Boss Digital Delay DD-500 User Manual

Owner’s Manual

5 High-precision 96 kHz 32-bit audio processing from input to output ensures high audio quality.

5 Easily visible delay time indication and an independent [TAP/CTL] switch provide sophisticated

functionality that’s easy to use in live performance.

5 A total of 12 dierent delay modes, including “VINTAGE DIGITAL” that models the SDE-3000 and

DD-2, as well as “ANALOG” and “TAPE.”

5 The memory function lets you store and recall 297 dierent setups from internal memory.

“CARRY OVER” provides seamless transition that preserves the reverberant sound when
switching between patches.

5 “Phrase Loop” function lets you layer new material in real time while recording and playing back.

This can be used simultaneously with delay.

5 By connecting the DD-500 via a USB cable or MIDI cables, you can switch sounds and control

parameters in synchronization with your computer DAW or an external MIDI device.

Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Installing the Batteries . . . . . . . . . . . . . . . . . . 2

Connecting the Equipment. . . . . . . . . . . . . . . 2

Turning the Power On . . . . . . . . . . . . . . . . . . 4

Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . 5

Adjusting the Delay . . . . . . . . . . . . . . . . . . . . 5

Turning Delay On/O . . . . . . . . . . . . . . . . . . . 6

Switching Banks/Patches . . . . . . . . . . . . . . . . 7

Using the [TAP/CTL] Switch to Control the Delay 8

Playing Phrase Loops . . . . . . . . . . . . . . . . . . . 9

Editing a Patch . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Saving a Patch . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Parameter List . . . . . . . . . . . . . . . . . . . . . . . . . . 12

PATC H . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

ASSIGN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

MIDI PC MAP . . . . . . . . . . . . . . . . . . . . . . . . . 18

Convenient Functions . . . . . . . . . . . . . . . . . . . . 19

Specifying Whether to Carry-Over the Delay

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Sound

Assigning the Functions of the [A], [B], and
[TAP/CTL] Switches

. . . . . . . . . . . . . . . . . . . . 19

Synchronizing with a DAW or External MIDI
Device

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Connection Example . . . . . . . . . . . . . . . . . . . 20

MIDI Messages That Can Be Transmitted and

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Received

MIDI Messages That Can Only Be Received . . . . 21

MIDI Routing . . . . . . . . . . . . . . . . . . . . . . . . . 21

Assigning a Function to an External Pedal. . . . . 22

Restoring the Factory Default Settings . . . . . . . 24

Transmitting Data to an External MIDI Device . . 24

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . 25

Main Specications . . . . . . . . . . . . . . . . . . . . . . 25

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . 26

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . 26

Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES”
(leaet “USING THE UNIT SAFELY” and Owner’s Manual (p. 26)). After reading, keep the
document(s) including those sections where it will be available for immediate reference.

© 2015 Roland Corporation

Getting Ready

Installing the Batteries

Install four alkaline batteries (AA, LR6) in the battery compartment located on the bottom of the
unit.

* When turning the unit over, be careful so as to protect the buttons and knobs from damage.

Also, handle the unit carefully; do not drop it.

* If you handle batteries improperly, you risk explosion and uid leakage. Make sure that you

carefully observe all of the items related to batteries that are listed in “USING THE UNIT SAFELY”
and “IMPORTANT NOTES” (separate sheet “USING THE UNIT SAFELY” and Owner’s manual (p. 26)).

* We recommend that you keep batteries installed in the unit even though you’ll be powering it

with the AC adaptor. That way, you’ll be able to continue a performance even if the cord of the
AC adaptor gets accidently disconnected from the unit.

* To prevent malfunctions or accidents, install or replace the batteries before connecting the unit

to other equipment.

* “BATTERY LOW” will appear on the display if the batteries are low. Replace them with new ones.

Attaching the Rubber Feet

You can attach the rubber feet (included) if necessary.
Attach them in the locations shown in the illustration.

Connecting the Equipment

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all

the units before making any connections.

* Be sure to minimize the volume of your amp before you connect or disconnect cables.

USB (O) port

Use a commercially available
USB 2.0 cable to connect this
port to your computer.

You can synchronize with a
DAW via MIDI.

2

MIDI IN, OUT connectors

Connect an external MIDI
device here.

You can synchronize with
an external MIDI device
via MIDI.

MIDI device

DC IN jack

Accepts connection of an AC Adaptor (PSA series; sold
separately). By using an AC Adaptor, you can play without
being concerned about how much battery power you have left.

* Use only the specied AC adaptor (PSA series; sold

separately), and connect it to an AC outlet of the correct
voltage. Do not use any other AC adaptor, since this may
cause malfunction.

* If the AC adaptor is connected while power is on, the power

supply is drawn from the AC adaptor.

Getting Ready

INPUT A/MONO, B jacks

Connect your electric guitar, or another
instrument or eect unit, to these jacks.

* Use the INPUT A/MONO jack and B jack

when connecting a stereo-output eects
unit. Use only the INPUT A/MONO jack if
you’re using a mono source.

* The INPUT A/MONO jack doubles as

the power switch. Power to the unit is
turned on when you plug into the INPUT
A/MONO jack; the power is
turned o when the cable is
unplugged.

