EVS XTnano User Manual Version 11.02

OperatiOn Manual
Version 11.02 - July 2013
OPERATION MANUAL Nano 11.02
Copyright
EVS Broadcast Equipment S.A.– Copyright © 2010-2013. All rights reserved.
The information in this manual is furnished for informational use only and subject to change without notice. While every effort has been madeto ensurethat the information contained in this usermanual is accurate, up-to-date andreliable, EVS Broadcast Equipment cannot be held responsible for inaccuracies orerrors that may appear in this publication.
Improvement Requests
Yourcomments will help us improve the quality of the user documentation. Do not hesitate to send improvement requests, or report any erroror inaccuracy on this user manual by e-mail to doc@evs.com.
Regional Contacts
The address and phone number of the EVS headquarters are usually mentioned in the Help > About menu in the user interface.
You will find the full list of addresses andphonenumbers of local offices either at the end of this usermanual (formanuals on hardwareproducts) or at the following pageon the EVS website: http://www.evs.com/contacts.
User Manuals on EVS Website
The latest versionof the user manual, if any, and other user manuals on EVS products can be found on the EVS downloadcenter, on the following webpage:
http://www.evs.com/downloadcenter.
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Table of Contents

TABLE OF CONTENTS II
WHAT'S NEW? V
1. OVERVIEW 1
2. WORKING INTERFACES 2
2.1. Overview 2
2.2. Remote Panel Controls 4
2.2.1. General Layout 4
2.2.2. LED Colors 6
2.2.3. Function Keys & Small Keys 7
2.2.4. Soft Keys andLCD Display 8
2.2.5. Jog Dial 9
2.2.6. Lever 9
2.2.7. Keyboard Locking 10
2.3. Remote Panel Operations 11
2.3.1. Main Menu 11
2.3.2. Function of the Small Keys 12
2.3.3. Function of the Operational Block 1 Keys 13
2.3.4. Function of the Operational Block 2 Keys 16
2.3.5. Rebooting the System from the Remote Panel 19
3. CONTROL MODES 20
3.1. Live, Search or Playback Mode 20
3.2. 1PGM+PRV Mode 21
3.2.1. 1PGM+PRV Mode 21
3.2.2. 1PGM+PRV Primary Menu Controls 22
3.2.3. 1PGM+PRV Secondary Menu Controls 23
3.2.4. Full Control and Lever Control 24
3.3. Multi PGM Mode 25
3.3.1. Multi PGM Overview 25
3.3.2. Multi PGM Primary Menu Controls 26
3.3.3. Multi PGM Secondary Menu Controls 28
3.4. Synchronization Mode (Switch To In) 29
3.5. Preference Mode (PREF) 29
3.6. Controlled and Primary Channels 30
II Table of Contents
OPERATION MANUAL Nano 11.02
4. CLIP MANAGEMENT 31
4.1. Introduction 31
4.1.1. Clip Structure 31
4.1.2. Clip Numbering Hierarchy 32
4.1.3. Clip Availability on Disks 34
4.2. Clip Functions onthe Remote Panel 34
4.2.1. Remote Panel Interface 34
4.2.2. Remote Panel Functions 35
4.3. Clip Functions onthe VGA 37
4.3.1. VGA Interface - Clip Screen 37
4.3.2. VGA Functions - Clip Screen 39
4.3.3. VGA Interface - VDR Panel 42
4.3.4. VGA Functions - VDR Panel 43
4.4. Operations onClips 45
4.4.1. Creating and Saving Clips 45
4.4.2. Recalling and Playing Back Clips 47
4.4.3. Deleting Clips 51
4.4.4. Copying andMoving Clips 53
4.4.5. Naming a Clip 55
4.4.6. Restriping Clips 55
4.4.7. Shortening a Clip 57
4.4.8. Changing the Primary Camera of a Clip 58
5. PLAYLIST MANAGEMENT 59
5.1. Introduction 59
5.2. Selecting Playlists 60
5.3. Playlist Functions on the Remote Panel 61
5.3.1. Edit and Playout Modes 61
5.3.2. Functions in Playlist Edit Mode 62
5.3.3. Functions in Playlist Playout Mode 64
5.4. Playlist Functions on the VGA 65
5.4.1. VGA Playlist Screen 65
5.4.2. VGA Playlist Bank Screen 66
5.4.3. Editing Functions in VGA Playlist Screen 66
5.5. Operations onPlaylists 67
5.5.1. Setting and LoadingPlaylists 67
5.5.2. Rolling a Playlist 69
5.5.3. Deleting Playlists 70
5.5.4. Copying Playlists 71
5.5.5. Naming a Playlist or Playlist Element 74
5.5.6. Consolidating a Playlist 75
5.5.7. Generating a Continuous TC in a Playlist 76
5.6. Operations onClips in Playlists 77
5.6.1. Adding Clips in a Playlist 77
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5.6.2. Deleting andMoving Playlist Elements 79
5.6.3. Browsing Within a Playlist 80
5.6.4. Changing the Camera Angle of a Playlist Element 81
5.6.5. Adding Cuts in Playlist Elements 82
5.6.6. Trimming Clips into a Playlist 83
5.6.7. Sortingthe Playlist Elements by TC IN 83
5.7. Transition and Audio Operations 84
5.7.1. Overview on Transition Effects 84
5.7.2. Adding Transition Effects in a Playlist 87
5.7.3. Using the Replace Function 89
5.7.4. Adding an Auxiliary Audio Clip 92
IV Table of Contents
OPERATION MANUAL Nano 11.02

What's New?

This manual has not beensubject to changes associated to new features in release 11.02. The whole operational manual has been restructured, and some topics have been
reviewed in respect of their structure or content. Such changes arehowever not related to new features, and thereforenot highlighted with the New logo.
What's New? V
OPERATION MANUAL Nano 11.02

1. Overview

The aim of this manual is to familiarize the operatorwith the Multicam software for EVS High Definition andStandardDefinition servers, and its Remote Panel, so as to learn as quickly and efficiently as possible the basic operations.
The CLIP & PLAYLIST MANAGEMENT functions allow the operator to keep up to 5400 clips on a server and of course to replay all or some of them. A playlist consists of a list of clips (90playlists can be defined) with videoand audio transitions.
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2. Working Interfaces

2.1. Overview

Several User Interfaces
The EVS server can be operated from several user interfaces that can work complementarily:
VGA interface
Remote Panel interface
LSM.Connect application
Xscreen application
Initial Configuration
Warning
Beforeyou start using Multicam with the Nano Remote Panel, you need to ensure that the parameters are properly set for the configuration line you want to run. If clips are stored with certainparameters and the operator wishes to change the parameter values afterwards, those clips and playlists will not change. It is thus important to set the requested parameters first.
The Multicam Setup and Configuration modules of the VGA interface are used for configurationand maintenance operations. A web-based user interface for distant configurationis also available. A Technical and Operational Setup menus are also available from the Remote Panel to configure the most important Multicam parameters.
The Multicam Setup window is used to select the configuration you want to run Multicam with, since EVS disk recorders have the ability to run various configurations.
The Multicam Configuration window and included tabs allow users to define the channel configurationassociated to a configurationline, audio and video parameters, andall operational parameters.
You will find detailed information on Multicam configuration from the VGA and from the Remote Panels in the EVS Server Configurationmanuals.
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OPERATION MANUAL Nano 11.02
VGA Interface
When turning on the EVS mainframe, the first step is the PC boot sequence, then the Multicam Setup window is displayed:
If a default application has beenpreviously selected, this application will start automatically after a few seconds if no key is hit.
If a default application hasn't been defined or if the space baris hit, the system will remain in the Multicam Setupwindow andwait for the operator's next command.
A configuration line called Sportlight will be available in the Application window for use with the Nano Remote Panel.
When Multicam is started in the selected configuration, the operational windows allow users to perform simple actions.
The Operational windows include the Keywordwindow, the Search Clip window, the Clip window, and the Playlist/Timeline window. They are described in this manual, as well as the possible actions from these windows.
Remote Panel Interface
The Remote Panel keys and main menuare describedin the following sections:
See section "Remote Panel Controls" on page 4
See section "Remote Panel Operations" on page 11
LSM Connect Application
The LSM Connect application is the Remote Panel companion. It allows users to quickly edit clip metadata, and manage playlists. See the LSM Connect quick start guide for more information on this application.
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2.2. Remote Panel Controls

2.2.1. General Layout

The following diagram shows the Remote Panel alongwith a brief description of each area.
Note
The operational buttons have primary and secondary functions and are divided into upper and lower sections. By pressing the SHIFT button, you gain access to the secondary functions.
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Ref. Command Function
1. F-keys & small
Multi-purpose keys
buttons
2. Soft keys With LCD display, allows the operator to enter the Multicam MENU system
3. Lever Initiates slow motionand playlist replay
4. Jog dial Used to accurately cue disk recorder
5. Operational block 1
PLST Initiates active playlist
LOOP Records the main output (PGM1) to the first input (CAM
A) of Multicam.
BROWSE Used to browse through clips, playlists, cue points
INSERT Used in playlist management to insert clips into a playlist
IN Sets Mark IN at the current position
GOTOIN Goes to the defined Mark IN
OUT Sets Mark OUT at the current position
GOTOOUT Goes to the defined Mark OUT
TAKE In PGM+PRV mode, pressing this button swaps
cameras onPGM andPRV monitors In Multi-PGM mode, pressing this button toggles between CAM selection andPGM selection modes. In 2 PGM mode, whenboth PGMs are selected on the Remote Panel, pressing this button swaps the content loaded on PGM1 with the oneloadedon PGM2and vice­versa. In Playlist Edit mode, pressing this button inserts the clip loaded on the PRV channel into current playlist.
LEVER Changes the lever range to secondary mode (see setup
menu for range selection)
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Ref. Command Function
6. Operational Block 2
PLAY Initiates playback
NETWORK Not used on XTnano
LAST CUE Re-cues EVS server to previous cue point
GOTOTC Allows timecode entry, with «F» keys
FAST JOG Used with jogdial for rapid, manual re-cue. This mode is
automatically reset after PLAY/LIVE commands.
MARK Used to enter re-usablecue points (256cycling cues).
RECORD Initiates “E2E” mode
RETURN Inside a clip, allows the operator to returnto the same
picture inside the recordtrain, if it still exists.
PRV CTL Enables/disables the Preview Control mode.
PAGE Selects current clip page, from 1 to 10.
7. LCD Display Provides current status of system

2.2.2. LED Colors

A selected key lights red. When a key lights green, it means a valuein relation with this key exists. For example: F1 to F0 keys:
A greenlight means a clip has been stored in relation with the key.
A greenflashinglight means a clip is being created.
A red light means the clip associated to the key is playing or is ready to play.
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OPERATION MANUAL Nano 11.02

2.2.3. Function Keys & Small Keys

Key Function
Provides access to the secondary menu. Also used as CANCEL in some messages when confirmation is required. Note: SHIFT+MENU returns to Main menu
Enables use of the secondary key functions. Note: This key remains active even if released, until another key has been hit.
Stores or recalls clips, recalls playlists, and enters timecode information.
Is a multi-purpose key that clears clips or playlists, and clears IN and OUT points.
Appends clips at the end of the current playlist and validates other options andmessages.
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2.2.4. Soft Keys and LCD Display

The soft keys have primary and secondary functions andare divided into upper and lower sections.
The LCD display is divided into two menus.
To access the secondary functions in the operational menu (A’ to D’), press the SHIFT button.
To access the secondary menu, press MENU from the remote controller. This menu is used to define settings that do not require regular changes, without havingto return to the Setup menu.
To return to the Operational menu, press the MENU key again.
To return to the Main menu in Multicam, press SHIFT+MENU.
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2.2.5. Jog Dial

The jog dial allows the operatorto pass into Search mode andthus to choose exactly the Short OUT or Short IN image.
Move the jog dial clockwise to search forward and move it counter-clockwise to search backwards. One revolution of the jog dial will produce a jump of approximately 35frames. When using the Fast mode, this numberis multiplied by a factor defined in the Setup menu.
Note
The jog dial is also used to:
Set parameters in the Setup menu.
Browse inside the clip database, the cue points or the current playlist. Refer to the explanation of the Browse function for more details.
The jog dial is active at all times when the system is in Play andRecordmodes.

