Casio CT-S500 User guide

Download

Page 1

Cove

S500

USER’S GUIDE

Getting Ready to Play Preparing a Power

Supply

Selecting a Musical

Instrument Tone

Changing the Pitch in

Semitone Units

(Transpose)

Connecting

Headphones (Option)

Fine Tuning (Tuning) Sustaining Notes After

Connecting a Pedal

(Option)

Keyboard Keys Are

Released

Applying the Effect

You Want to a Tone

(Active DSP)

Configuring Settings Troubleshooting

CTS500-E-2B

Saving and Recalling a

Setup (MY SETUP)

Playing a Song Linking with a Smart

Device (APP Function)

Page 2

Included and Optional Accessories

• Any reproduction of the contents of this manual, either in part or its entirety, is prohibited. Except for your own, personal use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR ANY DAMAGES WHATSOEVER (INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, LOSS OF INFORMATION) ARISING OUT OF THE USE OF OR INABILITY TO USE THIS MANUAL OR PRODUCT, EVEN IF CASIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change without notice.

• The actual appearance of the product may be different from that shown in the illustrations in this

User’s Guide.

• The Bluetooth

word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by CASIO COMPUTER CO., LTD. is under license. Other trademarks and trade names are those of their respective owners.

• Company and product names used in this manual may be registered trademarks of others.

Use only accessories that are specified for use with this Digital Keyboard. Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury.

• You can get information about accessories that are sold separately for this product from the CASIO catalog available from your retailer, and from the CASIO website.

https://support.casio.com/global/en/emi/manual/CT-S500/

■ About Music Score data

You can download music score data as a PDF file from the CASIO website. You will then be able to view music scores on your smart device. You can jump from the PDF file table of contents directly to the music score you want, and you can print out scores as needed.

https://support.casio.com/global/en/emi/manual/CT-S500/

EN-1

Page 3

General Guide EN-6

Getting Ready to Play EN-8

Preparing a Power Supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-8

Preparing the Music Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-14

Connecting the Wireless MIDI & audio adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-14

Connecting Headphones (Option). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-15

Connecting a Pedal (Option). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-16

Attaching a Strap (Commercially Available) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-17

Operations Common to All Modes EN-18

Display Screen Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-18

Home Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-19

5 buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-19

Changing the Button Long-press Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-20

Dial Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-21

Selecting a Function from a Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-22

Inputting Characters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-23

Playing on the Keyboard EN-26

Turning Power On or Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-26

Adjusting the Volume Level. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-28

Using the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-29

Listening to Demo Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-34

Controlling the Sound of a Performance EN-35

Selecting a Musical Instrument Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-35

Playing with Touch Response. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-37

Using a Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-39

Sustaining Notes After Keyboard Keys Are Released . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-48

Switching From the SUS (Sustain) Button to the UPPER PORT (Upper Portamento)

Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-51

Transitioning Smoothly Between Upper Part Notes (Upper Portamento) . . . . . . . . . . . . . . . EN-52

Using the Pitch Bend Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-56

Using the Knobs to Change the Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-58

Playing with Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-65

Adding the Chorus Effect to a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-68

Delaying Notes (Delay) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-70

Playing with a More Expanded Sound (Surround) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-72

Sounding Arpeggio Phrases Automatically (Arpeggiator) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-73

Switching the Button Function from ARP (Arpeggiator) to AH (Auto Harmonize). . . . . . . . . EN-78

Adding Harmony to Melody Notes (Auto Harmonize) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-79

Layering and Splitting Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-81

Changing the Volume Balance Between Keyboard Play and Rhythm Play (Balance) . . . . . EN-86

Changing the Pitch in Octave Units (Octave Shift) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-87

Changing the Pitch in Semitone Units (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-89

EN-2

Page 4

Contents

Fine Tuning (Tuning). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-90

Changing the Keyboard Scale Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-91

Using the Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-96

Applying the Effect You Want to a Tone (Active DSP) EN-98

To change the part where the effect is applied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-101

To change effect parameter settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-103

To change knob functions while Active DSP is turned on. . . . . . . . . . . . . . . . . . . . . . . . . . EN-104

To use other functions with Active DSP turned on . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-105

Saving and Recalling a Setup (MY SETUP) EN-106

Saving to MY SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-106

Recalling a MY SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-109

Enabling MY SETUP Power On Recall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-110

Renaming a MY SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-111

Deleting a MY SETUP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-113

Playing with a Rhythm Backing EN-114

Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-114

Using the Rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-114

Playing a Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-115

Using Recommended Rhythm Settings (One Touch Presets) . . . . . . . . . . . . . . . . . . . . . . EN-119

Adjusting the Tempo by Tapping (Tap Tempo). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-119

Sounding Rhythm as You Use Tap Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-120

Changing the Rhythm Pattern. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-121

Inserting a Fill-in Phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-124

Fingering a Chord to Play a Rhythm Accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-125

Starting Rhythm Play when a Chord is Played (Synchro Start) . . . . . . . . . . . . . . . . . . . . . EN-129

Configuring Rhythm Play to Stop Automatically when Chord Play is Stopped

(Synchro Stop) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-130

Changing the Rhythm Pattern and the Fill-in Operation Type . . . . . . . . . . . . . . . . . . . . . . EN-131

Disabling Automatic Setting of the Tempo and Pattern when a Rhythm is Selected . . . . . EN-134

Increasing the Number of Rhythms (User Rhythms) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-135

Saving and Recalling Setups (Registration) EN-136

Saving a Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-137

Recalling a Saved Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-139

Disabling Recall of Specific Settings (Freeze) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-140

Enabling Auto Exit of the Registration Screen when a Setup is Recalled. . . . . . . . . . . . . . EN-142

Using the Pedal to Recall the Settings Sequentially (Registration Sequence) . . . . . . . . . . EN-143

EN-3

Page 5

Contents

Playing a Song EN-144

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-144

Using the SONG Function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-144

Selecting a Song on a USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-145

Increasing the Selection of Songs (User Songs) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-147

Playing Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-149

Practicing a Song Part (Part Off). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-154

Sounding a Count in Time with a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-155

Recording Your Keyboard Play EN-156

Easy Keyboard Play Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-157

Deleting an Easy Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-161

Overdub Recording (Multi-track Recording) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-162

Copying a Tone Recording or Rhythm Recording as a Multi-track Recording . . . . . . . . . . EN-164

Muting a Multi-track Recording Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-165

Adjusting the Volume Level and Pan of Each Track of a Multi-track Recording (Mixing) . . EN-167

Copying a Multi-track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-170

Deleting One or More of the Multi-track Recordings in Memory . . . . . . . . . . . . . . . . . . . . . EN-172

Copying the Solo Track of a Multi-track Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-173

Deleting a Multi-track Recording Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-175

Recording and Playing the Sounds You Want (Sampling) EN-177

Capturing Sounds as Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-177

To select a built-in drum tone as a base for the sampled drum tone . . . . . . . . . . . . . . . . . EN-183

To configure the keyboard setting so the sound stops playing when you release

the keyboard key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-184

Sounding a Looped Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-186

To delete sampled data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-189

To delete a sampled tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-191

Customizing the Home Screen (Home Customization) EN-192

Changing the Home Screen Base Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-192

Changing the Function of Each 5 buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-194

Stopping All Types of Playback when HOME is Pressed (PANIC function) . . . . . . . . . . . . EN-195

Configuring Settings EN-196

Setting Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-196

Setting Item List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-197

EN-4

Page 6

Contents

Using the MIDI Controller EN-201

To change the pitch of NOTE message notes in octave units . . . . . . . . . . . . . . . . . . . . . . EN-202

To adjust the velocity of the NOTE ON message in accordance with key press intensity . . EN-203

Using the Arpeggiator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-205

Changing the Channel Message Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-206

Sending a Program Change Message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-207

Sending a Control Change Message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-208

To switch between the control change MSB and LSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-211

To send a system real-time message start/stop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-213

Using a USB Flash Drive EN-214

Inserting and Removing a USB Flash Drive on the Digital Keyboard . . . . . . . . . . . . . . . . . EN-215

USB Flash Drive Formatting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-217

USB Flash Drive Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-219

Connecting with External Devices EN-228

Linking with a Smart Device (APP Function) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-228

Connecting to a Computer and Using MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-231

Using a Cable to Connect with an Audio Device. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-234

Sounding a Bluetooth Audio Capable Device (Bluetooth Audio Pairing) . . . . . . . . . . . . . . EN-237

Deleting Bluetooth Audio Capable Device Pairing Registration . . . . . . . . . . . . . . . . . . . . . EN-239

Connection with a Bluetooth Low Energy MIDI Device. . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-241

Disabling Wireless Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-242

Reference EN-243

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-243

Error Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-246

Product Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-248

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-252

Rhythm List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-271

Arpeggiator List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-274

Drum Assignment List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-276

Versatile Tone Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-282

DSP List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-284

DSP Effect List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-287

Home Customization 5 buttons Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-301

Fingering Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-305

Chord Example List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-307

MIDI Implementation Chart

EN-5

Page 7

General Guide

Speakers

P(Power) button ☞EN-26

VOLUME knob ☞EN-28

HOME button ☞EN-19

MENU button ☞EN-22

SURROUND button ☞EN-72

K1 knob ☞EN-58

5 buttons ☞EN-19

LCD

Dial ☞EN-21

TONE button ☞EN-35

RHYTHM button ☞EN-115

REGISTRATION button ☞EN-137

a button ☞EN-149

TEMPO button ☞EN-31

RECORD button ☞EN-157

PITCH BEND wheel ☞EN-56

Chord root names

K3 knob ☞

EN-58

ACTIVE DSP button ☞EN-98

K2 knob ☞EN-58

■ Front Panel

• The numbers to the right of the ☞ symbol are reference page numbers.

