Fender MUSTANG GTX50, MUSTANG GTX100 Users guide

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MUSTANG GTX50

MUSTANG GTX100

EXPANDED OWNER’S MANUAL

REV. B

CONTENTS

Introduction 1

Control Panel 2

Rear Panel 3

Presets

Preset Basics 4

Editing and Saving Presets 5

Editing Preset Amplier Control Knob Settings 6

Replacing Preset Amplier Models 8

List of Amplier Models 9

List of Cabinet Models 10

Editing Eects 12

Editing Eects Settings 20

List of Eects Types 24

Menu Functions 28

Setlists 29

WiFi Use 32

Bluetooth Use 35

Built-in Tuner 37

Auxiliary and Headphone Jacks 38

USB Connectivity 38

Line Out and FX Send/Return 38

Footswitch Use

GTX-7 Footswitch 39

Looper 42

EXP-1 Expression Pedal 45

EQ & Amp Settings 49

Global EQ 49

Line Out/USB Gain 50

Preset Organizer 51

Restore Settings and Restore All 53

About this Amp 54

Cloud Presets 54

Backup/Restore for Presets and Setlists 56

Firmware Updates and Factory Restore 60

Fender Tone™ App 62

Specications 63

INTRODUCTION

This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 ampliers.

As a complement to the Mustang GTX Quick Start Guide that comes with each amplier, this manual presents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modication of the many onboard presets, and comprehensive descriptions of the many amplier and eect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions.

Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62). Be sure to check back regularly for rmware updates that improve and enhance the Mustang GTX experience (see page 60). While this expanded manual presents the most current version of the ampliers, also check back for updated manual versions as Mustang GTX grows and evolves.

Mustang GTX100 (left) and Mustang GTX50 (right).

CONTROL PANEL

The Mustang GTX top control panel consists of an instrument input, seven control knobs, display window, three LAYER pushbuttons, ENCODER wheel, four UTILITY pushbuttons, 1/8” auxiliary input and 1/8” headphone output.

HOLD FOR

TUNER

Mustang GTX100 top panel shown; Mustang GTX50 panel shares same features.

A. INPUT: Plug instrument in here.

B. GAIN: Programmable control knob (see page 3) that aects gain setting in each preset.

C. VOLUME: Programmable control knob that aects amp model volume setting in each preset.

D. TREBLE: Programmable control knob that aects treble tone setting in each preset.

E. MIDDLE: Programmable control knob that aects midrange tone setting in each preset.

F. BASS: Programmable control knob that aects bass tone setting in each preset.

G. REVERB: Programmable control knob that aects reverb setting in each preset.

H. MASTER VOLUME: The only non-programmable knob; controls actual overall volume.

I. DISPLAY WINDOW: Shows preset in use and all its contents and parameters, amplier and eects

menus, and other functions (i.e., tuner, menu functions, etc.).

J. LAYER BUTTONS

PRESET LAYER: Highlights preset layer, where presets are chosen. SIGNAL PATH LAYER: Highlights signal path in each preset, where amp models, eects types and order of

eects can be modied. CONTROLS LAYER: Highlights controls layer, where control knob settings can be modied (except Master Volume).

K. ENCODER: Multipurpose rotary control with press-switch function. For viewing, selecting and adjusting

Mustang GTX presets, controls and other functions.

L. UTILITY BUTTONS

X FX: Bypasses all eects. SAVE: For saving preset modications and new presets. MENU: For accessing WiFi, Bluetooth, Tuner, Global EQ, cloud presets and other functions (see page 28). TAP/TUNER: For setting delay times and modulation rate settings; hold to access built-in tuner.

M. AUXILIARY INPUT, HEADPHONE OUTPUT: 1/8” auxiliary input for connecting external audio devices,

and 1/8” output for headphone use. Headphone output disables internal speaker(s).

PROGRAMMABLE CONTROL KNOBS

It’s important to note that all top control panel knobs except Master Volume (H) are, as described above, “programmable.” That means that when a preset is rst selected, the physical position of a top control panel knob may not indicate the actual setting contained in that preset (the actual setting appears in the display window). Only the Master Volume control is not programmable—its physical position always indicates actual overall volume. Once a programmable top control panel knob is turned, however, it and its digital counterpart within a preset become synchronized to the same value, as illustrated here:

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REVERB

REVERBFUZZ

Also note that an adjusted control knob setting can be saved in a new preset, or the original preset can be overridden with the adjusted control knob setting. If the adjusted setting is not saved, the preset will revert to its pre-programmed control knob settings when returning to the preset after leaving it, or when turning the amplier o and back on again (see further info under “Editing and Saving Presets” pages 5-6).

REAR PANEL

Mustang GTX100 rear panel shown; Mustang GTX50 rear panel has identical features.

N. POWER: Turns amplier on and o.

O. IEC POWER INLET: Using the included power cord, connect to a grounded outlet in accordance with the

INPUT POWER voltage and frequency specied at the power inlet.

P. USB PORT: Amp connection point for USB audio recording.

Q. FOOTSWITCH: Connect the GTX-7 footswitch. MGT-4 footswitch or EXP-1 Expression Pedal here.

R. LINE OUT: Balanced line outputs for connection to external recording and sound reinforcement equipment.

S. FX SEND/RETURN: Right/left send and return for stereo external eects use. Eects added here are

“global” (not preset-specic) and act as the last elements in the signal path.

PRESET BASICS

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PRESGAIN BASSMIDTREBVOL

REVERBFUZZ

TWIN

REVERB

AMPLIFIER

Mustang GTX comes with more than 100 sequentially numbered presets, and users can create and add even more. Each preset has three “layers” that appear in the DISPLAY WINDOW. These are the PRESET LAYER (top), SIGNAL PATH LAYER (middle) and CONTROLS LAYER (bottom); the three LAYER BUTTONS provide access to each layer (see illustration below).

PRESET LAYER

SIGNAL PATH LAYER

CONTROLS LAYER

LAYER BUTTONS

Press to select corresponding layer

The PRESET LAYER is active when the amplier is rst turned on; the default setting is the rst preset (01). To scroll through presets, turn the ENCODER (see illustration below); whichever preset is displayed becomes active. Presets can also be selected by footswitch (see page 40).

ENCODER

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REVERB

The rst preset (01) is shown here in the PRESET LAYER.

REVERBFUZZ

PRES

The SIGNAL PATH LAYER of each preset consists of one of Mustang GTX’s many amplier models, and one or more of dozens of eects and their order (or no eects in some cases). The amp model appears in the center of the SIGNAL PATH LAYER display. Eects appear to either side of the amp model, representing their position in the signal path—“pre” to the left of the amp model (placed “before” the amp) or “post” to the right of the amp model (as in an eects loop). Select any of these items by turning the ENCODER; the selected item in the SIGNAL PATH LAYER will have a white indicator arrow below it and text describing its position above it (see

illustration below).

Flanked by two eects, the amp model within the preset is selected here in the SIGNAL PATH

LAYER, as indicated by the white arrow and the word “amplier.”

The CONTROLS LAYER of each preset displays information on whatever amp or eect is highlighted in the

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AMPLIFIER

PRES

REVERBFUZZ

TWIN

REVERB

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PRES

REVERBFUZZ

SAVE

TWIN

REVERB

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PRES

REVERBFUZZ

SIGNAL PATH LAYER. Amp control knob settings are displayed by default (see illustration below); eects control settings are displayed when an eect is highlighted in the SIGNAL PATH LAYER. Amp and eects controls are selected by turning the ENCODER.

Close-up detail of the CONTROLS LAYER, in which the gain control for

the amp model within the preset is selected.

Each preset can be used as is. With many dierent amp models, eects types and control settings to choose among, however, each preset’s SIGNAL PATH LAYER and CONTROLS LAYER settings can easily be modied and saved for personally individualized sounds (see next section, “Editing and Saving Presets”).

A preset can also be moved to a dierent position or cleared from the list of presets. Further, the entire list of presets can be restored to its factory state. To perform these functions, see “Preset Organizer” (page 51).

EDITING AND SAVING PRESETS

Within each preset, the amplier control knob settings, amp models, and eects types and parameters can be tailored to individual preference. When a preset is selected, the box containing its number is blue, indicating that no edits have been made to it (see illustration below).

When edits to a preset have been made, the box containing the preset number changes to red, and the SAVE utility button illuminates (see illustration below).

If an edited setting is not saved, the preset will revert to its previous settings when returning to the preset after leaving it, or when turning the amplier o and back on again. To save a preset edit, press the illuminated SAVE utility button to get three options (see illustration below): SAVE (keep preset as edited), RENAME (save preset with a new name in its current position) and SAVE AS NEW (save preset in a new position with a new name). Turn the ENCODER to highlight an option; press it to select one.

SAVE

SAVE AS

RENAME

SAVE

To enter a new preset name after choosing RENAME or SAVE AS NEW, use the ENCODER to spell out a new name of your choice. Press the ENCODER once to activate the cursor; turn it to choose a character (see illus- tration below). Press ENCODER again to enter that character and move to the next. Repeat until new name is complete; press the SAVE utility button to keep completed new name, or press the top LAYER button (corresponding with onscreen prompt “back”) to return to the previous screen. Note that when choosing SAVE AS NEW, the preset will be saved in the next available open position (“101” in the illustration below).

101

NEW PRESET NAME

back

SAVE

A favorite preset can be saved quickly and conveniently to a “FAVORITES Setlist” (see page 31). Also, note that Mustang GTX includes cloud-based backup and restore functions for presets (see page 56).

EDITING PRESET AMPLIFIER CONTROL KNOB SETTINGS

As noted in the “Control Panel” section above, users can change a preset’s amplier control knob settings by turning the physical control knobs on the top panel (except for Master Volume). This synchronizes the modied settings of the physical control knobs with their corresponding digital counterparts.

These settings can also be changed by editing the digital control knob positions within the CONTROLS LAYER, which displays the controls specic to the amp in use. To do this, rst access the CONTROLS LAYER by pressing its LAYER BUTTON (see illustration below).

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AMPLIFIER

TWIN

REVERB

Press the bottom LAYER BUTTON to access the CONTROLS LAYER for the amp model within the preset.

REVERBFUZZ

PRES

Once in the CONTROLS LAYER, turn and press the ENCODER to scroll through and select a specic digital amp control knob. Then turn the ENCODER again to change that control’s setting. When a control setting is changed, the box containing the preset number changes from blue to red (indicating that a preset edit has been made), and the SAVE utility button illuminates. With the new control setting in place, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illustrations below).

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AMPLIFIER

TWIN

REVERB

Turn the ENCODER to scroll among amp model control knobs.

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AMPLIFIER

TWIN

REVERB

REVERBFUZZ

Press the ENCODER to select an amp model control knob for adjustment.

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AMPLIFIER

TWIN

REVERB

REVERBFUZZ

Turn the ENCODER again to adjust the selected amp model control knob to preference.

Additional amp and control settings can be found by continuing to scroll through the CONTROLS LAYER of various amp models within the presets. These consist of “deeper” parameters including sag, bias and gate controls. Dierent speaker cabinet models are also included. Scroll through, select, adjust and save these additional parameters in the same manner described directly above (see illustrations below).

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AMPLIFIER

TWIN

REVERB

’65

OFF PRE

TWIN

CAB GATE

POS

Close-up detail showing additional amp and control settings found in the CONTROLS LAYER; in this

case for the Twin Reverb amp model.

MATCH

SAG

REVERBFUZZ

0.0%

BIAS

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’65

OFF PRE

TWIN

CAB GATE

TWIN

REVERB

POS

MATCH

SAG

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0.0%

BIAS

Scroll among, select and adjust additional CONTROLS LAYER amp

and control settings using the ENCODER.

REPLACING PRESET AMPLIFIER MODELS

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AMPLIFIER

’57 DELUXE

STUDIO PREAMP

’57 CHAMP

’57 TWIN

’57 BANDMASTER

’57 DELUXE

’57 CHAMP

STUDIO PREAMP

’57 TWIN

’57 BANDMASTER

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’57

DELUXE

AMPLIFIER

SAVE

REVERB

To replace an amplier model within a preset, access the SIGNAL PATH LAYER by pressing its LAYER BUTTON. The preset amp model will be highlighted. Press the ENCODER to access and scroll through a menu of amp models; select a new amp model by pressing the ENCODER again. When a new amp model is selected, the box containing the preset number changes from blue to red (indicating that a preset edit has been made), and the SAVE utility button illuminates (see illustrations below). With the new amp model in place, further edits can then be made or the SAVE utility button can be pressed to keep completed edits. Note that pressing the PRESET LAYER button corresponding to the circled “X” in the DISPLAY WINDOW closes the amp menu.

To replace preset amp model highlighted in the SIGNAL PATH LAYER (as indicated here by the white arrow below it and the

label “amplier” above it) with a dierent amp model, rst press ENCODER to access a menu of other amp models.

