Owner’s Manual
Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaet “USING THE UNIT SAFELY” and the Owner’s
Manual (p. 17)). After reading, keep the document(s) where it will be available for immediate reference.
© 2019 Roland Corporation
Panel Descriptions
Top Panel
1
9 10 11 12
13 14
2
1 Display
Shows the delay time, etc.
2 [TIME] knob
Species the delay time.
Each time you press the button, the delay time
3 4
2
5
6
8
7
indication switches between time and tempo (BPM).
Example indications
1 ms = “1”, 100 ms = “100”, 1 s = “1.00”,
Tempo: 120 = “120.”, Tempo: 1000 = “1K.”,
Tempo: 99000 = “99K.”, Tempo: 100000 = “10.K.”
3 [FEEDBACK] knob
Adjusts the amount of feedback (amount of repetition).
* Depending on the sound that’s being input and on the position of
the knob, oscillation might occur.
4 [E.LEVEL] knob
Adjusts the volume of the eect sound.
If the mode is REVERSE, maximizing E.LEVEL cuts the
direct sound.
Panel Descriptions
5 Mode knob
Selects the delay mode.
Mode Explanation
STANDARD
ANALOG
TAPE
DRUM
SHIMMER
TERA ECHO
PAD ECHO
PATTERN
LO-FI
DUAL
DUCKING
REVERSE
Clear digital delay.
Mild analog delay.
Sound with the distinctive waver of a tape
echo unit. Models the Roland RE-201.
Models the Binson EchoRec2.
Delay that combines a pitch-shifted sound.
Echo sound that is neither reverb nor delay,
with spaciousness and motion.
Delay sound with a drifting feel.
Sound that combines 16 delays.
Fat sound with a sense of distortion.
Two delays connected in series.
The volume and feedback are automatically
adjusted according to the input. Won’t get in
the way of your performance even if applied
deeply.
Delay that plays backward.
6 [PARAM] knob
Adjusts an appropriate parameter for each mode.
Mode Explanation
STANDARD
ANALOG
TAPE
DRUM
SHIMMER
TERA ECHO
PAD ECHO
PATTERN
LO-FI
DUAL
Adjusts the sense of attack for the delay
sound.
Adjusts the character of the delay sound and
the sense of distortion.
Selects the combination of the three
playback heads.
If a decimal point “.” is shown for the lowest
digit, distortion is added to the sound.
Selects the combination of the four playback
heads.
If all of the playback heads are combined,
the display indicates “ALL.”
If a decimal point “.” is shown for the lowest
digit, distortion is added to the sound.
Adjusts the brilliance of the delay sound.
Adjusts the amount of distinctive character
for the eect sound.
Adjusts the sense of attack for the eect
sound.
Selects the pattern of delays.
Adjusts the sense of distortion for the eect
sound.
Adjusts the second delay time. This is
specied as a proportion (%) relative to the
rst delay.
3
Panel Descriptions
Mode Explanation
DUCKING
REVERSE
Adjusts the sensitivity by which the volume
is automatically adjusted according to
the input. Increasing this value makes the
response more sensitive at lower volumes.
Adjusts the sense of attack for the delay
sound.
7 [TONE] knob
Adjusts the tonal character of the eect sound.
When the knob is in the center position, the response is
at. Turning the knob toward the right boosts the highfrequency range, and turning it toward the left cuts the
high-frequency range.
8 [MOD DEPTH] knob
Adjusts the depth at which the eect sound is
modulated.
9 [TAP DIVISION] button
Species the delay time in terms of a note length
relative to the BPM.
4
Preventing accidental operation (panel lock)
By long-pressing the [TAP DIVISION] button, you can
switch between enabling (unlocking) or disabling
(locking) operation of the knobs and buttons.
If you attempt an operation while the unit is locked, the
display indicates “LCK.”
10 TAP DIVISION indicator
This indicates the delay time as a note value; the
interval at which you press the pedal is considered as a
quarter note (100%)
TAP DIVISION indicator
ˇ ¸ ˙
( (
(
( (
( (
(
( (
TRI DOT
( (
(
( (
Explanation
Dotted half note (300%)
Half note (200%)
Dotted quarter note (150%)
Half-note triplet (133%)
Quarter note (100%)
Dotted eighth note (75%)
Quarter-note triplet (67%)
Eighth note (50%)
Eighth-note triplet (33%)
11 [MEMORY] button
Switches or saves memories (MANUAL, 1–4) (p. 8).
