Page 1
Introduction
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RAW Image Processing, Viewing and Editing Software
Digital Photo Professional
Ver. 4.0
Instruction Manual
Content of this Instruction Manual
DPP stands for Digital Photo Professional.
indicates the selection procedure of the menu.
Square brackets are used to indicate items such
as menu names, button names and window
names that appear on the computer screen.
Text inside < > indicates a key on the keyboard.
p.** indicates a reference page.
Click to move to the relevant page.
Advanced
indicates the function for advanced
users who are experienced in handling image
processing software.
: Marks helpful information when a problem
arises.
: Marks tips for using the software skillfully.
: Marks information that should be read
before use.
: Marks additional information you may find
helpful.
Switching Between Pages
Click on arrows on the bottom right of the screen.
: next page
: previous page
: return to a page you had previously
displayed
Click on the chapter headings on the right side
of the screen to switch to the contents page of
that chapter. Also, click the item you want to
read about on the table of contents to move to
the relevant page.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
© CANON INC. 2014 CCS-M056DPPaME-001
Page 2
READ CAREFULLY BEFORE USING!
COPY
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IMPORTANT - READ THIS AGREEMENT BEFORE USING THE SOFTWARE ON THE CD-ROM
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THIS AGREEMENT.
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USE THE SOFTWARE PROGRAM ON THE CD-ROM AND THE USER MANUAL IN THIS BOX
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Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
1
Page 3
Introduction
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
COPY
Introduction
Main Features of DPP
Following are the main tasks you can perform with images you have
downloaded to your computer.
* indicates processing that can be performed with JPEG or
TIFF images as well as RAW images.
View and organize images
Adjust an image
Various image adjustments while maintaining the original image
JPEG/TIFF
Freely apply a Picture Style
View your image before and after adjustment in the same window
Trim and adjust the angle of an image
(trimming)
Resize an image
Correction of lens aberration
Digital Lens Optimizer
Automatic/manual dust erasure processing
Convert from a RAW image to a JPEG or
TIFF image and save
Process large numbers of RAW images in batches
Transfer the image to image editing software
Print an image
JPEG/TIFF
System Requirements
OS (operating
system)
Model
CPU
RAM
(memory)
Hard disk
drive
Display
Mac OS X 10.8 to 10.9
PC with one of the above OS preinstalled
* Upgraded machines not supported
Core 2 Duo 2.0 GHz or higher (recommended Core i
series or later)
2.0 GB or more of RAM (4.0 GB or more
recommended)
Installation: Min. 200 MB of available space
Operation: Min. 256 MB of available space
Resolution: XGA (1024 x 768) or more (1600 x 1200
or more recommended)
Colors: 16 bit color (65536 colors) or more
Supported Cameras
EOS-1D X, EOS-1D C, EOS 5D Mark III, and EOS 6D
Supported Images
Image data
Image type Extension
Still
photos
Movies
RAW
images
JPEG
images
Images in the Canon RAW format shot
on supported cameras
Exif 2.2, 2.21 or 2.3-compatible JPEG
images
MOV movies shot on supported
cameras
.CR2
.JPG
.MOV
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
Link with EOS Utility for remote shooting
Color management compatibility
CMYK simulation for commercial printing
2
Page 4
Contents
Advanced
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Introduction
Introduction ................................................................ 2
Main Features of DPP .................................................. 2
System Requirements .................................................. 2
Supported Cameras...................................................... 2
Supported Images ........................................................ 2
1 Downloading Images.............................................. 6
Starting up DPP............................................................ 7
Downloading Images to Your Computer....................... 8
Downloading Images Using the Software “EOS
Utility”........................................................................
Downloading Images Using Your Card Reader........ 8
2 Viewing Images ...................................................... 9
Viewing Images in the Main Window (Thumbnail
Layout).......................................................................
Changing the Thumbnail Display........................... 10
Enlarging and Viewing an Image in the Preview
Window......................................................................
Enlarging and Viewing a Specific Area.................. 13
Checking the Image in Detail ....................... 15
Displaying the Main Window (Multi-layout)............ 15
Checking an Image Using the Preview Control
Panel......................................................................
Checking an Image in Multi-Function Preview....... 20
Checking an Image in Second Windows............... 21
Opening and Closing Window Panels (Panes).......... 22
Changing the Display Method and Order of Palettes 23
10
13
16
Changing the Display Method (Dock/Float) of
Palettes...................................................................
Rearranging Palettes.............................................. 23
Quitting DPP............................................................... 24
3 Organizing and Sorting Images ........................... 25
Efficiently Checking/Sorting Images........................... 26
Sorting Images ....................................................... 28
Sorting Images in the Main Window....................... 29
Arranging Images in the Main Window................... 30
8
Displaying a RAW Image and JPEG Image as a Single
Image......................................................................
Checking Image Information................................... 32
Organizing Images ..................................................... 34
Deleting an Unwanted Image................................. 34
Moving Images....................................................... 34
Moving Images in Folders ...................................... 35
Registering Frequent-Use Folders (Bookmark
Registration)...........................................................
4 Editing Images ..................................................... 36
RAW Images .............................................................. 38
RAW Images .......................................................... 38
RAW Development................................................. 38
When RAW Development is to be Done ................ 38
Advantages of a RAW Image................................. 38
Editing JPEG and TIFF Images.................................. 39
Tool Palettes............................................................... 40
23
31
35
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
3
Page 5
Introduction
JPEG/TIFF
Advanced
Advanced
Advanced
COPY
Editing with the Basic Adjustment Tool
Palette........................................................................
Adjusting Brightness.............................................. 41
Changing the Picture Style.................................... 42
Advanced
Adjusting Color Tone by Changing White
Balance..................................................................
Adjusting Color Tone Using Click White
Balance..................................................................
Advanced
Temperature..........................................................
Adjusting Contrast ................................................. 46
Highlights...............................................................
Changing Color Tone and Color Saturation........... 47
Advanced
Adjusting Gradation and Luminance
Automatically .........................................................
Using a Picture Style File......................... 43
Adjusting White Balance with Color
Tuning White Balance.............................. 45
Adjusting Brightness of Shadows/
Adjusting Dynamic Range........................ 48
41
43
44
45
46
49
Adjusting Dynamic Range......................... 57
Using the Auto Lighting Optimizer.......................... 57
JPEG/TIFF
Palette ........................................................................
Advanced
Palette ....................................................................
JPEG/TIFF
Palette ........................................................................
Reducing Noise...................................................... 60
Adjusting Image Sharpness.................................... 61
JPEG/TIFF
Tool Palette ................................................................
Editing with the Lens Correction Tool Palette............. 65
Correcting Lens Aberration..................................... 65
Compatible Lenses................................................. 65
Making Corrections................................................. 67
Shooting Distance Information Slider..................... 69
Correcting Multiple Images at a Time..................... 70
Digital Lens Optimizer ............................................ 70
Editing with the Color Adjustment Tool
58
Editing with the Color Adjustment Tool
58
Editing with the Detailed Adjustment Tool
60
Editing with the Trimming/Angle Adjustment
62
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Using the Auto Lighting Optimizer ......................... 50
Adjusting Image Sharpness................................... 51
JPEG/TIFF
Palette........................................................................
Adjusting Brightness and Contrast ........................ 53
Adjusting Color Tone Using Click White
Balance..................................................................
Advanced
Editing with the Tone Adjustment Tool
Adjusting Tone Curve............................... 55
53
54
Compatible Lenses................................................. 70
Using the Digital Lens Optimizer............................ 71
Adjusting Image Sharpness.................................... 73
JPEG/TIFF
Palette ........................................................................
Performing Automatic Dust Erasure Processing.... 74
Automatic Dust Erasure Processing in the Main
Window...................................................................
Editing with the Dust Delete/Copy Stamp Tool
74
75
Specifying
Preferences
8
Reference/
Index
4
Page 6
Introduction
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Advanced
COPY
Manually Erasing Dust (Repair Function).............. 76
Erasing Unwanted Parts of an Image (Copy Stamp
Function)................................................................
Setting Work Color Space ......................................... 79
JPEG/TIFF
Saving Editing Contents to an Image .................... 80
Saving as a separate image.................................. 80
Copying a Recipe and Applying to Another Image 84
Saving a Recipe as a File...................................... 84
Loading and Applying Recipes.............................. 85
Images.......................................................................
Editing in the Edit Image Window.......................... 87
Changing the Thumbnail Display Position to
Horizontal...............................................................
Gathering and Editing Images in the Collection
Saving Editing Results.............................. 80
Re-Editing an Image................................. 82
Utilizing Adjustment Contents (Recipe).... 83
Adjusting by Comparing Multiple
Editing Efficiently ...................................... 87
78
86
88
Batch Apply White Balance to Images (Personal White
Balance) .....................................................................
Registering Personal White Balance...................... 98
Applying Personal White Balance .......................... 99
Batch Save as JPEG or TIFF Images (Batch
Processing)...............................................................
Batch Transfer Images to Image Editing
Software ...................................................................
Batch Change the File Name of Images................... 103
Changing the File Name of Images in the Order in the
Main Window........................................................
7 Remote Shooting ............................................... 104
Remote Shooting...................................................... 105
8 Specifying Preferences...................................... 108
Specifying Preferences............................................. 109
General Settings................................................... 109
Image processing................................................. 110
Color Management............................................... 111
View Settings........................................................ 112
98
100
102
103
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Window..................................................................
Advanced
5 Printing Images..................................................... 93
Printing an Image....................................................... 94
Printing with Shooting Information............................. 95
Plug-in printing........................................................... 96
6 Processing Large Numbers of RAW Images........ 97
Transferring a RAW Image to Photoshop .... 91
Customizing the Main Window Toolbar........ 92
89
Reference.............................................................. 113
Troubleshooting........................................................ 114
Deleting the Software (Uninstalling)......................... 115
Image Frame Information in the Main Window and Edit
Image Window..........................................................
Glossary ................................................................... 117
Index......................................................................... 119
116
Specifying
Preferences
8
Reference/
Index
5
Page 7
1
COPY
Downloading Images
Introduction
Starting up DPP......................................................... 7
Downloading Images to Your Computer.................... 8
Downloading Images Using the Software “EOS Utility”..........
Downloading Images Using Your Card Reader............ 8
8
Downloading
Large Numbers
of RAW Images
Contents
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
6
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
6
Page 8
Starting up DPP
If you drop a DPP-supported image file onto the icon on the Dock,
you can start up DPP and display the folder where the image file is
saved.
Double-click
Main window (thumbnail layout)
COPY
Double-click the Dock icon.
DPP starts up and the main window (thumbnail layout) appears.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
7
Page 9
Downloading Images to Your Computer
Downloading Images Using the Software “EOS Utility”
Downloading Images Using Your Card Reader
COPY
Download the images saved on the memory card inserted in the
camera.
You can also download images to the computer using a third-party card
reader.
You can download images with “EOS Utility”, communication software
for the camera.
For detailed instructions on downloading images, refer to the “EOS
Utility Instruction Manual” (PDF electronic manual).
Load the memory card into the card reader.
1
Start up DPP beforehand.
Open a removable disk icon in the folder area and
2
drag the [DCIM] folder to the [Desktop].
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
The [DCIM] folder is copied to your computer.
All images are saved in folder units inside the [DCIM] folder.
Copying images to your computer will take some time when there
is a large number of images saved on the memory card.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
8
Page 10
2
COPY
Viewing Images
Introduction
Viewing Images in the Main Window (Thumbnail Layout) ...........
Changing the Thumbnail Display................................ 10
Advanced
Advanced
Enlarging and Viewing an Image in the Preview Window............
Enlarging and Viewing a Specific Area....................... 13
Displaying the Navigator Palette ............................ 14
Advanced
Displaying the Main Window (Multi-layout)................. 15
Checking an Image Using the Preview Control Panel.........
Changing the Magnification.................................... 16
Comparing with a Pinned (Fixed) Image................ 16
Displaying Multiple Images..................................... 17
Displaying Grid Lines.............................................. 17
Displaying AF Points .............................................. 17
Displaying Areas Beyond the Set Range with Warning
Indicators (Highlight/Shadow Warning)..................
Comparing Pre- and Post-Editing Images (Single-
Image Display)........................................................
Comparing Pre- and Post-Editing Images (before/after
comparison) Arrange vertically/horizontally (two-
screen display) / Split vertically/horizontally (split-
image display) ........................................................
Displaying Image Properties................................... 19
Checking an Image in Multi-Function Preview ........... 20
Checking an Image in Second Windows.................... 21
Opening and Closing Window Panels (Panes)........ 22
Using the Thumbnails Control Panel ........ 11
Displaying the Histogram Palette.............. 12
Checking the Image in Detail...................... 15
10
13
16
18
18
19
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
Changing the Display Method and Order of Palettes .......
Changing the Display Method (Dock/Float) of Palettes.......
Rearranging Palettes.................................................. 23
Quitting DPP............................................................ 24
23
23
9
Page 11
Viewing Images in the Main Window (Thumbnail Layout)
Main window
Ratings (p.28, p.29)
Rotate image
Forward/Reverse
Check marks (p.28, p.29)
Toolbar
If you double-click on the movie file, the movie playback
application specified with the computer’s OS settings will start up
and play back the movie. Note that edited movies will not be
played back.
When aspect ratio information is attached to the shot image, the
image is displayed as a cropped image (p.62).
In the main window, in addition to this view (thumbnail layout),
you can select multi-layout. Multi-layout allows you to check the
image in detail (p.15).
Changing the Thumbnail Display
COPY
Images downloaded to your computer are displayed as a thumbnails list
in the main window (thumbnail layout). You can double-click an image to
open the preview window (p.13) and display the image at large size.
