Analog Way Eikos User Manual

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USER MANUAL

version 4.10

Eikos

THANK YOU

Thank you for choosing Analog Way. By following these simple steps, you should be able to operate the powerful Eikos (EKS500).

TABLE OF CONTENTS

INTRODUCTION

1-1. EIKOS OPERATING MODES

Mixer Mode Matrix Mode Quadravision Mode

1-2. USEFUL TERMS AND DEFINITIONS

HARDWARE INSTALLATION

2-1. SAFETY INSTRUCTION

2-2. UNPACKING AND INSPECTION

2-3. RACKMOUNT INFORMATION

2-4. CABLE & ADAPTOR INFORMATION

2-5. HARDWARE SPECIFICATIONS

Input specications

Output specications

Communication specications Environmental specications Pin outs

HDCP compliance

CONNECTING THE EIKOS

3-1. CONNECTING THE EIKOS

3-2. THE EIKOS REAR PANEL

Overview Inputs #1 to #6 DVI Inputs #1 and #2 3G/HD/SD-SDI Inputs #1 and #2 Preview Outputs Main Outputs

OPERATING THE EIKOS

4-1. THE EIKOS FRONT PANEL

Overview On/Off button Menu screen Menu scroll knob Control section Layer selection section Input selection section Freeze button Adjustment Toggle Preset Take button

Quadravision selection button Effect Selection button Preset Selection button

4-2. THE EIKOS MENU

Menu navigation Home menu

4-3. WORKING WITH THE EIKOS

Operating modes Reseting default values Eikos color codes

• A- Settings in Mixer Mode

Source Input selection Input selection settings Input Sync. Loss Function Source output selection Output selection settings Preview Features Preview Mode & OSD Settings Preview Id How to use the Mosaic Preview Feature Working with Layers Working with Layers Functions Opening transitions and closing Live Layers Working with PIPs PIP adjustment menu

PIP conguration

PIP as Layers PIPs with Transitions & Borders Capturing still Frames Working with Frames Opening transitions & closing Still Layers Memorizing Frames Frame input setup menu Frames as Layer Layer Transitions & effects Mixer Functions Capturing Logos Capturing an Animated Logo Memorizing Logos Logos input setup menu Working with Logos Logos as Layers Working with Presets

Creating Presets Working with audio

Audio conguration

Special Features

HOME MENU

• B- Settings in Native Matrix Mode

Source Input selection Input selection settings

Working with Layers Source Output selection Output selection settings Working with Native Matrix Mode Working with Cut, Fade or Transitions Working with PIP Working with Mirror Mode Working with Frames/Logos

• C- Settings in Quadravision Mode

Working with Templates Working with Presets Creating a Preset Working with Frames/Logos

REMOTE CONTROL SOFTWARE

5-1. THE EIKOS RCS

RCS presentation How to use the RCS Software installation

Software overview Serial connection Ethernet connection

5-2. WORKING WITH THE RCS

Operating Mode

Source input conguration

Source output conguration

Working with PIPs

PIP conguration

Working with Frames

Memorizing Frames Working with Logos

Memorizing Logos Layer transitions & effects Creating Presets

Working with Presets Working with Audio

Audio conguration

OPTIONAL REMOTE CONTROL SYSTEMS

6-1. Axion 2 - Ref. ARC200 6-2. Orchestra - Ref. ORC50 6-3. TRK-800 - Ref. TRK-800 6-4. RK-300 - Ref. RK-300

APPLICATION NOTES AND TIPS

7-1. ABOUT APPLICATION NOTES

7-2. APPLICATION NOTES

7-3. EXTERNAL PROGRAMMING

WARRANTY AND SERVICES INFORMATION

8-1. ANALOG WAY LIMITED WARRANTY

8-2. SERVICES AND RMA

CONTACT INFORMATION

HOW TO CONTACT US

INFORMATION ON DISPOSAL

INTRODUCTION

1-1. THE EIKOS (EKS500) OPERATING MODES

Before you start setting up your Eikos for the rst time, be sure you know what you actually want to do with it. The Eikos offers a choice of three operating modes, which results in a versatile video production tool for

live event staging and xed installation applications.

* NOTE * : We recommend resetting the device to its default values every time you set up your shows or events (see the “Operating The Eikos” chapter, p28).

MIXER MODE

This mode allows for a single Eikos to seamlessly switch and blend any of its 12 analog/digital inputs with any other of the inputs, add PIP, titling or logo insertion to the live frame, while previewing your every move before going live, to avoid embarrassing errors on your main screen. The Mixer mode is the Eikos native mode, and with no less than 6 layers (of which 3 live layers). The Video output of the Eikos allows to have a full Main screen for recording or broadcasting.