12 MEMORY indicator
Indicates the currently selected memory.
13 [ON/OFF] switch
Turns the delay on/o.
14 [MEMORY/TAP] switch
Switches memories (p. 8).
Long-press the [MEMORY/TAP] switch to select tap
mode.
By pressing the switch at the tempo of the song you’re
performing, this lets you specify a matching delay time.
MEMO
The function of the footswitch can be changed by
“MFC” (MEMORY FUNCTION).
Panel Descriptions
5
Panel Descriptions
Rear Panel (Connecting Your Equipment)
* To prevent malfunction and equipment failure, always turn down the
volume, and turn o all the units before making any connections.
A B C
A
INPUT (A/MONO, B) jacks
Connect your guitar, bass, or eect unit here.
Use the A and B jacks if connecting an eect unit that
has stereo output. Use only the A jack if using this unit
in mono.
Turning On/O the Power
The INPUT A jack also operates as the power switch. The
power turns on when you insert a plug into the INPUT
A jack.
6
D
When powering up
Power-up equipment such as your guitar amp last.
When powering down
Power-down equipment such as your guitar amp rst.
* Before turning the unit on/o, always be sure to turn the volume
down. Even with the volume turned down, you might hear some
sound when switching the unit on/o. However, this is normal and
does not indicate a malfunction.
B OUTPUT (A/MONO, B) jacks
Connect this jack to your amp or monitor speakers.
Use only the OUTPUT A jack if using this unit in mono.
Even sound that is input in stereo is output in mono.
C CTL 1, 2/EXP jack
Using the jack as CTL 1/2
You can connect a footswitch (sold separately: FS-5U,
FS-6, FS-7) and use it to tap-input the delay time or
switch memories (p. 10).
Panel Descriptions
Using the jack as EXP
You can connect an expression pedal (sold separately:
EV-30, Roland EV-5, etc.) and use it to control the delay
time or the volume of the eect sound (p. 12).
* Use only the specied expression pedal. By connecting any other
expression pedals, you risk causing malfunction and/or damage
to the unit.
D DC IN jack
An AC adaptor (sold separately: PSA-seriesS) can be
connected to this jack.
* Use only the specied AC adaptor (sold separately: PSA-seriesS) and
plug it into an AC outlet of the correct voltage.
* If the AC adaptor is connected while power is on, the power supply
is drawn from the AC adaptor.
Side Panel (Connecting Your Equipment)
F
E
MIDI jacks
E
Use a TRS/MIDI connecting cable (sold separately:
BMIDI-5-35) to connect an external MIDI device. You can
use an external MIDI device to switch the memories of
this unit.
* Do not connect an audio device here. Doing so will cause
malfunctions.
F USB port
Connect your computer using a commercially available
USB cable that supports USB 2.0.
* Do not use a micro USB cable that is designed only for charging a
device. Charge-only cables cannot transmit data.
* This is used only for program updates.
7
Saving and Switching Memories
Saving to Memory
Here’s how to save delay settings that you edited.
1. Long-press the [MEMORY] button.
The display indicates “Wrt.”
2. Press the [MEMORY] button to select the save-
destination (MAN, 1–4).
If you decide to cancel, press the [TAP DIVISION]
button.
3. Long-press the [MEMORY] button to conrm
the save-destination.
The memory is saved.
* If you save to MAN, the settings of the panel are applied as the
values for MODE, FEEDBACK, E.LEVEL, PARAM, TONE, and MOD
DEPTH.
8
Switching Memories
Here’s how to recall a saved memory.
1. Press the [MEMORY] button to select a
memory.
Each time you press the button, you cycle through
the memories in the order of “MAN (manual) 0 1
0 2 0 3 0 4 0 MAN...”
What is “MAN” (manual)?
If you select “MAN,” the delay is heard using settings that
reect the actual positions of the knobs. The delay time
and TAP DIVISION use the settings that you wrote into
memory.
Performing with Phrase Loops
You can use the looper to perform while recording and playing-back the sound in real time to create layers. This lets
you layer sounds while applying delay.
Entering (exiting) looper mode: Press the [ON/OFF] switch and [MEMORY/TAP] switch simultaneously.
* Maximum recording time: approximately 60 seconds (mono)
When the looper starts, the display indicates “LoP.”
Record
Record your guitar or
bass performance.
REC DUB PLY
Clearing the phrase
While stopped, hold down the [MEMORY/TAP] switch for two seconds or
longer to clear (erase) the recorded phrase.