Turn ENCODER to scroll through menu of amp models.

Press ENCODER again to select a new amp model for the preset.

With the new amp model in place, continue editing other parameters

or press the illuminated SAVE utility button to keep completed edits.

LIST OF AMPLIFIER MODELS

This table lists all the preset amp models in Mustang GTX, with a brief description of each. Mustang GTX amps will be continually revised and updated; this manual indicates current amp models in use.

Studio Preamp Direct-to-mixing-desk studio purity with clean, uncolored tonal response

’57 Champ® Small but mighty late-’50s Fender recording great

’57 Deluxe™ Medium-power late-’50s Fender tweed classic known for thick, compressed overdrive

’57 Twin Original-era 2x12” tweed classic prized for clean-to-dirty versatility

’57 Bandmaster Triple-speaker Fender narrow-panel tweed classic known for crisp highs

’59 Bassman® One of Fender’s greatest tweed amps, which began life as a bass amp before being adopted by countless guitarists

’61 Deluxe

’65 Princeton® Mid-’60s Fender studio favorite with the snappy tone of a single 10” speaker

’65 Deluxe Reverb® Highly popular mid-’60s Fender with great tone whether clean or dirty, cranked in countless clubs

’65 Twin Reverb® An indispensable mid-’60s stage-and-studio favorite prized for producing the Fender clean tone

’65 Super Reverb® Mid-’60s Fender with the distinctive snap of four 10” speakers

Excelsior An elegantly eccentric modern-day Fender model with the distinctive thump of a 15” speaker

’66 GA-15 Inspired by a 1966 Gibson GA-15RVT Explorer, known for its cavernous “full-wet” reverb setting

’60s Thrift Inspired by the garage-classic 1960s Sears Silvertone prized by retro/alternative players

British Watts Inspired by the original 100-watt Hiwatt DR103, which is the classic cleaner-tone British stack

’60s British Inspired by the Vox AC30, which powered the British Invasion and produced remarkable clean and dirty tone

’70s British Inspired by a late-’60s/early-’70s Marshall Super Lead, the amp that powered the dawn of hard rock

From the “Brown Panel” era of the Fender Deluxe, this amp splits the dierence between tweed and “Black Panel” models

’80s British Inspired by the Marshall JCM800, which produced quintessential ’80s metal tone

British Colour Inspired by the “sludgy” majesty of the Orange OR120

Super-Sonic Modern Fender amp with two cascading preamp gain stages for pronounced sustain

’90s American Based on the Mesa Dual Rectier, which featured distinctive distortion that shaped the “nu-metal” sound

Metal 2000 Modern high-gain scorch based on the EVH® 5150

IIC+Clean Inspired by the clean channel of the Mesa/Boogie Mark IIC+MB

IIC+Lead Quintessential mid-’80s metal tones inspired by the Mesa/Boogie Mark IIC+MB lead channel

Acoustasonic, Bassbreaker, Bassman, Blues Junior, Champ, Deluxe, Deluxe Reverb, Excelsior, Princeton, Showman, Super Reverb, Super-Sonic, Twin Reverb and Vibro-King are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.

III

LIST OF AMPLIFIER MODELS (CONT’D.)

BB15 Low Based on the low gain structure setting of the Bassbreaker 15

BB15 Med Based on the medium gain structure setting of the Bassbreaker 15

BB15 High Based on the high gain structure setting of the Bassbreaker 15

FBE-100 Inspired by both lead channels (BE and HBE) of the Friedman BE-100

Dual Showman Based on the ’60s/’70s all-tube Fender classic used on big stages everywhere

Tube Preamp Direct-to-mixing-desk studio purity with increased tube console-like harmonic coloration

Acoustasonic

Acoustic Sim

Blues Junior Based on the highly popular warm-toned, moderately powered 1x12” Fender combo with overdrive and FAT switch

Vibro-King Modern Fender classic with touch-sensitive dynamics and distinctive natural overdrive

JC-120 Clean Based on the super-bright clean channel of the classic Roland JC-120 Jazz Chorus

Jubilee Clean Based on the clean channel of the Marshall Silver Jubilee 50-watt head

Jubilee Rhythm Based on the Marshall Silver Jubilee 50-watt head with rhythm clip switch engaged

Jubilee Lead Based on the lead channel of the Marshall Silver Jubilee 50-watt head

Uber Ideal for heavy, aggressive music as inspired by the super-high-gain lead channel of the Bogner Uberschall head

For use with piezo-equipped electric/acoustic guitars. Based on the preamp of Fender’s award-winning Acoustason-

ic amps; exible string-dynamics feature with selectable notch frequency

Six distinctive acoustic guitar simulations for transforming electric guitar with great-sounding acoustic tone. Paired

with Acoustasonic preamp for additional tone shaping

LIST OF CABINET MODELS

This table lists all the preset speaker cabinet models in Mustang GTX, with a brief description of each. Mustang GTX cabinets will be continually revised and updated; this manual indicates current amp models in use.

None Amp circuitry uncolored by speaker simulation

’57 Champ® Based on a late-’50s Fender recording great featuring a low-power 8” speaker with notably snappy tone

’57 Deluxe™ Based on a medium-power late-’50s Fender tweed classic featuring a single 12” alnico-magnet speaker

’65 Twin Based on a prized mid-’60s Fender classic with two 12” ceramic-magnet Jensen® speakers

’57 Bandmaster Based on a late-’50s Fender narrow-panel classic with three 10” Jensen® P10R speakers

’59 Bassman® Based on one of Fender’s greatest original-era tweed amps, with four 10” Jensen® P10R speakers

’61 Brown Based on an early-’60s Fender model featuring a single 12” Oxford speaker with distinct midrange

LIST OF CABINET MODELS (CONT’D.)

’65 Princeton® Based on a mid-’60s Fender studio favorite with the snappy tone of a single 10” Jensen® C10R speaker

’65 Deluxe Based on a popular mid-’60s Fender mainstay with a single 12” Jensen® ceramic speaker

Excelsior Based on a nonconventional modern Fender amp with a distinctively thumping 15” Special Design speaker

’66 GA-15 Inspired by the single 10” CTS speaker in the 1966 Gibson GA-15RVT Explorer

1x12 EV Based on an open-back Mesa/Boogie Mark IIC+ bubinga cabinet with a single 12” EVM12L speaker

1x12 BB15 Based on Fender’s open-back Bassbreaker 15 cabinet with a single12” Celestion® V-Type speaker

2x12 Blue Inspired by the pair of 12” Celestion® Alnico Blue speakers in the venerable Vox AC30

4x12 75W Inspired by the 75-watt Marshall JCM800 cabinet with four 12” Celestion® G12T75 speakers

4x12B 75W Brighter version of the Marshall JCM800 4x12” cabinet directly above

1x12 Super-Sonic Birch-ply Fender combo cabinet with a single 12” Celestion® Vintage 30 speaker

2x12 Super-Sonic Birch-ply Fender combo cabinet with two 12” Celestion® Vintage 30 speakers

4x12 RCT Based on a closed-back Mesa Boogie Rectier cabinet with four 12” Celestion® Vintage 30 speakers

4x12 GB Based on a Marshall cabinet with four 12” Celestion® Greenback speakers

4x12B GB Brighter version of the 4x12” Marshall cabinet directly above

4x12 V30 Based on a Fender Super-Sonic cabinet with four 12” Celestion® Vintage 30 speakers

4x12B V30 Brighter version of the 4x12” Fender Super-Sonic cabinet directly above

4x12 SOL Based on a closed-back Soldano cabinet with four 12” Eminence® Legend speakers

4x12 FRD Based on a closed-back Friedman 4x12” cabinet with Celestion® Greenback speakers

4x12B FRD Brighter version of the 4x12” Friedman cabinet model directly above

2x15 D130 Based on a Fender Dual Showman cabinet with the distinctive attack of two 15” JBL® D130F speakers

2x12 Jubilee Based on a small Marshall slanted cabinet with two Celestion® G12-75 speakers

Blues Junior Based on the Fender open-back combo cabinet with a single 12” Celestion® A-Type speaker

1x12 LTD Based on the Fender Blues Junior LTD open-back cabinet with a single 12” Jensen® speaker

2x12 JC Based on the classic Roland JC-120 Jazz Chorus 2x12” open-back combo

3x10 VKING Based on the Fender Vibro-King cabinet with three 10” speakers

4x10 SUP Based on the Fender Super Reverb cabinet with four 10” Jensen® speakers

4x12 Uber Based on the Bogner Uberkab cabinet with four12” Celestion® speakers

EDITING EFFECTS

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POST FX 1

TWIN

REVERB

AMPLIFIER

STUDIO TWIN

In addition to amp models, each preset also features various combinations of eects. Eects can be edited in several ways—they can be bypassed, replaced, moved, added or deleted. Further, the individual settings of each eect can be modied. Each option is explained below and on the following pages.

Editing the types of eects in use and their position in the signal path happens in the SIGNAL PATH LAYER. To do this, rst access the SIGNAL PATH LAYER by pressing its corresponding LAYER BUTTON, which will automatically highlight the amplier model in use rst. To highlight an eect, turn the ENCODER in either direction (see illustrations below). The eect will be highlighted with a white arrow below it and a label above it.

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AMPLIFIER

TWIN

REVERB

To access eects, rst press the middle LAYER BUTTON to enter SIGNAL PATH LAYER.

REVERBFUZZ

Turn the ENCODER in either direction to highlight an eect (as indicated

here by the white arrow below it and label above it).

For each preset, note that a placeholder symbol consisting of a plus sign (+) in a circle appears at the right and left ends of the SIGNAL PATH LAYER (see illustration below). This symbol indicates an open slot into which an effect can be moved or added (see “Adding an Eect,” page 16). In many presets that include one or more eects, the user must scroll to the far right or far left using the ENCODER in order to see this symbol.

Close-up detail—of a dierent preset that doesn’t include one or more eects—in which open slots that eects can be

placed in are marked by a placeholder symbol consisting of a plus sign in a circle at both ends of the SIGNAL PATH LAYER.

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REVERB

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POST FX 1

LEVEL DECAY

DWELL DIFF TONE

BYPASSING AN EFFECT

ADD FX

BYPASS

DELETE

MOVE

REPLACE

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BYPASS

SAVE

There are two ways to bypass eects. The rst is a general on-o feature that simply turns o all eects in all presets with a single press of a button. The second lets users bypass specic individual eects within a preset.

To turn o all Mustang GTX eects in every preset (and turn them back on), press the X FX utility button. There is no option to save; this is merely a quick way to turn all eects o and back on. When the X FX utility button is pressed it will illuminate, and a blue “bypass” label will appear above each eect (see illustration

below). If specic individual eects have already been bypassed in a preset, use of the X FX utility button will not turn them back on.

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REVERB

The “X FX” utility button illuminates when pressed, bypassing all eects in all

presets (as indicated by blue “BYPASS” labels above each eect).

To bypass specic individual eects within a preset, highlight it in the SIGNAL PATH LAYER and press the ENCODER. Select “BYPASS” from the menu of eects placement options and press the ENCODER again. The SIGNAL PATH LAYER will then indicate that the eect has been bypassed; the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now bypassed, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illustrations below).

BYPASSBYPASS

REVERBFUZZ

To bypass a highlighted eect, rst press the ENCODER to access the menu of eects placement options.

Turn ENCODER to highlight “BYPASS” in eects placement options menu, then press the ENCODER to select it.

With the eect bypassed (as indicated here by white arrow below it and blue box containing the label “BYPASS”

above it), continue editing other parameters or press the illuminated SAVE utility button to keep completed edits.

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TWIN

REVERB

FUZZ

POST FX 1

ADD FX

BYPASS

DELETE

MOVE

REPLACE

MODULATION

STOMPBOX

DELAY

REVERB

TOUCH WAH

WAH

RANGER BOOST

OVERDRIVE

GREENBOX

REPLACING AN EFFECT

To replace an eect, highlight the eect to be replaced in the SIGNAL PATH LAYER and press the ENCODER. Select “REPLACE” from the menu of eects placement options and press the ENCODER again. Select one the four eects categories that will appear—Stomp Box, Modulation, Delay or Reverb—and press the ENCODER to access the eects in that category. Scroll through the eects and press the ENCODER to select one as a replacement.

The SIGNAL PATH LAYER will then display the new eect and indicate that the original eect has been replaced; the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now replaced, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illustrations below and on next page). Note that pressing the PRESET LAYER button corresponding to the circled “X” in the DISPLAY WINDOW closes the eects placement option and eects category menus; pressing it when it corresponds to the label “back” (as on the eects menu) returns the user to the previous screen.

To replace a highlighted eect, rst press the ENCODER to access the menu of eects placement options.

Turn the ENCODER to highlight “REPLACE” in eects placement options menu, then press the ENCODER to select it.