Background Frame

Logo 2*

Logo 1

Layer D*

Layer C

Layer B

Layer A

* Depending on which mode is selected

MATRIX MODE

This mode turns your Eikos into a true 12 x 2 scaled matrix, while preserving seamless switching capabilities. Main and Preview outputs can be set to different resolutions and rates. Switching between any of the inputs can be done with the various effects (Cut, Fade, Slides…) and synchronized on both outputs.

QUADRAVISION MODE

This mode allows to display up to four live windows, while preserving seamless switching capabilities. Several templates are available.

1-2. USEFUL TERMS AND DEFINITIONS

BACKGROUND: a “Background” is a source, typically originating from a computer. Eikos enables you to

work with live or still (frame) background sources - visually in back of all other sources.

LAYER: a “Layer” is an image display element (such as a PIP window, Key, Logo(s) or Background) that has

an associated visual priority — either in front (or in back) of another layer.

The Eikos can simultaneously view no less than 6 layers (3 video, or live layers, 1 frame layer, or background, and 2 logo layers).

Eikos can insert up to 2 PIPs on a live background, plus 2 logos.

PIP: a “PIP” (Picture In Picture), is a picture, typically of reduced size, which is positioned over another

background image or PIP. PIPs can be reduced, enlarged and bordered. PIPs can overlap, depending on their visual priority.

Eikos allows for Dynamic PIP on the opening and closing of the sequence, vertically or horizontally. A “ying”

PIP is also possible over the screen with vertical, horizontal or diagonal animation. A PIP is considered as a live layer.

FRAME: a “Frame” is a full screen image which is selected from one of the eight still frames which you can

capture with the Eikos. A Frame can be ash captured and imported from any video or computer source plugged into the machine.

LOGO: a “Logo” is a part of screen image that can be ash captured and imported from any Video or

Computer source, by keying or image cut-out. Eikos can record up to 8 still logos. They can be positioned anywhere on the screen. An animated logo is also available on the eighth input.

KEYING: a “Key” is an electronic process whereby an image is electronically superimposed over another

source or background, by cutting out either a color Chroma Key), or its brightness or luminance levels (Luma Key). Keys are typically used for titles, logos and special effects.

Eikos allows to use a live source with green or blue background and to key it over any other live input.

HARDWARE INSTALLATION

2-1. SAFETY INSTRUCTIONS

SAFETY INSTRUCTIONS

CAUTION:

All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference. Please follow all of the warnings on this product and its operating instructions.

• WARNING: To prevent the risk of electric shock and re, do not expose this device to rain, humidity,

intense heat sources (such as heaters and direct sunlight). Slots and openings in the device are provided for ventilation and to avoid overheating. Make sure the device is never placed near a textile surface that could block the openings. Also keep away from excessive dust, vibrations and shocks.

• POWER: Only use the power supply indicated on the device of the power source. Devices equipped with

a grounding plug should only be used with a grounding type outlet. In no way should this grounding be

modied, avoided or suppressed.

• POWER CORD: The device is equipped with a main switch (On (I) /Off (O)). The Switch ON and OFF is

initiated by the main switch.

Caution: The power cord constitute the only mean to totaly disconnect the equipment

from the main power.

Apply the following guidelines :

- The equipment connected to the network must have a release system easily accessible and located outside the unit.

- Unplug the power cord, do not pull on the power cord but always on the plug itself.

- The outlet should always be near the device and easily accessible.

- Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them.

If the power supply cord is damaged, unplug the device. Using the device with a damaged power supply cord may expose your device to electric shocks or other hazards. Verify the condition of the power supply cords once in a while. Contact your dealer or service center for replacement if damaged.

• CONNECTIONS: All inputs and outputs (except for the power input) are TBTS dened under EN60950.

• SERVICING: Do not attempt to service this product yourself by opening or removing covers and screws

since it may expose your device to electric shocks or other hazards. Refer all problems to qualied

service personnel.

• OPENINGS: Never push objects of any kind into this product through the openings. If liquids have been

spilled or objects have fallen into the device, unplug it immediately and have it checked by a qualied

technician.

INSTRUCTIONS DE SECURITE

An de mieux comprendre le fonctionnement de cet appareil nous vous conseillons de bien lire toutes les

consignes de sécurité et de fonctionnement de l’appareil avant utilisation. Conservez les instructions de

sécurité et de fonctionnement an de pouvoir les consulter ultérieurement. Respectez toutes les consignes

marquées dans la documentation, sur le produit et sur ce document.

• ATTENTION: An de prévenir tout risque de choc électrique et d’incendie, ne pas exposer cet appareil à

la pluie, à l’humidité et aux sources de chaleur intense.