2.2.6. Lever

The lever is used to start a play or to modify the slow motion speed. Its run can be of two different types depending on the lever mode. In standard mode, the lever run goes from 0 up to 100%.
Different ranges are availableto play material from –400% to 400% using the 'Second lever range' parameter in the Operational Setup menu (p.9.1 F5).
To access this second speed range, press SHIFT+Lever on the remote controller.
Note
When SD SUPER MOTION material is loaded on the primary channel, the lever range has a larger, flat step at 33%. In HD SUPER MOTION mode, the step is at 33% or 50% depending on the camera.
The lever is also used to adjust speed, effect type, and duration in Playlist Edit mode.
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2.2.7. Keyboard Locking

You can lock a remote keyboard at any time to protect it against accidental changes, for example to prevent interruption of a play operation on an unattended device. Only the locked device is affected, other remotes will stay fully operational.
How to Lock a Remote Panel
To lock a remote, press the CLEAR key. Then, within 2 seconds, press the MENU key on the keyboard.
The following confirmation message is displayed:
███████████████████████████████████████ Do you really want to lock this remote?
[Menu] : Cancel [Enter]: Confirm
███████████████████████████████████████
Press ENTER to confirm the locking of the remote.When a remote is locked:
The CLEAR and MENU keys, used for unlocking, are flashing green. ◦ All other keys are continuously lightingred. ◦ The jog brake is activated. ◦ All keys, the lever and the jog beep if pressed or operated, except the CLEAR and
MENU keys, used for unlocking.
In addition, the following message is displayed in the middle of the current screen:
Msg: Clear+Menu to unlock the remote
How to Unlock a Remote Panel
To unlock the remote, press again the CLEAR key then, within 2 seconds, the MENU key. The remote goes back to its operating mode.
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OPERATION MANUAL Nano 11.02

2.3. Remote Panel Operations

2.3.1. Main Menu

Introduction
After the boot sequence of the Multicam system, the LCD screen of the Remote Panel will display the Main menu:
2Rec 2PlayServerVer:11.00.xx F1: 1 RemoteF6: Exit F2: 2 RemotesF7: Clear all clips F3: F8: Stop Record F4: F9: Fill Playlist F5: Char. On/OffF0: Technical setup
Setup
1PGM+PRV 2 PGM
The Main menuhas special function key operations as shown above, as well as the “soft” keys options to enter 1PGM, 1PGM+PRV, or 2PGM modes (if available) and to enter the Setup menuto configure your remote controller or to add special functions to your application.
Note If 2 channels are available for the first Remote Panel, the B key will display 2 PGM.
Returning to the Main Menu
From any section of the application, except Playlist mode, press SHIFT+MENU on the first Remote Control panel to return to the main menu.
Function Keys in the Main Menu
Select the correspondingFunction key (F_ key), and then press ENTER to validate the selection.
Function Key Use
F1 to F4 If desired, the Multicam system can be run using 1 or 2 EVS
Remote Panels. Depending on the number of play channels available in the current configuration, 1- or 2-Remote modes will be available from the main menu.
F1: 1 Remote One Remote Panel is used in the configuration
F2: 2 Remotes Two Remote Panels areused in the configuration.
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Function Key Use
F3 Not used.
F4 Not used.
F5: Char. On/Off Enables or disables the on-screen display (Timecode, Clip ID…)
on the output monitors.
F6: Exit Exits the Multicam software and returns to the EVS Menu.
F7: Clear all clips Clears all clips. All clips will be lost. A confirmation of this
command is required. For more informationto this action. "Deleting Clips" on page 51. Note: This command is not similar to the Clear Video Disks from the Maintenance menu. If you wish to refresh completely the server, i.e. to clearall clips including the protected ones, you need to use Clear Video Disks rather than Clearall clips.
F8: Stop Record Stops the record. The REC key will go off andthe F8 function
key is now used to restart the record.
F9: Fill Playlist «Dump» feature which allows all clips to be «dumped»at the end
of the current playlist. This allows the operator to save all material to tape, as a backup feature after a show is complete. You can select in the Setup menu which camera angles have to be included in the Fill Playlist function. Make sure that the playlist you have selected is an empty one. This function will appendthe clips at the end of an existing playlist.
F0: Technical setup
Warning
In orderto guarantee the validity of data and clips previously saved, it is advised to properly exit the application by pressing ALT+Q and ENTER from the keyboard, or F6 and then ENTER from the Remote Panel. Do not turnoff the system while the application is running.
Gives access to the technical setup menu.

2.3.2. Function of the Small Keys

MENU
This function allows the operator to gain access to the secondary menu. SHIFT+MENU on the Remote gains access to the main menu. Also usedas an ESCAPE key to cancel some options and messages.
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CLEAR
This function clears the IN / OUT/ playlist / CLIPS / CUE points.
Note
To clear one CUE point, recall the desired cue point and press CLEAR+MARK key.
To clear all cues: whencurrent picture is not a CUE point, press CLEAR+MARK key. A messageappears to confirm the command.
ENTER
This function appends clip(s) at the endof the current playlist. This is also used to confirm saving of clips, and validate various options and messages.

2.3.3. Function of the Operational Block 1 Keys

Loop
It enables the internal Loop mode. The button will flash red in this mode and “LOOP” will appear on the OSD of the output monitors. When the user selects the Loop mode, the loop has to be cabledfrom the HD/SD “clean” output of PGM1 to the Loop In connector.
The loopis performed on the audio andvideo components of the PGM1 output, or on the video only, depending on the Internal Loop parameter of the Operational Setup menu, (p.9.2 F6). In audio embedded, the audiois also looped, whatever the value defined for the Internal Loop parameter.
To leave the loop mode, you need to press SHIFT+LOOP again.
Note
By default, users have to connect the clean SDI output to the Loop In connector given that the OSD of the output monitors are not disabled. If users want to use the output monitor with characters out, they have to start the Multicam application with the followingparameter : /LOOP_SDI_MON.
This is very useful to “consolidate” effects and edits, or adding live sound or music or voice to previously recordedmaterial when only the video is looped back into the server.
Note
When playing back at 200% in loop mode, then replaying the looped sequence at 50%, you can obtain a “film effect”.
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PLST
This function is not active if the current playlist is empty. If the current playlist is not empty, pressing PLST once enters the Playlist Edit mode.
Pressing PLST from the Playlist Edit mode enters the Playlist Playout mode.
Pressing PLST from the Playlist Playout mode re-cues the playlist to its beginning.
Pressing 3 times PLST will always cue up the playlist ready to roll. To play back a playlist that has been cued, press the PLAY button and it will roll at the
preset speeds.
Insert
This function inserts a clip before or after (dependingon the Setup menu) the current position inside the playlist.
Browse
When a clip is loaded on the primary channel, pressing the BROWSE key allows the operator to browse inside all local clips of the database by turningthe jog dial.
When a cue point exists for the current picture on the primary channel (theCUE button lights red), pressing the BROWSE key allows the operator to browse through all existing cue points by turning the jog dial.
When the current picture on the primary channel is neither a clip nor a cue point, or if the operator is in Playlist mode, pressing the BROWSE key allows him to browse inside the clips of the current playlist by turning the jog dial.
Goto IN
When you are in CLIP mode, this key combination enables the operatorto go to IN / OUT points of clips, instantly.
IN
This function defines the IN point of a clip. The key will light differently dependingon the following situations:
Green key The key lights green if an IN point exists but is not the image you see.
Red key The key lights red if the on-air image is at this IN point. This point can be entered while recording.
Duringa Replace operation on a playlist, this key will flash red if trying to insert an IN marker on a transition, as this is not allowed.
Duringan Extend operationon a timeline, this key will flash reduntil you jog. At that time, it will flash green until the operationis confirmed using the CAM D key.
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Goto OUT
When you are in CLIP mode, this key combination enables the operatorto go to IN / OUT points of clips, instantly.
OUT
This function defines the OUT point of a clip. This operates similarly to the IN button.
Modification of Clip IN / OUT Points
Select the clip that you wish to modify, use the jog dial to position the material at the new IN or OUT point, andre-mark the IN or OUT point(s) as required.
Warning
When IN/OUT points are set and a clip is saved, the system automatically write-protects a user definable length of material before andafter the IN/OUT points respectively. These are referredto as the guardbands. Their duration can be set with the Default clip duration parameter in the Operational Setupmenu (p.2.2 F2) as required.
Lever
This function is used to perform slow motionfrom 0 to 100% and to playback material from 100to + 100% or from 200 to + 200% when Secondary Lever range is selected. The lever has a continuous, linearrange, except when Super Motion material is loaded on the primary channel. In this case, there is a “flat step”at 33% (SD SuperMotion) or 50% (HD Super Motion) to help the operator locating easily the ideal playback speed.
Warning
When playing Super Motion material in slow motion, to obtain the smoothest replay, it is important that the replay speed is exactly the ideal slow motion speed, i.e. 33% for SD Super Motion or 50% for HD Super Motion. If the replay speed is slightly off these ideal values, movements might appearstaggered. These ideal speeds can also be called directly by pressing the PLAY button when the current element is SuperMotion. ThePGM speed andVar Max modes can also beused to facilitate this. See Chapter6 ‘PGM-PRV Mode’ on page26 for a description on these modes.
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TAKE
In PGM+PRV mode, pressing this button swaps cameras onPGM andPRV monitors
In Multi-PGM mode, pressing this button toggles between CAM selection and PGM selection modes.
In 2 PGM mode, whenboth PGMs are selected on the Remote Panel, pressing this button swaps the content loaded on PGM1 with the one loaded on PGM2 and vice­versa.
In Playlist Edit mode, pressing this button inserts the clip loaded on the PRV channel into current playlist.

2.3.4. Function of the Operational Block 2 Keys

Network
This function is not accessible on the XTnano.
PLAY
This function initiates a forward motion. It can also be usedto start playback of playlists andclips (refer to PLST command).
When PgmSpd/Var Max is OFF, the default playback speed whenpressing the PLAY key is 100% for standard pictures, 33% for Super Motion pictures with a TripleSpeed camera (SD), and 50% for SuperMotion pictures with a Double Speed camera (HD),.
When PgmSpd/Var Max is ON, the value defined in the Operational Setup menu for the PGM Speed/Var max parameter (p.9.1 F3) is used.
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Goto TC
This function allows you to jumpto a given timecode in the loaded train or clip.
How to Go to a Given Timecode
To go to a given timecode, proceed as follows:
1. Press SHIFT+GOTO TC key on the Remote. The GOTO TC window is displayed on the Remote Panel :
Go to TC xx:xx:xx:xx
Reset FromDate To Date Return LTC
[Menu] : Cancel
[Enter] : Go to TC
2. To specify a date from which the search should be executed, press SHIFT+C, enter the date in the format dd/mm/yy, using the F1 to F10 keys, and press ENTER on the Remote.
3. To specify a date up to which the search shouldbe executed, press SHIFT+D and enter the date in the format dd/mm/yy using the F1 to F10 keys and press ENTER on the Remote.
4. To specify whether to go to a LTC, USER timecode or any of both (LTC/USER), press C until the requested timecode type is displayed.
5. Enter the requested timecode using the function keys F1 to F10. Eight digits: hh:mm:ss;ff (f=frame)are displayed on the LCD screenof the Remote. ◦ If you enter all 8 digits, Multicam will automatically goto the required timecode. ◦ If you enter less than 8 digits (when the last digits are zeros), press ENTER on the
Remote to validate the entry and reach the requested timecode.
Once you have entered the Goto TC, you can observe it has been correctly entered on the display of the Remote LCD screen andon the output monitor. This Timecode display appears in the centre of the LCD display, just above the menu options.
6. Press ENTER on the Remote.
If the timecode is from the LTC table, it will be displayed in white on the output monitor. If the timecode is from the USER TC table, it will be displayed in yellow onthe output
monitor. If nothing happens after confirming the TC entry with ENTER, this means that the field
corresponding to the selected Timecode does not exist on the disk any longer. To exit the GOTO TC function at any time, press the MENU key.
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Last Cue
This function re-cues the EVS server to previous cue point relative to the current timecode position. Each time the Last Cue button is pressed, the EVS server re-cues to the previous cue, etc. Whenrecalling a cue point, the cue number appears in the upperleft corner of the OSD if this option is enabled with the Cue number on OSD parameter in the Operational Setup menu (p.1.1 F1)
Fast Jog
When selected, this option enables fast picture search: the actual speed of this fast jog is adjustable in the Setup menu. Starting a play or returning to E2E mode resets the Fast Jog mode.
Warning
The jog dial is active at all times when the system is in play & record. The brake is automatically turned on when startinga playback with the PLAY key or with the lever, or whenreturning to E2E mode with the RECORD button.
Mark
This function marks up to 256 cues that can be markedwhile recording or playing. The cues are marked on the LIVE or PLAYBACK program depending on the valueset in the Setup menu. When the operatorhas marked 256 cues, the next onewill overwrite the oldest one.
Return
Inside a clip, press the RETURN key to remain on the same picture, but inside the record train instead of the clip (if that picture still exists in the record train). This is useful when a clip is too tight and you want to use material beyondthe current IN or OUT point.
RECORD
This key lights red when the system is recording. Pressing this key brings the system in E/E (“live”) mode, and starts the record if necessary (depending on the settings of the Setup menu). The E/E mode is actually playingpictures already recorded by the system, andhas a delay of 3 frames compared to the live source, on all audio and video tracks.
Page
Use this key to select a new clips page. After pressing the SHIFT+PAGE key, you must press a F_ key to select the corresponding page(1 to 10).
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PRVCTL
This function enables/disables the Preview Control mode.

2.3.5. Rebooting the System from the Remote Panel

«Hard Reboot»
In the event that the system needs to be rebooted, the process can be accomplished from the Remote Panel. Keep in mind that doing this while Multicam is running will of course force the Multicam application to close abruptly, andup to 1 minute of the material being recorded and not clipped could be lost.
To reboot, press the following key sequence,
Between step 3 and step 4, the RECORD button will flash GREEN and the PAGE button will flash RED. Hitting the PAGE button will reboot the system. Hitting the RECORD button will return to normal operation.
«Soft Reboot» from the Keyboard
It is also possible to run a «soft reboot» which will exit the software and returnthe user to the EVS Menu. Here, the software can be selected and entered again without having to reboot the entire system. When running the followingprocedure, the system will automatically save all recorded material (record trains, clips, playlists) upon exit.
Hit ALT+Q on the keyboardor press F6 from the mainMenu, and confirm with ENTER or cancel with ESC. You will exit the Multicam software and go back to the EVS Menu.
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3. Control Modes

3.1. Live, Search or Playback Mode

Multicam can be set in three different basic modes, depending on commands used:
Live (E2E) Mode
This mode selected at start-up can also be selected by pushing the RECORD key. Multicam records the input signal and plays it at the same time on the program output.
Search Mode
This mode is selected by moving the jog dial. In this mode, the operator has the opportunity to search for an image, in order to define cue
points or clips. Moving the command knob clockwise will force Multicam to search forward, moving the command knob counter-clockwise will force it to search backwards. The most important thing to note is that Multicam never stops recording while searching.
Playback Mode
Moving the lever or pressing the PLAY key selects this last mode. Multicam plays the incoming signal delayed, a clip or a playlist, in slow motion and of
course continues to recordthe incomingsignal on disks. As soon as the lever is moved, Multicam starts playing back from the current picture. The
playback speedis defined by the lever position. This is used to start the playback of a normal slow motion, as well as the playback of a clip or a playlist. During playback, the system never stops recording
Note
Each operation on the Remote Panel with the control jog or lever will be associated to the Search orPlayback mode respectively.
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3.2. 1PGM+PRV Mode

