Analog Way OPS200 User Manual

USER MANUAL

Ops200

version 4.00

version 1.0

THANK YOU

Thank you for choosing Analog Way. By following these simple steps, you will be able to operate the
powerful OPS200.

TABLE OF CONTENTS

INTRODUCTION

1-1. OPS200 OPERATING MODE

1-2. USEFUL TERMS AND DEFINITIONS

HARDWARE INSTALLATION

2-1. SAFETY INSTRUCTION

2-2. UNPACKING AND INSPECTION

2-3. RACKMOUNT INFORMATION

2-4. CABLE & ADAPTOR INFORMATION

1

4

4

4

5

5

10

10

11

2-5. HARDWARE SPECIFICATIONS

CONNECTING THE OPS200

3-1. CONNECTING THE OPS200

3-2. THE OPS200 REAR PANEL

11

Input specications

Output specications

Communication specications

Environmental specications

Pin outs

HDCP compliance

18

18

19

Overview

Universal Inputs #1 to #7

DVI Inputs #1 - #2

SD/HD-SDI Inputs #1 - #2

Preview outputs

Main (Program) outputs

1

OPERATING THE OPS200

23

4-1. THE OPS200 FRONT PANEL

Overview

On/Off button

Menu screen

Menu scroll knob

Control section

Layer selection section

Input selection section

Freeze button

Effect selection button

Preset selection section

Take button

4-2. THE OPS200 MENU

Menu navigation

Home menu

4-3. WORKING WITH THE OPS200

Resetting default values

OPS200 color codes

Input selection settings

Source output selection

Output selection settings

Working with PIPs

PIP conguration

Working with frames

Memorizing frames

Working with logos

Memorizing logos

Mixer functions

Layer transitions and effects

Creating presets

Working with presets

Working with audio

Audio conguration

23

26

27

HOME MENU

REMOTE CONTROL SOFTWARE

5-1. THE OPS200 RCS

RCS presentation

How to use the RCS

Software installation

Software overview

Serial connection

Ethernet connection

2

34

42

42

5-2. WORKING WITH THE RCS

Source input conguration

Source output conguration

Working with PIPs

PIP conguration

Working with frames

Memorizing frames

Working with logos

Memorizing logos

Layer transitions and effects

Creating presets

Working with presets

Working with audio

Audio conguration

45

OPTIONNAL REMOTE CONTROL SOFTWARE

6-1. Axion2 - Ref. ARC200

6-2. Orchestra - Ref. ORC50

6-3. TRK-800 - Ref. TRK-800
6-4. RK-300 - Ref. RK-300

APPLICATION NOTES AND TIPS

7-1. ABOUT APPLICATION NOTES

7-2. APPLICATION NOTES

7-3. EXTERNAL PROGRAMMING

WARRANTY AND SERVICES INFORMATION

50

50

50

50

50

51

51

51

52

53

8-1. ANALOG WAY LIMITED WARRANTY

8-2. SERVICES AND RMA

CONTACT INFORMATION

HOW TO CONTACT US

INFORMATION ON DISPOSAL

53

53

54

54

54

3

INTRODUCTION

1-1. THE OPS200 OPERATING MODE

Before you start setting up your OPS200 for the rst time, be sure you know what you actually want
to do with it. The OPS200 offers a one operating mode, which results in a versatile video production

tool for live event staging and xed installation applications.

* NOTE * : We recommend resetting the device to its default values every time you set up your

shows or events.

1-2. USEFUL TERMS AND DEFINITIONS

BACKGROUND: a “Background” is a source, typically originating from a computer. OPS200 enables you to

work with live or still (frame) background sources — visually in back of all other sources.

LAYER: a “Layer” is an image display element (such as a PIP, Key, Logos or Background) that has an

associated visual priority — either in front (or in back) of another layer.

The OPS200 can simultaneously view no less than 6 layers (3 video, or live layers, 1 frame layer, or
background, and 2 logo layers).

OPS200 can insert up to 2 PIPs on a live background, plus 2 logos.

PIP: a “PIP” (Picture In Picture), is a picture, typically of reduced size, which is positioned over another

background image or PIP. PIPs can be reduced, enlarged, bordered and shadowed. PIPs can overlap,
depending on their visual priority.
OPS200 allows for Dynamic PIP on the opening and closing of the sequence, vertically or horizontally. A

“ying” PIP is also possible over the screen with vertical, horizontal or diagonal animation.

A PIP is considered as a live layer.

FRAME: a “Frame” is a full screen image which is selected from one of he seven still frames which you can

capture with the OPS200. A Frame can be ash captured and imported from any video or computer source
plugged into the machine.

LOGO: a “Logo” is a part of screen image that can be ash captured and imported from any Video or

Computer source, by keying or image cut-out. OPS200 can record up to seven still logos. They can be
positioned anywhere on the screen.

KEYING: a “Key” is an electronic process whereby an image is electronically superimposed over another

source or background, by cutting out either a color (chroma key), or its brightness or luminance levels (luma
key). Keys are typically used for titles, logos and special effects.

OPS200 allows to use a live source with green or blue background and to key it over any other live input.

4

HARDWARE INSTALLATION

2-1. SAFETY INSTRUCTIONS

SAFETY INSTRUCTIONS

All of the safety and operating instructions should be read before the product is operated and should be
maintained for further reference. Please follow all of the warnings on this product and its operating instructions.

WARNING: To prevent the risk of electric shock and re, do not expose this device to rain, humidity, intense

heat sources (such as heaters and direct sunlight). Slots and openings in the device are provided for ventilation

and to avoid overheating. Make sure the device is never placed near a textile surface that could block the
openings. Also keep away from excessive dust, vibrations and shocks.

POWER: Only use the power supply indicated on the device of the power source. Devices equipped with

a grounding plug should only be used with a grounding type outlet. In no way should this grounding be

modied, avoided or suppressed.

POWER CORD: The device is equipped with a main switch (On (I) /Off (O)). The Switch ON and OFF is

initiated by the main switch.

Caution: The power cord constitute the only mean to totally disconnect the equipment from the main power.

Apply the following guidelines:

- The equipment connected to the network must have a release system easily accessible and located outside
the unit.

- Unplug the power cord, do not pull on the power cord but always on the plug itself.

- The outlet should always be near the device and easily accessible.

- Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed
upon or against them.

If the power supply cord is damaged, unplug the device. Using the device with a damaged power supply cord

may expose your device to electric shocks or other hazards. Verify the condition of the power supply cords

once in a while. Contact your dealer or service center for replacement if damaged.

CONNECTIONS: All inputs and outputs (except for the power input) are TBTS dened under EN60950.

SERVICING: Do not attempt to service this product yourself by opening or removing covers and screws

since it may expose your device to electric shocks or other hazards. Refer all problems to qualied service

personnel.

OPENINGS: Never push objects of any kind into this product through the openings. If liquids have been spilled

or objects have fallen into the device, unplug it immediately and have it checked by a qualied technician.

5

INSTRUCTIONS DE SECURITE

An de mieux comprendre le fonctionnement de cet appareil nous vous conseillons de bien lire toutes les

consignes de sécurité et de fonctionnement de l’appareil avant utilisation. Conserver les instructions de

sécurité et de fonctionnement an de pouvoir les consulter ultérieurement. Respecter toutes les consignes

marquées dans la documentation, sur le produit et sur ce document.

ATTENTION : An de prévenir tout risque de choc électrique et d’incendie, ne pas exposer cet appareil à la

pluie, à l’humidité et aux sources de chaleur intense.

INSTALLATION : Veillez à assurer une circulation d’air sufsante pour éviter toute surchauffe à l’intérieur de

l’appareil. Ne placez pas l’appareil sur ou à proximité d’une surface textile susceptible d’obstruer les orices
de ventilation. N’installez pas l’appareil à proximité de sources de chaleur comme un radiateur ou une poche
d’air chaud, ni dans un endroit exposé au rayonnement solaire direct, à des poussières excessives, à des
vibrations ou à des chocs mécaniques. Ceci pourrait provoquer un mauvais fonctionnement et un accident.

ALIMENTATION : Ne faire fonctionner l’appareil qu’avec la source d’alimentation indiquée sur l’appareil. Les

appareils doivent être obligatoirement connectés sur une source équipée d’une mise à la terre efcace. En
aucun cas cette liaison de terre ne devra être modiée, contournée ou supprimée.

CORDON D’ALIMENTATION : Les appareils sont équipés d’un interrupteur général (Marche I / Arrêt O), la mise

en tension et la mise hors tension se fait en actionnant cet interrupteur général.
Attention : Le cordon d’alimentation constitue le seul moyen de débrancher l’appareil totalement de l’alimentation

secteur. Pour être certain que l’appareil n’est plus alimenté, ce cordon doit être débranché de la prise murale.

Appliquer les consignes suivantes :

- Le matériel relié a demeure au réseau, doit avoir un dispositif de sectionnement facilement accessible qui

doit être incoporé à l’extérieur de l’appareil.

- Débrancher le cordon d’alimentation de la prise murale si vous prévoyez de ne pas utiliser l’appareil pendant
quelques jours ou plus.

- Pour débrancher le cordon, tirez le par la che. Ne tirez jamais sur le cordon proprement dit.

- La prise d’alimentation doit se trouver à proximité de l’appareil et être aisément accessible.

- Ne laissez pas tomber le cordon d’alimentation et ne posez pas d’objets lourds dessus.

Si le cordon d’alimentation est endommagé, débranchez le immédiatement de la prise murale. Il est

dangereux de faire fonctionner un appareil avec un cordon endommagé, un câble abîmé peut provoquer un
risque d’incendie ou un choc électrique. Vérier le câble d’alimentation de temps en temps. Contacter votre
revendeur ou le service après vente pour un remplacement.

CONNEXIONS : Toutes les entrées et sorties (exceptée l’entrée secteur) sont de type TBTS (Très Basse

Tension de Sécurité) dénies selon EN 60950.

RÉPARATION ET MAINTENANCE : L’utilisateur ne doit en aucun cas essayer de procéder aux opérations

de dépannage, car l’ouverture des appareils par retrait des capots ou de toutes autres pièces constituant
les boîtiers ainsi que le dévissage des vis apparentes à l’extérieur, risque d’exposer l’utilisateur à des chocs
électriques ou autres dangers. Contacter le service après-vente, votre revendeur ou s’adresser à un personnel
qualié uniquement.

OUVERTURES ET ORIFICES : Les appareils peuvent comporter des ouvertures (aération, fentes, etc...),

veuillez ne jamais y introduire d’objets et ne jamais obstruer ses ouvertures. Si un liquide ou un objet pénètre
à l’intérieur de l’appareil, débranchez immédiatement l’appareil et faites le contrôler par un personnel qualié

avant de le remettre en service.

