Casio CT-X5000, CT-X3000 User Manual

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EN/ES

CTX3000-ES-1A

USER’S GUIDE

Safety Precautions

Before trying to use the Digital Keyboard, be sure to read the separate “Safety Precautions”.

Please keep all information for future reference.

GUÍA DEL USUARIO

Precauciones de seguridad

Antes de intentar usar el teclado digital, asegúrese de leer las “Precauciones de seguridad” separadas.

Guarde toda la información para futuras consultas.

About Music Score data You can use a computer to download music score data from the CASIO Website. For more information, visit the URL below.

http://world.casio.com/

Acerca de los datos de partituras Puede utilizar un PC para descargar los datos de partituras desde el sitio web de CASIO. Para obtener más información, visite la siguiente URL.

http://world.casio.com/

X5000

X3000

English

NOTICE

Declaration of Conformity According to EU Directive

• Any reproduction of the contents of this manual, either in part or its entirety, is prohibited. Except for your own, personal use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR ANY DAMAGES WHATSOEVER (INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, LOSS OF INFORMATION) ARISING OUT OF THE USE OF OR INABILITY TO USE THIS MANUAL OR PRODUCT, EVEN IF CASIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change without notice.

• The actual appearance of the product may be different from that shown in the illustrations in this User’s Guide.

• Company and product names used in this manual may be registered trademarks of others.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC CAUTION

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

Declaration of Conformity

Model Number: CT-X5000/CT-X3000 Trade Name: CASIO COMPUTER CO., LTD. Responsible party: CASIO AMERICA, INC. Address: 570 MT. PLEASANT AVENUE, DOVER, NEW JERSEY 07801 Telephone number: 973-361-5400 This device complies with Part 15 of the FCC Rules, Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

Important!

Please note the following important information before using this product.

• Before using the AD-E24250LW/AD-A12150LW Adaptor to power the unit, be sure to check the AC Adaptor for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously damaged.

• The product is not intended for children under 3 years.

• Use only CASIO AD-E24250LW/AD-A12150LW adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

CT-X3000 only

• Never attempt to recharge batteries.

• Do not use rechargeable batteries.

• Never mix old batteries with new ones.

• Use recommended batteries or equivalent types.

• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated near the battery compartment.

• Replace batteries as soon as possible after any sign they are getting weak.

• Do not short-circuit the battery terminals.

Manufacturer: CASIO COMPUTER CO., LTD. 6-2, Hon-machi 1-chome, Shibuya-ku, Tokyo 151-8543, Japan

Responsible within the European Union: Casio Europe GmbH Casio-Platz 1, 22848 Norderstedt, Germany www.casio-europe.com

EN-1

Contents

General Guide EN-4

Preparing the Music Stand . . . . . . . . . . . . . . . . . . . EN-7

Returning the Digital Keyboard to

Its Factory Default Settings . . . . . . . . . . . . . . . . . EN-7

Playing a Built-in Song or a Song on a

USB Flash Drive (Song Bank Mode) EN-38

Selecting a Built-in Song for Playback . . . . . . . . . .EN-38

Looping Playback of Specific Song

Measures (A-B Repeat). . . . . . . . . . . . . . . . . . . .EN-39

Playing Back with One Hand’s Part Muted. . . . . . .EN-40

Playing Back a Song from a USB Flash Drive . . . .EN-41

Preparing a Power Supply EN-8

Using the AC Adaptor . . . . . . . . . . . . . . . . . . . . . . . EN-8

CT-X3000: Using Batteries . . . . . . . . . . . . . . . . . . . EN-9

Turning Power On or Off. . . . . . . . . . . . . . . . . . . . . EN-9

Adjusting Display Contrast . . . . . . . . . . . . . . . . . . EN-10

Connecting to Audio Equipment EN-11

Digital Keyboard Audio Output . . . . . . . . . . . . . . . EN-11

Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . EN-11

Outputting Keyboard Notes to

Audio Equipment . . . . . . . . . . . . . . . . . . . . . . . . EN-12

Playing an External Device

from the Digital Keyboard . . . . . . . . . . . . . . . . . EN-13

CT-X5000: Outputting Sound

from a Microphone. . . . . . . . . . . . . . . . . . . . . . . EN-13

Operations Common to All Modes EN-14

About this manual . . . . . . . . . . . . . . . . . . . . . . . . . EN-14

Numeric Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-14

Other Functions of bm Number Keys . . . . . . . . . . EN-14

4 CATEGORY Button. . . . . . . . . . . . . . . . . . . . . EN-15

Text Character Input . . . . . . . . . . . . . . . . . . . . . . . EN-15

FUNCTION Indicator. . . . . . . . . . . . . . . . . . . . . . . EN-16

Listening to Demo Play EN-17

Playing on the Keyboard EN-18

Selecting a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . EN-18

Sounding Multiple Tones (Layer and Split) . . . . . . EN-19

Selecting an Effect for a Tone

(Reverb, Chorus, Delay) . . . . . . . . . . . . . . . . . . EN-22

Using Equalization . . . . . . . . . . . . . . . . . . . . . . . . EN-25

Using the Metronome . . . . . . . . . . . . . . . . . . . . . . EN-27

Sounding Arpeggio Phrases Automatically

(Arpeggiator) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-27

Changing Keyboard Response to

Touch Pressure (Touch Response). . . . . . . . . . EN-29

Controlling Sounds EN-29

Using a Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-29

Sustain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-32

Sliding Smoothly Between Pitches

(Portamento) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-32

Using the Pitch Bend Wheel . . . . . . . . . . . . . . . . . EN-32

CT-X5000: dt MODULATION/

ASSIGNABLE button . . . . . . . . . . . . . . . . . . . . . EN-33

Changing the Pitch in Semitone Steps

(Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-35

Changing the Pitch of Each Part in

Octave Units (Octave Shift) . . . . . . . . . . . . . . . . EN-35

Performing Master Digital Keyboard and

Individual Part Pitch Adjustment . . . . . . . . . . . . EN-36

Selecting a Scale . . . . . . . . . . . . . . . . . . . . . . . . . EN-37

Playing Back an Audio File on a

USB Flash Drive (Audio Mode) EN-42

Using Auto Accompaniment (Rhythm Mode) EN-43

Selecting a Rhythm. . . . . . . . . . . . . . . . . . . . . . . . .EN-43

Using Auto Accompaniment . . . . . . . . . . . . . . . . . .EN-44

Changing Auto Accompaniment Speed (Tempo) . .EN-45 Creating a Song with an Auto Accompaniment

(Accompaniment Pattern) . . . . . . . . . . . . . . . . . .EN-46

Starting and Stopping Auto Accompaniment

with the Accompaniment Keyboard

(Synchro Start, Synchro Stop). . . . . . . . . . . . . . .EN-47

Changing Accompaniment Keyboard Settings . . . .EN-48

Advanced Split Settings . . . . . . . . . . . . . . . . . . . . .EN-50

Using Recommended Tones and Tempos

(One-Touch Presets). . . . . . . . . . . . . . . . . . . . . .EN-51

Adding Harmony to Melody Notes

(Auto Harmonize) . . . . . . . . . . . . . . . . . . . . . . . .EN-52

Using Music Presets EN-53

Using Phrase Pads EN-54

Changing to Another Phrase Set . . . . . . . . . . . . . .EN-54

Starting and Stopping Phrase Playback . . . . . . . . .EN-54

Configuring Phrase Playback Setups . . . . . . . . . . .EN-55

Recording a Phrase . . . . . . . . . . . . . . . . . . . . . . . .EN-56

Configuring Phrase Recording Settings . . . . . . . . .EN-57

Managing Phrase Sets . . . . . . . . . . . . . . . . . . . . . .EN-58

Editing a Phrase . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-59

Muting Specific Parts (Part Mode) EN-61

Turning a Part On or Off . . . . . . . . . . . . . . . . . . . . .EN-61

Part On/Off Function Part Groups . . . . . . . . . . . . .EN-62

Using the Mixer EN-63

Mixer Operation . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-63

List of Parts for Each Mixer Part Group . . . . . . . . .EN-64

Advanced Mixer Settings . . . . . . . . . . . . . . . . . . . .EN-65

Registering and Restoring a Setup

(Registration) EN-66

Registering a Setup . . . . . . . . . . . . . . . . . . . . . . . .EN-66

Recalling a Registered Setup . . . . . . . . . . . . . . . . .EN-68

Using a Pedal to Cycle Through Multiple Setups

(Registration Sequence) . . . . . . . . . . . . . . . . . . .EN-69

Editing a Tone (User Tones) EN-70

Creating a User Tone . . . . . . . . . . . . . . . . . . . . . . .EN-70

Tone Editing Item List. . . . . . . . . . . . . . . . . . . . . . .EN-73

EN-2

Contents

Creating an Auto Accompaniment

(User Rhythm) EN-75

Creating and Editing a User Rhythm. . . . . . . . . . . EN-76

User Rhythm Part Playback Settings . . . . . . . . . . EN-85

Operations Affecting All the Accompaniment

Patterns in a Rhythm . . . . . . . . . . . . . . . . . . . . . EN-87

Using the MIDI Recorder to Record EN-89

Starting a Recording . . . . . . . . . . . . . . . . . . . . . . . EN-90

Recording Keyboard Play . . . . . . . . . . . . . . . . . . . EN-91

Re-recording Part of a Recorded Track

(Overdubbing, Punch-in Recording) . . . . . . . . . EN-95

Playing Back a Recorded Song . . . . . . . . . . . . . . EN-96

Copying a Recorded Song, Deleting a

Recorded Song or Track . . . . . . . . . . . . . . . . . . EN-97

Song Editing Mode . . . . . . . . . . . . . . . . . . . . . . . . EN-98

Editing an Entire Song in Measure Units

(Song Editing) . . . . . . . . . . . . . . . . . . . . . . . . . . EN-98

Editing a Recorded Song in Track Units . . . . . . . . EN-99

Editing a Track of a Recorded Song in

Measure Units . . . . . . . . . . . . . . . . . . . . . . . . . EN-101

Editing a Recorded Song in Event Units

(Event Editor). . . . . . . . . . . . . . . . . . . . . . . . . . EN-103

Inputting Notes and Chords One-by-one

(Step Input) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-106

Recorded Song Mixer Settings . . . . . . . . . . . . . . EN-109

Configuring Function Settings EN-110

Examination Mode . . . . . . . . . . . . . . . . . . . . . . . EN-116

Batch Deleting Data from

Digital Keyboard Memory. . . . . . . . . . . . . . . . . EN-116

Reference EN-124

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . .EN-124

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . .EN-126

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-127

DSP Effect List . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-129

Digital Keyboard Sound Source Configuration

and MIDI Channel Assignment . . . . . . . . . . . . .EN-141

Operating Precautions . . . . . . . . . . . . . . . . . . . . .EN-143

Appendix A-1

Song List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

Fingering Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-2

Chord Example List . . . . . . . . . . . . . . . . . . . . . . . . . . A-4

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-5

MIDI Implementation Chart

USB Flash Drive EN-117

Connecting a USB Flash Drive to and

Detaching It from the Digital Keyboard . . . . . . EN-117

Formatting a USB Flash Drive . . . . . . . . . . . . . . EN-118

USB Flash Drive Operations. . . . . . . . . . . . . . . . EN-119

Using a Computer to Copy General Song

Data to a USB Flash Drive. . . . . . . . . . . . . . . . EN-121

Connecting a Computer EN-122

Connecting a Computer . . . . . . . . . . . . . . . . . . . EN-122

MIDI Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-123

Transferring Data Between

the Digital Keyboard and a Computer . . . . . . . EN-123

Included Accessories

● Music Stand

● Leaflets

• Safety Precautions

• Appendix

• Other (Warranty, etc.)

Items included as accessories are subject to change without notice.

Separately Available Accessories

• You can get information about accessories that are separately for this product from the CASIO catalog available from your retailer, and from the CASIO website at the following URL.

http://world.casio.com/

EN-3

General Guide

CT-X5000 CT-X3000

1 2

3 bl

4 5 67

bo bp bq br bs bt ck

bk98

bm bn

crcm cp

dt ek

dm dnct

cocncl

do dp dq dr

emel

• All of the illustrations in this manual show the CT-X5000.

• Some of the button names shown here include the $ mark. This indicates that you need to long-press the button to perform its operation.

EN-4

• This manual uses the numbers and names below to refer to buttons, keys, and controllers.

1 P (Power) button

2 VOLUME knob

cr STOP button

cs REGISTRATION buttons

General Guide

3 Display

4 CATEGORY button

5 TONE button

6 RHYTHM button

7 SONG BANK, $AUDIO button

8 RECORD/STOP, AUDIO PLAY/STOP button

9 PART, $MIXER button

bk FUNCTION, SET, $EDIT button

bl Dial

bm Number keys

bn [–], [+] keys

bo INTRO, PART SELECT button

bp VARIATION/FILL-IN 1, REPEAT button

bq VARIATION/FILL-IN 2, A-B button

br VARIATION/FILL-IN 3, sREW button

bs VARIATION/FILL-IN 4, dFF button

bt ENDING/SYNCHRO START, kPAUSE button

ck START/STOP, PLAY/STOP button

cl SYNCHRO STOP button

cm ACCOMP, $MUSIC PRESET button

cn FREEZE button

co BANK button

cp STORE button

ct METRONOME, $BEAT button

dk TEMPO buttons

dl TAP TEMPO button

dm PORTAMENTO button

dn SUSTAIN button

do AUTO HARMONIZE/ARPEGGIATOR,

$TYPE button

dp SPLIT, $SPLIT POINT button

dq UPPER LAYER, $LOWER LAYER button

dr OCTAVE button

ds TRANSPOSE buttons

dt MODULATION/ASSIGNABLE button

(CT-X5000 only)

ek PITCH BEND wheel

el CHORD root names

em Percussion instrument list

CT-X5000

en TONE GROUP SELECT button

eo TONE Category buttons

ep RHYTHM GROUP SELECT button

eq RHYTHM Category buttons

CT-X3000

en Tone list

cq PHRASE

PAD bu

ttons

eo Rhythm list

EN-5

General Guide

eser

fk fl fm fn fo fp fqet

CT-X5000

fk fn fo fp fq

CT-X3000

■ Back

er USB flash drive port

es USB port

et LINE OUT R, L/MONO jacks (CT-X5000 only)

fk CT-X5000: PHONES jack

CT-X3000: PHONES/OUTPUT jack*

fl MIC IN jack (CT-X5000 only)

fm MIC VOLUME knob (CT-X5000 only)

fn AUDIO IN jack

fo PEDAL1 jack

fp PEDAL2/EXPRESSION jack

fq CT-X5000: DC 24V terminal

CT-X3000: DC 12V terminal

* In this manual, this jack is referred to as the fk PHONES jack.

EN-6

■ Display

 



** *

Music stand

Tone indicator



Rhythm indicator Song Bank indicator Music Preset indicator

Number/setting value display (left), name display (right)



Tempo, measure, beat



Keyboard part indicators



Chord name



Auto Accompaniment indicators



Mixer info display area



Registration display, event edit display



* Other Indicators

General Guide

Preparing the Music Stand

Returning the Digital Keyboard to Its Factory Default Settings

There are two ways to reset the Digital Keyboard to its default settings: a “setting reset” that initializes settings only without deleting data, and a “factory reset” that initializes settings and deletes all data, returning the Digital Keyboard to the state it was in when it left the factory. For details, see “Batch Deleting Data from Digital Keyboard Memory” (page EN-116).

EN-7

Preparing a Power Supply

Household power outlet

AC adaptor

fq DC 24V

Power cord

Household power outlet

AC adaptor

fq DC 12V

Power cord

Your Digital Keyboard uses an AC adaptor for power.

• Though the CT-X3000 supports battery operation, use of an AC adaptor is generally recommended.

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for this Digital Keyboard. Use of a different type of AC adaptor can cause malfunction.

CT-X5000: Connecting the AC Adaptor

Specified AC Adaptor: AD-E24250LW

(JEITA Standard plug)

CT-X3000: Connecting the AC Adaptor

Specified AC Adaptor: AD-A12150LW

(JEITA Standard plug)

• Never connect the AC adaptor (JEITA Standard, with unified polarity plug) that comes with this Digital Keyboard to any other device besides this Digital Keyboard. Doing so creates the risk of malfunction.

• Be sure to turn off Digital Keyboard power before connecting or disconnecting the AC adaptor.

• The AC adaptor will become warm to the touch after very long use. This is normal and does not indicate malfunction.

• Note the following important precautions to avoid damage to the power cord.

During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or connector.

During Movement

• Before moving the Digital Keyboard, be sure to unplug the AC adaptor from the power outlet.

During Storage

• Loop and bundle the power cord, but never wind it around the AC adaptor.

• Never insert metal, pencils, or any other objects into the product’s DC24V (CT-X5000) or DC12V (CT-X3000) terminal. Doing so creates the risk of accident.

• Do not try to use the power cord that comes with the product with another device.

• Use the AC adaptor so its label surface is pointed downwards. The AC adaptor becomes prone to emitting electromagnetic waves when the label surface is facing upwards.

• Plug the AC adaptor into a power outlet that is close to the Digital Keyboard. This lets you immediately unplug from the power outlet should any problem occur.

• The AC adaptor is intended for indoor use only. Do not leave it in a location where it can become wet. Also, do not place a vase or any other container of liquid on the AC adaptor.

• Make sure that the AC adaptor does not become covered with a newspaper, table cloth, curtain, or any other type of fabric.

• If you do not plan to use the Digital Keyboard for a long time, unplug the AC adaptor from the power outlet.

• The AC adaptor cannot be repaired. If your AC adaptor malfunctions or becomes damaged, you need to purchase a new one.

• AC Adaptor Usage Environment

Temperature: 0 to 40°C Humidify: 10% to 90%RH

• Output Polarity: &

EN-8

Preparing a Power Supply

Tabs

Low battery indicators (flash)

CT-X3000: Using Batteries

You can use six D-size batteries for power.

• Be sure to turn off power before loading batteries.

• It is up to you to prepare six commercially available batteries. Do not use oxyride batteries or any other nickel based batteries.

Open the battery cover on the bottom of the Digital Keyboard.

Load six D-size batteries into the battery compartment.

• Make sure the positive + and negative - ends of the batteries are facing as shown in the illustration.

Insert the tabs of the battery cover into the holes on the side of the battery compartment, and close the cover.

Turning Power On or Off

Connect the Digital Keyboard to a power supply.

• See “Using the AC Adaptor” (page EN-8) or “CT-X3000: Using Batteries” (page EN-9).

Press 1P (power) to turn on power.

•Use 2 VOLUME to adjust volume.

To turn off power, hold down 1P (power) again.

The message “Bye” will appear on the display and then power will turn off.

• If you press 1P (power) only lightly, the display will light up momentarily but power will not turn on. This does not indicate malfunction. Press 1P (power) firmly and completely to turn on power.

• Turning off the Digital Keyboard causes most current settings to be cleared. While Auto Resume function (page EN-10) is turned on, most settings are retained even when power is turned off.

• Never try to perform any operation while the “Wait...” or “Bye” message is displayed. The “Wait...” or “Bye” message indicates that an internal data save operation is being performed. Turning off the Digital Keyboard can cause Digital Keyboard data to be deleted or become corrupted.

■ Low Battery Indication

The indicators shown below start to flash to let you know when battery power is low. Replace the batteries with new ones.

• Pressing 1P (power) to turn off power actually puts the Digital Keyboard into a standby state. Minute amounts of current continue to flow within the Digital Keyboard in the standby state. If you do not plan to use the Digital Keyboard for a long time or if there is a lightning storm in your area, be sure to unplug the AC adaptor from the power outlet.

Auto Power Off

If you do not perform any operation on the Digital Keyboard for about 30 minutes, power will turn off automatically.

• You can disable Auto Power Off to ensure that power is not turned off automatically during a concert, etc. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and disable the following setting: Other (Other) 3 Auto Power Off (AutoOff) (page EN-115).

EN-9

Preparing a Power Supply

Contrast

Current setting value

Auto Resume

While Auto Resume is turned on, the current settings of the items described below are retained even when power is turned off (as long as power continues to be supplied to the Digital Keyboard, and power is turned off normally by pressing 1P (power) or by triggering of Auto Power Off).

● Current settings of the items below

Tone (UPPER 1, LOWER 1, UPPER 2, LOWER 2), Rhythm, Song number, Music Preset number, Tempo, Transpose, Octave Shift, [ACCOMP] indicator displayed/ not displayed status

● On/off status of the functions below

Split, Layer, Portamento, Sustain, Auto Harmonize or Arpeggiator, CT-X5000: Modulation/Assignable* Mode

● Function setting*

● Mixer (page EN-63) setting status

● CT-X5000: Category selection, tone and rhythm

category selection status, last selected tone/rhythm in each tone/rhythm category

*1 When the setting configured with the following operation is

“2 Toggle”: MODULATION/ASSIGNABLE (Mod/Asgn) 3 Button operation (Btn Act) (page EN-112).

*2 Including Reverb, Chorus, Delay, and other effect settings

included in the function settings.

The next time power is turned on, the Digital Keyboard is returned to its setup state when power was last turned off. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and turn on Auto Resume: Other (Other) 3 Auto Resume (AtResume) (page EN-115).

(page EN-110) status

, Part

Adjusting Display Contrast

Press bk FUNCTION.

Press the [1] (V) bm number key to display “Other”.

Other

Press the [6] (ENTER) bm number key.

Use the [1] (V) and [3] (W) bm number keys to display “Contrast”.

Use bn [–] and [+] or the bl dial to change the setting value.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

• Regardless of Auto Resume is on or off, the settings of the items below, which are included in function settings (page EN-110), are retained even when power is turned off (as long as power continues to be supplied to the Digital Keyboard, and power is turned off normally by pressing 1P (power) or by triggering of Auto Power Off). Equalizer, Tuning, Registration Memory Freeze Target, Pedal 2 type, Expression pedal calibration, Tap rhythm start, Examination Mode, Display contrast

• Auto Resume does not restore the status of the setting items below. Note value setting, Phrase recording setting, Synchro standby, Audio Mode file selection and playback state.

EN-10

Connecting to Audio

Lights

fk PHONES jack

(Stereo standard jack (6.3mm))

Equipment

Digital Keyboard Audio Output

Your Digital Keyboard outputs audio from its built-in speakers and/or the PHONES jack. (CT-X5000: Also outputs audio from the LINE OUT jacks.)

• There will be an indicator mark next to [SPEAKER] while built-in speaker output is enabled.

Using Headphones

Using headphones normally cuts off* output from the built-in speakers, which means you can practice playing even late at night without disturbing others. * When the following setting is disabled (Off): Speakers

(Speaker) 3 Enabled when PHONES connected (PhoneSpk) (page EN-115).

• There will be no indicator mark next to [SPEAKER] while built-in speaker output is disabled. Built-in speaker output is disabled in the cases described below. – When there is a plug in the PHONES jack.* – When the following setting is disabled (Off): Speakers

(Speaker) 3 Speaker on/off (Enabled) (page EN-115).

• The Digital Keyboard automatically adjusts the sound to make it suitable for headphones (or, in the case of the CTX5000, the LINE OUT jacks) while speaker output is disabled, and for speakers while speaker output is enabled.

* When the following setting is disabled (Off): Speakers

(Speaker) 3 Enabled when PHONES connected (PhoneSpk) (page EN-115).

• If there is no sound output even though there is an indicator mark next to [SPEAKER], check the current settings of the 2 VOLUME knob and/or volume related settings.

To enable and disable speaker output

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Speakers (Speaker) 3 Speaker on/off (Enabled) (page EN-115).

• Before connecting headphones, be sure to use 2 VOLUME to turn the volume down to a low level. After connecting, you can adjust the volume to the level you want.

• Do not listen to very high volume output over headphones for long period. Doing so creates the risk of hearing damage.

• If you are using headphones that require an adaptor plug, make sure you do not leave the adaptor plugged in when removing the headphones.

• Headphones do not come with the Digital Keyboard. Use commercially available headphones. See page EN-3 for information about options.

To output from the speakers while headphones are connected

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and enable the following setting: Speakers (Speaker) 3 Enabled when PHONES connected (PhoneSpk) (page EN-115). This will leave speaker output enabled even if there is a plug in the PHONES jack.

EN-11

Connecting to Audio Equipment

fk PHONES jack (Stereo standard jack (6.3mm))

Stereo standard plug

Audio equipment, amplifier, etc.

INPUT 1

INPUT 2

Guitar amplifier

Keyboard amplifier, etc.

RIGHT (Red) LEFT (White)

Pin plugs

Audio amplifier AUX IN jacks, etc.

Standard jack (6.3mm)

et LINE OUT jacks (Standard jack (6.3mm))

Outputting Keyboard Notes to Audio Equipment

You can connect audio equipment or a music amplifier to the Digital Keyboard and then play through external speakers for more powerful volume and better sound quality.

• Turn off the external device when making connections. After connecting, turn down the Digital Keyboard and external device volume levels whenever turning power on or off.

• After connecting, turn on the Digital Keyboard and then the external device.

• If keyboard notes sound distorted when they are sounded from external audio equipment, lower the Digital Keyboard’s volume setting.

To connect an external device to the Digital Keyboard’s PHONES jack

Connection requires commercially available connecting cords, supplied by you.

• The connecting cords should have a stereo standard plug on one end and a plug that matches the configuration of the external device on the other end.

CT-X5000: To connect an external device to the Digital Keyboard’s LINE OUT jacks

Connection requires commercially available connecting cords, supplied by you.





■ Connecting to Audio Equipment (Figure )

Use commercially available cables to connect the external audio equipment to the Digital Keyboard’s LINE OUT jacks as shown in Figure sound, while LINE OUT L/MONO jack output is left channel sound. It is up to you to purchase connecting cables like the ones shown in the illustration for connection of audio equipment. Normally in this configuration you must set the audio equipment’s input selector to the setting that specifies the terminal (such as AUX IN) to which the Digital Keyboard is connected.

