Behringer DI100 User Manual [ru]

1 ULTRA-DI DI100 User Manual
User Manual
ULTRA-DI DI100
Professional Battery/Phantom Powered DI-Box
2 ULTRA-DI DI100 User Manual
Thank you ................................................................................. 2
1. Control Elements ................................................................. 7
2. DI100 Congurations .......................................................... 8
2.1 Tapping signal from the (Bass) guitar ...................................... 8
2.2 Converting the output of a Keyboard / DJ-mixer /
Headphone plug ..................................................................................... 9
2.3 Converting a microphone from high impedance
unbalanced to low impedancebalanced .................................... 10
2.4 Tapping a signal from a power amplieroutput .............. 10
3. Specications......................................................................11

Thank you

Thank you very much for expressing your condence in Behringer products by purchasing the ULTRA-DI.
3 ULTRA-DI DI100 User Manual
Important Safety Instructions
Terminals marked with this symbol c arry electric al current of
sucient magnitude to constitu te risk of electric sho ck. Use only high-quality prof essional speaker cables with ¼" TS or twist-lock ing plugs pre-inst alled. Allother installation or modication should be perfo rmed only by qualiedper sonnel.
This symbol, wherever it appears,
alerts yo u to the presence of
uninsulated dangerous voltage inside the encl osure - voltage that may be sucient to con stitute a risk ofshock .
This symbol, wherever it appears,
alerts you to important operating
and maintenance instructions in the accompanying literature. Please read themanual.
Caution
To reduce the risk of ele ctric
shock, do not r emove the top cover (or the rear sec tion). No user serviceable part s inside. Refer servicing to qualiedpersonnel.
Caution
To reduce the risk of re o r
electr ic shock, do not expos e this appliance to rai n and moisture. Theapparat us shall not be exp osed to dripping or splash ing liquids and no objects lled with liquids, such as vases, shall b e placed on the apparatus.
Caution
These service instruc tions are
for use by quali ed service personne l only. Toreduce the risk of el ectric shock do not perform any servicing other than that contained in the operation instructions. Repairshave to b e performed by quali ed servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this appar atus nearwater.
6. Clean only with dry clot h.
7. Do not block any ve ntilation
openings. Install in accordance with the manufacturer’sinstructions.
8. Do not install near any heat sou rces such as radiato rs, heat registers, s toves, orother apparatus (including ampliers) thatproduceheat.
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9. Do not defeat the sa fety purpose of th e
polarized o r grounding-type plu g. Apolarized plug has two bl ades with one wider than the other. A grounding -type plug has two blad es and a third grounding prong. The wide blade or the third pr ong are provided for your s afety. Ifthe provide d plug does not t into your outlet, consult an electric ian for replacement of the obsole teoutlet.
10. Protect the power cord f rom being walked on or pinc hed particularly at p lugs, convenience receptacles, and the point where they exit f rom theapparatus.
11. Use only attachments/accessories specied b y themanufacturer.
12. Use only with the cart , stand, tripod, bracket, ort able specied b y the manufac turer, orsold
with the apparatus. When a car t is used, usecaution wh en moving the cart/apparatus combination to avoid injury from tip -over.
13. Unplug this apparatus during lightning storms or when unused for long periods oftime.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus ha s been damaged in any way, such as power sup ply cord or plug is damaged, liquid has been s pilled or objects have f allen into the appar atus, the apparatus has be en expose d to rain or moisture, does not o perate normally, orhas bee ndropped.
15. The app aratus shall be connecte d to a MAINS socket ou tlet with a protect ive earthingconnection.
16. Where th e MAINS plug or an appliance coup ler is used as the disconnect device, thedisconne ct device shall remain readilyoperable.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARKTEKNIK, MIDAS, BUGERA, ANDTURBOSOUND ARE PART OF TH E MUSIC GROUP MUSIC GROUP.COM. ALL TRADEMAR KS ARE THE PROPER TY OF THEIR RESPECTI VE OWNERS. MUSICGRO UP ACCEPTS NO LIABILITY FOR ANY LOSS WH ICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPO N ANY DESCRIP TION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORSAND SPECIFICATIONS MAY VARY FROM ACT UAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERS AND RESELLERS ARE NOT AGENT S OF MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSICGRO UP BY ANY EXPRE SS OR IMPLIED UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MAN UAL MAY BE REPRODUCED OR
5 ULTRA-DI DI100 User Manual
TRANS MITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FORANY PURPOSE, WITHOUT THE EXPRESS WRIT TEN PERMISSION OF MUSICGRO UPIPLTD.
ALL RIGHTS RESERVED. © 2013 MUSICGRO UPIPLTD. TRIDENT CHAMBERS, WICKHAMS CAY, P.O. BOX 146, ROAD TOWN, TORTOLA, BRITISHVIRGIN ISLANDS
LIMITED WARRANTY
For the applic able warranty terms a nd conditions and additional information regarding MUSIC Gr oup’s Limited Warranty, please see co mplete details online at www.music-group.com/warranty.
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Welcome to BEHRINGER!
DI stands fo r Direct Inject ion. On stage or in the st udio there are sources you w ant to connect to your mixer that are not e quipped with a suita ble connection. Keybo ards seldom have properl y balanced outputs . Guitars cannot be di rectly plugged into a m ixer and placing a micropho ne in front of a backline is not always ideal. A microphone picks up ambient noise such as other instruments. Lowfrequen cies (such as from a bass gui tar) are especially dic ult for a microphone to hand le.
A DI-box makes it p ossible to tap a signal from a high impedance unbalanced line, for instance the signal from a guitar to a guitar amplier, and injec t it directly into the mixer’s input without having to use a microphone. But that’s not all, there are lots of situations where you want to injec t the signal coming from an unbalanced source dire ctly into your mixer and preferably balanced, too. Thatisthe application of a Direct Injection box.
Impedance is the electric al frequency dependent resistance of a device combined with its phase response. It is a literally complex matter. That is why a good DI-box is dis tinguishable from a bad one. A s with a power amplier and speakers the impedance to a device determines the perf ormance. With a good power ampli er the load impedance only aects the ma ximum power output. Whereason some ot her devices the impedance governs other properties as well. With a trans former as used in a DI-box, the connected impedances (in and out) inuencethe bandwidth, frequenc y response, distortion, etc.
There are t wo basic types of DI-b oxes, passive and active. Bot h active and passive DI boxe s are designed to b e connected to the consol e’s microphone i nput. Apassive DI box has the adv antage of being slight ly lower in cost (lesselec tronics, no batter y facility) but their p erformance is highl y dependent on t he connected impedan ces. When the impedance on th e mixer side of a passive DI-box chang es, the impedance on the inpu t changes also. Notonly that, the f requency respon se changes, too. A p assive DI-box only works we ll at specied connec ted impedances, high in and low out, which m eans that they only work in a sta ndardapplication.
Active DI-boxes don’t have such restrictions. The signal coming from the input is buered with an amplier. The input impedance of the ULTRA-DI is ultra-high so it doesn’t aect the signal throughput at all. The output impedance of the Ultra-DI is b alanced and very low so that it is much less susceptible to picking up hum and noise. This way, the impedance for the signal source is independent from the impedance of the used mixer and vice vers a. There is no sound alteration. The t ransformer used is BEHRINGER´s renowned OT-1 witch guarantees distortion free, clean soun d and a at frequency response. Furthermore the BEHRINGER ULTRA-DI can be powered by your console’s phantom power or by battery and switches au tomatically between these two.
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◊ To avoid switching noise, you should mute the desk channel before activating
the DI100. Same applies when switc hing between batte ry and phantom power and vice versa.
The design of the DI100 includes four sturdy rubber feet which protect the unit (even during a unplanne d drop) and allow cables to run under neath. Italsoprovides liter ally a “ground lift ” so that the unit can be stacked on top ofanot her unit and other equipment without creating ground loops.

1. Control Elements

(1)
(2) (3) (4)
(7) (6) (8)
Fig 1.1: Front & Rear DI100
(1) With the ON/OFF switch you can switch the b attery power on and o to preserve
batter y life. Switched o the ultra-di will still work on phantom power. Switchedon, the ULTRA-DI will automatically switch between battery and phantom power. When the DI100 is operating on battery power the on/o LED will ash once every few seconds, when operating on phantom power the LED will light up continuously.
(2) INPUT. Connect the source to this ¼" jack to receive the signal. (3) To provide maximum exibility the ULTRA-DI is also t ted with an unbalanced XLR input
to connect t he source.
(4) LINK OUT. This is the unbalanced parallel output of the ULTRA-DI. Connec tthis to the
input of the backline or monitor amplier.
◊ The ¼" jacks (input and link out) and the Input XLR are wir ed parallel, so any
connection as input will give the same performance.
(5) The -20 dB attenuation switches greatly increase the operating range of the ULTRA-DI.
From the low-level signals of a high impedance microphone or guitar to the hot speaker terminals of a P. A. amplier. Depressing both will give 40 dB attenuation.
(5)
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◊ Only use the -20 dB switches if you are sure the ULT RA-D I is clipping (overloading)
and not your mic pre-amp. Always use as little attenuation as possible to get the best possible signal-to-noise ratio.
(6) OUTPUT. This is the balanced microphone level output of the ULTRA-DI. Connection to
the microphone input should be made with a standard high qualit y balanced cable.
◊ Never connec t pin 2 or 3 to pin 1 and never disconnect the shield from pin 1,
or the unit will not work on phantom power.
(7) Use the GROUND LIFT switch to either connect the ground of input and output or
keep them completely separate. Depending on the grounding of the connected devices linking or disconnecting will reduce hum or prevent ground loops. GROUND LIFT ON means no interconnection.
(8) BATTERY COMPARTMENT. Loosen the screw to open the compartment and to replace
the 9V batter y. When the ULTRA-DI is s witched on batter y power the LED blinks, when it stops blinking it is time to change the batter y.
2. DI100 Congurations
The next section will show several dierent ways the ULTRA-DI can be hooked up.

2.1 Tapping signal from the (Bass) guitar

Microphone Input
Out
In
DI100
Fig 2.1: Guitar ➟ DI ➟ Guitar Amp/Mixerv
Link Out
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This gure shows the standard application of any direct injec tion box. The signal to the amplier is unaected, it is just tapped o to be routed to the mic rophone input of the mixer. Especially bass guitars benet from this application. It is dicult to nd a microphone which handles high leve l low frequencies well and with a linear frequency response. Using the ULTRA-DI will give you c lean and crisp sound. Connec t the ULTRA-DI after any eects device s so that their e ect will be heard over the P.A.-system or on the recording. If t he mixer provides phantom power between 20 V and 52 V, the internal battery of the DI100 will automatically be detached. You should chose this possibility whenever possible to save battery power.

2.2 Converting the output of a Keyboard / DJ-mixer / Headphone plug

In Out
L
In
R
Fig 2.2: DJ- mixer ➟ 2 x DI ➟ mixer
To Monitor
Out
Microphone Inputs panned Left & Right
This conguration can be used with a keyboard, DJ- mixer, headphone output, drum kit or any (stereo or mono) line source. In all cases where you want to run long lines, for inst ance to the FOH (Front Of House) desk. In most cases the bes t setting is achieved by depressing one of the -20 dB pad buttons to avoid overloading the FOH desk input. The signal can be linked through to another amplier, if the keyboard player / DJ / etc. wants to have a monitor connecte d independent of the foldback mix. The ULTRA-DI ac ts as both a ground isolator and an unbalanced to balanced converter.
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2.3 Converting a microphone from high impedance unbalanced to low impedancebalanced
Sometimes all that’s available (especially when all other mics are in use) is a unbalanced high impedance mic rophone with an unbalanced jack. With the ULTRA-DI long cable runs to the console can be established without fear of picking up noise and hum. Just plug the jack into the input and conne ct the output to the console’s mic in.
2.4 Tapping a signal from a power amplieroutput
When no line out is available it is possible to connect an amplier outpu t directly to the DI100 (for example, recording direc t from a guitar amplier, TV-speaker, etc). It is possible to connec t the output, i.e an extra speaker output, of up to 3000 Watts to the ULTRA-DI without fear of overloading. Pay attention to the t wo -20 dB buttons on t he ULTRA-DI! Both must be depress ed if an amplier output is connec ted to the DI100 input.
+ Red or positive post
- Black or negative post
Fig 2.3: Conne ction to an am plier outp ut
To DI100 input
◊ Always make sure the ground lift is on (no grou nd link) when connecting to speaker
terminals. This prevents accidental short-circuiting of the amplifier output. Also make sure the Tip of the inpu t jack is connected to the red terminal and that the metal housing of the DI100 has no co ntact with other equipment.
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3. Specications
Frequency Response 10 Hz to 93 kHz
Noise Level -110 dBu
THD + N @ 1 kHz / 0 dBu < 0,005 %
Input Impedance > 250 kOhm
Load Impedance > 600 Ohm
Inputs ¼" jack unbal.
In/Link Out XLR unbalanced In
Output XLR balanced Out
Maximum Inpu t level +10/ +30/ +50 dBu
Power supply
Phantom power 18 V DC to 48 V DC
Batter y 9 V blockcell 6LR91
Dimensions 150 x 130 x 60 mm
Weight ca. 650 g
BEHRING ER is constant ly strivin g to maintain the h ighest prof essional st andards. As a r esult of thes e effor ts, modif ications may b e made fro m time to time to ex isting pro ducts wit hout prior no tice. Specif ications an d appearance ma y differ f rom those lis ted or shown.
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