EN-6

Page 8

■ Back

USB TO HOST port ☞EN-228

PHONES jack ☞EN-15, EN-234

Power terminal (DC 12V) ☞EN-8

USB TO DEVICE port ☞EN-14

AUDIO IN jack ☞EN-236

PEDAL2/EXPRESSION jack ☞EN-16

PEDAL1 jack ☞EN-16

LINE OUT R, L/MONO jack ☞EN-236

General Guide

• The numbers to the right of the ☞ symbol are reference page numbers.

EN-7

Page 9

Getting Ready to Play

AC adaptor

DC 12V terminal

Household power outlet

Power cord

Preparing a Power Supply

Though either an AC adaptor or batteries can be used for power, use of AC adaptor power is normally recommended.

Using the AC Adaptor

Use only the AC adaptor (JEITA Standard with unified polarity plug) specified for this Digital Keyboard. Use of a different type of AC adaptor can cause malfunction.

AC Adaptor Type: AD-A12150LW (JEITA Standard plug)

• Never connect the AC adaptor (JEITA Standard, with unified polarity plug) that comes with

this Digital Keyboard to any other device besides this Digital Keyboard. Doing so creates the risk of malfunction.

• Be sure to turn off Digital Keyboard power before connecting or disconnecting the AC

adaptor.

• The AC adaptor will become warm to the touch after very long use. This is normal and does

not indicate malfunction.

• Note the following important precautions to avoid damage to the power cord.

During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or connector.

During Movement

• Before moving the Digital Keyboard, be sure to unplug the AC adaptor from the power outlet.

During Storage

• Loop and bundle the power cord, but never wind it around the AC adaptor.

EN-8

Page 10

Getting Ready to Play

• Never insert metal, pencils, or any other objects into the product’s DC12V terminal. Doing so

creates the risk of accident.

• Do not try to use the power cord that comes with the product with another device.

• Use the AC adaptor so its label surface is pointed downwards. The AC adaptor becomes

prone to emitting electromagnetic waves when the label surface is facing upwards.

• Plug the AC adaptor into a power outlet that is close to the Digital Keyboard. This lets you

immediately unplug from the power outlet should any problem occur.

• The AC adaptor is intended for indoor use only. Do not leave it in a location where it can

become wet. Also, do not place a vase or any other container of liquid on the AC adaptor.

• Make sure that the AC adaptor does not become covered with a newspaper, table cloth,

curtain, or any other type of fabric.

• If you do not plan to use the Digital Keyboard for a long time, unplug the AC adaptor from the

power outlet.

• The AC adaptor cannot be repaired. If your AC adaptor malfunctions or becomes damaged,

you need to purchase a new one.

• AC Adaptor Usage Environment

Temperature: 0 to 40°C Humidify: 10% to 90%RH

• Output Polarity: &

EN-9

Page 11

Getting Ready to Play

Using Batteries for Power

• Be sure to turn off power before loading batteries.

• Use commercially available AA-size alkaline batteries or AA-size rechargeable nickel metal

hydride batteries.

• Low battery power can cause abnormal operation. If this happens, replace batteries with new

ones. If you are using rechargeable batteries, charge them.

• Actual continuous operation time may be shorter due to battery type, performance type, and

usage environment. In particular, Active DSP (page settings can dramatically shorten the battery operation time. Power the Digital Keyboard with the AC adaptor when using these functions.

■ Batteries

Note the precautions below when using rechargeable batteries.

• Use Panasonic Group AA-size eneloop rechargeable batteries. Do not use any other type of batteries.

• Use only the specified charger to charge batteries.

• Rechargeable batteries must be removed from the product for charging.

• For information about using eneloop batteries or their specified charger, be sure to read the user

documentation and precautions that come with each item, and use them only as directed.

Be sure to replace batteries at least once a year, even if there is no indication of low battery power. Dead rechargeable batteries (eneloop) in particular may deteriorate if they are left in the product. Remove rechargeable batteries from the product as soon as possible after they go dead.

Open the battery cover on the back of the Digital Keyboard.

EN-98) or Equalizer (page EN-96) function

Load six AA-size batteries into the battery compartment.

• Load batteries with their positive (+) and negative (–) ends facing correctly.

EN-10

Page 12

Getting Ready to Play

Tab

Insert the tabs of the battery cover into the holes, and close the cover.

• Configure the setting below to specify the type of batteries you loaded.

■ Specifying the Battery Type

Turn on the Digital Keyboard.

• See “

Turning Power On or Off” (page EN-26).

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu (page EN-19) that includes SETTING.

Press SETTING.

This displays the setting screen.

EN-11

Page 13

Getting Ready to Play

Use U and I to select “Battery”.

Rotate the dial or use – and + to select “Alkaline” (alkaline batteries) or “Ni-MH” (nickel-metal hydride batteries).

To exit the setting operation, press EXIT.

EN-12

Page 14

Getting Ready to Play

Black battery icon (not flashing)

White battery icon (flashing)

■ Low Battery Indication

A battery icon appears on the display to let you know when battery power is getting low.

Declining Battery Power

Battery Replacement Required

• Low battery power may cause notes to become distorted, or other problems.

• You can conserve battery power by using headphones and by reducing the volume level.

• Continued use with low batteries may cause power to turn off suddenly. This can cause stored data to be corrupted or lost.

EN-13

Page 15

Preparing the Music Stand

Music stand

Wireless MIDI & audio adaptor

USB TO DEVICE port

Insert the music stand legs into the back of the Digital Keyboard.

Connecting the Wireless MIDI & audio adaptor

To pair this Digital Keyboard with a Bluetooth MIDI & audio adaptor into the product’s USB TO DEVICE port.

capable external device, you need to plug the Wireless

Getting Ready to Play

• Turn off the Digital Keyboard before disconnecting the Wireless MIDI & audio adaptor.

• When connecting with a Bluetooth audio capable device, refer to “Sounding a Bluetooth Audio

Capable Device (Bluetooth Audio Pairing)

• When connecting to an external Bluetooth Low Energy MIDI compatible device, refer to “

with a Bluetooth Low Energy MIDI Device

• To use the app, refer to “

• The Wireless MIDI & audio adaptor may not be sold in certain countries or geographic areas.

Linking with a Smart Device (APP Function)” (page EN-228).

” (page EN-237).

” (page EN-241).

EN-14

Connection

Page 16

Getting Ready to Play

PHONES jack (3.5mm stereo mini jack)

Stereo mini plug

Connecting Headphones (Option)

Plugging in headphones cuts off output from the built-in speakers, which means you can practice playing even late at night without disturbing others.

• Be sure to turn down the volume level before connecting headphones.

• Headphones do not come with this Digital Keyboard.

• Use the optional (CP-16) or a commercially available headphones.

• The surround effect is not applied while you are listening over headphones.

• Do not listen to output over headphones at very high volume levels for long periods. Doing so creates the risk of hearing damage.

• The headphones you use must have a 3.5mm 3-pole stereo mini plug. Use of other types of plugs is not supported.

• If the plug of the headphones does not match the PHONES jack, use a commercially available adaptor plug.

• If you are using headphones that require an adaptor plug, make sure you do not leave the adaptor plugged in when removing the headphones.

EN-15

Page 17

Getting Ready to Play

Pedal (option)

PEDAL1 jack (6.3mm standard jack)

PEDAL2/EXPRESSION jack (6.3mm standard jack)

Polarity Type 1 Polarity Type 2*

Connecting a Pedal (Option)

To use a pedal, connect it to the PEDAL1 or PEDAL2/EXPRESSION jack on the back of the Digital Keyboard. The jack you should use depends on the operation you want the pedal to perform.

• This Digital Keyboard does not come with a pedal unit.

• You can use the PEDAL1 jack to connect an optional (SP-3, SP-20) sustain pedal. You can use the

PEDAL2/EXPRESSION jack to connect a commercially available sustain pedal or expression pedal.

• Before using an expression pedal connected to the PEDAL2/EXPRESSION jack, you will need to specify the expression pedal’s polarity and calibrate the pedal. For more information, see “Using Volume Pedal” (page EN-42).

■ Connectable Expression Pedals

You can connect a commercially available expression pedal that satisfies the specifications below to the PEDAL2/EXPRESSION jack. Use of a pedal whose operation has been confirmed (see below) is recommended.

• Expression pedal with a maximum resistance value within the range of 10kΩ±20% to 50kΩ±20%

* Operation Confirmed Pedals

Roland EV-5 (Set minimum volume to 0.) KURZWEIL CC-1 FATAR VP-25, VP-26

• Note that pedal polarity depends on the manufacturer. Use the procedure under “Using Volume

Pedal

” (page EN-42) to configure the polarity type setting.

EN-16

Page 18

Getting Ready to Play

Strap lock

Strap (commercially available)

Strap pin

Attaching a Strap (Commercially Available)

Attach a strap (commercially available) to the left and right strap pins on the bottom of the Digital Keyboard.

