CAUTION: To reduce the risk of electric shock, do not remove cover
(or back). No user serviceable parts inside. Refer servicing to qualified
service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose
this apparatus to rain or moisture.
The lightning flash with an arrowhead symbol within an equilateral
triangle, is intended to alert the user to the presence of uninsulated
‘dangerous voltage’ within the product’s enclosure that may be of
sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert
the user to the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the product.
CAUTION: In Canada and the USA, to prevent electric shock, match
the wide blade of the plug to the wide slot in the socket and insert the
plug fully into the socket.
IMPORTANT SAFETY INSTRUCTIONS
This product is designed and manufactured to meet strict quality
and safety standards. However, you should be aware of the following
installation and operation precautions:
1. Take heed of warnings and instructions
You should read all the safety and operating instructions before
operating this appliance. Retain this handbook for future reference and
adhere to all warnings in the handbook or on the appliance.
2. Water and moisture
The presence of electricity near water can be dangerous. Do not use
the appliance near water – for example next to a bathtub, washbowl,
kitchen sink, in a wet basement or near a swimming pool, etc.
3. Object or liquid entry
Take care that objects do not fall and liquids are not spilled into the
enclosure through any openings. Liquid filled objects such as vases
should not be placed on the equipment.
4. Ventilation
Do not place the equipment on a bed, sofa, rug or similar soft surface, or
in an enclosed bookcase or cabinet, since ventilation may be impeded.
We recommend a minimum distance of 50mm (2 inches) around the
sides and top of the appliance to provide adequate ventilation.
5. Heat
Locate the appliance away from naked flames or heat producing
equipment such as radiators, stoves or other appliances (including
other amplifiers) that produce heat.
6. Climate
The appliance has been designed for use in moderate climates.
7. Racks and stands
Only use a rack or stand that is recommended for use with audio
equipment. If the equipment is on a portable rack it should be moved
with great care, to avoid overturning the combination.
8. Cleaning
Unplug the unit from the mains supply before cleaning.
The case should normally only require a wipe with a soft, damp, lint-
free cloth. Do not use paint thinners or other chemical solvents for
cleaning.
We do not advise the use of furniture cleaning sprays or polishes as
they can cause indelible white marks if the unit is subsequently wiped
with a damp cloth.
9. Power sources
Only connect the appliance to a power supply of the type described in
the operating instructions or as marked on the appliance.
10. Power-cord protection
Power supply cords should be routed so that they are not likely to be
walked on or pinched by items placed upon or against them, paying
particular attention to cords and plugs, and the point where they exit
from the appliance.
11. Grounding
Ensure that the grounding means of the appliance is not defeated.
12. Power lines
Locate any outdoor antenna/aerial away from power lines.
13. Non-use periods
If the unit has a standby function, a small amount of current will continue
to flow into the equipment in this mode. Unplug the power cord of the
appliance from the outlet if left unused for a long period of time.
14. Abnormal smell
If an abnormal smell or smoke is detected from the appliance, turn
the power off immediately and unplug the unit from the wall outlet.
Contact your dealer immediately.
15. Servicing
You should not attempt to service the appliance beyond that described
in this handbook. All other servicing should be referred to qualified
service personnel.
16. Damage requiring service
The appliance should be serviced by qualified service personnel when:
A. the power-supply cord or the plug has been damaged, or
B. objects have fallen, or liquid has spilled into the appliance, or
C. the appliance has been exposed to rain, or
D. the appliance does not appear to operate normally or exhibits a
marked change in performance, or
E. the appliance has been dropped or the enclosure damaged.
SAFETY COMPLIANCE
This product has been designed to meet the IEC 60065 international
electrical safety standard.
E-2
E-2
Welcome to the AV8 Preamp Processor
USING THIS HANDBOOK
Thank you for purchasing the Arcam FMJ AV8 Preamp Processor.
This handbook has been designed to give you all the information you
need to install, connect, set up and use the Arcam FMJ AV8 Preamp
Processor. The remote control handset supplied with the equipment
is also described.
It may be that the AV8 has been installed and set up as part of your
Hi-Fi installation by a qualified Arcam dealer. In this case, you may wish
to skip the sections of this handbook dealing with installation and
setting up the unit. Use the Contents list to guide you to the relevant
sections.
SAFETY
Safety guidelines are set out on page two of this handbook.
Many of these items are common sense precautions, but for your own
safety, and to ensure that you do not damage the unit, we strongly
recommend that you read them. This is a class 1 product and requires
an earth connection.
INTRODUCTION
The AV8 is a high quality and high performance home cinema
processor and audio pre-amplifier built to Arcam’s traditional high
quality design and manufacturing standards. It combines high resolution
digital processing with high performance audio and video components
to bring you an unrivalled home entertainment centre.
The AV8 allows quality switching and volume control of eight analogue
and seven digital sources making it an ideal companion for both home
cinema and two-channel stereo systems. Since many of these source
components are also capable of outputting high quality video signals,
the AV8 includes broadcast quality video switching for composite, Svideo, component and RGB video signals. There are inputs and outputs
for both tape and VCR, as well as a digital output. DVD-Audio and
SACD can be connected via the multichannel input. Control of the AV8
is either by front panel control buttons, IR remote control or an RS232
port (which can be used to upload future software enhancements).
On the back panel there are trigger outputs for easy connection to
associated equipment. The AV8 can easily be integrated with various
types of power amplifiers and loudspeakers, including those that are
THX certified. The AV8 is itself THX certified, meaning it has passed
the rigorous THX Ultra2 specification enabling it to reproduce THX
Surround EX signals from Dolby Digital soundtracks.
The customised installation of the AV8 in a listening room is an
important process which requires care at every stage. For this reason,
the installation information is very comprehensive and should be
followed carefully.
The AV8 has a universal input power supply that is compatible with
mains voltages between 85V AC and 265V AC, 50Hz to 60Hz.
Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942,
5,956,674, 5,974,380, 5,978,762 and other world-wide patents issued and pending.
“DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater
Systems, Inc.
Surround EX is a jointly developed technology of THX and Dolby Laboratories, Inc. and is a
trademark of Dolby Laboratories, Inc. All rights reserved. Used under authorization.
E-3
E-5
English
OUT
IN
LOCAL
OUT TUNER
12V
TRIGGER
IN
ZONE
2
CDVCRSA
T
TAPEAVDVD
ZONE
2
LEFT
RIGHT
TUNER
AVSA
TMONITOR OUTDVD
VCR
OUT
PROG
2
1
1
2
OUT
3
Y/GU/BV/
R
AVSATDVDCDOUTIN
CENTRE
IN
SUB
L SURR
R SURR
LS BACK
RS BACK
LEFTCENTREL SURR LS BACKSUB 2
SUB 1R SURR RS BACKSUB
3
GROUND
LIFT (IN)
RS232
CONTROL
50/60Hz
100–240VAC~
MAX 40VA
GND
AUX/
PHONO
MM
MC
OUTPUTS
DVD-A/SACD IN
OUT
TAPE
VIDEO
TRIGGERS
1/RGB 2/S-VIDEO
Y/GU/BV/
R
Y/GU/BV/RY/GU/BV/R
RIGHT
VCR
IN
R
L
AUDIO
R
L
VIDEO
VCR
TAPE
HIGH QUALITY VIDEO
DIGITAL INPUTS
REMOTE
ZONE 2 OUT
Serial
control
Digital
output
Digital audio
inputs
Component video
connections
Composite & S-video
connections
Zone
2
output
Analogue audio
inputs and record
outputs
Multichannel
DVD-A/SACD
inputs
Power supply
connector
Multichannel
outputs
Control
connections
Ground lift
Installation
POSITIONING THE UNIT
Place the processor on a level, firm surface.
Avoid placing the unit in direct sunlight or near sources of heat
or damp.
Do not place the unit on top of a power amplifier or other
source of heat.
Ensure adequate ventilation. Do not place the unit in an enclosed
space such as a bookcase or closed cabinet unless there is good
provision for ventilation. The processor is designed to run warm
during normal operation.
Make sure the IR receiver on the front panel is unobstructed,
otherwise this will impair the use of the remote control. If lineof-sight is impractical, an infrared remote repeater can be used
with the rear panel IR connector.
Do not place your record deck on top of this unit or any other
unit which is mains supplied. Record decks are very sensitive
to the noise generated by mains power supplies which will be
heard as ‘hum’ if the record deck is too close.
NOTES ABOUT CONNECTIONS
Before connecting your equipment it is important to think about the
following points as these will affect your choice of connections and
subsequent use of the system.
AUDIO
Wherever possible, connect both analogue and digital outputs of digital
sources. This enables use of a digital input for the main zone and the
corresponding analogue input for recording onto an analogue tape
deck or VCR, and for the zone 2 output if used.
VIDEO
The AV8 does not provide conversion between different video formats
as this would result in degradation of the video signal. This means
simply that the AV8 does not convert between composite, S-video or
component.
For example, if you are watching a composite input from a VCR you
must view it from the composite output of the AV8, as there will be no
picture on the other outputs. Connect as follows:
VCR (composite) input and Monitor out (composite)
or, for a device with an S-video output, such as a DVD player, connect:
If all the video inputs are simultaneously connected from one device,
e.g., a DVD player, the AV8 will select automatically the best format
possible.
ZONE 2
Zone 2 outputs only a line level signal from the stereo analogue audio
and composite video inputs. The analogue inputs are required because
there is no analogue-to-digital, DSP processing or digital-to-analogue
converstion available for zone 2 signals.
As the AV8 does not convert video formats, a composite video signal
must also be connected from the source.
For this reason, we recommend that source devices that have a digital
connection are also connected to the analogue inputs. High quality
YUV/RGB and S-video sources should also have their composite
outputs connected to the AV8 for use in zone 2.
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E-4
GENERAL
Surround
back left
Surround
back right
CentreFront
left
Front
right
Subwoofer
Surround
left
Surround
right
The inputs are named to make it easier to reference when connecting
e.g., a DVD or VCR, but they all have the same input circuit, so there
is no reason why you should not connect a different device to any of
the inputs. For example, if you had two DVD players and the AV input
was not being used, then the second DVD player can be connected to
the AV input.
CABLES
FRONT LEFT AND RIGHT
Position your front left and right speakers to achieve a good stereo
image for normal musical reproduction as well as for the multichannel
modes. If they are placed too close together there will be a lack of
spaciousness; if they are placed too far apart a stereo image will appear
to have a large ‘hole’ in the middle and will be presented in two halves.
If there is no practical alternative to placing the speakers widely apart,
this effect can be overcome in music reproduction by using centre
sound extraction from the left and right speakers (see Dolby ProLogic
II Music Mode).
English
We recommend the use of high quality screened analogue, digital and
video cables, as inferior quality cables will degrade the overall quality
of your system. Only use cables that are designed for the particular
application as other cables will have different impedance characteristics
that will degrade the performance of your system.
Video and digital connections must be made with cables that are
designed for this purpose, i.e., coaxial cable with a 75Ω impedance. If
substandard cables are used you may suffer from poor picture quality
such as ghost images and or grainy picture quality (snow).
Speaker cables should be kept short and low impedance wire should
be used throughout to ensure efficient power transmission and avoid
audible distortion.
All cables should be kept as short as is practically possible.
It is good practice when connecting your equipment to make sure that
the mains power supply cabling is kept as far away as possible from your
audio and video cables, as this will provide the best sound and picture
quality. Failure to do so may result in unwanted noise in the audio and
video signals.
SPEAKER INSTALLATION
The AV8 allows you to connect up to seven channels of amplification
and three active subwoofers in the main system. The output channels
correspond to speakers installed in the front left, centre, front right,
surround left, surround right, surround back left, surround back right
and an active subwoofer (see diagram).
CENTRE
The centre speaker allows for a more realistic reproduction of dialogue
and centre sounds. The centre speaker should have a similar tonal
balance to the front left and right speakers and be positioned at a
similar height.
SURROUND LEFT AND RIGHT
The surround left and right speakers reproduce the ambient sound and
effects present in a multichannel home cinema system and should be
installed approximately one metre higher than the listener’s ears.
SURROUND BACK LEFT AND RIGHT
The surround back left and right speakers are used to add extra depth
and better sound localisation and should be installed approximately
one metre higher than the listener’s ears. Place the two surround
back speakers such that there is an arc of approximately 150 degrees
between each surround back speaker and the centre speaker. The
surround back speakers should face the front of the room as shown
in the diagram to provide the largest ‘sweet spot’. You will then need
to measure the distance between the two surround back speakers
and set the ‘Advanced Speaker Array’ line of the ‘THX Settings’ menu
accordingly.
SUBWOOFER
A subwoofer will greatly improve the bass performance of your system.
This is useful for reproducing special cinema effects, especially where
a dedicated LFE (Low-Frequency Effects) channel is available, as with
many Dolby Digital or DTS encoded discs.
Multiple subwoofers may be required for larger installations, particularly
in rooms of a timber frame construction. Multiple subwoofers need
care in placement because there may be cancellation effects between
the units. Seek expert advice on multiple subwoofer placement.
GENERAL
All speakers, with the exception of the subwoofer, should be arranged
around your normal viewing/listening position (see diagram). The
subwoofer can be placed almost anywhere and we recommend
experimenting with it in various positions to obtain the best result.
The configuration and placement of your speakers are very important.
For THX surround EX playback we recommend that you use a THX
speaker system that is certified by Lucasfilm Ltd. If you are not installing
a full THX surround EX system then ignore the instructions regarding
the surround back left and right loudspeakers.
E-5
E-7
English
bs bt ck clcm
OUT TUNER CDVCR
SA
T
TAPE
AV
DVD
bp bq br
DIGITAL INPUTS
LEFT
RIGHT
CENTRE
SUB
L SURR
R SURRRS
BACK
co cq cs dk
cn cp cr ct
DVD-A/SACD IN
LS
BACK
AUDIO CONNECTIONS
AUX/
PHONO
MM
MC
TUNERAVSATDVDCDOUTIN
TAPEVCR
IN
AUDIO
L
R
OUT
68 9 bk blbm
bn
bo
5437
GND
Take care to place the audio cables as far from any power supply cabling
as is practically possible to reduce hum and noise problems.
