Fender Bassman-100 Operation Manual

ENGLISH - PAGES 4-5
READ ALL INSTRUCTIONS BEFORE OPERATING UNIT!
ESPAÑOL - PÁGINAS 6-7
¡LÉANSE ANTES DE UTILIZAR EL APARATO Y GUARDENSE PARA SU USO POSTERIOR!
FRANçAIS - PAGES 8-9
PRIERE DE LIRE AVANT L’EMPLOI ET A CONSERVER POUR UTILISATION ULTERIEURE!
ITALIANO - PAGINE 10-11
LEGGERE ATTENTAMENTE PRIMA DELL’USO E CONSERVARE PER UN UTILIZZO SUCCESSIV0!
DEUTSCH - SEITEN 12-13
BITTE VOR GEBRAUCH LESEN UND FÜR SPÄTEREN GEBRAUCH AUFBEWAHREN!
- 14-15
• TO PREVENT DAMAGE, FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS UNIT TO RAIN OR MOIS­TURE.
• NO USER SERVICEABLE PARTS INSIDE, REFER SERVICING TO QUALIFIED PERSONNEL ONLY.
• DO NOT ALTER THE AC PLUG.
• THIS UNIT MUST BE EARTH GROUNDED.
• UNPLUG THE AC POWER LINE CORD BEFORE CLEANING THE UNIT’S COVERING WITH ONLY A DAMP CLOTH; WAIT UNTIL THE UNIT IS COM­P L E T E LY DRY BEFORE RECONNECTING IT TO POWER.
• PARA EVITAR DAÑOS, INCENDIOS Y DESCARGAS ELÉCTRICAS, NO EXPONGA ESTA UNIDAD A LA LLUVIA NI A LA HUMEDAD.
• CONTIENE PIEZAS CUYO MANTENIMIENTO NO LO PUEDE REALIZAR EL USUARIO, SINO SÓLO PER­SONAL CUALIFICADO.
• NO MODIFIQUE EL ENCHUFE DE CA.
• POUR EVITER L'ENDOMMAGEMENT DE L'AP­PAREIL, UN DEPART D'INCENDIE, OU UN CHOC ELECTRIQUE, NE L'EXPOSEZ JAMAIS A L'HU­MIDITE OU A LA PLUIE.
• AUCUNE MAINTENANCE NE DOIT ETRE EFFECTUEE POUR LES PIECES SITUEES DANS L'APPAREIL. LES REPARATIONS ET LA MAINTE­NANCE DOIVENT ETRE EXECUTEES UNIQUEMENT PAR UN PERSONNEL QUALIFIE.
• PER EVITARE DANNI, RISCHI DI INCENDI O SCOSSE ELETTRICHE, NON ESPORRE QUESTA UNITÀ ALLA PIOGGIA O ALL'UMIDITÀ.
• NON CONTIENE PARTI RIPARABILI DALL'UTENTE: FARE ESEGUIRE LA MANUTENZIONE SOLTANTO DA PERSONALE QUALIFICATO.
• NON ALTERARE LA PRESA C.A.
• ESTA UNIDAD DEBE CONECTARSE CON TOMA DE TIERRA.
• DESCONECTE EL CABLE DE ALIMENTACIÓN DE CA ANTES DE LIMPIAR LA CUBIERTA DE LA UNIDAD; ESPERE A QUE LA UNIDAD ESTÉ COM­PLETAMENTE SECA ANTES DE VOLVER A CONEC­TARLA A LA CORRIENTE.
• NE MODIFIEZ PAS LA PRISE DE CA.
• CET APPAREIL DOIT ETRE MIS A LA TERRE.
• DEBRANCHEZ LE CABLE D'ALIMENTATION AVANT DE NETTOYER LE BOITIER DE L'APPAREIL ET ATTENDEZ QUE L'APPAREIL SOIT COMPLETE­MENT SEC AVANT DE LE REBRANCHER SUR LE SECTEUR.
• Q U E S TA UNITÀ DEVE ESSERE COLLEGATA A TERRA.
• DISCONNETTERE IL CAVO DI ALIMENTAZIONE C.A. PRIMA DI PULIRE LA COPERTURA DELL'UNITÀ; ATTENDERE CHE L'UNITÀ SIA COMPLETAMENTE ASCIUTTA PRIMA DI RICOLLEGARLA ALL'ALIMEN­TAZIONE.
• SETZEN SIE DIESES GERÄT NIEMALS REGEN ODER FEUCHTIGKEIT AUS, UM BESCHÄDIGUNG, BRANDENTWICKLUNG UND ELEKTRISCHE SCHLÄGEN ZU VERMEIDEN.