Cover the strap pins with the strap locks.

• After attaching the strap, check to make sure that the strap is securely attached to the Digital Keyboard.

• Do not pick up the Digital Keyboard by the strap alone. Doing so creates the risk of the Digital Keyboard detaching from the strap and falling.

• The recessed area on the bottom of the Digital Keyboard IS NOT intended to be used as a handle. Be sure to use both hands when picking up the Digital Keyboard.

• Should a strap lock ever become deformed or damaged, replace it.

EN-17

Page 19

Operations Common to All Modes

REC

FILLACSYNC.STSYNC.SP

Cm7b5



 





  

(3 (4



Display Screen Contents

Setting name



Battery icon



Recording status



Tempo



Setting



Measure/Beat



Sub-display



• Display contents may become difficult to read at certain viewing angles.

• For information about how to adjust display contrast, see “

     

EN-18

Status

5 buttons menu items

Part

Sub-title

Setting item

Setting

Configuring Settings” (page EN-196).

Page 20

Operations Common to All Modes

5 buttons menu

5 buttons

Home Screen

Pressing HOME causes [TONE/RHYTHM] to appear on the screen, which indicates the tone setting screen. This is the home screen. You can use the home screen to select the instrument tone you want to use, and to configure various settings.

• You can customize the home screen to suit your specific needs. For details, see “Customizing the

Home Screen (Home Customization)

” (page EN-192).

5 buttons

Operations assigned to the 5 buttons along the bottom of the display change according to the setting you are configuring. Operations currently assigned to the display buttons are indicated by labels above the buttons (5 buttons menu).

5 buttons Examples

■ Home screen (Tone Selection Screen)

EN-19

Page 21

Operations Common to All Modes

5 buttons menu

5 buttons

■ Setting Screen (SETTING)

• Long-pressing – or + when selecting a number or value scrolls through settings at high speed.

• To return a number or value to its initial default or recommended setting, press – and + at the same

time.

• Long-pressing U or I when changing to another item or page scrolls through items or pages at high speed.

Changing the Button Long-press Time

You can specify the required button long-press time.

• Note that you cannot change the required long-press time for the power off operation.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

EN-20

Page 22

Operations Common to All Modes

Use U and I to select “Button Long Press Time”.

Rotate the dial or use – and + to change the button long-press time value.

Setting Display Name

Short Short

Normal Normal

Long Long

To exit the setting operation, press EXIT.

Dial Operations

Rotate the dial to change a number (tone number, etc.) or value (tempo value, etc.)

EN-21

Page 23

Operations Common to All Modes

Selecting a Function from a Menu

You can use the menu screen to select from a variety of different functions.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes the function you want to select.

• To return to the previous screen or exit the setting operation, press EXIT.

Menu Item List

Item Display Name

MY SETUP MY SETUP

Balance BALANCE

Octave shift OCT SHIFT

Sustain SUSTAIN

Portamento PORTAMENTO

Pedal PEDAL

Pitch Bend Wheel PITCH BEND

Knob KNOB

Arpeggiator ARPEGGI

Auto Harmonize AUTO HRM

Sampling SAMPLING

Song SONG

Metronome METRONOME

System Effects SYS FX

Equalizer EQ

Scale Tuning SCALE

MIDI controller MIDI CTRL

Wireless WIRELESS

Media MEDIA

Home Customization HOME CSTM

Setting SETTING

Demo DEMO

EN-22

Page 24

Operations Common to All Modes

Cursor (flashing)

Page information

Press the button of the function you want to select.

• This displays the screen of the function you select.

• To exit the menu screen, press MENU, or press EXIT on the first page of the menu screen.

Inputting Characters

Use the procedures below to edit MY SETUP data names and USB flash drive file names (user data names).

• USB flash drive (page EN-219) file names can be up to 231 characters long.

• Up to 22 characters can appear on the display at a time. If you input more than 22 characters, the

display will scroll horizontally, and a numeric page indicator (such as 1/11) will appear on the display.

• A file with a name that begins with “.” or “ ” (blank space) cannot be saved.

Inserting Characters

Use U and I to move the cursor to the right of the location where you want to insert a character.

Press INSERT.

This inserts “A”.

• If you positioned the cursor to the right of the end of a character string, you can also rotate the dial or use – and + to insert characters.

EN-23

Page 25

Operations Common to All Modes

0 A

[

] j

# 2 C P

^ k x

3 D Q

4 E

& 5 F S a n

{

T b o

}

(

7 H U

)

I V d q

+ 9 J

; K X

L Y g

Z h u

(First cell in the above table is blank.)

$& ' ( )-0123456 7 89@ABCDEFGH I JK LMNOPQRSTUV

WX Y Z ^ _ ` { }

Replacing a Character with a Different One

Use U and I to move the cursor to the character you want to replace.

Rotate the dial to change the character.

This displays the –/+ screen.

• After you rotate the dial once to select a character, you can change the selection further using – and +.

• To go back to the previous screen, press BACK.

• Repeat steps 1 and 2 as required.

• The characters shown in the table below are supported for USB flash drive file names.

• The characters shown in the table below are supported for file names on a FAT 32 formatted

USB flash drive.

EN-24

Page 26

Operations Common to All Modes

!"#$%&'()*+,

. / 0123456789

: ; <>=?@ABCDEF

GH I J K LMNOPQRS

T UVWX Y Z [ ] \ ^ _ ` abcdef ghi j k lm nopqr s t uvwxyz

{}|

(First cell in the above table is blank.)

• The characters shown in the table below are supported for user data (MY SETUP) names.

Deleting a Character

Use U and I to move the cursor to the character you want to delete.

Press DELETE.

Exiting a Character Delete or Edit Operation

Perform the step below after you are finished editing characters.

Press CONFIRM.

This displays a confirmation screen for the character string you edited.

• Next, the message “Cancel?” appears in the following cases. – If the current user data or file name has not been changed.

– If the user data or file name does not contain any characters (0 character count)

• To exit character string editing, press YES.

• To continue with character string editing, press NO or BACK to return to the character string

editing screen.

EN-25

Page 27

Playing on the Keyboard

Turning Power On or Off

Press P (Power) to turn on Digital Keyboard power.

“Casiotone” is displayed while startup is in progress.

• Your Digital Keyboard is ready to use when the home screen appears on the display after startup is complete.

• Depending on the usage status of samples and other data, it may take some time for the Digital Keyboard to become ready for use.

To turn off power, long-press P (Power) until the display goes blank.

• Turning off power normally causes the tone and rhythm number and other settings to return

to their initial defaults. However, the settings below are remembered.

– PEDAL2 pedal type – PEDAL2 calibration – Sampled melody tone (type, loop note value and repeats) – Sampled drum tone (note off, type, loop note value and repeats) – MY SETUP power on recall – Wireless setting – MIDI OUT Channel (Upper1, Upper2, Lower) – MIDI Sync Mode – Auto Power Off – Battery type – Display contrast – Button long-press time

• Pressing the P (Power) to turn off power actually puts the Digital Keyboard into a standby state.

Minute amounts of current continue to flow within the Digital Keyboard in the standby state. If you do not plan to use the Digital Keyboard for a long time or if there is a lightning storm in your area, be sure to unplug the AC adaptor from the power outlet.

• You can configure Digital Keyboard settings so MY SETUP settings are recalled whenever power is turned on. See “

• Do not touch the PITCH BEND wheel when turning on power.

Enabling MY SETUP Power On Recall” (page EN-110).

EN-26

Page 28

Playing on the Keyboard

Auto Power Off

While Auto Power Off is enabled, power turns off automatically after about 30 minutes of non-operation.

• Auto Power Off is disabled while a song is playing and while the APP function is being used.

■ Disabling Auto Power Off

You can disable Auto Power Off to ensure that power does not turn off automatically during a concert, etc.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

EN-27

Page 29

Use U and I to select “Auto Power Off”.

Rotate the dial or use – and + to select “Off”.

To exit the setting operation, press EXIT.

Adjusting the Volume Level

Rotate the VOLUME knob.

This changes the volume level.

Playing on the Keyboard

EN-28

Page 30

Playing on the Keyboard

Using the Metronome

The metronome lets you play and practice along with a steady beat to help keep you on tempo. You can also set a tempo that is suitable for your practice.

Start/Stop

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes METRONOME.

Press METRONOME.

This displays the metronome screen.

EN-29

Page 31

Playing on the Keyboard

Press START.

This starts the metronome, and displays measure and beat numbers.

To stop the metronome, press STOP.

• If you are using the rhythm function or SONG function, pressing a does not start the metronome. If you want the metronome to start when you press a, long-press TONE to quit the rhythm function or SONG function.

• The metronome is disabled while a song is playing.

EN-30

Page 32

Changing the Metronome Tempo

Use the procedure below to change the tempo of the metronome.

Press TEMPO.

This displays the tempo screen.

Rotate the dial or use – and + to change the tempo value.

• You can specify a tempo value in the range of 20 to 255.

• To return to the recommended setting, press – and + at the same time.

To exit the setting operation, press EXIT.

Playing on the Keyboard

EN-31

Page 33

Playing on the Keyboard

Specifying the Metronome Beats Per Measure

You can use the procedure below to configure a setting that sounds a chime on the first beat of each measure, and a click for the remaining beats.

