Thank you for shovwing condence in BEHRINGER products by
purchasing the DI800.
3ULTRA-DI PRO DI800 User Manual
9. Do not defeat the safety purpose of the polarized
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.
4ULTRA-DI PRO DI800 User Manual
1. Introduction
Be it on-stage or in the studio, musicians often look for ways to connect certain
signal sources directly to the mixing console. Even though this approach has
obvious advantages, there are still some technical hurdles obstructing its
implementation. For example, keyboards seldom feature balanced outputs,
andguitars can not be directly connected to mixing consoles because of the high
impedance of guitar signals.
A DI-box lets you directly tap into a high-impedance, unbalanced signal—
forexample, the signal between a guitar and a guitar amp. From there on,
youcan feed the signal directly to a mixing console.
There are active and passive DI-boxes. A passive DI-box is more aordable, but its
performance is highly dependent on the impedance of the equipment to which it
is connected. When the impedance on the mixing console’s end changes, so does
the impedance at the DI-box’s input. A passive DI-box only functions correctly
when the impedance of the connected equipment is exactly specied (high at the
input, low at the output).
On the other hand, active DI-boxes, such as the DI800, are not bound by these
limitations, since the signal located at the input is “buered” by an amplier.
The input impedance of the DI800 is extremely high. It does not inuence the
sound source and has absolutely no eect on the signal ow though the DI-box.
The output impedance is balanced and is very low, and the signal is far less
susceptible to picking up noise. The ULTRA-DI PRO always transmits signals
optimally, independent of the impedance of the connected equipment.
In addition to being powered by a mains connection, the ULTRA-DI PRO DI800 can
also run on phantom power provided by your mixing console.
1.1.2 Initial operation
Please make sure the unit is provided with sucient ventilation, and never place
the ULTRA-DI PRO on top of an amplier or in the vicinity of a heater to avoid the
risk of overheating.
◊ Before plugging the unit into a power socket, please make sure you
have selected the correct voltage:
The fuse compartment near the power plug socket contains three triangular
markings. Two of these triangles are opposite one another. The voltage indicated
adjacent to these markings is the voltage to which your unit has been set up,
and can be altered by rotating the fuse compartment by 180°. ATTENTION: This
does not apply to export models that were for example manufactured
only for use with 120 V!
◊ If you alter the unit’s voltage, you must change the fuse accordingly.
The correct value of the fuse needed can be found in the
chapter “Specifications”.
◊ Faulty fuses must be replaced with fuses of appropriate rating without
exception! The correct value of the fuses needed can be found in the
chapter “Specifications”.
Power is delivered via the cable enclosed with the unit. All required safety
precautions have been adhered to.
◊ Please make sure that the unit is grounded at all times. For your own
protection, you should never tamper with the grounding of the cable
or the unit itself. The unit shall always be connec ted to a mains socket
outlet with a protective earthing connection.
◊ To avoid damaging your loudspeakers, always first connect the DI-box
and only then open up the respective channel strip.
1.1 Before you get started
1.1.1 Shipment
Your ULTRA-DI PRO was carefully packed at the assembly plant to assure secure
transport. Should the condition of the cardboard box suggest that damage may
have taken place, please inspect the unit immediately and look for physical
indications of damage.
◊ Damaged units should NEVER be sent directly to us. Please inform the
dealer from whom you acquired the unit immediately as well as the
transportation company from which you took delivery of the unit.
Otherwise, all claims for replacement/repair may be rendered invalid.
◊ To assure optimal protection of your ULTRA-DI PRO during use or
transport, we recommend utilizing a carrying case.
◊ Please always use the original packaging to avoid damage due to
storage or shipping.
◊ Never let unsupervised children play with the ULTRA-DI PRO or with
its packaging.
◊ Please dispose of all packaging materials in an environmentally-
friendly fashion.
1.1.3 Warranty
Please take a few minutes and send us the completely lled out warranty
card within 14 days of the date of purchase. You may also register online at
behringer.com. The serial number needed for the registration is located at the top
of the unit. Failure to register your product may void future warranty claims.
1.1.4 Online registration
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warrantycarefully.
