This product is designed and manufactured to meet strict
quality and safety standards. However, you should be aware of
the following installation and operation precautions:
1. Take heed of warnings and instructions
You should read all the safety and operating instructions
before operating this appliance. Retain this handbook for future
reference and adhere to all warnings in the handbook or on
the appliance.
2. Water and moisture
The presence of electricity near water can be dangerous. Do
not use the appliance near water – for example next to a
bathtub, washbowl, kitchen sink, in a wet basement or near a
swimming pool, etc.
3. Object or liquid entry
Take care that objects do not fall and liquids are not spilled into
the enclosure through any openings. Liquid fi lled objects such
as vases should not be placed on the equipment.
4. Ventilation
Do not place the equipment on a bed, sofa, rug or similar
soft surface, or in an enclosed bookcase or cabinet, since
ventilation may be impeded. We recommend a minimum
distance of 50mm (2 inches) around the sides and top of the
appliance to provide adequate ventilation.
5. Heat
Locate the appliance away from naked fl ames or heat
producing equipment such as radiators, stoves or other
appliances (including other amplifi ers) that produce heat.
6. Climate
The appliance has been designed for use in moderate climates.
7. Racks and stands
Only use a rack or stand that is recommended for use with
audio equipment. If the equipment is on a portable rack it
should be moved with great care, to avoid overturning the
combination.
8. Cleaning
Unplug the unit from the mains supply before cleaning.
The case should normally only require a wipe with a soft, damp,
lint-free cloth. Do not use paint thinners or other chemical
solvents for cleaning.
We do not advise the use of furniture cleaning sprays or
polishes as they can cause indelible white marks if the unit is
subsequently wiped with a damp cloth.
9. Power sources
Only connect the appliance to a power supply of the type
described in the operating instructions or as marked on the
appliance.
10. Power-cord protection
Power supply cords should be routed so that they are not likely
to be walked on or pinched by items placed upon or against
them, paying particular attention to cords and plugs, and the
point where they exit from the appliance.
11. Grounding
Ensure that the grounding means of the appliance is not
defeated.
12. Power lines
Locate any outdoor antenna/aerial away from power lines.
13. Non-use periods
If the unit has a stand by function, a small amount of current
will continue to fl ow into the equipment in this mode. Unplug the
power cord of the appliance from the outlet if left unused for
a long period of time.
14. Abnormal smell
If an abnormal smell or smoke is detected from the appliance,
turn the power off immediately and unplug the unit from the wall
outlet. Contact your dealer immediately.
15. Servicing
You should not attempt to service the appliance beyond that
described in this handbook. All other servicing should be
referred to qualifi ed service personnel.
16. Damage requiring service
The appliance should be serviced by qualifi ed service personnel
when:
A. the power-supply cord or the plug has been damaged, or
B. objects have fallen, or liquid has spilled into the appliance,
or
C. the appliance has been exposed to rain, or
D. the appliance does not appear to operate normally or
exhibits a marked change in performance, or
E. the appliance has been dropped or the enclosure
damaged.
Safety compliance
This product has been designed to meet the EN60065
international electrical safety standard.
AVR200
AVR200
2
2
Using this handbook
This handbook has been designed to give you all the information
you need to install, connect, set up and use the Arcam AVR200
surround sound receiver. The remote control handset supplied
with the equipment is also described.
It may be that the AVR200 has been installed and set up as
part of your system installation by a qualifi ed Arcam dealer . In
this case, you may wish to skip the sections of this handbook
dealing with installation and setting up the unit. Use the Contents
list (on this page) to guide you to the relevant sections.
Safety
Safety guidelines are set out on the inside front cover of this
handbook.
Many of these items are common sense precautions, but for
your own safety, and to ensure that you do not damage the unit,
we strongly recommend that you read them.
English
Contents
Safety guidelines 2
Safety instructions 2
Safety compliance 2
Using this handbook 3
Safety 3
Installation 4
Positioning the unit 4
Setting up the aerials 4
Connecting inputs 5
AVR200 back panel connections 5
Interconnect cables 5
Connecting outputs 7
Connecting to other equipment 7
Connecting to a power supply 7
Setting up 8
Using the On Screen Display (OSD) 8
Setup page 8
Input settings page 8
Channel balance page 9
Channel delays page 9
Speaker settings page 10
Using the AVR200 12
Front panel controls 12
Input selection 12
Using the tuner 14
Tuning to a station 14
Storing a preset 14
Deleting an unused preset 14
RDS: Radio Data System 14
FM Mute/Mono 14
Using the remote control 15
CR-340 remote control 15
Reference 16
Bi-wiring and bi-amping loudspeakers 16
Before you start 16
Bi-wiring your loudspeakers 16
Bi-amping your system 16
Troubleshooting 17
Technical specifi cations 18
Guarantee 19
On line registration 19
Manufactured under licence from Dolby Laboratories, Inc.
‘Dolby’, ‘Pro Logic’, ‘Pro Logic II’ and the double-D symbol are trademarks
Installation starts with positioning the unit where it can operate
effectively. To use the radio receiver, you will need to install an
FM and/or an AM aerial.
Other input signals – from CD, MD, tape, DA T, VCR, DVD, games
console or satellite receiver – will need to be connected to
sockets on the AVR200’s back panel.
Output signals – TV, monitor, projector, preamplifi er,
loudspeakers, headphones or other audio or digital outputs –
also need to be connected to sockets on the back panel.
Positioning the unit
Place your AVR200 on a level, fi rm surface.
Avoid placing the unit in direct sunlight or near sources of heat
or damp.
Ensure adequate ventilation. Do not place the unit in an
enclosed space such as a bookcase or cabinet as both of these
will impede air fl ow through the ventilation slots.
Setting up the aerials
FM aerial
An FM aerial is required to receive VHF radio signals. An
external FM ribbon aerial is supplied as an accessory with the
AVR200.
For optimal FM radio reception a roof or loft mounted aerial is
advised. For your own safety it is recommended that a roof top
aerial is fi tted by an experienced contractor . Your Arcam dealer
should be able to put you in contact with an aerial installer.