• IM GERÄT SIND KEINE ZU WARTENDEN TEILE. WA RTUNG UND REPERATUREN DÜRFEN NUR VON QUALIFIZIERTEN TECHNIKERN DURCHGEFÜHRT WERDEN.
• MANIPULIEREN SIE AUF KEINEN FALL DIE NET­ZANSCHLUSSBUCHSE.
• DAS GERÄT MUSS GEERDET SEIN.
• STECKEN SIE DAS NETZKABEL AUS, BEVOR SIE DAS GEHÄUSE DES GERÄTS REINIGEN. SCHLIESSEN SIE DAS GERÄT ERST WIEDER ANS STROMNETZ AN, WENN ES VOLLSTÄNDIG GETROCKNET IST.
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Your new amplifier delivers the quality features that performing and recording p rofessionals demand. On stage, the delivers solid bass with a 15-inch woofer and crisp, high-end response from a piezo horn. A switchable LIMITER circuit puts soft curbs to the amplifier’s 100-watt output by limiting distortion at peak volumes to smooth, harmonic tones. Plug your tuner into the back of the and tune your bass guitar quickly and quietly between songs by pressing the MUTE switch.
The provides a balanced XLR LINE-OUT connection for a superior signal-to­noise ratio. Suitable for output to recording equipment, the XLR LINE-OUT comes equipped with EQUALIZATION ON/OFF switching, an out­put LEVEL control and a GROUND LIFT switch.
The was designed to sound great with its four tone controls pointing straight up, but why settle for great? An arsenal of tools enable total control of your sound:
Semi-parametric equalization of the mid-fre­quency range is controlled by two knobs; with the M I D - F R E Q U E N C Y k n o b, select the fre q u e n­cy that the MID-LEVEL k n o b boosts or cuts. Use the COMPRESSOR c o n t rol to squeeze the dynamic range of your signal for smoother tones and the ENHANCE switch to modify the mid-fre­quency contour for a fatter sound. Bass guitars with active pre-amps are accommodated with an A C T I V E / PASSIVE INPUT switch. Plug in exter­nal effects devices to the EFFECTS LOOP j a c k s on the Rear Panel of the for unlim­ited sonic options.
A. INPUT - Input jack for bass guitars. B. INPUT PASSIVE/ACTIVE - Switch OUT for
most bass guitars (PASSIVE). Switch IN for bass guitars with pre-amplifiers (ACTIVE).
C . G A I N - Adjusts the pre-amplifier signal level.
NOTE: Use with M A S T E R VOLUME {N} to c o n t rol the speaker volume level.
D . PRE-AMP CLIP LED - Indicates clipping
( d i s t o rtion) in the pre - a m p l i f i e r. If undesirable d i s t o rtion is heard when this LED illuminates, re d u c e G A I N {C} level.
E . PRE-AMP SIGNAL LED - Illuminates when a
s u fficient signal level is present for pro p e r operation of the unit circ u i t ry.
F. ENHANCE - Switch IN modifies the contour
of the middle-frequency range (useful for slap-style and deep-toned bass playing). Switch OUT for E N H A N C E {F} OFF (useful for f i n g e r-style bass playing).
G. BASS LEVEL - Adjusts the level (boost/cut) of
the low-frequency range.
H. MID LEVEL - Adjusts the level (boost/cut) of the
m i d d l e - f requency range that has been selected by the MID FREQ {I} c o n t ro l .
I. MID FREQ - Selects the middle-frequency
range for the MID LEVEL {H} knob to adjust.
J. TREBLE LEVEL - Adjusts the level (boost/cut)
of the high-frequency range.
K . COMPRESSOR - Condenses the dynamic
range of the signal for a smoother sound. The C O M P R E S S O R is OFF when this knob is turned counter-clockwise to “0.”
L . MUTE - Switch IN disables all outputs
(including speakers) e x c e p t TUNER o u t p u t . Switch OUT for normal unit operation.
M . MUTE LED - Flashes whenM U T E {L} switch is IN. N . MASTER VOLUME - Adjusts the power- a m p l i f i e r
signal level. NOTE: Use with G A I N {C} t o c o n t rol the speaker volume level.
O . PWR-AMP CLIP LED - Indicates clipping
( d i s t o rtion) in the power- a m p l i f i e r. If unde­sirable distortion is heard when this LED illuminates, switch IN the LIMITER {P}, or re d u c e the MASTER VOLUME {N} l e v e l .
