Arcam AVR400 User Manual

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AVR400

H A N D B O O K AVR surround amplier

AVR400

H A N D B O O K AVR surround amplier

English

safety



 

  

CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified service personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

The lightning flash with an arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket and insert the plug fully into the socket.



  

 

Class II product

is equipment is a Class II or double insulated electrical appliance. It has been designed in such a way that it does not require a safety connection to electrical earth (‘ground’ in the U.S.).

Important safety instructions

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

Unplug the unit from the mains supply before cleaning.

e case should normally only require a wipe with a so, lint-free cloth. Do not use chemical solvents for cleaning.

We do not advise the use of furniture cleaning sprays or polishes as they can cause permanent white marks.

7. Do not block any of the ventilation openings.

Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding type plug.

A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. e wide blade or the third prong is provided for your safety. When the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience

receptacles, and the point where they exit from the apparatus.

11. Only use the attachments/accessories specied by the manufacturer.

12. Use only with a cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualied service personnel.

Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15. Object or liquid entry

WARNING – Take care that objects do not fall and liquids are not spilled into the enclosure through any openings. e equipment shall not be exposed to dripping or splashing. Liquid-lled objects such as vases should not be placed on the equipment.

16. Service Instructions

CAUTION – ese servicing instructions are for use by qualied service personnel only. To reduce the risk of

electric shock, do not perform any servicing other than that contained in the operating instructions unless you are qualied to do so.

17. Climate

e equipment has been designed for use in moderate climates and in domestic situations. Unplug this equipment during lightning storms to prevent possible damage from a strike or mains surge.

18. Power sources

Only connect the equipment to a power supply of the type described in the operating instructions or as marked on the equipment.

e primary method of isolating the equipment from the mains supply is to remove the mains plug. e equipment must be installed in a manner that makes disconnection possible.

19. Power-cord protection

Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them. Pay particular attention to the point where they exit from the equipment.

20. Power lines

Locate any outdoor antenna/aerial away from power lines.

21. Speaker connections

Any speakers must be connected to the AVR400 using class II wire (i.e. no connection to Earth should be made). Failure to observe this precaution may cause the unit to become damaged.

22. Non-use periods

If the equipment is not being used for an extended period, we recommend that you unplug the power cord of the equipment from the outlet, to save power.

23. Abnormal smell

If an abnormal smell or smoke is detected from the equipment, turn the power o immediately and unplug the equipment from the wall outlet. Contact your dealer and do not reconnect the equipment.

CAUTIONS ON INSTALLATION

For proper heat dispersal, do not install this unit in a conned space, such as a bookcase or similar enclosure.

• More than 0.3 m (12 in.) is recommended.

• Do not place any other equipment on this unit.

Wall

E-2

FCC INFORMATION FOR US CUSTOMERS

1. PRODUCT

is product complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) is device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

2. IMPORTANT NOTICE: DO NOT MODIFY THIS PRODUCT

is product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modication not expressly approved by ARCAM may void your authority, granted by the FCC, to use the product.

3. NOTE

is product has been tested and found to comply with the limits for a Class B digital device, persuant to Part 15 of the FCC Rules. ese limits are designed to provide reasonable protection against harmful interference in a residential installation.

is product generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this product does cause harmful interference to radio or television reception, which can be determined by turning the product OFF and ON, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the product into an outlet on a circuit dierent from that to which the receiver is connected.

• Consult the local retailer authorized to distribute this type of product or an experienced radio/TV technician for help.

English

SAFETY INFORMATION FOR EUROPEAN CUSTOMERS

• Avoid high temperatures. Allow for sucient heat dispersion when installed in a rack.

• Handle the power cord carefully. Hold the plug when unplugging the cord.

• Keep the unit free from moisture, water, and dust.

• Unplug the power cord when not using the unit for long periods of time.

• Do not obstruct the ventilation holes.

• Do not let foreign objects into the unit.

• Do not let insecticides, benzene, and thinner come in contact with the unit.

• Never disassemble or modify the unit in any way.

• Ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, tablecloths or curtains.

• Naked ame sources such as lighted candles should not be placed on the unit.

• Observe and follow local regulations regarding battery disposal.

• Do not expose the unit to dripping or splashing uids.

• Do not place objects lled with liquids, such as vases, on the unit.

• Do not handle the mains cord with wet hands.

• When the switch is in the OFF position, the equipment is not completely switched o from MAINS.

• e equipment shall be installed near the power supply so that the power supply is easily accessible.

A NOTE ABOUT RECYCLING:

is product’s packaging materials are recyclable and can be reused. Please dispose of any materials in accordance with the local recycling regulations.When discarding the unit, comply with local rules or regulations.

Batteries should never be thrown away or incinerated but disposed of in accordance with the local regulations concerning battery disposal.

is product and the supplied accessories, excluding the batteries, constitute the applicable product according to the WEEE directive.

CORRECT DISPOSAL OF THIS PRODUCT

ese markings indicate that this product should not be disposed with other household waste throughout the EU.

To prevent possible harm to the environment or human health from uncontrolled waste disposal and to conserve material resources, this product should be recycled responsibly.

To dispose of your product, please use your local return and collection systems or contact the retailer where the product was purchased.

E-3

Contents

Safety ...........................................................E-2

Welcome .....................................................E-5

Before you begin .......................................E-6

Rear Panel Connectors .............................E-9

Audio/Video Connections .................... E-10

Connection Guide ................................................ E-14

Radio Connectors .................................. E-16

Other Connectors .................................. E-17

Speakers .................................................. E-18

Operation ................................................ E-20

Front Panel Operation .......................... E-22

Remote Control ......................................E-23

Essential Setup ....................................... E-32

Auto Speaker Setup...............................E-33

Setup Menus ........................................... E-34

Decoding Modes .................................... E-40

Dolby Volume ........................................................E-42

Tuner Operation .....................................E-44

Network/USB Operation....................... E-45

Multi-Room Set Up ................................ E-46

Multi-Room Connection Guide ...................... E-47

Customising the CR102 ........................E-48

Command Summary .......................................... E-51

Device Codes .........................................................E-51

Trouble shooting .................................... E-52

Specications.......................................... E-54

Product Guarantee ................................ E-55

Device Code Tables ....................................56

ank you and congratulations on purchasing your Arcam FMJ AVR400 Receiver.

Arcam has been producing specialist audio products of remarkable quality for over three decades and the new AVR400 Receiver is the latest in a long line of award winning Hi-Fi. e design of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected audio companies, to produce Arcam’s best performing range of products yet – designed and built to give you years of viewing and listening enjoyment.

is handbook is intended to give you a detailed guide to using the AVR400 Receiver. It starts by giving advice on installation, moves on to describe how to use the product and nishes with additional information on the more advanced features. Use the contents list shown on this page to guide you to the section of interest.

We hope that your FMJ receiver will give you years of trouble-free operation. In the unlikely event of any fault, or if you simply require further information about Arcam products, our network of dealers will be happy to help you. Further information can also be found on the Arcam website at www.arcam.co.uk.

e FMJ development team

welcome

English

Professional Installation?

It may be that the AVR400 has been installed and set up as part of your Hi-Fi installation by a qualied Arcam dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up, and move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.

DIY setup?

e AVR400 is a powerful and sophisticated piece of AV equipment. If you are setting the unit up yourself, it is recommended that you read this handbook thoroughly before beginning. For instance, correct speaker conguration and placement is a key to getting the most out of your AVR400 and making sure that all the elements of your system work in harmony.

E-5

before you

begin…

e AVR400 is a high-quality and high-performance home-cinema processor and amplier built to Arcam’s quality design and manufacturing standards. It combines digital processing with high-performance audio and video components to bring you an unrivalled home-entertainment centre.

e AVR400 allows switching and control of seven analogue and six digital audio sources in addition to internal AM, FM and DAB radio – as well as networked and USB audio sources – making it an ideal hub for both home-cinema and two-channel stereo systems.

Since many of these source components are also capable of generating video signals, the AVR400 includes broadcast-quality switching for HDMI, Composite, S-Video, RGB and Component video signals. BD-Audio and SACD can be connected via the multi-channel

input. Control of the AVR400 is either by front panel control buttons, IR remote control or RS232 port.

e CR102 remote control supplied with the AVR400 is an eight-device ‘universal’ learning remote control which is simple to use, and once set up is able to control a complete system. It can be programmed using its vast internal code library to control CD and BD players, PVRs, TVs and other devices.

e installation of the AVR400 in a listening room is an important process which requires care at every stage. For this reason, the installation information is very comprehensive and should be followed carefully to achieve an unrivalled level of performance.

e AVR400 receiver is designed to produce a level of performance that will truly bring music and movies to life.

E-6

Placing the unit

< Place the unit on a level, rm surface, avoiding

direct sunlight and sources of heat or damp.

< Do not place the AVR400 on top of a power

amplier or other source of heat.

< Do not place the amplier in an enclosed space

such as a bookcase or closed cabinet unless there is good provision for ventilation. e AVR400 will run warm during normal operation.

< Do not place any other component or item on top of

the amplier as this may obstruct airow around the heat-sink, causing the amplier to run hot. (e unit placed on top of the amplier would become hot, too.)

< Make sure the remote-control receiver on the front

panel display is unobstructed, otherwise this will impair the use of the remote-control. If line-of-sight is impractical, a remote-control repeater can be used with the rear panel connector (see page E-17).

< Do not place your record deck on top of this

unit. Record decks are very sensitive to the noise generated by mains power supplies which will be heard as a background ‘hum’ if the record deck is too close.

Power

e amplier is supplied with a moulded mains plug already tted to the lead. Check that the plug supplied ts your supply – should you require a new mains lead, please contact your Arcam dealer.

If your mains supply voltage or mains plug is dierent, please contact your Arcam dealer immediately.

e AVR400 can be switched for operation between 220–240V (switch position 230V) and 110–120V (switch position 115V).

NOTE

Ensure that the AVR400 is switched o and the power lead removed before changing the position of the voltage range switch.

Push the IEC plug end of the power cable into the socket on the back of the amplier, making sure that it is pushed in rmly. Plug the other end of the cable into your mains socket and, if necessary, switch the socket on.

e AVR400 can be turned on using the on the front panel. While switched on, the front panel LED will glow green.

Standby power

e AVR400 can be switched into standby mode using the 2 button on the CR102 remote control. While in standby mode the front panel LED will glow red and power consumption is less than 0.5 Watts.

While in Standby mode, it may be possible to hear a slight residual hum coming from the mains transformer inside the amplier. is is perfectly normal. However, if the unit is to be le unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

POWER switch

Interconnect cables

We recommend the use of high-quality screened cables that are designed for the particular application. Other cables will have dierent impedance characteristics that will degrade the performance of your system (for example, do not use cabling intended for video use to carry audio signals). All cables should be kept as short as is practically possible.

It is good practice when connecting your equipment to make sure that the mains power-supply cabling is kept as far away as possible from your audio cables. Failure to do so may result in unwanted noise in the audio signals.

For information on speaker cabling, please refer to the ‘Speakers’ section, beginning on page E-18.

Radio interference

e AVR400 is an audio device containing microprocessors and other digital electronics. It has been designed to very high standards of electromagnetic compatibility.

is is a Class A product. In a domestic environment this product may cause radio interference, in which case the user may be required to take adequate measures.

If the AVR400 causes interference to radio or television reception (which can be determined by switching the AVR400 o and on), the following measures should be taken:

< Re-orient the receiving antenna or route the antenna

cable of the aected receiver as far as possible from AVR400 and its cabling.

< Relocate the receiver with respect to the AVR400. < Connect the aected device and the AVR400 to

dierent mains outlets.

If the problem persists, please contact your Arcam dealer.

English

E-7

Trademark acknowledgements

Arcam is a registered trademark of A & R Cambridge Ltd.

Dolby Volume

Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are trademarks of Dolby Laboratories.

Dolby TrueHD, Digital, Digital Plus, PL IIx

Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, and the double-D symbol are trademarks of Dolby Laboratories.

DTS-HD Master Audio

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,929; 7,392,195; 7,272,567 & other U.S. and worldwide patents issued & pending. DTS and the Symbol are registered trademarks, & DTS-HD, DTS-HD Master Audio, and the DTS logos are trademarks of DTS, Inc. Product includes software. © DTS, Inc. All Rights Reserved.

DTS-HD High Resolution Audio

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,929 & other U.S. and worldwide patents issued & pending. DTS and the Symbol are registered trademarks, & DTS-HD, DTS-HD High Resolution Audio and the DTS logos are trademarks of DTS, Inc. Product includes software. © DTS, Inc. All Rights Reserved.

DTS Digital Surround ES|Neo:6|96/24

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,003,467; 7,212,872 & other U.S. and worldwide patents issued & pending. DTS, the Symbol, ES, and Neo:6 are registered trademarks & DTS Digital Surround, DTS 96/24 and the DTS logos are trademarks of DTS, Inc. Product includes software. © DTS, Inc. All Rights Reserved.

AAC/AAC Plus

aacPlus is a trademark of Coding Technologies. See www.codingtechnologies.com for more information.

FLAC

vTuner

MP3

iPod

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

- Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.

- Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.

- Neither the name of the Xiph.org Foundation nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE FOUNDATION OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

This product is protected by certain intellectual property rights of NEMS and BridgeCo. Use or distribution of such technology outside of this product is prohibited without a license from NEMS and BridgeCo or an authorized subsidiary.

MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson multimedia

iPod is a trademark of Apple Inc., registered in the US and other countries.

ROVI

HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

This item incorporates copy protection technology that is protected by U.S. patents and other intellectual property rights of Rovi Corporation. Reverse engineering and disassembly are prohibited.

E-8

rear panel

Digital connectors

Optical and electrical digital audio connectors, seepage E-11.

connectors

Audio connectors

Two-channel and multichannel, see page E-12.

Preamplier output

See page E-12

HDMI

For information, see page E-10.

Video connectors

Component, S-Video and Composite connectors, see page E-11.

Zone2 connection, see page E-11.

Speaker connectors

For information, see page E-19.

English

Aerials, control and communication

FM/AM/DAB radio, rLead/irDock, RS232, Network/USB, IR and trigger connectors, see page E-16, page E-17.

230V115V

Power inlet

Connect the correct mains cable here

Voltage select

Ensure the voltage selected matches your local power supply

NOTE

Please read the ‘Placing the unit’, ‘Power’ and ‘Interconnect cables’ sections on page E-7 before connecting up your AVR400 integrated amplier!

E-9

audio/video connections

Before connecting your AVR400 to your source components and speakers, please read through the next few pages which will explain all the input and output connectivity that is available. e ‘Speakers’ section explains how to connect up your speakers to avoid damage to the amplier and how to arrange your speakers for best performance.

General

e inputs are named to make it easier to reference connected devices (e.g. ‘BD’ or ‘VCR’). ey all have the same input circuit, so there is no reason why you should not connect a dierent device to any of the inputs. For example, if you had two BD players and the AV input was not being used, then the second BD player could be connected to the AV input.

When connecting a video source, its audio must be connected to the corresponding sockets. For example, if you a had a satellite decoder plugged into a input, the audio must be connected to the SAT audio inputs!

e hierarchy for video connections for best quality is as follows:

< HDMI < Component/RGB < S-Video < Composite.

For any video source to be available in Zone2 you must have a Composite connection between AVR400 and the source.

SAT video

HDMI connectors

AV, SAT, BD, VCR, PVR

Connect the HDMI video outputs of your source equipment to these corresponding HDMI inputs.

OUTPUT

Connect this output to the HDMI video input of your display device. is output is compatible with the HDMI 1.4 Audio Return Channel (ARC). If you have a supported television then sound from the television’s internal tuner (e.g. Freeview, Freesat, DVB-T) will be available using the AVR400’s “Display” input.

Important notes about Component/RGB video inputs and outputs

< When you connect your devices to these

connectors, take care to follow the letter/colour coding for each input. No damage will occur but incorrectly coloured or unstable pictures will result.

< e Component video inputs have sucient

bandwidth for NTSC (525/60) or PAL (625/50) video and HDTV video signals.

Making connections

< Wherever possible, connect both the analogue

and digital outputs of digital sources. is enables use of a digital input for the main zone and the corresponding analogue input for the Zone2 output.

< Take care to place cables as far from any power

supply cabling as is practicable, to reduce hum and other noise problems.

NOTE:

For each input, you must set the “Video Source” and “Audio Source” settings according to the connection type. (see “Input Cong.” on page E-35)

E-10

Component/RGB video connectors

Zone2 connectors

e Z2 out analogue audio connector can be used to connect the stereo audio output of the AVR400 to an amplier located in a second room. Connect the analogue video output to your Zone2 display equipment. See ‘Multi-room Setup’ on E-46 for information.

Digital audio connectors

English

ese inputs are suitable for connection to source devices which output Component (YUV or YPbPr) or RGB high quality analogue video signals. ese signals are usually available from BD players, set-top boxes or games consoles.

If you are connecting up to an RGB source you may also need to connect the source’s Composite output to the AVR400 Composite input to act as a video sync (‘RGB + Sync’ format). e Composite signal should be on the same named input as the RGB signals. e AVR400 is also compatible with ‘Sync on Green’ or ‘RGsB’ signals.

RGB video outputs on source equipment are oen on SCART connectors. You will need to use a SCART to ‘RGB+Sync on phono’ breakout cable, available from your Arcam dealer.

NOTE

When setting up the AVR400 menus (later in this manual), you will need to select whether the three-wire high quality video input is Component (‘Normal’), ‘RGsB’ or ‘RGB + Sync’ for each input. is is done on the ‘Component Mode’ line in the Input Cong menu. Failure to do this can result in a green looking picture or a picture that is unstable.

COMPONENT VIDEO IN SAT, AV, BD

Connect the Component video outputs of your source equipment to these inputs.

COMPONENT VIDEO OUT

Connect this output to the Component video input of your display device.

NOTE

Analogue RGB video output is not available from the AVR400. e analogue three-wire high quality video output is always congured as Component video.

S-Video and Composite connectors

AV, VCR, BD, SAT

Connect these inputs to the S-Video and Composite outputs of your available source equipment.

VCR, PVR, BD, CD, AV, SAT

Connect these inputs to the digital outputs of your available source equipment.

E-11

MCH input

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MUZ NDI LAYDI CM DINFKÐ IN U +M NU Ð V LUM +

 

is multi-channel analogue audio input can be connected to a source device which outputs surround sound on its analogue outputs. Such devices

typically include DVD-Audio and SACD players. is input does not pass through any of the audio processing in the AVR400, therefore functions such as speaker size and distance from the listening position should be copied from the AVR400 Setup menus into the Setup menus of your multi-channel source. Note however that speaker level trims are applied to the MCH input on the AVR400. erefore speaker level trim settings on multichannel source equipment should be le unset at zero.

Analogue pre-amplifier outputs

All pre-amplier analogue outputs are buered, have a low output impedance, are at line level and follow the Zone1 volume control setting. ey are able to drive

long cables or several inputs in parallel if required.

For more information on connecting speakers or additional power ampliers, see page E-18 and E-19.

Analogue audio inputs

AV, SAT, BD, VCR, PVR, CD

Connect the le and right inputs to the le and right outputs of your source equipment.

Front panel AUX input

e front panel AUX input can be used as an analogue or optical

PHONES

AUX

digital input.

For analogue sources, use a stereo

3.5mm lead; for digital sources use a 3.5mm optical lead. e front input is also used for the auto-setup microphone input.

Front panel PHONES socket

is socket accepts headphones with an impedance rating between 32 and 600, tted with a 3.5mm stereo jack plug. e headphone socket is always active, except when AVR400 is muted.

When the headphone jack is inserted, the speaker outputs and analogue pre-amplier outputs are automatically muted.

E-12

English

E-13

Connection guide

Blu-ray Disc (BD) / DVD player

e diagram shows how to make audio and video connections from a typical BD/DVD player.

e preferred video hook-up, in order of preference is:

use the HDMI connector (if HDMI output is

provided by the player), otherwise connect the three Component or four RGB+Sync video connectors.

use the S-Video connection if HDMI or Component

/RGB+Sync outputs are not provided by your player.

use the Composite connection if HDMI,

Component/RGB+Sync or S-Video are not provided by your player.

In each case, connect the video inputs labelled AVR400.

e preferred audio hook-up is using the coaxial digital connector (usually marked addition to the coaxial analogue outputs for le and right channels.

In each case, use the audio inputs labelled AVR400.

DIGITAL AUDI O OUT), in

Satellite receiver

A satellite receiver is connected in the same way as a BD player, with the same order of preference according to the outputs provided by the satellite receiver.

In each case, use the inputs labelled Note that digital audio input from a satellite receiver sometimes requires a coaxial/TOSLINK (digital connector) interconnect cable, as some satellite receivers do not implement audio over HDMI properly or at all.

SAT on the AVR400.

BD on the

CD player

Connect the digital audio output (if provided by the CD player) to the digital CD input of the AVR400, using a high quality coaxial interconnect cable.

Connect the right and le analogue audio outputs of the CD player to the analogue using a pair of high quality coaxial interconnect cables.

NOTE:

For each input, you must set the “Audio Source” setting according to the connection type. (see “Input Cong.” on page E-35)

CD inputs of the AVR400,

BD/SAT

E-14

Connecting an iPod using the Arcam irDock

e combination of the AVR400 and Arcam’s optional irDock or rLead accessory provides a great platform for your iPod.

Connect the irDock as shown, power on the irDock, slot in your iPod and select iPod as the source. Note that the default input is VCR but this can be changed in the General Setup menu.

Navigating through music and podcasts on your iPod is simple using the CR102 remote, with text appearing on the AVR400 display.

More information is given in the irDock quick start guide (or rLead quick start guide) supplied with these accessory units.

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E-15

radio

connectors

Aerial connectors

e AVR400 is tted with an AM/FM receiver module and a DAB receiver, depending on the region where it was sold. e type of aerial you need depends on your listening preferences and the local conditions.

Your AVR400 is capable of superb radio reception, but only if it is receiving a good quality transmission signal.

Try the aerials supplied with your unit. If you are in a medium to strong signal area, these should be adequate for good reception. In areas with poor signal strength, you may require a roof or lo mounted aerial.

Contact your local Arcam dealer or aerial installation experts for advice about local reception conditions.

DAB

(where tted) In strong signal areas,

the DAB ‘T’ wire aerial supplied can be used with reasonable results. Mount the aerial as high up as possible on a wall.

In the UK the ‘T’-elements need to be positioned vertically for

DAB reception since broadcasts are

vertically polarised. In other localities,

check with your Arcam dealer or try

both horizontal and vertical positions for best reception.

Try each usable wall of the room to see which gives best reception

and use tacks or adhesive tape

to secure the aerial in a ‘T’ shape, but note that no tacks

should come into contact with the

internal wire of the aerial.

When installed and receiving DAB,

check the signal strength by pressing

the front panel or remote control’s

INFO button until the signal quality

indicator is displayed.

In weak signal areas, a high-gain, externallymounted or roof-mounted aerial is desirable in order to receive the highest number of services.

In Band III transmission areas (such as the UK), use a multi-element Yagi aerial with the elements mounted vertically, as the transmissions are vertically polarised. If you are close to more than one transmitter, use an omnidirectional or folded dipole aerial.

If the DAB services in your area are transmitted on L-band, then ask your dealer for advice for the best aerial to use.

Connecting an aerial

A suitable FM aerial

must be connected to the AVR400 before FM radio can be received.

In strong signal areas, the wire FM aerial supplied can be used with

reasonable results.

When installed and

receiving FM radio, check the signal

strength by pressing the front panel or

remote control’s signal indicator is displayed.

In weak signal areas, or for optimal

FM radio reception, a roof- or lo-

mounted aerial is advised as this

will give superior reception.

In some areas, cable radio may be available or, in an apartment building, a distributed aerial system may be installed. In either of these cases you should have sockets in your home marked those marked TV); these should be connected to the FM coaxial connector on the rear of the AVR400.

INFO button until the

FM or VHF (do not use

Connecting an aerial

An AM aerial is required to receive AM/medium wave radio signals, so a simple loop aerial is supplied with the AVR400. Follow the assembly instructions in the diagram below.

Make sure that the aerial is positioned well away from the AVR400 itself, TVs, computers and other sources of RF ‘interference’. Rotate the aerial to discover which position gives the best reception.

3. Connect the lead wires to the AM socket at the rear of the AVR400 (the wires are not polarised). Rotate the aerial’s stand until you obtain the best reception.

2. Push the tab into the open slot in the base of the stand. Press until the tab clicks home.

E-16

1. Release the tie-wrap and unwind the twisted lead. Fold the plastic stand forward through the loop frame.

other

NOTE

Sockets referring to ‘Z2’ relate to connections used in multi-room installation. For more information on these connectors, see page E-46.

connectors

Data connectors

rLead/irDock

For use with an Arcam rLead or irDock accessory. See page E-15 and the accessory documentation for details.

RS232 serial connector

Use with control devices having an RS232 serial port (for example, Crestron and AMX touch screen controllers).

Network connector

is section deals with installation of the unit into an

existing home network. For information on how to use the AVR400’s network features, the USB socket, and for a list of supported le types, refer to page E-45.

Networking is a large subject and only the briefest guidelines are presented in this handbook. Please contact your Arcam dealer or specialist installer for more information about introducing the AVR400 into your computer network.

Ethernet

If an Ethernet cable is connected, the AVR400 will automatically attempt to connect to your network.

You should use CAT5 cable plugged into the RJ45 socket labelled

ETHER NET on the rear panel.

If your network uses static IP addressing rather than DHCP, you will need to provide IP address, gateway, DNS and proxy information. See page E-39 for information on setting up the network.

USB connector

e AVR400 can play les stored on a USB mass storage device, typically a pen drive, but any USB device that complies with the ‘mass storage device‘ class is compatible.

e AVR400 only supports the direct connection of USB devices and will not support devices connected through a hub. If regular access to the may nd it convenient to use a USB extension lead.

See page E-45 for details of supported le types.

USB socket is required, you

Trigger connectors

e trigger connectors (TRIG Z1 and

TRIG Z2) provide an electrical signal

whenever the AVR400 is switched on and the relevant zone enabled.

e trigger signal can be used to switch on and o compatible pieces of home entertainment equipment, for example, you could set up a trigger to turn on your television and BD player whenever the

AVR400 was switched on.

ere are two trigger output sockets on the AVR400, each capable of outputting a 12V, 70mA switching signal. e socket is designed for mono 3.5mm jacks: tip is the trigger output, sleeve is ground.

tip: Trigger output

sleeve: Ground

TRIG Z1

Use for remotely turning on and o power amps or source equipment for Zone1. On = 12V, O = 0V.

TRIG Z2

Use for remotely turning on and o power amps or source equipment for Zone2. On = 12V, O = 0V.

Infra-red (IR) connectors

e infra-red inputs (Z1 IR and Z2 IR) allow the connection of external IR receivers, either when the AVR400 front panel IR receiver is fully or partially obstructed or to allow the use of a remote control in Zone2.

ere are two IR inputs on the AVR400, each designed for stereo or mono 3.5mm jacks. Tip is the modulated signal, sleeve is ground.

tip: Modulated signal

sleeve: Ground

Z1 IR

is input is intended for use with a local IR receiver when the front panel of the AVR400 is blocked.

Connecting an IR receiver to panel IR receiver to prevent problems with multiple commands if the front panel IR receiver is only partially obstructed.

Z2 IR

is input is intended for use with an IR receiver in Zone2 to allow remote control of AVR400 from a second room.

A supplier of infra-red receivers and emitter accessories and systems is Xantech. See www.xantech.com for more information, or ask your Arcam dealer.

NOTE

e IR inputs on the AVR400 are designed for modulated signals. If the external IR receiver demodulates the IR signal, it will not work. Also the AVR400 does not provide power for external receivers on the IR jack, therefore an external power source will be required.

Z1 IR will disable to front

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E-17

speakers

e AVR400 allows you to connect up to seven speakers and an active subwoofer in the main system. e output channels correspond to speakers installed in the front le, centre, front right, surround le, surround right, surround back le, surround back right and an active subwoofer.

e conguration and placement of your speakers is very important. All speakers, with the exception of

the subwoofer, should be arranged around your normal viewing/listening position. e subwoofer should be placed in a position which gives an even frequency response in all listening positions. Incorrect placement leads to bass boom in some areas. Oen the only way to nd a good position for your subwoofer is by experimentation. A good place to start experimenting is close to a wall but at least 1m away from any corners. You can also consult your subwoofer handbook for placement suggestions.

