Denon AVR-1905 Operating Instruction

AV SURROUND RECEIVER

AVR-1905

OPERATING INSTRUCTIONS BEDIENUNGSANLEITUNG MODE D’EMPLOI ISTRUZIONI PER L’USO

INSTRUCCIONES DE OPERACION GEBRUIKSAANWIJZING BRUKSANVISNING

FOR ENGLISH READERS PAGE 112 ~ PAGE 141 FÜR DEUTSCHE LESER SEITE 142 ~ SEITE 180 POUR LES LECTEURS FRANCAIS PAGE 181 ~ PAGE 119 PER IL LETTORE ITALIANO PAGINA 120 ~ PAGINA 158 PARA LECTORES DE ESPAÑOL PAGINA 159 ~ PAGINA 197 VOOR NEDERLANDSTALIGE LEZERS PAGINA 198 ~ PAGINA 236 FOR SVENSKA LÄSARE SIDA 237 ~ SIDA 275

ENGLISH

DEUTSCH FRANCAIS ITALIANO ESPAÑOL NEDERLANDS SVENSKA

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO

• DECLARATION OF CONFORMITY

We declare under our sole responsibility that this product, to which this declaration relates, is in conformity with the following standards: EN60065, EN55013, EN55020, EN61000-3-2 and EN610003-3. Following the provisions of 73/23/EEC, 89/336/EEC and 93/68/EEC Directive.

• ÜBEREINSTIMMUNGSERKLÄRUNG

Wir erklären unter unserer Verantwortung, daß dieses Produkt, auf das sich diese Erklärung bezieht, den folgenden Standards entspricht: EN60065, EN55013, EN55020, EN61000-3-2 und EN610003-3. Entspricht den Verordnungen der Direktive 73/23/EEC, 89/336/EEC und 93/68/EEC.

• DECLARATION DE CONFORMITE

Nous déclarons sous notre seule responsabilité que l’appareil, auquel se réfère cette déclaration, est conforme aux standards suivants: EN60065, EN55013, EN55020, EN61000-3-2 et EN610003-3. D’après les dispositions de la Directive 73/23/EEC, 89/336/EEC et 93/68/EEC.

• DICHIARAZIONE DI CONFORMITÀ

Dichiariamo con piena responsabilità che questo prodotto, al quale la nostra dichiarazione si riferisce, è conforme alle seguenti normative: EN60065, EN55013, EN55020, EN61000-3-2 e EN610003-3. In conformità con le condizioni delle direttive 73/23/EEC, 89/336/EEC e 93/68/EEC. QUESTO PRODOTTO E’ CONFORME AL D.M. 28/08/95 N. 548

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

• DECLARACIÓN DE CONFORMIDAD

Declaramos bajo nuestra exclusiva responsabilidad que este producto al que hace referencia esta declaración, está conforme con los siguientes estándares: EN60065, EN55013, EN55020, EN61000-3-2 y EN610003-3. Siguiendo las provisiones de las Directivas 73/23/EEC, 89/336/EEC y 93/68/EEC.

• EENVORMIGHEIDSVERKLARING

Wij verklaren uitsluitend op onze verantwoordelijkheid dat dit produkt, waarop deze verklaring betrekking heeft, in overeenstemming is met de volgende normen: EN60065, EN55013, EN55020, EN61000-3-2 en EN610003-3. Volgens de bepalingen van de Richtlijnen 73/23/EEC, 89/336/EEC en 93/68/EEC.

• ÖVERENSSTÄMMELSESINTYG

Härmed intygas helt på eget ansvar att denna produkt, vilken detta intyg avser, uppfyller följande standarder: EN60065, EN55013, EN55020, EN61000-3-2 och EN610003-3. Enligt stadgarna i direktiv 73/23/EEC, 89/336/EEC och 93/68/EEC.

NOTE ON USE / HINWEISE ZUM GEBRAUCH / OBSERVATIONS RELATIVES A L’UTILISATION / NOTE SULL’USO NOTAS SOBRE EL USO / ALVORENS TE GEBRUIKEN / OBSERVERA

• Do not let foreign objects in the set.

• Keep the set free from moisture, water, and dust.

• Halten Sie das Gerät von Feuchtigkeit, Wasser und Staub fern.

• Avoid high temperatures. Allow for sufficient heat dispersion when installed on a rack.

• Vermeiden Sie hohe Temperaturen. Beachten Sie, daß eine ausreichend Luftzirkulation gewährleistet wird, wenn das Gerät auf ein Regal gestellt wird.

• Eviter des températures élevées Tenir compte d’une dispersion de chaleur suffisante lors de l’installation sur une étagère.

• Evitate di esporre l’unità a temperature alte. Assicuratevi che ci sia un’adeguata dispersione del calore quando installate l’unità in un mobile per componenti audio.

• Evite altas temperaturas Permite la suficiente dispersión del calor cuando está instalado en la consola.

• Vermijd hoge temperaturen. Zorg voor een degelijk hitteafvoer indien het apparaat op een rek wordt geplaatst.

• Undvik höga temperaturer. Se till att det finns möjlighet till god värmeavledning vid montering i ett rack.

• Handle the power cord carefully. Hold the plug when unplugging the cord.

• Gehen Sie vorsichtig mit dem Netzkabel um. Halten Sie das Kabel am Stecker, wenn Sie den Stecker herausziehen.

• Manipuler le cordon d’alimentation avec précaution. Tenir la prise lors du débranchement du cordon.

• Manneggiate il filo di alimentazione con cura. Agite per la spina quando scollegate il cavo dalla presa.

• Maneje el cordón de energía con cuidado. Sostenga el enchufe cuando desconecte el cordón de energía.

• Hanteer het netsnoer voorzichtig. Houd het snoer bij de stekker vast wanneer deze moet worden aan- of losgekoppeld.

• Hantera nätkabeln varsamt. Håll i kabeln när den kopplas från el-uttaget.

CAUTION

• The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc.

• No naked flame sources, such as lighted candles, should be placed on the apparatus.

• Protéger l’appareil contre l’humidité, l’eau et lapoussière.

• Tenete l’unità lontana dall’umidità, dall’acqua e dalla polvere.

• Mantenga el equipo libre de humedad, agua y polvo.

• Laat geen vochtigheid, water of stof in het apparaat binnendringen.

• Utsätt inte apparaten för fukt, vatten och damm.

• Unplug the power cord when not using the set for long periods of time.

• Wenn das Gerät eine längere Zeit nicht verwendet werden soll, trennen Sie das Netzkabel vom Netzstecker.

• Débrancher le cordon d’alimentation lorsque l’appareil n’est pas utilisé pendant de longues périodes.

• Disinnestate il filo di alimentazione quando avete l’intenzione di non usare il filo di alimentazione per un lungo periodo di tempo.

• Desconecte el cordón de energía cuando no utilice el equipo por mucho tiempo.

• Neem altijd het netsnoer uit het stopkontakt wanneer het apparaat gedurende een lange periode niet wordt gebruikt.

• Koppla ur nätkabeln om apparaten inte kommer att användas i lång tid.

* (For sets with ventilation holes)

• Do not obstruct the ventilation holes.

• Die Belüftungsöffnungen dürfen nicht verdeckt werden.

• Ne pas obstruer les trous d’aération.

• Non coprite i fori di ventilazione.

• No obstruya los orificios de ventilación.

• De ventilatieopeningen mogen niet worden beblokkeerd.

• Täpp inte till ventilationsöppningarna.

• Please be care the environmental aspects of battery disposal.

• The apparatus shall not be exposed to dripping or splashing for use.

• No objects filled with liquids, such as vases, shall be placed on the apparatus.

• Keine fremden Gegenstände in das Gerät kommen lassen.

• Ne pas laisser des objets étrangers dans l’appareil.

• E’ importante che nessun oggetto è inserito all’interno dell’unità.

• No deje objetos extraños dentro del equipo.

• Laat geen vreemde voorwerpen in dit apparaat vallen.

• Se till att främmande föremål inte tränger in i apparaten.

• Do not let insecticides, benzene, and thinner come in contact with the set.

• Lassen Sie das Gerät nicht mit Insektiziden, Benzin oder Verdünnungsmitteln in Berührung kommen.

• Ne pas mettre en contact des insecticides, du benzène et un diluant avec l’appareil.

• Assicuratevvi che l’unità non venga in contatto con insetticidi, benzolo o solventi.

• No permita el contacto de insecticidas, gasolina y diluyentes con el equipo.

• Laat geen insektenverdelgende middelen, benzine of verfverdunner met dit apparaat in kontakt komen.

• Se till att inte insektsmedel på spraybruk, bensen och thinner kommer i kontakt med apparatens hölje.

• Never disassemble or modify the set in any way.

• Versuchen Sie niemals das Gerät auseinander zu nehmen oder auf jegliche Art zu verändern.

• Ne jamais démonter ou modifier l’appareil d’une manière ou d’une autre.

• Non smontate mai, nè modificate l’unità in nessun modo.

• Nunca desarme o modifique el equipo de ninguna manera.

• Nooit dit apparaat demonteren of op andere wijze modifiëren.

• Ta inte isär apparaten och försök inte bygga om den.

ENGLISH

2 We greatly appreciate your purchase of the AVR-1905. 2 To be sure you take maximum advantage of all the features the AVR-1905 has to offer, read these

instructions carefully and use the set properly. Be sure to keep this manual for future reference, should any questions or problems arise.

“SERIAL NO. PLEASE RECORD UNIT SERIAL NUMBER ATTACHED TO THE REAR OF THE CABINET FOR FUTURE REFERENCE”

2 INTRODUCTION

Thank you for choosing the DENON AVR-1905 Digital A / V Surround Receiver. This remarkable component has been engineered to provide superb surround sound listening with home theater sources such as DVD, as well as providing outstanding high fidelity reproduction of your favorite music sources. As this product is provided with an immense array of features, we recommend that before you begin hookup and operation that you review the contents of this manual before proceeding.

TABLE OF CONTENTS

Before Using........................................................3

Cautions on Installation........................................3

Cautions on Handling...........................................3

Features...............................................................4

Connections ..................................................5 ~ 9

Part Names and Functions ............................9, 10

Using the Remote Control Unit .........................10

Setting up the System ..............................11 ~ 16

Remote Control Unit .................................17 ~ 19

Operation...................................................19 ~ 23

⁄0

ACCESSORIES

Check that the following parts are included in addition to the main unit:

q Operating instructions........................................1

w Service station list..............................................1

e Remote control unit (RC-979) ............................1

rt y

Surround....................................................23 ~ 28

⁄1

DSP Surround Simulation..........................28 ~ 30

⁄2

Listening to the Radio ...............................31 ~ 35

⁄3

Last Function Memory.......................................35

⁄4

Initialization of the Microprocessor....................35

⁄5

Additional Information ...............................35 ~ 39

⁄6

Troubleshooting .................................................40

⁄7

Specifications.....................................................41

⁄8

List of Preset Codes ....................................276 ~ 278

r R6P/AA batteries................................................2

t AM loop antenna................................................1

y FM indoor antenna.............................................1

BEFORE USING

Pay attention to the following before using this unit:

• Moving the set

To prevent short circuits or damaged wires in the connection cords, always unplug the power cord and disconnect the connection cords between all other audio components when moving the set.

• Before turning the power switch on

Check once again that all connections are proper and that there are not problems with the connection cords. Always set the power switch to the standby position before connecting and disconnecting connection cords.

CAUTIONS ON INSTALLATION

Noise or disturbance of the picture may be generated if this unit or any other electronic equipment using microprocessors is used near a tuner or TV. If this happens, take the following steps:

• Install this unit as far as possible from the tuner or TV.

• Set the antenna wires from the tuner or TV away from this unit’s power cord and input/output connection cords.

• Noise or disturbance tends to occur particularly when using indoor antennas or 300 Ω/ohms feeder wires. We recommend using outdoor antennas

and 75 Ω/ohms coaxial cables.

For heat dispersal, leave at least 10 cm of space between the top, back and sides of this unit and the wall or other components.

• Store this instructions in a safe place

After reading, store this instructions along with the warranty in a safe place.

• Note that the illustrations in this instructions

may differ from the actual set for explanation purposes.

• V. AUX terminal

The AVR-1905’s front panel is equipped with a V. AUX terminal. Remove the cap covering the terminal when you want to use it.

10 cm or more

Wall

CAUTIONS ON HANDLING

• Switching the input function when input jacks are not connected

A clicking noise may be produced if the input function is switched when nothing is connected to the input jacks. If this happens, either turn down the MASTER VOLUME control or connect components to the input jacks.

• Muting of PRE OUT jacks, HEADPHONE jack and

SPEAKER terminals

The PRE OUT jacks, HEADPHONE jack and SPEAKER terminals include a muting circuit.

Because of this, the output signals are greatly reduced for several seconds after the power switch is turned on or input function, surround mode or any other-set-up is changed. If the volume is turned up during this time, the output will be very high after the muting circuit stops functioning. Always wait until the muting circuit turns off before adjusting the volume.

• Whenever the unit is in the STANDBY state, the

apparatus is still connected on AC line voltage. Please be sure to turn the power off ( you leave home for, say, a vacation.

£off) when

ENGLISH

FEATURES

1. Dolby Digital

Using advanced digital processing algorithms, Dolby Digital provides up to 5.1 channels of widerange, high fidelity surround sound. Dolby Digital is the default digital audio delivery system for DVD and North American DTV.

2. Dolby Pro Logic

Dolby Pro Logic technology of Dolby Pro Logic signals recorded on two channels into up to 7.1 playback channels, including the surround back channel. Dolby Pro Logic channel sources to be played in up to 7.1 channels. The mode can be selected according to the source. The Music mode is best suited for playing music,the Cinema mode for playing movies, and the Game mode for playing games. The Game mode can only be used with 2-channel audio sources.

3. Dolby Pro Logic

In addition to the previously offered Music and Cinema modes, the AVR-1905 also offers a Game mode optimum for games.

4. DTS (Digital Theater Systems)

DTS provides up to 5.1 channels of wide-range, high fidelity surround sound, from sources such as laser disc, DVD and specially-encoded music discs.

5. DTS-ES Extended Surround and DTS Neo:6

The AVR-1905 can be decoded with DTS-ES Extended Surround, a multi-channel format developed by Digital Theater Systems Inc. The AVR-1905 can be also decoded with DTS Neo:6, a surround mode allowing 6.1 channels playback of regular stereo sources.

6. DTS 96/24 compatibility

The AVR-1905 can be decoded with sources recorded in DTS 96/24, a multi-channel digital signal format developed by Digital Theater Systems Inc. DTS 96/24 sources can be played in the multichannel mode on the AVR-1905 with high sound quality of 96 kHz/24 bits or 88.2 kHz/24 bits.

IIx compatibility

IIx furthers the matrix decording

II to decode audio

IIx also allows 5.1-

II Game mode compatibility

7. Future Sound Format Upgrade Capability via Eight Channel Outputs

For future multi-channel audio format(s), the AVR1905 is provided with 5.1 channel (five main channels, plus one low frequency effects channel) inputs, along with a full set of 7.1 channel pre-amp outputs, controlled by the 8 channel master volume control. This assures future upgrade possibilities for any future multi-channel sound format.

8. Front input Terminal

The unit is equipped with a Front Input connector for the convenient connection of a video camera or other equipment.

9. Video Conversion Function

The AVR-1905 is equipped with a function for converting the signals input to the video input connector and S-Video input connector. With this function, the AVR-1905’s monitor out connector and the monitor (TV) can be connected with video pin-plug cords or an S-Video connection cord.

10. Component Video Switching

In addition to composite video and “S” video switching, the AVR-1905 provides 3 sets of component video (Y, P set of component video outputs to the television, for superior picture quality.

11. Auto Surround Mode

This function stores the surround mode last used for an input signal in the memory and automatically sets that surround mode the next time that signal is input.

12. Preset Memory Tuning

56-Station AM/FM Random Preset Memory tuning.

13. On Screen Diaplay

Troublesome operations such as adjusting the delay time and other parameters according to the listening environment are greatly simplified. The various parameters can be set simply by selecting the graphic displayed on the monitor screen according to the listening room’s system environment.

B/C

R) inputs, and one

B, PR/C

OUTPUT INPUT

LRL

OUTPUT

DIGITAL AUDIODIGITAL AUDIO

OPTICAL

OUTPUT

COAXIAL

DIGITAL AUDIODIGITAL AUDIO

RLR

INPUT

OPTICAL

OUTPUT

CONNECTIONS

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• Do not plug in the AC cord until all connections have been completed.