CTL 1 ,2/EXP jack

You can control various parameters by connecting a footswitch (FS-5U, FS-5L, FS-6, FS-7: sold separately) or an expression pedal (such as
the Roland EV-5: sold separately) to the CTL 1, 2/EXP jack (p. 22).

When Connecting an FS-5U
(or FS-5L)

1/4” phone type ,1/4”
phone type

When connecting an FS-5L, set MODE to
“MOMENT” (p. 22).

OUTPUT A/MONO, B jacks

Connect these jacks to your amp or monitor speakers.
If you’re using a mono setup, use only the OUTPUT A/MONO jack.

* Do not connect headphones to the OUTPUT A/MONO, B jacks.

Doing so may damage the headphones.

When Connecting Two FS-5Us
(or FS-5Ls)

Stereo 1/4” phone type

,

1/4” phone type x 2

POLARITY switch

CTL 1 CTL 2 CTL 1

When Connecting an FS-6

Stereo 1/4” phone type

,

Stereo 1/4” phone type

CTL 2 CTL 1

MODE/POLARITY switch

When Connecting an FS-7

Stereo 1/4” phone type

,

1/4” phone type x 2

* Use only the specied

MODE/POLARITY switch

When connecting EV-5

expression pedal (EV-5; sold
separately). By connecting any
other expression pedals, you
risk causing malfunction and/
or damage to the unit.

EXP

3

Getting Ready

Turning the Power On

* Once everything is properly connected (p. 2), be sure to follow the procedure below to turn

on their power. If you turn on equipment in the wrong order, you risk causing malfunction or
equipment failure.

1. Insert a plug into the INPUT A/MONO jack.

The DD-500 power turns on.

2. Turn on the power of your guitar amp or other equipment.

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the

unit on is required before it will operate normally.

* Before turning the unit on/o, always be sure to turn the volume down. Even with the volume

turned down, you might hear some sound when switching the unit on/o. However, this is
normal and does not indicate a malfunction.

* When turning the power o, do so in the reverse order.

4

Basic Operation

Adjusting the Delay

[MODE] knob

Selects the type of delay.

STANDARD Clear digital delay.
TERA ECHO Spacious echo sound with movement, neither reverb nor delay.
SLOW ATTACK Delay with a suppressed attack as if the volume is being faded-in.
FILTER Delay with a swept lter added.
SHIMMER Delay with pitch-shifted sound mixed in.
SFX Delay with a sound-eect character.
REVERSE Produces an eect where the sound is played back in reverse.
PAT TERN Sixteen independently-settable delays.
DUAL A delay comprising two dierent delays connected either in series or in parallel.
VINTAGE DIGITAL Vintage digital delay with the warmth of an early unit.
TAPE Provides the characteristic wavering sound of the tape echo.
ANALOG Gives a mild analog delay sound.

[TONE] knob

Adjusts the tone of the eect’s sound.
The frequency response is at when

the knob is set to the center position;
turning it to the right boosts the higher
frequencies, and turning it to the left
cuts the higher frequencies.

[A] [B] switches

Switch banks/patches (p. 7).

[I] [H] buttons

Switch screens.

[H]

[I]

[H] [I]

Turn the [TIME/VALUE] knob to adjust
the value.

[TIME/VALUE] knob

Adjusts the delay time.
To make larger changes in the value,

turn the knob while pressing it.

Top screen

Delay timeDelay time

[H]

[I]

Tempo

[FEEDBACK] knob

Adjusts the feedback level (or how
much the sound is repeated).

* Oscillation may occur with certain

input sounds, or when the knob is
set at certain positions.

[E. LEVEL] knob

Adjusts the volume of the eect sound.

[MOD DEPTH] knob

Adjusts the modulation depth of the
delay sound.

[TAP/CTL] switch

You can easily set the delay
time to match the tempo
of the song being played
by pressing the pedal
in time with the song’s
tempo (Tap Input).

If you like, you can assign
this switch to a dierent
function (p. 8).

[H] [I]

Note length relative to the tempo

Delay time

5

Basic Operation

Turning Delay On/O

Patch A delay

Each time you press the [A] switch, the delay alternately turns on (lit blue) / o (unlit).

Patch B delay

Each time you press the [B] switch, the delay alternately turns on (lit blue) / o (unlit).

Blue: on Unlit: o

Press once

MEMO

You can also make settings so that patches A and B are used simultaneously (p. 19).

Patches and Banks

Settings for MODE, FEEDBACK, EFFECT LEVEL, TONE, MOD DEPTH, and TIME are collectively
called a “patch.” You can select patches using [A], [B], and [TAP/CTL] switches (p. 19). A
combination of patches A, B, and C is called a “bank.”

BANK 99

BANK 02

BANK 01

Patch 01A Patch 01B Patch 01C

* If you want to use the [TAP/CTL] switch to select patch C, refer to “Assigning the Functions of the [A], [B], and [TAP/CTL]

Switches” (p. 19).

Bank down

6

Bank up

Switching Banks/Patches

Basic Operation

1. Switch banks (01–99).

Bank up (press the [B] and [TAP/CTL] switches simultaneously)

Bank down (press the [A] and [B] switches simultaneously)

2. Press a blinking switch ([A] or [B]) to switch patches.

Blinking blue

MEMO

You can recall a dierent patch by turning the [TIME/VALUE]
knob while you hold down the [EXIT] button.