Centre

e centre speaker allows for a more realistic reproduction of dialogue. e centre speaker

should have a similar tonal balance to the front

le and right speakers and be positioned at a

similar height.



Subwoofer

A subwoofer will greatly improve the bass performance of your system. is is useful for reproducing special cinema eects, especially where a dedicated LFE (Low Frequency Eects) channel is available, as with many discs encoded with Dolby or DTS technologies.

More than one subwoofer unit may be required for larger installations, particularly in rooms of a timber frame construction. Multiple subwoofers need care in placement because there may be cancellation eects between the units and you may require expert advice.







 

 

Front left and right

Position your front le and right speakers to achieve a good stereo image for normal musical reproduction as well as for the multichannel modes. If they are placed too close together there will be a lack of spaciousness; if they are placed too far apart a stereo image will appear to have a large ‘hole’ in the middle and will be presented in two halves. If there is no practical alternative to placing the speakers widely apart, this eect can be overcome in music reproduction by using the centre sound extraction from the le and right speakers (see Dolby Pro Logic II Music mode).

Surround back left and right

e surround back le and right speakers are used to add extra depth and better sound localisation and should be installed approximately one metre higher than the listener’s ears. Place the two surround back speakers such that there is an arc of approximately 150 degrees between each surround back speaker and the centre speaker. e surround back speakers should face the front of the room as shown in the diagram to provide the largest ‘sweet spot’.

E-18

Surround left and right

e surround le and right speakers reproduce the ambient sound and eects present in a multichannel home cinema system and should be installed slightly higher than the listener’s ears.

Connecting speakers

To connect each of the speakers, unscrew the corresponding terminals on the back of the AVR400, insert the speaker wires through the hole in each post and screw the terminals back up. Make sure that the red (positive/+) terminal of the speaker is connected to the red (positive/+) terminal on the back panel, and the black (negative/) terminal of the speaker is connected to the black (negative/) terminal on the back panel.

It is important that no stray strands of wire from these connections are allowed to touch another cable or the product casing. Failure to ensure this can cause a short circuit and damage your AVR400.

Do not over-tighten the loudspeaker terminals, or use a wrench, pliers, etc., as this could damage the terminals and this would not be covered under the product’s warranty.

Link MUST

be removed

Bi-Amping the Front Left & Right speakers

Bi-amping is the use of two amplier channels per speaker. Bi-amping can provide better sound quality than conventional single wiring. If you do not have Surround Back speakers (i.e. you have a 5.1 surround system, not a 7.1 system) then you can use the spare Surround Back speaker outputs to bi-amplify the front le and right speakers, if your speakers support bi-amping. e spare channels can alternatively be used to power stereo speakers in another room (Zone 2).

Speakers that support bi-amping have two sets of +/- terminals per speaker, usually linked together by metal strips. ese metal strips MUST be removed when bi-amping; failure to remove them will result in damage to the amplier that is not covered under warranty.

To bi-amp the front le and right speakers, remove the metal strips from the speaker terminals. Connect the woofer or LF terminals to the FL and FR terminals on the AVR400. Connect the tweeter or HF terminals to the SBL and SBR terminals on the AVR400. Finally, navigate to the Setup Menu “Spkr Types” and set the ‘Use Channels 6+7 for” menu option to “BiAmp L+R” — see page E-32.

SBL

SBR

Link MUST

be removed

Using external power ampliers

e internal power amplier of the AVR400 can be supplemented or replaced with external power amplication. Connect the PREAMP OUT sockets to your power amplier inputs:

English

FL, FR, C

Connect these to the equivalent (Right, Le and Centre) front channels of your power amplier.

SUB

Subwoofer output. Connect this to the input of your active subwoofer, if present.

SR, SL

Surround Right and Surround Le outputs. Connect these to the Surround Right and Le power amplier inputs.

Speaker cables

e speakers should be connected to the amplier using good-quality, high-purity, low impedance copper cables. Cheap speaker cables should be avoided – they are a false economy and can signicantly degrade the sound quality.

e cable runs to the speakers should be as short as practicable. Connections to the speaker terminals should always be nger tight, whether using bare wires or spade connectors.

Connecting subwoofers

e AVR400 also allows an active subwoofer to be connected to the SUB output.

See your subwoofer handbook for the correct setting up and connection for your particular subwoofer.

E-19

SBR, SBL

Surround Back Right and Surround Back Le outputs (only used in 7.1 channel systems). Connect these to the Surround Back Right and Surround Back Le power amplier inputs.

All pre-amplier analogue outputs are buered, have a low output impedance and are at line level. ey are able to drive long cables or several inputs in parallel if required.

operation

Operating your AVR400

For information display we recommend you use the OSD (On-Screen Display) on your display device whenever possible.

Switching on

Press the front panel power button in. e power LED will glow green, the front display shows the word ‘ARCAM’. When initialisation is complete, the display shows the volume setting and the name of the selected input.

Please wait until the unit has nished initialising before operating the AVR400. It is recommended that if the unit is switched o, you should wait at least 10 seconds before switching the unit back on.

Standby

e AVR400 has a standby mode which can be entered by pressing STANDBY on the remote control. When in standby mode, the display is blank and the POWER LED glows red.

If the unit is to be le unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

To switch on from standby

Press the STANDBY button on the remote control or any key on the front panel (other than the power button).

Front panel display

e AVR400 is ready for use aer about four seconds.

B D 3 7 D O L B Y T R U E H D 5 . 1

e display window shows the currently selected source and the last selected information view setting (this information line can be changed using the INFO button).

e current volume setting for Zone 1 (37.0dB in the above example) is displayed on the front panel. e volume setting for Zone 2 is displayed temporarily whenever it is adjusted.

Selecting a source

To select a particular source, press the –INP UT or

INPUT + buttons until that source is shown on the front

panel display, or (if available) press the corresponding source button on the remote. e following sources are available:

SAT

PVR

VCR

IPOD

DAB* Internal tuner input

NET

MCH

AUX

DISPLAY

*ese sources are market dependent and may not be available on your AVR400

Most audio inputs have both analogue and digital connections. You must specify the type of connection used for each input using the “Audio Source” option in the “Input Cong.” menu, see page E-35. Note that an incorrect setting will result in no sound — the default is HDMI audio. If you are not using HDMI audio then this setting must be changed.

e processing mode and Stereo Direct functions are remembered and recalled for each individual input.

e

MCH input is intended for direct analogue pass-

through of DVD-Audio or SACD sources. Apart from volume control and level trim, no processing modes are possible on this input, including AVR400 bass management and delays. Please set bass management, speaker size and speaker delays in the source player. You

Compact Disc player input

Blu-ray Disc player input

Audio-Visual input

Satellite receiver input

Personal Video Recorder input

Video Cassette Recorder input

Requires an iPod® and Arcam irDock or rLead.

Internal tuner input

Internal (Ethernet) and external USB solid-state device (e.g. pen drive) input.

Selects MCH (multi-channel) analogue input

Auxiliary (front panel) input

e Audio Return Channel (ARC) from an HDMI 1.4-compliant display. Use this with an HDMI 1.4-compliant television using internal TV tuners.

can copy the distances and relative speaker levels from the Setup menus in the AVR400.

Stereo Direct

To listen to a pure analogue stereo input, press the

DIREC T button. e Stereo Direct mode automatically

bypasses all processing and any surround functions. In direct mode, digital processing is shut down to improve the sound quality and reduces digital noise with the AVR400 to an absolute minimum.

Note: when Stereo Direct mode is selected, no digital output is available and no bass management is performed, meaning that bass signals will not be redirected to a subwoofer.

Volume control

It is important to realise that the level of the volume indicator is not an accurate indication of the power delivered to your loudspeakers. e AVR400 oen delivers its full output power long before the volume control reaches its maximum position, particularly when listening to heavily recorded music. In comparison, some movie sound tracks can appear very quiet, as many directors like to keep maximum levels in reserve for special eect sequences.

Headphones

To use headphones with the AVR400, plug the headphones into the PHONES socket in the centre of the front panel.

When headphones are plugged into the front panel

PHONES socket, the outputs for Zone1 are muted and

the audio will be down-mixed to two channels (2.0). e two-channel down-mix is required so that the centre channel and surround information can be heard via the headphones.

E-20

Using Zone2

Zone2 provides the option for the occupants of the master bedroom, conservatory, kitchen, etc. to view or listen to a dierent source at a dierent volume level from the main zone (Zone1).

Source selection and volume control for Zone 2 is achieved either by using an IR receiver in Zone 2 (see “Zone2 control connections” on page E-46) or by switching over to Zone 2 control by pressing the front panel zone button or by pressing on the remote control. e front panel VFD display indicates that control has been switched to Zone 2.

S T A N D B Y Z 2 5 0 D O L B Y T R U E H D 5 . 1

To turn on Zone 2, press the Zone button (or shi+ok) then press the standby power button on the remote control. Press a source select button to select a dierent source to Zone 1.

F O L L O W Z 1 Z 2 5 0 D O L B Y T R U E H D 5 . 1

Note that Zone 2 control from within Zone 1 will pass automatically back to Zone 1 control aer a few seconds of inactivity.

Zone 2 can also be controlled using a third-party programmable remote control or a home automation system. Please contact your dealer or installer for further details.

AMP followed by SHIFT then OK

Extended front panel menu

Pressing the MENU key and holding it for longer than four seconds will bring up the Extended Menu, allowing you to perform the following:

Restore to factory defaults

is option allows you to restore all settings on your AVR400 to the defaults that it le the factory with.

Change remote code

e default RC5 system code the AVR400 responds to is 16. If required, for example due to another device in your system also using this RC5 system code, it can be changed to 19.

Restore secure backup

is option allows you to restore all settings to their state as saved using the ‘Store secure backup’ feature. is option is useful if settings are accidentally changed. It also allows the unit to be returned to the saved state following a rmware update.

Store secure backup

is option allows you to save all the AVR400 settings to a secure area of memory. e settings can be retrieved using the Restore option above.

– Enter PIN Enter the secure backup PIN using the ', ,, <

and > keys on the remote control (do not use the numeric keypad). The default PIN is 1234.

– Change PIN Allows the PIN to be changed to a number other

than the default. Enter the current secure backup PIN using the ', ,, < and > keys on the remote control (do not use the numeric keypad). The default PIN is 1234. After the current PIN has been entered correctly, enter a new PIN as prompted and again to confirm.

– EXIT Cancel and return to the extended menu.

Updating firmware via USB

e rmware in your AVR400 can be updated using a USB ash drive containing a rmware update le.

English

E-21

front panel

operation

Selects between Stereo and the available surround modes for the current source.

Selects the information displayed on the

lower le portion of the front panel.

Used to enter selections made in the

Setup menu. Press and hold to reset

video outputs to the lowest resolution

(HDMI: 480p; Component 480i).

Info

Mode

Direct

Stereo Direct on/o. Provides a direct analogue path from the analogue inputs to the le and right front outputs. Switches o any surround processing modes and shuts down the DSP circuits for best stereo sound quality.

Display

is switches the display brightness between o/dim/bright.

Zone

Selects between Zone1 and Zone2 control.

Mute

Mutes all analogue audio outputs in the currently selected zone.

Power / Standby LED

is indicates the status of the receiver and is green when the AVR400 is powered on. Red indicates the AVR400 is in Standby mode.

Input

ese buttons select the source

connected to the corresponding

input (or internal input)

Unused sources can be prevented

from being selected in the setup

menu.

Selects the Setup menus on the

on-screen display (OSD).

Aux

Multi purpose auxiliary

line level input,

calibration microphone

input and 3.5mm optical

digital (SPDIF) input.

E-22

Phones

is socket accepts headphones with an impedance rating between 32 and 600, tted with a 3.5mm stereo jack plug.

Volume

Adjusts the analogue output volume in the selected zone (line out, speakers and headphones).

Power

Switches the main power to the AVR400 on and o.

Once the unit is switched o, it should be le for at least ten seconds before switching on again.

Remote control receiver. is is positioned behind the display window, above the MENU button on the front panel. Ensure the receiver is in a clear line of sight from the remote control for operation. If this is not possible, use a separate sensor connected to the

Z1 IR input on the rear panel.

remote control

The CR102 universal remote controller

e CR102 is a sophisticated ‘universal’ backlit remote control that can control up to eight devices. It is preprogrammed for use with the AVR400 and many other Arcam products (FM/DAB tuners, CD players and DVD players).

With its extensive built-in library of codes, it can also be used with thousands of third party audio-visual components – TVs, satellite and set-top boxes, PVRs, CD players, etc. See the list of codes at the back of this handbook, beginning on page 56.

e CR102 is a ‘learning’ remote, so you can teach it almost any function from an old single-device remote. You can also program the CR102 to issue a sequence of commands (‘macros’) from a single button press.





























 

 



 

















Inserting batteries into the remote control

English

1. Open the battery compartment by pressing the button on the back of the handset.





2. Insert four ‘AAA’ batteries into the battery compartment – two facing the top of the unit, and two facing the end, as in the diagram.

3. Lower the end cap onto the plastic locating plate in the handset. is acts as a hinge, and you can now push the end cap rmly into its locked position with a click.

Using the remote control

Please keep in mind the following when using the remote control:

< Ensure there are no obstacles between the

remote control and the remote sensor on the AVR400. e remote has a range of about 7 metres. (If the remote sensor is obscured, the Z1 IR remote control input jack on the rear panel is available. Please consult your dealer for further information.)

< Remote operation may become unreliable if

strong sunlight or uorescent light is shining on the remote sensor of the AVR400.

< Replace the batteries when you notice a

reduction in the operating range of the remote control.

E-23







  

  







Notes on batteries:

Incorrect use of batteries can result in hazards such

as leakage and bursting.

Do not mix old and new batteries together.

Do not use non-identical batteries together –

although they may look similar, dierent batteries may have dierent voltages.

Ensure the plus (+) and minus (-) ends of each

battery match the indications in the battery compartment.

Remove batteries from equipment that is not going

to be used for a month or more.

When disposing of used batteries, please comply

with governmental or local regulations that apply in your country or area.

Useful information

Backlight

A blue backlight comes on for ve seconds whenever a key is pressed. is helps you use the handset in subdued lighting conditions. It may be possible to hear a quiet tone being emitted from the remote control when the backlight is on. is is perfectly normal.

Power LED blinks

Short blinks indicate a valid key press.

Multiple short blinks convey information (such as a device code) or signal the beginning and successful completion of a programming sequence.

Long blinks indicate an invalid key press or entry.

e symbol ‘*’ is used in the manual to indicate a power LED blink.

Timeouts and unassigned keys

Time out – Aer 10 seconds the CR102 exits the programming state and returns to normal operation.

Stuck key timeout – Aer any key is pressed continuously for 30 seconds, the CR102 stops sending IR transmission to conserve battery life. e CR102 remains o until all keys are released.

Unassigned keys – the CR102 ignores any unassigned key presses for a particular Device Mode and does not transmit IR.

Low voltage indicator

When the batteries are running down, the IR transmit indicator on the CD102 (the LED under the Power button) ashes ve times whenever you press a button:

* * * * *

If this happens, please t four new AAA alkaline batteries as soon as possible.

Device Mode / Source keys

As the CR102 can control your AVR400 as well as a range of other equipment, many of the buttons have more than one function depending on the ‘device mode’ selected on the remote control.

e Device Mode keys (shown below) select the source on the AVR400. If one of these keys is pressed briey, a command is transmitted to change the source on the AVR400. Also the functionality of the remote control changes to operate the selected source device. it’s like having eight dierent remotes in your hand!

 



 



DVD

SAT

TUN

AMP

DVD player or Blu-ray Disc player

Satellite set-top box

Audio-visual sound input (use with TV)

DAB, FM or AM tuner

Controls the amplier and setup features of the AVR400

PVR

Auxiliary input, or an iPod® via an Arcam irDock or rLead

VCR

Personal Video Recorder (or Digital Video Recorder)

Compact Disc player

If you press and hold a Device Mode key for about four seconds, you change the Device Mode of the CR102 without changing the signal source on the AVR400. is can also be done by pressing S followed by a Device Mode key (within two seconds). ese two methods allow you to change which device the CR102 controls without also changing the AVR400 source, allowing uninterrupted listening.

Each Device Mode changes the behaviour of many of the CR102 keys to control the source device appropriately. For example:

CD mode

AV mode

plays the previous CD track.

issues the TV ‘channel down’ command.





e CR102 remains in the last selected Device Mode so it is not necessary to press a Device Mode key before every command key if all you are doing is playing or skipping tracks on a CD, for example.

Navigation keys

e Navigation keys steer the cursor in Setup menus or on-screen menus. ey also replicate the navigation functions of original remotes supplied with other home entertainment devices in your system.

conrms a setting.

Volume control

By default, the CR102 is set up so that the volume control buttons always control the volume of the AVR400, regardless of which Device Mode the remote is currently set for. is is known as volume ‘punch through’.

For example, if you are listening to a CD, you will probably have the CR102 in the CD player. You can use the volume controls on the remote directly to adjust the volume of the AVR400 without rst having to press A to put the remote into AMP Device Mode. e volume buttons ‘punch through’ the CD Device Mode on the remote to the AMP Device Mode. Volume ‘punch through’ can be disabled individually for any Device Mode if desired.

CD Device Mode to control

The CR102 complies with Part 15 of the FCC rules

is equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC Rules. ese limits are designed to provide a reasonable protection against harmful interference in a residential installation. is equipment generates, uses, and can radiated radio frequency energy and if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet or a circuit dierent from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

E-24

Controlling other devices

Code blink-back

Method 1 (Direct code setup)

is section describes the simplest (preferred) way to program the CR102’s Device Mode keys to control the non-Arcam devices in your system.

 



 



Some of the modes are locked to Arcam operation but

can be unlocked if required (see page E-50).

A mode only controls Arcam equipment.

BD mode Locked

SAT mode Unlocked

AV mode Unlocked

TUN mode Locked

PVR mode Locked

VCR mode Unlocked

CD mode Locked

Here is a specic example of how to program the a key to control an Addison television. e principles for controlling other devices are exactly the same.

1. Make sure your device is switched on (not just on standby).

2. Find the correct Device Code table (e.g. TV) for the type of device you want to control from the CR102.

3. Find the row containing the codes for the manufacturer of your device (e.g. Addison) (page 56). e most popular code is listed rst.

4. Press the appropriate Device Mode key (e.g. a) on the CR102.

5. Press and hold S until the red Power LED blinks

twice:

(It actually blinks once when you press

* *

the key, then twice aer about three seconds).

6. Enter the rst four-digit device code using the number keys. e power key blinks twice:

7. Aim the CR102 at the device and press P. If the device switches o, the setup is complete.

8. Turn your device back on and test all the CR102’s functions to ensure they are working properly.

9. Important! Write your device code down on the right hand side of the page so you can remember it if you ever reset the CR102.





* *

What if I still can’t control my device?

If your device doesn’t respond, repeat the above

steps until one of the device codes listed for your brand works.

If none of the codes listed for your brand operates

your device, or if your brand is not listed at all, try the Library Search Method described in the next section.

Notes:

Some codes are quite similar. If your device does not

respond or is not functioning properly with one of the codes, try another code listed under your brand.

If your device’s original remote control does not have

a P (POWER) key, press $ instead of P when setting up your device.

Remember to press the corresponding device key

before operating your device.

Many TVs do not switch on pressing P. Please try

pressing a number key (‘channel select’) to switch your TV back on.

To search for the code for another device follow the

instructions above, but press the appropriate device key instead of a during step 2.

Method 2 (Library search)

is section describes another way to program the CR102 to control third-party equipment.

Library Search allows you to scan through all the codes contained in the CR102’s memory. It can take a lot longer than the previous method, so only use this method if:

Your device does not respond to the CR102 aer you

have tried all the codes listed for your brand.

Your brand is not listed at all in the Device Code

tables.

Example: To search for a TV code

1. Switch your TV on (not standby) and aim the CR102 at it.

2. Press a on your CR102.

3. Press and hold S until the power LED blinks twice.

4. Press 9 9 1. e power LED key blinks twice:

* *

5. Press P.

6. Aim the CR102 at your Television and press [ repeatedly until your Television turns o.

Every time you press [ the CR102 sends out a POWER signal from the next code contained in its memory. In the worst case, you may have to press this key up to 150 times, so patience is required! If you skip past a code, step back by pressing ]. Remember to keep pointing the CR102 at your Television while pressing this key.

7. As soon as your television turns o, press S to store the code.

Notes:

Many TVs do not switch on by pressing P. Try

pressing a number key (‘channel select’) to switch your TV back on.

If you cannot control your Television properly,

please continue the Search Method: you may be using the wrong code.

To search for the code for another device follow the

instructions above, but press the appropriate Device Mode key instead of a during step 2.

If your device’s original remote control does not have

a P (STANDBY) key, press $ instead during step 5.

Once you have set up your CR102, you can blink back your device set-up codes for future reference.

Example: To blink back your Television code

1. Press the appropriate Device Mode key (e.g. a) once.

2. Press and hold S until the red Power LED blinks

twice *

(It actually blinks once when you press

the key, then twice aer about three seconds).

3. Press 9 9 0. e P key blinks twice.

4. For the rst digit of your four-digit code, press 1 and count all the red blinks. If there are no blinks, the digit is ‘0’.

5. For the second, third and fourth digits, repeat the previous step, pressing 2, 3, or 4 in order.

Now you have the four-digit code.

Make a note of the codes

Write down the codes for your devices in the boxes below for future reference.

Device Code

English

E-25



AMP Device Mode

e A Device Mode button congures the CR102 to control the AVR400. Pressing this button does not aect the currently selected input on the AVR400.

IMPORTANT: e CR102 must also be in

AMP Device

Mode to control the following sources: MCH (multichannel analogue), AUX, NET (optional network audio),

USB, IPO D (for use with the optional Arcam rLead or

irDock).

However to control the internal Tuner (AM/FM/DAB (if tted)) the CR102 must rst be in

TUN Device Mode

(see later).

e functionality of the CR102 is context sensitive for the internal sources and is described in the following table.

0…9

PHONO

RPT

r S

AUX

NET

Single press – Toggles AVR400 power between standby and on in the current zone (zone in which the command is received). Press and hold – Forces all AVR400 zones into standby, regardless of which zone the command was received in.

e number keys can be used for source selection (without changing the CR102 Device Mode). Alternatively the Device Mode buttons can also be used with the

SHIFT key.

SAT (satellite) input

AV input

TUNER input

BD input

DISPLAY input

VCR input

CD input

AUX (front panel) input

MCH (multichannel) input

Selects the Display input on the AVR400 (television Audio Return Channel).

IPOD and NET sources)

(for

Modies many keys (see individual key descriptions below).

MCH (multichannel) input on the

Selects AVR400

SHIFT +

Selects

SHIFT +

input on the AVR400

selects AUX input on the AVR400

IPOD input on the AVR400

selects network (NET) internal

Navigate menus

OK conrms a setting (equivalent to ‘Enter’

or ‘Select’ on some remote controls)

SHIFT + SHIFT +

increases the picture resolution.

turns current zone (in which

command is received) on

SHIFT +

turns current zone (in which

command is received) o.

Cycles through the available surround and downmix modes.

Displays the AVR400 setup menu on the On Screen Display (see page E-34).

] [

- +

DIRECT

)

EFFECT

BASS

(

TRIm

SyNC

Cycles through the front panel display’s brightness options

Toggles the mute function of the AVR400

(track control for

SHIFT +

[

IPOD and NET sources)

Follow Zone1 source. When the command is received in Zone2 the source for that zone follows whatever input source is selected in Zone1

Decrease () and increase (+) AVR400 volume

Stereo direct on/o. Provides a direct analogue path from the analogue inputs to the le and right front outputs. Switches o any surround processing modes and shuts down the DSP circuits for the best stereo sound quality.

Displays the room EQ settings menu

IPOD and NET sources)

(for

Calls up a pop-up (and front screen) to adjust the bass setting for a particular input.

Brings up the speaker trim menu.

Use the

B, C, D

and E navigation buttons. Press TRIM again to exit the speaker trim menu.

As this is a temporary adjustment, these additional trim levels are reset back to the values set in the Speaker Levels menu when the unit is turned o or the unit is put into standby. ese temporary trim levels override the speaker levels found in the setup menu.

Delays may be introduced into the video signal by video processing which causes a mismatch between the audio and video timing. You will notice this by speech sound being out of synchronization with the lip movements in the video.

To compensate for this, you can adjust the lip sync delay. Press the

SYNC button and

use the D and E navigation buttons. Press again to exit the lip sync trim menu.

SUB

Brings up a temporary subwoofer trim control. Use the

buttons. Press SUB again to exit the sub trim

and E navigation

menu.

As this is a temporary adjustment, the sub trim level is reset back to the value set in the Speaker Levels menu when the unit is turned o or the unit is put into standby.

TREBLE

Calls up a pop-up (and front screen) to adjust the treble setting for a particular

input.

FAV+

IPOD and NET sources)

(for

FAV-

IPOD and NET sources)

(for

HOmE

NET source)

(for

INFO

Cycles through the information displayed on the lower le portion of the front panel

display.

iPod commands

e iPod interface is selected by pressing e in AMP Device Mode on the CR102. When connected to an iPod via an optional rLead/irDock, the keys below are used to navigate music les in AMP Device Mode.

Navigate the files on screen.

OK selects/play the highlighted file.

Toggles random (shuffle) play of the playlist

RPT

on and off.

] [

SHIFT +

Selects the previous/next track in the current playlist

Begins or resumes playback at the currently highlighted track

Toggles pause and playback of the current track

Stops playback

cycles through the repeat options

E-26

Network commands

e AVR400 Network client is selected by pressing S +

in AMP Device Mode on the CR102.

When using the network client, the keys below are used to navigate music les in

Navigate the files and menus on the screen.

OK selects the highlighted file or enters the

highlighted menu on the screen

RPT

Toggles random (‘shuffle’) play of the playlist on and off

SHIFT +

] [

Selects the previous/next track in the current playlist

Begins or resumes playback at the currently highlighted track

EFFECT

Pauses the currently-playing track

SyNC

Stops playback

FAV+

Adds the currently displayed radio station to favourites list when using the internet

radio function

FAV-

Removes the currently displayed radio station from favourites list when using the

internet radio function

HOmE

Returns navigation to the top level of the network client menus (‘Home’)

INFO

Cycles through the information displayed on the lower le portion of the front panel

display

AMP Device Mode.

cycles through the repeat options



TUN Device Mode

e T Device Mode button congures the CR102 to control the tuner functions of the AVR400. Pressing this button also selects TUNER as the source.

When switching to

TUNER from a dierent source, the

AVR400 enters the last used tuner band, be it AM / FM / DAB (if tted). Further presses of the TUN Device Mode button cycle through the available tuner bands.

Further information on the tuner can be found in the ‘Tuner Operation’ section on page E-44.

(not used)

0…9

' ,

Number keypad used to store and recall presets

Allows selection of previously stored Tuner presets.

AM/FM Tuner: allows frequency tuning.

< >

DAB Tuner (where tted): scrolls through the channel list.

Selects (tunes to) the currently displayed

preset, or selects the currently displayed DAB channel when scrolling through the channel list.

Page up to the previous 10 presets on

screen

Page down to the next 10 tuner presets on

screen

Delete the currently highlighted preset.

INFO

Cycles through the information displayed on the lower le portion of the front panel

display.



DVD/BD Device Mode

e d Device Mode button congures the CR102 to control the functions of Arcam Blu-ray Disc and DVD players, although this can be changed (see page E-25). Pressing this button also selects BD as the AVR400 source.

Toggles power between standby and on

Searches for and plays the track

…

corresponding to the key pressed

Selects Display input on the AVR400.

PHONO

Toggles random (‘shue’) play on and o.

RPT

SHIFT +

cycles through the repeat

options (track, disc, etc)

Modies many keys (see individual key

descriptions, below)

Selects multichannel (

AUX

AVR400

SHIFT +

AVR400

NET

Selects

SHIFT +

selects AUX input on the

IPOD input on the AVR400.

selects network (NET) internal

MCH) input on the

input on the AVR400

Navigate setup and BD programme selection menus.