Connect the analogue outputs from your source devices such as a
DVD player to the analogue inputs as shown:
ANALOGUE AUDIO INPUTS
TUNER, 4 CD, 6 TAPE 1N, 8 VCR IN, 9 AV, bk SAT,
3
DVD. Connect the left and right inputs to the left and right outputs
bl
of your source equipment.
AUX/PHONO. Unless the optional phono card has been installed,
bm
this input will function identically to the other line inputs. For example
it can be connected to a second CD player.
With the optional phono card installed this input can be connected
directly to a record deck. This card is available from your Arcam dealer
and caters for both moving magnet and moving coil cartridges.
MM/MC Switch. The switch on the back panel marked MM/MC is
bn
used to select the correct sensitivity to match the cartridge fitted to
the record deck, which is either moving magnet (MM) or moving coil
(MC).
If you are unsure which type of cartridge is fitted to your record deck,
connect the record deck and select the ‘MM’ setting on the switch. If,
when tested, the output from the record deck is very quiet compared
with the CD or DVD inputs then your cartridge is probably a moving
coil type cartridge. Turn the AV8 off and select the ‘MC’ setting on the
switch and test the record deck again.
Please note that if the AV8 is set to ‘MM’ and the record deck has a
‘MC’ cartridge fitted, testing these together will not cause any damage
to either the AV8 or the record deck.
Connect these inputs to the digital ouputs of your available source
equipment.
Notes:
Each of these seven digital inputs can be individually allocated to
different audio inputs if required, by use of the ‘Digital Settings’
page of the Setup menu.
The AV8 does not contain an RF decoder for Laserdisc with RF
output.
DIGITAL OUTPUT
(Digital) OUT. Connect this coaxial digital output to your digital
cm
recording device such as a CD-R, digital VCR or minidisc player.
When a digital source is selected, the digital output will send an exact
copy of the incoming digital signal. For example, for a 5.1 digital source,
the digital output will also be in 5.1 format.
On selecting an analogue source, the digital output will send an SPDIF
format digital signal, encoded with the analogue source material, with
one exception: if Neo:6 Cinema or Music mode is selected, the digital
output will be muted due to the extra processing required for these
modes.
MULTICHANNEL DVD-A/SACD INPUTS
The multichannel input is suitable for use with sources that decode the
surround channels internally, such as DVD-A or SACD players.
The AV8 switches these analogue inputs directly to the analogue
outputs via its own volume control circuit. This direct path maintains
the best possible sound quality for DVD-A and SACD sources.
GND. This is the phono earth or ground terminal and is used to
bo
connect to a turntable earth lead (if fitted). Note that this terminal must
not be used as a safety (mains) earth.
ANALOGUE RECORD OUTPUTS
TAPE OUT, 7 VCR OUT. Connect the left and right audio
5
outputs sockets to the left and right input sockets of your cassette deck
or VCR (usually labelled ‘RECORD’). The VCR connections may also be
used for a second tape deck.
LEFT, co RIGHT, cp CENTRE, cq SUB, cr L SURR, cs R SURR.
cn
Connect these input sockets to the equivalent audio outputs of your
DVD-Audio or SACD player.
LS BACK, and dk RS BACK. These are available for formats
ct
requiring eight channels. Currently no formats are available requiring
these connections, which are provided for future compatibility.
E-6
E-6
ANALOGUE PREAMPLIFIER OUTPUTS
LEFTCENTREL/SURR LS/BACKSUB/2
RIGHTSUB/1R/SURR RS/BACKSUB/3
dm do dq ds ek
dl
dn
dp dr dt
OUTPUTS
ZONE 2
OUT
gp
gl gn
gm go
OUT
IN
LOCAL
12V
TRIGGER
IN
ZONE
2
REMOTE
ZONE 2
MONITOR OUT
2
1
gr
VIDEO
TRIGGERS
1/RGB 2/S-VIDEO
PROG
ZONE 2
AVSA
TMONITOR OUTDVD
VCR
OUT
2
1
TAPE
VIDEO
el em en eogr
eq er esep
fl fm fn fo fp fqetgs
VCR
IN
VIDEO
TRIGGERS
1/RGB 2/S-VIDEO
PROG
fk
gt
All these analogue outputs are buffered, have a low output impedance
and are at line level. They are able to drive long cables or several inputs
in parallel if required.
LEFT, dm RIGHT, dn CENTRE. Connect these to the equivalent
dl
front channel inputs of your power amplifier.
SUB 1. Main subwoofer output. Connect this to the input of your
do
active subwoofer, if you have one.
A receiver compatible with this connector is available from Xantech
(part no. 291-10). Please contact a Xantech registered dealer for this
part, as ARCAM do not stock them. See www.xantech.com for more
information.
The 3.5mm jack plug for this connector is wired as follows:
3.5mm stereo jackFunction
TipSignal
Ring0V
Sleeve12V, 30mA current-limited
This follows the Xantech standard for IR transmission over wire.
ZONE 2 Composite video connection. Connect to your zone 2
gr
video display using 75Ω low loss coaxial cable.
VIDEO CONNECTIONS
English
SUB 2, dq SUB 3. Subwoofer auxiliary outputs 2 and 3. These
dp
are equivalent to do and allow the use of multiple subwoofers. If
you are using more than one subwoofer, please set the number used
on the subwoofer setting page. Refer to ‘Basic and Advanced Set up’,
‘Subwoofer Settings’.
L SURR. Surround left output. Connect this output to the surround
dr
left power amplifier input.
R SURR. Surround right output. Connect this output to the
ds
surround right power amplifier input.
LS BACK, ek RS BACK Surround back left and right outputs (only
dt
used in 7.1 channel systems). Connect these outputs to the inputs of
your LS back and RS back amplifiers.
ZONE 2 CONNECTIONS
The AV8 allows independent routing and control of analogue audio
and composite video to a separate set of equipment, typically used for
a second living space, e.g., bedroom or lounge.
Zone 2 only outputs a signal from the analogue audio and composite
video inputs. The analogue inputs are required because there is no
analogue-to-digital, digital-to-analogue or DSP processing available for
zone 2 signals.
As the AV8 does not convert video formats a composite signal must
also be connected from the source.
For this reason we recommend that source devices that have a digital
connection are also connected to the analogue inputs. High quality
YUV/RGB and S-video sources should also have their composite
output connected to the AV8 for use in zone 2.
IMPORTANT NOTES
The AV8 has no video format conversion between component, RGB,
S-video or composite.
Wherever possible connect multiple video outputs from your video
sources. This enables use of the higher quality video connection for
the main system and the corresponding S-video and composite
connection for the record and zone 2 outputs.
For any video source to be viewed in zone 2 you must have a
composite video connection between the source and the AV8.
COMPOSITE VIDEO CONNECTIONS
MONITOR OUT 1. Connect this output to the composite video
el
input of your display device. (You will need an RCA phono-to-phono,
or, in Europe, a phono-to-SCART video cable to do this.)
MONITOR OUT 2. This is the same as el MONITOR OUT 1, and
em
enables a second display device to be used; it can also be used as a sync
reference for a four-wire RGB signal.
VCR IN, eq AV, er SAT, es DVD. Connect these inputs to the
ep
composite video outputs of your source equipment.
ZONE 2 OUT. Connect these to a line level input on your zone
gp
2 amplifier.
IN ZONE 2. This allows the AV8 to be controlled remotely from
go
zone 2 via infrared remote control.
VCR OUT. Connect to the composite video input of your video
eo
recorder (you will need an RCA phono-to-phono or, in Europe, a
phono-to-SCART video cable to do this).
TAPE. If you are using the tape loop for a second VCR then connect
en
the composite video from the VCR to this input.
S-VIDEO CONNECTIONS
MONITOR OUT. Connect this to the S-video input of your display
et
device.
VCR IN, fo AV, fp SAT, fq DVD. Connect these inputs to the
fn
S- video outputs of your source equipment.
E-7
E-9
English
VCR OUT. Connect this to the S-video input of your video
Y/GU/BV/RY/GV/R
1
2
V/RY/GU/BV/R
OUT
3
fr
U/BY/G
U/B
fs
ftgk
HIGH QUALITY VIDEO
gl gn
gm go
OUT
IN
LOCAL
12V
TRIGGER
IN
ZONE
2
REMOTE
GROUND
LIFT (IN)
RS232
CONTROL
85 – 265VAC
MAX 40VA
gq
fm
recorder.
TAPE. If you are using the tape loop for a second VCR then connect
fl
the S-video from the VCR to this input.
HIGH QUALITY (COMPONENT) VIDEO
CONNECTIONS
These inputs are suitable for connection to component (YUV/ YCrCb)
or RGB outputs. These signals are usually available from a DVD player,
set-top box or games console and offer the best possible picture
quality.
Generally, the component video standard is used in North America/
NTSC regions, while RGB is used in Europe.
CONTROL CONNECTIONS
IN LOCAL. Use with a local IR receiver when the AV8 front panel
gn
IR receiver is obstructed.
IN ZONE 2. This allows the AV8 to be controlled remotely from
go
zone 2 via infrared remote control.
A receiver compatible with this connector is available from Xantech
(part no. 291-10). Please contact a Xantech registered dealer for this
part, as ARCAM do not stock them. See www.xantech.com for more
information.
The 3.5mm jack plug for this connector is wired as follows:
VIDEO 1, fs VIDEO 2, ft VIDEO 3 INPUTS. Connect these to
fr
the video outputs of your high quality video sources.
HIGH QUALITY VIDEO OUT. Connect these sockets to the
gk
component video inputs of your display device.
Important notes about HQ video inputs and outputs
When you connect your devices to these connectors, take care to
follow the letter/colour coding for each input. No damage will occur if
incorrectly connected, but unusually coloured or unstable pictures will
result.
In the ‘Video Settings’ setup menu, each of these three high quality
component video inputs can be individually allocated to one of the
following inputs: DVD, SAT, TUNER, TAPE, CD, VCR or AV.
You cannot mix component and RGB sources.
The high quality component video inputs have sufficient bandwidth for
line-doubled NTSC (525/60) or PAL (625/50) video and US HDTV
video signals. However, when used with such signals the OSD is not
overlaid on the picture but is output at standard interlaced NTSC or
PAL (525 or 625 line) rate on a solid background.
Initially, the high quality video inputs are all disabled. Before any HQ
video input can be selected it must be allocated to an input.
RGB 4-wire connection
Some video projectors and most European TV sets require the use of
a 4-wire RGB connection, where the ‘sync’ signal is separate from RGB.
In this case, you need to use the composite video MONITOR OUT 2
for the sync information. A special cable is available from your dealer
for 4-wire RGB connection (refer to the table of SCART connections
at the back of the manual).
3.5mm stereo jackFunction
TipSignal
Ring0V
Sleeve12V, 30mA current-limited
This follows the Xantech standard for IR transmission over wire.
Connect to a remote IR receiver in zone 2 to allow control of the AV8
from zone 2.
(REMOTE) OUT. This enables control of the source components
gl
remotely from zone 2 or zone 1 using the local input. Control is
possible by either connecting to the source devices via the 3.5mm IR
jack (Arcam units only) or using an IR emitter stuck to the centre of
the IR sensor window on the source component (such as a Xantech
283MW mini emitter).
RS232 CONTROL Use with control devices having an RS232 serial
gq
port (for example, Crestron and AMX touch screen controllers). This
connection is also used for upgrading control software. See the sections
at the end of this manual for control and programming information.
TRIGGER OUTPUTS
There are three trigger output sockets on the AV8, each of which is a
3.5mm stereo jack with two contacts, ‘tip’ and ‘ring’. See the tables for
technical information on the trigger outputs.
12V TRIGGER. Use for remotely turning on and off power amps or
gm
source equipment for the main zone and zone 2.
3.5mm stereo jack FunctionVoltage
TipMain zone onOn = 12V, 30mA
Off = 0V
RingZone 2 onOn = 12V, 30mA
Off = 0V
SleeveGround0V
E-8
E-8
VIDEO TRIGGER 1, gt VIDEO TRIGGER 2. The trigger outputs
ZONE 2
MONITOR OUT
2
1
VIDEO
TRIGGERS
1/RGB 2/S-VIDEO
PROG
gs
gt
GROUND
LIFT (IN)
RS232
CONTROL
85 – 265VAC
MAX 40VA
1
2
gs
have different functions depending on how the ‘Video Status’ has been
set (Screen Ctrl or SCART) in the ‘General Settings’ menu.
SCART mode
1/RGB trigger output – connect to RGB SCART on your TV:
Connection FunctionVoltage
TipRGB mode selectRGB video = 1V (into 75Ω load)
Composite video = 0V
RingRGB/composite
SCART input select
(CVBS status)
Aspect ratio 4:3/16:9
SleeveGround0V
Video present, aspect 4:3 = 12V
Video present, aspect 16:9 = 6V
No video signal = 0V
2/S-video output – connect to S-video SCART (usually SCART no.
2) on your TV:
2/S-video output:
ConnectionFunctionVoltage
TipVideo source
trigger *
RingVideo source
trigger *
SleeveGround0V
Any video source selected = 12V
No video source selected = 0V
Any video source selected = 12V
No video source selected = 0V
* Video source trigger – This output goes high when any video source
in the main zone is selected. It can be used to initiate closing of curtains
or dimming lights automatically.
Notes on Screen Ctrl mode
In Screen Ctrl mode, the video triggers behave differently. Both
outputs of video trigger 1 double up the role of the 12V trigger
output described earlier. They can be used to remotely switch on or off
additional equipment such as power amplifiers.
CONNECTING TO A POWER SUPPLY
Power inlet. The AV8 has a universal input power supply that is
1
compatible with mains voltages between 85VAC and 265VAC.