A contractor will be able to tune your aerial to the nearest
FM transmitter. In an apartment building an aerial system my
already be installed. If this is the case you should have sockets
in your home marked FM or VHF (do not use those marked
TV).
The ‘T’ shaped wire aerial (dipole design) supplied should give
reasonably good reception. Mount this aerial as high up as
possible on a wall with the elements positioned horizontally. Try
each usable wall of the room to see which gives best reception.
Use tacks or adhesive tape to secure the aerial in a T shape.
The tacks should not come into contact with the internal wire
of the aerial.
Whether you decide to get an aerial professionally installed or
opt to use the supplied aerial it should be connected to the FM
Antenna input on the rear of the unit.
AM aerial
An AM aerial is required to receive AM/Medium Wave radio
signals.
An external AM loop aerial is supplied as an accessory with the
AVR200. This should be attached to the AM Antenna inputs with
one end connected to AM and the other to Ground. It does not
matter which way round this aerial is fi tted. Rotate the aerial to
discover which position gives the best reception.
In areas of weak reception or when the receiver is used inside
a steel framed building (such as an apartment building) you
can use a wire between 3 and 5 metres long to strengthen
reception. Mount this high up outside the building, if possible,
and connect one end of this wire to the AM antenna input as
well as the loop aerial supplied. DO NOT DISCONNECT THE
LOOP AERIAL.
The AM tuning ‘step size’ needs to be set according to your
location. This is done using the switch on the rear panel: set it to
10kHz if you are in North America or 9kHz anywhere else.
AVR200
4
Connecting inputs
PRE-OUT
ANTENNA
AM
GND
FM
TAPE5.1 CH INPUT
OUT
IN
AUDIO
RL
CENTRE
CENTRE
CD
SUB
WOOFER
LRLR
SUB
WOOFER
(N.AM)10K
FRONT SURRFRONT SURR
AM STEP
(EU) 9K
AUDIOR
L
AUDIOVIDEOS-VIDEO
MONITOR OUT
VIDEO
S-VIDEO
OUT
AUX
IN
IN
AUX
OUT
VCR
IN
IN
DVD
IN
SAT
+
LOUDSPEAKER
OUTPUTS
–
TRIGGER
AUX TAPE
12V
REMOTE
CONTROL
OUT
LR
DIGITAL IN
INPUT
CENTREFRONT
DVD SATCD
SPEAKER
IMPEDANCE
SELECTOR
4–6Ω 8Ω
SURROUND
DIGITAL
OUT
English
LR
+
GROUND
GROUND
LIFT
–
AC INLET
120V 230V
Interconnect cables
The use of high quality interconnect cables to and from your
AVR200 is recommended to ensure the best sound and picture
quality. Ask your Arcam dealer’s advice on cable selection.
This product does not feature a Phono input stage. If you wish
to connect a turntable to your AVR200 you will need to use
an in-line phono pre-amp. All line level inputs have the same
sensitivity so may be used with any line level source equipment,
even components other than those labelled. If you need to do
so, your Arcam dealer can give you further advice on this.
CD input
Use audio interconnects to attach the left and right audio
outputs from your CD player to the CD IN inputs on the AVR200.
If your CD player has digital output, connect it to the
IN
socket on the AVR200.
TAPE loop
This input can be used to connect one of many different
recording devices, for example, a tape deck, Mini-Disc or CD-R.
Use audio interconnects to attach the left and right audio
outputs from your recorder to the corresponding TAPE inputs on
the AVR200. If your tape source has digital output, connect it to
the TAPE DIGITAL IN socket on the AVR200.
To complete the record loop, attach the left and right
outputs from the AVR200 to the corresponding record inputs
on your recorder.
5.1 channel input
This multi-channel input takes up to six (i.e. fi ve channels plus
one sub-woofer) discrete channels of audio from a DVD audio
player or a DVD player with an integrated decoder. Use audio
interconnects to attach the DVD’s outputs to the appropriate 5.1
CH INPUT
inputs on the AVR200.
For optimum performance from DVD video, however, it is usually
better to use a digital connection to the AVR200’s own internal
digital surround decoder instead.
SAT input
Use audio interconnects to attach the left and right audio
outputs from your satellite or cable receiver (or digibox) to the
corresponding SAT inputs on the AVR200.
CD DIGITAL
TAPE
Using either the composite or the S-video output from your
satellite receiver, connect it to the corresponding
S-VIDEO input on the AVR200.
VIDEO or
If your satellite receiver provides a coaxial digital output, attach
it via the
SAT digital input.
DVD input
In most cases you will achieve the best audio performance
from your DVD player by connecting its digital output to the
DVD digital input of the AVR200, using a suitable 75Ω digital
cable. Connect either the composite or S-video output from your
DVD player to the corresponding VIDEO or S-VIDEO inputs on
the AVR200.
If you are also using your DVD player to play CDs and prefer to
use the stereo audio outputs, connect these to the
CD inputs
of the AVR200.
VCR loop
Use audio interconnects to attach the left and right audio
outputs from your video cassette recorder to the VCR inputs
on the AVR200. For the video signal, use either the composite
or the S-video output from your VCR and attach to the
corresponding input on the AVR200. If the VCR has a digital
output, connect it to the
To complete the record loop, attach the left and right
VCR digital input on the AVR200.
VCR audio
outputs from the AVR200 to the corresponding record inputs on
your VCR. Using the same type of video connection as for the
input, connect the VCR picture output from the AVR200 to the
corresponding input on your VCR.
AUX input and record loop
Use audio interconnects to attach the left and right audio
outputs from your auxiliary source (another item of audio
equipment or a games console) to the corresponding
AUX
inputs on the AVR200.
Using either the composite or the S-video output from your
auxiliary source, connect it to the corresponding
S-VIDEO input of the AVR200.
If your auxiliary source has a digital output, connect it to the
VIDEO or
AUX
digital input on the AVR200.