OK conrms a setting (‘Enter’ or ‘Select’ on

some remotes).

SHIFT +

Cycles through available surround sound

modes.

SHIFT + MO DE changes the HDMI setting.

Activates BD player menu, if available.

Cycles through the front panel display’s

brightness options.

SHIFT +

Toggles the mute function.

By default this key operates the AVR400 Mute

Press and release to skip back to the

]

beginning of the current/previous track.

Press and release to skip forwards to the

[

beginning of the next track.

to switch on from standby

to switch to standby from on.

enables RPT AB functionality

- +

)

(

TRIm

# %

FAV+

FAV-

HOmE

INFO

Decrease (

) and increase (+) AVR400

volume

Fast rewind.

SHIFT +

cycles through slow play

backwards speeds

Starts the playback of a BD.

SHIFT +

cycles through the Angle options

on an Arcam BD player.

Pauses BD play-back. Press

to restart

playback.

SHIFT +

cycles through Zoom options.

;

Fast forward.

SHIFT +

cycles through slow forward

speeds

Ejects disc.

SHIFT +

displays speaker Trim menu on

Arcam BD players.

Stop playback of a BD

Start recording (on products that have this feature).

Displays Search menu with Title, Track and Time options.

Displays Setup menu.

SHIFT + SE TUP displays programming screen

on Arcam BD players

Displays Title menu.

SHIFT + TI TLE clears bookmark, search and

program display entries on Arcam BD players

Changes Audio decode format (Dolby Digital, DTS, etc.)

+ o displays the ‘Memory’ function

SHIFT

(Bookmarks)

Cycles through BD subtitle language options, if available.

SHIFT +

displays STATUS INFO on

Arcam BD players

English

E-27



SAT Device Mode

e z Device Mode button congures the CR102 to control the functions of a satellite receiver. You will need to congure this Device Mode to work with your equipment. Pressing this button also selects SAT as the AVR400 source.

Toggles power between standby and on

Functions as original remote number key.

…

Selects Display input on the AVR400.

PHONO

Toggles between the available inputs on

TV/AV

your satellite receiver

Modies many keys (see individual key

descriptions, below)

AUX

Selects multichannel ( AVR400.

SHIFT +

AVR400.

NET

Selects

SHIFT +

input on the AVR400

selects AUX input on the

IPOD input on the AVR400

selects network (NET) internal

MCH) input on the

Navigate menus.

OK conrms a setting (equivalent to ‘Enter’

or ‘Select’ on some remotes).

Controls Backup function, if available.

Performs same function as on original

remote, if available.

On some Satellite and Cable set top boxes

this key functions as the Guide key to open the EPG (Electronic Program Guide).

Toggles the mute function.

By default this key operates the AVR400 Mute

Channel down

]

Channel up

[

- + )

& (

Decrease (

Fast rewind

Starts the playback

Toggles pause of playback

Fast forward

) or increase (+) AVR400 volume

(not used)

Stop playback

Start recording

(not used)

Duplicates function of RED key for some

(RED)

Satellite and Cable set-top boxes

Duplicates function of GREEN key for some

(GREEN)

Satellite and Cable set-top boxes

Duplicates function of YELLOW key for some

(yELLOw)

Satellite and Cable set-top boxes

Duplicates function of BLUE key for some

(BLUE)

Satellite and Cable set-top boxes



AV Device Mode

e a Device Mode button congures the CR102 to control the functions of a television or other display device. You will need to congure this Device Mode to work with your equipment. Pressing this button also selects AV as the AVR400 source.

Toggles power between standby and on.

(Some TVs require you to use a number key to turn them on.)

usually for channel selection.

Selects Display input on the AVR400.

PHONO

Functions as original remote number key –

…

Toggles between the available inputs on

TV/AV

your display device (e.g. TV/AV)

Modies many keys (see individual key

descriptions, below)

AUX

Selects multichannel ( AVR400.

SHIFT +

AVR400.

selects AUX input on the

MCH) input on the

Navigate setup and programme selection menus.

OK conrms a selection (equivalent to

‘Enter’ or ‘Select’ on some remotes).

EXIT function on some models.

Functions as original remote key, if

available.

Display INFO or OSD (On Screen Display)

function, if available.

Toggles the mute function.

By default this key operates the AVR400 Mute

Channel down

]

Channel up

[

- + )

$ &

Decrease ( volume.

Toggles TEXT page on/o

TEXT page o

Turns Programme-In-Programme (PIP) on, if available

) and increase (+) AVR400

Activates PIP move, if available

(

Activates PIP swap, if available

Activates PIP freeze, if available

Activates PIP channel up, if available

Activates PIP channel down, if available

Duplicates function of RED key for Text TV

(RED)

Duplicates function of GREEN key for Text

(GREEN)

Duplicates function of YELLOW key for Text

(yELLOw)

Duplicates function of BLUE key for Text

(BLUE)

E-28



PVR Device Mode

e v Device Mode button congures the CR102 to control the functions of a video recorder or similar device. You will need to congure this Device Mode to work with your equipment. Pressing this button also selects PVR as the AVR400 source.

Toggles power between standby and on.

Functions as original remote number key.

…

Selects Display input on the AVR400.

PHONO

Toggles between available inputs (e.g. AV1,

TV/AV

AV2)

Modies many keys (see individual key

descriptions, below)

Selects multichannel (

AUX

AVR400.

SHIFT +

selects AUX input on the

MCH) input on

AVR400.

Selects

NET

IPOD input on AVR400.

SHIFT +

selects network (NET internal

input on the AVR400.

Navigate setup and programme selection menus.

OK is equivalent to ‘Enter’ or ‘Select’ on

some remotes.

Operates the Exit function if the PVR uses

this feature

Turns on the Menu function if the PVR

uses this feature

Toggles display between TV and PVR

Toggles the mute function. By default this

key operates the AMP Mute

Channel down

]

Channel up

[

- + )

Decrease ( volume

Fast rewind

Play

Toggles pause of playback

) and increase (+) AVR400

Fast forward

(

Operates the Favourites function if the PVR

uses this feature.

Stop playback

Starts recording

(not used)

Duplicates function of RED key (if used)

(RED)

Duplicates function of GREEN key (if used)

(GREEN)

Duplicates function of YELLOW key (if used)

(yELLOw)

Duplicates function of BLUE key (if used).

(BLUE)



VCR Device Mode

e w Device Mode button congures the CR102 to control the functions of a video recorder or similar device. You will need to congure this Device Mode to work with your equipment. Pressing this button also selects VCR as the AVR400 source.

Toggles power between standby and on.

Functions as original remote number key.

…

Selects Display input on the AVR400.

PHONO

Toggles between available inputs (e.g. AV1,

TV/AV

AV2)

Modies many keys (see individual key

descriptions, below)

Selects multichannel ( AVR400.

AUX

SHIFT +

selects AUX input on the

MCH) input on

AVR400.

Selects

NET

IPOD input on AVR400.

SHIFT +

selects network (NET internal

input on the AVR400.

Navigate setup and programme selection menus.

OK is equivalent to ‘Enter’ or ‘Select’ on

some remotes.

Operates the Exit function if the VCR uses

this feature

Turns on the Menu function if the VCR

uses this feature

Toggles display between TV and VCR

Toggles the mute function, if available.

By default this key operates the AMP Mute

Channel down

]

Channel up

[

- + )

$ &

Decrease ( volume

Fast rewind

Play

Toggles pause of playback

) and increase (+) amplier

Fast forward

(

Ejects tape

Stop playback

Starts recording

(not used)

Duplicates function of RED key (if used)

(RED)

Duplicates function of GREEN key (if used)

(GREEN)

Duplicates function of YELLOW key (if used)

(yELLOw)

Duplicates function of BLUE key (if used).

(BLUE)

English

E-29



CD Device Mode

e c Device Mode button congures the CR102 to control the CD functions of Arcam CD players, although this can be changed (see page E-25). Pressing this button also selects CD as the AVR400 source.

Toggles power between standby and on.

Functions as original remote number key.

…

Selects Display input on the AVR400.

PHONO

Toggles random (‘shue’) play on and o.

RPT

SHIFT +

options (track, disc, etc.).

Modies many keys (see individual key

descriptions, below)

Selects multichannel ( AVR400.

AUX

SHIFT +

cycles through the repeat

MCH) input on

selects AUX input on the

AVR400.

Selects

NET

IPOD input on AVR400.

SHIFT +

selects network (NET) internal

input on the AVR400.

Navigates track listings if supported by the player.

OK selects the currently highlighted track if

supported by the player

Changes the time display modes on Arcam

CD player

(not used)

Cycles through the front panel display’s brightness options.

SHIFT +

supported by the player.

Toggles the mute function. By default this

key operates the AVR400 Mute.

Press and release to skip back to the

]

beginning of the current/previous track.

Press and release to skip forwards to the

[

beginning of the next track.

enables RPT AB functionality if

- + )

$ & ( ! #

FAV+

FAV-

HOmE

INFO

Decrease (

) and increase (+) AVR400

volume.

Fast rewind

Play

Toggles pause of playback

Fast forward

Open/close disc tray

Stop playback

Start recording (on products that have this feature)

Scans rst 10 seconds of each track on CD, if supported by the player (Audio search)

Starts Program mode

Clears programmed item

(not used)

E-30

English

E-31

essential

setup

Before you use your AVR400 it is essential that you enter some information into the Setup menus about your speaker conguration. is allows the AVR400 to process any surround sound digital source to exactly match your system and give you the ultimate surround sound experience.

ere are three pieces of vital information which are outlined in the sections: ‘Speaker Types’, ‘Speaker Distances’ and ‘Speaker Levels’.

e way you enter this information manually into the AVR400 is given later in the ‘Setup Menus’ section on page E-34. e settings can also be established automatically using the Arcam Auto Speaker Setup function. However it is important to understand why these speaker settings must be entered, which is why this section is presented rst.

Speaker types

You need to set the type of speakers that you have connected to your AVR400:

Large capable of full frequency range reproduction

Small not capable of full frequency range

reproduction at the low frequency end

None speaker not present in your configuration

e terms ‘Large’ and ‘Small’ do not necessarily relate to the physical size of your speakers. As a rule of thumb, if a speaker cannot reproduce a at frequency response down to about 40Hz (and very few can!) it is oen better to consider them as ‘Small’ for setup purposes of home cinema.

When a speaker is set to ‘Small’, very low frequency sounds are redirected away from that speaker to a ‘Large’ speaker or a subwoofer, which are far better suited to reproducing these low frequency sounds.

Note that it is not possible to set all speakers to ‘Small’ unless there is a subwoofer in your speaker conguration. If you do not have a subwoofer, you will be forced to set your front speakers to ‘Large’.

(Advanced users may wish to automatically override the ‘Small’ speaker setting for purely stereo music listening when not watching movies. is can be achieved in the ‘Input Cong.’ menu – see page E-35.)

Crossover frequency

If you have set any speakers as being Small, then you will be required to set a value for the crossover frequency. is is the frequency below which signals are ltered away from these Small speakers and redirected to Large speakers or the subwoofer (if present). A frequency of 80Hz is oen a good starting point, however you will probably have to experiment with dierent values to nd the best value for your system or consult your speaker handbook.

Use Channels 6+7 for

If not used in the main zone, it is possible to assign the Surround Back channels to bi-amp the Front Le/Right channels or to provide an amplied output to Zone2.

Speaker Distances

It is essential for the distance from each speaker to the listening position to be accurately measured and entered into the ‘Setup’ menu. is ensures that the sounds from the various speakers arrive at the listening position at the correct time to recreate a realistic surround eect. e distance can be entered in centimetres or inches.

Speaker Levels

Finally the levels of all the speakers in the system need to be adjusted to match each other at the listening position, again to create a proper surround eect. To help with this the AVR400 can generate a test noise for each speaker which should be measured with a sound pressure level (SPL) meter. e meter should be set to ‘C’ weighting and slow response. e level of noise measured at the listening position from each speaker should be adjusted on the Speaker Trims page of the Setup menu so that the meter reads 75dB SPL. It does not matter what the system volume setting of the AVR400 is before turning the test noise on as the volume setting is over-ridden for the duration of the speaker noise test.

ere are several basic SPL meters on the market at reasonable prices aimed at home cinema enthusiasts. Check your local technology store, search online or ask your dealer.

If you do not have an SPL meter, you can try to adjust the noise level of each speaker by ear. In this case it is not possible to adjust the speakers to the absolute 75dB SPL volume level, but you should aim for all speakers sounding equally loud. Setting speaker test noise levels by ear is not recommended as it is very dicult to do accurately, but is oen better than doing nothing at all!

MCH sub level

If a subwoofer is present, this setting allows for a 10dB compensation on the subwoofer output when using the MCH input as required by many DVD-A players with audio outputs.

E-32

auto speaker

setup

NOTE

Auto calibration is possible only for a 7.1 Or 5.1 Speaker conguration. Oher speaker congurations, such as a 2.1 setup (le, right and subwoofer), must be congured manually using the speaker conguration menus (see page E-37), referring to the guidelines on page E-32 for speaker types, speaker distance and speaker levels.

ere is a proprietary automatic loudspeaker setup function built into your AVR400. e Arcam Auto Speaker Setup function attempts to set all the essential speaker settings for all the speakers in your system. It also calculates room equalisation (Room EQ) lter values to remove some of the worst eects of resonant frequencies in the listening room.

Your AVR400 package is supplied with a calibration microphone, which should be inserted into the socket on the front panel and positioned at the main listening position. is microphone picks up the special calibration tones generated by the speakers when Auto Speaker Setup is run. e AVR400 then analyses the signal and computes:

which speakers are present,

speaker type,

speaker distance,

speaker level,

crossover frequency to the subwoofer (or large front

speakers if no subwoofer is present),

problem resonant frequencies in the room which

need control by ltering.

To help the system be as accurate as possible when performing Auto Speaker Setup, there are a few guidance rules that should be followed:

Minimise any background sounds in the listening

room and other nearby rooms.

Close all windows and doors in the listening room.

Turn o all fans including air-conditioning systems.

If holding the microphone in the hand rather than

mounting on a tripod or similar, keep your hand and ngers still to avoid generating ‘handling noise’.

Position the set up microphone pointing upwards at

roughly head height in the normal listening position. It is not necessary to point the microphone directly at the speaker generating the test tone. (It helps if you are able to position the microphone exactly where your head would normally be for listening, with the microphone in direct unobstructed view of all speakers.)

If your system includes an active subwoofer, start

by setting its output level / gain control to a value halfway between maximum and minimum.

When activated, a calibration tone is played through each channel of the AVR400 in turn, including the subwoofer channel. e calibration tone cycles round each of the speakers multiple times as the dierent parameters are calculated. If you do not have a full 7.1

AUX jack

speaker conguration there will be periods of silence between some speaker channels. Follow the ‘progress’ information on-screen.

Aer all the channels have been measured, a summary of the speaker conguration will be displayed on-screen. You can then choose to accept the settings, re-measure your system again or cancel Auto Speaker Setup without storing the settings.

e Auto Speaker Setup function is found within the Setup menus, see page E-36. By default, Room EQ is not applied to any of the source inputs. You should enable Room EQ on inputs you think benet from this feature, as required, by listening when playing typical source material through each input. is is enabled from within the Input Cong menu.

While room equalisation can help to reduce problems with listening room acoustics, it is usually far better to try to solve these problems with the room directly. Proper loudspeaker positioning, acoustic wall treatments and moving the listening position away from walls should produce far better results overall. However it may be dicult to do this in a home environment, so Room EQ is your next best choice.

Problems

We advise you to look over the reported measurements on the screen following Auto Speaker Setup for any obviously incorrect results, in particular to ensure the reported speakers match your conguration and that the speaker distances to the listening position appear look roughly correct. If the results are not what you expected re-run Auto Speaker Setup.

e Auto Speaker Setup function is normally quite accurate but occasionally false results can be generated. Problems may be as a result of:

external sounds or rumbling / handling noises

picked up by the microphone

sound reections o hard surfaces (e.g. windows or

walls) close to the listening position,

very strong acoustic resonances within the room,

obstacles (such as a sofa) between speakers and the

microphone.

If you are still experiencing diculties or you wish to have the most accurate results for ultimate surround performance, we recommend using the manual method of establishing speaker distances and levels.

Using a subwoofer

If your system includes an active subwoofer you may need to re-run Auto Speaker Setup with the subwoofer output level / gain control set to a higher or lower value, if the summary screen reports problems setting the subwoofer up.

Auto Speaker Setup will attempt to choose a crossover frequency that allows the smoothest low frequency transition from the main speakers to the subwoofer. However if this does not produce pleasing results we recommend manually trying other crossover frequencies to nd something more to your preference.

See the next sections for information of how to enter or change speaker settings manually.

English

E-33

setup menus

e Setup menus allow you to congure all aspects of your AVR400. e next few pages will go through the menu items and explain their function. e Setup menus will probably look quite daunting if you are new to setting up home cinema, but the majority of them need only be congured once when you rst install the system (or if your system changes or you move house!)

e only way to view the Setup menus is on your display device (TV or projector) using the on-screen display (OSD) capability of the AVR400. To view the OSD for the initial setting up, connect any of the video outputs to your display device. You do not need to have a video source connected to the AVR400 video inputs.

Entering Setup mode

To enter the setup menu, press the MENU button on the remote control or font panel. e front panel display shows ‘SETUP MENU’ and the setup menu (pictured right) is displayed.

Unstable OSD menu or picture display?

e default AVR400 output video resolution when rst powered up out of the box is 525-line/60Hz NTSC for analogue video and “Preferred” for digital video. is has been chosen as most display devices can synchronise to this automatically. is can be changed in the Video Outputs section of the Setup Menus.

If the output resolution and frame rate is forced to a setting your display device does not support, the picture may become unstable or may not display at all. To reset the output video resolution and frame rate to the default values to restore the display, press and hold the front panel

OK button for three seconds. Alternatively, press

SHIFT then

dierent output resolutions until the picture returns.

on the remote control to cycle between

Menu panel

e le-hand panel lists the setup screens available for adjustment. e selected menu is highlighted with a grey band.

Help screen

e lower right-hand panel gives a short help text for the feature being adjusted.

Navigating the setup menu

… using the remote control

e setup menu can be navigated by using the cursor (arrow) keys on the remote control. is is by far the easiest method.

1. To enter the setup menu, press the (which is located immediately under the navigation buttons).

2. Use the the main section headings in the le-hand panel.

3. Once you have the main section that you require highlighted, use the

4. Use the down the section settings in the right-hand panel. Some settings may be greyed out. ese are either for information only (e.g. incoming sampling

and C keys to navigate up and down

key to enter the section.

and C keys to navigate up and

MENU button

Adjustment panel

e upper right-hand panel lists the parameters you can change as a user. e selected line is highlighted with a black band. Lines that cannot be selected are greyed-out.

Scroll bars

ese indicate the position of the displayed screen within longer menus.

frequency) or are not currently selectable (e.g. network IP address when DHCP is used). Scroll bars on the sides of the right hand panel indicate your position in the settings list where there are more items than can be displayed at once.

5. Pressing

6. At any time, press the

OK selects a setting to change it, pressing OK

again de-selects the setting.

MENU button to exit the menu.

Any changes to settings are saved.

… using the keys on the front panel

e AVR400 front panel controls can be used to congure the unit. Follow the instructions for using the remote control, in this case using INPUT for down,

INPUT+ for up, INFO for le and OK for right.

E-34

Input Config.

e audio and video settings on this page of the Setup menu can be tailored specically and independently to the currently selected input.

When a dierent input is selected on the Input line, all the input-specic settings for that input are displayed below it. ese settings are applied to the named Input only and are stored in memory and recalled each time the unit is powered up and whenever that input is selected.

Input – e currently selected input connectors to which the settings below relate.

Name – e display name of the input. You can change the name of any input to more closely match your setup. For example, if you had two satellite receivers, you could connect the main receiver to the Sat audio and video input connectors and change the Name to ‘SAT 1’. You could then connect the second satellite receiver to the VCR audio and video input connectors, but change the VCR Name to ‘SAT 2’. It is then clearer to users of your AVR400 which inputs they wish to select when scrolling though.

Lip Sync – Each input can have its own setting to add a time delay between the audio and video signals to compensate for the sound and picture not being synchronised. is is normally required when video processing is used in the system for scaling or de-interlacing video. e range of lip sync delay is 0 to 250 milliseconds.

e lip sync adjustment can only correct for delayed video. If the audio is late set lip sync to its minimum.

Mode – Sets the initial audio decode mode for stereo sources on this input.

<Last Mode recalls the last used setting for this

input when a stereo source was applied. See section “Two-channel source modes” on page E-40 for more information.

Ext. Mode – Sets the initial audio decode mode for multi-channel digital sources on this input.

<Last Mode recalls the last used setting for this

input when a stereo source was applied. See section “Multi-channel source modes” on page E-41 for more information.

Treble – Bass –

ese allow you to alter the bass and treble tone controls for all currently active speakers for each individual

input. For example, if your PVR source sounds a little bass light, you can always correct for this by selecting PVR on the Input line at the top of this menu and add 2 or 3dB to the Bass control. en, whenever the PVR input is selected, the bass is automatically boosted for as long as that input is selected.

Room EQ – When the Auto Speaker Setup function is run it also calculates Room Equalisation coecients to remove some of the worst eects of resonant frequencies of the room at the listening position. By default Room EQ is not applied to any of the source inputs, however you can enable them on a per-input basis as you wish.

<Not Calculated: (Information only) Auto Speaker

Setup has not been run or has errors so cannot be selected.

<On: Room EQ is applied to the current source. <O: Room EQ is not applied to the current source.

Input Trim – Sets the maximum analogue input signal level (sensitivity) on this input before the ADC (Analogue-to-Digital converter) signal path clips. Options are 1, 2 and 4 volts RMS maximum input. e default is 2Vrms maximum.

For example, analogue sources with low output levels may benet by choosing the 1V maximum setting. is helps maximise signal-to-noise performance of the AVR400 and also helps keep the various analogue sources sounding about the same level for any given AVR400 volume control setting.

Dolby Volume –Dolby Volume is an intelligent system that improves the perceived audio frequency response at lower listening levels and corrects for volume inconsistencies between sources (e.g. a rock radio station and a BD) and between programming (e.g. a TV show and advertisement breaks).

<On: Dolby Volume is applied to this input. <O: (default) Dolby Volume is not applied to this

input.

Dolby Leveller – is setting of Dolby Volume controls how closely quiet and loud sources and programme content are matched to each other, based on the ear’s perception of loudness. e range of values is 0 (minimal levelling) to 10 (maximum levelling). e default setting is 2, however we recommend experimenting with higher values if your source material is less closely matched in level. If the Volume Leveller function is set o, no level matching between sources and programme material is performed. Note however that turning the Dolby Leveller setting of Dolby Volume to ‘O ’ is not the same as turning the entire

function of Dolby Volume to ‘O ’, as volume related frequency response processing is still active. See “Dolby volume” on page E-42 for more information.

DV Calib. Oset – e Calibration Oset parameter of Dolby Volume allows you to compensate for speaker eciencies and listening position. e default value is 0 and this should normally produce a good result when the AVR400 speaker levels are set using a sound pressure level meter.

See “Dolby volume” on page E-42 for further information on Calibration Oset.

Surround EX – Sets how the AVR400 should congure its decode mode when a Dolby Digital EX bitstream is received. Note that this setting only applies if you have Surround Back loudspeakers. You may wish to experiment with these two decode modes to see which you prefer with Dolby Digital EX encoded material. Options are Auto DD EX, Auto PLIIx and Manual.

< Auto DD EX: When a Dolby Digital EX-agged

bitstream is detected, the decode mode automatically changes to Dolby Digital EX. is can be temporarily overridden by pressing the MODE button on the remote or front panel.

< Auto PLIIx Movie: When a Dolby Digital

EX-agged bitstream is detected, the decode mode automatically changes to Pro Logic IIx Movie. is can be temporarily overridden by pressing the button on the remote or front panel.

< Manual: e received Dolby Digital EX is treated

as if it is an ordinary Dolby Digital stream in that it does not automatically select the EX or PLIIx decode modes. Instead, the previously used decode mode for a multi-channel digital source on this input is applied. However, either of the EX or PLIIx decode modes can be applied manually by pressing the

MODE button.

Stereo Mode – If you have congured your system to

have a subwoofer, then you have the exibility to choose how bass information is distributed between the front le/right speakers and the subwoofer when listening to stereo (two channel only) analogue and digital sources. Choose the option which gives you the most solid, even sounding bass. If you are using a subwoofer for stereo, please also see Sub Stereo below to set the level of the subwoofer. For best results test with a set-up disc or live programme material. is setting can be used to override your normal speaker settings in the Spkr Types menu whenever the AVR400 plays stereo material. It is quite common to nd that two channel stereo music

MODE

listening is best done with a slightly dierent sub/ speaker setting than for surround movies.

< As Spkr Types: When an analogue or digital stereo

source is played, your normal speaker conguration (as in Spkr Types menu) is used to reproduce the signal.

< Le/Right: Full frequency stereo information. All

audio is sent to the front le and right speakers only without any bass redirection. You can use this setting if you consider your front le/right speakers to be able to handle the full frequency range of music. If you have set your front le/right speaker size as Small in the Spkr Types setup page, you may wish to use this option to override the setting to Large for stereo music listening, if you have full frequency range le/right speakers. It can oen be benecial to set full frequency range speakers to Small in the Spkr Types setup page for use with movies, if you have a subwoofer in your system. Doing so may deliver more impact on movie soundtracks as subwoofers are designed to handle reproduction of high bass content. However you may nd that for stereo music a better overall result is obtained by not using the subwoofer and eectively treating the front le/right speakers as Large.

< Le/Right+Sub: Full frequency range stereo is fed to

the front le and right speakers and extracted bass is sent to the subwoofer. In this case the low frequency information is eectively duplicated.

< Sat+Sub: Use this setting if you really do have Small

satellite front le and right speakers, or if you prefer the overall sound of bass being handled by the subwoofer. Full bass management is used so that analogue and digital stereo sources are fed to the DSP where the bass is ltered o front le and right and redirected to the subwoofer.

NOTE

e Stereo Mode function is not available when using an analogue source in Stereo Direct mode.

Sub Stereo – If Le/Right+Sub or Sat+Sub is selected in Stereo Mode above, this setting adjusts the level of the subwoofer when the source is two channel stereo.

Brightness – Sets the video brightness for this input. is setting can be used to compensate for an overly dark or bright source picture on this input when compared with other video sources.

English

E-35

Contrast – Sets the video contrast for this input. is setting can be used to compensate for too much or too little contrast in the source picture on this input when compared with other video sources.

Colour – Sets the video colour saturation for this input. is setting can be used to compensate for too much or too little colour in the source picture on this input when compared with other video sources.

Picture Mode – Sets how the video processor in the AVR400 interprets the video on this input. Normally the video processor automatically detects the original source type and correctly sets either Video mode or Film mode processing. In the unlikely event that the video processor misinterprets the video type, resulting in subtle picture artefacts, the video processor can be manually forced into Video mode or Film mode. is function should normally be set to Auto.

Edge Enhancement – Sharpens the picture from a source on this input.

MPEG N.R. – Removes artefacts in overly compressed digital video from a source on this input.

Noise Reduction – Removes random noise within the picture from a source on this input.

Component Mode – Congures the current three-wire high quality analogue video input for component (YUV) video signals or RGB video signals. It is important to match the setting to the incoming video format otherwise the colours will be incorrect and the picture may be unstable.

Options are Normal, RGsB and RGB+Sync.

< Normal: (default) the three-wire input is congured

for normal Component (YUV / YPbPr) analogue video.

< RGsB: the three-wire input is congured for RGB

analogue video with video ‘sync-on-green’.

< RGB+Sync: the three wire input is congured for

RGB analogue video, with the video sync signal on the composite input for the current named source.

You should typically select RGB+Sync if you are using a standard SCART to 4-wire phono breakout cable to connect an RGB SCART source.

NOTE: If RGB+Sync is selected, the S-Video and Composite inputs cannot be selected as video inputs for the current source.

Video Source – Selects the video signal connection for this source. e default is HDMI; this setting must be changed if another connection is used.

< HDMI: the unit is forced to use the HDMI video

input for this source.