3.2.1. 1PGM+PRV Mode

Introduction
Multicam has two modes for its basic operation, 1PRV+PGM and Multi PGM:
The 1PGM+PRV mode is more powerful as it allows interaction between all outputs.
Synchronized replays can be rolled andchained between the cameras with either a mix, a wipe, or a cut between them.
The Multi PGM mode is more basic but gives the operator independent control of all
outputs. These outputs can be controlled together (such as jogging back to a certain action on all outputs) or individually (eitherPGM 1 or2).
How to Enter the PGM+PRV Mode
To enter the 1PGM+PRV mode, press A from the Main menu. The Remote Panel will then display the followingscreen:
*PGM1* CAM A PRV CAM B
Aud.Met. PgmSpd PostRoll
Mix Sw to IN Pref
P.1 B.1 PL 11: < Msg
Rst Cam Sync Prv
Cam A Cam B
At least 2 playback channels must be available to run this configuration. This mode allows the operator to make replays with/or without transition effects between
all outputs. A string of replays can be put together andplayed back at the operator’s discretion.
The LCD display is divided in two menus controlled by soft keys (A, B, C, D). To gain access to the upper menu, press MENU from the Remote Panel.
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3.2.2. 1PGM+PRV Primary Menu Controls

Introduction
The primary menu in 1PGM+PRV mode, illustrated below, gives access to the functions detailed in the following paragraphs:
Rst Cam Sync Prv Cam A Cam B
CAM A / B / C / D
Rst Cam Sync Prv Cam A Cam B
If PRV CTL is 'OFF', select the camera to assign to the PGM output. This camera key will be highlighted in the menu.
If PRV CTL is 'ON', select the camera to assign to the PRV output. This camera key will be highlightedin the menu.
Rst Cam
Rst Cam Sync Prv Cam A Cam B
This function restores the position of cameras on the active channels: CAM A on PGM1, CAM B on PRV.
Note
When a clip/playlist is loaded on a channel, switching back to Live mode will recall the record train, which was last used on that output. This avoids too frequent uses of the RstCam function.
Sync Prv
Rst Cam Sync Prv Cam A Cam B
This option allows the user to synchronize the PRV with the timecode and speed of the PGM output. This function is not available with remote record trains.
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3.2.3. 1PGM+PRV Secondary Menu Controls

Introduction
The secondary menu in 1PGM+PRV mode, illustrated below, gives access to the functions detailed in the followingparagraphs:
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
Mix / Wipe L>R / Wipe R>L / Wipe U>D / Wipe D>U / Cut
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
These options determine the transition effect that will occur between the PGM and PRV pictures. The mix, wipe andcut are on the same location. Pressing this button will browse through these effects, showing the active one on the LCD menu. Please refer to Setup menu to select the duration of the transition effect.
PgmSpd / VarMax
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
Pressing PgmSpd once enables the Program Speedmode and highlights this function on the LCD. Pressing the key once moreenables the VarMax modeand highlights this function on the LCD. The PLAY key is flashing red while either of these modes is enabled.
Program Speed mode: In this mode, only two speed values are availablefrom the
lever: 0% when the lever is in the lower position, or the speeddefined in the Operational Setup menu (p.9.1 F3) for any other position of the lever.
VarMax mode: the speedrangedefined by the lever is limited between 0% and the
speed valuedefined in the Operational Setup menu (p.9.1 F3).
Sw To In
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
When this function is enabled (highlighted), a camerachange will cause a jump to the corresponding IN point if existing. It will switch in Sync if no IN point exists for the current element, orif SwtoIN is 'OFF'.
See section "Synchronization Mode(Switch To In)" on page 29 for more information on this option.
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Pref
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
Selecting this function enables the Preference mode. See section "Preference Mode (PREF)" on page 29 for more inforamtionon this option.
Aud.Met.
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
This option enables/disables the display of audiometers for all channels using the OSD of the output monitors.
Post-Roll
Aud.Met. PgmSpd PostRoll Mix. Sw to IN Pref
When the post-roll modeis enabled, that function is highlighted on the LCD and a “P” appears onthe OSD of the output monitors.
When the user exits Multicam with the post-roll mode on, this mode will still be enabled when Multicam is restarted.
The post-roll mode works as follows depending on the element played:
When a clip is played, it will not stop on the Short OUT point, but will continue to play
through the Short OUT point by the post-roll duration definedin the Setup Menu.
When a record train is played, the same will happen if the Record trains OUTs
parameter is set to “Freeze” in the Operational Setup menu (p.2.3 F1).
When a playlist is played, the post-roll will apply only to the last clip of the playlist.

3.2.4. Full Control and Lever Control

You control both PGM and PRV when the PRV CTL key is not active. Once you select PRV CTL, you gain control on the PRV channel with the jog dial and
most keys, while the lever and the PLAY key control the PGM output. At this point, selecting clips will call them up on the PRV channel.
Activating both the PRV CTL and the SW to IN functions allows the operator to auto-chain
cameras from the same IN point.
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Let's say an IN point has been marked, and you activate the PRV CTL and sets to ON the
SW to IN option: Theslow motionof one camera can be started from this IN point. The operator selects another camera in the PRV output and, via the TAKE button, can auto­chain cameras from the same IN point on the PGM output.

3.3. Multi PGM Mode

3.3.1. Multi PGM Overview

Introduction
Multicam has two modes for its basic operation, 1PRV+PGM and Multi PGM:
The 1PGM+PRV mode is more powerful as it allows interaction between all outputs.
Synchronized replays can be rolled andchained between the cameras with either a mix, a wipe, or a cut between them.
The Multi PGM mode is more basic but gives the operator independent control of all
outputs. These outputs can be controlled together (such as jogging back to a certain action on all outputs) or individually (eitherPGM 1 or2).
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How to Enter the Multi-PGM Mode
To enter the Multi PGM mode, press B from the Main menu. This button is labeled '1PGM', or '2PGM' according to your system configuration.
The Remote Panel will then display the following screen:
PGM1 CAM A *PGM2* CAM B
Aud.Met. PgmSpd PostRoll
Sw to IN Pref
P.1 B.1 PL 11: < Msg:
Rst Cam Sync To
PGM 1 PGM 2
The LCD display is divided in two menus controlled by soft keys (A, B, C, D). To gain access to the upper menu, press MENU from the Remote Panel.

3.3.2. Multi PGM Primary Menu Controls

Introduction
The primary menu in Multi PGM mode, illustrated below, gives access to the functions detailed in the following paragraphs:
Rst Cam Sync To PGM 1 PGM 2
Rst Cam
Rst Cam Sync To PGM 1 PGM 2
This function restores the position of cameras on the active channels: CAMA on PGM1, CAMB on PGM2, etc.
Note
When a clip/playlist is loaded on a channel, switching back to Live mode will recall the record train, which was last used on that output. This avoids too frequent uses of the RstCam function.
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Sync To
Rst Cam Sync To PGM 1 PGM 2
This button allows you to synchronize the selected PGM in use with another one. Press this button and then select the PGM to be usedas a reference.
How to Assign a Camera to a Channel
In Multi PGM mode, to changethe current camera on each PGM, proceed as follows:
1. In the primary menu, select the PGM to which you want to change the current camera.
The TAKE key at the bottom of the remote is thenlighting red.
2. Press the TAKE key. It lights green and the menu on the LCD display changes to let
you select the desired camera.
Rst Cam Local CAM A CAM B
3. Press the camerayou want to associate to the selected PGM.
4. Press TAKE again to return to the PGM selection menu.
Playlist Conditional Mode
This mode is only available in 2PGM mode. It allows the operator to loadand control several playlists simultaneously from the same Remote Panel, orto load a playlist on one channel while performing other operations on the other channel(s). To use this mode, the Load Playlist parameter of the Operational Setup menu must be set to Conditional (p.3.3 F2).
To use this mode, select one channel (for example PGM1), andpress the PLST key one, two or three times to enter the PLST EDIT or the PLST DIFF mode (refer to the “Playlist Management” Section of this manual for details about these modes). You can notice that the TAKE key lights green. Pressing the TAKE key will allow the operator to return to the PGM selection menu, and select another PGM channel where he can start a replay, load a clip oranother playlist, etc.
In this mode, if the operator selects a PGM channel where a playlist is loaded and presses the TAKE key, he will enter again the PLST EDIT or PLST DIFF mode.
When playlists are loaded on all channels currently controlled by the operatorin Multi PGM mode, the TAKE key lights red. If the TAKE key is pressed, the remote will enter a specific PLST DIFF mode, where the operator can control several playlists simultaneously, and browse them or roll them in sync. NEXT and SKIP functions are also available and will apply on all controlled playlists. The TAKE button will not light red if one of the controlled channels does not contain a playlist.
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Practical example
The operator builds a playlist with Fills and another playlist with Keys. He sets the Playlist Load parameterto Conditional in the setup menu, thenenters the 2PGM mode, selects the Fills playlist as current playlist, presses A to gain control on PGM1, presses PLST two or threetimes to enter the PLST DIFF modeand cue upthe Fills playlist to its 1st clip. Then he presses the TAKE key to returnto the PGM selection menu, selects the Keys playlist as current playlist, presses B to gain control on PGM2, presses PLST two or three times to enter the PLST DIFF modeand cue upthe Keys playlist to its 1st clip. Then he presses the TAKE key to returnto the PGM selection menu, presses D to gain control on both PGM channels, then presses TAKE to enter the PLST DIFF menu. He will see the content of both playlists side by side on the LCD screen, and can browse them or play them in Sync at any speed, and perform SKIP and NEXT commands as needed.

3.3.3. Multi PGM Secondary Menu Controls

The secondary menu can be called by pressing the MENU key andis similar to the 1PGM+PRV mode, except that the A function is empty since it is not possible to create a transition between the channels in this mode.
See section "1PGM+PRV Secondary Menu Controls" on page 23 for a description of the other functions of the secondary menu.
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3.4. Synchronization Mode (Switch To In)

The Synchronization mode allows users to define how they jump from onecamera to the other. The Synchronization mode is available in the secondary menu from the main LCD display, using the B soft key.
If the Synchronization mode is OFF (SW to IN is not highlighted in the secondary menu), a request for camera change will produce a jump at the same timecode on the requested camera. This mode allows synchronous change of camera angle.
If the synchronization modeis ON, a request for a camera change(by pressing CAM A, CAM B, CAM C, or CAM D in the Multicam menu)will leadto a jump to a predefined CUE IN point.
If a CUE IN point has not been previously defined, Multicam acts as in SW to IN OFF mode (even if SW to IN ON is shown) because the system has no reference to jump to.

3.5. Preference Mode (PREF)

The Preference mode allows users to show the preferential camera angle by default when a clip is loaded. The Preference mode is available in the secondary menu from the main LCD display, using the D soft key.
When this optionis ON and a clip is recalled, the preferred camera will be displayed on the main output, even if another camera angle was previously loadedon that output.
The preferred camera is the one, which was onthe primary output channel when the clip was created.
The second preferential camera (“secondary camera”) is the one that was loaded on the next channel when the clip was created.
In the Clip screen, the first preferential camera is indicated by a star: 111B* and the second preferential camera is indicated by 2 dashes: 111B=.
When the preference option is disabled, the PGM output stays on the camera currently selected when the clip is called.
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3.6. Controlled and Primary Channels

Controlled Channel
A channel is "controlled" whenthe operator can control it with the jog dial. In this case, the words "FULL CTRL" are present on the top of the OSD of the output monitor of that channel.
Primary Channel
The primary channel is the first controlled channel. It is identified by stars around its name on the OSD of the output monitor and on the LCD display of the Remote Panel (ex: *PGM1*).
Examples:
In 1PGM+PRV mode with PRV CTRL OFF, the primary channel is PGM.
In 1PGM+PRV mode with PRV CTRL ON, the primary channel is PRV.
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4. Clip Management

4.1. Introduction

4.1.1. Clip Structure

Concepts
A clip is defined by Short IN andShort OUT points. When referring to Short IN and Short OUT points, the operators usually use the terms IN point andOUT point.
When Short IN and Short OUT points are set, the system automatically write protects a user definable length of material before andafter the Short IN/OUT points respectively, these are referred to as the guardbands.
For this reason, the IN point before the guardbands and the OUT point after the guardband arecalled Protect IN point and Protect OUT point.
Use of Guardbands
It is possible to trim a clip by redefining Short IN andShort OUT points. If Short IN and Short OUT points are defined, only the fields between those two points will
be playedif the sequence is recalled(the same applies whenthe sequence is includedin a playlist).
Fields between Protect IN andShort IN andfields between Short OUT and Protect OUT (guardbands) can be reached with the jog. So the Short IN and Short OUT points can be redefined.
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General Principles
Protect IN & Protect OUT points of a clip cannot be replacedby new ones. Short IN & Short OUT points of a clip can be replaced by new ones. Short OUT point is excluded. The clip freezes on previous field whenplaying back (with
post-roll mode disabled). (Short) IN & OUT are always on even fields. This is automatic. The guardband beyond the Short OUT point is created with the material available when
the operator saves the clip by pressing the selected F_ key. Therefore, this guardband can sometimes be shorter than the valuedefined in the Setup menu.

4.1.2. Clip Numbering Hierarchy

Introduction
Multicam can store up to 900(multiplied by the number of cameras) clips and 100 playlists in its libraries. 900 clips with up to 6 cameraangles per clip result in 5400clips on a server. This number is displayed in the upper right window of the VGA Setup screen (SHIFT+F2 from the PC keyboard).
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Clip Hierarchy Diagram
The following diagram represents the hierarchy of the Multicam clip numberingsystem. As an example, clip number “112” is used:
Clip LSM ID
The clip numberingsystem is as follows:
In the above example, the
“5”refers to the clip page number (1 to 10).
“4”refers to the clip bank (1 to 9)
“7”refers to the clip number (1 to 10) inside the bank
"B" refers to the cameraname.
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4.1.3. Clip Availability on Disks

Various clip types can be distinguished depending on whether they are availableon the disks or not. Depending on the clip availability on disks, you can perform specific actions on the given clip or not.
Clip Available Actions
Clip on disk Clips which are protected on disks, and which have Short IN and
Short OUT points present on disks. All the material is available on the disk.
Growing clip Clips which are protected on disks, and which have a Short IN
point, and possibly Short OUT point defined on disks. Since the record process is still undergoing, some of the material is already on the disk but not all of it.

4.2. Clip Functions on the Remote Panel

4.2.1. Remote Panel Interface

Overview
In Clip mode, the secondary menu of the Remote Panel is different from the RecordTrain mode:
PGM1 112A *PRV1* 112B
Push Aux Clip PostRoll >Archive Cam
P.1 B.1 Clips: Local Records: Local PL 11: < > Msg:
Rst Cam Sync Prv
Cam A Cam B
Press MENU to access the secondary menu.
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Secondary Menu Without Keyword File Defined
1 2 3
111A
Push Aux Clip PostRoll
>Archive Search Cam
In this mode of the secondary menu, clips can still be directly recalled using the F1-F10 keys of the Remote Panel.