AVR200
5
GROUND LIFT switch
If your system only takes audio sources from CD or DVD,
set this switch to ‘
GROUND’. In more complex setups which
involve satellite inputs or radio aerials, grounding the unit may
actually increase the level of background hum or buzz in the
loudspeakers, in which case set the switch to ‘
GROUND LIFT’.
REMOTE CONTROL INPUT
This input is connected to the output of an infrared receiver. The
remote control input is usually used in custom installations. Ask
your dealer or custom installer for further details.
AVR200
6
Connecting outputs
Connecting to other equipment
MONITOR OUT
Both composite and S-video monitor outputs are provided for
connection to the ‘Video line in’ of your TV, monitor, or projector.
If you have both Composite and S-video inputs connected to
your AVR200 you need only connect the S-VIDEO Monitor Output
to your TV (provided that your TV accepts an S-video input).
LOUDSPEAKER OUTPUTS
Before connecting loudspeakers to your AVR200 you must set
the Impedance switch on the rear to the correct position.
WARNING: Never adjust this switch with the power on
or you will damage the AVR200.
If your loudspeakers are rated at 6Ω or lower set the switch to
the 4–6Ω position. If your loudspeakers are rated higher than
6Ω, set the switch to the 8Ω position.
WARNING: This unit should only be used with
loudspeakers with an impedance rating between 4Ω
and 8Ω.
WARNING: When connecting loudspeakers, ensure
that no stray strands of wire are allowed to touch
other cables or the AVR200’s casing as this can cause
a short circuit and damage the amplifi er.
Connecting to a power supply
Wrong plug?
Check that the plug supplied with the unit fi ts your supply and
that your mains supply voltage agrees with the voltage setting
(120V or 230V) indicated on the rear panel of the unit.
If your mains supply voltage or mains plug is different, consult
your Arcam dealer or Arcam Customer Support on +44 (0)1223
203203.
Mains lead
The appliance is normally supplied with a moulded mains plug
already fi tted to the lead. If for any reason the plug needs to
be removed, it must be disposed of immediately and securely,
as it is a potential shock hazard when inserted into the mains
socket. Should you require a new mains lead, contact your
Arcam dealer.
Plugging in
Push the plug (IEC line socket) of the power cable supplied with
the unit into the socket (AC INLET) in the back of the unit. Make
sure it is pushed in fi rmly.
Put the plug on the other end of the cable into your power
supply socket and switch the socket on.
Non-use periods
If the unit is to be left unused for an extended period, we
recommend that you switch the unit off from the front panel
button, rather than use ‘stand by’ mode with the remote control.
English
Bi-wiring and Bi-amping loudspeakers
Notes on these techniques are given in the Reference section
of this handbook.
Preamplifi er outputs
If you wish to upgrade your system by adding a power amplifi er,
always specify an Arcam unit to ensure matching gain.
The AVR200 has six line-level pre-amp outputs that can be
connected to Arcam external power amplifi ers to bi-amplify
(‘bi-amp’) any of the channels. Alternatively, the A VR200 can be
used solely as a preamplifi er.
Depending on how your system is confi gured, the subwoofer
AUDIO PRE-OUT should be connected using a line level
interconnect, to either:
■ an active subwoofer, or
■ a power amplifi er used to drive a passive subwoofer .
DIGITAL OUT
Use this socket to connect to the input of a suitable digital
recorder (e.g. a CD-R or minidisc). When using a coaxial digital
input, the signal is passed through the AVR200 with no changes.
An optical input is restricted to a maximum frequency of 48kHz.
12V TRIGGER OUT
This connection is normally used only with multi-room
installations. If you are bi-amping with a power amplifi er and wish
to power both units on or off simultaneoulsy, see page 15.
PHONES (Headphone output)
A 6.3mm stereo jack socket is provided on the front panel for
headphone listening. Inserting the jack automatically mutes (i.e.
cuts off) the loudspeakers, and AUDIO PRE-OUT outputs. Surround
mode settings are ignored: headphone output is in stereo.
AVR200
7
Setting up
Using the On Screen Display (OSD)
AVR200
8
The easiest way to set up the AVR200’s multi-channel audio and
video options is through its On Screen Display (OSD).
To enter the OSD, ensure that you have a TV connected and
press any of the arrows on the remote control’s cursor pad.
•
To navigate from the fi rst (i.e. Setup) page, use the
and •
arrows to highlight a line. To enter a highlighted page, press OK.
To leave the OSD, highlight ‘EXIT’ and press OK.
•
Once on a page, use the
and • arrows to move to a line
and the • and • arrows to change an option. Once you are
happy with the settings, highlight ‘SAVE AND EXIT’ and press OK
to keep them in memory. If you are unsure about the changes,
or you have entered the page accidentally, highlight ‘DO NOT
SAVE AND EXIT’ and press OK and any changes on that page
are ignored.
Setup page
The Setup page forms the index to the OSD. To navigate from
here, use the cursor pad on your remote control.
Input settings page
AUDIO Identifi es the active audio source (e.g. CD)
VIDEO Identifi es the active video source (e.g. DVD)
MODE Identifi es the surround mode associated with
the current input (Dolby Digital, DTS, Dolby
Pro Logic II Movie, Dolby Pro Logic II Music,
Dolby Pro Logic II Panorama, Dolby Pro Logic II
Matrix, Dolby Pro Logic, Hall effect or Stereo)
DYNAMIC RANGE
CENTRE WIDTH (Dolby Pro Logic II Music Mode only)
A compressed dynamic range is useful for low
level (night time) listening. For Dolby Digital
sources, the dynamic range has options of
100%, 75%, 50% or 25%
Allows centre-channel sounds to be positioned
between the centre speaker and the left/right
speakers over a range of eight steps. Step ‘3’
uses a combination of all three front speakers
to give the best vocal imaging and most
seamless soundstage and is recommended for
most recordings. Step ‘0’ places all centr e
sound in the centre speaker. Step ‘7’ places all
centre sound equally in the left/right speakers,
as in conventional stereo.