6

INSTRUZIONI DI SECUREZZA

Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene
tutti i consigli di sicurezza e di funzionamento prima dell’utilizzo. Conservare le istruzioni di sicurezza e di

funzionamento al ne di poterle consultare ulteriormente. Seguire tutti i consigli indicati su questo manuale

e sull’apparecchiatura.

ATTENZIONE : Al ne di prevenire qualsiasi rischio di shock elettrico e d’incendio, non esporre l’apparecchiatura

a pioggia, umidità e a sorgenti di eccessivo calore.

INSTALLAZIONE: Assicuratevi che vi sia una sufciente circolazione d’aria per evitare qualsiasi

surriscaldamento all’interno dell’apparecchiatura. Non collocare l’apparecchiatura in prossimità o su superci
tessili suscettibili di ostruire il funzionamento della ventilazione. Non installate l’apparecchiatura in prossimità

di sorgenti di calore come un radiatore o una fuoruscita d’aria calda, né in un posto esposto direttamente ai
raggi del sole, a polvere eccessiva, a vibrazioni o a shock meccanici. Ció potrebbe provocare un erroneo
funzionamento e un incidente.

ALIMENTAZIONE: Far funzionare l’apparecchiatura solo con la sorgente d’alimentazione indicata

sull’apparecchiatura. Le apparecchiature queste devono essere obbligatoriamente collegate su una sorgente

fornita di una efciente messa a terra. In nessun caso questo collegamento potrà essere modicato, sostituito

o eliminato.

CAVO DI ALIMENTAZIONE: Gli apparecchi con un interrutore (commutatore) generale (Accesso I: Speuto 0),

accendere ou spagnere l’apparecchio si fa usando l’interrutore.

Attenzione : il cavo di alimentazione è il solo modo di disconnettere l’apparecchio dell’alimentazione. Per
assicurarsi che totalemente l’apparecchio non è più collegato, il cavo deve essere disconesso della presa

murale.

Seguire le instruzioni seguenti:

- Il materiale collegato a residenza alla rete, deve avere un dispositivo di sezionamento facile da raggiongere
eche deve essere inserito all’esterno del apparecchio.

- Disconnettere l’apparecchiatura dalla presa murale se si prevede di non utilizzarla per qualche giorno.

- Per disconnettere il cavo tirare facendo forza sul connettore.

- La presa d’alimentazione deve trovarsi in prossimità dell’apparecchiatura ed essere facilmente accessibile.

- Non far cadere il cavo di alimentazione né appoggiarci sopra degli oggetti pesanti.

Se il cavo di alimentazione é danneggiato, spegnere immediatamente l’apparecchiatura. E’ pericoloso
far funzionare questa apparecchiatura con un cavo di alimentazione danneggiato, un cavo grafato puó
provocare un rischio di incendio o uno shock elettrico. Vericare il cavo di alimentazione spesso. Contattare

il vostro rivenditore o il servizio assistenza per una sostituzione.

CONNESSIONE: Tutti gli ingressi e le uscite (eccetto l’alimentazione) sono di tipo TBTS denite secondo EN 60950.

RIPARAZIONI E ASSISTENZA: L’utilizzatore non deve in nessun caso cercare di riparare l’apparecchiatura,

poiché con l’apertura del coperchio metallico o di qualsiasi altro pezzo costituente la scatola metallica,
nonché svitare le viti che appaiono esteriormente, poiché ció puó provocare all’utilizzatore un rischio di
shock elettrico o altri rischi.

APERTURE DI VENTILAZIONE: Le apparecchiature possono comportare delle aperture di ventilazione, si

prega di non introdurre mai oggetti o ostruire le sue fessure. Se un liquido o un oggetto penetra all’interno

dell’apparecchiatura, disconnetterla e farla controllare da personale qualicato prima di rimetterla in servizio.

7

SICHERHEITSHINWEISE

Um den Betrieb dieses Geräts zu verstehen, raten wir Ihnen vor der Inbetriebnahme alle Sicherheits
und Betriebsanweisungen genau zu lesen. Diese Sicherheits- und Betriebsanweisungen für einen
späteren Gebrauch sicher aufbewahren. Alle in den Unterlagen, an dem Gerät und hier angegebenen
Sicherheitsanweisungen einhalten.

ACHTUNG: um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden, das Gerät nicht Regen,

Feuchtigkeit oder intensiven Wärmequellen aussetzen.

EINBAU: Eine ausreichende Luftzufuhr sicherstellen, um jegliche Überhitzung im Gerät zu vermeiden. Das

Gerät nicht auf und in Nähe von Textiloberächen, die Belüftungsöffnungen verschließen können, aufstellen.
Das Gerät nicht in Nähe von Wärmequellen, wie z.B. Heizkörper oder Warmluftkappe, aufstellen und es nicht
dem direkten Sonnenlicht, übermäßigem Staub, Vibrationen oder mechanischen Stößen aussetzen. Dies
kann zu Betriebsstörungen und Unfällen führen.

STROMVERSORGUNG: Das Gerät nur mit der auf dem Gerät bezeichnete Stromquelle betreiben. Gerät mit

geerdeter Hauptstromversorgung muss an eine Stromquelle mit efzienter Erdung angeschlossen werden.
Diese Erdung darf auf keinen Fall geändert, umgangen oder entfernt werden.

NETZKABEL: Da die Geräte über einen Hauptschalter (An I/ Aus 0) verfügen, erfolgt die Stromversorgung

und -unterbrechung über diesen Hauptschalter.
Achtung : Das Netzkabel stellt die einzige Möglichkeit dar, das Gerät vollständig vom Netzanschluss zu trennen.
Um sicherzustellen, dass das Gerät nicht mehr versorgt wird, muss dieses Kabel aus der Netzsteckdose
ausgesteckt werden.

Bitte beachten Sie die folgenden Hinweise:

- Wenn Geräte dauerhaft am Netz bleiben, müssen sie über eine leicht zugängliche Trennvorrichtung

verfügen, die außen am Gerät angebracht sein muss.

- Das Kabel mittels dem Stecker herausziehen. Niemals am Stromkabel selbst ziehen.

- Die Steckdose muß sich in der Nähe des Geräts benden und leicht zugänglich sein.

- Das Stromkabel nicht fallen lassen und keine schweren Gegenstände auf es stellen.

Wenn das Stromkabel beschädigt ist, das Gerät sofort abschalten. Es ist gefährlich das Gerät mit einem

beschädigten Stromkabel zu betreiben; ein abgenutztes Kabel kann zu einem Feuer oder Stromschlag

führen. Das Stromkabel regelmäßig untersuchen. Für den Ersatz, wenden Sie sich an Ihren Verkäufer oder

Kundendienststelle.

ANSCHLÜSSE: Bei allen Ein- und Ausgängen (außer der Stromversorgung) handelt es sich, gemäß EN

60950, um Sicherheits Kleinspannunganschlüsse.

REPARATUR UND WARTUNG: Der Benutzer darf keinesfalls versuchen das Gerät selbst zu reparieren, die

Öffnung des Geräts durch Abnahme der Abdeckhaube oder jeglichen anderen Teils des Gehäuses sowie die

Entfernung von außen sichtbaren Schrauben zu Stromschlägen oder anderen Gefahren für den Benutzer
führen kann. Wenden Sie sich an Ihren Verkäufer, Ihre Kundendienststelle oder an qualizierte Fachkräfte.

ÖFFNUNGEN UND MUNDUNGEN: Die Geräte können über Öffnungen verfügen (Belüftung, Schlitze, usw.).

Niemals Gegenstände in die Öffnungen einführen oder die Öffnungen verschließen. Wenn eine Flüssigkeit

oder ein Gegenstand in das Gerät gelangt, den Stecker herausziehen und es vor einer neuen Inbetriebnahme

von qualiziertem Fachpersonal überprüfen lassen.

8

INSTRUCCIONES DE SEGURIDAD

Para comprender mejor el funcionamiento de este aparato, le recomendamos que le acuidadosamente todas
las consignas de seguridad y de funcionamiento del aparato antes de usarlo. Conserve las instrucciones de

seguridad y de funcionamiento para que pueda consultarlas posteriormente. Respete todas las consignas

indicadas en la documentación, relacionadas con el producto y este documento.

CUIDADO: Para prevenir cualquier riesgo de choque eléctrico y de incendio, no exponga este aparato a la

lluvia, a la humedad ni a fuentes de calorintensas.

INSTALACIÓN: Cerciórese de que haya una circulación de aire suciente para evitar cualquier

sobrecalentamiento al interior del aparato. No coloque el aparato cerca ni sobre una supercie textil que
pudiera obstruir los oricios de ventilación. No instale el aparato cerca de fuentes de calor como radiador
o boca de aire caliente, ni en un lugar expuesto a los rayos solares directos o al polvo excesivo, a las
vibraciones o a los choques mecánicos. Esto podría provocar su mal funcionamiento o un accidente.

ALIMENTACIÓN: Ponga a funcionar el aparato únicamente con la fuente de alimentación que se indica en

el aparato. Los aparatos deben estar conectados obligatoriamente a una fuente equipada con una puesta a

tierra ecaz. Por ningún motivo este enlace de tierra deberá ser modicado, cambiado o suprimido.

CABLE DE ALIMENTACIÓN: Los equipos incluyan interruptor general de alimentación (Encender I / Apagar 0),

la puesta en marcha o desconexión se realiza por medio de este interruptor.
El cable de alimentación constituye el único medio de desconectar el aparato totalmente de la red eléctrica.

Para estar seguro de que el aparato no está más alimentado, este cable debe de ser desconectado de la
toma de corriente.

Aplicar las siguientes consignas:

- El material conectado a residencia a la red informática, debe de tener un dispositivo de seccionamiento
fácilmente accesible que debe de ser incorporado al exterior del aparato.

- Desconectar el aparato del enchufe mural si no piensa utilizarlo durante varios días.

- Para desconectar el cable, tire de la clavija. No tire nunca del cable propiamente dicho.

- El enchufe de alimentación debe estar cerca del aparato y ser de fácil acceso.

- No deje caer el cable de alimentación ni coloque objetos pesados encima de él.

Si el cable de alimentación sufriera algún daño, ponga el aparato inmediatamente fuera de tensión. Es

peligroso hacer funcionar este aparato con un cable averiado, ya que un cable dañado puede provocar un

incendio o un choque eléctrico. Verique el estado del cable de alimentación de vez en cuando. Póngase en

contacto con su distribuidor o con el servicio de posventa si necesita cambiarlo.