English
Connection FunctionVoltage
TipVideo source
trigger*
RingS-video SCART
input select (CVBS
status)
Aspect ratio 4:3/16:9
SleeveGround0V
Any video source selected = 12V
No video source selected = 0V
S-video present, aspect 4:3 = 12V
S-video present, aspect 16:9 = 6V
No video signal = 0V
Notes on SCART mode
In SCART mode, seamless selection of composite, S-video and RGB
A/V TV inputs is possible using the AV8.
When switched to a video source input, and the AV8 detects the
presence of either an S-video or composite video signal, it sets either
the S-video or the composite SCART input select lines high. If both
signal types are detected on that source input, then only the S-video
SCART input select line is set high.
If a high quality video source in RGB+Composite Syncs mode is
allocated to an input, the AV8 will assume an RGB signal is present
when syncs are detected on the composite input. In this case if only a
composite video signal is present on the input the AV8 will detect this
as an RGB+Composite Sync signal and display a blank screen, not the
composite video signal.
Information on SCART wiring is provided in the back of this manual.
NOTE: When the ‘HQ Video’ line of the ‘General Settings’ page is set
to ‘Component’ (rather than ‘RGB’), video trigger 1 behaves as listed
in the table for Screen Ctrl mode.
Screen Ctrl mode
1/RGB trigger output:
ConnectionFunctionVoltage
TipMain zone on trigger Main zone turned on = 12V
Main zone turned off = 0V
RingMain zone on trigger Main zone turned on = 12V
Main zone turned off = 0V
SleeveGround0V
GROUND LIFT (IN) button. In complex setups which involve satellite
2
inputs or radio aerials, grounding the unit may increase the level of
background hum or buzz in the loudspeakers, in which case press the
GROUND LIFT button in to lift the signal ground from the chassis ground.
DO NOT REMOVE the safety earth from the mains cable under any
circumstances.
WRONG PLUG?
Check that the plug supplied with the unit fits your supply. If your
mains plug is different, consult your Arcam dealer or Arcam Customer
Support on +44 (0)1223 203200.
MAINS LEAD
The appliance is normally supplied with a moulded mains plug already
fitted to the lead. If for any reason the plug needs to be removed, it
must be disposed of immediately and securely, as it is a potential shock
hazard when inserted into the mains socket. Should you require a new
mains lead, contact your Arcam dealer.
PLUGGING IN
Push the plug (IEC line socket) of the power cable supplied with the
unit into the power input socket (1) in the back of the unit. Make sure
it is pushed in firmly.
Put the plug on the other end of the cable into your power supply
socket and switch the socket on.
E-9
E-11
English
Setup Menu Index
Basic Advanced
1.General 1.Speaker EQ
2.Speaker Size 2.Video
3.Delays 3.Digital
4.Level Set 4.Zone 2
5.Sub Woofer 5.Input Trim
6.THX
Save Setup Exit Setup
Conguring the AV8
The AV8 ‘Setup Menu’ has six ‘Basic’ and five ‘Advanced’ menu screens
which take you through the configuration process. The ‘Basic’ menus
enable you to match your AV8 to your speakers. The ‘Advanced’ menus
allow you to optimise the operation of your system. Screen shots of
these menus are shown in shaded boxes on the following pages.
The best way to set up the AV8 is using the on-screen display (OSD).
To view the OSD for the initial set up, use the composite video output
because the high quality video output has several display modes, and
may be incompatible with your high quality display device in its default
configuration.
The AV8 defaults to the NTSC video standard – most display devices
can sync to this automatically. For PAL-only display devices, press and
hold the OK button for two seconds, when the AV8 will change to the
PAL video standard. As soon as a video signal is input to the AV8, it
automatically detects which standard it is and switches to it.
ENTERING SETUP MODE
To enter the Setup menus press and hold the MENU button on the
remote control, or on the front panel, for at least two seconds. The
‘Setup Menu Index’ is displayed on your display device.
Unstable OSD menu display?
Your AV8 may be in the wrong video standard mode. Press and hold
the OK button for more than two seconds to switch between the
NTSC and PAL standard OSD mode.
SETUP LOCK
To prevent tampering with the AV8 setup configuration you can ‘lock’
the menus by pressing the OK, TUNER and DVD-A buttons simultaneously
on the front panel. To unlock the AV8, press the same buttons again.
SETUP MENU
The main ‘Setup Menu’ page allows you instant access to six ‘Basic’ and
five ‘Advanced’ menus.
NAVIGATING USING THE REMOTE CONTROL
There are two ways to navigate through the Setup menus using the
remote control. The first method is for use when setting up the AV8
for the first time and allows you to progress methodically through the
menus:
1. Press and hold the MENUbutton (which is located immediately
under the navigation buttons) for two seconds to access the
‘Setup Menu Index’.
NOTE: Just briefly pressing the menu button takes you to
‘Main Menu Screen1’.
2. Navigate between menus using the
must be highlighted).
3. Navigate up and down the menu lines using the
4. Cycle through the options and select the required setting using
the
Return to the title bar and repeat sequences 2 to 4, working through
the six ‘Basic’ menus and the five ‘Advanced’ menus as required.
5. Press the MENUbutton to return to the main Setup menu
screen.
6. Press the OK button twice to select ‘Save Setup’ and save the
settings. This takes about four seconds. Then press OK twice again
to return to the Index, then exit the Setup menu.
A second method can be used when you need to make adjustments
to a specific menu screen:
1. Press and hold the MENUbutton for two seconds to access the
‘Setup Menu Index’.
2. Navigate up and down the ‘Setup Menu Index’ using56,
pressing OK to go to the selected menu option.
3. Use
4. Use
setting.
5. Press MENUto return to the main setup menu screen.
6. Press the OK button twice to select ‘Save Setup’ and save the
settings. This takes about four seconds. Then press OK twice again
to return to the Index, then exit the Setup menu.
NOTE: It is always possible to navigate between menus using the title
bar at the top of each menu page.
keys.
34
to navigate up and down the menu lines.
56
to cycle through the options and select the required
34
keys (the menu heading
34
56
keys.
They are listed side-by-side on the OSD on your display device. The
selected line of the menu is also displayed on the front panel of the
AV8. Use the remote control navigation button4to go to page 1 from
the menu heading, or use the navigation buttons to scroll down the list
to a specific page, then press OKto go directly to the page.
Save Setup takes you to the ‘Save Settings’ screen to allow you to
save in one of the five available presets.
Exit Setup exits the Setup menus without saving any changes.
Each of the following sections shows the screen that is displayed as you
move through the menus.
E-10
NAVIGATING USING THE FRONT PANEL
The AV8 front panel controls can be used to configure the options.
Please note that it is easier to configure using the remote control.
1. Press and hold the MENUbutton for two seconds to access the
Setup menu.
2. Navigate up and down the ‘Setup Menu Index’ menu using56,
pressing OK to go to the selected menu option.
3. Use
4. Use
setting.
Return to the title bar and repeat sequences 2 to 4, working through
the six ‘Basic’ menus and the five ‘Advanced’ menus as required.
5. Press MENUto return to the main setup menu screen.
6. Press the OK button twice to select ‘Save Setup’ and save the
settings. This takes about four seconds. Then press OK twice again
to return to the Index, then exit the Setup menu.
E-10
to navigate up and down the menu lines.
56
to cycle through the options and select the required
34
BASIC SETUP
1 - General Settings
Volume Display: Normal 0-72
Max Volume: +72
Max On Volume: +20
Delay units: Imperial
OSD Mode: Mixed
Video Status: SCART
HQ Video: RGB
Sync On Green: Off
2 - Speaker Sizes
Auto Setup: Custom
Front L/R: Small
Centre: Small
Surr.L/R: Small
Surr.Back L/R: Small
Subwoofer: Present
Rears for 5.1: Both
1 – GENERAL SETTINGS:
Volume display: Allows you to select how volume is displayed.
Choose from Normal 0–72 (in 1dB steps), THX Ref –53dB to +18dB,
and Fine 0–72 (in 0.5dB steps). We recommend setting this to THX Ref as this represents a volume control around 0dB (the reference
level) which is the same loudness level of a movie in a movie theatre
once you have correctly calibrated your system.
Max Volume: Limits the maximum volume setting the system can be
turned up to. This is a useful feature to prevent accidental overdriving
of low power-handling speakers, for example.
Max On Volume: Limits the maximum volume the system operates
at when it is first switched on. The system comes on at this volume if
the last used (possibly very loud) volume exceeds this value.
Delay units: Controls whether the delay settings for the speakers
in surround modes are specified in terms of Time, Imperial or
Metric distances from the listening position. Either enter the time
delay to each channel if calculating the delay in milliseconds, or select
between Imperial or Metric measurements to calculate the time delay
automatically. Imperial is measured in feet and Metric is measured more
precisely in 0.1m (10cm) increments. Note that 1 foot is approximately
0.3 metres.
NOTE: Changing the units resets all distances/times to zero. It is
therefore important to choose the units (Time, Imperial or Metric)
before set up.
OSD Mode: Controls how the on screen display is viewed. Mixed
will overlap the OSD on top of the existing video picture, while Full Page will give a full screen black background with the OSD displayed
in white.
NOTE: In Mixed mode, the highlight bar is black if video is present. It
is blue if no video signal is present or if in Full Page mode.
Video Status: Can be set to Screen Ctrl or SCART. This controls the
triggers (Video Trig 1) into the display device to tell the display what
video type is being used. SCART refers to the multipole A/V connector
commonly used on European A/V equipment.
HQ Video: Allows selection of the high quality video output to match
your display device. Choose between RGB or Component. The AV8
allows progressive scan and high definition TV (HDTV) signals to be
passed through the high quality component inputs to the high quality
output. Note that the OSD cannot overlay text at any rate other than
standard NTSC or PAL.
On video signals that have a sync rate of greater than the normal
interlaced rate (i.e., progressive scan, frame-scaled video, HDTV) the
OSD will automatically go into Full Page mode (black background) so
that the control menu can be accessed. Any pop-up displays (such as
the volume bar, source selection information, etc) will be switched off.
Sync On Green: This applies only if RGB video is used. On makes
the AV8 feed the video sync signal out with the green signal. Some
RGB-driven display devices require a sync signal on the green input
to lock on to the video signal coming in, while others need the video
synchronisation on a separate lead. Systems using SCART connections
will normally have a four-wire system (i.e., with sync on composite
[CVBS] video).
NOTE: The ‘Sync on Green’ menu option is not selectable when
‘Component’ is selected as the HQ video type.
2 – SPEAKER SIZES
The size and number of loudspeakers are defined on this page of the
OSD.
A note on speaker sizes
A Large speaker is one that is capable of handling a full range signal (i.e.,
20Hz–20kHz).
A Small speaker is one that is not capable of reproducing a deep bass
signal (i.e., below 100Hz), for example a satellite speaker.
None is used when there is no speaker connected to that channel.
Auto Setup: Allows the setting of ‘standard configurations’ as in the
table below:
Speaker Config 1 Config.2 Config.3 CustomTHXTHX
Front
L/R
CentreSmallSmallSmallSm/Lge/
Surr
L/R
Surr
Back
L/R
Subwoofer
5.1
Rears
Custom setting allows you to choose any combination of speakers to
suit your system. Note that the centre and rear speakers cannot be set
to large if the front speakers are set to small.
THX automatically sets the speaker selections to the specified
configuration for THX™ listening. This automatically sets the
surround back speakers to None‚ and all filters are set to 80Hz. This
configuration is not adjustable. Only select this if you are using a full set
of THX™certified speakers.
THX Surr.EX automatically sets the speaker selections for a THX™
Surround EX setup with a pair of surround speakers, a pair of surround
back speakers and all filters set to 80Hz. This configuration is not
adjustable. Only select this if you are using a full set of THX™ certified
speakers.
E-11
SmallLargeLargeSm/LgeSmall
THX
Small
None
SmallSmallLargeSm/Lge/
None
SmallSmallSmallSm/None NoneSmall
PresentNonePresentPresent/
None
BothBothBothSurrL/R/
Sur Back
L/R/Both
THX
Small
THX
Present
THX
Surr
L/R
English
Surr.Ex
Small
THX
Small
THX
Small
THX
THX
Present
THX
Both
E-13
English
5.1 Rear speakers defines how the speakers in a full ‘7.1’ installation
3 - Delay Settings
Front Left: 3Ft
Centre: 3Ft
Front Right: 3Ft
Surr. Left: 3Ft
Surr. Back L/R 3Ft
Surr. Right: 3Ft
Subwoofer: 3Ft
Fr
ont
left
Surr
left
Surr
right
Surr
back
left
Sub
woofer
Fr
ont
right
Centre
e.g. 3m
(9ft)
e.g. 4m
(12ft)
e.g. 2m
(6ft)
Surr
back
left
Surr
back
right
4 - Level Settings
Test Tone Cycle: Manual
Front L: ---I--- +0dB
Centre: ---I--- +0dB
Front R: ---I--- +0dB
Surr. R: ---I--- +0dB
Surr. BR: Not Present
Surr. BL: Not Present
Surr. L: ---I--- +0dB
Subwoofer: ---I--- +0dB
Select Speaker for Tone
5 - Subwoofer Settings
Crossover Freq.: 80Hz THX
Stereo Mode: Sat+Sub
LFE Level: ---I--- -0dB
DTS LFE Gain: 0dB Normal
Sub Stereo: ---I--- -0dB
DVD-A Sub Level: Normal
No. of Subwoofers: 1
handle 5.1 decoded sources.
Surr L/R redirects 5.1 surround signal to the surround left and
right speakers. No signal will be directed to the surround back
left or right speakers.
Surr Back L/R redirects 5.1 surround signal to the surround back
left and right speakers. No signal will be directed to the surround
left or right speakers.
Both redirects the 5.1 surround signal to both pairs of speakers
with the signal to each set reduced by 3dB.