Setting options for CENTRE WIDTH
DISPLAY EFFECT
Off No Centre spreading
1 20.8°
2 28°
3 36°
4 54°
5 62°
6 69.8°
7 Phantom Centre
NOTE: In some cases you may fi nd that the OSD is not still
or that it ‘rolls over’ your screen. (You may also notice this
effect when the volume bar is shown on screen.) If this is
the case, you will need to switch the video system being
used by the AVR200.
To do this, fi rst exit the OSD by highlighting
OK. Press and hold the STORE button on the front panel of
EXIT and press
the AVR200 then toggle between the systems shown in the
display area by pressing the SAT button – NTSC (used in
North America) or PAL (used in most of Europe) – until the
correct system is selected.
VIDEO = DVD
MODE = DOLBY DIGITAL
DYNAMIC RANGE = N/A
CENTRE WIDTH = 3
DIMENSION = 0
DO NOT SAVE AND EXIT
SAVE AND EXIT
front
right
62°
54°
36°
28°
69.8°
DIMENSION (Dolby Pro Logic II Music Mode only) Allows
the gradual adjustment of the soundfi eld either
towards the front or the rear. This can help
achieve the desired balance from all the
speakers with certain recordings that may
contain either too much or too little spatial
effect. Step ‘0’ is the recommended setting,
which has no effect on the sound. Steps
‘+1’, ‘+2’ and ‘+3’ gradually move the sound
forward, and steps ‘–1’, ‘–2’ and ‘–3’ move the
sound towards the surrounds.
Setting options for DIMENSIONS
DISPLAY EFFECT
–3 MAX SURR Most surround
–2
–1
0 Neutral
+1
+2
+3 MAX CENTRE Most centre
English
Channel balance page
From the Channel balance page, you can trim the level of
each individual loudspeaker connected to the AVR200. Due to
the different performance characteristics or positioning of each
loudspeaker they may need to be set to different levels to
provide a balanced sound from the listening position. To help set
this balance, the AVR200 can generate a test tone that plays an
identical signal through each channel in turn. Trim the balance
of each speaker in turn until they all appear to produce the
same volume.
Once the channel balance page is shown in the OSD, press
TEST button on the remote control to start the test tone.
the
Make sure that either Dolby Digital, Dolby Pro Logic or Dolby
Pro Logic II is selected, and that the volume on the AVR200
is set suffi ciently high for the tone to be heard. The test tone
automatically cycles through each speaker channel until the
TEST button is pressed a second time.
Each loudspeaker can be trimmed between +10dB and –10dB.
You can return to the Channel balance page at any time (without
fi rst entering the OSD) by pressing the
TEST button on the
remote control. Press TEST again to exit this page.
Channel delays page
For best results in a surround sound system, the sound from
all loudspeakers should reach the listener at the same time. To
help achieve this the AVR200 can add slight delays to certain
channels when in Dolby Digital or Dolby Pro Logic modes.
SETUP
1 INPUT SETTINGS
2 CHANNEL BALANCE
3 CHANNEL DELAYS
4 SPEAKER SETTINGS
5 EXIT
CHANNEL BALANCE
LEFT:0dB
CENTER :0dB
RIGHT:0dB
REAR L :0dB
REAR R :0dB
SUB:0dB
DO NOT SAVE AND EXIT
SAVE AND EXIT
NOTE: The test tone generates a noise which may not be
heard through a subwoofer. To set your sub to a suitable
level, turn off the test tone and experiment with the trim
while playing a piece of music or a movie you are familiar
with. There is no right or wrong level for the sub: simply fi nd
the balance that is best for you.
SETUP
1 INPUT SETTINGS
2 CHANNEL BALANCE
3 CHANNEL DELAYS
4 SPEAKER SETTINGS
5 EXIT
CHANNEL DELAYS
CENTER0ms
REAR0ms
DO NOT SAVE AND EXIT
SAVE AND EXIT
When playing a Dolby Digital source you can set a delay for the
centre channel of between 0 and 5ms and a delay for the rear
channels of between 0 and 15ms.
The method of calculating these delay times is described
overleaf.
NOTE: It is not necessary to adjust delay times separately
for a DTS (Digital Theater Systems) source.
CHANNEL DELAYS
CENTER3ms
REAR6ms
DO NOT SAVE AND EXIT
SAVE AND EXIT
AVR200
9
To calculate these delay times, fi rst measure (or estimate)
the distances from the listening position to the front, centre
and rear speakers. Keep a record of these distances by
entering them under the heading ‘Your measurement’ in the
table provided.
The centre channel delay is calculated by subtracting the centre
channel distance from the front left (or right) distance. The
difference represents the
CENTRE delay time.
The rear channels’ delay time is calculated by subtracting the
rear left (or right) distance from the front left (or right) distance.
The difference represents the
REAR delay time. Note that if your
rear loudspeakers are further from the listening position than
the front loudspeakers, you should set this delay to 0ms.
front
left
rear
left
e.g. 4m
(12ft)
e.g. 2m
(6ft)
centre
e.g. 3m
(9ft)
front
right
rear
right
If you have made your measurements in feet, one foot
approximates to one millisecond (1ms) delay. If you have made
your measurements in metres, one metre appr oximates to three
milliseconds (3ms) delay.
When playing a Dolby Pro Logic or Dolby Pro Logic II source
you can set a time delay (in milliseconds) for the rear channels.
There is no delay setting for the centre channel.
The rear channel delay in Dolby Pro Logic is calculated by
adding 15ms to the rear channel delay calculated for Dolby
Digital. In our example, this is 15ms + 6ms = 21ms.
Distance to listening position e.g. Your
measurement
Front left or right 4m or 12ft --------------------Centre 3m or 9ft --------------------Rear left or right 2m or 6ft ---------------------
Difference e.g. Delay (ms)
CENTRE delay (4 – 3m) or (12 – 9ft)
= 1m or 3ft 3 milliseconds
REAR delay (4 – 2m) or (12 – 6ft)
= 2m or 6ft 6 milliseconds
CHANNEL DELAYS
CENTERN/A
REAR21ms
DO NOT SAVE AND EXIT
SAVE AND EXIT
AVR200
10
Speaker settings page
The size and number of loudspeakers are defi ned on this page
of the OSD.