MEMO

You can use the following functions to switch patches/banks.

5 “Assigning the Functions of the [A], [B], and [TAP/CTL] Switches” (p. 19)

5 “Specifying Whether to Carry-Over the Delay Sound” (p. 19)

7

Basic Operation

Using the [TAP/CTL] Switch to Control the Delay

With the default settings, the [TAP/CTL] switch is used for tap input, but you can change this
setting to make the switch aect the delay in various ways.

1. Press the [EDIT] button.

2. Use the [

H

] [I] buttons to select “CONTROL” and then press the

[EDIT] button.

3. Use the [

H

] [I] buttons to select “TAP/CTL,” and use the [TIME/

VALUE] knob to assign a function.

Value Explanation

TAP Use the switch for tap input.

HOLD Repeats the delay sound while you hold down the switch.
WARP Simultaneously controls the delay sound’s feedback level and volume to produce a totally unreal delay.
TWIST A new type of delay that produces an aggressive, spinning sensation.
MOMENT Outputs the delay sound only while you hold down the switch.
ROLL 1/2 Cuts the delay time to 1/2 the setting only while you hold down the switch.

CTL

ROLL 1/4 Cuts the delay time to 1/4 the setting only while you hold down the switch.
ROLL 1/8 Cuts the delay time to 1/8 the setting only while you hold down the switch.

FADE IN Fades-in the delay sound.

FADE OUT Fades-out the delay out.

ASSIGN Select this if you’re using the ASSIGN 1–8 setting (p. 15).

4. Press the [EXIT] button to return to the top screen.

8

Basic Operation

Playing Phrase Loops

By operating the switches, you can carry out recording and playback in real time to create layered
performances. You can apply the delay while creating layered performances.

Enter Phrase Loop mode

If you hold down the blue-lit [A] or [B] switch for two seconds or longer, the Phrase
Loop enters the standby condition, and [A] blinks red.

Red

Record

Record the
performance.

[A] is lit red.

Clear

Erase the phrase.
[A] blinks in red.

Overdub

Record additional layers
while playing back the
loop.

[A] and [B] are lit red.

Recording time (seconds)

Frequency 48 kHz 96 kHz

Mono 120 60
Stereo 60

Loop playback

[B] is lit red.

Exit

To exit Phrase Loop, hold down the [TAP/CTL] switch for at least two seconds while
stopped.

* The recorded content will be erased when you exit Phrase Loop.

* The recorded content will not be saved.

Stop

Stop playback.
[B] blinks in red.

9

Editing a Patch

You can edit a variety of patch-related parameters.

1. Press the [EDIT] button.

2. Use the [

[EDIT] button.

3. Use the [

VALUE] knob to edit the value.

H

] [I] buttons to select “PATCH,” and then press the

H

] [I] buttons to select a parameter, and use the [TIME/

4. Press the [EXIT] button to return to the top screen.

* Save the edited patch as described in the procedure on “Saving a Patch” (p. 11).

Basic [EDIT] operations

Use the [H][I] buttons to move the cursor
Use the [TIME/VALUE] knob to edit the value

[EXIT] button

[EDIT] button

[EDIT] button

Use the [H][I] buttons
to move the cursor

10

Saving a Patch

Here’s how to save a patch that you’ve edited.

1. Press the [EXIT] button and [EDIT] button simultaneously.

2. Use the [TIME/VALUE] knob to select the save-destination

number.

Bank [A] switch [B] switch [TAP/CTL] switch

Bank 01 01A 01B 01C
Bank 02 02A 02B 02C

: : : :

Bank 99 99A 99B 99C

* If you want to use the [TAP/CTL] switch to select patch C, refer to “Assigning the Functions of

the [A], [B], and [TAP/CTL] Switches” (p. 19).

3. Press the [

H

] button to select the patch name.

4. Edit the patch name.

[H] [I] buttons
[TIME/VALUE] knob Edit the character

Move the cursor

5. Press the [EDIT] button to save the patch.

If you decide to cancel, press the [EXIT] button.

By moving the cursor to “WRITE TO” and turning the [ TIME/VALUE] knob, you can initialize a
patch or exchange patches.

11

Parameter List

PATCH

Parameter Explanation

MODE Selects the type of delay (p. 5). The same function as the [MODE] knob.
TIME Species the delay time. The same function as the [TIME/VALUE] knob.
BPM Species the tempo.
NOTE Species the delay time with the note length relative to BPM.

FEEDBACK

TONE Adjusts the tone of the delay sound. The same function as the [TONE] knob.
EFFECT LEVEL Adjusts the volume of the delay sound. The same function as the [E. LEVEL] knob.
MOD DEPTH Adjusts the modulation depth of the delay sound. The same function as the [MOD DEPTH] knob.
MOD RATE Adjusts the modulation rate of the delay sound.
CARRY OVER You can specify whether the eect sound is carried-over when you switch patches or turn the delay o.
DIRECT LEVEL Adjusts the volume of the direct sound when the eect is on.
EQ SW Turns the EQ on/o.