You can change the size of the thumbnail images displayed in the main
window and select the information displayed for thumbnails.
Introduction
Contents
For information on icons displayed on the frame of a thumbnail,
see “Image Frame Information in the Main Window and Edit
Image Window” (p.116).
Select the [Thumbnails] menu desired item.
The display changes to the selected item.
To display thumbnails with shooting information attached, select
the [Tools] menu
[Settings for thumbnails with shooting info].
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
10
Page 12
Introduction
Advanced
(1) Change the size of thumbnails
(2) Display thumbnails without file names
(3) Display standard thumbnails
(4) Display thumbnails with information
(5) Select information to display for thumbnails
(6) Display a RAW image and JPEG image as a single image
Display a RAW image and JPEG image that were shot together
as a single image. When this setting is specified, viewing and
editing of images are as follows.
Image displayed: Only the RAW image is displayed in all
windows.
Edited image: The content which has been edited with any of
DPP’s functions (the tool palette etc.) will be applied to the
RAW image only. However, if you have used the following
functions, the adjustments will be applied to both the RAW
image and the JPEG image.
• Deleting an image (p.34)
• Moving or copying an image (p.34)
• Checkmarking (p.28 to p.29)
• Rating (p.28 to p.29)
• Rotating an image (p.10)
(1) (2)
(3)
(4) (6)
(7)
(8)
(9)
(10)
(12)(5)
(7) Select all thumbnails
(8) Cancel all thumbnail selections
(9) Turn on/off thumbnail display filter
When [ON] is selected, only the thumbnails that match the
filtering option selected from the menu displayed by clicking the
(▼button) are displayed.
(10) Specify filtering option for thumbnail display filter
(11) Specify option for sorting thumbnails
If a file is added, “*” will be displayed temporally after the name
of the option.
(12) Select order (ascending/descending) for sorting
thumbnails
The thumbnails control panel is displayed in the main window by
default. If it is not displayed, such as when screen settings have
been changed, you can display it by selecting [Thumbnail control
panel] in the [Thumbnails] menu.
In multi-layout (vertical thumbnails, p.15), only the thumbnail view
settings (Default thumbnail display/Show thumbnails without file
names) are possible.
(11)
COPY
Using the Thumbnails Control Panel
The thumbnails control panel integrates various settings for viewing thumbnails.
By using this panel, you can view and specify the settings for thumbnails efficiently.
Thumbnails control panel functions
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
11
Page 13
Introduction
Advanced
COPY
Displaying the Histogram Palette
The histogram palette shows a histogram of the selected image. You
can quickly check a histogram without opening a tool palette.
Select the [View] menu [Histogram palette].
The histogram palette appears.
You can select any of the following four histograms from the
menu that appears when you right-click with the mouse.
[Brightness only], [RGB separately], [YRGB separately], [RGB
together]
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
12
Page 14
Enlarging and Viewing an Image in the Preview Window
Double-click
Preview window Tool palette
By selecting the [Preview] menu [AF points] in the preview
window, you can display the AF points selected in the camera at
the time of shooting. However, AF points are not displayed for
images whose image size has been changed and then been
converted and saved (p.80), images for which you selected an
effect other than [Shot settings] as correction of fisheye lens
distortion aberration, or images which have had settings specified
during RAW processing on the camera for distortion correction or
chromatic aberration correction.
Enlarging and Viewing a Specific Area
Click
Select any enlargement ratio from the [Preview] menu.
To display an image in an enlargement ratio other than 100%
While in the preview window, you can select the [Preview] menu
[Preview control panel] to use various preview functions. For details,
see “Checking an Image Using the Preview Control Panel” (p.16).
COPY
Click the area you want to enlarge.
The preview window appears.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Click the [ ] in the Upper left of the preview window to close the
preview window.
The area you clicked is enlarged to 100% (actual pixel size).
Click again to revert to the full view.
To change the display area drag on the image.
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
13
Page 15
Introduction
Advanced
Change the
enlargement display
area by dragging
COPY
Displaying the Navigator Palette
The navigator palette shows the enlargement area of a selected image.
Select the [View] menu [Navigator palette].
The navigator palette appears.
When an image is enlarged in the preview or other window, the
enlargement display area is indicated in the navigator palette.
The area to be enlarged can be changed by dragging the
enlargement display area on the image.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
14
Page 16
Displaying the Main Window (Multi-layout)
Preview
display area
Thumbnail
display area
Multi-layout (vertical thumbnails)
Multi-layout (horizontal thumbnails)
Layout change button
Main Window (thumbnail layout)
Vertical thumbnails
Horizontal thumbnails
Advanced
COPY
Checking the Image in Detail
By switching the main window to “multi-layout”, you can use the preview control panel to check the image in detail.
Click a change layout button at the bottom of the main window (thumbnail layout).
The main window (multi-layout) appears.
In the main window (multi-layout), you can select from two layouts, with horizontal thumbnails or vertical thumbnails.
Click the area you want to enlarge in the image displayed in the preview disp lay ar ea to displa y the image at actual pixel size ( 1 00%). Click the
image again to revert to full display.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
15
Page 17
With Preview control panel, you can check the image in detail.
Checking an Image Using the Preview Control Panel
Display the image at actual pixel size (100%).
Click the [ ] button to display the image at the set
magnification displayed. If the [ ] button is used to
enlarge/reduce the image, the magnification set for this
button also changes accordingly*.
*Excluding actual pixel size (100%)
Enlarge/reduce the image.
Revert the zoomed image back to fit-to-window view.
Pinned (fixed) image
COPY
You can use this panel in the main window (multi-layout) and edit image
window. If the preview control panel is not displayed, you can display it
by selecting [Preview control panel] from the [Preview] menu. By
default, the [] button and [ ] button are selected.
Comparing with a Pinned (Fixed) Image
You can split the window into two sections, and compare the images on
the left and right by “pinning” an image in the left section then scrolling
images in the right section. It improves efficiency of image selection.
Introduction
Contents
Downloading
Images
1
Changing the Magnification
Select an image and click the [ ] button.
The window divides into left and right, and the selected image is
pinned.
When you pin an image and perform scrolling, the image on the
left (pinned image) remains and only the image on the right is
scrolled, which is convenient for image selection.
To pin another image, select the image, then select [Pin] from the
menu that appears when you right-click with the mouse.
After pinning an image, you can click the [ ] button to switch
between top-bottom and left-right split screens.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
16
Page 18
Introduction
AF points are not displayed for images whose image size has been
changed and then been converted and saved (p.80), images for
which you selected an effect other than [Shot settings] as correction
of fisheye lens distortion aberration, or images which have had
settings specified during RAW processing on the camera for
distortion correction or chromatic aberration correction.
COPY
Displaying Multiple Images
Select multiple images, and click the [ ] button.
The selected image is displayed.
You can display up to 8 images.
Displaying Grid Lines
Click the [ ] button beside the [ ] button, and set
1
the spacing between grid lines on the menu that
appears.
To set the spacing, enter values (8 to 256, in pixels), or move the
slider.
After specifying settings, click the [Close] button and close the
window.
Select an image and click the [ ] button.
2
The image with grid lines is displayed.
Displaying AF Points
Click the [ ] button beside the [ ] button, and
1
select the item to display on the image on the menu
that appears.
Select [Show only AF points in focus] or [Show all AF points].
After specifying settings, click the [Close] button and close the
window.
Select an image and click the [ ] button.
2
An image with the AF points selected in step 1 is displayed.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
17
Page 19
Introduction
COPY
Displaying Areas Beyond the Set Range with
Warning Indicators (Highlight/Shadow
Warning)
You can set up warning indicators for both highlighted and shadowed
parts, which is effective for checki ng the clipped highlight s and shado ws
and preventing excessive adjustment of an image. Where the area on
the image has exceeded the set range, you can display the highlighted
part in red and the shadowed part in blue.
Click the [ ] button beside the [ ] button, and
1
specify settings on the menu that appears.
Select an image and click the [ ] button.
2
On the opened image, if there is an area that exceeds the value
entered in step 1, the highlighted part of that area is displayed in
red and the shadowed part is displayed in blue. If you selected
different warning colors, the parts are displayed in the specified
colors.
Comparing Pre- and Post-Editing Images
(Single-Image Display)
Select an image that is being edited and click the
[ ] button.
By clicking the button, the display switches between the image
before editing and the current image (being edited).
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Checkmark the [Show highlight warnings] and [Show shadow
warnings] checkboxes and enter the warning values.
You can also select different warning colors from the dialog that
appears when you click the [Warning color] box.
After specifying settings, click the [Close] button and close the
window.
Specifying
Preferences
8
Reference/
Index
18
Page 20
Introduction
COPY
Comparing Pre- and Post-Editing Images
(before/after comparison) Arrange vertically/
horizontally (two-screen display) / Split
vertically/horizontally (split-image display)
You can display before and after versions of an adjusted image in the
same window and check the adjustment results.
This function allows you to adjust an image while comparing the original
image and image being edited.
Select an image that is being edited and click the
1
[ ] button.
Displaying Image Properties
Display the shooting and recipe information for an image in the screen.
You can select items to be displayed.
Click the [ ] button beside the [ ] button.
1
The [Preview properties display settings] window appears.
Specify display settings.
2
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
The image is displayed in two-screen display (Arrange vertically).
The image before editing is on the le ft, and the cu rrently edited is
on the right.
Change the image display.
2
The display switches in the following order by clicking the [ ]
button.
Arrange vertically (two-screen: left/right) Arrange horizontally
(two-screen: top/bottom) Split vertically (split-image: left/right)
Split horizontally (split-image: top/bottom)
To display recipe contents, select [Show recipe details] and
checkmark items you want to display in the [Recipe display
settings] tab sheet.
To display shooting information, select [Show shooting info] and
checkmark items you want to display in the [Shooting info display
settings] tab sheet.
After specifying settings, click the [Close] button.
Specifying
Preferences
8
Reference/
Index
19
Page 21
Select an image and click the [ ] button.
All the property items may not be displayed depending on the
combination of window, preview window, or the size of thumbnails.
Checking an Image in Multi-Function Preview
COPY
3
The image and properties selected in step 2 are displayed in the
screen.
If the recipe contents of an image being edited are displayed in
before/after comparison (two-screen/split-image display), edited
items are displayed in red.
The preview window shows the coordinates of the mouse cursor and the
work color space. By switching to multi-function preview, you can also
check image details in the same way as the main window (multi-layout).
Select the [Tools] menu [Preview screen display
1
settings], and then [Multi-function preview] from the
dialog that appears.
After selecting, click the [Close] button.
Open the preview window (p.13).
2
A multi-function preview with various functions at the bottom of
the screen is displayed.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
For how to use the displayed functions, see “V iewing an Image in
the Main Window (Thumbnail Layout)” (p.10) and “Checking an
Image Using the Preview Control Panel” (p.16 to p.20).
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
20
Page 22
Introduction
Checking an Image in Second Windows
COPY
Second windows are preview windows that you can open additionally
for thumbnails and image previews. You can display up to 4 second
windows for an single image to check the focus in all parts of the image,
etc.
Select an image, and then select [Show second
screen] from the menu that appears when you rightclick with the mouse.
A second window is displayed.
To display an additional second window, repeat the operation.
You can change the size of second windows as desired.
Click the displayed image to switch between actual pixel size
(100% view) and fit-to-window view.
When you magnify an image in the second window, the right-
clicked position on the image will be the center for the
magnification.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
21
Page 23
Opening and Closing Window Panels (Panes)
Example: main window (thumbnail layout)
COPY
Panels (panes) at the top, bottom, left, a nd right o f each wind ow can be
closed to suit the tasks being performed.
You can use DPP in an optimal layout.
Introduction
Contents
Click the [ ] for a panel to open or close.
When a panel is closed, you can point to [ ] with the mouse
to temporarily open the panel.
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
22
Page 24
Changing the Display Method and Order of Palettes
Changing the Display Method (Dock/Float) of Palettes
Rearranging Palettes
COPY
For any palette (tool palette, navigator palette, histogram palette, quick
check palette, and camera control palette), you can change how the
palette is displayed (docked/floating), or the display order of multiple
docked palettes.
Introduction
Contents
Downloading
Images
1
Right-click on the palette’s title bar (where its name
is shown) and click [Dock/float] in the dialog that
appears.
A docked palette is then displayed floating, and a floating palette
is then displayed docked.
To revert to the original display method, repeat the same
operation again.
When multiple palettes are docked, you can rearrange their order from
top to bottom.
Right-click on the palette’s title bar (where its name
is shown) and click [Move one up] or [Move one
down] in the dialog that appears.
The order of the palettes is changed.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
23
Page 25
Quitting DPP
A confirmation dialog box for saving the images appears when you
try to quit DPP without saving the adjusted image. Click the [Yes to
all] button to save the adjustment contents (recipe) to all the images
adjusted.
COPY
In the main window, select the [Digital Photo
Professional 4] menu [Quit Digital Photo
Professional 4].
DPP quits.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
24
Page 26
3
COPY
Organizing and Sorting Images
Introduction
Efficiently Checking/Sorting Images........................ 26
Sorting Images ........................................................... 28
Attaching Check Marks........................................... 28
Setting Ratings....................................................... 28
Sorting Images in the Main Window........................... 29
Attaching Check Marks in the Main Window.......... 29
Setting Ratings in the Main Window....................... 29
Arranging Images in the Main Window....................... 30
Arranging by Type.................................................. 30
Arranging Freely..................................................... 31
Displaying a RAW Image and JPEG Image as a Single
Image..........................................................................