– A ‘LARGE’ speaker is one that is capable of handling a full
range signal (i.e. 20Hz–20kHz).
– A ‘SMALL’ speaker is one that is not capable of
reproducing a deep bass signal (i.e. below 100Hz), for
example a satellite speaker.
– ‘ON’ is used when a speaker is present and active and
receives the intended audio information.
– ‘OFF’ is used when a speaker is absent or inactive. Audio
signals intended for speakers set to OFF are redirected to
the main speakers.
Recommended speaker settings for different systems
To confi gure a ‘Sub/Sat’ system (i.e. a set of small speakers
with a subwoofer), your speaker settings should be ‘SMALL’ for
all speakers, with Subwoofer turned ‘ON’.
Some small but high performance speakers are capable of
handling a signal below 100Hz: in this instance, set them to
‘LARGE’ (despite their small physical size). If in doubt, please
check the specifi cations in your speaker’s handbook or ask your
dealer.
If you don’t have a centre speaker, set CENTER to ‘OFF’. This
directs the centre speaker information to the front left and right
speakers, ensuring that dialogue is clearly reproduced.
The SUBWOOFER STEREO setting is only relevant for music
reproduction and does not affect sound repr oduction for movies.
If you have small speakers on the front, set SUBWOOFER
STEREO to ‘ON’ to give the extra bass reinforcement required
for music. If your front speakers are large, or of high quality and
performance, you may fi nd music is reproduced more accurately
with the Subwoofer turned ‘OFF’.
CENTER: LARGE
SURROUND: LARGE
SUBWOOFER: ON
SUBWOOFER STEREO: ON
DO NOT SAVE AND EXIT
SAVE AND EXIT
English
AVR200
11
Using the AVR200
Front panel controls
A/V SURROUND SOUND RECEIVER
POWER
PHONES
RDS INFO
FM MUTE/
MONOSTORE
PRESET/
TUNEDOWN/UP
SATDVDVCRAUXEXT 5.1
SURROUND
MODE
DOLBY PL II SPEAKERS
MUSIC
TAPE
MONITOR
FM MUTE
VIDEO 1
CDFMAM
TUNED FM STEREO PRESET
MHz
AVR200
BASSTREBLE
DIRECT
VOLUME
POWER
Press the POWER button to turn the AVR200 on. The status LED
changes to green on powering up and the display shows the
active input. Pressing the POWER button again turns the unit and
the status LED off.
A red status LED indicates that the AVR200 is in stand by and
can be switched on by the remote handset.
Input selection
The input selection buttons are labelled to correspond with
the audio and video inputs on the rear panel of the AVR200.
To select an input, press the appropriate button on the front
panel. The audio signal for that source will then be routed to
the speakers. Any picture signal associated with that input is
switched to the monitor output.
The name of the selected input is shown in the display: SAT,
DVD, VCR or AUX, EXT 5.1, TAPE MONITOR, CD, FM and AM.
EXT 5.1
To select the source connected to the 5.1 channel input, press
EXT 5.1. When this input is selected, none of the alternative
surround modes are available.
SURROUND MODE
When a selected digital input carries a Dolby Digital or DTS
signal, the AVR200 automatically detects it and processes the
signal accordingly.
For an analogue input or when no Dolby Digital or DTS signal is
detected, pressing the
the available surround sound modes: STEREO, PRO LOGIC II
MOVIE, PRO LOGIC II MUSIC, PRO LOGIC II PANORAMA, PRO
LOGIC II MATRIX, PRO LOGIC and HALL.
The selected mode is displayed in the main section of the
display for three seconds, before reverting to show the active
input. The surround mode continues to be shown in the left
hand side of the display. In the case of Dolby Pro Logic II, only
‘MUSIC’ and ‘MOVIE’ modes are illuminated.
SURROUND MODE button cycles through
Dolby Digital, DTS Both of these formats feature six
independent audio channels: Left, Centre,
Right, Surround Left, Surround Right
and a ‘Low Frequency Effects’ (LFE) or
subwoofer channel.
Dolby Pro Logic This format decodes the centre and
surround sound signals encoded in
Dolby Surround or Dolby Stereo movie
soundtracks.
Dolby Pro Logic II This format is the next generation
in Dolby Surround decoding. It was
designed specifi cally to decode all
existing Dolby Surround programs with
improved spatiality and directionality.
Dolby Pro Logic II Movie is enhanced over
Dolby Pro Logic by having stereo surround
channels and no frequency fi lter on the
speaker signal.
Dolby Pro Logic II Music is specifi cally for
listening to music, not to movies.
Dolby Pro Logic II Panorama mode
extends the front stereo image to include
the surround speakers for an exciting
‘wraparound’ effect with side wall imaging.
Dolby Pro Logic II Matrix is the same as
‘Music’ mode, except that mono signals
are enhanced to make them seem ‘larger’.
Hall effect This format decodes a normal stereo
signal to simulate the ambience of a
concert hall.
AVR200
12
TAPE MONITOR
The TAPE MONITOR button selects the audio output from a
cassette deck connected to the
TAPE IN phono sockets of the
AVR200. It also enables you to monitor a recording being made
on a 3-head cassette deck. Tape monitor status is shown in red
on the display.
When the tape monitor is selected, pressing other source
buttons changes the signal sent to the recorder.
NOTE: TAPE MONITOR is a latching button: you will need to
press it again before selecting another source for listening.
CD
The CD button selects the source connected to the CD phono
sockets.
FM, AM
To select the integrated tuner function of the AVR200, press the
FM or AM button. See the section ‘Using the tuner’.