• Be sure to connect the left and right channels properly (left with left, right with right).

• Insert the plugs securely. Incomplete connections will result in the generation of noise.

• Use the AC OUTLET for audio equipment only.

• Note that binding pin plug cords together with AC cords or placing them near a power transformer will result in generating hum or other noise.

• Noise or humming may be generated if a connected audio equipment is used independently without turning the power of this unit on. If this happens, turn on the power of the this unit.

Do not use them for hair driers, etc.

Connecting the audio components

• When making connections, also refer to the operating instructions of the other components.

CD player

Connecting a CD player

Connect the CD player’s analog output jacks (ANALOG OUTPUT) to this unit’s CD jacks using pin plug cords.

Route the connection cords, etc., in such a way that they do not obstruct the ventilation holes.

Connecting the PRE OUT jacks

Use these jacks if you wish to connect external power amplifier(s) to increase the power of the front, center and surround sound channels, or for connection to powered loudspeakers.

To use Surround back with one speaker, connect the speaker to SURR. BACK L CH.

Power supply cord

AC 230V, 50Hz

CD recorder or Tape deck

Connecting a tape deck

Connections for recording:

Connect the tape deck’s recording input jacks (LINE IN or REC) to this unit’s tape recording (CDR/TAPE OUT) jacks using pin plug cords.

Connections for playback:

Connect the tape deck’s playback output jacks (LINE OUT or PB) to this unit’s tape playback (CDR/TAPE IN) jacks using pin plug cords.

NOTE:

If humming noise is generated by a tape deck, etc., move the tape deck away.

CD player or other component equipped with digital output jacks

MD recorder, CD recorder or other component equipped with digital input/output jack

Connecting the DIGITAL jacks

Use these for connections to audio (video) equipment with digital output. Refer to page 15 for instructions on setting this terminal.

NOTES:

• Use 75 Ω/ohms cable pin cords for coaxial connections.

• Use optical cables for optical connections, removing the cap before connecting.

• The main unit’s power must be turned on when recording via the AVR-1905.

AC OUTLET

• SWITCHED (total capacity – 100 W) The power to these outlets is turned on and off in conjunction with the POWER operation switch on the main unit, and when the power is switched between on and standby from the remote control unit. No power is supplied from these outlets when this unit’s power is at standby. Never connect equipment whose total capacity is above 100 W.

NOTE:

Only use the AC OUTLET for audio equipment. Never use them for hair driers, TVs or other electrical appliances.

Connecting the AC OUTLET

ENGLISH

VIDEO

R IN OUT

AUDIO

VIDEO

OUT IN

LRL

RLR

R OUT

VIDEO

OUT

AUDIO

R OUT

VIDEO

OUT

AUDIO

R L

S-VIDEO

OUT

S-VIDEO

OUT

S-VIDEO

OUT IN

S-VIDEO

VIDEO IN

VIDEO OUT

VIDEO IN

VIDEO OUT

Connecting the video components

• To connect the video signal, connect using a 75 Ω/ohms video signal cable cord. Using an improper cable can result in a drop in video quality.

• When making connections, also refer to the operating instructions of the other components.

• The AVR-1905 is equipped with a function for up-converting video signals.

• The signal connected to the video signal terminal is output to the S-Video monitor out terminals.

• The REC OUT terminals have no conversion function, so when recording only connect the video terminals.

TV or DBS tuner

DVD player or video disc player (VDP), etc.

Connecting a TV or DBS tuner

TV or DBS

• Connect the TV’s or DBS tuner’s video output jack (VIDEO OUTPUT) to the (yellow) TV or DBS IN jack using a 75 Ω/ohms video coaxial pin plug cord.

• Connect the TV’s or DBS tuner’s audio output jacks (AUDIO OUTPUT) to the

AUDIO

TV or DBS IN jacks using pin plug cords.

Connecting a DVD player or a video disc player (VDP)

DVD or VDP

• Connect the video disc player’s video output jack (VIDEO OUTPUT) to

VIDEO

the (yellow) DVD IN jack using a 75 Ω/ohms video coaxial pin plug cord.

• Connect the video disc player’s analog audio output jacks (ANALOG AUDIO OUTPUT) to the DVD IN jacks using pin plug cords.

• VDP can be connected to the VDP jacks in the same way.

AUDIO

Monitor TV

Connecting a monitor TV

MONITOR OUT

• Connect the TV’s video input jack (VIDEO INPUT) to the

VIDEO

MONITOR OUT jack using a 75 Ω/ohms video coaxial pin plug cord.

VIDEO

Connecting the video components equipped with S-Video jacks

• When making connections, also refer to the operating instructions of the other components.

• A note on the S input jacks

The input selectors for the S inputs and pin jack inputs work in conjunction with each other.

• The AVR-1905 is equipped with a function for converting video signals.

• The signal connected to the S-Video signal terminal is output to the composite video monitor out terminals.

• The REC OUT terminals have no conversion function, so when recording only connect the S-Video terminals.

DVD player or video disc player (VDP)

Connecting a DVD player or a video disc player (VDP)

DVD or VDP

• Connect the DVD player’s S-Video output jack to the S-VIDEO DVD IN jack using a S-Video connection cord.

• VDP can be connected to the VDP jacks in the same way.

• It is also possible to connect a video disc player, DVD player, video camcorder, game machine, etc., to the V.AUX jacks.

Monitor TV

Connecting a TV or DBS tuner

• Connect the TV’s or DBS tuner’s S video output jack (SVIDEO OUTPUT) to the TV or DBS IN jack using an S-Video connection cord.

Connecting a monitor TV

MONITOR OUT

• Connect the TV’s S video input (S-VIDEO INPUT) to the MONITOR OUT jack using a S jack connection cord.

S-VIDEO

TV or satellite broadcast tuner

S-VIDEO

Video deck

Connecting the video decks

• Connect the video deck’s S output jack (S-OUT) to the

S-VIDEO

VCR IN jack and the video deck’s S input

jack (S-IN) to the VCR OUT jack using S-Video connection cords.

S-VIDEO

Connecting a video decks

Video input/output connections:

• Connect the video deck’s video output jack (VIDEO OUT) to the (yellow) VCR IN jack, and the video deck’s video input jack (VIDEO IN) to the

VIDEO

cords.

Connecting the audio output jacks:

• Connect the video deck’s audio output jacks (AUDIO OUT) to the VCR IN jacks, and the video deck’s audio input jacks (AUDIO IN) to the

AUDIO

Video deck

Note on connecting the digital input jacks

• Only audio signals are inputs to the digital input jacks. For details. (See page 5)

(yellow) VCR OUT jack using 75 Ω/ohms video coaxial pin plug

VCR OUT jacks using pin plug cords.

VIDEO

AUDIO

ENGLISH

VIDEO OUT

CRCB

COMPONENT

YCRCB

VIDEO IN

COMPONENT

Connecting the video component equipped with Color Difference (Component - Y, P

• When making connections, also refer to the operating instructions of the other components.

• The signals input to the color difference (component) video jacks are not output from the VIDEO output jack

(yellow) or the S-Video output jack. In addition, the video signals input to the VIDEO input (yellow) and S-Video input jacks are not output to the color difference (component) video jacks.

• Some video sources with component video outputs are labeled Y, C terms all refer to component video color difference output.

DVD player

R/CR

, PB/CB) Video jacks

Connecting a DVD player

DVD IN jacks

• Connect the DVD player’s color difference (component) video output jacks

• In the same way, another video source with component video outputs such as

Monitor TV

Connecting a monitor TV

MONITOR OUT jack

• Connect the TV’s color difference (component) video input jacks (COMPONENT

B, CR, or Y, PB, PR, or Y, R-Y, B-Y. These

(COMPONENT VIDEO OUTPUT) to the COMPONENT DVD/VDP IN jack using 75 Ω/ohms coaxial video pin-plug cords.

a TV/DBS tuner, etc., can be connected to the TV/DBS color difference (component) video jacks.

VIDEO INPUT) to the COMPONENT MONITOR OUT jack using 75 Ω/ohms coaxial video pin-plug cords.

• The color difference input jacks may be indicated differently on some TVs, monitors or video components (“C and Y”, etc.). For details, carefully read the operating instructions included with the TV or other component.

R, CB and Y”, “R-Y, B-Y and Y”, “PR, PB

Connecting the antenna terminals

DIRECTION OF BROADCASTING STATION

FM INDOOR ANTENNA (An accessory)

75 Ω/ohms COAXIAL CABLE

AM LOOP ANTENNA (An Accessory)

AM loop antenna assembly

FM ANTENNA

Connect to the AM antenna terminals.

AM OUTDOOR ANTENNA

GROUND

An F-type FM antenna cable plug can be connected directly.

Connection of AM antennas

1. Push the lever. 2. Insert the conductor.

3. Return the lever.

• Video Conversion signals

Signal input to the AVR-1905

Video signal input jack

S-Video signal input jack

Color difference (component)

Video signal input jack

Video signal output to VIDEO MONITOR OUT jack (yellow)

(Down-conversion)

Monitor Output jacks

Video signal output to S-Video MONITOR OUT jack

EEC

(Up-conversion)

(C : Video signal output, E : Video signal not output)

Video signal output to color difference (component) Video MONITOR OUT jack

Remove the vinyl tie and take out the connection line.

a. With the

antenna on top any stable surface.

b. With the antenna

attached to a wall.

Installation hole Mount on wall, etc.

Mount

Bend in the reverse direction.

NOTES:

• Do not connect two FM antennas simultaneously.

• Even if an external AM antenna is used, do not

disconnect the AM loop antenna.

• Make sure AM loop antenna lead terminals do not touch metal parts of the panel.

ENGLISH

R VIDEO OUT

OPTICAL

OUTPUT

R VIDEO OUTL

OUTPUT

LINE OUT

DIGITAL OUT

VIDEO OUT

LINE OUT

Connecting the external input (EXT. IN) jacks

• These jacks are for inputting multi-channel audio signals from an outboard decoder, or a component with a different type of multi-channel decoder, such as a DVD Audio player, a multi-channel SACD player, or other future multi-channel sound format decoder.

• When making connections, also refer to the operating instructions of the other components.

Decoder with 6-channel analog output

Front

Surround

Subwoofer

Center

For instructions on playback using the external input (EXT. IN) jacks. (See page 21)

Connecting the video component equipped with V. AUX jacks

To connect the video signal, connect using a 75 Ω/ohms video signal cable cord.

Video game

Connecting a Video game component

• Connect the Video game component’s output jacks to this unit’s V. AUX INPUT jacks.

Speaker system connections

• Connect the speaker terminals with the speakers making sure that like polarities are matched (< with <, > with >). Mismatching of polarities will result in weak central sound, unclear orientation of the various instruments, and the sense of direction of the stereo being impaired.

• When making connections, take care that none of the individual conductors of the speaker cord come in contact with adjacent terminals, with other speaker cord conductors, or with the rear panel.

NOTE: NEVER touch the speaker terminals when the power is on. Doing so could result in electric shocks.

Connecting the speaker cords

1. Loosen by turning counterclockwise.

2. Insert the cord. 3. Tighten by turning

Speaker Impedance

• When speaker systems A and B are use separately, speakers with an impedance of 6 to 16 Ω/ohms can be connected for use as front speakers.

• Be careful when using two pairs of front speakers (A + B) at the same time, since use of speakers with an impedance of 12 to 16 Ω/ohms.

• Speakers with an impedance of 6 to 16 Ω/ohms can be connected for use as center and surround and surround back speakers.

• The protector circuit may be activated if the set is played for long periods of time at high volumes when speakers with an impedance lower than the specified impedance are connected.

clockwise.

Protector circuit

• This unit is equipped with a high-speed protection circuit. The purpose of this circuit is to protect the speakers under circumstances such as when the output of the power amplifier is inadvertently shortcircuited and a large current flows, when the temperature surrounding the unit becomes unusually high, or when the unit is used at high output over a long period which results in an extreme temperature rise. When the protection circuit is activated, the speaker output is cut off and the power supply indicator LED flashes. Should this occur, please follow these steps: be sure to switch off the power of this unit, check whether there are any faults with the wiring of the speaker cables or input cables, and wait for the unit to cool down if it is very hot. Improve the ventilation condition around the unit and switch the power back on. If the protection circuit is activated again even though there are no problems with the wiring or the ventilation around the unit, switch off the power and contact a DENON service center.

Video camera

The V. AUX INPUT terminal is covered with a cap. Remove this cap in order to use the terminal. (See page 3 for instructions on removing the cap.)

Connecting a video camera component

• Connect the video camera component’s output jacks to this unit’s V. AUX INPUT jacks.

Note on speaker impedance

• The protector circuit may be activated if the set is played for long periods of time at high volumes when speakers with an impedance lower than the specified impedance (for example speakers with an impedance of lower than 4 Ω/ohms) are connected. If the protector circuit is activated, the speaker output is cut off. Turn off the set’s power, wait for the set to cool down, improve the ventilation around the set, then turn the power back on.

ENGLISH

(R) (L)

(L) (R) (L) (R)

(L) (

)

qwuei

@1@2@3@4@5@6@7@8

!5 !6 !7!0!8@0!9

#0#1#3

#4 #2

Connections

• When making connections, also refer to the operating instructions of the other components.

Connection jack for subwoofer with built-in amplifier (subwoofer), etc.

FRONT SPEAKER

SYSTEMS (B)

• Precautions when connecting speakers

If a speaker is placed near a TV or video monitor, the colors on the screen may be disturbed by the speaker’s magnetism. If this should happen, move the speaker away to a position where it does not have this effect.

SURROUND BACK SPEAKER SYSTEMS

NOTE:

• To use Surround back with one speaker, connect the speaker to SURR. BACK L CH.

FRONT SPEAKER

SYSTEMS (A)

CENTER SPEAKER

SYSTEM

SURROUND SPEAKER

SYSTEMS

PART NAMES AND FUNCTIONS

Front Panel

• For details on the functions of these parts, refer to the pages given in parentheses ( ).

Power ON/STANDBY switch .............(12, 19, 31)

POWER indicator .....................................(12, 19)

Power switch ...........................................(12, 19)

Headphones jack (PHONES) ..........................(22)

INPUT MODE button ...............................(20, 21)

SPEAKER A/B buttons .............................(19, 35)

SURROUND BACK button .............................(26)

EXT. IN button..........................................(20, 21)

BAND button..................................................(31)

STANDARD button ................................(23 ~ 26)

5CH/7CH STEREO button ..............................(29)

DIRECT/STEREO button.................................(21)

Preset station select buttons .........................(32)

TUNING • (up) / ª (down) buttons ................(31)

V. AUX INPUT jacks......................................(3, 8)

SURROUND MODE button............................(20)

SURROUND PARAMETER button...........(24, 29)

SELECT knob .....................................(20, 25, 29)

TONE DEFEAT button....................................(22)

TONE CONTROL button ................................(22)

MASTER VOLUME control ............................(20)

RT button........................................................(35)

PTY button......................................................(34)

RDS button...............................................(33, 34)

OUTPUT indicator...........................................(26)

MASTER VOLUME indicator..........................(20)

Display

INPUT mode indicator ....................................(20)

SIGNAL indicator............................................(20)

ANALOG button .......................................(20, 21)

Remote control sensor...................................(10)

REC SELECT button.......................................(23)

FUNCTION knob ......................................(20, 23)

SOURCE selector button ...............................(20)

ENGLISH

Remote control unit

• For details on the functions of these parts, refer to the pages given in parentheses ( ).

LED (indicator) .......................(17, 19)

SURROUND

buttons.............................(20, 23, 29)

Input source selector buttons

...............................................(17~20)

System buttons .....................(17, 18)

Remote control signal

transmitter ...................................(10)

Power buttons.................(12, 17~19)

Tuner system/System

buttons.............................(17, 18, 31)

Mode select

switches ................................(17~19)

Master volume control

buttons.........................................(20)

USING THE REMOTE CONTROL UNIT

Following the procedure outlined below, insert the batteries before using the remote control unit.

Range of operation of the remote control unit

Point the remote control unit at the remote control sensor as shown on the diagram at the left.

NOTES:

• The remote control unit can be used from a straight distance of approximately 7 meters, but this distance will shorten or operation will become difficult if there are obstacles between the remote control unit and the remote control sensor, if the

30°

Approx. 7 m

remote control sensor is exposed to direct sunlight or other strong light, or if operated from an angle.

• Neon signs or other devices emitting pulse-type noise nearby may result in malfunction, so keep the set as far away from such devices as possible.