4 – LEVEL SETTINGS
3 – SPEAKER DELAY SETTINGS
NOTE: Only enter these delay settings once you have specified what
delay units (i.e., Time, Imperial or Metric) you will be using, or the
information will be lost when changing units. If the delay units are set
to Time, then enter the delay in milliseconds for each channel.
The speaker distance control automatically sets the appropriate time
delays required for all the speakers in your system. To set up the correct
speaker distance, you must measure from the usual listening position to
the front of each individual speaker in the system. The delay adjustment
is not a substitute for proper speaker placement – it helps to ensure
accurate and correct signal arrival times from all the channels to the
primary listening position.
No measurement can be entered for a speaker that is not selected in
the previous ‘Speaker Sizes’ menu.
It is very important to calibrate the speakers correctly to achieve an
accurately centred sound stage. We recommend you use a sound
pressure level meter (SPL meter) to perform this part of the setup as
it is difficult to judge the levels accurately by ear alone.
Manual is best for setting up with an SPL meter as the test tone will
not change to the next speaker until instructed by you. Auto is best for
setting up by ear as the test tone changes automatically to each speaker
after a two second burst of sound.
On first installation, watch the OSD display as you cycle through the
available speakers with the test tone. Check that the speaker in use
corresponds to that indicated on the OSD. If there is an error then
check and correct the system cabling before proceeding further.
To calibrate the speakers with an SPL meter, place the meter at ear
level with the microphone pointing towards the ceiling, when seated in
the usual listening position. You will need to set the meter to ‘C’‚ setting
with a ‘slow’‚ response and to read 75dB SPL at the centre of the scale.
This volume is equivalent to normal conversation.
Each speaker can be finely tuned by 1dB increments to ±10dB. The
output from each speaker needs to be adjusted to the 75dB SPL sound
level. No adjustments can be made for a speaker that is not selected in
the previous ‘Speaker Sizes’ menu.
NOTE: If you do not have an SPL meter, simply set the front left
speaker to 0dB on the menu and then match all the other speakers
to this level.
Distance measurements for 5.1 [and 7.1]
speaker delay settings
E-12
5 – SUBWOOFER SETTINGS
If no subwoofer was selected in the previous speaker menus you
cannot adjust the stereo sub level or the number of subwoofers.
Crossover Frequency: Allows you to set the frequency at which
the signal is redirected from small speakers to the subwoofer or large
speakers. The adjustment can be made in increments of 10Hz between
40Hz and 150Hz.
If THX or THX Surr.EX have been selected in the previous menus, the
crossover frequency will be set to THX specification at 80Hz.
Stereo Mode: Select between Large, Large+Sub or Sat+Sub. You
have the flexibility to choose how bass information is distributed to
your speakers only if you have large front left and right speakers and
a subwoofer as part of your home theatre speaker system. To decide
which setting is best for your room, once you have positioned all of
your speakers, choose the option which gives you the most solid even
sounding bass using a setup disc or live program material.
Large Pure stereo information. Use this setting if you have large
front speakers.
E-12
Large+Sub Pure stereo fed to left and right and extracted bass is
6 - THX Settings
THX Surr. EX: Auto
Boundary Gain Compensation
THX Ultra 2 Sub: No
Advanced Speaker Array
SurrBack L/R: 12 to 48in
6 - THX Settings
THX Surr. EX: Auto
Boundary Gain Compensation
THX Ultra 2 Sub: Yes
Boundary Gain Comp: On
Advanced Speaker Array
SurrBack L/R: 12 to 48in
Surr
left
Surr
right
Surr
back
left
Surr
back
left
Surr
back
right
sent to the subwoofer.
Sat+Sub Use this setting if you have ‘Small’ satellite left and right
speakers. Full bass management is used in analogue stereo so
that analogue sources are fed to the DSP where the bass is
filtered off left and right and redirected to the subwoofer.
NOTE: The above three Stereo Mode settings pass the audio
through the DSP. The Large setting can be duplicated for analogue
inputs by pressing Direct to bypass the DSP.
LFE Level: Allows you to adjust the output level of the low frequency
effects channel relative to the other speakers in the system. This
adjustment affects the loudness of movie low frequency effects such as
thunder, explosions, etc.
DTS LFE Gain: DTS soundtracks typically have the LFE track recorded
10dB lower than the main audio tracks. It is therefore necessary to
compensate for this by raising the LFE output level by 10dB. Setting the
DTS LFE gain to Normal activates this compensation.
Some DTS soundtracks have been recorded with the LFE signal at
the same levels as the main audio and therefore require no gain
compensation. For these disks set the DTS LFE gain to -10dB.
Sub Stereo: Allows you to trim the subwoofer output for stereo
listening. Use this trim setting, with a stereo source, to reduce the
subwoofer output in stereo playback to an acceptable level. The
subwoofer level for stereo music often needs to be set at a lower
level than that for cinema use. This depends on various factors such as
speakers, the types and styles of music to be played and personal taste.
DVD-A Sub Level: External decoder sub level outputs are typically
the same level as the main audio and therefore require no gain
compensation. For these decoders set the DVD-A sub level to Normal,
the default setting.
Some external decoders may have the sub output 10dB lower than the
main audio outputs. It is therefore necessary to compensate for this by
raising the sub level by 10dB. Setting the DVD-A sub level to +10dB
activates this compensation.
No. of subwoofers: Allows you to set the number of subwoofers
used in the system from 1 to 3. All three subwoofer outputs are active
all the time. This setting compensates the sub output level for the
number of subwoofers in the system.
6 – THX SETTINGS
Manual The AV8 will not select THX Surr. EX automatically. It
can however be selected manually by pressing the THX button.
Boundary Gain Compensation
THX Ultra2 Sub: THX Ultra2 specified subwoofers can effectively
deliver down to 20Hz, which may be problematic in some rooms.
Set to No if the subwoofer being used is not a THX Ultra2 specified
subwoofer, or is not capable of a good response to 20Hz.
Set to Yes If you are using a 20Hz subwoofer or a THX Ultra2
specified subwoofer. When set to Yes, another menu option
appears.
Boundary Gain Compensation: Tailors the subwoofer low
frequency response.
When set to On, this will roll off the very low frequency
information coming from the subwoofer so that any interactions
and reinforcements from nearby boundaries (i.e., walls) can be
compensated for to reduce boom and overblown bass response.
We recommend this setting for smaller rooms.
When set to Off, the subwoofer output from the AV8 will
remain flat to 20Hz.
Advanced Speaker Array: Set this distance to be the separation
between the surround back left and right speakers. This enables the AV8
to distribute the signal to the surround back speakers appropriately to
get the most accurate image for the soundstage.
Measurement units are in inches only, 30cm = 12 inches.
SAVING SETTINGS AND EXIT SETUP
You can either save the settings now and exit or continue to the
‘Advanced Setup’ instructions.
Save Setup
1. Press MENUto go to the ‘Setup Menu Index’ at the ‘Save Setup’
point.
2. Press OKto go to the ‘Save Settings’ menu.
3. Press
setting.
4. Press OKtwice to save and exit to ‘Setup Menu Index’.
5. After the AV8 has finished saving, press OK to return to the
‘Setup Menu Index’.
6. Press OK to select ‘Exit Setup’ and exit system configuration.
NOTE: It is possible to change the name of the presets – see the
‘Advanced Settings’ section for a more detailed explanation.
to select the desired ‘Preset’ to which to save the
56
English
THX Surr. EX: This can either be set to Auto or Manual and is only
applicable when playing THX Surr. EX encoded material.
Auto The AV8 automatically switches THX to THX Surr. EX when
suitably encoded material is detected (this can be temporarily
overridden by pressing the THX button on the AV8).
Exit without saving
If you choose to ‘Exit Setup’ without first saving the changes, then these
new settings will be used by the AV8 until you recall a preset or press
FAV on the remote control, when the last used preset will be recalled.
This is the case even if the AV8 is put into standby or turned off.
1. Press MENUto go to the ‘Setup Menu Index’ at the ‘Save Setup’
point.
2. Press4to select ‘Exit Setup’.
3. Press OK when ‘Exit Setup’ is selected to exit system
configuration.
Adv 2 - Video Settings
OSD: On
Video Input Aux: None
Video Input CD: None
Video Input Tuner: None
Video Input DVD-A: None
Audio and Video: Tracked
HQ Vid 1 Comp/RGB: None
HQ Vid 2 Comp/RGB: None
HQ Vid 3 Comp/RGB: None
Adv 3 - Digital Settings
Coaxial Inputs
DVD input: DVD button
AV input: AV button
Tape input: Tape button
Tuner input: Tuner button
CD input: CD button
Optical Inputs
VCR input: VCR button
Sat input: Sat button
ADV 1 – SPEAKER EQ.
Allows advanced adjustment of all the speakers for bass and treble
management in 1dB steps up to ±6dB. The tone control nominal
corner frequencies are at 100Hz and 8kHz, shelf type. Use these
adjustments sparingly to compensate for speaker response problems
caused by positioning, adjacent surface textures, or mixed brands of
loudspeakers.
Work with one speaker on at a time, and as an example, use the bass
control to reduce boom problems for speakers placed in corners, and
the treble control for speakers placed near reflective surfaces.
We recommend trying to obtain a good speaker response by speaker
placement first, then apply speaker eq. last.
Auto Stereo Tone Bypass: Set to Yes if you wish to automatically
have any tone adjustments made in ‘Main Menu Screen 1’ by-passed in
analogue or digital mode.
NOTE: This does not switch the AV8 into Direct mode, only sets the
tone controls to zero.
ADV 2 – VIDEO SETTINGS
source at the same time – for example, you can listen to radio while
watching TV for a sports simulcast.
Audio and Video: Applies to the audio and video assignments set up
in the ‘Main Menu Screen 1’.
If set to Separate, then audio and video signals for video sources
can be separately assigned (e.g., DVD sound with video from
a satellite receiver). Once assigned separate, audio and video
remain separate.
If set to Tracked, audio and video signals are linked together
(e.g., DVD audio and video). This setting is recommended for
simplicity. In this mode, audio and video sources can still be
separated temporarily by using ‘Main Menu Screen 1’.
HQ Vid 1, 2 and 3: Allocates the high quality component or RGB
video inputs to any source buttons. For example, to use the component
or RGB output on a DVD player with HQ Vid 1 input, select DVD in
the menu.
ADV 3 – DIGITAL SETTINGS
Coaxial inputs and Optical inputs. Each of the digital inputs can
be assigned to any of the eight stereo source buttons (AUX, CD, TUNER,
TAPE, DVD, SAT, AV and VCR), or can be assigned No button.
The OSD menu lists the physical inputs, as per the back panel, on the
left hand side of the screen, and the buttons used to select the inputs
are listed on the right hand side.
Each digital input can only be allocated to one source button. For
example, if you choose the ‘Coaxial DVD input’ to be assigned to the
DVD button, then the choices for the other digital inputs are: Aux, CD,
Tuner, Tape, Sat, AV, VCR and No button. If you wish to re-allocate
the DVD input to a button that is already assigned to the ‘AV input’
(for example), ‘AV input’ must be assigned to a different button (or No button) before you can re-assign this new button to ‘DVD input’.
This menu allows advanced adjustment of the video settings for your
AV8.
OSD: Selects whether the main zone OSD is on or off.
When set to On‚ all user adjustments that are made during the
general use of the AV8 are displayed on the screen. This includes
the adjustment of the volume control, the inputs selected and
the setup menus.
When set to Off‚ you will have no displays of the general user
adjustments – only the setup menus and the main menus are
displayed.
It is recommended you keep the OSD turned On‚ since if you cannot
see the front panel of the AV8 you will have no idea if any adjustments
you have made to the processor are correct or to your liking.
Video Inputs: Composite and S-video inputs for DVD, Sat, AV, VCR
and Tape have, by default, their audio and video assigned to track each
other. The four Video Input lines for Aux, CD, Tuner and DVD-A allow
you to assign a video source to these normally audio-only sources. You
can allocate the same video source to more than one audio input. This
facility allows you to listen to an audio source and view a separate video
E-14
E-14
ADV 4 – ZONE 2 SETTINGS
Adv 4 - Zone 2 Settings
Max Vol 20-72: 72
Fix Vol: No
Max On Vol 0-72: 20
Zone 1 Standby: Local Only
Zone 2 Standby: Local Only
Local OSD: On
Zone 1 Control: Yes
Access: All
Max Vol 20–72: Limits the maximum volume setting for zone 2. This
is a useful feature to prevent accidental overdriving of low powerhandling speakers (for example).
Fix Vol: This selects between fixed and variable audio output to zone 2.
If No is selected, the output level can be controlled from zone 2 or the
main system. If you want to fix the volume level, first set the zone 2
volume to the desired level, then select Yes.
Max On Vol 0–72: Limits the maximum volume zone 2 operates at
when it is first switched on. Zone 2 comes on at this volume if the last
used (possibly very loud) volume exceeds this value.
Zone 1 Standby: This allows zone 1 (the main zone) to be put into
standby, either locally only or by zone 2 as well.
Local Only Only zone 1 will be switched into standby from
zone 1.
All Off Both zone 1 and zone 2 will be switched into standby
from zone 1.
NOTE: The setting for ‘Zone 1 Standby’ only applies for putting
the AV8 into standby mode. Re-activating zone 1 is always a local
function.
Zone 2 Standby: This allows zone 2 to be put into standby, either
locally only or by zone 1 as well.
Local Only Only zone 2 will be switched into standby from
zone 2.
All Off Both zone 1 and zone 2 can be switched into standby
from zone 2.
NOTE: The setting for ‘Zone 2 Standby’ only applies for putting
the AV8 into standby mode. Re-activating zone 2 is always a local
function.
Input trims: Allows the adjustment of the input sensitivity of the
analogue inputs (in Volts rms) so that each one achieves the optimum
dynamic range and sounds similar in loudness to each other.