Checking Image Information....................................... 32
Organizing Images .................................................. 34
Deleting an Unwanted Image..................................... 34
Moving Images........................................................... 34
Moving Images in Folders .......................................... 35
Registering Frequent-Use Folders (Bookmark
Registration)...............................................................
31
35
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Deleting Bookmarks ............................................... 35
Specifying
Preferences
8
Reference/
Index
25
Page 27
Efficiently Checking/Sorting Images
Quick check window
COPY
Introduction
You can enlarge images displayed as thumbnails in the main window
and efficiently check each image. You can sort images into groups.
Select multiple images to check in the main window.
1
Display the quick check window.
2
Click the [Quick check] button.
The quick check window appears.
Click the [ ] or [ ] button to switch between
3
images to be checked.
All the images displayed in the main window can be checked in
the quick check window.
If you click the [ ] button, the first image is displayed, and if you
click the [ ] button, the last image is displayed.
Click the [ ] button to return to the main window.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
26
Page 28
Introduction
Click
In addition to 100% and 50%, you can display images at 12.5%,
25%, 200%, 300%, and 400%. Click the [ ] button beside the
[ ] button on the screen, select a magnification from the menu
that appears, and click the [close] button.
If you click the [ ] button (the selected magnification appears
on the button), the image appears at the selected magnification.
However, after the quick check window is closed, the image
returns to its original 50% view.
When [AF Point] is checkmarked, you can display the AF points
selected in the camera at the time of shooting. However, AF
points are not displayed for images which have had their image
size changed and then been converted and saved (p.80), which
have had settings specified during RAW processing on the
camera for distortion correction and chromatic aberration
correction, which are composited, or which are created as HDR
(High Dynamic Range) images.
COPY
Click the area you want to enlarge.
4
The area you clicked is displayed at 100% (actual pixel size).
To change the display position, drag on the image.
If you click the [ ] button, you can display the image at 50%.
Click again to revert to the full view.
To quit, click the [ ] button.
Convenient functions of the quick check window
To check only selected images
You can use the quick check window to check only selected images
by selecting the desired images from those displayed in the main
window and then performing step 1.
Switch between images using the keyboard
You can also switch between images by pressing the < > + <> or
<> + <> keys.
Operate using the menu
Each operation can also be performed with the menu which appears
by clicking on the image while holding down the <control> key.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
27
Page 29
Sorting Images
Click
Check mark
The values of check marks atta ched to images in DPP version 4.0
or earlier are not maintained.
You can also attach check marks from the menu that appears by
clicking on an image in the main window while holding down the
<control> key.
Setting Ratings
Click
Rating icon
As the file structure of the image data is changed when a rating is
set to an image, it may not be possible to check the image
information in third-party software.
COPY
Introduction
You can sort images by attaching check marks or setting ratings
(indicated with [ ] marks) for each subject or theme.
Attaching Check Marks
Display the image you want to attach a check mark
to, and then click any one of [ ] to [ ].
The selected check mark appears in the upper left of the window.
Display the image you want to rate, and then click
any one of the [ ].
The rating is set and an icon corresponding to the selected [ ]
appears in the upper left of the window.
(Window shown with a rating of three [ ])
To set [Reject], click the [Reject] button. Click the [Reject] button
again to cancel.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Click the [Clear] button to remove the check mark.
To cancel the rating, click the same [ ] as when the setting was
made on the right of the window.
Specifying
Preferences
8
Reference/
Index
28
Page 30
Sorting Images in the Main Window
Click
Select
Check mark
Setting Ratings in the Main Window
Select
Click (changes to [ ] after clicking [ ])
Rating icon
COPY
Introduction
You can also sort images in the main window by attaching check marks
or setting ratings (indicated with [ ] marks) for each subject or theme.
Attaching Check Marks in the Main Window
Select the images you want to attach a check mark
to, and then click any of [ ] to [ ].
The selected check mark appears in the upper left of the image
frame.
Select the images you want to rate, and then click
any of the [ ].
The rating is set and an icon corresponding to the selected [ ]
appears in the image frame.
(Sample window shown with a rating of three [ ] as an example)
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Click the check mark again to remove the check marks.
To cancel the rating, click the same [ ] as when the setting was
made.
Set [Reject] with the [Label] menu or the quick check window
(p.26).
Specifying
Preferences
8
Reference/
Index
29
Page 31
To select multiple images in the main window
The [Label] menu can also be used to att ach check marks and set
ratings.
You can display and change the rating settings set in DPP with
other EOS software and on a supported camera.
• EOS Utility version 2.9 or later:
Ratings set in DPP are displayed. However, [Reject] is not
displayed and you cannot change rating settings.
• On a supported camera:
Ratings set in DPP are displayed in the playback screen. You
can also change rating settings. However , you cannot display or
change settings for [Reject].
Reversely, you can also display and change with DPP the rating
settings set for images on a supported camera.
Arranging Images in the Main Window
COPY
Click on desired images while holding down the < > key. To select
multiple consecutive images, click on the first image, and then click on
the last image while holding down the <shift> key.
You can arrange images in the order of the types of check marks you
have attached to images, or in the order of date and time at which the
images were shot. You can also freely arrange images by moving them
individually.
Arranging by Type
Select the [Thumbnails] menu [Sort] desired item.
The images are arranged in the order according to the selected
item.
Sort item Description
File name: ascending
order
Extension: ascending
order
Shooting Date/Time:
ascending order
Check mark:
ascending order
Rating: ascending
order
Camera model Name:
ascending order
Lens: ascending order Sorted in order of shooting lens with shortest
ISO speed: ascending
order
Shutter speed:
ascending order
Aperture value:
ascending order
Focal length:
ascending order
* Descending order sorts all items in the reverse of ascending order.
Images are sorted by file name in alphanumeric
order (0 to 9 A to Z).
Images are sorted in the following order: RAW
images JPEG images TIFF images
MOV movies MP4 movies.
Images are sorted by shooting date and time
from the earliest.
Images with check marks take priority and are
sorted in number order.
Sorted in order of fewest [ ].
Sorted in order of least digit used in the camera
model name. (Ex.: EOS-1D X EOS 6D)
focal length.
Sorted in order of lowest speed.
Sorted in order of fastest shutter speed.
Sorted in order of lowest aperture value.
Sorted in order of shooting lens with shortest
set focal length.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
30
Page 32
Arranging Freely
You can maintain the order of rearranged images even if you quit DPP
or select another folder in the folder area.
Maintain order without changing image file names
You can use the [General settings] tab sheet in [Preferences] to
maintain the order of images without changing the image file names
(p.109).
Maintain order and change image file names
You can use the rename function to maintain the order of images and
change the image file names all at once in the order they were
rearranged (p.103).
Maintaining the order of rearranged images
Displaying a RAW Image and JPEG Image as a Single Image
COPY
Introduction
Drag and drop the image to the desired location.
The image moves to the desired location.
You can also select multiple images (p.30) and move them.
The order of rearranged images is temporarily registered as
[Custom] in [Sort] of thumbnails control area and maintained until
you exit DPP or select another folder in the folder area.
Select the [Thumbnails] menu [Sort] [File name] and [Ascending]
to revert to the order before the images were rearranged.
You can display and handle a RAW image and JPEG image shot
simultaneously as a single image. In particular, you can halve the
number of images displayed in the main window and you can streamline
the checking of a large number of images shot simultaneously.
Select the [Thumbnails] menu [Group RAW and
JPG versions].
The main window display updates and the simultaneously shot
RAW image and JPEG image are displayed as a single image
with the [ ] mark (p.116).
RAW im ages with the extension “.CR2” can be displayed as a
single image
Images that can be displayed as a single image are images shot with a
camera that shoots RAW images with the extension “.CR2” and JPEG
images simultaneously . Images that have been simult aneously shot with
a camera that shoots RAW images with the extension “.CRW” or “.TIF”
cannot be displayed as a single image.
When a single image is displayed
Image displayed
The RAW image is displayed in all windows.
Edited image
The content which has been adjusted with any of DPP’ s functions (the
tool palette etc.) will be applied to the RAW image only.
However, if you have used the following functions, the adjustments
will be applied to both the RAW image and the JPEG image.
• Deleting an image (p.34)
• Moving or copying an image (p.34)
• Checkmarking (p.28, p.29)
• Rating (p.28, p.29)
• Rotating an image (p.10)
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
31
Page 33
Images added to the [Collection] window
If you cancel selection of [Group RAW and JPG versions], the RAW
image and JPEG image are displayed as separate images.
Checking Image Information
[Exif Information]
tab sheet
[XMP/IPTC Information]
tab sheet
[Recipes]
tab sheet
Image information window
COPY
When you add a RAW image and JPEG image displayed as a single
image to the [Collection] window, the single image is marked with the
[ ] mark. However, because the RAW and JPEG images are
actually added individually, the number of images shown on the
[Collection] tab sheet increases by 2.
Select the image for which you want to check the
1
image information.
Select the [View] menu [Info].
2
The image information window appears.
Select a tab sheet and check information.
3
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
32
Page 34
Shooting information is displayed in the [Exif Information] tab
Switching displays
If a different image is selected in the main window when the image
information window is displayed, the image information for that image
will be displayed.
Difference with the thumbnail with shooting information
Detailed shooting information for each image is displayed in the
image information window. However, if you want to only check the
main shooting information, you can check it for each image in
[Thumbnails] menu [With shooting info] (p.10).
Convenient uses in the main window
COPY
sheet, while IPTC* information appended to the image after
shooting is displayed in the [XMP/IPTC Information] tab sheet.
IPTC* information provides additional comments on images,
such as captions, credits and the shooting location. The
information is sorted into 5 different categories and can be
viewed by selecting [Description], [IPTC Contact], [IPTC Image],
[IPTC Content] or [IPTC Status] from the list box in the [XMP/
IPTC Information] tab sheet.
* International Press Telecommunications Council (IPTC)
The contents of the [Exif Information] tab sheet will vary
depending on the camera model.
Recipe contents applied to an image are displayed in the
[Recipes] tab sheet.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
33
Page 35
Organizing Images
Deleting an Unwanted Image
Moving Images
COPY
This section explains how to delete unwanted images, move or copy
images, etc., to organize your images.
Be aware that you cannot recover deleted images.
Select an unwanted image in the main window.
1
Select the [File] menu [Move to Trash].
2
You can move or copy images to a separate folder and sort by shooting
date or themes.
Drag the image to be moved or copied.
To move: Drag the image and release when the image is in the
destination folder.
To copy: Drag the image while holding down the <Option> key
and release when the image is in the destination
folder.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
The image is moved to the [Trash] and is deleted from DPP.
The images are deleted completely from your computer by
selecting the [Finder] menu [Empty Trash] on the desktop.
The images are moved or copied to the destination folder.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
34
Page 36
You can move or copy folders that contain images, and sort the images
Moving Images in Folders
Registering Frequent-Use Folders (Bookmark Registration)
Select
COPY
by folders.
Drag the folder to be moved or copied.
To move: Drag the folder and release when the folder is in the
destination folder.
To copy: Drag the folder while holding down the <Option> key
and release when the folder is in the destination folder.
You can register frequently used folders in bookmarks.
Registered folders are displayed in the [Bookmark] tab sheet in the main
window.
Select the folder for which a bookmark is to be
1
registered.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
The folders are moved or copied to the destination folder.
Select the [File] menu [Bookmark].
2
The folder selected in step 1 is registered in the [Bookmark] tab
sheet in the main window.
Deleting Bookmarks
You can delete a folder registered in [Bookmark].
Select the [File] menu [Remove bookmark].
The selected folder is deleted from bookmarks.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
35
Page 37
4
Advanced
Advanced
Advanced
COPY
Editing Images
Introduction
RAW Images............................................................ 38
RAW Images.............................................................. 38
RAW Development.................................................... 38
When RAW Development is to be Done.................... 38
Advantages of a RAW Image .................................... 38
Editing JPEG and TIFF Images ............................... 39
Tool Palettes............................................................ 40
JPEG/TIFF
Palette...................................................................... 41
Adjusting Brightness.................................................. 41
Changing the Picture Style........................................ 42
Advanced
Adjusting Color Tone by Changing White Balance.... 43
Adjusting Color Tone Using Click White Balance...... 44
Temperature..............................................................
Adjusting Contrast ..................................................... 46
Advanced
Highlights...................................................................
Changing Color Tone and Color Saturation............... 47
Adjusting Monochrome.......................................... 47
Advanced
Adjusting Gradation and Luminance Automatically... 49
Using the Auto Lighting Optimizer............................. 50
Adjusting Image Sharpness....................................... 51
Detailed Setting of Image Sharpness .................... 52
Editing with the Basic Adjustment Tool
Using a Picture Style File............................. 43
Adjusting White Balance with Color
Tuning White Balance.................................. 45
Adjusting Brightness of Shadows/
Adjusting Dynamic Range............................ 48
45
46
JPEG/TIFF
Palette ..................................................................... 53
Adjusting Brightness and Contrast............................. 53
Adjusting Color Tone Using Click White Balance....... 54
Example of a Tone Curve Operation...................... 56
Advanced
Using the Auto Lighting Optimizer.............................. 57
JPEG/TIFF
Palette ..................................................................... 58
Advanced
Palette ........................................................................
Adjusting a specific color gamut............................. 58
Adjusting hue and saturation for an entire image... 59
JPEG/TIFF
Palette ..................................................................... 60
Reducing Noise.......................................................... 60
Adjusting Image Sharpness........................................ 61
JPEG/TIFF
Tool Palette ............................................................. 62
Editing with the Lens Correction Tool Palette.......... 65
Correcting Lens Aberration......................................... 65
Compatible Lenses..................................................... 65
Making Corrections..................................................... 67
Effects of Distortion Correction for Fisheye
Lenses....................................................................