< Component: the unit is forced to use the

COMPONE NT/RGB video input for this source.

< S-Video: the unit is forced to use the

for this source.

< Composite: the unit is forced to use the

video input for this source.

Audio Source – Selects the particular connection type for each input. e default is HDMI; this setting must be changed if another connection is used.

Select from the list the audio type you are using on this source.

HDMI: the unit is forced to use the HDMI audio

input for this source.

Digital: the unit is forced to use the optical (TOSLINK)

or coaxial (S/PDIF) digital audio input for this source

Analogue: the unit is forced to use the analogue

audio input for this source.

SVIDE O input

COMPOSI TE

General Setup

General information and system controls.

Source Input – (Information only) e currently selected input to which the settings below relate.

Incoming Format – (Information only) e format of the digital audio stream connected to this input, if present.

Incoming Sample Rate – (Information only) e sample rate of the digital audio stream connected to this input, if present.

Incoming Bit Rate – (Information only) e bit rate of the digital audio stream connected to this input, if present.

Dialnorm – (Information only) If a Dolby Digital audio stream is connected to this input, this is the Dialogue Normalisation setting requested by the stream.

Video Input – e currently selected video input. For inputs that have video connections (e.g. audio and video inputs normally switch over together. However, here you can temporarily select a dierent video source for the current audio source. is feature may be useful, for example, if you are watching a sports game on satellite but on this occasion wish to listen to the commentary on the radio instead. is temporary override is reset when the input source is changed so

SAT, PVR etc),

that the Video Input follows the Audio Input setting (or the setting in the Video Inputs menu, if applicable).

Audio Compression – Allows selection of compression which is ideal for late night listening. e compression eect increases the volume of the quiet passages and decreases the volume of the louder passages. Compression only applies to Dolby soundtrack formats that support this function (DTS is not supported).

< O: (default) no audio compression is applied. < Medium: compression is applied so that loud

portions of a soundtrack are reduced in level.

< High: the maximum amount of dynamic range

compression is applied, so that the dierence between loud and quiet portions of a soundtrack is minimised.

is setting applies to all inputs when a relevant digital audio stream is detected. It is stored in memory and recalled each time the unit is powered up.

Balance – To alter the sound balance temporarily between front le and right speakers. You can alter the sound stage to either the le or the right by up to 6dB. Note that it is not possible to shi the audio signal completely over to one channel. is function resets to equal le/right balance when the input is changed.

PLII Dimension – PLII Centre Width – PLII Panorama –

ese allow the adjustment of the sound eld for Dolby Pro Logic II Music mode decoding of two-channel sources. ese setting apply to all inputs when PLII or PLIIx Music decoding is selected. e settings are stored in memory and recalled each time PLII or PLIIx Music mode is selected.

< PLII Dimension: Allows the user gradually to

adjust the sound eld either towards the front or towards the rear. Settings range from -3 to +3. We recommend Dimension is set to 0 for normal use.

< PLII Centre Width: Controls the centre image

width.With Pro Logic decoding, dominant centre signals come only from the centre speaker. If no centre speaker is present, the decoder splits the centre signal equally to the le and right speakers to create a ‘phantom’ centre image. e Centre Width control allows variable adjustment of the centre image so it may be heard only from the centre speaker; only from the le/right speakers as a phantom image; or from all three front speakers to varying degrees. We recommend Centre Width is set to 3 for normal use.

< PLII Panorama: Extends the front centre image to

include the surround speakers for an exciting ‘wraparound’ eect with side-wall imaging.

Digital Output Freq. – Sets the sampling frequency of the audio Analogue-to-Digital converter. is setting applies to all inputs when analogue audio is being processed (i.e. not Stereo Direct mode). It is stored in memory and recalled each time the unit is powered up.

Maximum Volume – Limits the maximum volume setting the system can be turned up to in the main zone. is is a useful feature to prevent accidental overdriving of low power-handling speakers (for example). It is stored in memory and recalled each time the unit is powered up.

Max On Volume – Limits the maximum volume the system operates in the main zone when it is switched on or comes out of Standby. e system comes on at this stored volume setting if the last used (possibly very loud) volume exceeds this value. It is stored in memory and recalled each time the unit is powered up.

Display on time – Sets the time that the front panel display remains illuminated aer receiving a command. e default is always on.

Audio In iPod – If you have an iPod connected to the AVR400 using an Arcam irDock or rLead, this control allows you to set which audio input is used.

CEC Control – Enables or disables HDMI CEC control, a system that allows devices connected with HDMI to control other compatible connected devices.

ARC Control – Enables or disables the HDMI 1.4 Audio Return Channel. is allows for television sound to be sent back to the AVR400, via the “Display” input.

HDMI Audio To T V – Enables or disables the transmission of HDMI audio from the HDMI output connector. Enable this setting if you wish to be able to listen using your TV speakers.

RS232 Control – Enables or disables RS232 control, a system that allows control from various third-party

home automation systems.

Auto Setup

Auto Speaker Setup of your loudspeakers and subwoofer (if present) is controlled by this menu. A full description of how Auto Speaker Setup works is given on page E-33. Remember to insert the calibration microphone into the AUX input on the front panel and position the

E-36

microphone at the listening position before running Auto Setup.

Run Auto Setup – Press start Auto Speaker Setup. e process will generate test tones from the speakers and will typically take less than two minutes. e test tone generator will cycle round each speaker twice.

Accept Setup – When Auto Speaker Setup has completed without errors you can choose to accept or reject the settings

< No: e settings are not stored in memory. < Yes: All the speaker settings (speakers present, type,

distance, level and crossover frequency) are stored in the relevant sections of the Setup Menu and overwrite any previous settings.

Auto Setup Progress – Gives a summary of what Auto Speaker Setup is doing as it progresses, starting with which speaker is being tested.

<Noise Level: Checking noise level relative to each

speaker and subwoofer.

<Number of Speakers: Speaker conguration is

detected including the number of surround speakers and whether a subwoofer and center speaker are connected.

<Speaker Distance: Accurately detects the

appropriate distance of each speaker position as well as the subwoofer with respect to the microphone position.

< Speaker Level and Size: e crossover is set based

on each channel’s signal handling capability and the subwoofer crossover is automatically set. e SPL (Sound Pressure Level) of each speaker is matched with respect to the microphone position.

< Calculating EQ: Data gathered from each of the

speakers is being processed.

< Completed Error: A problem was detected with the

speaker setup. See the descriptions for each of the individual speakers, below. Alternatively an invalid speaker conguration was detected.

OK (or

on the remote) to

Front Left – Centre – Front Right – Surr. Right – Surr. Back Right – Surr. Back Left – Surr. Left – Subwoofer –

If the above speakers are correctly detected as present in your speaker conguration, their size (Small or Large), distance from the listening position and trim level (dB) will be displayed. Note that size does not apply to the subwoofer. Otherwise an error message will be displayed:

< Not Present: A speaker was not detected on this

channel.

Crossover Freq. – e frequency at which Auto Speaker Setup determined is the best point to lter low frequency sounds away from Small speakers and into the subwoofer (or Large speakers if a subwoofer is not present).

NOTE

Auto calibration is possible only for a 7.1 or

5.1 speaker conguration. For other speaker congurations such as a 2.1 (stereo + subwoofer) setup, you must complete setup manually by referring to the guidelines below for Speaker Conguration, Speaker Distance and Speaker Levels.

Spkr Types

Settings for the types of loudspeaker you have connected in your conguration. ese settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Front Left / Right – Centre – Surr. Left / Right – Surr. Back L / R –

Here you set the type of speakers that you have connected to your AVR400:

< Large: capable of full frequency range reproduction < Small: not capable of full frequency range

reproduction at the low frequency end

< None: speaker not present in your conguration

< Subwoofer: Set whether a subwoofer is present or not.

NOTE

It is not possible to set all speakers to Small unless there is a subwoofer in your speaker conguration. If you do not have a subwoofer, you will be forced to set your front speakers to Large.

Crossover Freq – is is the frequency at which loudspeakers set as Small start to redirect bass signals to the Subwoofer or Large speakers in your system. Small speakers redirect bass to the subwoofer, if present. e exception is the Centre speaker which, if Small, redirects its bass to front le/right provided that they themselves are Large. is is done to help keep Centre bass directly in front of the listening position.

MCH Sub Levels – is setting controls the subwoofer level from an externally decoded multi-channel source (BD-A, SACD, etc). Most BD players require a +10dB compensation on the subwoofer channel to maintain the correct balance with the main channels.

< +10dB: for normal BD players which output the

analogue subwoofer channel at the low 0dBr level. Gain compensation of +10dB is added to the subwoofer channel of the

< 0dB Normal: for BD players which output the

analogue subwoofer channel at the correct +10dBr level. No subwoofer gain compensation is needed on the subwoofer channel of the AVR400.

Use Channels 6+7 for – If your main zone speaker set up does not include Surround Back Le and Right speakers, you can choose to use the Surround Back amplier channels to Bi-Amp the Front Le and Right pair, or as a stereo power amplier for Zone2.

MCH INP UT in the AVR400.

MCH INP UT in the

Spkr Distance

Calibration settings for the distances between the loudspeakers and the listening position.

NOTE

Speakers that are not present in your conguration will be greyed out.

ese settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Units – Select whether you wish to measure distances in imperial or metric units.

Front Left – Centre – Front Right – Surr. Right – Surr. Back Right – Surr. Back Left – Surr. Left – Subwoofer –

As described in “essential setup” on page E-32, measure the distance from each loudspeaker in your system to your ear in the main listening position and enter the values. is allows the AVR400 to calculate the correct relative delay for each loudspeaker.

Spkr Levels

Calibration settings for the test noise signal level through the loudspeakers and measured at the listening position.

NOTE

Speakers that are not present in your conguration will be greyed out.

ese settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Use the control to select the relevant speaker. Press O to enable/disable the calibration noise and the D and E navigation buttons to adjust the noise level from each speaker.

Front Left – Centre – Front Right – Surr. Right – Surr. Back Right – Surr. Back Left – Surr. Left – Subwoofer –

As described in “essential setup” on page E-32, adjust the level of the test noise from each speaker so that an SPL meter at the listening position measures 75dB SPL.

and C navigation buttons on the remote

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E-37

Video Inputs

Settings to optionally assign a video source to each of the normally audio-only inputs.

ese settings are stored in memory and recalled each time the unit is powered up.

Video Input CD – Video Input Aux – Video Input AM / FM – Video Input MCH – Video Input iPod – Video Input Net – Video In Digital Radio –

e default for each of the audio inputs is ‘None’, however for example you could associate the satellite ‘Sat’ video with AM, FM and Digital Radio audio if you wished. is way you could listen to the FM or AM or Digital Radio commentary of a sports game but have the pictures from the satellite coverage.

Video Outputs

e settings in this menu control the output resolution from the video processor in the AVR400. ese settings are applied to all video inputs and are stored in memory and recalled each time the unit is powered up.

NOTE

Important points to remember:

For the analogue output

You should set the frame rate (50Hz Interlaced for PAL, 60Hz Interlaced for NTSC) and the aspect ratio (4:3 standard or 16:9 widescreen) to match your display device.

For the HDMI output

e output resolution, frame rate and display aspect ratio can be automatically determined by the AVR400. Alternatively these settings can be manually selected.

Zone1 OSD – Selects whether the main zone pop-up OSD messages are On or O. It is stored in memory and recalled each time the unit is powered up.

< When On, all user adjustments that are made

during the general use of the AVR400 are displayed on screen as well as the front panel display. is includes the adjustment of volume, subwoofer level, lip sync, tone controls, etc. It is stored in memory and recalled each time the unit is powered up.

< When O, the above user adjustments will not

appear on screen, only on the front panel display. is leaves the picture on your display device clear of pop-up text. However, regardless of this setting the Setup menus are always displayed on screen.

Zone2 OSD – Selects whether the Zone 2 pop-up OSD messages are On or O. It is stored in memory and recalled each time the unit is powered up.

Analogue Output – is setting controls the output resolution of the analogue video output of Zone1. e dropdown list shows all the resolutions that the AVR400 video processor can output.

Analogue Frame Rate – is setting controls the output frame rate of the analogue video outputs of Zone1. is setting is only valid if the HDMI output is not being used at the time. See the Note ‘Important points to remember’ regarding analogue frame rates.

Display Type – Set the aspect ratio of your display device; 4:3 standard or 16:9 widescreen.

HDMI Output Resolution – is setting controls the output resolution of the HDMI output.

<e dropdown list shows all the resolutions that the

AVR400 video processor can output. Resolutions that are not supported by the connected display device are greyed out and cannot be selected.

< Preferred: sets the output resolution to be the

preferred resolution that is requested by the display device. is is oen the highest resolution the display device can receive.

< Bypass: this is a special mode where video passes

straight through the AVR400 without alteration. Use this mode to watch 3D content on a 3D television. is mode also allows the AVR400 to output video with a 23.976Hz frame rate. e output resolution and frame rate will be identical to the input resolution and frame rate. e display must be capable of supporting the input resolution and frame rate — if the input video format is not supported by the display there will be no picture.

Output Frame Rate – is setting controls the output frame rate of the HDMI output.

<e dropdown list shows all the frame rates that the

AVR400 video processor can output. Frame rates that are not supported by the connected display device at the above resolution are greyed out and cannot be selected.

<Auto sets the

preferred frame rate that is requested by the display device for the currently used resolution.

<Follow input sets the

same as the input frame rate. Use this setting if you regularly switch between 24Hz and 50/60Hz content and have a 24p compatible TV.

Lipsync – (Information only) Displays how much lip sync is automatically applied to the HDMI output to compensate for video processing delays in the attached display device. Not all display devices support this function.

HDMI OU T frame rate to be the

Mode

Lists the decode and downmix options you wish to include when cycling through the options on the MODE button. Settings are Yes or No. e list is divided into two sections depending on the source audio type. See section “decoding modes” on page E-40 for more information on each processing and decoding mode.

ese settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

For Stereo sources:

Dolby ProLogic – Dolby PLIIx Movie – Dolby PLIIx Music – Dolby PLIIx Game – Neo:6 Cinema – Neo:6 Music –

e rst section, ‘Stereo sources’ is the list of processing modes you wish to make available for stereo signals (analogue stereo, digital PCM stereo, Dolby 2.0, DTS

2.0, etc). When a stereo signal is applied, each press of the

MODE button cycles through the processing modes

you have enabled in the ‘Stereo sources’ section. e unprocessed Stereo option is always available for stereo signals therefore it is not shown in the list.

For Multi-channel sources:

Stereo Downmix – Dolby Digital EX – Dolby PLIIx Movie – Dolby PLIIx Music –

e second section, ‘Multi-channel sources’ is the list of processing modes you wish to make available for multi-channel digital signals (any Dolby or DTS digital stream that has more channels than stereo 2.0). When a multi-channel digital signal is applied, each press of the

MODE button cycles through the processing modes you

have enabled in the ‘Multi-channel sources’ section.

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Zone Settings

Lists the volume and control settings for Zone2 . ese settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Z2 Input – Selects the analogue audio and composite video source to be routed to Zone2. e default is ‘Follow Z1’, i.e. the same source as currently selected in Zone 1.

Zone 2 Status – displays whether Zone 2 is in Standby or On, for information only.

Zone2 Volume – e current volume in Zone2.

Zone2 Max. Vol – Limits the maximum volume setting

the system can be turned up to in the Zone2. is is a useful feature to prevent accidental overdriving of low power-handling speakers, for example.

Zone2 Fixed Vol – e Zone2 volume control can be locked at the current value for use with an external amplier with its own volume control in Zone2.

Zone2 Max On Vol – Limits the maximum volume the system operates in the Zone2 when it is switched on or comes out of Standby. e system comes on at this volume if the last used (possibly very loud) volume exceeds this value.

Zone 2 format – Selects the video format used for the Zone 2 composite video output. PAL is mostly used in Europe and NTSC is mostly used in North America. is setting should only be changed if there is an unstable OSD on the Zone 2 display.

Network

e AVR400 is tted with an network audio client which is capable of playing internet radio stations as well as stored music on a network storage device such as a PC, or on a USB ash drive.

Use DHCP – Select if your network uses DHCP

<No: To assign a xed IP address manually. <Yes: To use network parameters given by the DHCP

server.

IP Address – If not using DHCP, enter the IP address you have assigned to the AVR400 for your network.

Subnet Mask – If not using DHCP, enter the subnet mask for the AVR400 on your network.

Gateway – If not using DHCP, enter the IP address of the router the AVR400 is connected to.

Primary DNS – If not using DHCP, enter the Primary DNS IP address of your internet service provider.

Alternate DNS – If not using DHCP, enter the Secondary DNS IP address of your internet service provider.

MAC address – (Information only) e unique address of the network card in your AVR400.

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E-39

decoding

modes

Introduction

Your AVR400 receiver provides all the key decoding and processing modes for analogue and digital signals, including the latest high denition audio formats over HDMI.

Modes for digital sources

Digital recordings are usually encoded to include information about their format type. e AVR400 detects automatically the relevant format in a digital signal – such as Dolby TrueHD, Dolby Digital Plus, DTS-HD Master Audio, Dolby Digital, or DTS – and switches in the appropriate decoding.

Modes for analogue sources

Analogue recordings do not contain information about their encoding formats, so the desired mode – such as Dolby Pro Logic – needs to be selected manually.

Mode memory

Dolby Digital or DTS audio (including the high denition formats) can be output in two mix modes, selected using the MOD E button:

< Surround (e.g., ve main channels plus a subwoofer

for a 5.1 source)

< Stereo downmix.

Two-channel audio, regardless of whether it is analogue or digital can also be output in two mix modes, selected using the mode button:

< Surround (e.g., Dolby Pro Logic II Movie, Neo:6

Music, etc.)

< Stereo.

e AVR400 stores the settings for each source (except MCH). us the decoding mode for the following groups of source material can be stored independently:

< Dolby Digital (multi-channel) and DTS source

material

< Two channel Dolby, PCM or Analogue source

material

Two-channel source modes

e following decoding and surround modes are available for standard and high denition Dolby Digital

2.0, DTS 2.0, PCM or analogue sources:

Stereo Pro Logic II Movie Pro Logic II Music Pro Logic II Game Pro Logic IIx Movie Pro Logic IIx Music Pro Logic IIx Game Pro Logic Neo:6 Cinema Neo:6 Music

NOTE

Pro Logic IIx modes are only selectable when Surround Back speakers are present.

Stereo

In this mode the AVR400 works as a conventional high quality audio amplier. Note that if the subwoofer is enabled in stereo mode, then some processing of the signal will be carried out. To achieve ultimate sound quality with analogue sources, select the Stereo Direct function if an analogue connection is present.

Dolby Pro Logic II

Dolby Pro Logic II decoding is designed to produce vechannel output from two-channel source material.

ere are three dierent modes available in Pro Logic II: ‘Movie’, ‘Music’ and ‘Game’ modes, which are intended for use as their names suggest. Due to the dierent recording methods used for movies, music and video games, it is recommended that the correct decoding mode for your source material is used to obtain best results.

< Movie mode: is is intended for use with

‘cinematic’ material, which is mixed and monitored in a calibrated multi-channel environment. Movie mode is a ‘xed’ mode that is designed to give a similar sound when listening using a home cinema system to that obtained in a cinema.

< Music mode : Stereo music is not designed for

surround processing, although good surround eects can be obtained through careful production.

As the optimum decoding method varies according to the recording, Music mode allows the user adjustment of the processing characteristics.

< Game mode: Video games today are extremely

sophisticated, with dramatic 5.1 surround audio tracks. Game mode gives augmented bass management to capture the full eect of game sounds panned to the surrounds, ensuring the bass impact from purer surround eects are fully delivered to the subwoofer.

Dolby Pro Logic IIx

Dolby Pro Logic IIx is an extension of the Dolby Pro Logic matrix-decoding method. e decoder allows the processor to derive seven outputs from a two or multi-channel (up to 5.1 with EX) source to take better advantage of all ampliers and speakers in a 7.1 setup. As with Pro Logic, there are three dierent modes available: Movie, Music and Game. Due to dierent recording methods used for movies and music, you should select the correct mode for your source material.

Dolby Pro Logic

Dolby Pro Logic is a legacy mode that is designed to produce a ve-channel output from two-channel source material. It should be used only when the source material is encoded as Dolby Pro Logic; otherwise, we recommend the use of Dolby Pro Logic II. is is because Pro Logic processing on straight stereo sources can sound mued and compressed.

DTS Neo:6

DTS Neo:6 provides up to six full-band channels of decoding from stereo material. e AVR400 will derive separate channels corresponding to the standard home theatre layout.

< Cinema : A movie mode designed to reproduce

a movie theatre environment. Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows the original presentation naturally.

< Music : A music mode designed to produce a lively,

high-integrity surround-eect from most twochannel music sources from all available speakers. Neo:6 music mode expands stereo recordings into the ve or six-channel layout without diminishing the subtlety and integrity of the original stereo recording.

E-40

Multi-channel source modes

Digital multi-channel source material is normally provided as ‘5.1 audio’. e ‘5.1 channels’ comprise of: le, centre and right front speakers, two surround speakers and a low frequency eects (LFE) channel. Since the LFE channel is not a full range channel, it is referred to as ‘.1’.

Surround systems decode and reproduce the 5.1 channels directly. Dolby Digital EX and DTS-ES matrix enhanced decoding systems create one extra rear channel from information buried in the two surround signals of the 5.1 source. ese EX and ES enhanced systems are sometimes referred to as ‘6.1’ systems. is extra surround back channel is normally reproduced through two separate loudspeakers, creating a ‘7.1’ system.

DTS-ES discrete is a true ‘6.1’ source, with six discretely encoded channels, plus the ‘.1’ LFE channel.

Dolby Digital Plus, Dolby TrueHD and DTS-HD are high-resolution surround formats found on Blu-Ray discs

Decoding modes

e modes given in the following table are available for multi-channel digital sources.

Special modes such as DTS-ES 6.1 discrete, Dolby Digital Plus, Dolby TrueHD and DTS-HD are only available from the correct source material.

High resolution audio sources

Dolby TrueHD Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no

losses in the compression process. Data rates can be up to 18Mbps.

Dolby Digital Plus Provides up to 7.1 discrete channels of audio with less compression than

traditional Dolby Digital encoding. Data rates can be up to 6Mbps.

DTS-HD Master Audio Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no

losses in the compression process. Data rates can be up to 24.5Mbps.

For Dolby Digital sources

Dolby Digital 5.1 e most commonly used sound format for DVD video, and is also the

standard for US television. Dolby Digital 5.1 sources deliver sound with ve discrete full-range channels; le, centre, right, surround le, surround right, plus a low frequency eects (LFE) channel.

Dolby Digital 5.1 Stereo Downmix

Dolby Digital EX is is an extension to Dolby Digital decoding that provides a 6-channel output

Dolby Digital 5.1 + Pro Logic IIx Movie

Dolby Digital 5.1 + Pro Logic IIx Music

For DTS sources

DTS 5.1 Less common than the Dolby Digital format, but generally recognised within

DTS 5.1 Stereo Downmix Provides a stereo downmix of the source material for use with headphones.

DTS-ES 6.1 Matrix is is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix

DTS-ES 6.1 Discrete is is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix).

DTS96/24 Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior

Provides a stereo downmix of the source material for use with headphones.

from a 5-channel input. e extra channel is the centre-surround channel (for which the two surround back speakers are used), and is derived from the le and right surround channel information. is decode mode should be used only when the source material is ‘Surround EX’ encoded (which is normally indicated on the disc packaging and should be detected automatically by the AVR400), but may be used at other times if desired.

is mode is used to derive information for the individual surround back channels from the surround channels, using the Pro Logic IIx Movie decoder.

is mode is used to derive information for the individual surround back channels from the surround channels, using the Pro Logic IIx Music decoder. e controls for adjusting Pro Logic IIx Music in ‘General Setup’ can be used in this mode.

the audio industry as being of superior sound quality. DTS 5.1 delivers surround sound with ve full range channels plus an LFE channel.

encoded into the surround le and surround right channels. e sixth channel is a surround centre channel and is directed to the surround back le and surround back right speakers.

DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete audio encoding.

sound quality compared to standard DTS 5.1

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E-41

Dolby volume

Dolby Volume is a sophisticated new

technology that resolves the problem of dierent volume levels between programme content (e.g. a TV show and advert breaks) and between sources (e.g. a rock radio station and DVD, or between two TV stations). It lets the listener enjoy everything at the same preferred listening level without having to reach for the volume control to compensate for the dierent recording/output levels. is is the Volume Leveller function of Dolby Volume.

Dolby Volume also works in conjunction with the AVR400 volume control setting to compensate for the ear’s changing sensitivity at dierent frequencies depending on how loud the audio is. It is based on a model of how human hearing works. It properly balances low, mid and high frequencies to maintain all the nuances and impact of the original audio regardless of the actual selected playback volume level. is is the Volume Modeller function of Dolby Volume.

Dolby Volume measures, analyses and maintains volume levels based on how people perceive sound. A variety of audio parameters are monitored including spectral- and time-based loudness to ensure that perceived dynamics, timbre and bass performance remain consistent at all volume levels.

Dolby Volume also lets the listener control a programme’s dynamic range – the range between loud and quiet sounds. For example, with the volume turned down for late-night viewing, dynamic range can be adjusted so that speech remains clear and loud eects or music passages retain their impact without waking up the family.

between sources and frequency response regardless of the volume setting. Most of the controlling parameters of Dolby Volume are automatic as they are dependent on analysis of the audio signal and the volume setting of the AVR400. However, the Volume Leveller and Calibration Oset controls (see below) can be adjusted to your preference.

Volume Leveller

e Volume Leveller function of Dolby Volume controls how closely quiet and loud sources and programme content are matched to each other, based on the ear’s perception of loudness. e range of values is 0 (minimal levelling) to 10 (maximum levelling). e default setting is 2. If the Volume Leveller function is turned o, no level matching between sources and programme material is performed. is is not the same as turning Dolby Volume o as volume related frequency response processing is still active.

When Dolby Volume is being applied to the current input, a Dolby Volume processing mode indicator is shown on the OSD and the front panel display.

Calibration Oset

e Calibration Oset parameter of Dolby Volume allows you to compensate for speaker eciencies and listening position – eectively moving the reference listening level up or down the volume scale. e default value is 0 and this should normally produce a good result when the AVR400 speaker levels are set using a sound pressure level meter at the listening position (75dB SPL, ‘C’ weighting, slow response).

Settings

Dolby Volume can be applied to any analogue or digital stereo source or any digital multi-channel source. It is

not available in Stereo Direct or on the analogue multichannel input. Dolby Volume can even be applied to

processing of stereo signals (e.g. PLII Music) or when down-mixing a digital multi-channel source (e.g. Dolby Digital 5.1 down to stereo).

Dolby Volume can be enabled and congured separately for each audio input in the Input Cong menu. e default is ‘O’ for ‘audiophile’ listening. You may wish to turn Dolby Volume ‘On’ for TV and movie sources to maintain the same perceived overall listening level

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E-43

tuner

operation

e AVR400 is tted with an internal AM/FM tuner and a DAB (digital radio) tuner. DAB broadcasts are not available in all locations.

is section deals with tuner operation, for information on setting up the tuner and installing aerials, see page E-16.

When a tuner input is selected, the OSD shows a list of radio presets plus an information panel giving all available information about the current frequency (for AM and FM) or station (for DAB).

e front panel will also give the same information, pressing the items of information:

• Processing mode (default)

• Frequency

• Signal strength

• Processing mode (default)

• Radiotext (if available)

• Programme type (if available)

• Signal strength

DAB

• Processing mode (default)

• Radiotext (if available)

• Programme type

• Signal quality

• Bit-rate of transmission

INFO key will cycle through the various

Tuning/Channel Selection

When switching to the internal TUNE R source, the AVR400 enters the last used tuner band, be it AM / FM / DAB (if tted). Repeatedly pressing T cycles through the available tuner bands on your AVR400.

FM/AM analogue radio

Frequency tuning on FM and AM radio is done using the < and > buttons on the CR102 remote control in

TUN device mode. Individual presses move the frequency

down and up one step. If you press and hold either of the tuning buttons for two seconds, the tuner scans to

the next strong signal. You can stop a scan at any time by pressing one of the tuning buttons again.