EQ LO.CUT

EQ LO.GAIN Adjusts the low frequency range tone.
EQ LM.GAIN Adjusts the low-middle frequency range tone.
EQ LM.FREQ Species the center of the frequency range that will be adjusted by the LM.GAIN.
EQ LM.Q Adjusts the width of the area aected by the EQ centered at the LM.FREQ. Higher values will narrow the area.
EQ HM.GAIN Adjusts the high-middle frequency range tone.
EQ HM.FREQ Species the center of the frequency range that will be adjusted by the HM.GAIN.
EQ HM.Q Adjusts the width of the area aected by the EQ centered at the HM.FREQ. Higher values will narrow the area.
EQ HI.GAIN Adjusts the high frequency range tone.

EQ HI.CUT

EQ LEVEL Adjusts the overall volume level of the equalizer.
LO DAMP Adjusts the amount by which the low frequency range is reduced each time the eect sound is repeated.

LO DAMP F Species the frequency of the low range that is reduced by LO DAMP.

HI DAMP Adjusts the amount by which the high frequency range is reduced each time the eect sound is repeated.
HI DAMP F Species the frequency of the high range that is reduced by HI DAMP.

DUCK SENS

DUCK PRE DEPTH

DUCK POST DEPTH

EFFECT PAN Adjusts the stereo position of the eect sound.
DIRECT PAN Adjusts the stereo position of the direct sound.

Adjusts the feedback level (or how much the sound is repeated). Higher settings will result in more delay
repeats. The same function as the [FEEDBACK] knob.

Sets the frequency at which the low cut lter begins to take eect.
When “FLAT ” is selected, the low cut lter will have no eect.

Sets the frequency at which the high cut lter begins to take eect.
When “FLAT ” is selected, the high cut lter will have no eect.

Adjusts the sensitivity at which the volume is automatically adjusted according to the input. Higher values
allow the adjustment to occur in response to lower volumes.
The volume being “input” to the delay is automatically reduced when the input sound is loud. The amount of
reduction increases as this setting approaches 100.
The volume being “output ” to the delay is automatically reduced when the input sound is loud. The amount
of reduction increases as this setting approaches 100.

12

MODE: TERA ECHO

Parameter Explanation

RESONANCE This adjusts the amount of resonance (and the tone coloration) of the eect sound.

MODE: SLOW ATTACK

Parameter Explanation

SENS

RISE TIME Adjusts the time needed for the volume to reach its maximum from the moment you begin picking.

Adjusts the sensitivity of the slow gear.
When it is set to a lower value, the eect of the slow gear can be obtained only with a stronger picking, while

no eect is obtained with a weaker picking. When the value is set higher, the eect is obtained even with a
weak picking.

MODE: FILTER

Parameter Explanation

LFO TYPE Selects the curve at which the lter is moved.
LFO RATE Adjusts the rate at which the lter is moved.
LFO DEPTH Adjusts the range over which the lter is moved.
TYPE Selects the type of lter (LPF/BPF/HPF).
CUTOFF Adjusts the frequency at which the lter operates. Higher values raise the frequency.
RESONANCE Adjusts the operation of the lter. Higher values produce a stronger tonal character.
FILTER POS Species whether the lter is placed before or after the delay.

MODE: SHIMMER

Parameter Explanation

PITCH SHIFT Species the amount of pitch shift in semitone units.

PITCH FINE

PITCH BAL Adjusts the balance between the pitch-shifted sound that is input to the delay and the direct sound.

DIRECT FB

Species a ne adjustment to the amount of pitch shift. A change of 100 in the Fine setting corresponds
to a change of 1 in the Pitch Shift setting.

Adjusts the amount of feedback for the delay that is applied to the direct sound. This is specied as a
proportion (%) relative to the feedback specied by the [FEEDBACK] knob.

Parameter List

MODE: SFX

Parameter Explanation

BIT DEPTH Species the bit depth.
SAMPLE RATE Species the sampling rate.
LoFi BAL Adjusts the volume balance between the direct sound and the eect sound.
TR WAVE Adjusts changes in volume level. A higher value will steepen wave’s shape.
TR RATE Adjusts the frequency (speed) of the change.
TR DEPTH Adjusts the depth of the eect.

MODE: PATTERN

Parameter Explanation

PAT TERN

DELAY 1–16 TIME Adjusts the proportion relative to the Delay 1–16 delay time when PATTERN is set to “USER.”
DELAY 1–16 LEVEL Adjusts the Delay 1–16 volume when PATTERN is set to “USER.”
DELAY 1–16 PAN Adjusts the Delay 1–16 stereo position when PATTERN is set to “USER.”

Selects the delay pattern.
You can choose from preset patterns PAT1–PAT10 and the USER pattern which you are free to set.

13

Parameter List

MODE: DUAL

Parameter Explanation

DUAL MODE Species whether the two delays are connected in series or in parallel.
DUAL TYPE Selects the type of delay.
DUAL LINK Link the delay time and feedback of the second delay to the settings of the rst delay.
D2 TIME Species the delay time of the second delay. This is the same as the [TIME/VALUE] knob.

D2 FEEDBACK

D2 E. LEVEL Adjusts the volume of the second delay sound. This is the same as the [E. LEVEL] knob.