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty ser vice, please contact
the BEHRINGER retailer from whom the equipment was purchased. Should
your BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.
Thank you for your cooperation!
5ULTRA-DI PRO DI800 User Manual
2. Control Elements
The BEHRINGERULTRA-DI PRO features eight identically built channels.
Thecontrol elements described here refer therefore to all channels.
(1) The INPUT connector is used for connecting unbalanced as well as balanced
signal sources.
(2) Because both INPUT and LINK connectors are wired in parallel, the LINK TRS
connector can be used both as an input and as a direc t unbalanced output of
the INPUT signal. For the latter, you can for example connect LINK with the
input of a monitor amplier.
(3) The unbalanced input signal can be tapped into at the UNBAL OUT TRS
connector – after passing through the amplication circuitry (see (4) and (6)
). Essentially, the signal is identical to the signal located at the XLR output
in the back; the only dierence is that it is unbalanced and has therefore no
Ground Lift functionality (see (5) ).
(2)(4)(6)
(7)(5)(3)(1)
Fig. 2.1: Front panel cont rol elements
(4) The -30 dB attenuation switch increases the operating range of the DI800
considerably, from low signal levels of a high-impedance mic or a guitar,
allthe way to speaker connectors of a guitar amplier.
(7) Use the POWER switch to power up your DI800. The POWER switch should
always be in the “O” position when you are about to connect your unit to
the mains.
◊ To disconnect the unit from the mains, pull out the mains cord plug.
When installing the product, ensure that the plug is easily accessible.
If mounting in a rack, ensure that the mains can be easily disconnected
by a plug or by an all-pole disconnect switch on or near the rack.
(11)(10)
(9)(8)
Fig. 2.2: Rear p anel connecto rs
(8) The BAL OUT connectors (1 - 8) are the balanced mic-level outputs of
the channels 1 to 8. Use a high-quality balanced microphone cable to
establishconnection.
(9) The mains connection is achieved via the standard IEC connector. A matching
power cord is included.
(10) Serial NUMBER. The serial number is located on the top of the unit.
Pleasetake a few minutes and send to us a completely lled out
warranty card within 14 days of the original date of purchase. Otherwise,
warranty claims may be rendered invalid. Or ll out the warranty
information online at behringer.com.
◊ Use the -30 dB switch only when the DI800 starts distorting (and not
the mic preamp). When this is not the case, avoid using this func tion,
since the lowest amount of attenuation is desirable in order to obtain
the lowest signal-to-noise ratio possible.
(5) Using the GND LIFT switch, you can fully separate input and output
grounding. Depending on how the equipment to which your DI800 is
connected is grounded, using the GND LIFT switch lets you lower hum
noise or ground loops. When the GND LIFT switch is depressed, the ground
connection is interrupted (the LED is lit red). When the switch is in the
PHANTOM OR MAINS POWER ON setting, the LED is lit green (when the
GND LIFT switch is not pressed).
(6) The +20 dB switch increases the input signal level by 20 dB.
(11) FUSE COMPARTMENT/VOLTAGE SELECTION: Before plugging the unit into
a power socket, please make sure you have selected the correct voltage.
Faulty fuses must be replaced with fuses of appropriate rating without
exception. Some units feature a fuse compartment that can be operated
in two dierent positions, allowing alternating between 230 V and 120 V.
Attention: when using the unit outside of Europe (running on 120 V),
youhave to use a fuse with a higher rating (see chapter 5 “Specications”).
6ULTRA-DI PRO DI800 User Manual
3. Applications
3.1 Connecting a guitar/bass signal
DI600
Fig. 3.1: Guitar DI-box guitar amp/mixer
This illustration shows the standard application of a DI-box. The signal feeding the
amplier remains unchanged; it is simply taken and routed into the amp. Thelowimpedance balanced signal is for warded to the mic input of the mixing console.
This application has its advantages particularly with bass guitars, because very few
microphones can linearly transmit bass frequencies with high signal levels. If you
are using eects, insert the DI800 after the eec ts device, so that you can monitor
the eect s via the PA system or the recording as well.
3.2 Converting output signals of a keyboard,
DJ mixer, etc.
L
R
Microphone Input
Out
Link OutIn
3.3 Converting a microphone signal
Average-quality microphones often feature unbalanced, high-impedance
outputs. The DI800 lets you wire such mics to the mixing console using long
cables without running the danger of inducing hum or interference noise. Tothis
end, the microphone has to be connected to the input of the DI-box, and the
DI-box’s output needs to be connected to the mic input on the mixing console.
InOut
Fig. 3.3: Microphone connection
3.4 Taking a signal from a speaker output
Sometimes, you want to take a signal directly from a speaker output,
eventhough just one speaker output is available. By using the -30 dB switch on
the DI800, you can connect your mixing console to an amp output (up to 3,000
Watts into 4 Ohms), without worrying that the DI800 will be damaged due to
overload! If you are using a tube amp, you should connect a speaker or a similar
load resistance to the LINK output.
InIn
Out Out
Turn pan pots fully
(counter) clockwise
on microphone channels
Fig. 3.2: DJ mixer DI-box mixer
This conguration lends itself to use with a keyboard, DJ mixer or other mono/
stereo signal sources with line level, particularly when using long cables
(e.g. connecting to a FOH mixer). The signal can be looped through to another
amplier via the link output. Thus, you get a monitor signal that is independent
from the actual FOH signal (useful for keyboarders, DJs etc.).
-30 dB!
In
Out
+ (red / positive)
- (black / negative)
Fig. 3.4: Connec tion to a power amp out put
◊ Before connecting to a loudspeaker connector, please make sure that
the GROUND LIFT switch is in the ON position (no ground connection).
This prevents accidental shorting of the amp output. Besides, the tip
of the input connector should be connected to the speaker connector
marked with red. The metal casing of the DI800 should in no case have
physical contac t to other equipment.
7ULTRA-DI PRO DI800 User Manual
4. Audio Connections
◊ Please make sure that your DI800 is installed and handled only by
people with enough technical expertise. Assure that those operating
the unit during and after the installation are sufficiently grounded.
Otherwise, electrostatic charge may alter the performance of your
equipment or damage it permanently.
Balanced use with XLR connectors
12
3
input
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
1
2
3
output
For unbalanced use, pin 1 and pin 3
have to be bridged
Fig. 4.1: XLR connections
Unbalanced ¼" TS connector
strain relief clamp
sleeve
tip
5. Specications
Audio Inputs
Connections ¼" TS connector, unbalanced
Type DC-decoupled
Input impedance 1 MΩ
Max. input level +18 dBu/+48 dBu
(-30 dBu pad depressed)
Audio Outputs
Connections XLR, balanced ¼" TS connector,
unbalanced
Type electrically balanced output stage
Impedance 680 Ω, balanced
Max. output level +23 dBu, balanced
+16 dBu, unbalanced
System Specications
Frequency range 20 Hz to 120 kHz (± 3 dB)
Signal-to-noise ratio (SNR) -104 dBu
Power Supply
Voltage
sleeve
(ground/shield)
tip
(signal)
Fig. 4.2: ½" TS connec tor
Balanced ¼" TRS connector
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
ring
cold (-ve)
tip
hot (+ve)
For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.
USA/Canada 120 V~, 60 Hz
Europe/U.K./Australia 230 V~, 50 Hz
Japan 100 V~, 50 - 60 Hz
General export model 120/230 V~, 50 - 60 Hz
Power consumption 10 W
Fuse 100 - 120 V~: T 200 mA H 250 V
200 - 240 V~: T 125 mA H 250 V
Mains connection Standard IEC connector
Dimensions/Weight
Dimensions (H x W x D) approx. 8 ½ x 1 ¾ x 19"
approx. 215 x 44.5 x 482.6 mm
Weight approx. 5.3 lbs / 2.4 kg
Shipping weight approx. 7.1 lbs / 3.2 kg
BEHRINGER continuously strives to assure the highe st quality standards possible. Required modif ications may
be implement ed without prio r notice. Specifi cations and the app earance of the unit may dev iate from the above
values and/or illustrations.
Fig. 4.3: ¼" TRS connector
We Hear You
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