In Europe, the internal FM radio is capable of receiving RDS (Radio Data System) radiotext signals that are transmitted on some stations. e RDS information typically includes the radio station name, the music or speech genre as well as additional information related to the current programme. On music stations this is oen information on the currently playing track.

DAB digital radio

If your AVR400 is tted with the optional DAB tuner you will need to scan for available stations before being able to listen to them.

To scan for DAB stations, rst select the DAB tuner then press and hold O until the display indicates scanning has started. e AVR400 will then scan all the DAB radio frequencies and compile a list of the stations that are available.

When the scan is complete, you can scroll through the station list using the < and > buttons on the CR102 remote control. To listen to the currently displayed station press the O. If you do not press O within two seconds, the display will revert to displaying the currently playing station.

Internet radio

Please see the Network/USB Operation section on page E-45 for details of internet radio operation.

Saving and selecting Presets

Preset selection uses the B and C keys on the remote to browse and O to select the preset when the CR102 is in TUN device mode.

Up to 50 presets can be stored and these can be from any band, for example Preset 1 could be an AM station, preset two a DAB station, etc. Pressing the the next available preset number to be displayed, then pressing the OK key again stores the current frequency/ channel in that preset. If a dierent preset number is required, press the B or C keys until the desired number is displayed before pressing the OK key for a second time.

OK key causes

Deleting Presets

When in tuner browse mode (using B and , to scroll through the presets), the yellow button on the CR102 remote is used to delete the currently highlighted (but not playing) station or frequency.

E-44

network/usb

operation

e AVR400 is tted with a network audio client which is capable of playing internet radio stations as well as stored music on a network storage device such as a PC, or from a USB ash drive.

For information on installing the AVR400 on your network, see page E-17.

e AVR400 supports the following le formats:

MP3

WMA (Windows Media Audio)

WAV

FLAC (Free Lossless Audio CODEC)

MPEG-4 AAC (iTunes) with DRM10 support

Favourites

You can store internet radio stations in your ‘favourites’ folder for easy access later. Once playing, pressing the FAV+ key adds the track to the ‘favourites’ folder. Pressing FAV- removes the station from the ‘favourites’ folder (this key only has an eect if the station is in the favourites folder).

NOTE

For playback from a network device, the network device needs to running a universal plug and play (uPnP) service, such as Windows Media Player 11. is can be downloaded free of charge from

www.microsoft.com or installed via the Windows

update installer. Windows 7 and Vista™ have this functionality built in. Windows Media Player requires music library sharing/streaming to be enabled in order to serve music to the AVR400.

Other free and paid-for uPnP services are available for other computer operating systems. Some network attached storage (NAS) systems include a built-in version of a uPnP service.

Selecting the playback source

Selecting the network client will allow playback of internet radio stations and stored music on a networked storage device or USB memory device.

To select the network source the CR102 remote must rst be in + e on the remote to select the Network source. You can also cycle to it using the INPUT / INPU T+ keys on the front panel.

e ‘home’ page has options for playing audio from a USB device, Internet Radio or from your home network using the ‘Music Player’ option. Navigate through these items using the may contain playable les have a symbol, playable les have a symbol. Once you reach the track you wish to play, press OK key.

Once playing, pressing Internet Radio).

Pressing the track is reached the key is ignored.

Pressing the is reached, the key is ignored.

Pressing the r key on the remote plays the tracks in the current folder in a random order.

Pressing the R key on the remote repeats all the les in the current folder. Pressing it again cancels the repeat function.

AMP device mode (press

B, C, D

key skips forward one track. If the last

key skips back one track. If the rst track

and E keys. Folders that

will pause the track (except

;

). en press S

USB playback

Insert a USB device into the socket on the AVR400 and select the network client input. e USB device appears in the list of folders that can be navigated. Highlight it using the Band C keys and press E to navigate the contents of the USB device. Navigate through folders

(using the B, C, D and E keys) to a music le

and press the OK key to play the le.

Internet radio stations

Although you can manually browse for an internet radio station, the AVR400 uses the vTuner service to allow easy selection of favourite internet radio stations and podcasts. To set up this service for your AVR400, please visit www.arcamradio.co.uk

ere, you will be asked to enter the Media Access Controller (MAC) address which is the unique ID of your AVR400. is MAC address can be found in the network section of the setup menu.

Once you have entered the MAC address, you can then browse stations and podcasts and set up groups of favourite stations. When you next connect your AVR400 to the internet, these groups will appear in the ‘My favourites’ folder.

Pressing the lower portion of the front panel display between:

Elapsed Time (default)

Processing mode

Album (if available)

Artist (if available)

File information (bitrate, type).

INFO key will cycle what is shown on the

iPod

It is possible to connect an iPod to your AVR400 using either the Arcam rLead or irDock accessories (please contact your dealer).

Connect the 9-way plug into the socket marked ‘irDock’ and the audio leads to the VCR input (the iPod input can be changed in the General Setup menu). If your iPod has video output and you are using the irDock, connect the composite and S-Video leads to the VCR video inputs.

To select the iPod input, press the e key on the remote while in Device Mode, or cycle to it using the  INPUT /

INPUT + keys on the front

panel. Find songs to play by navigating through Artists, Albums etc. using the B, C, D and E keys.

AMP

English

E-45

multi-room

set up

e AVR400 allows independent routing and control of analogue audio and Composite video to a separate set of equipment, typically used for a second living space, e.g., bedroom or lounge.

e connection guide on the following page shows how the AVR400 is normally connected in a multi-room installation.

Zone2

Zone2 receives only signals obtained by the AVR400 from the analogue audio and Composite video inputs. e analogue inputs are required because there is no analogue-to-digital, digital-to-analogue or DSP processing available for Zone2 signals – the AVR400 only converts video formats for Zone1.

For this reason, we recommend that in addition to any digital connections, the analogue audio and Composite video outputs from your source devices are connected to the AVR400.

Video outputs

e Z2 Composite video output connectors of the AVR400 should be connected to the analogue video inputs (usually labelled VIDEO IN or COMP OSITE VIDEO IN) of the display device in Zone2.

Audio outputs

e Z2 OUT, R and L phono sockets should be connected to the analogue audio inputs (Usually labelled

ANALOGUE AUDIO IN) of the Zone2 display device, or

to the inputs of an additional stereo power amplier in Zone2 (for example, the Arcam P38).

Speaker outputs

If the main zone has a 5.1-channel surround sound speaker system (not a 7.1-channel system), the spare SBL and SBR speaker outputs can be used to power speakers in Zone 2, so that a power amplier is not required. To congure the outputs, navigate to the “Spkr Types” option in the Setup Menu and set the option “Use Channels 6+7 for” to “Zone 2” (see page E-32).

Zone2 control connections

e AVR400 also allows remote control from Zone 2.

Z2 IR

is allows the AVR400 to be controlled remotely from Zone2 via Infra-red remote control. Connect a remote IR receiver in Zone2 to allow control of the AVR400 from this listening/ viewing area.

For more information on remote IR receivers, see ‘Z1 IR’ on page E-17.

TRIG Z2 is allows the AVR400 to remotely switch on devices

in Zone2 when Zone 2 is selected. For example you could set your television in Zone2 to switch on when ‘Zone2’ is selected on AVR400.

For more information on triggers, see ‘Trigger connectors’ on page E-17. Please note that not all AV devices have this feature, nor are triggers essential for listening and viewing in a separate zone.

E-46

Multi-room connection guide

Zone1

Zone2

English

E-47

customising

the CR102

Code Learning

e CR102 comes with a complete library of preprogrammed codes. Aer you have set up the CR102 for your device, you may nd that there are one or more functions on your original remote which do not have a place on the CR102 keypad. For convenience, the CR102 oers a Code Learning feature that allows you to copy up to 16 functions from an original remote control onto the CR102 keypad.

Before you start, make sure that:

e original remote control is working correctly.

e remotes are not pointing at your device.

e remotes have new batteries.

e remotes are not in direct sunlight or under

strong uorescent lights.

Learned functions are mode-dependent: You could theoretically assign up to eight dierent functions to a single key (the CR102 can handle a total of 16 learned functions).

Example: To copy the ‘text hold’ function from a TV remote onto the ( key of your CR102

1. Place both remotes on a at surface, 2 to 5cm apart, with the IR ports facing each other.

2. On the CR102, press and hold S until the power

LED blinks twice:

3. Press 9 7 5. e power LED blinks twice:

* *

4. On the CR102, press the device key that matches the ‘source’ device (e.g. if you’re learning a TV function, press a).

5. On the CR102, press the key to which you want to assign the learned function (e.g. (). e device key blinks rapidly.

6. On the original remote, press and hold the function key that you want to learn (e.g.

CR102 device key blinks twice:

7. If you want to learn other functions from the same source device, simply repeat steps 5 and 6 pressing the next key you want to learn.

8. To exit Code Learning mode, press and hold S

until the device key blinks twice: * *.

* *

TEXT H OLD) until the

* *

9. To use the learned function on the CR102, press the Device Mode key, followed by the function key.

In this example, you’d press

followed by

(

Shifted Learning

You can assign a learned function to a CR102 key without sacricing its original function.

You can assign Shied Learning functions to any key except for: Device Mode keys (e.g. a), S, or number keys (0 to 9).

1. To assign a Shied Learning function, simply follow Code Learning steps in the previous section. During step 5, press S once before you press the key to which you want to assign the learned function.

2. To access the shied function, press S and then the target key.

Important notes

Once you start a Code Learning session, you have

approximately 10 seconds to conduct each step. Any longer, and a timeout means that you’ll have to start the process again.

e Learning feature is mode-specic – you can

copy one feature per mode onto a key.

e CR102 can learn approximately 16 functions in

total.

To replace a learned function, simply assign a new

one to the same key.

Learned functions are retained when you change

batteries.

If Code Learning fails, try altering the distance

between the two remotes; make sure that the light in the area is not too bright.

To delete a learned function

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 7 6. e power LED blinks twice:

* *

3. Press a Device Mode key once. For example, if you want to delete one of your learned TV functions, press a.

4. Press twice on the key you want to deassign. e

handset blinks twice: * * to conrm.

e original function of the CR102 is restored.

To delete a Shifted Learned function:

To delete a Shied Learned function, press S before you press the key to be deassigned (during step 4 above).

To delete ALL learned functions within a given Device Mode

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 7 6 – the power LED blinks twice:

* *

3. Press the appropriate Device Mode key twice.

E-48

Creating Macros

You can program your CR102 to issue a sequence of commands when you press a single key. Any sequence of commands you regularly use can be reduced to a single key press for your convenience.

For example, you might want to turn o your TV, VCR and Satellite at the same time.

A key programmed with a Macro is available in all

modes; it will replace that key’s dierent functions for all modes.

A Macro can consist of up to eight key presses.

Example: To assign a Macro to the h key

1. Press and hold S until the power LED blinks twice:

* *

2. Press

9 9 5

3. Press h (the Macro will be assigned to this key).

4. Press a, P, w, P, z, P. (ese are the Macro steps you wish to record.)

5. To store the Macro, press and hold S until the

power LED blinks twice: * *.

Now, whenever you press h, the CR102 will toggle the power to your TV, VCR and Satellite.

e important word here is ‘toggle’. For example, if

the TV and Satellite devices are currently on, but the VCR is o, pressing h will switch o the TV and Satellite and switch on the VCR (rather than switching all three devices on or o).

When using Macros, remember that you may need

to change mode or use S, and that each key press (including changing modes and pressing S) counts as one of the Macro steps. You cannot use a Macro key within another Macro.

If the amount of memory storage for a particular

Macro is exceeded, the power LED comes on for ve seconds. You can, however, save the macro steps up to that point by pressing S, or you can cancel the Macro recording by pressing any other key.

e delay between key presses is recorded as part of

the Macro. A delay of up to 30 seconds is permitted.

Example: To deassign the Macro associated with the h key

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 9 5.

3. Press h.

4. Press and hold S until the power LED blinks twice:

* *

Volume punch-through

Volume punch-through means that, no matter which Device Mode is selected, the CR102 controls the AVR400 volume. You don’t need to press A on your CR102; this feature is switched on by default.

ere are times, however, when you might want to control a device’s volume directly when in a specic Device Mode.

Example: To cancel volume punch-through for a TV (AV mode)

1. Press a once.

2. Press and hold S until the power LED blinks twice:

* *

3. Press 9 9 3.

4. Press -. e power LED blinks four times.

Now, while in TV (AV) mode, you will be able to control the volume or mute functions of your TV directly.

To completely cancel all volume punchthrough settings

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 9 3.

3. Press +. e power LED blinks four times *

* *

Now, whichever mode you’re in, you will have direct access to that device’s volume or mute functions, assuming they are available. You would need to switch to

AMP mode to alter the AVR400 volume.

Example: To restore default volume punchthrough settings to all Device Modes

1. Press and hold S until the power LED blinks twice:

* *

2. Press

9 9 3

3. Press A. e power key LED blinks twice: * *.

Key Mover

Sometimes you might nd that a key you use a lot for your system is in the ‘wrong’ place on the CR102 keypad for your comfort. It’s quite easy to reassign a favourite function to a more accessible key. It is even possible to move a function from one Device Mode to another Device Mode.

Example: To assign the D function to the U key in SAT mode

1. Press z.

2. Press and hold S until the power LED blinks twice: .

* *

3. Press 9 9 4.

4. Press the key you want to move (e.g. D)

5. Press the key you want to move the key to (e.g. U).

Now, pressing either D or U while in SAT Device Mode makes the CR102 transmit the D function.

To completely swap over the functionality of the two keys to put the U functionality on the D key, repeat the above process again, but swap over the D and U key presses in the example.

Note that the function that is copied over to the new key is always the original function of the old key.

Restore a moved key

To restore a key to its previous function, repeat the example above, pressing the key to be restored twice (copy it back to itself).

Restore all moved keys for a Device Mode

To restore all keys in a Device Mode to their original functional positions, repeat the example above, but press the relevant Device Mode key (e.g. A) at points 1,4 and 5 in the example.

English

E-49

Copy a key between Device Modes

It is possible to copy functions between Device Modes. However, remember that button functions are Device Mode specic and therefore eectively ‘punch-through’ to the original Device Mode when copied over.

e following example copies the AVR400 function from the CR102 AMP device mode to the shied function of the # button on AV Device Mode.

1. Press and hold S until the power LED blinks twice: .

* *

2. Press 9 9 4.

3. Press the Device Mode key of the function you want

to move (e.g. A).

4. Press the function key you want to move (e.g.)/

DIREC T)

5. Press the key of the Device Mode you want to copy

the function to (e.g. a)

6. Press the S button graphic

7. Press the key you want to copy the function to (e.g.

)

If you prefer to copy the key to the main function of the

button instead of the ‘shied’ function, omit point 6

in the above example.

DIREC T

Mode Mover

If your home entertainment setup contains devices of the same type (e.g. two TVs, perhaps from dierent manufacturers) you can still control both those devices with the CR102. You simply need to reassign an unused Device Mode key.

NOTE

Before using Mode Mover, make sure both the source and destination Device Mode keys are unlocked (see next section).

Example: To use the z key to control a second TV

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 9 2.

3. Press the Device Mode key for the type of device you want to control (e.g. for a TV, press a).

4. Press the Device Mode key you want to use (e.g. z).

5. Don’t forget to set up the CR102 to control the second device, using one of the methods on page E-25.

Note that volume punch-through is not applied to a Device Mode that has been copied using Mode Mover. However, AVR400 volume punch-through functionality can be restored when you have used Mode Mover, by copying -, + and @ from the AMP Device Mode to the same physical buttons on the new moved Device Mode using the last example shown in Key Mover.

To restore a moved Device Mode key to its original state

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 9 2.

3. Press the Device Mode key you want to restore twice.

Locking/Unlocking a specific Device Mode

When you rst unpack your CR102 and insert the batteries, for your convenience it is able to control certain Arcam components automatically (e.g. BD players, Ampliers, Tuners and CD Players). We achieve this by preprogramming specic Arcam device codes onto the relevant Device Mode keys, then locking the Device Modes so you don’t reprogram them inadvertently.

If you want to override these locked default settings – to control a third-party DVD player, for example – you will rst need to unlock DVD Mode before setting up the CR102 using one of the methods described at the start of this guide.

Here are the factory default settings:

Device Mode Default status Default Arcam

codes

DVD

SAT

TUN

AMP

PVR

VCR

Alternative codes are available for multi-room solutions, or in the case of code clashes with other manufacturer’s products.

For example:

DVD (system code 12) 1655 AMP (system code 19) 1954

You will need to change the system code on the product you wish to control, as well as the CR102.

NOTE

e

AMP Device Mode can only be used to control

Arcam ampliers like the AVR400, either on its default or alternative IR system codes.

Locked 0762

Unlocked 1205

Unlocked 0586

Locked 2009

Locked 1242

Unlocked 1930

Unlocked 0111

Locked 2010

To toggle a Device Mode lock setting:

1. Press the Device Mode key you want to unlock (e.g. )

2. Press and hold S until the power LED blinks twice:

* *

3. Press 9 8 2.

e power LED blinks twice when being locked, and

blinks four times when being unlocked.

If you enter an invalid key sequence, the power

LED gives one long blink and returns to normal operation.

While the Device Mode key is locked, the Direct Code Setup and Move Mode functions are not available.

E-50

Mode key IR punch-through

e Mode key IR punch-through default is ‘on’.

Example: To set the Mode key IR punchthrough to AMP

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 7 1. e power LED blinks twice:

3. Press A to punch through IR from it.

Now, whenever you press and release a Mode key, the IR data assigned to the current mode is (i.e. it ‘punches through’ any other device).

AMP is transmitted, no matter what

To cancel Mode key IR punch-through

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 7 1. e power LED blinks twice: *

3. Press S until the power LED blinks twice: * *.

Resetting the CR102

Resetting the CR102 will erase all learned functions across all modes, as well as some other programmed functions like Macros. It will not reset the Device Mode keys; these will remain programmed to your choice of component.

1. Press and hold S until the power LED blinks twice:

* *

2. Press 9 8 0. e power LED blinks four times:

* * * *

3. Press and hold S until the power LED blinks twice:

* *

4. Press 9 9 3.

5. Press A. e power key LED blinks twice: * *.

6. Press and hold S until the power LED blinks twice:

* *

7. Press 9 7 1. e power LED blinks twice: *

8. Press A. e power key LED blinks twice: * *.

Command summary

Direct code setup

(e.g. AV mode, NNNN=code number)

a S * *

Library search

(e.g. AV mode)

a S 9 9 1 * * P [

to save

Code blink back

a S 9 9 0 **

1 count blinks for rst N

2 count blinks for second N

3 count blinks for third N

4 count blinks for fourth N

Code learning

(e.g. AV mode fast forward key)

S * * 9 7 5 * * a ( *

rapid blinks)

(Press key on original remote that you wish to copy)

* * S * *

Delete a learned function

(e.g. AV mode fast forward key)

S * * 9 7 5 * * a ( ( * *

Delete all learned functions with a device

(e.g. AV mode)

S * * 9 7 5 a a

Creating macros

(e.g. SRCH key)

S * * 9 9 5 h a P w P z P S

* *

Deassign macro

S * * 9 9 5 h S * *

NNNN * *

until unit turns o

(many

Key mover

(e.g. SAT mode, DISP key to MENU key)

z S * * 9 9 4 D U

Mode mover

(e.g. change SAT to TV(AV))

S * * 9 9 2 a z

Restore device mode

(e.g. restore SAT)

S * * 9 9 2 z z

Locking/unlocking a mode

(e.g. DVD mode)

d S * * 9 8 2 * *

(i.e. two blinks for lock)

d S * * 9 8 2 * * * *

(i.e. four blinks for unlock)

Cancel all volume punch-through

S * * 9 9 3 + * * * *

Restore volume punch-through

S * * 9 9 3 A * *

Mode key IR punch-through

S * * 9 7 1 * * A

Cancel mode key IR punch-through

S * * 9 7 1 * * S * *

NOTE

As elsewhere in this Handbook, a single ‘blink’ of the red LED behind the power button is indicated by the symbol

Device codes

e tables that begin on page 56 (in the nal section of this Handbook) list the four-gure codes for dierent manufacturers’ devices.

Use these when setting your CR102 up to control your devices, as described in Method 1 (see page E-25).

If more than one code number is listed, try the rst number. If the results are unsatisfactory, continue trying the numbers for that manufacturer to get the best ‘t’ with the functionality required.

If the manufacturer of your equipment is not listed, you can try Method 2, the Library Search (see page E-25). is allows you to scan through every set of codes contained in the CR102’s memory.

English

E-51

trouble-

shooting

Problem Check that...

ere are no lights on the unit

e unit responds erratically or not at all to the remote control

e front panel display is blank

No picture is being produced

ere are bright edges or ‘ghosts’ on the picture

No sound is produced

e sound is poor or distorted

the power cord is plugged into the AVR400 and the mains socket it is

plugged into is switched on.

the power button is pressed in.

If a red LED is present, the AVR400 is in standby mode. Press any button on the front panel or remote control.

there are fresh batteries in the remote control.

the front panel window is visible and you are pointing the remote control

towards it.

the display hasn’t been turned o. Press the DISPLAY button on the front

panel or remote control.

your viewing device is turned on and switched to display your AVR400. Test

by pressing the MENU button on the AVR400 or on the remote and look for the main menu screen on your display device.

the correct video input is selected on the AVR400.

the “Video Source” has been set correctly in the “Input Cong.” menu

the video source is on, is operating normally, and is in ‘play’ mode if

appropriate.

you have the AVR400 in a video resolution that is compatible with the

connection you are using and with your display device. For example, composite video is only capable of carrying 480i and 576i resolutions. Test this by pressing and holding the OK key for more than two seconds to force 480i / 576i output resolutions.

the cables used for analogue video connections are designed to carry video

(i.e., they are 75 coaxial cables).

ensure the ‘sharpness’ control on your display device is switched o or set to

near minimum.

for HDMI connections, try using a shorter cable or alternatively a dierent

brand.

the correct input has been selected.

the “Audio Source” has been set correctly in the “Input Cong.” menu

the source equipment is on, is operating normally and is in ‘play’ mode if

appropriate.

the volume is turned up to a reasonable level and the AVR400 is not in mute

mode.

you have not excessively increased the input sensitivity (i.e. reduced the

maximum input signal voltage) in the Input Cong. menu if an analogue input is being used.

you have selected the correct size of speakers to suit your system in the setup

menu.

E-52

Problem Check that...

Sound only comes from some of the speakers

Unable to select Dolby Digital or DTS decoding modes

When playing a Dolby Digital BD, the AVR400 selects Dolby Pro Logic

Hum on the analogue input

ere is radio or television reception interference

you have an appropriate surround source selected and playing.

the BD/DVD disc is encoded in the appropriate format, and the correct

format has been selected in the disc start menu of the BD player (if applicable).

the BD/DVD player has been set to output ‘bitstream’ audio on the digital

output.

the display window indicates that the disc you are playing is a multichannel

recording (you may need to press the INFO key several times until you get to the ‘incoming format’ display).

all the speakers are correctly connected to the speaker terminals and are

secure.

you have not selected ‘Stereo’ as the decoding mode.

your speaker balance is correct.

you have congured the AVR400 to include all the speakers in your system.

e AVR400 can only apply Dolby Digital and DTS decoding to sources which have been encoded in the same format.

Check that:

digital source is selected and connected.

the source is playing appropriately encoded material.

the BD/DVD disc is encoded in the appropriate format and that the

correct format has been selected in the disc start menu of the BD player (if applicable).

the BD/DVD player has been set to output ‘bitstream’ audio on the digital

output.

you have a digital connection from your BD player.

sometimes Dolby Digital BD/DVD discs contain material at either the

beginning or the end of the main movie that is not in full 5.1 format, but in two-channel or Pro Logic decoding.

all cables are making a good connection. If necessary withdraw the cable

from the connector and plug it fully in again (turn the power o before doing this).

the connections inside the source cable connector are not broken or badly

soldered.

if the hum originates only when one particular source component is

connected, that an aerial cable, or dish connection to this source is ground isolated. Contact your installation contractor.

where the interference is coming from. Switch o each source component in

turn, then any other equipment. Most electronic equipment does generate low levels of interference.

try re-arranging cabling from the nuisance source away from other cabling.

ensure that the cabling used is high quality, specied for its purpose, and is

properly screened.

if the problem persists, contact your dealer.

Problem Check that...

e source switching changes randomly or freezes on one source

Volume is always too loud when I turn on

When Zone2 is put into standby, the main zone is also switched o

When a USB memory device is connected, ‘USB’ is not shown in the network client’s list of folders

If les on a USB memory device cannot be played:

If les on a computer cannot be played

If you cannot connect to a wired network

If you cannot connect to a favourite internet radio station

If the internet radio station sound quality is poor or broken

there are no static or impulse interference problems caused by nearby power

equipment switching, e.g., heating or air conditioning control. Switch the AVR400 o, wait ten seconds, then switch it on again to clear an operating problem. Contact your installer if the problem returns or persists.

there is no direct sunlight shining on the infra-red detector behind the front

panel display.

the ‘max on volume’ setting is not set too high.

the ‘zone standby‘ setting in the setup menu is set to LOCAL.

a USB memory device is connected that conforms to the mass storage class.

a USB hub is not being used.

the USB device is formatted in FAT16 or FAT32.

the USB device does not have multiple partitions.

the les are in a compatible format.

the computer is connected via a network and not USB – the AVR400 USB

port cannot be used for a direct connection to a computer

the Ethernet cable you are using is correctly connected between the AVR400

and the network hardware.

the network is set up for xed IP addressing and you have the AVR400 set to

use DHCP.

the network is set up for DHCP and you have the AVR400 set to use xed IP

addressing.

the station is still broadcasting or is not congested – try again later.

the radio station does not have a low bit rate (use the INFO key to nd this or

look on the OSD).

the network is not slow or congested.

English

E-53

specications

Continuous power output, per channel, 8

2 channels driven, 20Hz - 20kHz, <0.02% THD 100W

2 channels driven, 1kHz, 0.2% THD 125W

7 channels driven, 1kHz, 0.2% THD 90W

Residual noise & hum <0.3mV

Inputs

Line inputs:

Nominal sensitivity 1V, 2V, 4V (user adjustable)

Input impedance 47k

Signal/noise ratio (CCIR, 100W) 100dB

Preamplier outputs

Nominal output level 1V RMS

Output impedance 560

THD+N (20Hz—20kHz) -100dB

Video inputs

Component video signal/noise 85dB

Composite video signal/noise 70dB

Headphone output

Maximum output level into 32

Output impedance <5

General

Mains voltage 110–120V or 220–240V, 50 –60Hz

Power consumption (maximum) 1.5kW (ermal dissipation approx. 5200 BTU/hour)

Power consumption (idle, typical) 100W (ermal dissipation approx. 340 BTU/hour)

Power consumption (standby) <0.5W

Dimensions W x D (including speaker terminals) x H (including feet)

Weight (net) 15.5Kg

Weight (packed) 20Kg

Supplied accessories Mains lead

E&OE NOTE: All specication values are typical unless otherwise stated.

Ω 2Vrms

433 x 425 x 171mm

CR102 remote control

4 x AAA batteries

Calibration microphone

Ω

Manual

DAB aerial

FM aerial

AM loop aerial

Continual improvement policy

Arcam has a policy of continual improvement for its products. is means that designs and specications are subject to change without notice.

E-54

product

guarantee

Worldwide Guarantee

is entitles you to have the unit repaired free of charge, during the rst two years aer purchase, provided that it was originally purchased from an authorised Arcam dealer. e Arcam dealer is responsible for all aer-sales service. e manufacturer can take no responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect or through unauthorised adjustment and/or repair, neither can they accept responsibility for damage or loss occurring during transit to or from the person claiming under the guarantee.

The warranty covers:

Parts and labour costs for two years from the purchase date. Aer two years you must pay for both parts and labour costs. e warranty does not cover transportation costs at any

time.

Claims under guarantee

is equipment should be packed in the original packing and returned to the dealer from whom it was purchased. It should be sent carriage prepaid by a reputable carrier – not

by post. No responsibility can be accepted for the unit whilst in transit to the dealer or distributor and customers are therefore advised to insure the unit against loss or damage whilst in transit.