* When you exit looper mode, the recorded content is cleared.
* The recorded content is not saved.
* If there is recorded data, the ON/OFF indicator is lit. If there is no data, the indicator is unlit.
Overdub
While your recorded phrase plays
as a loop, overdub-record an
additional performance.
Press the switch to change to
playback.
Loop Playback
The phrase plays as a loop.
Press the switch to change to
overdubbing.
Stop
During overdubbing or loop
playback, press the switch
to stop.
9
Overall Settings (Menu)
Basic Operation
1. Press the [TAP DIVISION] button and
[MEMORY] button simultaneously.
You enter menu mode.
2. Turn the [TIME] knob to select a parameter, and
then press the [TIME] knob.
The value is displayed.
3. Turn the [TIME] knob to edit the value.
4. Press the [TIME] knob.
5. Press the [TAP DIVISION] button and
[MEMORY] button simultaneously.
You exit menu mode.
10
Assigning functions to external pedals
You can connect footswitches (sold separately: FS-5U, FS-6, FS-7) to
the CTL 1, 2/EXP jack, and use them to tap-input the delay time or
to switch memories.
Use the menu items “C1F” or “C2F” to make these settings (p.
11).
FS-5U FS-6/FS-7
CTL 1
CTL 2 CTL 1
FS-5U
FS-5U×2
CTL 2 CTL 1
CTL 2
CTL 1
FS-6/FS-7
Overall Settings (Menu)
Menu Parameter List
Parameter
Cry
(CARRYOVER)
tHd
(TEMPO HOLD)
SWF
(ON/OFF FUNCTION)
MFC
(MEMORY FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)
Explanation
Species whether the eect sound is
carried-over (on) or not carried-over
(oFF) when you switch sounds or turn
o the delay.
Species whether the tempo (BPM) is held
(on) or changed (oFF) when you switch
sounds.
Specify the functions of the [ON/OFF]
switch, [MEMORY/TAP] switch, and
footswitches connected to the CTL 1, 2/
EXP jack.
* The functions that can be assigned dier
depending on the switch.
oFF: No operation.
(ON/OFF SWITCH): Turns the eect on/o.
SW
(MOMENT): Outputs the delay sound
MoM
only while held down.
(FADE): Makes the delay sound fade-
Fad
in/out.
Parameter
SWF
(ON/OFF FUNCTION)
MFC
(MEMORY FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)
Explanation
MAN (MANUAL): Selects manual.
(MEMORY1–4): Selects memory 1–4.
M-1–4
MUP, Mdn
memories according to MEMORY EXTENT
(p. 12). Long-press the switch to select
tap mode (the indicator blinks at the
tempo).
tAP
(tap mode).
HLd
held down (hold mode).
WAP
feedback amount and volume of the delay
sound, letting you produce a fantasy-like
delay (warp mode).
tSt
rotating eect (twist mode).
rL2
Sets the delay time to 1/2–1/8 (roll mode).
(MEMORY UP, DOWN): Selects
(TAP TEMPO): Tap- enters the tempo
(HOLD): Repeats the delay sound while
(WARP): Simultaneously controls the
(TWIST): Produces an aggressive
(ROLL 1/2), rL4 (ROLL 1/4), rL8 (ROLL 1/8):
11
Overall Settings (Menu)
Parameter
SWF
(ON/OFF FUNCTION)
MFC
(MEMORY FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)
EPF
(EXPRESSION FUNCTION)
12
Explanation
LPS (LOOP ON/OFF): Turns the looper on/o.
(LOOPER CONTROL): Controls the looper.
LPC
Tap: Switches the looper between play/overdub/stop.
Double-tap: Stops the looper.
Long-press while stopped: Clears the phrase.
LPP (LOOPER PLAY/DUB/STOP): Switches the
looper between play/overdub/stop
(LOOPER STOP): Stops the looper. Hold
LSt
for two seconds or longer to clear the
phrase.
Species the function of an expression
pedal connected to the CTL 1, 2/EXP jack.
oFF: No operation.
(TIME/BPM): The same operation as the
tiM
[TIME] knob.
(FEEDBACK): The same operation as the
Fdb
[FEEDBACK] knob.
(E.LEVEL): The same operation as the
Elv
[E.LEVEL] knob.
(MOD DEPTH): The same operation as
Mod
the [MOD DEPTH] knob.
(PARAM): The same operation as the
PrM
[PARAM] knob.