English
VOLUME control
To adjust the volume level of the loudspeakers, pre-amp outputs
and headphones use the VOLUME control. The volume level is
shown in the display while it is being adjusted. Three seconds
after the volume is adjusted, the display reverts to show the
selected input.
Note that different sources may requir e different settings of the
VOLUME control to achieve the same perceived volume level.
The volume can be controlled from 0dB over 80 steps.
BASS and TREBLE controls
Turn the bass and treble controls clockwise to boost response
or anticlockwise to cut response. For a fl at response leave the
controls in the 12 o’clock ‘notched’ position.
Pressing the
DIRECT button bypasses the bass and treble
controls and gives a small improvement to sound quality. If
you do not wish to alter the bass or treble controls, we
recommended that you select DIRECT.
DOLBY PL IISPEAKERS
MUSIC
DOLBY PL IISPEAKERS
MUSIC
VIDEO 1
dB
after 3 seconds
VIDEO 1
AVR200
13
Using the tuner
The AVR200’s radio tuner can be contr olled from the upper row
of front panel buttons (see diagram, below) or from the remote
control handset (see ‘Using the remote control’).
AVR200
14
RDS INFO
FM MUTE/
MONOSTORE
PRESET/
TUNEDOWN/UP
Tuning to a station
Pressing the PRESET/TUNE button toggles between the two
tuning modes of the unit – ‘Preset’ or ‘Tune’. The selected mode
is briefl y shown in the display.
Preset mode
In Preset mode, press the • and • buttons on the front panel
(or P– or P+ on the remote control handset) to cycle up and
down the preset stations.
See ‘Storing a preset’ and ‘Deleting unused presets’, below.
Tune mode
In Tune mode:
■ Press the
P+ on the remote control handset) for longer than half-a-
•
and • buttons on the front panel (or P– or
second to engage automatic tuning. The tuner searches
for a radio station signal of suffi cient strength and stops.
To skip to the next station, press one of the buttons
again. Automatic tuning is available for both the FM and
AM bands.
■ Tapping the
•
and • buttons engages manual tuning. This
can be used for tuning to a specifi c frequency. It is also
useful if you are trying to select a station that is too weak
for the auto search mode.
Regardless of the mode used to tune your AVR200, when it
is accurately tuned to a station ‘•TUNED•’ lights up in the
display.
Storing a preset
To store a preset, tune to the radio station you wish to store.
Press the STORE button: this causes ‘MEMORY’ to fl ash in the
display. Now select the preset number you wish to assign to
the station using the • and • buttons on the front panel (or
P– or P+ on the remote control handset). Press the STORE
button again.
Once the preset is stored, the display reverts to show the
station name (if RDS information is transmitted) or its frequency.
To quit the memory function without storing a preset, leave the
tuner controls untouched for ten seconds. It is also possible to
overwrite a stored station by saving another in its place. There
are thirty presets available for FM use and ten for AM use.
Your presets are retained for several weeks (but not indefi nitely),
when the AVR200 is disconnected from the mains supply.
Deleting an unused preset
Press the STORE button, then select the preset number you
want to delete using the
the remote control handset), followed by the FM MUTE/MONO
button.
The display briefl y shows ‘DELETED’ and ‘– –’ is shown in
place of the preset number. You can reactivate a deleted pr eset
number by storing a station in the normal way.
•
and • buttons (or P– or P+ on
DOLBY PL II SPEAKERS
MUSIC
VIDEO 1
FM MUTE
MHz
TUNED FM STEREO PRESET
RDS: Radio Data System
The Arcam AVR200 supports RDS Programme Service and RDS
Radio Text on FM broadcasts.
When a station carrying RDS information is selected ‘RDS’ lights
up in the display and shortly afterwards the station’s RDS name
(e.g. ‘BBC R3’) is shown.
Press the
RDS INFO button to view any RDS text information (if
a station is not transmitting text information, the display briefl y
indicates ‘NO TEXT’ and reverts to show the station name).
RDS INFO again to display the station’s frequency.
Press
Pressing
RDS INFO a third time returns you to a display of the
station name.
RDS INFO button is pressed while tuned to a non RDS
If the
station, the display shows ‘NO NAME’ for three seconds before
reverting to the default display.
FM Mute/Mono
The AVR200’s tuner has an auto-muting cir cuit that, when
engaged, mutes any signal that is of insuffi cient strength for
listening. To engage this circuit press the FM MUTE/MONO
button on the front panel: ‘FM MUTE’ is shown in the display.
If a signal is muted you will hear no sound through the
loudspeakers.
Should you wish to listen to a station that is ‘auto muted’
press the
muting circuit. The tuner now switches to monoaural reception,
cancelling much of the background hiss. ‘FM MUTE’ is no longer
displayed and you are able to continue listening.
FM MUTE/MONO button again to disengage the
Radio interference
All Arcam products have been designed to very high
standards of electromagnetic compatibility.
However, both CD players and DACs generate, and can
radiate RF (radio frequency) energy. In some cases this can
cause interference with FM and AM radio reception. If this is
the case, switch the CD player off or keep the CD player and
its connecting cables as far from the tuner and its aerials as
possible. Connecting the CD player and the tuner/amplifi er to
different mains sockets can also help to reduce interference.
EC COUNTRIES -– These products have been designed to
comply with directive 89/336/EEC.
USA – These products comply with FCC requirements.
MODE
ENTER
CD
DVD
Using the remote control
CR-340 Remote Control
The CR-340 remote control gives access to all functions
available on the front panel, plus some additional functions
only available from the remote. It also has controls to
operate Arcam CD and DVD players.
Source selection buttons
These operate in the same way as the source selection buttons
Displays Radio Data System (RDS) text information, if available.
Press again for station frequency, and again to show station
Selects the multi-channel output from a DVD audio player or
external decoder source connected to the 5.1 channel input.
Switches the amplifi er into stand by mode after a preset number
of minutes. Pressing
minutes. ‘SLEEP MODE’ is shown on the display panel.