For further details contact Arcam at:

Arcam Customer Support Department,

Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England

or via www.arcam.co.uk.

Problems?

If your Arcam dealer is unable to answer any query regarding this or any other Arcam product please contact Arcam Customer Support at the above address and we will do our best to help you.

English

On-line registration

You can register your product on-line at www.arcam.co.uk.

E-55

device code

tables

tableaux des

codes d’unité

source

code-

tabelle für

fremdgeräte

tabellen

apparaatcodes

888 0294 A.R. Systems 0067 0382 0586

Accent 0039 0067 0586 Accusound 0890 Acoustic Research 1299 Acoustic Solutions1179 1067 Acura 0039 Adcom 0655 Addison 0683 0138 ADL 1247 0920 Admiral 0123 0193 0448

Advent 0906 Adyson 0247 0246 AEA 0067 0586 AEG 0636 1067 1179

Aftron 0921 Agashi 0294 0246 0247 Aiko 0039 0067 0586

Aim 0067 0586 0783

Aiwa 1535 Akai 0039 0238 0586

Akashi 0890 0039 Akiba 0485 0067 0586 Akira 0448 0783 0067 Akito 0067 0586 Akura 0067 0294 0586

Alaron 0246 Alba 0039 0067 1067

Alkos 0065 Allorgan 0247 Allstar 0067 0586 All-Tel 0895 1299 Amplivision 0247 0400 Amstrad 0039 0067 0294

Anam 0067 0586 0039

Anam National 0067 0586 0680 Andersson 1193 1179 Anglo 0039 0294 Anitech 0039 0294 0067

Ansonic 0400 0067 0586

AOC 0655 0039 0090

Aolinpike 0294 Apex Digital 1247 Apollo 0503 Arc en Ciel 0139

0404 0485

0294

1193

0246 0065 0463 0910 0294 0247

0238 0736 0728 0664 0404 0485 0636 0529

0067 0463 0065 0783 0193 0759 0744 0736 0728 0745 0632 0578 0510 0247 0294 0661 0246 0208 0407 0636 1067 0503 1289 1278

0698 0039 0744 1393

0586 0744 0448 0400 0698 0246 0193 0517 0473

0463 0586 1067

0680

0586

0039 0698 0404 0193

0123 0138 0208

Arcam 0246 0247 Arçelik 0744 Ardem 0744 0516 0663

Arena 0067 Aristona 0586 0067 Arthur Martin 0193 ASA 0135 0376 0100

Asberg 0067 0586 Asora 0039 Astra 0067 0586 Asuka 0247 0246 0294 ATD 0728 Atlantic 0067 0586 0246 Atori 0039 Auchan 0193 Audiosonic 0039 0067 0404

Audioton 0247 0516 0400

Audioworld 0728 Aumark 0090 Autovox 0247 AWA 0039 0404 0067

Axxent 0039 Axxon 0744 B&D 1247 Baier 0906 Baihe 0039 0294 Baile 0039 0404 0691 Baird 0373 0139 0247

Bang & Olufsen 0595 BaoHuaShi 0294 Baosheng 0039 Barco 0193 Base 0810 Basic Line 0039 0404 1179

Bastide 0247 Bauer 0039 0728 0736

Baur 0039 0067 0542

Bazin 0247 Beaumark 0208 Beijing 0039 0238 0256

Beko 0400 0744 0516

Belson 0728 1221 Bennett 0586 0067 Beon 0067 0586 0448 Berthen 0698 0586 Best 0400 Bestar 0067 0586 0400

Bestar-Daewoo 0404 Binatone 0247 Black Diamond 0850 1067 0586

Black Strip 0065

0067 0586

0193

0850 0586 0139 0744 0745 0247 0400 0294 0516

0294

0586 0246 0636 0247 0138 0294 1406 0208 0728

0238 1226 0636

0067 0193 0698 0586 0247 0485 1067

0294

0225 0586 1535

0294 0404 0512 0691

0065 0745 0067 0448 0586 0636 0838

0404

1193 0783 0617

Blaupunkt 0225 0230 0357

Blauren 0404 Blue Sky 0067 1067 0586

Boots 0247 0039 Bork 1393 Bosch 0357 BPL 0067 0586 0926 Brandt 0139 0655 0365

Brandt Electronique

Brinkmann 0067 0586 0698

Brionvega 0067 0586 Britannia 0246 0247 Brother 0294 Bruns 0516 BSR 0193 Bush 0039 1067 0067

Caihong 0039 Caishi 0921 Cameron 0586 Camper 0067 0586 0516 Capsonic 0294 Carad 0640 0067 0586

Carena 0485 0067 0586 Carrefour 0100 0067 0586 Carver 0200 Cascade 0039 0067 0586 Casio 0067 0586 0193 Cathay 0067 0586 CCE 0067 0247 0586 Celestial 0850 Centrex 0810 0921 0728 Centrum 1067 Centurion 0067 0586 CGE 0104 0448 0400

Changcheng 0039 0294 0404

Changfei 0039 0404 Changfeng 0294 0783 Changhai 0039 Changhong 0850 0039 0294

Chengdu 0039 Chimei 1535 Ching Tai 0039 Chun Yun 0039 Chunfeng 0039 0294 Chung Hsin 0138 Chunsun 0039 Cimline 0039 Citizen 0090 City 0039 Clarivox 0067 0448 0586

Clatronic 0067 0400 0744

Clayton 1067 CMS 0246 CMS hightec 0247

0485 0200

0698 0744 1179 0517 0745 0655 1939 0485 1221 0838 1393

0373 0590 0365

0448 0516

0744 0698 0404 0193 0728 0294 0517 0238 0247 0586 0808 1289 1278 0617

0698 1067

0193

0691

0538

0100

0294 0586 0247 0039 0636 1193

Cobolt 0921 Concorde 0039 Condor 0067 0400 0586

Conia 0784 0850 Conrac 0838 Conrad 0067 0586 Conrowa 0039 0294 0728

Contec 0039 0246 0294

Continental Edison

Cosmel 0039 0067 0586 CPTEC 0655 1393 Crosley 0104 0193 Crown 0039 0742 0067

CS Electronics 0246 Curtis Mathes 0090 0123 Cytronix 1328 D.Boss 0067 Daewoo 0664 0691 0529

Dainichi 0246 Dansai 0067 0586 0294

Dantax 0400 0516 0744

Datsura 0238 Dawa 0039 0067 0586 Daytek 0728 0736 1406

Dayton 0039 Daytron 0039 0404 0067

Dayu 0404 0691 de Graaf 0238 0578 0193 DEC 0890 0921 0926 Decca 0067 0586 0247

Deitron 0067 0586 0404 Denko 0294 Denver 0067 0586 0636

Desmet 0067 0586 0039 Diamant 0067 0586 Diamond 0294 0728 0039

DiBoss 0067 0586 Digatron 0067 0586 Digihome 1179 Digiline 0067 0586 0135

DigiLogic 0067 0586 Digimate 0920 Digitex 0850 Digitor 0067 0586 DigiX 0910 DiK 0067 0586 Dixi 0039 0067 0586

DL 0921 0810 0067

0246 0039 0448 0193 0294

0783 1200

0067 0586 0139 0517

0400 0516 0586 0448 0517 0744 0636 0745 0238 0683 1067 0698

0404 1939 0067 0586 0039 0246 0247 1167 0208 0200 0910 0138 0906 0895 0728 0744 0736 0808

0065 0246 0039 0247 0238

1067 0636 0745

0294

0586

1167

1219 0617

0855 0246 0890 0850 0926 0736

0698

0247

0617 0895 1393

Domeos 0698 0067 1067 Domland 0424 Dongda 0039 Donghai 0039 Dream Vision 1734 DSE 0850 0728 DTS 0039 Dual 0247 0373 0067

Dual Tec 0247 Dumont 0100 0247 Dunai 0193 Durabrand 0067 0208 0586

Dux 0067 0586 D-Vision 0067 0586 DVX 0921 Dynatech 0247 Dynatron 0067 0586 e:max 0636 Easy Living 1278 1289 1247

Ecco 0803 0736 0728 ECE 0067 0586 Edison-Minerva 0517 Elbe 0640 0400 0193

Elcit 0193 Electrograph 1785 Elekta 0039 0067 0586

Elfunk 1238 1067 ELG 0067 0586 Elin 0067 0246 0578

Elite 0067 0586 Elta 0039 0294 0246 Emerson 0208 0744 0067

Enzer 0783 0803 0890 Erae 1401 1221 Erres 0067 0586 ESC 0067 0586 0247 Estèle 0193 Ether 0039 Etron 0039 0067 0586

Eurofeel 0294 0247 EuroLine 0067 Euroman 0246 0294 0067

Europa 0067 0586 Europhon 0067 0193 0247

Evesham 1278 1289 Excel 0067 0586 Excello 1067 Expert 0193 Exquisit 0067 0586 Fagor 0067 0586 FairTec 1221 Family Life 0067 0586 Feilang 0039 Feilu 0039 Feiyan 0294 Feiyue 0039 Fenner 0404 0039

0586 0382 0424 0193 1167 0661 1179 1067 0808 1193

1067

0907

0067 0586 0247

0294

0586 0135 0193 0039

0586 0100 1939 0516 0400 0193 0698

0850 0193

0586 0247 0400

0586 0246

Ferguson 0067 0139 0655

Fidelity 0193 0246 0542

Filsai 0247 Finlandia 0238 0376 0578

Finlux 0067 0135 0100

Firstar 0039 Firstline 0039 0067 0586

Fisher 0247 0238 0400

Flint 0067 0485 0586

Force 1179 Formenti 0067 0193 0586

Formenti-Phoenix0246 Fortress 0123 Fraba 0067 0586 0400 Friac 0039 0067 0586

Frontech 0193 0294 0247

Fuchsware 0810 Fujimaro 0895 Fujitsu 0713 0883 0247

Fujitsu General 0039 0247 0193 Fujitsu Siemens 1328 1289 1278

Funai 0294 1067 0698

Furi 0294 Furichi 0890 Futronic 0294 0890 0728 Future 0067 0586 Gaba 1067 0067 Galaxi 0067 0586 0193 Galaxis 0400 0448 0067

Galeria 0039 Garza 0586 Gateway 1785 GBC 0193 0039 0404 GE 0373 0208 0123

Geant Casino 0193 GEC 0067 0193 0247

Geloso 0039 0193 0404 General 0139 General Electric 0373 General Technic 0039 Genesis 0039 0067 0586 Genexxa 0193 0067 0586

Gericom 0895 1328 1247

Gevalt 1401 1221

0365 0373 0590 0586 0065 0683 0138 0578 0473 1067

0067 0586 0294

0193 0373

0586 0744 0376 0247 0193 0745 0661 0522 0510 0503 0448 0636 0838 1278

0246 0247 0404 0698 0744 0193 1939 0238 1067 1221 0838 1393 1193 1401

0193

0640 0294

0516 0246

0400 0529 0640

0039

0193 0039 0382 0067 0586

1193 0838

1535 0744

0586

0590 0139 0365 0655

0586

0039

0910 0838

G-Hanz 1393 Giant 0247 0039 Go Video 0090 Goldfunk 0698 Goldhand 0246 GoldStar 0067 0039 0208

Gooding 0517 Goodmans 0664 0745 1289

Gorenje 0400 GP 0783 Gradiente 0683 0200 0067

Graetz 0744 0193 0067

Granada 0067 0586 0238

Grandin 0067 0586 0039

Gronic 0247 0193 Grundig 0225 0538 1401

Grunkel 1193 H&B 0838 Haaz 0736 Haier 0728 0294 0067

Haihong 0039 Haiyan 0294 Halifax 0294 0246 0247 Hallmark 0208 Hammerstein 0294 0090 Hampton 0246 0247 Hankook 0208 Hanseatic 0067 0586 0529

Hantarex 0039 0067 0586

Hantor 0067 0586 Harsper 0895 Harwa 0803 1226 1299 Harwood 0039 0067 0586

Hauppauge 0067 0586 Havermy 0123 HCM 0039 0067 0586

Hedzon 0586 0067 Hema 0247 0039 Hicon 1328 Hifivox 0139 Higashi 0246

0400 0407 0247 0586 0246 0193 0139 0636 0744 0745 0485

1067 1278 0067 0529 0586 0247 0744 0698 0373 1939 0404 1193 0294 0039 0517 0065 0510 0590 0365 0691 0910 0617 1406 1179

0586

0586 1193

0256 0247 0138 0503 0365 0590 0193 0373 0578

0193 0640 0744 0745 0698 0404 0485 1067 0895 1221 0910

1221 0067 0100 0473 0517 0586 0617 0736 1067 0039 0400 0208 1406 0373 1289

0538 0617 0926

0193 0691 0424 0664 0400 0039 0247 0407 0744 0838 0516 0655

0895

0517

0247 0448 0294 1226

Highline 0294 0067 0586 Hinari 0039 0238 0067

Hisawa 0485 0640 0744 Hisense 1393 0238 0039

Hitachi 1606 0039 0511

Hitachi Fujian 0138 0067 0586

Hitsu 0039 0640 0485 Höher 0744 0895 1193 Home Electronics 0636 Hongmei 0039 0123 0294 Hongyan 0294 Hornyphon 0067 0586 Hoshai 0485 Hua Tun 0039 Huafa 0039 Huanghaimei 0039 Huanghe 0039 Huanglong 0039 Huangshan 0039 0294 Huanyu 0246 0404 0294 Huaqiang 0294 Huari 0294 Hugoson 0920 1247 HYD 1406 Hygashi 0247 0246 Hyper 0039 0246 0247 Hypson 0067 0294 0586

Hyundai 0067 0890 0895

Iberia 0067 0586 ICE 0247 0294 0067

Ices 0246 Ict 0067 1167 0586 IISonic 1406 Iiyama 1247 0920 Imperial 0067 0104 0193

Imperial Crown 0039 0294 0404

Indiana 0067 0586 InFocus 0782 1194 Ingelen 0193 0517 0640

Ingersoll 0039 Inno Hit 0039 1067 0067

Innova 0067 Innovation 0067 0586 Innowert 0895 1328 Inotech 0803 0850 Interactive 0067 0586 0542

0586 0193 0473 0517 0294

0538 0783 0728 0921 0890 0810 1200 1238 0586

0608 0138 0774 1067 1511 0139 0193 1255 0664 0208 0503 0247 0373 0538 1193 0578 0529 1179 1200 0510 0067 0586 1167 0135 0522 0907

0890 0529

0744 0745 0247 0485 1067 0698 0516

0586 0728 0783 0294 1067 0906 0736 1406 0808

0039 0586 0246

0400 0448 0538 0586

0691

0744

0586 0247 1193

0357 0193 0400 0139

Interbuy 0039 0067 0294

Interfunk 0067 0193 0586

Internal 0067 0586 0529

International 0246 Intervision 0067 0247 0485

Ipure 1406 Irradio 0039 0067 0586

IRT 0728 Isukai 0067 0586 0485 ITC 0247 ITS 0067 0294 0246

ITT 0193 0510 0578

ITT Nokia 0578 0193 0503

ITV 0067 0294 0586

Jean 0039 JEC 0065 Jialicai 0039 0294 Jinfeng 0238 0256 Jinque 0039 0294 Jinta 0039 0294 Jinxing 0039 0294 0728

JMB 0067 0529 0664

JNC 0906 0926 Jocel 0742 JTV 0890 Jubilee 0586 Juhua 0294 JVC 0683 0761 0636

Kaige 0039 0294 Kaisui 0039 0246 0247

Kambrook 0407 0294 Kamp 0246 Kanghua 0926 Kangli 0039 0294 0404

Kangyi 0039 0294 Kapsch 0193 Karcher 0067 0586 0400

Kathrein 0586 0067 0910 Kawasho 0246 KB Aristocrat 0193 Kendo 0067 0640 0586

Kennedy 0193 Kennex 1067 Kenwood 0135 KIC 0247 Kingsbrook 1067 Kingsley 0246 Kioto 0586 0736 Kiton 0586 0067 0698

0542 0586

0542 0357 0400 0139 0230

0404 1939

0294 0407 0516 0400 0424 0517 0193 0039 0586

0744

0039 0586

0503 0376 0238 0640

0510 0376 0238 0636 0640 0661

0404

0067 0586

0404 0586 0473

0538 0713 0448 0123 0680

0067 0586 0485

0691

0640 0193 0294 0808 0744 0636

0193 0542 0400 0407 1067 0516 1179 1193 1167

KLL 0067 Kneissel 0067 0400 0640

Kobra 1328 Kolin 0138 Kolster 0067 0586 Kongque 0039 0294 Konichi 0039 Konka 0067 0586 0744

Kontakt 0517 Korpel 0067 0586 Korting 0400 Kosmos 0067 0586 Kotron 0294 Koyoda 0039 Kreisen 0906 KTV 0247 Kuaile 0039 0294 Kuba 0193 Kuba Electronic 0193 Kulun 0039 Kunlun 0238 0256 0294

Kyoshu 0448 0294 Kyoto 0193 0246 0247 L&S Electronic 0895 0744 LaSAT 0516 0400 Lavis 1067 0067 0193 Leader 0039 Lecson 0067 0586 Legend 0039 Lenco 0039 0067 0193

Lenoir 0039 1219 0920 Lenoxx 1219 Levis Austria 0067 0586 Lexsor 1226 Leyco 0067 0294 0586 LG 1179 0208 0067

Liesenkötter 0067 0357 0586 Lifetec 0067 0698 1067

Lloyd's 0039 Lodos 1067 1179 Loewe 0542 0663 0820

Logik 0728 0090 0803

Logix 0698 Longjiang 0294 Luma 0067 0193 0586

Lumatron 0067 0586 0193

Lumenio 0067 Lux May 0067 0039 0586 Luxor 1193 0510 0522

LXI 0208

0404 0529 0586

0448 0617 0784 0636

0404 0691

0404 0586 0617 1067

0586 0906 0744 1667 0674 0636 0090 0138 1295 0407 0039 0745 0247 0246 0193 0139 0728 1221

1167 0404 0039 0542 0586 0744 0294 0713 1278 1289

0586 0400

0039 0294 0910 1247 1067

0404 0039

0247 0294

0238 0578 0193 0376 0503 1067 0247 0661

Madison 0067 0586 Magnadyne 0193 Magnafon 0246 Magnavox 0067 0586 0736

Magnum 0744 0067 0586

Mandor 0294 Manesth 0067 0247 0586

Manhattan 0067 0906 0586

Maqma 1328 Marantz 0067 0586 Mark 0067 0586 0247

Mascom 0586 0067 Master's 0529 0067 Masuda 0039 0294 0067

Matsui 0039 0067 1193

Matsushita 0680 Matsuviama 0617 Maxam 0294 Maxdorf 0803 0728 0736

Maxent 1785 MCE 0039 Mediator 0067 0586 Medion 0698 0744 0838

MegaDrive 1289 Megas 0640 Megatron 0208 MEI 1067 0067 0586 Meile 0294 Melectronic 0039 0376 0067

Memorex 0039 1067 0208

Memphis 0039 Mercury 0067 0728 0039

Mermaid 0067 Merritt 0578 0193 Metronic 0655 Metz 1563 0776 0418

MGA 0208 0067 0586 Micromaxx 0067 0586 0698

Microstar 0838 MicroTEK 0850 0728 0890

Mikomi 1179 1193 0774 Minato 0067 0586 Minerva 0100 1278 0517

Minoka 0067 0586

0810 0783

0745 1319

0294 0065 0193

0698 1067 0193 0808

0246 0404 0039 0744 0745

0247 0586

0586 0517 0065 0473 0238 0247 0463 0485 0193 0225 0365 0744 1067 0910

0294

1067 0067 0586 0542 1167 0728 1278 1289 0661 0910 1319 1179

0542 0139 0373 0193 0135 0247 0404 0510 0522 0246 0586 0664 0225 0691 0744

0680 0090

0294 0586 0736 0090

0477 1193 0225 0067 0586 0617 0698 1067

1067 0838 0744

0736 0294

0225 0138

Mirai 1681 Mitsubishi 0138 0123 0542

Mitsuri General 0193 Mivar 0246 0639 0400

Monaco 0039 Moree 0067 Morgan's 0067 0586 Motorola 0123 MTC 0090 0400 0542

MTlogic 0744 Mudan 0039 0238 0256

Multitec 0067 0586 0516

Multitech 0039 0246 0516

Murphy 0246 0193 Musikland 0067 0586 MyCom 1406 0208 Myryad 0586 0067 NAD 0208 0895 0193 Naiko 0067 0636 0586 Nakimura 0404 0067 0586 Nanbao 0039 0294 Nansheng 0294 Naonis 0193 NAT 0256 National 0256 0238 0538 NEC 0200 0617 1200

Neckermann 0067 0400 0586

NEI 0067 0586 0193

NEO 0784 Neovia 0895 1401 0906

Netsat 0067 0586 Neufunk 0067 0039 0586

New Tech 0067 0039 0586

Newave 0039 0208 0123 Nicamagic 0246 Nikkai 0065 0067 0586

Nikkei 0744 Nikko 0208 Nintaus 0921 Nishi 0512 Nobliko 0100 0246 Nogamatic 0139 Nokia 0193 0503 0510

Nordic 0247 Nordmende 0139 0921 0373

Norfolk 0193

0208 0067 0586 0238 1067 1423

0247

0193 0246

0294

0698 1067

0247 0067 0400 0586 0294

0208 0039 0906 0485 0404 0247 0067 0586 0294 0538 1734 0529 0683 0691

1535 0230 0193 0357 0448 0247 0542

1067

1406 1221

0640 0744

0373 0247

0246 0247 0294 0039

0578 0636 0661 0522 0238 0404 0376 0640 0139

0590 0225 0067 0586 0365 0193 1289 1278 0744 1319 0473 1193

TV (cont.)

Normerel 0067 0586 Novak 0067 0586 Novatronic 0067 0135 0404

Nurnberg 0193 NU-TEC 0485 0728 0850

O.K.Line 1067 Oceanic 0193 0238 0503

Odeon 0294 Okano 0400 0067 0586

OKI 1067 Olidata 1406 Omega 0294 Omni 0810 0921 0728 Onida 0683 Onn 1179 0586 Onwa 0632 0463 Opera 0067 0586 0744 Optimus 0680 Optonica 0123 Orava 1067 Orbit 0067 0586 Orion 0067 0473 0744

Orline 0067 0586 Ormond 0698 1067 0067

Osaki 0247 0294 0067

Osio 0067 0586 Osume 0067 0586 Otto Versand 1535 0067 0247

Pacific 0067 0586 1167

Pael 0246 Palladium 0400 0448 0067

Palsonic 0294 0803 0067

Panama 0039 0247 0294

Panasonic 0680 0256 0067

Panavision 0067 0586 Panda 0039 0238 0256

Papouw 0067 0586 Pathe Cinema 0193 0246 0400 Pathe Marconi 0139 Pausa 0039 Peng Sheng 0921 Penney 0208 0090 Perdio 0193 0067 0246

Perfekt 0067 0586 Philco 0104 0448 0067

0586

0067 0586 0736 0294

0578 0510

0294 0039

0586 0039 0294 0910 1226

0586

0404 0586

0373 0542 0123 0586 0225 0139 0256 0039

0744 1067 0473

0744 1167 1535 0230 0586 0357 0193 0247

0247 0407 0728 0586 0448 0808 1226 1299

0246 0067 0586

1340 0586 0193 0238 0538 0926 0883 0578 0138

0294 0538 0728 0810 0736 0921

0586

0193 0586 0400 0208 0511

Philex 0193 Philharmonic 0247 Philips 0067 0586 0802

Phocus 1319 0744 Phoenix 0067 0586 0400

Phonola 0067 0586 0246 Pilot 0586 0067 0742

Pioneer 1290 0790 0200

Pionier 0400 0516 Plantron 0067 0586 0294

Playsonic 0744 0067 0247

Polar 0067 Polaroid 0895 Policom 0139 0193 0100

Poppy 0039 Portland 0404 1939 Powerpoint 0517 0067 0586

Precision 0247 Premier 0039 0294 0921 President 0890 Prima 0039 0294 1299

Princess 0728 Prinston 1067 Profex 0039 0193 Profi 0039 Profitronic 0067 0586 Proline 0067 0586 0655

Prosonic 0067 0586 0400

Protech 0039 0067 0586

Proton 0208 0039 0674 Provision 0529 0067 0586

PVision 1221 0906 Pye 0067 0586 0404 Pymi 0039 Qingdao 0238 0256 0294 Quadro 0783 0586 0067

Quasar 0680 0895 0039 Quelle 0067 1535 0100

Radialva 0139 0193 0067

Radiola 0067 0586 0247 Radiomarelli 0067 0586 Radionette 0744 RadioShack 0067 0586 0208 Radiotone 0039 0067 0586

Rank 0100

0208 0138 0404 0373 0039 0230

0516 0193 0246

0736

0139 0193 0067 0586 0373 0516 0542

0039

0745

0104

0728

1226

0664 1406 1067

0404 0910 0698 1406 0744 0246 0247 0636 0745 1226

0247 0294 0448 0698 0193 0516 1067

1067 0744

1179 1193

0104 0139 0542 0247 0357 0135 0698 0586 0225 0230 0294 1067 0376 0039

0586

0400 0448 0698 0294 1067

Rank Arena 0632 0783 RBM 0100 RCA 0655 0090 0123

Realistic 0208 Recor 0067 0448 0586 Rectiligne 0067 0586 Rediffusion 0578 0376 Redstar 0067 0586 Reflex 0067 0586 1067

Relisys 0895 0906 0907

Reoc 0744 0664 1939 Revox 0067 0838 0586

Rex 0193 0294 RFT 0400 0294 0067

Rhapsody 0246 Ricoh 0067 0586 Rinex 0803 0448 0728

R-Line 0067 0586 0193 Roadstar 0039 1067 0745

Rodex 0067 0586 Rolsen 1401 1221 0067

Rover 0907 Rowa 0067 0294 0728

Royal 0448 0855 0636 Royal Lux 0400 0365 Rukopir 0586 0067 Saba 0139 0655 0193

Sagem 0640 0485 0860

Saige 0039 Saisho 0039 0664 0404

Saivod 0067 0586 1193

Sakaï 0193 Sakyno 0485 Salora 0193 0578 0238

Salsa 0365 Sampo 1785 0039 0123

Samsung 0674 0796 0090

Sandra 0246 0247 Sanjian 0294 Sansui 0067 0759 0586

Santon 0039

0208 0590 0365 0648 0373 0783 0855

0698

1328 1406

0400

0586 0516

0294 0736

0294 0448 0067 0586 0744 0698 1219

0586

0742 0247 0039 0246 0736 0617 0586

0590 0365 0373 0578 0680 0744

1343 0648

0294 0247 0193

0698 0742 1067

0510 0661 0808 1401

0208 0680

0648 0208 0617 0123 0039 0586 1279 0512 1265 0067 0294 0247 0400 0238 0256 0246 0193

0736 0632 0485 0783 1401 1221 0728 0294 0744 1278

Sanyo 0238 1238 0400

Sanyuan 0039 0123 Save 0067 0586 SBR 0067 0586 Schaub Lorenz 0578 0744 0636

Schneider 0067 1167 0586

Schöntech 1067 Scotch 0208 Scotland 0193 Scott 1219 0208 Sears 0208 Seaway 0664 Seelver 0586 1067 0067 SEG 1067 0247 0067

SEI 1535 0193 0067

Sei-Sinudyne 1535 0067 0586 Seitech 1247 Seleco 0193 0294 0376 Sencora 0039 Sentra 0065 0039 Serie Dorada 0208 Serino 0640 0485 0246

Shancha 0294 Shanghai 0039 0238 0256

Sharp 0123 1223 0039

Shen Ying 0039 Shencai 0039 0294 Sheng Chai 0039 Sheng Chia 0039 0123 Shenyang 0039 0294 0783 Sherwood 0039 Shintoshi 0067 0586 Shivaki 0067 0586 0473

Show 0448 0039 0728

Siarem 0193 Siemens 0067 0225 0230

Siera 0067 0586 0617 Siesta 0400 Silva 0067 0586 0246 Silva Schneider 0783 Silver 0485 0067 0586