Available level settings are; Low 1V, Reference 2V, Medium 4V, High 8V.
The reference level of 2V should be appropriate for most inputs.
To ensure the correct level is set up, first ensure that all source levels
are set to Reference 2V. Find some loud music or use a 0dB reference
signal from each source. If the source activates the ‘Analogue CLIP’
indication at the bottom of the screen, then adjust its level upwards
to 4V or 8V, until the ‘Analogue CLIP’ indicator is no longer there.
Then repeat the adjustment process with every other input, selecting
the lowest voltage setting that does not activate the ‘Analogue CLIP’
indicator. If in doubt or a loud signal is not available, then leave a
source on the 2V setting. If you have a CD player with built-in HDCD
decoding, you should generally use the 4V setting.
If a source is very quiet compared with the other sources you can
increase its loudness by selecting the Low 1V setting. Once set, we
suggest you play some loud music from this source to check the
‘Analogue CLIP’ indicator does not come on.
NOTE: The ‘Analogue CLIP’ detector is only active in the ‘Input Trims’
menu, and only responds to the input indicated by the highlight bar
on the screen.
When the Aux input is converted into a Phono (turntable) input, the
sensitivity adjustment is still available.
The ‘Input Trims’ control is only available for analogue inputs. Whenever
a digital input is selected, this control is overridden.
Local OSD: Selects whether the zone 2 OSD is on or off.
When set to On‚ all user adjustments that are made during the
use of zone 2 are displayed on the zone 2 video. This includes the
adjustment of the volume control, the inputs selected and the
setup menus. It is recommended that zone 2 OSD turned On‚
as there is no other display available in zone 2.
When set to Off, all user adjustment displays are disabled, but
pressing the MENU key still displays the zone 2 control menu.
Zone 1 Control: If set to Yes this allows zone 2 to control and adjust
inputs and user controls for the main zone.
Access: This acts as a ‘parental control’ device to disable or enable
access to sources for zone 2.
Press the unwanted source button on the remote control handset or
front panel to disable it for zone 2. Press again to enable the source.
Enabled sources are listed on the ‘Access:’ line of the OSD.
E-15
E-17
English
SAVING SETTINGS AND EXITING SETUP
Save Settings
No Save - Return to index
Save as:Preset 1*
Preset 2
Preset 3
Preset 4
Preset 5
Press OK to edit- OK to save
All the settings you have made on the previous screens can be saved
as a user profile and stored as one of five ‘Presets’. A choice of setup
presets caters for different events such as movies or sport, and for
different user preferences.
To make these customised settings easier to retrieve, you can give each
preset a memorable name, such as ‘John’, ‘Jacky’, ‘Movies’, ‘Sport’, ‘Rock’,
etc.
The presets store the complete setup of the AV8, including the modes
used for each of the inputs and if they are in direct mode or not.
The presets can be used to create different listening preferences. You
may wish to set up different presets for listening to music, watching
DVD, watching TV material or for different listening positions.
To change the name of a preset, highlight it by using the
navigation5and6buttons. Press the OK button to edit. Using
the5and6navigation buttons, cycle through and select lower case
letters (a…z), upper case letters (A…Z) and numbers (0…9). Move
along the line using the3and4buttons.
When you are satisfied with the text you have written, press OK to save
the preset name and to store the setup parameters under this name.
IMPORTANT NOTE: Settings must be explicitly saved before the
unit is switched off, otherwise changes to the settings will be lost and
the unit will need to be set up again.
E-16
E-16
Front panel controls
POWER
AV8 PRE AMP PROCES SOR
DVD ATAPEPHONO/AUXVCRAVSATDVD
MENUDISPLAY
CDTUNER
MO D E
EFFECTTHX
9bn876
1
5
bo
OK
DIRECT MUTE
THX SU RROUND EX
432
bk
bl
bm
V o l : + 8
A n . P LI I
M o vi e
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bp
English
Remote control receiver. This is positioned behind the FMJ
1
badge. Ensure the receiver is in a clear line of sight from the remote
control for operation. If this is not possible, use a separate sensor
connected to the IR input on the rear panel.
THX. Selects between the available THX® modes.
2
Effect. Selects between the available DSP effects modes for two-
3
channel sources. All other modes must be switched off first.
Mode. Selects between Stereo, Mono and the available surround
4
modes for the current source.
Phones. This socket accepts headphones with an impedance rating
5
between 32Ω and 600Ω, fitted with a 1/4-inch stereo jack plug.
Display. This switches the display brightness between Off/Dim/
6
Bright.
Menu. Selects the ‘Main Menu’ on the OSD. Also accesses the
7
‘Setup Menu Index’ when pressed for two seconds.
OK. Used to enter selections made from operating menus. Also
8
changes the OSD video standard (PAL/NTSC) when pressed for two
seconds.
Control knob. The control knob has two functions:
9
as a volume control, to adjust the output to the power
amplifier(s) and headphones connected to the AV8.
when used in the menus with the
button, to navigate menu options.
EFFECT button and5MODE
6
Source selectors. These buttons select the source connected to
bk
the corresponding input. A light above the relevant button indicates
which input is currently selected.
Direct. Stereo direct on/off. Provides a direct analogue path from
bl
analogue inputs to the left and right front outputs. Switches off any
sound processing modes and shuts down the DSP circuits for best
stereo sound quality.
Mute. Mutes all main analogue ouputs when selected.
bm
Power. Switches the main power to the AV8 on and off.
bn
NOTE: Once the unit is switched off, it should be left off for at least
ten seconds before switching on again.
Power/Standby LED. This indicates the status of the preamp
bo
processor. When first turned on, the LED is yellow, to indicate that the
AV8 is ‘initialising’. This changes to green when the AV8 is fully powered
and ready. Red indicates that the AV8 is in standby mode.
Tone Control Indicator. Indicates that bass or treble tone
bp
equalisation is currently active.
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E-19
English
Remote control
SELECT DEVICE
SET
LAST
SLEEP
A–B
EXIT
GUIDE
CH
VOL
MUTE
0
FM
8 AV9 MCH7 TUN
5 AUX6 TAPE4 CD
2
SAT
3
VCR
1
DVD
THX
FX
SUB
P.MODESUBTTITLEMENU
ZOOMAUDIOMEMRETURN
ANGLESETUPSTATUS SEARCH
DISTRM12
TSTSYNDYNSLP
P –P +TMFAV
MODE
OPEN
MENU
INFO
CR80
DVDCBLVCRTV
SATCDAMPAUX
OK
AM
The CR80 remote control is a multi-function unit that controls the AV8
and up to seven other devices. The instructions on this page only refer
to the control of the Arcam FMJ AV8.
For information on using the remote control for other devices, and a
full list of features, see the instruction booklet supplied with the CR80.
Source selection
DVD – DVD input
SAT – Satellite input
VCR – Video Cassette Recorder input
CD – Compact Disc player input
AUX – Auxillary (line) input
TAPE – Tape (monitor) input
TUN – Tuner input
AV – AV input
MCH – DVD-A (multichannel) input
Press the relevant button once to select input; press
and hold to select the analogue input if a digital input
is present.
MUTE
Press once to mute the main system. Press again (or
use VOL +/–) to un-mute.
VOLUME +/–
Adjusts the volume.
MODE
Use this button to cycle through available surround
modes.
INFO
Press once to display the OSD report on source
inputs and processing mode.
SYN (Lip sync)
Press once to adjust the Lip sync audio delay. Use
the
Press again to exit the Lip sync function.
3
and
DIS (Display)
Press to cycle through Off/Dim/Bright illumination
of the front panel display
4
navigation buttons.
Device selection
IMPORTANT: Press the ‘AMP’ button first to
operate the AV8.
On/Standby
This allows the AV8 to be put into and taken out of
standby remotely.
THX (THX mode)
Use this button to cycle through available THX
modes.
FX (DSP effects mode)
Use this button to cycle through effects modes for
two-channel sources.
SUB (Subwoofer trim)
Allows a temporary trim of the subwoofer level.
Press SUB, then adjust using the
the navigation panel.
Navigation buttons
Arrow buttons allow navigation around the menus
on the AV8.
Confirm selection by pressing OK. Press and hold
the OK button to swap PAL/NTSC OSD modes.
MENU
Press to select the OSD Main menu.
Press and hold for more than two seconds to
select the ‘Setup Menu Index’.
FAV (Favourite)
Use this button to clear any temporary
adjustments and return to the current preset
settings.
The other buttons in this area are used for DVD
and Tuner control and do not effect the AV8.
34
buttons on
TRM (Speaker trim)
Press to display the OSD Speaker trim level menu.
TRM allows temporary adjustment of speaker
levels, using the navigation buttons. Press again to
exit the ‘Speaker Trim’ function.
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E-18
NOTE
Remember to correctly install the two AA batteries supplied
before trying to use your remote control.
V o l : + 8A n . P L I I
M o vi e
To ne
Operating your AV8
INTRODUCTION
For information display we recommend you use the OSD on your
TV/screen whenever possible. However all key information is also
duplicated one line at a time on the front panel display of the AV8.
USING THE CONTROLS
SWITCHING ON
Press the power button in. Between one and five seconds later, the
power LED will then come on (first as yellow), the front panel display
window shows ‘ARCAM’, followed by ‘initialising’. This is followed by
the initial volume setting and the name of the input selected. After
initialisation is complete, the power LED changes colour to green.
Please wait until the unit has finished initialising before operating the
AV8. It is recommended that if the unit is switched off, you should wait
at least 10 seconds before switching the unit back on.
STANDBY
The AV8 has a standby mode which can be entered by pressing
STANDBY on the remote control. When in standby mode the display is
blank and the power LED glows red.
When not being used, the AV8 may be left in standby mode, as power
consumption is low. If you are not using your AV8 for several days we
recommend you switch the unit completely off at the front panel.
TO SWITCH ON FROM STANDBY
Press one of the source buttons on the front panel or on the remote
control, or use the standby button on the remote control.
FRONT PANEL DISPLAY
The AV8 is ready for use after about four seconds. This display window
shows the processing mode and initial volume setting.
Output channels in digital processing modes are indicated in the format:
‘3/2.1’, where ‘3’ refers to the front channels, ‘2’ to the rear channels,
and ‘.1’ to the subwoofer channel. Some variants of this format are
described below.
The processing mode and Stereo Direct functions are remembered
and recalled for each input. The digital input and high quality video
input associated with each source may be customised in the setup
procedure.
The DVD-A input is intended for direct analogue pass-through of DVD
Audio or SACD surround sources. Apart from volume control and
level trim, no processing modes are possible on this input.
TAPE OPERATION
The AV8 has a fully independent tape loop. This can be configured to
record the source you are listening to, or to record any other input
using the ‘Record to Tape’ option in ‘Main Menu Screen 2’.
Pressing the TAPE button will select audio from the tape input.
If the ‘Record to Tape’ option is set to Source (its default setting), the
tape LED will illuminate as well as the previously selected input.
If the ‘Record to Tape’ option is set to a specific input, the tape LED will
illuminate as well as the input selected in the ‘Record to Tape’ menu
item.
This indicates the tape loop is active and displays the source that will
be recorded.
For example, if ‘Record to Tape’ is set to Source and you want to record
the CD input:
Select the CD input then put your recorder into record pause so
that it will monitor its input.
Press the TAPE button – you can now listen to the sound actually
being recorded by your tape deck from the CD player.
If you select a different source from CD, the recording will
change to this source.
If you want to record from CD while listening to the Tuner input:
Call up the ‘Main Menu Screen 2’ and set ‘Record to Tape’ to
CD.
Put your recorder into record pause so that it monitors its input
then press the TAPE button. You can now start the recording and
listen to the sound actually being recorded by your tape deck
from the CD player.
Once the recording is running press the TUNER button to listen
to the Tuner, the recording of the CD will continue.
You can check the progress of the recording at any time by
pressing the TAPE button again.
English
Recorded
format
3/2/13 2YesFull 5.1 sound
3/2/032No5-channel sound, no LFE
3/0/03NoNo3-channel sound, no LFE
2/0/02NoNoStereo (Dolby digital or
Front
speakers
Surround
speakers
Subwoofer
Comment
DTS encoded)
SELECTING A SOURCE
To select a particular source, press the corresponding button on
the front panel or on the remote control. There are nine inputs
available: DVD, Sat, AV, VCR, Phono/Aux, CD, Tuner, Tape and DVD-A
(multichannel).
On selecting a source, the AV8 will normally select an active digital
input in preference to an analogue input. If you want to override the
digital input and select the analogue input, press and hold the source
button for at least two seconds.
VCR OPERATION
The AV8 has a fully independent VCR loop for audio and video
(Composite and S-video only). This can be configured to record the
source you are watching to or to record any other input using the
‘Record to VCR’ option in the ‘Main Menu Screen 2’.
Pressing the VCR button selects audio and video from the VCR
input.
If the ‘Record to VCR’ option is set to Source (its default setting),
the VCR LED illuminates as well as the previously selected
input.
If the ‘Record to VCR’ option is set to a specific input, the VCR
LED illuminates as well as the input selected in the VCR menu.
This indicates the VCR loop is active and displays the source that will
be recorded.
E-19
E-21
English
For example, if ‘Record to VCR’ is set to Source and you want to record
the SAT input:
Select the SAT input then put your VCR into record pause so that
it will monitor its input.
Press the VCR button, and you can now watch the audio and
video actually being recorded by your VCR from the satellite
system.
If you select a different source from SAT, the recording changes
to this source.
If you want to record from SAT while watching the AV input:
Call up the ‘Main Menu Screen 2’ and set ‘Record to VCR’ to
SAT.
Put your VCR into record pause so that it monitors its input, then
press the VCR button.
You can now start the recording and watch the audio and video
actually being recorded by your VCR.
Once the recording is running, or you have set the timer on the
VCR, press the AV button to watch the AV input. The recording
of the SAT input continues or starts when the timer activates.
You can check the progress of the recording at any time by
pressing the VCR button again.
To listen to zone 2 using the headphones:
Call up ‘Main Menu Screen 1’ by pressing the MENU button.
Navigate to screen 3 of the Main Menu by pressing the
on the remote, or by turning the volume knob on the front
panel.
4
button
Move the highlighted line to ‘Headphone Out’.
Use the
select zone 2.
When listening to zone 2 via the headphones, you can control the
source and volume from ‘Main Menu Screen 3’.
To select a source:
button on the remote, or use the volume knob to
4
Move the highlighted line to ‘Zone 2 audio’.
Use the
To change the volume:
buttons to select the source you wish to hear.
34
Move the highlighted line to ‘Vol’.
Use the
NOTE: If the headphones are associated with zone 2, the main
volume control knob on the AV8 will not adjust the headphone
volume level as this only controls the main zone 1 volume setting.
buttons to move the volume up and down.
34
STEREO DIRECT
To listen to a pure analogue stereo input, press the DIRECT button. The
Direct mode automatically bypasses all processing and any surround
functions. In Direct mode, digital processing is shut down to improve
the sound quality and reduces digital noise within the AV8 to an
absolute minimum. The LED above the DIRECT button on the front
panel also lights to indicate this mode.
NOTE: When the digital processing is shut down, no digital output
is available.
VOLUME CONTROL
It is important to realise that the position of the volume control
indicator bar is not an accurate indication of the power delivered to
your loudspeakers. The AV8 often delivers its full output power long
before the volume control reaches its maximum position, particularly
when listening to heavily recorded music. In comparison, some movie
sountracks can appear to be very quiet, as many directors like to keep
the maximum levels in reserve for special effect sequences.
If your system is set up in THX reference configuration, the volume
range will cover –53dB to +18dB, where 0dB is the THX reference
level at which the movie director intended the movie to be reproduced.
If your room is small you may find this too loud, so reduce the level until
you are comfortable.
HEADPHONES
To use headphones with the AV8, plug the headphones into the socket
on the left hand side of the front panel.
When headphones are plugged into the headphones socket the
outputs for the zone to which they are assigned is muted. If that zone
is zone 1 and it is in a surround sound mode, the audio will be downmixed to two channels (2.0). The two-channel down-mix is required
so that the centre channel and surround information can be heard via
the headphones.
NOTE: If the headphones are selected to zone 2, only analogue
sources can be heard as there is no digital-to-analogue conversion
available for zone 2.
EFFECTS/FX
The EFFECTS button (FX on the remote) cycles through the available
effect modes. The effects are only available when the AV8 is in stereo
mode. The AV8 effects are:
EffectDescription
NoneNo effects active, stereo signal
MusicExtracted ambience and centre information
PartyAll speakers on
ClubSmall room
HallMedium reverberant room
SportVery reverberant with extracted ambience and dry centre
dialogue
Church Long reverberant room
For more information on the effects, see the section ‘DSP Effects
Modes’.
THX
This button cycles through the available THX modes. The available THX
modes change depending on what mode the AV8 is in and what source
material is being played.
For more information on THX, see the section ‘THX Modes’ on page 26.
SUB
This button on the remote allows temporary trim of the Subwoofer
level. Press SUB, then adjust using the
pad.
buttons on the navigation
34
FAV
Use this button on the remote to clear any temporary adjustments and
return to the current or ‘favourite’ preset settings.
MUTE
Use this button to mute the local zone. Press again (or use VOL+/–) to
un-mute. The Mute LED will light when zone 1 output is muted.
E-20
MODE
Use this button to cycle through the available surround modes.
E-20
INFO
Main Menu Screen 1
Vol:----------I------- +0
Preset: Preset 1
Audio Input: DVD
Video Input: DVD
Video Type: 4:3
Stereo Direct: Off
Bass: THX
Treble: THX
Balance: THX
Press this button on the remote once to display the local OSD report
on source inputs and processing mode. The display times out after
about three seconds.
SYN
Delays may be introduced into the video signal by external video
processing equipment which causes a mismatch between the audio
and video timing. You will notice this by speech sound being out of
synchronisation with the lip movements in the video.
To compensate for this you can adjust the lip sync audio delay. Press
SYN and use the
navigation buttons to change the delay. Press SYN
34
again to exit the lip sync function.
DISPLAY
This allows you to select the illumination level of the front panel display.
Press DISPLAY on the front panel or DIS on the remote to cycle through
the settings Off/Dim/Bright.
USING THE MAIN MENU SCREEN
Three Main Menu screens allow day-to-day changes to be made to the
way the AV8 operates. Examples include adjusting the tone control for
a particular input, recording one source while listening to another or
configuring the headphone output.
The three Main menu screens are available on your display device. The
selected line of each screen is also displayed on the front panel of the
AV8. Each of the following sections has a picture showing the screen
that is displayed as you move through the menus.
USING THE REMOTE CONTROL
Briefly press the MENU button to enter ‘Main Menu Screen 1’. Use
the navigation5and6buttons to go up and down the menu
respectively. The3and4buttons are used to alter the selection
on the highlighted line, or to change to the next screen if the menu
heading is highlighted.
English
TRIM
This allows temporary adjustment of the speaker levels. Press TRM to
access the OSD ‘Speaker Trims’ menu, using the navigation buttons to
adjust the levels required. Press again to exit the trim function. As this is
a temporary adjustment, the trim levels are reset to 0 when the unit is
turned off or the selected input is changed, but are retained if the unit
is put in standby. These temporary trim levels are independent of the
‘Level Settings’ page found in the Setup Menu.
USING THE FRONT PANEL
Press the MENU button to enter the main menu. To cycle through the
items on a menu, use the
EFFECT button to go down and5MODE
6
button to go up one line for each press. Use the volume control knob
for the3and
functions in order to cycle through the available choices,
4
or to change the menu page if the menu heading is highlighted.
MAIN MENU SCREEN 1
Vol: Shows the present volume being used for the main zone and can
be adjusted from here.
Preset: Cycles through user setup presets 1 to 5. These presets may
have customised names. (See ‘Advanced Setup’.)
Audio Input: This shows the current audio input source selected. The
current audio input can be changed when this line is highlighted using
the source select buttons on the front panel or the remote.
Changing the audio input also changes the video input to the same
setting.
Video Input: This shows the current video input source selected. The
current video input can be changed when this line is highlighted using
the source select buttons on the front panel or the remote.
Changing the video input does not change the audio input, so you can
watch a different input from the one you are listening to.
If the audio and video are set to different inputs, they will be reset to be
the same when the audio input is next changed. However it is possible
to set the AV8 so that they remain separated in the ‘Video Settings’ in
the Setup Menu.
For example, you may wish to watch a sports event from satellite but
wish to listen to the commentary from a radio broadcast.
Video Type: This line is only present if SCART mode has been set in
the ‘General Settings’ in the Setup Menu. It shows the video aspect ratio
currently selected on the display. It can be set manually to 4:3 or 16:9,
depending on which format you are feeding into the unit.
E-21
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English
Stereo Direct: If Stereo direct is Off, the AV8 functions in its normal
Main Menu Screen 2
Record to Tape: Source
Record to VCR: Source
Compression: Off
Lip Sync.: +0ms
Pro Logic II Music Mode:
Dimension: +3
Centre Width: +3
Panorama: Off
way.
If stereo direct is On, the AV8 uses the analogue input signal for the
source, bypassing the digital circuitry. In this mode, the AV8 functions
like an analogue preamp: it also shuts down all the unused digital
circuitry for optimum stereo performance.
NOTE: In Direct mode no digital output is available.
Bass and Treble: These allow you to alter the bass and treble controls
temporarily for all currently active speakers. In the case of Stereo, this
would only apply to the front left and right speakers. In Effects, Pro
Logic II Music, Dolby Digital and DTS modes (for example), this would
apply to all present speakers.
You can adjust the bass and treble by up to ±6dB. These adjustments are
in addition to those made in ‘Speaker Eq’ in the Setup Menu. However,
the maximum overall tone control range for each speaker using this
screen plus the settings in ‘Speaker Eq’ is still ±6dB (not ±12dB).
NOTE: Bass and treble alterations are not available in THX mode,
Stereo mode when ‘Audio Stereo Tone Bypass’ is set to Yes, or in
Stereo Direct mode.
Balance: To alter the sound balance temporarily between the front left
and right speakers. You can alter the sound stage to either the left or
right by up to 10dB. Note that it is not possible to shift the audio signal
completely over to one channel.
NOTE: Balance alterations are not available in THX mode.
MAIN MENU SCREEN 2
video processing is used in the system for line doubling or progressive
scan video. The range of lip sync delay is -5 to 220 milliseconds.
The other use for lip sync is when a DVD has been poorly mastered or
a broadcast shows noticeable delay between the video and audio.
The lip sync function works on all sources, unless Stereo Direct is
selected. Lip sync is also directly available on the SYN button on the
remote control.
The lip sync adjustment can only correct for delayed video: if the audio
is delayed, set lip sync to its minimum.
Pro Logic II Music Mode
This allows the adjustment of the sound field for Dolby Pro Logic II
Music decoding of two-channel sources.
Dimension: allows the user gradually to adjust the soundfield
either towards the front or towards the rear. If a recording is
too spacious or strong from the surrounds, it can be adjusted
‘forward’ to get a better balance. Likewise, if a stereo recording is
somewhat too ‘narrow’ sounding, it can be adjusted toward the
rear to get a more enveloping, immersive result. We recommend
‘Dimension’ is set to 3 for normal use.
Centre Width: With Pro Logic decoding, dominant centre
signals come only from the centre speaker. If no centre speaker
is present, the decoder splits the centre signal equally to the
left and right speakers to create a ‘phantom’ centre image. The
Centre Width control allows variable adjustment of the centre
image so it may be heard only from the centre speaker; only
from the left/right speakers as a phantom image; or from all
three front speakers to varying degrees. We recommend ‘Centre
Width’ is set to 3 for normal use.
Record to Tape: Allows any analogue input to be directed to the tape
output, independently of the input that is being listened to.
You cannot select tape as a record source: if allowed this would cause
feedback through the tape recorder.
If ‘Record to VCR’ is set to the tape input, you cannot select the VCR
input as a ‘Record to Tape’ option. If allowed this would cause feedback
through the VCR.
Record to VCR: Allows any analogue audio, together with Composite
or S-video input, to be directed to the VCR output. The selection is
independent of the input that is currently being listened to or
watched.
You cannot select VCR as a record source: if allowed this would cause
feedback through the VCR.
If ‘Record to Tape’ is set to the VCR input, you cannot select the tape
input as a ‘Record to VCR’ option. If allowed this would cause feedback
through the tape recorder.
Compression: Allows selection of two different compression
ratios (medium and high) which are ideal for late night listening. The
compression effect increases the volume of the quiet passages and
decreases the volume of the louder passages. Compression can be
disabled by setting to Off.
Compression is only available on Dolby Digital recordings and on some
DTS recordings.
Lip Sync: Allows the introduction and adjustment of a time delay
between the audio and video signals to compensate for the sound and
picture not being synchronised. This is normally required when extra
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DisplayCentre spreading effect
0No centre spreading
120.8°
228°
336°
454°
562°
669.8°
7 Phantom centre
Panorama Mode: Extends the front centre image to include the
surround speakers for an exciting ‘wrap-around’ effect with side wall
imaging.
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MAIN MENU SCREEN 3
Main Menu Screen 3
Zone 2
Vol:--------------I--- +0
Headphone Out: Zone 1
Zone 2 Audio: Follow Zone 1
Zone 2 Video: Follow Zone 1
Zone 2 Status: On
Zone 2 Main Menu
Vol:----------------I- +0dB
Audio Input : DVD
Video Input : DVD
Record to Tape: Source
Record to VCR : Source
Zone 1 Status : On
Zone 1 Volume : +0dB
Zone 1 Audio : CD
Zone 1 Video : DVD
This page refers to zone 2 functions. These are required if your system
is installed to send audio and video to a separate ‘zone 2’ room, or you
wish to make use of the zone 2 headphone facility.
Vol: Shows present volume being used in zone 2 and can be adjusted
from here. This is also the volume control for the headphones output
if it is assigned to Zone 2.
Headphone Out: Selects whether the audio signal being fed to the
headphone socket is the audio from zone 1 or zone 2.
Zone 2 Audio: Selects which audio source is sent to zone 2. The
source can be selected specifically, or can be set to Follow Zone 1.
Zone 2 Video: Only sources that have been allowed in the ‘Access’
line of ‘Zone 2 Settings’ in the Setup Menu can be selected. If zone 2 is
set to Follow Zone 1, and zone 1 is on a disallowed input, no audio or
video is available in zone 2.
Zone 2 Status: Turns zone 2 output On or Off. This should be set to
Off if no equipment is connected to the zone 2 outputs on the AV8.
NOTE: You cannot change the zone 2 audio or video inputs unless
zone 2 is on. It takes about five seconds to initialise zone 2.
USING ZONE 2
INTRODUCTION
Zone 2 provides the option for the occupants of the master bedroom,
children’s room or kitchen to view or listen to a different source at a
different volume level from the main zone (zone 1).
If a video feed is provided to zone 2, then the following menu, unique
to a zone 2 IR receiver, can be called up using the MENU button on a
CR80 remote control.
CONTROL VIA ZONE 2 MENU
Vol: Shows present volume being used in zone 2, which can be
adjusted from here.
Audio Input: This shows the current audio input source selected. The
current audio input can be changed when this line is highlighted, using
the
video input to the same setting.
Video Input: This shows the current video input source selected. The
current video input can be changed when this line is highlighted, using
the
navigation buttons. Changing the audio input also changes the
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navigation buttons.
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Changing the video input does not change the audio input, so it is
possible to watch a different input from the one you are listening to.
Record to Tape: Allows any analogue input to be directed to the tape
output, independently of the input being listened to. You cannot select
tape as a record source: if allowed, this would cause feedback through
the tape recorder.