Editing with the Tone Adjustment Tool
Adjusting Tone Curve ................................... 55
Adjusting Dynamic Range............................. 57
Editing with the Color Adjustment Tool
Editing with the Color Adjustment Tool
58
Editing with the Detailed Adjustment Tool
Editing with the Trimming/Angle Adjustment
68
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
36
Page 38
Introduction
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Advanced
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
COPY
Shooting Distance Information Slider ........................ 69
Correcting Multiple Images at a Time........................ 70
Digital Lens Optimizer................................................ 70
Compatible Lenses.................................................... 70
Using the Digital Lens Optimizer ............................... 71
Adjusting Image Sharpness....................................... 73
JPEG/TIFF
Tool Palette.............................................................. 74
Performing Automatic Dust Erasure Processing ....... 74
Automatic Dust Erasure Processing in the Main
Window......................................................................
Manually Erasing Dust (Repair Function).................. 76
Erasing Unwanted Parts of an Image (Copy Stamp
Function)....................................................................
Setting Work Color Space........................................ 79
Saving Editing Contents to an Image ........................ 80
Saving as a separate image...................................... 80
Editing with the Dust Delete/Copy Stamp
75
78
Saving Editing Results.............................. 80
Re-Editing an Image................................. 82
Editing in the Edit Image Window............................... 87
Changing the Thumbnail Display Position to
Horizontal ...................................................................
Gathering and Editing Images in the Collection
Window.......................................................................
Transferring a RAW Image to Photoshop... 91
Advanced
Customizing the Main Window Toolbar ...... 92
88
89
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Utilizing Adjustment Contents (Recipe).... 83
Copying a Recipe and Applying to Another Image.... 84
Saving a Recipe as a File.......................................... 84
Loading and Applying Recipes.................................. 85
JPEG/TIFF
Images ..................................................................... 86
Adjusting by Comparing Multiple
Editing Efficiently...................................... 87
* Sections with and in “4 Editing Images”
support not only RAW image editing but also JPEG/TIFF image
editing.
: All the functions explained in the section support
JPEG/TIFF image editing.
: Part of the functions explained in the section support
JPEG/TIFF image editing.
Specifying
Preferences
8
Reference/
Index
37
Page 39
RAW Images
RAW Images
RAW Development
When RAW Development is to be Done
Advantages of a RAW Image
Image processing conditions information
RAW image data
Contents adjusted using the tool
palettes can be handled
individually as a recipe file
(extension “.dr4”) (p.83, p.84).
COPY
Introduction
A RAW image is image data that has recorded output data of imaging
sensor. As image processing is not performed inside the camera when a
photo is taken and the photo has been recorded in the special form of
“RAW image dat a + Image processing conditions information at the time
of shooting”, special software is needed to view or edit the image.
* “RAW” means “in a natural condition” or “not processed or refined”.
If described in terms of film, the concept of a RAW image is a shot
image not yet developed (latent image).
With film, the image appears for the first time when it is developed. In
the same way , for RA W images t oo, you cannot view them as images on
your computer unless you perform subsequent image signal processing.
Therefore, even though it is digital, this processing is called
“development”.
DPP automatically carries out this “development” processing when
RAW images are displayed in DPP. As a result, RAW images displayed
in DPP are images whose development processing has been
completed.
With DPP, you can view, edit and print RAW images without being
particularly conscious of the development processing.
RAW images are recorded in the format “RAW image data + Image
processing conditions information at the time of shooting”. When you
open a RAW image in DPP, the image is automatically developed and
you can view the image as an image to which image processing
conditions at the time of shooting have been applied.
Even if you perform various adjustments to the image you have opened
(it undergoes automatic development processing each time), only the
image processing conditions (development conditions) change and the
“original image data itself” remains unaffected. Therefore, it is the
perfect data for users who want to get creative with the images after
shooting, as you do not have to worry about image deterioration.
In DPP, the “Image processing conditions information” that can be
adjusted is called a “Recipe” (p.83).
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
In DPP, all the adjustments (image processing conditions information)
made with the tool palettes can be saved in the image as data called a
“recipe” (p.84), or can be saved, downloaded and applied to other
images as a separate recipe file (extension “.dr4”, p.85). However, a
recipe file with saved RAW image adjustments cannot be applied to
JPEG or TIFF images.
38
Page 40
Editing JPEG and TIFF Images
Contents adjusted using the tool
palettes can be handled
individually as a recipe file
(extension “.dr4”) (p.83, p.84).
Image processing conditions information
JPEG, TIFF image data
COPY
With DPP, you can adjust JPEG and TIFF images in the same way as
RAW images using the tool palettes below.
• Tone Adjustment tool palette
• Color Adjustment tool palette
• Detailed Adjustment tool palette
• Trimming/Angle Adjustment tool palette
• Dust Delete/Copy Stamp tool palette
• Settings tool palette
Because adjustments made with these tool palettes (the recipe) only
change the image processing conditions, the “original image data itself”
remains unaffected. Consequently, there is none of the image
deterioration that normally accompanies editing and you can readjust
your image any number of times.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
In DPP, all the adjustments (image processing conditions information)
made with the tool palettes can be saved in the image as data called a
“recipe” (p.84), or can be saved, downloaded and applied to other
images as a separate recipe file (extension “.dr4”, p.85). However,
recipe data with saved JPEG or TIFF image adjustments cannot be
applied to RAW images.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
39
Page 41
Tool Palettes
Lens
Correction tool
palette
Trimming/
Angle
Adjustment
tool palette
Dust Delete/
Copy Stamp
tool palette
Basic
Adjustment
tool palette
Detailed
Adjustment
tool palette
Color
Adjustment
tool palette
Tone
Adjustment
tool palette
Settings tool
palette
COPY
Introduction
With DPP, you can adjust images with the tool palettes by switching
between various tool palette windows according to your editing
requirements. Since adjustments made with the tool palettes only
change the image processing conditions, the “original image data itself”
remains unaffected. As there is no image deterioration that normally
accompanies editing, you can readjust your image any number of time s.
The various functions of the tool palettes are explained in more detail
under the respective topics.
Basic Adjustment tool palette
Makes basic adjustments to a RAW image (p.41).
Tone Adjustment tool palette
Adjusts the tone curve and applies the Auto Lighting Optimizer (p.53).
Color Adjustment tool palette
Adjusts the hue, saturation and luminance of a specific color space. The
hue and saturation for an entire image can also be adjusted (p.58).
Detailed Adjustment tool palette
Reduces noise and adjusts the image sharpness (p.60).
Trimming/Angle Adjustment tool palette
Crops an image and adjusts the image angle (p.62).
Lens Correction tool palette
Corrects lens aberration in the image (p.65) and applies the Digital
Lens Optimizer (p.71).
Dust Delete/Copy Stamp tool palette
Erases dust from an image and corrects image by copying sections
of the image (p.74).
Settings tool palette
Configures the work color space (p.79).
Using the different tool palettes
We recommend that you use the Basic Adjustment tool palette to make
adjustments to RAW images. However, if you find that the Basic
Adjustment tool palette does not offer a sufficient range of adjustments,
or if you want to use specific functions that are only available in the Tone
Adjustment tool palette (p.53), completing initial adjustments with the
Basic Adjustment tool palette and then using the Tone Adjustment tool
palette to make just the minimum of adjustments needed is
recommended.
For noise reduction (p.60) and lens aberration correction (p.67), you
should first complete necessary adjustments in the Basic Adjustment
and Tone Adjustment tool palettes, and then adjust with the Detailed
Adjustment tool palette (p.60) and Lens Correction tool palette (p.65).
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
40
Page 42
Adjusting Brightness
Reverts the image to
the original settings
Enter a numerical
value
Drag the slider left or right
The adjustment range is –3.0 to +3.0 (in 0.01-stop increments when
entering a value).
JPEG/TIFF
COPY
Editing with the Basic Adjustment Tool Palette
The Basic Adjustment tool palette makes basic adjustments to RAW
images. With this tool palette, you can adjust the image brightness, set
Picture Style, adjust the white balance, adjust the contrast, adjust the
color tone and saturation, adjust the dynamic range, apply the Auto
Lighting Optimizer and adjust the image sharpness.
Note that the only adjustments you can make to JPEG/TIFF imag es are
applying the Auto Lighting Optimizer and adjusting the image
sharpness.
Select an image in the main window, etc.
The brightness of an image can be adjusted. Move the slider to the right
to make the image brighter and to the left to make the image darker.
1
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Display the Basic Adjustment tool palette.
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
41
Page 43
If the image looks different from what you visualized at the time of
Changing the Picture Style
Reverts the image to
the original settings
Select
You can retain the [Color tone], [Color saturation], [Contrast],
[Unsharp mask] and [Sharpness] settings, even if you change the
Picture Style.
You cannot select [Auto] with multiple-exposure RAW images
created on the camera.
COPY
shooting, you can get it closer to what you expected by changing the
Picture Style. Even if you have saved the image (p.47) with
[Monochrome] (p.80) selected, you can still change to another Picture
Style at any point by simply selecting a Picture Style other than
[Monochrome].
Picture Style Description
The Picture Style set with the camera when the
image was shot.
When a mode in the Creative Zone is selected on the
( )
Standard
Auto
Portrait
Landscape
Neutral
Faithful
Monochrome
(Picture Style file
registered in the
camera)
[Picture Style file
applied in DPP]
camera, the Picture Style set is displayed in ( ).
When a mode in the Basic Zone is selected on the
camera, [Shot settings] is displayed in ( ), and image
characteristics that are according to the selected
shooting mode are applied.
The image looks vivid.
Generally, this setting is suitable for most images.
The color tone will be adjusted to suit the scene.
The colors will look vivid. Especially the colors of
blue skies, greenery, and sunsets will be vivid in a
shot of nature, outdoor, or sunset scenes.
For nice skin tones.
Effective for close-ups of women and children. By changing
the [Color tone], you can adjust the skin tone (p.47).
For vivid blues and greens.
Effective for making images of landscapes impressive.
For natural colors and subdued images.
Effective for base images which are to undergo
adjustment.
When the subject is photographed under a color
temperature of 5200K, the color is adjusted
colorimetrically to match the subject’s color. Effective for
base images which are to undergo adjustment.
For black and white images.
You can also adjust with [Filter effect] or [Toning
effect] (p.47).
Displayed when selecting an image shot with the
Picture Style file registered in the camera.
In the list, the name of the Picture Style file is
displayed in ( ).
The name of the Picture Style file applied in DPP is
displayed in [ ].
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
42
Page 44
Introduction
Using a Picture Style File
Advanced
The Picture Style files that you can apply to the ca mera are files with
the “.PF2” or “.PF3” extension only.
Adjusting Color Tone by Changing White Balance
Reverts the image to
the original settings
Select
If the color tone of the image doe s not appear natural after chan ging the
white balance, adjust the white balance using click white balance (p.44).
To make further fine adjustments to color tone after adjusting the white
balance, you can use [Color tone] (p.47) for tuning towards your expectations.
The color tone does not become more natural even when the
white balance is changed
Tune with color tone
You cannot register the adjustment results as personal white
balance (p.98) when you have selected [ ( )] from the list box.
You cannot change or adjust white balance with multiple-
exposure RAW images created on the camera.
Refer to your camera’s Instruction Manual for details on each white
balance setting.
COPY
A Picture Style file is a Picture Style extension file.
With DPP, you can apply to RAW images Picture Style files that you
have downloaded from Canon Web site effective for various scenes or
Picture Style files created with “Picture Style Editor”. When using a
Picture Style file, save it to your computer beforehand.
Click the [Browse] button in the panel.
1
The [Open] dialog box appears.
Select a Picture Style file saved on your computer,
2
and click the [Open] button.
The Picture Style file you selected is applied to an image.
To apply a different Picture Style file, follow the procedure from
step 2 again.
If the color tone of the photographed image does not appear natural,
change the white balance to make it appear natural. You can make the
color tone natural by setting the light source to match the scene at the
time of shooting an image of, for example, pale-colored flowers.
( )
is the white balance set on the camera when the image was shot.
• When a mode in the Creative Zone is selected on the camera,
the white balance set is displayed in ( ).
• When a mode in the Basic Zone is selected on the camera,
[Shot settings] is displayed in ( ), and image characteristics that
are according to the selected shooting mode are applied.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
43
Page 45
You can adjust white balance using a selected part of an image as the
Adjusting Color Tone Using Click White Balance
Click
The coordinates of the cursor position and
the RGB values (8-bit conversion)
Click
Reverts the
image to the
original settings
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white area.
When there are no white areas in your image
You cannot change or adjust white balance with multiple-exposure
RAW images created on the camera.
COPY
standard for white to make the image appear natural. Using click white
balance is effective when using it in part s of an imag e where white color
tone has changed under the influence of a light source.
The color of the image is adjusted with the point you selected as
the standard for white.
If you click on another point in the image, the white balance is
adjusted again.
To finish click white balance, click the [ ] button again.
Introduction
Contents
Downloading
Images
1
1
Click on a point that is to be the standard for white.
2
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
44
Page 46
Adjusting White Balance with Color Temperature
Advanced
Displays the value of
the setting
Drag the slider left or right
The adjustment range is 2000 to 10000K (in 10K increments).
Tuning White Balance
Advanced
Enter the values to set
Drag
Drag the sliders left
or right
To register the adjustment outcomes as a personal white balance
(p.98), select a setting other than [ ( )] from the [White balance
adjustment] list box before tuning the white balance. If you
selected [ ( )] from the list box and tuned the white balance, you
cannot then register the outcomes as a personal white balance.