• Available settings are Off, or a value of 1 to 16 beats.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes METRONOME.

Press METRONOME.

This displays the metronome screen.

Rotate the dial to change the beat value.

• After you rotate the dial once to select a value, you can change the value further using – and +.

• Selecting “Off” disables the chime. Use this setting when you want to practice without worrying

about the first beat of each measure.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

EN-32

Page 34

Changing the Metronome Sound Volume Level

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes METRONOME.

Press METRONOME.

This displays the metronome screen.

Press VOLUME.

This displays the metronome volume level setting screen.

Rotate the dial to adjust the volume level.

Playing on the Keyboard

• You can specify a volume level value from 0 to 127.

• After you rotate the dial once to select a value, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

• To return to the beat setting screen, press BEAT.

EN-33

Page 35

Playing on the Keyboard

Listening to Demo Play

Press HOME.

This displays the home screen.

Press DEMO.

This displays the demo screen and starts demo song play.

• While a demo song is playing, the surround effect is applied, and the SURROUND LED is lit.

• The tone of the currently playing demo song is assigned to the keyboard during playback.

To stop playback, press EXIT or a.

• This stops playback and exits the demo screen.

• You can also display the demo screen by pressing MENU and then DEMO.

• Depending on Home Customization settings, the DEMO button may not be shown on the display.

EN-34

Page 36

Controlling the Sound of a Performance

Tone nameTone Number

Selecting a Musical Instrument Tone

Your Digital Keyboard lets you select tones for a wide variety of musical instrument sounds, including violin, flute, and more. The same song can sound completely different when played with a different instrument type.

Selecting a Tone

Press TONE.

This displays the tone screen, which shows the tone number and tone name.

Rotate the dial to select a tone.

• For tone information, see the “

• Tone numbers 801 and 802 are for sampled tones. For details, see “

Tones

” (page EN-177).

• After you rotate the dial once to select a tone, you can change the selection further using – and +.

• To return to the first tone in the Tone List, press – and + at the same time.

• If you want to select a category, use CAT–/CAT+.

• To go back to the previous screen, press BACK.

Tone List” (page EN-252).

Capturing Sounds as

EN-35

Page 37

Controlling the Sound of a Performance

Lit

■ Advanced Tones

A tone that causes the ADVANCED LED to light is called an “advanced tone”. Advanced tones provide enhanced sound source control, and enable advanced expressive techniques, tone expression, and more.

EN-36

Page 38

Controlling the Sound of a Performance

Playing with Touch Response

Touch Response alters tone volume in accordance with keyboard pressure (press velocity). This provides you some of the same expression capabilities you get on an acoustic piano.

Changing Touch Response Sensitivity

Press TONE.

This displays the tone screen.

Press TOUCH and then select the Touch Response setting you want.

Touch Response settings are described in the table below.

Setting (Display Text) Description

Off (OFF) Keyboard pressure does not affect volume.

Light (LIGHT) Easier to produce a louder sound than the Normal setting, for a

Normal (NORMAL) Normal Touch Response.

Heavy (HEAVY) More difficult to produce a louder sound, for a heavier feel.

lighter feel.

EN-37

Page 39

Controlling the Sound of a Performance

■ Adjusting Volume When Touch Response is Disabled (Touch off Velocity)

Press TONE.

This displays the tone screen.

Long-press TOUCH.

This displays the setting screen, which shows setting items for touch off velocity.

Rotate the dial or use – and + to change the setting.

• You can specify a value from 1 to 127.

To exit the setting operation, press EXIT.

EN-38

Page 40

Controlling the Sound of a Performance

Using a Pedal

Connecting a pedal lets you perform pedal operations that add various effects during your performances. The PEDAL1 jack is compatible with switch pedals that pedal release, and the PEDAL2/EXPRESSION jack is compatible with both volume pedals and switch pedals that detect the amount of depression. This Digital Keyboard does not come with a pedal unit. Purchase one separately.

• You can also use a pedal to change the registration setup. For details, see “

the Settings Sequentially (Registration Sequence)

” (page EN-143).

Using a Switch Pedal

Connect a pedal to the PEDAL1 or PEDAL2/EXPRESSION jack.

• Under initial default settings, pedal sustain is assigned to the PEDAL1 jack so it can be used as

a damper pedal.

• Under initial default settings, the soft function is assigned to the PEDAL2/EXPRESSION jack

so it can be used as a soft pedal.

Depress and release the pedal as you play the keyboard.

• With the pedal sustain function, notes are sustained as long as you hold down the pedal, even if you release the keyboard keys.

• With the soft function, notes become slightly quieter and softer while the pedal is depressed.

■ To change the switch pedal function

Press MENU.

This displays the menu screen.

Using the Pedal to Recall

Use U and I to select the 5 buttons menu that includes PEDAL.

EN-39

Page 41

Controlling the Sound of a Performance

Press PEDAL.

This displays the pedal screen.

Press the button for the pedal jack whose function you want to change.

This displays the pedal setting screen.

• If SWITCH appears when you press PEDAL2, it means that the pedal type setting is switch pedal. If the pedal type setting is not switch pedal, refer to “ change the setting.

Using a Pedal” (page EN-39) and

EN-40

Page 42

Controlling the Sound of a Performance

Rotate the dial to change the pedal function.

The table below shows the available pedal function settings.

Setting (Display Text) Description

Pedal Sustain (Pedal Sustain) Playing notes while the pedal is depressed causes the notes to

be sustained, even if the keyboard keys are released.

Sostenuto (Sostenuto) Playing notes and then pressing the pedal before the keyboard

keys are released causes the notes to be sustained.

Soft (Soft) Pressing the pedal and playing notes causes the notes to be

slightly softened.

Start/Stop (Start/Stop) The pedal has the same functions as a. It can be used to

start and stop the metronome and rhythm play.

Fill-in (Fill-In) Plays a fill-in (page

an Auto Accompaniment is playing.

Arpeggiator Hold (Arpeggiator Hold)

• After you rotate the dial once to select an option, you can change the selection further using – and +.

• To go back to the previous screen, press BACK.

When the arpeggiator (page EN-205) is turned on, arpeggiator hold is applied by depressing the pedal.

EN-132) when the pedal is depressed while

Press BACK to return to the pedal screen.

To exit the setting operation, press EXIT.

EN-41

Page 43

Controlling the Sound of a Performance

Using Volume Pedal

Connect a volume pedal to the PEDAL2/EXPRESSION jack.

• When connecting a commercially available expression pedal, refer to “

” (page EN-16).

Pedals

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes PEDAL.

Press PEDAL.

This displays the pedal screen.

Press PEDAL2.

This displays the PEDAL2 pedal setting screen.

Connectable Expression

EN-42

Page 44

Controlling the Sound of a Performance

■ When connecting for the first time, use the procedure below to specify the pedal type and to calibrate the pedal.

(1) Press TYPE.

This displays the PEDAL2 pedal type setting screen.

(2) Press VOL TYPE1 or VOL TYPE2 according to the polarity of the volume pedal.

VOL TYPE1 button Select this setting when connecting a Polarity Type 1 expression

pedal.

VOL TYPE2 button Select this setting when connecting a Polarity Type 2 expression

This displays “VOLUME TYPE 1” or “VOLUME TYPE 2”.

• Press SWITCH to return the pedal type setting to switch pedal. This displays “SWITCH” and returns the pedal type setting to switch pedal.

pedal.

EN-43

Page 45

Controlling the Sound of a Performance

(3) Press CALIBRATE.

This displays “Sure?”.

(4) Press YES.

(5) Depress the toe end of the volume pedal, and then press YES.

(6) Depress the heel end of the volume pedal and then press YES.

EN-44

Page 46

(7) Press OK.

This displays the PEDAL2 pedal type setting screen.

(8) Press BACK.

Controlling the Sound of a Performance

EN-45

Page 47

Controlling the Sound of a Performance

Rotate the dial to change the pedal function.

The table below shows the available pedal function settings.

Setting (Display Text) Description

Expression (Expression) Adjusts the volume level independently of the part volume.

Part Volume (Part Volume) Adjusts the part volume level.

Rhythm Volume (Rhythm Volume)

Master Volume (Master Volume)

Tempo (Tempo) Adjusts the tempo.

• After you rotate the dial once to select an option, you can change the selection further using – and +.

• To go back to the previous screen, press BACK.

Press BACK to return to the pedal screen.

Adjusts the rhythm volume level.

Adjusts the overall volume of the Digital Keyboard independent of the volume knob.

To exit the setting operation, press EXIT.

Disabling the Pedal Effect for Individual Parts

Press MENU.

This displays the menu screen.

Use U I to select the 5 buttons menu that includes PEDAL.

Press PEDAL.

This displays the pedal screen.

Press the button for the pedal jack whose part setting you want to change.

This displays the pedal setting screen.

EN-46

Page 48

Controlling the Sound of a Performance

Press UPPER1.

“U1” disappears from the display, indicating that the pedal effect is no longer applied to the UPPER 1 part.

To apply the pedal effect to the UPPER1 part, press UPPER1 again.

• In the same way, you can stop the pedal effect from being applied to the note by pressing UPPER2 and to the LOWER part by pressing LOWER. Pressing UPPER2 causes “U2” to disappear from the display, while pressing LOWER causes “L” to disappear.