Adjusts the amount of feedback (repetition) for the second delay. Higher values produce a larger
number of delay repeats. This is the same as the [FEEDBACK] knob.

MODE: VINTAGE DIGITAL

Parameter Explanation

TYPE Selects the type of unit that is being modeled.
FILTER Turns the high-cut lter on/o when TYPE is set to “SDE-3000.”

TIMEx2

Species whether the sampling frequency is halved and the delay time doubled when TYPE is set to
“SDE-2000” or “SDE-3000.”

MODE: TAPE

Parameter Explanation

TYPE Selects the type of unit that is being modeled.

MODE: ANALOG

Parameter Explanation

STAGE Species the number of BBD stages. The delay time lengthens in proportion to the number of stages.

CONTROL

Parameter Explanation

TAP/CTL Species whether the [TAP/CTL] switch is used as TAP or as CTL.
CTL FUNC Species how the [TAP/CTL] switch operates when pressed if it is being used as CTL.

CTL 1/2 PREF

CTL 1/2 FUNC Species the operation that occurs when the CTL 1/2 switch is pressed.

CTL 1/2 MODE

EXP PREF

EXP FUNC Species the operation that occurs when the EXP pedal is pressed.

14

Species whether the CTL 1/2 switch has a dierent setting for each patch or the same setting shared by all
patches.

Species whether the setting is on only while the CTL 1/2 switch is held down or whether the setting
alternates on/o each time the switch is pressed.
Species whether the EXP pedal has a dierent setting for each patch or the same setting shared by all
patches.

ASSIGN

ASSIGN COMMON

Parameter Explanation

SENS (INPUT SENS) This adjusts the input sensitivity when INPUT LEVEL is selected for SOURCE.

ASSIGN 1–8

Parameter Value Explanation

SW OFF, ON Turns the ASSIGN 1–8 on/o.

SOURCE

Species the controller (source).

TAP/CTL [TAP/CTL] switch.

EXP PDL
(EXP PEDAL)

CTL1, 2 PDL External footswitch connected to the CTL 1,2/EXP jack.

INT PDL

WAVE PDL

External footswitch (EV-5 etc.; available separately) connected to the CTL 1,2/
EXP jack.

Internal pedal

The virtual expression pedal will begin operating when started
by the specied trigger (TRIGGER), modifying the parameter
specied by “ TARGET.”

For details on the parameters that can be assigned to the
internal pedal, refer to “TIME” and “CURVE” (p. 16)

Wave pedal

The virtual expression pedal will cyclically modify the parameter specied by
“TARGET” in a xed wave form.

Parameter List

INPUT

(INPUT LEVEL)

CC#1–31, CC#64–95 Controller number from an external MIDI device

Species the operation of the controller.

MODE
(SOURCE MODE)

TRG This selects the parameter to be changed.

MIN (TARGET MIN)
MAX (TARGET MAX)

AC T.LO
(ACT RANGE LO)

ACT.HI
(ACT RANGE HI)

WAV.R T
(WAVE RATE)
*1

MOMENT

TOGGLE

Species the range of change for the parameter. The values will depend on the parameter that’s
assigned by “TARGET.”

Within the operating range of the source, this species the range that will control the target
parameter.

The target parameter will be controlled within the range specied. Normally, you should leave ACT.LO
at “0” and ACT.HI at “127.”

0–100,

BPM

–

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized

to a period either 1/2 or 1/4 of that time.

The assigned target parameter will change according to the input level.

* If you want to adjust the input sensitivity, set the SENS (INPUT SENS).

The value will normally be OFF (minimum value), and will be ON
(maximum value) only while the control is being operated.

* If you want to use the internal pedal or wave pedal, set to “MOMENT.”
The value will toggle between OFF (minimum) and ON (maximum) each time
the control is operated.

Species the time for one cycle of the wave pedal.

15

Parameter List

LINEAR SLOW FAST

Parameter Value Explanation

WAV.F M
(WAVE FORM)
*1

TRIGGER
(INT PEDAL TRIGGER)
*2

TIME
(INT PEDAL TIME)
*2

CURVE
(INT PEDAL CURVE)
*2

SAW, TRI, SIN

Species how the motion of the internal pedal will be triggered.

PAT CNG
(PATCH CHANGE)

EXP LO

EXP MID

EXP HI

CTL1, 2 PDL

CC#1–#31
CC#64–#95

0–100

LINEAR,
SLOW (SLOW RISE),
FAST (FAST RISE)

Select one of the following to specify the change produced by the wave pedal.

SAW

This is activated when a patch is selected.

This is activated when an external expression pedal connected to the CTL 1,2/
EXP jack is set to the minimum position.

This is activated when the external expression pedal connected to the CTL 1,2/
EXP jack is moved through the middle position.

This is activated when the external expression pedal connected to the CTL 1,2/
EXP jack is set to the maximum position.

This is activated when an external footswitch connected to the CTL 1,2/EXP
jack is operated.

This is activated when a control change is received.

This species the time over which the internal pedal will move from the toe­raised position to the toe-down position.

Select one of the following curves to specify the change produced by the
internal pedal.