You cannot change or adjust the white balance in multi-exposure
RAW images generated on the camera.
The adjustable range is 0 to ±10. (in 0.1-stop increments when
entering a value).
COPY
Introduction
Contents
White balance can be adjusted by setting a numerical value for color
temperature.
Select [Color temperature] from the [White balance
1
adjustment] list box.
Set the color temperature.
2
This is a function that makes fine adjustments to the white balance.
Using this function, you can achieve the same effects as third-party
color temperature conversion filters and color correction filters. The
adjustable range is
end users who are familiar with the roles and effects of color
temperature conversion filters and color correction filters.
Tune the white balance by dragging the point in the
adjustment screen in the [Tuning] panel.
B stands for blue, A for amber, M for magenta and G for green.
The color is adjusted towards the color to which the point moves.
You can also fine-tune your adjustment by using the sliders or
entering the adjustment values.
±10 steps. This function is aimed particularly at high-
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
45
Page 47
Introduction
Adjusting Contrast
Reverts the image to
the original settings
Drag the slider left or
right (9 steps)
Enter a setting (in 0.1stop increments)
Adjusting Brightness of Shadows/Highlights
Advanced
Drag the sliders left
or right
Enter a setting (in 0.1stop increments)
If you make a major adjustment to the highlights or shadows in an
image, the image may look unnatural. In such a case, reduce the
degree of adjustment.
COPY
Modulation and degree of contrast can be adjusted. Move the slider to
the right to make contrast stronger and to the left to make contrast
weaker.
You can adjust the brightness of shadows and highlights in an image.
By adjusting only shadows or highlights in an image, you can reduce the
effects of clipping in shadows and highlights.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
46
Page 48
Tone and overall color saturation can be adjusted.
Changing Color Tone and Color Saturation
Enter a setting (in 0.1stop increments)
Reverts the image to
the original settings
Drag the sliders left or
right
The adjustment range is –4 to +4.
Reverts the image to
the original settings
Displays the values of
the settings
COPY
If Picture Style (p.42) is set to [Monochrome], [Color tone] and [Color
saturation] switch to [Filter effect] and [Toning effect] (this page).
Adjusting Monochrome
When the Picture Style (p.42) is set to [Monochrome], you can create
monochrome photographs with effects similar to filtering, or with a look
of monotone color photograph.
Select [Monochrome] in the [Picture Style] list box.
1
2
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Color tone: Move the slider to the right to make tones
more yellowish, and to the left to make tones
more reddish.
Color saturation:Adjusts the overall color intensity for the
image. Move the slider to the right for more
intense colors, and to the left for less intense
colors.
Specifying
Preferences
8
Reference/
Index
47
Page 49
Introduction
To emphasize the filter effect, set the [Contrast] slider to the right.
Increase the [Contrast] to emphasize the filter effect
Adjusting Dynamic Range
Move to the left or rignt
Input white points
Move downwards
Output white points
Move upwards
Output black points
Move to the left or right
Mid (medium tone) point
You can also adjust
the dynamic range by
entering values
Move to the left or right
Input black points
COPY
Filter effect:Creates a monochrome photograph where the white of
clouds and the green of trees are emphasized.
Filter Example of effect
None General monochrome image without filter effect.
Yellow
Orange
Red
Green
Toning effect: Creates a monochrome photograph to which a single
Blue sky is reproduced more naturally and white
clouds emerge clearly.
Blue sky becomes somewhat darker. The
brightness of the setting sun increases further.
Blue sky becomes quite dark. Autumn leaves
become clear and bright.
Human skin tones and lips become softer. The
green leaves of trees become clear and bright.
color has been added.
You can choose from [None], [Sepia], [Blue], [Purple]
and [Green].
Advanced
Dynamic range (width of gradation expression) from dark points to bright
points in an image can be adjusted.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
The horizontal axis shows the input level and the vertical axis
shows the output level.
Checkmark the [Move with mid-point] checkbox to link the mid-
point to your adjustments to the input white points and input black
points.
Specifying
Preferences
8
Reference/
Index
48
Page 50
In order to give the image desirable gradations and luminance,
Use [Linear] when you adjust images using image editing software that
has advanced editing functions. Note that when [Linear] is
checkmarked, the image becomes dim.
[Linear] - A function for advanced adjustment
[Contrast], [Highlight], [Shadow], and [Auto Lighting Optimizer]
(p.50) will not function when [Linear] is checkmarked.
Adjusting Gradation and Luminance Automatically
An image may look unnatural after automatic adjustment. In such a
case, reduce the degree of shadow and highlight adjustment.
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automatic adjustments are applied for an appropriate dynamic range.
Click the [Auto] button.
White points, midpoint, and black points in the [Gamma
adjustment] panel as well as [Highlight] and [Shadow] in the
[Advanced] panel are adjusted automatically.
Settings that are reset and t hose that are not with this adju stment
are as follows.
Settings that are reset
・Auto Lighting Optimizer
・[Contrast] in the [Advanced] panel
Settings that are not reset
・Brightness adjustment
・White balance adjustment
・Linear*
* White points and black points are automatically adjusted.
Introduction
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1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
In order to give the image desirable gradations and luminance,
the dynamic range is automatically adjusted.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Introduction
Using the Auto Lighting Optimizer
Checkmark
Select from three
levels: Low/Standard/
Strong
When [Highlight tone priority] is set to [Enable] on the camera, the
Auto Lighting Optimizer cannot be used for RAW images.
You cannot use the Auto Lighting Optimizer with multiple-
exposure RAW images created on the camera.
When you apply Auto Lighting Optimizer to the RAW and JPEG
images shot simultaneously, the correction results of the two
images may differ.
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If the shooting result is dark or the contrast is low, you can use the Auto
Lighting Optimizer function to auto-correct the brightness and contrast,
and obtain a more favorable image.
You can also change the setting of the image shot with the camera’s
Auto Lighting Optimizer function.
This function also can be used for JPEG/TIFF images in addition to
RAW images.
* ALO stands for Auto Lighting Optimizer.
Checkmark the [Auto Lighting Optimizer] checkbox.
1
For the image shot with the camera’s Auto Lighting Optimizer
function, the checkbox is already checked.
Change the setting according to your preferences.
2
Auto correction is applied to the image to match the setting.
For the image shot with the camera’s Auto Lighting Optimizer
function, the setting at the time of shooting is applied as the
default value.
To cancel the Auto Lighting Optimizer, remove the check mark
from the checkbox.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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You can make the overall atmosphere of an image sharper or softer.
Adjusting Image Sharpness
Reverts the image to
the original settings
Drag the slider left or right
Enter a setting (in 0.1stop increments)
Select [Sharpness]
The adjustment range is 0 to 10.
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Adjustment can be made by selecting from two modes, [Sharpness] and
[Unsharp mask].
[Sharpness]: Controls the sharpness of an image by adjusting the
level of emphasis for the outline of the image. The
further to the right the [Sharpness] slider is moved (the
larger the setting value), the more the edges are
emphasized for a sharper image.
[Unsharp mask]: Adjusts the image’s sharpness more finely.
[Strength]: Shows the level of emphasis for the outline of the
image. The further to the right the slider is moved (the
larger the setting value), the more the image’s edges
are emphasized for a sharper image.
[Fineness]: Shows the fineness of the emphasized outline. The
further to the left the slider is moved (the smaller the
setting), the more fine detail can be emphasized.
[Threshold]: Sets “how much contrast difference there should be
compared to surroundings before emphasizing
edges”.
Select [Sharpness] from the list box and adjust the
setting.
Introduction
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1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Detailed Setting of Image Sharpness
Drag the slider left
or right
Select [Unsharp mask]
Enter a setting (in
0.1-stop increments)
Adjust image sharpness with the window view set to [400%], [200%]
or [100%]. If the view is set to [Fit to window] (full view), you may not
be able to correctly check the adjustment results.
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Introduction
Select [Unsharp mask] from the list box and adjust
the setting.
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Images
2
Sorting
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3
Editing
Images
4
Printing
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5
Processing
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6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
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Index
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Adjusting Brightness and Contrast
Drag the sliders left or
right
Enter a setting (in 0.1stop increments)
Reverts the image to
the original settings
JPEG/TIFF
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Editing with the Tone Adjustment Tool Palette
With the Tone Adjustment tool palette, you can adjust images with the
same functions as general image editing software.
The brightness and contrast of an image can be adjusted. Since the
Select an image in the main window, etc.
1
Display the Tone Adjustment tool palette.
2
adjustment range is broader than the same functions in the Basic
Adjustment tool palette, the image color may be saturated, or the image
quality may deteriorate if you adjust too much. Be especially careful
when adjusting.
Introduction
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Brightness: Move the slider to the right to make an image
The adjustment range is –100 to +100 (in 0.1-stop increments when
entering a value).
Adjusting Color Tone Using Click White Balance
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brighter and to the left to make an image darker.
Contrast: Used to adjust modulation and degree of contrast
of color. Move the slider to the right to make
contrast of an image stronger and to the left to
make contrast weaker.
You can adjust white balance using a selected part of an image as the
standard for white to make the image appear natural. Using click white
balance is effective when using it in part s of an imag e where white color
tone has changed under the influence of a light source.
Introduction
Contents
Downloading
Images
1
Click the [ ] button.
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
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Index
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Page 56
Click on a point that is to be the standard for white.
The coordinates of the cursor position and
the RGB values (8-bit conversion)
Click
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white area.
When there are no white areas in your image
The histogram display changes according to adjustment. You can
also display the histogram before making any adjustments.
Adjusting Tone Curve
Advanced
COPY
2
You can adjust the brightness, contrast and color of a specific area by
changing the tone curve (p.117).
Select the tone curve mode and interpolation
1
method.
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3
Editing
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4
Printing
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5
The color of the image is adjusted with the point you selected as
the standard for white.
If you click on another point in the image, the white balance is
adjusted again.
To finish click white balance, click the [ ] button again.
Processing
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6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
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Index
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Introduction
You can display preand post-adjustment
histograms
RGB: Adjusts RGB
in a batch
R, G, B: Adjusts
each channel
Coordinates of [ ]
(when several
coordinates are set,
coordinates of lastset [ ])
Makes medium tones brighter Makes medium tones darker
Makes tones sharper Makes tones softer
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Make adjustments.
2
The horizontal axis shows the input level and the vertical axis
shows the output level.
The maximum number of [ ] is 8.
To delete a [ ], dou ble -click on the [ ].
Example of a Tone Curve Operation
Contents
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1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Dynamic range (width of gradation expression) from dark points to bright
Adjusting Dynamic Range
Advanced
Move to the
left
Input
white
points
Reverts the
image to the
original
settings
Move to the
right
Input black
points
Output
white point
numerical
value
Move downwards
Output white points
Output black
point numerical
value
Move upwards
Output black points
Input black
point numerical
value
Input
white
point numerical
value
Using the Auto Lighting Optimizer
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points in an image can be adjusted.
The setting range of black point s is 0 to 247 (in 1-stop in crements
when entering a value).
The setting range of white point s is 8 to 255 (in 1- stop increment s
when entering a value).
You can display pre- and post-editing histograms (p.56).
For information on using the Auto Lighting Optimizer, see “Using the
Auto Lighting Optimizer” (p.50) in “Editing with the Basic Adjustment
Tool Palette”.
Introduction
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2
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3
Editing
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4
Printing
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5
The horizontal axis shows the input level and the vertical axis shows
the output level.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
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Specifying
Preferences
8
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Index
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Editing with the Color Adjustment Tool Palette
Advanced
Revert all adjustments to
the original settings
Drag the sliders left
or right
Enter the values to set
Revert color gamut
adjustments to the
original settings
The adjustment ranges are as follows:
H: –20 to +20
S: –10 to +10
L: –10 to +10
JPEG/TIFF
COPY
Editing with the Color Adjustment Tool Palette
With the Color Adjustment tool palette, you can adjust the hue,
saturation and luminance in a specific color gamut for 8 color gamuts
(red, orange, yellow, green, aqua, blue, purple and magenta). You can
also adjust the hue and saturation for the entire image.
Introduction
Contents
Select an image in the main window, etc.
1
Display the Color Adjustment tool palette.
2
Adjusting a specific color gamut
Use the sliders to make adjustments. You can also make adjustments
by directly entering a numeric value.
H: Adjusts the hue.
S: Adjusts the saturation.
L: Adjusts the luminosity.
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2
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Images
3
Editing
Images
4
Printing
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5
Processing
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6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
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Index
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Adjusting hue and saturation for an entire
Revert all adjustments
to the original settings
Drag the sliders left or
right
Enter the values to set
The adjustment range for hue is –30 to +30; and for saturation is 0
to 200.
COPY
Introduction
image
Use the sliders to make adjustments. You can also make adjustments
by directly entering a numeric value.
Hue: Move the slider to the right to make color tones more
yellowish, and to the left to make color tones more reddish.
Saturation:Adjusts the overall color intensity for the image. Move the
slider to the right for more intense colors, and to the lef t for
less intense colors.
Contents
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Reducing Noise
Enlargement
display
position
Check window
Drag the sliders
Enter a setting (in 0.1-
stop increments)
JPEG/TIFF
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Editing with the Detailed Adjustment Tool Palette
You can use the Detailed Adjustment tool palette to reduce the noise
that occurs in images shot at night or at high ISO settings. This tool
palette can also be used in conjunction with the sharpness adjustment
functions. Note that you can use the functions in this tool palette with
JPEG and TIFF images as well as RAW images.
Select an image in the main window, etc.