Inserting the batteries

q Press as shown by the arrow

and slide off.

w Insert the R6P/AA batteries properly,

as shown on the diagram.

e Close the lid.

SYSTEM SETUP/

SETUP button ........................(11, 18)

Cursor buttons.................(11, 18, 25)

ON SCREEN/

DISPLAY button.....................(18, 27)

TEST TONE button ......................(23)

VIDEO SELECT button.................(22)

INPUT MODE selector

buttons...................................(20, 21)

MUTING button ...........................(22)

SURROUND PARAMETER

button.....................................(18, 24)

CH SELECT (channel select)/

ENTER button............(11, 18, 24, 25)

SURROUND BACK/

RETURN button .....................(18, 26)

SPEAKER button..........................(19)

DIMMER button...........................(22)

NOTES:

• Use only R6P/AA batteries for replacement.

• Be sure the polarities are correct. (See the illustration inside the battery compartment.)

• Remove the batteries if the remote control transmitter will not be used for an extended period of time.

• If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact

with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

• Have replacement batteries on hand so that the old batteries can be replaced as quickly as possible when the time comes.

• Even if less than a year has passed, replace the batteries with new ones if the set does not operate even when the remote control unit is operated nearby the set. (The included battery is only for verifying operation. Replace it with a new battery as soon as possible.)

ENGLISH

SETTING UP THE SYSTEM

• Once all connections with other AV components have been completed as described in “CONNECTIONS” (see pages 5 to 9), make the various settings described below on the monitor screen using the AVR-1905’s on- screen display function. These settings are required to set up the listening room’s AV system centered around the AVR-1905.

Use the following buttons to set up the system

Use the following buttons to set up the system:

• System setup items and default values (set upon shipment from the factory)

Input the combination of speakers in your system

Speaker Configuration

Delay Time

Subwoofer mode

Crossover Frequency

Test Tone

Digital In Assignment

and their corresponding sizes (SMALL for regular speakers, LARGE for full-size, full-range) to automatically set the composition of the signals output from the speakers and the frequency response.

This parameter is for optimizing the timing with which the audio signals are produced from the speakers and subwoofer according to the listening position.

This selects the subwoofer speaker for playing deep bass signals.

Set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer.

This adjusts the volume of the signals output from the speakers and subwoofer for the different channels in order to obtain optimum effects.

This assigns the digital input jacks for the different input sources.

Set the slide switch to “AUDIO”.

SYSTEM SETUP button

Press this to display the system setup on the display.

CURSOR buttons (•, ª, 0, 1)

Press this change what appears on the display.

ENTER button

Press this to switch the display. Also use this button to complete the setting.

System setup Default settings

Input

source Digital

Inputs

Front Sp.

Large

Front

3.6 m

Front

0 dB 0 dB

Center

Front

Center

3.6 m

Front

Center

0 dB

CD DVD/VDP

COAXIAL OPTICAL 1

Surround

Sp.

Small Small

Subwoofer mode = LFE (Normal)

Surround

3.0 m

Surround

0 dB

Sp.

Surround

3.0 m

80 Hz

Surround

0 dB

Surround Back Sp.

Small / 2 spkrs

Surround

Back L

3.0 m

Surround

Back L

0 dB

Subwoofer

Ye s

Surround

Back R

3.0 m

Surround

Back R

0 dB

TV/DBS

OPTICAL 2

Sub-

woofer

3.6 m

Sub-

woofer

0 dB

Auto Surround Mode

Ext. In SW Level

On Screen Display

Auto Tuner Presets

System setup Default settings

Auto surround mode function setting.

Set the Ext. In Subwoofer channel playback level.

This sets whether or not to display the on-screen display that appears on the monitor screen when the controls on the remote control unit or main unit are operated. A setting to prevent flickering.

FM stations are received automatically and stored in the memory.

A1 ~ A8 B1 ~ B8 C1 ~ C8 D1 ~ D8 E1 ~ E8

F1 ~ F8

G1 ~ G8

Auto Surround Mode = ON

Ext. In SW Level = +15 dB

On Screen Display = ON / Mode 1

87.5/89.1/98.1/108.0/90.1/90.1/90.1/90.1 MHz 522/603/999/1404/1611 kHz, 90.1/90.1/90.1 MHz

90.1 MHz

NOTES:

• The on-screen display signals are output with priority to the S-VIDEO MONITOR OUT jack during playback of a video component. For example, if the TV monitor is connected to both the AVR-1905’s S-Video and video monitor output jacks and signals are input to the AVR-1905 from a video source (VDP, etc.) connected to both the S-Video and video input jacks, the on-screen display signals are output with priority to the SVideo monitor output. If you wish to output the signals to the video monitor output jack, do not connect a cord to the S-VIDEO MONITOR OUT jack. (For details, see page 16.)

• The AVR-1905’s on-screen display function is designed for use with high resolution monitor TVs, so it may be difficult to read small characters on TVs with small screens or low resolutions.

• The setup menu is not displayed when headphone are being used.

2 Speaker system layout

Basic system layout

• The following is an example of the basic layout for a system consisting of eight speaker systems and a television monitor:

Subwoofer Center speaker system

Surround back speaker system

Front speaker systems Set these at the sides of the TV or screen with their front surfaces as flush

Surround speaker systems

with the front of the screen as possible.

ENGLISH

*SYSTEM SET UP

ON / STANDBY

ON OFF

1 FRONT LARGE

Before setting up the system

Refer to “CONNECTIONS” (pages 5 to 9) and check that all connections are correct.

(Main unit)

(Remote control unit)

NOTE:

• Press the SYSTEM SETUP button again to finish system set up. System set up can be finished at any time. The changes to the settings made up to that point are entered.

Press the Power switch (button).

• ¢ ON The power turns on and indicator is light. Set the power switch to this position to turn the power on and off from the included remote control unit.

•

£ OFF

The power turns off and indicator is off. In this position, the power cannot be turned on and off from the remote control unit.

Turn on the power. Press the Power ON/STANDBY switch (button).

Press the SYSTEM SETUP button to enter the setting.

NOTE: Please make sure the “AUDIO” position of

the slide switch on the remote control unit.

Press the ENTER or (down) button to switch to the Speaker Configuration Setup.

Setting the type of speakers

• Set up in function of your speaker systems. Performing this setup optimizes the system.

• The composition of the signals output to the different channels and the frequency response are adjusted

automatically according to the combination of speakers actually being used.

(Remote control unit)

• Parameters

Large.................Select this when using speakers that have sufficient performance for reproducing bass sound

below the frequency set for the Crossover Frequency mode.

Small.................Select this when using speakers that do not have sufficient performance for reproducing bass

sound below the frequency set for the Crossover Frequency mode. When this is set, bass sound with a frequency below the frequency set for the Crossover Frequency mode is sent

to the subwoofer.

None .................Select this when no speakers are installed.

Yes/No...............Select “Ye s ” when a subwoofer is installed, “No” when a subwoofer is not installed.

2spkrs/1spkr .....Set the number of speakers to be used for the surround back channel.

If the subwoofer has sufficient low frequency playback capacity, good sound can be achieved even when “Small” is set for the front, center and surround speakers.

Set whether or not speakers are connected and, if so, their size parameters.

• To select the speaker

Subwoofer

Surround Sp.

• To select the parameter

Press the ENTER or (down) button to enter the settings and switch to the SPEAKER DISTANCE setting.

Center Sp. Front Sp.Front Sp.

Listening position

Surround Sp.

Surround back Sp.

ENGLISH

15SW MODE NORM

16CR.OVER 80Hz

7 FRONT L 3.6m

Setting the delay time

• Input the distance between the listening position and the different speakers to set the delay time for the surround mode.

Preparations:

Measure the distances between the listening position and the speakers (L1 to L5) on the diagram at the right).

L1: Distance between center speaker and listening position L2: Distance between front speakers and listening position L3: Distance between surround speakers and listening position L4: Distance between surround back speaker and listening position L5: Distance between subwoofer and listening position

CAUTION:

Please note that the difference for every speaker should be 6.0 m or less.

NOTE:

• No setting when “None” has been selected for the Speaker Configuration setting.

(Remote control unit)

Select the speaker to be set.

Set the distance between the speaker and listening position. The distance changes in units of 0.1 meters each time the button is pressed. Select the value closest to the measured distance.

Subwoofer

Center FRFL

Listening position

SBL

SBR

Setting the Subwoofer mode and Crossover Frequency

This screen is not displayed when not using a subwoofer.

• Set the crossover frequency and subwoofer mode according to the speaker system being used.

Select the “Subwoofer

Mode”.

(Remote control unit) (Remote control unit)

Select the “Crossover

Frequency” mode.

(Remote control unit) (Remote control unit)

Press the ENTER or (down) button to enter the setting and switch to the Test Tone setting.

Select the setting.

Select the frequency.

• 40 / 60 / 80 / 100 / 120 / 150 / 200 / 250 Hz can be selected.

(Remote control unit)

Press the ENTER or (down) button to enter the setting and switch the SUBWOOFER MODE setting.

(Remote control unit)

ENGLISH

17 T.TONE <YES

T.TONE AUTO

FL C FR SR SBR SBL SL SW

NOTES: — Assignment of low frequency signal range —

• The signals produced from the subwoofer channel are LFE signals (during playback of Dolby Digital or DTS signals) and the low frequency signal range of channels set to “SMALL” in the setup. The low frequency signal range of channels set to “LARGE” are produced from those channels.

— Crossover Frequency —

• When “Subwoofer” is set to “Ye s ” at the “Speaker Configuration Setting”, set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer (the crossover frequency).

• For speakers set to “Small”, sound with a frequency below the crossover frequency is cut, and the cut bass sound is output from the subwoofer instead. NOTE: For ordinary speaker systems, we recommend setting the crossover frequency to 80 Hz. When

using small speakers, however, setting the crossover frequency to a high frequency may improve frequency response for frequencies near the crossover frequency.

— Subwoofer mode —

• The subwoofer mode setting is only valid when “Large” is set for the front speakers and “YES” is set for the subwoofer in the “Speaker Configuration” settings (see page 12).

• When the “LFE+MAIN” playback mode is selected, the low frequency signal range of channels set to “Large” are produced simultaneously from those channels and the subwoofer channel.

In this playback mode, the low frequency range expand more uniformly through the room, but depending on the size and shape of the room, interference may result in a decrease of the actual volume of the low frequency range.

• Selection of the “LFE ” play mode will play the low frequency signal range of the channel selected with “Large” from that channel only. Therefore, the low frequency signal range that are played from the

subwoofer channel are only the low frequency signal range of LFE (only during Dolby Digital or DTS signal playback) and the channel specified as “Small” in the setup menu.

• Select the play mode that provides bass reproduction with quantity.

• When the subwoofer is set to “Ye s”, bass sound is output from the subwoofer regardless of the subwoofer

mode setting in surround modes other than Dolby/DTS.

• In surround modes other than Dolby Digital and DTS, if the subwoofer is set to “YES”, the low frequency portion is always output to the subwoofer channel. For details, refer to “Surround Modes and Parameters” on page 30.

Setting the Test Tone

• Use this setting to adjust to that the playback level between the different channel is equal.

• From the listening position, listen to the test tones produced from the speakers to adjust the level.

• The level can also be adjusted directly from the remote control unit. (For details, see page 23.)

(Remote control unit)

• Use the (left) button to the Test Tone.

• Press the ENTER or (down) button to switch

to the Digital In Assignment.

Set the mode. Select “Auto” or “Manual”.

• Auto: Adjust the level while listening to the test tones produced automatically from the different speakers.

• Manual: Select the speaker from which you want to produce the test tone to adjust the level.

Press the (down) button to start Test Tone.

a. If the “Auto” mode is selected:

Test tones are automatically emitted from the different speakers. The test tones are emitted from the different speakers in the following order, at 4-second intervals the first time and second time around, 2-second intervals the third time around and on:

1spkr

(Remote control unit)

2spkrs

When the surround back speaker setting is set to “1sp” for “Speaker Configuration”, this is set to “SB”.

Use the CURSOR left and right buttons to adjust all the speakers to the same volume. The volume can be adjusted between –12 dB and +12 dB in units of 1 dB.

b. When the “Manual” mode is selected

Use the CURSOR up and down to select the speaker for which you want to output test tones, then use the CURSOR left and right to adjust so that the volume of the test tones from the various speakers is the same.

Example: When the volume is set to –12 dB while the Front Lch speaker is selected

ENGLISH

18 COAX CD

21 AUTOSURR. ON

(Remote control unit)

NOTES:

• When you adjust the channel levels while in the TEST TONE mode, the channel level adjustments made will affect all surround modes. Consider this mode a Master Channel Level adjustment mode.

• You can adjust the channel levels for each of the following surround modes: DIRECT, STEREO, STANDARD (DOLBY/DTS SURROUND), 5/7 CH STEREO, MONO MOVIE, ROCK ARENA, JAZZ CLUB, VIDEO GAME, MATRIX and VIRTUAL.

After completing the adjustment, press the ENTER button.

Press the ENTER or (down) button to enter the setting and switch the DIGITAL input setting.

Setting the Digital In Assignment

• This setting assigns the digital input jacks of the AVR-1905 for the different input sources.

(Remote control unit)

Select the digital input jack to be assigned to the input source.

• To select the digital input jack

Setting the Auto Surround Mode

For the three kinds of input signals as shown below, the surround mode played the last is stored in the memory. At next time it the same signal inputs, the memorized surround mode is automatically selected and the signal is played. Note that the surround mode setting is also stored separately for the different input function.

SIGNAL Default Auto Surround Mode

q Analog and PCM 2-channel signals STEREO w 2-channel signals of Dolby Digital, DTS or other multichannel format Dolby PL e Multichannel signals of Dolby Digital, DTS or other multichannel format Dolby or DTS Surround

(Remote control unit)

Select “ON” if you want to use the auto surround mode, “OFF” if you do not want to use it.

Press the ENTER or (down) button to switch the Ext. In SW Level setting.

IIx Cinema

(Remote control unit)

NOTE:

• TUNER and V. AUX cannot be selected.

• To select the input source

Select “OFF” if nothing is connected.

Press the ENTER or (down) button to enter the setting and switch the Auto Surround Mode setting.

ENGLISH

22 EXT.IN SW+15

23 OSD ON

25 PRESET <YES

24 OSD MODE1

Setting the Ext. In SW Level

• Set the playback level of the analog input signal connected to the Ext. In terminal.

(Remote control unit)

Select desired setting.

• Select according to the specifications of the player being used. Also refer to the player’s operating instructions.

• +15dB (default) recommended. (0, +5, 10 and +15 can be selected.)

Press the ENTER or (down) button to switch the On Screen Display setting.

Setting the On Screen Display (OSD)

• Use this to turn the on-screen display (messages other than the menu screens) on or off.

• Sets the on-screen display’s display mode.

Mode 1: Prevents flickering of the on-screen display when there is no video signal. Mode 2: Flickering is not prevented.

Use this mode if the on-screen display does not appear in the mode 1, as may happen according to the TV being used.

Auto Tuner Presets

• Use this to automatically search for FM broadcasts and store up to 56 stations at preset channels A1 to 8, B1 to 8, C1 to 8, D1 to 8, E1 to 8, F1 to 8 and G1 to 8.

NOTE:

• If an FM station cannot be preset automatically due to poor reception, use the “Manual tuning” operation to tune in the station, then preset it using the manual “Preset memory” operation.

(Remote control unit)

Use the CURSOR button to select “Ye s”.

“Search” flashes on the screen and searching begins. “Completed” appears once searching is completed.

The display automatically switches to screen.

Press the ENTER or (down) button if you want to start the settings over from the beginning.

After setting up the system

Press the SYSTEM SETUP button to finish system set up.

(Remote control unit)

Select the “On Screen

Display” mode.

(Remote control unit) (Remote control unit)

(Remote control unit)

Select “ON” or “OFF”.

Select the “MODE1” or “MODE2”.

Press the ENTER or (down) button to switch the Auto Preset Memory setting.

(Remote control unit)

This completes the system setup operations. Once the system is set up, there is no need to make the settings again unless other components or speakers are connected to or the speaker layout is changed.

• On-screen display signals

Signals input to the AVR-1905

VIDEO signal input jack

(yellow)

(C: Signal E: No signal) (C: On-screen signals output E: On-screen signals not output)

S-video signal input jack

VIDEO MONITOR OUT jack

On-screen display signal output

Video signal output to

(yellow)

Video signal output to S-

Video MONITOR OUT jack

ENGLISH

456

789

REMOTE CONTROL UNIT

Operating DENON audio components

• Turn on the power of the different components before operating them.