Record to VCR: Allows any analogue audio input together with
Composite or S-video input to be directed to the VCR output. The
selection is independent of the input that is currently being listened to
or watched.
You cannot select ‘VCR’ as a record source: if allowed this would cause
feedback through the VCR.
Zone 1 Status: Shows the user status of zone 1 (the main zone). The
status can be On (i.e., being used) or Off (i.e., in standby mode).
Zone 1 Volume: Shows and allows adjustment of the volume in zone
1 (the main zone). This can be locked out with the ‘Zone 1 Control’ line
of ‘Zone 2 Settings’ in the Setup Menu.
Zone 1 Audio: Shows and allows adjustment of the audio selection
in zone 1 (the main zone). This can be locked out with the ‘Zone 1
Control’ line of ‘Zone 2 Settings’ in the Setup Menu.
Zone 1 Video: Shows and allows adjustment of the video selection
in zone 1 (the main zone). This can be locked out with the ‘Zone 1
Control’ line of ‘Zone 2 Settings’ in the Setup Menu.
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Surround modes
INTRODUCTION
Your AV8 processor provides all the key decoding and processing
modes for analogue and digital signals.
MODES FOR DIGITAL SOURCES
Digital recordings are usually encoded to include information about
their format type. The AV8 automatically detects the relevant format
in a digital signal, such as Dolby Digital or DTS, and switches in the
appropriate decoding.
Sometimes additional material at either the beginning or the end of the
main movie may only be in a two-channel format, rather than 5.1 for
the main movie. Your AV8 automatically chooses the correct decoding
of the soundtrack as necessary.
MODES FOR ANALOGUE SOURCES
Analogue recordings do not contain information about their encoding
formats, so the desired decoding mode – such as Dolby Pro Logic
– needs to be selected manually.
MODE MEMORY
The AV8 has a comprehensive memory that allows it to store different
settings for each source button. The text below applies to all inputs
except DVD-A.
Dolby Digital or DTS audio data (sometimes collectively referred to as
‘bitstream’ sources) can be output in three mix modes, selected using
the MODE button:
Surround (e.g., five main channels plus a subwoofer for a 5.1
source)
Stereo Downmix
Mono Downmix
The AV8 will remember which mix mode was last used with a bitstream
source. See ‘Multichannel Source Modes’ for more information.
Two-channel audio, regardless of whether it is analogue or digital PCM
(e.g., the digital output from a CD player) can also be output in three
mix modes, selected using the MODE button:
Surround (e.g., Dolby Pro Logic II Movie, Neo:6 Music, etc.)
Stereo (or Effects)
Mono
The AV8 will remember which mix mode was last used with a twochannel source, and if Surround, which particular surround mode. See
‘Two Channel Source Modes’ for more information. If an effect mode
has been applied whilst in Stereo, this will also be remembered. See
‘DSP Effects Modes’ for more information.
A special situation occurs with a bitstream (Dolby Digital or DTS) 2.0
or 2.1 source. They can be output in the following three mix modes:
Surround (using Dolby Pro Logic II Movie mode)
Stereo
Mono Downmix
There is a link between the mix modes for multichannel bitstream (e.g.,
5.1) and two-channel bitstream (2.0 or 2.1) sources. If a 5.1 source
is played in Surround mix mode, the AV8 will remember this for all
bitstream sources (e.g., DTS-ES Matrix, Dolby Digital 3.0, etc.) and
use the maximum number of speakers the signal is encoded for. As a
result, when a 2.0 or 2.1 bitstream is played the Surround mix mode
is recalled and the AV8 enters Dolby Pro Logic II Movie mode to try
to recreate the surround environment from what may be a Pro Logic
encoded source.
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If you would rather listen to a 2.0 or 2.1 bitstream in ordinary stereo
(with or without a subwoofer), press MODE to cycle through to the
Stereo mix mode (e.g., Dolby Digital 2/0.0 on the display). However, if
the source becomes a multichannel bitstream (e.g., 5.1) again, the AV8
will recall Stereo mix mode and therefore output a Stereo Downmix
of the multichannel signal. Full surround output can be re-achieved by
pressing MODE to cycle through to the surround mode encoded on
the disc.
If at any point THX post-processing is applied to a source (either
analogue or digital), it is applied globally to that source button
regardless of digital input format (Dolby Digital or DTS), analogue or
digital two-channel surround mode (e.g., Neo:6 Music) or downmixing
modes. The only exceptions where THX post-processing is not applied
are in the Effects modes and Direct mode.
TWO-CHANNEL SOURCE MODES
The following decoding and surround modes are available;
Mono
Stereo
Pro Logic II Movie
Pro Logic II Music
Pro Logic Emulation
Neo:6 Cinema
Neo:6 Music
These modes are available with two-channel analogue and two-channel
PCM digital sources.
NOTE: A Dolby Digital 2.0 source may only be decoded as Mono,
Stereo or Pro Logic II Movie.
Mono: The AV8 will combine the left and right audio channels from
a stereo signal to produce a mono signal. This can be of benefit when
playing older audio recordings or VCR tapes, especially mono LP
records.
Analogue Stereo: In this mode the AV8 works as a conventional high
quality audio pre-amplifier. If the subwoofer is enabled in Stereo mode,
some processing of the signal will be carried out. For ultimate sound
quality with analogue sources, select the Stereo Direct function.
Digital Stereo: Decodes two-channel digital signals such as PCM
signals from sources such as CDs and some DVDs.
Dolby Pro Logic II: There are two different modes available in
Pro Logic II; Movie and Music modes. Due to the different recording
methods used for movies and music, use the right decoding mode for
your source material for best results.
Movie Mode: Movies are mixed and monitored in a calibrated
multichannel environment. Movie mode is a fixed mode designed
to reproduce a similar end result when listening using a home
cinema system.
Music Mode: Stereo music is not designed for surround
processing, although good surround effects can be obtained
through the right processing. As the optimum processing varies
according to the recording, Music mode allows user adjustment
of the processing characteristics. Information about adjusting the
Music mode by using ‘Dimension’ and ‘Centre Width’ controls
can be found in the ‘Main Menu Screen 2’ section.
Dolby Pro Logic Emulation: This mode should only be used when
the source material is encoded as Dolby Pro Logic. Pro Logic processing
on straight stereo sources can sound muffled and compressed, and is
not recommended.
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The AV8 allows both Pro Logic and Pro Logic II decoding. Generally,
you will find Pro Logic II performs better and gives a livelier, more
realistic surround sound field.
DTS NEO:6 Cinema: A movie mode designed to reproduce
a movie theatre environment with natural steering to all available
surround speakers from a two-channel stereo or matrix encoded
source.
DTS NEO:6 Music: A music mode designed to produce a lively yet
high integrity surround effect from most two-channel music sources
from all available speakers.
MULTICHANNEL SOURCES
Digital multichannel source material is normally provided as ‘5.1 audio’.
The ‘5.1 channels’ comprise of: left, centre, and right front speakers, two
surround speakers and a low frequency effects (LFE) channel. Since the
LFE channel is not a full range channel, it is referred to as ‘.1’.
Surround systems decode and reproduce the 5.1 channels directly.
THX Surround EX and DTS-ES enhanced decoding systems create
one extra rear channel from information buried in the two surround
signals of the 5.1 source. These EX and ES enhanced systems are
sometimes referred to as ‘6.1’ systems. This extra surround back
channel is normally reproduced through two separate loudspeakers,
creating a ‘7.1 system’.
5.1 PLAYBACK ON 7.1 SPEAKER SYSTEMS
When listening to 5.1 channel digital recordings, such as Dolby Digital
and DTS on a 7.1 channel speaker system you will have two speakers
producing no sound. These two surround back speakers can be
assigned the same signal as the surround speakers in the ‘Speaker Sizes’
page of the Setup Menu. When both the surround and surround back
speakers are selected the volume from both will be reduced by 3 dB to
keep the sound levels in balance.
MULTICHANNEL SOURCE MODES
The following modes are available for multichannel digital sources.
Special modes like DTS-ES 6.1 Matrix and DTS-ES 6.1 Discrete are
only available from the correct source material.
FOR DOLBY DIGITAL SOURCES
Dolby Digital 5.1
Dolby Digital 5.1 Stereo Downmix
Dolby Digital 5.1 Mono Downmix
FOR DTS SOURCES
DTS 5.1
DTS 5.1 Stereo Downmix
DTS 5.1 Mono Downmix
DTS-ES 6.1 Matrix
DTS-ES 6.1 Discrete
MODE DESCRIPTIONS
Dolby Digital 5.1: The most commonly used sound format for DVD
video, and is also the standard for US digital television. Dolby Digital 5.1
sources deliver surround sound with five discrete full-range channels;
left, centre, right, surround left, and surround right, plus a low frequency
effects (LFE) channel.
DTS 5.1: Less common than the Dolby Digital format, but generally
recognised within the audio industry as being of superior sound quality.
DTS 5.1 delivers surround sound with five full range channels plus an
LFE channel.
DTS-ES 6.1 Matrix: This is a 6.1 channel format based on DTS
5.1. It has the sixth channel matrix encoded into the surround left
and surround right channels. The sixth channel is a surround centre
channel and is directed to the surround back left and surround back
right speakers.
DTS-ES 6.1 Discrete: This is a true discrete 6.1 channel sound
format, unlike DTS-ES 6.1 Matrix where the sixth (surround centre)
channel information is extracted from the two surround channels.
DTS-ES 6.1 Discrete mode operates only on sources with DTS-ES 6.1
Discrete audio encoding, e.g., certain DVD discs.
A list of available software titles with DTS-ES 6.1 Matrix and DTS-ES
6.1 Discrete titles can be found at www.dtsonline.com.
THX® MODES
THX processing offers additional performance benefits on top of the
conventional decoding modes listed earlier.
THX is an exclusive set of technologies and standards established by
the world-renowned film production company, Lucasfilm Ltd. THX
grew from George Lucas’ personal desire to make your experience of
the film soundtrack, in both movie theatres and in your home theatre,
as faithful as possible to what the director intended.
Movie soundtracks are mixed in special movie theatres called dubbing
stages and are designed to be played back in movie theatres with similar
equipment and conditions. This same soundtrack is then transferred
directly onto DVD, Laserdisc, VHS tape, etc., and is not changed for
playback in a small home theatre environment.
THX engineers developed patented technologies to translate
accurately the sound from the movie theatre environment into the
home, correcting the tonal and spatial errors that would otherwise
occur.
A full explanation of THX technologies is provided in the section
‘About THX Cinema Processing’. Available THX modes are:
THX Cinema
THX Cinema mode provides the additional processing required for the
optimal presentation of movies in the home.
In Surround reproduction, this mode provides Re-Equalisation
Timbre Matching™ and Adaptive Decorrelation™ as necessary
to all channels.
In Two-channel reproduction, this mode provides Re-
Equalisation™ of the left and right channels.
In Mono reproduction, this mode provides Re-Equalisation
the mono signal.
THX Ultra2 Cinema
THX Ultra2 Cinema mode plays 5.1 movies using all 7.1 speakers giving
you the best possible movie watching experience. In this mode, ASA
(Advanced Speaker Array)™ processing blends the surround speakers
and surround back speakers providing the optimal mix of ambient and
directional surround sounds. See ‘About THX Cinema Processing’ for
more information.
DTS-ES (6.1 Matrix and 6.1 Discrete) and Dolby Digital Surround EX
encoded soundtracks will be detected automatically if the appropriate
flag has been encoded on the DVD.
Some Dolby Digital Surround EX soundtracks are missing the digital
flag that allows automatic switching. If you know that the movie that
you are watching is encoded in Surround EX, you can select the THX
Surround EX playback mode manually.
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THX Surround EX and Surround ES
Surround EX is a joint development of Dolby Laboratories and the
THX division of Lucasfilm Ltd. In a movie theatre, film soundtracks
that have been encoded with Surround EX technology are able to
reproduce an extra channel which has been added during the mixing
of the programme. This channel, called surround back, places sounds
behind the listener in addition to the front left, centre, front right,
surround left, surround right and LFE channels. This additional channel
provides the opportunity for more detailed imaging behind the listener
and brings more depth, spacious ambience and sound localization
than with simple 5.1 reproduction. Movies that were created using
the Surround EX technology, when released into the home consumer
market may exhibit wording to that effect on the packaging.
With appropriate material, the THX Surround EX mode will normally
activate automatically, providing this option has been enabled in the
‘THX Settings’ page of the Setup Menu. Some Dolby Digital Surround
EX soundtracks are missing the digital flag that allows automatic
switching. If you know that the movie that you are watching is encoded
in Surround EX, you can select the THX Surround EX playback mode
manually.
You can also switch on the THX Surround EX mode during the
playback of 5.1 channel material that is not Surround EX encoded.
In such case the information delivered to the surround back channels
will be programme-dependent and may or may not be very pleasing
depending on the particular soundtrack and the tastes of the individual
listener.
THX MusicMode
For the replay of multichannel music the THX MusicMode can be
selected. In this mode THX ASA processing is applied to the surround
channels of all 5.1 encoded music sources such as DTS and Dolby
Digital to provide a wide stable rear soundstage.
DSP EFFECTS MODES
The AV8 has a number of effects modes that can be used to enhance
a stereo signal and to make use of the surround loudspeakers. DSP
effects modes are only available with stereo source signals.
You can listen to the influence of any effect mode by playing a CD, then
pressing pause, when the decaying reverberation effect can be heard.
Available effects modes
Music: Music surround makes full use of the additional speakers placed
at the centre, sides and rear of the room. This effect uses ambiance
extraction for the side and rear speakers and offers the most subtle
surround processing with no reverberation or reflections.
Party: The Party effect allows unprocessed stereo signals to be played
over all speakers for background music or for maximum acoustical
output of the system.
Club: The Club effect generates reflections and short reverberation
information to the front, side and rear speakers. It simulates a small club
venue, such as a Jazz Club.