Turn the ENCODER to highlight one of four eects categories, then press ENCODER to select eects category.

back

Turn the ENCODER to highlight a replacement eect, then press ENCODER to select it.

ROCK & ROLL

TWIN

REVERB

FUZZ

POST FX 1

ADD FX

BYPASS

DELETE

MOVE

REPLACE

ROCK & ROLL

FUZZ

TWIN

REVERB

POST FX 1

RANGER

BOOST

SAVE

With the eect replaced (as indicated here by white arrow below it and label above it), continue editing other

parameters or press the illuminated SAVE utility button to keep completed edits.

MOVING AN EFFECT

To move an eect to a dierent position in the signal path, highlight the eect to be moved in the SIGNAL PATH LAYER and press the ENCODER. Select “MOVE” from the menu of eects placement options and press the ENCODER again. An orange box will appear around the selected eect name, along with a blinking white arrow indicating that the eect is ready to be moved. Turn the ENCODER to reposition the selected eect; press the ENCODER to place the eect in a new position.

The SIGNAL PATH LAYER will then display the eect in its new position; the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now moved, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illustrations below and on next page).

To move a highlighted eect, rst press the ENCODER to access the menu of eects placement options.

Turn the ENCODER to highlight “MOVE” in eects placement options menu, then press the ENCODER to select it.

ROCK & ROLL

TWIN

REVERB

The selected eect, highlighted with a white arrow below it and label above it, appears in an orange box indi-

cating that it is ready to be moved to a dierent position in the signal path by turning the ENCODER.

POST FX 1

REVERBFUZZ

ROCK & ROLL

TWIN

REVERB

FUZZ

REVERB

PRE FX 2

After moving the selected eect by turning the ENCODER, press the

ENCODER to select its new position in the signal path.

ROCK & ROLL

FUZZ

PRE FX 2

REVERB

TWIN

REVERB

SAVE

With the eect moved to a new position (as indicated here by white arrow below it and label above it), contin-

ue editing other parameters or press the illuminated SAVE utility button to keep completed edits.

ADDING AN EFFECT

There are two ways to add an eect.

In the rst method, highlight one of the two placeholder plus-sign symbols in the SIGNAL PATH LAYER by turning the ENCODER. The circle containing the plus-sign symbol will turn green. Press the ENCODER to see a menu of four eects categories—Stomp Box, Modulation, Delay and Reverb. Highlight a category by turning the ENCODER, then press the ENCODER to access the eects in that category. Scroll through the eects and press the ENCODER to select an eect.

The SIGNAL PATH LAYER will then display the newly added eect in a green box with a blinking white arrow below it and a label above it, indicating that the eect can be moved to a dierent position (if preferred) by turning and then pressing the ENCODER.

When an eect is added, the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now added, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illustrations below and on next page). Note that pressing the PRESET LAYER button corresponding to the circled “X” in the DISPLAY WINDOW closes the eects category and eect menus; pressing it when it corresponds to the label “back” returns the user to the previous screen.

ROCK & ROLL

TWIN

REVERB

FUZZ

To add an eect, highlight the placeholder plus-sign symbol by turning the ENCODER to it. The circle contain-

ing the plus-sign symbol will turn green. Press the ENCODER to access a menu of four eects categories.

TOUCH WAH

WAH

COMPRESSOR

SIMPLE COMP

RANGER BOOST

ROCK & ROLL

TWIN

REVERB

FUZZ

WAH

BABY

POST FX 1

ROCK & ROLL

TWIN

REVERB

FUZZ

WAH

SAVE

POST FX 1

BABY

MODULATION

STOMPBOX

DELAY

REVERB

Select an eects category by scrolling to it and pressing the ENCODER.

back

Select an eect by scrolling to it and pressing the ENCODER.

The newly added eect, highlighted with a white arrow below it and label above it, appears in a green box indi-

cating that it can be left in place or moved to a dierent position in the signal path by turning the ENCODER.

ROCK & ROLL

FUZZ

PRE FX 2

WAH

TWIN

REVERB

BABY

After moving the newly added eect by turning the ENCODER,

press the ENCODER to select its new position in the signal path.

With the added eect in position (as indicated here by white arrow below it and label above it), continue edit-

ing other parameters or press the illuminated SAVE utility button to keep completed edits.

In the second method of adding an eect, highlight an existing eect in the SIGNAL PATH LAYER and press

ADD FX

BYPASS

DELETE

MOVE

REPLACE

MODULATION

STOMPBOX

DELAY

REVERB

TOUCH WAH

WAH

COMPRESSOR

SIMPLE COMP

RANGER BOOST

the ENCODER. Select “ADD FX” from the menu of eects placement options and press the ENCODER again. Select one the four eects categories that will appear and press the ENCODER to access the eects in that category. Scroll through the eects and press the ENCODER to select an eect.

ROCK & ROLL

TWIN

REVERB

POST FX 1

REVERBFUZZ

LEVEL DECAY

DWELL DIFF TONE

In another way to add an eect, highlight an existing eect within a preset by turning the

ENCODER to it and pressing the ENCODER to see a menu of four eects categories.

Select “ADD FX” in the eects placement options menu by scrolling to it and pressing the ENCODER.

Select an eects category by scrolling to it and pressing the ENCODER.

back

Select an eect by scrolling to it and pressing the ENCODER.

ROCK & ROLL

TWIN

REVERB

FUZZ

WAH

SAVE

POST FX 1

BABY

ROCK & ROLL

TWIN

REVERB

FUZZ

POST FX 1

LEVEL DECAY

DWELL DIFF TONE

ROCK & ROLL

POST FX 1

WAH

BABY

FUZZ

TWIN

REVERB

The newly added eect, highlighted with a white arrow below it and label above it, appears in an green box

indicating that it can be left in place or moved to a dierent position in the signal path by turning the ENCODER.

ROCK & ROLL

FUZZ

PRE FX 2

WAH

TWIN

REVERB

BABY

After moving the newly added eect by turning the ENCODER, press the

ENCODER to select its new position in the signal path.

With the added eect in position (as indicated here by white arrow below it and label above it), continue edit-

ing other parameters or press the illuminated SAVE utility button to keep completed edits.

DELETING AN EFFECT

To delete an eect from the signal path, highlight the eect in the SIGNAL PATH LAYER and press the ENCODER. Select “DELETE” from the menu of eects placement options and press the ENCODER again; the eect will be removed from the signal path and another eect in use (if any) will shift into its place. If the deleted eect was the only eect in the signal path (pre or post), a placeholder symbol consisting of a plus sign (+) in a circle will appear in its spot.

When an eect is deleted, the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now deleted, further edits can then be made or the SAVE utility button can be pressed to keep completed edits (see illus-

trations below and on next page).

To delete a highlighted eect, rst press the ENCODER to access the menu of eects placement options.

ADD FX

BYPASS

DELETE

MOVE

REPLACE

Select “DELETE” in the eects placement options menu by scrolling to it and pressing the ENCODER.

ROCK & ROLL

FUZZ

AMPLIFIER

TWIN

REVERB

SAVE

The SIGNAL PATH LAYER will then show the eect has been deleted (as indicated by white arrow), either by replacing

it with a plus-sign placeholder symbol (as seen here) or by shifting another eect (if present) into its position.

EDITING EFFECTS SETTINGS

To edit the control settings of a particular eect, turn the ENCODER to highlight the eect in the SIGNAL PATH LAYER, then press the CONTROLS LAYER button, which presents the individual controls for each eect. Turn the ENCODER to scroll through available eect controls, which will each turn blue as they’re highlighted, and press the ENCODER to select a specic eect control, which will then turn red.

After selecting a specic eect control, turn the ENCODER to edit that specic eect control to preference, and press the ENCODER again to keep the edited eect control setting. The edited eect control will then turn from red back to blue. When an eect control is edited, the box containing the preset number will change from blue to red (indicating that a preset edit has been made), and the SAVE utility button will illuminate. With the eect now edited, further eects control edits can then be made or the SAVE utility button can be pressed to keep completed preset edits (see illustrations below and on next page).

ROCK & ROLL

TWIN

REVERB

LEVEL DECAY

DWELL DIFF TONE

To edit the settings of a particular eect, highlight the eect in the SIGNAL PATH layer

by scrolling to it with the ENCODER; then press the CONTROLS LAYER button.

POST FX 1

REVERBFUZZ

ROCK & ROLL

TWIN

REVERB

POST FX 1

LEVEL

FUZZ

DECAY DWELL DIFF TONE

In the CONTROLS LAYER, highlight an eect control by scrolling to it

ROCK & ROLL

TWIN

REVERB

LEVEL

FUZZ

DECAY

DWELL DIFF

TONE

REVERB

POST FX 1

ROCK & ROLL

FUZZ

SAVE

TWIN

REVERB

LEVEL

DECAY

DWELL DIFF

TONE

REVERB

POST FX 1

ROCK & ROLL

FUZZ

SAVE

LEVEL DECAY

DWELL DIFF TONE

REVERB

POST FX 1

TWIN

REVERB

using the ENCODER; each eect control turns blue as it’s highlighted.

ROCK & ROLL

POST FX 1

REVERB

FUZZ

TWIN

REVERB

LEVEL

DECAY

DWELL DIFF

TONE

Press the ENCODER to select a specic eect control for adjustment, which will then turn red.

Turn the ENCODER to edit the selected eect control to preference.

Press the ENCODER to keep the edited eect control setting; the eect control will return to blue.

With the specic eect control edited to preference, continue editing other parameters

or press the illuminated SAVE utility button to keep completed edits.

USING THE TAP TEMPO BUTTON

In presets that include Modulation eects, Delay eects or both*, the TAP utility button ashes in time with the default rate of the last delay eect in the signal path (or last modulation eect if no delay eect is present). This rate can be left as is, or it can be modied using the TAP utility button. To set a new TAP tempo, tap the ashing TAP utility button at the desired tempo at least two times (see illustration below). The TAP utility button will function regardless of which layer is highlighted (PRESET LAYER, SIGNAL PATH LAYER or CONTROLS LAYER).

ROCK & ROLL

TWIN

REVERB

To change the tempo of the rst delay eect (or modulation eect if no delay eect is present), tap

Various time parameters for all delay and modulation eects in the signal path can be adjusted in the CONTROLS LAYER without use of the TAP utility button. In the SIGNAL PATH LAYER, use the ENCODER to highlight the delay or modulation eect to be modied; its controls will then appear in the CONTROLS LAYER. Enter the CONTROLS LAYER by pressing its corresponding layer button, and scroll to the time parameter to be changed using the ENCODER. Press and turn the ENCODER to select and adjust the desired time value, during which the window containing the time value will turn red; press the ENCODER again to keep the new time value (see illustration below).

REVERBFUZZ

TAP

the TAP utility button at the desired tempo.

ROCK & ROLL

POST FX 2

DELUXE REVERB

DELAY

LEVEL

60ms

DELAY TIME

DELAY

TAP

Delay and modulation eects tempos can also be changed by highlighting the time parameter’s numerical value in the

CONTROLS LAYER, then pressing and turning the ENCODER to set the desired tempo.

TAP TEMPO SUBDIVISIONS

Mustang GTX delay and modulation eects can be synched to the player’s preferred BPM rate. To see the current BPM rate, press the TAP utility button once; the rate will appear in the DISPLAY WINDOW:

back

TAP TEMPO

120 bpm

mode: preset

TAP

* Mustang GTX modulation and delay eects are listed on pages 24-26.

There are two modes for BPM—”global” and “preset”. “Global” mode applies a single BPM to all presets. In “preset” mode, each preset has its own BPM, which can be set individually per preset (the default rate is 120 BPM). To switch from one BPM mode to the other, press the bottom LAYER BUTTON corresponding to “mode: preset” or “mode: global” in the DISPLAY WINDOW; turn the ENCODER to adjust the BPM rate:

back

TAP TEMPO

133 bpm

mode: global

TAP

SETTING NOTE DIVISIONS

To synch an eect to the BPM rate, the user can set a specic “note division” for modulation and delay eects. When the note division is set, the time value is automatically calculated to t with the current BPM setting. If the time parameter is changed, the note division is automatically set to “o”.

Note divisions values are o, whole note, half note, dotted half note, half note triplet, quarter note, dotted quarter note, quarter note triplet, eighth note, dotted eighth note, eighth note triplet, sixteenth note, dotted sixteenth note, sixteenth note triplet, thirty second note, dotted thirty second note and thirty second note triplet.

To set note divisions, go to the CONTROLS LAYER of the selected modulation or delay eect by pressing the corresponding bottom LAYER BUTTON. Use the ENCODER to scroll to and select “NOTE DIVISION” (abbreviated “DIV”); then turn and press the ENCODER to select a note division value:

BLACK HOLE VIBE

’59

BASSMAN

5.67

OFF

LEVEL ROTOR DEPTH

NOTE DIVISION

POST FX 1

VIBRA-

TONE

FDBK PHASE

BLACK HOLE VIBE

’59

BASSMAN

5.67

1/8

LEVEL ROTOR DEPTH

NOTE DIVISION

POST FX 1

VIBRA-

TONE

FDBK PHASE

If all note divisions are o, BPM will correspond to rate of last delay or modulation eect in the signal path.

