Fender Mustang LT25 Users Manual

EXPANDED OWNER’S MANUAL

CONTENTS

Introduction 1

Control Panel 2

Presets Basics 3

Editing and Saving Presets 4

Accessing Preset Contents 4

Editing and Saving Amplier Control Settings 4

Changing the Amplier Model in a Preset 7

List of Mustang LT25 Amplier Models 8

Editing and Saving Eects Control Settings 9

Replacing, Adding and Deleting Eects 10

Setting Delay Times with the Tap Button 12

List of Mustang LT25 Eect Models 13

Menu Functions 15

Tuner 16

Footswitch 17

Settings 18

Restore 18

Auxiliary Input and Headphone Output 19

USB Port 19

Specications 20

INTRODUCTION

This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang LT25
amplier.

As a complement to the Mustang LT25 Quick Start Guide that comes with each amplier, this manual pres­ents a detailed look at the amp’s versatile features. This includes navigation and modication of the onboard
presets, and comprehensive descriptions of the amplier and eect models. It also includes illustrated step­by-step instructions for using Mustang LT25’s onboard tuner, footswitch, USB port and other functions.

While this expanded manual presents the most current version of the amplier, also check back for updated
manual versions that will serve as even more helpful guides as Mustang LT25 and its capabilities evolve.

Be sure to check fender.com/rmware/support regularly for rmware updates that improve and enhance the
Mustang LT25 experience.

1

CONTROL PANEL

The Mustang LT25 top control panel consists of an INSTRUMENT INPUT, ve CONTROL KNOBS, a DISPLAY
WINDOW, an ENCODER wheel, four UTILITY pushbuttons, a FOOTSWITCH INPUT, an AUXILIARY INPUT (1/8”),
a HEADPHONE OUTPUT (1/8”), a TAP LIGHT and a USB PORT.

A. FOOTSWITCH (“FTSW”): Connect optional single-button footswitch here (page 17).

B. INPUT: Plug instrument in here.

C. AUXILIARY INPUT, HEADPHONE OUTPUT: 1/8” auxiliary input for connecting external audio devices,

and 1/8” output for headphone use (page 19). Headphone output disables speaker.

D. GAIN: Aects gain setting in each preset.

E. VOLUME: Aects individual volume of each preset.

F. TREBLE: Aects treble tone setting in each preset.

G. BASS: Aects bass tone setting in each preset.

H. MASTER VOLUME: Controls actual overall volume.

I. DISPLAY WINDOW: Shows preset in use, preset contents and parameters, and other functions (i.e., tuner

and other menu functions).

J. ENCODER: Rotary control with press-switch function. For viewing, selecting and adjusting Mustang LT25

presets, controls and other functions.

K. UTILITY BUTTONS

BACK: Returns user to the previous screen or original preset screen.
SAVE: For saving preset modications, renaming presets and saving presets to a new location.
MENU: For accessing tuner, footswitch and other functions (page 15).
TAP: For setting delay times (page 12) and accessing built-in tuner (page 16).

L. TAP LIGHT: Flashes in time with delay eects.

M. POWER: Turns amplier on and o.

N. USB PORT: Amp connection point for USB audio recording (page 19).

O. IEC POWER INLET (REAR PANEL; NOT SHOWN): Using the included power cord, connect to a grounded

outlet in accordance with the input power voltage and frequency specied at the power inlet.

2

PRESET BASICS

Mustang LT25 features 30 sequentially numbered presets. Each preset consists of an amplier and one or
more eects (or, in some cases, no eects). Note that when turning the amplier on, the default active preset
is always factory preset 01. Further, 20 additional presets are available when using the “REPLACE” feature
(page 7).

To scroll through presets, turn the ENCODER; whichever preset is displayed becomes active:

05

DREAMY

Mustang LT25’s 30 original factory presets are:

01 FENDER CLEAN 11 ROYAL MAJESTY 21 TOUCH WAH

02 SILKY SOLO 12 SUPER ROCK 22 CLASSIC ROCK

03 BLUES LEAD 1 13 SUPER DRYCLEAN 23 POLICE THE AREA

04 VINTAGE TREMOLO 14 POWER PUNCH 24 VH BROWN SOUND

05 DREAMY 15 CLEAN DELAY 25 YOU TOO ANTHEM

06 COUNTRY PICKING 16 ROCK STRUM 26 PINK OF THE MOON

07 STRIPES FUZZ 17 LITTLE CHAMP 27 TORTURED TELE

08 THRASH OVERKILL 18 PHASER SWIRL 28 SKATE PUNK

09 JAZZ AMP 19 60S FUZZ 29 SPACE TRAVEL

10 OCTOBOT 20 MYTHIC CRUNCH 30 ACOUSTIC SIM

Additionally, 20 more presets are available using the “REPLACE” function described on page 7. These are:

31 TAME PSYCH 38 EARLY ZZ 45 BRIGHT PRINCE

32 OLD 15 SPEAKER 39 ANGRY CHAMP 46 DESERT ROCK

33 SURF MUSIC 40 HEAVY SHOEGAZE 47 ROOTS RHYTHM

34 GATED METAL 41 HER RHAPSODY 48 CHOPPY DELUXE

35 ROCK A BILLY 42 BLUES LEAD 2 49 ELECTRIC LOVE

36 POST PUNK 43 MODERN METAL 50 SWEEPING FLANGER

37 DOOM AND GLOOM 44 SLOW SPIN

3

EDITING AND SAVING PRESETS

Presets can be easily edited and, if desired, renamed and saved in place or saved in a dierent location. The
controls of each amplier type can be adjusted, or an amp model can be replaced with a dierent one. Simila­ry, various eects controls can be adjusted, or eects can be removed from or added to a preset.

When a preset is active, the box containing its number is blue, indicating that no edits have been made. Once
an edit is made, the box containing the preset number turns red and the preset title screen will read “UN­SAVED”. When edits are saved, the preset number box returns to blue and the “UNSAVED” title clears.

ACCESSING PRESET CONTENTS

To access the contents of a preset, press the ENCODER. From the top down, the DISPLAY WINDOW will then
show the number and name of the preset, the amplier type in use, and four boxes that organize the eects
used for that preset (if any). These eects category boxes are labeled STOMP (stompbox), MOD (modulation),
DELAY and REV (reverb). When rst accessing preset contents, the preset name and amplier type are high­lighted in blue:

PRESET NAME AND NUMBER

AMPLIFIER TYPE

12 SUPER RO...

AMPLIFIER

80S ROCK

STOMP

MOD

EFFECTS CATEGORY BOXES

DELAY

REV

Select the amp model or one of the eects category boxes by turning and pressing the ENCODER. The active
selection is then highlighted in blue:

12 SUPER RO...

AMPLIFIER

80S ROCK

STOMP

DELAY

MOD

REV

EDITING AND SAVING AMPLIFIER CONTROL SETTINGS

To edit and save individual control settings of a preset’s amplier model, rst select the amp model by press­ing the ENCODER on it. The DISPLAY WINDOW will then show a list of controls for the amp model in use:

12 SUPER RO...

AMPLIFIER

80S ROCK

STOMP

DELAY

MOD

REV

4

80S ROCK

GAIN

VOLUME

TREBLE

BASS

7.3

4.1

5.8

4.5MIDDLE

6.4

There are two ways to adjust an amp control knob setting. A control parameter that corresponds to an actual
physical knob on the control panel can be adjusted simply by turning the physical control knob until the
desired value is reached in the DISPLAY WINDOW. In the example below, the amp model’s TREBLE setting is
adjusted by turning the physical TREBLE control knob on the control panel:

80S ROCK

80S ROCK

GAIN

GAIN

VOLUME

VOLUME

TREBLE

BASS

BASS

7.3

7.3

4.1

4.1

7.9

7.9TREBLE

4.5MIDDLE

4.5MIDDLE

6.4

6.4

Alternately, select a control parameter by turning and pressing the ENCODER; its surrounding box will turn
from blue to red:

80S ROCK

GAIN

VOLUME

BASS

7.3

4.1

5.8TREBLE

4.5MIDDLE

6.4

80S ROCK

GAIN

VOLUME

BASS

7.3

4.1

5.8TREBLE

5.8TREBLE

4.5MIDDLE

6.4

The control can then be adjusted by turning the ENCODER or by turning a corresponding physical control
knob on the control panel (if present*):

80S ROCK

GAIN

VOLUME

BASS

*

7.3

4.1

7.9TREBLE

4.5MIDDLE

6.4

Note that for control parameters such as MIDDLE that have no corresponding physical knob

on the control panel, this is the only method of adjustment.

80S ROCK

GAIN

VOLUME

BASS

7.3

4.1

7.9TREBLE

4.5MIDDLE

6.4

At this point, press the ENCODER or the BACK utility button (green arrow) to accept the adjusted control val­ues. Pressing BACK returns the user to the preset contents screen; pressing the ENCODER lets the user contin­ue making controls setting changes, and the box surrounding the control setting will return to blue. When
control setting edits are complete, press the SAVE utility button to save the changes to the preset.