*1 SOURCE=INT PDL only
*2 SOURCE=WAVE PDL only

TRI

SIN

16

SYSTEM

Parameter Explanation

CONTRAST Adjusting the contrast of the display
OUTPUT Selects how output occurs.
BANK MODE Species the timing at which the patch is changed when you change banks.
BANK EXTENT MIN Sets the lower limit for the banks.
BANK EXTENT MAX Sets the upper limit for the banks.
KNOB LOCK Species whether knob operations will be disabled.
KNOB MODE Species how knob operations occur.
BYPASS Species how the bypass sound is output.

PEDAL ACT

FSW HOLD TIME

FSW MODE Species how the footswitch is used (p. 19).
USB MODE Species the USB operating mode (p. 21).

LOOP MODE Species the sampling frequency.

Species whether the operation occurs when you press the [A], [B], or [TAP/CTL] switch or when you release
the switch.
Species the number of seconds of holding down the [A], [B], or [TAP/CTL] switch that is interpreted as a
long-press.

MIDI

Parameter Explanation

Rx CHANNEL Species the receive channel.
Tx CHANNEL Species the transmit channel.
PC IN Species whether program changes are received.
PC OUT Species whether program changes are transmitted.
CC IN Species whether control changes are received.
CC OUT Species whether control changes are transmitted.
TIME CONTROL Species whether operations of the [TIME/VALUE] knob are transmitted and received.
A SW CC [A] switch
B SW CC [B] switch
TAP/CTL SW CC [ TAP/C TL] switch
FEEDBACK CC [FEEDBACK] knob
E. LEVEL CC [E. LEVEL] knob
TONE CC [TONE] knob
MOD DEPTH CC [MOD DEPTH] knob
CTL1 CC External CTL1 switch
CTL2 CC External CTL2 switch
EXP CC External EXP pedal
EFFECT ON/OFF CC Species the controller number that switches between delay-on and bypass.
LOOP ON/OFF CC Species the controller number that switches the phrase loop function on/o.

LOOP REC/DUB CC

LOOP PLAY CC Species the controller number that executes loop playback when using the phrase loop function.
LOOP STOP CC Species the controller number that stops playback when using the phrase loop function.
LOOP CLEAR CC Species the controller number that clears the phrase when using the phrase loop function.
SYNC Selects the tempo clock input that is used for synchronization.

REALTIME SRC

MIDI IN->OUT Species the connector to which MIDI messages received from the MIDI IN connector are output.
USB IN->OUT Species the connector to which MIDI messages received from the USB port are output.
DEVICE ID Sets the MIDI D evice ID used for transmitting and receiving System Exclusive messages.

Species the controller number that executes recording or overdubbing when using the phrase loop
function.

Selects the source of the realtime messages that are transmitted from the MIDI OUT connector or the USB
port.

Species the controller number of the corresponding knobs or switches.

Parameter List

17

Parameter List

MIDI PC MAP

Parameter Explanation

BNK-PC# Species the program number that corresponds to each patch number.

18

Convenient Functions

Specifying Whether to Carry-Over the Delay Sound

You can specify whether the eect sound is carried-over (ON/OFF) when you switch patches or
turn the delay o.

1. Press the [EDIT] button.

2. Use the [

[EDIT] button.

3. Use the [

VALUE] knob to select ON / OFF.

H

] [I] buttons to select “PATCH,” and then press the

H

] [I] buttons to select “CARRY OVER,” and use the [TIME/

4. Press the [EXIT] button to return to the top screen.

Assigning the Functions of the [A], [B], and [TAP/CTL] Switches

1. Press the [EDIT] button.

2. Use the [

[EDIT] button.

3. Use the [

VALUE] knob to select the mode.

Mode Explanation

NORMAL

A/B/C

A/B SIMUL

SW DN/UP

H

] [I] buttons to select “SYSTEM” and then press the

H

] [I] buttons to select “FSW MODE,” and use the [TIME/

Use the [A] and [B] switches to select patch A or patch B, and use the [TAP/CTL]
switch for tap input.

* If you want to use the [TAP/CTL] switch as the CTL, set the “TAP/CTL FUNC”

to “CTL” (p. 8).

Use the [TAP/CTL] switch to select patch C.

* In this case, you can't use the [TAP/CTL] switch for the TAP or CTL functions.
Patches A and B can be used simultaneously. Press the unlit [A] or [B] switch to
make both light.
Use the [A] switch to turn delay on/o, and use the [B] switch and [TAP/CTL]
switch to change patches.

4. Press the [EXIT] button to return to the top screen.

19

Synchronizing with a DAW or External MIDI Device

You can synchronize your DD-500 performance with a computer or an external MIDI device by
sending and receiving MIDI messages.

For example, an external MIDI device or DAW could switch patches on the DD-500 or control its
tempo.