Press BACK to return to the pedal screen.

To exit the setting operation, press EXIT.

• For information about parts, see “Layering and Splitting Tones” (page EN-81).

• Pedal part settings do not affect any of the following settings: start/stop, fill-in, arpeggiator hold,

master volume, tempo.

• When layer and split are enabled, the pedal effect is applied to the corresponding UPPER2 part and to the LOWER part in accordance with how much the pedal is depressed.

EN-47

Page 49

Controlling the Sound of a Performance

Sustaining Notes After Keyboard Keys Are Released

While sustain is enabled, notes are sustained longer when keyboard keys are released.

Press TONE.

This displays the tone screen.

Press SUS.

This displays “SUS”.

• If the UPPER PORT button is displayed, switch it to the SUS button (page

Press and release keyboard keys.

The notes are sustained for a relatively long time.

To disable sustain, press SUS again.

• Effects are not applied to drum tones.

EN-48

EN-51).

Page 50

Controlling the Sound of a Performance

■ Adjusting the Note Sustain Time

Use the procedure below to change the sustain time when sustain is enabled.

Press TONE.

This displays the tone screen.

Long-press SUS.

This displays the sustain screen, which shows setting items for the UPPER1 part sustain time.

If required, press UPPER1, UPPER2, and LOWER to select the part whose setting you want to configure.

Rotate the dial to change the setting.

• You can set a sustain time within the range of 0 to 9.

• After you rotate the dial once to select a value, you can change the value further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

• Setting a value of “0” causes the indicator for the applicable part (“U1”, “U2”, “L”) to disappear

from the display.

EN-49

Page 51

Controlling the Sound of a Performance

To exit the setting operation, press EXIT.

• You can also display the sustain screen by pressing MENU and then SUSTAIN.

• For details about parts, see “

Layering and Splitting Tones” (page EN-81).

EN-50

Page 52

Controlling the Sound of a Performance

UPPER PORT

Switching From the SUS (Sustain) Button to the UPPER PORT (Upper Portamento) Button

A single button is used to control sustain (page EN-48) and upper portamento (page EN-52).

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

Use U and I to select “SUS/UPPER PORT Button”.

Rotate the dial or use – and + to change the button function.

Switching from SUS to UPPER PORT displays UPPER PORT on the tone screen.

To exit the setting operation, press EXIT.

EN-51

Page 53

Controlling the Sound of a Performance

Transitioning Smoothly Between Upper Part Notes (Upper Portamento)

Portamento makes it possible to slide smoothly between notes, as is done with string and woodwind instruments.

Press TONE.

This displays the tone screen.

Press UPPER PORT.

This displays “PORT”.

• If SUS is displayed, switch it to UPPER PORT (page

After pressing upper keyboard keys, press other upper keyboard keys.

This results in smooth transitions between the upper part notes.

To turn off upper portamento, press UPPER PORT again.

This causes “PORT” to disappear from the display.

• You can also turn on upper portamento by pressing MENU and then PORTAMENTO. Next, on the portamento screen that appears, press UPPER PORT.

• For information about the Upper Part, see “

• You can use upper portamento and part portamento (page

If you used part portamento to turn on the upper part, the notes of the turned-on upper part transition smoothly between each other even if upper part portamento is turned off.

• Effects are not applied to drum tones.

Layering and Splitting Tones” (page EN-81).

EN-51).

EN-53) to configure portamento settings.

EN-52

Page 54

Controlling the Sound of a Performance

■ Configuring Portamento Settings for Each Part (Part Portamento)

Press TONE.

This displays the tone screen.

Long-press UPPER PORT.

This displays the portamento screen.

Press PART PORT.

This displays the part portamento screen.

Use UPPER1, UPPER2, and LOWER to select the part whose setting you want to configure.

• “U1”, “U2”, or “L” appear on the display depending on the selected part, and the notes of the selected part transition smoothly between each other.

• If you press the button of the same part again, “U1”, “U2”, or “L” will disappear from the display, and the notes of the selected part will no longer transition smoothly between each other.

EN-53

Page 55

Controlling the Sound of a Performance

Press BACK to return to the portamento screen.

To exit the setting operation, press EXIT.

• You can also display the portamento screen by pressing MENU and then PORTAMENTO.

• The part portamento setting of the part whose tone has been changed will be recommended for the

new tone.

• For information about parts, see “

• Effects are not applied to drum tones.

■ To change the note connection time of each part (Part Portamento Time)

Press TONE.

This displays the tone screen.

Long-press UPPER PORT.

This displays the portamento screen.

Layering and Splitting Tones” (page EN-81).

Press TIME.

This displays the part portamento time screen.

Use UPPER1, UPPER2, and LOWER to select the part whose setting you want to change.

EN-54

Page 56

Controlling the Sound of a Performance

Rotate the dial to change the setting.

• You can specify a value from 0 to 127.

• After you rotate the dial once to select a setting, you can change the selection further using –

and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

Press BACK to return to the portamento screen.

To exit the setting operation, press EXIT.

• You can also display the portamento screen by pressing MENU and then PORTAMENTO.

• The part portamento setting of the part whose tone has been changed will be recommended for the

new tone.

• For information about parts, see “

Layering and Splitting Tones” (page EN-81).

EN-55

Page 57

Controlling the Sound of a Performance

Using the Pitch Bend Wheel

You can use the pitch bend wheel to smoothly slide the pitch of notes you are playing upwards and downwards.

While playing a note on the keyboard with your right hand, rotate the PITCH BEND wheel upwards or downwards with your left hand.

The amount the note bends depends on how much you rotate the pitch bend wheel.

Changing How Much the Pitch is Affected When the Pitch Bend Wheel is Used

You can use the procedure below to specify, in semitone units, how much the pitch of each part changes when the PITCH BEND wheel is at maximum rotation in either direction.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes PITCH BEND.

Press PITCH BEND.

This displays the pitch bend wheel screen, which shows setting items for the UPPER1 part pitch bend range.

EN-56

Page 58

Controlling the Sound of a Performance

If required, press UPPER1, UPPER2, or LOWER to select the part whose setting you want to configure.

Rotate the dial to change the setting.

• You can specify a pitch bend in the range of 0 to 24.

• After you rotate the dial once to select a value, you can change the value further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

• Setting a value of “0” causes the indicator for the applicable part (“U1”, “U2”, “L”) to disappear

from the display, and disable the pitch bend wheel effect.

To exit the setting operation, press EXIT.

• For details about parts, see “Layering and Splitting Tones” (page EN-81).

EN-57

Page 59

Controlling the Sound of a Performance

Using the Knobs to Change the Sound

You can use the Digital Keyboard’s three knobs to change the keyboard sound and add more expressiveness to your performances. The following are the initial default functions assigned to the knobs: K1: Cutoff, K2: Resonance, K3: Modulation.

Rotate a knob.

This temporarily displays the name of the function and the setting value, and applies the effect in accordance with how far the knob was rotated.

To reset the knob effect

Press HOME.

This displays the home screen.

Press KNOB.

This displays the knob screen.

Press PRM RESET.

This displays “Sure?”.

EN-58

Page 60

Controlling the Sound of a Performance

Press YES.

This resets the knob effect.

• To cancel, press NO.

When “Complete” appears on the display, press OK.

To exit the setting operation, press EXIT.

• You can also display the knob screen by pressing MENU and then KNOB.

• KNOB may not be displayed on the home screen due to the Home Customization setting.

EN-59

Page 61

Controlling the Sound of a Performance

To change the knob function

Press HOME.

This displays the home screen.

Press KNOB.

This displays the knob screen.

Press the button of the knob whose function you want to change.

This displays the knob setting screen.

• Under initial default settings, changing the function of either Knob 1 or Knob 2 will change the other knob to the corresponding recommended function and turn on Knob K1-K2 linking. Pressing K1-2 LINK causes “LINK” to disappear from the display and turns off Knob K1-K2 linking.

EN-60

Page 62

Controlling the Sound of a Performance

Note Volume

Note End

Time

Key press

Key release

A: Attack Time R: Release Time

Rotate the dial to change the function.

Function settings you can select are shown in the table below.

Setting Indicator Description

Cutoff Cutoff Adjusts timbre by attenuating the components of a

Resonance Resonance Adjusts the degree to which the gain of the overtone

Attack Time Attack Time Adjusts the time after a key is pressed from when

note’s frequency characteristics that are higher than a certain frequency (cutoff frequency). A larger value specifies a brighter, harder sound, while a lower value specifies a mellower, softer sound.

component is increased near the frequency specified by Cutoff. A larger value specifies a more unusual sound.

the note starts to sound until it reaches maximum volume. A larger value specifies a slower attack.

Release Time Release Time Adjusts how long notes linger after keyboard keys

Part Portamento Time Portamento Time Adjusts the duration of the portamento notes.

Modulation Modulation Adjusts the level of the vibrato effect of the

Modulation Range

are released. A larger value specifies a longer release.

applicable part.

Adjusts the maximum pitch of the vibrato effect of a tone.

EN-61

Page 63

Controlling the Sound of a Performance

Setting Indicator Description

Vibrato Rate Vibrato Rate Adjusts the speed of vibrato of a tone.

Vibrato Depth Vibrato Depth Specifies the depth of vibrato of a tone.