CONEXIONES: Todas las entradas y salidas (excepto la entrada del sector) son de tipo TBTS (Muy Baja

Tensión de Seguridad) denidas según EN 60950

REPARACIÓN Y MANTENIMIENTO: Por ningún motivo, el usuario deberá tratar de efectuar operaciones

de reparación, ya que si abre los aparatos retirando el capó o cualquier otra pieza que forma parte de

las cajas o si destornilla los tornillos aparentes exteriores, existe el riesgo de producirse una explosión,

choques eléctricos o cualquier otro incidente. Contacte el servicio de posventa, a su distribuidor o dirigirse

con personal cualicado únicamente.

ABERTURAS Y ORIFICIOS: Los aparatos pueden contener aberturas (aireación, ranuras, etc.). No introduzca

allí ningún objeto ni obstruya nunca estas aberturas. Si un líquido o un objeto penetra al interior del aparato,
desconéctelo y hágalo revisar por personal cualicado antes de ponerlo nuevamente en servicio.

9

2-2. UNPACKING AND INSPECTION

1 x OPS200 seamless scaler/switcher
1 x Power supply cord
2 x DVI male to HD15 female and DVI female cable
1 x HD15 to 5 BNC cable
1 x Ethernet cross cable (for device update)
1 x Set of 3 audio 10-pin screw terminals

1 x RCS (Remote Control Software) CD-ROM (PC only) *
1 x User manual (PDF version) *
1 x Quick Start guide (PDF version) *

* Download on our website: www.analogway.com/

2-3. RACKMOUNT INFORMATION

Tabletop mounting: The OPS200 can be used directly on a table, the unit is equipped with 4 handy anti-slip
rubber feet.

Rack mounting: The OPS200 is compatible with a 19” enclosure. Please follow the instructions below to
install the device in a 19” rack.

Place the device in your rack. Attach the device to the rack by using 4 screws through the front panel holes
(screws not included).
Rear xing is also recommended, in particular for permanent installations. The OPS200 is equipped with drill
holes designed for compatibility with most rackmount braces.
Connect all of the cables of the device and attach them to the rack with the help of tie wraps.

IMPORTANT:

- The openings in the side and rear panels of the device are for cooling. Do not cover these openings to

avoid cutting air circulation.

- Be sure that no weight in excess of 2 kg (4.4 Lbs.) is added onto the OPS200.

- The maximum ambient operating temperature should not exceed 40°C (104°F)

- The rack and all mounted equipment in it must be reliably grounded according to national and/or local

electrical standards.

Dismantling front handles of the device could invalidate warranty on after sales services of your
OPS200. It is strongly advised to avoid using front handles as rests for your OPS200, they are

!

designed for manipulation purposes only.

10

If required, front handles of the device can be dismantled, but with caution.The original screws removed
must not be reintroduced to their location without handles in place. Substancial damages can occur,

including risk of electric shock from the main voltage. Only M4x12mm screws can be used. They are

supplied with the unit.

2-4. CABLE AND ADAPTOR INFORMATION

A large choice of cables and adaptors are compatible with the OPS200. To nd which are to be used in

your setup, please refer to the Hardware Specications chapter. Please contact your distributor for a list of

available cables and connectors for your OPS200.

2-5. HARDWARE SPECIFICATIONS

Input specications

• ANALOG COMPUTER:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).
Line frequency: Up to 130 kHz (165 MHz Max pixel rate).
Resolution: Up to 1600x1200 @ 165Mhz, 1920x1200px
(RB, Max V size: 1200px, Max H size 2048px).
Sync. types: RGBHV, RGB/S, RGsB (Sync On Green).
Levels: R, G, B = 0.7 Vp/p.
H & V Sync = TTL
Composite Sync = TTL and 0.3 V (negative).
SOG (Sync On Green) = 0.3 V.
Impedance: R, G, B = 75 ohms.
H = 75 ohms or Hi-Z.
V = Hi-Z.

• RGB/S - RGsB VIDEO:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).

Frequency: 15.625 kHz - 50 Hz (625 lines).

15.734 kHz - 60 Hz (525 lines).

Levels: R, G, B = 0.7 Vp/p.
SYNC. = 0.3 Vp/p or TTL (negative).
Impedance: RGB = 75 ohms.
SYNC. = 75 ohms or Hi-Z.

• COMPONENT:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).

Frequency: 15.625 kHz - 50 Hz (625 lines).

15.734 kHz - 60 Hz (525 lines).

Levels: Y = 1 Vp/p (0.7 V Luma + 0.3 V Sync.).
Cr / Pr & Cb / Pb = 0.7 Vp/p.

Impedance: 75 ohms.

11

• HDTV - HD-YUV:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).
Formats: 720p/576p (60Hz), 1080i (50/60Hz), EDTV.
Levels: Y = 1 Vp/p (0.7 V + sync.).
Cr / Pr & Cb / Pb = 1 Vp/p (0.7 V + sync.).
Sync.: Tri-level: ±0.3V (positive/negative).
Bi-level: 0.3V (negative).

Impedance: 75 ohms.

• S.VIDEO:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).
Standard: PAL/SECAM: 15.625 kHz - 50Hz - 625 lines.

NTSC (3.58-4.43MHz): 15.734kHz 60Hz/525 lines

Levels: Y = 1 Vp/p (0.7 V Luma + 0.3 V Sync.).
C = 0.3 Vp/p (Chroma Burst).

Impedance: 75 ohms.

or

• COMPOSITE VIDEO:

Connectors: Inputs #1 to #5: female HD15.

Inputs #6 & #7: female DVI-I (analog pins).
Standard: PAL / SECAM: 15.625 kHz - 50 Hz - 625 lines.

NTSC (3.58 - 4.43 MHz): 15.734 kHz/60 Hz/525 lines.

Level: 1 Vp/p (0.7 V Luma + 0.3 V Sync.).

Impedance: 75 ohms.

• DVI (Digital Video Interface):

Connector: DVI Inputs #1 & #2: female DVI-I (digital pins).
Line frequency: Up to 130 kHz (165 MHz Max pixel rate).
Format: Digital Visual Interface (DVI)-TMDS single link.
Resolution: Up to 1600x1200 @ 165Mhz, 1920x1200px
(RB, Max V size: 1200px, Max H size: 2048px).

• SD-SDI:

Connector: SDI Inputs #1 & #2: female BNC.

Formats: SMPTE 259M

Data rate: 270 Mbps serial digital.
Impedance: 75 ohms.

• HD-SDI:

Connector: SDI Inputs #1 & #2: female BNC.

Formats: 720p @ 50, 59.94 & 60 Hz
1035i @ 50, 59.94 & 60 Hz
1080i @ 50, 59.94 & 60 Hz
1080p @ 23.97, 24, 25, 29.97, 30, 50, 59.94 & 60 Hz.
1080sF @ 50, 59.94 & 60 Hz.

Data rate: 1.5 Gbps serial digital

(Level A).

Impedance: 75 ohms.

12

Output specications

• ANALOG OUTPUTS

Connector: Outputs #1 (Main) & #2 (Preview): female HD15,

DVI-I (analog pins).

Resolutions:

Format Ratio Available Refresh Rates

640 x 480 4 : 3 50Hz 60Hz 72Hz 75Hz
800 x 600 4 : 3 50Hz 60Hz 72Hz 75Hz
848 x 480 16 : 9 50Hz 60Hz 72Hz 75Hz
1024 x 768 4 : 3 50Hz 60Hz 72Hz 75Hz
1280 x 720 16 : 9 50Hz 60Hz
1280 x 768 15 : 9 50Hz 60Hz 72Hz 75Hz
1280 x 800 16 : 10 50Hz 60Hz 72Hz 75Hz
1280 x 1024 5 : 4 50Hz 60Hz 72Hz 75Hz
1360 x 768 16 : 9 50Hz 60Hz 72Hz 75Hz
1366 x 800 15 : 9 50Hz 60Hz 72Hz 75Hz
1400 x 1050 4 : 3 50Hz 60Hz 72Hz 75Hz
1440 x 900 16 : 10 50Hz 60Hz 72Hz 75Hz
1600 x 1200 4 : 3 50Hz 60Hz
1680 x 1050 16 : 10 50Hz 60Hz
1920 x 1080 16 : 9 50Hz 60Hz 72Hz 75Hz
1920 x 1080 B 16 : 9 50Hz 60Hz
1920 x 1200 16 : 10 50Hz 60Hz
2048 x 1080 19 : 10 50Hz 60Hz

or

Signals: RGBHV, RGBS and RGsB.
Levels: R, G, B = 0.7 Vp/p.
Sync.: Separate H & V = TTL (negative).
Composite = TTL (negative).
SOG = 0.3 Vp/p (negative).
Impedance: R, G, B = 75 ohms.

13

• DVI (Digital Video Interface) OUTPUTS:

4

L+
L-

R+
R-

BALANCED

L+

R+

L-

R-

GROUND(S)

Connector: Outputs #1 (Main) & #2 (Preview): female DVI-I

(digital pins).

Signal: Digital Visual Interface (DVI)-TMDS single link.

Resolutions:

Format Ratio Refresh Rate

640 x 480 4 : 3 50Hz 60Hz 72Hz 75Hz
800 x 600 4 : 3 50Hz 60Hz 72Hz 75Hz
848 x 480 16 : 9 50Hz 60Hz 72Hz 75Hz
1024 x 768 4 : 3 50Hz 60Hz 72Hz 75Hz
1280 x 720 16 : 9 50Hz 60Hz
1280 x 768 15 : 9 50Hz 60Hz 72Hz 75Hz
1280 x 800 16 : 10 50Hz 60Hz 72Hz 75Hz
1280 x 1024 5 : 4 50Hz 60Hz 72Hz 75Hz
1360 x 768 16 : 9 50Hz 60Hz 72Hz 75Hz
1366 x 800 15 : 9 50Hz 60Hz 72Hz 75Hz
1400 x 1050 4 : 3 50Hz 60Hz 72Hz 75Hz
1440 x 900 16 : 10 50Hz 60Hz 72Hz 75Hz
1600 x 1200 4 : 3 50Hz 60Hz
1680 x 1050 16 : 10 50Hz 60Hz
1920 x 1080 16 : 9 50Hz 60Hz 72Hz 75Hz
1920 x 1080 B 16 : 9 50Hz 60Hz
1920 x 1200 16 : 10 50Hz 60Hz
2048 x 1080 19 : 10 50Hz 60Hz

14

• AUDIO OUTPUT:

Connector: Outputs #1 (Main) and #2 (Prelist):
2 Balanced or unbalanced mono/stereo outputs
(on 5-pin MCO male connector).