(INPUT LEVEL): Adjusts the input level.
iLv
Parameter
EPn
(EXPRESSION MIN)
EPM
(EXPRESSION MAX)
SWP
(ON/OFF PREFERENCE)
MEP
(MEMORY PREFERENCE)
C1P (CTL1 PREFERENCE)
C2P (CTL2 PREFERENCE)
EPP
(EXPRESSION PREFERENCE)
Out
(OUTPUT MODE)
EtF
(MEMORY EXTENT FROM)
EtT
(MEMORY EXTENT TO)
Explanation
Species the variable range of the
parameter controlled by EXPRESSION
FUNCTION. The variable range diers
depending on the parameter.
MEM (MEM): The setting in memory is used
(SYS): The controller's function is xed
SYS
regardless of memory
Selects how output occurs.
(NORMAL): Output is stereo if plugs are
nOr
inserted in the OUTPUT A/B jacks; if not,
output is mono from the OUTPUT A jack.
(DIRECT/EFFECT): The direct sound is
d/E
output from the OUTPUT A jack, and the
eect sound is output from the OUTPUT
B jack.
(DIRECT MUTE): The direct sound is not
dMt
output.
Specify the memory switching range
(MEMORY EXTENT FROM–TO).
(MANUAL), 1–4
Man
Overall Settings (Menu)
Parameter
RCH
(MIDI RECEIVE CHANNEL)
tCH
(MIDI TRANSMIT CHANNEL)
Pin
(PC IN)
Pot
(PC OUT)
CCi
(CC IN)
CCO
(CC OUT)
Explanation
Species the MIDI receive channel.
If this is “oFF,” MIDI messages are not
received.
1–16, oFF
Species the MIDI transmit channel.
If this is “oFF,” MIDI messages are not
transmitted.
1–16, RCv (RECEIVE), oFF
Species whether program changes are
received (on) or not received (oFF).
Species whether program changes
are transmitted (on) or not transmitted
(oFF).
Correspondence between memories
and program numbers
Memory Program number
MAN
MEMORY 1–4
Species whether control changes are
received (on) or not received (oFF).
By receiving CC messages, this unit
lets you use MIDI to control the same
operations as a knob or footswitch.
Species whether control changes are
transmitted (on) or not transmitted
(oFF).
1
2–5
Parameter
TMC
(TIME CC)
FbC
(FEEDBACK CC)
ELC
(E.LEVEL CC)
PRC
(PARAM CC)
TnC
(TONE CC)
MdC
(MOD CC)
SWC
(ON/OFF SWITCH CC)
MEC
(MEMORY CC)
C1C
(CTL1 CC)
C2C
(CTL2 CC)
EPC
(EXPRESSION CC)
EFC
(EFFECT ON OFF CC)
Explanation
Specify the controller number
corresponding to each controller.
oFF, 1–31, 64–95
Controls the eect on/o status.
13
Overall Settings (Menu)
Parameter
Syn
(SYNC)
RtS
(REALTIME SOURCE)
MtH
(MIDI THRU)
LoP
(LOOP SWITCH)
14
Explanation
Species the tempo clock to which this
unit will synchronize.
(INTERNAL): Synchronize to the internal
int
tempo.
(AUTO): Normally synchronize to
Aut
the internal tempo, but if MIDI clock is
being input via the MIDI IN connector,
synchronize the tempo to MIDI clock.
If you’re using the DD-200 as a slave
device, choose the “Aut” setting.
Species the source of realtime messages
that are output to the MIDI OUT connector.
(INTERNAL): Internal realtime messages
int
are the source.
(MIDI): Realtime messages from the
Mid
MIDI IN connector are the source.
Species whether MIDI messages received
at the MIDI IN connector are retransmitted
without change from the MIDI OUT
connector (on) or are not retransmitted
(oFF).
Species whether the looper is used (on)
or not used (oFF).
If this is “oFF,” you can’t enter looper
mode.
Parameter
P1–Pg,
P10–Pgg,
P.00–P.28
Explanation
Specify the memory corresponding to the
received program number. Bank select is
ignored (received regardless).
Appendix
Returning to the Factory Settings
(Factory Reset)
Here’s how to return the DD-200 to its factory-set state.
1. While holding down the [ON/OFF] switch and
[MEMORY/TAP] switch, turn on the power
(insert a plug into the INPUT A jack).
The display indicates “FCt.”
2. Press the [MEMORY/TAP] switch.
The display indicates “Sur.”
If you decide to cancel, press the [MEMORY] button.
3. Press the [MEMORY/TAP] switch.
The factory reset is executed.
4. When the display indicates “FIn,” turn the
power o and on again.
Installing Batteries
Insert the batteries as shown below, being careful to
orient the batteries correctly.
* Batteries should always be installed or
replaced before connecting any other
devices. This way, you can prevent
malfunction and damage.
* If operating this unit on batteries, please
use alkaline batteries.
* Even if batteries are installed, the unit
will turn o if you connect or disconnect
the power cord from the AC outlet while
the unit is turned on, or if you connect or
disconnect the AC adaptor from the unit.
When this occurs, unsaved data may be
lost. You must turn o the power before
you connect or disconnect the power
cord or AC adaptor.
* When turning the unit over, be careful so
as to protect the buttons and knobs from damage. Also, handle the unit
carefully; do not drop it.
* If you handle batteries improperly, you risk explosion and uid leakage.
Make sure that you carefully observe all of the items related to batteries
that are listed in “USING THE UNIT SAFELY” and “IMPORTANT NOTES”
(leaet “USING THE UNIT SAFELY” and O wner’s manual).
* “Lo” will appear on the display if the batteries are low. Replace them
with new ones.
15
Appendix
Attaching the Rubber Feet
You can attach the rubber feet (included) if necessary.
Attach them in the locations shown in the illustration.
* Using the unit without rubber feet may damage the oor.
16
Main Specications
BOSS DD-200: DIGITAL DELAY
Power Supply
Current Draw
Expected Battery
Life Under
Continuous Use
Dimensions
Weight
Accessories
Options
* 0 dBu = 0.775 Vrms
* This document explains the specications of the product at the time
that the document was issued. For the latest information, refer to the
Roland website.
Alkaline battery (AA, LR6) x 3,
AC adaptor (sold separately)
225 mA
Alkaline: Approx. 4 Hours
* These gures will vary depending on the actual
conditions of use.
101 (W) x 138 (D) x 63 (H) mm / 4 ( W) x 5-7/16 (D) x 2-1/2
(H) inches
101 (W) x 138 (D) x 65 (H) mm / 4 ( W) x 5-7/16 (D) x 2-9/16
(H) inches (including rubber foot)
680 g / 1 lb 8 oz (including batteries)
Owner’s Manual
Leaet “USING THE UNIT SAFELY”
Alkaline battery (AA, LR6) x 3
Rubber foot x 4
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35
USING THE UNIT SAFELY/IMPORTANT NOTES
CAUTION
Keep small items out of the reach of children
To prevent accidental ingestion of the parts
listed below, always keep them out of the
reach of small children.
• Included Parts
Rubber feet (p. 16)
Repairs and Data
• Before sending the unit away for repairs, be sure to
make a backup of the data stored within it; or you
may prefer to write down the needed information.
Although we will do our utmost to preserve the data
stored in your unit when we carry out repairs, in some
cases, such as when the memory section is physically
damaged, restoration of the stored content may be
impossible. Roland assumes no liability concerning the
restoration of any stored content that has been lost.
Additional Precautions
• Any data stored within the unit can be lost as the
result of equipment failure, incorrect operation, etc. To
protect yourself against the irretrievable loss of data,
try to make a habit of creating regular backups of the
data you’ve stored in the unit.
• Roland assumes no liability concerning the restoration
of any stored content that has been lost.
• Do not use connection cables that contain a built-in
resistor.
17
USING THE UNIT SAFELY/IMPORTANT NOTES
Intellectual Property Right
• It is forbidden by law to make an audio recording,
video recording, copy or revision of a third party’s
copyrighted work (musical work, video work, broadcast,
live performance, or other work), whether in whole or
in part, and distribute, sell, lease, perform or broadcast
it without the permission of the copyright owner.
• Do not use this product for purposes that could
infringe on a copyright held by a third party. We
assume no responsibility whatsoever with regard to
any infringements of third-party copyrights arising
through your use of this product.
• This product includes third party open source software.
Copyright (c) 2009-2017 ARM Limited. All rights reserved.
Licensed under the Apache License, Version 2.0 (the
“License”); You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
• Roland, BOSS are either registered trademarks or
trademarks of Roland Corporation in the United States
and/or other countries.
• Company names and product names appearing in this
document are registered trademarks or trademarks of
their respective owners.
18
• In this manual, company names and product names
of the respective owners are used because it is the
most practical way of describing the sounds that are
emulated using DSP technology.
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