. LINE OUT R jack output is right channel



EN-12

■ Connecting to a Musical Instrument Amplifier (Figure

Use commercially available cables to connect the amplifier to the Digital Keyboard’s LINE OUT jacks as shown in Figure

. LINE OUT R jack output is right channel sound, while



LINE OUT L/MONO jack output is left channel sound. Connecting to the LINE OUT L/MONO jack only outputs a mixture of both channels. It is up to you to purchase a connecting cable like the one shown in the illustration for connection of the amplifier.



)

Connecting to Audio Equipment

Stereo mini plug

fn AUDIO IN jack (Stereo mini jack (3.5mm))

Portable audio player, etc.

fl MIC IN jack (Standard jack (6.3mm))

fm MIC VOLUME knob

Playing an External Device from the Digital Keyboard

Connection requires commercially available connecting cords, supplied by you.

• The connecting cords should have a stereo mini plug on one end and a plug that matches the configuration of the external device on the other end.

• Turn off the Digital Keyboard when making connections. After connecting, turn down the Digital Keyboard and external device volume levels whenever turning power on or off.

• After connecting, turn on the external device and then the Digital Keyboard.

• If notes from an external device that are played on the Digital Keyboard sound distorted, lower the volume setting of the external device.

Center Cancel (Vocal Cut)

Enabling Vocal Cut cuts (mutes or minimizes) the vocal in the sound being input from the AUDIO IN jack. Note that this function cancels the sound in the center position of the audio, which may (depending on how the original audio was mixed) end up canceling something else other than the vocal part. How vocal cut is performed depends on the sound being input. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Other (Other) 3 Audio In Center Cancel (AIn CCan) (page EN-115).

CT-X5000: Outputting Sound from a Microphone

You can connect a commercially available microphone* to the MIC IN jack and output the sound from the microphone thorough the Digital Keyboard’s speakers. * Use a dynamic microphone.

You can adjust the volume level of microphone input with fm MIC VOLUME. Microphone volume control is independent from overall keyboard volume.

• Before connecting a microphone, make sure that the Digital Keyboard and microphone are turned off.

• Before connecting, set both 2 VOLUME and fm MIC VOLUME to low levels. Adjust volume settings to appropriate levels after connecting the microphone.

Microphone Settings

You can use the Mixer to make individual adjustments to the reverb, chorus, and delay effects that are applied to microphone input. See “Using the Mixer” (page EN-63).

• Digital Keyboard built-in effects (reverb, chorus, delay, DSP) are not applied to AUDIO IN jack input.

EN-13

Operations Common to All

[NUM] indicator

Modes

About this manual

Unless otherwise specifically noted, all of the procedures in this manual assume that the Digital Keyboard is in its initial power on state (immediately after you turn on power). If you run into problems with a procedure, turn keyboard power off and back on, and then try performing the procedure again.

• Note that turning off Digital Keyboard power during a procedure causes any pending unsaved data to be deleted.

Numeric Input

The [NUM] indicator on the display means that numeric input is enabled.

StagePno

Use the procedures below to input tone numbers, setting values, etc.

■ Using the bm Number Keys

When entering a number or value, input all the required digits. The number of digits you need to input depends on what you are inputting. For example, to input the tone number 015 (all three digits required), input the following: [0] 3 [1] 3 [5]. In this case, the numbers being input flash until you input the final 5. The input value is registered (and 015 is displayed without flashing) after you input all of the required digits.

• The range of allowable input values depends on what you are inputting. If you attempt to input a value that is outside an allowable range, the value will change to the value within the range that is closest to the one you input.

• To specify a value without inputting a leading zero, enter the desired value and then press bk FUNCTION. For example, when inputting a three-digit tone number, the following operation would result in input of tone number 010: [1] 3 [0] 3 bk FUNCTION.

• To discard input without finalizing it, long-press [4] (EXIT) bm number key.

■ Using the bl Dial

You can also change a displayed number or value by rotating the dial.

Other Functions of bm Number Keys

The table below describes other functions that the bm number keys perform while the [NUM] indicator is not displayed. Some keys also perform operations that are specific to certain functions.

Key Main Function

[0] (NUM) Pressing this key while a setting item is one

that allows input of a value is displayed will enable numeric input ([NUM] indicator displayed).

[1] (V) [3] (W)

[2] (w) [5] (q)

[4] (EXIT) With certain functions, pressing this key will

[6] (ENTER) This key operation is enabled while the

[7] (WRITE) Press this key to save a user tone (page

[8] (INSERT) [9] (DELETE)

Use these keys while a setting menu is displayed to switch between menu items. With some functions, these keys are used to switch between parts in order to configure part settings.

Use these keys to switch between setting items in the Mixer Mode (page EN-63) and when editing MIDI Recorder events (page EN-103).

exit the function.

[ENTER] indicator is displayed. Pressing [6] (ENTER) executes the currently displayed menu item, and goes to the applicable submenu or executes some operation.

EN-70) or user rhythm (page EN-75). Use these keys during text input (page

EN-15) to insert or delete characters. [9] (DELETE) is also used when editing MIDI recorder events (page EN-103).

■ Using the bn [–] and [+] Keys

• Pressing [–] reduces the currently displayed number or value by one, while [+] increases it by one. Holding down either button will sequentially increase or decrease the displayed number or value until you release the button. Pressing both buttons at the same time will return the number or value to its initial default or recommended setting.

• If input of a negative value is allowed, pressing [–] while the value is flashing on the display will add a minus sign (–) to the left of the value. Pressing [+] while a value is flashing changes back to a positive value.

EN-14

Operations Common to All Modes

Category number Category name

Cursor (flashing)

4 CATEGORY Button

The many tones of the Digital Keyboard are divided into 20 categories to help make it possible for you to find a particular tone quickly and easily. You can use the 4 CATEGORY button to select the last tone you selected in a category. Under initial default settings, pressing 4 CATEGORY will select the first tone in a category.

• The example below shows how to select a tone using 4 CATEGORY. Rhythms, songs, and music presets are also divided into categories, and you can also use the 4 CATEGORY button to scroll between them.

To switch between tone categories

Press 5 TONE.

This displays (tone indicator). You can select a tone while the tone indicator is displayed.

Press 4 CATEGORY.

This displays the letter “C”, followed by the currently selected category number and name for a few seconds.

Piano

• After a few seconds, the tone number and tone name will appear, and will start to flash. You can select tones only within the current category while is flashing. (See step 4.)

To navigate between categories

Press 5 TONE.

While a tone name is displayed, hold down 4 CATEGORY as you press bn [–] or [+].

[–] jumps to the first tone in the category before the one where the displayed tone is located, while [+] jumps to the first tone in the next category.

Text Character Input

Use the procedures below to input user data names and other text.

No Na

To insert characters

Use the [1] (V) and [3] (W) bm number keys to move the cursor to the position where you want to insert a character.

Press the [8] (INSERT) bm number key.

• This inserts “A” at the cursor position.

While “C” is displayed, press 4 CATEGORY to advance to the next category.

This displays the next category number and name.

• The category tone that was last selected when exited a category (the first category tone under initial default settings) will be selected first when you re-enter it.

• You can also use bn [–] (back) and [+] (forward) in place of 4 CATEGORY to scroll between categories.

• Pressing bn [–] and [+] at the same time will jump to Category 1, and select the tone that was selected the last time you exited Category 1.

To select tones only within the currently displayed category, wait until starts to flash, or press bk FUNCTION to make flash.

• While is flashing, use bn [–] or [+], or the bl dial to scroll through the tones of currently selected category.

• To select a tone in another category, press 5 TONE. This causes to stop flashing.

EN-15

Operations Common to All Modes

9 J T

I S _

7 H R &

6 G Q S

5 F P Z

}

4 E O Y

{

3 D N X

C M W

)

0 A K

(

= G Q

[ e o y

) 2 < F P Z d n x

(

; E O Y

c m w

: D N X

9 C M

. 8 B L V

7 A K U

}

^ h

r |

5 ?

] g q

{

! + 4 >

H R

f p z

Displayed

Setting value number Setting item name

To modify characters

Use the [1] (V) and [3] (W) bm number keys to move the cursor to the position of the character you want to change.

Use bn [–] and [+] to change the character.

• Repeat steps 1 and 2 as required.

• Input of the characters shown in the table below is supported when saving a file to a USB flash drive.

• If you input a similarity symbol ( ), it will be displayed as a right arrow (3).

• Input of the characters shown in the table below is supported when saving a file to Digital Keyboard memory.

FUNCTION Indicator

The [FUNCTION] indicator is displayed or flashes when you perform a Digital Keyboard function setting (page EN-110) or other special setting operation. The meanings of the text that appears along with a displayed or flashing [FUNCTION] indicator are described below.

Displayed Setting item name displayed.* Flashing Setting of the currently displayed setting item

displayed.

* Only while a setting item that is a function setting is

displayed.

The example below shows how the [FUNCTION] indicator is displayed.

Example: To configure the Touch Response setting

Press bk FUNCTION.

Press the [3] (W) bm number key a number of times until “Touch” (Touch Response) is displayed.

“Touch” is a setting item name, so the [FUNCTION] indicator appears.

To delete characters

Use the [1] (V) and [3] (W) bm number keys to move the cursor to the position of the character you want to delete.

Press the [9] (DELETE) bm number key.

EN-16

Touch

Flashing

Light

Setting value number Setting value

Use bn [–] and [+] or the bl dial to change the Touch Response setting value.

This operation scrolls through the available Touch Response settings: Off, Light, Normal, and Heavy. Since these are Touch Response settings, the [FUNCTION] indicator flashes while they are displayed.

To return to the setting item display, press bk FUNCTION.

This displays the [FUNCTION] indicator.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

This causes the [FUNCTION] indicator to disappear.

Listening to Demo Play

Press 5 TONE and 6 RHYTHM at the same time.

This causes (song bank indicator) to flash on the display and start play of the three demo songs.

• During demo play, you can use bn [–] and [+] to jump to the beginning of the previous or next song.

• Demo song play will repeat until you perform the operation in step 2 below.

To stop demo play, press ck PLAY/STOP or 5 TONE and 6 RHYTHM at the same time.

This causes the (song bank indicator) to disappear.

• If Auto Power Off is enabled, power will turn off automatically after about 30 minutes of non-operation, even if demo play is being performed. You can disable Auto Power Off, if you want. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and disable the following setting: Other (Other) 3 Auto Power Off (AutoOff) (page EN-115).

EN-17

Playing on the Keyboard

Tone number Tone name

Displayed

en TONE GROUP SELECT button

eo TONE Category buttons

CT-X5000: To use the TONE Category buttons to select a category

Selecting a Tone

Your Digital Keyboard comes with a large collection of tones. Select a tone and play something on the keyboard to see what it sounds like.

To select a tone

Press 5 TONE.

This displays (tone indicator). You can select a tone while the tone indicator is displayed.

StagePno

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the tone you want to assign to keyboard play.

• See “Numeric Input” (page EN-14) for information about how to specify a number.

• Tones are divided into categories. You can easily find the tone you want by going to the piano category, organ category, etc. For more information, see “4 CATEGORY Button” (page EN-15).

• For details about tone categories and types, refer to the separate “Appendix”.

Play something on the keyboard to hear what your selected tone sounds like.

• Selecting a tone that is in a drum set category causes various percussion instruments to be assigned to keyboard keys.

• You can use the eo TONE Category buttons to quickly and easily navigate between categories.

Tone categories are divided between two groups: Group A (L) and Group B (M). Which category (group) a eo TONE Category button selects depends on whether or not the indicator lamp to the left of en TONE GROUP SELECT is lit.

Press the en TONE GROUP SELECT button to toggle between category Group A (indicator lamp unlit) and Group B (indicator lamp lit).

To select a category, press its eo TONE Category button.

• This causes (tone indicator) to flash on the display.

• Pressing a eo TONE Category button will select the last selected tone in the corresponding category. While

(tone indicator) is flashing, you can select one of the tones included in the category. To exit category tone selection, press 5 TONE. This causes to stop flashing.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the tone you want to assign to keyboard play.

■ DSP Tones

The Digital Keyboard has a number of “DSP tones”, which are tones with special effects. There will be an indicator mark next to [DSP TONE] while a DSP tone is selected.

EN-18

Playing on the Keyboard

LOWER 1 UPPER 1

UPPER 2

(UPPER LAYER)

LOWER 2

(LOWER LAYER)

U1 (UPPER 1) indicator U2 (UPPER 2) indicator L1 (LOWER 1) indicator L2 (LOWER 2) indicator

Displayed

Sounding Multiple Tones (Layer and Split)

You can split the keyboard into left and right area and assign different tones to each area, and also layer two tones to play at the same time. Split and layer can be used at the same time, which means that you perform with up to four keyboard parts (UPPER 1, LOWER 1, UPPER 2, LOWER 2) at the same time as shown in the illustration below.

■ Keyboard Part Indicators

You can determine the current split/layer status by checking the keyboard part indicators in the upper left corner of the display. The keyboard parts whose indicators are shown will sound when you play on the keyboard.

To split the keyboard between two tones (Split)

After confirming that the part indicator in the upper left corner of the display looks like

, select a tone.

• This will be the UPPER 1 part tone.

Press dp SPLIT.

• This will display the [L1] indicator, and will move to the right of the [L1]. This indicates you can select the LOWER 1 part tone.

Select the tone you want to assign to LOWER 1.

Play something on the keyboard.

• For information about how to change the tone assigned to each part, see “To change the tones assigned to each split/layer part” (page EN-21).

• You can adjust the volume level, effect intensity, and other settings for each part. For details, see “Using the Mixer” (page EN-63).

• If you use DSP tones for multiple parts, tone effects will be removed and tone quality may change.

To cancel a split (return the entire keyboard to the UPPER 1 part), press dp SPLIT.

This causes the [L1] indicator to disappear.

EN-19

Playing on the Keyboard

Split point note number

LOWER part keyboard (or accompaniment keyboard)

Split point note name

UPPER part keyboard

Displayed

To move the keyboard split point

Hold down dp SPLIT until “Split Pt” is displayed.

Use bn [–] and [+] or the bl dial to specify the name of the note (the lowest note of the desired UPPER part) where you want the split point to be.

• You can also specify the split point by holding down dp SPLIT and pressing the key where you want the split point to be.

• This displays the specified current split point as shown below.

Example: After C4 was specified as the split point

B3 I C4

• The LOWER part keyboard specified by this operation is also used as an accompaniment keyboard (page EN-44).

To layer two tones

After confirming that the keyboard part indicator in the upper left corner of the display looks like , select a tone.

• This will be the UPPER 1 part tone.

Press dq UPPER LAYER.

• This will display the [U2] indicator, and will move to the right of the [U2]. This indicates you can select the UPPER 2 part tone.

Select the tone you want to assign to UPPER 2.

Play something on the keyboard.

• For information about how to change the tone assigned to each part, see “To change the tones assigned to each split/layer part” (page EN-21).

• Here, pressing dp SPLIT will enable use of the UPPER 1 and UPPER 2 layered tones, in addition to the LOWER 1 part created with the keyboard split.

To cancel a layer (return the entire keyboard to the UPPER 1 part), press dq UPPER LAYER.

This causes the [U2] indicator to disappear.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

• Specifying a split point puts the LOWER part keyboard and the accompaniment keyboard in the same area. You can also specify different areas for these two keyboards. You can also configure a setting so the LOWER part tone does not sound in the area where the LOWER part keyboard and accompaniment keyboard overlap. For details, see the “Advanced Split Settings” (page EN-50).

EN-20

Playing on the Keyboard

Displayed

To use split and layer together

Perform steps 1 through 3 under “To split the keyboard between two tones (Split)” (page EN-19).

Perform the procedure below to layer two UPPER part tones.

(1) Press dq UPPER LAYER and confirm that the [U2]

indicator is displayed.

(2) Select the tone you want to assign to UPPER 2.

Perform the procedure below to layer two LOWER part tones.

(1) Long-press dq UPPER LAYER until the [L2]

indicator appears. This displays an indicator mark next to [LOWER LAYER].

(2) Select the tone you want to assign to LOWER 2.

Play something on the keyboard.

• For information about how to change the tone assigned to each part, see “To change the tones assigned to each split/layer part” (page EN-21).

To change the tones assigned to each split/ layer part

Press 5 TONE.

This displays (tone indicator).

Long-press 5 TONE until moves to the right of the keyboard part indicator (page EN-19).

• Repeat this operation as many times as required to move to the right of the keyboard part indicator (U1, U2, L1, L2) of the part (UPPER 1, LOWER 1, UPPER 2, LOWER 2) whose tone setting you want to change.

Change the tone of the keyboard part you selected in step 2.

• Repeat steps 2 and 3 above for each of the keyboard parts whose tone setting you want to change.

• When using split and layer together, the UPPER 2 part is called the “upper layer”, while the LOWER 2 part is called the “lower layer”.

• To disable the upper layer only after performing steps 1 through 3 of the procedure above, press dq UPPER LAYER and confirm that the [U2] indicator is not displayed. To disable the lower layer only, long-press dq UPPER LAYER (LOWER LAYER) until the [L2] indicator disappears ([LOWER LAYER] indicator mark also disappears).

• There will be an indicator mark next to [LOWER LAYER] while the lower layer is enabled, regardless of whether the keyboard is split. The mark disappears when the lower layer is disabled.

• Pressing dp SPLIT after performing steps 1 through 3 above disables the split, so the [L1] and [L2] indicators disappear, and the keyboard becomes layered with the UPPER parts (UPPER 1 and UPPER 2) only.

EN-21

Playing on the Keyboard

Reverb

Current setting value

Selecting an Effect for a Tone (Reverb, Chorus, Delay)

Your Digital Keyboard includes reverb, chorus, and delay effects, which you can use to enhance the sound of tones.

● Reverb (REVERB)

Reverb simulates ambient spaces, such as a room or hall.

● Chorus (CHORUS)

Chorus adds a rich, shimmering quality to a sound. This digital keyboard applies a preset chorus setting that is suitable for each tone.

● Delay (DELAY)

Delay stores a sound and repeats it periodically with a slight delay before each repeat, which creates an echo effect. Delay is different from reverb, which creates a reverberation effect. This digital keyboard applies a preset delay setting that is suitable for each tone.

• You can determine the current enabled/disabled status of each effect by checking the indicator marks on the right side of the display.

Use bn [–] and [+] or the bl dial to change the setting value.

• For information about the reverb types that correspond to each setting value, see the “Reverb Effect List” (page EN-23).

Use the [1] (V) and [3] (W) bm number keys to display “Chorus”.

Cho r u s

Use bn [–] and [+] or the bl dial to change the setting value.

• For information about the chorus types that correspond to each setting value, see the “Chorus Effect List” (page EN-24).

Use the [1] (V) and [3] (W) bm number keys to display “Delay”.

• Preset chorus effect and delay effects are applied to each tone even when there is no indicator mark next to [CHORUS] and [DELAY].

• You can adjust how tone effects are applied to each part. For details, see “Using the Mixer” (page EN-63). The setting items that are used for adjustment correspond to the following: Reverb Send, Chorus Send, Delay Send (see “Advanced Mixer Settings” on page EN-65).

To select a digital effect

• The procedure below explains how to select the reverb (steps 2 and 3), chorus (4 and 5), and delay (6 and 7) settings. You can skip any of the steps for any effect whose settings you don’t need to change.

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Reverb”.

De l a

Use bn [–] and [+] or the bl dial to change the setting value.

• For information about the delay types that correspond to each setting value, see the “Delay Effect List” (EN-24).

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-22

Playing on the Keyboard

Reverb Effect List

■ CT-X5000

Setting

Value

1Off Off 2 Room 1 Room 1 3 Room 2 Room 2 4 Room 3 Room 3 5 Room 4 Room 4 6 Room 5 Room 5 7 Room 6 Room 6 8 Room 7 Room 7

9 Room 8 Room 8 10 Room 9 Room 9 11 Large Room 1 L.Room 1 12 Large Room 2 L.Room 2 13 Hall 1 Hall 1 14 Hall 2 Hall 2 15 Hall 3 Hall 3 16 Hall 4 Hall 4 17 Hall 5 Hall 5 18 Hall 6 Hall 6 19 Hall 7 Hall 7 20 Hall 8 Hall 8 21 Hall 9 Hall 9 22 Stadium 1 Stadium1 23 Stadium 2 Stadium2 24 Stadium 3 Stadium3 25 Plate 1 Plate 1 26 Plate 2 Plate 2 27 Plate 3 Plate 3 28 Delay Delay 29 Pan Delay PanDelay 30 Long Delay 1 L.Delay1 31 Long Delay 2 L.Delay2 32 Church Church 33 Cathedral Cathedrl

Setting Type Display

■ CT-X3000

Setting

Value

1Off Off 2 Room 1 Room 1 3 Room 2 Room 2 4 Room 3 Room 3 5 Room 4 Room 4 6 Room 5 Room 5 7 Large Room1 L.Room 1 8 Large Room2 L.Room 2

9 Hall 1 Hall 1 10 Hall 2 Hall 2 11 Hall 3 Hall 3 12 Hall 4 Hall 4 13 Hall 5 Hall 5 14 Hall 6 Hall 6 15 Stadium 1 Stadium1 16 Stadium 2 Stadium2 17 Stadium 3 Stadium3 18 Plate 1 Plate 1 19 Plate 2 Plate 2 20 Delay Delay 21 Pan Delay PanDelay 22 Long Delay 1 L.Delay1 23 Long Delay 2 L.Delay2 24 Church Church 25 Cathedral Cathedrl

Setting Type Display

EN-23

Playing on the Keyboard

Chorus Effect List

■ CT-X5000

Setting

Value

1 Tone * Tone 2 Chorus 1 Chorus 1 3 Chorus 2 Chorus 2 4 Chorus 3 Chorus 3 5 Chorus 4 Chorus 4 6 FB Chorus FBChorus 7 Soft Chorus Soft C 8 Bright Chorus Bright C

9 Deep Chorus Deep C 10 Flanger 1 Flanger1 11 Flanger 2 Flanger2 12 Flanger 3 Flanger3 13 Flanger 4 Flanger4 14 Short Delay 1 S.Delay1 15 Short Delay 2 S.Delay2 16 Short Delay 3 S.Delay3 17 Short Delay 4 S.Delay4

■ CT-X3000

Setting

Value

1 Tone * Tone

2 Chorus 1 Chorus 1

3 Chorus 2 Chorus 2

4 Chorus 3 Chorus 3

5 Chorus 4 Chorus 4

6 FB Chorus FBChorus

7 Deep Chorus Deep C

8 Flanger 1 Flanger1

9 Flanger 2 Flanger2 10 Flanger 3 Flanger3 11 Flanger 4 Flanger4 12 Short Delay 1 S.Delay1 13 Short Delay 2 S.Delay2

* Though selecting setting value 1 (Tone) causes the

indicator mark next to [CHORUS] to disappear, preset chorus effects are applied to each tone.

Setting Type Display

Delay Effect List

■ CT-X5000

Setting

Value

1 Tone * Tone 2 Short 1 Short 1 3 Short 2 Short 2 4Echo Echo 5 Tempo Sync Short TSync S 6 Tempo Sync Middle TSync M 7 Tempo Sync Long TSync L 8 Ambience Ambience

9Mid 1 Mid 1 10 Mid 2 Mid 2 11 Long 1 Long 1 12 Long 2 Long 2 13 Mid Pan Mid Pan 14 Long Pan 1 LongPan1 15 Long Pan 2 LongPan2 16 Long Pan 3 LongPan3 17 Short Single ShrtSngl 18 Mid Single Mid Sngl 19 Long Single LongSngl 20 Long Double Long Dbl 21 Long Triple LongTrpl

Setting Type Display

EN-24

Playing on the Keyboard

■ CT-X3000

Setting

Value

1 Tone * Tone 2 Short 1 Short 1 3 Short 2 Short 2 4Echo Echo 5 Tempo Sync Short TSync S 6 Tempo Sync Middle TSync M 7 Tempo Sync Long TSync L 8 Ambience Ambience

9 Mid 1 Mid 1 10 Mid 2 Mid 2 11 Long 1 Long 1 12 Long 2 Long 2 13 Mid Pan Mid Pan 14 Long Pan 1 LongPan1 15 Long Pan 2 LongPan2 16 Long Pan 3 LongPan3

* Though selecting setting value 1 (Tone) causes the

indicator mark next to [DELAY] to disappear, preset delay effects are applied to each tone.

Setting Type Display

Using Equalization

You can use equalization to select from among presets that boost or cut specific frequency ranges. The CT-X5000 also includes a four-band equalizer that allows user-configured settings (User Equalizer).

To select an equalization setting

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Equalizr”.

Use bn [–] and [+] or the bl dial to change the setting value.

• The settings that correspond to each of the setting values are described below.

Setting

Value

1 Standard Standard setting 2 Bass + Boosts the low range. 3 Treble + Boosts the high range. 4 Loudness Boosts everything. 5 Mellow Creates a soft feeling. 6 Bright Creates a bright feeling.

7Rock

8 Dance

9Jazz

10 Classic

11 User

Display Description

Creates a sound optimized for rock music.

Creates a sound optimized for dance music.

Creates a sound optimized for jazz music.

Creates a sound optimized for classical music.

CT-X5000: Applies User Equalizer settings.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-25

Playing on the Keyboard

CT-X5000: To configure User Equalizer settings

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “User EQ”, and then press [6] (ENTER).

Configure settings for reach frequency range.

(1) Use the [1] (V) and [3] (W) bm number keys to

display the menu of the range you want to adjust.

To adjust this range: Display this:

Low-range (50 Hz to 800 Hz) EQ Low Mid-range 1 (100 Hz to 8 kHz) EQ Mid1 Mid-range 2 (100 Hz to 8 kHz) EQ Mid2 High-range (2 kHz to 16 kHz) EQ High

(2) Press [6] (ENTER).

• This automatically changes the “Equalizr” setting to “User”. See “To select an equalization setting” (page EN-25).