LIST OF EFFECTS TYPES

Mustang GTX onboard eects are organized into six category menus: Stompbox eects (15), Modulation eects (15), Delay eects (13), Reverb eects (14), Dynamics+EQ eects (7) and Filters+Pitch eects (9). Names and descriptions of each appear below, by category. Mustang GTX eects will be continually revised and updated.

STOMPBOX EFFECTS

Ranger Boost Distortion eect inspired by the ’60s-era Dallas Rangemaster Treble Booster

Overdrive Versatile Fender overdrive specially designed for Mustang GTX

Mythic Drive Inspired by the ’90s-era Klon Centaur germanium-diode overdrive

Greenbox

Overdrive eect inspired by the original late-’70s

Ibanez TS808 Tube Screamer

Blackbox Distortion eect inspired by the Pro Co RAT

Yellowbox Distortion eect inspired by the ’70s-era MXR Distortion Plus

Orangebox Distortion eect inspired by the original late-’70s Boss DS-1

Fuzz

Versatile Fender fuzz with added octave specially

designed for Mustang GTX

Big Fuzz Distortion eect inspired by the Electro-Harmonix Big Mu

Varifuzz Versatile Fender fuzz with bass tightness control

Round Fuzz Inspired by the classic late 1960s Fuzz Face

Octobot Synth-like combination of octave-down eect plus octave-up fuzz

Ram Fuzz Distortion eect inspired by the Electro-Harmonix Big Mu Pi (Ram’s Head model)

Russian Fuzz Same as “Ram Fuzz” above, but based on the Russian-made version of the 1990s

Tube OD Distortion eect inspired by the B.K. Butler Tube Driver

MODULATION EFFECTS

Note that the TAP utility button works with Mustang GTX modulation eects, and ashes when a preset using one or more modulation eects is in use.

Sine Chorus

Triangle Chorus

Sine Flanger

Triangle Flanger

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.

Smoothly rounded chorus eect that uses a sine

wave for modulation

Distinctive chorus eect that uses a triangle

wave for modulation

Smoothly rounded anging eect that uses a sine

wave for modulation

Distinctive anging eect that uses a triangle

wave for modulation

MODULATION EFFECTS (CONT’D.)

Vibratone

Vintage Tremolo

Sine Tremolo

Ring Modulator

Phaser

Classic Fender “stuttering” photoresistor tremolo, as heard in Fender amps such

Smoothly pulsating tube bias tremolo, as heard in amps such as the Fender

Classic late-’60s/early-’70s Fender eect with a

rotating speaker bae

as the Twin Reverb

Princeton Reverb

Creatively non-harmonic dissonance from the early era

of electronic music

Long-indispensable jetliner “whoosh” heard on

countless recordings

Phaser 90 Phase shifter eect inspired by the classic ’70s MXR Phase 90

Vibe Unit Based on the late-’60s Uni-Vibe phaser/vibrato pedal

Harmonic Tremolo Based on the distinctive eect built into certain early-’60s Fender amps

4-Knob Flanger Based on the MXR M117 Flanger

JC Chorus

Based on the bucket-brigade analog chorus of the classic

Roland JC-120 Jazz Chorus amplier

JC Vibrato Inspired by the Roland JC-120 amp’s onboard vibrato eect

DELAY EFFECTS

Note that the TAP utility button works with Mustang GTX delay eects, and ashes when a preset using one or more delay eects is in use.

Mono Delay Clean, simple and pristine signal repetition

Mono Echo Filter

Stereo Echo Filter

Tape Delay

Stereo Tape Delay Similar to Tape Delay above, but with stereo eld expansion

Multi Tap Delay

Reverse Delay

Ping Pong Delay

Ducking Delay

Mono echo with an evenly spaced wah-like eect

on the signal repetitions

Stereo echo with an evenly spaced wah-like eect

on the signal repetitions

Based on an classic analog tape echo unit with imperfections

that created distinctive “wow” and “utter”

Rhythmic delay that can be subdivided into multiple

“taps” with diering time intervals

Reverses the shape of notes for the classic

“backwards guitar” eect

Repetitions in the stereo eld alternate between right and left,

imparting a “ping pong” eect

Delayed notes “duck” out of the way while playing, and

ll in gaps when not playing

DELAY EFFECTS (CONT’D.)

2290 Delay

Memory Delay

Inspired by the TC Electronic TC 2290 delay, a 1980s studio-standard digital delay still sought after today for its crisp repeats and versatile panning/modulation options

Inspired by the Electro-Harmonix Deluxe Memory Man, a late-’70s “bucket-brigade”

delay pedal that imparts dis- tinctive character to repeats and modulation

Space Delay Based on the beloved Roland RE-201 Space Echo

Tape Plex Faithful recreation of the Maestro Echoplex EP-3 echo

REVERB EFFECTS

Small Hall

Mod. Small Hall

Large Hall

Mod. Large Hall

Small Room

Large Room

Builds on Fender’s Small Hall Reverb by adding lush modulation to internal reverb structure. Added high- and low-frequency cut controls further expand creative possibilities

Strong, bright reverb simulating the size of, for example, a major performance hall and

Similar to Mod Small Hall Reverb above, with modulation added to internal structure of

Warm-sounding kind of reverb heard in larger rooms that aren’t halls, such as many

Simulates the kind of bright reverb often heard in,

for example, a hall the size of a movie theater

other large, cavernous spaces

Fender Large Hall Reverb

Warmer, less echo-y reverb typical of smaller spaces

and classic echo chambers

nightclubs

Small Plate Resonantly metallic reverb with more density and atness than room and hall reverbs

Large Plate

The reverb type heard on countless recordings, based on

the classic (and pool table-sized) EMT 140

’63 Spring Classic early-’60s standalone Fender reverb eect

’65 Spring Fender reverb eect built into classic mid-’60s Fender amps

Arena

Ambient

Shimmer

GA-15 Reverb

Subtle reverb eect typical of notably smaller spaces (even smaller than

Simulates the long-trailing reverberation typical of

large stadiums and arenas

Small Room reverb above)

Sonically radiant combination of reverb and

two-octave pitch shift

Based on the ’60s-era Gibson GA-15 amp reverb, unique in

its ability to go “full wet” (no dry signal)

DYNAMICS+EQ EFFECTS

Simple Comp Compressor eect inspired by the classic MXR Dyna Comp

Compressor

Sustain

Metal Gate

Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with a particularly

Inspired by the ISP Technologies Decimator II G String pedal. Especially ideal for high-

Same as Simple Compressor above, with added gain,

threshold, attack and release controls

strong compression eect and a short attack time

gain metal, with a very fastattenuation curve

EQ Parametric Parametric midrange equalizer plus bass and treble controls

EQ5 Graphic Similar to the Mesa Boogie Mark IIC+ ve-band graphic equalizer

EQ7 Graphic Seven-band graphic equalizer based on the Boss GE-7

FILTERS+PITCH EFFECTS

Pedal Wah

Touch Wah

Dual-mode wah inspired by the Dunlop Cry Baby

and ’60s-era Vox Clyde McCoy wah pedal

Similar to Pedal Wah above, but controlled by picking

dynamics rather than an expression pedal

Envelope Filter Inspired by the funktastic 1970s Mu-Tron III

Step Filter

Rhythmically choppy modulation eect that dices notes into

distinctly alternating “steps”

Pitch Shifter Simple pitch shifter that adds another note above or below the dry signal pitch

Diatonic Pitch

Pedal Shift

Pedal Harmony

Pedal Detune

Based on pitch-shift functions of the DigiTech Whammy pedal; best when used

Based on harmonizer functions of the DigiTech Whammy pedal; best when used

Based on detuning functions of the DigiTech Whammy pedal; best when used

Pitch shifter that produces a chosen musical interval

to create harmonized notes in key

with EXP-1 Expression Pedal (page 45)

MENU FUNCTIONS

Just to the right of the ENCODER is a vertical column of four utility buttons. The third one down is the MENU utility button, which enables access to a variety of Mustang GTX special functions (see illustration below). These functions are referenced elsewhere in this manual; all are listed and briey described here.

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

After pressing the MENU utility button, use the ENCODER to scroll through and select one of Mustang GTX’s several dierent MENU functions. These functions are:

SETLISTS: For creation and use of Setlists containing user-selected groups of presets (pages 29-32).

CLOUD PRESETS: Enables cloud preset storage and use (pages 54-55).

WIFI & BLUETOOTH: For turning WiFi on/o, selecting and connecting to a network, and adding a password

(pages 32-34). Also for accessing and using Mustang GTX’s Bluetooth functionality (pages 35-36).

EQ & AMP SETTINGS: For accessing built-in Global EQ proles (pages 49-50), gain control for USB and line out (pages 38, 50), Preset Organizer (pages 51-52) and About This Amp feature (page 54). Also enables restoration of factory presets and amplier settings (page 53).

FOOTSWITCH: For use with GTX-7 Footswitch (pages 39-44) and EXP-1 Expression Pedal (pages 45-48). MGT-4 Footswitch is also compatible with Mustang GTX.

TUNER: Enables use of Mustang GTX’s built-in chromatic tuner (page 37).

SETLISTS

SETLIST 1

For individual convenience, presets can be grouped together in “Setlists.” These are user-created groups containing any arrangement of presets ideal for a particular situation—a gig or rehearsal, a favorites list, genre, artist list, etc. Simple to create and edit, Setlists personalize and streamline the Mustang GTX experience so that users can access multiple presets quickly and easily.

To create a Setlist, rst press the MENU utility button and use the ENCODER to scroll to and select SETLIST:

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

A green plus-sign box will appear; press the ENCODER on it to create a new Setlist:

A blue box labeled “SETLIST 1” will appear; press the ENCODER on SETLIST 1 to begin adding presets to it:

The green plus-sign box will then reappear; press the ENCODER on it to see a list of presets to select from:

Use the ENCODER to scroll among presets to add to SETLIST 1, then press the ENCODER to select a desired preset:

99 - PRESET

100 - PRESET

1 - PRESET

2 - PRESET

3 - PRESET

The selected preset is now added to SETLIST 1; repeat the previous two steps to add additional presets to

33 - PRESET

88 - PRESET

1 - PRESET

25 - PRESET

50 - PRESET

33 - PRESET

88 - PRESET

1 - PRESET

25 - PRESET

50 - PRESET

SETLIST 1

1 - PRESET

SETLIST 1. Once multiple presets have been added to SETLIST 1, use the ENCODER to scroll through and activate dierent presets within the selected Setlist:

When nished creating and using a Setlist, return to main preset mode by pressing the top LAYER BUTTON. Note that when doing this, the PRESET LAYER will display whichever preset was last highlighted in the Setlist:

To clear all presets from a Setlist, use the ENCODER to scroll to the Setlist to be cleared, then press the CONTROLS LAYER button corresponding with the “gear” icon:

“CLEAR SETLIST” will appear in a blue box; press the ENCODER on it to clear all the presets in that Setlist. Alternately, press the top LAYER button corresponding to “back” in the DISPLAY WINDOW to not clear a Setlist:

back

CLEAR SETLIST

To delete a single preset within a Setlist, highlight the preset to be deleted by scrolling to it using the ENCODER; press the CONTROLS LAYER button corresponding with the “gear” icon in the DISPLAY WINDOW:

“DELETE” will then appear in a blue box; press the ENCODER on it to delete that preset. Alternately, press the PRE-

DELETE

back

SET LAYER button corresponding to “back” in the DISPLAY WINDOW to not delete the preset from the Setlist:

To create subsequent additional Setlists, repeat the steps on pages 29 and 30. These will automatically be labeled “SETLIST 2,” “SETLIST 3” and so on in numerical order.

Note that Mustang GTX includes cloud-based backup and restore functions for setlists (see page 56).

SETLISTS: QUICK-SAVE PRESET “FAVORITES”

A favorite preset can be saved quickly and conveniently to a “FAVORITES” Setlist. To save a preset in “FAVORITES,” simply press and hold the ENCODER for a few seconds until the preset number block turns from blue to gold:

BLUES 1951

EXCEL-

SIOR

SIMPLE

COMP

OFF

BRT

The preset is automatically added to a Setlist titled “FAVORITES,” which can be accessed by pressing the MENU utility button and using the ENCODER to scroll to and select “SETLIST.” The “FAVORITES” Setlist is always the rst one displayed:

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

FAVORITES

Press the ENCODER on “FAVORITES” to scroll among and select the presets stored there:

29 DUAL CHORUS

95 GILA MONSTER

34 MEANER STREETS

85 BLUES 1951

back

To remove a preset from the “FAVORITES” Setlist, press and hold the ENCODER wheel again for a few seconds until the preset number block turns from gold to back to blue.