Set mode switch 1 to “AUDIO”.

Set mode switch 2 to the position for the

component to be operated. (CD, CDR/MD or Tape deck)

Operate the audio component.

• For details, refer to the component’s operating instructions. While this remote control is compatible with a wide range of infrared controlled components, some models of components may not be operated with this remote control.

1. CD player (CD) and CD recorder and MD recorder (CDR/MD) system buttons

2. Tape deck (TAPE) system buttons

Preset memory

DENON and other makes of components can be operated by setting the preset memory. This remote control unit can be used to operate components of other manufacturers without using the learning function by registering the manufacturer of the component as shown on the List of Preset Codes (pages 276~278). Operation is not possible for some models.

Set mode switch 1 to “AUDIO” or “VIDEO”.

Set the AUDIO side for the CD, Tape deck or

CDR/MD position, to the VIDEO side for the DVD/VDP, DBS/CABLE, VCR or TV position.

Set mode switch 2 to the component to be

registered.

Press the ON/SOURCE button and the OFF

button at the same time.

• Indicator flash.

NOTE:

• TUNER can be operated when the switch is at “AUDIO” position.

6, 7 : Manual search

2 : Stop 1 : Play

8, 9 : Auto search (cue)

3 : Pause

DISC SKIP + : Switch discs

3. Tuner system buttons

(forward and reverse)

(for CD changers only)

6 : Rewind 7 : Fast-forward

2 : Stop 1 : Forward play 0 : Reverse play

A/B : Switch between decks A and B

SHIFT : Switch preset channel range

CHANNEL +, – : Preset channel up/down

TUNING +, – : Frequency up/down

BAND : Switch between the AM and FM

bands

MODE : Switch between auto and mono

MEMORY : Preset memory

To store the codes of another component in the memory, repeat steps 1 to 4.

NOTES:

• The signals for the pressed buttons are emitted while setting the preset memory. To avoid accidental operation, cover the remote control unit’s transmitting window while setting the preset memory.

• Depending on the model and year of manufacture, this function cannot be used for some models, even if they are of makes listed on the included list of preset codes.

• Some manufacturers use more than one type of remote control code. Refer to the included list of preset codes to change the number and check.

• The preset memory can be set for one component only among the following: CDR/MD, DVD/VDP and DBS/CABLE.

The preset codes are as follows upon shipment from the factory and after resetting:

TV, VCR......................................................................HITACHI

CD, TAPE...................................................................DENON

CDR/MD ....................................................................DENON (CDR)

DVD/VDP ...................................................................DENON (DVD)

DBS/CABLE...............................................................ABC (CABLE)

Referring to the included List of Preset Codes, use the number buttons to input the preset code (a 3-digit number) for the manufacturer of the component whose signals you want to store in the memory.

ENGLISH

Operating component stored in the preset memory

Set mode switch 1 to “AUDIO” or “VIDEO”.

Set the AUDIO side for the CD, tape deck or CDR/MD position, to the VIDEO side for the DVD/VDP, DBS/CABLE, VCR or TV position.

Set mode switch 2 to the component you want

to operate.

Operate the component.

• For details, refer to the component’s operating instructions.

Some models cannot be operated with this remote control unit.

1. Digital video disc player (DVD) system buttons

POWER : Power on/standby

(ON/SOURCE)

OFF : DENON DVD Power

6, 7 : Manual search

8, 9 : Auto search

0 ~ 9, +10 : 10 key

DISC SKIP : Disc skip

DISPLAY : Switch display

MENU : Menu

RETURN : Return

SETUP : Setup

•, ª,

ENTER : Enter setting

off

(forward and reverse)

2 : Stop 1 :Play

(to beginning of track)

3 : Pause

+ (for DVD changer only)

0, 1 : Cursor up, down, left

and right

2. Video disc player (VDP) system buttons

POWER : Power on/standby

(ON/SOURCE)

6, 7 : Manual search

2 : Stop 1 :Play

8, 9 : Auto search (cue)

3 : Pause

0~9, +10 : 10 key

(forward and reverse)

3. Video deck (VCR) system buttons

POWER : Power on/standby

(ON/SOURCE)

6, 7 : Manual search

Channel : Channels

+, –

5. Monitor TV (TV) system buttons

POWER : Power on/standby

(ON/SOURCE)

MENU : Menu

RETURN : Return

•, ª,

ENTER : Enter

CHANNEL : Switch channels

+, –

0~9, +10 : Channels

DISPLAY : Switch display

TV/VCR : Switch between TV

TV VOL : Volume up/down

+, –

(forward and reverse)

2 : Stop 1 :Play 3 : Pause

0, 1 : Cursor up, down, left

and right

and video player

4. Digital broadcast satellite (DBS) tuner and cable (CABLE) system buttons

POWER : Power on/standby

(ON/SOURCE)

MENU : Menu

RETURN : Return

•, ª,

0, 1 : Cursor up, down, left

ENTER : Enter

CHANNEL : Switch channels

+, – 0~9, +10 : Channels DISPLAY : Switch display

VOL +, – : Volume up/down

and right

NOTE:

• Some manufacturers use different names for the DVD remote control buttons, so also refer to the instructions on remote control for that component.

NOTES:

• For this CD, CDR, MD and TAPE components, buttons can be operated in the same way as for Denon audio components (page 17).

• The TV can be operated when the switch is at DVD/VDP, VCR, TV position.

ENGLISH

456

789

2 1

ON OFF

Punch Through

•“Punch Through” is a function allowing you to operate the PLAY, STOP, MANUAL SEARCH and AUTO SEARCH buttons on the CD, TAPE, CDR/MD, DVD/VDP or VCR components when in the DBS/CABLE or TV mode. By default, nothing is set.

Set mode switch 1 to “VIDEO”.

Set mode switch 2 to the component to be

registered (DBS/CABLE or TV).

Press the DVD/VDP POWER button and the TV

POWER button at the same time.

• Indicator flash.

Input the number of the component you want to set. (See Table 1)

No.

1 2 3 4 5 0

Table 1

CD TAPE CDR/MD DVD/VDP VCR No setting

OPERATION

Before operating

Preparations:

Check that all connections are proper.

Press the power switch (button).

(Main unit)

• ¢ ON The power turns on and indicator is light. Set the power switch to this position to turn the power on and off from the included remote control unit.

•

£ OFF

The power turns off and power indicator is off. In this position, the power cannot be turned on and off from the remote control unit.

Turn on the power.

Press the Power ON/STANDBY switch (button).

(Main unit)

When pressed, the power turns on and the display lights. The sound is muted for several seconds, after which the unit operates normally. When pressed again, the power turns off, the standby mode is set and the display turns off.

Select the front speakers.

Press the SPEAKER A or B button to turn the speaker on.

(Remote control unit)

(Main unit) (Remote control unit)

• The front speaker A, B setting can be also be changed with the SPEAKER button on the remote control unit.

ENGLISH

2 5

AUTO PCM DTS

FUNCTION

ANALOG

EXT. IN

INPUT MODE

SOURCE

SIGNAL

DIGITAL

SIGNAL

MASTER VOLUME

SURROUND

MODE

SURROUND

MODE

SELECT

ANALOGDIGITAL

DIGITAL

ANALOG

AUTO

PCM

DTS

INPUT

AUTO

PCM

DTS

INPUT

AUTO

PCM

DTS

INPUT

AUTO

PCM

DTS

INPUT

Playing the input source

Select the input source to be played.

Example: CD

(Main unit) (Remote control unit)

To select the input source when REC OUT is selected, press the SOURCE button then operate the input function selector.

(Main unit)

Select the input mode.

• Selecting the analog mode Press the ANALOG button to switch to the analog input.

(Main unit) (Remote control unit)

• Selecting the external input (EXT. IN) mode Press the EXT. IN to switch the external input.

(Main unit) (Remote control unit)

• Selecting the AUTO, PCM and DTS modes The mode switches as shown below each time the INPUT MODE button is pressed.

(Main unit) (Remote control unit)

Input mode selection function

Different input modes can be selected for the different input sources. The selected input modes for the separate input sources are stored in the memory.

q AUTO (auto mode)

In this mode, the types of signals being input to the digital and analog input jacks for the selected input source are detected and the program in the AVR1905’s surround decoder is selected automatically upon playback. This mode can be selected for all input sources other than TUNER. The presence or absence of digital signals is detected, the signals input to the digital input jacks are identified and decoding and playback are performed automatically in DTS, Dolby Digital or PCM (2 channel stereo) format. If no digital signal is being input, the analog input jacks are selected. Use this mode to play Dolby Digital signals.

w PCM (exclusive PCM signal playback mode)

Decoding and playback are only performed when PCM signals are being input. Note that noise may be generated when using this mode to play signals other than PCM signals.

e DTS (exclusive DTS signal playback mode)

Decoding and playback are only performed when DTS signals are being input.

r ANALOG (exclusive analog audio signal playback

mode) The signals input to the analog input jacks are decoded and played.

t EXT. IN (external decoder input jack selection mode)

The signals being input to the external decoder input jacks are played without passing through the surround circuitry.

NOTE:

• Note that noise will be output when CDs or LDs recorded in DTS format are played in the “PCM” (exclusive PCM signal playback) or “ANALOG” (exclusive PCM signal playback) mode. Select the AUTO or DTS mode when playing signals recorded in DTS.

Notes on playing a source encoded with DTS

• Noise may be generated at the beginning of playback and while searching during DTS playback in the AUTO mode. If so, play in the DTS mode.

• In some rare cases the noise may be generated when you preform the operation to stop playback of a DTS-CD or DTS-LD.

Select the play mode.

Press the SURROUND MODE button, then turn the SELECT knob.

Example: Stereo

(Main unit) (Remote control unit)

To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the surround mode button then operate the selector.

Start playback on the selected component.

• For operating instructions, refer to the

(Main unit)

component’s manual.

Adjust the volume.

The volume level is displayed on the master volume level display.

(Main unit) (Remote control

unit)

The volume can be adjusted within the range of –70 to 0 to 18 dB, in steps of 1 dB. However, when the channel level is set as described on page 23, if the volume for any channel is set at +1 dB or greater, the volume cannot be adjusted up to 18 dB. (In this case the maximum volume is adjusted to “18 dB — (Maximum value of channel level)”.)

Input mode when playing DTS sources

• Noise will be output if DTS-compatible CDs or LDs are played in the “ANALOG” or “PCM” mode. When playing DTS-compatible sources, be sure to connect the source component to the digital input jacks (OPTICAL/COAXIAL) and set the input mode to “DTS”.

Input mode display

• In the AUTO mode

One of these lights, depending on the input signal.

• In the DIGITAL PCM mode

• In the DIGITAL DTS mode

• In the ANALOG mode

Input signal display

• DOLBY DIGITAL

• DTS

• PCM

The indicator lights when digital signals

DIGITAL

are being input properly. If the indicator

DIGITAL

does not light, check whether the digital input component setup (page 15) and connections are correct and whether the component’s power is turned on.

NOTE:

• The indicator will light when playing

DIGITAL

CD-ROMs containing data other than audio signals, but no sound will be heard.

ENGLISH

2 1

INPUT MODE

EXT. IN

ANALOG

DIRECT / STEREO

1, 2

Playback using the external input (EXT. IN) jacks

Set the external input (EXT. IN) mode.

Press the EXT. IN to switch the external input.

(Main unit) (Remote control unit)

Once this is selected, the input signals connected to the FL (front left), FR (front right), C (center), SL (surround left) and SR (surround right) channels of the EXT. IN jacks are output directly to the front (left and right), center and surround (left and right) speaker systems as well as the pre-out jacks without passing through the surround circuitry. In addition, the signal input to the SW (subwoofer) jack is output to the PRE OUT SUBWOOFER jack.

Cancelling the external input mode

To cancel the external input (EXT. IN) setting, press the INPUT MODE (AUTO, PCM, DTS) or ANALOG button to switch to the desired input mode. (See page 20.)

(Main unit) (Remote control unit)

• When the input mode is set to the external input (EXT. IN), the play mode (DIRECT, STEREO, STANDARD (DOLBY/DTS SURROUND), 5CH/7CH STEREO or DSP SIMULATION) cannot be selected.

NOTES:

• In play modes other than the external input

• The external input mode can be set for any input

• If the subwoofer output level seems to high, set

mode, the signals connected to EXT. IN jacks cannot be played. In addition, signals cannot be output from channels not connected to the input jacks.

source. To watch video while listening to sound, select the input source to which the video signal is connected, then set this mode.

the “SW ATT.” surround parameter to “ON”.

Playing audio sources (CDs and DVDs)

The AVR-1905 is equipped with two 2-channel playback modes exclusively for music. Select the mode to suit your tastes.

DIRECT mode

Use this mode to achieve good quality 2channel sound while watching images. In this mode, the audio signals bypass such circuits as the tone circuit and are transmitted directly, resulting in good quality sound.

(Main unit) (Remote control unit)

STEREO mode

Use this mode to adjust the tone and achieve the desired sound while watching images.

(Main unit) (Remote control unit)

ENGLISH

32 1

SELECT

TONE

DEFEAT

TONE

CONTROL

BASS TREBLE

PHONES

BRIGHT MEDIUM

OFF

DIM

After starting playback

[1] Adjusting the sound quality (tone)

• The tone control function will not work in the direct mode.

The tone switches as follows each time the

TONE CONTROL button is pressed.

(Main unit)

With the name of the volume to

be adjusted selected, turn the SELECT knob to adjust the level.

• To increase the bass or treble: Turn the control clockwise. (The bass or treble sound can be increased to up to +12 dB in steps of 2 dB.)

• To decrease the bass or treble: Turn the control counterclockwise. (The bass or treble sound can be decreased to up to –12 dB in steps of 2 dB.)

[2] Listening over headphones

Plug the headphones’ plug

into the jack.

Connect the headphones to the PHONES jack. The pre-out output (including the speaker output) is automatically turned off when headphones are connected.

[3] Turning the sound off temporarily (MUTING)

(Main unit)

If you do not want the bass and treble to be

adjusted, turn on the tone defeat mode.

The signals do not pass through the bass and treble adjustment circuits, so it provides higher

(Main unit)

NOTE:

To prevent hearing loss, do not raise the volume level excessively when using headphones.

quality sound.

[4]

Combining the currently playing sound with the desired image

Simulcast playback

Use this switch to monitor a video source other than the audio source. Press the VIDEO SELECT button repeatedly until the desired source appears on the display.

Cancelling simulcast playback.

• Select “SOURCE” using the VIDEO SELECT button.

• Switch the program source to the component connected to the video input jacks.

[5] Checking the currently playing program source, etc.

On screen display

• Each time an operation is performed, a description of that operation appears on the display connected to the unit’s VIDEO MONITOR OUT jack. Also, the unit’s operating status can be checked during playback by pressing the remote control unit’s ON SCREEN/DISPLAY button. Such information as the position of the input selector and the surround parameter settings is output in sequence.

Using the dimmer function

• Use this to change the brightness of the display. The display brightness changes in four steps (bright, medium, dim and off) by pressing the main unit’s DIMMER button repeatedly.

(Remote

control unit)

(Remote

control unit)

(Remote

control unit)

Display

IN=V SOURCE

1 2

Use this to turn off the audio output temporarily. Press the MUTING button.

Cancelling MUTING mode.

• Press the MUTING button again.

• Muting will also be cancelled when MASTER

VOL is adjusted up or down.

(Remote

control unit)

ENGLISH

VCR V.AUX CDR / TAPE

CD TUNER AUX DVD / VDP TV / DBS

REC

RECOUT SOURCE

12, 4 2

REC SELECT

FUNCTION

STANDARD

2, 4

Multi-source recording

Playing one source while recording another (REC OUT mode)

Press the REC SELECT button.

(Main unit)

With “RECOUT SOURCE”

displayed, turn the FUNCTION knob to select the source you wish to record.

Set the recording mode.

• For operating instructions, refer to the manual of the component on which you want to record.

To cancel, turn the function knob

and select “SOURCE”.

NOTES:

• Recording sources other than digital inputs selected in the REC OUT mode are also output to the multi source audio output jacks.

• Digital signals are not output to the REC SOURCE or audio output jacks.

• The DIGITAL IN’s signal selected with the function selector knob are output to the DIGITAL OUT (OPTICAL) jack.

