Behringer RX1202FX Brochure

Rackmount Mixers

EURORACK PRO
RX1202FX

EURORACK PRO Ultra Low-Noise Design
12-Input 2-bus Mic/Line Rack Mixer with
Premium Mic Preampliers and 24-Bit
Multi-FX Processor

Ultra-low noise ULN design, highest
possible headroom, ultra-transparent
audio

8 new state-of-the-art, studio-grade
IMP “Invisible” Mic Preamps with:

130 dB dynamic range for 24-bit,
192 kHz sampling rate inputs

Ultra-wide 60 dB gain range

Integrated 24-bit digital stereo FX
processor with 100 awesome presets
including reverb, chorus, anger,
delay, pitch shifter and various
multi-eects

Eective, extremely musical 2-band
EQ and Clip LED on all channels

4 balanced high-headroom
line inputs

State-of-the-art 4580 operational
ampliers provide lowest noise
and distortion—better than
4560 op amps

2 aux sends per channel: 1 pre fader
for monitoring applications, 1 post
fader for internal FX or as
external send

Looking for a versatile line/mic
mixer that ts in a rack AND eliminates
the need for tons of outboard gear?
The 12-channel RX1202FX is not only
rack mountable, but comes loaded with
a 24-bit multi-FX processor and 8 built-in
studio-grade IMP “invisible” mic preamps.
This mixer works perfectly for small bands
or churches, business conferences with
both microphone and A/V equipment
as well as sub-mixing keyboards, drums,
samplers or multiple vocal mics. It’s also
the ideal choice for monitoring multi­track recording projects.

Channel some serious mojo

Sometimes you feel like a mic…or a
sampler…or a drum machine. Sometimes
you don’t. Whatever the situation calls for,
the RX1202FX is ready to accommodate.
Each mono channel (1-8) features an
XLR input, a balanced ¼" mono input and
an INSERT jack for patching external signal
processors directly into the channel.

Mono channels feature a TRIM
control and CLIP LED to adjust the
input gain; a two-band EQ (HIGH, MID and

LOW controls); FX control to determine
how much of an eect to apply to the
channel; a PAN control; and a smooth
60 mm fader to determine the channel’s
level in the mix.

Stereo channels (9-12) feature left
and right balanced line level ¼" inputs
and the same front panel control as their
mono counterparts. And, as mentioned
above, they can be used as mono
inputs themselves.

Taking control

Smooth 60 mm faders and intuitive
rotary dials make it quick and simple
to create a killer mix. The MAIN MIX
fader adjusts the volume of the main
output signal while the dual 4-segment
LED ladder display gives a visual
representation of the signal level. The
PHONES jack features a dedicated
PHONES/CONTROL ROOM dial for
adjusting headphone volume. Push CD/
TAPE TO MIX to add backing tracks from
an MP3 or CD player, or to isolate a click
track or scratch track in headphones
while recording.

Continued on next page

CD/tape inputs assignable to main
mix or control room/phones outputs

Separate control room, phones and
stereo CD/tape outputs

Page 2 of 4

EURORACK PRO
RX1202FX

Balanced main mix outputs with
gold-plated XLR connectors

Switchable +48 V phantom power for
condenser microphones

Long-wearing 60 mm
logarithmic-taper faders and
sealed rotary controls

Internal switch-mode power
supply for maximum exibility
(100 – 240 V~), noise-free audio,
superior transient response plus
lowest possible power consumption
for energy saving

High-quality components and
exceptionally rugged construction
ensure long life

On the back panel, the LEFT and
RIGHT MAIN OUT XLR jacks can be used
to feed a recording device or PA system.
For live performances, keep pre-recorded
music cued up for between-set breaks by
connecting a CD player or MP3 player via
the stereo CD/TAPE IN jacks. If the band
wants a recording of their performance,
send signal to a recording device such
as a mini-disc recorder via the CD/TAPE
OUT jacks. Use the MON AUX SEND to
send signal to oor monitors in a live
setting, or to a headphone amp in a
recording setting. When it’s time for
playback of recorded material, send
signal to studio monitors through the
CTRL OUT jack.

TRIM control
adjusts input
gain via
Level Set LED

12 kHz
shelving
HIGH EQ

Smooth
60 mm
faders on all
channels

80 Hz
shelving
LOW EQ

If a recording session or live
performance calls for an eect
not programmed in the onboard
FX processor, send signal to an outboard
eects unit via the FX AUX SEND, then
feed the signal back to the RX1202
through the AUX RETURN jacks.

Eects, eortlessly

The FX/CTRL section puts sophisticated
digital eects at your ngertips. Use the
PROGRAM dial to scroll through the
eect presets, then use the FX TO MAIN
dial to govern how much of the eect is
heard in the summed signal of the mixer.
Push FX SOLO to hear only the eects signal
in your monitors or headphones.

Continued on page 4

FX PROGRAM
control
selects FX
presets

3-LED master
level meter
and channel
clip LED

FX TO MAIN
sends eects
to the
main mix

7-segment
LED FX
preset menu.

Conceived and designed by
BEHRINGER Germany

MON
produces a
mono mix
of individual
signals

Balanced
XLR MAIN
OUT

FX determines
level of eects
applied to a
channel

CTRL OUT
to studio
monitors

CD/TAPE TO MIX
assigns CD/tape
input to the main
mix. CD/TAPE
TO CTRL enables
monitoring of CD/
TAPE In via PHONES
output or monitors

Stereo channels
have balanced
¼" line level
inputs

BAL determines
the position
of the signal
in the stereo
image

PHONES/
CONTROL
ROOM control
CTRL OUT
and PHONES
outputs

Mono inputs
are balanced
¼" inputs

FX SOLO
sends
eects
through
headphones
or monitors

Channel INSERTs
for external
signal processors

60 mm
MAIN fader

Switchable
+48 phantom
power for
condenser mics

CD/
TAPE IN

CD/
TAPE
OUT

To external
eects
processor in

MON output
for oor
monitor or
headphones
amplier

From
external
eects
processor

Balanced XLR
microphone with
low-noise, high­headroom IMP
preamp