P. LIMITER - Switch IN prevents excessive
clipping (distortion) in the power- a m p l i f i e r.
Q . POWER LED - Illuminates when the
POWER SWITCH {R} is ON and the unit is receiving power. NOTE: MUTE {L} switch must be OUT for normal unit operation.
R . POWER SWITCH - Push u p p e r- h a l f IN to switch
unit ON. Push l o w e r-half IN to switch unit OFF.
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A . IEC LINE CORD CONNECTOR - The power
line cord must be connected to a grounded AC receptacle in accordance with the voltage and f requency ratings as shown on the Rear Panel of the , INPUT POWER {B} .
C . GROUND LIFT - Switch IN disconnects
g round connection fro m the LINE OUT {D} jack (pin-1) which may reduce noise in the gro u n d c i rcuit. Switch OUT is usually the best setting.
D . LINE OUT - Balanced XLR jack for output to
re c o rding or sound-re i n f o rcement equipment.
E . LINE OUT LEVEL - Adjusts the output level
o f LINE OUT {D} jack.
T Y P E PR 420
F. PRE/POST EQUALIZATION ­Switch IN supplies the LINE OUT {D} jack with the p o s t - e q u a l i z a t i o n s i g­nal from the amplifier. Switch OUT supplies the LINE OUT {D} jack with the p re - e q u a l i z a t i o n ( d ry) signal.
G . TUNER - Connect your bass guitar tuner here. This output jack is NOT disabled by Front Panel M U T E switch, allow­ing quiet tuning with the bass guitar plugged into the .
H . EFFECTS RETURN - Connect cable f ro m
e x t e rnal effects devices at this jack.
I . EFFECTS SEND - Connect cable to e x t e rn a l
e ffects devices at this jack.
• N O T E : For additional output, link two ’s together by connecting the EFFECTS SEND{I}f rom the
“ p r i m a ry” amp to the EFFECTS RETURN {H} of the “ s e c o n d a ry” amp. All settings on p r i m a ry amp will con-
t rol the s e c o n d a ry amp settings e x c e p tMASTER VOL- U M E which must be set on each .
PA RT NUMBERS 0 2 2 - 4 5 0 3 - 0 0 0 ( 1 2 0 V ) ; 0 2 2 - 4 5 3 3 - 0 0 0 ( 2 4 0 V ) Au s t ;
0 2 2 - 4 5 4 3 - 0 0 0 ( 2 3 0 V ) U K ; 0 2 2 - 4 5 6 3 - 0 0 0 ( 2 3 0 V ) E u r; 0 2 2 - 4 5 7 3 - 0 0 0 ( 1 0 0 V )
P OWER REQU I R E M E N T S 1 0 0 VAC, 50/60Hz:3 6 0 W ; 1 2 0 VAC, 60Hz:3 6 0 W ;
2 3 0 VAC, 50Hz:3 6 0 W ; 2 4 0 VAC, 50Hz:3 6 0 W
P OWER AMPLIFIER O U T P U T: 100W RMS into 4 @ <1%THD
S E N S I T I V I T Y: 1.1115V RMS
PRE AMPLIFIER INPUT IMPED A N C E : PA S S I V E : 1 M ; AC T I V E : 1 M
SENSITIVITY FOR FULL PO W E R : PA S S I V E :1 2 m V; AC T I V E : 2 5 m V
NOMINAL LEVEL: P A S S I V E :7 5 m V; AC T I V E :1 5 0 m V
TONE CONTR O L S B A S S : +/-15dB @ 50Hz
S E M I - PARAMETRIC CONTRO L : MID FREQ U E N C Y:150 to 1500 Hz
MID LEVEL: +/-15dB @ MID FREQUENCY setting T R E B L E : +/-15dB @ 5kHz
EFFECTS LOOP SEND IMPED A N C E : 1 k
RETURN IMPED A N C E : 2 2 k
NOMINAL LEVEL: + 4 d B u
S P E A K E R S L OW FREQ U E N C Y: Fender Special Design 4, 15”Wo o fer (P a rt # 0 0 4 0 5 8 0 0 0 0 )
HIGH FREQ U E N C Y: Motorola Piezo Horn (P a rt # 0 0 5 3 6 4 1 0 0 0 )
D I M E N S I O N S H E I G H T: 24 1/4 in. 61.6 cm
W I D T H : 23 in. 58.4 cm
D E P T H : 12 1/2 in. 31.8 cm
W E I G H T 65 lb. 29.5 kg
Product specifications are subject to change without notice.
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