80S ROCK

GAIN

VOLUME

BASS

7.3

4.1

7.9TREBLE

4.5MIDDLE

6.4

5

IMPORTANT: If edited amp control settings are not saved, the preset will revert to its original amp control
settings when returning to the preset after leaving it, or when turning the amplier o and back on again. To
save edited amp control settings, press the SAVE utility button and use the ENCODER to scroll to one of three
options—SAVE, SAVE AS or REPLACE. Each is detailed below.

SAVE: Keeps an edited preset in the same location with the same name. To do this, press the SAVE utility
button and use the ENCODER to scroll to “SAVE”. Press the SAVE utility button again or press the ENCODER. A
brief “PRESET SAVED!” screen will then ash before returning to the original preset screen:

12

SUPER

ROCK

SAVE

SAVE AS

REPLACE

PRESET SAVED!

SAVE AS: Enables saving an edited preset in a dierent position, with or without a dierent name. To do this, press
the SAVE utility button and use the ENCODER to scroll to “SAVE AS”. Press the ENCODER to access a “CHOOSE SLOT”
list of locations where the preset can be moved. Select a new location by turning and pressing the ENCODER:

12

SUPER

ROCK

SAVE

SAVE AS

REPLACE

CHOOSE SLOT

11 ROYAL M...

12 SUPER RO...

13 SUPER DR...

04 ROCK A B...

14 POWER P...

15 CLEAN DE...

NOTE: When using “SAVE AS”, note that a preset can be moved to a dierent position even if no edits have been made.
Also note that saving a preset to a dierent location permanently deletes the previous contents of the new location.

Whether renaming the preset or not when using “SAVE AS”, a name must be entered by pressing the ENCOD­ER to activate a cursor, then spelling out the name by turning and pressing the ENCODER to scroll through
and select characters. All characters can be cleared by using the ENCODER to scroll to and select “CLEAR ALL”.
When name entry is completed for the new location, save it by pressing the SAVE utility button or by using
the ENCODER to scroll to and select “SAVE”. A brief “PRESET SAVED!” screen will then ash before returning to
the original preset screen:

RENAME

S U P E R _ _ _

O C K _ _ _ _

R

CLEAR ALL

SAVE

PRESET SAVED!

6

REPLACE: Any existing preset can be replaced with another by pressing the SAVE utility button, using the
ENCODER to scroll to and select “REPLACE” and choosing from 50 replacement presets (the 30 factory pre­sets, plus 20 additional presets listed on page 3). After selecting “REPLACE”, use the ENCODER to scroll to any
of the 50 available presets; each one is automatically “previewed” so the user can hear the sound before the
preset is loaded. Press the ENCODER to select the preset, conrm it by using the ENCODER to scroll to and
select “NO CANCEL” or “YES REPLACE” (not shown) and save it in the chosen slot:

02

SUPER

SUPER

ROCK

ROCK

SAVE

SAVE

SAVE AS

SAVE AS

REPLACE

REPLACE

19 / 50

SUPER

ROCK

60S

FUZZ

SAVE

SAVE AS

PRESS SAVE
TO CONFIRM

CHANGING THE AMPLIFIER MODEL IN A PRESET

The amplier model in a preset can be replaced with another one (see list of Mustang LT25 amplier models
on page 8). To do this, acess the contents of a preset by pressing the ENCODER on it; the amp model will

automatically be highlighted. Press the ENCODER again to see a list of controls for the amp model in use; the
name of the amp model appears at the top of this list.

Press the ENCODER once more to activate the amplier replacement function; the box surrounding the amp
name will turn from blue to red, and white arrows will bracket the amp name. Turn the ENCODER to scroll to a
new amp model. Press the ENCODER to accept the amp model change, after which the box surrounding the
amp name will return to blue; or press the BACK utility button accept the amp model change and return to
the preset contents screen:

12 SUPER RO...

AMPLIFIER

80S ROCK

STOMP

DELAY

GAIN

VOLUME

TREBLE

BASS

BURN

BURN

MOD

REV

7.5

5.5

7.0

6.8MIDDLE

6.5

80S ROCK

GAIN

VOLUME

TREBLE

BASS

BURN

GAIN

VOLUME

TREBLE

BASS

7.3

4.1

5.8

4.5MIDDLE

6.4

7.5

5.5

7.0

6.8MIDDLE

6.5

IMPORTANT: If an amplier replacement is not saved, the preset will revert to its original amp type when re­turning to the preset after leaving it, or when turning the amplier o and back on again. To save a preset amp
replacement, follow the SAVE, SAVE AS or REPLACE instructions on page 6 and at the top of this page.