• INSTALLATION: Veillez à assurer une circulation d’air sufsante pour éviter toute surchauffe à l’intérieur

de l’appareil. Ne placez pas l’appareil sur ou à proximité d’une surface textile susceptible d’obstruer les orices de ventilation. N’installez pas l’appareil à proximité de sources de chaleur comme un radiateur ou une poche d’air chaud, ni dans un endroit exposé au rayonnement solaire direct, à des poussières excessives, à des vibrations ou à des chocs mécaniques. Ceci pourrait provoquer un mauvais

fonctionnement et un accident.

• ALIMENTATION: Ne faire fonctionner l’appareil qu’avec la source d’alimentation indiquée sur l’appareil.

Les appareils doivent être obligatoirement connectés sur une source équipée d’une mise à la terre efcace. En aucun cas cette liaison de terre ne devra être modiée, contournée ou supprimée.

• CORDON D’ALIMENTATION: Les appareils sont équipés d’un interrupteur général (Marche I / Arrêt

O), la mise en tension et la mise hors tension se fait en actionnant cet interrupteur général. Attention : le cordon d’alimentation constitue le seul moyen de débrancher l’appareil totalement de l’alimentation secteur. Pour être certain que l’appareil n’est plus alimenté, ce cordon doit être débranché de la prise murale. Appliquer les consignes suivantes :

- Le matériel relié à demeure au réseau, doit avoir un dispositif de sectionnement facilement accessible

qui doit être incorporé à l’extérieur de l’appareil.

- Débrancher le cordon d’alimentation de la prise murale si vous prévoyez de ne pas utiliser l’appareil

pendant quelques jours ou plus.

- Pour débrancher le cordon, tirez-le par la che. Ne tirez jamais sur le cordon proprement dit.

- La prise d’alimentation doit se trouver à proximité de l’appareil et être aisément accessible.

- Ne laissez pas tomber le cordon d’alimentation et ne posez pas d’objets lourds dessus.

Si le cordon d’alimentation est endommagé, débranchez-le immédiatement de la prise murale. Il est dangereux de faire fonctionner un appareil avec un cordon endommagé; un câble abîmé peut provoquer un

risque d’incendie ou un choc électrique. Vériez le câble d’alimentation de temps en temps. Contactez votre

revendeur ou le service après-vente pour un remplacement.

• CONNEXIONS: Toutes les entrées et sorties (exceptée l’entrée secteur) sont de type TBTS (Très Basse

Tension de Sécurité) dénies selon EN 60950.

• RÉPARATION ET MAINTENANCE: L’utilisateur ne doit en aucun cas essayer de procéder aux opérations

de dépannage, car l’ouverture des appareils par retrait des capots ou de toutes autres pièces constituant

les boîtiers ainsi que le dévissage des vis apparentes à l’extérieur, risquent d’exposer l’utilisateur à des chocs électriques ou autres dangers. Contactez le service après-vente, votre revendeur ou s’adresser à un personnel qualié uniquement.

• OUVERTURES ET ORIFICES: Les appareils peuvent comporter des ouvertures (aération, fentes, etc...),

veuillez ne jamais y introduire d’objets et ne jamais obstruer ses ouvertures. Si un liquide ou un objet

pénètre à l’intérieur de l’appareil, débranchez immédiatement l’appareil et faites-le contrôler par un personnel qualié avant de le remettre en service.

INSTRUZIONI DI SECUREZZA

Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene tutti i consigli di sicurezza e di funzionamento prima dell’utilizzo. Conservare le istruzioni di sicurezza e di

funzionamento al ne di poterle consultare ulteriormente. Seguire tutti i consigli indicati su questo manuale

e sull’apparecchiatura.

• ATTENZIONE: Al ne di prevenire qualsiasi rischio di shock elettrico e d’incendio, non esporre

l’apparecchiatura a pioggia, umidità e a sorgenti di eccessivo calore.

• INSTALLAZIONE: Assicuratevi che vi sia una sufciente circolazione d’aria per evitare qualsiasi

surriscaldamento all’interno dell’apparecchiatura. Non collocare l’apparecchiatura in prossimità o su superci tessili suscettibili di ostruire il funzionamento della ventilazione. Non installate l’apparecchiatura in prossimità di sorgenti di calore come un radiatore o una fuoruscita d’aria calda, né in un posto esposto

direttamente ai raggi del sole, a polvere eccessiva, a vibrazioni o a shock meccanici. Ció potrebbe provocare un erroneo funzionamento e un incidente.