Vo max: Unbalanced = +15dBu (at 300Ω load).
Balanced = +21 dBu (at 600Ω load).
Zo = 600 Ω balanced.
Zo = 300 Ω unbalanced.
G = 0 dB nominal.

Communication specications

• COMMUNICATION PORTS:

REMOTE RS232

Connector: DB 9 female

Level: RS232.
Data Rate: 9600 Bauds, 8 data bits, 1 stop bit, no parity bit,
no ow control for normal. DTR & RTS needed for

upgrade.

• LAN:

Connector : RJ45

Protocol: TCP (Transmission Control Protocol) or UDP
(User Datagram Protocol).

Ethernet: Base 10/100

Balanced connection

Environmental specications

PHYSICAL

Dimensions: W 482 x D 330 x H 88 mm
19”W x 13”D x 3.5”H.

(Compatible with a Standard 19” rack, Height = 2U).

Weight: 5 kg / 11 lbs.

ENVIRONMENTAL

Cooling air ow from right side to left side.
Maximum ambient operating temperature : < 40°C ( < 104°F).
Operating temperature: 0 to +40°C / +32° to +104°F.
Storage temperature: -40 to +70°C / -40° to +158 °F.

Operating humidity: 10 to 80% (non condensing).

Input voltage range: 100-240 VAC, 50/60 Hz.

Typical consumption: 90 W.

CERTIFICATIONS

CE Compliancy: test following

- EN 55022: 2006 / A1: 2007,

- EN 55024: 1998 / A1: 2001 / A2: 2003,

- EN 61000-3-2: 2006

- EN 61000-3-3: 1995 / A1: 2001 / A2: 2005,

Safety test following:

- IEC 60950-1: 2005

- UL 60950-1: 2007

- CAN/CSA-C22.2 NO. 60950-1

Power supply: IEC/EN/UL/CSA 60950-1, internal, autoswitchable
Mecanical (in carton): Vibration: IEC60068-2-64
Free fall : IEC60068-2-32, RoHS, WEEE

15

Pin outs

• VGA

Standard VGA

1- Red 6- Red Return 11- ID Bit 0
2- Green 7- Green Return 12- ID Bit 1
3- Blue 8- Blue Return 13- H Sync
4- ID Bit 2 9- No Pin 14- V Sync

5- Test (Gnd) 10- Sync Return 15- ID Bit 3

• DIGITAL VISUAL INTERFACE DVI

Pin

1- TMDS Data 2- 7- DDC Data 13- Not used 19- TMDS Data 0 Shield

2- TMDS Data 2+ 8- Analog Vertical Sync 14- +5V (Power) 20- Not used
3- TMDS Data 2 Shield 9- TMDS Data 1- 15- Ground for (+5V) 21- Not used
4- Not used 10- TMDS Data 1+ 16- Hot Plug Detect. 22- TMDS Clock Shield
5- Not used 11- TMDS Data 1 Shield 17- TMDS Data 0- 23- TMDS Clock +
6- DDC Clock 12- Not used 18- TMDS Data 0+ 24- TMDS Clock-

C1- Analog Red Video (or Cr/Pr or C)
C2- Analog Green Video (or Y or Composite Video)
C3- Analog Blue Video (or Cb/Pb)

C4- Analog Horizontal Sync (or Composite Sync)

C5- Analog Common Ground Return

DDC = Display Data Channel
TMDS = Transition Minimized differential signal

• RS-232 CONNECTOR

Pin

1- NC 6- NC

2- Transmit data to PC (Tx1) 7- NC
3- Transmit data from PC (Rx1) 8- NC (or +12V. dc)
4- Receive data from display unit (Rx2) 9- Transmit data to display unit (Tx2)

5- Ground

• VESA DDC

Pin

1- Red 7- Green Return 13- H Sync
2- Green 8- Blue Return 14- V Sync
3- Blue 9- DDC+5 Volt supply 15- Data Clock (SCL)
4- ID Bit 2 0 10- Sync Return

5- Test 11- ID Bit

6- Red Return 12- Bi-directional data (SDA)

16

HDCP compliance

If you want to use HDCP (High Denition Copy Protection) content from your sources, be sure pluging HDCP
compliant screens or projectors. If it’s not the case, the output image could be disabled.

When displaying HDCP protected sources on non HDCP compliant equipment, the following message will be

displayed on the device VFD screen:

“Due to HDCP content, non HDCP screens cannot display protected sources”

Screen will go to black without displaying the HDCP input image, or partially layer out non HDCP content.

Concerning the DVI inputs, a specic feature allows enable/disable the HDCP receiver for the input chosen.

It can be very useful especially using a Mac:

Input Menu > DVI# > HDCP detection

The output status can provide you all information about the output in real time.

This feature is particularly needed when HDCP is used with long cable to be sure that the communication is
well handled.

NOTE : as part of our policy of continuous improvement, Analog Way reserves the right to make

design and specication changes for product improvements without prior notice. The performance

!

specication gures indicated are nominal values of production units. There may be some deviations

from these values in individual units.

17

CONNECTING THE OPS200

3-1. CONNECTING THE OPS200

The OPS200 can be set up with up to 11 different sources, and will drive up to 2 digital DVI-D sources, 2 SD/
HD-SDI sources and 7 analog computer/video sources simultaneously. The versatility of the OPS200 will

allow for almost any event conguration and cater for all your projection needs.
The intuitive rear panel of the OPS200 will let you set up for the rst time quickly and easily. Here is an
example of a typical OPS200 setup.

18

3-2. THE OPS200 REAR PANEL

Overview

The OPS200 rear panel is equipped with 11 universal digital and analog inputs. Inputs #1 through #5 (3) are

universal analog inputs. Inputs #6 & #7 (4) share a DVI-D signal and a universal analog signal (plug the
shipped Analog Way DVI/HD15 adaptor cable to use DVI-D and analog signals simultaneously). Inputs #10

and #11 (5) are the HD/SD-SDI inputs of the OPS200.

The Main and Preview (6) outputs will allow for the OPS200 high resolution digital and analog signals to be

viewed on screen and/or on a preview monitor (see also Output Specications in this chapter).

Finally, the audio in and output card will let users trigger audio with any source, accurately balance or tweak
sound sources and outputs.

1 : AC outlet and On/off switch
2 : IP-LAN connector
3 : Universal Analog inputs

4 : DVI-D inputs

5 : HD-SDI inputs
6 : Main and Preview outputs
7 : Audio inputs
8 : Audio outputs

9 : RS232 connector

9 2 5

1

3

4

6

7

8

19

Inputs #1 to #7

UNIVERSAL COMPUTER & VIDEO INPUTS:

Universal Inputs accept computer sources (RGBHV, RGBS, and
RGsB (SOG) signals), standard TV/VIDEO sources (Composite
video, S.VIDEO), Component video (YUV, RGBS & RGsB (SOG)),
and HDTV sources (480p, 720p & 1080i).
HD15: 1 x Universal Analog input on female HD15 connector.

COMPUTER SOURCES:

The device accepts the following computer signals RGBHV, RGB/S,
and RGsB on inputs #1 to #7.

COMPOSITE VIDEO SOURCES:

The Composite Video signal, usually called COMPOSITE or VIDEO,
is available on most video equipment (VCR, DVD, CAMCORDER…),

but is also the lowest in picture quality. The video standard of this

signal can be NTSC, PAL or SECAM. The signal is transmitted on a
single coaxial cable, and is connected to the video equipment with

an HD15 connector.

For inputs #1 to #5: connect a 1 x BNC from your composite source,

to the HD15 input of the device.

S.VIDEO SOURCES:

The S.VIDEO signal, also called Y/C, HI-8™, or S.VHS™, is
available on DVD players and high quality VCRs (S.VHS). The
S.VIDEO signal in which the Luminance (Y) and Chrominance (C)

information are separately transmitted, gives a higher quality picture

than the Composite video signal. The S.VIDEO connector is usually
a 4 pin Mini-DIN connector also called Oshiden™ connector.

For inputs #1 to #5: connect a 2 x BNC from your S.VIDEO, Y (G/Y)
& C (R/R-Y), to the HD15 input of the device.

COMPONENT VIDEO SOURCES:

The Component Video signal, also called YUV (Y, Pr, Pb) or
BETACAM™ is widely used in broadcasting and is available on
high-quality DVD players. The COMPONENT signal is transmitted
with 3 coaxial cables, and also has a better quality picture than
COMPOSITE and S.VIDEO signals.

COMPONENT connectors are usually RCA (x3), or BNC (x3).
For inputs #1 to #5: connect a HD15 to 3 x BNC cable between the

HD15 connector of the device and your Component source.

20

RGBS VIDEO SOURCES:

This signal is widely used in broadcasting and is available on

European DVD player. The RGB/S signal is transmitted with 4 coaxial
cables, and also has a better picture quality than COMPOSITE
and S.VIDEO signals. The RGB/S connectors are usually BNC
connectors for Broadcasting equipment, and SCART connector for
DVD players.

For inputs #1 to #5: connect an HD15 to 4 x BNC cable between the
HD15 connector of the device and your RGB/S source.

DVI Inputs #1 & #2

DVI AND ANALOG SOURCES:

DVI Inputs #1 & #2 on the OPS200 accept up to 2 live sources in

Digital format.

DVI-I: 1 x digital (DVI) and 1 x analog input on female DVI-I

universal connector.

SD/HD-SDI Inputs #1 & #2

SD/HD-SDI SOURCES:

SD/HD-SDI Inputs #1 & #2 on the OPS200 accept up to 2 live

sources in Digital formats.

SD/HD-SDI: 1 x digital input on female BNC connector.

Preview Outputs

PREVIEW OUTPUT:

ANALOG: 1 x analog output for the main display device on

female HD15 connector.

DIGITAL/ANALOG: 1 x main output on female DVI-I connector

(simultaneous analog and digital).

21

Main Outputs

MAIN OUTPUT:

ANALOG: 1 x analog output for the main display device on

female HD15 connector.

DIGITAL/ANALOG: 1 x main output on female DVI-I connector

(simultaneous analog and digital).

AUDIO SWITCHER:

Audio Stereo Switcher card features 11 inputs and 2 outputs. An

additional auxiliary input can be mixed with any other input. Master
Volume and individual input level can be adjusted. Each input and

output offers balanced or unbalanced connections. It should be
noted that the management of the audio output follows the position
of video layers.

Two modes are available: Top Follow or Breakaway.

- In Top Follow Mode, the audio follows the topmost video layer
(after having pressed [TAKE]).

- In Breakaway Mode it is the selected audio layer input that is
permanently diffused.