1
Display the Detailed Adjustment tool palette.
You can reduce noise that arises in images shot at night or with a high
ISO speed.
* NR stands for Noise Reduction.
Adjust an image.
2
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2
Sorting
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3
Editing
Images
4
Printing
Images
5
You can set a noise reduction level from within a range of 0 to 20.
The larger the setting, the larger the noise reduction effect.
The noise reduction effect can also be checked in the check
window.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Introduction
You can set the same noise reduction level for several images by first
selecting multiple images in the main window, and then adjusting the
noise reduction level using the [Reduce luminance noise] and [Reduce
chrominance noise] sliders.
Setting the same noise reduction level for several images
If [Reduce luminance noise] is set, resolution may be reduced
along with reduction of noise.
If [Reduce chrominance noise] is set, color bleeding may occur
along with reduction of noise.
Adjusting Image Sharpness
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You can also use this palette to adjust the image sharpness. For
information on making adjustments, see “Adjusting Image Sharpness” in
“Editing with the Basic Adjustment Tool Palette” (p.51).
Contents
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Trimming/angle adjustment window
Use the mouse (click /) to adjust the angle or directly enter
the adjustment angle (0.01-degree increments; adjustable
range: –45 to +45 degrees)
Drag (0.01-degree increments; adjustment range: –45 to +45
degrees)
Largest possible
trimming range
Cancel
Select a trimming ratio
Drag the trimming
range
When aspect ratio information is attached to an image, the
displayed trimming range is based on the aspect ratio information.
JPEG/TIFF
COPY
Editing with the Trimming/Angle Adjustment Tool Palette
Introduction
You can crop only the part of an image you need, or change the
composition of an image where an image shot horizontally becomes
vertical. You can also adjust the angle of an image before cropping.
Select the image to be cropped.
1
Display the Trimming/Angle Adjustment tool palette.
2
You cannot make adjustments with the Trimming/Angle
Adjustment tool palette in a window that only shows thumbnails.
Adjust the angle of the image as needed.
3
If you click [Center on Screen], you can display the trimming
range in the center of the window.
When correcting lens aberrations, it is recommended to perform
lens aberration correction before adjusting the angle of the
image.
If you have only adjusted the angle of the image, the image will
be cropped at the largest possible trimming range.
Select a ratio and drag the trimming range.
4
The trimming range can be moved by dragging.
You can enlarge or reduce the size of the trimming range by
dragging the four corners of the trimming range.
Contents
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Introduction
[Free]: You can crop an image to any size, regardless of
the selectable ratio.
[Custom]:You can crop an image at the specified ratio.
COPY
List of aspect ratios (width : height)
Return to the main window.
5
The trimming range frame is displayed in the cropped image.
(p.116)
When the cropped image is displayed in a preview window or the
edit image window, it is displayed in its cropped form.
Cropped images
The trimmed range can be reverted to its original condition at
any time
A cropped image is displayed or printed as a cropped image.
However, since the image is not actually cropped, you can always
revert to the original image by clicking the [ ] button in the
trimming/angle adjustment window or performing the “Re-Editing an
Image” procedure (p.82).
Display of the cropped image in each window
• Main window: The frame showing the trimming range is
displayed on the image (p.116).
• Preview window: The image is displayed in its cropped condition.
• Edit image window: The thumbnail image is the same as the main
window display, and the enlarged image is the
same as the preview window display.
Printing a cropped image
You can print as a cropped image by printing it in DPP.
The image becomes a cropped image when converted and saved
The cropped RAW image actually becomes a cropped image when
converted to a JPEG or TIFF image and saved (p.80).
Images that have aspect ratio set will be displayed as cropped
images
When aspect ratio information is attached to a RAW image, the ima ge
will be displayed in the set trimming range based on the aspect ratio
information. Since the image is not actually cropped, you can change
the trimming range or revert to its condition before cropping.
However , when a JPEG image is shot in a [4:3], [16:9] or [1:1] aspect
ratio set with the EOS 5D Mark III or EOS 6D, its trimming range
cannot be changed or the image cannot be reverted to its condition
before cropping, since the image is actually cropped and saved in the
set trimming ratio.*
When reverting to the trimming range that is based on the aspect ratio
information at the time of shooting, click the [ ] button. Also, if
you want to cancel all the trimming range, click the [Clear] button.
Contents
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1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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* When shooting with EOS 5D Mark III and [Add cropping information]
For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view the image in detail in the
trimming/angle adjustment window.
COPY
is set in Custom Functions, aspect ratio information is only set and
the image is not actually cropped, even for JPEG images.
Operate using the menu
Each operation can also be performed with the menu which appears
by clicking on the image while holding down the <control> key.
Apply the trimmed range to another image
You can apply the trimmed range to another image by clicking the
[Copy] button to copy the trimmed range, displaying another image
and then clicking the [Paste] button.
To batch apply a copied trimming range to multiple images, select the
cropped image in the main window together with the images to which
you want to apply the trimming range and then display the Trimming/
Angle Adjustment tool palette. With the cropped image displayed,
click the [Copy] button and then click the [Paste] button. This will
apply the trimming range to all the images selected when the
trimming/angle adjustment window is displayed.
To select multiple images in the main window, click the images while
holding down the < > key. To select multiple consecutive images,
click on the first image, and then click on the last image while holding
down the <shift> key.
Introduction
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Editing with the Lens Correction Tool Palette
Correcting Lens Aberration
Compatible Lenses
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With the Lens Correction tool palette, you can use the lens aberration
correction functions and the Digital Lens Optimizer to correct lens
aberration in your images and to improve their resolution. This tool
palette can also be used in conjunction with the sharpness adjustment
functions. Note that the lens aberration correction functions and the
Digital Lens Optimizer can only be used with RAW images.
Select an image in the main window, etc.
1
Display the Lens Correction tool palette.
You can easily make corrections to drops in peripheral illumination,
distortions in the subject, and color blur which occur by the physical
characteristics of the lens or slightly remaining aberration.
Note that you can only correct aberration in RAW images which have
been shot with the following “Compatible Lenses”. JPEG or TIFF images
cannot be corrected.
2
Fisheye, ultra wide, and wide angle lenses
EF 14mm f/2.8L USM EF 14mm f/2.8L II USM
EF 8-15mm f/4L USM Fisheye EF 15mm f/2.8 Fisheye
EF 20mm f/2.8 USM EF 24mm f/1.4L USM
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3
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Images
4
EF 24mm f/1.4L II USM EF 24mm f/2.8
EF 24mm f/2.8 IS USM EF 28mm f/1.8 USM
EF 28mm f/2.8 EF 28mm f/2.8 IS USM
EF 35mm f/1.4L USM EF 35mm f/2
EF 35mm f/2 IS USM
Standard and medium telephoto lenses
EF 40mm f/2.8 STM EF 50mm f/1.2L USM
EF 50mm f/1.4 USM EF 50mm f/1.8
EF 50mm f/1.8 II EF 85mm f/1.2L USM
EF 85mm f/1.2L II USM EF 85mm f/1.8 USM
EF 100mm f/2 USM
_
_
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Introduction
You can also correct RAW images taken with the comp atible lens
even when the extender is attached.
You can also correct RAW images shot with EF 50mm f/2.5
Compact Macro fitted with Life Size Converter EF.
The aberration correction function is not available for images sho t
with a lens other than those given under “Compatible Lenses”.
They are therefore not displayed and cannot be used.
The lens aberration correction function is not available for
multiple-exposure RAW images created on the camera.
EF cinema lenses (CN-E lenses) are not compatible.
COPY
Telephoto lenses
EF 135mm f/2L USM
EF 200mm f/2L IS USM EF 200mm f/2.8L USM
EF 200mm f/2.8L II USM EF 300mm f/2.8L IS II USM
EF 300mm f/2.8L IS USM EF 300mm f/4L IS USM
EF 400mm f/2.8L IS USM EF 400mm f/2.8L IS II USM
EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM
EF 500mm f/4L IS USM EF 500mm f/4L IS II USM
EF 600mm f/4L IS USM EF 600mm f/4L IS II USM
EF 800mm f/5.6L IS USM
Zoom lenses
EF 16-35mm f/2.8L USM EF 16-35mm f/2.8L II USM
EF 17-35mm f/2.8L USM EF 17-40mm f/4L USM
EF 20-35mm f/3.5-4.5 USM EF 24-70mm f/2.8L USM
EF 24-70mm f/2.8L II USM EF 24-70mm f/4L IS USM
EF 24-85mm f/3.5-4.5 USM EF 24-105mm f/4L IS USM
EF 28-70mm f/2.8L USM EF 28-90mm f/4-5.6 USM
EF 28-90mm f/4-5.6 II USM EF 28-90mm f/4-5.6
EF 135mm f/2.8
(with Softfocus mechanism)
_
EF 70-300mm f/4-5.6L IS USM
EF 75-300mm f/4-5.6 II EF 75-300mm f/4-5.6 III
EF 75-300mm f/4-5.6 USM EF 75-300mm f/4-5.6 II USM
EF 75-300mm f/4-5.6 III USM EF 90-300mm f/4.5-5.6
EF 90-300mm f/4.5-5.6 USM EF 100-300mm f/4.5-5.6 USM
EF 100-400mm f/4.5-5.6L IS USM
Macro lenses
EF 50mm f/2.5 Compact Macro EF 100mm f/2.8 Macro USM
EF 100mm f/2.8L Macro IS USM
MP-E 65mm f/2.8 1-5x Macro
Photo
EF 70-300mm f/4.5-5.6 DO IS USM
EF 200-400mm f/4L IS USM
EF 180mm f/3.5L Macro USM
_
Contents
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
EF 28-90mm f/4-5.6 II EF 28-90mm f/4-5.6 III
EF 28-105mm f/3.5-4.5 USM EF 28-105mm f/3.5-4.5 II USM
EF 28-105mm f/4-5.6 USM EF 28-105mm f/4-5.6
EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6
EF 28-200mm f/3.5-5.6 USM EF 28-300mm f/3.5-5.6L IS USM
EF 55-200mm f/4.5-5.6 II USM EF 55-200mm f/4-5.6 USM
EF 70-200mm f/2.8L USM EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L IS II USM EF 70-200mm f/4L USM
EF 70-200mm f/4L IS USM EF 70-300mm f/4-5.6 IS USM
Specifying
Preferences
8
Reference/
Index
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You can make corrections to any of the four aberrations as below, either
Making Corrections
Enlargement display section
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one at a time or simultaneously.
Peripheral illumination
Chromatic aberration (color fringing which occurs in the periphery of
an image)
Color blur (blue or red color blur which sometimes occurs at the edge
of the highlighted area of an image)
Distortions
Select an image in the main window.
1
Display the Lens Correction tool palette and
2
checkmark the items to be corrected.
Check the results of corrections to peripheral illumination or
distortions in the full view.
Check the results of corrections to chroma tic aberration and color
blur by clicking the area on the image you want to check and
then checking the enlargement display section in the top of the
window. You can choose from 4 display scales between 1:1 and
1:4 for the enlargement display.
You can lessen the degree of correction by moving the slider to
the left.
You can respectively correct red chromatic aberration with the [R]
slider of the [Chromatic aberration] or blue chromatic aberration
with the [B] slider.
To correct distortion aberration of images shot with a fisheye lens
–15mm f/4L USM Fisheye or EF 15mm f/2.8 Fisheye), four
(EF 8
effects can be selected from the [Effect] list box in addition to
[Shot settings] normally used for distortion correction.
The level of an effect can be adjusted with the adjustment slider
located below [Distortion].
For detailed information on each effect, see “Ef fect s of Distortion
Aberration Correction for Fisheye Lenses” (p.68).
For images shot with EF 8
slider is also displayed when you select [Emphasize Linearity]
from the [Effect] list box.
Adjust the amount of correction for distortion aberration with the
adjustment slider , and then adjust with the fine-tune slider if more
adjustment is required.
When the list box for selecting an extender is displayed, select
the extender attached at the time of shooting from the list box.
–15mm f/4L USM Fisheye, a fine-tune
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
The image is corrected and redisplayed.
In the main window, the [ ] mark is displayed on the image to
indicate that the lens aberration correction is applied (p.116).
Specifying
Preferences
8
Reference/
Index
67
Page 69
Introduction
COPY
Effects of Distortion Correction for Fisheye
Lenses
Shot settings
By selecting this option, only the aberration corrections will be
performed to correct the optical distortions.
Emphasize Linearity
This converts the image to a “central projection” style image. This
projection method is employed for general lenses.
Since central projection displays straight lines as straight lines, a
wide-view panoramic image can be obtained by selecting this option.
However, the periphery is stretched, resultin g in decreased resolu tion.
Emphasize Distance
This converts the image to an “equidistant projection” style image.
This projection method preserves distance relationships.
Equidistant projection displays a distance in the same distance
anywhere from the center to the periphery. In particular, when
shooting a celestial body such as the celestial sphere, same heights
above the horizon(declination) are captured at the same heights. This
method is therefore used in such photography as celestial
photography (star maps, solar path diagrams, etc.).
Emphasize Periphery
This converts the image to a “stereographic projection” style image.
This projection method emphasizes the periphery.
Stereographic projection allows position relationships on a spherical
surface, such as N, S, E, W on a map, to be displayed correctly. It is
therefore used for world maps and monitoring cameras.
By selecting this option, the periphery is stretched and may result in
decreased resolution.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
68
Page 70
Emphasize Center
When selecting any of the options, [Emphasize Linearity],
[Emphasize Distance], [Emphasize Periphery], or [Emphasize
Center], it will yield results similar to that of the selected projection
method. However, the conversion does not really app ly a chang e of
projection method in a strict sense.
Accordingly, be aware that they are not suited for scientific or other
such purposes.
Shooting Distance Information Slider
COPY
This converts the image to an “orthographic projection” style image.
With this projection method, the center is more emphasized.
Since an orthogonal projection allows a subject of the same
brightness to be displayed as occupying the same area in the image,
this method has typical uses in photography for celestial luminance
distributions and center-emphasized animal photography. By
selecting this option, the center is stretched and may result in
decreased resolution.
When correcting RA W images and if shooting distan ce information has
been saved to the image, the slider is set automatically according to
this shooting distance information. However, if no shooting distance
information is saved to the image, the slider is set automatically to the
right end at infinity position and a [<!>] appears above the slider.
If the image’s shooting distance is not in finite, you can minutely adjust
the distance by operating the slider while looking at the screen.
For RA W images shot with MP-E 65mm f/2.8 1-5x Macro Photo or EF
50mm f/2.5 Compact Macro with Life Size Converter EF, the slider
indicator changes to [Magnification factor].
The [Shooting distance information] slider is applied to all the
correction items with check marks.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
69
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Introduction
Correcting Multiple Images at a Time
The periphery of the image may be truncated when [Distortion]
correction is made.
Digital Lens Optimizer
Compatible Lenses
COPY
You can apply the same corrections to several images by first selecting
multiple images in the main window, and then performing correction
procedures (p.67).
Also, you can apply same corrections by copying the recipe of the
corrected image and pasting it onto the multiple images (p.84).
Additional information
Some noise appeared in the periphery of an image after
correcting [Peripheral illumination]
You can reduce the noise by using luminance and/or chromatic noise
reduction of the noise reduction function (p.60). However, if you had
applied high amount of [Peripheral illumination] correction to the
images that have been shot at night or with a high ISO speed, the
noise might not be reduced.
The image appears with less resolution after correcting
[Distortion]
You can make the image similar to the one before correction by
applying more sharpness with the sharpness adjusting function
(p.61).
The colors of the image became weaker after correcting [Color
blur]
You can make the image similar to the one before correction by
adjusting the color tone (p.47) and/or the color saturation (p.59) to
make the color deeper.
The result of [Color blur] correction cannot be detected
[Color blur] correction is effective for correcting blue or red color blur
which occurs at the edge of the highlighted area of an image. If
conditions do not match, correction cannot be made.
This function enables the resolution of images to be increased by
removing any remaining aberration related to image-forming capability
or any deterioration of resolution resulting from diffraction phenomena.
These optical phenomena cannot be corrected under Lens aberration
correction (p.65). Correction is achieved using the designed value of
each lens. The images that can be corrected are RAW images shot
using any of the following “Compatible Lenses”. JPEG, TIFF, S-RAW,
and M-RAW images cannot be corrected. To use this function, [Lens
data] for the lens used to shoot images first needs to be downloaded to
your computer. Before using the Digital Lens Optimizer, it is
recommended that you set [Sharpness] or [S trength] for [Unsharp mask]
for images to 0.
Wide angle lenses
EF 14mm f/2.8L USM EF 14mm f/2.8L II USM
EF 20mm f/2.8 USM EF 24mm f/1.4L II USM
EF 24mm f/1.4L USM EF 24mm f/2.8 IS USM
EF 28mm f/1.8 USM EF 28mm f/2.8 IS USM
EF 35mm f/1.4L USM EF 35mm f/2 IS USM
Standard and medium telephoto lenses
EF 40mm f/2.8 STM EF 50mm f/1.4 USM
EF 50mm f/1.2L USM EF 85mm f/1.2L USM
EF 85mm f/1.2L II USM EF 85mm f/1.8 USM
EF 100mm f/2 USM
_
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
70
Page 72
Telephoto lenses
The Digital Lens Optimizer is also available for images shot with
an extender attached to a compatible lens.
You cannot use the Digital Lens Optimizer with multiple-exposure
RAW images created on the camera.
EF cinema lenses (CN-E lenses) are not compatible.
Using the Digital Lens Optimizer
COPY
EF 135mm f/2L USM EF 200mm f/2L IS USM
Introduction
Contents
EF 200mm f/2.8L USM EF 200mm f/2.8L II USM
EF 300mm f/2.8L IS II USM EF 300mm f/4L IS USM
EF 400mm f/2.8L IS II USM EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM EF 500mm f/4L IS II USM
EF 600mm f/4L IS II USM
Zoom lenses
EF 16-35mm f/2.8L USM EF 16-35mm f/2.8L II USM
EF 17-40mm f/4L USM EF 24-70mm f/2.8L USM
EF 24-70mm f/2.8L II USM EF 24-70mm f/4L IS USM
EF 24-105mm f/4L IS USM EF 28-70mm f/2.8L USM
EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM
EF 28-200mm f/3.5-5.6 EF 28-300mm f/3.5-5.6L IS USM
EF 70-200mm f/2.8L USM EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L IS II USM EF 70-200mm f/4L USM
EF 70-200mm f/4L IS USM EF 70-300mm f/4-5.6L IS USM
EF 70-300mm f/4.5-5.6 DO IS USM
EF 100-400mm f/4.5-5.6L IS USM
EF 70-300mm f/4-5.6 IS USM
EF 200-400mm f/4L IS USM
_
Check the status of [Lens data] for [Digital Lens
1
Optimizer].
[Not Available] is displayed for an image shot with a non-
compatible camera or lens, or for a non-compatible image such
as a JPEG, TIFF, S-RAW, or M-RAW image. The function cannot
be used for these images.
If [No] is displayed, proceed to step 2. To use the function, you
need to download the lens data for the lens used when shooting
the image. It is recommended that you check the lens used when
shooting the image beforehand. The lens used can be checked
using the image information and shooting information displays.
If [Yes] is displayed, proceed to step 4.
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Macro lenses
EF 50mm f/2.5 Compact Macro EF 100mm f/2.8 Macro USM
EF 100mm f/2.8L Macro IS USM EF 180mm f/3.5L Macro USM
Specifying
Preferences
8
Reference/
Index
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Introduction
To use this function, an environment with Internet access
(subscription to a provider, browser software installed and an inplace line connection) is required.
An administrator-level privilege is required for this operation.
Before you click the [ ] button in step 2, Lens data [No] may
be displayed instead of [Not Available] for non-compatible images.
Depending on the type, current state, etc. of software running on
your computer, the download of the lens data may fail. If it occurs,
wait for a while then try downloading the data again.
COPY
Click the [ ] button.
2
The [Add or Remove lens data] window appears.
Checkmark the checkbox for the lens used to shoot
3
the image, and click the [Start] button.
The lens data is downloaded to your computer.
When the downloading of the lens data ends, the indication for
the lens data changes to [Yes].
You can download the data for up to 30 lenses at the same time.
If you remove the check mark from the checkbox for already-
downloaded lens names and click the [St art] button, the lens data
will be deleted from your computer.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
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Introduction
Reverts to its condition
before adjustment
Since the lens data downloaded with DPP version 3.x is not
compatible with DPP version 4.x, the lens data must be downloaded
again.
When applying the Digital Lens Optimizer, the effect of [Sharpness]
or [Unsharp mask] may become excessive. It is recommended that
you set [Sharpness] or [S trength] for [Unsharp mask] for images to 0
before using the Digital Lens Optimizer. Adjust [Sharpness] or
[Unsharp mask] again after applying the Digital Lens Optimizer to
images.
Adjusting Image Sharpness
COPY
Checkmark the [Digital Lens Optimizer] checkbox
4
and adjust the image.
Use the slider to adjust the Digital Lens Optimizer effect.
If no shooting distance information is saved to the image, the
shooting distance slider is set automatically to the right end at
infinity position and a [<!>] appears above the shooting distance
slider.
Images cannot be corrected for [Chromatic aberration] in the lens
aberration correction tool pallet if the Digital Lens Optimizer has
been applied.
In the main window, the [ ] mark is displayed on the image to
indicate that the Digital Lens Optimizer is applied (p.116).
You can also use this palette to adjust the image sharpness. For
information on making adjustments, see “Adjusting Image Sharpness” in
“Editing with the Basic Adjustment Tool Palette” (p.51).
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
73
Page 75
Performing Automatic Dust Erasure Processing
JPEG/TIFF
COPY
Editing with the Dust Delete/Copy Stamp Tool Palette
You can use this tool palette to erase dust and other marks in a shot
image and to correct an image by copying part of the image and p asting
it onto an unnecessary part of the image.
Note that you can use the functions in this tool palette with JPEG and
TIFF images as well as RAW images.
Dust Delete/Copy Stamp Tool Palette
The Dust Delete Data that is appended to images can be used to
automatically erase dust spots.
Select an image with dust delete data att ached in the
1
main window, etc.
Display the Dust Delete/Copy Stamp tool palette.
2
You cannot make adjustments with the Dust Delete/Copy Stamp
tool palette in a window that only shows thumbnails.
When the image has redrawn itself, click the [Apply
3
Dust Delete Data] button.
Introduction
Contents
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Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Dust spots are erased in a single operation.
Return to the main window.
4
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
74
Page 76
Introduction
The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [ ] button in
the Dust Delete/Copy St amp tool palette or performing the “Re-Editing
an Image” procedure (p.82).
Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
To erase dust spots that cannot be erased with the automatic
dust erasure processing
In automatic dust erasure processing, dust spots are erased based on
information relating to dust saved in the Dust Delete Data. However,
there may be cases where you will not be able to erase dust spots
depending on the type of dust. If this occurs, erase those dust spots
using the repair function (p.76) or the copy stamp function (p.78).
The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.80).
Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results an d
clicking the [Paste] button.
Additional information
Automatic Dust Erasure Processing in the Main Window
COPY
In the main window, you can also automatically erase dust spots in
multiple images appended with Dust Delete Data.
Select multiple images appended with Dust Delete
Data, and then select the [Adjustment] menu
[Apply Dust Delete Data].
Dust spots in all the selected images are erased in a single
operation.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
75
Page 77
You can erase dust spots in an image by selecting them one by one.
Manually Erasing Dust (Repair Function)
Click
Click
COPY
Place the dust spot to be erased within the [ ] and
5
click.
Introduction
Contents
In the main window, select the image from which you
1
want to erase dust spots.
Display the Dust Delete/Copy Stamp tool palette.
2
Click the point from where dust is to be erased.
3
The display changes to 100% view.
The display position can be changed by dragging.
The dust spot within the [ ] is erased.
Click on another part of the image to co ntinue erasing dust spot s
within the displayed image.
To erase dust in another part of the image, click the button clicked
in step 4 again to cancel dust erasure processing and perform the
operation again from step 3.
When the dust spot cannot be erased, [ ] is displayed.
Return to the main window.
6
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Click the button that matches the dust spot to be
4
erased.
If the dust spot is dark in color, click the [ ] button,
and if the dust spot is light in color, click the [ ]
button.
When you move the cursor over the image, the dust erasure
range is indicated with [ ].
Specifying
Preferences
8
Reference/
Index
76
Page 78
Additional information
For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view dust spots in the copy stamp
window, so using this function is not recommended.
COPY
Click several times when dust spots are not erased completely
Where unwanted dust spots are not erased even after performing
step 5 once, they may be erased completely when you click several
times.
Mainly spots of dust can be erased with the repair function
Spots of dust can be erased with the repair function. You may be
unable to erase lines of dust. In this case, use the copy stamp
function (p.78).
The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [ ] button in
the Dust Delete/Copy St amp tool palette or performing the “Re-Editing
an Image” procedure (p.82).
Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.80).
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
77
Page 79
Introduction
Erasing Unwanted Parts of an Image (Copy Stamp Function)
COPY
You can correct an image by pasting a section copied from another part
of the image to an unwanted part of the image.
Follow steps 1 to 3 in “Manually Erasing Dust (Repair
1
Function)”
Specify the section to be copied.
2
Click on the section that is to be the copy source after clicking the
[Select Copy Source] button.
To change the section that is to be the copy source, perform the
operation above again.
To fix the position of the copy source, checkmark [Fix Copy
Source position].
Correct the image.
3
Click or drag on the part of the image you want to modify. [+] in
the window indicates the copy source and [ ] indicates the copy
destination.
The copied image is pasted in the position to which it was
dragged.
For [Pen type], you can select from [Brush] (the pasted image’s
borders simulate a brush) and [Pencil] (the pasted image’s
borders are sharp).
Return to the main window.
(p.76).
4
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
78
Page 80
Setting Work Color Space
COPY
A different work color space (p.111) from the default se ttings (p.118) can
be set for each image.
Display the Settings tool palette select the color
space to be set.
Settings tool palette
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
A color space set individually does not change even when the
default setting is changed
If you set an image with a color space different to the default setting and
then subsequently change the default color space setting (p.111), this
default setting will not be applied and the individually set color space will
remain.
The color space of a RAW image can be changed freely as
many times as required
Since only the image processing conditions information changes, the
color space of a RAW image can be changed at any time.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
79
Page 81
Saving Editing Contents to an Image
Saving as a separate image
JPEG/TIFF
COPY
Saving Editing Results
Introduction
All the contents adjusted with the tool palette (recipe) can be saved to
the image or saved as a separate image.
Select the [File] menu desired item.
Your adjustments are saved to the image.
To view, edit and print a RAW image with software other than DPP,
convert to a more versatile JPEG or TIFF image and save.
If a JPEG or TIFF image is saved as described below, the image can be
saved as a separate image with the adjustments (recipe) applied to it.
The image is saved as a separate image, so the original image remains
unaffected.
Select the image to be converted.
1
Select the [File] menu [Convert and save].