SilverCrest 1067 0067 0586 Singer 0039 0728 0067

Sinotec 0803 0448 0636

Sinudyne 0193 1535 0067

Sky 0067 0910 0208

Skymaster 0135

0246 0247 0039 0538 0193 0067 0138 0586 0516 0200 0294 1067 1179 1193

0516 0404 1221 1393 1401 0906

0698 0424 0382 0373 0247 1067 0193 0744 1939 0100

0294 1193 0586 0698 0517 0039 0193 0664 0246 1939 1179

0586

0123

0294

1423 0680 0230

0404 0208

0294 0736 0067

0357 0586

0745 0193

0586 0365 0193

0728

0586 0636

0586 1406 0691 0895

Skysonic 0783 Skyworth 0067 0586 0039

Sliding 0895 0910 SLX 0698 Smaragd 0517 S-Media 1247 Soemtron 0895 1328 Sogo 1406 Solavox 0193 0578 0067

Songba 0039 Sonic 0783 Soniko 0067 0586 Soniq 1328 Sonitron 0238 0400 0247 Sonneclair 0067 0586 Sonoko 0039 0067 0586

Sonolor 0193 0238 1535

Sontec 0067 0586 0400

Sony 1535 1681 0680

Sound & Vision 0404 0067 0586 Soundesign 0208 Soundwave 0067 0448 0586

Sowa 0090 0256 0208 Soyea 0803 Spectra 0039 Ssangyong 0039 Staksonic 0039 Standard 0039 0067 0247

Starion 1067 Starlite 0039 0193 0067

Stern 0193 0294 Strato 0067 0586 0294

Strong 1193 1179 1067

Stylandia 0247 Sungoo 1278 Sunic Line 0067 0586 Sunkai 0485 0640 0067

Sunny 0067 Sunstar 0067 0586 0039

Sunwatt 0485 Sunwood 0067 0586 0039 Super 1219 Superla 0246 0247 SuperScan 0123 Supersonic 0039 0238 0586

SuperTech 0039 0246 0067

Supervision 0728 0294 Supra 0208 0404 0039

Susumu 0365 Sutron 0039 SVA 0617 0728 0294

Svasa 0728 0238 0736

Swisstec 0910 1406 0895

0294 0728 0783 0855

0586

0294 0247

0578

0039

1781 0383

0745

0586 1067 0404

0586 0294

0039

0067 0586

0586 0517 0895

0294

0728 0294 0485 0067

0586

0067

0485 0895 0238 0736

0294

Sydney 0246 0247 Synco 0090 0123 0208 Sysline 0067 0586 Sytong 0246 T+A 0477 Tacico 0208 0039 Tai Yi 0039 Taishan 0039 0404 Tandberg 0139 0193 Tandy 0123 0247 0193 Targa 1401 1221 0648 Tashiko 0247 0680 0200

Tatung 0039 0067 1278

TCL 0655 0728 0736 TCM 0744 1319 0838 Teac 0039 0728 0067

TEC 0247 0039 0365

Tech Line 0067 0586 0698

Tech Lux 1219 Technics 0680 TechniSat 0067 0586 0193 Technisson 0744 1319 Techno 1067 Technol Ace 0728 0294 0664

Technosonic 0067 0586 0529

Techwood 1193 1067 Teckton 1406 Tecnimagen 0586 Teco 1343 0039 0123

Tedelex 0247 0728 0736

Teiron 0039 Tek 0850 0067 0728

Teknika 0090 TELE System 0906 Teleavia 0139 0373 Telecor 0067 0586 0193

Telefunken 0655 0590 0104

Telefusion 0067 0586 Telegazi 0067 0193 0294

Telemeister 0067 0586 Telesonic 0067 0586 Telestar 0039 0067 0586 Teletech 0039 0067 0586

Teleton 0247 0193 Televideon 0193 0246 Teleview 0067 0586 Tempest 0039 0067 0586

0246 0193

0090 0586 0247 1401 1289 1221

0294 1067 0586 0448 0542 0742 0485 0698 0247 0736 1939 0208 0200 0744 1179 1785 1393 0617

0067 0586 0193

1193

0404 0246

0910

0208 0294 0683

0636 0448 0067 0039 0238 0921 0617 0586 0294

0039

0247 0424

0139 0617 0728 0365 0373 0742 0850 0926 0784 0810 0921 0783 0736 0067 0586 0516 0744 0376

0586

0698 1067

0294

Tennessee 0067 0586 Tensai 0067 0586 0247

Tenson 0039 Tesla 1067 0067 0698

Tevion 1328 1278 1289

Texet 0246 0247 0404

Thomson 0590 0655 0373

Thorn 0065 0138 0139

Thorn-Ferguson 0138 0373 0139

Tiane 0123 Tiny 1226 1299 TMK 0208 Tobo 0039 0294 Toka 0067 0586 0698

Tokaido 1067 Tokyo 0246 0065 Tongguang 0294 Tongtel 0810 0617 Top Show 0728 0803 0448

Topline 1067 0698 Toshiba 1538 0538 0680

Towada 0247 Toyoda 0039 0294 Trakton 0039 0294 0247 TRANS-

continents

Transonic 0067 0728 0742

Transtec 0246 Triad 0067 0586 0039 Trident 0247 Trio 1278 Tristar 0294 Triumph 0376 0586 0067 Tuntex 0039 TVTEXT 95 0586 Uher 0067 0586 0404

Ultravox 0404 0246 0193

Unic Line 0067 0586 0503

United 0744 0067 0745

Universal 0744 0067 0586

0039 0135 0404 0407 0745 0193 1067

0744 0745 1167 0855 0783 0586 0640

0067 0586 0838 0895 0698 1167 0744 1067 1319

0039

0139 0783 0365 0067 0586 0246

0067 0104 0373 1535 0529 0542 0586 0365 0404 0100

0365 0529 0065

0193 0247 0404 0039 1067

0039 0294 0736

0090 0039 0065 1734 1194 1319 1295 0744 0100 0123 0294 0648 0674 0247 0139 0225 0728 0067 1067

0698 1067 0895 0586 0067 0516 0247

0586 0485 0617 0542 0294 0448 0039 1393 0810

0448 0516 0400 0510

0067 0586

0485

0586 1067 0617

Universum 0838 1067 0067

Univox 0067 0586 0193 Utax 0193 V7 Videoseven 1785 0208 0910

Vanguard 0067 0586 Vestel 0067 1067 1193

Vexa 0039 0067 0586 Victor 0683 0680 Videocon 0538 Videologic 0246 Videologique 0246 0247 VideoSystem 0067 0586 Videotechnic 0246 0247 0404

Videoton 0193 Vidtech 0208 Viewpia 0906 ViewSonic 1785 Visiola 0246 Vision 0067 0294 0586

Vistron 1393 Vivax 0067 Vortec 0067 0586 Voxson 0193 0208 0067

Walker 1179 Waltham 0247 0448 0067

Wards 0208 Warumaia 0404 0691 0664 Watson 0067 1067 1278

Watt Radio 0193 0246 0516 Wega 0067 0586 Wegavox 0039 0067 0586 Weipai 0039 Welltech 0744 Weltblick 0067 0586 0247 Weltstar 1067 Westinghouse 0920 Weston 0067 0586 Wharfedale 0067 0926 0921

White Westinghouse

Wilson 0586 Windsor 0698 1067 Windy Sam 0586 Wintel 0744 World-of-Vision 0910 0920 0895

Worldview 0485 XDome 0538 Xenius 0664 0691 Xiahua 0039 0294 0728

0104 1193 0294 0376 0400 0698 0135 0510 0225 0503 1179 0542 0522 0230 0448 0100 0193 0586 0357 1535 0247 0139 0661 0039 0200 0648

1406 1247 0648 1681 1535

0698 0193 0247 0586

0247

0586 0448

0586 0698 0139 1067 0193 0473

1289 0586 0193 0039 0698 0424 1406 0357

0890 0586 0728 0736

0067 0246 0586 1939

1319 1328 0907 1247

0803

Xianghai 0039 Xiangyang 0294 Xiangyu 0039 Xihu 0294 Xingfu 0039 Xinghai 0294 Xingyu 0039 XLogic 0728 0890 Xoro 1226 1247 Xrypton 0067 0586 X-View 1221 Yamaha 0680 1606 Yamishi 0485 0067 0586

Yingge 0039 Yokan 0067 0586 Yoko 0067 0247 0294

Yonggu 0039 Yoshita 0855 Yousida 0039 Yuhang 0039 YU-MA-TU 0067 Zaapa 1219 Zanussi 0247 Zenith 1939 0208 1295 Zhuhai 0039 0404 Zonda 0728

0247

0586 0039 0400 0246

VCR

Accent 0102 Adyson 0102 Aim 0308 0672 0378 Aiwa 0030 0378 0382

Akai 0030 0067 0136

Akashi 0102 Akiba 0102 Akura 0102 Alba 0308 0102 0382

Allorgan 0270 Allstar 0111 Amstrad 0030 0308 0102 Anitech 0102 Ansonic 0030 Aristona 0111 ASA 0067 0111 Asuka 0102 0067 0111

Audiosonic 0308 AVP 0382 0030 AWA 0067 0308 0672

Baird 0136 0308 0134

Basic Line 0308 0102 0134 Beko 0134 Bestar 0308 Black Diamond 0672 0308 Black Panther 0308 Blaupunkt 1592 0256 0111 Blue Sky 0067 0378 0102

Bondstec 0102 Brandt 0350 Brinkmann 0378 Broksonic 0378 0772 0382 Bush 0102 0308 0345

Carena 0111 Carrefour 0075 Casio 0030 Cathay 0308 CGE 0030 Cimline 0102 CineVision 1167 Clatronic 0102 0030 Combitech 0382 Condor 0308 Crown 0067 0308 0510

Cyrus 0111 Daewoo 0308 0672 1167

Dansai 0102 0308 Dantax 0382 0772 Daytron 0308 de Graaf 0072 0196 0111

Decca 0030 0111 0097

Deitron 0308

0067 0772 1167 0062

0345 0672 0382 0270 0378

0030 0345 0378 0111

0030

0073

0030

0382 0308 0030 0510 0672 1167 0772

0382 0030 0378 0111 0672 0772

0102

0667 0378 0382 0075

0134 0078

0378 0382

Denko 0102 Denon 0072 Diamant 0067 Diamond 0308 Digitor 0672 DSE 0672 Dual 0111 0308 0030

Dumont 0030 0111 0134 Durabrand 0672 Elbe 0308 Elcatech 0102 Elin 0270 Elsay 0102 Elta 0102 0308 Emerson 0102 0075 0030

ESC 0308 0270 EuroLine 0378 Ferguson 0350 0030 0308

Fidelity 0030 0102 0270

Finlandia 0134 0111 0072

Finlux 0030 0111 0134

Firstline 0102 0378 0073

Fisher 0134 Flint 0378 Frontech 0102 Fujitsu 0030 Fujitsu General 0067 Funai 0030 Galaxi 0030 Galaxis 0308 GE 0350 GEC 0111 General Technic 0378 Genexxa 0134 Go Video 1167 Goldhand 0102 GoldStar 0067 0510 0030 Goodmans 0030 0102 0270

GPX 0067 Graetz 0134 0270 Granada 0134 0078 0111

Grandin 0102 0067 0030

Grundig 0377 0111 0256

Haaz 0378 Hanimex 0382 Hanseatic 0067 0308 0111 Harwood 0102 HCM 0102 Hinari 0102 0382 0308

Hisawa 0382 Hischito 0075 Hitachi 0072 0196 0030

Höher 0308 0672 Hornyphon 0111

0378

1167

0378 0772

0462 0382

0196 0030 0078 0067 0073 0136 0256

0072

0067 0075 0072 0308 1167

0308 0067 0111 0378 0667 0382 0672

0270 0067 0256 0072 0030

0308

0350 0378 0102 0382 0772

0270

0270 0111 0134

Hypson 0102 0378 0308

Imperial 0030 0270 Ingersoll 0270 Inno Hit 0270 0308 0102 Interbuy 0067 0102 Interfunk 0111 0134 Internal 0308 0667 International 0308 0067 Intervision 0030 0308 0067

Irradio 0102 0067 0111

ITT 0136 0134 0270 ITT Nokia 0078 ITV 0308 0067 JMB 0382 0378 Joyce 0030 JVC 0097 Kaisui 0102 Kambrook 0067 Karcher 0308 Kendo 0136 0345 0378

KIC 0030 Kneissel 0382 0378 0067

Kolster 0378 Korpel 0102 Kyoto 0102 Lenco 0308 Leyco 0102 LG 0067 0510 0030

Lifetec 0378 Loewe 0111 1592 0256

Logik 0270 0102 0136 Lumatron 0308 Lux May 0102 Luxor 0136 0073 0102

Magnavox 0111 0672 Magnum 0672 Manesth 0102 0075 0111 Marantz 0111 Mark 0308 0030 Mascom 0672 Mastec 0672 Master's 0308 Matsui 0378 0067 0270

Maxton 0111 Mediator 0111 Medion 0378 0382 Melectronic 0030 0067 Memorex 0134 0030 0067

Memphis 0102 Metronic 0111 Metz 1592 0377 0866

Micormay 0378 Micromaxx 0378 Migros 0030 Mitsubishi 0073 0097 0111

Multitec 0067 Multitech 0030 0102 0134 Murphy 0030 Myryad 0111

0382 0030 0067 0510

0378

1167

0102 0067 0308

0308

0308 1167

0067

0134 0078 0345

0382 0030 0772

0078 0378

0111 0256 0067

0510 0030 0672

NAD 0134 Naiko 0672 0378 National 1592 0256 NEC 0097 0070 0134

Neckermann 0111 Nesco 0102 0030 0382 Neufunk 0067 Nikkai 0102 0308 Nokia 0134 0136 0345

Nordmende 0350 0097 0672 NU-TEC 0378 Oceanic 0030 0350 0078

Okano 0345 0378 0102

Onimax 0672 Orbit 0102 Orion 0378 0382 0772 Orson 0030 Osaki 0030 0067 0102 Osume 0102 Otto Versand 0111 Pace 0382 Pacific 0030 Palladium 0102 0345 0067

Palsonic 0102 0030 0672 Panasonic 1592 0256 0866 Pathe Cinema 0073 Perdio 0030 Philco 0102 Philips 0111 Phoenix 0308 Phonola 0111 Pioneer 0097 0111 0072 Portland 0308 0667 Prinz 0030 Profitronic 0111 0270 Proline 0030 0308 0350

Prosco 0308 Prosonic 0308 0030 Protech 0111 0308 Provision 0308 Pye 0111 0030 Quasar 0308 Quelle 0111 Radialva 0067 0102 0111

Radiola 0111 Radionette 1167 0067 RCA 0136 0350 Reoc 0378 0667 0308 RFT 0102 Roadstar 0270 0102 0067

Royal 0102 Saba 0350 0308 Saisho 0378 Salora 0073 0136 0134 Samsung 0270 0462 Sansui 0097 0136 0102

Sanyo 0134 0270 0078

Saville 0382 0308 0270 SBR 0111 ScanSonic 0270

0067 0308 1167

0308 0270 0078 0072 0111

0136 0111 0134

0308

0270 0378 0462

0672

0078

0308 0772 0111

0378

0097 0378

Schaub Lorenz 0134 0030 0136

Schneider 0102 0030 0067

Seaway 0308 SEG 0308 0102 0270

SEI 0111 Sei-Sinudyne 0111 Seleco 0067 Semp 0075 Sentra 0102 Setron 0102 Sharp 0078 0067 0599 Shintom 0102 0134 Shivaki 0067 Siemens 0067 0134 0111

Siera 0111 Silva 0067 Silver 0308 SilverCrest 0672 Singer 0378 0075 Sinudyne 0111 0382 Skantic 0378 Smaragd 0378 Sonneclair 0102 Sonoko 0308 Sonolor 0078 Sontec 0067 0308 Sonwa 0672 Sony 0062 0136 Soundwave 0067 0378 Ssangyong 0102 Standard 0308 Starlite 0067 0134 Stern 0308 Sunkai 0378 0308 Sunstar 0030 Suntronic 0030 Sunwood 0102 Supra 0067 0270 0378

Symphonic 0030 0102 T+A 1592 0256 Tandberg 0308 Tashiko 0030 0078 0270

Tatung 0030 0111 0078

Tchibo 0378 TCM 0378 Teac 0102 0030 0308

TEC 0308 0102 Tech Line 0102 Technics 0256 TechniSat 0378 Tedelex 0067 0378 0672 Telefunken 0672 0350 0030

Telestar 0067 Teletech 0102 0308 0030 Tenosal 0102 Tensai 0030 0067 0102

Tesla 0111 Tevion 0378 0672 Texet 0308

0345

0111 0308 0270 1167 0072 0382 0672

0672 0111 0667

0350 0377

0308

0111 0067

0073 0378 0382

0672 0067 0111 0667

0308

VCR (cont.)

Thomson 0350 0097 0308 Thorn 0134 0067 Thorn-Ferguson 0350 Tokai 0102 0067 0134 Tokiwa 0102 Topline 0378 Toshiba 0075 0073 0111

Towada 0102 Tradex 0111 Tredex 0308 Triad 0308 Uher 0067 0270 Ultravox 0308 Unitech 0270 United 0378 0772 Universum 0030 0111 0270

Victor 0097 Video Technic 0030 Watson 0111 0382 0308

Weltblick 0067 Wharfedale 0672 White

Westinghouse World 0378 Yamishi 0102 0308 Yokan 0102 Yoko 0067 0102 0270 Yoshita 0102 Zenith 0667 1167 ZX 0378 0382 Stern 0308 STS 0072 Sunkai 0378 0308 Sunstar 0030 Suntronic 0030 Sunwood 0102 Supra 0067 0270 0378

Sylvania 0030 0073 0111 Symphonic 0030 0102 T+A 0256 Tandberg 0308 Tandy 0030 0134 Tashiko 0030 0078 0270

Tatung 0030 0111 0078

Tchibo 0378 TCM 0378 Teac 0102 0030 0308

TEC 0308 0102 Tech Line 0102 Technics 0256 TechniSat 0378 Tedelex 0067 0378 0672 Teknika 0030 0067 Telefunken 0672 0350 0308 Telestar 0067 Teletech 0102 0308 0030 Tenosal 0102 Tensai 0030 0067 0102

Tevion 0378 0672 Texet 0308

0772 0382

0067 0136 0378 0134

0672

0102

0308

0111 0067

0073 0378 0382

0672 0067 0111 0667

0308

Thomas 0030 Thomson 0350 0097 0308 Thorn 0134 0067 Thorn-Ferguson 0350 TMK 0270 Tokai 0102 0067 0134 Tokiwa 0102 Topline 0378 Toshiba 0073 0075 0111

Totevision 0067 0270 Towada 0102 Tradex 0111 Tredex 0308 Triad 0308 Uher 0067 0270 Ultravox 0308 Unitech 0270 United 0378 0772 United Quick Star0308 Universum 0030 0111 0270

Vector 0075 Vector Research 0070 Victor 0097 Video Concepts 0070 0075 Video Technic 0030 Videosonic 0270 Wards 0030 0072 0078

Watson 0111 0382 0308

Weltblick 0067 Wharfedale 0672 White

Westinghouse World 0378 XR-1000 0030 0102 Yamishi 0102 0308 Yokan 0102 Yoko 0067 0102 0270 Yoshita 0102 Zenith 0030 0667 1167 ZX 0378 0382

0772 0382

0067 0136 0378 0134

0102 0111 0270

0672

0102 0308

VIDAC

Elonex 1302 Fujitsu Siemens 1302 Gateway 1302 Hewlett Packard 1302 hFX 1302 Microsoft 1302 Pinnacle Systems 1477 Ricavision 1302 Sony 1302 Trust 1302 Via Technologies 1302 XBox 1302

CBL

@Home 1696 ADB 1260 1299 Alice 1654 Amstrad 1252 Auna 1299 1260 Austar 0306 Cablecom 1612 Canal Plus 0473 Com Hem 1696 0847 Comcrypt 0473 Daeryung 0507 Fastweb 1660 Filmnet 0473 Foxtel 1252 France Telecom 0847 1764 freebox 1512 Funai 0049 General

Instrument Jerrold 0306 KabelBW 1090 Macab 0847 Madritel 1260 MNet 0473 0049 Motorola 0306 1136 1513 Multichoice 0049 0473 Nokia 1599 Noos 0847 1654 NTL 1090 1098 Numericable 0847 Oak 0049 Ono 1098 0306 Optus 0306 1090 Orange 0847 1764 Pace 1098 1607 1090 Philips 0847 1612 Premiere 1607 Sagem 0847 1654 Samsung 1090 1696 Scientific Atlanta 0507 SKY Deutschland1607 StarHub 0306 Tele Danmark 0847 Tele+1 0473 Telepiu 0473 Telewest 1098 1090 Telsey 1660 Thomson 1612 1764 Trans PX 0306 UPC 1612 US Electronics 0306 Virgin Media 1090 1098 Visiopass 0847 YouSee 0847 Ziggo 1599 1696

0306

Advantage 0062 AH! 0187 Aiwa 0187 Arcam 0187 Atoll

Electronique Audio Research 0187 Audiolab 0187 Audiomeca 0187 Audioton 0187 Balanced Audio

Technology Cairn 0187 California Audio

Labs Cambridge

Audio Carver 0187 Copland 0423 Cyrus 0187 Denon 0033 0796 0656 DKK 0030 Dual 0033 Dynaco 0187 Elektra 0423 Garrard 0423 Genexxa 0030 0062 Goldmund 0187 Grundig 0187 Harman/Kardon 0187 Hitachi 0062 JVC 0102 Kenwood 0220 0656 0066 Krell 0187 Linn 0187 Loewe 0187 Magnavox 0187 Marantz 0187 0656 0059 Matsui 0187 MCS 0059 Memorex 0062 Meridian 0187 Micromega 0187 Mission 0187 Musical Fidelity 0423 Myryad 0187 NAD 0751 0030 Naim 0187 NSM 0187 Onkyo 0131 Optimus 0030 0062 Orion 0423 Panasonic 0333 0059 Philips 0187 0656 Pioneer 0062 Primare 0187 Proton 0187 QED 0187 Quad 0187 Quasar 0059 Radiola 0187 Restek 0187 Revox 0187 Rotel 0187 SAE 0187 Sansui 0187 Siemens 0187 Simaudio 0187 Sony 0030 0520 0187

0187

0059 0333

0187

Tag McLaren 0187 Tandy 0062 Teac 0423 Technics 0333 0059 Thorens 0187 Thule Audio 0187 Traxdata 0656 Universum 0187 Victor 0102 Wards 0187 Yamaha 0066 0520 0062

TUNER

AEG 1420 1419 AFK 1419 Aim 1420 Aiwa 0151 0219 1088

Akai 0639 1250 1420 All-Tel 1420 Amstrad 1420 Anam 0639 Arcam 0219 1119 1219

ASCOMTEC 1419 Audiolab 1119 1219 1299

Audiosonic 1419 Audiovox 1420 Audioworld 1420 Balanced Audio

Technology Bang & Olufsen 0829 Basic Line 1584 Belson 1419 Blue Sky 1420 Bonnec 1219 Bose 1259 1385 Bush 1119 1219 1299

Cairn 0219 Cambridge Audio 1219 0219 Carver 0219 1119 1219 CCE 1382 Centrum 1250 1584 1419 Classic 1382 Clatronic 1250 Copland 1119 1219 1299

Denon 1390 1134 Denver 1419 Diamond 1420 DK digital 1450 DMTECH 1420 Dual 1250 1420 1450 Electrocompaniet 1219 Elta 1420 Fisher 1831 Genexxa 0216

1188 1288 1652 1752

1299 1319

1319 0219

1119 1219 1299 1319 0219

1319

Goldmund 0219 1119 1219

Goodmans 0639 1229 1450

Grundig 1119 1219 1299

Hanseatic 1420 Harman/Kardon 1334 1119 1219

HCM 1420 HE 1419 Hitachi 1831 1250 1584

Hiteker 1419 Home Tech

Industries Integra 0165 1350 JVC 0104 1404 1525 Kenwood 1343 1057 1599

KLH 1420 KXD 1419 Lenoxx 1419 1641 Lenoxx Sound 1641 LG 1323 Linn 0219 1119 1219

Loewe 1119 1219 1299

Magnavox 0219 1119 1219

Magnum 1641 Marantz 1119 1219 1299

Mark 1119 1219 1299

MBO 1382 Medion 1450 MEI 1420 Melectronic 0639 Meridian 1119 1219 1299

Metz 1584 Micromaxx 1450 Micromega 1119 1219 1299

Mustek 1382 Myryad 1219 1119 1299

NAD 0350 0639 Naim 1119 1219 1299

Nexius 1420 Nikkai 1419 Nikko 0639 Norcent 1419 Okano 0639 Onkyo 1350 0165 Optimus 0216 1053 Orava 1419 Palladium 1250 Panasonic 1809 1548 1338

Paramount Pictures1250 Philips 1219 1299 1119

Pioneer 1053 0216 1119

Polk Audio 1319 Proceed 1219 Proline 1420 Proson 0639 Provision 1419

1299 1319

1641 1419

1319 0219

1299 1319 0219

1229

1419

0216 1323

1299 1319

1319 0219

1299

1319 0219

1319

1319 0219

1319

1793 1795 1339

1319 0219

1219 1299 1319 1489

QONIX 1450 Quad 1119 1219 1299

Radiola 1119 1219 1299

Radionette 1664 1323 RCA 1184 1420 1489 Red Star 1419 Restek 0219 Revox 1119 1219 1299

Revoy 1119 1219 1299

Roadstar 1641 Rotel 0823 Saba 1184 Samsung 1325 1229 Sansui 0219 1119 0639 Sanyo 1831 Schneider 1420 1229 1250 SEG 1584 Sharp 0216 1664 1644 Sherwood 0683 Siemens 0639 Silva Schneider 1323 Sony 1188 1888 1789

Soundwave 0639 Sunfire 1343 Sunstech 1450 Tag McLaren 1219 Targa 1323 Teac 1229 0639 1420 Technics 1793 1548 1809

Techwood 0639 1584 Telefunken 1420 1419 Tevion 1641 Thomson 1184 1384 Thorens 1219 1119 1299

Toshiba 1602 United 1420 Universum 1250 1420 0639

Venturer 1420 Victor 0104 Voxson 1450 Waitec 1382 Wards 0219 Wharfedale 0639 1420 Xenon 1419 Yamaha 0206 1361 1306

Yukai 1382

1319

1319 0219

1319 0219 0216

1319

1688 1088 1288 1752 1652 1142

1339 1338 1795

1319 0219

1119 1219 1299 1319 0219

0742 0216

DVD

3 Plus 0520 3D LAB 0569 4Kus 1188 Acoustic Solutions 0760 0743 1258 AEG 0818 0800 0820

AFK 1258 1182 1081 AG Electronics 1258 Aim 0808 1195 0702

Airis 1254 1351 0702

Aiwa 0725 0899 0563 Akai 0820 0809 0818

Akashi 0868 AKI 1035 Akira 0808 1351 Akura 1201 0928 1081

Alba 0747 0743 0753

Alize 1181 All-Tel 0820 1481 0865 Amitech 0800 0880 Amoi 0882 Amoisonic 0865 Amstrad 0743 1145 1181

AMW 0902 Ansonic 0789 0861 Apex Digital 0702 0747 1034 Arena 0882 1145 Aristona 0569 0676 Art Mito 1451 Asono 1254 ATACOM 1254 A-Trend 0744 Audiovox 0820 0747 Audioworld 0820 Audix 1134 1182 0743 Autovox 0743 Auvio 0873 Avious 1195 AWA 0760 0902 Axion 0760 Base 1481 Basic Line 0743 Baze 1195 0928 0702 BBK 0892 1254 Bel Canto Design 1601 Bellagio 0902 1034 Best Buy 0887 Biostek 1035 Black Diamond 0743 0863 Blaupunkt 0747 Blu:sens 1263 1351 Blue Parade 0601 Blue Sky 0743 0725 0702

BNI 1351 Boghe 1034 Boman 0818 0928 1035 Brainwave 0800 1145

1263 0705

0820

1035 1375 1137

0800 0725 1145 0928 0705 0746 0743 0882 0735 1725 1263

1170

0725 0760 0569 0702 1170 1081 1560 1725

1601 0820 0800

0873 0808 0681 0820

Brandt 0681 0581 0533 Broksonic 0725 1449 Bush 0743 0725 0863

Cambridge Audio 1139 0781 Campomatic

Digital CAT 0819 Celestial 0702 cello 1760 Centrex 0702 1034 Centrum 0743 0819 0809

