THANKS

Marc Eckō would like to Thank: Bruno Bonnell and the entire Atari
organization for giving me the opportunity to make this a reality, The
Collective for doing so much heavy lifting and dealing with a
“newbie” like me,Attitude Studios and Antoine and Tarik for “getting
it,” John Sutyak for rallying the project,Peter Wyse and team,Wim
Stocks, Mike Lynch and the entire overworked Eck
my partners Seth and Marci for being heaven sent,The entire M.E.E.
Family, Ket for helping shape the dream and teach, Corey Smyth,
Neil Nice, RJD2, Talib Kweli, Raphie and the entire left coast fam,
Diddy, Fran, Psycho, Kimou Meyer, Harold Jennett, Munir Haddad,
Glu Wireless, Code and Theory, Psyop, MTV, Ammirati, Sub, Cope2,
Lady Pink, Crash, Daze,T-Kid, JA, Futura, Shepard Fairey, Seen, Ewok,
West, Smith, Skuf, S.Y.N. Project, Noxer, Anyone who dreams in graf­fiti, Every individual whose out there elevating the playing field,Every
outsider, Peter Vallone and all the talking heads that want to blame
videogames for the world’s problems.

ō

Gaming team,

Marc Eckō

3938

GU_PC_ManInt 10/11/05 2:00 PM Page 40

ATARI WEB SITES

To get the most out of your new game, visit us at:

atari.com/us

If you would like to chat with other gamers, as well as developers, visit our Community
Forum area at:

ataricommunity.com

Kids, check with your parent or guardian before visiting any web site.
Chat Messages: Atari does not monitor, control, endorse, or accept responsibility for the content of

chat messages. You are strongly encouraged not to give out identity or other personal information
through chat message transmissions. Kids, check with your parent or guardian if you are concerned
about any chat you receive.

Use of Atari web sites is subject to terms and conditions, which you can access at:

atari.com/us/tos

TECHNICAL SUPPORT (U.S. & Canada)

HELP VIA THE INTERNET

Up-to-the-minute technical information about Atari products is generally avail­able 24 hours a day, 7 days a week via the Internet at:

atarisupport.com

Through this site you’ll have access to our FAQ (Frequently Asked Questions)
documents, our FTP (File Transfer Protocol) area where you can download
patches if needed, our Hints/Cheat Codes if they’re available, and an Email
area where you can get help and ask questions if you do not find your answers
within the FAQ .

Note: In the event we must send you a Hint Sheet, FAQ document, patch or
update disc via Email, we may require verifiable consent from a parent or
guardian in order to protect children’s privacy and safety online. Consent Forms
are available at the web site listed above.

HELP VIA TELEPHONE IN THE UNITED STATES &
CANADA

For phone assistance, call Atari Technical Support at [phone]. Our
Interactive Voice Response system is generally available 24/7, providing auto-

mated support solutions immediately.
Great News! We’ve improved our Automated Systems so that you can get prod-

uct-specific Troubleshooting help more quickly. All you need to do is enter the
product’s Part # when prompted to do so. This will take you directly to all of
our known issues and solutions for this title. The product’s Part # is located in
several places (on the CD label, package and/or plastic disc case) and is usually
identified by a number such as 04-12345. When prompted by the Automated
System, enter the last five digits of your product’s Part #. (For example, Part #
04-12345 would require that you enter the “12345” portion of the number for
that product.) Note: Some products simply feature a five-digit Part # without an
“04-” prefix.

Live support is generally available Monday through Friday, 8:00 AM until 6:00
PM (Pacific Time). Note: We may be closed on major holidays.

40

41

GU_PC_ManInt 10/11/05 2:01 PM Page 42

Before making your call, we ask that you be at your computer, have the fol­lowing information available, and be ready to take notes:

• System Make and Model

• Processor Type

• Operating System, including version number if possible (such as Windows
98; Windows®Me)

• RAM (Memory)

• Video and sound card data and drivers

• Any screen or error messages you’ve encountered (and where)

PRODUCT RETURN PROCEDURES IN THE
UNITED STATES & CANADA

In the event our technicians at [phone] determine that you need to for­ward materials directly to us, please include a brief letter explaining what is
enclosed and why. Make sure you include the Return Merchandise
Authorization Number (RMA#) supplied to you by the technician, and your
telephone number in case we need to call you. You will receive the mailing
address when the technician gives you the RMA#. Any materials not contain­ing this RMA# will be returned to you unprocessed.

WARRANTY POLICY IN THE UNITED STATES &
CANADA

If our technicians determine that the product storage medium is found to be
defective within ninety (90) days of original purchase, (unless otherwise pro­vided by applicable law), Atari will replace the item free of charge, to the
original purchaser, if the item is accompanied by the original dated receipt
and packaging.

42

END-USER LICENSE AGREEMENT

IMPORTANT — READ CAREFULLY: Please be sure to carefully read and under­stand all of the rights and restrictions described in this End-User License Agreement
(“EULA”).

®

AGREEMENT

This document is an agreement between you and Atari, Inc. and its affiliated companies
(“Company”). The enclosed software game disc(s), cartridge or Game Pak (“Software”)
and any accompanying printed materials are licensed to you only on the condition that
you accept all of the terms contained in this EULA.

By opening this package and installing or otherwise using the Software you agree to be
bound by the terms of this EULA. If you do not agree to the terms of this EULA you
may not install or use the Software and within 15 days of purchase you must call the
Tech Support telephone number listed in the manual accompanying the Software (the
“Manual”). Select the Automated Phone System’s Main Menu option for Consumer
Services and follow the prompts.

You will be given a Return Merchandise Authorization number (RMA #) by the technician.
You then have 15 days from the date of this contact to return the Software in its protective
covering, the Manual and the original sales invoice to the address supplied to you.

If this is a PC product, when you install the Software you will be asked to review and
either accept or not accept the terms of the EULA by clicking the “I Accept” button. By
clicking the “I Accept” button you acknowledge that you have read the EULA, under­stand it and agree to be bound by its terms and conditions.

COPYRIGHT

The Software is protected by copyright laws and international copyright treaties, as well
as other intellectual property laws and treaties. All title and copyrights in and to the
Software (including but not limited to any images, photographs, animations, video,
music, text and “applets” incorporated into the Software) and any printed materials
accompanying the Software are owned by the Company or its Licensors.

GRANT OF LICENSE

The Software is licensed and not sold to you and its use is subject to this EULA. The
Company grants you a limited, personal, non-exclusive license to use the Software in the
manner described in the user documentation. The Company reserves all rights not
expressly granted to you in this EULA.

PERMITTED USES

1. If the Software is configured for loading on a hard drive, you may install and
use the Software on a single computer.

2. You may make and maintain one copy of the Software for backup and
archival purposes, provided that the original and copy of the Software are
kept in your possession.

3. You may permanently transfer all your rights under this EULA, provided you
retain no copies, you transfer all of the Software (including all component
parts, the media and printed materials and any upgrades) and the recipient
reads and accepts this EULA.

RESTRICTIONS

1. You may not delete or obscure any copyright, trademark or other proprietary
notice on the Software or accompanying printed materials.

43

GU_PC_ManInt 10/11/05 2:01 PM Page 44

2. You may not decompile, modify, reverse engineer, disassemble or otherwise
reproduce the Software.

3. You may not copy, rent, lease, sublicense, distribute, publicly display the
Software, create derivative works based on the Software (except to the extent
expressly permitted in the Editor and End-User Variation section of this
Agreement or other documentation accompanying the Software) or otherwise
commercially exploit the Software.

4. You may not electronically transmit the Software from one computer, console
or other platform to another or over a network.

5. You may not use any backup or archival copy of the Software for any pur­pose other than to replace the original copy in the event it’s destroyed or
becomes defective.

EDITOR AND END-USER VARIATIONS

If the Software includes a feature that allows you to modify the Software or to construct
new variations (an “Editor”), you may use such Editor to create modifications or
enhancements to the Software, including the construction of new levels (collectively the
“Variations”), subject to the following restrictions. Your Variations: (i) must only work
with the full, registered copy of the Software; (ii) must not contain modifications to any
executable file; (iii) must not contain any libelous, defamatory or other illegal material,
material that is scandalous or invades the rights of privacy or publicity of any third
party; (iv) must not contain any trademarks, copyright-protected work or other property
of third parties; and (v) may not be commercially exploited by you, including but not
limited to making such Variations available for sale or as part of a pay-per-play or time­sharing service.

TERMINATION

This EULA is effective until terminated. You may terminate this EULA at any time by
destroying the Software. This EULA will terminate automatically without notice from
the Company if you fail to comply with any provisions of this EULA. All provisions of
this EULA as to warranties, limitation of liability, remedies and damages will survive
termination.

LIMITED WARRANTY AND DISCLAIMER OF WARRANTIES

You are aware and agree that use of the Software and the media on which is recorded is
at your sole risk. The Software and media are supplied “AS IS.” Unless otherwise pro­vided by applicable law, the Company warrants to the original purchaser of this product
that the Software storage medium will be free from defects in materials and workman­ship under normal use for ninety (90) days from the date of purchase. The warranty is
void if the defect has arisen through accident, abuse, neglect or misapplication. If the
Software fails to conform to this warranty, you may at your sole and exclusive remedy,
obtain a replacement free of charge if you return the defective Software. Follow the
Product Return Procedures described in the Manual. The Company does not warrant
that the Software or its operations or functions will meet your requirements, or that the
use of the Software will be without interruption or error.

TO THE FULLEST EXTENT PERMISSIBLE UNDER APPLICABLE LAW,
EXCEPT FOR THE EXPRESS WARRANTY SET FORTH ABOVE, THE COM­PANY DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING
AND WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MER­CHANTABILITYAND FITNESS FOR A PARTICULAR PURPOSE AND NON­INFRINGEMENT. EXCEPT FOR THE EXPRESS WARRANTY SET FORTH

ABOVE, THE COMPANY DOES NOT WARRANT, GUARANTEE OR MAKE
ANY REPRESENTATION REGARDING THE USE OR THE RESULTS OF THE
USE OF THE SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY,
RELIABILITY, CURRENTNESS OR OTHERWISE. SOME JURISDICTIONS
DO NOT ALLOW THE EXCLUSION OF OR LIMITATIONS ON IMPLIED
WARRANTIES, SO THE ABOVE EXCLUSIONS AND LIMITATIONS MAY NOT
APPLY TO YOU.

LIMITATION OF LIABILITY

IN NO EVENT WILL THE COMPANY OR ITS EMPLOYEES OR LICENSORS
BE LIABLE FOR ANY INCIDENTAL, INDIRECT, SPECIAL, CONSEQUEN­TIAL OR PUNITIVE DAMAGES, OR ANY DAMAGES WHATSOEVER
(INCLUDING, WITHOUT LIMITATION, DAMAGES FOR INJURY TO PER­SON OR PROPERTY, FOR LOSS OF PROFITS, BUSINESS INTERRUPTION,
LOSS OF BUSINESS INFORMATION, LOSS OF PRIVACY, FAILURE TO
MEET ANY DUTY AND NEGLIGENCE) ARISING OUT OF OR IN ANY WAY
RELATED TO THE USE OR INABILITY TO USE THE SOFTWARE, EVEN IF
THE COMPANY OR AN AUTHORIZED REPRESENTATIVE OFTHE COMPA­NY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. SOME
JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF LIABILITY FOR
INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE EXCLU­SION MAY NOT APPLY TO YOU.

IN NO EVENT WILL THE LIABILITY OF THE COMPANY FOR DAMAGES
WITH RESPECT TO THE SOFTWARE EXCEED THE AMOUNTS ACTUALLY
PAID BYYOU FOR THE SOFTWARE.

CHOICE OF LAW AND VENUE

This EULA is governed by the laws of the United States of America and the State of
New York, exclusive of its conflicts of law provisions. The exclusive venue for litiga­tion regarding or arising from this EULA is New York County, New York and you agree
to submit to the Jurisdiction of the courts of New York County, New York for any such
litigation.

MISCELLANEOUS

If any provision or portion of this EULA is found to be unlawful, void, or for any reason
unenforceable, it will be severed from and in no way affect the validity or enforceability
of the remaining provisions of the EULA.

This EULA constitutes the entire agreement between you and the Company regarding
the Software and its use.

©2005 Atari, Inc. All Rights Reserved. ©2005 EckōUnltd.

Developed by The Collective. Powered by "Slayer"™.

The Collective name and logo are trademarks of Foundation 9 Entertainment.

Uses Bink Video Technology. Copyright © 1997-2005 by RAD Game Tools, Inc.

10115

44

45

GU_PC_ManInt 10/11/05 2:01 PM Page 46

PC MANUAL BACK COVER