Each consecutive press of
30 minutes. Sleep mode is cancelled by setting the time to 0
minutes, or by pressing the
Allows direct access to trim the centre, rear and subwoofer
speaker outputs. Press
Scrolls through the available surround sound modes (Stereo,
Pro Logic II, etc.). The selection is shown in the display area
Compresses the dynamic range for low-level listening of Dolby
Digital sources. The dynamic range may be set from 100% (the
default) to 25% (maximum compression) in steps of 25%. The
The CD/DVD button toggles the remote control unit into
controlling an Arcam CD or DVD player: this setting is briefl y
on the front panel of your AVR200 amplifi er.
RDS INFO
information (the default mode).
5.1
SLEEP
SLEEP once will set the sleep time to 90
SLEEP reduces the sleep time by
POWER or STANDBY button.
TRIM
TRIM to cycle between channels and use
• and • arrows to adjust levels.
the
MODE
for three seconds.
DYNAMIC RANGE
reduction is shown on the display.
CD/DVD functions
confi rmed by a light at the top of the controller .
CD/DVD lights
These indicate the function of the CD/DVD button at the bottom of
the control. They are not related to any function on the A VR200.
The LED only stays on for 15 seconds to conserve battery life. If
neither LED is lit this does not mean that the remote control unit
is not working!
Power/Standby
CD DVD
AV
Toggles the amplifi er between stand by mode and full power
mode. The power indicator light next to the power button on the
front panel is red when the amplifi er is in stand by and green
SAT
TAPE
INFO
5-1
DVDVCRAUX
CDFMAM
T
P–P+
MODE
when powered up.
P–/P+
Cycles through preset radio stations, or scans through fr equency,
depending on the Tuner mode setting.
TUNER MODE
Toggles between Preset mode and Tune mode. See ‘Using the
SLEEPTEST
tuner’ for details.
TEST
Engages the test signal generator so that the volume for each
OK
channel can be balanced from your listening position. The signal
moves from Front Left to Centre, Front Right, Rear Right, Rear
Left and Subwoofer in a continuous cycle. Note that the test
signal may not be heard through a subwoofer.
See ‘Using the On Screen Display’ for full instructions on this
feature.
Cursor pad and OK button
These are used to navigate through the pages in the on screen
TRIM
MODE
DYN
display (OSD). See ‘Using the On Screen Display’.
VOLUME and MUTE ( )
Press + to increase volume or – to decrease the output volume
on the amplifi er.
Press
DVD
MODE
CD
ENTER
CD/DVD
to mute the speaker connections and pre-amp outputs.
Both tape outputs and the headphone socket remain active. In
mute mode the display fl ashes ‘MUTING’.
Mute is disabled either by pressing
volume. Note that the volume and mute controls have no effect
on the output levels of Arcam CD players.
English
again, or by adjusting the
NOTE: Remember to install the two AAA batteries
supplied before trying to use your remote control!
Do not place anything in front of the display area on the
AVR200 (where the IR receiver is located), or the remote
control may not work.
CR-340
AVR200
15
Reference
Bi-wiring and bi-amping loudspeakers
Before you start
WARNING: Do not make any connections to your
amplifi er while it is switched on or connected to the
mains supply.
Before switching on please check all connections
thoroughly, making sure bare wires or cables are
not touching the amplifi er in the wrong places (which
could cause short circuits) and you have connected
positive (+) to positive and negative (–) to negative.
Always ensure that the volume control on your
amplifi er is set to minimum before starting these
procedures.
Bi-wiring your loudspeakers
Bi-wiring improves the sound of your system because it divides
the high and low frequency signal currents into separate
speaker cables. This avoids signal distortions arising from the
high and low frequency currents interacting with one another
within a single cable, as in conventionally wired systems.
You will need:
Speakers – with four input terminals each: these will be marked
HF (High Frequency) and LF (Low Frequency).
Loudspeaker cables – two pairs of cables per loudspeaker
(which may be joined at the amplifi er end if your amplifi er has
only one pair of output terminals per channel). Or, a suitably
terminated cable set (a loom, probably prepared by your dealer
and capable of being used for bi-wiring in one length).
How to bi-wire loudspeakers
1. Remove the terminal links on the rear of your
loudspeakers
WARNING: This step is essential or damage to
your amplifi er may result which is not covered
under warranty.
2. Connect the cables as shown in the diagram below,
ensuring correct polarity at all times.
Arcam AVR200 receiver
R
+
–
L
+
–
Bi-amping your system
The performance of your system can be further enhanced over
that achieved with bi-wiring, by extending the principle one stage
further to include separate amplifi cation for the low and high
frequency drive units in each loudspeaker enclosure.
Connect the AVR200 to the high frequency (HF) terminals
and connect your power amplifi er to the low frequency (LF)
terminals.
You will need:
Speakers – with four input terminals each (as with bi-wiring):
these will be marked HF (High Frequency) and LF (Low
Frequency).
Two amplifi ers – one of these would be the AVR200 and the
other an Arcam power amplifi er (e.g. an P75 or P85).
Loudspeaker cables – one pair of cables per loudspeaker or
a suitably terminated cable set (a loom, probably prepared by
your dealer and capable of being used for bi-amping in one
length).
Interconnect cables – one pair of high quality interconnect
cables.
How to set up a bi-amped system
1. Remove the terminal links on the rear of your
loudspeakers.
WARNING: This step is essential or damage to
your amplifi er may result which is not covered
under warranty.
2. Connect the cables as shown in the diagram below,
ensuring correct polarity at all times.
3. Use the interconnect cables to connect the AUDIO PREOUT sockets of the AVR200 to the corresponding PWR
AMP IN sockets of the power amplifi er.
Arcam AVR200 receiver
Right
speaker
R
+
–
–
+
HF
–
LF
–
+
L
–
++–
HF
LF
+
Left
speaker
–
AVR200
16
HF
HF
+
+
–
Right
speaker
LF
–
+
+
–
Left
speaker
LF
–
RL
Arcam AP85 power amplifier
+–+–
Bi-wiring using one set of connections on amplifi erRecommended bi-amping confi guration
Troubleshooting
Problem
No audio
No sound on one
channel
Dolby Digital or DTS not
auto detected
Lack of bass or poor
stereo image
No sound from tuner
The following table should help you diagnose most problems that may arise when using the AVR200.