Vibrato Delay Vibrato Delay Adjusts the time until the vibrato of the tone starts

Part Volume Part Volume Adjusts the volume level of a part.

Pan Pan Adjusts the stereo center of the sound. 0 indicates

Reverb Send Reverb Send Specifies how much reverb is applied for each tone.

Chorus Send Chorus Send Specifies how much chorus is applied for each tone.

Delay Send Delay Send Adjusts how delay is applied to a tone.

Equalizer Low Gain EQ Low Gain Adjusts the amplification in each equalizer range.

Equalizer Midrange 1 Gain

Equalizer Midrange 2 Gain

Equalizer High Gain EQ High Gain

Equalizer Input Level EQ Input Level Adjusts the equalizer input level.

Equalizer Output Level EQ Output Level Adjusts the equalizer output level.

EQ Mid1 Gain

EQ Mid2 Gain

after a note is sounded.

the middle, while a smaller value shifts to the left and a larger value shifts to the right.

• After you rotate the dial to select a value, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

Press BACK to return to the knob screen.

To exit the setting operation, press EXIT.

• Certain settings may result in strong distortion.

EN-62

Page 64

Controlling the Sound of a Performance

• Even if you change the function of a knob, the effect applied by the previous knob function remains in effect. To apply the effects of multiple functions and return the effects to their initial default settings,

To reset the knob effect” (page EN-58).

see “

• The effect of the following functions will be the recommended value of the tone when the tone of the corresponding part is changed.

– Cutoff – Resonance – Attack Time – Release Time – Part Portamento Time – Modulation Range – Vibrato Rate – Vibrato Depth – Vibrato Delay – Reverb Send – Chorus Send – Delay Send

EN-63

Page 65

Controlling the Sound of a Performance

Disabling the Knob Effect for Individual Parts

Press HOME.

This displays the home screen.

Press KNOB.

This displays the knob screen.

Press the button of the knob whose effect you want to disable.

This displays the knob setting screen.

Press UPPER1.

• “U1”disappears from the display, indicating that the Knob effect is no longer applied to the UPPER 1 part.

Pressing UPPER1 again applies the knob effect to the UPPER1 part.

• In the same way, you can stop the knob effect from being applied to the UPPER2 part or LOWER part by pressing UPPER2 or LOWER. Pressing UPPER2 causes “U2” to disappear from the display, while pressing LOWER causes “L” to disappear.

Press BACK to return to the knob screen.

To exit the setting operation, press EXIT.

• For information about parts, see “Layering and Splitting Tones” (page EN-81).

• Turning on Layer and Split causes the effect to be applied to the UPPER2 part and LOWER part in

accordance with the knob rotation position.

EN-64

Page 66

Controlling the Sound of a Performance

Playing with Reverb

You can use the procedure below to add reverb to the notes you play.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SYS FX.

Press SYS FX.

This displays the system effect screen.

EN-65

Page 67

Controlling the Sound of a Performance

Rotate the dial to select the reverb type.

The following shows the available reverb type settings.

Reverb Type Display Name

Off Off

Reverb Recommended for Each Tone Tone

Room 1 to 5 Room 1 to 5

Large Room 1 or 2 Large Room 1 or 2

Hall 1 to 6 Hall 1 to 6

Stadium 1 to 3 Stadium 1 to 3

Plate 1 or 2 Plate 1 or 2

Delay Delay

Pan Delay Pan Delay

Long Delay 1, 2 Long Delay 1, 2

Church Church

Cathedral Cathedral

• After you rotate the dial once to select a reverb type, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

• You can also use the knobs to adjust how reverb is applied to a tone. For more information, see “

Using the Knobs to Change the Sound” (page EN-58).

EN-66

Page 68

Controlling the Sound of a Performance

Changing the Relationship of Keyboard and Song Reverb Effects

You can use this procedure to sync the reverb effect of keyboard play and built-in song playback so they do not clash with each other.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SYS FX.

Press SYS FX.

This displays the system effect screen.

Press SONG REV to change the setting.

Available settings are shown in the table below.

Setting (Display Text) Description

Synchronize (SYNC) When a reverb setting is configured for the keyboard, the

same reverb effect is also applied to songs. Conversely, any change in the reverb effect of a song is also applied to the keyboard reverb.

Keyboard reverb priority (FORCE KEYBOARD)

No effect (NOT AFFECT) There is no change in keyboard reverb settings based on

Song reverb effects are always the same as those of the keyboard reverb settings.

song reverb.

EN-67

Page 69

Controlling the Sound of a Performance

Adding the Chorus Effect to a Tone

Chorus is a function that adds depth and breadth to notes.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SYS FX.

Press SYS FX.

This displays the system effect screen.

Press CHORUS.

EN-68

Page 70

Controlling the Sound of a Performance

Rotate the dial to select the chorus type.

Available chorus type settings are shown in the table below.

Setting Display Name

Chorus setting recommended for each tone Tone

Chorus 1 to 4 Chorus 1 to 4

Feedback Chorus Feedback Chorus

Deep Chorus Deep Chorus

Flanger 1 to 4 Flanger 1 to 4

Short Delay 1, 2 Short Delay 1, 2

• After you rotate the dial once to select a chorus type, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

• To return to the Reverb screen, press REVERB.

To exit the setting operation, press EXIT.

• Selecting a chorus type other than Tone increases the Chorus Send of the keyboard part.

• You can also use the knobs to adjust how chorus is applied to a tone. For more information, see

“Using the Knobs to Change the Sound” (page EN-58).

EN-69

Page 71

Controlling the Sound of a Performance

Delaying Notes (Delay)

Delay stores a sound and repeats it periodically with a slight delay before each repeat, which creates an echo effect. Delay is different from reverb, which creates a reverberation effect.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SYS FX.

Press SYS FX.

This displays the system effect screen.

Press DELAY.

EN-70

Page 72

Controlling the Sound of a Performance

Rotate the dial to select the delay type.

Delay types are shown in the table below.

Setting Type Display Name

Recommended Delay for Each Tone Tone

Short 1, 2 Short 1, 2

Echo Echo

Tempo Sync Short Tempo Sync Short

Tempo Sync Middle Tempo Sync Middle

Tempo Sync Long Tempo Sync Long

Ambiance Ambiance

Middle 1, 2 Middle 1, 2

Long 1, 2 Long 1, 2

Middle Pan Middle Pan

Long Pan 1 to 3 Long Pan 1 to 3

• After you rotate the dial once to select a delay type, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

• Selecting a delay type other than Tone increases the Delay Send the keyboard part.

• You can also use the knobs to adjust how delay is applied to a tone. For more information, see

Using the Knobs to Change the Sound” (page EN-58).

“

EN-71

Page 73

Controlling the Sound of a Performance

Playing with a More Expanded Sound (Surround)

Enabling surround creates a virtual surround effect.

Press SURROUND.

This enables surround.

• This causes the SURROUND LED to light.

• You can also enable surround from the setting screen.

To disable surround, press SURROUND again.

• This causes the SURROUND LED to go out.

• Effects of the surround function are not applied to the LINE OUT jack outputs.

• The surround effect is not applied while you are listening over headphones.

• Connecting headphones disables the surround effect.

EN-72

Page 74

Controlling the Sound of a Performance

Sounding Arpeggio Phrases Automatically (Arpeggiator)

With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from several different arpeggio options, including playing arpeggios from a chord, playing various phrases automatically, and more.

Press TONE.

This displays the tone screen.

Press ARP.

This displays “ARP” and enables the arpeggiator.

• If AH is displayed, switch it to ARP (page

Long-press ARP.

This displays the arpeggiator screen, which shows the currently selected arpeggiator type number and name.

EN-78).

EN-73

Page 75

Rotate the dial to select the arpeggiator type.

Controlling the Sound of a Performance

• You can specify an arpeggiator type within the range of 1 to 150. See “

EN-274).

• After you rotate the dial once to select a type, you can change the selection further using – and +.

• To go back to the previous screen, press BACK.

Hold down a key of the accompaniment keyboard.

The arpeggiator starts to play in accordance with the keys you press.

Remove your fingers from the keyboard keys.

This stops arpeggiator play.

To disable the arpeggiator, press ARP.

“ARP” disappears from the display.

• You can also enable and disable the arpeggiator by pressing ARP on the arpeggiator screen.

To exit the setting operation, press EXIT.

• You can also display the arpeggiator screen by pressing MENU and then ARPEGGI.

Arpeggiator List” (page

EN-74

Page 76

Controlling the Sound of a Performance

■ Configuring Recommended Arpeggiator Settings

Press TONE.

This displays the tone screen.

Press ARP.

This displays “ARP” and enables the arpeggiator.

Long-press ARP.

This displays the arpeggiator screen.

Long-press ARP.

This momentarily displays “RECOMMENDED” and changes the tone to its recommended arpeggiator type setting.

EN-75

Page 77

Controlling the Sound of a Performance

■ Configuring Settings so the Arpeggiator Pattern Keeps Playing After You Release Keyboard Keys

Press TONE.

This displays the tone screen.

Press ARP.

This displays “ARP”, which indicates the arpeggiator is enabled.

Long-press ARP.

This displays the arpeggiator screen.

Press HOLD.

This displays “HOLD”, which indicates arpeggiator hold is enabled.

Press and release a keyboard key.

Even after you release the keys, the arpeggiator continues to play.

To stop arpeggio play, press HOLD again.

“HOLD” disappears from the display and turns off arpeggiator hold. The note you are playing stops sounding at this time.

EN-76

Page 78

Controlling the Sound of a Performance

■ Changing the Part that Sound Arpeggiator Play

Press TONE.

This displays the tone screen.

Press ARP.

This displays “ARP”, which indicates the arpeggiator is enabled.

Long-press ARP.

This displays the arpeggiator screen.

Press PART and then select the part you want to sound with the arpeggiator.

Parts you can select are shown in the table below.

Setting Display Name

Upper1, Upper2 UPPER 1&2

Upper1 UPPER 1

Upper2 UPPER 2

Lower LOWER

• For details about parts, see “Layering and Splitting Tones” (page EN-81).

EN-77

Page 79

Controlling the Sound of a Performance

AH button

Switching the Button Function from ARP (Arpeggiator) to AH (Auto Harmonize)

A single button is used to control the arpeggiator (page EN-73) and auto harmonize (page EN-79).

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

Use U and I to select “ARP/AH Button”.

Rotate the dial or use – and + to toggle between button functions.

Switching the button function from ARP to AH displays the AH button label on the tone screen.

To exit the setting operation, press EXIT.

EN-78

Page 80

Controlling the Sound of a Performance

Adding Harmony to Melody Notes (Auto Harmonize)

This function adds harmony to the melody sound when a chord is specified, such as when a chord is input by the rhythm function.

Press RHYTHM.

This displays the currently selected rhythm number and name.

Press ACCMP.

This enables chord play.

Press TONE.

This displays the tone screen.

Press AH.

This displays “AH”, which indicates auto harmonize is enabled.

• If ARP is displayed, switch it to AH (page

EN-78).

EN-79

Page 81

Controlling the Sound of a Performance

Long-press AH.

This displays the auto harmonize screen.

Rotate the dial or use – and + to select an auto harmonize type.

• You can specify an auto harmonize type from 1 to 12.

Type (displayed) Description

1: Duet 1 Adds closed (separated by 2 to 4 degrees) 1-note harmony below the

melody note.

2: Duet 2 Adds open (separated by more than 4 to 6 degrees) 1-note harmony

below the melody note.

3: Country Adds country style harmony.

4: Octave Adds the note from the next lower octave.

5: 5th Adds the fifth degree note.

6: 3-Way Open Adds 2-note open harmony, for a total of three notes.

7: 3-Way Close Adds 2-note closed harmony, for a total of three notes.

8: Strings Adds harmony that is optimal for strings.

9: 4-Way Open Adds 3-note open harmony, for a total of four notes.

10: 4-Way Close Adds 3-note closed harmony, for a total of four notes.

11: Block Adds block chord notes.

12: Big Band Adds big band style harmony.

Play chords on the accompaniment keyboard and the melody on the standard keyboard.

Harmony is added to your melody notes based on the chords you play.

To disable auto harmonize, press AH.

“AH” disappears from the display.

• You can also enable and disable auto harmonize by pressing AH on the auto harmonize screen.

• While the rhythm function is in use, you can also enable or disable the accompaniment

keyboard by pressing ACCMP while the auto harmonize screen is displayed.

To exit the setting operation, press EXIT.

• You can also display the auto harmonize screen by pressing MENU and then AUTO HRM.

EN-80

Page 82

Controlling the Sound of a Performance

UPPER1

UPPER2

LOWER

UPPER1

Layering and Splitting Tones

You can configure the keyboard to play two different tones at the same time (Layer) or to play different tones in the left and right ranges (Split). You can even use Layer and Split in combination with each other and play three different tones at the same time. The part that is used when playing a single tone is called the UPPER1 part. If you layer two parts, the layered part is the UPPER2 part. If the keyboard is split between two tones, the low-range part is called the LOWER part.

• Sounding a single tone across the entire keyboard (page

With this configuration, only the UPPER1 part is used (Layer: Off, Split: Off).

• Layering two tones across the entire keyboard (page

With this configuration, the UPPER1 and UPPER2 parts are both used (Layer: On, Split: Off).

• Splitting the keyboard into two ranges (left, right), and assigning different tones to each range

(page

EN-84)

With this configuration, the UPPER1 part and LOWER part are both used (Layer: Off, Split: On).

EN-35)

EN-83)

EN-81

Page 83

Controlling the Sound of a Performance

LOWER

UPPER1

UPPER2

• Splitting the keyboard into two ranges (left, right), and assigning two layered tones to the

right side and a single tone to the left side (pages

EN-83, EN-84)

With this configuration, the UPPER1, UPPER2, and LOWER parts are all used (Layer: On, Split: On).

• Changing the tone setting affects the UPPER2 part when layer is turned on, and the LOWER part when split is turned on.

• While you are using split and layer together, you can select the tone of the keyboard’s LOWER part.

EN-82

Page 84

Controlling the Sound of a Performance

Layering Two Tones

Press TONE.

This displays the tone screen.

Press LAYER.

This displays “U2” to the left of the tone number and “LY” below it. “U2” is short for the UPPER2 part.

Rotate the dial to select the layer tone.

• For tone information, see the “

• After you rotate the dial once to select a tone, you can change the selection further using – and

• To return to the first tone in the Tone List, press – and + at the same time.

• If you want to select a category, use CAT–/CAT+.

• To go back to the previous screen, press BACK.

Play something on the keyboard.

This layers the tone you select here on the tone you selected in step 3.

• Pressing LAYER again turns layering off.

Tone List” (page EN-252).

EN-83

Page 85

Controlling the Sound of a Performance

Split point

Splitting the Keyboard Between Two Different Tones

Press TONE.

This displays the tone screen.

Press SPLIT.

This displays “L” to the left of the tone number and “SP” below it. “L” indicates the LOWER part.

Rotate the dial to select the tone to be assigned to the low range keyboard.

• For tone information, see the “

• After you rotate the dial once to select a tone, you can change the selection further using – and

• To return to the first tone in the Tone List, press – and + at the same time.

• If you want to select a category, use CAT–/CAT+.

• To go back to the previous screen, press BACK.

Play something on the low range of the keyboard.

This sounds the selected tone.

LOWER UPPER1

• To turn off split, press SPLIT again.

Tone List” (page EN-252).

EN-84

Page 86

Controlling the Sound of a Performance

Split point

■ Changing the Split Point

Press TONE.

This displays the tone screen.

Long-press SPLIT.

This displays the setting screen, which shows setting items for the split point.

F{3

LOWER UPPER1

Rotate the dial or use – and + to specify the split point.

To exit the setting operation, press EXIT.

EN-85

Page 87

Controlling the Sound of a Performance

Changing the Volume Balance Between Keyboard Play and Rhythm Play (Balance)

Press HOME.

This displays the home screen.

Press BALANCE.

This displays the balance screen, which shows volume level setting items for the UPPER1 part.

Press UPPER1, UPPER2, LOWER, or RHYTHM as required to select the item whose volume level you want to adjust.

Rotate the dial to change the setting value.

This displays the –/+ screen.

• You can specify a value in the range of 0 to 127.

• After you rotate the dial once to select a setting, you can change the setting further using – and

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

• You can also display the balance screen by pressing MENU and then BALANCE.

• The BALANCE button may not be displayed on the home screen due to the Home Customization

setting.

• You can also change the rhythm volume level using the procedure under “

Level of a Rhythm

” (page EN-117).

Changing the Volume

EN-86

Page 88

Controlling the Sound of a Performance

Changing the Pitch in Octave Units (Octave Shift)

You can use the procedure below to raise or lower pitch in octave units.

Shifting the Pitch of the UPPER Tone in Octave Units (Upper Octave Shift)

You can use the procedure below to raise or lower the pitch of the UPPER part in octave units.

Press TONE.

This displays the tone screen.

Long-press LAYER.

This displays the octave shift screen, which shows setting items for the upper octave shift.

Rotate the dial to change the shift amount.

• You can specify a value in the range of –3 to +3 octaves.

• After you rotate the dial once to select a shift amount, you can change the shift amount further

using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

• You can also display the octave shift screen by pressing MENU and then OCT SHIFT.

• With the home custom function, you can display the upper octave shift –/+ buttons on the home

screen.

• For information about the Upper Part, see “

Layering and Splitting Tones” (page EN-81).

EN-87

Page 89

Controlling the Sound of a Performance

Changing the Pitch of Each Part in Octave Units (Part Octave Shift)

Press TONE.

This displays the tone screen.

Long-press LAYER.

This displays the octave shift screen.

Press the button that corresponds to the part whose pitch you want to change.

Rotate the dial to change the shift amount.

• You can specify a value in the range of –3 to +3 octaves.

• After you rotate the dial once to select a shift amount, you can further change the shift amount

using the – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

• The part octave shift setting of the part whose tone has been changed is the recommended value for that tone. For information about tone recommended values, see the “

• You can also display the octave shift screen by pressing MENU and then OCT SHIFT.

EN-88

Tone List” (page EN-252).

Page 90

Controlling the Sound of a Performance

Changing the Pitch in Semitone Units (Transpose)

You can use the procedure below to raise the overall pitch in semitone steps. You can use this feature to raise or lower the key of the keyboard to make it easier to play a piece written in a difficult key, or to adjust to a key that better matches a vocalist, or another musical instrument.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

Use U and I to select “Transpose”.

Rotate the dial or use – and + to change the setting.

• The setting range is from one octave up (+12 semitones) to one octave down (–12 semitones).

• To return the setting to its initial default, press – and + at the same time.

To exit the setting operation, press EXIT.

• With the home custom function, you can display the Transpose –/+ buttons on the home screen.

EN-89

Page 91

Controlling the Sound of a Performance

Fine Tuning (Tuning)

You can use the procedure below to adjust the overall pitch by changing the frequency of A4. (0.1Hz units)

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SETTING.

Press SETTING.

This displays the setting screen.

Use U and I to select “Tuning”.

Rotate the dial or use – and + to adjust the tuning.

• You can specify a frequency in the range of 415.5 to 465.9 Hz.

• To return the setting to its initial default, press – and + at the same time.

To exit the setting operation, press EXIT.

EN-90

Page 92

Controlling the Sound of a Performance

Changing the Keyboard Scale Tuning

You can change the scale tuning of the keyboard from the standard equal temperament to another tuning that is more suitable for playing Indian music, Arabic music, classical music, etc. You can select from among 17 preset scale tunings.

■ Changing the Scale Tuning

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SCALE.

Press SCALE.

This displays the scale tuning screen.

EN-91

Page 93

Controlling the Sound of a Performance

Rotate the dial to select the scale.

Scale settings you can select are shown in the table below.

Setting (Displayed Setting Name)

Equal Equal temperament

Pure Major Just major intonation

Pure Minor Just minor intonation

Pythagorean Pythagorean tuning

Kirnberger 3 Kirnberger III

Werckmeister Werckmeister 1-3(III)

Mean-Tone Mean-tone tuning

Rast Rast

Bayati Bayati

Hijaz Hijaz

Saba Saba

Dashti Dashti

Chahargah Chahargah

Segah Segah

Gurjari Todi Gurjari Todi

Chandrakauns Chandrakauns

Charukeshi Charukeshi

• After you rotate the dial once to select a scale, you can change the selection further using – and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

Scale Tuning Name

To exit the setting operation, press EXIT.

EN-92

Page 94

Controlling the Sound of a Performance

■ Specifying the Base Note of the Scale Tuning

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SCALE.

Press SCALE.

This displays the scale tuning screen.

Press ROOT.

Rotate the dial to change the setting.

• You can specify a base note in the range of C to B.

• After you rotate the dial once to select a setting, you can change the selection further using –

and +.

• To return the setting to its initial default, press – and + at the same time.

• To go back to the previous screen, press BACK.

To exit the setting operation, press EXIT.

EN-93

Page 95

Controlling the Sound of a Performance

■ Reflecting the Scale Setting in the Rhythm Accompaniment as Well

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SCALE.

Press SCALE.

This displays the scale tuning screen.

Press AC SCALE.

This displays “AC SCALE”, and reflects the scale setting in rhythm accompaniment as well.

To cancel the scale setting for rhythm accompaniment, press AC SCALE again.

This causes “AC SCALE” to disappear from the display.

To exit the setting operation, press EXIT.

EN-94

Page 96

Controlling the Sound of a Performance

■ Disabling Piano Stretch Tuning

Stretch tuning makes high notes relatively higher and low notes relatively lower than equal temperament tuning for a wider frequency differential between high and low notes.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes SCALE.

Press SCALE.

This displays the scale tuning screen.

Press PIANO STRCH.

“PIANO STRCH” disappears from the display and piano stretch tuning is disabled.

To enable piano stretch tuning, press PIANO STRCH again.

This displays “PIANO STRCH”.

To exit the setting operation, press EXIT.

EN-95

Page 97

Controlling the Sound of a Performance

Using the Equalizer

You can use the equalizer to configure settings that boost or cut specific frequency components.

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes EQ.

Press EQ.

This displays the equalizer screen.

Rotate the dial or use – and + to change the setting.

The table below shows available equalizer settings.

Setting (Display Text) Description

Standard (Standard) Standard setting

Loudness (Loudness) Boosts all ranges.

Treble + (Treble +) Boosts the high range.

Bass + (Bass +) Boosts the low range.

Mellow (Mellow) Produces a mellow sound.

Bright (Bright) Produces a bright sound.

Rock (Rock) Produces a sound optimized for rock music.

Jazz (Jazz) Produces a sound optimized for jazz music.

Dance (Dance) Produces a sound optimized for dance music.

Classic (Classic) Produces a sound optimized for classical music.

User Equalizer (User) Produces a sound in accordance with equalizer settings

adjusted by you.

EN-96

Page 98

Controlling the Sound of a Performance

To exit the setting operation, press EXIT.

Configuring Your Own Equalizer Settings (User Equalizer)

Press MENU.

This displays the menu screen.

Use U and I to select the 5 buttons menu that includes EQ.

Press EQ.

This displays the equalizer screen.

Rotate the dial or use – and + to change the user setting.

Press PARAMETER.

This displays the user equalizer setting screen.

Use U and I to select the item.

Rotate the dial or use – and + to change the setting.

The table below shows available equalizer settings.

Setting (Display Text) Settings

Low-range Cutoff Frequency (Low Cutoff Frequency)

Low Gain (Low Gain) –12 to +12

Midrange 1 Center Frequency (Mid1 Center Frequency)

Midrange 1 Gain (Mid1 Gain) –12 to +12

Midrange 2 Center Frequency (Mid2 Center Frequency)

Midrange 2 Gain (Mid2 Gain) –12 to +12

High-range Cutoff Frequency (High Cutoff Frequency)

High Gain (High Gain) –12 to +12

Input Level (Input Level) 0 to 127

Output Level (Output Level) 0 to 127

50 Hz, 63 Hz, 80 Hz, 100 Hz, 125 Hz, 160 Hz, 200 Hz, 250 Hz, 315 Hz, 400 Hz, 500 Hz, 630 Hz, 800 Hz

100 Hz, 125 Hz, 160 Hz, 200 Hz, 250 Hz, 315 Hz, 400 Hz, 500 Hz, 630 Hz, 800 Hz, 1.0 kHz, 1.3 kHz, 1.6 kHz, 2.0 kHz,

2.5 kHz, 3.2 kHz, 4.0 kHz, 5.0 kHz, 6.3 kHz, 8.0 kHz

100 Hz, 125 Hz, 160 Hz, 200 Hz, 250 Hz, 315 Hz, 400 Hz, 500 Hz, 630 Hz, 800 Hz, 1.0 kHz, 1.3 kHz, 1.6 kHz, 2.0 kHz,

2.5 kHz, 3.2 kHz, 4.0 kHz, 5.0 kHz, 6.3 kHz, 8.0 kHz

2.0 kHz, 2.5 kHz, 3.2 kHz, 4.0 kHz, 5.0 kHz, 6.0 kHz, 8.0 kHz, 10 kHz, 13 kHz, 16 kHz

To return to the equalizer screen, press BACK.

To exit the setting operation, press EXIT.

EN-97

Page 99

Applying the Effect You Want to a Tone

Module

Bypass

(Active DSP)

■ Active DSP

A DSP (Digital Signal Processor) is a type of effect connected between the sound source and output. DSP types are equalizer, tremolo, limiter, wah, etc. Many of the built-in tones of your Digital Keyboard are preset with DSPs that are suited for each tone. Such tones are called “DSP tones”. Your Digital Keyboard is equipped with Active DSP, which allows you to change DSP settings. The Digital Keyboard DSPs that can be configured using Active DSP are configured as shown below.

Sound Source Output

DSP

• A DSP consists of one or more DSP modules (“Module” in the above illustration).

• Your Digital Keyboard comes with 100 preset DSPs. The number of DSP modules and the module

type (equalizer, tremolo, limiter, wah, etc.) are defined for each DSP.

• You can use the knobs to manipulate DSP parameters in real-time.

For an Active DSP, first you need to select a preset DSP. You can use the knobs to manipulate DSP parameters in real-time. You can also fine-tune the parameters, if you want. For details about DSP types, DSP modules, and the parameters of each DSP module, see the “

List

” on page EN-284 and the “DSP Effect List” on page EN-287.

Press ACTIVE DSP.

This enables Active DSP and displays the Active DSP screen.

• This causes the ACTIVE DSP LED to light.

DSP

• Keyboard tone effects and knob functions are switched to dedicated Active DSP settings.

EN-98

Page 100

Applying the Effect You Want to a Tone (Active DSP)

Use CHG PART to select the part whose effect you want to change.

This causes the selected part’s indicator (“U1”, “U2”, “L”) to appear in the upper left of the display.

• Each press of CHG PART cycles between parts whose effect will be changed.

• Under initial default settings, effects are applied to the UPPER1 and UPPER2 parts only, so

even if you change the effect for the lower part, that effect is not applied. For information about applying an effect to the lower part, see “

EN-101.

Rotate the dial to change the effect to apply to the part.

To change the part where the effect is applied” on page

• You can select an effect value from 1 to 101.

• The “1:Tone” setting applies effects that depend on the selected keyboard tone. The knob

function also changes to the recommended parameters for that effect.

• After you rotate the dial once to select a value, you can change the value further using – and +.

• To go back to the previous screen, press BACK.

EN-99