7

MUSTANG LT25 AMPLIFIER MODELS

This table lists the amp models in Mustang LT25. The amp label used in each preset appears in the lefthand
column, followed by the amp type and a brief description in the righthand column.

PRESET AMP LABEL AMP TYPE AND DESCRIPTION

50S TWIN

60S UK CLN

70S ROCK

70S UK CLN

80S ROCK

90S ROCK

BASSMAN

BURN

CHAMP

DELUXE CLN

DELUXE DIRT

Based on a 1957 Twin—an original-era 2x12” Fender tweed

classic prized for clean-to-dirty versatility

Inspired by the Vox AC30, which powered the British Invasion

and produced remarkable clean and dirty tone

Inspired by a late-’60s/early-’70s Marshall Super Lead, the

amp that powered the dawn of hard rock

Inspired by the original 100-watt Hiwatt DR103, which is

the classic cleaner-tone British stack

Inspired by the Marshall JCM800, which produced quintessential ’80s metal tone

Based on the Mesa Dual Rectifer, which featured distinctive

distortion that shaped the “nu-metal” sound

Based on the venerable ’59 Bassman®—one of Fender’s greatest tweed amps, which

began life as a bass amp before being adopted by countless guitarists

Based on the “burn” channel of the modern Fender Super-Sonic amp, which has two

cascading preamp gain stages for pronounced sustain

Based on the ’57 Champ®—the small but mighty late-’50s Fender recording great

Based on the highly popular 1965 Fender Deluxe Reverb®—an amp with great tone

whether clean or dirty, and cranked in countless clubs

Based on a 1957 Deluxe™—a medium-power late-’50s Fender tweed

classic known for thick, compressed overdrive

DOOM METAL

EXCELSIOR

ALT METAL

Based on the distinctive nu-metal-dening distortion of the Mesa Dual Rectier, gat-

ed with a very fast attenuation curve especially ideal for high-gain metal

METAL 2000

PRINCETON

Based on a 1965 Princeton®—a mid-’60s Fender studio favorite with

SMALLTONE

SUPER CLEAN

SUPER HEAVY

TWIN CLEAN

Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual
are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this
product. The use of these products and trademarks does not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.

Modern high-gain scorch based on the EVH® 5150III, gated with a very fast attenua-

Based on the 1965 Fender Twin Reverb®—an indispensable mid-’60s stage-and-

Inspired by the “sludgy” majesty of the Orange OR120

An elegantly eccentric modern-day Fender model with the

distinctive thump of a 15” speaker

Modern high-gain scorch based on the EVH® 5150

the snappy tone of a single 10” speaker

Inspired by the garage-classic 1960s Sears Silvertone

beloved of retro/alternative players

Direct-to-mixing-desk studio-preamp purity with

clean, uncolored tonal response

tion curve especially ideal for high-gain metal

studio favorite prized for producing the Fender clean tone

III

8

EDITING AND SAVING EFFECTS CONTROL SETTINGS

To edit and save individual control settings of a preset’s various eects (if any), rst select the eect category
box containing the eect to be edited by turning and pressing the ENCODER. There are four eects category
boxes that can each contain one eect: STOMP (stompbox), MOD (modulation), DELAY and REV (reverb):

01 FENDER C...

AMPLIFIER

TWIN CLEAN

STOMP

DELAY

MOD

REV

The DISPLAY WINDOW will then show a list of controls for the eect model in use in that category; use the EN­CODER to scroll to a particular eect control. Press the ENCODER to select the eect control; its surrounding
box will turn from blue to red. Turn the ENCODER to set a new value for the selected control value:

SMALL ROOM

LEVEL

DECAY

TONE

5.5

5.5

5.5

SMALL ROOM

LEVEL

DECAY

TONE

7.6

7.6

5.5

5.5

At this point, press the ENCODER to accept the adjusted eect control value and exit edit mode; the sur­rounding box will then return to blue. Alternately, press the BACK utility button (green arrow) to accept the
eect control value change and return to the preset contents screen:

SMALL ROOM

7.6

LEVEL

DECAY

TONE

7.6

5.5

5.5

IMPORTANT: If an edited eect control setting is not saved, the preset will revert to its original eect control
settings when returning to the preset after leaving it, or when turning the amplier o and back on again. To
save edited eect control settings, follow the SAVE, SAVE AS or REPLACE instructions on pages 6 and 7.