Cause
1. Power Lead unplugged or not switched on
2. In stand by mode
3. Mute on
4. Tape monitor selected
1. Loudspeaker not connected or not connected properly
2. Input not connected or not connected properly
3. Speaker described as ‘OFF’ in set up page
4. Channel level set too low
Digital input not connected
1. Speakers wired out of phase (i.e. + connected to –, or red
to black in error – a polarity error in one speaker)
2. Speakers set as ‘SMALL’
1. Aerial not connected properly
2. Weak signal muted by FM Mute
Solution
1. Check mains lead is connected to AVR200 and that the wall
switch is on
2. Press the POWER/STANDBY button on remote handset
3. Switch mute off
4. Press the
1. Check connections to AVR200 and to loudspeaker
2. Check connections to AVR200 and at source
3. Re-assign speaker settings in on-screen display
4. Re-assign channel balance in on-screen display
Connect digital output of source to appropriate input on
AVR200
1. Check all connections to AVR200 and to loudspeakers
2. Re-select preset speaker settings in on-screen display
1. Check aerial connections to AVR200’s back panel
2. Switch FM MUTE/MONO off or re-tune station
TAPE MONITOR button
English
Remote control not
working
Picture scrolls around
screen, or picture is
only in black and white
No picture on monitor
when video source is
selected
Sound and picture
come from different
sources
AVR200 switches itself
to stand by mode
The red status LED
fl ashes and the AVR200
appears not to work.
1. Batteries in handset fi tted the wrong way round or fl at
2. IR receiver window on AVR200 is obscured
3. IR receiver window fl ooded with light
Wrong video system selected
1. Source is not playing
2. Video connection between the source and AVR200 is not
been made
System connections made to wrong inputs of A VR200
Circuits have overheated and unit has been switched into
protection mode. This may be because airfl ow around the
unit is restricted.
The AVR200 has gone into pr otection mode. This is
probably caused by an overload or short circuit on the
loudspeaker outputs.
1. Check orientation of batteries/ replace discharged batteries
2. Remove obstruction
3. Move AVR200 away from light source or shade from intense
light source
To toggle between PAL and NTSC video systems, press and
hold the
STORE button and click the SAT button.
1. Check and play source
2. Check system wiring: ensure connection between source
Check system wiring: ensure all connections are made to
correct input on AVR200
Switch unit off. Remove any restrictions to good airfl ow. Allow
unit to cool down before switching on again.
1. Turn the AVR200 off and disconnect the mains cable.
2. Check all the wiring, making sure that no bare loudspeaker
cables are touching each other or the chassis.
3. Reconnect the mains cable and switch back on.
If this does not cure the problem or the problem persists
contact your Arcam dealer.
AVR200
17
Technical specifi cations
AMPLIFIER SPECIFICATION
Output power (20Hz–20kHz at 0.5%THD)
8Ω, fi ve channels 70W
8Ω, two channels 90W
8Ω, single channel 100W
Harmonic distortion, 1W, 8Ω at 1kHz 0.02% typical
Left/right crosstalk 60dB at 1kHz
Frequency response ±1.0dB 20Hz to 20kHz
Inputs
Line inputs
sensitivity 200mV
input impedance >10kΩ
overload margin >20dB
Power amplifi er input sensitivity 740mV (normal gain)
Outputs
Preamplifi ernominal output level 200mV
maximum output level 3V
Headphones
output impedance 390Ω
Physical
Dimensions W x D x H 430 x 450 x 150mm
Weight net 11.9kg
Weight packed 14.1kg
Mains voltage 230V ±12%
120V ±12%
Power consumption (maximum) 500VA
RADIO SPECIFICATION
FM section
30 preset stations available
RDS Station Identifi cation, Radio Data Display
FM tuning range 87.5 to 108MHz
FM sensitivity < 6µV
THD
mono < 0.25%
stereo < 0.35%
Signal/noise ratio
mono > 72dB
stereo > 66dB
Pilot tone suppression > 60dB
Alternate channel selectivity IHF > 60dB
Capture ratio < 3dB
AM section
10 preset stations available
AM tuning range
10kHz step 530 to 1710kHz
9kHz step 531 to 1602kHz
CR-340 remote control
2 x AAA batteries
AM loop aerial
FM ribbon aerial
NOTE: All specifi cation values are typical unless otherwise
stated.
E&OE
Continual improvement policy
Arcam has a policy of continual improvement for its products.
This means that designs and specifi cations are subject to
change without notice.
Guarantee
Worldwide Guarantee
This entitles you to have the unit repaired free of charge,
during the fi rst two years after purchase, at any authorised
Arcam distributor provided that it was originally purchased from
an authorised Arcam dealer or distributor. The manufacturer
can take no responsibility for defects arising from accident,
misuse, abuse, wear and tear, neglect or through unauthorised
adjustment and/or repair, neither can they accept responsibility
for damage or loss occurring during transit to or from the
person claiming under the guarantee.
The warranty covers:
Parts and labour costs for two years from the purchase date.
After two years you must pay for both parts and labour costs.
The warranty does not cover transportation costs at any time.
Claims under guarantee
This equipment should be packed in the original packing and
returned to the dealer from whom it was purchased, or failing
this, directly to the Arcam distributor in the country of residence.
It should be sent carriage prepaid by a reputable carrier -–
NOT by post. No responsibility can be accepted for the unit
whilst in transit to the dealer or distributor and customers are
therefore advised to insure the unit against loss or damage
whilst in transit.
If your dealer is unable to answer any query regarding this
or any other Arcam product please contact Arcam Customer
Support on +44 (0) 1223 203203 or write to us at the above
address and we will do our best to help you.
English
On line registration
You can register your Arcam product on line at:
www.arcam.co.uk/reg
AVR200
19
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