(Main unit)

Display

SURROUND

Before playing with the surround function

• Before playing with the surround function, be sure to use the test tones to adjust the playback level from the different speakers. This adjustment can be performed with the system setup (see page 11) or from the remote control unit, as described below.

• Adjusting with the remote control unit using the test tones is only possible in the “Auto” mode and only effective in the STANDARD (DOLBY/DTS SURROUND) modes. The adjusted levels for the different modes are automatically stored in the memory.

Set the STANDARD (DOLBY/DTS SURROUND)

modes.

(Main unit) (Remote control unit)

Press the TEST TONE

button.

(Remote control unit)

Test tones are output from

the different speakers. Use the channel volume adjust buttons to adjust so that the volume of the test tones is the same for all the speakers.

NOTE:

• Please make sure the “AUDIO” position of the slide switch on the remote control unit.

(Remote control unit)

After completing the

adjustment, press the TEST TONE button again.

(Remote control unit)

ENGLISH

FL C FR SR SBR SBL

SLSW

STANDARD

LOGIC

5, 74, 61 2

4 5, 7

5, 7

SURROUND

PARAMETER

• After adjusting using the test tones, adjust the channel levels either according to the playback sources or to suit your tastes, as (described) below.

Select the speaker whose

level you want to adjust.

(Remote control unit)

The channel switches as shown below each time the button is pressed.

When the surround back speaker setting is set to “1sp” for “Speaker Configuration”, this is set to “SB”.

NOTE:

• Please make sure the “AUDIO” position of the slide switch on the remote control unit.

Adjust the level of the

selected speaker.

(Remote control unit)

Default setting of channel level is 0 dB. The level of the selected speaker can be adjusted within the range of +12 to –12 dB using the cursor buttons. SW channel level can be turned off by decreasing one step from –12 dB.

OFF ´ –12 dB ´ 12 dB

Dolby Pro Logic IIx (Pro Logic II) mode

To play in the PL IIx mode, set “S.BackSp” at the Speaker Configuration setting to “1Sp” or ”2Sp”.

The Dolby Surround Pro Logic

x Cinema or Music

mode can be chosen directly by pressing the CINEMA or MUSIC button on the remote control unit during playback in the Dolby Surround Pro Logic

x mode.

Select the function to which the component

you want to play is connected.

Example: DVD

FUNCTION

(Main unit) (Remote control unit)

Select the Dolby Surround Pro Logic

(Main unit) (Remote control unit)

• The Dolby Pro Logic II indicator lights.

Display Light

IIx mode.

Play a program source with the mark.

• For operating instructions, refer to the manuals of the respective components.

(Main unit)

(Remote control unit)

Select the surround parameter mode.

Display

To perform this operation from the remote control unit, check that the mode selector switch is set to “AUDIO”.

ENGLISH

SELECT

SURROUND PARAMETER

SELECT

5, 74, 6

1 2

4, 6 5, 7

5, 7

FUNCTION

STANDARD

DOLBY PLIIx DTS NEO:6

SURROUND PARAMETER

SELECT

SURROUND PARAMETER

or or

MODE musicMODE cinema

Select the optimum mode for the source.

(Main unit) (Remote control unit)

Select the various parameters. (See “Surround parameters q” for a description of the various

parameters.)

(Main unit) (Remote control unit)

• When the “SB CH OUT” parameter is set to “ON”. (Set “S.BackSp” at system set up to “SMALL” or“LARGE”.)

(Pro Logic IIx

Cinema mode)

• When the “SB CH OUT” parameter is set to “OFF”. (Set “S.BackSp” at system set up to “NONE””.)

(Pro Logic II

Cinema mode)

(Pro Logic IIx

Music mode)

(Pro Logic

Music mode)

Set the various surround parameters.

(Pro Logic IIx

Game mode)

(Pro Logic

Game mode)

(Dolby Pro Logic

mode)

DTS NEO:6 mode

Select the function to which the component

you want to play is connected.

Example: DVD

(Main unit) (Remote control unit)

Select the DTS NEO:6 mode.

(Main unit) (Remote control unit)

• The mode switches as shown below each time the button is pressed.

The DTS NEO:6 Cinema or Music mode can be chosen directly by pressing the CINEMA or MUSIC button on the remote control unit during playback in the DTS NEO:6 mode.

Select the optimum mode for the source.

(Main unit) (Remote control unit)

When the surround parameters are set using the buttons on the main unit, stop operating buttons after

completing the settings. The settings are automatically finalized and the normal display reappears after several seconds.

(Remote control unit)

NOTE:

• When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.

Press the ENTER button to finish surround parameter mode.

Play a program source.

Select the surround parameter mode.

Display

MODE cinema

(Main unit) (Remote control unit)

To perform this operation from the remote control unit, check that the mode selector switch is set to “AUDIO”.

(Main unit) (Remote control unit)

Select the various parameters.

(Main unit) (Remote control unit)

ENGLISH

SELECT

23 2 2, 75, 6

1 1 4 3

5, 6

FUNCTION

INPUT MODE

STANDARD

SURROUND

MODE

SELECT

SURROUND

BACK

SURROUND

BACK

DIGITAL

Set the various surround parameters.

(Main unit) (Remote control unit)

When the surround parameters are set using

the buttons on the main unit, stop operating buttons after completing the settings. The settings are automatically finalized and the normal display reappears after several seconds.

Surround parameters q Pro Logic

• The Cinema mode is for use with stereo television shows and all programs encoded in Dolby Surround.

• The Music mode is recommended as the standard mode for auto sound music systems (no video), and is

• The Pro Logic mode offers the same robust surround processing as original Pro Logic in case the source

• The Game mode for playing games. The game mode can only be used with 2-channel audio sources.

DTS NEO:6 Mode:

• Cinema

• Music

CENTER IMAGE (0.0 to 1.0: default 0.3):

IIx and Pro Logic II Mode:

optional for A/V systems.

contents is not of optimum quality.

Select one of the modes (“Cinema”, “Music”, “Pro Logic”or “Game”).

Panorama Control:

This mode extends the front stereo image to include the surround speakers for an exciting “wraparound” effect with side wall imaging. Select “OFF” or “ON”.

Dimension Control:

This control gradually adjust the soundfield either towards the front or towards the rear. The control can be set in 7 steps from 0 to 6.

Center Width Control:

This control adjust the center image so it may be heard only from the center speaker; only from the left/right speakers as a phantom image; or from all three front speakers to varying degrees. The control can be set in 8 steps from 0 to 7.

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6.1-channel sources. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels).

This mode is suited mainly for playing music. The front channel (FL and FR) signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a natural sense of expansion to the sound field.

The center image parameter for adjusting the expansion of the center channel in the DTS NEO:6 MUSIC mode has been added.

Press the ENTER button to finish surround

parameter mode.

(Remote control unit)

NOTE:

• When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.

Dolby Digital mode (only with digital input) and DTS Surround (only with digital input)

Select the input source.

Playback with a digital input

q Select an input source set to digital

(COAXIAL/OPTICAL) (see page 15).

Example: DVD

(Main unit) (Remote control unit)

w Set the input mode to “AUTO” or DTS.

(Main unit) (Remote control unit)

Select the STANDARD (Dolby/DTS Surround)

mode.

(Main unit) (Remote control unit)

When performing this operation from the main unit’s panel, press the SURROUND MODE button, then turn the SELECT knob and select Dolby Pro Logic

Operate the SURROUND BACK button to

switch Surround Back CH ON/OFF.

(Main unit) (Remote control unit)

• Lights when the SURROUND BACK button is on.

IIx or DTS NEO:6.

(Main unit) (Remote control unit)

Light

Play a program source with the ,

mark.

• The Dolby Digital indicator lights

Light

when playing Dolby Digital sources.

• The DTS indicator lights when playing DTS sources.

Light

ENGLISH

SURROUND

PARAMETER

SURROUND PARAMETER

SELECT

OFFSET - 4dB

(Main unit) (Remote control unit)

(Remote control unit)

NOTE:

• When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.

Display the surround parameter menu.

Select the various parameters.

Adjust the parameter settings.

Press the ENTER button to finish surround parameter mode.

Checking the input signal

The input signal can be checked by pressing the remote control unit’s ON SCREEN/ DISPLAY button.

SIGNAL: Displays the type of signal

(DTS, DOLBY DIGITAL, PCM,

etc.). fs: Displays the input signal’s sampling frequency. FORMAT: Displays the input signal’s number of channels.

“Number of front channels/Number of surround

channels/LFE on/off”

“SURROUND” is displayed for 2-channel signal sources

recorded in Dolby Surround. OFFSET: Displays the dialog normalization offset value. FLAG: Displays the special identification signal recorded in the

input signal.

“MATRIX” is displayed when matrix processing is

conducted on the surround back channel, “DISCRETE” is

displayed when discrete processing is conducted.

Not displayed when no identification signal is recorded.

In addition, screen information is displayed in the following order when the ON SCREEN button is pressed repeatedly:

OSD-1 Input signal OSD-2 Input/output OSD-3 Auto surround mode OSD-4~10 Tuner preset stations

NOTE: OSD-3: This is displayed when the auto surround mode is set to “ON” and the input mode is

set to “Auto”.

It is not displayed when the input mode is set to “Analog” or “EXT. IN”.

(Remote control unit)

2 Dialogue Normalization

The dialogue normalization function is activated automatically when playing Dolby Digital program sources. Dialogue normalization is a basic function of Dolby Digital which automatically normalizes the dialog level (standard level) of the signals which are recorded at different levels for different program sources, such as DVD, DTV and other future formats that will use Dolby Digital. These contents can be verified with the ON SCREEN/DISPLAY button.

Display

The number indicates the normalization level when the currently playing program is normalized to the standard level.

ENGLISH

Surround parameters w CINEMA EQ. (Cinema Equalizer):

The Cinema EQ function gently decreases the level of the extreme high frequencies, compensating for overly-bright sounding motion picture soundtracks. Select this function if the sound from the front speakers is too bright. This function only works in the Dolby Pro Logic same contents are set for all operating modes.)

D.COMP. (Dynamic Range Compression):

Motion picture soundtracks have tremendous dynamic range (the contrast between very soft and very loud sounds). For listening late at night, or whenever the maximum sound level is lower than usual, the Dynamic Range Compression allows you to hear all of the sounds in the soundtrack (but with reduced dynamic range). (This only works when playing program sources recorded in Dolby Digital or DTS.) Select one of the four parameters (“OFF”, “LOW”, “MID” (middle) or “HI” (high)). Set to OFF for normal listening.

LFE (Low Frequency Effect):

This sets the level of the LFE (Low Frequency Effect) sounds included in the source when playing program sources recorded in Dolby Digital or DTS. If the sound produced from the subwoofer sounds distorted due to the LFE signals when playing Dolby Digital or DTS sources when the peak limiter is turned off with the subwoofer peak limit level setting (system setup menu), adjust the level as necessary. Program source and adjustment range:

1. Dolby Digital: –10 dB to 0 dB

2. DTS Surround: –10 dB to 0 dB

When DTS encoded movie for correct DTS playback. When DTS encoded music dB for correct DTS playback.

TONE:

This adjusts the tone control. This can be set individually for the separate shroud mode other than Direct mode.

SB CH OUT (Surround Back):

(1) (Multi channel source)

“OFF” ......................Playback is conducted without using the surround back speaker.

“NON MTRX”..........The same signals those of the surround channels are output from the surround back

“MTRX ON”.............Surround back channel is reproduced using digital matrix processing.

“ES MTRX”..............When playing DTS signals, the surround back signals undergo digital matrix

“ES DSCRT”............When a signal identifying the source as a discrete 6.1-channel source is included in

“PL

IIx Cinema” ......Processing is performed with the Cinema mode of the PL IIx decoder and the

“PL

IIx Music” ........Processing is performed with the Music mode of the PL II x decoder and the

(2) (2ch source)

“OFF” ......................Playback is conducted without using the surround back speaker.

“ON”........................Playback is conducted using the surround back speaker.

NOTE: This operation can be performed directly using the SURROUND BACK button on the main unit’s panel.

software is played, it is recommended that the LFE LEVEL be set to 0 dB

software is played, it is recommended that the LFE LEVEL be set to –10

channels.

processing for playback.

the DTS signals, the surround back signals included in the source are played.

Surround Back channel is reproduced.

IIx, Dolby Digital, DTS Surround and DTS NEO:6 modes. (The

DSP SURROUND SIMULATION

• This unit is equipped with a high performance DSP (Digital Signal Processor) which uses digital signal processing to synthetically recreate the sound field. One of 7 preset surround modes can be selected according to the program source and the parameters can be adjusted according to the conditions in the listening room to achieve a more realistic, powerful sound.

Surround modes and their features

5CH/7CH

STEREO

MONO MOVIE

(NOTE 1)

ROCK ARENA

JAZZ CLUB

VIDEO GAME

MATRIX

VIRTUAL

Depending on the program source being played, the effect may not be very noticeable. In this case, try other surround modes, without worrying about their names, to create a sound field suited to your tastes.

NOTE 1: When playing sources recorded in monaural, the sound will be one-sided if signals are only input to one

channel (left or right), so input signals to both channels. If you have a source component with only one audio output (monophonic camcorder, etc.) obtain a “Y” adapter cable to split the mono output to two outputs, and connect to the L and R inputs.

Personal Memory Plus

This set is equipped with a personal memorize function that automatically memorizes the surround modes and input modes selected for the input different sources. When the input source is switched, the modes set for that source last time it was used are automatically recalled.

The surround parameters, tone control settings and playback level balance for the different output channels are memorized for each surround mode.

The front left channel signals are output to the surround and surround back signal left channels, the front right channel signals are output to the surround and surround back signal right channels, and the in-phase component of the left and right channels is output to the center channel. Use this mode to enjoy stereo sound.

Select this when watching monaural movies for a greater sense of expansion.

Use this mode to achieve the feeling of a live concert in an arena with reflected sounds coming from all directions.

This mode creates the sound field of a live house with a low ceiling and hard walls. This mode gives jazz a very vivid realism.

Use this to enjoy video game sources.

Select this to emphasize the sense of expansion for music sources recorded in stereo. Signals consisting of the difference component of the input signals (the component that provides the sense of expansion) processed for delay are output from the surround channel.

Select this mode to enjoy a virtual sound field, produced from the front 2-channel speakers or headphones.

ENGLISH

SELECT

1, 321

SURROUND

PARAMETER

DIRECT

STEREO DOLBY PRO LOGIC

IIx

5CH/7CH STEREO

MONO MOVIE

JAZZ CLUB

ROCK ARENA

VIDEO GAME

MATRIX

VIRTUAL SURROUND

DTS NEO:6

DIRECT

STEREO DOLBY PRO LOGIC

IIx

5CH/7CH STEREO

MONO MOVIE

JAZZ CLUB

ROCK ARENA

VIDEO GAME

MATRIX

VIRTUAL SURROUND

DTS NEO:6

SURROUND

MODE

MONO MOVIE ROCK ARENA

JAZZ CLUBVIDEO GAME

MATRIX

2, 3 44

DSP surround simulation

• To operate the surround mode and surround parameters from the remote control unit.

Select the surround mode for the input channel.

(Remote control unit)

The surround mode switches in the following order each time the DSP SIMULATION button is pressed:

(Remote control unit)

To enter the surround parameter setting mode, press the SURROUND PARAMETER button.

• The surround parameter switches in the following order each time the SURROUND PARAMETER button is pressed for the different surround modes.

Select the various parameters.

• Operating the surround mode and surround parameters from the main unit‘s panel.

Turn the SELECT knob to select the surround

mode.

(Main unit)

• When turned clockwise

• When turned counterclockwise

To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the SURROUND MODE button then operate the selector.

(Main unit)

Display the parameter you want to adjust, then turn the SELECT knob to set it.

Press the SURROUND PARAMETER button. Press and hold in the surround parameter button to select the parameter you want to set.

• The parameters which can be set differ for the different surround modes. (Refer to “Surround Modes and Parameters” on page 30.

NOTE:

• When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.

(Remote control unit)

Adjust the parameter settings.

Press the ENTER button to finish surround parameter mode.

NOTE:

• When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.

Surround parameters e ROOM SIZE:

This sets the size of the sound field. There are five settings: “small”, “med.s” (medium-small), “medium”, “med.l” (medium-large) and “large”. “small” recreates a small sound field, “large” a large sound field.

EFFECT LEVEL:

This sets the strength of the surround effect. The level can be set in 15 steps from 1 to 15.