9

REPLACING, ADDING AND DELETING EFFECTS

As noted, each of the four eect category boxes can contain one eect. If an eect is present, it can be re­placed with another eect in that category, or it can be deleted. If no eect is present, one can be added (see

list of Mustang LT25 eects models on pages 13-14). The signal path is Instrument—Stompbox—Modulation—
Amplier—Delay—Reverb—Speaker, as illustrated at left below.

Note that eects category boxes that already contain an eect have a solid outline, whereas eects category
boxes that do not contain an eect have a dotted outline, as seen in the image at right below:

STOMP

MOD

01 FENDER C...

AMPLIFIER

TWIN CLEAN

SPKR

STOMP

DELAY

MOD

REV

DOTTED OUTLINE (NO

EFFECT PRESENT)

SOLID OUTLINE

(EFFECT PRESENT)

GTR

AMPLIFIER

DELAY

REV

Mustang LT25 signal path

To replace an eect, access the contents of a preset by pressing the ENCODER on it, then use the ENCODER
to scroll to one of the four eect category boxes. Press the ENCODER again to see the eect contained in the
eect category box; the name of the eect model is highlighted at the top of the DISPLAY WINDOW:

01 FENDER C...

AMPLIFIER

TWIN CLEAN

STOMP

MOD

SMALL ROOM

LEVEL

DECAY

TONE

5.5

5.5

5.5

DELAY

REV

Press the ENCODER once more to activate the eect replacement function; the box surrounding the eect
name will turn from blue to red, and white arrows will bracket the eect name. Turn the ENCODER clockwise
to scroll through other eects models in that category. Press the ENCODER to accept a replacement eect
and exit edit mode; the surrounding box will return to blue. Alternately, press the BACK utility button (green
arrow) to accept the replacement eect and return to the preset contents screen:

SPRING 65

LEVEL

DECAY

TONE

5.5

5.9

5.5

SPRING 65

LEVEL

DECAY

TONE

5.5

5.9

5.5

10

To delete an eect, the steps are very similar to those on page 10. As before, access the contents of a preset
by pressing the ENCODER on it, then use the ENCODER to scroll to an occupied eect category box. Press the
ENCODER again to see the eect contained in the eect category box; the name of the eect model is high­lighted at the top of the DISPLAY WINDOW:

01 FENDER C...

AMPLIFIER

TWIN CLEAN

STOMP

DELAY

MOD

REV

SMALL ROOM

LEVEL

DECAY

TONE

5.5

5.5

5.5

Press the ENCODER once more to activate the eect replacement function; the box surrounding the eect
name will turn from blue to red, and white arrows will bracket the eect name. Turn the ENCODER counter-
lockwise until the red-highlighted eect label at the top of the DISPLAY WINDOW reads “NONE”. Press the
ENCODER on “NONE” (or press the BACK utility button), after which the user is returned to the preset screen
with the previously occupied eect category box now empty:

NONE

01 FENDER C...

AMPLIFIER

TWIN CLEAN

STOMP

DELAY

MOD

REV

To add an eect to an empty eect category box, rst access the contents of a preset by pressing the ENCOD-
ER on it, then use the ENCODER to scroll to the empty eect category box. Press the ENCODER again to access
the empty eect category box; the red-highlighted label “NONE” bracketed by white arrows will appear at the
top of the DISPLAY WINDOW:

01 FENDER C...

AMPLIFIER

50S TWIN

STOMP

STOMP

DELAY

MOD

REV

NONE

Turn the ENCODER clockwise to scroll through eects models in that category. Press the ENCODER on the
desired eect, after which the box surrounding the eect name will return to blue and the eect is added—
although not yet saved—to that eect category box. Alternately, press the BACK utility button (green arrow)
to return to the preset contents screen (see illustrations on next page):

11

BLUES DRIVE

LEVEL

GAIN

TONE

BLEND 10.0

6.0

7.2

5.9

BLUES DRIVE

LEVEL

GAIN

TONE

BLEND 10.0

6.0

7.2

5.9

IMPORTANT: If an eect is not saved once it has been replaced, deleted or added, the preset will revert to
its original eect model(s) when returning to the preset after leaving it, or when turning the amplier o
and back on again. To save a changed, deleted or added eect model, follow the SAVE, SAVE AS or REPLACE
instructions on pages 6 and 7.

SETTING DELAY TIMES WITH THE TAP BUTTON

There are two ways to set delay times for eects in Mustang LT25’s “DELAY” eects category box. The rst
way is to use the “Editing and Saving Eects Control Settings” instructions found on page 9, using the EN­CODER to scroll to, select and adjust individual eect settings, including delay time.