(3) Use the [1] (V) and [3] (W) keys to display “***

Freq” (Center Frequency) or “*** Gain” (Gain). What appears in place of “***” in the above menu items depends on the frequency range being equalized.

(4) Use bn [–] and [+] or the bl dial to change the

setting value. For details about setting values and their settings,

see the “User Equalizer Setting List” below. (5) Press the [4] (EXIT) bm number key. (6) Repeat steps (1) through (5) as required to configure

the settings of other frequency ranges.

Configure input level and output level settings as required.

(1) Use the [1] (V) and [3] (W) bm number keys to

display “Input Lv” (Input Level), and then use bn [–]

and [+] or the bl dial to change the setting value. (2) Use the [1] (V) and [3] (W) keys to display

“OutputLv” (Output Level), and then use bn [–] and

[+] or the bl dial to change the setting value.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

■ User Equalizer Setting List

Setting Item Display Settings

Low-range EQ Low

Center Frequency Low Freq 1 to 13 * Gain Low Gain –12 to 12

Mid-range 1 EQ Mid1

Center Frequency Mid1Freq 1 to 20 * Gain Mid1Gain –12 to 12

Mid-range 2 EQ Mid2

Center Frequency Mid2Freq 1 to 20 * Gain Mid2Gain –12 to 12

High-range EQ High

Center Frequency HighFreq 1 to 10 *

Gain HighGain –12 to 12 Input Level Input Lv 0 to 127 Output Level OutputLv 0 to 127

*1 Setting values 1 through 13 (A in the table below)

correspond to center frequencies 50 Hz to 800 Hz (B in the

table below).

A 1 2 3 4 5 B 50Hz 63Hz 80Hz 100Hz 125Hz A 6 7 8 9 10 B 160Hz 200Hz 250Hz 315Hz 400Hz A 11 12 13 B 500Hz 630Hz 800Hz

*2 Setting values 1 through 20 (A in the table below)

correspond to center frequencies 100Hz to 8.0kHz (B in

the table below).

A 1 2 3 4 5 B 100Hz 125Hz 160Hz 200Hz 250Hz A 6 7 8 9 10 B 315Hz 400Hz 500Hz 630Hz 800Hz A 11 12 13 14 15 B 1.0kHz 1.3kHz 1.6kHz 2.0kHz 2.5kHz A 16 17 18 19 20 B 3.2kHz 4.0kHz 5.0kHz 6.3kHz 8.0kHz

*3 Setting values 1 through 10 (A in the table below)

correspond to center frequencies 2.0kHz to 16kHz (B in

the table below).

A 1 2 3 4 5 B 2.0kHz 2.5kHz 3.2kHz 4.0kHz 5.0kHz A 6 7 8 9 10 B 6.0kHz 8.0kHz 10kHz 13kHz 16kHz

EN-26

Playing on the Keyboard

Note Value

Measure

Tempo

Beat

Displayed

Using the Metronome

The metronome sounds a regular tone to mark time. Use the metronome when you want to practice playing at a regular tempo.

To start or stop the metronome

Specify the time signature.

• You can specify a time signature numerator (0 to 16) and denominator (4 or 8).

(1) Hold down ct METRONOME until “BeatNume” is

displayed.

(2) Use bn [–] and [+] or the bl dial to change the time

signature numerator setting value within the range of 0 to 16 (Default: 4).

Setting

Value

2 to 16 Specifies numerator from 2 to 16. An accent

sounds on the first beat only. 1 All beats accented. 0 All beats unaccented.

(3) Use the [1] (V) and [3] (W) bm number keys to

display “BeatDeno”.

(4) Use bn [–] and [+] to specify the time signature

denominator.

• The setting value 1 is (quarter note beats), while setting value 2 is (eighth note beats).

(5) Press the [4] (EXIT) bm number key.

Use the dk TEMPO [w] and [q] buttons to change the tempo setting.

• For information about the tempo setting, see “Changing Auto Accompaniment Speed (Tempo)” (page EN-45).

Accent

* 4

To adjust the balance between metronome and keyboard volume

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Metronome (Metronom) 3 Metronome Volume (Volume) (page EN-115).

Sounding Arpeggio Phrases Automatically (Arpeggiator)

With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggio options, including playing arpeggios from a chord, playing various phrases automatically, and more.

• A single button is used to control the arpeggiator and auto harmonize (page EN-52). Because of this, auto harmonize cannot be used while the arpeggiator is in use.

To turn on the arpeggiator

Press do AUTO HARMONIZE/ ARPEGGIATOR and confirm that the [ARPEGGIATOR] indicator is displayed.

• Playing a chord or single notes on the keyboard will play back the currently selected arpeggio.

Press ct METRONOME.

This starts the metronome. The number of measures since the metronome was started is indicated in the upper right corner of the display.

• Depending on what you specified in step 1 of the procedure, the displayed note value (page EN-45) is either 2 (quarter note beats) or 6 (eighth note beats).

To stop the metronome, press ct METRONOME again.

EN-27

Playing on the Keyboard

To turn the arpeggiator off, press do AUTO HARMONIZE/ARPEGGIATOR.

This causes the [ARPEGGIATOR] indicator to disappear.

• If the [AUTO HARMONIZE] indicator is displayed instead of the [ARPEGGIATOR] in step 1 of the above procedure, you will need to change the function assigned to the button. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and select “2 Arpeg.” for the following setting: Auto Harmonize/Arpeggiator (AHar/Arp) 3 AUTO HARMONIZE/ARPEGGIATOR button assignment (BtnAsign) (page EN-112).

• Use the following procedure when you want an arpeggio pattern to keep playing after you release the keyboard keys. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and enable the following setting: Auto Harmonize/ Arpeggiator (AHar/Arp) 3 Arpeggiator Hold (ArpegHld) (page EN-112).

• While you are using split (page EN-19), you can use the UPPER 1 part or LOWER 1 part to sound the arpeggiator. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and change the following setting: Auto Harmonize/ Arpeggiator (AHar/Arp) 3 Arpeggiator Part (ArpegPart) (page EN-112).

To select an arpeggiator type

Perform the procedure under “To turn on the arpeggiator” and confirm that the [ARPEGGIATOR] indicator is displayed.

Long-press do AUTO HARMONIZE/ ARPEGGIATOR until the [FUNCTION] indicator flashes on the display.

This displays the currently selected arpeggiator type number and name.

Use bn [–] and [+] or the bl dial to display the arpeggiator type you want to select.

• While the arpeggiator type is displayed, long-pressing do AUTO HARMONIZE/ARPEGGIATOR will select the tone that is recommended for the displayed type.

• For details about arpeggiator types, refer to the separate “Appendix”.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-28

Changing Keyboard Response to

Pedal jacks

Touch Pressure (Touch Response)

Touch Response alters tone volume in accordance with keyboard pressure (speed). This provides you some of the same expressivity you get on an acoustic piano.

To change Touch Response sensitivity

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Touch”.

Use bn [–] and [+] or the bl dial to change the setting value.

• The table below shows setting values and their corresponding Touch Response sensitivity.

Setting

Value

01 Off (Off) Touch Response is turned off.

02 Light (Light) Strong sound, even with light

03 Normal

04 Heavy

• There is an indicator mark next to [TOUCH] while the

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Sensitivity

(Display)

Sound volume is fixed, regardless of key press speed.

pressure Normal Touch Response

(Normal)

Normal sound, even with strong

(Heavy)

touch setting is something other than off.

pressure

Description

Controlling Sounds

Using a Pedal

Connecting a pedal lets you perform pedal operations that add various effects during your performances. You can use a pedal to start and stop Auto Accompaniment and Song Bank (page EN-38) song play.

• A pedal unit does not come with the Digital Keyboard. Purchase one separately from your retailer. See page EN-3 for information about options.

• You can also use a pedal to switch the Digital Keyboard registration setup. For details, see “Using a Pedal to Cycle Through Multiple Setups (Registration Sequence)” (page EN-69).

Connecting a Pedal

Depending on the type of operation you want the pedal to perform, connect the pedal’s cable either to the Digital Keyboard’s fo PEDAL1 jack or fp PEDAL2/ EXPRESSION jack.

• You can connect a CASIO sustain pedal (“Separately Available Accessories”, page EN-3) to the fo PEDAL1 jack. The fp PEDAL2/EXPRESSION jack can be used to connect a CASIO sustain pedal or a commercially available expression pedal.

• If you use the fp PEDAL2/EXPRESSION jack to connect a commercially available expression pedal, you will need to specify the polarity type of the pedal and also calibrate the pedal before you use it. To do this, perform the procedure under “To connect a pedal to the fp PEDAL2/EXPRESSION jack” (page EN-30).

EN-29

Controlling Sounds

To connect a pedal to the fo PEDAL1 jack

Connect a pedal to the fo PEDAL1 jack.

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Cntrller”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display “Pedal”, and then press [6] (ENTER).

This displays “Pd1Efect”. This is the Pedal 1 function selection mode.

Use bn [–] and [+] or the bl dial to change the setting value.

• For details about the function that is assigned by each setting value, refer to the “Pedal Function List” below.

Y Pedal Function List

Setting

Value

1Sustain

2 Sostenuto

3 Soft (Soft) Slightly lowers and softens

4 Rhythm/Song

Function (Display)

(Sustain)

(Sostenut)

(Rhy/Song)

Description

Sustains notes played while the pedal is depressed, even if the keyboard key is subsequently released. Organ and other tones that are sustained as long as keyboard key are depressed continue to sound as long as the pedal is depressed.

Only the notes of the keys that are depressed when the pedal is pressed are sustained, even if the keyboard keys are released, until the pedal is released.

notes played while the pedal is depressed.

Starts or stops Auto Accompaniment or song playback.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

* See “Sounding Multiple Tones (Layer and Split)” (page

EN-19).

To connect a pedal to the fp PEDAL2/ EXPRESSION jack

Connect a pedal to the fp PEDAL2/ EXPRESSION jack.

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Cntrller”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display “Pedal”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display “Pd2 Type”.

Use bn [–] and [+] or the bl dial to change the setting value.

To use this type of pedal: Select this setting:

Foot switch pedal 1 Foot Sw Expression pedal (Type 1 polarity*) 2 ExpType1 Expression pedal (Type 2 polarity*) 3 ExpType2

* For details, see “Connectable Expression Pedals” (page

EN-31).

• If a pedal does not work correctly after configuring settings, it could mean that the connected pedal is not compatible with the “Pd2 Type” setting above. Try changing the “Pd2 Type” to a different setting and see if this results in correct operation.

Turn pedal effects on or off for each keyboard part* as required.

(1) Use the [1] (V) and [3] (W) bm number keys to

display “Pd1Enabl”. (2) Press the [6] (ENTER) bm number key. (3) Use the [1] (V) and [3] (W) keys to display the

part whose setting you want to change. (4) Use bn [–] and [+] to switch between on and off.

• The pedal effect is applied to parts that are turned on, and not applied to parts that are turned off.

• The Auto Harmonize (page EN-52) sound depends on the UPPER 1 part setting.

EN-30

Controlling Sounds

Exp. Pedal Type 1

Exp. Pedal Type 2*

Depending on the selected pedal type, perform one of the operations below.

Y Foot Switch Pedal

Select the pedal effect. (1) Use the [1] (V) and [3] (W) bm number keys to

display “Pd2Efect”.

(2) Use bn [–] and [+] or the bl dial to change the

setting value.

• For details about pedal effects that correspond to each setting value, see the “Pedal Function List” (page EN-30).

Y Expression Pedal

Before using an expression pedal, first calibrate it. (1) Use the [1] (V) and [3] (W) bm number keys to

display “ExPCalib”, and then press [6] (ENTER). This displays “Sure?”

(2) Press bn [+] (YES) to start adjustment or bn [–] (NO)

to cancel the adjustment operation.

(3) While “Highest” is displayed, depress the pedal and

press [6] (ENTER).

(4) While “Lowest” is displayed, release the pedal and

press [6] (ENTER).

• The message “Complete” will appear when the operation is complete.

Turn pedal effects on or off for each keyboard part as required.

• Perform step 6 under “To connect a pedal to the fo PEDAL1 jack” (page EN-30). Note, however, that you should display “Pd2Enabl” in step (1).

■ Connectable Expression Pedals

You can connect a commercially available expression pedal that satisfies the specifications below to the fp PEDAL2/ EXPRESSION jack. Use of a pedal whose operation has been confirmed (see below) is recommended.

• Maximum resistance value: 10kΩ±20% to 50kΩ±20%

• Note that pedal polarity depends on the manufacturer. To configure the pedal polarity type setting, perform the procedure under “To connect a pedal to the fp PEDAL2/ EXPRESSION jack” (page EN-30).

* Operation Confirmed Pedals

Roland EV-5 (Set minimum volume to 0.) KURZWEIL CC-1 FATAR VP-25, VP-26

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-31

Controlling Sounds

Displayed

Sustain

Sustain extends the reverberation of a note to produce rich resonance.

Press dn SUSTAIN.

This displays the [SUSTAIN] indicator.

• The sustain effect (note sustained even after the key is released) is applied to notes played on the keyboard while the [SUSTAIN] indicator is displayed.

To disable sustain, press dn SUSTAIN and confirm that the [SUSTAIN] indicator disappears.

• You can configure settings for the keyboard tones of each part that control how the sustain effect is applied. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Controller (Cntrller) 3 Sustain (Sustain) (page EN-111).

Sliding Smoothly Between Pitches (Portamento)

Using the Pitch Bend Wheel

You can use the pitch bend wheel to slide the pitch of notes smoothly upwards and downwards. This capability makes it possible to reproduce saxophone and electric guitar choking effects.

While playing a note on the keyboard, rotate the ek PITCH BEND wheel on the left of the keyboard upwards or downwards.

The amount the note bends depends on how much you rotate the pitch bend wheel.

• Do not touch the wheel as you turn on the keyboard.

• You also can configure pitch bend wheel operation by specifying the amount of pitch change at maximum rotation in either direction. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Controller (Cntrller) 3 Pitch Bend (PitchBnd) 3 Pitch Bend Range (Range) (page EN-111).

Portamento makes it possible to slide smoothly between notes as is done with string and woodwind instruments.

Press dm PORTAMENTO.

This displays the [PORTAMENTO] indicator.

• While the above indicator is displayed, sequentially pressing two keyboard keys causes the first pitch to slide smoothly into the next.

To disable portamento, press dm PORTAMENTO and confirm that the [PORTAMENTO] indicator is not displayed.

• You can configure settings for the keyboard tones of each part that control the speed of the slide between pitches when dm PORTAMENTO is pressed. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Controller (Cntrller) 3 Portamento (Portamnt) (page EN-111).

EN-32

CT-X5000: dt MODULATION/

Lit

ASSIGNABLE button

You can use the dt MODULATION/ASSIGNABLE button to apply vibrato to notes (default setting). You can also change the function of the button so it change how DSP effects are applied to tones.

To apply vibrato to notes

• The procedure below assumes that the Digital Keyboard is configured with initial default settings.

Hold down dt MODULATION/ASSIGNABLE.

The button’s indicator lamp remains lit while the button is depressed.

• Vibrato is applied keyboard plays while the indicator is lit.

To disable the effect, release the button.

This causes the button’s indicator lamp to go out.

Controlling Sounds

Use bn [–] and [+] to select the dt MODULATION/ASSIGNABLE operation.

To select this operation:

Enable the function assigned to the button only while the button is pressed.

Toggle the function between enabled and disabled each time the button is pressed.

• The indicator lamp to the left of the button is lit when the assigned function is enabled, and unlit when it is disabled.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Select this setting value:

1 Moment

2 Toggle

To change the function assigned to

dt MODULATION/ASSIGNABLE

Perform steps 1, 2, and 3 under “To change the operation performed when dt MODULATION/ ASSIGNABLE is pressed” (page EN-33).

Use the [1] (V) and [3] (W) bm number keys to display “Btn Func”.

• You can change the intensity of the vibrato effect while the indicator lamp is lit. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Controller (Cntrller) 3 MODULATION/ASSIGNABLE (Mod/Asgn) 3 Value when modulation is on (ModValue) (page EN-111).

To change the operation performed when dt MODULATION/ASSIGNABLE is pressed

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Cntrller”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display “Mod/Asgn”, and then press [6] (ENTER).

This displays “Btn Act”.

Use bn [–] and [+] to change the function assigned to dt MODULATION/ASSIGNABLE.

To change to this function:

Vibrato 1 Mod Change how DSP effects are applied to

tones in accordance with user settings.*

* For information about the setting operation see “To change

how DSP effects applied when dt MODULATION/ ASSIGNABLE is pressed” (page EN-34).

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Select this setting value:

2DSP

EN-33

Controlling Sounds

Module number DSP module name

EQ Ga i n

Parameter number Parameter name

To specify the keyboard part to which an effect is applied when dt MODULATION/ ASSIGNABLE is pressed

Perform steps 1, 2, and 3 under “To change the operation performed when dt MODULATION/ ASSIGNABLE is pressed” (page EN-33).

Use the [1] (V) and [3] (W) bm number keys to display “PartEnbl”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display the part whose setting you want to change.

Use the bn [–] and [+] to switch between on and off.

• The effect is applied to parts that are turned on, and not applied to parts that are turned off.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

• For details about keyboard parts, see “Sounding Multiple Tones (Layer and Split)” (page EN-19).

To change how DSP effects applied when dt MODULATION/ASSIGNABLE is pressed

Use bn [–] and [+] or the bl dial to specify a DSP module.

Use the [1] (V) and [3] (W) bm number keys to display “DSPParam” (the target DSP parameter).

This displays the name of the first parameter of the DSP module you selected in step 5.

Use bn [–] and [+] or the bl dial to display the parameter you want to change when dt MODULATION/ASSIGNABLE is pressed.

Use the [1] (V) and [3] (W) keys to display “DSPValue” (value when DSP is turned on).

Use bn [–] and [+] or the bl dial to change the setting value applied when dt MODULATION/ ASSIGNABLE is pressed.

10.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

• The DSP module registered with the procedure below are elements of this Digital Keyboard’s DSP effect. For details about DSP effect configuration and parameters, see “DSP Editing” (page EN-71).

Perform steps 1, 2, and 3 under “To change the operation performed when dt MODULATION/ ASSIGNABLE is pressed” (page EN-33).

Use the [1] (V) and [3] (W) bm number keys to display “Btn Func”.

Use bn [–] and [+] to change the setting to “2 DSP”.

Use the [1] (V) and [3] (W) keys to display “DSPModle” (the target DSP module).

This displays a DSP module name.

on1B EQ

• The assigned DSP modules depend on the tone. To check the DSP modules for each tone, perform the procedure under “To use DSP editing to edit an effect” (page EN-71).

EN-34

Controlling Sounds

Displayed



Changing the Pitch in Semitone Steps (Transpose)

The transpose feature lets you raise or lower the overall pitch of the Digital Keyboard in semitone steps. You can use this feature to adjust keyboard pitch to a key that better matches a vocalist, another musical instrument, etc.

To change the pitch in semitone units

Press the ds TRANSPOSE [w] or [q] button.

This displays “Trans.”

• You can change the pitch of the keyboard within the range of –12 to 00 to +12.

• While “Trans.” is displayed, you can use the bm number keys, bn [–] and [+], or the bl dial to change the setting value.

• Pressing bk FUNCTION or not performing an operation for some time causes “Trans.” to disappear.

• The [TRANSPOSE] indicator will be displayed while the transpose setting is something other than 0 (zero).

To configure the octave shift amount setting for each part

Press dr OCTAVE.

U1 Oc t .

Number of octaves shifted. 0 (zero) indicates no



shifting, 1 indicates one octave up, and –1 indicates one octave down. You can specify a value in the range of –3 to +3. Keyboard part. For details about keyboard parts and



how they are indicated, see “Keyboard Part Indicators” (page EN-19). Indicates the octave shift setting screen.



Use the [1] (V) and [3] (W) bm number keys to select the keyboard part you want to octave shift.

Use bn [–] and [+] to octave shift the keyboard part you selected in step 2.

Changing the Pitch of Each Part in Octave Units (Octave Shift)

Octave Shift lets you raise or lower the pitch of the keyboard in octave units. You can configure individual octave shift settings for each of the keyboard parts* (UPPER 1, LOWER 1, UPPER 2, LOWER 2).

• You can also specify the number of octaves to shift for each part.

• With Quick Octave Shift, you can quickly shift octaves in accordance with settings that are pre-configured for a part.

* See “Sounding Multiple Tones (Layer and Split)” (page

EN-19).

• The Octave Shift setting changes automatically when some tones are selected. For details, refer to the “Octave Shift” column of the tone list in the separate “Appendix”.

• The Auto Harmonize (page EN-52) sound depends on the UPPER 1 part setting.

U2 Oc t .

Repeat steps 2 and 3 to octave shift other parts as required.

To exit the procedure and return to the state the Digital Keyboard was in before step 1 of this procedure, press dr OCTAVE or the [4] (EXIT) bm number key.

EN-35

Controlling Sounds

To use Quick Octave Shift

While holding down dr OCTAVE, press the ds TRANSPOSE [w] or [q] button.

• Pressing [w] shifts the specified keyboard parts one octave down, while [q] shifts one octave up.

• Use the Quick Octave Shift keyboard part selection procedure below to select the parts that are affected by a Quick Octave Shift operation.

To select Quick Octave Shift keyboard parts

Press dr OCTAVE.

This displays “U1 Oct.”

Use the [1] (V) and [3] (W) bm number keys to display “Btn Trgt”, and then press [6] (ENTER).

This displays “U1OctBtn”.

Use the [1] (V) and [3] (W) keys to display the part whose setting you want to change.

Use the bn [–] and [+] to switch between on and off.

• Selecting on causes the keyboard part’s octave to be shifted by the Quick Octave Shift operation under “To use Quick Octave Shift” (page EN-36).

Performing Master Digital Keyboard and Individual Part Pitch Adjustment

Use the procedure below to perform master Digital Keyboard pitch adjustment. When making adjustments, the A4 note (A above middle C) is the tuning standard.

To fine tune a pitch (Tuning)

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Tune”, and then press [6] (ENTER).

This displays “MstrTune”.

Use the bm number keys, bn [–] and [+], or the bl dial to change the setting value.

• The setting range is 415.5 to 465.9 Hz (Default: 440.0 Hz).

• Use the bm number keys to input integers.

• You can use bn [–] and [+] or the bl dial to change the frequency in 0.1Hz steps

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Repeat steps 3 and 4 as required for other parts.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

To fine tune the pitch of each keyboard part (Part Coarse Tuning, Part Fine Tuning)

When using layer and split, you can individually fine-tune the pitch of each part (UPPER 1, LOWER 1, UPPER 2, LOWER 2). Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following settings: Tuning (Tune) 3 Part Coarse Tune (PrtCoars) and Part Fine Tune (Prt Fine) (page EN-113).

• Part coarse tuning changes the pitch in semitone steps, while part fine tuning adjusts pitch in cent units.

• The Auto Harmonize (page EN-52) sound depends on the UPPER 1 part setting.

EN-36

Controlling Sounds

Selecting a Scale

You can select from among 17 different scales, including those that a suitable for classical music of specific eras, Arabian music, etc.

■ Scale List

No. Scale name Display

01 Equal Temperament Equal 02 Pure Major PureMajr 03 Pure Minor PureMinr 04 Pythagorean Pythagor 05 Kirnberger 3 Kirnbrg3 06 Werckmeister Wercmeis 07 Mean-Tone MeanTone 08 Rast Rast 09 Bayati Bayati 10 Hijaz Hijaz 11 Saba Saba 12 Dashti Dashti 13 Chahargah Chaharga 14 Segah Segah 15 Gurjari Todi GujrTodi 16 Chandrakauns Cndrkuns 17 Charukeshi Carukesi

• You can fine tune the pitch of each note of the scale (from C to B) in one-cent units. After selecting one of the preset scales, you can modify its tuning as desired. For details, see “To fine tune a scale (Scale Fine Tuning)” (page EN-37).

• You can fix the scale of Auto Accompaniment as equal temperament, regardless of the currently selected scale. To do so, use the procedure under “To change the scale setting used for Auto Accompaniments” to turn off the Accompaniment Scale (AcompScl) setting (page EN-38).

To select the temperament of keyboard play

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Scale”, and then press [6] (ENTER).

This displays “Type”.

Use bn [–] and [+] or the bl dial to change the setting value.

• For details about the scales that corresponds to each setting value, see the “Scale List” (page EN-37).

Press the [3] (W) bm number key to display “Root”.

Use bn [–] and [+] or the bl dial to select the root note.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

To fine tune a scale (Scale Fine Tuning)

Perform steps 1 and 2 under “To select the temperament of keyboard play” (page EN-37).

Use the [1] (V) and [3] (W) bm number keys to display “FineTune”, and then press [6] (ENTER).

This displays “C Tune”.

You can fine tune the pitch of each individual note in the scale.

(1) Use the [1] (V) and [3] (W) keys to display the

name of the note (C to B) whose pitch you want to fine tune.

(2) Use bn [–] and [+] or the bl dial to fine-tune the

pitch of the currently displayed note.

• You can change pitch within a range of –99 to +99 cents.

(3) Repeat steps (1) and (2) as many times as

necessary to fine tune the pitches of the notes you want.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-37

To change the scale setting used for Auto

Sa i n t sGo

Song number Song name

Accompaniments

Perform steps 1 and 2 under “To select the temperament of keyboard play” (page EN-37).

Use the [1] (V) and [3] (W) bm number keys to display “AcompScl”.

Use bn [–] and [+] to turn the setting on or off.

On: The scale selected by the procedure under “To select the temperament of keyboard play” is also applied to Auto Accompaniment. Off: The scale of Auto Accompaniment is always equal temperament.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Playing a Built-in Song or a Song on a USB Flash Drive (Song Bank Mode)

Your Digital Keyboard comes with 30 built-in songs.* You can use built-in songs for listening enjoyment, or you can mute the part of one hand of the piano part and play along for practice. You can also connect a USB flash drive to the Digital Keyboard and use the same operations as those for built-in songs to play general music MIDI files (SMF). * With this Digital Keyboard, the term “song” is used to refer

to a musical piece.

Selecting a Built-in Song for Playback

To select a single built-in song for playback

Press 7 SONG BANK.

This displays (song bank indicator) and enters the Song Bank Mode.

Use the bm number keys, bn [–] and [+], or the bl dial to select a song number.

• See “Numeric Input” (page EN-14) for information about how to specify a number.

• See page A-1 for a list of songs.

• This operation automatically changes the beat setting of the metronome (page EN-27) to the beat of the selected song. Even if the beat of a song is outside the allowable setting range of the metronome, it is still applied as the metronome setting.

• Selecting some songs will initially cause “Lod” to be displayed for TEMPO (see the illustration under step 3). This indicates that data is being loaded.

EN-38

Playing a Built-in Song or a Song on a USB Flash Drive (Song Bank Mode)

Note Value

Measure

Tempo

Beat

Indicator goes out when repeat is turned off.

Start End

These measures are repeated.

Press ck PLAY/STOP.

• This starts song playback. The playback tempo, current measure, and current beat are shown in the upper right corner of the display.

• The operations below are supported during song playback.

To perform this operation: Do this:

Stop a song part way through.

Pause or unpause a song. Press btk PAUSE. Change the song playback

speed. Jump to the beginning of the

next measure. Fast forward the song Hold down bsdFF. Jump to the beginning of the

previous measure. Fast reverse the song Hold down brsREW.

• While a song is playing back, you can play along on the keyboard using the tone (including split and layer tones) that was selected before song playback was started.

To stop song playback, press ck PLAY/STOP.

• The song plays in a continuous loop (repeat on) until you press ck PLAY/STOP. To turn off repeat, press bp REPEAT and confirm that there is no indicator mark next to [REPEAT].

Press ck PLAY/STOP.

Press the dk TEMPO [w] or [q] button.

Press bsdFF.

Press brsREW.

To select a tone for keyboard play in the Song Bank mode

In the Song Bank mode, press 5 TONE.

This displays (tone indicator). (song bank indicator) will also remain on the display.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the tone you want to assign to keyboard play.

• While is displayed, you can perform the split and/or layer tone selection operation. For more information, see “Selecting a Tone” (page EN-18).

• To change a tone number you selected using the procedure above, press 7 SONG BANK. This causes to disappear, leaving only displayed.

To adjust the balance between song and keyboard volume

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Song Volume (Song Vol) (page EN-113).

Looping Playback of Specific Song Measures (A-B Repeat)

To loop a range of measures in a song, you need to specify the start measure and end measure of the section you want to repeat.

To loop a specific phrase

If there is no indicator mark next to [REPEAT], press bp REPEAT to display it.

Perform steps 1, 2, and 3 under “To select a single built-in song for playback” (page EN-38) to start song playback.

EN-39

Playing a Built-in Song or a Song on a USB Flash Drive (Song Bank Mode)

Flashing

Displayed

Both-hand playback

Right hand muted

Left hand muted

Both hands muted

Both-hand playback

Right hand muted

Left hand muted

Both hands muted

When playback reaches the beginning of the section you want to loop, press bq A-B.

This will make the beginning of the measure that is playing when you press bq A-B the beginning of the loop, and cause the indicator mark next to [A-B] to start to flash.

When playback reaches the end of the section you want to repeat, press bq A-B again.

This will make the end of the measure that is playing when you press bq A-B the end of the loop, and cause the indicator mark next to [A-B] to stop flashing.

Use bo PART SELECT to select a part to practice.

• Each press of bo PART SELECT causes the indicators below to appear or disappear in accordance with the type of song that is selected.

Y Song with One Left-hand and One Right-hand Part

Y Song with Chord Accompaniment on the Left-hand

Side and Melody on the Right-hand Side

To return to normal playback, press bq A-B.

This causes the indicator mark next to [A-B] to disappear.

Playing Back with One Hand’s Part Muted

You can mute one of the hand parts of a song for playback. Then you can practice by playing the muted part on the keyboard. The following types of songs can be used for such practice: built-in songs,* or CMF format (one type of CASIO MIDI file) songs* stored on a USB flash drive. * These songs have part channel information (page EN-41).

To play back with one hand’s part muted

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select a song number.

Press ck PLAY/STOP to start song playback.

To stop song playback, press ck PLAY/STOP.

EN-40

Playing a Built-in Song or a Song on a USB Flash Drive (Song Bank Mode)

■ Part Channel Information

In built-in songs and CMF format songs, parts where left-hand play is recorded and parts where right-hand play is recorded are separate. These songs have “part channel information”, which is information that controls to which Digital Keyboard parts left-hand and right-hand play should be assigned. The part channel information contained in built-in songs and general CMF format songs is described below.

Song Type

Normal piano song with one tone for both hands

Song with Auto Accompaniment for the left-hand part and melody for the right-hand part

Though standard MIDI files (SMF format) stored on a USB flash drive can also be played back by the Digital Keyboard, such files do not have part channel information. Use the procedure below to specify whether the right-hand part or lefthand part should be muted when bo PART SELECT is pressed for playback of such a file.

Left Hand

Part:

Part 3 of SONG SOLO Part Group

Part 1 through 8 of RHYTHM Part Group

Right-hand

Part

Part 4 of SONG SOLO Part Group

To specify a part channel

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and change the part channel settings: Other (Other) 3 Right Hand (Melody) Part Channel (PartR Ch), Left Hand Part Channel (PartL Ch) (page EN-115).

• The above setting is applied only for playback of a song that does not have part channel information. When a song has part channel information, this setting is ignored and the part channel information is given priority.

Playing Back a Song from a USB Flash Drive

You can use the same operations as those for built-in songs to play back MIDI files* stored in the MUSICDAT folder on a USB flash drive. For information about the procedure for saving a MIDI file to a USB flash drive, see “Using a Computer to Copy General Song Data to a USB Flash Drive” (page EN-121). * Standard MIDI files (SMF format 0/1) and CASIO MIDI files

(CMF format)

To play back a song from a USB flash drive

Insert the USB flash drive into the Digital Keyboard’s USB flash drive port.

• When you perform a USB flash drive operation or turn on the Digital Keyboard while a USB flash drive is plugged in, the Digital Keyboard initially needs to perform a “mounting” sequence to prepare for data exchange with the USB flash drive. Digital Keyboard operations may be momentarily disabled while a mounting sequence is being performed. The [USB] indicator will flash on the display while the USB flash drive is being mounted. It may take up to 10 or 20 seconds or even longer for a USB flash drive to be mounted. Do not attempt to perform any operation on the Digital Keyboard while a mounting sequence is in progress. A USB flash drive needs to be mounted each time it is connected to the Digital Keyboard.

Perform the procedure under “To select a single built-in song for playback” (page EN-38).

• Song numbers are assigned automatically in sequence to MIDI files on the USB flash drive. The files are sorted on their file names, and the first MIDI file is assigned song number 41.

EN-41

Playing Back an Audio File

Displayed

Abso l u t e

Song number File name

Displayed

on a USB Flash Drive (Audio Mode)

You can use your Digital Keyboard to play back audio files (WAV format, 44.1 kHz 16bit) stored in the MUSICDAT folder on a USB flash drive. For information about the procedure for saving an audio file to a USB flash drive, see “Using a Computer to Copy General Song Data to a USB Flash Drive” (page EN-121).

• While audio file playback is in progress, you can perform normal keyboard play, and you can use layer, split operations.

• For information about handling USB flash drives, see “USB Flash Drive” (page EN-117).

To play back an audio file

Plug a USB flash drive where a supported audio file is stored into the Digital Keyboard’s USB port.

Long-press 7 SONG BANK (AUDIO) until the [AUDIO] indicator appears.

This means that the Digital Keyboard is in the Audio Mode and is standing by for audio file playback.

To stop playback, press 8 AUDIO PLAY/ STOP.

This causes the [AUDIO PLAY] indicator to disappear.

To exit the Audio Mode, press 7 SONG BANK (AUDIO).

This causes the [AUDIO] indicator to disappear.

• Playback of an audio file continues even if you exit the Audio Mode. In this case as well, press 8 AUDIO PLAY/ STOP to stop playback.

• You can loop playback of an audio file. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and turn on the repeat setting: Audio Playback (AudioPly) 3 Audio playback looping (Repeat) (page EN-114).

To adjust the balance between audio file playback and keyboard volume

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and change the volume setting: Audio Playback (AudioPly) 3 Audio playback volume (Volume) (page EN-114).

Center Cancel (Vocal Cut)

Enabling Vocal Cut mutes or minimizes the vocal part in the audio file playback. Note that this function cancels the sound in the center position of the audio, which may (depending on how the original audio was mixed) end up canceling something else other than the vocal part. How vocal cut is performed depends on the sound being input. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and change the Center Cancel setting: Audio Playback (AudioPly) 3 Audio playback Center Cancel (C Cancel) (page EN-114).

• Song numbers are assigned automatically in sequence to audio files on the USB flash drive.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the audio file you want to play back.

To start playback, press 8 AUDIO PLAY/ STOP.

This displays [AUDIO PLAY] indicator.

• The operations below are supported during playback.

To perform this operation: Press this button:

Skip to the next file bn [+] Skip to the previous file bn [–]

EN-42

Using Auto Accompaniment

Rhythm number Rhythm name

ep RHYTHM GROUP SELECT button

eq RHYTHM Category buttons

(Rhythm Mode)

With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (bass, guitar, and other instruments) will sound automatically when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go. You can edit built-in rhythms and produce original Auto Accompaniments (user rhythms) and save them in memory. For details, see “Creating an Auto Accompaniment (User Rhythm)” (page EN-75).

CT-X5000: To use the RHYTHM Category buttons to select a category

• You can use the eq RHYTHM Category buttons to quickly and easily navigate between categories.

Selecting a Rhythm

To select a rhythm

Press 6 RHYTHM.

This displays (rhythm indicator) and enters the Rhythm Mode.

Strt 8Bt

Use the bm number keys, bn [–] and [+], or the bl dial to select a rhythm number.

• See “Numeric Input” (page EN-14) for information about how to specify a number.

• Rhythms are divided into multiple categories, and are arranged for quick and easy navigation between categories. For more information, see “4 CATEGORY Button” (page EN-15).

• For details about rhythm categories and types, refer to the separate “Appendix”.

Rhythm categories are divided between two groups: Group A (L) and Group B (M). Which category (group) a eq RHYTHM Category button selects depends on whether or not the indicator lamp to the left of ep RHYTHM GROUP SELECT is lit.

Press the ep RHYTHM GROUP SELECT button to toggle between category Group A (indicator lamp unlit) and Group B (indicator lamp lit).

To select a category, press its eq RHYTHM Category button.

• This causes (rhythm indicator) to flash on the display.

• Pressing a eq RHYTHM Category button will select the last selected rhythm in the corresponding category. While is flashing, you can select one of the rhythms included in the category. To exit category rhythm selection, press 6 RHYTHM. This causes

to stop flashing.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the rhythm you want to sound.

• This operation automatically changes the beat setting of the metronome (page EN-27) to the beat of the selected rhythm. Even if the beat of a rhythm is outside the allowable setting range of the metronome, it is still applied as the metronome setting.

Press ck START/STOP to start play of the selected rhythm.

• This starts Auto Accompaniment with rhythm (drum and percussion) only. To stop rhythm play, press ck START/STOP again.

EN-43

Using Auto Accompaniment (Rhythm Mode)

Displayed

Flashing

Accompaniment keyboard

UPPER part keyboard

Measure

Tempo

Beat

Using Auto Accompaniment

To play an Auto Accompaniment

Use the procedure under “Selecting a Rhythm” (page EN-43) to select the rhythm you want to sound.

Press cm ACCOMP and confirm that the [ACCOMP] indicator is displayed.

• For details about this indicator, see “Auto Accompaniment Parts and the ACCOMP Indicator” (page EN-45).

Press bt ENDING/SYNCHRO START.

• This enters synchro start standby (page EN-47).

Play the chord you want on the accompaniment keyboard.

Auto Accompaniment will start playing when you play the chord. Example: Play a C chord (C-E-G).

Use the dk TEMPO [w] and [q] buttons to change the tempo setting.

• You can also configure the tempo setting before starting Auto Accompaniment.

• For information about the tempo setting, see “Changing Auto Accompaniment Speed (Tempo)” (page EN-45).

Play other chords with your left hand as you play the melody with your right hand.

• You can use “CASIO CHORD” or other simplified chord fingering modes to play chords. See “To select a chord fingering mode” (page EN-49).

• You can change the accompaniment using buttons

bp VARIATION/FILL-IN 1 to bs VARIATION/ FILL-IN 4. See “Creating a Song with an Auto

Accompaniment (Accompaniment Pattern)” (page EN-46).

To stop Auto Accompaniment, press ck START/STOP.

• Pressing bt ENDING/SYNCHRO START instead of ck START/STOP will play an ending pattern before

stopping the Auto Accompaniment. See “Creating a Song with an Auto Accompaniment (Accompaniment Pattern)” (page EN-46).

• With the above procedure, you finger chords to be played by the Auto Accompaniment. You also can use music presets to sound Auto Accompaniment using a chord progression based on the music genre you want to perform, without inputting chords. For details, see “Using Music Presets” (page EN-53).

EN-44

Using Auto Accompaniment (Rhythm Mode)

Note value Tempo value

Current setting value

■ Auto Accompaniment Parts and the ACCOMP Indicator

The Digital Keyboard’s Auto Accompaniment sounds up to eight parts (Drums, Percussion, Bass, Chords 1 to 5) simultaneously. The [ACCOMP] indicator indicates whether only percussion parts (Drums, Percussion) will sound, or all accompaniment parts will sound. Each press of cm ACCOMP toggles the [ACCOMP] indicator between displayed and not displayed.

• When the [ACCOMP] indicator is not displayed, only the rhythm (drum and percussion) of the accompaniment pattern sounds.

• When the [ACCOMP] indicator is displayed, bass, chords, and other parts sound in accordance with the chord played on the accompaniment keyboard.

• You can use the procedure under “Muting Specific Parts (Part Mode)” (page EN-61) to quickly and easily mute or unmute multiple parts.

• You can also make fine-adjustments to the volume, effect level, and other settings for each part. For details, see “Using the Mixer” (page EN-63).

To adjust the balance between Auto Accompaniment and keyboard volume

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Auto Accompaniment volume (AcompVol) (page EN-113).

Changing Auto Accompaniment Speed (Tempo)

There are two ways to change the tempo.

• Specifying a beats-per-minute value

• Tapping a beat with the dl TAP TEMPO button (tap input)

Note Value Indicator and Tempo Value

The current tempo value setting is always displayed in the upper right corner of the display.

The tempo value is always shown in combination with a note value. The example above indicates 120 quarter note beats per minute.

To specify a tempo value

Change the note value as required.

• See “To change the displayed note value” below.

Use the dk TEMPO [w] and [q] buttons to change the tempo setting.

• The allowable tempo value setting range depends on the currently displayed note value as shown in the table below.

Note Value Tempo Value Range

Quarter note (2) 20 to 255

Eighth note (6) 40 to 510

Half note (1) 10 to 128

Dotted quarter note (2.) 13 to 170

• When the note value is a quarter note, the tempo value corresponds to the actual number of beats per minute. When the note value is an eighth note the number of beats per minute is twice that of the tempo value. When the note value is a half note, the number of beats is half that of the tempo value.

EN-45

Using Auto Accompaniment (Rhythm Mode)

Indicator displayed while Variation 2 is sounding

Indicator displayed while Fill-In 1 is sounding

To change the displayed note value

Long-press dl TAP TEMPO until the displayed note value changes.

• Each long-press of dl TAP TEMPO cycles through the note value settings in the sequence shown below.

Quarter note (2) Eighth note (6)

Dotted quarter note (2.) Half note (1)

To set the tempo by tapping a beat

Tap dl TAP TEMPO multiple times at as steady a beat as possible.

This will set a tempo that is as close as possible to the timing of the beat you tap.

• It helps to use this method to specify the approximate tempo in combination with a procedure like the one under “To specify a tempo value” (page EN-45).

• A tempo value that is input using this method has no relation to the currently displayed note value. Depending on the rhythm selected with the above operation, a quarter note or eighth note tempo value is input.

Creating a Song with an Auto Accompaniment (Accompaniment Pattern)

Generally, the progress of a musical piece starts with an intro, transitions to verses that are interspersed with interludes and other changes, and then returns to the main theme before reaching an ending. The Digital Keyboard’s Auto Accompaniment function provides a selection of accompaniment patterns that are suited to the progress of a musical composition.

Accompaniment Patterns

This section describes the different types of accompaniment patterns of the Auto Accompaniment function.

■ Variations (Four Types)

This is an accompaniment pattern that can be used in the verse or chorus of a piece. A variation repeats anywhere from one measure to multiple measures.

To play a variation

Press one of the VARIATION/FILL-IN buttons (bp to bs). This sounds the variation accompaniment pattern assigned to the button that is pressed.

To start rhythm play with the dl TAP TEMPO button

You can configure settings to automatically start rhythm play when you specify a tempo using the procedure under “To set the tempo by tapping a beat” above. To do so, perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and enable the following setting: Other (Other) 3 Tap rhythm start (Tap Rhy) (page EN-115).

• Pressing ck START/STOP sounds the Variation 1 pattern.

■ Fill-Ins (Four Types)

These accompaniment patterns are used to insert short oneor two-measure fill-ins into a piece. When a fill-in button is pressed, the fill-in will start immediately, or on the first beat after one measure or two measures, and then return to the original variation accompaniment pattern.

To play a fill-in

While Variation 1 is sounding, press bp VARIATION/FILL- IN 1. If a different variation (2, 3, 4) is sounding, press the

button (bq, br, bs) that corresponds to it.

EN-46

Using Auto Accompaniment (Rhythm Mode)

Indicator displayed while Intro is sounding

Indicator displayed while Ending is sounding

Flashing

■ Intro (One Type)

This is an accompaniment pattern that can be used at the beginning of a piece. After a multiple-measure intro accompaniment pattern sounds, accompaniment transition to Variation 1.

To play an intro

Press bo INTRO.

To change the variation played following the intro

While an intro is sounding, press the button for the variation you want to sound (bq VARIATION/FILL-IN 2, br VARIATION/FILL-IN 3, bs VARIATION/FILL-IN 4) after the intro is complete.

■ Ending (One Type)

This is an accompaniment pattern that can be used at the end of a piece. After a multiple-measure ending sounds, Auto Accompaniment ends.

To play an ending

While an Auto Accompaniment is sounding, press bt ENDING/SYNCHRO START.

Starting and Stopping Auto Accompaniment with the Accompaniment Keyboard (Synchro Start, Synchro Stop)

You can configure settings so Auto Accompaniment starts as soon as you play a chord on the accompaniment keyboard (synchro start) and stops as soon as you release all of the keys on the accompaniment keyboard (synchro stop).

To use Synchro Start to start Auto Accompaniment play

Press bt ENDING/SYNCHRO START.

This enters synchro start standby, and causes the [SYNC START] indicator and indicator to flash.

• If you want to start with an intro, press bo INTRO here. This causes the indicator to flash.

• If you want to start with a particular variation, press the button for the variation you want to start with (bq VARIATION/FILL-IN 2, br VARIATION/FILL- IN 3, bs VARIATION/FILL-IN 4). The indicator and a number indicator (1 to 4) that corresponds to the button you press flash on the display.

Play the chord you want on the accompaniment keyboard.

This starts Auto Accompaniment.

• To exit synchro start standby, press bt ENDING/ SYNCHRO START.

EN-47

Using Auto Accompaniment (Rhythm Mode)

Displayed

DE F F



DE F



DE F F



DE F



DE F F



DE F



DE F F



DE F



To use Synchro Stop to stop Auto Accompaniment play

Press cl SYNCHRO STOP.

This enters synchro stop standby.

While Auto Accompaniment is sounding, release all of the accompaniment keyboard keys at the point where you want it to stop.

This stops Auto Accompaniment.

• The Digital Keyboard automatically enters synchro start standby at this time.

• To exit synchro stop standby, press cl SYNCHRO STOP.

Changing Accompaniment Keyboard Settings

Selecting a Chord Input Mode

You can select from among the following six chord input modes.

• CASIO CHORD

•FINGERED1

•FINGERED2

• FINGERED ON BASS

• FINGERED ASSIST

• FULL RANGE CHORD For details, see “To select a chord fingering mode” (page EN-49).

■ CASIO CHORD

With CASIO CHORD, you can use simplified fingerings to play the four types of chords described below.

Chord Type

Major Chords

Pressing a single accompaniment area key in the CASIO CHORD mode will play the major chord whose name is marked above the key. All of the accompaniment area keys that are marked with the same chord name play exactly the same chord.

Example: C (C Major)

Minor Chords

To play a minor chord, press the accompaniment area key that corresponds to the major chord, while also pressing one other accompaniment area key to the right.

Example: Cm (C Minor)

Seventh Chords

To play a seventh chord, press the accompaniment area key that corresponds to the major chord, while also pressing two other accompaniment area keys to the right.

Example: C7 (C Seventh)

Minor Seventh Chords

To play a minor seventh chord, press the accompaniment area key that corresponds to the major chord, while also pressing three other accompaniment area keys to the right.

Example: Cm7 (C Minor Seventh)

EN-48

• When playing a minor, seventh, or minor seventh chord, it makes no different whether the additional keys you press are black or white.

Using Auto Accompaniment (Rhythm Mode)

DE F F



DE F



DE F F



DE F



DE F F



DE F



Accompaniment keyboard

UPPER part keyboard

Split Point

Accompaniment

keyboard

■ FINGERED

With these input modes, you play chords on the accompaniment keyboard using their normal chord fingerings. Some chord forms are abbreviated, and can be fingered with one or two keys. See page A-2 for information about chords that are supported and how they are fingered on the keyboard.

● FINGERED 1

Play the component notes of the chord on the keyboard.

● FINGERED 2

Unlike FINGERED 1, 6th input is not possible. m7 or m7 input.

● FINGERED ON BASS

Unlike FINGERED 1, allows input of fraction chords with the lowest keyboard note as the bass note.

● FINGERED ASSIST

Produces an effect that is different from FINGERED 1 when two or three keys are pressed. Pressing a root key and any white key to the left of the root key plays a seventh chord, while a black key plays a minor chord. Pressing both a white and black key together plays a minor seventh chord. In addition to FINGERED 1, you can also use the methods below to play the three types of chords described below.

Chord Type

Minor Chords

To play a minor chord, press the accompaniment keyboard key that specifies the major chord, while also adding the closest black key to the left of the major chord key.

Example: Cm (C Minor)

To select a chord fingering mode

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “ChordMod”.

Use bn [–] and [+] or the bl dial to change the setting value.

• The table below shows the relationship between setting values and chord fingering modes.

Setting

value

1 CASIO CHORD CASIO Cd 2 FINGERED 1 Fingerd1 3 FINGERED 2 Fingerd2 4 FINGERED ON BASS FgOnBass 5 FINGERED ASSIST FgAssist 6 FULL RANGE CHORD FulRange

• The accompaniment keyboard ranges for each chord fingering mode is shown in the illustration below. The split point (page EN-20) shown in the illustration is the initial default split point.

Y FULL RANGE CHORD

Y Not FULL RANGE CHORD

Chord Fingering Modes Display

Seventh Chords

To play a seventh chord, press the accompaniment keyboard key that specifies the major chord, while also adding the closest white key to the left of the major chord key.

Example: C7 (C Seventh)

Minor Seventh Chords

To play a minor seventh chord, press the accompaniment keyboard key that specifies the major chord, while also adding the closest white and black keys to the left of the major chord key.

Example: Cm7 (C Minor Seventh)

■ FULL RANGE CHORD

With this mode, you can use the full area of the keyboard to play chords and the melody. See page A-2 for information about chords that are supported.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-49

Using Auto Accompaniment (Rhythm Mode)

UPPER part keyboard

Split Point

LOWER part keyboard

UPPER part keyboard

Lower Point

LOWER part keyboard

Accompaniment

keyboard

UPPER part keyboard

Chord Point

LOWER part keyboard

Accompaniment

keyboard

Lower point note number

Lower point note name

Accompaniment Keyboard Range Setting

Specifying a split point (page EN-20) puts the LOWER part keyboard and the accompaniment keyboard in the same area. You can also specify different areas for each of these two keyboards. You can also configure a setting so the LOWER part tone does not sound in the area where the LOWER part keyboard and accompaniment keyboard overlap. For details, see the “Advanced Split Settings” (page EN-50).

Advanced Split Settings

Your Digital Keyboard can be split into three areas: an UPPER part keyboard, a LOWER part keyboard, and an accompaniment keyboard. You can specify a split point (page EN-20) as shown in the illustration below.

● Chord Point

The illustration below shows a keyboard with a chord point specified. The LOWER part keyboard range is not affected in this case.

• While the Chord Input Priority Mode (page EN-51) is turned on, the LOWER part tone does not sound in the area where the LOWER part keyboard and accompaniment keyboard overlap.

To specify the lower point

Hold down dp SPLIT until “Split Pt” is displayed.

You can specify a lower point and a chord point, to assign different areas as a LOWER part keyboard and an accompaniment keyboard.

● Lower Point

Specifying the lower limit of the UPPER part keyboard results in a configuration like the one shown below. The accompaniment keyboard range is not affected in this case.

Use the [1] (V) and [3] (W) bm number keys to display “Lower Pt”.

Use bn [–] and [+] or the bl dial to specify the note name of the lower point note (the lower limit of the UPPER part keyboard).

B3 I C4

• You can also specify the lower point by holding down dp SPLIT and pressing the keyboard key where you want the lower point to be.

• You cannot specify a lower point that is lower than (to the left of) the chord point. If you do, the chord point will be forced to be the same key as the lower point.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-50

Using Auto Accompaniment (Rhythm Mode)

Chord point note number

Chord point note name

To specify the chord point

Hold down dp SPLIT until “Split Pt” is displayed.

Use the [1] (V) and [3] (W) bm number keys to display “Chord Pt”.

Use bn [–] and [+] or the bl dial to specify the note name of the chord point (page EN-50).

B3 I C4

• You can also specify the chord point by holding down dp SPLIT and pressing the keyboard key where you want the chord point to be.

• You cannot specify a chord point that is higher than (to the right of) the chord point. If you do, the lower point will be forced to be the same key as the chord point.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

To turn the Chord Input Priority Mode on or off

Hold down dp SPLIT until “Split Pt” is displayed.

Use the [1] (V) and [3] (W) bm number keys to display “CdPrior”.

Use bn [–] and [+] to switch the Chord Input Priority Mode between on and off.

• While Chord Input Priority Mode is turned on, the LOWER part tone does not sound in the area where the LOWER part keyboard and accompaniment keyboard overlap.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Using Recommended Tones and Tempos (One-Touch Presets)

One-Touch Preset gives you one-touch access to tone and tempo settings that go well with the currently selected Auto Accompaniment rhythm pattern.

Hold down 6 RHYTHM until the tone name is displayed.

This automatically applies the One-Touch Preset settings in accordance with the rhythm pattern that is currently selected.

Play a chord on the keyboard.

This immediately starts Auto Accompaniment.

EN-51

Using Auto Accompaniment (Rhythm Mode)

Displayed

Adding Harmony to Melody Notes (Auto Harmonize)

Auto Harmonize lets you add harmony to melody notes you play with your right hand for more melodic depth. You can select any one of 12 Auto Harmonize types.

• A single button is used to control auto harmonize and the arpeggiator (page EN-27). Because of this, the arpeggiator cannot be used while auto harmonize is in use.

To turn on Auto Harmonize

Press do AUTO HARMONIZE/ ARPEGGIATOR and confirm that the [AUTO HARMONIZE] indicator is displayed.

• Fingering a chord on the accompaniment keyboard as you play the melody on the UPPER part keyboard will add chords to your melody play.

To turn Auto Harmonize off, press do AUTO HARMONIZE/ARPEGGIATOR.

This causes the [AUTO HARMONIZE] indicator to disappear.

• If the [ARPEGGIATOR] indicator is displayed instead of the [AUTO HARMONIZE] indicator in step 1 of the above procedure, you will need to change the function assigned to the button. Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and select “1 A.Har.” for the following setting: Auto Harmonize/Arpeggiator (AHar/Arp) 3 AUTO HARMONIZE/ARPEGGIATOR button assignment (BtnAsign) (page EN-112).

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

■ Auto Harmonize Type List

Type

number

Type Name Description

01 Duet 1 Adds close (separated by 2 to 4

degrees) 1-note harmony below the melody note.

02 Duet 2 Adds open (separated by more

than 4 to 6 degrees) 1-note

harmony below the melody note. 03 Country Adds country style harmony. 04 Octave Adds the note from the next lower

octave. 05 5th Adds the fifth degree note. 06 3-Way Open Adds 2-note open harmony, for a

total of three notes. 07 3-Way Close Adds 2-note close harmony, for a

total of three notes. 08 Strings Adds harmony that is optimal for

strings. 09 4-Way Open Adds 3-note open harmony, for a

total of four notes. 10 4-Way Close Adds 3-note close harmony, for a

total of four notes. 11 Block Adds block chord notes. 12 Big Band Adds big band style harmony.

To select the Auto Harmonize type

Perform the procedure under “To turn on Auto Harmonize” and confirm that the [AUTO HARMONIZE] indicator is displayed.

Long-press do AUTO HARMONIZE/ ARPEGGIATOR until the [FUNCTION] indicator flashes on the display.

This displays the currently selected auto harmonize number and name.

Use bn [–] and [+] or the bl dial to specify the auto harmonize type.

• For details about types, see “Auto Harmonize Type List” (page EN-52).

EN-52

Using Music Presets

Music preset number

Music preset name

Music Presets are a collection of setups with chord progression data. With the touch of a button you can recall one of 310 presets that include tone, rhythm, and other setting data, along with Auto Accompaniment chord progressions, all of which are combined to match specific musical genres and melodies. For details about music preset categories and types, refer to the separate “Appendix”.

To perform using a music preset

Press 6 RHYTHM.

Long-press cm ACCOMP until the [ACCOMP] indicator starts to flash.

So f t Po

• With some music presets, selecting a number in step 3 causes the [SYNC START] indicator to start to flash, indicating that the Digital Keyboard is in synchro start standby (page EN-47). If this happens, Auto Accompaniment can be started by playing something on the keyboard instead of pressing ck START/STOP. For information about operations that can be performed while in synchro start standby, see step 1 under “To use Synchro Start to start Auto Accompaniment play” (page EN-47).

• The accompaniment pattern operations (page EN-46) can be used during a performance with a music preset.

• The operations below cannot be used during play that employs a music preset. – Rhythm setting change (page EN-43) – Synchro stop (page EN-48) – Registration (page EN-66)

To change the key of a chord progression

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and configure the following setting: Other (Other) 3 Music preset key change (MP Key) (page EN-115).

• The flashing [ACCOMP] indicator indicates that the Digital Keyboard is in the Music Preset Mode.

Use the bm number keys, bn [–] and [+], or the bl dial to select a music preset number.

This changes the displayed music preset name. At the same time, settings are recalled for the tone, rhythm, chord progression, and data that matches the genre or melody indicated by the name.

• See “Numeric Input” (page EN-14) for information about how to specify a number.

• Music presets are divided into nine categories. You can easily find the music preset you want by going to the dance category, classic category, etc. For more information, see “4 CATEGORY Button” (page EN-15).

Press ck START/STOP or bo INTRO.

This starts Auto Accompaniment play in accordance with the preset chord progression.

Play along on the keyboard with the Auto Accompaniment.

To stop Auto Accompaniment, press

ck START/STOP or bt ENDING/SYNCHRO START.

To exit the Music Preset Mode, press cm ACCOMP.

• At this time the tone and rhythm settings configured by the Music Preset Mode remain in effect.

Settings Changed by Music Preset

Each selection of a music preset automatically changes the Digital Keyboard settings below. Changed settings are maintained even after the Music Preset Mode is exited.

• Tempo

• Layer (on/off)

• Split (on/off)

• Synchro start

• do AUTO HARMONIZE/ARPEGGIATOR button assignment

• Auto Harmonize (on/off, type)

• Arpeggiator (on/off, type)

• Arpeggiator Hold (on/off)

• Tone number (UPPER 1, LOWER 1, UPPER 2, LOWER 2 parts)

• Octave Shift (UPPER 1, LOWER 1, UPPER 2, LOWER 2 parts)

• Reverb, Chorus, Delay (on/off, type)

EN-53

Using Phrase Pads

Displayed

Not displayed

Short phrases can be recorded and assigned to each of the four phrase pads. Pressing a pad will loop playback its recorded phrase. You can sound phrases individually, or you can sound multiple phrases at the same time. The explanations in this section refer to phrases assigned to the phrase pads as Phrase 1 through Phrase 4.

■ Phrase Sets and Phrase Storage Locations

A group of four phrases assigned to the four phrase pads are called a “phrase set”. There are 25 phrase sets numbered 1 through 25, which means that up to 100 phrases (25 phrase sets with 4 phrases each) can be stored as user phrases. When you record a phrase, you specify a storage location using a phrase set number (1 to 25) and a phrase number 1 to

Changing to Another Phrase Set

You can use the procedure below to change the phrase set currently assigned to the phrase pads to another set.

Starting and Stopping Phrase Playback

Before playing back a phrase, you must first change to the phrase set where the phrase is located if it is not already assigned to the phrase pads. For details, see “Changing to Another Phrase Set” (page EN-54).

To start and stop phrase playback

Press one of the phrase pads. For example, press cq PHRASE PAD [P1].

This starts playback of Phrase 1 and displays the [P1] indicator.

Press a different phrase pad. For example, press cq PHRASE PAD [P3].

This starts playback of Phrase 3, and plays Phrase 1 and Phrase 3 at the same time. In addition to the [P1] indicator, the [P3] indicator also appears.

To change the phrase set

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Phr Pad”, and then press [6] (ENTER).

This displays “Phr Set”. You can select a phrase set number at this time.

Use bn [–] and [+] or the bl dial to select a phrase set number.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

To stop playback of only one of the phrases, hold down cr STOP and press the cq PHRASE PAD where the phrase you want to stop is assigned.

For example, holding down cr STOP and pressing cq PHRASE PAD [P1] will stop playback of Phrase 1

and allow Phrase 3 to continue sounding. The [P1] indicator disappears at this time.

To stop phrase playback while a single phrase is playing, press cr STOP.

• You can also stop phrase playback by performing the same operation as that in step 3.

• Pressing the pad of a phrase that is playing back will restart the phrase from the beginning.

EN-54

Using Phrase Pads

Flashing

To stop playback of all phrases

To stop phrase playback while a multiple phrases are playing, press cr STOP.

To synchronize phrase playback with Auto Accompaniment

• The procedure below starts phrase playback and, at the same time, starts Auto Accompaniment in accordance with the operation (pressing ck START/STOP or bo INTRO, etc.) performed in step 2.

While holding down bt ENDING/SYNCHRO START, press the phrase pad (for example, cq PHRASE PAD [P1]) whose phrase you want to start playing along with Auto Accompaniment.

• If you want playback of multiple phrases to start simultaneously, repeat the above operation for the other phrases as well.

• To cancel phrase and Auto Accompaniment simultaneous start standby, hold down bt ENDING/ SYNCHRO START as you press the phrase pad you want to cancel.

Press ck START/STOP to start Auto Accompaniment.

This simultaneously starts Auto Accompaniment and phrase playback.

Configuring Phrase Playback Setups

Phrase playback setups control how the phrase assigned to a phrase pad (1 to 4) plays when you press the pad. The setups you configure here are recorded to the corresponding pad.

To configure a phrase playback setup

Specify the phrase pad whose playback setup you want to configure.

(1) Press bk FUNCTION and confirm that the

[FUNCTION] indicator is displayed.

(2) Use the [1] (V) and [3] (W) bm number keys to

display “Phr Pad”, and then press [6] (ENTER). This displays “Phr Set”.

(3) Use the [1] (V) and [3] (W) keys to specify the

phrase pad (Pad 1 to Pad 4) whose playback setup you want to configure, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to select the item whose setting you want to change.

• For information about setting items, see “Phrase Playback Setup Items” below.

Use bn [–] and [+] or the bl dial to change the setting.

• Repeat steps 2 and 3 for each of the items whose setting you want to configure.

When the setup is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

EN-55

Using Phrase Pads

Flashing Flashing

Phrase Playback Setup Items

Setup Item

(Display)

Looped playback (Loop)

Key shift (KeyShift)

Timing Sync (TimingSy)

Chord Sync (ChordSyn)

Break Point (Break Pt)

Description Settings

Specifies whether or not to perform loop playback. Off: Plays the phrase all the way through and then stops. On: Loops the phrase.

Changes the playback pitch in semitone units. A lower setting value lowers the playback pitch, while a higher setting value raises the pitch.

Specifies whether playback timing and speed when a phrase pad is pressed should be synced with a previously playing Auto Accompaniment, phrase, or song recorded with the MIDI recorder. Off: No syncing. Beat: Forces correction of deviation in beat units. Measure: Forces correction of deviation in measure units.

Enabling this function automatically adjusts the pitch of the phrase in accordance with the chords of an Auto Accompaniment that is playing.

Important!

Note that Chord Sync can be applied to a phrase recorded in C Major only. Play and record the phrase in C Major and assign it to the applicable pad. Next, turn on Chord Sync for the pad.

This setting is applied while Chord Sync is turned on. It specifies a note key, from C to B, as the point at which the phrase notes drop one octave.

On, Off

–24 to 24

Off, Beat, Measure

On, Off

C to B

Recording a Phrase

A phrase is created by recording notes played manually on the keyboard. You can record up to 16 measures for a phrase. As with playback, recording also loops back to the first measure when the end of the number of measures specified for the phrase is reached. You can add notes while listening to playback of previously recorded content.

To record a phrase

Select the tone you want to use for phrase recording.

• See “Selecting a Tone” (page EN-18).

• You cannot use layer or split when recording a phrase.

• If you want to change mixer settings, perform the procedure under “To configure mixer settings” (page EN-63). To configure mixer settings of the phrase to be recorded, select the UPPER 1 part of the KEYBOARD part group for setting configuration, and then configure settings as required.

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Phr Pad”, and then press [6] (ENTER).

This displays “Phr Set”.

Use the bn [–] and [+], or the bl dial to select the phrase set number you want to use for phrase recording.

Press 8 RECORD/STOP.

This enters record standby and causes the [RECORD] indicator to flash. Also, the [P1] indicator will be flashing.

• The indicators ([P2] through [P4]) of the phrase pads that have phrases recorded will appear on the display.

• The [P1] indicator flashes even if there is already a phrase recorded to the P1 phrase pad. You can determine whether or not there is a phrase recorded to the P1 phrase pad by pressing any cq PHRASE PAD button other than [P1] in step 6. If the [P1] indicator is displayed, it means there is a phrase recorded. If the indicator is not displayed, it means nothing is recorded to the P1 phrase pad.

EN-56

Press a cq PHRASE PAD button ([P1] to [P4]) to specify the phrase number of the recording destination.

• This causes the indicator of the pad you press (P1 to P4) to flash on the display.

Measure Beat

To start recording, press ck PLAY/STOP or play something on the keyboard.

Playing on the keyboard automatically starts recording. This displays the [RECORD] indicator.

• The number of measures and beats are counted up in the upper right corner of the display. When the final beat of the length (number of measures)* specified for the phrase being edited is reached, the count restarts from 001:01.

* For information about the number of measure setting,

see “Configuring Phrase Recording Settings” below.

Timing in accordance with the MEASURE and BEAT values on the display, play something on the keyboard when required.

• What you record will play back when the display returns to the measure and beat where it was recorded. You can overdub the recording as many times as you like while listening to the playback.

• Playback while recording is in progress is sound produced by the KEYBOARD part group’s Part 6 (Phrase Pad 1) to Part 9 (Phrase Pad 4). If you want to the change the mixer settings for playback during phrase recording, select the part of pad currently being recorded as the target for the operation under “To configure mixer settings” (page EN-63).

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

Using Phrase Pads

Configuring Phrase Recording Settings

If you change phrase recording settings, those settings will be in effect for the subsequent recording operation as well. Change the recording settings as required when recording a new phrase.

To configure phrase recording settings

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Phr Pad”, and then press [6] (ENTER).

This displays “Phr Set”.

Press 8 RECORD/STOP.

This causes the [RECORD] indicator to flash.

Long-press 8 RECORD/STOP until “Length” is displayed.

• This enters the phrase recording setting mode.

Use the [1] (V) and [3] (W) keys to select the item whose setting you want to change.

• For information about setting items, see “Phrase Recording Setting Items” (page EN-58).

When all the settings are the way you want, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

EN-57

Using Phrase Pads

Phrase Recording Setting Items

Item Name

(Display)

Number of measures (Length)

Quantize (Quantize)

Metronome (Metronom)

Pre-count (Precount)

Specifies the length (number of measures) of the phrase to be recorded.

Specify either recording of notes in the timing they are played on the keyboard or automatic alignment of notes based on a note value. Selecting a setting other than “Off” displays a note value (4: quarter note, d: dotted note, t: triplets).

Specifies whether or not the metronome should sound during recording.

Specifies whether or not to sound a pre-count when recording.

Description Settings

1 to 16

Off, 4, 8, 16, 32, 4d, 8d, 16d, 32d, 4t, 8t, 16t, 32t

On, Off

Managing Phrase Sets

You can use the procedures in this section to copy and delete phrase sets.

To delete a phrase set

Perform the procedure 1 through 3 under “To change the phrase set” (page EN-54) to select the number of the phrase set you want to delete.

Long-press 8 RECORD/STOP until “Copy” is displayed.

Use the [1] (V) and [3] (W) bm number keys to display “Clear”, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to delete or bn [–] (NO) to cancel the delete operation.

• Pressing bn [+] (YES) displays the message “Wait...” (operation in progress). Do not perform any operation while this message is displayed. “Complete” is displayed after the operation is complete.

To exit the operation, long-press the [4] (EXIT) bm number key.

To copy a phrase set

Perform the procedure 1 through 3 under “To change the phrase set” (page EN-54) to select the number of the phrase set you want to copy.

Long-press 8 RECORD/STOP until “Copy” is displayed.

Press the [6] (ENTER) bm number key.

This displays “Phr Set” and stands by for selection of the copy destination.

Use bn [–] and [+] or the bl dial to select the copy destination phrase set number.

• Be sure to specify an empty area as the copy destination.

Press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

• Pressing bn [+] (YES) displays the message “Wait...” (operation in progress). Do not perform any operation while this message is displayed. “Complete” appears after the operation is complete.

To exit the operation, long-press the [4] (EXIT) bm number key.

EN-58

Using Phrase Pads

Displayed

Editing a Phrase

You can use the procedures in this section to edit individual phrases. You can delete or copy a phrase, and configure quantize, key shift, and mixer settings.

• Quantize automatically corrects the timing of recorded notes to match a note value being used as the quantize reference.

• Key shift offsets the pitch of recorded sounds in semitone steps.

To edit a phrase, enter the phrase editing mode.

To enter the Phrase Editing mode

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Phr Pad”, and then press [6] (ENTER).

This displays “Phr Set”.

Use bn [–] and [+] or the bl dial to select the number of the phrase set that includes the phrase you want to edit.

Long-press bk FUNCTION until the [EDIT] indicator appears.

• This enters the phrase editing mode. “Clear” will appear at this time.

To delete a phrase

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

To copy a phrase

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

Use the [1] (V) and [3] (W) bm number keys to display “Copy”, and then press [6] (ENTER).

This displays “Src Set”.

Use bn [–] and [+] or the bl dial to specify the number of the phrase set that contains copy source phrase, and then press [6] (ENTER).

This displays “SrcPhr 1” and causes the [P1] indicator to flash on the display.

Use bn [–] and [+] or the bl dial to specify the copy source phrase number, and then press [6] (ENTER).

This displays “DstPhr 1” and causes the [P1] indicator to flash on the display.

Use bn [–] and [+] or the bl dial to select the copy destination phrase number, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

To exit the operation, long-press the [4] (EXIT) bm number key.

Press the [6] (ENTER) bm number key.

This displays “Phrase 1” and causes the [P1] indicator to flash on the display.

Use bn [–] and [+] or the bl dial to select the number of the phrase you want to delete, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

• Pressing bn [+] (YES) displays the message “Wait...” (operation in progress). Do not perform any operation while this message is on the display. “Complete” is displayed after the operation is complete.

To exit the operation, long-press the [4] (EXIT) bm number key.

EN-59

Using Phrase Pads

To delete all data from a phrase except note events

To exit the operation, long-press the [4] (EXIT) bm number key.

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

Use the [1] (V) and [3] (W) bm number keys to display “Other Clr”, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

To exit the operation, long-press the [4] (EXIT) bm number key.

To quantize a phrase

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

Use the [1] (V) and [3] (W) bm number keys to display “Quantize”, and then press [6] (ENTER).

This displays “Phrase 1” and causes the [P1] indicator to flash on the display.

Use bn [–] and [+] or the bl dial to select the number of the phrase you want to quantize, and then press [6] (ENTER).

This displays “Value”.

To key shift a phrase

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

Use the [1] (V) and [3] (W) bm number keys to display “KeyShift”, and then press [6] (ENTER).

This displays “Phrase 1” and causes the [P1] indicator to flash on the display.

Use bn [–] and [+] or the bl dial to select the number of the phrase you want to key shift, and then press [6] (ENTER).

This displays “Value”.

Use bn [–] and [+] or the bl dial to specify the key shift setting value.

• You can specify a value in the range of –24 to 24. Lowering the setting value by one lowers the pitch by one semitone, while raising the value raises the pitch.

Press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

To exit the operation, long-press the [4] (EXIT) bm number key.

Use bn [–] and [+] or the bl dial to select the note value to be used as the quantize reference note.

Display Description

4, 8, 16, 32 Quarter note, eighth note, sixteenth note,

thirty-second note

4d, 8d, 16d, 32d Dotted notes

4t, 8t, 16t, 32t Triplet notes

Press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute or bn [–] (NO) to cancel.

EN-60

To configure phrase mixer settings

Lit

Use the procedure under “To enter the Phrase Editing mode” (page EN-59) to enter the Phrase Editing mode.

Long-press 9 PART (MIXER) until the [MIXER] indicator appears.

This displays the [KEYBOARD] indicator and mixer part indicator.

• Mixer part indicators through correspond to phrase numbers 1 through 4.

Use the [1] (V) and [3] (W) bm number keys to select the phrase whose mixer settings you want to configure.

Use the [2] (w) and [5] (q) bm number keys to display the menu item you want to change.

• Initial default setting values are indicated by an asterisk (*).

Item Name

(Display)

Tone (Tone) Changes the phrase

Volume (Volume)

Pan (Pan) Adjusts the stereo

Reverb Send (Rev Send)

Chorus Send (Cho Send)

Delay Send (Dly Send)

Description Settings

tone. Adjusts the phrase

volume level.

position of the phrase. 0 indicates the center, while a smaller value shifts to the left and a larger value shifts to the right.

Specifies how much reverb is applied to the selected part.

Specifies how much chorus is applied to the selected part.

Specifies how much delay is applied to the selected part.

0 to 900

0 to 100* to 127

–64 to 0* to 63

0 to 40* to 127

0* to 127

Muting Specific Parts (Part Mode)

Your Digital Keyboard produces Auto Accompaniment and keyboard play notes using multiple parts. You can use the part on/off function to easily mute and unmute one or more parts. For example, you can mute all parts except for the drum, percussion, and bass parts of the Auto Accompaniment.

Turning a Part On or Off

The example below shows how to turn each Auto Accompaniment part on or off. If you perform this operation while an Auto Accompaniment is sounding, you can compare what the accompaniment sounds like with and without the part.

To turn each part on or off

Press 9 PART.

This causes the indicator lamp to the left of the button to light (Part Mode).

This displays the name of the currently selected part group.

Keyboa rd

• For details about part groups, see “Part On/Off Function Part Groups” (page EN-62).

Use bn [–] and [+] or the bl dial to change the setting value.

To exit the operation, long-press the [4] (EXIT) bm number key.

EN-61

Muting Specific Parts (Part Mode)

Mixer Part Indicators

(Turned on parts displayed.)

[RHYTHM] indicator displayed

Use bn [–] and [+] to select the part group of the part you want to turn on or off.

• For example, display the [RHYTHM] indicator. While the [RHYTHM] indicator is displayed, you can turn each Auto Accompaniment part on or off. The mixer part indicator numbers that correspond to the currently sounding Auto Accompaniment will be shown on the display.

• For information about the mixer part indicator numbers and their parts, see “List of Parts for Each Mixer Part Group” (page EN-64).

To turn a part on or off, press the bm number key that corresponds to the part number.

• For example, each press of the [2] bm number key toggles the drum part between off ( indicator not displayed) and on ( indicator displayed).

• The SONG SOLO and MIDI IN part groups have 16 parts, and only eight parts (1 to 8, or 9 to 16) are displayed at a time. While parts 9 through 16 are displayed, first subtract 8 from the part number. Next, press the bm number key that corresponds to the result. For part , for example, press the [8] bm number key.

Part On/Off Function Part Groups

Besides the Auto Accompaniment in the explanation above, the Digital Keyboard also uses other parts in order to generate sounds for manual keyboard play, song playback, and MIDI message input from external devices. The part on/off function divides these parts into multiple part groups.

■ Part Group and Indicator List

Part Group Name

(Indicator)

Keyboard play (KEYBOARD)

Auto Accompaniment (RHYTHM)

Song System (SONG SYSTEM)

Song Solo (SONG SOLO) Song bank song and MIDI

MIDI Input (MIDI IN) MIDI IN parts Microphone input (E*) Microphone input part

* is displayed on the right end of the mixer part indicators.

Mixer part indicator is displayed while microphone input is turned on.

• For information about the parts in each part group and their corresponding mixer part indicator numbers, see “List of Parts for Each Mixer Part Group” (page EN-64).

Hand play, Phrase Pads 1 to 4, and Auto Harmonize parts

Auto Accompaniment parts

MIDI recorder system track parts (Part configuration same as KEYBOARD.)

recorder solo track parts

Description

To exit the Part mode, press 9 PART.

• Part on/off settings are maintained even if you exit the Part Mode.

EN-62

Using the Mixer

Level meter

Part group indicator (displayed)

Mixer info display area

Mixer part indicator

[MIXER] indicator (displayed)

Current setting value Setting item name

Your Digital Keyboard produces Auto Accompaniment and keyboard play notes using multiple parts. You can use the mixer function to make fine-adjustments to the volume, effect level, and other settings for each of these parts.

• You can quickly and easily mute and unmute parts. For details, see “Muting Specific Parts (Part Mode)” (page EN-61).

Mixer Operation

To configure mixer settings

Long press 9 PART (MIXER) until the [MIXER] indicator appears.

This causes the mixer info display area to change as shown in the example below.

• The [MIXER] indicator on the display indicates that the Digital Keyboard is in the Mixer Mode.

• The displayed part group indicator ([KEYBOARD] in this example) indicates the KEYBOARD part group (hand-played performance part) currently being affected by mixer operations. The flashing mixer part indicator ( in this example) indicates the part (UPPER 1 part in the case of the KEYBOARD part group) whose setting is currently being configured. For details about part groups and parts, see “List of Parts for Each Mixer Part Group” (page EN-64).

Select the part group whose mixer settings you want to configure.

(1) Press 9 PART and confirm that the indicator lamp

to the left of the button is lit.

(2) Use bn [–] and [+] to select the part group whose

settings you want to configure.

To select this part group: Displays this indicator:

KEYBOARD Part Group KEYBOARD RHYTHM Part Group RHYTHM SONG SYSTEM Part Group SONG and SYSTEM SONG SOLO Part Group SONG and SOLO MIDI IN Part Group MIDI IN External Part Group

(Microphone Input)

*1 is displayed on the right end of the mixer part

indicators. Mixer part indicator is also displayed at this time.

(3) After selecting a part group, press 9 PART and

confirm that the indicator lamp to the left of the button is unlit.

Use the [1] (V) and [3] (W) bm number keys to select the part whose settings you want to configure with the mixer.

• Pressing [3] (W) while the rightmost part is selected or [1] (V) while the leftmost part is selected will scroll to another part group.*

*2 Pressing [3] (W) while Part 8 of the SONG SOLO or

MIDI IN part group is selected changes to display of parts 9 to 16 of the same part group. Pressing [1] (V) while Part 9 is selected changes to display of parts 1 to 8.

• You can use the bm number keys to quickly select parts. See “To select parts with the bm number keys” (page EN-64).

Use the [2] (w) and [5] (q) bm number keys to select the item whose setting you want to configure.

Vo l u

This displays a level meter of each part setting value for the currently selected setting item.

• For details about setting items, see the “Advanced Mixer Settings” (page EN-65).

Use bn [–] and [+] or the bl dial to change the setting value.

EN-63

Using the Mixer

To exit the Mixer mode, press the [4] (EXIT) bm number key.

• The displayed, flashing, and not displayed status of mixer part indicators depends on the part on/off status in the Part Mode. For details, see “Muting Specific Parts (Part Mode)” (page EN-61).

To select parts with the bm number keys

Perform steps 1 and 2 under “To configure mixer settings” (page EN-63) to select the part group whose mixer settings you want to configure.

Press 9 PART.

This causes the indicator lamp to the left of the button to light (Part Mode in the Mixer Mode).

To select a part, press the bm number key that corresponds to the part number.

• For part , for example, press the [2] bm number key.

To exit the Part mode, press 9 PART.

This causes the indicator lamp to the left of the button to go out.

List of Parts for Each Mixer Part Group

The tables below show Mixer Mode part groups and the parts included in each group.

● KEYBOARD Part Group

This is the hand-played performance part, and it includes Auto Harmonize and phrase pads.

Part Number Corresponding Part

1 UPPER 1 2 UPPER 2 3LOWER1 4LOWER2 5 Auto Harmonize 6 Phrase Pad 1 7 Phrase Pad 2 8 Phrase Pad 3 9 Phrase Pad 4

● RHYTHM Part Group

Auto Accompaniment parts.

Part Number Corresponding Part

1 Percussion 2Drums 3Bass 4 Chord 1 5 Chord 2 6 Chord 3 7 Chord 4 8 Chord 5

EN-64

Using the Mixer

● SONG SYSTEM Part Group

These are the parts of the system track in songs recorded with the MIDI recorder.

Part Number Corresponding Part

1 UPPER 1 2 UPPER 2 3LOWER1 4LOWER2 5 Auto Harmonize 6 Phrase Pad 1 7 Phrase Pad 2 8 Phrase Pad 3 9 Phrase Pad 4

● SONG SOLO Part Group

These are the parts of song bank songs and the solo track in songs recorded with the MIDI recorder.

Part Number Corresponding Part

1 to 8 Song Part 1 to Part 8

9 to 16 Song Part 9 to Part 16

● MIDI IN Part Group

MIDI receive parts.

Part Number Corresponding Part

1 to 8 MIDI Receive Part 1 to Part 8

9 to 16 MIDI Receive Part 9 to Part 16

● External Part Group

Microphone input.

Part Number Corresponding Part

1 Microphone input

Advanced Mixer Settings

Setting Items for Each Part Group

Initial default setting values are indicated by an asterisk (*).

Item Name

(Display)

Part on/off

(Part)* Volume

(Volume) Pan (Pan)*

Reverb Send (Rev Send)

Chorus Send (Cho Send)

Delay Send (Dly Send)

*1 The level indicators of all the parts for which this setting is

turned on are displayed, while all the parts for which it is turned off are not displayed.

*2 While this setting item is displayed, you can sound only the

selected part, if you want. See “To sound only a selected part” (page EN-66).

*3 The pan setting status is indicated by the level indicators

as shown below. The indicator on the far left is included to show all of the segments only.

Description Settings

Specifies on/off for the selected part.

Adjusts the volume level of the selected part.

Specifies the stereo pan position of each part. 0 indicates the center, while a smaller value shifts to the left and a larger value shifts to the right.

Specifies how much reverb is applied to the selected part.

Specifies how much chorus is applied to the selected part.

Specifies how much delay is applied to the selected part.

On*, Off

0 to 100* to 127

–64 to 0* to 63

0 to 40* to 127

0* to 127

(All Segments) Negative Value 0 Positive Value

EN-65

To sound only a selected part

Flashing

Perform steps 1 through 4 under “To configure mixer settings” (page EN-63).

To sound only the part whose setting is being configured, press the [6] (ENTER) bm number key.

This causes the mixer part indicator of the part whose setting is being configured and the level indicator above it to flash.

• This enables sounding of the part whose setting is being configured, and disables sounding of all other parts.

To re-enable the other parts, press [6] (ENTER) again.

• Using the [1] (V) and [3] (W) bm number keys to change to another part will re-enable the other parts.

Registering and Restoring a Setup (Registration)

You can use the registration function to register the setup of the Digital Keyboard (tone, rhythm, and other settings), and later recall it whenever you want. You can register a different setup for each one of the songs you play, and instantly setup the keyboard accordingly during your performances.

■ Setup Storage Locations

Setup registrations are stored in memory locations that are divided into 16 banks. Each bank has eight storage areas, which means you can register up to 128 (16 banks × 8 areas) setups.

• Use the co BANK button to specify a bank.

• Specify an area using the cs REGISTRATION buttons ([1] to [8]).

EN-66

Area 1

Bank 1 Setup 1-1 Bank 2 Setup 2-1

. .

Bank 16 Setup 16-1

. .

…

… …

…

Area 8

Setup 1-8 Setup 2-8

. .

Setup 16-8

Registering a Setup

Registration Setting Items

Setting items that can be registered are shown below.

● Keyboard Play

• Tone number (UPPER 1, LOWER 1, UPPER 2, LOWER 2 parts)

• Layer (on/off)

• Split (on/off)

• Reverb, Chorus, Delay (on/off, type)

● Note Control

• Transpose

• Octave Shift (UPPER 1, LOWER 1, UPPER 2, LOWER 2 parts)

• Touch Response setting status

• Pedal 1 and Pedal 2 effects (Pedal 2 type is not recorded)

• Scale, scale fine tune, part fine tune, part coarse tune

• dn SUSTAIN button (on/off, setting mode)

• dm PORTAMENTO button (on/off, setting mode)

• CT-X5000: dt MODULATION/ASSIGNABLE button (on/ off, setting mode)

● Split Settings

• Split Point

• Lower Point

• Chord Point

Registering and Restoring a Setup (Registration)

Bank number

Bank number Area number

● Auto Accompaniment

• Rhythm Number

• ACCOMP on/off ([ACCOMP] indicator displayed/not displayed status)

• Tempo, Note value display setting

• Chord Fingering Mode

• Synchro start

• Auto Accompaniment volume

● AUTO HARMONIZE/ARPEGGIATOR

• do AUTO HARMONIZE/ARPEGGIATOR button assignment

• Auto Harmonize (on/off, type)

• Arpeggiator (on/off, type)

• Arpeggiator Hold (on/off)

● Phrase Pad

• Phrase set number

• Phrase playback setups

● Mixer

• Part on/off setting

• Volume, Pan, Reverb send, Chorus send, Delay send settings

To register a setup

• Specifying a bank and area that already has data stored to it in the procedure below causes the recorded data to be deleted. For information about banks and areas, see “Setup Storage Locations” (page EN-66).

Set up the Digital Keyboard with the tone, rhythm and other settings to suit the song you will play.

Use co BANK to select the bank where you want to store the registration.

• Each press of co BANK cycles through the bank numbers.

• During the approximately three seconds that the [BANK] indicator is flashing after you press co BANK, you can use bn [–] and [+] or the bl dial to select a bank number.

While holding down cp STORE, press one of the cs REGISTRATION buttons ([1] to [8]) to select the area you want to specify as the registration destination.

Pressing the two buttons registers the current Digital Keyboard setup to the bank and area you specified in steps 2 and 3.

EN-67

Registering and Restoring a Setup (Registration)

Bank number

Area number

Recalling a Registered Setup

To recall a setup

As required, press cn FREEZE to toggle the freeze function between on and off.

• The indicator lamp is lit when the function is on, and unlit when it is off.

• For details about the freeze function, see “Freeze Function” below.

Use co BANK to select the bank that contains the setup you want to recall.

Press one of the cs REGISTRATION buttons ([1] to [8]) to select the area whose setup you want to recall.

This causes the Digital Keyboard’s settings to change in accordance with the setup you recalled.

Freeze Function

Recalling a registered setup normally overwrites all of the settings shown under “Registration Setting Items” (page EN-66). You can also use the freeze function to specify particular settings that should not be overwritten when a setup registration is recalled.

Perform the procedure under “To configure function settings with the bk FUNCTION button” (page EN-110) and enable or disable the items on each sub-menu that appears when you perform the following operation: Registration Memory (Reg Mem) 3 Registration Memory Freeze Target (RMFrzTgt) (page EN-114). Setting items that can be specified are shown below.

Display

Rhythm Rhythm Number Tempo Tempo Tone Tone number Split Pt Split Point AHar/Arp Auto Harmonize/Arpeggiator Trans. Transpose Scale Scales Touch Touch Response Effect Effect type (Reverb, Chorus, Delay on/

PartTune Coarse Tune, Fine Tune Phr Pad Phrase Pad Cntrller Setting items included under Controller

Setting that is not changed when a

setup is recalled

off)

(Cntrller) in the “Function Setting Item List” (page EN-111).

EN-68

• Under initial default settings, Rhythm and Tempo are on while all other settings are off.

Using a Pedal to Cycle Through

Displayed

Multiple Setups (Registration Sequence)

Each press of the pedal cycles through the currently selected bank’s registrations (setups) in area number sequence.

To play with a Registration Sequence

Press bk FUNCTION.

Use the [1] (V) and [3] (W) bm number keys to display “Reg Mem” (Registration Memory), and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display “Reg Seq” (Registration sequence).

Use bn [–] and [+] to select the pedal jack that will be used for the registration sequence operation.

To select this pedal jack: Display this:

fo PEDAL1 jack Pedal1 fp PEDAL2/EXPRESSION jack Pedal2

(Turn off registration function) Off

Registering and Restoring a Setup (Registration)

After you are finished recalling the registration setups using the pedal, perform steps 1 through 5 to turn off the registration sequence function.

This causes the [SEQ] indicator to disappear.

• This displays the [SEQ] indicator, which indicates that the registration sequence function is enabled.

• The purpose of the pedal connected to the jack selected here is registration setup recall only. Normal pedal functions (functions assigned to the pedal with the “Using a Pedal” operation, page EN-29) cannot be used.

When the setting is the way you want, longpress the [4] (EXIT) bm number key to exit the setting screen.

Connect a sustain pedal (see “Separately Available Accessories”, page EN-3) to the jack you selected in step 4.

At the point when you want to recall the registration setup, press the pedal.

• Each press of the pedal cycles through the currently selected bank’s registration setups in sequence from Area 1.

• Pressing the pedal while the Area 8 setup is recalled cycles back to the Area 1 setup.

EN-69

Editing a Tone (User Tones)

Displayed

Current setting value Editing item name

Tone number Tone name

You can edit a built-in tone to create a user tone, and save up to 100 user tones for later recall.

■ Saving to an External Device

User tones can be saved to a USB flash drive or a computer. For details, see “To save Digital Keyboard data to a USB flash drive” (page EN-119) and “Transferring Data Between the Digital Keyboard and a Computer” (page EN-123).

Creating a User Tone

To edit a tone

Select the tone you want to edit.

• Be sure to select the UPPER 1 part tone (page EN-19). The UPPER 1 part tone will be the tone being edited.

• You cannot select a drum set tone for editing.

Long-press bk FUNCTION until the [EDIT] indicator appears.

• This enters the Tone Editing Mode and displays the tone editing screen.

Repeat steps 3 and 4 above for each of the editing items you want to change.

• You can sound the tone you are editing by playing something on the keyboard. This means you can immediately check to see how your edits are affecting the tone.

To save the edited tone, press the [7] (WRITE) bm number key.

• If the tone you are editing is a user tone, the message “Replace?” will appear here. Press bn [+] (YES) to replace the original tone data with the new data, or bn [–] (NO) to save the new data without replacing the original data.

• The message “Wait...” remains on the display while the tone save operation is being performed. Do not perform any operation while this message is on the display. “Complete” appears on the display after the operation is complete.

To exit the Tone Editing Mode, long-press the [4] (EXIT) bm number key.

This causes the [EDIT] indicator to disappear.

• If you performed any editing after executing the operation in step 6, the message “Exit?” will be displayed here. To save the edited data and exit the Editing Mode, press bn [+] (YES). To continue editing, press bn [–] (NO).

• If you are saving the data as a new user tone, the save destination tone number will be the lowest one in memory that currently does not have any data stored. The newly saved user tone will be selected after this operation is complete.

Atk.Ti

• For details about editable parameters, see the “Tone Editing Item List” (page EN-73).

Use the [1] (V) and [3] (W) bm number keys to display the editing item you want to modify.

• If the [ENTER] indicator is displayed, press [6] (ENTER) to enter the sub-menu and then use the [1] (V) and [3] (W) keys to display the editing item you want to modify.

• To return to a main menu from a sub-menu, press the [4] (EXIT) bm number key.

• Using the “DSP Edit” editing item, you can configure precise DSP effects for a tone using a wide variety of parameters. For details about the configuration of Digital Keyboard DSP effects and an overview of DSP editing, see “DSP Editing” (page EN-71). For details about the DSP editing operation, see “To use DSP editing to edit an effect” (page EN-71).

Use bn [–] and [+] or the bl dial to change the setting value.

No Na

• If there is no data stored for a user tone number, “No Data” will be displayed for the tone name. If there is data stored, “No Name” will be displayed. For information about renaming, see “To rename a user tone” (page EN-72).

EN-70

DSP Editing

Module

Bypass

Module number DSP module name

A DSP (Digital Signal Processor) is a type of effect that is connected between the sound source and output. DSP types are equalizer, tremolo, limiter, wah, etc. Many of the built-in tones of your Digital Keyboard are preset with DSPs that are suited for each tone. Such tones are called “DSP tones”. The tone editing function of the Digital Keyboard includes a DSP Edit setting item for editing DSPs. The Digital Keyboard DSPs that can be edited using DSP Edit are configured as shown below.

Editing a Tone (User Tones)

Use the [1] (V) and [3] (W) bm number keys to select the DSP module whose parameters you want to change.

• What appears here is the DSP module name. For details about DSP modules, see “DSP Module List” (page EN-129).

ono 3EQ

Sound Source Output

DSP

• A DSP consists of one or more DSP modules (“Module” in the above illustration).

• Your Digital Keyboard comes with hundreds of preset DSPs. For DSP editing, you can start with a preset DSP that is one assigned to a built-in tone, or a DSP that is provided especially for DSP editing.

• The number of DSP modules and the type of each module (equalizer, limiter, wah, etc.) are different for each DSP.

To perform DSP editing, you first select a preset DSP and then edit its parameters in accordance with the DSP module(s). For details about the DSP modules and the parameters of each DSP module, see “DSP Effect List” (page EN-129).

To use DSP editing to edit an effect

Perform steps 1 and 2 under “To edit a tone” (page EN-70).

Use the [1] (V) and [3] (W) bm number keys to display “DSP Edit”, and then press [6] (ENTER).

This displays “On/Off”.

• If the DSP you selected in step 5 has one DSP module, the display will not change if you press [1] (V) or [3] (W). Check the DSP module name and then proceed to step 7.

Press the [6] (ENTER) bm number key.

This displays “Bypass”.

Use the [1] (V) and [3] (W) bm number keys to display the parameter whose setting you want to change.

• For details about parameters whose settings can be configured for each DSP module, see “DSP Parameter List” (page EN-130).

Use bn [–] and [+] or the bl dial to change the setting value.

10.

Repeat steps 8 and 9 as required to configure settings of other parameters.

11.

Press the [4] (EXIT) bm number key.

12.

Repeat steps 6 through 11 as required to configure settings of DSP modules.

13.

Perform step 6 and 7 under “To edit a tone” (page EN-70).

If the setting is turned off, press bn [–] or [+] to turn it on.

Press [3] (W) to display “DSP Num”.

To select the DSP to be edited, use bn [–] and [+] or the bl dial to specify the DSP number (1 to 900), and then press [6] (ENTER).

• See the “DSP number” item in the “Tone Editing Item List” (page EN-73).

EN-71

Editing a Tone (User Tones)

To rename a user tone

Select the user tone you want to rename.

Hold down 8 RECORD/STOP until “ToneName” appears.

Press the [6] (ENTER) bm number key.

This displays the renaming screen.

Input the new name.

• See “Text Character Input” (page EN-15) for information about how to enter text.

Press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute the rename operation or bn [–] (NO) to cancel.

To exit the operation, press the [4] (EXIT) bm number key.

To copy a user tone

Select the user tone you want to copy.

Hold down 8 RECORD/STOP until “ToneName” appears.

To delete a user tone

Select the user tone you want to delete.

Hold down 8 RECORD/STOP until “ToneName” appears.

Use the [1] (V) and [3] (W) bm number keys to display “ToneClr”, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to delete or bn [–] (NO) to cancel the delete operation.

To exit the operation, press the [4] (EXIT) bm number key.

Use the [1] (V) and [3] (W) bm number keys to display “ToneCopy”, and then press [6] (ENTER).

Use bn [–] and [+], or the bl dial to select the copy destination tone number and then press [6] (ENTER).

This displays “Sure?”

• If there is already a user tone stored at the tone number you specified as the copy destination, the message “Replace?” will appear.

Press bn [+] (YES) to execute the copy operation or bn [–] (NO) to cancel.

• The message “Wait...” remains on the display while the copy operation is being performed. Do not perform any operation while this message is on the display. “Complete” appears on the display after the operation is complete.

To exit the operation, press the [4] (EXIT) bm number key.

EN-72

Editing a Tone (User Tones)

Key pressed Key released

Note ends

Time

A : Attack time R : Release time

Volume

Setting Description Waveform

Sin Sine wave

Tri Triangle wave

Saw Sawtooth wave

Sqr Square wave

Tone Editing Item List

Item Name Display Description Settings

Attack Time Atk.Time Adjusts the time after a key is pressed from when the note

starts to sound until it reaches maximum volume. A larger value specifies a slower attack.

0 to 127

Release Time Rel.Time Adjusts how long notes linger after keyboard keys are

released. A larger values specifies a longer release.

Cutoff Frequency Cutoff F Adjusts timbre by attenuating the components of a note’s

frequency characteristics that are higher than a certain frequency (cutoff frequency). A larger value specifies a brighter, harder sound, while a lower value specifies a mellower, softer sound.

Resonance Resonance Adjusts the gain of harmonic tones in the vicinity of the cutoff

frequency specified above. A larger value creates a more unusual sound.

Vibrato Vibrato Sub-menu of vibrato setting items.

Vibrato Type Vib.Type Selects the vibrato waveform. Sin, Tri, Saw,

Vibrato Depth VibDepth Specifies the depth of vibrato. 0 to 127 Vibrato Rate Vib.Rate Adjusts the speed of vibrato. 0 to 127

Vibrato Delay VibDelay Adjusts the time until vibrato starts after a note is sounded. 0 to 127 Octave Shift OctShift Shifts the pitch upwards or downwards in octave steps. –3 to 0 to 3 Volume Volume Specifies the volume level of a tone. A larger value sets a

higher volume level.

0 to 127

Sqr

0 to 127

EN-73

Editing a Tone (User Tones)

Item Name Display Description Settings

Velocity Sense VelSense Specifies how much the tone and/or volume should be

affected by keyboard touch (pressure). A larger positive value specifies more brightness and greater volume as keyboard touch becomes stronger. A larger negative value specifies more softness and less volume as keyboard touch becomes stronger. A value of 0 specifies no change in accordance with

keyboard touch. Reverb Send Rev.Send Specifies how much reverb is applied to a tone. 0 to 127 Chorus Send Cho.Send Specifies how much chorus is applied to a tone. 0 to 127 Delay Send Dly.Send Specifies how much delay is applied to a tone. 0 to 127 DSP Edit DSP Edit Sub-menu of DSP effect setting items.

On, Off On/Off On: DSP effect applied to the tone.

Off: DSP effect not applied to the tone.

DSP number DSP Num Selects a preset DSP when applying a DSP effect.

• Built-in tone numbers 1 through 800 include tones with DSP (DSP tones). Only a DSP tone can be specified here, and other (non-DSP) tones cannot be specified.

• Numbers 801 through 900 are for DSP editing only. For details, refer to the “DSP List” in the separate “Appendix”.

DSP Module 1 *

Sub-menu for configuring setting of DSP modules included in the selected DSP.

Bypass Bypass On: Bypass this DSP module.

Off: Enable this DSP module.

(Depends on the DSP module.*

DSP Module 2 and beyond *

)

Sub-menu for configuring setting of DSP modules included in the selected DSP.

(Same as the Module 1 parameters.)

–64 to 0 to 63

On, Off

1 to 900

On, Off

*1 Shows the name (Compressor, Limiter, Enhancer, etc.) of the DSP module. For details about DSP modules, see “DSP Module

List” (page EN-129).

*2 The number of parameters that can be configured and their details depend on the DSP module. For details, see “DSP

Parameter List” (page EN-130).

*3 Not displayed when the DSP selected for editing has only one DSP module. When there are multiple DSP modules included in

a DSP, a sub-menu will appears for each of them.

EN-74

Creating an Auto

Rhythm

[V]: Variation, [F]: Fill-in, [ I ]: Intro, [E]: Ending

Accompaniment Pattern

[V1] to [V4]

Accompaniment Pattern

[F1] to [F4]

Percussion Percussion

Drums Drums

Bass Bass

Chords 1 to 5 Chords 1 to 5

Accompaniment Pattern

[I]

Accompaniment Pattern

[E]

Percussion Percussion

Drums Drums

Bass Bass

Chords 1 to 5 Chords 1 to 5

Accompaniment (User Rhythm)

You can create accompaniment patterns that sound while using the Digital Keyboard’s Auto Accompaniment function and store them as user rhythms. The storage locations and the number of rhythms that can be stored depend on the Digital Keyboard model. CT-X5000: Rhythm numbers 294 to 393 (up to 100 rhythms) CT-X3000: Rhythm numbers 294 to 343 (up to 50 rhythms)

■ Saving to an External Device

User rhythms can be saved to a USB flash drive or a computer. For details, see “To save Digital Keyboard data to a USB flash drive” (page EN-119) and “Transferring Data Between the Digital Keyboard and a Computer” (page EN-123).

Rhythm Configurations

The structure of each rhythm is as shown below.

Creating a User Rhythm

● Creating an Accompaniment with All New Parts

You can record each part of an accompaniment pattern, if you want.

Percussion Empty Recorded Recorded

Drums

Bass

Chord 1

• The “Empty” blocks in the above illustration are special memory areas (user areas) for editing, and one is provided for each part. After you record something to a block, it becomes “Recorded”.

● Editing an Existing Accompaniment Pattern*

You can use the accompaniment pattern of an existing rhythm as a base and add new recordings of keyboard play to empty parts. Note that this operation is possible for variations and fillins only.*

Percussion Fixed Empty Recorded

Drums Fixed Fixed Fixed

Bass Fixed Fixed Fixed

Chord 1 Fixed Fixed Fixed

• In the above illustration, “Fixed” indicates rhythm data that must be used as it is. It cannot be edited by you.

*1 Built-in rhythm or previously-saved user rhythm *2 This operation is not supported for an existing intro or

ending. You can make all parts empty and create a new pattern from scratch.

● Copying and Editing the Accompaniment Pattern of an Existing Rhythm

You can copy the accompaniment pattern of an existing rhythm to a user area and then edit the copied data.

Percussion Fixed Copy Edited

Drums Fixed

Bass Fixed

Chord 1 Fixed

Empty Empty Recorded Empty Empty Empty Empty Empty Empty

…

Copy Copy Copy Copy Copy Copy

…

Each rhythm includes 10 accompaniment patterns, and each accompaniment pattern is made up of eight parts. To create a single user rhythm from scratch, you need to record eight parts of each of the 10 accompaniment patterns. You can also use a built-in rhythm as a base, and replace parts of it with new recordings, or you can copy and edit accompaniment patterns, if you want.

• For details about accompaniment patterns, see “Accompaniment Patterns” (page EN-46).

Data Recordable to Each Part

You can record keyboard play (note data) and pitch bend wheel operations to an accompaniment pattern part.

• In the above illustration, “Copy” and “Edited” are both the same status as “Recorded”.

• You can add notes and delete unwanted notes in real time while listening to playback of the copied data.

In addition to the operations described above, you can keep all of the accompaniment pattern parts of an existing rhythm “Fixed”, change just the mixer settings, and save the result as a user rhythm.

EN-75

Creating an Auto Accompaniment (User Rhythm)

Displayed

Creating and Editing a User Rhythm

• For information about the mixer part indicator numbers and the part of each accompaniment pattern in the procedure below, see “RHYTHM Part Group” under “List of Parts for Each Mixer Part Group” (page EN-64).

To create a totally new rhythm and save it

• You can copy the accompaniment pattern of an existing rhythm to a user area and then edit (add and delete) notes recorded in each part. You can copy an entire accompaniment pattern (step 3 below) or copy a particular part only (step 5 below). Refer to each of these procedures as required.

Select a user rhythm where there is no data stored.

• See “Selecting a Rhythm” (page EN-43).

• “No Data” is displayed for the rhythm name while a user rhythm where there is no data stored is selected.

Long-press bk FUNCTION until the [EDIT] indicator appears.

• This enters the Rhythm Editing Mode and displays the rhythm editing screen.

• indicators will be flashing on the display. This indicates that Variation 1 of the accompaniment pattern is selected for editing.

• “Drum” is displayed for the part to be edited.

Select the accompaniment pattern to be edited.

To select this: Press this button:

Intro bo INTRO Ending bt ENDING/SYNCHRO START Variation 1 to 4,

Fill-in 1 to 4

* Each press of the button toggles between Variation and Fill-

in.

• The indicator for the currently selected accompaniment pattern (page EN-46) will flash.

• At this point, you could copy an existing accompaniment pattern to a user area. See “To copy an existing accompaniment pattern for editing” (page EN-82).

Specify the number of measure and the time

bp VARIATION/FILL-IN 1 to bs VARIATION/FILL-IN 4*

signature of the accompaniment pattern you want to create.

(1) Press cs REGISTRATION [8] (EDIT MENU). (2) Use the [1] (V) and [3] (W) bm number keys to

display “Element”, and then press [6] (ENTER).

(3) Use the [1] (V) and [3] (W) keys to display

“Measure”, and then use bn [–] and [+], or the bl dial to change the setting value.

Accompaniment Pattern Settings

Intro, Ending 01 to 16 Variation 01 to 16 Fill-in 01 to 02

(4) Use the [1] (V) and [3] (W) keys to display “Beat”

(time signature), and then use bn [–] and [+], or the bl dial to change the setting value (Setting Ranges: 2/4 to 8/4, 2/8 to 16/8).

(5) Press the [4] (EXIT) bm number key.

EN-76

Flashing

When the part being edited is a drum part

Select the part to be edited.

(1) Press 9 PART and confirm that the lamp to the left

of the button is lit.

(2) Use the bm number keys [1] through [8] to select the

part to be edited.

To select this part: Press this number key:

Percussion [1] Drums [2] Bass [3] Chord 1 to Chord 5 [4] to [8]

• This displays the mixer part indicator that corresponds to the selected part to flash.

(3) Press 9 PART and confirm that the lamp to the left

of the button is unlit.

• At this point, you could copy a part in an existing rhythm to a user area (except when the accompaniment pattern is an intro or ending). See “To copy an existing rhythm part for editing” (page EN-83).

Configure the tone and octave shift settings of the part, if you want.

(1) Select the tone you want to use for part recording.

See “Selecting a Tone” (page EN-18).

• Only drum set tones can be selected for Drums and Percussion parts. Drum set sounds cannot be selected for the bass and the Chord 1 through Chord 5 parts.

(2) Configure the part’s octave shift setting.

While holding down dr OCTAVE, press the ds TRANSPOSE [q] or [w] button.

(3) If there are recorded parts (the accompaniment

pattern of an existing rhythm, copied part, or part recorded by performing the procedure up to step 10 at least once), pressing ck START/STOP here starts looped playback of all the available recorded parts. This means you can monitor the effects of your settings as you configure them.

(4) If there are recorded parts, pressing the [6] (ENTER)

bm number key will play back only the notes of the part being edited.

• This displays only the mixer part indicator of the part being edited, and causes the level indicator above it to flash.

Creating an Auto Accompaniment (User Rhythm)

Configure playback settings of the part being edited as desired.

• See “To configure the playback settings of a user rhythm part” (page EN-85).

Record keyboard play for the part being edited.

• See “To record keyboard play to each part” (page EN-80).

Configure the mixer settings of the part being edited as desired.

• See “To configure mixer settings of a part being edited” (page EN-82).

10.

Perform steps 5 through 9 for all parts.

11.

Perform steps 3 through 10 for all accompaniment patterns.

12.

Save the edited rhythm using the procedure under “To save a user rhythm” (page EN-84).

• To exit the above state, press [6] (ENTER) again or select another part.

EN-77

Creating an Auto Accompaniment (User Rhythm)

Displayed

To edit an existing rhythm and save it

• When editing the accompaniment pattern of an existing rhythm, you can perform new recording operations for each of the following parts: Variations 1 through 4 and Fill-ins 1 through 4. In the case of intro and ending, you need to first clear all parts and then record new parts.

Select the built-in rhythm or previously-saved user rhythm you want to edit.

• See “Selecting a Rhythm” (page EN-43).

Long-press bk FUNCTION until the [EDIT] indicator appears.

• This enters the Rhythm Editing Mode and displays the rhythm editing screen.

• This causes the indicator to flash. This indicates that Variation 1 of the accompaniment pattern is selected for editing.

• “Drum” is displayed for the part to be edited.

Select the accompaniment pattern to be edited.

To select this: Press this button:

Intro bo INTRO Ending bt ENDING/SYNCHRO START Variation 1 to 4,

Fill-in 1 to 4

* Each press of the button toggles between Variation and Fill-

in.

• The indicator for the currently selected accompaniment pattern (page EN-46) will flash.

• At this point, you could copy an existing accompaniment pattern to a user area. See “To copy an existing accompaniment pattern for editing” (page EN-82).

bp VARIATION/FILL-IN 1 to bs VARIATION/FILL-IN 4*

Depending on the accompaniment pattern you selected, perform one of the operations below.

Y If you selected Variation 1 to 4 or Fill-in 1 to 4

Advance directly to step 5.

Y If you selected Intro or Ending

Clear all the parts of the accompaniment pattern. (1) Perform steps 2 through 4 under “To batch clear the

recorded data in all parts included in a single accompaniment pattern” (page EN-84).

(2) Use the [1] (V) and [3] (W) bm number keys to

display “Measure”, and then use bn [–] and [+], or the bl dial to change the setting value.

Accompaniment Pattern Settings

Intro, Ending 01 to 16 Variation 01 to 16 Fill-in 01 to 02

(3) Use the [1] (V) and [3] (W) keys to display “Beat”

(time signature), and then use bn [–] and [+], or the bl dial to change the setting value (Setting Ranges: 2/4 to 8/4, 2/8 to 16/8).

(4) Press the [4] (EXIT) bm number key.

Select the part to be edited

(1) Press 9 PART and confirm that the lamp to the left

of the button is lit.

(2) Use the bm number keys [1] through [8] to select the

part to be edited.

To select this part: Press this number key:

Percussion [1] Drums [2] Bass [3] Chord 1 to Chord 5 [4] to [8]

• This displays the mixer part indicator that corresponds to the selected part to flash.

(3) Press 9 PART and confirm that the lamp to the left

of the button is unlit.

EN-78

Flashing

When the part being edited is a drum part

Configure the tone and octave shift settings of the part, if you want.

(1) Select the tone you want to use for part recording.

See “Selecting a Tone” (page EN-18).

• Only drum set tones can be selected for Drums and Percussion parts. Drum set sounds cannot be selected for the bass and the Chord 1 through Chord 5 parts.

(2) Configure the part’s octave shift setting.

While holding down dr OCTAVE, press the ds TRANSPOSE [q] or [w] button.

(3) Pressing ck START/STOP here starts looped

playback of all the parts of the accompaniment pattern you are currently editing. This means you can monitor the effects of your settings as you configure them.

(4) If there are recorded parts, pressing the [6] (ENTER)

bm number key will play back only the notes of the part being edited.

• This displays only the mixer part indicator of the part being edited, and causes the level indicator above it to flash.

Creating an Auto Accompaniment (User Rhythm)

To configure only the mixer settings of an existing rhythm and save it

Select the built-in rhythm or previously-saved user rhythm you want to edit.

• See “Selecting a Rhythm” (page EN-43).

Long-press bk FUNCTION until the [EDIT] indicator appears.

Perform step 3 under “To edit an existing rhythm and save it” (page EN-78).

Perform step 5 under “To edit an existing rhythm and save it” (page EN-78).

Perform the procedure under “To configure mixer settings of a part being edited” (page EN-82).

Perform steps 4 and 5 for all parts whose mixer settings you want to configure.

Perform steps 3 through 6 for all accompaniment patterns whose mixer settings you want to configure.

• To exit the above state, press [6] (ENTER) again or select another part.

Configure playback settings of the part being edited as desired.

• See “To configure the playback settings of a user rhythm part” (page EN-85).

Record keyboard play for the part being edited.

• See “To record keyboard play to each part” (page EN-80).

Configure the mixer settings of the part being edited as desired.

• See “To configure mixer settings of a part being edited” (page EN-82).

10.

Perform steps 5 through 9 for all parts.

11.

Perform steps 3 through 10 for all accompaniment patterns.

12.

Save the edited rhythm using the procedure under “To save a user rhythm” (page EN-84).

EN-79

Creating an Auto Accompaniment (User Rhythm)

Flashing

Displayed

Measure Beat

To record keyboard play to each part

• The operation shown here is performed as the steps of the procedures below. – Step 8 under “To create a totally new rhythm and save it”

(page EN-76)

– Step 8 under “To edit an existing rhythm and save it”

(page EN-78)

Press 8 RECORD/STOP.

This enters recording standby and displays “Recorded” or “Empty”. If “Fixed” is displayed here, it means that the currently selected part cannot be recorded. After a few seconds, the display will return to what was shown before you pressed 8 RECORD/STOP.

• For details about these indicators, see “Part Data Status Indicators” (page EN-81).

• To exit recording standby, press 8 RECORD/STOP. This causes the [RECORD] indicator to disappear.

Practice what you will play as required.

• To sound the parts of the accompaniment pattern and practice what you plan to play on the keyboard before actually recording it, perform the procedure below.

(1) Long-press cm ACCOMP until the [ACCOMP]

indicator starts to flash. This enters the Rehearsal Mode.

• The Rehearsal Mode causes the keyboard to operate the same way as it does during recording, without recording anything.

(2) Press ck START/STOP.

This plays back data that is already recorded to each part of the accompaniment pattern.

• The bass part and chord parts 1 through 5 play in the key of C Major. The key and the chord types do not change even if you play something on the accompaniment keyboard.

(3) Play on the keyboard in time with the playback.

Keyboard play will sound using the tone you selected before entering recording standby.

(4) To exit the Rehearsal Mode, long-press

cm ACCOMP until the [ACCOMP] indicator disappears from the display.

To start recording, press ck START/STOP.

Configure recording settings as desired.

• The settings of recording items that you configured in the past will still be in effect. Items you have not changed will be configured with their default settings. For details about setting items, see the “User Rhythm Recording Settings” (page EN-81).

• To configure settings, perform the steps below.

(1) Long-press 8 RECORD/STOP until “Quantize”

appears.

(2) Use the [1] (V) and [3] (W) bm number keys to

display the menu for the changes you want to make.

(3) Use bn [–] and [+] or the bl dial to change the

setting value.

(4) When settings are the way you want, press the

8 RECORD/STOP again.

• The message “Record..” also appears.

• The number of measures and beats are counted up in the upper right corner of the display. When the final beat of the length (number of measures) specified for the accompaniment pattern is reached, the count restarts from 001:01.

EN-80

Timing in accordance with the “MEASURE” and “BEAT” values on the display, play something on the keyboard when required.

• ek PITCH BEND wheel operations are also included in the recording.

• What you record will play back when the display returns to the measure and beat where it was recorded.

• To delete specific recorded notes, hold down cs REGISTRATION [2]. When playback reaches the note you want to delete, press the keyboard key that corresponds to the note to be deleted. Holding down cs REGISTRATION [2] along with one or more keyboard keys while playback is being performed will delete all of the notes that correspond to the keyboard keys as they played while the button and keys are held down.

• Until you perform step 6 below, you can layer keyboard notes and delete recorded notes as many times as you like.

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

• Pressing ck START/STOP starts looped playback of recorded data.

• To try normal keyboard play with recorded data as back up (with the keyboard part tone and not the recorded part tone), long-press 5 TONE. This will display part indicator in the upper left corner of the display. This displays the name of the tone assigned to the keyboard and enables play of that tone on the keyboard.

■ Part Data Status Indicators

The table below explains the status indicators for parts being edited on the rhythm editing screen.

This indicator: Means this:

Fixed (Fixed Data) Data that was recalled from a built-in

Recorded (Recorded Data)

Empty (No Data) User area where nothing is recorded.

rhythm or a previously stored user rhythm, not user area data. Real-time recording of keyboard notes is not allowed. The only editing operation supported is configuring mixer settings.

Already recorded editable user area data. Mixer settings and real-time recording of keyboard notes are possible with this status.

Mixer settings and real-time recording of keyboard notes are possible with this status.

Creating an Auto Accompaniment (User Rhythm)

■ User Rhythm Recording Settings

Initial default setting values are indicated by an asterisk (*).

Item Name

(Display)

Quantize (Quantize)

Precount (Precount)

Play Chord (PlayChrd)

Metronome (Metronom)

Specifies whether a precount should sound before recording starts after ck START/STOP is pressed in recording standby. Selecting “1” sounds a onemeasure precount, while “2” sounds a two-measure precount. Selecting “Off” turns off the precount, so recording starts as soon as ck START/STOP or a keyboard key is pressed.

Starting recording of an accompaniment pattern starts repeat playback of all the parts of the pattern, except for the part being recorded. During such repeat playback, you can use this setting to specify the chord type to be used for playback by bass and chord parts. Available settings are “C” (C major), “C7” (C 7th), and “Cm” (C minor). Selecting “Off” turns off bass and chord part notes.

Specifies whether or not the metronome should sound during recording.

Description Settings

Off*, 4, 8, 16, 32, 4d, 8d, 16d, 32d, 4t, 8t, 16t, 32t

Off, 1*, 2

Off, C*, C7, Cm

On, Off*

EN-81

Creating an Auto Accompaniment (User Rhythm)

To configure mixer settings of a part being edited

• The operation shown here is performed as the steps of the procedures below. – Step 9 under “To create a totally new rhythm and save it”

(page EN-76)

– Step 9 under “To edit an existing rhythm and save it”

(page EN-78)

– Step 5 under “To configure only the mixer settings of an

existing rhythm and save it” (page EN-79)

Long-press 9 PART (MIXER) until the [MIXER] indicator appears.

This displays the tone number and tone name of the part being edited.

Use the [2] (w) and [5] (q) bm number keys to display the menu item you want to change.

• Initial default setting values are indicated by an asterisk (*).

Item Name

(Display)

Part On/Off (Part)

Part tone (Tone)

Volume (Volume)

Pan (Pan) Specifies the stereo pan

Reverb Send (Rev Send)

Chorus Send (Cho Send)

Delay Send (Dly Send)

*1 Only drum set tones can be selected for Drums and

Percussion parts. Drum set sounds cannot be selected for the bass and the Chord 1 through Chord 5 parts.

Use bn [–] and [+] or the bl dial to change the setting value.

When mixer settings are the way you want, press the [4] (EXIT) bm number key.

Description Settings

Specifies on/off for the selected part.

Specifies the tone of the selected part.

Adjusts the volume level of the selected part.

position of the selected part. 0 indicates the center, while a smaller value shifts to the left and a larger value shifts to the right.

Specifies how much reverb is applied to the selected part.

Specifies how much chorus is applied to the selected part.

Specifies how much delay is applied to the selected part.

On*, Off

0 to 127*

–64 to 0* to 63

0 to 40* to 127

0* to 127

To copy an existing accompaniment pattern for editing

In the Rhythm Editing Mode, select the copy destination accompaniment pattern.

• Perform steps 1 to 3 under “To create a totally new rhythm and save it” (page EN-76), or steps 1 to 3 under “To edit an existing rhythm and save it” (page EN-78).

Press cs REGISTRATION [1].

This displays “Element”.

Press the [6] (ENTER) bm number key.

This displays the currently selected rhythm number and rhythm name.

Use bn [–] and [+], or the bl dial to select the number of the rhythm you want to use as the source of the accompaniment pattern copy operation.

Select the accompaniment pattern you want to use as the copy source.

The indicator for the currently selected accompaniment pattern (page EN-46) will flash.

To select this: Press this button:

Intro bo INTRO Ending bt ENDING/SYNCHRO START Variation 1 to 4,

Fill-in 1 to 4

* Each press of the button toggles between Variation and Fill-

in.

• Select an intro when the copy destination is an intro, or an ending when the copy destination is an ending.

• When the copy destination is Variation 1 to 4, select any one of Variation 1 to 4.

• When the copy destination is Fill-in 1 to 4, select any one of Fill-in 1 to 4.

• Pressing ck START/STOP here starts looped playback of the accompaniment pattern you selected as the copy source.

To execute the copy operation, press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute the copy operation or bn [–] (NO) to cancel.

bp VARIATION/FILL-IN 1 to bs VARIATION/FILL-IN 4*

EN-82

To copy an existing rhythm part for editing

• You cannot copy parts included in an intro or an ending.

In the Rhythm Editing Mode, select the copy destination part.

• Perform steps 1 to 5 under “To create a totally new rhythm and save it” (page EN-76), or steps 1 to 5 under “To edit an existing rhythm and save it” (page EN-78).

Press cs REGISTRATION [1].

This displays “Element”.

Use the [1] (V) and [3] (W) bm number keys to display “Part”, and then press [6] (ENTER).

This displays the currently selected rhythm number and rhythm name.

Use bn [–] and [+], or the bl dial to select the number of the rhythm you want to use as the source of the accompaniment pattern copy operation.

Select the accompaniment pattern that includes the part you want to use as the copy source.

The indicator for the currently selected accompaniment pattern (page EN-46) will flash.

To select this: Press this button:

Variation 1 to 4, Fill-in 1 to 4

* Each press of the button toggles between Variation and Fill-

in.

bp VARIATION/FILL-IN 1 to bs VARIATION/FILL-IN 4*

Creating an Auto Accompaniment (User Rhythm)

Select the part you want to use as the copy source.

(1) Press 9 PART and confirm that the lamp to the left

of the button is lit.

(2) Use the bm number keys [1] through [8] to select the

part to be copied.

To select this part: Press this number key:

Percussion [1] Drums [2] Bass [3] Chord 1 to Chord 5 [4] to [8]

(3) Press 9 PART and confirm that the lamp to the left

of the button is unlit.

• Pressing ck START/STOP here starts looped playback of only the part you selected as the copy source.

To execute the copy operation, press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute the copy operation or bn [–] (NO) to cancel.

EN-83

Creating an Auto Accompaniment (User Rhythm)

Rhythm number Rhythm name

To batch clear the recorded data in all parts included in a single accompaniment pattern

In the Rhythm Editing Mode, select the accompaniment pattern whose parts you want to batch clear.

• Perform steps 1 to 3 under “To edit an existing rhythm and save it” (page EN-78).

Press cs REGISTRATION [2].

This displays “Element”.

Press the [6] (ENTER) bm number key.

This displays “Sure?”

Press bn [+] (YES) to execute the clear operation or bn [–] (NO) to cancel.

• This clears all the parts in the selected accompaniment pattern.

To clear the recorded data in a particular part included in a single accompaniment pattern

• You cannot clear parts of an intro or an ending.

In the Rhythm Editing Mode, select the part you want to clear.

• Perform steps 1 to 5 under “To edit an existing rhythm and save it” (page EN-78).

Press cs REGISTRATION [2].

This displays “Element”.

Use the [1] (V) and [3] (W) bm number keys to display “Part”, and then press [6] (ENTER).

This displays “Sure?”

To save a user rhythm

• The operation shown here is performed as the steps of the procedures below. – Step 12 under “To create a totally new rhythm and save

it” (page EN-76)

– Step 12 under “To edit an existing rhythm and save it”

(page EN-78)

– Step 8 under “To configure only the mixer settings of an

existing rhythm and save it” (page EN-79)

Press the [7] (WRITE) bm number key.

• If the rhythm you are editing is a user rhythm, the message “Replace?” will appear here. Press bn [+] (YES) to replace the original rhythm data with the new rhythm data. To save the data as a new rhythm, press bn [–] (NO).

• The message “Wait...” remains on the display while the rhythm save operation is being performed. Do not perform any operation while this message is on the display. “Complete” appears on the display after the operation is complete.

To exit the Rhythm Editing Mode, long-press the [4] (EXIT) bm number key.

This causes the [EDIT] indicator to disappear.

• If you performed any editing after executing the operation in step 1, the message “Exit?” will be displayed here. To save the edited data and exit the Rhythm Editing Mode, press bn [+] (YES). To continue editing, press bn [–] (NO).

• If you are saving the data as a new user rhythm, the save destination rhythm number will be the lowest one in memory that currently does not have any data stored. The newly saved user rhythm will be selected after this operation is complete.

Press bn [+] (YES) to execute the clear operation or bn [–] (NO) to cancel.

• This clears the selected part.

EN-84

No Na

• If there is no data stored for a user rhythm number, “No Data” will be displayed for the rhythm name. If there is data stored, “No Name” will be displayed. For information about renaming, see “To rename a user rhythm” (page EN-88).

User Rhythm Part Playback Settings

To configure the playback settings of a user rhythm part

• The operation shown here is performed as the steps of the procedures below. – Step 7 under “To create a totally new rhythm and save it”

(page EN-76)

– Step 7 under “To edit an existing rhythm and save it”

(page EN-78)

Press cs REGISTRATION [8] (EDIT MENU).

Use the [1] (V) and [3] (W) bm number keys to display “PartEdit”, and then press [6] (ENTER).

Use the [1] (V) and [3] (W) keys to display the menu item you want to change.

Creating an Auto Accompaniment (User Rhythm)

Use bn [–] and [+] or the bl dial to change the setting value.

• Menu items and setting ranges are shown below.

Item Name (Display) Settings

Chord Conversion Table (Table) 01 to 19 Break Point (Break Pt) C to B Invert (Invert) On, Off, 7th Retrigger (Retrig.) On, Off Bend Range (BndRng) 00 to 12

• For details about each item, see the “User Rhythm Part Playback Setting Details” (page EN-86).

Press the [4] (EXIT) bm number key.

EN-85

Creating an Auto Accompaniment (User Rhythm)

User Rhythm Part Playback Setting Details

■ Chord conversion table (Table)

Recording of each accompaniment pattern is normally performed using C major (root of C, major type). When playing an Auto Accompaniment, you can use a root other than C and a chord type other than major, if you want. This is accomplished by using a “chord conversion table” to convert the C major recorded data to another root and/or chord type. Regardless of what root or chord type you specify, the currently selected chord table is used to make corrections to suit the instrument parts and the type of music being played in order to ensure musically natural accompaniment.

With this parameter, you can select from among the 19 types of chord conversion tables listed below.

Number Table Name *

01 Bass Basic * 02 Bass f-root *

03 Bass 7th * 04 Bass 7th f-root *

05 Chord Basic * 06 Chord Var2 * 07 Chord Var3 *

08 Chord Var4 * 09 Chord 7th * 10 Chord Minor * 11 Phrase *

12 Chord Minor * 13 Chord Minor f-root *

14 Penta Phrase * 15 Intro n-minor *

16 Intro m-minor *

17 Intro h-minor *

18 Intro no Change *

19 Intro dorian *

*1 Accompaniment Pattern *2 For Variation and Fill-in *3 For Intro and Ending

Parts Description

Bass Normally used for a bass part. Bass Variation of number 01. Always makes the first note the root note

when changing chords.

Bass Used for a bass part recorded with a 7th chord.

Bass Variation of number 03. Always makes the first note the root note

when changing chords.

Chord Normally used for a chord part.

Chord Used for a chord part that has a tension chord.

Chord When a 7th chord is specified while playing, the 5th note is

converted to a 7th note. In the case of C7, for example, G becomes Bb.

Chord Variation of number 05 (Chord Basic).

Chord Used for a chord part recorded with a 7th chord.

Chord Used for a chord part recorded with a minor chord.

Chord Used for the chord part to which a phrase (such as a major scale)

was recorded.

Bass Used for a bass part recorded with a minor chord.

Bass Variation of number 12. Always makes the first note the root note

when changing chords.

Chord Used for a chord part recorded with a pentatonic scale phrase.

Bass/chord When a minor chord is specified while playing, converts to a natural

minor.

Bass/chord When a minor chord is specified while playing, converts to a melodic

minor (ascending).

Bass/chord When a minor chord is specified while playing, converts to a

harmonic minor.

Bass/chord Recording of original as-is, with no minor/major conversion in

accordance with chord specified while playing.

Bass/chord When a minor chord is specified while playing, converts to a dorian

scale.

EN-86

Creating an Auto Accompaniment (User Rhythm)

■ Break Point (Break Pt)

This parameter specifies the key, from C to B, that is the point at which Auto Accompaniment bass and chord notes drop one octave. For example when F is specified as the break point, a C major chord recorded as C3E3G3 (CEG) becomes D3F raised one note each) when D is fingered on the chord keyboard, E3G fingered, and F2A2C3 (FAC dropped one octave) when F is fingered.

3B3 (EG#B raised one note each) when E is

3A3 (DF#A

■ Inversion (Invert)

This parameter specifies whether or not chords during Auto Accompaniment play should mirror inverted forms of the original chord (EGC and GCE for CEG). For example, let’s say that the original recorded C major chord is CEG and an F chord is fingered on the chord keyboard. If “Off” is selected for this setting, the chord will be directly converted to FAC. If “On” (or “7th”) is selected, the chord will be converted to CFA, which is the inverted form that is nearest to CEG. The transition of chord notes during playback when “On” (or “7th”) is selected is smaller, so accompaniment sounds more natural. Note that you should select “7th” in place of “On” only if “C7” was specified for the “PlayChrd” setting* when recording the accompaniment pattern and if you selected “09 (Chord 7th)” for the chord conversion table. * For information about “PlayChrd”, see the “User Rhythm

Recording Settings” (page EN-81).

• When selecting “On” (or “7th”) for this setting, make sure that you select “C” for the “Break Point” (Break Pt) setting.

■ Retrigger (Retrig.)

This parameter specifies how accompaniment pattern play is affected by a chord change that occurs part way through a pattern. When “On” is selected, the pattern “retriggers,” which causes the currently playing note to change to the corresponding note of the newly fingered chord. When “Off” is selected, a chord change causes the currently sounding note to be cut off, and the next note of the pattern of the newly fingered chord to be played.

■ Bend Range (BndRng)

This parameter specifies the bend range for pitch bend wheel operation in semitone steps.

Operations Affecting All the Accompaniment Patterns in a Rhythm

To configure mixer settings for a rhythm

While editing a rhythm in the Rhythm Editing Mode, press cs REGISTRATION [8] (EDIT MENU).

Use the [1] (V) and [3] (W) bm number keys to display “Rhy Edit”, and then press [6] (ENTER).

This displays “Volume”.

Use the [1] (V) and [3] (W) keys to display the menu item you want to change.

Item Name

(Display)

Volume (Volume)

Reverb Type (Reverb)

Chorus Type (Chorus)

Delay Type (Delay)

*1 See “Reverb Effect List” (page EN-23). *2 See “Chorus Effect List” (page EN-24). *3 See “Delay Effect List” (page EN-24).

Use bn [–] and [+] or the bl dial to change the setting value.

Press the [4] (EXIT) bm number key.

Description Settings

Adjusts the overall rhythm volume.

Specifies the reverb type to be applied to the entire rhythm.

Specifies the chorus type to be applied to the entire rhythm.

Specifies the delay type to be applied to the entire rhythm.

0 to 127

EN-87

Creating an Auto Accompaniment (User Rhythm)

To batch clear data recorded in all the accompaniment patterns of a rhythm

Perform steps 1 and 2 under “To configure mixer settings for a rhythm” (page EN-87).

Use the [1] (V) and [3] (W) bm number keys to display “All Clear”, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute the batch clear operation or bn [–] (NO) to cancel.

Press the [4] (EXIT) bm number key.

To rename a user rhythm

Select the user rhythm you want to rename.

Hold down 8 RECORD/STOP until “Rhy Name” appears.

Press the [6] (ENTER) bm number key.

This displays the renaming screen.

Input the new name.

• See “Text Character Input” (page EN-15) for information about how to enter text.

To copy a user rhythm

Select the user rhythm you want to copy.

Hold down 8 RECORD/STOP until “Rhy Name” appears.

Use the [1] (V) and [3] (W) bm number keys to display “Rhy Copy”, and then press [6] (ENTER).

Use bn [–] and [+], or the bl dial to select the copy destination rhythm number and then press [6] (ENTER).

This displays “Sure?”

• If there is already a user rhythm stored at the rhythm number you specified as the copy destination, the message “Replace?” will appear.

Press bn [+] (YES) to execute the copy operation or bn [–] (NO) to cancel.

To exit the operation, press the [4] (EXIT) bm number key.

Press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to execute the rename operation or bn [–] (NO) to cancel.

To exit the operation, press the [4] (EXIT) bm number key.

To delete a user rhythm

Select the user rhythm you want to delete.

Hold down 8 RECORD/STOP until “Rhy Name” appears.

Use the [1] (V) and [3] (W) bm number keys to display “Rhy Clr”, and then press [6] (ENTER).

This displays “Sure?”

Press bn [+] (YES) to delete or bn [–] (NO) to cancel the delete operation.

To exit the operation, press the [4] (EXIT) bm number key.

EN-88

Using the MIDI Recorder to Record

You can use the MIDI recorder for real-time recording of your Digital Keyboard play.

• You can record up to 10 songs in Digital Keyboard memory. Recorded content is saved in Song Bank song numbers 31 to 40 (user songs).

• One song can have up to 999 measures, or a total of approximately 40,000 notes in all of its tracks. Recording stops automatically when either of these limits is reached.

• You can play along with a recorded song on the keyboard.

• CASIO COMPUTER CO., LTD. takes no responsibility for any damages, lost profits, or claims by third parties arising from the deletion of recorded data due to malfunction, repair, or for any other reason.

■ MIDI Recorder

Keyboard performance information is recorded as MIDI data* to a system track or 16 solo tracks (storage areas for keyboard performance data) in Digital Keyboard memory.

• Keyboard performance information (keyboard keys press/ release, touch pressure, etc.) is recorded as MIDI data.

• The size of MIDI data is much smaller when compared with audio data, making it easier to edit later on a computer, etc.

• The MIDI recorder sounds the Digital Keyboard’s sound source based on recorded MIDI data.

* MIDI MIDI is short for “Musical Instrument Digital Interface”. It is a universal standard that makes it possible for musical instruments, computers, and other devices to exchange performance information (keyboard key press/release, touch pressure, etc.) regardless of manufacturer. Performance data in this case is called “MIDI data”.

■ Recording Track and Recorded Data

● System Track

Records operations of the various different performance functions of the Digital Keyboard, including Auto Accompaniment, phrase pads, layer, split, etc.

● Solo Tracks 1 to 16

Record keyboard play using one tone (UPPER 1). These tracks can be overdubbed as shown below.

System Recording Recorded Recorded

Solo 1 Empty Solo 2 Empty Empty

…

Solo 16 Empty Empty Recording

The data recorded to each track is shown below.

This type of track:

System Track

Solo Tracks Keyboard play, tone number (UPPER 1),

…

Records this:

Keyboard play, tone number (UPPER 1, UPPER 2, LOWER 1, LOWER 2), rhythm number, tempo, time signature, rhythm controller operations, chord specification, phrase pad operations, Auto Accompaniment volume, effect settings (reverb, chorus, delay), layer, split, auto harmonize/arpeggiator play, scale settings (preset scale type and root, scale fine tune, Auto Accompaniment scale on/off setting), part fine tune, part coarse tune, octave shift setting, pedal operations, pitch bend wheel operations, bend range setting, mixer settings, PORTAMENT button operations, SUSTAIN button operations CT-X5000: MODULATION/ASSIGNABLE button operations (vibrato, DSP parameter setting)

arpeggiator play, octave shift setting, pedal operations, pitch bend wheel operations, bend range setting, part fine tune, part coarse tune, mixer settings, PORTAMENT button operations, SUSTAIN button operations CT-X5000: MODULATION/ASSIGNABLE button operations (vibrato, DSP parameter setting)

Recording Recorded

…

Recorded

…

■ Saving to an External Device

Songs recorded with the MIDI recorder can be saved to a USB flash drive or a computer. For details, see “To save Digital Keyboard data to a USB flash drive” (page EN-119) and “Transferring Data Between the Digital Keyboard and a Computer” (page EN-123).

EN-89

Using the MIDI Recorder to Record

Starting a Recording

Recording can be stared from either of the modes below.

● Rhythm Mode

Press 8 RECORD/STOP and then play something on the keyboard to start recording. This makes it quick and easy to start recording to the system track.

● Song Bank Mode

After first selecting a recording destination song number, press 8 RECORD/STOP to start recording.

Note that what happens when you press 8 RECORD/ STOP depends on which of the above modes you are in. Try performing the operations below before you start to record.

When starting from the Rhythm Mode

Press 6 RHYTHM to enter the Rhythm Mode.

Press 8 RECORD/STOP.

This enters recording standby and causes the [RECORD] indicator to flash.

• You can select a rhythm and tone.

• Recording starts when you play something on the keyboard. Pressing ck START/STOP starts the rhythm and recording at the same time.

Long-press 8 RECORD/STOP.

This displays the recording setting screen and displays “RecTrkSy”. The [RECORD] indicator continues to flash.

• Pressing ck START/STOP starts recording, but does not start rhythm play. Use this method to start recording when you want to insert rests at the beginning.

• On this screen, you can configure recording settings, such as the recording destination track, etc.

When starting from the Song Bank Mode

Press 7 SONG BANK to enter the Song Bank Mode.

Use the bm number keys, bn [–] and [+], or the bl dial to select a song number from 31 to 40 (user recording).

Press 8 RECORD/STOP.

This displays the recording setting screen and displays “RecTrkSy”.

• This is the same display as the one that appears on step 3 under “When starting from the Rhythm Mode” above.

Press 8 RECORD/STOP again.

This enters recording standby.

• This is the same display as the one that appears on step 2 under “When starting from the Rhythm Mode” above.

• Here, long-press 8 RECORD/STOP to return to the recording setting screen.

To exit recording standby, press 8 RECORD/ STOP again.

This causes the [RECORD] indicator to disappear.

Press 8 RECORD/STOP.

This returns to recording standby.

To exit recording standby, press 8 RECORD/ STOP.

This causes the [RECORD] indicator to disappear.

• Recording using this operation automatically selects the lowest song number (31 to 40) that does not have anything recorded to it yet as the recording destination.

EN-90

Recording Keyboard Play

Flashing

Displayed

Measure Beat

• The [RECORD] indicator will start to flash during recording when the number of remaining note count is 100 or lower. When there are no more remaining notes, recording stops automatically and the [RECORD] indicator disappears.

• To make a new recording by selecting the recording destination song number first, see “To change the recording destination song number during recording standby” (page EN-94).

• You can configure settings to sound a pre-count before recording starts or the metronome while recording is in progress. See “To sound a pre-count or the metronome” (page EN-94).

• You can exit recording standby at any time ([RECORD] indicator flashing) by pressing 8 RECORD/STOP once or twice so the [RECORD] indicator is not displayed.

To record a new system track

Press 6 RHYTHM.

Specify the tempo to use at the start of recording.

• See “Changing Auto Accompaniment Speed (Tempo)” (page EN-45).

Select the rhythm and tone you want to use at the start of recording.

• See “Selecting a Rhythm” (page EN-43) and “Selecting a Tone” (page EN-18).

• If you want to change mixer settings of each of the system track parts, perform the procedure under “To configure mixer settings” (page EN-63). Configure the mixer settings of each part of the KEYBOARD part group.

• Layer and split settings, as well as other settings are also recorded. For details about recorded data, see “Recording Track and Recorded Data” (page EN-89).

Using the MIDI Recorder to Record

Playing on the keyboard automatically starts recording.

• Pressing ck START/STOP starts the rhythm and recording at the same time.

• While recording is in progress, the number of measures since recording started is indicated in the upper right corner of the display.

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

• Pressing ck PLAY/STOP will play back the recorded data.

• Recording using the above operation automatically selects the lowest song number (31 to 40) that does not have anything recorded to it yet as the recording destination.

Press 8 RECORD/STOP.

This enters recording standby.

• The [SONG] and [SYSTEM] indicators are also displayed at this time, and the mixer part indicators ( to ) all start to flash. This indicates that the system track is the recording target.

EN-91

Using the MIDI Recorder to Record

Flashing

Displayed

To record a new solo track

Specify the tempo to use at the start of recording.

• See “Changing Auto Accompaniment Speed (Tempo)” (page EN-45).

Select the tone you want to use at the start of recording.

• See “Selecting a Tone” (page EN-18).

• You cannot use layer or split when recording.

• If you want to change mixer settings of solo track being recorded, perform the procedure under “To configure mixer settings” (page EN-63). Configure the mixer settings of the UPPER 1 part of the KEYBOARD part group.

• For details about data recorded to the solo track, see “Recording Track and Recorded Data” (page EN-89).

Press 8 RECORD/STOP.

This enters recording standby.

• The [SONG] and [SYSTEM] indicators are also displayed at this time, and mixer part indicators to

all start to flash. This indicates that the system

track is the recording target.

Select the solo track to which you want to record.

(1) Long-press 8 RECORD/STOP.

• This displays the recording setting screen that you can use to select the recording target track.

Rec Tr kS

• “RecTrkSy” indicates that the current recording target track is the system track.

(2) Use bn [–] and [+], or the bl dial to display the

[SONG] and [SOLO] indicators, and select the solo track to which you want to record.

Rec Tr k 1

• “RecTrk” indicates that the current recording target track is a solo track, and the number is the track number.

• At this time, the corresponding mixer part number ( to ) also flashes.

(3) Press 8 RECORD/STOP to return to recording

standby.

• To insert a rest at the beginning of the recording, press ck START/STOP in place of 8 RECORD/STOP. This starts recording and inserts rests until you play something on the keyboard.

EN-92

Playing on the keyboard automatically starts recording.

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

• Pressing ck PLAY/STOP will play back the recorded data.

To overdub another solo track while playing

Flashing

Displayed

back recorded tracks

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song you want to overdub.

• Select a user recording song that has at least one track recorded.

Select the tone you want to use at the start of recording.

(1) Press 5 TONE. (2) Use the bm number keys, bn [–] and [+], or the bl

dial to select the number of the tone.

• You cannot use layer or split when recording.

• For details about data recorded to the solo track, see “Recording Track and Recorded Data” (page EN-89).

Press 8 RECORD/STOP.

This enters recording standby.

Using the MIDI Recorder to Record

Playing on the keyboard automatically starts recording.

Starting playback of a recorded track simultaneously starts recording to the track you selected in step 5.

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

• Pressing ck PLAY/STOP will play back the recorded data.

Repeat steps 3 through 8 above for each of the tracks you want to overdub.

• At this time, “RecTrkSy” is displayed along with the [SONG] and [SYSTEM] indicators. Also, mixer part indicators to all start to flash. This indicates that the system track is the recording target.

Use bn [–] and [+], or the bl dial to display the [SONG] and [SOLO] indicators, and select the solo track to which you want to record.

• While the [SONG] and [SOLO] indicators are displayed, mixer part indicators to indicate the status of the solo tracks. A displayed indicator means that a solo track is recorded, while a flashing indicator means that the solo track is the recording target.

• Selecting a track that is already recorded causes the current data of that track to be overwritten by the new recording.

Press 8 RECORD/STOP to enter recording standby.

• To insert a rest at the beginning of the recording, press ck START/STOP in place of 8 RECORD/STOP. Starting playback of another track that is already recorded simultaneously starts recording and inserts rests until you play something on the keyboard.

EN-93

Using the MIDI Recorder to Record

To change the recording destination song number during recording standby

Press 8 RECORD/STOP.

• If you started the operation from the Rhythm Mode, this enters recording standby. Advance to step 2.

• If you started the operation from the Song Bank Mode, the Digital Keyboard will display the recording setting screen, so step 2 is not necessary. Proceed to step 3.

• For information about the recording standby and recording setting screen, see “Starting a Recording” (page EN-90).

Long-press 8 RECORD/STOP.

This displays the recording setting screen and displays “RecTrkSy”.

Rec Tr kS

Use the [1] (V) and [3] (W) bm number keys to display “MltRec 1”.

l t R e c 1

Use bn [–] and [+], or the bl dial to select the number of the song to which you want to record.

Press 8 RECORD/STOP.

This exits the recording setting screen and returns to recording standby.

To sound a pre-count or the metronome

Press 8 RECORD/STOP.

• If you started the operation from the Rhythm Mode, this enters recording standby. Advance to step 2.

• If you started the operation from the Song Bank Mode, the Digital Keyboard will display the recording setting screen, so step 2 is not necessary. Proceed to step 3.

• For information about the recording standby and recording setting screen, see “Starting a Recording” (page EN-90).

Long-press 8 RECORD/STOP.

This displays the recording setting screen and displays “RecTrkSy”.

Use the [1] (V) and [3] (W) bm number keys to display the menu item whose setting you want to change.

• Initial default setting values are indicated by an asterisk (*).

Item Name

(Display)

Precount (Precount)

Metronome (Metronom)

Description Settings

Specifies whether or not to sound a pre-count before recording starts after you press ck START/STOP while in recording standby. On: Sounds a one-measure pre-count. Off: Recording starts as soon as you press ck START/STOP or play something on the keyboard, without sounding a precount.

On: Sounds the metronome while recording. Off: Disables the metronome.

On, Off*

EN-94

Use bn [–] and [+] to change the setting.

Press 8 RECORD/STOP.

This exits recording setting screen and returns to recording standby.

Re-recording Part of a Recorded Track (Overdubbing, Punch-in Recording)

The recording operations described in the table below can be performed on a recorded track.

Overdub Recording

Punch-in Recording

Use fast forward and fast reverse to navigate to the location where you want to start overdubbing or punch-in recording, and then start recording. If you know the start point and end point of the section you want to re-record, you can also play back the song and start performing at the desired location.

To perform overdubbing or punch-in recording

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song that contains the track where you want to perform overdubbing or punch-in recording.

Press 8 RECORD/STOP.

This displays the recording setting screen and causes the [RECORD] indicator to flash.

Use the [1] (V) and [3] (W) bm number keys to display “Rec Type”.

Use bn [–] and [+] or the bl dial to display either of the settings below.

To perform this operation: Display this:

Overdub Recording Over Dub Punch-in Recording Punch In

Records by adding performance data to a recorded track, without deleting the previously recorded data.

Used for re-recording of specific parts of a song to correct errors, etc.

Using the MIDI Recorder to Record

Press ck PLAY/STOP.

This starts song playback.

• To stop the overdub recording/punch-in recording operation, press ck PLAY/STOP again. This will cause the [RECORD] indicator to disappear from the display.

Use bsdFF and brsREW to navigate to the location from which you want to start recording.

•Use btk PAUSE to pause or unpause song playback.

• After step 8, playing something on the keyboard in step 9 will start recording. After determining the point where you want to start recording, navigate to a location just before it, and then advance to step 9.

Press cm ACCOMP.

This causes “MEASURE” and “BEAT” to flash at high speed in the upper right corner of the display. If playback is paused, it becomes unpaused at this time.

• If you are recording to the system track, rhythm operation buttons become enabled at this time.

Use one of the operations below to start recording.

• Play something on the keyboard.

• If you are performing punch-in recording, you can also start recording by pressing cp STORE. In this case, rests are inserted at the beginning of the song until you start playing something on the keyboard.

This will cause the “MEASURE” and “BEAT” indicators to stop flashing. The [RECORD] indicator also appears.

10.

When you are finished recording, press 8 RECORD/STOP.

This causes the [RECORD] indicator to disappear.

This causes “MEASURE” and “BEAT” to flash in the upper right corner of the display.

• If you want to change mixer settings while recording, perform the procedure under “To configure mixer settings” (page EN-63). When recording to the system track, configure the mixer settings of each part of the SONG SYSTEM part group. When recording to a solo track, configure the mixer settings of the corresponding part of the SONG SOLO part group. (For example, when recording to Solo Track 3, configure the mixer settings of Part 3 of the SONG SOLO part group.)

EN-95

Using the MIDI Recorder to Record

Current setting Setting name (Indicates system track)

To specify the recording start point and end point, and then perform overdubbing or punch-in recording

Perform the procedure under “Looping Playback of Specific Song Measures (A-B Repeat)” (page EN-39).

• When performing the procedure, select the number of the song that contains the track where you want to perform overdubbing or punch-in recording.

Perform steps 3 to 7 under “To perform overdubbing or punch-in recording” (page EN-95).

Press cm ACCOMP.

This causes “MEASURE” and “BEAT” to flash at high speed in the upper right corner of the display.

Recording will start automatically when playback reaches the start of the section you specified in step 1.

This will cause the “MEASURE” and “BEAT” indicators to stop flashing. The [RECORD] indicator also appears.

• Play the required notes on the keyboard.

When playback reaches the end of the specified section, the [RECORD] indicator will disappear and recording will stop automatically.

Playing Back a Recorded Song

To play back a recorded song

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the song number of a recorded song.

• Select the song you want to playback from among song numbers 31 to 40 (MltRec 1 to MltRec 10).

To mute specific tracks

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the song number of a recorded song.

Press bo PART SELECT.

This displays “TrSyMute”.

TrSyM

Use the [1] (V) and [3] (W) bm number keys to select the track you want to mute.

Use bn [–] or [+] to mute or unmute the track you selected in step 4.

• Pressing bn [+] mutes the track, while bn [–] unmutes the track.

Repeat steps 4 and 5 as required for other tracks.

Press the [4] (EXIT) bm number key.

Press ck PLAY/STOP.

• This starts song playback in accordance with the track mute/unmute settings you configured.

To stop song playback, press ck PLAY/STOP.

• You can perform overdub recording while some tracks are muted. After performing the operation above, perform the procedure starting from step 3 under “To overdub another solo track while playing back recorded tracks” (page EN-93).

ute

Press ck PLAY/STOP.

This starts song playback.

• Operations that are supported during playback are almost the same as those for built-in song playback (with some exceptions). See “Playing a Built-in Song or a Song on a USB Flash Drive (Song Bank Mode)” (page EN-38).

EN-96

Using the MIDI Recorder to Record

Copying a Recorded Song, Deleting a Recorded Song or Track

To copy a recorded song

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song you want to copy.

Hold down 8 RECORD/STOP until “Song Clr” appears.

Use the [1] (V) and [3] (W) bm number keys to display “SongCopy”, and then press [6] (ENTER).

Use bn [–] and [+], or the bl dial to select the copy destination song number and then press [6] (ENTER).

This displays “Sure?”

• If there is already a user recording stored at the song number you specified as the copy destination, the message “Replace?” will appear.

Press bn [+] (YES) to execute the copy operation or bn [–] (NO) to cancel.

To exit the operation, press the [4] (EXIT) bm number key.

To delete a recorded song

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song you want to delete.

Hold down 8 RECORD/STOP until “Song Clr” appears.

Press the [6] (ENTER) bm number key.

This displays “Sure?”

Press bn [+] (YES) to delete or bn [–] (NO) to cancel the delete operation.

To exit the operation, press the [4] (EXIT) bm number key.

To delete a specific track from a recorded song

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song that contains the track you want to delete.

Hold down 8 RECORD/STOP until “Song Clr” appears.

Use the [1] (V) and [3] (W) bm number keys to display “Trk Clr”.

Use bn [–] and [+], or the bl dial to select the track you want to delete.

Press the [6] (ENTER) bm number key.

This displays “Sure?”

Press bn [+] (YES) to delete or bn [–] (NO) to cancel the delete operation.

Repeat steps 5 through 7 above for each of the tracks you want to delete.

To exit the operation, press the [4] (EXIT) bm number key.

EN-97

Using the MIDI Recorder to Record

Displayed

Song Editing Mode

Enter the Song Editing Mode to perform the operations below.

• Editing an entire song in measure units (page EN-98)

• Editing a recorded song in track units (page EN-99)

• Editing a track of a recorded song in measure units (page EN-101)

• Editing a recorded song in event units (page EN-103)

• Inputting notes and chords one-by-one (page EN-106)

• Recorded song mixer settings (page EN-109)

To enter the Song Editing Mode

Press 7 SONG BANK.

Use the bm number keys, bn [–] and [+], or the bl dial to select the number of the song you want to edit.

Long-press bk FUNCTION until the [EDIT] indicator appears.

• This enters the Song Editing Mode and “Song” appears on the display.

To exit the Song Editing Mode operation

• Perform the operation below at the end of Song Editing Mode operation.

Press bn [+] (YES) to execute the Song Editing Mode operation, or bn [–] (NO) to cancel.

• Pressing bn [+] (YES) displays the message “Wait...” (operation in progress). Do not perform any operation while this message is on the display. “Complete” appears on the display after the operation is complete.

Editing an Entire Song in Measure Units (Song Editing)

Use the procedure below to edit an entire song (all of the tracks included in the song) in measure units.

• In the procedure below, you specify a start measure (Point A or simply Point), and an end measure (Point B). The section specified by the procedure under “Looping Playback of Specific Song Measures (A-B Repeat)” (page EN-39) is used as the initial default for these settings.

To delete an entire song in measure units

Perform the procedure under “To enter the Song Editing Mode” (page EN-98).

Press the [6] (ENTER) bm number key.

This displays “Clear”.

Press [6] (ENTER) again.

This displays “Point A”.

Use bn [–] and [+], or the bl dial to select the number of the first measure of the range you want to delete, and then press [6] (ENTER).

This displays “Point B”.

Use bn [–] and [+], or the bl dial to select the number of the last measure of the range you want to delete, and then press [6] (ENTER).

This displays “Sure?”

Perform the procedure under “To exit the Song Editing Mode operation” (page EN-98).

To exit the Song Editing Mode, long-press the [4] (EXIT) bm number key.

EN-98

Using the MIDI Recorder to Record

To copy an entire song in measure units and insert them into a specified location of the same song

Perform the procedure under “To enter the Song Editing Mode” (page EN-98).

Press the [6] (ENTER) bm number key.

This displays “Clear”.

Use the [1] (V) and [3] (W) bm number keys to display “Copy”, and then press [6] (ENTER).

This displays “Point A”.

Use bn [–] and [+], or the bl dial to select the number of the first measure of the range you want to copy, and then press [6] (ENTER).

This displays “Point B”.

Use bn [–] and [+], or the bl dial to select the number of the last measure of the range you want to copy, and then press [6] (ENTER).

This displays “DstPoint”.

Use bn [–] and [+], or the bl dial to select the number of the first measure of the copy destination, and then press [6] (ENTER).

This displays “Sure?”

Editing a Recorded Song in Track Units

The editing operations in this section affect an entire track in a recorded song.

To delete a specified track

Perform the procedure under “To enter the Song Editing Mode” (page EN-98).

Use the [1] (V) and [3] (W) bm number keys to display “WholeTrk”, and then press [6] (ENTER).

This displays “Clear”.

Press [6] (ENTER) again.

This displays “Trk Sy”

Use bn [–] and [+] or the bl dial to specify the target track, and then press [6] (ENTER).

This displays “Sure?”

Perform the procedure under “To exit the Song Editing Mode operation” (page EN-98).

To insert blank measures at a specified location in a song

Perform the procedure under “To enter the Song Editing Mode” (page EN-98).

Press the [6] (ENTER) bm number key.

This displays “Clear”.

Use the [1] (V) and [3] (W) bm number keys to display “Insert”, and then press [6] (ENTER).

This displays “Point”.

Use bn [–] and [+], or the bl dial to select the measure from which you want to insert blank measures, and then press [6] (ENTER).

This displays “Length”.

Use bn [–] and [+], or the bl dial to specify the number of blank measures you want to insert, and then press [6] (ENTER).

This displays “Sure?”

Perform the procedure under “To exit the Song Editing Mode operation” (page EN-98).

EN-99

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