DELAY TIME:

In the matrix mode only, the delay time can be set within the range of 0 to 110 ms.

ENGLISH

2 Surround modes and parameters

Mode

DIRECT STEREO EXTERNAL INPUT DOLBY PRO LOGIC DOLBY PRO LOGIC IIx DTS NEO:6 DOLBY DIGITAL DTS SURROUND 5CH/7CH STEREO ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL

FRONT

L/R

C : Signal / Adjustable E : No signal B : Turned on or off by speaker configuration

setting

CENTER

Signals and adjustability in the different modes

Channel output

SURROUND

L/R

SURROUND

BACK L/R

SUB-

WOOFER

C : Able E : Unable

* : Only for 2 ch contents.

When

playing

Dolby

Digital

signals

Signals and adjustability in the different modes

SURROUND PARAMETER

DELAY

PANORAMA

TIME

PRO LOGIC II/II x ONLY

DIMENSION

C (OFF) C (OFF)

E : Not adjustable

C (3) C (3)

CENTER

WIDTH

C (3) C (3)

NEO:6 MUSIC

CENTER

IMAGE

C (0.3)

EXT. IN

SW ATT

DTS

When

playing

PCM

signals

* * *

When

playing

ANALOG

signals

Mode

DIRECT STEREO EXTERNAL INPUT DOLBY PRO LOGIC DOLBY PRO LOGIC IIx DTS NEO:6 DOLBY DIGITAL DTS SURROUND 5CH/7CH STEREO ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL

C (Medium) C (Medium) C (Medium) C (Medium)

C : Adjustable

ROOM

SIZE

EFFECT

LEVEL

C (10) C (10) C (10) C (10)

C (30msec)

When

playing

signals

* * *

Mode

DIRECT STEREO EXTERNAL INPUT DOLBY PRO LOGIC DOLBY PRO LOGIC IIx DTS NEO:6 DOLBY DIGITAL DTS SURROUND 5CH/7CH STEREO ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL

When playing Dolby Digital and

DTS signals

D.COMP.

C (OFF) C (OFF)

C (OFF)

C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF)

C : Able E : Unable

Signals and adjustability in the different modes

Parameter (default values are shown in parentheses)

LFE

C (0dB) C (0dB)

C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB)

SB CH OUT

(MODE)

TONE

CONTROL

C (0dB)

C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB) C (0dB)

C : Adjustable E : Not adjustable

CINEMA EQ.

C (OFF) C (OFF) C (OFF) C (OFF) C (OFF)

MODE

ENGLISH

ON / STANDBY

ª•PRESET

2 41

ª TUNING •

FUNCTION

BAND

LISTENING TO THE RADIO

Auto preset memory

This unit is equipped with a function for automatically searching for FM broadcast stations and storing them in the preset memory. The “Auto tuner preset” operation can also be performed at “System setup”. (See page 16.)

When the main unit’s power operation switch

turn on while pressing the set’s PRESET • (+) button the unit automatically begins searching for FM broadcast stations.

(Main unit)

When the first FM broadcast station is found,

that station is stored in the preset memory at channel A1. Subsequent stations are automatically stored in order at preset channels A1 to A8, B1 to B8, C1 to C8, D1 to D8, E1 to E8, F1 to F8 and G1 to G8, for a maximum of 56 stations.

Channel A1 is tuned in after the auto preset

memory operation is completed.

NOTES:

• If an FM station cannot be preset automatically due to poor reception, use the “Manual tuning” operation to tune in the station, then preset it using the manual “Preset memory” operation.

• To interrupt this function, press the power operation switch.

Auto tuning

Set the input source to “TUNER”.

(Main unit) (Remote control unit)

Watching the display, press the BAND button

to select the desired band (AM or FM).

(Main unit) (Remote control unit)

Press the MODE button to set the auto tuning

mode.

(Remote control unit)

Press the TUNING • (+) or ª (–) button.

• Automatic searching begins, then stops when a station is tuned in.

NOTE:

• When in the auto tuning mode on the FM band, the “STEREO” indicator lights on the display when a

stereo broadcast is tuned in. At open frequencies, the noise is muted and the “TUNED” and “STEREO” indicators turn off.

Lit

(Main unit) (Remote control unit)

2 DEFAULT VALUE

AUTO TUNER PRESETS

A1 ~ A8 87.5/89.1/98.1/108.0/90.1/90.1/90.1/90.1 MHz

B1 ~ B8 522/603/999/1404/1611 kHz/90.1/90.1/90.1 MHz

C1 ~ C8 90.1 MHz

D1 ~ D8 90.1 MHz

E1 ~ E8 90.1 MHz

F1 ~ F8 90.1 MHz

G1 ~ G8 90.1 MHz

Manual tuning

Set the input function to “TUNER”.

Watching the display, press the BAND button

to select the desired band (AM or FM).

NOTE:

• When the manual tuning mode is set, FM stereo broadcasts are received in monaural and the “STEREO” indicator turns off.

Press the MODE button to set the manual

tuning mode. Check that the display’s “AUTO” indicator turns off.

Press the TUNING • (+) or ª (–) button to tune

in the desired station. The frequency changes continuously when the button is held in.

ENGLISH

SHIFT

ª•PRESET

SHIFT

ª•PRESET

Preset stations

1, 4

Checking the preset stations

Preparations:

Use the “Auto tuning” or “Manual tuning” operation to tune in the station to be preset in the memory.

(Remote control unit)

Press the SHIFT button and select the desired

3 2

memory block (A to G).

(Main unit) (Remote control unit)

NOTE:

• Please make sure the “AUDIO” position of the slide switch on the remote control unit.

Press the PRESET • (+) or ª (–) button to

select the desired preset channel (1 to 8).

(Main unit) (Remote control unit)

Press the MEMORY button.

• The preset (broadcast) stations can be checked on the on screen display (OSD).

Press the ON SCREEN/DISPLAY button repeatedly until the “Tuner Preset

Stations” screen appears on the OSD.

(Remote control unit)

Recalling preset stations

Watching the display, press the SHIFT button to

select the preset memory block.

(Main unit) (Remote control unit)

NOTE:

• Please make sure the “AUDIO” position of

2 1

the slide switch on the remote control unit.

Watching the display, press the PRESET • (+)

or ª (–) button to select the desired preset channel.

(Remote control unit)

To preset other channels, repeat steps 1 to 4. A total of 56 broadcast stations can be preset – 8 stations (channels 1 to 8) in each of blocks A to G.

Press the MEMORY button again to store the station in the preset memory.

(Main unit) (Remote control unit)

ENGLISH

31 2

FUNCTION

RDS

ª•PRESET

NEWS

AFFAIRS

INFO

SPORT

EDUCATE

ROCK M

EASY M

LIGHT M

CLASSICS

OTHER M

PHONE IN

TRAVEL

LEISURE

JAZZ

COUNTRY

DRAMA

CULTURE

SCIENCE

VARIED

POP M

WEATHER

FINANCE

CHILDREN

SOCIAL

RELIGION

NATION M

OLDIES

FOLK M

DOCUMENT

RDS (Radio Data System)

RDS (works only on the FM band) is a broadcasting service which allows station to send additional information along with the regular radio program signal. The following three types of RDS information can be received on this unit:

2 Program Type (PTY)

PTY identifies the type of RDS program. The program types and their displays are as follows:

News

Current Affairs

Information

Sports

Education

Drama

Culture

Science

Varied

Pop Music

2 Traffic Program (TP)

TP identifies programs that carry traffic announcements. This allows you to easily find out the latest traffic conditions in your area before you leaving home.

2 Radio Text (RT)

RT allows the RDS station to send text messages that appear on the display.

NOTE: The operations described below using the RDS, PTY and RT buttons will not function in areas in which

there are no RDS broadcasts.

Rock Music Easy Listening

Music Light Classical

Serious Classical

Other Music

Weather

Finance Children’s

programmes Social Affairs

Religion

Phone In

Travel

Leisure

Jazz Music

Country Music

National Music

Oldies Music

Folk Music

Documentary

RDS search

Use this function to automatically tune to FM stations that provide RDS service.

Set the input source to “TUNER”.

(Main unit) (Remote control unit)

Press the RDS button until

“RDS SEARCH” appears on the display.

(Main unit)

Press the PRESET • (+) or ª (–) button to

automatically begin the RDS search operation.

(Main unit) (Remote control unit)

If no RDS stations is found with above operation, all the reception band are searched.

When a broadcast station is found, that

station’s name appears on the display.

To continue searching, repeat step 3.

If no other RDS station is found when all the frequencies are searched, “NO RDS” is displayed.

ENGLISH

FUNCTION

RDS

ª•PRESET

31 2

FUNCTION

RDS

PTY

ª•PRESET

41 2 3

PTY search

Use this function to find RDS stations broadcasting a designated program type (PTY). For a description of each program type, refer to “Program Type (PTY)”.

Set the input source to “TUNER”.

(Main unit) (Remote control unit)

Press the RDS button until

“PTY SEARCH” appears on the display.

(Main unit)

Watching the display, press

the PTY button to call out the desired program type.

(Main unit)

TP search

Use this function to find RDS stations broadcasting traffic program (TP stations).

Set the input source to “TUNER”.

(Main unit) (Remote control unit)

Press the RDS button until

“TP SEARCH” appears on the display.

(Main unit)

Press the PRESET • (+) or ª (–) button TP

search begins.

(Main unit) (Remote control unit)

If no TP station is found with above operation, all the reception bands are searched.

The station name is displayed on the display

Press the PRESET • (+) or ª (–) button to

automatically begin the PTY search operation.

(Main unit) (Remote control unit)

If there is no station broadcasting the designated program type with above operation, all the reception bands are searched.

The station name is displayed on the display

after searching stops.

To continue searching, repeat step 4.

If no other station broadcasting the designated program type is found when all the frequencies are searched, “NO PROGRAMME” is displayed.

after searching stops.

To continue searching, repeat step 3.

If no other TP station is found when all the frequencies are searched, “NO PROGRAMME” is displayed.

ENGLISH

FL CSWFR

SL SR

SL: Surround L channel SR: Surround R channel SB: Surround back channel (1 spkr or 2 spkrs)

FL CSWFR

SL SR

1, 2

“RT”

RT (Radio Text)

“RT” appears on the display when radio text data is received. When the RT button is pressed while receiving an RDS broadcast station, the text data broadcast from the station is displayed. To turn the display off, press the RT button again. If no text data is being broadcast, “NO TEXT DATA” is displayed.

LAST FUNCTION MEMORY

• This unit is equipped with a last function memory which stores the input and output setting conditions as they were immediately before the power is switched off. This function eliminates the need to perform complicated resettings when the power is switched on.

• The unit is also equipped with a back-up memory. This function provides approximately one week of memory storage when the main unit’s power switch is off and with the power cord disconnected.

INITIALIZATION OF THE MICROPROCESSOR

When the indication of the display is not normal or when the operation of the unit does not shows the reasonable result, the initialization of the microprocessor is required by the following procedure.

Switch off the unit using the main unit’s power

switch.

Hold the following SPEAKER A button and B

button, and turn the main unit’s power switch.

ADDITIONAL INFORMATION

Optimum surround sound for different sources

There are currently various types of multi-channel signals (signals or formats with more than two channels).

2 Types of multi-channel signals

Dolby Digital, Dolby Pro Logic, DTS, high definition 3-1 signals (Japan MUSE Hi-Vision audio), DVD-Audio, SACD (Super Audio CD), MPEG multi-channel audio, etc. “Source” here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories.

2 Types of sources

• Movie audio Signals created to be played in movie theaters. In general sound is recorded to be played

Movie theater sound field

Multiple surround speakers

(For 6.1-channel system)

• Other types of audio These signals are designed to recreate a 360° sound field using three to five

in movie theaters equipped with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.).

Listening room sound field

In this case it is important to achieve the same sense of expansion as in a movie theater with the surround channels. To do so, in some cases the number of surround speakers is increased (to four or eight) or speakers with bipolar or dipolar properties are used.

speakers.

In this case the speakers should surround the listener from all sides to create a uniform sound field from 360°. Ideally the surround speakers should function as “point” sound sources in the same way as the front speakers.

Check that the entire display is flashing with an

interval of about 1 second, and release your fingers from the 2 buttons and the microprocessor will be initialized.

NOTES:

• If step 3 does not work, start over from step 1.

• If the microprocessor has been reset, all the button settings are reset to the default values (the values set

upon shipment from the factory).

These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required in order to achieve the ideal sound.

ENGLISH

FL CSWFR FL CSWFR

SR chSL ch

SL ch SR ch

SB ch

Surround back speakers

A 6.1-channel system is a conventional 5.1-channel system to which the “surround back” (SB) channel has been added. This makes it easy to achieve sound positioned directly behind the listener, something that was previously difficult with sources designed for conventional multi surround speakers. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position.

Change of positioning and acoustic image

with 5.1-channel systems

Movement of acoustic image from SR to SL

With this set, speaker(s) for 1 or 2 channels are required to achieve a 6.1-channel system (DTS-ES, etc.). Adding these speakers, however, increases the surround effect not only with sources recorded in 6.1 channels but also with conventional 2- to 5.1-channel sources. Furthermore, all the DENON original surround modes (see page 28) are compatible with 7.1-channel playback, so you can enjoy 7.1-channel sound with any signal source.

2 Number of surround back speakers

Though the surround back channel only consists of 1 channel of playback signals for 6.1-channel sources (DTS-ES, etc.), we recommend using two speakers. When using speakers with dipolar characteristics in particular, it is essential to use two speakers. Using two speakers results in a smoother blend with the sound of the surround channels and better sound positioning of the surround back channel when listening from a position other than the center.

2 Placement of the surround left and right channels when using surround back speakers

Using surround back speakers greatly improves the positioning of the sound at the rear. Because of this, the surround left and right channels play an important role in achieving a smooth transition of the acoustic image from the front to the back. As shown on the diagram above, in a movie theater the surround signals are also produced from diagonally in front of the listeners, creating an acoustic image as if the sound were floating in space. To achieve these effects, we recommend placing the speakers for the surround left and right channels slightly more towards the front than with conventional surround systems. Doing so sometimes increases the surround effect when playing conventional 5.1-channel sources in the 6.1 surround or DTS-ES Matrix 6.1 mode. Check the surround effects of the various modes before selecting the surround mode.

Change of positioning and acoustic image

with 6.1-channel systems

Movement of acoustic image from SR to SB to SL

Speaker setting examples

Here we describe a number of speaker settings for different purposes. Use these examples as guides to set up your system according to the type of speakers used and the main usage purpose.

1. DTS-ES compatible system (using surround back speakers)

(1) Basic setting for primarily watching movies

This is recommended when mainly playing movies and using regular single way or 2-way speakers for the surround speakers.

Front speakers Center speaker

Monitor

Subwoofer

60°

Surround speakers

60°

Surround back speakers

As seen from above

(2) Setting for primarily watching movies using diffusion type speakers for the surround speakers

For the greatest sense of surround sound envelopment, diffuse radiation speakers such as bipolar types, or dipolar types, provide a wider dispersion than is possible to obtain from a direct radiating speaker (monopolar). Place these speakers at either side of the prime listening position, mounted above ear level.

Path of the surround sound from the speakers to the listening position

Surround speakers

60°

Surround back speakers

As seen from above

• Set the front speakers with their front surfaces as flush with the TV or monitor screen as possible. Set the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Consult the owner’s manual for your subwoofer for advice on placing the

Front speaker

As seen from the side

Surround speaker

Surround back speaker

60 to 90 cm

Point slightly downwards

subwoofer within the listening room.

• If the surround speakers are direct-radiating (monopolar) then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 60 to 90 cm above ear level at the prime listening position.

• When using two surround back speakers, place them at the back facing the front at a narrower distance than the front left and right speakers. When using one surround back speaker, place it at the rear center facing the front at a slightly higher position (0 to 20 cm) than the surround speakers.

• We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents the surround back channel signals from reflecting off the monitor or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp.

• Set the front speakers, center speaker and subwoofer in the same positions as in example (1).

• It is best to place the surround speakers directly at the side or slightly to the front of the viewing position, and 60 to 90 cm above the ears.

• Same as surround back speaker installation

Front speaker

As seen from the side

Surround speaker

Surround back speaker

60 to 90 cm

Point slightly downwards

method (1). Using dipolar speakers for the surround back speakers as well is more effective.

• The signals from the surround channels reflect off the walls as shown on the diagram at the left, creating an enveloping and realistic surround sound presentation.

