Behringer XENYX X1222USB User Manual [ru]

User Manual
X1222
Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface
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Table of Contents
Thank you .......................................................................2
Important Safety Instructions ...................................... 3
Legal Disclaimer ............................................................. 3
Limited warranty ............................................................ 3
1. Introduction ............................................................... 4
1.1 General mixing console functions ............................... 4
1.2 The user’s manual ............................................................... 5
1.3 Before you get started ...................................................... 5
2. Control Elements and Connectors .......................... 5
2.1 Mono channels .................................................................... 5
2.2 Stereo channels ................................................................... 7
2.3 Connector panel and main section ............................. 7
2.4 Graphic 7-band equalizer .............................................. 10
2.5 Rear view of X1222USB ................................................... 11
3. Digital Eects Processor and
XPQ Surround Function ............................................... 11
3.1 Digital eects processor ................................................. 11
3.2 XPQ surround function .................................................. 12
4. Installation ............................................................... 12
4.1 Rack mounting ................................................................... 12
4.2 Cable connections ........................................................... 12
5. Specications ........................................................... 13

Thank you

Congratulations! In purchasing the BEHRINGER XENYX you have acquired a mixer whose small size belies its incredible versatility and audio performance. The XENYX Series represents a milestone in the development of mixing console technology. With the new XENYX microphone preamps including phantom power as an option, balanced line inputs and a powerful eects section, themixing consoles in the XENYX Series are optimally equipped for live and studio applications. Owing to state-of-the-art circuitry, your XENYX console produces a warm analog sound that is unrivalled. With the addition of the latest digital technology, these best-in-class consoles combine the advantages of both analog and digital technology.
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9. Do not defeat the safety purpose of the polarized
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

Important Safety Instructions

Terminals marked with this symbol carry electrical current of su cient magnitude
to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modi cation should be performed only by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the enclosure-voltage that may be su cient to constitute a risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel.
Caution
To reduce the risk of  re or electric shock,
do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects  lled with liquids, suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed servicepersonnel.
or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. Ifthe provided plug does not  t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by themanufacturer.
12. Use only with the cart, stand, tripod, bracket, or table speci ed by the manufacturer, orsold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to quali ed service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has beendropped.
15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED. © 2013 MUSICGroupIPLtd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

For the applicable warranty terms and conditions and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at www.music-group.com/warranty.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND ARE PART OF THE MUSIC GROUP MUSICGROUP.COM. ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERSAND RESELLERS ARE NOT AGENTS OF MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
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1. Introduction

FBQ Feedback Detection System
The FBQ Feedback Detection System, integrated into the graphic equalizer, is one of the most outstanding characteristics of this mixing console. This ingenious circuitry lets you immediately recognize and eliminate feedback frequencies. TheFBQ Feedback Detection System uses the LEDs in the frequency band faders of the graphic EQ to indicate the critical frequencies. This way, what once used to be a labor-intensive search for feedback frequencies is now an activity that even a child could master.
The microphone channels feature high-end XENYX Mic Preamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features:
• 130 dB dynamic range for an incredible amount of headroom
• A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear
reproduction of even the nest nuances
• The extremely low-noise and distortion-free circuitry guarantees absolutely
natural and transparent signal reproduction
• They are perfectly matched to every conceivable microphone with up to
60dB gain and +48 volt phantom power supply
• They enable you to use the greatly extended dynamic range of your
24-bit/192 kHz HD recorder to the full, thereby maintaining optimal audioquality
“British EQ”
The equalizers used for the XENYX Series are based on the legendary circuitr y of top-notch consoles made in Britain, which are renowned throughout the world for their incredibly warm and musical sound character. Even with extreme gain settings these equalizers ensure outstanding audio properties.

1.1 General mixing console functions

A mixing console fulls three main functions:
• Signal processing:
Preamplication
Microphones convert sound waves into voltage that has to be amplied several-fold; then, this voltage is turned into sound that is reproduced in a loudspeaker. Because micro phone capsules are very delicate in their construction, output voltage is very low and therefore susceptible to interference. Therefore, mic signal voltage is amplied directly at the mixer input to a higher signal level that is less prone to interference. This higher, interference-safe signal level has to be achieved through amplication using an amplier of the highest quality in order to amplify the signal and add as little noise to it as possible. The XENYX Mic Preamp performs this role beautifully, leaving no traces of noise or sound coloration. Interference that could take place at the preamplication level could aect signal quality and purity, and would then be passed on to all other devices, resulting in inaccurate sounding program during recording or playback.
Level-setting
Signals fed into the mixer using a DI-box (Direct Injection) or the output of a sound card or a keyboard, often have to be adjusted to the operating level of your mixing console.
Frequency response correction
Using the equalizers found in each channel strip, you can simply, quickly and eectively adjust the way a signal sounds.
Eects mixing
In addition to the eec ts processor contained in your mixer, using the insert connectors on the mono channels and both aux busses lets you insert additional signal processors into your signal path.
Multi-eects processor
Additionally, your XENYX mixing console has an eects processor with 24-bit A/Dand D/A converters included, which gives you 16 presets producing rst-class reverb, delay and modulation eec ts plus numerous multi-eects in excellent audio quality.
The XENYX mixing consoles are equipped with a state-of-the-art switched­mode power supply (SMPS). Unlike conventional circuitry an SMPS provides an optimum supply current regardless of the input voltage. And thanks to its considerably higher eciency a switched-mode power supply uses less energy than conventional power supplies.
CAUTION!
We would like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAINMIX faders and the PHONES control in the main section fully down before you switch on the unit. Always be careful to set the appropriate volume.
• Signal distribution:
Individual signals adjusted at each channel strip are laid out at the aux sends and returns, and are either fed into external eects processors or fed back to the internal eects processor. Then, the signals are brought back into the main mix either via the aux return connectors or via direct internal wiring. The mix for the on-stage musicians is also created using the aux sends (monitor mix). Similarly,for example, signals for recording equipment, power ampli ers, headphones and 2-track outputs can also be taken.
• Mix:
All other mixing console functions fall under this vital categor y. Creating a mix means primarily adjusting the volume levels of individual instruments and voices to one another as well as giving them the appropriate weight within the overall frequency spectrum. Likewise, you’ll have to sensibly spread individual voices across the stereo image of a signal. At the end of this process, adjusting the level of the entire mix to other equipment in the signal path is required (e.g. recorder/crossover/amplier).
The interface of BEHRINGER mixing consoles is optimized for these tasks, enabling you to easily keep track of the signal path.
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1.2 The user’s manual

The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function.

1.3 Before you get started

1.3.1 Shipment
Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit.
If the unit is damaged, please do NOT return it to us, but notify your
dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.
1.3.2 Initial operation
Be sure that there is enough space around the unit for cooling purposes and to avoid over-heating. Please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the mains via the supplied power cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating.
Please note that all units must be properly grounded. For your own
safety, you should never remove any ground connectors from electrical devices or power cables, or render them in operative.
Please ensure that only qualified people install and operate the
mixing console. During installation and operation, the user must have sufficient electrical contact to earth, otherwise electrostatic discharges might affect the operation of the unit.
1.3.3 Online registration
Please do remember to register your new BEHRINGER equipment right af ter your purchase by visiting behringer.com (alternatively behringer.de) and kindly read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contac t information is included in the original equipment packaging (Global Contact Information/European Contact Information). Shouldyour country not be listed, please contact the distributor nearest you. Alist of distributors can be found in the support area of our website (behringer.com).
Registering your purchase and equipment with us helps us process your repair claims quicker and more eciently.
Thank you for your cooperation!

2. Control Elements and Connectors

This chapter describes the various control elements of your mixing console. Allcontrols, switches and connectors will be discussed in detail.

2.1 Mono channels

2.1.1 Microphone and line inputs
Fig. 2.1: Connector s and controls of mic /line inputs
MIC
Each mono input channel oers a balanced microphone input via the XLR connector and also features switchable +48 V phantom power supply for condenser microphones. The XENYX preamps provide undistorted and noise-free gain as is typically known only from costly outboard preamps.
Please mute your playback system before you activate the phantom
power supply to prevent switch-on thumps being directed to your loud speakers. Please also note the instructions in chapter 2.5 “Rear view of X1222USB”.
LINE IN
Each mono input also features a balanced line input on a ¼" connector. Unbalanced devices (mono jacks) can also be connected to these inputs.
Please remember that you can only use either the microphone
or the line input of a channel at any one time. You can never use both simultaneously!
INSERT
Insert points enable the processing of a signal with dynamic processors or equalizers. They are sourced pre-fader, pre-EQ and pre-aux send. Unlike reverb or other eects devices, whose signals are usually added to the dry signal, dynamicprocessors are most eec tive on the complete signal. In this case, auxsend paths are a less-than-perfec t solution. It is better to interrupt the signal path and insert a dynamic processor and/or equalizer. After processing, the signal is routed back to the console at precisely the same point it left. However, thechannel signal path is interrupted only if a plug is inserted into the corresponding jack (stereophone plug: tip = signal output; ring = return input). All mono input channels are equipped with inserts.
Inserts can also be used as pre-EQ direct outputs, without interrupting the signal path. To this end, you will need a cable tted with mono phone plugs on the tape machine or eects device end, and a bridged stereo phone plug on the console side (tip and ring connected).
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