CGV 0800 0781 Cinea 0871 Cineral 0760 Cinetec 0743 0902 CineVision 0899 0863 Classic 0760 1760 Clatronic 0818 0809 0848

Clayton 0743 Coby 0808 1137 1195

Codex 1263 Compacks 1137 Conia 0702 0882 0546

Contel 0818 Continental

Edison Craig 0861 Crown 0800 0681 Crypto 1258 C-Tech 0798 1182 Cybercom 0861 CyberHome 0744 0846 Cytron 0746 0681 0735

Daenyx 0902 Daewoo 0863 0899 1513

Dalton 1066 Dansai 0800 1145 1725 Dantax 0753 0725 0743 Daytek 0902 1035 Dayton 0902 DCE 0861 DEC 0808 0848 Decca 0800 Denon 0520 0664 1664 Denver 0808 0818 0928

Denzel 0695 Diamond 0681 0798 0808

Digihome 0743 DigiLogic 0743 digiRED 0747 Digitor 1035 0681 Digitrex 0702 1034 DiK 0861 Dimarson 1263 Dinamic 0818 Disney 1253 0861

1725 0760 0861 0747 0808 0546 0848 0753 1195 1466 1449 1513 1170 1560

1081

1035 0705

0702 1195 0705 1263

0760 0882

0865 1351

0902 0861

0861 1377

0735 0800 0744 1466 0902 0808

0848 1137 1351 0702

0781 0753 0820 1182 0800 1145

DiViDo 0735 DK digital 0861 DMTECH 0820 1301 Dragon 0861 DSE 1760 0863 1182

Dual 0861 0743 0695

Durabrand 0861 0705 0743

D-Vision 1145 DVX 0798 1182 e:max 1263 1351 0800 EagleTec 0744 eBench 1182 E-Boda 0753 Eclipse 0753 0781 E-Dem 1254 Electrohome 0800 Elenberg 1258 Elfunk 0880 0743 0793 Elin 0800 Ellion 0880 1451 Elta 0800 0818 0820

Eltax 1351 Emerson 0621 0735 0899

Enterprise 0621 Enzer 0695 1258 1035

EuroLine 0818 1145 1263

Ferguson 0681 1760 0928

Finlux 0771 0800 0621

Fintec 0743 1560 Firstline 0899 0681 1560 Fisher 0700 Funai 0725 0705 Futronic 1035 Gateway 1188 GE 0747 General Electric 0747 Germatic 1081 Global Link 1254 Global Solutions 0798 1182 Global Sphère 0798 1182 Go Video 0774 1188 0899

GoldStar 0621 0771 Goodmans 0743 1034 0753

GP Audio 1170 GPX 0771 Gradiente 0681 Graetz 0695 Gran Prix 0861 0928 Grandin 0746 0702 0743 Greenhill 0747 Grundig 0725 0805 0569

Grunkel 0800 0861 H&B 0848 0743 0871

0705

0681 0760 0809 0820 1466 1560 1145

1560

1145 1181 1263 1081

0705

0800

0705

0743 1725

0702 0781 1195

0863

0781 0760 0681 0820 0848 0863 1170 1760 1560

0681 0735 0820 0743 0700 0753 1725 1034 0581 1760 1466 1513

0880 1263 1451

Haaz 0798 0781 Haier 0873 Hanseatic 0771 0820 1301 Harman/Kardon 0732 HCM 0818 HDT 0735 1227 HE 0760 Hello Kitty 0861 Henß 0743 Hicon 0702 HiMAX 0887 0873 Hitachi 0694 0809 0695

Hiteker 0702 Höher 0861 1034 1254

Home Electronics 0760 0800 Home Tech

Industries HYD 1263 Hyundai 0880 1258 0818

ICP 1182 Iekei 1137 Ingelen 0818 Inno Hit 0743 Insignia 0705 Integra 0657 Irradio 0771 1145 1254

ISP 0725 it's 0747 ITT 1263 Jamo 1066 Jaton 0695 JBL 0732 JDB 0760 JDV 1258 Jeken 0808 Jepssen 1213 JGC 1560 JMB 0725 JNC 1301 JVC 0653 0588 1194

jWIN 1081 Kansai 1137 Kansas

Technologies Kendo 0743 0861 0702

Kennex 0800 0743 0928 Kenwood 0564 0520 1936 KeyPlug 0800 Kiiro 0800 King D'Home 0863 Kingavon 0848 Kiss 0871 0695 KLH 0820 KLH Digital 0747 Koda 0848 Koss 0681 Kreisen 1451 KXD 0887 1137 1351 Lawson 0735 0746 0798

Leiker 0902 Lenco 0681 0800 0808

Lenoir 1258

0603 0887 0743

0743 1560

1254

0798 1451 1560 1182 0863

1263 0899 0800

0569 0533 0897

1263 1560

1377 1725

1182

0848 0743 0861 1195

Lenoxx 0868 1035 Lexia 1182 0798 LG 0771 0621 1936

Lifetec 0681 0861 1377 Limit 0746 1182 0798 LiteOn 1188 Lodos 0743 Loewe 0569 0771 Logic3 0802 LogicLab 0798 1182 Logik 0743 Logix 0735 Lumatron 0735 1145 0771

Luxman 0603 Luxor 1034 0743 1760

Magnavox 0533 0705 0848

Magnex 0753 1195 Magnum 1466 1412 Majestic 1137 1375 Manhattan 0735 0743 Marantz 0569 Mark 0743 0725 1725 Marquant 0800 1481 Mastec 1036 Matsui 0681 0743 0702

Maxdorf 0818 Maxent 1377 Maxim 0743 Maya 1375 MBO 0760 MDS 0808 Mecotek 0800 Medialine 1301 Mediencom 0781 Medion 0861 1377 0681

MEI 0820 Memorex 0861 Memory 0760 1081 Metz 0601 0555 0743 MiCO 0753 0781 1253 Micromaxx 1725 0725 1377 Micromedia 0533 0569 Micromega 0569 Microsoft 0552 Microstar 0861 Minax 0743 Minerva 0735 Minoka 0800 1145 Minowa 1195 Mintek 0747 Mitsubishi 0743 Mizuda 0848 0887 1481 Monyka 0695 MPX 0873 Mustek 0760 1760 Mx Onda 0681 0781 0753

Mystral 0861 NAD 0771 Naiko 0800 1034 NEC 0899 0621 0771 Neovia 1301 Nesa 0747 Neufunk 0695

0899 1263

0863 1351 0743 0760 0928

0760 0747

1170 0569 0743

0725 1760

0746 1375 0660 1195 1036 0771

1253

Nevir 0861 0800 0702 Nexius 0820 Nintaus 1081 Nordmende 0861 1560 Nowa 0873 NU-TEC 0546 1258 Omni 0808 0863 1134

Onix 0868 Onkyo 0657 0533 Oopla 1188 Oppo 1254 Optim 0873 Optimus 0601 0555 Orava 0848 Orbit 0902 Orion 0725 1725 1036

Oritron 0681 P&B 0848 1481 Pacific 0820 1182 0798

Packard Bell 0861 Palladium 0725 0809 0743 Palsonic 0865 0702 0882

Panasonic 0520 1864 1938 Panda 0747 1137 Papouw 0563 Paramount

Pictures peeKTON 1254 0928 Philips 0569 0676 1370

Philo 1375 Phonotrend 1195 Pioneer 0601 0661 1995

Plu2 0880 Pointer 0800 Polk Audio 0569 Portland 0800 Powerpoint 0902 1035 Presidian 0705 Prima 1258 Prinz 0861 Prism 1036 0861 Pro2 1375 ProCaster 1034 Proline 0681 0702 0820

Proscan 0552 Proson 0743 1035 Prosonic 1137 Provision 0848 1351 1137

Pye 0676 0569 QONIX 0808 1081 Qwestar 0681 Radionette 0771 0899 1936 Radiotone 0743 Raite 0695 RCA 0552 0681 0820

REC 0520 Red Star 0789 0793 0800

Relisys 1377 Reoc 0798 1182 Revoy 0871 Rex 0868

1258

1263 1449 0928

0789 0743 0861

0863

0809

0705 0533 1188

0555 1601

1034 1513 0863

0760

1995

0818 0928 1137 1375

Richmond 1263 Rimax 1181 Rio Audio 0899 Roadstar 0743 0848 0760

Rocksonic 0819 Ronin 0902 Rotel 0653 0588 Rowa 0789 1034 0546

Rownsonic 0819 0753 S&V 1195 Saba 0681 0581 Sabaki 0798 Saivod 0861 0789 0800 Sakyno 1182 0798 Salora 0771 Sampo 1377 Samsung 0603 0774 1962

Sansui 0725 0746 0798

Sanyo 0700 0903 0725

Scan 0735 0865 0880 ScanMagic 0760 1760 ScanSonic 0887 SCE 0819 Schaub Lorenz 0818 1195 0800

Schneider 0861 0809 0569

Schöntech 0743 Scientific Labs 0798 1182 Scott 0681 0702 1066

Seeltech 1254 1481 SEG 0743 0695 0798

Shanghai 0702 Sharp 1286 0660 0743

Sherwood 0747 0771 Shinco 0747 Siemssen 1412 Sigmatek 0887 1254 Siltex 1254 Silva 0818 0928 0861 Silva Schneider 0861 1936 0771 SilverCrest 1182 0798 Singer 0746 0753 0781

Sinotec 0800 1145 Sinudyne 1170 Sistemas 0702 Skymaster 0760 0798 1182 Skyworth 0928 Sliding 1145 Slim Art 0800 Slim Devices 0563 SM Electronic 0760 0798 Smart 0735 0743 Sonashi 0746 0861 Sonic Blue 0899 Soniko 0818 Sonwa 1034

1081 0928 0863 1257

0555 0747

0520

0800 1182 0753 0781 1258 1725 1081 1145 0793

0820 1466 0743 1258

1182

0735 0818 0743 0681 0899 0820 0676 1257

1263

1182 0902 0793 1560 1513

0725 1449

0798 1182

DVD (cont.)

Sony 0563 0802 0894

Sound Color 1263 Soundmaster 0798 1182 Soundmax 0798 1182 Soundwave 1560 Spectra 0902 Standard 0681 1182 0798

Star Clusters 0798 1257 1182 StarLogic 1035 Starmedia 0848 1254 1035 Strato 1412 1182 Strong 0743 Sunfly 0887 Sunkai 0800 0880 Sunstech 0861 1301 Sunwood 0818 SuperDigital 1217 Supervision 0760 0798 SVA 0702 Sylvania 0705 0660 Symphonic 0705 Synn 0798 1182 Sytech 0861 Tandberg 0743 1725 Tangent 1351 Targa 1188 1257 1936

Tatung 0800 Tchibo 0771 TCM 0771 Teac 0747 0771 0820

TEC 0928 Technics 0520 1938 Technika 0800 1145 0861

Technisson 0702 Technosonic 1081 1145 Techwood 0743 1560 0569 Tecnimagen 1263 Tedelex 1034 1258 0798

Telefunken 0820 0819 0818

Teletech 0743 1182 0798 Tensai 0681 0800 Tevion 0681 1066 1412

Theta Digital 0601 Thomson 0581 0552 0861 Tokai 0695 0928 0818

Tokiwa 0735 0746 Tom-Tec 0819 0863 Top Suxess 1254 Toshiba 0533 0725 1075

TRANScontinents

Transonic 0702 1195 Tredex 0873

1100 2011 1663 1463

0818 0861 0928

0771

0546 0601 0798 1036 1182 0621 1227 0789 0863 1257 1195 0705 1254 1258

1195 1560 1182

0800 1182

1258 0863 1513 1145 0800 1375

1451 1182 0798 1034 1257 0863 1377 1760

1263

1540 0902 0861 1195

1263 0863

Trevi 0861 Trio 0800 TruVision 0887 1481 TSM 1254 TVE 0743 Umax 1181 United 0818 0760 0820

Universal Multimedia

Universum 0771 0743 0621

Uptek 0793 upXus 1375 Urban Concepts 0533 Venturer 0820 Vestel 0743 1560 Vieta 0735 Viewmaster 0892 1254 Voxson 0760 0861 VTrek 1258 Waitec 1254 0760 Walkvision 0747 Waltham 1560 Welkin 0861 Wellington 0743 Weltstar 0743 Wharfedale 0798 0820 0753

Wilson 0861 1263 Windy Sam 0603 Wintech 1217 Woxter 1181 1254 XBox 0552 XLogic 0800 0798 1182

XMS 0818 0800 Xoro 1213 Yakumo 1034 Yamada 1034 0902 1181

Yamaha 0569 0676 0520

Yamakawa 0695 0902 1134 Yukai 0760 Zenith 0533 0899 0621

1258 0702 1195 0725 1145 0798 1263 0743 1182 0705

0798 1182

0809 1257 0820 1560

0781 1182 0800 1145

1258

1188

0771

PVR

@sat 1330 @Sky 1364 Amstrad 1205 Arnion 1330 ASCI 1364 Astro 1130 Aurora 1463 Austar 1206 B@ytronic 1442 Brainwave 1244 British Sky

Broadcasting BSkyB 1205 Bush 1675 CanalSatellite 1369 Chess 1364 CityCom 1206 Comag 1442 DigiFusion 1675 DigiQuest 1330 Dream Multimedia1267 eMTech 1244 Foxtel 1206 1386 Galaxis 1206 GbSAT 1244 Gecco 1442 General Satellite 1206 Globo 1364 1442 Hanseatic 1130 HB 1244 HDT 1189 Hirschmann 1442 Homecast 1244 Humax 1206 1457 1705 Hyundai 1189 ID Digital 1206 Imperial 1130 1364 Interstar 1244 Jaeger 1364 Jepssen 1244 Kathrein 1591 Kongque 1330 L&S Electronic 1364 Maximum 1364 Mediacom 1236 Medion 1364 1442 Multichoice 1463 Neotion 1364 Opentel 1442 Orbis 1364 1442 Orbitech 1130 Pace 1205 1386 1453

Panasonic 1334 Pilotime 1369 Pino 1364 Premiere 1130 1206 Rebox 1244 Sagem 1283 Samsung 1236 Sat Control 1330 Satplus 1130 Schaub Lorenz 1244 Schneider 1236 Schwaiger 1364 1442 Siemens 1364 Sky 1205 SKY Italia 1878 1880

1205

1880

Sky XL 1442 SKY+ 1205 Skymaster 1364 skyplus 1364 1442 Stream 1878 Strong 1189 1330 Sunny 1330 Systec 1364 TechniSat 1130 Technosat 1236 Telestar 1130 1364 Televes 1244 1330 1364 Tevion 1364 Thomson 1205 1930 Topfield 1236 1575 1813 TPS 1283 UEC 1386 Worldsat 1244 XSat 1244 Xtreme 1330 Zehnder 1364 1442 Zinwell 1206

SAT

@sat 1330 @Sky 1364 ABsat 1353 0743 Acoustic Solutions 1314 ADB 0672 0917 1289

Adcom 0230 Akai 0230 Akura 1656 Alba 1314 0743 Allsat 0230 1047 Allsonic 0399 Alltech 0743 Allvision 1262 1364 1442 Alpha 0230 Amitronica 0743 Ampere 0162 Amstrad 0162 0877 1205

Anglo 0743 Ankaro 0399 0743 1309 AntSat 1047 Apro 1702 Arcon 1309 0162 1105 Arion 1309 Armstrong 0230 Arnion 1330 ASA 0329 Asat 0230 ASCI 1364 ASLF 0743 AssCom 0883 Aston 1159 1291 Astra 0743 Astratec 1773 Astro 0163 0203 0399

Audioline 1459 Aurora 0909 0672 1463 Austar 1289 0672 0909 Avanit 0329 Axil 1487 Axis 1141 0399 Axitronic 1656 B.net 1702 B@ytronic 1442 0329 Balmet 1487 Bentley Walker 1047 Best 0399 Big Sat 1487 Black Diamond 1314 Blaupunkt 0203 Blue Sky 0743 Blue Star 1309 Boca 0162 1396 0743

Boshmann 1443 Boston 0162 Boxer 1488 Brainwave 1244 0688 1702 British Sky

Broadcasting Broco 0743 BSkyB 1205 0877 BT 1326 Bubu Sat 0743

1397 1503 1521

1831 1143 1878 0743

0688 1143 1129 1130 0230 1303

1262

1205 0877

Bush 1314 1656 1702

Canal Digitaal 0883 Canal Digital 1883 0883 0197

Canal+ 0883 1883 CanalSat 0883 CanalSatellite 0883 1369 1883 Centrex 1577 CGV 1443 1597 Champion 1309 Cherokee 1353 Chesley 1577 Chess 1364 0743 1656 CityCom 1206 1262 0329

Clatronic 1443 Clayton 1656 Colombia 0162 Columbia 0162 Com Hem 1206 Comag 1262 1443 1442

Comsat 1443 Condor 0399 Connexions 0399 Conrad 0399 0162 Coship 1487 1702 Crown 1314 Cyfra+ 1883 1439 0883 Cyfrowy Polsat 0883 Cyrus 0230 Daewoo 1326 1773 0743

Dantax 1656 D-box 1144 0753 Deltasat 1105 DGTEC 1272 1572 Digatron 1324 Digenius 0329 1191 Digi Raum

Electronics Digiality 1364 DigiFusion 1675 1773 Digihome 1314 Diginet 1577 DigiQuest 1503 1487 1330 DigiSat 1262 Digisky 1487 Digital+ 1883 1076 0883 DigitAlb 1262 1577 DigitalBox 1130 DigitAll World 1257 DiPro 1577 1503 1397 DirecTV 0129 Distratel 1313 Distrisat 0230 DMT 1105 DNT 0230 Doro 1702 DRE 1206 Dream Multimedia 1267 DStv 0672 0909 Dune 0399 Durabrand 1314 Echolink 1396 Echostar 1230 0640 0197

Eco-Star 1443

1675 1501 1773 1321 0382 0672

1076 1364

0848 0534 1105 0688

1396 0162

1141

1206

0883 0743 1353 1503 1439 1797

Edision 1309 Einhell 0162 0743 Elap 0743 1641 1159

Electron 1309 Elsat 0743 Elta 0230 0399 Emme Esse 0399 eMTech 1244 Engel 1047 0743 1281

EuroLine 1281 Europa 0230 Europhon 0329 0162 0743

Europsat 1443 1641 Eurosat 1597 Eurosky 0162 0329 0399 Eurostar 0848 Eutelsat 0743 Eycos 1309 Fagor 1641 Fenner 0743 0399 Ferguson 1321 0741 1773

Finlux 1656 1262 Flair Mate 0743 FMD 1281 1487 1443 Force 1224 Fortec Star 1047 Foxtel 1386 0909 0750

Fracarro 0155 Free Wave

Technology Freecom 0203 FTEmaximal 0399 0743 Fuba 1831 0399 0203

Fugionkyo 0155 Galaxis 1141 1206 0883

Gardiner 0848 Garnet 1105 GbSAT 1244 Gecco 1442 1303 General Satellite 1206 Globo 1281 1656 1442

GOD Digital 0230 Gold Box 0883 Gold Vision 1047 Golden Interstar 1313 GoldMaster 1364 Goodmans 1314 1321 Gradiente 0917 Grandin 1656 Grocos 1439 1487 Grundig 0203 0877 1321

H&B 1577 Hallo 1656 Hama 1597 Hanseatic 1129 1130 Hänsel & Gretel 0162 Hauppauge 1324 1702 HB 1244 1831 HDT 1189 HE@D 1309 Healing 1577 Hills 1262

1597 1443

1831

1364

1309

1206 1192

1773

1191 0329 1281

0399 0909

1459 1364

1314 0909 0883

SAT (cont.)

Hirschmann 1141 1143 0203

Hitachi 1314 HNE 1262 0162 Homecast 1244 Humax 1206 1262 1457

Huth 0162 1047 1105 Hyundai 1189 1105 1446 i-CAN 1397 ID Digital 1206 IDTE 1189 Imperial 1459 1364 1129

Inno Hit 1656 International 0162 Interstar 1047 1244 Inves 1773 iotronic 1443 0162 ITT Nokia 0753 Jadeworld 0672 Jaeger 1364 Jepssen 1244 KabelBW 1225 1227 1076

Kamm 0743 Kansalaisboksi 1577 Kaon 1330 KaTelco 1141 Kathrein 1591 1597 0688

Kennex 0155 Kenwood 0883 Key West 0162 Kongque 1330 König 1309 KPN 1575 Kreiling 0688 1656 Kreiselmeyer 0203 K-SAT 0743 Kyostar 0162 L&S Electronic 0399 0162 1364 Labgear 1326 LaSAT 0399 0162 0329

Leiko 1656 Lemon 1364 Lenco 0743 0399 Lennox 0399 Lenoxx 1641 Lexus 0230 LG 1444 1105 Lifesat 0162 0399 0329

Linsar 1314 Listo 1656 Lodos 1314 Logik 1314 Logix 1047 1105 Lorenzen 0329 1324 1191

Lupus 0399 Macab 0883 Madritel 0672 Manata 0743 0162 Manhattan 1047 1330

0329 1262 0399 0155 1442

1705 1773 1255

1130 1227 1225 0230 1702

1206

0510 0534 0203 0230 0743 0848 1353 1446

0203

0743

0162

Marantz 0230 Maspro 0743 0203 Matsui 1656 0203 1773 Maximum 1105 1364 MDS 1255 Mediabox 0883 Mediacom 1236 MediaSat 0883 Medion 1262 0329 0743

Medison 0743 Mega 0230 Melectronic 0848 Metronic 0743 1309 1313

Metz 0203 Micro 0743 1324 Micro electronic 0743 Micro Technology 0743 Micromaxx 0329 0399 Microstar 1105 0329 1191 Microtec 0743 Morgan's 0162 0743 0230

Motorola 0886 1503 Multichoice 0909 1463 0672 Myryad 0230 Mysat 0743 MySky 1880 1386 1878 Neotion 1364 Netgem 1352 Netsat 0917 0129 Neuf TV 1352 Neuhaus 0743 Neuling 1262 0162 Neusat 0743 1309 Neveling 1191 NextWave 1047 Nikko 0743 0753 0230 Nokia 1144 1753 1053

Noos 0883 Nordmende 1641 Nova 0909 Numericable 0883 OctalTV 1324 1459 OKI 1597 1487 Onn 1314 Opentel 1262 1442 Optex 1313 0743 1641

Optima 1577 Optus 0909 0883 1386 Orbis 1364 1442 1262 Orbitech 1129 1225 1227

P/Sat 1262 Pace 1386 1205 0877

Pacific 1314 Packard Bell 1141 Palcom 0329 1641 1191

Panasat 0909 Panasonic 0877 1334 1434 Panda 0203 Patriot 0162

0162 1105 1442 1656 1364 0399

0848 0162 1443 1702

1262 1442 1439

1253 0753 0883

1656 1443

1130 0230

1453 1878 0917 1353 1880 0271 0821 0750 0230 0883

1439

peeKTON 1487 Philips 0129 1144 0883

Phoenix 1303 1577 Phonotrend 1047 1230 Pilotime 1369 Pino 1364 Pioneer 0883 1338 0382 PMB 1641 0743 Portland 1326 Power Sky 1309 Preisner 0162 1143 1396 Premiere 1144 0753 1206

Primacom 1141 Pro Basic 0883 Proline 1314 PYROD 1577 QNS 1434 Quadral 0399 1353 Quelle 0329 Radiola 0230 Radix 1143 RCA 1321 Rebox 1244 Red Star 0399 Regal 1281 RFT 0230 Roadstar 0743 0883 Rollmaster 1443 Rover 0743 0399 Rownsonic 1597 SAB 1281 1330 Sagem 1144 1720 Salora 1262 Samsung 1273 1600 1488

Sansui 1575 1281 Sanyo 1656 Sat Control 1330 Sat Industrie 1641 Sat Team 0743 SAT+ 1439 Satec 0743 Satelco 0399 Satlink 1597 Satplus 1130 Schaub Lorenz 1244 Schneider 1281 1236 Schwaiger 0534 1364 1487

SCS 0329 Sedea Electronique 0155 0162 1313

SEG 1281 0399 1656

Serino 0640 Servimat 1641 ServiSat 1281 0743 Sherwood 1641 1439 Siemens 0203 1656 1364

Silva 0329 Skantin 0743 SKR 0743 SKT 0162

0163 0230 1702 1773 0848 0203 1459

1225 1130 1705 1141 0688

1047 1236 0883 1205

1442 1459 1141 1702 0162 1105

1656 1309

1105 1314

1459 1702

Sky 0129 0886 1205

SKY Deutschland 1144 0753 1206

SKY Italia 1878 1880 Sky XL 1442 1281 SKY+ 1205 Skymaster 1439 1641 0743

Skymax 0230 1443 Skypex 0329 skyplus 1262 1364 1205

SkySat 0743 SL 0162 1702 SM Electronic 0743 1230 1105 Smart 1303 0162 0329

SmartVision 1487 Soniq 1597 Sony 0877 1588 0312

SR 0162 Star Sat 0162 Starland 0743 Stream 1878 Stream System 1330 Strong 1397 1439 0743

Sumin 1442 Sunny 1330 Sunny Sound 0399 Sunsat 0743 Sunstar 0399 0162 0672 SuperMax 1313 Supratech 1443 Systec 0162 1364 S-ZWO 1237 Tarbs 1255 TBoston 1487 1281 Teac 1257 1255 1352

Tecatel 1230 Technika 1314 1702 TechniSat 1225 1227 1130

Technomate 1313 Technosat 1236 Technosonic 1702 Technotrend 1459 1702 Technowelt 0162 Techsan 1047 Techwood 1314 1656 1281 tekComm 1047 TELE System 1641 1831 1189

TeleClub 1397 Telecom 0743 Telestar 1129 1130 0230

Televes 0162 1244 1330

Televisa 0917 Telewire 1262 Tesla 1656

0877 0917 0741

1225 1130 1705 1141 0688

1230 1105 1364 1597 1575

1442 1487

1143 1262 0743 1443 1434

0883

1656 1831 0883 1314 1189 1330 0155 0399 0909 1503

1577

1129 1352 0230

1439 1281

1459 1281 1364 1656 1702 1225 1227

1364 1439

Tevion 1702 1364 0743

Thomson 0741 0877 1321

Tiny 1702 Tioko 0162 Tividi 1459 Tokai 0230 Tonna 1641 0743 Topfield 1575 1813 1236

Toshiba 1314 TPS 1283 Triax 0230 0743 0883

Tricolor TV 1206 Trio 1105 TT-micro 1459 Turnsat 0743 Twinner 0162 0743 1641 UEC 0909 1192 1386 Unimax 1577 Unisat 0230 0162 United 1281 Unitymedia 1459 1206 1225

Universum 0203 0329 1129 Van Hunen 1191 0329 Vantage 1488 Variosat 0203 Vega 0399 Ventana 0230 Vestel 1314 1281 VH Sat 1191 0329 Viasat 1353 1053 1225

Viola Digital 1702 Vision 1656 Visionic 0155 1309 Visiosat 1443 0743 1159

Vitecom 1443 Vivid 1192 Voo 0883 VTech 0848 Wavelength 1262 1443 Wharfedale 1314 0230 Winbox 1831 Wisi 0203 0329 0162

Worldsat 1503 1244 1281 XMS 1105 Xrypton 0399 XSat 0743 1244 0877

Xtreme 1330 Yakumo 1443 YES 0917 Yess 1577 Zehnder 1281 1364 1105

Zenith 0886 Zeta Technology 0230 Zinwell 1206 Zodiac 1831 1309

1439 1597

1883 1076 1205 0883 1930 0743

1237

1281 1326 1321 0162 1129 1143 1257 1656 1641 1443

1227

1487

1442 1262

1353

1262 1443 1442 0534 0848 0399

SH230 Issue 2

A&R CAMBRIDGE LTD, PEMBROKE AVENUE, WATERBEACH, CAMBRIDGE CB25 9QR, ENGLAND

Arcam AVR400 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual