Congratulations! In purchasing the BEHRINGER XENYX you have acquired a
mixer whose small size belies its incredible versatility and audio performance.
The XENYX Series represents a milestone in the development of mixing console
technology. With the new XENYX microphone preamps including phantom power
as an option, balanced line inputs and a powerful eects section, themixing
consoles in the XENYX Series are optimally equipped for live and studio
applications. Owing to state-of-the-art circuitry, your XENYX console produces
a warm analog sound that is unrivalled. With the addition of the latest digital
technology, these best-in-class consoles combine the advantages of both analog
and digital technology.
3XENYX X1222USB User Manual
9. Do not defeat the safety purpose of the polarized
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
4XENYX X1222USB User Manual
1. Introduction
FBQ Feedback Detection System
The FBQ Feedback Detection System, integrated into the graphic equalizer, is one
of the most outstanding characteristics of this mixing console. This ingenious
circuitry lets you immediately recognize and eliminate feedback frequencies.
TheFBQ Feedback Detection System uses the LEDs in the frequency band faders
of the graphic EQ to indicate the critical frequencies. This way, what once used to
be a labor-intensive search for feedback frequencies is now an activity that even
a child could master.
The microphone channels feature high-end XENYX Mic Preamps that compare
well with costly outboard preamps in terms of sound quality and dynamics and
boast the following features:
• 130 dB dynamic range for an incredible amount of headroom
• A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear
reproduction of even the nest nuances
• The extremely low-noise and distortion-free circuitry guarantees absolutely
natural and transparent signal reproduction
• They are perfectly matched to every conceivable microphone with up to
60dB gain and +48 volt phantom power supply
• They enable you to use the greatly extended dynamic range of your
24-bit/192 kHz HD recorder to the full, thereby maintaining optimal
audioquality
“British EQ”
The equalizers used for the XENYX Series are based on the legendary circuitr y of
top-notch consoles made in Britain, which are renowned throughout the world
for their incredibly warm and musical sound character. Even with extreme gain
settings these equalizers ensure outstanding audio properties.
1.1 General mixing console functions
A mixing console fulls three main functions:
• Signal processing:
Preamplication
Microphones convert sound waves into voltage that has to be amplied
several-fold; then, this voltage is turned into sound that is reproduced
in a loudspeaker. Because micro phone capsules are very delicate in their
construction, output voltage is very low and therefore susceptible to
interference. Therefore, mic signal voltage is amplied directly at the mixer
input to a higher signal level that is less prone to interference. This higher,
interference-safe signal level has to be achieved through amplication
using an amplier of the highest quality in order to amplify the signal and
add as little noise to it as possible. The XENYX Mic Preamp performs this
role beautifully, leaving no traces of noise or sound coloration. Interference
that could take place at the preamplication level could aect signal quality
and purity, and would then be passed on to all other devices, resulting in
inaccurate sounding program during recording or playback.
Level-setting
Signals fed into the mixer using a DI-box (Direct Injection) or the output of a
sound card or a keyboard, often have to be adjusted to the operating level of
your mixing console.
Frequency response correction
Using the equalizers found in each channel strip, you can simply, quickly and
eectively adjust the way a signal sounds.
Eects mixing
In addition to the eec ts processor contained in your mixer, using the
insert connectors on the mono channels and both aux busses lets you insert
additional signal processors into your signal path.
Multi-eects processor
Additionally, your XENYX mixing console has an eects processor with 24-bit
A/Dand D/A converters included, which gives you 16 presets producing rst-class
reverb, delay and modulation eec ts plus numerous multi-eects in excellent
audio quality.
The XENYX mixing consoles are equipped with a state-of-the-art switchedmode power supply (SMPS). Unlike conventional circuitry an SMPS provides
an optimum supply current regardless of the input voltage. And thanks to its
considerably higher eciency a switched-mode power supply uses less energy
than conventional power supplies.
CAUTION!
We would like to draw your attention to the fact that extreme volumes may
damage your hearing and/or your headphones or loudspeakers. Turn the
MAINMIX faders and the PHONES control in the main section fully down before
you switch on the unit. Always be careful to set the appropriate volume.
• Signal distribution:
Individual signals adjusted at each channel strip are laid out at the aux
sends and returns, and are either fed into external eects processors or fed
back to the internal eects processor. Then, the signals are brought back
into the main mix either via the aux return connectors or via direct internal
wiring. The mix for the on-stage musicians is also created using the aux
sends (monitor mix). Similarly,for example, signals for recording equipment,
power ampli ers, headphones and 2-track outputs can also be taken.
• Mix:
All other mixing console functions fall under this vital categor y. Creating a
mix means primarily adjusting the volume levels of individual instruments
and voices to one another as well as giving them the appropriate weight
within the overall frequency spectrum. Likewise, you’ll have to sensibly
spread individual voices across the stereo image of a signal. At the end of
this process, adjusting the level of the entire mix to other equipment in the
signal path is required (e.g. recorder/crossover/amplier).
The interface of BEHRINGER mixing consoles is optimized for these tasks,
enabling you to easily keep track of the signal path.
5XENYX X1222USB User Manual
1.2 The user’s manual
The user’s manual is designed to give you both an overview of the controls, as
well as detailed information on how to use them. In order to help you understand
the links between the controls, we have arranged them in groups according to
their function.
1.3 Before you get started
1.3.1 Shipment
Your mixing console was carefully packed in the factory to guarantee safe
transport. Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage, which may have
occurred during transit.
◊ If the unit is damaged, please do NOT return it to us, but notify your
dealer and the shipping company immediately, otherwise claims for
damage or replacement may not be granted.
1.3.2 Initial operation
Be sure that there is enough space around the unit for cooling purposes and to
avoid over-heating. Please do not place your mixing console on high-temperature
devices such as radiators or power amps. The console is connected to the mains
via the supplied power cable. The console meets the required safety standards.
Blown fuses must only be replaced by fuses of the same type and rating.
◊ Please note that all units must be properly grounded. For your own
safety, you should never remove any ground connectors from electrical
devices or power cables, or render them in operative.
◊ Please ensure that only qualified people install and operate the
mixing console. During installation and operation, the user must have
sufficient electrical contact to earth, otherwise electrostatic discharges
might affect the operation of the unit.
1.3.3 Online registration
Please do remember to register your new BEHRINGER equipment right af ter your
purchase by visiting behringer.com (alternatively behringer.de) and kindly read
the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to have it repaired as
quickly as possible. To arrange for warranty service, please contact the retailer
from whom the equipment was purchased. Should your BEHRINGER dealer not
be located in your vicinity, you may directly contact one of our subsidiaries.
Corresponding contac t information is included in the original equipment
packaging (Global Contact Information/European Contact Information).
Shouldyour country not be listed, please contact the distributor nearest
you. Alist of distributors can be found in the support area of our website
(behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims quicker and more eciently.
Thank you for your cooperation!
2. Control Elements and Connectors
This chapter describes the various control elements of your mixing console.
Allcontrols, switches and connectors will be discussed in detail.
2.1 Mono channels
2.1.1 Microphone and line inputs
Fig. 2.1: Connector s and controls of mic /line inputs
MIC
Each mono input channel oers a balanced microphone input via the XLR
connector and also features switchable +48 V phantom power supply for
condenser microphones. The XENYX preamps provide undistorted and noise-free
gain as is typically known only from costly outboard preamps.
◊ Please mute your playback system before you activate the phantom
power supply to prevent switch-on thumps being directed to your
loud speakers. Please also note the instructions in chapter 2.5
“Rear view of X1222USB”.
LINE IN
Each mono input also features a balanced line input on a ¼" connector.
Unbalanced devices (mono jacks) can also be connected to these inputs.
◊ Please remember that you can only use either the microphone
or the line input of a channel at any one time. You can never use
both simultaneously!
INSERT
Insert points enable the processing of a signal with dynamic processors or
equalizers. They are sourced pre-fader, pre-EQ and pre-aux send. Unlike reverb
or other eects devices, whose signals are usually added to the dry signal,
dynamicprocessors are most eec tive on the complete signal. In this case,
auxsend paths are a less-than-perfec t solution. It is better to interrupt the
signal path and insert a dynamic processor and/or equalizer. After processing,
the signal is routed back to the console at precisely the same point it left.
However, thechannel signal path is interrupted only if a plug is inserted into the
corresponding jack (stereophone plug: tip = signal output; ring = return input).
All mono input channels are equipped with inserts.
Inserts can also be used as pre-EQ direct outputs, without interrupting the signal
path. To this end, you will need a cable tted with mono phone plugs on the tape
machine or eects device end, and a bridged stereo phone plug on the console
side (tip and ring connected).
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