Connection Example

DAW

External MIDI device

MIDI Messages That Can Be Transmitted and Received

Patch changes

Bank select (CC#0, #32) and program change

Synchronization

Tempo clock (F8)

Patch data

System exclusive messages

Other messages

Switch, knob MIDI message Value Remarks

[A] switch Controller Number 82
[B] switch Controller Number 83
[TAP/CTL] switch Controller Number 84
EXP pedal Controller Number 16 0–127
CTL 1 switch Controller Number 80
CTL 2 Switch Controller Number 81
[FEEDBACK] knob Controller Number 17
[TONE] knob Controller Number 19
[E. LEVEL] knob Controller Number 18
[MOD DEPTH] knob Controller Number 20

[TIME/VALUE] knob Pitch Bend

20

5 Transmits “on” when pressed, “o” when released

ON, OFF

5 Transmits program change when the patch is changed

ON, OFF Transmits “on” when pressed, “o ” when released

0–100

5 Relative setting from the setting’s current value

-8192–
+8191

5 When MIDI TIME Control is on: transmitted and received

Must be ON

Synchronizing with a DAW or External MIDI Device

MIDI Messages That Can Only Be Received

Status MIDI message Value Remarks

Delay on, Bypass Controller Number 21

Phrase loop Controller Number 22

Record, Overdub Controller Number 23
Loop playback Controller Number 24
Stop Controller Number 25
Clear Controller Number 26

ON = Delay on, OFF = Bypass

ON, OFF

Phrase Loop function

MIDI Routing

For details on how to set the MIDI parameters, refer to “Basic [EDIT] operations” (p. 10).

Main Setting Items

Item Parameter Explanation

Synchronization
source

Realtime messages REALTIME SRC

MIDI message output
destination

SYNC

MIDI IN->OUT

USB IN->OUT

Species whether the synchronization source is the DD­500 (INTERNAL), USB, or an external device connected
via MIDI.

Species whether realtime messages generated by the DD-500 are transmitted, and
whether realtime messages received via the MIDI IN connector or the USB port are
transmitted.
Species the MIDI messages that are transmitted from
the MIDI OUT connector.

Species the MIDI messages that are transmitted from
the USB port.

If you experience problems connecting with your DAW

Normally, you don’t need to install a driver in order to connect the DD-500 to your computer.
However, if some problem occurs, or if the performance is poor, using the BOSS original
driver may solve the problem.

In this case, setting “USB MODE” to “VENDER” on the DD-500, install the
driver on your personal computer.

For details on downloading and installing the BOSS original driver, refer
to the BOSS website. For further details, refer to the Readme.htm le
that comes with the download.

&

http://www.boss.info/support/

The program you need to use, and the steps you need to take to install the USB driver will
dier depending on your computer setup, so please carefully read and refer to the Readme.
htm le that comes with the download.

21

Assigning a Function to an External Pedal

You can assign a function to a footswitch (sold separately: FS-5U, FS-5L, FS-6, FS-7) or expression
pedal (sold separately: Roland EV-5 etc.) connected to the CTL 1,2/EXP jack.

1. Press the [EDIT] button.

2. Use the [

H

] [I] buttons to select “CONTROL,” and then press the

[EDIT] button.

3. Use the [

H

] [I] buttons to select a parameter, and use the [TIME/

VALUE] knob to edit the value.

Parameter Value Explanation

PREF

FUNC Specify the function of the footswitches connected to the CTL 1,2/EXP jack.

MODE

PATC H Dierent settings can be made for each patch.

SYSTEM The same settings are shared by all patches.

MOMENT

TOGGLE

The switch is normally o (minimum value), and turns on
(maximum value) only while you hold it down.
The switch alternately switches o (minimum value) and on
(maximum value) each time you press it.

CTL1 FUNC and CTL2 FUNC Settings

Value Explanation

OFF No function is assigned Select this if you’re using the ASSIGN 1–8 setting (p. 15).
TAP Use the switch for tap input.
HOLD Repeats the delay sound while you hold down the switch.

WARP

TWIST A new type of delay that produces an aggressive, spinning sensation.
MOMENTARY Outputs the delay sound only while you hold down the switch.
ROLL 1/2 Cuts the delay time to 1/2 the setting only while you hold down the switch.
ROLL 1/4 Cuts the delay time to 1/4 the setting only while you hold down the switch.
ROLL 1/8 Cuts the delay time to 1/8 the setting only while you hold down the switch.
FADE IN
FADE OUT
EFFECT SW Turns the eect on/o.
BANK UP
BANK DOWN
LOOPonO Enter/Exit the Phrase Loop Mode.
LOOP CLEAR Erase the phrase.

Simultaneously controls the delay sound’s feedback level and volume to produce a totally unreal
delay.

Fades-in/-out the delay sound.

Change banks.

22

Assigning a Function to an External Pedal

EXP FUNC Settings

Value Explanation

OFF No function is assigned Select this if you’re using the ASGN1–8 setting (p. 15).
TIME Controls the DELAY TIME.
FEEDBACK Controls the FEEDBACK.
TONE Controls the TONE.
E. LEVEL Controls the E. LEVEL.
MOD DEPTH Controls the MOD DEPTH.
MOD RATE Controls the MOD RATE.

4. Press the [EXIT] button to return to the top screen.

23

Restoring the Factory Default Settings

Here’s how to reset the settings to their factory state. If you like, you can also reset just the system
settings or just a specic range of patches.

1. Press the [EDIT] button.

2. Use the [

the [EDIT] button.

H

] [I] buttons to select “FACTORY RESET,” and then press

3. Use “FROM” and “TO” to specify the range that you want to reset.

Parameter Value Explanation

FROM
TO

SYSTEM System parameter settings.
01A–99C Settings for Patches.

4. Press the [EDIT] button.

A conrmation message appears.

5. Press the [EDIT] button to reset the settings.

If you decide to cancel without resetting, press the [EXIT] button.

Transmitting Data to an External MIDI Device

You can use Exclusive messages to set another DD-500 to the same settings or to save eect sound
settings to MIDI sequencers and other such devices. This transmission of data is referred to as bulk
dump.

1. Press the [EDIT] button.

2. Use the [

press the [EDIT] button.

3. Use “FROM” and “TO” to specify the range that you want to reset.

Parameter Value Explanation

FROM
TO

H

] [I] buttons to select “MIDI BULK DUMP,” and then

SYSTEM System parameter settings.
01A–99C Settings for Patches.
TEMP Current settings in the panel display.

4. Press the [EDIT] button.

The bulk dump is executed.

24

Troubleshooting

Problem Items to check Action

Power does not turn on

No sound is output / No delay sound is
output / No direct sound is output

Footswitch does not change sounds as
you expect

Delay sound does not remain when you
switch patches or turn o the delay

Is your guitar correctly connected to the
INPUT A/MONO jack?
Could the batteries be low? Install fresh batteries.
Is the specied PSA series AC adaptor
connected correctly?
Is the SYSTEM: OUTPUT (p. 17) setting
correct?
Is your output device correctly connected
to the OUTPUT jacks?

Is the SYSTEM: FSW MODE (p. 19) setting
correct?

Is the PATCH: CARRY OVER (p. 19) setting
“ON”?

Could the SYSTEM: BYPASS (p. 17) setting
be “TRUE”?

Check the connection once again.

Check the connection once again.

Check the SYSTEM: OUTPUT (p. 17) setting
and the OUTPUT jacks connection.

The FSW MODE (p. 19) setting determines
what happens when you press the [A], [B],
and [TAP/CTL] switches. Check the setting.
If CARRY OVER (p. 19) is set to “OFF” the
delay sound does not remain.
If this is set to “TRUE” (True bypass), the
delay sound cannot be carried-over when
the eect is turned o even if CARRY OVER
is turned “ON.” Set SYSTEM: BYPASS to
“BUFFERED.”

Main Specications

BOSS DD-500: DIGITAL DELAY

Power Supply

Current Draw 200 mA

Dimensions

Weight (including batteries)

Accessories Owner’s manual, Leaet “USING THE UNIT SAFELY”, Alkaline Batteries (AA LR6) x 4

Options (sold separately)

* 0 dBu = 0.775 Vrms
* In the interest of product improvement, the specications and/or appearance of this unit are subject to change without prior notice.

Alkaline battery (AA, LR6) x 4
AC adaptor

170 (W) x 138 (D) x 62 (H) mm
6-3/4 (W) x 5-7/16 (D) x 2-1/2 (H) inches

1.0 kg
2 lbs 4 oz

AC adaptor: PSA series
Footswitch: BOSS FS-5U, FS-5L
Dual Footswitch: BOSS FS-6, FS-7
Expression pedal: BOSS FV-500H, FV-500L, Roland EV-5

25

USING THE UNIT SAFELY

To completely turn o power to the unit, pull out the plug
from the outlet

Even with the power switch turned o, this unit is not completely
separated from its main source of power. When the power needs to be
completely turned o, turn o the power switch on the unit, then pull
out the plug from the outlet. For this reason, the outlet into which you
choose to connect the power cord’s plug should be one that is within
easy reach and readily accessible.

IMPORTANT NOTES

Power Supply: Use of Batteries

• If operating this unit on batteries, please use alkaline batteries.

Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored
within it; or you may prefer to write down the needed information. Although we will
do our utmost to preserve the data stored in your unit when we carry out repairs, in
some cases, such as when the memory section is physically damaged, restoration of
the stored content may be impossible. Roland assumes no liability concerning the
restoration of any stored content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure,
incorrect operation, etc. To protect yourself against the irretrievable loss of data, try
to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration of any stored content that has
been lost.

• The explanations in this manual include illustrations that depict what should typically
be shown by the display. Note, however, that your unit may incorporate a newer,
enhanced version of the system (e.g., includes newer sounds), so what you actually
see in the display may not always match what appears in the manual.

• Never strike or apply strong pressure to the display.

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep
them out of the reach of small children.

• Included Parts

Rubber feet (p. 2)

• Use only the specied expression pedal (Roland EV-5, BOSS FV-500L, BOSS FV­500H; sold separately). By connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.

• Do not use connection cables that contain a built-in resistor.

Intellectual Property Right

• It is forbidden by law to make an audio recording, video recording, copy or revision
of a third party's copyrighted work (musical work, video work, broadcast, live
performance, or other work), whether in whole or in part, and distribute, sell, lease,
perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third
party. We assume no responsibility whatsoever with regard to any infringements of
third-party copyrights arising through your use of this product.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with
microprocessor architecture, which was developed by Technology Properties Limited
(TPL). Roland has licensed this technology from the TPL Group.

• This product contains eParts integrated software platform of eSOL Co.,Ltd. eParts is a
trademark of eSOL Co., Ltd. in Japan.

• Roland and BOSS are either registered trademarks or trademarks of Roland
Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered
trademarks or trademarks of their respective owners.

26