Concert Hall: The Concert Hall effect generates the ambient
information for the simulation of a medium size hall. Reflections and
medium length reverberation information are sent to all channels.
Sports: Sports stadium effect is ideal for use when watching live sports
events which would normally be in stereo. The open ambience of a
sports stadium is actively recreated around you, except from the centre
channel which is kept clear for commentary.
Church: The Church effect uses a reverberation algorithm which
emphasises rich, smooth reverberant decay in large spaces. As its name
suggests, it works well for simulating a space with long reverberation
time relative to its size, such as a large church or cathedral.
ABOUT THX® CINEMA PROCESSING
THX TECHNOLOGY
Re-Equalization
The tonal balance of a film soundtrack will be excessively bright and
harsh when played back over audio equipment in the home because
film soundtracks were designed to be played back in large movie
theatres using very different professional equipment. Re-Equalization
restores the correct tonal balance for watching a movie soundtrack in
a small home environment.
Timbre Matching
The human ear changes our perception of a sound depending on the
direction from which the sound is coming. In a movie theatre, there
is an array of surround speakers so that the surround information is
all around you. In a home theatre there are usually only two speakers
located at either side of your head. The Timbre Matching feature filters
the information going to the surround speakers so that they more
closely match the tonal characteristics of the sound coming from the
front speakers. This ensures seamless panning between the front and
surround speakers.
Adaptive Decorrelation
In a movie theatre, a large number of surround speakers help create
an enveloping surround sound experience, but in a home theatre there
are usually only two speakers. Two surround speakers can sound like
headphones that lack spaciousness and envelopment. The surround
sounds will also collapse into the closest speaker as you move away
from the middle seating position. Adaptive decorrelation slightly changes
one surround channel’s time and phase relationship with respect to the
other surround channel. This expands the listening position and creates
– with only two speakers – the same spacious surround experience as
in a movie theatre.
ASA (Advanced Speaker Array)
ASA is a proprietary THX technology which processes the sound
fed to two surround and two surround back speakers to provide the
optimal surround sound experience. ASA is used in two modes; THX
Ultra2 Cinema and THX MusicMode.
THX STANDARDS
Lucasfilm define a series of technical performance standards that
equipment must exceed before it is awarded THX certification. Several
levels of performance standards are defined, the most demanding
standards are set for THX Ultra2. THX Ultra2 requirements cover
every aspect of the product including pre-amplifier performance and
operation, video pass through, and hundreds of other parameters in
both the digital and analogue domain.
Before any home theatre component can be THX Ultra2 certified,
it must incorporate all the technology features above and also pass
this rigorous series of quality and performance tests. Only then can a
product feature the THX Ultra2 logo, which is your guarantee that the
home cinema products you purchase will give you superb performance
for many years to come.
A list of available DVD software titles encoded with Dolby Digital
Surround EX technology can be found at www.thx.com and
www.dolby.com.
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Troubleshooting
There are no lights on the unit:
Check that:
the power cord is plugged into the AV8 and the mains socket
outlet it is plugged into is switched on.
the power button is pressed in.
If a red LED is present, the AV8 is in standby mode. Press any source
button on the front panel or on the remote control.
The unit responds erratically or not at all to the remote
control:
Check that:
there are fresh batteries in the remote control.
the Remote IR receiver window is visible and you are pointing
the remote control towards it.
The front panel display is blank:
Check that:
the display hasn’t been turned off. Press the DIS button on the
remote control.
the AV8 is not in ‘Programming mode’ by turning it off, waiting
ten seconds then switching back on again.
No picture is produced:
Check that:
your viewing device is turned on and switched to display your
AV8. Test by pressing the MENU button on the AV8 or AV8
remote and look for the AV8 ‘Main Menu Screen 1’ displayed on
your device.
the correct video input is selected on the AV8
the video source is on, is operating normally, and is in ‘play’ mode
if appropriate.
you have the same video connection between the video source
and the AV8 as between the AV8 and your viewing device. For
example, composite video is used from the source to the AV8,
and from the AV8 to the display device.
The video source is different to the audio:
Check that:
the video and audio inputs are correctly selected in ‘Main Menu
Screen 1’. Press MENU, then change either the video or audio
source by first using the navigation5and6buttons, then use
the source buttons to select the correct input.
the digital audio inputs and HQ video inputs are correctly
assigned to their sources on the ‘Digital Settings’ page in the
Setup Menu.
There are bright edges or ‘ghosts’ on the picture:
Check that:
the cables used for video connections are designed for that
purpose (i.e., they are 75Ω coaxial cables).
the ‘Sharpness’ control on your video display device is switched
off or set near minimum.
There is no on screen display (OSD):
Check that:
your video display device is connected to your AV8 correctly.
the on screen display has not been turned off on the ‘Video
Settings’ or ‘Zone 2 Settings’ pages (for zone 1 and zone 2
respectively) in the Setup Menu.
if you are using a component display, check that the AV8 is set for
component video. See the ‘Basic Setup’ section.
OSD Display is pink/red
If a component video signal is fed into the AV8 when the ‘HQ Video’
setting is set to RGB you will have a pink/red OSD.
To correct this you must set the ‘HQ Video’ line on the General Settings
menu to ‘Component’.
No On Screen Display (OSD) overlaid on video:
The AV8 cannot overlay video onto progressive scan or HDTV
signals. In this case, the AV8 creates a full screen display with a black
background for the menus and turns off the pop up messages.
No sound is produced:
Check that:
the correct input has been selected.
the source equipment is on, is operating normally, and is in ‘play’
mode if appropriate.
the volume is turned up to a reasonable level and ‘MUTE’ is not
displayed on the front panel display.
your power amplifier(s) are turned on and working correctly.
you have assigned the digital input to the correct source button.
The sound is poor or distorted:
Check that:
the cables to that source and to the power amplifier are making
a good connection. If necessary withdraw the cable from the
connector and plug it back in again. (Turn the power off before
doing this)
you have not excessively reduced the input sensitivity on the
‘Input Trims’ page in the Setup Menu if an analogue input has
been selected. Check that the input is not clipping by using the
‘Analogue Settings’ page.
you have selected the correct size of speakers to suit your
system on the ‘Speaker Sizes’ page in the Setup Menu.
Sound only comes from some of the speakers:
Check that:
you have an appropriate surround sound source selected and
playing.
the DVD disc is encoded in the appropriate format, and that the
correct format has been selected in the Disc start menu of the
DVD player (if applicable).
the DVD player has been set to output ‘Bitstream’ audio on the
digital output.
the display window indicates that the disc you are playing is a
multichannel recording.
all the speakers are correctly connected to the power amp, and
are secure.
you have not selected ‘Stereo’ in the mode selection.
your speaker balance is correct.
all amplifiers are turned on and all channels are working
correctly.
after setup, that you have configured your AV8 to include all the
speakers in your system.
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Unable to select Dolby Digital or DTS decoding modes:
The AV8 can only apply Dolby Digital and DTS decoding to sources
which have been encoded in the same format.
Check that:
a digital source is selected and connected.
the source is playing appropriately encoded material.
the DVD disc is encoded in the appropriate format, and that the
correct format has been selected in the Disc start menu of the
DVD player (if applicable).
the DVD player has been set to output ‘Bitstream’ audio on the
digital output.
When playing a Dolby Digital DVD, the AV8 selects Dolby
Pro Logic:
Check that:
you have a digital connection from your DVD player.
sometimes Dolby Digital DVD discs contain material at either
the beginning or the end of the main movie that is not in full 5.1
format, but in two-channel or Pro Logic encoding.
Hum on an analogue input:
Check that:
all cables are making a good connection. If necessary withdraw
the cable from the connector and plug it fully in again. (Turn the
power off before doing this)
the connections inside the source cable connector are not
broken or badly soldered.
if the hum originates only when one particular source
component is connected, that an aerial, cable or dish connection
to this source is ground isolated. Contact your installation
contractor.
try switching the ground lift switch on the back panel.
There is radio or television reception interference:
Check:
where the interference is coming from. Switch off each source
component in turn, then any other equipment. Most electronic
equipment does generate low levels of interference.
try re-arranging cabling from the nuisance source away from
other cabling
ensure that the cabling used is high quality, specified for its
purpose, and is properly screened.
if the problem persists contact your installer.
The source switching changes randomly or freezes on one
source:
Check that:
there are no static or impulse interference problems caused
by nearby power equipment switching, e.g., heating or air
conditioning control. Switch the AV8 off, wait ten seconds, then
switch it on again to clear an operating problem. Contact your
installer if the problem returns or persists.
Zone 2 is changing the source inputs in the main zone:
Check that:
on the ‘Zone 2 Settings’ page of the Setup Menu, you have set
the ‘Zone 1 Control’ line to No.
Volume is always too loud when I turn the system on for the
main zone or zone 2:
Check:
the ‘Max On Volume’ line of ‘General Settings’ or ‘Zone 2
Settings’ pages in the Setup Menu. They will need adjusting to a
lower level.
You can’t select a particular input in zone 2:
Check that:
you have not blocked that particular input using the ‘Access’ line
of ‘Zone 2 Settings’ in the Setup Menu.
When zone 2 is put into standby, the main zone is also
turned off:
Check that:
the ‘Zone 2 Standby’ line of ‘Zone 2 Settings’ in the Setup Menu
is set to Local Only.
Component Video connection to AV8 only:
It is possible to configure the AV8 by using the front panel as the
selected line of the menu is displayed on the front panel, however it is
easier using the OSD on your display device.
If you are using only a component connection to your display device
it is possible to turn the HQ video output on and therefore view the
OSD information with just a few buttons of the remote control as
listed below.
Turn the AV8 on and wait for it to initialise
Press and hold the MENU button on the remote control for two
seconds. The front panel display will indicate ‘Setup Menu Index’.
Press
The OSD information is now displayed on your display device.
Unable to alter settings in Setup Menus:
To prevent tampering with the AV8 setup configuration you can ‘lock’
the menus by pressing the OK, TUNER and DVD-A buttons simultaneously
on the front panel. To unlock the AV8 press the same buttons again.
Unstable OSD on screen display:
The AV8 defaults to the NTSC video standard: most display devices
can sync to this automatically.
For PAL-only display devices, press and hold the OK button for two
seconds: this will switch the video standard to PAL. Repeating this
returns the AV8 to the NTSC video standard.
Feedback when making digital recording:
As the AV8 has only one analogue-to-digital converter (ADC), it is not
possible to use a tape monitor loop when making a digital recording. If
you try to do this, the tape analogue input is directed to the ADC (so
that the tape input can have DSP processing), converting it to digital
and feeding it to the digital output. This creates a loop through the
digital recorder.
Digital recorders should not be used with the analogue tape monitor if
you are using digital output from the AV8.
No zone 2 audio when playing DTS film:
The DV27 (and most other two-channel DVD players) cannot output
a stereo decoded version of the DTS signal – its analogue outputs are
muted when playing back DTS films. If you want to watch a DVD in
both the Main zone and zone 2, please use the Dolby Digital sound
track.
Strange aspect ratio of video in zone 2:
The DV27 (and other DVD players) can only decode video to one
aspect ratio at a time. If you are using wide screen in the Main zone,
then wide screen information will also be fed to zone 2.
To overcome this, either set the film to 4:3 for the main zone when
you want to use zone 2 as well, or change the zone 2 display to a wide
screen capable type.
4554
in sequence.
E-28
E-28
Unable to adjust bass and treble controls:
Bass and treble is not available in THX mode. For Analogue Stereo and
Digital Stereo modes, check that the ‘Auto Stereo Tone Bypass’ line of
‘Speaker Eq’ in the Setup Menu is set to No.
Unable to adjust balance control:
Balance is not available in THX mode.
Digital signal drops out when other electrical appliances
turn on (heating, fridge, freezer, etc.):
If a poor quality or incorrect type of cable has been used for the digital
inputs, they can pick up electrical noise. Change the cable to a 75Ω low
loss coaxial type.
Check the connections have not oxidised. Clean the connectors with
contact cleaner if they appear oxidised.
English
E-29
E-31
English
Technical specications
Audio
Line input sensitivity (set to Reference)2V rms
Input impedance10kΩ
Preamp output level (nominal)2V rms
Output impedance25Ω
Signal/noise ratio (unwtd 20Hz–20kHz) – analogue>100dB
Signal/noise ratio (unwtd 20Hz–20kHz) – digital (24-bit)>98dB
THD+N – analogue0.0012%
THD+N – digital (24-bit)0.0015%
Headphone maximum output level into 600Ω5V p-p
Output impedance5Ω
Video inputs and outputs
Input and output impedance75Ω
Composite video level1V
HF response to (–3dB)12MHz
S-video level (Y/C)1V / 0.28V
HF response to (–3dB)12MHz
HQ (component) video
level (Y / Cr / Cb)1V / 0.5V / 0.5V
level (R / G / B)1V / 1V / 1V
HF response to (–3dB)300MHz
Digital inputs
Coaxial connection (level/impedance)0.5V/75Ω
Acceptable sampling frequencies, all inputs44.1kHz, 48kHz, (and 96kHz stereo only)
Digital output
Output level/impedance0.5V/75Ω
Sampling frequency in ADC output mode44.1kHz
Trigger outputs
Output D.C. voltage (excl. RGB status)12V ±1V
Allowable load30mA max (min 400Ω)
Remote inputs and output
Signalmodulated 36kHz carrier
CodingPhilips RC-5
General
Mains voltage range85V to 265V
Power consumption 35VA
Power consumption (standby)32VA
Dimensions Width x Depth x Height (including feet)433mm x 360mm x 130mm
Weight (net)9kg
Weight (packed)14kg
Supplied accessoriesMains lead, CR80 remote control, 2 x AA batteries
E&OE
NOTE: All specification values are typical unless otherwise stated.
E-30
CONTINUAL IMPROVEMENT POLICY
Arcam has a policy of continual improvement for its products. This
means that designs and specifications are subject to change without
notice.
E-30
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