SETLISTS MENU SHORTCUT

The Setlist menu can be quickly and easily accessed using a shortcut straight from Mustang GTX’s top control panel. Simply press and hold the top LAYER BUTTON, and the Setlist view will be displayed:

FAVORITES

NOTE: The maximum number of Setlists is 25 (including “FAVORITES”); each Setlist can contain a maximum of 50 presets.

WIFI USE

Mustang GTX’s WiFi connectivity delivers easy wireless network access, enabling users to get the latest Mustang GTX rmware updates (see page 60). To get started, press the MENU utility button and use the ENCODER to scroll to “WIFI & BLUETOOTH,” then press the ENCODER on “WiFi”.

The default WiFi setting is “o,” indicated by a red box labeled “WIFI OFF.” Press the ENCODER again to turn WiFi on, indicated by a green box labeled “WIFI ON.” When WiFi is on, use the ENCODER to scroll through available networks; select a network by pressing the ENCODER on it. If a known network is not displayed, it can be entered manually by selecting the “ADD HIDDEN NETWORK” option at the end of the list of available networks and using the ENCODER to enter the characters (as shown on page 6). Once a network is chosen, select “CONNECT” from the menu shown by pressing the ENCODER on it (other options in this menu are covered on page 34).

After choosing “CONNECT,” the amp will then prompt the entry of a password. To spell out a password, press the ENCODER once to activate the cursor and turn it to choose a character. Press ENCODER again to enter that character and move to the next; repeat until password is complete. When password is complete, press the top LAYER button (corresponding with onscreen prompt “done”). Successful network connection is indicated by a green dot to the left of the network name. All steps are illustrated below and on the following page.

Note that pressing the PRESET LAYER and CONTROLS LAYER buttons also enable closing out of some menus (indicated by an “x”) or returning to the previous step (indicated by the label “back”).

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

To enable WiFi, rst press the MENU utility button.

WIFI OFF

back

WIFI ON

NETWORK 1

NETWORK 3

NETWORK 2

back

ADD HIDDEN NETWORK

NETWORK 3

NETWORK 2

NETWORK 1

back

CONNECT

FORGET

INFO

MODIFY

back

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

Use the ENCODER to scroll through the menu to “WiFi & Bluetooth,” then press the ENCODER and select “WiFi”.

The default WiFi setting is “o” (labeled in a red box); press the ENCODER to turn WiFi on (labeled in a green box).

When WiFi is on (as labeled in green box), use the ENCODER to scroll through available

networks; select a network by pressing the ENCODER on it.

A network can be accessed manually by scrolling to and selecting “ADD HIDDEN NETWORK,” and

entering characters by turning and pressing the ENCODER.

After choosing a network, select “CONNECT” from the menu shown by pressing the

ENCODER on it (other options on this menu are covered on page 34).

ENTER PASSWORD:

*******

back

After selecting “CONNECT,” enter a password by turning and pressing the ENCODER to add each character.

done

ENTER PASSWORD:

A B C D E F G

When password is complete, press the PRESET LAYER button (corresponding with onscreen prompt “done”).

back

WIFI ON

NETWORK 1

NETWORK 2

NETWORK 3

A green dot to the left of the network name indicates successful network connection.

When WiFi is turned on in Mustang GTX, there are other network menu options in addition to “CONNECT.” These are labeled “FORGET,” “MODIFY” and “INFO” (see illustration below). Use the ENCODER to scroll through and select one of these options, which are described below.

back

CONNECT

FORGET

MODIFY

INFO

Close-up detail of DISPLAY WINDOW showing additional WiFi network options “FORGET,” “MODIFY” and “INFO”.

FORGET: For disconnecting a network and removing it from the amp’s memory. To re-establish a connection with a “forgotten” network, follow the steps for “ADD HIDDEN NETWORK” (pages 32-33).

MODIFY: For modications to the current network’s displayed “SSID,” “PROTOCOL” and “PASSWORD” paramters. Use the ENCODER to scroll to and select one of these parameters, then turn and press the ENCODER to enter individual characters until modications are complete.

INFO: Displays the current network’s name (SSID), signal description, protocol, and connection status. This information can not be modied by the user.

BLUETOOTH USE

BLUETOOTH ON

back

Mustang GTX ampliers feature Bluetooth connectivity for easy pairing with streaming audio devices and the Fender Tone™ application. Favorite music streaming applications from the user’s audio device can be used to stream audio to Mustang GTX.

To enable Bluetooth, press the MENU utility button and use the ENCODER to scroll to “WIFI & BLUETOOTH,” then press the ENCODER on “BLUETOOTH”. The default Bluetooth setting is “o,” indicated by a red box labeled “BLUETOOTH OFF.” Press the ENCODER again to turn Bluetooth on, indicated by a green box labeled “BLUETOOTH ON.” Once Bluetooth is on, select “MUSTANG GTX” on the external device being connected to the amp. Users who wish to rename Mustang GTX on their external devices can do so by pressing the CONTROLS LAYER button corresponding to the “gear” icon in the DISPLAY WINDOW, and using the ENCODER to enter each character in a new name (as shown on page 6). Pressing the PRESET LAYER button enables closing out of a menu (indicated by an “x” in a circle) or returning to the previous step (indicated by the label “back”).

Note that Bluetooth audio streaming and USB audio (page 38) can not be used simultaneously.

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

To enable Bluetooth, rst press the MENU utility button.

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

Use the ENCODER to scroll through the menu to “WIFI & BLUETOOTH,” then press the ENCODER on “BLUETOOTH”.

back

BLUETOOTH OFF

The default Bluetooth setting is “o” (labeled in a red box); press the ENCODER to turn Bluetooth on (labeled in a green box).

When amp Bluetooth function is on (as labeled in green box), select “MUSTANG GTX” on external device.

When a streaming device is connected to Mustang GTX, a Blutooth icon will appear at the top left of the DISPLAY WINDOW, indicating streaming readiness:

BASIC BROWN DELUXE

’61

DELUXE

TONE

When the Fender TONE app is connected to Mustang GTX, a “TONE” icon will appear at the top left of the DISPLAY WINDOW:

BASIC BROWN DELUXE

’61

DELUXE

TONE

BLUETOOTH VOLUME CONTROL

The volume level of a Bluetooth device used with Mustang GTX can be controlled using the volume control on the external device itself, or by using the “BT & AUX VOLUME” menu function. To use this function within the BLUETOOTH menu, use the ENCODER to scroll to and select “BT & AUX VOLUME”. Use the ENCODER to scroll to and select one of four options. “MASTER” enables Bluetooth volume to be set using the Mustang GTX top panel MASTER VOLUME control. “HIGH” and “LOW” oer further customized volume levels, and “NORMAL” returns the user to the amp’s “medium” default Bluetooth volume setting (see illustrations below).

back

BLUETOOTH ON

RENAME AMP

BT & AUX VOLUME

HIGH

NORMAL

LOW

MASTER

back

BUILT-IN TUNER

TUNER

To access Mustang GTX’s built-in chromatic tuner, press and hold TAP utility button for two seconds, or press the MENU utility button and select TUNER by turning and pressing the ENCODER (see illustrations below).

The letter name of the note is displayed, and vertical bars on either side of the longer vertical center bar will illuminate red to indicate varying degrees of sharpess (to the right) and atness (to the left). Precise numerical pitch values (in cents) also appear on both sides of the display. When the note is in tune, the center vertical bar will illuminate in green. When nished tuning, exit tuner mode by pressing the PRESET LAYER button. Note that tuner use mutes speaker output. and that the GTX-7 Footswitch also has a tuning function (see page 44).

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

-50 +50

view

Note also that when in TUNER mode, the original Mustang GT “bouncing ball” tuner mode remains available by pressing the bottom LAYER BUTTON corresponding to “view” in the DISPLAY WINDOW (see illustrations below). Mustang GTX automatically saves the user’s preferred tuner mode.

view

AUXILIARY AND HEADPHONE JACKS

The Mustang GTX control panel features two 1/8”-inch jacks—an auxiliary input for connecting external mobile/audio devices and an output for convenient headphone use.

Note that when using the auxiliary input, volume levels for external devices are set using volume controls on the external devices themselves, or by using the Mustang GTX “BT & AUX VOLUME” menu function described on page 36. Also note that when headphones are plugged in, speaker output is muted.

USB CONNECTIVITY

The Mustang GTX rear panel features a USB audio port for recording. Using a micro USB cable (not included), connect a computer with recording software to this port. No external driver is needed to connect to an Apple computer. To connect to a Windows-based computer, the user must download the ASIO driver setup with Fender Mustang device, available at www. fender.com/support/articles/fender-universal-asio-drive. Note that USB audio and Bluetooth audio streaming (page 35) can not be used simultaneously.

A gain control for the USB is located in the “EQ & AMP SETTINGS“ menu. Press the MENU utility button, then use the ENCODER to scroll to and select “EQ & AMP SETTINGS“, and then “LINE OUT/ USB GAIN”. Use the ENCODER to scroll to and select a new USB gain value (page 50).

LINE OUT AND FX SEND/RETURN

Mustang GTX ampliers feature rear-panel balanced line output jacks (right and left) for connection to external recording and sound reinforcement equipment (see illustration below).

Close-up detail of rear-panel right and left balanced line outputs.

The gain control described above for the USB audio port can also be used for the line out, using the same steps.

Mustang GTX also features an eects loop. The right/left FX send and right/left FX return jacks on the far right of the rear panel are for mono or stereo external eects use (see illustration below); a mono eect can be plugged into the right or left channel. Note that eects connected to these jacks are “global” (not preset-specic) and will act as the last elements in the signal path.

Close-up detail of rear-panel right and left FX send/return jacks.

FOOTSWITCH USE

Three foot-control devices can be used with Mustang GTX ampliers—the GTX-7 and MGT-4 footswitches and the EXP-1 Expression Pedal.

The seven-button GTX-7 Footswitch comes with Mustang GTX100 and is optional for Mustang GTX50. It enables convenient remote foot control of several functions, including the built-in tuner, amp preset selection, eects bypass, 60-second looper and more. The EXP-1 Expression Pedal, optional for both Mustang GTX amps, is a dual-mode digital pedal that controls Mustang GTX volume and amp/eect parameters.

The four-button MGT-4 Footswitch is optional for both Mustang GTX amp models. Note that instructions for using the MGT-4 Footswitch can be found online in the Mustang GT Guitar Amplier Expanded Owner’s Manual

Rev. A (PN 7712493000), and in the Mustang GT Guitar Amplier Addendum to Expanded Owner’s Manual Firmware V2.0 (PN 7715279000).

Connect the GTX-7 or MGT-4 footswitch to the FOOTSWITCH jack on the amp’s rear panel. The amplier automatically defaults to the connected footswitch while the amp is fully booted. The GTX-7 or MGT-4 footswitch can be combined with the EXP-1 Expression Pedal by “chaining” the two pedals together.

The GTX-7 Footswitch has seven buttons—a BANK UP button at upper left, a MODE/TUNER button at upper right, and ve numbered FUNCTION buttons along the bottom. Three MODE LEDs are at upper right, and ve FUNCTION LEDs are arrayed with one above each FUNCTION button. The DISPLAY WINDOW is at top center.

A. BANK UP BUTTON: Used to move up and down through consecutive groups (“banks”) of ve presets.

GTX-7 FOOTSWITCH FEATURES

B. DISPLAY WINDOW: Displays footswitch function currently in use.

C. MODE LEDS: Color-coded LEDs indicate which of three modes is in use—PRESETS (red), EFFECTS (amber)

or LOOPER (green).

D. MODE/TUNER BUTTON: Used to select among PRESETS, EFFECTS and LOOPER modes; press and hold for

chromatic TUNER mode.

E. FUNCTION BUTTONS/LEDS: Five numbered buttons enable foot control of various Mustang GTX func-

tions, depending on footswitch mode in use. Red LEDs above each FUNCTION BUTTON indicate various functions in use.

GTX-7 FOOTSWITCH: MODES

The GTX-7 Footswitch oers three Mustang GTX modes—PRESETS, EFFECTS and LOOPER. To choose one, cycle through them by stepping on the MODE button (D) at the upper right of the footswitch repeatedly until the desired mode is reached, as indicated by its color-coded MODE LED (C).

PRESETS MODE

PRESETS mode enables the user to reach any of Mustang GTX’s many presets using the GTX-7 Footswitch. To do this, step on the MODE button (green arrow in illustration below) until PRESETS mode is activated, as indicated by the illuminated red MODE LED directly to the right of the label “PRESETS.”

When the GTX-7 Footswitch is in PRESETS mode, presets become available in consecutive groups of ve called “banks,” with each of the ve presets in a bank sequentially assigned to FUNCTION buttons 1, 2, 3, 4 and 5. To move “upward” through subsequent banks of ve presets, step on the BANK UP button (blue arrow in illustra- tion below). To move “downward” to the preceding bank of ve presets, step on and hold the BANK UP button.

When the bank containing the desired preset is reached, select the desired preset within that bank by stepping on its corresponding FUNCTION button (yellow arrows in illustration below). When the desired preset has been selected, its corresponding red FUNCTION LED will illuminate, and the DISPLAY WINDOW will show the preset in use (see illustration below, in which preset 3 is active). The PRESETS mode LED will ash at the tempo of time-based eects; to change tempo using the GTX-7, tap twice on the currently selected PRESET footswitch.

Note that when activating PRESETS mode, the GTX-7 Footswitch will automatically set itself to whatever MUSTANG GTX preset is already set on the amp. This preset will be assigned to the footswitch FUNCTION button corre-

sponding to the preset’s position within its bank (1, 2, 3, 4 or 5). For example, if the amp is set to preset number 33, the GTX-7 Footswitch in PRESETS mode will also be set to preset number 33 and will assign that preset to FUNCTION button 3 (the third preset in the bank containing presets 31, 32, 33, 34 and 35).

EFFECTS MODE

EFFECTS mode lets the user turn the rst ve eects in a Mustang GTX preset on and o using the GTX-7 Footswitch (known as the EFFECTS mode default or “rst ve” setting).

To do this, step on the footswitch MODE button (green arrow in illustration on next page) until EFFECTS mode is activated; the MODE LED directly to the right of the label “EFFECTS” will illuminate in amber and “EFF” will appear in the DISPLAY WINDOW (see illustration on next page). Any eects in the active preset are then assigned to the footswitch FUNCTION buttons—labeled “FX1”, “FX2”, “FX3”, “FX4” and “FX5” for this purpose (yellow arrows in illustration below). When an eect is on, the red FUNCTION LED above its assigned FUNCTION button will illuminate. To bypass an eect, step on its corresponding FUNCTION button; theeect and its red FUNCTION LED will then turn o. To turn the eect back on, step on its FUNCTION button again.

Up to the rst ve eects in a preset are assigned this way; in a preset with only two eects, for example, they are assigned to FUNCTION buttons “FX1” and “FX2”, as in the example below.

EFFECTS mode example showing a preset with two eects, each assigned to FUNCTION buttons FX1 and FX2. The illuminated red FUNC-

TION LEDs above FX1 and FX2 indicate that both eects are on; both can be turned o by stepping on their respective FUNCTION buttons.

EFFECTS mode also oers a “category” setting in which ve entire categories of eects are assigned to the footswitch FUNCTION buttons, letting the user turn all eects of a particular type on and o in the active preset. In this setting, Stompbox eects are assigned to FUNCTION button FX1, Modulation eects are assigned to FUNCTION button FX2, Delay eects are assigned to FUNCTION button FX3, Reverb eects are assigned to FUNCTION button FX4 and Filters+Pitch eects are assigned to FUNCTION button FX5. Note that the Dynamics+EQ eects category can not be assigned to the footswitch.

To use this EFFECTS mode setting, press the MENU utility button on the amp control panel and use the ENCODER to scroll to and select the “FOOTSWITCH” menu option:

SETLIST

CLOUD PRESETS

WiFi & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

Use the ENCODER to scroll to and select “GTX-7 (7-BUTTON)” from the menu of devices shown, then use the ENCODER to scroll to and select “FX ASSIGN”:

back

MGT-4 (4-BUTTON)

GTX-7 (7-BUTTON)

EXP-1 (EXPRESSION)

FX ASSIGN

LOOPER ON

back

Use the ENCODER to scroll to and select the “category” setting, shown in the DISPLAY WINDOW as “1.STMP

2.MOD 3.DLY”, then press the MENU utility button to return to the active preset:

FIRST 5 (DEFAULT)

1.STMP 2.MOD 3.DLY

The GTX-7 Footswitch has now assigned Stompbox eects to FUNCTION button FX1, Modulation eects to FX2, Delay eects to FX3, Reverb eects to FX4 and Filters+Pitch eects to FX5; each can be turned on and o by stepping on its designated FUNCTION button. Note that Mustang GTX will “remember” EFFECTS mode settings after turning the amplier o and back on again; in order to return to the default “rst ve” setting previously described, repeat the steps in this section and select the “FIRST 5 (DEFAULT)” menu option in the nal step.

LOOPER MODE

LOOPER mode enables the user to record loops up to 60 seconds long and overdub subsequent parts. Any number of overdubbed parts can be layered over the original recorded part; however, only the last overdub created can be undone. To record a loop, step on the MODE button (green arrow in illustration below) until “LOOPER” mode is activated; the MODE LED directly to the right of the label “LOOPER” will illuminate in green (see illustration below).

To begin recording the rst musical passage, step on FUNCTION button 1 (yellow arrow in illustration below) labeled “REC” for this purpose. The red FUNCTION LED above the button will begin ashing and the DISPLAY WINDOW will show “REC,” indicating that the LOOPER is in recording mode; play a passage of any time duration up to 60 seconds (see illustration below).

When nished playing the rst musical passage, stop recording and start playback by stepping on FUNCTION button 3 (yellow arrow in illustration on next page), labeled “PLAY”. The red FUNCTION LED above FUNCTION button 1 will stop ashing, the red FUNCTION LED above FUNCTION button 3 will illuminate, and the DISPLAY WINDOW will indicate playback by showing “PLA” (see illustration on next page). To stop playback, step on FUNCTION button 4, labeled “STOP” (green arrow in illustration on next page); the DISPLAY WINDOW will show “STP” (not shown in illustration).

When nished playing the rst musical passage, go into overdub mode by stepping on FUNCTION button 2 (yellow arrow in illustration below). The red FUNCTION LED above the button will begin ashing and the DISPLAY WINDOW will show “DUB,” indicating that the LOOPER is now in overdub mode and a second musical passage can be recorded over the rst (overdub mode can also be activated during playback of the rst passage by stepping on FUNCTION button 2). Continue overdubbing musical passages as often as desired. After an overdub is recorded, step on FUNCTION button 3 (green arrow in illustration below) to start playback of all recorded parts; press FUNCTION button 4 (blue arrow in illustration below) to stop playback.

While recording, playing back or stopped on the rst musical passage, the user can undo the recording if desired by stepping on FUNCTION button 5 (yellow arrow in illustration below), labeled “UNDO.” When doing so, recording will stop, the red FUNCTION LED above the button will illuminate and the DISPLAY WINDOW will show the mode is currently in use (“REC” in the illustration below). Once overdubs have been added, however, the UNDO function applies only to the last overdub recorded; preceding overdubs cannot be undone.

TUNER MODE

The GTX-7 Footswitch can also be used for hands-free tuning. To do this, step on and briey hold the MODE button (green arrow in illustration below) to activate the chromatic tuner, upon which the pitch letter closest to the sounded note appears in the DISPLAY WINDOW. FUNCTION LEDs 1 and 2 at left illuminate red to indicate degrees of atness; FUNCTION LEDs 4 and 5 at right illuminate red to indicate degrees of sharpness. When correct pitch is attained, FUNCTION LED 3 at center illuminates red. When tuning is complete, step on any button to exit tuner mode. Note that GTX-7 Footswitch tuner use mutes speaker output.

To activate the GTX-7 Footswitch tuning function, step on and briey hold the MODE button (green arrow). In the example shown

here, an “A” note is displayed as being particularly at, as indicated by the illumination of FUNCTION LED 1 at far left (yellow arrow).

Here, the “A” note is displayed as being slightly sharp, as indicated by the illumination of FUNCTION LED 4 (yellow arrow).

Here, the “A” note is at correct pitch, as indicated by the illumination of FUNCTION LED 3 at center (yellow arrow).

When tuning is complete, step on any button to exit footswitch tuner mode.

EXP-1 (PRESET)

VOL

VOL OFF GAIN

EXP PARAM HEEL TOE

’65

TWIN

back

EXP-1 EXPRESSION PEDAL

The EXP-1 Expression Pedal is a dual-mode foot controller that enables the user to control master volume (“Volume” mode) and various amp and eect parameters (“Expression” mode).

Switch between Volume and Expression modes by stepping on the toe switch (at the top of the pedal). Red and green LEDs indicate the mode in use. Volume mode—indicated by the green LED—controls master volume or can be turned o. Expression mode—indicated by the red LED—controls many Mustang GTX eect parameters such as wah eect frequencies, modulation eect rates, etc.

To set up the EXP-1 for use, connect it to the footswitch jack on the back of the amplier, turn the amp on. Press the MENU utility button on the amp and use the ENCODER to scroll to and select “FOOTSWITCH” (not shown), and then “EXP-1(EXPRESSION)” on the menu shown (see illustration below).

MGT-4 (4-BUTTON)

GTX-7 (7-BUTTON)

EXP-1 (EXPRESSION)

A prompt will appear to select “PRESET SETTINGS” or “GLOBAL SETTINGS” (see illustration below); use the ENCODER to select one. PRESET SETTINGS is used to assign the EXP-1 to a specic amp or eect within a particular preset, in which a wide variety of parameters can be modied, depending on the amp or preset in use. GLOBAL SETTINGS is used to congure parameters that will aect all presets. Both are described in more detail below.

back

PRESET SETTINGS

GLOBAL SETTINGS

PRESET SETTINGS

As noted above, PRESET SETTINGS is used to assign the EXP-1 to a specic amp or eect within a particular preset. To do this, press the ENCODER on PRESET SETTINGS, and the middle SIGNAL PATH LAYER will show— one at a time—the amp and eects in that preset to which the EXP-1 can be assigned. The user can scroll through these by turning the ENCODER (see illustration below).

In EXP-1 PRESET SETTINGS, the amp and eects in a preset to which the EXP-1 can be assigned are shown one by one in the SIGNAL

PATH LAYER; the ENCODER is used to scroll through them. In the example above, a ’65 Twin amp is highlighted.

Once an amp or eect is highlighted in the SIGNAL PATH LAYER, the CONTROLS LAYER below it will show

EXP-1 (PRESET)

OFF

EXP

PARAMETER

HEEL TOE

VOL

OFF

LEVEL

GREEN

BOX

back

EXP-1 (PRESET)

OFF

EXP

PARAMETER

HEEL TOE

OFF

VOL

LEVEL

GREEN

BOX

back

several congurable EXP-1 items for that particular preset. Press the CONTROLS LAYER button to enter the CONTROLS LAYER (see illustration below).

EXP-1 (PRESET)

OFF LEVEL

VOLUME

EXP PARAM HEEL TOE

VOLUME

GREEN

BOX

back

To assign the EXP-1 to a specic eect within a preset, press the CONTROLS LAYER button (yellow arrow) to access items including the parameter settings (“PARAM”) for the eect. In the example shown here, the EXP-1 will control a Green Box overdrive stompbox eect.

Use the ENCODER to scroll to and select “PARAMETER,” which lets the user select a control parameter of the amp or eect shown in the SIGNAL PATH LAYER to be controlled using the EXP-1 in Expression mode (see

illustration below).

Use the ENCODER (yellow arrow) to scroll to “PARAMETER,” which encompasses the individual controls for the eect highlighted in the

SIGNAL PATH LAYER. In the example shown here, “LEVEL” is one of the Green Box overdrive parameters that can be assigned to the EXP-1.

When selected, the parameter box will change from blue to red and the ENCODER can then be used to scroll through dierent control parameters; press the ENCODER on any of these to change their settings for EXP1 pedal use (see illustration below). When a control is selected, it will turn from blue to red, indicating that it can now be adjusted. When adjustment is complete, press the ENCODER again, and the control will return to blue with the new parameter value in place.

From the example above, press the ENCODER (yellow arrow) on “LEVEL.” Its box will change from blue to red, indicating that adjust-

ments can then be made to that parameter of the Green Box overdrive eect for EXP-1 use .

Once a parameter adjustment is complete, press the SAVE utility button to keep parameter changes (see illustration below).

back

SAVE

EXP-1 (PRESET)

OFF

EXP

VOL

GREEN

BOX

LEVEL

PARAMETER HEEL TOE

Several other EXP-1 modes reside in the CONTROLS LAYER. Use the ENCODER to scroll among and select these modes and the options within them. These modes are:

VOLUME MODE (“VOL”): Turns o the EXP-1 Volume mode (green LED) pedal function (see illustrations below).

EXPRESSION MODE (“EXP”): Allows three dierent assignments. “OFF” turns o the EXP-1 Expression mode

pedal function (red LED). “VOLUME” congures EXP-1 to control master volume (similar to VOLUME MODE above). “AMP/FX” congures EXP-1 to control the amp or eect shown in the SIGNAL PATH LAYER.

HEEL/TOE MODES: Together, these specify the range of the parameter to be controlled.

LIVE MODE: When ON, the congured parameter immediately jumps to the value “commanded” by the po-

sition of the pedal. When OFF, initial pedal position is “ignored” until the pedal is actually moved, after which it’s in synch with the congured parameter.

BYPASS MODE: When ON, eect bypass can be toggled on and o using the EXP-1 toe switch.

REVERT MODE: When ON, the congured parameter is restored to the value stored in the preset when

switching from Expression mode to Volume mode using the toe switch.

DEFAULT MODE: Congures initial EXP-1 mode (Volume or Expression) for the preset in use. DEFAULT MODE is overridden when the “GLOBAL SETTINGS” function “MODE SOURCE” is set to “PEDAL” (see “GLOBAL SET- TINGS” on following page).

EXP-1 (PRESET)

OFF GAIN

VOLUME

EXP PARAM HEEL TOE

VOLUME

’65

TWIN

back

In this example, to turn o the EXP-1 Volume mode pedal function for the ’65 Twin shown in the SIGNAL PATH LAY-

ER, press the CONTROLS LAYER button. “VOLUME” mode will be automatically highlighted in the CONTROLS LAYER.

EXP-1 (PRESET)

OFF GAIN

VOLUME

EXP PARAM HEEL TOE

VOLUME

’65

TWIN

back

Press the ENCODER on “VOLUME.” The label box will change from blue to red, indicating that an adjustment can now be made.

EXP-1 (PRESET)

OFF GAIN

OFF

VOLUME

EXP PARAM HEEL TOE

’65

TWIN

back

SAVE

Turn the ENCODER (yellow arrow) to “OFF,” then press it to select “OFF” setting. EXP-1 Volume mode pedal function for the amp shown in

the SIGNAL PATH LAYER is now o, and the label box will return to blue. Press the SAVE utility button (green arrow) to keep changes.

GLOBAL SETTINGS

PRESET SETTINGS

back

As noted, GLOBAL SETTINGS is used to assign the EXP-1 to all presets. After pressing the MENU utility button and scrolling to and selecting “EXP-1 SETUP,” press the ENCODER again and scroll to “GLOBAL SETTINGS” (see illustration below).

Press the ENCODER on “GLOBAL SETTINGS.” Three parameters can be modied in the menu shown—”MODE SOURCE,” “HEEL VOLUME” and “TOE VOLUME.” “MODE SOURCE” is used to choose between “PRESET” and “PEDAL” settings. “PRESET” means that whatever preset the user is in determines whether the EXP-1 is in Volume mode or Expression mode (this can change from preset to preset). In the “PEDAL” setting, the EXP-1 overrides preset settings and stays in whichever mode (Volume or Expression) it’s currently in.

Press the ENCODER and turn it to select “PEDAL” or “PRESET.” The label box will change from blue to red (see illustration below) until a selection is made by pressing the pressing the ENCODER AGAIN, after which the label box will return to blue with the current selection in place.

HEEL TOE

back

EXP-1 (GLOBAL)

PRESET

MODE SOURCE

“HEEL VOLUME” and “TOE VOLUME” are used together to set a volume range covered by the pedal, the default range of which is set at 1-10, with the heel all the way down being 1 (no volume) and the toe all the way down being 10 (full volume). This range can be adjusted to preference, by using the “HEEL VOLUME” control to set a dierent value for minimum volume and using the “TOE VOLUME” control to set a dierent value for maximum volume.

Use the ENCODER to scroll to and select the “HEEL VOLUME” and “TOE VOLUME” controls. When each is selected, it will turn from blue to red, indicating that it can now be adjusted. When adjustment is complete, press the ENCODER again to keep the new control value, and the control will return to blue (see illustration below).

EXP-1 (GLOBAL)

PRESET

MODE SOURCE HEEL TOE

back

Note that Global Settings changes are saved automatically; no extra “save” step is required.

EQ & AMP SETTINGS

WIFI & BLUETOOTH

CLOUD PRESETS

FOOTSWITCH

TUNER

EQ & AMP SETTINGS

SETLIST

“EQ & Amp Settings” is a MENU utility (see page 28) providing access to several functions, including GLOBAL EQ, LINE OUT/USB GAIN, PRESET ORGANIZER, RESTORE SETTINGS and RESTORE ALL, and ABOUT THIS AMP. All are initially accessed by rst pressing the MENU utility button and using the ENCODER to scroll to and select “EQ & AMP SETTINGS.”

SETLIST

CLOUD PRESETS

WIFI & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

To access the Amp Settings function, rst press the MENU utility button.

SETLIST

CLOUD PRESETS

WIFI & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

Use the ENCODER to scroll to and select “EQ & AMP SETTINGS.”

GLOBAL EQ

“Global EQ” is a MENU utility button function within the EQ & AMP SETTINGS menu (see page 28) that provides access to dierent equalization curves for easier adjustment of overall amp response to dierent acoustic environments. This is particularly helpful when users have all their favorite presets and settings dialed in, but then nd themselves in, for example, brighter- or boomier-sounding rooms, halls, outdoor areas, etc. Rather than re-adjust each and every preset and setting, users can quickly and easily select one of nine dierent EQ proles shaped to suit the surroundings at hand.

Activate this function by pressing the MENU utility button (green arrow) and using the ENCODER to scroll to and select “EQ & AMP SETTINGS”, and then “GLOBAL EQ.” Scroll to and select any of the nine options presented (see illustrations below and on next page)—“BRIGHT CUT EQ” for de-accentuating top end, ”FLAT EQ” (a good default choice that actually provides no additional equalization), two dierent “GUITAR FOCUS” proles, two dierent “BRIGHT BOOST” proles for accentuating the top end, two “LOW CUT” proles for trimming bass response, and a “LOW VOLUME BASS BOOST” prole for enhanced bass response at lower volume settings (using this EQ at higher volumes could cause unwanted boominess or speaker distortion).

To access the Global EQ function, rst press the MENU utility button and use the

ENCODER to scroll to and select “EQ & Amp Settings”.

GLOBAL EQ

BRIGHT CUT

back

FLAT EQ

GUITAR FOCUS 1

GUITAR FOCUS 2

BRIGHT BOOST 1

BRIGHT CUT

back

FLAT EQ

GUITAR FOCUS 1

GUITAR FOCUS 2

BRIGHT BOOST 1

LINE OUT/USB GAIN

PRESET ORGANIZER

RESTORE SETTINGS

RESTORE ALL

ABOUT THIS AMP

Use the ENCODER to scroll to and select “GLOBAL EQ.”

Turn the ENCODER to scroll to one of nine “GLOBAL EQ” options.

Press the ENCODER to select a “GLOBAL EQ” option.

LINE OUT/USB GAIN

“LINE OUT/USB GAIN” is a MENU utility button function within the EQ & AMP SETTINGS menu (page 28) that provides a separate gain control for both USB and line out use (page 38). To access it, press the MENU utility button, then use the ENCODER to scroll to and select “EQ & AMP SETTINGS“, and then “LINE OUT/USB GAIN”. Use the ENCODER to scroll to and select a new USB gain value.

GLOBAL EQ

LINE OUT/USB GAIN

PRESET ORGANIZER

RESTORE SETTINGS

RESTORE ALL

ABOUT THIS AMP

back

+6.5

LINE OUT AND USB GAIN

PRESET ORGANIZER

WIFI & BLUETOOTH

CLOUD PRESETS

FOOTSWITCH

TUNER

EQ & AMP SETTINGS

SETLIST

“PRESET ORGANIZER” is a MENU utility button function within the EQ & AMP SETTINGS menu (page 28) that lets the user move a preset to dierent position or clear it from the list of presets. The function also allows the entire list of presets to be restored to its original factory conguration.

To move a preset to a dierent position in the preset list, press the MENU utility button (green arrow). Then use the ENCODER to scroll to and select “EQ & AMP SETTINGS“, and then “PRESET ORGANIZER”. Use the ENCODER to scroll to and select “MOVE PRESET” (see illustrations below).

GLOBAL EQ

LINE OUT/USB GAIN

PRESET ORGANIZER

RESTORE SETTINGS

RESTORE ALL

ABOUT THIS AMP

back

MOVE PRESET

CLEAR PRESET

RESTORE PRESETS

Use the ENCODER to scroll to and select a preset to be repositioned; the preset’s box will turn from blue to amber. Turn the ENCODER to reposition the selected preset; press the ENCODER to place the preset in a new position, after which its box will return to blue (see illustrations below).

5 - AMBIENT WAS>

6 - BASIC ACOUS>

7 - BLUES 1951

8 - BASIC FBE-1>

9 - HELL’S GATE

13 - BASIC IIC+>

14 - IRISH ANTH>

15 - BLUES 1951

16 - BEANTOWN F>

17 - METAL RHYT>

back

To clear a preset from the preset list, press the MENU utility button, use the ENCODER to scroll to and select “EQ & AMP SETTINGS“, and then “PRESET ORGANIZER” as described on the previous page. Then use the ENCODER to scroll to and select “CLEAR PRESET” (see illustration below).

back

MOVE PRESET

CLEAR PRESET

RESTORE PRESETS

The selected preset’s box will be shown in red. Use the ENCODER to scroll to a preset to be cleared; press the ENCODER on the highlighted preset to clear it. Before clearing the preset, users are prompted to indicate whether they really wish to proceed by choosing “YES” or “NO”, with a warning that doing so may aect setlist(s). If “YES” is chosen by pressing the ENCODER on it, the preset is cleared and its numbered slot is shown as “EMPTY” (see illustrations below). If “NO” is chosen (not shown), users are returned to the previous screen.

10 - PURPLE RAI>

11 - BASSBREAKE>

12 - BREATHE

13 - SYNTH WIZ

14 - BASIC IIC+>

CLEAR

“12 - BREATHE”?

WARNING: THIS MAY AFFECT SETLIST(S)

YES

10 - PURPLE RAI>

11 - BASSBREAKE>

12 - EMPTY

13 - SYNTH WIZ

14 - BASIC IIC+>

back

To restore the entire list of presets to the original factory conguration, enter the PRESET ORGANIZER menu as described above, and use the ENCODER to scroll to and select “RESTORE PRESETS“ (see illustration below). A “YES”/”NO” warning prompt will appear as described above. If “YES” is chosen, the factory presets will be reloaded, after which the amp must be turned o and back on again. If “NO” is chosen, users are returned to the previous screen.

back

MOVE PRESET

CLEAR PRESET

RESTORE PRESETS

RESTORE SETTINGS AND RESTORE ALL

“RESTORE SETTINGS” and “RESTORE ALL” are MENU utility button function within the EQ & AMP SETTINGS menu (page 28). They enable quick and easy restoration of factory presets and amplier settings. To do this, press the MENU utility button, then use the ENCODER to scroll to and select “EQ & AMP SETTINGS.” Scroll to and select either option—“RESTORE SETTINGS” for factory amp settings only, or “RESTORE ALL” for factory amp settings and presets (see illustrations below), and use the ENCODER to scroll to and select the “YES/NO” prompts under each (not shown).

The “RESTORE ALL” function is also accessible as a start-up option detailed in the “Firmware Updates and Factory Restore” section (page 60). Note that pressing the PRESET LAYER button corresponding to the circled “X” in the DISPLAY WINDOW enables closing out of each menu.

RESTORE SETTINGS

RESTORE ALL

CLOUD LOGOUT

LINE OUT/USB GAIN

LINE OUT OPTIONS

back

Use the ENCODER to scroll to and select one of the three “Amp Settings” options.

GLOBAL EQ

LINE OUT/USB GAIN

PRESET ORGANIZER

RESTORE SETTINGS

RESTORE ALL

ABOUT THIS AMP

Use the ENCODER to scroll to and select “RESTORE SETTINGS” or “RESTORE ALL” (former shown in the example above).

ABOUT THIS AMP

MODEL: GTX100

VERSION: 1.0.59

BASE VER: 1.0.38

back

“About This Amp” is a MENU utility button function within the EQ & AMP SETTINGS menu (page 28) that displays the amp’s current rmware version. To view this information, press the MENU utility button (green ar- row in illustration below) and use the ENCODER to scroll to and select “EQ & AMP SETTINGS”, and then “ABOUT THIS AMP.”

GLOBAL EQ

LINE OUT/USB GAIN

PRESET ORGANIZER

RESTORE SETTINGS

RESTORE ALL

ABOUT THIS AMP

After selecting “ABOUT THIS AMP,” the DISPLAY WINDOW will show the amp model and rmware version information (see illustration below).

CLOUD PRESETS

“Cloud Presets” is a MENU utility button function (page 28) that gives the user access to an entire world of presets other than those already found in the amp, including featured presets, artist presets and more. Through the amplier’s WiFi connectivity, users can preview, play, download and share a wealth of cloud-stored Fender presets that enormously expand Mustang GTX’s creative possibilities.

To begin using Cloud Presets, press the MENU utility button (green arrow) and use the ENCODER to scroll to and select “CLOUD PRESETS” from the menu shown.

SETLIST

CLOUD PRESETS

WIFI & BLUETOOTH

EQ & AMP SETTINGS

FOOTSWITCH

TUNER

After selecting “CLOUD PRESETS” from the menu, follow the instructions in the DISPLAY WINDOW to enter a log-in code, which the user obtains online by going to tone.fender.com and clicking on “Set Up Amp” (see illustration below). The code only needs to be entered once; the user remains logged in once the code is entered. Use the ENCODER to enter each code character (page 6).

To enable cloud presets, go to tone.fender.com and “Set Up Amp” Enter the code provided below:

Once logged in, use the ENCODER to browse cloud preset categories (see illustration below).

SAVE

FENDER PRESETS

BRITISH STEEL

MEANER STREETS

SCO’S FIELD

BASIC TREMOLO

BRITISH INVASION

ARTIST SIGNATURE

FEATURED

FENDER PRESETS

Once a cloud preset category is selected by pressing the ENCODER on it, scroll through list of presets shown (yellow arrow in illustration below). The highlighted preset will automatically be played/previewed. To add a highlighted preset to the amp, press the SAVE utility button (green arrow).

To view or edit the individual contents of the highlighted cloud preset before saving it to the amp as described above, press the ENCODER on it (see illustration below).

SCO’S FIELD

MEANER STREETS

BRITISH STEEL

BRITISH INVASION

FENDER PRESETS

BASIC TREMOLO

SAVE

When viewing or editing the contents of a cloud preset before saving it to the amp, the DISPLAY WINDOW will show the contents of the preset along with a green “cloud” symbol (in place of the number that accompanies the onboard presets). The green cloud identies the preset as a cloud preset that has not been saved to the amp. Edits can be made to the cloud preset as they would to any onboard preset. When edits are complete, press the SAVE utility button to save the edited cloud preset to the amp. Note that if the user scrolls to the next or previous preset while on a cloud preset, the cloud preset will disappear since it is not saved to amp (see illustration below).

BRITISH STEEL

OVER

DRIVE

80’s

BRITISH

LARGE

PLATE

SAVE

MSTR

BACKUP/RESTORE FOR PRESETS AND SETLISTS

Mustang GTX has cloud-based backup and restore features for presets and Setlists, both using the Fender Tone™ app. A Fender Connect account is necessary to use these features (Fender Connect accounts can be created on the Fender website at fender.com by clicking “Sign In” at top right of the screen, or from the Tone app by tapping “My Account” in the settings screen).

BACKUP FOR PRESETS AND SETLISTS

To backup all presets and Setlists to the cloud, rst connect to Fender Tone and open the app. In the app, go to the “SETTINGS” menu at the bottom of the screen, then select “BACKUP/RESTORE”:

The rst time a backup is created, the user is prompted to select “CREATE A BACKUP”, then to enter a backup name:

After a backup name is entered, a warning screen prompts the user select “OK BACKUP NOW” or “CANCEL”:

After selecting “OK BACKUP NOW”, the “BACKUP IN PROGRESS” and “BACKUP SUCCESSFUL” screens appear, indicating that all presets and Setlists are now backed up. The user then selects “DONE”:

Alternately, a “BACKUP FAILED” screen may appear, after which the user selects “TRY AGAIN” or “CONTACT SUPPORT” (the latter directs the user to the Tone app support portal on the Fender website). If the backup fails again after selecting “TRY AGAIN”, a second “BACKUP FAILED” screen then prompts the user to select “CONTACT SUPPORT”, which directs the user to the Tone app support portal on the Fender website, or to select “GOT IT”, which returns the user to the “BACKUP/RESTORE” screen:

Backups are logged by time and date in the cloud; this backup log can be viewed in the Fender Tone app. By selecting the “edit” symbol at upper right (green arrow), a backup can be deleted; note that doing so deletes

the backup from the cloud, not merely from the backup log. Also note that when creating subsequent backups after the rst one, the “CREATE A BACKUP” button is replaced by a plus symbol at upper right (yellow arrow):

Amazing backup

RESTORING/DELETING PRESETS AND SETLISTS

Amazing backup

To restore or delete presets and Setlists from the cloud, rst connect to Fender Tone and open the app. In the app, go to the “SETTINGS” menu and press “BACKUP/RESTORE”:

A list of the backups already created will appear; select the one to be restored from the list. A screen detailing the backup will then appear; select “RESTORE” or “DELETE”:

Amazing backup

For maximum certainty when selecting “RESTORE,” two successive warning prompts appear for which the user selects “RESTORE” or “CANCEL” two more times:

Amazing Backup

After selecting “RESTORE” from both warning prompts, the “RESTORE IN PROGRESS” and “RESTORE SUCCESSFUL” screens appear; the user selects “DONE” and then restarts the amplier:

Amazing Backup

Alternately, a “RESTORE FAILED” screen may appear, prompting the user to select “TRY AGAIN” or “CONTACT SUPPORT” (the latter directs the user to the Tone app support portal on the Fender website). If the restore fails again after selecting “TRY AGAIN”, a second “RESTORE FAILED” screen then prompts the user to select “CONTACT SUPPORT” or “GOT IT”, which returns the user to the “BACKUP/RESTORE” screen:

When “DELETE” is selected, the steps are similar to those described above—a “DELETE” warning screen appears, followed by a “DELETE IN PROGRESS” screen. The result will be either a “DELETE SUCCESSFUL” screen in which the user then selects “DONE,” or a “DELETE FAILED” screen. When a delete fails, the user can make two further attempts; if these fail, the user is presented with the “CONTACT SUPPORT” and “GOT IT” options described above.

FIRMWARE UPDATES AND FACTORY RESTORE

SEARCHING FOR UPDATES...

DOWNLOADING UPDATES...

APPLYING UPDATES...

AMPLIFIER UPDATE COMPLETE

PLEASE RESTART YOUR AMP

As noted in the introduction, Mustang GTX users should check regularly for rmware updates that improve and enhance the Mustang GTX experience. To perform a Mustang GTX rmware update, put the amp in WiFi update mode by pressing and holding the ENCODER for ve seconds (yellow arrow in illustration below) while turning the amplier on.

The DISPLAY WINDOW will then indicate that Mustang GTX is searching for the latest rmware update, followed by indication that the rmware update is downloading (see illustrations below).

When the download is complete, the DISPLAY WINDOW will then indicate that Mustang GTX is applying the rmware update, followed by indication that the rmware update is complete and the amp should be restarted (see illustrations below).

When performing a rmware update, the user might encounter three scenarios in which a rmware update

WIFI NOT CONFIGURED

NO UPDATES AVAILABLE

PLEASE RESTART YOUR AMP

AMPLIFIER UPDATE SERVER

IS UNREACHABLE

cannot be initiated. In such cases, the DISPLAY WINDOW will indicate that Mustang GTX’s WiFi connectivity is not congured, no update is available, or the amplier update server is unreachable (see illustrations below).

In addition to the rmware update described above, Mustang GTX oers several user-enabled start-up modes encompassing factory restore functions. These are described below.

RESTORE ALL: To restore the factory presets and amp settings contained in the amp’s most recent rmware update, press and hold the PRESET LAYER button (green arrow in illustration below) for ve seconds while turning the amplier on. This function is also accessible in the “EQ & Amp Settings” MENU under “RESTORE ALL” (page 53).

WIFI UPDATE/RESTORE ALL: To combine a rmware update and the start-up option directly above (RESTORE ALL), simultaneously press and hold the ENCODER and the PRESET LAYER button for ve seconds while turning the amplier on (blue arrow in illustration below).

FORCE UPDATE: To update Mustang GTX if there is a problem with the previously described rmware update process, a “Force Update” mode can be initiated by pressing and holding the ENCODER and SIGNAL PATH LAYER button while turning the amplier on (purple arrow in illustration below).

RECOVERY: To recover the base rmware version (displayed in “About This Amp,” see page 54) including presets, simultaneously press and hold the PRESET LAYER button and X FX utility button for ve seconds while turning the amplier on (red arrow in illustration below).

RECOVERY

WIFI UPDATE/RESTORE ALL

RESTORE ALL

FORCE UPDATE

FENDER TONE™ APP

Fender Tone—the ultimate companion app for Mustang GTX ampliers—is available as a free download from the Apple App Store (iPhone) and Google Play Store (Android). Fender Tone users can have convenient control over existing Mustang GTX functions, plus access to additional content from Fender and the Fender Tone user community. These include:

• Preset searching, navigation, ltering and selection

• Creation and sharing of new presets

• Preset signal path editing, re-ordering, additions and deletions

• Amp and eects model parameter adjustments

• Browse, search and download ocial Fender presets, artist signature presets, player presets, genre presets and more

• Creation, selection and management of Setlists (personalized preset groupings)

• Management of user accounts, product registration, WiFi settings and Bluetooth settings

• EQ setting adjustments

• Tuner functions

Learn more at fender.com/ToneMobile.

Specifications

Mustang GTX50

TYPE PR 5748

POWER REQUIREMENTS 118 w att s

POWER OUTPUT 50 watts

INPUT IMPEDANCE 1MΩ (guitar) 18kΩ (aux)

SPEAKER One 12” Celestion® G12P-80 (8Ω)

FOOTSWITCH Seven-but ton GTX-7 (optional, PN 0994 072000)

Four-button MGT-4 (optional, PN 0994071000)

E XP-1 Expression Pe dal (optional, PN 2301050000)

FITTED AMP COVER Opt ional (PN 771747500 0)

DIMENSIONS AND WEIGHT Width: 19.25” (48.9 cm) Height: 17” (43.2 cm) Depth: 9” (22.8 c m) Weight: _19.5 lbs. (8.8 kg)

PART NUMBERS 2310600000 (120V) NA 2310605000 (220V) ARG 2310608000 (220) CN

2310601000 (110V) TW 2310606000 (230V) EU 2310609000 (220V) ROK

2310603000 (240V) AU 2310607000 (100V) JP 2310613000 (240V) MA

2310604000 (230V) UK

Mustang GTX100

TYPE PR 5749

POWER REQUIREMENTS 300 watts

POWER OUTPUT 100 wa tts

INPUT IMPEDANCE 1MΩ (guitar) 18kΩ (aux)

SPEAKER One 12” Celestion® G12FSD-100 (4Ω)

FOOTSWITCH Seven-but ton GTX-7 (included, PN 09 94072000)

Four-button MGT-4 (optional, PN 0994071000)

E XP-1 Expression Pe dal (optional, PN 2301050000)

FITTED AMP COVER Optional (PN 7717476000)

DIMENSIONS AND WEIGHT Width: 21” (53.3 cm) Height: 18” (45.7 cm) Depth: 10” (25.3 cm) Weight: 22 lbs. (10 kg)

PART NUMBERS 2310700000 (120V) NA 2310705000 (220V) ARG 2310708000 (220) CN

2310701000 (110V) TW 2310706000 (230V) EU 2310709000 (220V) ROK

2310703000 (240V) AU 2310707000 (100V) JP 2310713000 (240V) MA

2310704000 (230V) UK

Product specifications subject to change without notice.

部件名称

本表格依据 SJ/T 11364 的规定编制。

O：表示该有毒有害物质在该部件所有均质材料中的含量均在 GB/T 26572 规定的限量要求以下。 X：表示该有毒有害物质至少在该部件的某一均质材料中的含量超出 GB/T 26572 规定的限量要求。

注：含有有害物质的部件由于全球技术发展水平限制而无法实现有害物质的替代。

*产品含有喇叭单元时有效。

箱体

喇叭单元*

电子部分接线端子

电线附件

有害物质

产品中有害物质的名称及含量

铅

(Pb)

汞

(Hg)

镉

(Cd)

六价铬

(Cr(VI))

多溴联苯

(PBB)

多溴二苯醚

(PBDE)

MUSTANG™ GTX50

MUSTANG™ GTX100

A PRODUCT OF

FENDER MUSICAL INSTRUMENTS CORP.

311 CESSNA CIRCLE

CORONA, CALIF. 92880 U.S.A.

AMPLIFICADOR DE AUDIO

Calle Huerta #279, Int. A. Col. El Naranjo. C.P. 22785. Ensenada, Baja California, México.

IMPORTADO POR: Fender Ventas de México, S. de R.L. de C.V.

Servicio al Cliente: 01(800) 7887395, 01(800) 7887396, 01(800) 7889433

Other trademarks are property of their respective owners.

Fender® and Mustang™ are trademarks of FMIC.

RFC: FVM-140508-CI0

PN 7718047000 rev. c

Fender MUSTANG GTX50, MUSTANG GTX100 Users guide

Specifications and Main Features

Frequently Asked Questions

User Manual