ENGLISH

2. When not using surround back speakers

Front speakers Center speaker

Monitor

Subwoofer

60°

• Consult the owner’s manual for your subwoofer for advice on placing the subwoofer within the listening room.

Surround speaker

Front speaker

60 to 90 cm

As seen from the side

• If the surround speakers are direct-radiating

120°

Surround speakers

As seen from above

(monopolar) then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 60 to 90 cm above ear level at the prime listening position.

Surround

The AVR-1905 is equipped with a digital signal processing circuit that lets you play program sources in the surround mode to achieve the same sense of presence as in a movie theater.

Dolby Surround

(1) Dolby Digital

Dolby Digital is the multi-channel digital signal format developed by Dolby Laboratories. Dolby Digital consists of up to “5.1” channels - front left, front right, center, surround left, surround right, and an additional channel exclusively reserved for additional deep bass sound effects (the Low Frequency Effects – LFE – channel, also called the “.1” channel, containing bass frequencies of up to 120 Hz). Unlike the analog Dolby Pro Logic format, Dolby Digital’s main channels can all contain full range sound information, from the lowest bass, up to the highest frequencies – 22 kHz. The signals within each channel are distinct from the others, allowing pinpoint sound imaging, and Dolby Digital offers tremendous dynamic range from the most powerful sound effects to the quietest, softest sounds, free from noise and distortion.

2 Dolby Digital and Dolby Pro Logic

2 Dolby Digital compatible media and playback methods

Marks indicating Dolby Digital compatibility: . The following are general examples. Also refer to the player’s operating instructions.

Media

LD (VDP)

DVD

(satellite broadcasts, CATV, etc.)

Others

Dolby Digital output jacks

Coaxial Dolby Digital RF output jack

Optical or coaxial digital output

(same as for PCM) 2

Optical or coaxial digital output

(same as for PCM)

Playback method (reference page)

Set the input mode to “AUTO”.

(Page 20)

Set the input mode to “AUTO”.

(Page 20)

Set the input mode to “AUTO”.

(Page 20)

1 Please use a commercially available adapter when connecting the Dolby Digital RF output jack of the

LD player to the digital input jack. Please refer to the instruction manual of the adapter when making connection.

2 Some DVD digital outputs have the function of switching the Dolby Digital signal output method

between “bit stream” and “(convert to) PCM”. When playing in Dolby Digital surround on the AVR1905, switch the DVD player’s output mode to “bit stream”. In some cases players are equipped with both “bit stream + PCM” and “PCM only” digital outputs. In this case connect the “bit stream + PCM” jacks to the AVR-1905.

(2) Dolby Pro Logic II x

• Dolby Pro Logic

IIx furthers the matrix decoding technology of Dolby Pro Logic II to decode audio signals

recorded on two channels into up to 7.1 playback channels, including the surround back channel. Dolby Pro Logic

IIx also allows 5.1-channel sources to be played in up to 7.1 channels.

The mode can be selected according to the source. The Music mode is best suited for playing music, the Cinema mode for playing movies, and the Game mode for playing games. The Game mode can only be used with 2-channel audio sources.

Comparison of home surround systems

No. recorded channels (elements)

No. playback channels

Playback channels (max.)

Audio processing

High frequency playback limit of surround channel

Dolby Digital

5.1 ch

L, R, C, SL, SR, SW

Digital discrete processing Dolby Digital encoding/decoding

20 kHz

Dolby Pro Logic

2 ch

4 ch

L, R, C, S (SW - recommended)

Analog matrix processing Dolby Surround

7 kHz

ENGLISH

(3) Dolby Pro Logic

• Dolby Pro Logic II is a new multi-channel playback format developed by Dolby Laboratories using feedback logic steering technology and offering improvements over conventional Dolby Pro Logic circuits.

• Dolby Pro Logic stereo sources into five channels (front left, front right, center, surround left and surround right) to achieve surround sound.

• Whereas with conventional Dolby Pro Logic the surround channel playback frequency band was limited, Dolby Pro Logic were monaural (the surround left and right channels were the same) with previous Dolby Pro Logic, but Dolby Pro Logic

• Various parameters can be set according to the type of source and the contents, so it is possible to achieve optimum decoding (see page 30).

Sources recorded in Dolby Surround These are sources in which three or more channels of surround have been recorded as two channels of signals using Dolby Surround encoding technology. Dolby Surround is used for the sound tracks of movies recorded on DVDs, LDs and Video cassettes to be played on stereo VCRs, as well as for the stereo broadcast signals of FM radio, TV, satellite broadcasts and cable TV. Decoding these signals with Dolby Pro Logic playback. The signals can also be played on ordinary stereo equipment, in which case they provide normal stereo sound.

There are two types of DVD Dolby surround recording signals.

q 2-channel PCM stereo signals w 2-channel Dolby Digital signals

When either of these signals is input to the AVR-1905, the surround mode is automatically set to Dolby Pro Logic

2 Sources recorded in Dolby Surround are indicated with the logo mark shown below

Dolby Surround support mark:

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

II can be used to decode not only sources recorded in Dolby Surround ( ) but also regular

II offers a wider band range (20 Hz to 20 kHz or greater). In addition, the surround channels

II they are played as stereo signals.

II makes it possible to achieve multi-channel surround

II when the “DOLBY/DTS SURROUND” mode is selected.

DTS Digital Surround

Digital Theater Surround (also called simply DTS) is a multi-channel digital signal format developed by Digital Theater Systems. DTS offers the same “5.1” playback channels as Dolby Digital (front left, front right and center, surround left and surround right) as well as the stereo 2-channel mode. The signals for the different channels are fully independent, eliminating the risk of deterioration of sound quality due to interference between signals, crosstalk, etc. DTS features a relatively higher bit rate as compared to Dolby Digital (1234 kbps for CDs and LDs, 1536 kbps for DVDs) so it operates with a relatively low compression rate. Because of this the amount of data is great, and when DTS playback is used in movie theaters, a separate CD-ROM synchronized with the film is played. With LDs and DVDs, there is of course no need for an extra disc; the pictures and sound can be recorded simultaneously on the same disc, so the discs can be handled in the same way as discs with other formats. There are also music CDs recorded in DTS. These CDs include 5.1-channel surround signals (compared to two channels on current CDs). They do not include picture data, but they offer surround playback on CD players that are equipped with digital outputs (PCM type digital output required). DTS surround track playback offers the same intricate, grand sound as in a movie theater, right in your own listening room.

2 DTS compatible media and playback methods

Marks indicating DTS compatibility: and . The following are general examples. Also refer to the player’s operating instructions.

Media

LD (VDP)

DVD

1 DTS signals are recorded in the same way on CDs and LDs as PCM signals. Because of this, the un-

decoded DTS signals are output as random “hissy” noise from the CD or LD player’s analog outputs. If this noise is played with the amplifier set at a very high volume, it may possibly cause damage to the speakers. To avoid this, be sure to switch the input mode to “AUTO” or “DTS” before playing CDs or LDs recorded in DTS. Also, never switch the input mode to “ANALOG” or “PCM” during playback. The same holds true when playing CDs or LDs on a DVD player or LD/DVD compatible player. For DVDs, the DTS signals are recorded in a special way so this problem does not occur.

2 The signals provided at the digital outputs of a CD or LD player may undergo some sort of internal signal

processing (output level adjustment, sampling frequency conversion, etc.). In this case the DTS-encoded signals may be processed erroneously, in which case they cannot be decoded by the AVR-1905, or may only produce noise. Before playing DTS signals for the first time, turn down the master volume to a low level, start playing the DTS disc, then check whether the DTS indicator on the AVR-1905 (see page 20) lights before turning up the master volume.

3 A DVD player with DTS-compatible digital output is required to play DTS DVDs. A DTS Digital Output logo

is featured on the front panel of compatible DVD players. Recent DENON DVD player models feature DTScompatible digital output – consult the player’s owner’s manual for information on configuring the digital output for DTS playback of DTS-encoded DVDs.

Dolby Digital output jacks

Optical or coaxial digital output

(same as for PCM) 2

Optical or coaxial digital output

(same as for PCM) 2

Optical or coaxial digital output

(same as for PCM) 3

Playback method (reference page)

Set the input mode to “AUTO” or “DTS” (page 20). Never set the mode to “ANALOG” or “PCM”. 1

Set the input mode to “AUTO” or “DTS” (page 20).

MANUFACTURED UNDER LICENSE FROM DIGITAL THEATER SYSTEMS, INC. U.S. PAT. NO’S. 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 AND OTHER U.S. AND WORLD–WIDE PATENTS ISSUED AND PENDING. “DTS”, “DTS–ES”, “Neo:6”, AND “DTS 96/24” ARE TRADEMARKS OF DIGITAL THEATER SYSTEMS, INC. © 1996, 2003 DIGITAL THEATER SYSTEMS, INC. ALL RIGHTS RESERVED.

ENGLISH

DTS-ES Extended Surround™

DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360-degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back, sometimes also referred to as “surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as described below.

2 DTS-ES™ Discrete 6.1

DTS-ES Discrete 6.1 is the newest recording format. With it, all 6.1 channels (including the SB channel) are recorded independently using a digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played with a conventional DTS decoder the SB channel signals are automatically down-mixed to the SL and SR channels, so none of the signal components are lost.

2 DTS-ES™ Matrix 6.1

With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producer’s sound design aims than with conventional 5.1- or 6.1-channel systems. In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6.1 format can be achieved even with 5.1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6.1 encoded sources with a DTS 5.1-channel decoder.

When DTS-ES Discrete 6.1 or Matrix 6.1 encoded sources are decoded with a DTS-ES decoder, the format is automatically detected upon decoding and the optimum playing mode is selected. However, some Matrix 6.1 sources may be detected as having a 5.1-channel format, so the DTS-ES Matrix 6.1 mode must be set manually to play these sources. (For instructions on selecting the surround mode, see page 26.)

The DTS-ES decoder includes another function, the DTS Neo:6 surround mode for 6.1-channel playback of digital PCM and analog signal sources.

DTS 96/24

The sampling frequency, number of bits and number of channels used for recording of music, etc., in studios has been increasing in recent years, and there are a growing number of high quality signal sources, including 96 kHz/24 bit 5.1-channel sources.

For example, there are high picture/sound quality DVD video sources with 96 kHz/24 bit stereo PCM audio tracks. However, because the data rate for these audio tracks is extremely high, there are limits to recording them on two channels only, and since the quality of the pictures must be restricted it is common to only include still pictures. In addition, 96 kHz/24 bit 5.1-channel surround is possible with DVD audio sources, but DVD audio players are required to play them with this high quality.

DTS 96/24 is a multi-channel digital signal format developed by Digital Theater Systems Inc. in order to deal with this situation.

Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, DTS 96/24 has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96 kHz/24 bit PCM.

As with conventional DTS Surround, DTS 96/24 is compatible with a maximum of 5.1 channels, so sources recorded using DTS 96/24 can be played in high sampling frequency, multiple channel audio with such normal media as DVD videos and CDs. Thus, with DTS 96/24, the same 96 kHz/24 bit multi-channel surround sound as with DVD-Audio can be achieved while viewing DVD-Video images on a conventional DVD-Video player ( 1). Furthermore, with DTS 96/24 compatible CDs, 88.2 kHz/24 bit multi-channel surround can be achieved using normal CD/LD players ( 1).

Even with the high quality multi-channel signals, the recording time is the same as with conventional DTS surround sources. What’s more, DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 signal sources can be played with a sampling frequency of 48 kHz or 44.1 kHz on conventional DTS or DTS-ES surround decoders ( 2).

1 A DVD player with DTS digital output capabilities (for CD/LD players, a player with digital outputs for

conventional DTS CDs/LDs) and a disc recorded in DTS 96/24 are required.

2 The resolution is 24 or 20 bits, depending on the decoder.

2 DTS Neo:6™ surround

This mode applies conventional 2-channel signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-channel surround playback. High precision input signal detection and matrix processing enable full band reproduction (frequency response of 20 Hz to 20 kHz or greater) for all 6.1 channels, and separation between the different channels is improved to the same level as that of a digital discrete system. DTS Neo:6 surround includes two modes for selecting the optimum decoding for the signal source.

• DTS Neo:6 Cinema

• DTS Neo:6 Music

This mode is suited mainly for playing music. Changes in the sound quality are reduced by decoding with emphasis on the front channel signals (FL and FR), and a natural sense of expansion is given to the sound field by the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels.

ENGLISH

TROUBLESHOOTING

If a problem should arise,first check the following.

1. Are the connections correct ?

2. Have you operated the receiver according to the Operating Instructions ?

3. Are the speakers, turntable and other components operating property ?

If this unit is not operating properly, check the items listed in the table below. Should the problem persist, there may be a malfunction. Disconnect the power immediately and contact your store of purchase.

Symptom Cause Measures Page

DISPLAY not lit and sound not produced when power switch set to on.

DISPLAY lit but sound not produced.

DISPLAY not lit and power indicator is flashing rapidly.

Sound produced only from one channel.

Positions of instruments reversed

Common problems when listening to the CD, records, tapes and FM broadcasts, etc.

during stereo playback.

• Power cord not plugged in securely. • Check the insertion of the power cord

• Speaker cords not securely connected.

• Improper position of the audio function

button.

• Volume control set to minimum.

• MUTING is on.

• Digital signals not input Digital input

selected.

• Speaker terminals are short-circuited.

• Block the ventilation holes of the set.

• The unit is operating at continuous high

power conditions and/or inadequate ventilation.

• Incomplete connection of speaker cords.

• Incomplete connection of input/output

cords.

• Reverse connections of left and right speakers or left and right input/output cords.

plug.

• Turn the power on with the remote control unit after turning the POWER switch on.

• Connect securely.

• Set to a suitable position.

• Turn volume up to suitable level.

• Switch off MUTING.

• Input digital signals or select input jacks

to which digital signals are being input.

• Switch power off, connect speakers properly, then switch power back on.

• Turn off the set’s power, then ventilate it well to cool it down. Once the set is cooled down, turn the power back on.

• Connect securely.

• Check left and right connections. 9

8, 9

20 22 20

8, 9

5, 8

8, 9

5 ~ 9

Symptom Cause Measures Page

Humming noise produced when record is playing.

Howling noise produced when volume is high.

When playing records

Sound is distorted.

Volume is weak.

This unit does not operate properly when remote control unit is used.

Remote control unit

• Ground wire of turntable not connected properly.

• Incomplete PHONO jack connection.

• TV or radio transmission antenna nearby.

• Turntable and speaker systems too close

together.

• Floor is unstable and vibrates easily.

• Stylus pressure too weak.

• Dust or dirt on stylus.

• Cartridge defective.

• MC cartridge being used. • Replace with MM cartridge or use a

• Batteries dead.

• Remote control unit too far from this unit.

• Obstacle between this unit and remote

control unit.

• Different button is being pressed.

• < and > ends of battery inserted in

reverse.

• Connect securely.

• Contact your store of purchase.

• Separate as much as possible.

• Use cushions to absorb speaker vibrations

transmitted by floor. If turntable is not equipped with insulators, use audio insulators (commonly available).

• Apply proper stylus pressure.

• Check stylus.

• Replace cartridge.

head amplifier or step-up transformer.

• Replace with new batteries.

• Move closer.

• Remove obstacle.

• Press the proper button.

• Insert batteries properly.

—

— — —

10 10 10

—

SPECIFICATIONS

2 Audio section

• Power amplifier Rated output: Front: 80 W + 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

Center: 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

Surround: 80 W + 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

Surround Back: 80 W + 80 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

Output terminals: Front: A or B 16 ~ 16 Ω/ohms

• Analog Input sensitivity / input impedance: 200 mV / 47 kΩ/kohms Frequency response: 10 Hz ~ 100 kHz: +1, –3 dB (DIRECT mode) S/N ratio: 98 dB (IHF-A weighted) (DIRECT mode)

2 Video section

• Standard video jacks Input / output level and impedance: 1 Vp-p, 75 Ω/ohms Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

• S-video jacks Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms

Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

• Color component video jacks Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms

Frequency response: 5 ~ 30 MHz — +1, –3 dB

2 Tuner section [FM] (note: µV at 75 Ω/ohms, 0 dBf=1 x 10

Receiving Range: 87.50 MHz ~ 108.00 MHz 522 kHz ~ 1611 kHz Usable Sensitivity: 1.0 µV (11.2 dBf) 18 µV 50 dB Quieting Sensitivity: MONO 1.6 µV (15.3 dBf)

S/N ratio: MONO 77 dB (IHF-A weighted)

Total Harmonic Distortion: MONO 0.15 % (1 kHz)

Center, Surround, Surr. Back: 16 ~ 16 Ω/ohms

C (color) signal — 0.286 Vp-p, 75 Ω/ohms

B/CB (blue) signal — 0.7 Vp-p, 75 Ω/ohms

P PR/CR (red) signal — 0.7Vp-p, 75 Ω/ohms

STEREO 23 µV (38.5 dBf)

STEREO 72 dB (IHF-A weighted)

STEREO 0.3 % (1 kHz)

115 W + 115 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

115 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

115 W + 115 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

A + B 12 ~ 16 Ω/ohms

–

W) [AM]

ENGLISH

2 General

Power supply: AC 230 V, 50 Hz Power consumption: 260 W

1 W Max (Standby)

Maximum external dimensions: 434 (W) x 147 (H) x 417 (D) mm Mass: 11.4 kg

2 Remote control unit (RC-979)

Batteries: R6P/AA Type (two batteries) External dimensions: 55 (W) x 225 (H) x 34.5 (D) mm Mass: 165 g (including batteries)

* For purposes of improvement, specifications and design are subject to change without notice.