The second way is to use Mustang LT25’s TAP utility button (yellow arrow). If a preset includes a delay eect, the
TAP LIGHT (green arrow) ashes in time with that eect’s default delay time. This time setting can be modied
by tapping the TAP utility button two or more times at the desired tempo, regardless of what screen is shown
in the DISPLAY WINDOW:

IMPORTANT: If an edited delay time is not saved, the eect will revert to its original delay time when return­ing to the preset after leaving it, or when turning the amplier o and back on again. To save an edited delay
time, follow the SAVE, SAVE AS or REPLACE instructions on pages 6 and 7.

12

MUSTANG LT25 EFFECT MODELS

This table lists the eect models in Mustang LT25, organized into the four categories that appear in each pre­set—STOMP (stompbox), MOD (modulation), DELAY and REV (reverb). The eects labels used in each preset
appear in the lefthand column, followed by the eects types and a brief description in the righthand column.

STOMPBOX EFFECTS

OVERDRIVE

BLUES DRIVE

MYTH DRIVE

ROCK DIRT

FUZZ

BIG FUZZ

OCTOBOT

COMPRESSOR

SUSTAIN

METAL GATE

Versatile Fender overdrive specially designed for Mustang LT25

Overdrive eect inspired by the original late-’70s Ibanez TS808 Tube Screamer

Overdrive eect inspired by the ’90s-era Klon Centaur

Distortion eect inspired by the Pro Co RAT

Versatile Fender fuzz with variable low-end response specially designed for Mustang LT25

Distortion eect inspired by the Electro-Harmonix Big Mu

Synth-like combination of octave-down eect plus octave-up fuzz

Compressor eect inspired by the classic MXR Dyna Comp

Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with an especially

strong compression eect and short attack time

Noise gate with a very fast attenuation curve especially ideal for high-gain metal

5-BAND EQ

Five-band graphic equalizer

MODULATION EFFECTS

CHORUS

FLANGER

VIBRATONE

TREMOLO

PHASER

STEP FILTER

TOUCH WAH

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsor­ship, or approval between FMIC and with or by any third party.

Distinctive chorus eect that uses a triangle wave for modulation

Distinctive anging eect that uses a triangle wave for modulation

Classic late-’60s/early-’70s Fender eect with a rotating speaker bae

Smoothly pulsating tube bias tremolo, as heard in amps

such as the Fender Princeton Reverb

Long-indispensable jetliner “whoosh” heard on countless recordings

Rhythmically choppy eect that dices notes into distinctly alternating “steps”

Wah eect controlled by picking dynamics rather than an expression pedal

13

DELAY EFFECTS

Note that the control panel TAP utility button and TAP LIGHT work in connection with eects in this category only.

DELAY

REVERSE

ECHO

LARGE HALL

SMALL ROOM

SPRING 65

PLATE

ARENA

Clean, simple and pristine signal repetition

Reverses the delayed signal for the classic “backwards guitar” eect

Tape delay eect based on the analog classic Maestro Echoplex, which had tape im-

perfections that created distinctive “wow” and “utter”

REVERB EFFECTS

Strong, bright reverb simulating the size of, for example, a major

performance hall and other large, cavernous spaces

Warmer, less echo-y reverb typical of smaller spaces and classic echo chambers

Fender reverb eect built into classic mid-’60s Fender amps

The reverb type heard on countless recordings, based on the

classic (and pool table-sized) EMT 140

Simulates the long-trailing reverberation typical of large stadiums and arenas

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsor­ship, or approval between FMIC and with or by any third party.

14

MENU FUNCTIONS

Mustang LT25 features four convenient MENU functions—TUNER, FOOTSWITCH, SETTINGS and RESTORE—
all easily accessed by pressing the MENU utility button. The rst function (TUNER) is automatically highlight­ed; use the ENCODER to scroll to and select any MENU function:

MENU

TUNER

FOOTSWITCH

SETTINGS

RESTORE

MENU

TUNER

FOOTSWITCH

SETTINGS

RESTORE

TUNER: Enables use of Mustang LT25’s built-in chromatic tuner (page 16).

FOOTSWITCH: For conguring Mustang LT25’s single-button footswitch to provide easy hands-free selec-

tion of any two presets (page 17).

SETTINGS: Displays the rmware version (page 18). Also includes a gain control for use when recording using
the USB audio port on the control panel (page 19).

RESTORE: Enables restoration of factory presets and amplier settings (page 18).