22

OPERATING THE OPS200

4-1. THE OPS200 FRONT PANEL

Overview

The highly intuitive front panel of the OPS200 was designed by Analog Way engineers to simply and quickly
meet all of your event needs. Within minutes, you will be able to enjoy its full potential and easily parameter

most of its functions, without having to be an expert audio-visual engineer, leaving room for what is most

important to our users: concentrating on their event.

The OPS200 front panel is comprised of several sections, each carefully labeled and self explanatory,
corresponding to all the machine’s versatile functions.

1 : Standby button
2 : Menu screen
3 : Menu scroll knob
4 : Control section
5 : Layer Selection section
6 : Input Selection section
7 : Freeze button

8 : Effect selection button

9 : Preset selection button
10 : Take button

2

1

4 5 8 9 10

3 6 7

23

On/Off button

The [STANDBY] button allows users to put the OPS200 into sleep
mode, and startup again. The [STANDBY] button does not replace
the ON/OFF switch at the rear of the unit, and is implemented
essentially for ease of use in rackmount situations.

--> Hold for 3 seconds for stand-by mode

Menu screen

The Menu Screen of the OPS200 is the visual interface to your

OPS200 menu. It gives users a constant indication of available menu

options, parameters of any selected object, system information, and
everything you need to know to control the device.

Menu scroll knob

The Menu scroll knob allows users to quickly scroll through menu

items and increase or decrease any modiable value in the OPS200

menu. Simply scroll to the desired menu item, and press the [ENTER]

button to conrm your choice.

Control section

The [EXIT/MENU] button and the [ENTER] button in the Control
section of the OPS200 allow users to respectively enter and exit the

OPS200 menu, and conrm selected menu items.

Layer selection section

The Layer Selection section allows to select which type of layer to
work with: Background Frame (non positionable, non resizable static
background), Background Live (non positionable, non resizable

animated background), a PIP (positionable, sizable oating window),

or a Logo (positionable, key sensitive layer).

Input selection section

The Input Selection section allows to select which input (#1 to #11)
to display in a selected layer. Select one of 11 simultaneous inputs

(7 analog inputs, 2 DVI-D inputs, 2 SDI inputs) by simply pressing

one of the Input buttons.

The [BLACK] button allows users to remove layer content on

screen.

24

Freeze button

The [FREEZE] button of the OPS200 allows users to freeze the
Main output current display or the active layer, depending on the
freeze mode: Freeze All, freezes all visible layers, Layer Freeze, to
freeze the current selected layer.

Effect selection button

The OPS200 [EFFECT] selection button is a practical front panel
shortcut to the OPS200 Layer Effects menu.

Preset selection button

The OPS200 [PRESET] selection button is a practical front panel
shortcut to the Opus LE Preset menu.

Take button

The OPS200 [TAKE] button allows to switch from Preview to Main
outputs. By pressing the [TAKE] button, what you have setup on
your preview screen will go live on the Main output display.

25

4-2. THE OPS200 MENU

Menu navigation

To access the OPS200 menu, press the [EXIT/MENU] button in the control section (4). To highlight items in

the menu which will appear on the VFD screen (2), turn the scroll knob (3) left or right to the desired menu

item. When you have reached the desired menu item, press the [ENTER] button in the control section (4) to
access that menu function. Pressing the [ENTER] button when a selection has been made sets the value to
that selection in the OPS200 memory. When all settings have been made, press the [EXIT/MENU] button to

exit sub-menus and return to the main menu.

* IMPORTANT *: simply selecting a menu item will not set it to that value. Be sure to press the ENTER button

when parametering the menu items.

Home menu

Pressing the MENU button in the menu section of the OPS200, will display and give you access to the
following items on the menu VFD screen:

- INPUT: select to congure the 11 individual input types and resolutions.

- MAIN OUT: select to set the output types and resolutions of the Main output.

- PREVIEW OUT: in Mixer mode, select to set the output types and resolutions of the Preview output.

- PRESET: select to store and use presets.

- IMAGE: select to change source image settings of an input.

- KEYING/TITLING: select to access keying and titling controls and parameters.

- LAYER: select to adjust layer size, position, border, transparency or transitions.

- LOGOS/FRAMES: select to store (record), use and manage logos and frames into the OPS200.

- AUDIO: select to access all audio input and output parameters.

- CONTROL: select to access device software information, LAN settings, reset factory settings, a m o n g s t

other user oriented functions.

26

4-3. WORKING WITH THE OPS200

Reseting default values

It is strongly recommended resetting all of the default values of your

OPS200 unit before setting up your shows and events. To do so,

press the [EXIT/MENU] button and select Control in the menu by
rotating the corresponding knob. Then press the [ENTER] button to
enter the Control sub-menu. Select Default Values by rotating the
scroll knob, and press the [ENTER] button to enter your choice to
restart your OPS200 with its factory settings. This operation should

take approximatly 30 seconds.

OPS200 color codes

Analog Way engineers have developped a handy, user friendly way
of identifying machine status on the front panel, via the use of color
codes on the buttons of the machine. All new Analog Way machines
use the same codes, for quick recognition of the status of any device
of the range, at any given time.

For the OPS200, button color codes are as follow:

- Sources on the Main output are indicated in red when active.

- Sources on the Preview output are indicated in green when active.

- Buttons in the layer section turn red or green, depending on
whether the selected layer is active in respectively the Main or
Preview window.

- Menu buttons are indicated in green.

- Selecting a button with an available source or function will cause
that button to blink green on the preview, or red once it is on the
Main output.

- [TAKE] button reacts as follows:

If take function is available, the button will appear in green.
When the take function is active, it will light up red.

Solid red:

Solid green:

#1 = Source, Layer or Window is on Main
#2 = Freeze enable

#1 = Source or Layer is on Preview
#2 = Function available for modication
#3 = Current output on Matrix Mode

Blinking red:

Blinking green:

Active Layer or Source for modication on Main

Active Layer or Source for modication on Preview

27

Input selection settings

1/ In the MENU section, press the [EXIT/MENU] button and select

Input in the menu by rotating the scroll knob. Then press the

[ENTER] button to enter the Input sub-menu.

2/ In the Input menu, select the type of input you have plugged into

the OPS200 by rotating the scroll knob (see Input Specications).
Then press the [ENTER] button to enter the types of inputs
connected to the OPS200.

3/ Press the [EXIT/MENU] button to return to the main menu.

4/ Repeat steps #1 through #3 for every source connected to your

OPS200.

Source output selection

Once your inputs have all been congured, the output settings of

the OPS200 must be set according to the machines plugged on
your OPS200 main and preview outputs (video projector, preview
monitor...).

* NOTE * : It is strongly recommended to set the output format of

the OPS200 to match the native resolution of the display devices
connected to the OPS200.

Output selection settings

1/ In the Menu section, press the [EXIT/MENU] button and select

Output in the menu by rotating the scroll knob. Then press the

[ENTER] button to enter the Output sub-menu.

2/ In the Output menu, select the output type, resolution and frequency,

to match the viewing hardware plugged into the OPS200, by
rotating the scroll knob (see also Output Specications). Then
press the [ENTER] button to enter each of the output parameters.

* NOTE * : be sure to press the [ENTER] button to conrm every

selected setting, the OPS200, will revert to its original settings if new

choices are not conrmed.

3/ Press the [EXIT/MENU] button to return to the main menu.

28

The Output menu also allows you to generate test patterns. The
test patterns available through the Output menu let you quickly and
reliably setup your projectors.

1/ In the menu section, press the [EXIT/MENU] button and select

Output in the menu by rotating the corresponding knob. Then
press the [ENTER] button to enter the Output sub-menu.

2/ In the Output sub-menu, select the Test Pattern menu, then select

the output (Main or Preview) on which you want the test pattern
to appear by rotating the scroll knob. Press the [ENTER] button
to enter the Test Pattern menu. Choose the test pattern you wish
to use in the Test Pattern menu by rotating the scroll knob, and
press [ENTER]. The chosen test pattern will immediately appear
on the selected screen(s).

3/ Press the [EXIT/MENU] button twice to return to the main menu.

* NOTE * : Be sure to turn the test pattern off to display your sources again.

Working with PIPs

The OPS200 allows users to manipulate 2 PIPs (Picture In Picture)
which you can move, size, crop or zoom, apply transparency or
transitions to.

PIP conguration

1/ In the Layer Selection section, press the PIP#1 button. The button

will start blinking. On the preview screen, the layer will appear as
a color rectangle, and “00” will be indicated in the layer rectangle.
Layer parameters will appear on your menu screen once a source
has been affected to that layer.

2/ In the Input Selection section, press the source button (#1 to #11)

of the source you wish to affect to the selected PIP. The source
button will start blinking. On your preview screen, the source will
appear in the layer rectangle, and PIP#1 will be indicated in the
layer rectangle.

3/ Press the PIP#1 button, then rotate the scroll knob to access desired

layer attributes (size, position, zoom, border, transparency...) and
press the corresponding [ENTER] button in the Layer sub-menu
to enter and parameter layer attributes.

4/ By pressing the source button again, the Image sub-menu appears

on your menu VFD screen. Rotate the scroll knob to access the

desired source attributes (aspect in/out, color, centering, blanking
adjust...) and press the [ENTER] button in the Image sub-menu to
enter and parameter source attributes.

5/ Press [TAKE] to view the results on your main screen.

29

Working with Frames

It is possible to store up to 7 frames in the OPS200 non volatile
memory. Frames are mainly used as backgrounds in a typical
show or event setup, and can be recorded from any of the OPS200
11 sources and called back at the press of a single button.

* NOTE * : Frames may be used only one at a time and cannot be
placed in a layer.

Memorizing Frames

1/ In the Input Selection section, press the source button (#1 to #11)

of the source you wish to record as a frame. The source button
will start blinking. Press the [TAKE] button to display that source
on the main display.

2/ Select Logos/Frames in the menu by rotating the scroll knob, then

pressing the [ENTER] button.

3/ Select Record Frames in the Logo/Frames menu by rotating the
scroll knob, then pressing the [ENTER] button. A white rectangle
will appear on your main display, indicating the frame which will
be captured. Select an empty frame memory (empty frames
are indicated in the sub-menu) to store the frame into. Press the
corresponding [ENTER] button.

4/ The OPS200 will display a progress status bar on the VFD

screen. Your frame is stored when the menu reappears on the

VFD screen.

5/ Press the [BACKGROUND FRAME] button, select the frame

number (#1 to #7) you just recorded, and press the [TAKE] button.
Your background frame will appear on your preview output.

Working with logos

+

It is possible to store up to 7 logos in the OPS200 non volatile
memory. Logos work in much the same way as frames, and can be
recorded from any of the OPS200 11 sources. Logos have many
more attributes than frames. They can be sized, positionned, but
also keyed via color cutout selection or luma key.

30

Memorizing logos

1/ In the Input Selection section, press the source button (#1 to #11)

of the source you wish to record as a logo. The source button will
start blinking.

2/ Select the Logos/Frames menu by scrolling through the menu

with the scroll knob, then pressing the [ENTER] button.

3/ Select Record Logos in the Logos/Frames menu by rotating

the scroll knob, then pressing [ENTER]. A small white rectangle
will appear on your main display, indicating the logo that will be
captured.

4/ Adjust logo size, position, and ne tune key attributes by rotating

the scroll knob and pressing [ENTER] to memorize logo settings.

5/ Select an empty logo memory (empty logos are indicated in the

sub-menu) to store the logo into. Press the [ENTER] button. The

OPS200 will display a progress status bar on the VFD screen.

6/ In the Layer Selection section, press the LOGO#1 button, and

select logo number (#1 to #7) you wish to use. Your logo will

appear on the preview screen above any existing layer on screen.

7/ Press the [TAKE] button. Your logo will appear on the main display.

Mixer functions

In Multi Layer Mixer mode, the OPS200 offers a variety of mixer

type transitions, including wipes, fades, and cuts. The transitions,
transition times and fade/wipe effects can all be setup through the

OPS200 Layer menu.

31

Layer Transitions & effects

The OPS200 offers a wide variety of transitions between the scenes
you create for your shows and events. It allows for live recall of
4 user presets, each of which you can edit at any given time.

Whether catering for complex event setups, or putting together

intricate shows, your OPS200 will also deliver some of what you

could expect from a dedicated mixer, along with its switcher and

scaler capabilities.

1/ In the Layer Selection section, press the PIP1 button. The button

will start blinking. On your Preview screen, PIP1 will appear as
a color rectangle. The parameters of the layer will automaticaly
appear on your OPS200 VFD menu screen.

2/ In the Layer menu, make the position, size, border and

transparency settings you like, then select Opening Effect in the
layer options, press the [ENTER] button and select Type. Select

Slide Left - Right for example, and press the [ENTER] button to
conrm. Navigate to Duration in the Opening Effect sub-menu,
and set the duration of your effect by rotating the SCROLL knob

and pressing [ENTER].

3/ Repeat the procedure in the Closing Effect sub-menu to determine

the way your layer will close. Try Slide From Left - Right for the

closing type with a duration of 1.5 seconds for example.

Creating Presets

The OPS200 allows the creation of user dened presets very easily.
Any setup you have congured on screen, can be stored into one of

the 4 available user presets.

1/ After having congured layers, PIP transitions, logos... on your

screen (see ‘Working With the OPS200’), go to the Preset menu
by pressing the [EXIT/MENU] button, and select Preset by
rotating the scroll knob. Then, press the [ENTER] button to enter
the Preset sub-menu. Choose Preset Copy by scrolling with the
corresponding knob, and press the [ENTER] button to access the
sub-menu.

2/ In the sub-menu, choose Save From Main or Save From Preview

to determine which screen you want to memorize the preset
from, then set the preset memory (#1 to #4) you wish to use as
your “User Preset” (by default, the OPS200 will choose the next
available preset in the OPS200 memory).

3/ By pressing the [ENTER] button, the OPS200 will ask you to

conrm. Select Yes, your screen is memorized as a preset.

32

Working with Presets

The four user presets of the OPS200 can be called back at any
stage during your show or event.

Preset Memory 1-4

1/ Press the [PRESET] button, then press one of the four rst Input

Selection section buttons to choose which memory (#1 to #4) you
wish to use. The preset will be displayed on your preview screen.

2/ Once you have selected your preset, simply press the [TAKE]

button to view the result on your main screen.

Working with Audio

The OPS200 allows to work with up to 9 stereo inputs, 1 auxilary input,
and 2 embedded SDI audio inputs (via the SDI BNC connectors), all
accessible via the Audio menu of the OPS200, and which can be
affected to one or both of the 2 independant symetrical/asymetrical
outputs of the device.

Audio conguration

+

To congure audio settings of the OPS200, plug all audio inputs into

the device, and navigate to the Audio menu.

1/ Choose the audio mode, Break Away or Top Layer Follow, which

you wish the audio to work in.

* NOTE * : the Break Away mode will air the selected audio source,
while the Top Layer Follow mode will air audio from the toptmost
active layer of the OPS200.

2/ Select Source Settings from the Audio menu to select the audio

source you wish to work with, then set levels and left/right balance
for each input.

3/ Select Auxiliary Settings to determine level and balance of the

auxilary input.

4/ Select the Main Output menu to determine main audio output

level, balance and delay settings, or to mute main audio output.

5/ Select Audio Prelist, from the Audio menu, to determine pre-listen

audio output level, balance and delay settings, for each audio
input, or to mute Prelist audio output.

6/ Select Delay Mode, to determine how the OPS200 handles audio

delay. Select Auto Adjust to let the OPS200 determine audio
output delay. Select Manual Adjust to determine audio delay
manualy.

*NOTE* : selecting Manual Adjust will give access to audio delay
value (in milliseconds) of the main and Prelist audio output menus.

33

HOME MENU

[MAIN]

Format : 1920 x 1080

Rate : 50Hz

Lock: Internal

| MAIN | PREVIEW

---------+--------------+---------------

Logo2 | Logo #2 | Logo #5
Logo1
PIP 2 | SDI 2 | SDI 1
PIP 1 | DVI 1 | DVI 2
Live | Input 1 | Input 7
Frame

Logo #1 | Logo #7

|

| Frame 1 |

Frame 7

34

INPUT

Cong status

Autoset all

Synchronized

(i1) displayed when plug is not SDI
(i2) displayed when type is analog video
(i3) displayed when plug is analog
(i4) displayed for input ln1, ln2, ln8, DVI1
& DVI2

Analog Group 1
Analog Group 2

Analog Group 3

(i10) displayed when plug is not DVI-D

(i11) displayed when plug is analog

Input 1
Input 2
Input 3
Input 4
Input 5
Input 6
Input 7

Input 1 Analog
Input 2 Analog
Input 3 Analog

Input 4 Analog
Input 5 Analog

Input 6 Analog
Input 6 Analog

DVI 1
DVI 2

SDI 1
SDI 2

(i11)

Type

(i11)

Autoset

Enabled

Audio input

SDTV Composite
SDTV Y/C

(i11)

SD/ED/HD RGBS
SD/ED/HD RGsB
SD/ED/HD YUV

Computer SOG

Computer HV/C
Computer RW

(i11)

Computer 0-255
Computer 16-235

DVI video RGB
DVI video YUV

(i10)

(i10)

None
Audio Input 1
Audio Input 2
Audio Input 3
Audio Input 4
Audio Input 5
Audio Input 6
Audio Input 7

Audio DVI 1
Audio DVI 2

Audio SDI 1
Audio SDI 2

(i11)

(i11)

(i11)

(i11)

(i11)

(i11)

(i10)

(i10)

Auto
NTSC
PAL
PAL_M

Left

Right

Group A - Ch 1
Group A - Ch 2
Group A - Ch 3
Group A - Ch 4
Group B - Ch 1
Group B - Ch 2
Group B - Ch 3
Group B - Ch 4
Group C - Ch 1
Group C - Ch 2
Group C - Ch 3
Group C - Ch 4
Group D - Ch 1
Group D - Ch 2
Group D - Ch 3
Group D - Ch 4

VCR Mode

HDCP enable

H sync load

(i4)

EDID

Status

(i10)

(i3)

Hi-Z

75 Ohms

Edit EDID

640x480
852x480
800x600
1280x720
1024x768

50Hz
60Hz
72Hz
75Hz
85Hz

1280x768
1360x768
1200x800
1366x800
1440x900
1280x960
1280x1024
1364x1024
1400x1050
1680x1050
1920x1080
2048x1080
1600x1200
1920x1200

3735

MAIN OUT

Sync w/OUT 1

(o1)

PREVIEW OUT

Output status

Output format

Output rate

HDTV 720p
HDTV 1035i
HDTV 1080i
HDTV 1080p
HDTV 1080sF
640x480 4/3
800x600 4/3
848x480 16/9
1024x768 4/3
1280x720 16/9
1280x768 15/9
1280x800 16/10
1280x1024 5/4
1360x768 16/9
1366x800 15/9
1400x1050 4/3
1440x900 16/10
1600x1200 4/3
1680x1050 16/10
1920x1080 16/9
1920x1080 HD
1920x1080 B
1920x1080 C

1920x1200 16/9
2048x1080 19/10

Internal ref

(o1) only for Preview out/Output2

(o2) depending on output format
(o3) computer & HDTV only
(o4) Interlaced output only

23.97 Hz
24 Hz
25 Hz

29.97 Hz
30 Hz
50 Hz

59.94 Hz
60 Hz
72 Hz
75 Hz

(o2)

(o2)

(o2)

(o2)

(o2)

(o2)

(o2)

(o2)

(o2)

(o2)

36

Out Sync Polarity

Gamma

Flicker lter

(o4)

Analog Type

DVI Type

HDCP Detection

Background color

Test Pattern

Follow x 1/2
Follow x1
Follow x2
Follow x3

H-, V­ H-, V+
H+, V­ H+, V+

RGB HV
RGBS
RGsB (SOG)
YUV

RGB full (0-255)
RGB limited (16-235)
YUV

Disabled
Automatic

Predened color

Hue
Saturation
Luma

Main
Preview

Input 1 Analog
Input 2 Analog
Input 3 Analog
Input 4 Analog
Input 5 Analog
Input 6 Analog
Input 7 Analog

DVI 1
DVI 1

SDI 1
SDI 2

OFF

V Grey scale

H Grey scale

V Color bar

H Color bar
Grid

SMPTE

Burst (o3)
Centering

PRESET

Preset Layouts

Step Back

Default

Bkgnd + TL Pip
Bkgnd + TR Pip
Bkgnd + BL Pip
Bkgnd + BR Pip

2 Pip H Split

2 Pip V Split

Save Preset

Load Preset

IMAGE

(A3)

Auto Centering

Blanking Adjust

(A3) displayed when an input
is active

Cropping

Optimize

Under/Over

Aspect OUT

(R1)

Aspect IN

Colorimetry

(R1)

(R2)

(R2)

(R3)

Save from

Save to

Save from

Save to

H position

V position

H size

V size...

H position

V position

H size

V size...

Phase
H Total

Underscan
Overscan

Native

LetterBox_1_78
LetterBox_2_35

Anamorphic

Pillar Box

Full screen
Centered
Cropped
1-1

Brightness
Contrast
Color

(R6)

Hue

Main
Preview

Memory 1
Memory 2
Memory 3
Memory 4

Main
Preview

Memory 1
Memory 2
Memory 3
Memory 4

(R1) Analog Computer Input
(R2) Analog Input
(R3) Video Input
(R4) EDTV/HDTV Input
(R5) RGB or YUV or YC or CV
(R6) NTSC Input

(R7) Interlaced 50 Hz
(R8) Interlaced 60 Hz

(R9) SDTV

Advanced

2:2 Pulldown

3:2 Pulldown

Force 4:3

Reset settings

(R2)

(R7)

(R8)

(R9)

Component Level

Motion Correct.

(R11)

(R2)

Red Level

Green Level
Blue Level

(R5)

(R5)

(R5)

37

KEYING/TITLING

Type

Lumakey

Chromakey

Titling alpha

Invert keying

None
Lumakey
Chromakey

Lumakey+Titling
Chromakey+Titling

(t1)

Level Black
Level White

(t2)

Color grabber

Manual setting

(t3)

(t4)

(t1) only displayed for Type = Luma Key or LumaKey+Titling
(t2) only displayed for Type = Chroma Key or ChromaKey+Titling
(t3) only displayed for Type = LumaKey +Titling or ChromaKey+Titling
(t4) only displayed for Type = different from

H position

V position

Tolerance
Level Black
Level White

Red key

Green key
Blue key
Tolerance
Level Black
Level White

LAYER

(A3)

Layer adjust

Layer zoom

Size templates

Transparency

(b3)

Border

(b1)

H Pos

V Pos
HV Pos
HV Size

H Size

V Size

(b3)

H Pos

V Pos

H Size

V Size

(b3)

Full Screen
3/4 Full Screen
2/3 Full Screen
1/2 Full Screen
1/3 Full Screen
1/4 Full Screen

Style

Adjust

(b2)

(b2)

(b2)

(b1) Not available for Background Frame & Live
(b2) Not available for Logos
(b3) Not available for Frames & logos
(b4) Only for Slide, Wipe and Stretch
(b5) Only for Wipe and Stretch
(b6) Only for Wipe, Circle and Stretch
(b7) Only for Slide, Wipe and Circle

None

Edge

H Size

V Size

Transparency
Color

38

Opening effect

Type

Direction

Duration

Cut
Clean Cut

(b3)

Fade
Slide
Wipe

Left to Right
Right to Left

Bottom to Top
Top to Bottom

Vertical from Center

Horizontal from Center

HV from Center

(b4)

(b4)

(b4)

(b4)

(b5)

(b5)

(b5)

From Bottom Left Corner

From Bottom Right Corner

From Top Left Corner

From Top Right Corner

(b4)

(b4)

(b4)

(b4)

Closing effect

Type

Cut
Clean Cut
Fade
Slide
Wipe

(b3)

LOGOS/FRAMES

Smooth Move

Status

Capture source

Record Frames

Direction

Duration

Main
Preview

Frame 1

Frame 2 (Empty)

Frame 3
Frame 4

Frame 5 (Empty)
Frame 6 (Empty)

Frame 7

Left to Right
Right to Left

Bottom to Top
Top to Bottom

Vertical to Center

Horizontal to Center

HV to Center

To Bottom Left Corner

To Bottom Right Corner

To Top Left Corner

To Top Right Corner

(lf1)

(b4)

(b4)

(b4)

(b4)

(b5)

(b5)

(b5)

(b4)

(b4)

(b4)

(b4)

(lf1) Empty if slot is free for a Frame
(lf2) Empty if slot is free for a logo
(lf3) Displays only list of valid Frames and Logos

(lf1)

(lf1)

(lf4) Displays only for animated Logo

Record Logos

Position / Size Adjust

Keying type

Luma key

Chroma key

Cut out color

(lf4)

(lf4)

(lf4)

Store

H pos

V pos

H size

V size

None
Luma
Chroma

Level black
Level white

Color grabber

Manual setting

Cut out black
Cut out white

Logo 1

Logo 2
Logo 3 (empty)
Logo 4 (empty)
Logo 5 (empty)
Logo 6 (empty)
Logo 7 (empty)

H position

V position

Tolerance
Level Black
Level White

Red key

Green key
Blue key
Tolerance
Level Black
Level White

(lf2)

(lf2)

(lf2)

(lf2)

(lf2)

Erase

Frame 1
Frame 3
Frame 4
Frame 6
Frame 7
Logo 1
Logo 2
Logo 7

(lf3)

(lf3)

(lf3)

(lf3)

(lf3)

(lf3)

(lf3)

(lf3)

39

AUDIO

Mode

Breack away

TopLayer follow

Source settings

Aux. settings

Audio Main

Audio Prelist

Input 1
Input 2
Input 3
Input 4
Input 5
Input 6
Input 7

DVI 1
DVI 2

SDI 1
SDI 2

Level
Balance

Master Mute

Master Volume

Stereo

Audio Delay

(m1)

Master Mute

Master Volume

Stereo

Source

Level

Balance

None
Input 1
Input 2
Input 3
Input 4
Input 5
Input 6
Input 7

DVI 1
DVI 2

SDI 1
SDI 2

Level

Balance

Delay Mode

Aux. Mute

Audio Delay

Auto Adjust
Manual Adjust

40

CONTROL

(L1) UDP only
(L2) Conrmation asked

(L3) Only for User 1 & User 2

Versions

Vers.: 3.00 BETA
l1=xxxx l2=xxxx
l3=xxxx l4=xxxx
0=xxxx
MM K=xxxx
MF K=xxxx
CA V=xxxx
FA V=xxxx
TH V=xxxx
CS V=xxxx

RS232/LAN

LAN setup

Sync. loss

Auto Lock

Auto TAKE

Preset Toggle

RS232

LAN

TCP
UDP

Enabled

Input 1
Input 2
Input 3
Input 4
Input 5
Input 6
Input 7

DVI 1
DVI 2

SDI 1
SDI 2

Device address...

Remote address

(L1)

Gateway address...
Device port...

Remote port

Netmask...
Default setup

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L3)

(L1)

(L2)

V-TBar enable

Transp Backgr

Dynamic t

Preview Id

Freeze mode

Key locking

LCD brightness

Key brightness

Standby

Reset Layers

Erase Memories

Default values

Input freeze
Freeze all

All
Menus

Baud rate
Set message ON
Set message OFF
Clear message ON
Clear message OFF
Standby

(L2)

(L2)

VIRTUAL TBAR

41

REMOTE CONTROL SOFTWARE

5-1. THE OPS200 RCS

RCS presentation

Your OPS200 is shipped with a Windows compatible control software. The RCS software allows you to control
your OPS200 in exactly the same way as with the front panel of the device, only using your PC as a remote.

How to use the RCS ?

You have to install the software on a Computer and have a LAN board or RS-232 link to use the RCS. After

the installation, launch the program and proceed to the network establishment.

Software installation

1. Connect you on www.analogway.com.

2. In the menu, select [Technical Support] menu, then click on [Remote Control Software], select the name
of your device and click on [Download].

3. Click on [Open with] or [Register the le], select the .exe le.

4. Follow the Windows installation instructions.

42

Software overview

The RCS software for your OPS200 is composed of several easily identied sections. The tabs menu

allows you to navigate through the equivalent of the OPS200 front panel menu items (see also “The OPS200

Menu”). The green window of the RCS represents your Preview window, and can be used to parameter

sources, frames, layers and logos directly by clicking on the corresponding button, then navigating

through the different available tabs. The red window of the RCS represents your Main window, and can also

be used much like the front panel of the OPS200. Create user presets directly in the RCS main window, by

clicking on one of the four available Preset icons and setting up your preset in the Preview window. Clear

unwanted steps with the clear button, reload a fresh copy of your screen via the Reload Main button

make smooth takes directly with your mouse or trackpad with the virtual T-bar. The Take button will

allow you to view any changes made to your preview screen on your main screen, and Analog Way engineers

have even implemented a Stepback button to quickly move back to your previous setup in the case of a

manipulation error. The status section allows for easy monitoring of the connection status.

5

8

10

2

3

4

7

1

6

9

10

1

4

2

3

5

7

8

6

9

The RCS software for your OPS200 can be viewed as the software version of the OPS200 front panel menu
section. It allows you to quickly access all of the OPS200 functions via a single page interface, and easily edit
your settings directly from your laptop or PC.

Before starting with the RCS software, you must establish a connection from your laptop to the OPS200 you
wish to run.

43

Serial connection

1/ Connect an RS232 cable between the OPS200 and your PC, then

power on your devices.

2/ Click on the RCS program le on your PC to run the software.

3/ Click on the “Connections” tab and select RS232 as the connection

type. In the drop-down menu, select the COM port number
corresponding to the connected device (default is Port 1).

4/ Click apply, and wait for devices to synchronize. The RCS will

display the following connection message : “Device Connected”

5/ Click on the “Connections” tab to return to the main screen.

Ethernet connection

1/ Connect a crossed RJ45 cable between the OPS200 and your

PC, then power on your devices. Use straight RJ45 if connecting

through a network switcher.

2/ Click on the RCS program le on your PC to run the software.

3/ Click on the “Connections” tab and select LAN as the connection

type.

4/ In the “Remote Address” eld, enter the IP address of the OPS200

you wish to control (see also “Working with the OPS200”).

5/ In the “Remote Port” eld, enter the remote port number of the

OPS200 you wish to control (see also “Working with the OPS200”).

6/ Click Apply, and wait for devices to synchronize. The RCS will

display a connection message.

7/ Click on the “Connections” tab to return to the main screen.

44

5-2. WORKING WITH THE RCS

Source input conguration

Once your OPS200 is wired up to your PC, the rst step in properly

conguring your machine is to individually select and parameter your

inputs.

1/ Click on the “Inputs” tab of the RCS.

2/ In the Plug column of the “Input” page, select the plug type by

clicking the appropriate eld.

3/ Activate the input in the Enabled column if it is not.

4/ In the scroll-down menu of the Type column, select the signal type

connected to that plug.

5/ Repeat steps #2 to #4 for all sources connected to the rear panel

of your OPS200.

6/ Click on the “Inputs” tab to return to the main screen.

Source output conguration

1/ Click on the “Outputs” tab of the RCS.

2/ Select the type of plug which is connected to outputs #1 & #2 of

your OPS200 by clicking in the appropriate eld in Analog Type or

DVI Type for both Main and Preview outputs.

3/ Select the appropriate output format and output rate.

4/ Click on the “Outputs” tab to return to the main screen.

The Output menu also allows you to generate test patterns. The
test patterns available through the Output menu let you quickly and
reliably setup your projectors.

* NOTE * : Be sure to turn the test pattern off to display your sources
again.

Working with PIPs

The OPS200 allows users to manipulate 2 PIPs (Picture In Picture)
which you can move, size, crop or zoom, apply transparency or
transitions to.

45

PIP conguration

1/ Click on the Image tab of the RCS interface. The empty Image

screen will appear on screen.

2/ By clicking on the drop-down menu in the Preview section, situated

next to the layer you wish to use as a PIP, you will access the

image parameters of the PIP source you select (#1 to #11).

3/ Set the desired PIP attributes (size, position, zoom, border,

transparency...).

4/ Click the Image tab to return to the main screen.

Working with frames

It is possible to store up to 7 frames in the OPS200 non volatile
memory. Frames are mainly used as backgrounds in a typical show

or event setup, and can be recorded from any of the 7 OPS200
sources and called back at the click of a single button.

* NOTE * : To memorize a frame, select an input, and take it to the
Main screen. Once the frame is displayed on your Main output, it is

then possible to store it to the OPS200 non volatile memory.

* NOTE * : Frames may be used only one at a time. A frame may not
be used as a Live Background.

Memorizing frames

1/ In the Input Selection section, click on the source button (#1 to

#11) of the source you wish to record as a frame.

2/ Click on the Logos/Frames tab of the RCS interface. Then click on

the Record Frame button.

3/ Click in the eld next to the rst free Frame to select it.

4/ Click on the Execute button.

46

Working with logos

It is possible to store up to 8 logos in the OPS200 non volatile
memory. Logos work in much the same way as frames, and can be
recorded from any of the OPS200’ 11 sources. Logos have more
attributes than frames. They can be sized, positionned, but also
keyed via color cutout selection or luma key.

Memorizing logos

1/ In the Input Selection section, click the source button (#1 to #11)

of the source you wish to record as a logo.

2/ In the Logos/Frames tab, click Record Logo, then select an empty
logo memory slot (#1 to #7) to record your logo into.

3/ Adjust position, size and keying attributes for your logo.

4/ Click Execute to record your logo into the selected memory slot.

The OPS200 RCS will display a progress bar while recording the
logo.

5/ In the Input Selection section, click the [LOGO1] button, and select

logo number (#1 to #7) you wish to use. Your logo will appear on

the preview screen above any existing layer on screen.

6/ Click the [TAKE] button. Your logo will appear on the main display.

Layer transitions & effects

The OPS200 offers a wide variety of transitions between the scenes
you create for your shows and events. It allows for live recall of
4 user presets, each of which you can edit at any given time.

1/ In the Layer Selection section, click the PIP#1 button. On your

Preview screen, PIP#1 will appear as a color rectangle. The

parameters of the layer will automatically appear in the RCS

Preview section.

2/ At the bottom of the Preview section, click on the Transition tab,

then select the transition type from the left dropdown menu, and
the effect behaviour from the right dropdown menu.

3/ Determine effect duration by sliding the duration bar left (shorter)

or right (longer), or by manualy setting the value in the duration

value box.

4/ Repeat the procedure in the Closing Effect tab to determine the

way your layer will close.

47

Creating presets

The OPS200 allows the creation of user dened presets very easily.
Any setup you have congured on screen, can be stored into one of

the 4 available user presets.

1/ After having congured layers, PIP transitions, logos... on your

screen (see “Working With the RCS” chapter), click on one of the
four available Preset buttons.

2/ In the dropdown menu, choose Save From Main or Save From

Preview to determine which screen you want to memorize the
preset from.

3/ By clicking one of the two options, the RCS will automatically load

and preview the selected Preset.

4/ Click the [TAKE] button to view your preset on the Main screen.

Working with presets

The four OPS200 user presets can be called back at any stage
during your show or event.

1/ Click one of the four available Preset buttons to choose which

memory you wish to use. Select Load to Preview from the
dropdown menu, your preset will appear on the Preview screen.

2/ Once you have selected your preset, simply click the [TAKE]

button to view the result on your main screen.

Working with audio

The OPS200 allows to work with up to 9 stereo inputs, 1 Auxiliary
input, and 2 embedded SDI audio inputs (via the SDI BNC
connectors), all accessible via the Audio menu of the OPS200, and
which can be affected to one or both of the 2 independant symetrical/
asymetrical outputs of the device.

48

Audio Conguration

To congure audio settings of the OPS200, plug all audio inputs into

the device, and click on the Audio tab of the RCS home page.

1/ Set the Main audio output level and delay (accessible only if Delay

Mode is set to Manual Adjust, see also the “Audio Conguration”
chapter), or click the Mute button to mute Main audio output.

2/ Repeat step 2 for the Prelist audio output.

3/ Individual source settings (level and balance) for each audio input

can be congured in the right hand section of the Audio tab.

49

OPTIONAL REMOTE CONTROL SYSTEMS

6-1. Axion2

Axion2: The Axion2 is an ergonomic and reliable remote controller

for rental & staging/multi-venues at an optimal price/performance
ratio. It controls simultaneously up to 6 screens in a single or

multiple display conguration. The Axion2 integrates a ofine

mode for setup the devices not connected. A sequences mode is
also available for automatic recall of presets.

6-2. Orchestra

Orchestra: The Orchestra is an ergonomic and reliable remote

controller for rental & staging/multi-venues at an optimal price/
performance ratio. It controls simultaneously up to 6 screens

in a single or multiple display conguration.

6-3. TRK-800

TRK-800: Triple Remote Keypad designed to control up to 3 units.

> Powerful High End Remote Controller

> Controls up to 3 different switchers

> Mini Joystick for easy element control
> Ethernet LAN RJ45 connector for easy

connection

> Double Large VFD display offering high

contrast menu and status.

6-4. RK-300

RK-300: Remote Control Keypad designed to control Analog Way’s new Seamless Switchers

> Very User-friendly Remote Control Keypad

> Controls different Switchers

> Mini Joystick for easy element control
> Ethernet LAN RJ45 connector for easy

connection

> Large VFD display offering high contrast

menu.

NOTE: for further information concerning our optional remote controllers, please connect to our
website on: www.analogway.com

50

EXAMPLES AND TIPS

7-1. ABOUT EXAMPLES

Examples are intended to make the use of the OPS200 as easy as possible, by providing visual
help in setting up your equipment. In an effort to make the use of our machines the most pleasant

experience possible, the Analog Way team is constantly aiming to create easy to follow examples,

update information, and furnish our website with useful user information.

Please check on www.analogway.com

7-2. EXAMPLE

51

7-3. EXTERNAL PROGRAMMING

If you need to use your own Software Control program from a
PC or automation, the device allows communication through
an ASCII code protocol. All commands can be found on our
website: www.analogway.com

All Analog Way products equipped with an RS232 input are
compatible with Crestron, AMX, Medialon, and most major

control systems. TCP/IP control ports are also available on
most Analog Way products, as standard or as options.

To control an OPS200 product with an External Remote

Controller (PC Software Control - Touch Pad Controller…)

follow the indications below:

1. First establish an RS-232 communication between the

Remote Control Software and the OPS200, in order to setup

the LAN parameters of the product.

2. In the “Control” - “OPS200 LAN Setup” menu, congure the

connection of the OPS200 product in UDP mode and setup

the Local and Remote Addresses as well as the Local and
Remote Ports in concordance with your Network.

3. Congure the TCP/IP address of your External Remote

Controller.

In example: 192.168.000.001

4. Setup the UDP connection of your External Remote

Controller in concordance with your Network.

In example on the Remote Software in the “Control” - “RS232/

LAN Setup” - “LAN/Setup” menu.

5. Setup the LAN parameters in UDP mode in the “Console” -

“LAN Setup” menu.

In example: RK Address: 192.168.000.002
Remote Address: 192.168.000.010

Gateway Address: 192.168.000.001

RK Port: 10500
Remote Port: 10500

Netmask: 255.255.255.000

6. Select the LAN communication port in the remote controller

console - “RS232/LAN port” menu.

7. You can now control your OPS200 product with an External

Remote Controller.

52

WARRANTY

8-1. ANALOG WAY LIMITED WARRANTY

All Analog Way products have a 3 year warranty on parts and labor, back to factory. This warranty does not

include faults resulting from user negligence, special modications, electrical surges, abuse (drop/crush),

and/or other unusual damage.

8-2. SERVICES AND RMA

In the unlikely event that a product is required to return for repair, please call the regional Maintenance

center / Customer Service, and ask to receive a Return Material Authorization number (RMA). Three regional

maintenance centers are available depending on your location. See map below for information on which
regional maintenance center you depend on.

RMA Conditions:

1. Prior to returning any item, you must receive a Return Material Authorization (RMA) number.

2. All RMA numbers must appear on the return-shipping label.

3. All shipping and insurance charges on all RMAs must be prepaid by the customer.

53

CONTACT INFORMATION

CONTACT INFORMATION

HOW TO CONTACT US

HOW TO CONTACT US

Analog Way SAS

33 rue du Saule Trapu
Parc du Moulin
91300 Massy
France

Tel.: [phone]
Fax: [phone]
[e-mail]

Analog Way Inc.

299 Broadway, Suite 1620
New York, NY 10007
United States of America

Tel.: [phone]
Fax. [phone]
[e-mail]

Analog Way Pte Ltd.

No. 10 Ubi Crescent
#03-05 Ubi Techpark Lobby A
Singapore 408564

Tel.: [phone]
Fax: [phone]
[e-mail]

For more documentation, general information, or simply to keep up to date with new releases and upcoming Analog Way
products, please log on to www.analogway.com.

Before calling your regional maintenance center, please gather the following information:

- Serial number of the unit

- Firmware version (look in: CONTROL MENU/VERSIONS)

- Model reference (OPS200)

- Description of failure

INFORMATION ON UNIT DISPOSAL

In the European Union:

If the product is used for business purposes and you want to discard it:

Please contact your Analog Way dealer who will inform you about take-back of the product. You might be charged for
the costs arising from take-back and recycling.

For Spain:
Please contact the established collection system or your local authority for take-back of your used product.

In other countries outside the EU:

If you wish to discard of this product, please contact your local authorities and ask for the correct method of disposal.

54

Version: 4.00 - 22/06/2012

Designs and specications are subject to change without notice

The illustrations and screens described in this manual may be exaggerated or simplied for easy

recognition and may be slightly different from the actual unit.

ANALOG WAY SAS

33 rue du Saule Trapu

Parc du Moulin

91300 Massy - France

Code: 140106