2
Contents
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1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
The [Convert and save] window appears.
Specifying
Preferences
8
Reference/
Index
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Page 82
Specify the necessary settings, and then click the
Click and save
Select the save
destination
Select an image
type
Enter a file name
DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.
Meaning that, between two different versions of DPP, processing results
may differ very slightly even if with the same RAW image data, or the
results of significant editing of RAW image data with an attached recipe
may be different.
When you want to save the developing or editing results of the version
you are currently using as it is, saving the image as a separate file (p.80)
is recommended.
T o save the developing/editing re sult s for the version you are
currently using
By saving as a separate JPEG or TIFF image as explained
above, some image deterioration that accompanies editing/saving
occurs as when editing with general image editing software.
By saving as explained above, a trimmed image (p.62) or dust-
erased image (p.74 to p.78) actually becomes a trimmed image
or dust-erased image.
COPY
3
[Save] button.
By default, the image is converted and saved to a JPEG image
with the highest image quality, without changing the image size.
Change the settings according to your requirements.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
The RAW image is converted to a JPEG or TIFF image which is
then saved as a new image in the specified save destination.
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
81
Page 83
JPEG/TIFF
COPY
Re-Editing an Image
Only the image processing conditions are changed in images adjusted
with the tool palette (p.39 to p.79), so the “original image data itself”
remains unaffected. (The trimming range or dust-erasure information of
a cropped image (p.62) or dust-erased image (p.74 to p.78) is simply
saved to the image.)
For this reason, you can undo any adjustments saved (p.80) to the
image, trimming range and dust-erasure information, and revert to the
condition when last saved, or when the image was shot.
Select the image that is to be re-edited.
1
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Select the [Adjustment] menu desired item.
2
The image reverts to the conditions of the selected item.
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
82
Page 84
Contents adjusted using the tool
palette can be handled
individually as a recipe file
(extension “.dr4”).
RAW image data
Image processing conditions information Image processing conditions information
JPEG, TIFF image data
A recipe file with contents that can only be adjusted in RAW
images are not reflected even if it is applied to a JPEG or TIFF
image.
Recipes are not compatible between DPP version 4.x and DPP
version 1.x to 3.x. Images with DPP version 1.x to 3.x recipe files
attached are displayed with the shot settings in DPP version 4.x.
Conversely , images with DPP version 4.x recipe files att ached are
displayed with the shot settings in DPP version 1.x to 3.x.
JPEG/TIFF
COPY
Utilizing Adjustment Contents (Recipe)
All the adjustment contents (recipe) made using the tool palette can be
saved as an individual recipe file (extension “.dr4”) and loaded and
applied to another image.
You can edit images efficiently by selecting and adjusting one image
from images shot with the same shooting environment and batch
applying the adjustment results to a large number of images.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
83
Page 85
Introduction
Copying a Recipe and Applying to Another Image
Saving a Recipe as a File
COPY
You can copy a recipe of an edited image and then apply it to another
image.
Select the image with the recipe you want to copy.
1
To copy all items of a recipe, select the [Edit] menu
2
[Copy recipe]. To select and copy some items of a
recipe, select the [Edit] menu [Copy selected
recipe].
The recipe is copied.
Select the image to which the recipe is to be applied
3
and then select the [Edit] menu [Paste recipe].
The recipe is applied to the image.
Select an edited image, and then select the [Edit]
1
menu [Save recipe in file].
The [Save recipe in file] dialog box appears.
To save all of a recipe, select the [Save all recipes] option in the
window displayed.
To select and save recipe settings, select the [Save selected
recipes] option in the window displayed and then click the
[Specify Recipe Details] button. In the window displayed,
checkmark the recipe settings to be saved and then click the
[OK] button.
Select the destination folder, enter a file name, and
2
then click the [Save] button.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
84
Page 86
Select the image to which a recipe is to be applied,
Loading and Applying Recipes
COPY
1
and then select the [Edit] menu [Read and paste
recipe from file].
The [Open] dialog box appears.
Introduction
Contents
Downloading
Images
1
Select a recipe and click the [Open] button.
2
The recipe is applied to the image.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
85
Page 87
Synchronization only applies to the enlargement display position
and the enlargement ratio. Adjustments to the images are not
synchronized.
JPEG/TIFF
COPY
Adjusting by Comparing Multiple Images
Introduction
You can synchronize the areas in different images to be displayed
among multiple preview windows, and adjust images while comparing
them.
In the preview window, display the multiple images
1
to be compared.
Align the images.
2
Select the [Window] menu [Arrange horizontally] or [Arrange
vertically].
The preview windows are aligned.
Select the [Preview] menu [Sync preview position]
3
and [Sync preview display size].
Enlarge the image.
4
Enlarge and display any of the preview windows.
Move the area to be displayed.
5
If you move the enlargement display area in one of the preview
windows, the enlargement display area will also change in all
other preview windows.
To cancel synchronization, select the [Preview] menu [Sync
preview position] and [Sync preview display size] again.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Other preview windows will also be displayed in the same
position/enlargement ratio.
Specifying
Preferences
8
Reference/
Index
86
Page 88
Editing Efficiently
Editing in the Edit Image Window
Click
Edit image window
Change the display magnification
Select the image to be edited
The selected image is displayed as an enlargement in the
middle of the window
COPY
The thumbnail display and the preview window are combined, and
images can be edited efficiently while quickly switching between images
to be edited. Select the images to be edited beforehand in the main
window.
Edit the image.
3
Introduction
Contents
Downloading
Images
1
In the main window, select the images you want to
1
edit.
Switch to the edit image window.
2
The main window switches to the edit image window.
For information on icons displayed on the frame of a thumbnail,
see “Image Frame Information in the Main Window and Edit
Image Window” (p.116).
The tool palettes, navigator palette, and histogram palette are
displayed and you can edit the image.
To revert to the condition before the last operation performed on
the tool palette, select [Undo] in the [Edit] menu or press < > +
<Z> keys.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
87
Page 89
Click the area you want to enlarge.
Click
With the edit image window, you can only select images from a
folder. To gather images from several folders for editing, see
“Gathering and Editing Images in the Collection Window” (p.89).
Changing the Thumbnail Display Position to Horizontal
COPY
4
The area you clicked is enlarged to 100% (actual pixel size).
To change the display area, drag on the image or drag the
enlargement display area (p.14) of the navigator palette.
Click again to revert to the full view ([Fit to window]).
To return to the main window, click the [ ] button on the
toolbar.
Select the [View] menu [Horizontal Thumbnails].
If you select [Vertical Thumbnails], the thumbnail display reverts
to the vertical position.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
88
Page 90
You can gather selected images together in Collection folders for
Gathering and Editing Images in the Collection Window
COPY
viewing, comparison and editing.
You can gather images from several folders as well as from a single
folder, allowing you to work with them efficiently.
Click [+ Add collection] in the [Collection] area in the
1
main window.
Select images or image folders in the main window.
3
Select the [File] menu [Add to collection].
The images are added to the selected collection folder, and the
number of selected images in the collection folder is displayed.
When an image set to single-image display (p.18) is added, the
number of images is indicated as two images.
You can also add images to a collection folder by selecting
images and folders and then selecting [Add to collection] from
the menu that appears when you holding down the <control> key.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
A new collection folder is created in the [Collection] area.
Enter a name for the collection folder.
To create additional collection folders, repeat the operation. Up to
20 folders can be created.
Select the [File] Menu [Select collection], and
2
select a collection folder to gather images from the
collection folder names displayed.
Select a collection folder in the [Collection] area.
4
Images in the selected folder are displayed.
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
89
Page 91
Introduction
Modifications to the image are applied to the original image
Modifications made to images in a collection folder are all applied to
the original image.
COPY
Check the displayed images.
5
Edit the images.
6
Edit the displayed images.
Displayed images are retained in the collection folders even after
quitting DPP.
To remove images from collection folders
Removing selected images
Select images in a collection folder, select images, and select
[Remove from collection] in the [File] menu. (You can also remove
images from a collection folder by selecting the images, holding down
the <control> key, and selecting [Remove from collection] from the
menu that appears.) Note that even if you remove an image from a
collection folder, the original image remains unaffected.
Removing all images
Select [Clear collection] in the [File] menu. Note that even if you
remove all images from a collection folder , the original images remain
unaffected.
Deleting a collection folder
Select a collection folder in the collection area, then select [Delete
collection] from the menu that appears while holding down the
<control> key. Note that if you delete a collection folder, the original
images remain unaffected.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
90
Page 92
Transferring a RAW Image to Photoshop
Compatible versions of Photoshop are 7.0 or later.
Transferred images are automatically converted to TIFF images
(16bit) to which an ICC profile (p.117) is added. The ICC profile
contains information about [Preferences] (p.111) or work color
space (p.79) set for each image as described and the appropriate
color information is relayed to Photoshop.
When you quit Photoshop, only the original RAW image remains,
and the transferred image will disappear. Saving the transferred
image as a separate image in Photoshop is recommended.
Advanced
COPY
A RAW image can be converted to a TIFF image (16bit) and t ransferred
to Adobe Photoshop.
Select the [Tools] menu [Transfer to Photoshop].
Photoshop starts up and the transferred image is displayed.
A single image can be transferred at a time
Introduction
Contents
Downloading
Images
1
Only one image can be transferred at a time. To send multiple images at
a time, see p.102.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
91
Page 93
Customizing the Main Window Toolbar
Advanced
COPY
You can display buttons for frequently-used functions in the main
window’s toolbar.
You can also change how the buttons are laid out.
Introduction
Contents
Select the [Tools] menu [Customize toolbar].
1
The [Configure Toolbar] window appears.
Select functions to display in the toolbar.
2
To rearrange buttons, select the function you want to change,
and then click the [Move Up] or [Move Down] button.
After specifying settings, click the [Close] button and close the
window.
The settings are applied to the main window’s toolbar.
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
92
Page 94
5
COPY
Printing Images
Introduction
Printing an Image .................................................... 94
Printing with Shooting Information........................... 95
Plug-in printing......................................................... 96
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
93
Page 95
Printing an Image
COPY
You can print images with a printer. As an example, the procedure to
print one image on one sheet of paper is described here.
Select the image to be printed.
1
Select the [File] menu [Print].
2
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
The printer’s print settings dialog box appears.
Print.
3
Specify the optimum settings for printing photographs in the
printer’s print settings dialog box and click the [print] button.
Printing begins.
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
94
Page 96
Printing with Shooting Information
Print preview
Switches the settings tab sheet
You can set printer profiles (p.111).
If CMYK simulation is set, the image is printed in the set colors .
COPY
Introduction
You can freely layout one image on one sheet of paper and print
together with titles and shooting information, etc.
Select one image to be printed.
1
Select the [File] menu [Print with detailed setting].
2
Specify the required settings for printing, and then
3
click the [Print] button.
To maintain the settings
The settings of each tab sheet in step 3 are memorized when the [Apply]
button is clicked (excluding the contents of the [Text] tab sheet). The
settings can be applied to another image when printing.
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
The image can be moved by dragging.
Drag the four corners of the image to change the size.
For the shooting information, click [ ] on the [Text] tab sheet
and select the necessary items in the window that appears.
Specifying
Preferences
8
Reference/
Index
95
Page 97
Plug-in printing
COPY
Select the [File] menu [Plug-in printing] Plug-In
1
for the printer you use.
The Plug-In starts up.
Introduction
Contents
Specify the required settings for printing
2
photographs and then print.
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
96
Page 98
6
COPY
Processing Large Numbers of RAW Images
Introduction
Batch Apply White Balance to Images (Personal White
Balance) .................................................................. 98
Registering Personal White Balance.......................... 98
Applying Personal White Balance .............................. 99
Batch Save as JPEG or TIFF Images (Batch
Processing)............................................................ 100
Batch Transfer Images to Image Editing Software.........
Batch Change the File Name of Images................ 103
Changing the File Name of Images in the Order in the
Main Window............................................................
102
103
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
97
Page 99
Batch Apply White Balance to Images (Personal White Balance)
Registering Personal White Balance
1 In step 3, click the [Save] button to write as a file.
2 Copy the file to another computer.
3 In DPP on another computer, display the window of step 3.
4 Click the [Load] button and in the window that appears, select the
copied file.
To use the registered personal white balance on another
computer
You cannot change or adjust white balance with multiple-exposure
RAW images created on the camera.
COPY
The white balance adjustments made to a RA W image shot in a sp ecific
shooting environment can be registered as personal white balance. You
can then perform efficient white balance adjustment by applying this
personal white balance to a large number of RAW images shot in the
same shooting environment.
Personal white balance data for DPP version 4.0 or earlier cannot be
applied.
Adjust the white balance (p.44, p.45).
1
To adjust white balance, select a setting other than [ ( )] from
the [White balance adjustment] list box (p.43). Registering the
adjustments is not possible if [ ( )] is selected.
In the Basic adjustment tool palette, click the
2
[Register] button.
The [Register personal white balance] dialog box appears.
Select the button number to be registered from the
3
list and click the [OK] button.
Introduction
Contents
Downloading
Images
1
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Reference/
Index
98
Page 100
In the main window, select the image to which a
Applying Personal White Balance
COPY
1
personal white balance is to be applied.
Select the [View] menu [Tool palette].
2
The tool palette appears.
Introduction
Contents
Downloading
Images
1
Click the personal white balance number button that
3
is to be applied.
Viewing
Images
2
Sorting
Images
3
Editing
Images
4
Printing
Images
5
Processing
Large Numbers
6
of RAW Images
Remote
Shooting
7
Specifying
Preferences
8
Personal white balance is applied to all the selected images.
Reference/
Index
99
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