15

MENU FUNCTION: TUNER

There are two ways to access Mustang LT25’s built-in chromatic tuner. The rst way is to press and hold the
TAP utility button on the control panel until the tuner screen appears in the DISPLAY WINDOW:

TUNER

The second way is to press the MENU utility button on the control panel; the list of MENU functions will
appear in the DISPLAY WINDOW with the TUNER function automatically highlighted atop the list. Press the
ENCODER on TUNER to access the tuner screen:

MENU

TUNER

FOOTSWITCH

SETTINGS

RESTORE

TUNER

To use the TUNER, sound a note; the letter name of the pitch will appear in the box at bottom and the shorter
vertical bars on either side of the longer vertical center bar will illuminate red to indicate varying degrees of
sharpness (to the right) or atness (to the left). When a pitch is precisely in tune, the longer vertical center bar
and the two shorter vertical bars on either side of it will illuminate green:

TUNER

A

TUNER

A

“A” PITCH SLIGHTLY FLAT “A” PITCH IN TUNE

Note that speaker output is muted when tuning, and that the volume control on the instrument being tuned
must be turned up suciently to register a TUNER reading.

16

MENU FUNCTION: FOOTSWITCH

Connect an optional Fender single-button footswitch (PN 0994052000) by plugging it into the “FTSW” jack
on the control panel. The footswitch provides convenient hands-free switching between two pre-determined
“quick-access” presets. The second MENU function—FOOTSWITCH—enables easy conguration of any two
presets for quick-access footswitch use. To do this, press the MENU utility button, then use the ENCODER to
scroll to and select FOOTSWITCH:

MENU

TUNER

05

DREAMY

Two presets will be shown in the DISPLAY WINDOW below the header “QUICK ACCESS”; the upper preset is au­tomatically highlighted in blue. To choose a new preset for this upper quick-access position, press the ENCOD­ER on it; the box surrounding the preset name will turn red. Use the ENCODER to scroll to a new preset for the
upper quick-access position:

FOOTSWITCH

SETTINGS

RESTORE

QUICK ACCESS

01

FENDER CLEA

02

SILKY SOLO

QUICK ACCESS

14

POWER PUNCH

02

SILKY SOLO

Press the ENCODER to select the new upper quick-access preset; the box surrounding the preset name will
return to blue. To choose a new preset for the lower quick-access position, turn the ENCODER clockwise to
highlight the lower preset, then follow the same steps as above:

QUICK ACCESS

14

POWER PUNCH

02

SILKY SOLO

QUICK ACCESS

14

POWER PUNCH

08

THRASH OVER

IMPORTANT: If quick-access footswitch presets are not saved, the quick-access preset slots will revert to
their original contents when returning to the preset after leaving it, or when turning the amplier o and
back on again. To save quick-access footswitch presets, follow the SAVE, SAVE AS or REPLACE instructions on
pages 6 and 7.

17

MENU FUNCTION: SETTINGS

The third MENU function—SETTINGS—displays the current rmware version and features a gain control for
use when recording using the USB port on the control panel. To access these options, press the MENU util­ity button and use the ENCODER to scroll to and select SETTINGS. The USB gain control appears at top (see
instructions under “USB PORT”, page 19), with the rmware version below (“VERSION”):

MENU

TUNER

FOOTSWITCH

SETTINGS

RESTORE

SETTINGS

VERSION

0.3.8

+6.0USB GAIN

Be sure to check fender.com/rmware/support regularly for rmware updates that improve and enhance the
Mustang LT25 experience.

MENU FUNCTION: RESTORE

The fourth MENU function—RESTORE—enables restoration of all original factory presets and amplier set­tings. To do this, press the MENU utility button, then use the ENCODER to scroll to and select RESTORE:

MENU

TUNER

05

DREAMY

FOOTSWITCH

SETTINGS

RESTORE

To initiate restoration use the ENCODER to scroll to and select “YES RESTORE”. To cancel restoration, press the
ENCODER on “NO CANCEL”, or press the BACK utility button. While restoration is in progress, a blue waiting
screen will briey appear. When restoration is complete, the user is returned to the rst preset screen:

RESTORE

FACTORY

RESTORE?

NO CANCEL

YES RESTORE

RESTORING

FACTORY

SETTINGS

PLEASE WAIT...

18

AUXILIARY INPUT AND HEADPHONE OUTPUT

The Mustang LT25 control panel features two 1/8”-inch jacks: an
auxiliary input for connecting external mobile/audio devices and
an output for convenient headphone use.

Note that when using the auxiliary input, volume levels for exter­nal devices are set using volume controls on the external devices
themselves (the amp’s volume controls are for overall volume
level only and do not aect individual volume of external devices
connected to the auxiliary input jack). Also note that when head­phones are plugged in, speaker output is muted.

USB PORT

The Mustang LT25 control panel features a USB port for audio recording. Using a micro USB
cable (not included), connect a computer with recording software to this port. No external
driver is needed to connect to an Apple computer. To connect to a Windows-based comput­er, the user must download the ASIO driver setup with Fender Mustang device, available at
www.fender.com/support/articles/fender-universal-asio-drive.

Note that although the USB port and the auxiliary input can be used simultaneously,
the USB port cannot be used to record a signal from the auxiliary input.

When recording using the USB port, a gain control is located in the SETTINGS menu func­tion (page 18). To access and use this gain control, press the MENU utility button and use the ENCODER to scroll
to and select SETTINGS; “USB GAIN” will automatically be highlighted. Press the ENCODER on “USB GAIN” to
select it; the surrounding box will turn from blue to red:

MENU

TUNER

FOOTSWITCH

SETTINGS

RESTORE

SETTINGS

VERSION

0.3.8

+6.0USB GAIN

Turn the ENCODER to set a new “USB GAIN” value. Press the ENCODER to accept the new value; the surround­ing box will return to blue (not shown). Alternately, press the BACK utility button (green arrow) to accept the
new value and return to the MENU function screen:

SETTINGS

+8.5USB GAIN

VERSION

0.3.8

Note that the “USB GAIN” control in the SETTINGS menu function is the only one that aects USB recording;
the actual physical GAIN control knob on the control panel does not aect USB recording.

19

SPECIFICATIONS

TYPE PR 5250

POWER REQUIREMENTS 84 watt s

POWER OUTPUT 25 watt s into 8Ω

INPUT IMPEDANCE 1MΩ (instrum ent) 15kΩ (aux)

SPEAKER One 8” Fend er Special Design speaker (8Ω)

FOOTSWITCH Fender 1-Button Economy On-Off Footswitch (optional, PN 0994049000)

DIMENSIONS AND WEIGHT Width: 14.5” (36.8 cm) Hei ght: 13.1” (33.2 cm) Depth: 8.3” (21.1 cm) Weight: 12.8 lbs. (5.8 kg)

Product specifications subject to change without notice.

Be sure to check fender.com/rmware/support regularly for rmware updates that improve and enhance the
Mustang LT25 experience.

20

部件名称

本表格依据 SJ/T 11364 的规定编制。

O： 表示该有毒有害物质在该部件所有均质材料中的含量均在 GB/T 26572 规定的限量要求以下。
X： 表示该有毒有害物质至少在该部件的某一均质材料中的含量超出 GB/T 26572 规定的限量要求。

注： 含有有害物质的部件由于全球技术发展水平限制而无法实现有害物质的替代。

*产品含有喇叭单元时有效。

箱体

喇叭单元*

电子部分
接线端子

电线
附件

有害物质

产品中有害物质的名称及含量

铅

(Pb)

O

O

X

X

X

O

O

O

O

O

O

O

O

O

X

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

汞

(Hg)

镉

(Cd)

六价铬

(Cr(VI))

多溴联苯

(PBB)

多溴二苯醚

(PBDE)

PART NUMBERS / REFERENCIAS / RÉFÉRENCE / NÚMERO DAS PEÇAS / NUMERO PARTI / TEILENUMMERN

NUMERY REFERENCYJNE / REFERENČNÍ ČÍSLA / REFERENČNÉ ČÍSLA / REFERENČNE ŠTEVILKE /

部品番号

Mustang LT25

2311100000 (120V, 60Hz) NA

23111 010 0 0 (110 V, 6 0H z ) T W
2311103000 (240V, 50Hz) AU
2311104000 (230V, 50Hz) UK

2311105000 (220V, 50Hz) ARG

2311106000 (230V, 50Hz) EU

2311107000 (100V, 50/60Hz) JP

2311108000 (220V, 50Hz) CN

2311109000 (220V, 60Hz) ROK

23111130 0 0 ( 2 4 0V, 50 H z) M A

/

型号

A PRODUCT OF

FENDER MUSICAL INSTRUMENTS CORP.

Calle Huerta #279, Int. A. Col. El Naranjo. C.P. 22785. Ensenada, Baja California, México.

IMPORTADO POR: Fender Ventas de México, S. de R.L. de C.V.

Servicio al Cliente: 01(800) 7887395, 01(800) 7887396, 01(800) 7889433

Other trademarks are property of their respective owners.

Fender® and Mustang™ are trademarks of FMIC.

Copyright © 2019 FMIC. All rights reserved.

311 CESSNA CIRCLE

CORONA, CALIF. 92880 U.S.A.

AMPLIFICADOR DE AUDIO

RFC: FVM-140508-CI0

PN 7715452000 rev. a