SVENSKANEDERLANDSESPAÑOLITALIANOFRANCAISDEUTSCHENGLISH

List of Preset Codes / Liste von voreingestellten Codes / Liste de codes préréglés / Lista dei codici pre-regolati / Lista de Códigos Pre-ajustados / Lijst van vooringestelde codes / Förteckning över förinställda koder

DVD

Denon 014, *[111] Aiwa 009 Hitachi 010 JVC 006, 011 Konka 012, 013 Magnavox 005 Mitsubishi 004 Panasonic 014 Philips 005, 015, 016, 017 Pioneer 003, 008 Sanyo 018 Sony 002, 019, 020 Toshiba 001, 021, 022 Zenith 023

VDP

Denon 028, 029, 112 Magnavox 026 Mitsubishi 028 Panasonic 029, 030 Philips 026 Pioneer 028, 031 RCA 032 Sony 033, 034, 035, 036

VCR

Admiral 081 Aiko 095 Aiwa 009 Akai 026, 027, 070, 072, 082, 083,

084 Alba 055 Amstrad 009 ASA 042 Asha 087 Audio Dynamic 005, 085 Audiovox 088 Beaumark 087 Broksonic 086, 093 Calix 088 Candle 006, 087, 088, 089, 090 Canon 049, 057 Capehart 025, 055, 056, 071 Carver 015 CCE 095 Citizen 006, 007, 087, 088, 089, 090,

095

Craig 007, 087, 088, 091, 115 Curtis Mathes 006, 049, 073, 080, 087, 090,

092 Cybernex 087 Daewoo 025, 055, 059, 074, 089, 093,

095, 096 Daytron 025, 055 DBX 005, 085 Dumont 053 Dynatech 009 Electrohome 001, 088, 097 Electrophonic 088 Emerson 001, 009, 017, 027, 086, 088,

089, 092, 093, 097, 100, 101,

102, 103, 104, 117 Fisher 009, 028, 031, 053, 054, 091,

099, 115 GE 007, 011, 049, 050, 051, 052,

073, 080, 087 Go Video 047, 048 Goldstar 000, 006, 012, 062, 088 Gradiente 094 Grundig 042 Harley Davidson 094 Harman Kardon 040, 062 Hi-Q 091 Hitachi 009, 013, 023, 026, 058,*[108],

109, 110, 111 JC Penny 004, 005, 007, 023, 028, 049,

062, 085, 087, 088 Jensen 013, 026 JVC 004, 005, 006, 026, 029, 043,

044, 045, 046, 085 Kenwood 004, 005, 006, 026, 029, 033,

045, 085, 090 Kodak 088 Lloyd 009, 094 LXI 088 Magnavox 015, 016, 042, 049, 063, 106 Magnin 087 Marantz 004, 005, 006, 015, 042, 049,

085, 090 Marta 088 MEI 049 Memorex 009, 033, 049, 053, 060, 081,

087, 088, 091, 094, 115 Metz 123, 124, 125, 126, 127, 128

MGA 001, 017, 027, 041, 097 MGN Technology 087 Midland 011 Minolta 013, 023 Mitsubishi 001, 003, 008, 013, 014, 017,

027, 029, 039, 040, 041, 045,

097 Motorola 081 Montgomery Ward

MTC 009, 087, 094 Multitech 007, 009, 011, 087, 090, 094 NAD 038 NEC 004, 005, 006, 018, 026, 029,

Nikko 088 Noblex 087 Optimus 081, 088 Optonica 021 Panasonic 024, 049, 064, 066, 067, 068,

Perdio 009 Pentax 009, 013, 023, 058, 090 Philco 015, 016, 049 Philips 015, 021, 042, 049, 105 Pilot 088 Pioneer 005, 013, 029, 036, 037, 038,

Portland 025, 055, 090 Proscan 063, 080 Pulsar 060 Quartz 033 Quasar 034, 035, 049 Radio Shack 001, 002, 021, 081, 087, 088,

Radix 088 Randex 088 RCA 007, 013, 019, 023, 058, 063,

Realistic 009, 021, 031, 033, 049, 053,

Ricoh 055 Salora 033, 041 Samsung 007, 011, 051, 059, 070, 083,

Sanky 081 Sansui 005, 026, 029, 045, 061, 085,

Sanyo 032, 033, 053, 087, 091, 115,

001, 002, 007, 009, 049,

063, 081, 115, 117

045, 061, 062, 085

069, 107

045, 085

091, 094, 097, 098, 115

064, 065, 073, 080, 082, 087

081, 087, 088, 091, 094, 097,

098

087, 089, 113

114

116

SBR 042 Scott 017, 020, 086, 089, 093, 117 Sears 013, 023, 028, 031, 033, 053,

054, 088, 091, 098, 099, 115 Sentra 055 Sharp 001, 002, 021, 097 Shogun 087 Sony 075, 076, 077, 078, 079, 121,

122 STS 023 Sylvania 009, 015, 016, 017, 041, 049,

094 Symphonic 009, 094 Tandy 009 Tashiko 009, 088 Tatung 004, 026, 030 Teac 004, 009, 026, 094 Technics 024, 049 Teknika 009, 010, 022, 049, 088, 094 TMK 087, 092 Toshiba 013, 017, 020, 041, 059, 089,

098, 099, 117 Totevision 007, 087, 088 Unirech 087 Vecrtor Research 005, 062, 085, 089, 090 Victor 005, 045, 046, 085 Video Concepts 005, 027, 085, 089, 090 Videosonic 007, 087 Wards 013, 021, 023, 087, 088, 089,

091, 094, 097, 118, 119, 120 XR-1000 094 Yamaha 004, 005, 006, 026, 062, 085 Zenith 060, 078, 079

Admiral 045, 121 Adventura 122 Aiko 054 Akai 016, 027, 046 Alleron 062 A-Mark 007 Amtron 061 Anam 006, 007, 036 Anam National 061, 147 AOC 003, 007, 033, 038, 039, 047,

048, 049, 133 Archer 007 Audiovox 007, 061 Bauer 155 Belcor 047 Bell & Howell 045, 118

276

SVENSKA NEDERLANDS ESPAÑOL ITALIANO FRANCAIS DEUTSCH ENGLISH

Bradford 061 Brockwood 003, 047 Candle 003, 030, 031, 032, 038, 047,

049, 050, 122 Capehart 003 Celebrity 046 Circuit City 003 Citizen 029, 030, 031, 032, 034, 038,

047, 049, 050, 054, 061, 095,

122, 123 Concerto 031, 047, 049 Colortyme 003, 047, 049, 135 Contec 013, 051, 052, 061 Cony 051, 052, 061 Craig 004, 061 Crown 029 Curtis Mathes 029, 034, 038, 044, 047, 049,

053, 095, 118 Daewoo 027, 029, 039, 048, 049, 054,

055, 106, 107, 137 Daytron 003, 049 Dimensia 044 Dixi 007, 015, 027 Electroband 046 Electrohome 029, 056, 057, 058, 147 Elta 027 Emerson 029, 051, 059, 060, 061, 062,

118, 123, 124, 139, 148 Envision 038 Etron 027 Fisher 014, 021, 063, 064, 065, 118 Formenti 155 Fortress 012 Fujitsu 004, 062 Funai 004, 062 Futuretech 004 GE 020, 036, 037, 040, 044, 058,

066, 088, 119, 120, 125, 147 Goldstar 000, 015, 029, 031, 039, 048,

051, 056, 057, 067, 068, 069,

116 Grundy 062 Hitachi 029, 031, 051, 052, 070, 111,

112, 113, 124, *[134] Hitachi Pay TV 151 Infinity 017, 071 Janeil 122 JBL 017, 071 JC Penny 020, 034, 039, 040, 041, 044,

048, 050, 058, 066, 069, 076,

088, 090, 095, 125, 136, 159

JCB 046 JVC 019, 051, 052, 072, 073, 091,

117, 126 Kawasho 018, 046 Kenwood 038, 056, 057 Kloss 010, 032 Kloss Novabeam 005, 122, 127, 131 KTV 074, 123 Loewe 071 Logik 144 Luxman 031 LXI 008, 014, 017, 024, 040, 044,

063, 071, 075, 076, 077, 118,

125 Magnavox 005, 010, 017, 030, 033, 038,

050, 056, 071, 078, 079, 085,

089, 108, 109, 110, 127, 131,

132, 145 Marantz 015, 017, 071, 080 Matsui 027 Memorex 014, 027, 045, 083, 118, 144 Metz 160, 161, 162, 163 MGA 001, 039, 048, 056, 057, 058,

065, 081, 083 Midland 125 Minutz 066 Mitsubishi 001, 016, 039, 048, 056, 057,

058, 065, 081, 082, 083, 105 Montgomery Ward Motorola 121, 147 MTC 031, 034, 039, 048, 095 NAD 008, 075, 076, 128 National 002, 036, 061, 147 National Quenties NEC 031, 038, 039, 048, 057, 084,

Nikko 054 NTC 054 Optimus 128 Optonica 011, 012, 093, 121 Orion 004, 139 Panasonic 002, 009, 017, 036, 037, 071,

Philco 005, 010, 030, 050, 051, 056,

Philips 005, 015, 017, 050, 051, 056,

Pioneer 124, 128, 142 Portland 054

011, 020, 144, 145, 146

002

086, 135, 147

141, 143, 147

079, 085, 127, 131, 132, 145,

147

078, 087, 088, 089, 131, 132,

147

Price Club 095 Proscan 040, 044, 125 Proton 035, 051, 092, 129 Pulsar 042 Quasar 036, 037, 074, 141 Radio Shack 011, 044, 063, 093, 118 RCA 040, 044, 125, 130, 137, 151,

152 Realistic 014, 063, 093, 118 Saisho 027 Samsung 003, 015, 034, 053, 055, 057,

094, 095, 136, 153 Sansui 139 Sanyo 013, 014, 021, 022, 063, 064,

081, 096 SBR 015 Schneider 015 Scott 062 Sears 008, 014, 021, 022, 023, 024,

025, 040, 052, 057, 062, 063,

064, 065, 073, 075, 076, 097,

098, 125, 159 Sharp 011, 012, 013, 026, 093, 099,

100, 104, 121 Siemens 013 Signature 045, 144 Simpson 050 Sony 043, 046, 138, 146, 150 Soundesign 030, 050, 062 Spectricon 007, 033 Squareview 004 Supre-Macy 032, 122 Supreme 046 Sylvania 005, 010, 017, 030, 078, 079,

085, 089, 101, 127, 131, 132,

145, 155 Symphonic 004, 148 Tandy 012, 121 Tatung 036, 124 Technics 037 Teknika 001, 030, 032, 034, 052, 054,

078, 083, 095, 144, 156, 157 Tera 035, 129 Toshiba 008, 014, 034, 063, 075, 076,

095, 097, 136, 158, 159 Universal 020, 066, 088 Victor 019, 073, 126 Video Concepts 016 Viking 032, 122 Wards 005, 045, 066, 078, 085, 088,

089, 093, 102, 103, 131, 132,

148

Zenith 042, 114, 115, 140, 144, 149 Zonda 007

CABLE

ABC 006, *[007], 008, 009 Archer 010, 011 Century 011 Citizen 011 Colour Voice 012, 013 Comtronic 014 Eastern 015 Garrard 011 Gemini 030, 033, 034 General Instrument Hytex 006 Jasco 011 Jerrold 009, 016, 017, 026, 032 Magnavox 018 Movie Time 019 NSC 019 Oak 000, 006, 020 Panasonic 001, 005 Philips 011, 012, 013, 018, 021 Pioneer 002, 003, 022 RCA 029 Regency 015 Samsung 014, 023 Scientific Atlanta 004, 024, 025 Signal 014 SL Marx 014 Starcom 009 Stargate 014 Teleview 014 Tocom 007, 016 TV86 019 Unika 011 United Artists 006 Universal 010, 011 Viewstar 018, 019 Zenith 027, 028

030, 031, 032

DBS (SATELLITE)

Alphastar 054 Chaparral 035, 036 Dishnet 053 Drake 037, 038 Echostar Dish 062, 066 GE 048, 055, 056 General Instruments Grundig 070, 071, 072, 073 Hitachi 058, 059

039, 040, 041

277

SVENSKANEDERLANDSESPAÑOLITALIANOFRANCAISDEUTSCHENGLISH

Hughes Network 063, 064, 065, 069 JVC 057 Kathrein 074, 075, 076, 083 Magnavox 060 Nokia 070, 080, 084, 085, 086 Philips 060 Primestar 051 Proscan 048, 055, 056 RCA 048, 055, 056, 068 Realistic 042 Sierra I 036 Sierra II 036 Sierra III 036 Sony 049, 067 STS1 043 STS2 044 STS3 045 SRS4 046 Technisat 077, 078, 079, 081, 082 Toshiba 047, 050 Uniden 061

Denon *[111] Aiwa 001, 035, 043 Burmster 002 Carver 003, 035 Emerson 004, 005, 006, 007 Fisher 003, 008, 009, 010 JVC 018, 019 Kenwood 011, 012, 013, 014, 017 Magnavox 006, 015, 035 Marantz 016, 028, 035 MCS 016, 024 Onkyo 025, 027 Optimus 017, 020, 021, 022, 023 Philips 014, 032, 033, 035 Pioneer 006, 022, 030 Sears 006 Sony 023, 031 Teac 002, 009, 028 Technics 016, 029, 036 Wards 035, 037 Yamaha 038, 039, 040, 041 Zenith 042

Denon 113 Kenwood 003, 004 Onkyo 007 Sharp 005 Sony 006

TAPE

Denon *[111] Aiwa 001, 002 Carver 002 Harman/Kardon 002, 003 JVC 004, 005 Kenwood 006 Magnavox 002 Marantz 002 Onkyo 016, 018 Optimus 007, 008 Panasonic 012 Philips 002 Pioneer 007, 008, 009 Sony 013, 014, 015 Technics 012 Victor 004 Wards 007 Yamaha 010, 011

*[ ] : Preset codes set upon shipment from the

factory.

*[ ] : Sie Voreinstellungscodes wurden vor der

Auslieferung werkseitig eingestellt.

*[ ] : Les codes préréglés diffèrent en fonctiom

des livraison de l’usine.

*[ ] : I codici di presettaggio sono impostati in

fabbrica prima della consegna.

*[ ] : Los códigos vienen preprogramados de

fábrica.

*[ ] : Vooringestelde codes bij hey verlaten van de

fabriek.

*[ ] : Förinställda koder har ställts in vid

transporten från fabriken.

DVD preset codes DVD-Voreinstellungscodes Codes préréglés DVD Codici di preselezione DVD Códigos de preajuste de DVD DVD-voorkeuzecodes Förinställda DVD-koder

Model No. Modellnr Modéle numéro Modello No Nº de modelo Modelnr Modellnr

111 014

DVD-700 DVD-900 DVD-1000 DVD-1400 DVD-1500 DVD-2200 DVD-2800 DVD-2800 DVD-2900 DVD-3800 DVD-A11 DVD-A1

DVD-800 DVD-1600 DVD-2000 DVD-2500 DVD-3000 DVD-3300

CDR

Denon *[111], 112 Philips 112

278

MEMO:

279

TOKYO, JAPAN

www.denon.com

Printed in China 511 4179 000

Denon AVR-1905 Operating Instruction

Specifications and Main Features

Frequently Asked Questions

User Manual