4.2.2. Remote Panel Functions

Secondary Menu in Clip Mode
Push
Push Aux Clip PostRoll >Archive Cam
The Push function allows you to easily send a copy of a clip to another machine on the network, via the GigE network.
If one or two default targets (push machines) are defined in the setup, the clip will be
automatically sent to these machines.
If no default target is defined, the list of machines available on the network will appear.
As soon as the operator selects one of them, the clip is pushed.
In both cases, a message appears for a few seconds on the LCD to confirm that the clip is being pushed and indicate the clip location where it will be stored on the receiving machine.
If the Receive Page(s) defined on the destination machineis (are) full, the operator who tries pushing the clip is notified. While this message is being displayed, the operator can press the MENU key at any time to return to the normal menu. Depending on the CAM/CLIP mode selected by the D key, only the camera angles loaded on the controlled channels are pushed (CAM mode), or all cameraangles of the clip arepushed at once (CLIP mode).
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>Archive
Push Aux Clip PostRoll >Archive Cam
The Archive function allows the operator to flag a clip to place it in the archive queue of the Xtract
This function is blinking when the clip is flagged for archiving, but has not yet been archived. It is permanently highlighted when the archiving of the clip is completed.
Depending on the modeselected with the D key (CLIP/CAM), the >ARCHIVE flag is assigned only to the camera angles of the clip loadedon the controlled channels (CAM mode), or to all camera angles of the clip (CLIP mode).
Aux Clip
Push Aux Clip PostRoll >Archive Cam
This function allows assigning a clip as auxiliary audio clip to the current playlist. Press CLEAR+Aux Clip (CLEAR+SHIFT+B) to remove the current auxiliary clip. "Playlist Management" on page59 for more details.
PostRoll
Push Aux Clip PostRoll >Archive Cam
This function enables/disables the post-roll mode. "1PGM+PRV Secondary Menu Controls" on page23 for more explanations about this mode.
Clip/Cam
Push Aux Clip PostRoll >Archive Cam
Pressing the D key will toggle between CAM and CLIP modes onthe remote. Please note that this mode on the remote and on the VGA screens is never synchronized.
In CAM mode, the Push, and Archive functions will apply only to the cameraangles of
the clip loaded on the controlled channels.
In CLIP mode, these functions will apply on all camera angles of the clip.
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4.3. Clip Functions on the VGA

4.3.1. VGA Interface - Clip Screen

Standard View
The navigation through the Clip screen, and the various functions available on this screen, can be performed using the tablet and stylus, or the keyboardshortcuts.
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Extended View
The extended view shows cameras A to F instead of A to D. Only 1 bank can be viewed at a time. The switch between standard and extended view is done by pressing F5 on the keyboard or by clicking on the “F5:VIEW” areaon the screen.
Title Bar
The Title bar contains the status information:
Name of the EVS server.
Total number of clips (1camera anglecounting for 1 clip in this count).
Total duration of all clips.
Remaining capacity on the server (all record trains together; valid for local server
only).
Clip Information Area
The next area is the Clip InformationArea which displays the clips of the selected page andbank(s). Two clip banks are displayed at a time.
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For each clip and camera angle, the following information is available:
Field Description
Clip ID Uniqueidentifier of the clip on the server. Ex: 111A
Clip “rank” Clip rank depending on the channel on which it has been created:
Clip name Name of the clip, either automatically assigned or defined by the
Archive Status If the clip ID is blinking green, the clip is flagged for archiving, but
The clip ID is followed by the “Creating”messagewhen the clip is in the process of being created, copiedor moved to this location.
Primary (“*” next to the clip ID)
Secondary (“=” next to the clip ID) The clip rank informationis highlighted in blue if the clip is protected.
user.
not yet archived
If the clip ID is permanently highlighted in green, the archiving of
the clip has been completed

4.3.2. VGA Functions - Clip Screen

Function Bar
The second line of the Clip screendisplays the available functions. Each function can be called by the correspondingF_ key of the keyboard, or by clicking with stylus & tablet on the corresponding area on this line.
Function Key Description
Name F1 This function is used to name a clip.
Clip/Cam F2 This function toggles betweenCLIP mode and CAM
mode.
In CLIP mode, actions on a clip will use all available cameras for this clip.
In CAM mode, actions on a clip will only use the selected camera for this clip.
Otherfunctions such as Name, Delete, Copy, Set TC, >Archive depend on this mode selection.
Call F3 The operatorcan gain immediate access to a local or
network clip by typing its ID number.
Pref F4 This optionchanges the primary camera of a clip.
View F5 This option changes the standard display to the extended
display and vice versa.
Playlist F0 The Playlist screen can be accessed by selecting F10 on
the keyboard.
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Clip Management Area
Name Capture Field
This is the only capture area of the screen. It is used to enter the name to assign to a clip/playlist, or to enter the ID of a clip to recall.
Mode Field
It indicates if the clip screen is currently in CLIP orCAM mode. In CLIP mode, actions on a clip will use all available cameras for this clip. In CAM mode, actions on a clip will only use the selected camera for this clip. Default value is CAM mode.
Clip Control Area
It is dedicated to play-out control.
Command Description
ALT+P:►/■ Plays at 100% speed except for super motionclips which are
playedback at 33% speed; and pause playback on the current picture.
ALT+R:RECUE Jumps to the Short IN point.Primary.
ALT+T: SET TC Restripes the timecode of the current clip.
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Command Description
ALT+Z:>ARCHIVE Allows the operatorto flag a clip to place it in the archive queue of
PGM X Located in the bottom right corner of the clip screen, this field is
the Xtract defined in the Operational Setup menu (p.7.1 F1) or in the Setup screen. When a clip is flagged for archiving, but has not yet been archived, its ID will be blinking green in the Clip screen. It is permanently highlighted green when the archiving of the clip is completed. Depending on the modeselected with the F2 key (CLIP/CAM), the >ARCHIVE flag is assigned only to the camera angle of the clip selected with the green cursor (CAM mode), or to all camera angles of the clip (CLIP mode).
only visible if the Call channel VGA function has beenenabled in the Operational Setup menu (p.9.2 F4) or in the Setup Screen, andis only effective in CAM mode, not in CLIP mode. It allows the operator to select on which channel clips called using the keyboard/tablet and VGA should be loaded. Press ALT+F1 on the keyboardto select PGM1, ALT+F2 for PGM2/PRV. This function is useful to load clips on channels that cannot be controlled by anEVS Remote Panel, or to allow an AP to browse clips on a play channel not used by the main operator. Note that if that channel is in PLST EDIT mode with a PRV, the clip will automatically cue up on the PRV.
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4.3.3. VGA Interface - VDR Panel

VDR Panel
The VGA VDR Panel is accessed from any VGA screen by pressing SHIFT+F9 on the keyboard. The lower section of the VDR Panel is similar to the clip screen, with the same functions. The upper section of the VDR Panel features two windows that can each take control of one channel of the server.
Pressing SHIFT+F9 in the VDR Panel returns the VGA to the Clip screen mode.
Upper Section
The two windows of the upper section can be assigned to a different channel of the server. When entering the VDR Panel for the first time after starting the application, the control of both windows is disabled.
Press CTRL+F1 to gain control of the left window, orCTRL+F2 to gain control on the right window. The framearound the corresponding window becomes green. Note that only one window can beactive at a time. Inside the active window, letters/numbers highlighted in green indicate the keyboard shortcut to the corresponding function: press ALT+the highlighted letter/number. All functions are also available by clicking with the stylus.
Warning
The control of a channel from the VDR Panel is concurrent to any other controller that might be assigned to that channel: EVS Remote Panel or external protocol. A command sent from the VDR Panel to a channel will overwrite whatever the channel was doing at that time.
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The name of the channel currently assigned to each window is displayed on the top of each of them. To assign a new channel to this window, press ALT+H. A new window appears onthe otherside to allow the selection of a new channel.
Use the UPARROW andDOWNARROW keys to select the channel and press ENTER, or directly press ALT+the number of the channel as highlighted in green. The Play channels already assigned appear in grey and cannot be selected. Select “0 – Disable Window” if you don’t want to assign any channel to the window. Depending whether a Play or Record channel is assigned to the VDR Panel window, its content is automatically updated.
Lower Section
The browsing of clips, the viewing modes (normal or extended), the way clips arerecalled, moved andcopied, etc. in the VDR Panel is strictly the same as in the Clip screen. The Connect window is calledwith F9, and allows to connect to other servers on the network.

4.3.4. VGA Functions - VDR Panel

In the Player Window
The following information are available in this screen:
ID of the current element (clip ortrain)
Current timecode
Name of the current element
List of available camera angles (green) and selected cameraangle (red)
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The following functions are availableto play and browse the current element:
Command Description
ALT+P Play from / Pause on the current picture
ALT+Y Play the current clip in endless loop mode. The play will start from
the current picture until the Short OUT point of the clip, then will automatically loopback to the Short IN point and keep playing, and so on…
ALT+V PlayVar at the speed specified in the adjacent field. To edit the Var
speed, press ALT+% (without SHIFT key), type the desired value andpress ENTER to confirm.
< / > Move 1 field backward / forward
SHIFT+< / > Move 1 second backward / forward
CTRL+< / > Fast Rewind+Fast Forward. The browsing will continue after the
keys are released.
ALT+< / > Goto IN / OUT
ALT+G Goto timecode
After loadingthe desired clip, the following edition functions are available:
Command Description
ALT+N Renames the clip. Type the desired nameand press ENTER to
confirm or ESC to cancel.
ALT+I / ALT+O Marks a new Short IN / Short OUT point on the current picture. The
cursor is automatically placed in the adjacent field, so that the operator can manually enter the timecode of the desired Short IN / Short OUT point if needed. Press ENTER to confirm, or ESC to cancel.
In the Recorder Window
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The VDR Panel Recorder can be used to start/stop the record, and to create clips from the local recordtrains. For example, it allows the creation of clips on a server that has no Play channel.
Press ALT+R to start or stop the record on the recordchannel assigned to the window. No confirmation is required.
Warning
In Sportlight mode, all recorders will be stopped at once to keep the synchronization between all recordchannels.

4.4. Operations on Clips

4.4.1. Creating and Saving Clips

Introduction
A clip is created by defining and IN and OUT point on a record train, and saving the A/V material between IN and OUT as a clip, hence preventing it to be deleted by the loop recording.
When you save your clip, clips are created automatically on the following cameras:
on the primary channel.
on all cameras associated to a player channels.
on all cameras for which the Automake Clip option is set to Yes in Multicam Configurationwindow, Operation tab, Clips section.
A clip can be createdwith only an IN or only an OUT point. Thesystem will automatically adjust the clip duration according to the default duration definedin the Setup menu (p.2.2 F2).
The auto-save process automatically saves clips and playlists at least every minute. Exiting the software(ALT+Q) will also save the clips and playlists.
In the Remote Panel Interface
To create a new clip, proceed as follows:
1. Press the RECORD key to select the Live mode if you are not yet in this mode.
2. Use the jogdial to define the clip Short IN point then press the IN key to mark it
3. You can use the jog dial to define the clip Short OUT point then press the OUT key to mark it.
Note
You can mark an IN or an OUT point on a paused record train andgo back to live without losing the point marked by pressing SHIFT+Return.
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4. Press SHIFT+Page+F_ key to select the page where the clip will be stored (page 1 contains clips 110to 199, page 2 contains clip 210 to 299, and so on).
5. Press SHIFT+F_ key to select the bank wherethe clip will be stored (use F1 to F9 keys as F10 is reserved for the playlist bank available on each page).
6. Press F_ key to select the location of the clip.
The clip is created in the specified location. The primary timecode of the clip is the primary timecode defined on the trainwhere and when the clip has been created.
Note Press the F0 key on the Remote Panel to save ALL clips and playlists.
Example
To create a clip in location 213 (page2, bank 1, location3):
1. Press SHIFT+Page+F2 to select page 2.
2. Press SHIFT+F1 to select bank 1.
3. Press F3 to select location 3 on the selected page.
In the VGAInterface
To create a new clip in a player window of the VDR Panel, proceed as follows:
1. Load a record train on the player.
2. Browse the record train to reach the desired Short IN or Short OUT point.
In a Player or in a Recorder window of the VDR Panel:
3. Press ALT+I or ALT+O to mark the Short IN or Short OUT point on the current picture.
4. The cursor is automatically placed in the adjacent field, so you can manually enter, if you know it, the timecode of the desired Short IN or Short OUT point . Press ENTER to confirm or ESC to cancel.
5. You can repeat this operation to define the complementary Short IN or Short OUT point.
6. Press ALT+A-F to select and deselect the recordtrain(s) from which the clip(s) will be created. The letters highlighted in RED mean that a clip will be created from the corresponding record train and the letters highlighted in GREEN mean that the corresponding record train is available but will not be used to create a clip.
7. You can specify the name of the clip before saving it. Press ALT+N thenenter the desired name and confirm it with ENTER.
8. In a Recorderwindow, you can restripe the timecode of the IN point to a new value. Press ALT+T, enter the desired value and confirm with ENTER. When creating the clip, this timecodewill replace the original one of the Short IN point.
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9. Press ALT+S to open the 'Save as' window. If needed, you can name or rename the clip. Press ENTER to save the clip to the current cursor location in the lower section of the VDR Panel or ALT+U to save it in the first availableclip location in the current server (that is the first available location where no camera angleis already present).
You can also, from this window, browse the database, select a different page and bank, and even connect to another machine on the network using the Connect window.

4.4.2. Recalling and Playing Back Clips

In the Remote Panel Interface
How to Recall a Clip
To recall a clip, proceed as follows:
1. Select the page where the clip is storedby pressing the SHIFT+Page key and the function key correspondingto the given page.
2. Select the bank wherethe clip is stored by pressing the SHIFT+F1 to F9 key corresponding to the requested bank.
The clip banks 1 through 9 respectively correspond to the F1 to F9 keys within each clip page (1 to 10).
3. Select the position where the clip is stored in the bank by pressing the F1 to F9 key corresponding to the clip position.
If Recall Clip Toggle option is enabledin the Operational Setup menu (p.9.1 F6) or in the Multicam Configuration window (Operation tab, EVS controller section), pressing several times on the same F_ key will call successively all cameraangles of that clip.
How to Play Back a Clip
To play back a clip, doone of the following depending on the desired playback speed:
Press the PLAY key to play back the selected clip at the default playback speed.
Use the lever to play back the selected clip at a speed varying from 0% to 100%.
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Playback Speed Options
To play back a selected clip, with the lever, at a speed varying from 0% to a given maximum speed, you needto do the following:
Define the requested maximum speed in the PGM Speed/Var max parameter
(p.9.1 F3) in the Operational Setup menu.
Select (highlight) the VarMax option in the secondary menu in PGM/PRV mode.
To play back a selected clip, with the lever, at a given predefined speed, you need to do the following:
Define the requested maximum speed in the PGM Speed/Var max parameter
(p.9.1 F3) in the Operational Setup menu.
Select (highlight) the PGMSpd option in the secondary menu in PGM/PRV mode.
Options for Camera Angle Selection
If PREF is 'ON', the preferred camera angle of the clip appears on the primary channel, the secondary camera angle on the next controlled channel, and the other camera angles on the next channels in alphabetical order.
Example: If the preferredcamera anglefor clip 124 is camera C, when loading the
clip, 124C is loadedon the primary channel, whatever the camera present on that channel before loading the clip.
If PREF is 'OFF', the camera angle will be the same as the onealready present on each controlled channel. If that camera angle does not exist, the first available camera angle of the clip is used.
Example: If camera B is the current camera on the primary channel, whencalling
clip 124, it is 124B that appears onthe primary channel, even if it is not the preferred camera angle.
When the operator is controlling only one channel (such as with PRV CTL), the clip appears at that location only. In the case of a clip containing a single camera angle (so only an 'A', 'B', 'C', or 'D' clip), whenin full control of all outputs, the clip recalled will appear on the primary channel.
Growing Clips
You can recall and play back growing clips, or clips that are in the process of being created on a disk.
As long as the OUT point of a growing clip is not available on the EVS server, the LED corresponding to the growing clip locationblinks green when it is called and red when it is loaded on the Remote Panel. The clip LED will nolongerblink as soon as both IN andOUT points are available on the EVS server.
If the play reaches the end of the availablematerial, it freezes until new material is available for play back. As soon as new material is available, the play resumes.
When the OUT point of the clip is known, the remaining time is displayed, otherwise the remaining time display is '--:--:--:--' until the entire clip is copied.
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In the VGAInterface
Introduction
In the Clip window, use the keyboard keys to move through pages/banks, as well as select and recall clips. The main commands are detailed in the table below:
Moving Around Pages and Banks
In order to ... Proceed as follows:
Highlight clips in the displayed banks Press the Up, Down, Left or Right
Display other banks Press ALT+Up/Down Arrow key to
Arrow keys. The highlighted clip or clip position is surrounded by green arrows.
scroll vertically between banks. Press ALT+Left/Right Arrow key to scroll horizontally betweenpages.
Go to bank 1 of current page Press the HOME key.
Go to bank 10 (playlist) of current page Press the END key.
Return to the local clips and playlists (if Clip window connected to a remote machine)
Press ALT+L
How to Cue and Play Back a Clip via the Clip Window
To cue up anhighlighted clip, press ENTER. The clip will be cued up on the on the primary channel controlled by the 1st Remote Panel
andon the VGA Call Channel defined in the setup. If the channel where the clip is supposedto be loadedis in Plst Edit modewith a PRV
channel attached, the clip will automatically cue up on the PRV channel.
To recall a clip on the server you are connected to, proceed as follows:
1. Enter the 3 or 4 digits of the clip ID (for example111 or 111A).
2. The entry appears in the Name field.
3. Press F3: ◦ If you entered only 3 digits, the clip primary camera is selected. ◦ If you entered 4 digits, the clip givencamera angleis selected. ◦ If no clip matches the entry, no selection is done.
4. Press ALT+P to play back the selected clip.
Note
Press ESC at any time to clear the Name field.
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How to Load a Record Train in the VDRPanel
1. Press ALT+L to go in LIVE mode (or click on the LIVE function).
2. Press ALT+the letter of the desired record train (A/B/C/D/E/F), or click on it.
3. The letters corresponding to the available record trains arehighlighted in green, and the letter of the current record train in red.
How to Load a Clip in the VDRPanel
1. Use the arrow keys to move the cursor inside the lower section of the VDR Panel to the desiredclip.
2. Press ENTER, or click on the desired clip with the stylus, or type the desiredclip ID andpress F3.
3. To select a different camera angle inside a clip, press ALT+the letter of the desired camera (A/B/C/D/E/F), orclick on it.
4. Available cameraangles are highlighted in green, the current camera angle in red.
With a Tablet and a Stylus
To select a different page or bank using the stylus, click on the desiredpage/bank number on the bottom line of the screen. You can also move to the adjacent page/bank by clicking on the red arrows on the top, bottom and sides of the screen:
Left/Right Arrow: go to previous/next page
Up/Down Arrow: go to previous/next bank
If a clip is present in a certainlocation, it will be highlighted in blue. Once selected, it will be highlightedin orange.
To cue up a clip on the primary channel controlled by the first remote, or on the VGA Call Channel defined in the setup, simply click on it with the stylus (that is press lightly the tip of the stylus onto the tablet). If the channel where the clip is supposed to be loaded is in Plst Edit modewith a PRV channel attached, the clip will automatically cue up on the PRV channel.
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4.4.3. Deleting Clips

Introduction
You can delete any clip available on disks as well as growing clips, but:
Loaded clips cannot be deleted.
Clip that are on air cannot be deleted.
In these cases, a warning message is displayed. Additionally, the deletion must be confirmed in the warning message box that appears:
When the clip is protected.
When the Confirm del clp/plst parameter is set in the Operational Setup menu (p.5.1 F3).
Note
When a clip is deleted, all playlists are scanned and that clip is removedfrom all of them.
In the Remote Panel Interface
Deleting a Single Clip
Note
The F_key corresponding to the clip location on the Remote Panel must be green to be able to delete it.
To delete a clip, proceed as follows:
1. Select the page and bank where the clip that you want to delete is stored.
2. Press CLEAR, then press the F_ key corresponding to the clip.
Warning
In most cases, no confirmation is required and the clip will be instantly deleted.
3. If a confirmation message appears, press ENTER to confirm the selected clip deletion.
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Deleting All Unprotected Clips in a Bank
To delete all unprotected clips stored on a givenbank, proceedas follows:
1. Select the page where the bank that you wish to clearof all unprotected clips is stored.
2. Press CLEAR, SHIFT , then the F_ key corresponding to the bank.
The following confirmation message is displayed:
Caution:
This will delete all unprotected clips stored on bank X
[Menu] : Cancel[Enter] : Confirm
3. Press ENTER to confirm the unprotected clips deletion on the selected bank.
Deleting All Unprotected Clips
You can delete all unprotected clips in one operation using the Clear All Clips command. The following clips will not be deleted:
Clips stored on protected pages as defined in the Setup menu.
Clips protected by another protocol.
Clips included in playlists.
To clear all unprotected clips, proceed as follows:
1. Press SHIFT+MENU to go to the mainmenu.
2. Press F7 (Clear All Clips command).
3. When the confirmation message is displayed, press ENTER to confirm the unprotected clips deletion.
4. A message is displayedon the video monitorto notify the operation completion.
Warning
The Clear All Clips commandis different from the Clear Video Disks command available in the Maintenance menu of EVS software.
The Clear All Clips commanddeletes only the unprotected clips.
The Clear Video Disks command in the Maintenance menu definitively deletes all video and audio data from the disks, including any clip stored in protected pages.
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In the VGAInterface
To delete a clip, proceed as follows:
1. Move the cursor to the clip to delete.
2. Press CTRL+DEL or click on the corresponding area in the Clip Management area. ◦ In 'CAM' mode, only the cameraselected is deleted. ◦ In 'CLIP' mode, all cameras of the clip are deleted.

4.4.4. Copying and Moving Clips

Principles
Copying a clip gives a new clip which is totally independent from the original. It can thereforebe trimmed, named, deleted, etc. without affecting the original.
Copying clips locally ona server does not duplicate the video and audio material on the drives: it simply creates a separate reference to the same material. This means that the available storage capacity will not decrease whenmaking copies of clips on a server. It also means that deletedcopies of clips will not increase the available capacity of the server, as the material will not be deleted as longas one instance of the clip remains.
When moving a clip using the Move function, the reference to this clip in playlists will automatically be updated. This is very useful whenyou wish to re-organize yourclips across different pages and banks, since playlists are not affected. If you copy the clips andthendelete the originals instead of using the Move function, the reference to the original clips will be removed from the playlists when deleting these clips.
In the Remote Panel Interface
To copy or move a clip, proceed as follows.
1. Select the original clip. It can be a local or a growing clip.
2. Select an empty location.
The following Copy/Move menu is displayed:
Copy Clip113 to Clip 141 Cam A B
[Menu]: Cancel [Enter]: Confirm
COPY MOVE SHORT CLIP
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3. Select the COPY or MOVE function by pressing the A or B key. The selected function will be highlighted on the Remote Panel and the message will be updated accordingly on the OSD.
4. Press the D key in the Copy/Move menu to select: ◦ 'CLIP' mode: all cameraangles of the clips will be copied or moved. ◦ 'CAM' mode: only the cameraangles of the clip loaded on the controlled channels
will be copied or moved.
5. Press ENTER to confirm or MENU to cancel.
In the VGAInterface
Copying andmoving clips is performed using the CUT, COPY and PASTE functions available in the Clip Management area.
How to Copy a Clip
To copy or move a clip, proceed as follows.
1. Move the cursor to the clip to copy.
2. For a copy, press CTRL+C (COPY function)or for a move, press CTRL+X (CUT function) or click on the corresponding area in the Clip Management area. During a move operation, the original clip is deleted.
3. The clip is copied to the clipboard .The clipboard area displays its content: clip number andthe selected cameras.
In 'CLIP' mode: all camera angles of the clips will be copied. ◦ In 'CAM' mode: only the selected camera angle will be copied.
4. Move the cursor to the clip/playlist location where the content of the clipboard should be copied.
5. Press CTRL+SHIFT+V (SHORT PASTE function)or click on the corresponding area in the Clip Management area.
In 'CLIP' mode: only the available camera locations inside the destinationclip are
copied. If some camera angles already exist for the destination clip, they are not be overwritten by the corresponding camera in the clipboard.
In 'CAM' mode: the selected camera angle is copied.
6. During a move operation, the original clip is deleted.
Note
A “Cut & Paste” of a clip is equivalent to a “Move Clip”, meaning that any reference to that clip inside playlists will be updated to the new location of that clip. This is not the case when doing a “Copy & Paste”, then deletingmanually the original clip.
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How to Copy a Clip in the VDR Panel Player
To copy a clip from the VDR Panel Player, proceed as follows:
1. Load the original clip
2. Press ALT+S to save the current clip to another location. This creates a copy of the clip.
3. Save the clip to the current cursorlocation by pressing ENTER, or to the first available clip locationon the current serverby pressing ALT+U.
4. You can also rename the clip during this operation.
Note
The Cut / Copy / Paste functions are available at any time to move and copy clips in the lowersection of the VDR Panel, even when one of the upper windows is active.

4.4.5. Naming a Clip

You can name a clip in the VGA interface. To name a clip, proceed as follows:
1. In the Clip screen, select the clip to name in one of the following ways:
2. Click on the clip with the stylus
3. Position the green arrows around the desired clip with the keyboard.
4. Type in the desired name with the keyboard. All characters available from the keyboard are accepted, including blanks.
5. Press F1: ◦ In CAM mode, only the camera where the cursor is located is named. ◦ In CLIP mode, all cameras of the clip where the cursoris located are named.
The entry in the Name field is not cleared by pressing F1 and remains for future use. Press BACKSPACE to delete the last character in the Name field, or press ESC to clear the whole field.

4.4.6. Restriping Clips

Limitation of the Remote Panel Interface
The function to restripe the timecodeof a clip via the Remote Panel is restricted as follows and you should use the VGA interface to changethese parameters:
You can modify only the primary timecode.
You cannot modify the date of the clip.
You cannot modify the type of the primary timecode.
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In the Remote Panel Interface
To restripe the timecode of a clip, proceed as follows:
1. Recall the clip by pressing the corresponding F_ key.
2. Move the jog dial to reach the picture whereyou want to define a new timecode.
3. Press the MENU key to access the secondary menu.
4. Press SHIFT+C to call the Set TC function.
5. Enter the new timecode for the current picture.
6. In 59.94Hz modes (NTSC), press SHIFT+MENU to select between 'Drop Frame' and'Non DropFrame' modes.
7. Press the D key to select 'CAM' or 'CLIP' mode. ◦ In 'CAM' mode, only the timecode of the cameraangle loaded on the primary
channel will be changed.
In 'CLIP' mode, the timecode of all camera angles of the clip will be changed.
8. Press ENTER to confirm or MENU to cancel.
The primary timecode of the entire clip is updated according to the new timecode valueso that the timecode remains continuous over the whole clip.
Next time this function is called, the value previously used will be set as default.
In the VGAInterface
To restripe the timecode of a clip, proceed as follows:
1. Move the cursor on the desiredclip and press ENTER or click on it with the stylus to recall it.
2. Press ALT-T on the keyboardto call the SET TC function. The following Set Timecode screen is displayed:
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3. To modify oneof the following timecodes: ◦ The LTC timecode and date: Type in the new timecode for the Short IN point and
date of the clip in the Set TC field following the LTC field.
The user-defined timecode and date: Type in the new timecodefor the Short IN
point and date of the clip in the Set TC field following the USER field.
The primary TC for this clip: Press the A or B key corresponding to the requested
primary TC.
4. In 59.94Hz modes (NTSC), press the SPACEBAR to select between 'Drop Frame' and'Non DropFrame' modes.
5. Press F2 to select 'CAM' or 'CLIP' mode. ◦ In 'CAM' mode, only the timecode of the cameraangle loaded on the primary
channel will be changed.
In 'CLIP' mode, the timecode of all camera angles of the clip will be changed.
6. Press ENTER to confirm or ESC to cancel.
The timecode of the entireclip is updated according to the new timecode valueso that the timecode remains continuous overthe whole clip.

4.4.7. Shortening a Clip

You can shorten a clip using the Remote Panel. To shorten a clip, proceed as follows:
1. Recall the desired clip by pressing the corresponding F_ key.
2. Move the jog dial to browse the clip and reach to the desired Short IN point.
3. Press the IN key to mark a new Short IN point. This new Short IN point is instantly saved.
4. Move the jog dial to reach the desired Short OUT point.
5. Press the OUT key to mark a new Short OUT point. This new Short OUT point is instantly saved.
Move the lever or press the PLAY key to play the clip. The replay will stop at the new Short OUT point (or after the Short OUT point if the post-roll mode is enabled).
Note
You can use Goto IN and Goto OUT functions to jump immediately onto Short IN or Short OUT points respectively.
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4.4.8. Changing the Primary Camera of a Clip

You can change the primary camera of a clip in the VGA interface. To change the primary camera of a clip, proceed as follows:
1. In the Clip screen, move the cursor to the desired camera.
2. Press F4 on the keyboard or click with the stylus on the corresponding area in the Function bar.
This camera becomes the new primary camera. ◦ If the selected camera is a secondary camera (indicatedby “=”), it becomes the
primary camera and the previous primary camera becomes the secondary camera.
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5. Playlist Management

5.1. Introduction

Playlist Creation
Playlists can be created on the server via the Nano Remote Panel and/or the Multicam user interface.
Limitation on Playlist and Timeline Elements
A playlist can include up to 1000 elements.
Up to 16000 playlist elements can be saved ona server.
The temporary playlist elements, available for undoand redoactions, are stored on the server and are purged each time the Multicam application is closed.
Playlist Location
All playlists created are automatically stored on the banks dedicated to playlists and timelines on the server, i.e. the bank 10 of each page.
Playlists on page 10 arenot available from the EVS Remote Panel. These playlists are reserved for external protocols (Odetics, Louth VDCP, EVS AVSP).
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5.2. Selecting Playlists

Playlist LSM ID
The playlist numbering system is as follows:
In the above example, the
“5”refers to the clip page number (1 to 10).
The bank page is not specified as the playlists are always stored on bank 10 of a page.
“7”refers to the playlist position (1 to 10) inside bank 10.
Note
The playlist bank of page 10 is not availablefrom the EVS remote, since it is actually reserved for the EVS AVSP protocol (for Air Box and Air Edit).
How to Recall a Playlist
To recall a playlist, proceed as follows:
1. Select the page where the playlist is storedby pressing the SHIFT+Page key and the function key correspondingto the given page.
2. Select the bank wherethe playlist is stored by pressing the SHIFT+F10 key corresponding to the playlist bank.
3. Select the position where the playlist is stored in the bank by pressing the F1 to F9 key corresponding to the playlist position.
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5.3. Playlist Functions on the Remote Panel

5.3.1. Edit and Playout Modes

Introduction
Two modes are availableon the Remote Panel to access and manipulate the playlists: The Playlist Edit modeand the Playlist Playout mode:
The Playlist Edit modeis used to modify the playlist.
The Playlist Playout mode is used to roll the playlist on air. Editing the playlist in Playlist Playout mode is not possible.
Accessing the Playlist Edit Mode
When you load a playlist pressing the PLST key on the Remote Panel, you directly enter the Playlist Edit mode. The first frame of the element highlighted in the playlist appears on the PGM. At the start, full control will beon the PGM side; scrolling through the playlist can be done here.
Note
From the Playlist Playout mode, you need to press the EDIT function (D button) or move the jogdial to returnto the Playlist Edit mode from where you can edit the playlist.
The main menuin the Playlist Edit mode available is the following:
Effect Edit All
Insert Speed FX Dur Delete
A secondary menu is also available when you select MENU from the main menu in the Playlist Edit mode. All commands are not always available in the secondary menu:
OtherAng Add cut
Replace Redo Undo
In Playlist Edit mode, the duration displayed in the top right corner of the LCD screen is the playlist total duration, from the beginningto the end.
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Accessing the Playlist Playout Mode
When you load a playlist pressing the PLST key on the Remote Panel, you need to press PLST a second time to enter the Playlist Playout mode.
The first frame of the playlist element following the one on the PGM will be displayed on the PRV side. This allows the operator to play only parts of the playlist, starting from the current position.
The menu available from the Playlist Playout mode on the Remote Panel display is the following:
FilmFX NEXT SKIP EDIT
Note
A thirdselection of the PLST button cues the playlist to the beginning, displayingthe first playlist element on the PGM side and the following clip on the PRV.

5.3.2. Functions in Playlist Edit Mode

Main Menu Functions
Edit All
If you want to edit all clips of the playlist at the same time, select Edit All (SHIFT+D) before you perform the requested editingaction with oneof the following playlist commands: Speed, Effect, FX Dur.
Insert
The Insert function (A key) allows the operator to insert a clip into the playlist. The same operation can beachieved using the TAKE key.
Speed
The Speed function (B key) allows definingthe speed at which one or all clips of a playlist will be played. Select the playback speedof the clip with the lever, then press ENTER to validate. Values are‘Unknown’ and from 0 to 100%.
Operators have access to the secondary lever control like whenclips are replayed. While editingthe speedof a clip, pressing SHIFT+Lever on the Remote allows to access the secondary lever speed defined in the menu.
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FX Dur
The FX Dur function (C key) sets the duration of the transition effect. The default value that initially appears is determined by the value set in the Setup menu. The effect duration will affect the transition at the beginningof the selected clip. Use the lever to to adjust the value, then press ENTER to confirm.
Effect
The Effect function (SHIFT+C key) is used to select the type of transition effect (Mix/Wipe/Cut/Fade). Move the lever to set the type of effect, when Effect is highlighted. Press ENTER to validate.
Delete
The Delete function allows the operator to quickly edit a playlist by removing the selected clip. The clip that has been «cut» can thenbe inserted into another location. This clip is displayed on the second PRV output. To insert it at another position in the playlist, simply go to that position using the jogdial and press the Insert key (or TAKE).
Secondary Menu Functions
Replace
The Replace function makes it possible to replace a portion of a playlist by the same A/V material to which effects have beenadded(externally or internally). This consolidates the effects within the playlist.
Undo/Redo
The last modifications of a playlist can be undone/redone for as long as the operator does not exit the Playlist mode (e.g.: returning to Live).
Pressing the Undo command (D key) will undo the last modification. Up to 9 modifications can be undone. Once a modification has been undone, it is possible to redoit by pressing the Redo key (C key).
OtherAng
The OtherAng (Other Angle)function (SHIFT+C key) allows the operator to replace the current playlist element by another playlist element showinga different angle of the recorded material.
When the OtherAng option is selected, Multicam loads the local and network trains that includethe TC IN of the playlist element to replace. The trains are loaded on the PRV channel, at the current TC of the loaded element. Thejog is used to shift from one record train to the other.
Once the requested record train is displayed on the PRV channel, pressing ENTER replaces the current playlist element by the one created from the selected angle.
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Add cut
The Add cut function (SHIFT+D key) allows the operator to split an existing clip into two independent clips at a selected point. Both resulting clips are duplicates of the original one with additional short-in and short-out points addedat the split point.

5.3.3. Functions in Playlist Playout Mode

Once the playlist is cued and ready to roll, the menubelow is displayed on the Remote LCD. This menu gives the operatorthe ability to manipulate the playlist while it is playing. The duration displayed in the top right corner of the LCD screen in Playlist Playout mode is the remaining durationuntil the end of the playlist.
PL11 LSM 04 Albert LOC LEFT=00:00:02:22
111A Clipname01200:00:29UnkW00:10 112B/03Clipname45600:53:29 UnkM00:10 112B Clipname89100:53:29 UnkM00:10
Film FX Next Skip Edit
Film FX
Selecting this function will create a film style effect during the playout of the playlist by repeating one field every two fields. Please note that the audio is also affected by this effect, making it unusable and therefore, muted. This mode is deactivated when exiting a playlist.
Next
While the playlist is rolling on air, selecting the Next function will start the transition of the next clip with the transition effect listed onthe playlist. This can be used if a clip is running too long and it is necessary to shorten up the playing time.
Skip
While the playlist is rolling, the next clip in the sequence is always displayed on the PRV screen. The Skip function allows the operator to discard clips before they go on-air. The clip that will be «skipped» is the one displayedon the PRV screen. This function does not remove the clip from the playlist, but it simply allows it to be skipped during playback.
Edit
Selecting the Edit function gets the user back to the Playlist Edit mode.
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5.4. Playlist Functions on the VGA

5.4.1. VGA Playlist Screen

Introduction
Pressing F10 on the keyboard calls the VGA Playlist screen. The Playlist screen displays information on the clips included in the current or loaded playlist. Several transport functions are available from this screen. "Clip Functions on the VGA" on page37 for more information.
Display Depending on the Load Playlist Setting
When the Load Playlist parameter is set to ‘Conditional’ in the Operational Setup menu on the Remote Panel (P3.3 F2), the information displayed on the VGA Playlist Screen will differ depending on whether a playlist is loaded on the PGM1or not:
If a playlist is loaded on the PGM1:
All the information displayed on the Playlist Screenrefers to the loadedplaylist.
The PLAY, SKIP, NEXT and RECUE commands are displayed on the blue-
highlighted section at the bottom of the page.
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If no playlist is loaded on the PGM1:
The information displayedon the Playlist screen refers to the current playlist, except
the remaining time, which is not displayed.
The PLAY, SKIP, NEXT and RECUE commands are NOT displayed on the blue-
highlighted section at the bottom of the page.

5.4.2. VGA Playlist Bank Screen

Pressing END on the keyboard when the Clip screen is displayed allows the users to access the VGA Playlist Bank screenon the given page. This gives an overview on the playlists and timelines stored on the bank.
For each playlist the following information is displayed:
Field Description
Playlist ID Unique identifier of the playlist on the server.
Ex: PL16
Playlist Name Name of the playlist. It cannot exceed 12
characters. Ex: ”game edit
X clips Number of available clips in the playlist
(unavailable network clips are not taken into account). Ex: 98 clips
Dur: --:--:--:-- Total playback duration with available clips.
Ex: 00:04:34:12
Aux Clip Aux Clip ID and name of the audio auxiliary clip.

5.4.3. Editing Functions in VGA Playlist Screen

To use the following commands, you must be in Playlist Edit or Playlist Playout mode:
To enter the Playlist Edit mode, press the PLST key on the EVS Remote. The screen
of the Remote Panel displays the information about the previous, current and next three clips of the playlist.
To enter the Playlist Playout mode, press the PLST key again.
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The following operations can be performed from the VGA playlist screen:
Criteria Description
Naming a playlist or the current clip
PLAY/pause Press ALT+P to start the playback / pause of the playlist from the
RECUE Press ALT+R to recue to the beginning of the playlist and pause.
NEXT Press ALT+N while the playlist is playing to force immediately the
SKIP Press ALT+S while the playlist is playing to skip the next clip. The
For more information, see section "Naming a Playlist or Playlist Element" on page 74.
current position.
transition to the next clip in the playlist.
current clip will play until the defined OUT point, thanthe playlist will skip the next one and play the one after instead.

5.5. Operations on Playlists

5.5.1. Setting and Loading Playlists

Introduction
A distinction is made betweensetting and loading a playlist:
When you load a playlist, you actually load it on a given playerchannel either to edit it
or to play it out.
When you set the current playlist, you access the playlist location on the server but
you do not load it on a player channel. Thus you can insert clips directly in the current playlist without having to load it onto a channel.
Note
At Multicam startup, the current playlist is automatically playlist 11,that is the playlist 1 on bank 10 of page 1.
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How to Set the Current Playlist
In the Remote Panel Interface
To set the current playlist, proceed as follows:
1. Press SHIFT+Page+F_ key to select the page in which the desired playlist is located.
2. Press SHIFT+F10 to select the playlist bank.
3. Press F_ key to select the desired playlist.
4. Press ENTER to confirm. To load the current playlist, continueas follows:
5. Press PLST to load the current playlist on a player channel (it cannot be empty). To exit the playlist mode:
6. Press the RECORD key to returnto E2E mode. Notes:
If the new playlist is not empty, it is automatically loaded on the PGM (in PGM/PRV
mode) and it becomes the current playlist.
If the new playlist is empty, the system will ask you whetheryou want to copy the
current playlist at this new location.
Note
Page 1 contains playlists 10 to 19, Page 2 contains playlists 20 to 29, andso on.
In the VGAInterface
To set the current playlist, proceed as follows:
1. From the clip screen, press END to access the playlist bank.
2. Press DOWNARROW to select the playlist that you want to define as the current
playlist.
3. Press ENTER on the selected playlist to set it as the current playlist.
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How to Recall and Load a Playlist
You can only recall and load a playlist if this is not empty. To load a playlist on a playerchannel, proceed as follows:
1. Access the desired playlist bank by pressing F10 from the requested page.
2. Select the playlist to load with the F1-F10 keys.
The selected playlist becomes current and is displayedon the LCD display.
3. Press PLST key onthe Remote Panel to loadthe current playlist. If the new playlist is not empty, it is automatically loaded on the PGM (in PGM/PRV
mode) and it becomes the current playlist. If the new playlist is empty, the system will ask you whetheryou want to copy the current
playlist at this new location.

5.5.2. Rolling a Playlist

How to Roll a Playlist
After recalling a playlist, you will roll the playlist using the pre-defined speed of each clip. Use the PLAY key to start rolling the playlist.
Playlist Speed
As soon as the lever is used to start the playback or during playback, the pre-set
speed for the current clip is canceled and set by the lever position only.
The playlist will return to pre-set speedmode as soon as anotherclip with a pre-set
speed is found.
If the speed for a Super Motion clip is set to “UNK”, pressing the PLAY key on that
clip will start the playback of the playlist at 33%.
Note
When using the PLAY key to start the playlist, it is recommended to set the lever at the top position (100%). If the lever is in low position and the operator touches it by mistake while the playlist is rolling, the playlist could freeze on-air.
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5.5.3. Deleting Playlists

Note
Deleting a playlist deletes all the playlist elements from the playlist as well as the playlist definition in the database.
In the Remote Panel Interface
To delete a playlist, proceed as follows:
1. Press SHIFT+Page+F_ key to select the page in which the playlist to delete is
located.
2. Press SHIFT+F10 to select the playlist bank.
3. Press CLEAR+F_ key to delete the corresponding playlist.
4. According to the value of the Confirm del clp/plst parameter in the Operational
Setup menu(p.5.1 F3), you will be asked or not to confirm the deletion action.
5. The empty playlist location remains available. To delete all playlists stored on a same bank, proceed as follows:
1. Press SHIFT+Page+F_ key to select the page in which the playlists to delete are
located.
2. Press CLEAR+SHIFT+F10 to delete all playlists stored in the corresponding bank.
The following confirmation message is displayed:
Caution:
This will delete all playlists/ timelines stored on bank 0
[Menu] : Cancel [Enter] : Confirm
3. Press ENTER to confirm the deletion. All playlists andtimelines on the selected bank
will be deleted.
In the VGAInterface
To delete a playlist, proceed as follows:
1. In the Clip window, go to the requested playlist bank by pressing ALT+Down Arrow
in the requested page.
2. Highlight the requested playlist and press CTRL+DEL to delete the playlist entry.
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5.5.4. Copying Playlists

Introduction
From the VGA Clip screen, you can copy or move playlists, through cut, copy and paste commands, in the same way as you do with clips.
From the Remote Panel, you can only copy playlists. The copy process is seamless to the user as long or short copies of a playlist are
performed as a background process. If the destination playlist is recalled and the on-air playlist element has not yet been transferredto the local machine, the on-air element playedout is the original one. The on-air element will be automatically copied locally when the playlist will be removedfrom the playout channel.
You can only copy and move playlists locally.
Copy Options
When you copy a playlist, you have different options:
The EDL copy copies only the playlist definition while the playlist elements remain at
their original location.
The EDL+Clips copy copies the playlist definition and the playlist elements to the
destination. In this case, you must also choose one of the following: ◦ The short copy that copies only the material included betweenthe IN and OUT
points of the playlist elements with the clip guardbands as defined on the destination system.
The long copy that copies the complete original clips. This makes a difference
when the playlist elements have been trimmed compared to the original clip.
EDL+Clips copy processes cannot be queued. If the operator tries startinga new copy process while the previous one is still running, a message will ask him whether he wants to stop the previous process to start the new one, orcancel his new request.
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Available Copy Actions
The following table provides an overview on the copy actions available from the Remote Panel and from the VGA interface. The playlists are copied to an empty playlist position:
Remote Panel VGA Interface
EDL Copy
Yes
EDL+Clips Copy (short or long) No
To play back a selected clip, with the lever, at a speed varying from 0% to a given
maximum speed, you needto do the following: ◦ Define the requested maximum speed in the PGM Speed/Var max parameter
(p.9.1 F3) in the Operational Setup menu.
Select (highlight) the VarMax option in the secondary menu in PGM/PRV mode.
Yes
In the Remote Panel Interface
To copy a playlist, proceed as follows:
1. Go to the source playlist bank.
2. Select the original playlist to copy by pressing the corresponding F_ key.
3. Go to the destination playlist bank.
4. Select an empty playlist location.
A new menu appears on the LCD display of the Remote Panel, with the corresponding message on the OSD of the output monitors, asking whetheryou want to copy the original playlist to the new location or whether you simply want to select a new, empty playlist (default choice):
Select New Playlist 13 ?
[Menu]: Cancel [Enter]: Confirm
COPY NEWPLST
5. Press COPY (A key) to select the copy option. The menu becomes:
Copy Playlist 11/03 to Playlist 13 ?
[Menu]: Cancel [Enter]: Confirm
COPY PLST+CLP NEWPLST
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6. Specify whetherto copy the EDL with or without the clips:
Press ENTER to copy only the EDL without copyingthe elements contained in
the original playlist. The copy is done instantly since there is no material to transfer.
Press PLST+CLP (B key) to copy the EDL together with the playlist elements.
The display becomes:
Copy Playlist and all net. clips to Playlist 13 ?
[Menu]: Cancel [Enter]: Confirm
COPY PLST+CLP SHORT NEWPLST
7. Press the C key to specify whether to perform a SHORT ora LONG copy.
SHORT mode (default): only the section of the elements between the Short IN
andShort OUT as defined in the playlist will be copied, increased by the duration of the guardbands, as defined on the destination system.
LONG mode: the entire original clips, including their guardbands, will be copied on
the destination system.
8. Press ENTER to confirm the copy or MENU to cancel. The F_ key of the destination playlist will flash until all clips have been copied. This
playlist can be recalledduringthat process for browsing, editing, orplayback.
In the VGAInterface
To copy a playlist, proceed as follows:
1. Press the END key to open the playlist bank.
2. Select the playlist to copy.
3. Press CTRL+C to copy the playlist or CTRL+X to move it.
4. Go to the empty playlist location on the same server where you want to copy the
playlist.
5. Press CTRL+V to paste the playlist. The EDL of the playlist is copied to the
requested location.
Merging Playlists
From the VGA Interface, it is possible to merge two playlists by copyinga playlist and pasting it to an existing playlist. The copied playlist will be added at the end of the destination playlist.
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5.5.5. Naming a Playlist or Playlist Element

Introduction
You can name or rename a playlist or one of its elements only from the VGA interface.
Note
When entering a name, use BACKSPACE to delete the last character or ESC to clear the entire field.
How to Name a Playlist
From the Playlist Bank Window
To name a playlist from the VGA Playlist Bank window, proceed as follows:
1. From the Clip screen, press END to go to the Playlist Bank screenof the requested
page.
2. Use the DOWNARROW to select the playlist to name.
3. Enter the desired nameon the keyboard. It appears in the Name field at the bottom of
the screen.
4. Press F1 to assign the new name to the selected playlist. The playlist name appears
in the title bar next to the playlist number.
From the Playlist Window
To name the current playlist from the VGA Playlist window, proceedas follows:
1. Press F10 to open the VGA Playlist screen. The current playlist is displayed.
2. Enter the desired nameon the keyboard. It appears in the Name field at the bottom of
the screen.
3. Press SHIFT+F1 to assign the new name to the current playlist. The playlist name
appears in the title bar next to the playlist number.
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How to Name a Playlist Element
To name the current element in the loaded playlist from the VGA Playlist window, proceed as follows:
Note
This function is only available when the playlist is the current one in Playlist Edit mode (PLST EDIT) orPlaylist Playout mode (PLST DIFF) on the Remote Panel.
1. Press F10 to open the VGA Playlist screen. The loadedplaylist is displayed and the
current playlist element on the Remote Panel is selected.
2. Enter the desired namefor the element on the keyboard. It appears in the Name field
at the bottom of the screen.
3. Press F1 to assign the new name to the current element. The name for the current
element appears in the Name columnof the selected element.
Note
Naming the current element of the loaded playlist will affect the original clips.

5.5.6. Consolidating a Playlist

Introduction
Using the internal loop, you can recorda playlist back to the server as a big clip if you want, for example, to record the playlist effects (split screen, target tracking, painting, etc.) as regular video inside the server.
You can only consolidate a playlist from the Remote Panel. Depending on the Internal Loop parameter in the Operational Setup menu (p.9.2 F6),
both video and audio can be loopedback into the system, or only the videotrack is looped andthe system keeps recording the live audio at the same time.
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How to Loop Back a Playlist into the Server
To consolidate a playlist using the internal Loop mode, proceed as follows:
1. Add the requested effects to the playlist.
2. Recue the playlist.
3. Activate the Loop mode via the SHIFT+Loop key.
4. Roll the playlist. The playlist will be recorded onto the disks (Channel 1 – CAM A) as a continuous
video/audio stream. When you exit the playlist mode, go back to LIVE record andsimply jogback, you will see
the playlist recordedwith all its transitions and at the speed they were played.

5.5.7. Generating a Continuous TC in a Playlist

Introduction
From the VGA interface, you can regenerate a continuous timecodefor the wholeplaylist or for each clip of a playlist. This can be useful when:
You do not want to have a playlist with disrupted timecodes from the various playlist
elements.
You want to change the timecode type in the VITC or LTC timecode.
Settings for Continuous Timecode in Playlists
The following table describes the various parameters that should be defined when regenerating the timecode in a playlist:
Parameter Description
Continuous in … Specifies whether the TC should be continuous
for the whole playlist or for each playlist element.
From … Specifies the initial TC valueto be used for the
timecode regeneration
Possible Values
PLST, CLIP
Timecode, LTC TC, User TC
In … Specifies the TC type in which the timecode
should be regenerated
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OPERATION MANUAL Nano 11.02
How to Activate the Continuous Timecode Regeneration
To activate the continuous timecode regeneration, proceed as follows:
1. In the Playlist page (F10), press TAB several times until the ON/OFF field after
‘Regeneration of TC’ is green highlighted.
2. Press the right arrow key to toggle the function to ON.
3. Press TAB again to highlight the 'continuous in PLST' text segment, and, with the
right arrow, select whether the regeneration will be applied on the playlist (PLST) or on the playlist clips (CLIPS).
4. Press TAB to highlight the 'from 00:00:00:00' segment, and type the start TC to be
used for the regeneration.
5. Press TAB again to highlight on the timecode type, and toggle to the requested
timecode type with the right arrow.
The continuous timecode regenerationfunction is now active. However, the timecodewill effectively be regeneratedwhen you replay the playlist after activating a loop.
To deactivate the function, press the left arrow on the field to toggle the function to ‘OFF’.
How to Regenerate the Timecode in a Playlist
To regenerate the timecode in a given playlist, proceed as follows:
1. Activate the TC Regeneration and define the related settings on the Playlist page
(F10), in the blue-highlighted area at the bottom of the page. This feature is definedfor each playlist individually:
2. Activate the internal loop using the SHIFT+Loop keys
3. Roll the playlist. This will record the playlist back into the recorder channel 1 (CAM A) with the regenerated
timecode.

5.6. Operations on Clips in Playlists

5.6.1. Adding Clips in a Playlist

Introduction
You can add clips to a playlist in different ways, but always from the Remote Panel:
Adding clips at the end of the current playlist without entering the Playlist Edit mode.
Inserting clips before or after the clip selected in the loaded playlist.
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How to Add Clips at the End of the Current Playlist
You can create a playlist very quickly. The experienced operator can include a clip at the endof the playlist containing an action that happened seconds before the playlist is played on air. To add clips quickly at the end of the current playlist, you do not have to enter the Edit mode.
To add clips to the current playlist, proceedas follows:
1. Activate a playlist as the current playlist.
2. Recall the first clip for your playlist.
3. Press ENTER on the Remote Panel. The clip is added at the end of the current playlist.
4. Repeat as many times as necessary until the last clip is entered.
How to Insert Clips into a Playlist
The following rules apply to the procedure below:
You need to be in PGM/PRV modeto be able to use the TAKE key on the Remote
Panel to insert a clip.
Depending on what is selected for the Insert in playlist parameter in the Operational
Setup menu(p.3.1 F6), the clip will be inserted beforeor after this selected position.
To insert a clip into a playlist, proceedas follows:
1. Using the Playlist Edit mode or the Browse mode, scroll to the location where the clip
must be inserted.
2. Call the selected clip. It appears on the PRV output.
3. Do one of the following to insert the selected clip in the playlist, at the position shown
on the PGM output: ◦ Press the A key (Insert function) on the Remote Panel Press the TAKE key on the Remote Panel
Press the SHIFT+INSERT keys on the Remote Panel A confirmation message will appearif that option has been enabled in the Setup menu. After the clip has been inserted, you can press PLST to returnto the playlist at the current
position.
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Inserting Growing Clips into Playlists
Growing clips can be inserted in playlists in the same way as other clips. However, their display has the following characteristics:
Display:
They will be displayed with the ‘Creating’ messagein the playlist on the VGA.
The growing clips ID will be blinkingon the mini playlist display and on the playlist
screen on the Remote Panel, as well as on the OSD. Remaining time:
The remaining time in playlists containing growing clips with only an IN point is
displayed as --:--:-- on the screens (OSD, VGA, Remote Panel screen) wherethis
information is shown.

5.6.2. Deleting and Moving Playlist Elements

Introduction
Just as you can add clips into a playlist only with the Remote Panel, deleting clips from a playlist or moving clips within a playlist arealso performed via the Remote Panel.
How to Delete an Element from a Playlist
To delete a playlist element in a playlist, proceedas follows:
1. While you are in Playlist Edit mode, scroll within the playlist to the element that needs
to be deleted.
If the Browse mode is active, the first frame will appear on the display as each clip is
scrolled through.
2. Select Delete from the Playlist Edit menu. The selected element will be removed from the playlist. A confirmation message will
appear if the Confirm Ins/Del clips parameter has been enabled in the Operational Setup menu (p.3.2 F1).
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How to Move an Element within a Playlist
Note
You can only move elements within a playlist if you are in PGM/PRV mode.
To move a playlist element within a playlist using the Remote Panel, proceed as follows:
1. While you are in Playlist Edit mode, scroll within the playlist to the clip that needs to
be moved.
2. Select Delete from the Playlist Edit menu. The clip is sent to the clipboard and loaded
on the PRV channel.
3. Scroll to the location in the playlist where you want to insert the clip. Remember that the position where the clip is inserted will depend on the valueof the
Insert in playlist parameter in the Operational Setup menu (p3.1 F6), that is to say before or after the selected playlist element.
4. Press TAKE or Insert on the Remote Panel to insert the clip from the clipboard at the
requested location. The playlist element is inserted at the requested location. If the playlist element has been trimmed before being moved, the element will be
reinsertedin the new position with the new guardbands.

5.6.3. Browsing Within a Playlist

Introduction
You can browse within a playlist in different ways in the Remote Panel:
Browse through the content of each clip in the playlist.
Browse quickly by jumping to the first field of each clip in the playlist.
Browsing Through a Playlist
When you load a playlist, the default playlist mode allows you to scroll up and down through all the playlist elements.
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Browsing Quickly Through a Playlist
When you are neither in Playlist nor in Clip mode, press the Browse key on the Remote Panel to enter the current playlist in Browse mode.
In this mode, you can quickly jump to the first field of each clip inside the playlist by moving the jog dial. To return to the normal Playlist Edit mode, press the Browse key again.
When you are in Playlist Edit mode, you can of course also activate the Browse mode by pressing the Browse key.
PL11 LSM01 Paola LOC TDUR=00:00:02:22
111A/04Clipname01200:00:29Unk W00:10 112B Clipname45600:53:29 Unk W00:10 112B/02 Clipname89100:53:29 Unk W00:10
Insert Speed FX Dur Delete
Effect Edit All

5.6.4. Changing the Camera Angle of a Playlist Element

From the Remote Panel, you can change the camera angle of a playlist element if the material is still available in a local or distant record train.
To change the camera angle of a playlist element, proceed as follows:
1. When you are in Playlist Edit mode, scroll within the playlist to the playlist element.
2. Press MENU to access the secondary menu:
OtherAng
Replace
3. Press SHIFT+C to search and load the local and distant record trains that include the
same TC IN as the playlist element.
The first record train is loaded on the PRV channel, at the current TC of the loaded element.
4. Press Browse and use the jog to move within one record trainto browse its content.
5. Once you have loaded the requested camera angle on the PRV channel, press
ENTER.
This will replace the current playlist element by a new clip having the same TC IN and TC OUT. The new clip is stored on the playlist receive page.
The effects, the split audio and the swap points defined on the initial playlist element are preserved.
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5.6.5. Adding Cuts in Playlist Elements

Description
The Add Cut command is only availablefrom the Remote Panel. This command duplicates a playlist or timeline element (clip, record train...) and adjusts the SHORT IN andSHORT OUT points of these new duplicated elements:
On both these elements, the guardbands and other effects are kept unchanged as in
the original one.
In the first duplicatedelement, the SHORT IN point is left unchanged while the
SHORT OUT point is adjusted to the cut point.
In the second duplicated element, the SHORT OUT point is left unchanged while the
SHORT INpoint is adjusted to the cut point as illustrated hereunder.
Multicam Behavior
When adding a cut to a clip, Multicam will behave as follows:
The transition appliedat the cut point is a cut (for both audio and video).
The speed of the cut elements is the same as the original element, even if it is
“Unknown”.
The stop and start modes of the cut elements are auto.
Any loop definedon the playlist that includes the original element conserves and
includes the cut elements.
Any tag defined and active on the original element at the cut point is recreated at the
short-in of the second cut element.
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The adding cut is not possible in the following cases:
Within a video effect.
Within anaudio effect beginning or finishingthe original element.

5.6.6. Trimming Clips into a Playlist

Introduction
Every playlist element can be trimmed independently of all other instances of the same clip number. Trim actions are only available in the Remote Panel.
How to Trim Clips in a Playlist
To trim clips in a playlist, proceedas follows:
1. Browse to the desired element in the playlist.
2. Re-mark a new Short IN or Short OUT.
If the clip duration is too short, clear the IN or OUT point by selecting CLEAR and then set the new IN or OUT point at the desired position.
Note
Clearing restores the existing IN or OUT point to the end of the guardbands of the clip.

5.6.7. Sorting the Playlist Elements by TC IN

Introduction
From the VGA Interface, it is possible to sort (reorder)the playlist elements by TC IN. The sort is done on the TC displayed in the TC IN column, whatever the type of TC displayed (User TC or LTC).
Note
This operation will change the order of the playlist elements, and reset the transitions to the default transitions defined on the Remote Panel.
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How to Sort Playlist Elements by TC IN
To reorder the playlists elements by TC IN in a playlist, proceed as follows:
1. Open the playlist in the VGA Playlist screen.
2. Press the TAB key until you highlight the Sort by TC IN field in the Playlist
management area at the bottom of the screen.
3. Press ENTER to validate.
4. Press ENTER again to confirm the operation. The playlist elements are reordered by TC IN. You can undo the operation using the Undo command available in Playlist Edit mode on
the Remote Panel.

5.7. Transition and Audio Operations

5.7.1. Overview on Transition Effects

Introduction
You can apply effects on the audio and video transitions of a clip in a playlist. For each transition, you define the effect type and duration. You can only apply transition effects using the Remote Panel.
The following drawings show that the transition effects are applied on the material included in the playlist element, not on the guardbands:
Normal Playlist with Cuts Illustration
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Playlist with 1:00 sec Effect Duration Illustration
In an LSM playlist, the video andaudio effects end at the OUT point of a clip, so the duration of clips is shortened by the length of the effect.
Available Video Transition Effects
The following video transition effects can bedefined. By default, the audio transition is always a mix when the split audio mode is disabled.
Effect Type Description
Cut No transition effect is applied between both elements.
Mix Dissolve effect between both elements.
Wipe The last frame of the previous element is gradually replaced
by the first frames of the next element. The wipe effect is shown as a vertical linemoving across the video. The direction of the wipe effect (left to right, right to left) is defined in the Wipe type parameterin the Operational Setup menu(p.3.1 F4).
Fade from color (<) A fade out effect from a defined color is applied on the first
frame of the clip (on which the effect is defined). The previous clip ends in cut mode. In the drawing below, the previous clip is displayed in red, the next clip is green, and the fade in black:
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Effect Type Description
Fade to color (>) A fadein effect to a defined color is applied on the previous
clip upto the transition in cut mode to the next clip (on which the effect is defined). In the drawing below, the previous clip is displayed in red, the next clip is green, and the fade in black:
Fade to/from color (V fade)
Note
The color of the fade effects is definedwith the Fadeto/from color parameter in the Playlist settings of the Operational Setup menu (p.3.3 F1).
A fadein effect to a defined color is applied on the previous clip upto its OUT point and a fade out effect from the same color is applied on the next clip (on which the effect is defined) from its IN point. The effect durationmust be a multiple of 2 frames. In the drawing below, the previous clip is displayed in red, the next clip is green, and the fade in black:
Associations of Audio and Video Transition Types
The following table shows the possible associations of audio andvideo transition effects when the Audio effect duration parameteris not locked to the video in the Operational Setup menu(p.3.1. F3):
Audio Effect Cut Mix
Video Effect
Cut
Mix
Wipe Left -> Right
Wipe Right -> Left
Fade from color
Fade to color
V Fade (to/from Black)
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Fade from
Mute
Fade to
Mute
V Fade
to/from
Mute
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Default Values
Default Duration for Video and Audio Transition
It is possible to set a default value for the duration of the video and audio transitions in the Setup Menu. Once this is defined, each time a clip is entered or inserted into a playlist, transitions areappliedwith the default values.
The Video effect durationparameter is available in the Operational Setup menu (p.3.1 F1), andranges up to 20:00 secs.
The Audio effect durationparameter is available in the Operational Setup menu (p.3.1 F3). When the split audio is disabled, the value for this setting is ‘Lock to video’, and the Audio effect duration is the same as the Video effect duration.
Default Transition Effect
A default mix transition effect (audio and video) is applied to each new clip inserted into the playlist. However, you can change the type of transition effect in the main menu of the Playlist Edit mode.

5.7.2. Adding Transition Effects in a Playlist

Transition Effects Commands
The functions related to transition effects areavailable from the main menu of the Playlist Edit mode, and the effects applied are also displayed on the Remote Panel display:
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How to Add a Transition Effect
You can add transitions on one or all elements of a playlist as follows, or more precisely modify the default effect applied (mix):
1. Select the playlist location and press PLST to open it in Playlist Edit mode. The main
menu appears:
Effect Edit All
Insert Speed FX Dur Delete
2. Browse to the playlist element at the beginningof which you want to modify the effect
or press Edit All (SHIFT+D) to modify the effect on all playlist elements.
3. To modify the effect, press Effect (SHIFT+C) and move the lever until the requested
effect is displayedon the LCD display. The effect type is displayed as a letter/symbol in the information corresponding to the
loaded element (see highlighted letter):
111A/04 Clipname012 00:00:29 Unk W00:10
The following effect types areavailable:
Command Description
C Cut
M Mix
W Wipe
> Fade to color
< Fade from color
V Fade to/from color
4. To modify the default duration for the transition effect, press FX Dur (C) and move the
lever until the requested duration is displayed in the last field of the corresponding element:
111A/04 Clipname012 00:00:29 Unk W00:20
5. Press ENTER to validate the modifications in effect type and/orduration.
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5.7.3. Using the Replace Function

Introduction
The purpose of the Replace function is to consolidate the effects defined on a playlist as follows:
The operator loops a section or an entire playlist back to themselves and, duringthe playback, add some effects externally (graphic insertion for instance) or internally (changing the speed).
While the operator plays the playlist back, and inserts the requested effects, the playback result is re-injected into the playlist from a predefined IN frame. The OUT point of the replaced section is predefinedor manually defined in the record process.
The Replace function is only available on the Remote Panel.
Note
The Replace function is not allowed on playlists containing growing clips.
Accessing the Replace Function
Press MENU in Playlist Edit mode to open the secondary menu with the Replace function. Select Replace in this menu to access the Replace function :
Clr Unav OtherAng Replace Redo Undo
Replace Edit Mode
This mode allows to specify the following information for the Replace:
IN point and OUT point, for the section to replace in the playlist. The OUT point can
also be defined during the Replace itself.
Loop mode parameters. In the Replace Edit mode, the playlist is considered as one entity on which you can mark
oneIN point and one OUT point (pressing the IN and OUT points does not retrim the current playlist clip).
Those IN andOUT points will be used to determine what portion of the playlist will be replaced.
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Replace Playback Mode
In this mode, you play the playlist back and insert the new section between the defined IN andOUT points.
After you have selected the required settings for the Replace function, the Replace Playback mode is automatically activated: the playlist is cuedbefore the IN point (to create guardbands), ready to be initiated.
The playlist is played at the speed defined in the playlist but the lever can also be used to vary the playback speed.
When the Protect OUT point of the clip is reached, a clip containing the IN and OUT points with the guardbands is created on the Receive page defined in the Setup menu. The loopis stopped and the user switches back to match Frame Edit mode.
Methods
You can perform a Replace action in two ways:
By defining an IN and OUT points in the Replace Edit mode.
By defining only anIN point in the Replace Edit mode, and defining the OUT point
while you perform the Replace in the Replace Playback mode.
Warning
The IN and OUT points cannot bemarked on a transition (including split audio transitions andswap zones) or on a split zone (the key will flash red whenit is the case).
How to Perform a Replace
First define the Replace function in the Replace Edit mode. Then execute the Replace function in the Replace Playback mode.
To perform a Replace, proceedas follows:
1. Open the playlist in which you want to replace a section in Playlist Edit mode.
2. In Playlist Edit mode, press Menu on the Remote Panel to access the secondary
menu.
3. Press the A key to enter the Replace Edit mode.
4. Use the jogdial to reach the desired IN point for the Replace section and press the IN
key to mark it. When the IN point has been marked, the display switches to:
Cam A +2fields
Replace Int.Loop Ext.Loop
5. If you want to specify the OUT point for the Replace section at this stage, jog to the
requested point and press the OUT key. Otherwise, you can define the OUT point while you perform the Replace.
The Int.Loop (B) and Ext.Loop (C) keys areblinking.
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6. If you want to specify the OUT point for the Replace section at this stage, jog to the
requested point and press the OUT key. Otherwise, you can define the OUT point while you perform the Replace.
7. Press the B or C key to select whether you will use the internal loop or external loop to
perform the Replace. ◦ The playlist is cued before the IN point (to create guardbands), ready to be
initiated.
A message appears on Remote: “Start Replace: lever or play
button”.
8. Push the lever or pressthe Play key on the Remote Panel to shift to the Replace
Playback mode and start the Replace process.
9. If you have not defined the OUT point for the Replace in step 5, press the OUT key
when you reach the desired OUT point. While the Replace is being performed, the following messages are displayed on the
OSD:
“Replace in Progress”
“Clipping guardbands”
“Replace by clip xxx”
On the Remote Panel, a confirmation message pops up:
Replace in/out by clip xxx ?
MENU: Cancel – ENTER: OK
10. Press ENTER on the Remote Panel to validate the Replace:
The material between the IN and OUT points is replaced with the newly created
clip. ◦ The playlist returns to Playlist Edit mode, positioned at the end of the inserted clip. ◦ Press the MENU key on the Remote Panel to cancel the Replace.
Loop Mode in the Replace Function
When the IN point has been marked, the display switches to:
Cam A +2fields
Replace Int.Loop Ext.Loop
The Int.Loop and Ext.Loop keys are blinking.
Beforeentering the Replace Playback mode, choose between Internal Loop or External Loop.
The Internal Loop is the same loop as the existing loop process.
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The External Loop allows you to select onwhich channel you will physically re-record the output of yourPGM. The link is physical: it is necessary to make the video link manually with a router or video/audio cables; it is not done inside the server.
Additional parameters are available for the external loop:
With the Cam A function (SHIFT+C), you can select the camerathe PGM will be recorded to for the external LOOP process. Press SHIFT+C until the desired camera is selected.
With the +2fields function (SHIFT+D), you can select by how much the video coming back to yourrecord channel will be delayed. If you are using a DVE, it could introduce a delay. This system is based on the assumptionthat audioand video are in sync when they hit the record channel. The delay value cannot benegative.
Select SHIFT+D to highlight the delay value; the display allows you to add frames or fields of delay to the delay value. Press either MENU or SHIFT+D to leave this mode.

5.7.4. Adding an Auxiliary Audio Clip

Introduction
This option allows adding a new stereoaudio track (e.g. sport comments, music, jingles, ambient sound) to the original video clips. This is only available from the Remote Panel.
This stereoaudio track is available on the PVW output and on analogue outputs 7/8 or on digital outputs 15/16. Theselection of the track output is done with the Audio slow motion parameter in the Operational Setup menu (p.8.1 F1).
The original audio tracks are still availableon outputs 1/2 (3/4). Theauxiliary audio clip selected is always played back with normal speed (100%), whateverthe selected playback speedfor the video.
When the playback of the playlist is not started from the beginning, the system calculates the offset between the current position and the beginningof the playlist, andapplies the same offset to the Aux. Clip, so that it can remain synchronizedwith the playlist.
If the duration of the Aux Clip is longer than the playlist duration, the auxiliary audio clip keeps playing even after the videohas stopped. Otherwise, the audio clip ends itself before the end of the playlist, whenthe audio clip reaches its OUT point.
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