• ALIMENTAZIONE: Far funzionare l’apparecchiatura solo con la sorgente d’alimentazione indicata

sull’apparecchiatura. Le apparecchiature queste devono essere obbligatoriamente collegate su una

sorgente fornita di una efciente messa a terra. In nessun caso questo collegamento potrà essere modicato, sostituito o eliminato.

• CAVO DI ALIMENTAZIONE: Gli apparecchi con un interrutore (commutatore) generale

(Accesso I : Speuto 0), accendere ou spagnere l’apparecchio si fa usando l’interrutore. Attenzione: il cavo di alimentazione è il solo modo di disconnettere l’apparecchio dell’alimentazione. Per assicurarsi che totalemente l’apparecchio non è più collegato, il cavo deve essere disconesso della presa murale.

Seguire le instruzioni seguenti :

- Il materiale collegato a residenza alla rete, deve avere un dispositivo di sezionamento facile da

raggiongere eche deve essere inserito all’esterno del apparecchio.

- Disconnettere l’apparecchiatura dalla presa murale se si prevede di non utilizzarla per qualche giorno.

- Per disconnettere il cavo tirare facendo forza sul connettore.

- La presa d’alimentazione deve trovarsi in prossimità dell’apparecchiatura ed essere facilmente

accessibile.

- Non far cadere il cavo di alimentazione né appoggiarci sopra degli oggetti pesanti.

Se il cavo di alimentazione é danneggiato, spegnere immediatamente l’apparecchiatura.

E’ pericoloso far funzionare questa apparecchiatura con un cavo di alimentazione danneggiato, un cavo

grafato puó provocare un rischio di incendio o uno shock elettrico. Vericare il cavo di alimentazione

spesso. Contattare il vostro rivenditore o il servizio assistenza per una sostituzione.

• CONNESSIONE: Tutti gli ingressi e le uscite (eccetto l’alimentazione) sono di tipo TBTS denite secondo

EN 60950.

• RIPARAZIONI E ASSISTENZA: L’utilizzatore non deve in nessun caso cercare di riparare l’apparecchiatura,

poiché con l’apertura del coperchio metallico o di qualsiasi altro pezzo costituente la scatola metallica, nonché svitare le viti che appaiono esteriormente, poiché ció puó provocare all’utilizzatore un rischio di shock elettrico o altri rischi.

• APERTURE DI VENTILAZIONE: Le apparecchiature possono comportare delle aperture di ventilazione,

si prega di non introdurre mai oggetti o ostruire le sue fessure. Se un liquido o un oggetto penetra

all’interno dell’apparecchiatura, disconnetterla e farla controllare da personale qualicato prima di

rimetterla in servizio.

SICHERHEITSHINWEISE

Um den Betrieb dieses Geräts zu verstehen, raten wir Ihnen vor der Inbetriebnahme alle Sicherheits und Betriebsanweisungen genau zu lesen. Diese Sicherheits- und Betriebsanweisungen für einen späteren Gebrauch sicher aufbewahren. Alle in den Unterlagen, an dem Gerät und hier angegebenen Sicherheitsanweisungen einhalten.

• ACHTUNG: um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden, das Gerät nicht Regen,

Feuchtigkeit oder intensiven Wärmequellen aussetzen.

• EINBAU: Eine ausreichende Luftzufuhr sicherstellen, um jegliche Überhitzung im Gerät zu vermeiden.

Das Gerät nicht auf und in Nähe von Textiloberächen, die Belüftungsöffnungen verschließen können, aufstellen. Das Gerät nicht in Nähe von Wärmequellen, wie z.B. Heizkörper oder Warmluftkappe, aufstellen und es nicht dem direkten Sonnenlicht, übermäßigem Staub, Vibrationen oder mechanischen Stößen aussetzen. Dies kann zu Betriebsstörungen und Unfällen führen.

• STROMVERSORGUNG: Das Gerät nur mit der auf dem Gerät bezeichnete Stromquelle betreiben. Gerät

mit geerdeter Hauptstromversorgung muss an eine Stromquelle mit efzienter Erdung angeschlossen

werden. Diese Erdung darf auf keinen Fall geändert, umgangen oder entfernt werden.

• NETZKABEL: Da die Geräte über einen Hauptschalter (An I/ Aus 0) verfügen, erfolgt die Stromversorgung

und -unterbrechung über diesen Hauptschalter.

Achtung : Das Netzkabel stellt die einzige Möglichkeit dar, das Gerät vollständig vom Netzanschluss

zu trennen. Um sicherzustellen, dass das Gerät nicht mehr versorgt wird, muss dieses Kabel aus der Netzsteckdose ausgesteckt werden.

Bitte beachten Sie die folgenden Hinweise :

- Wenn Geräte dauerhaft am Netz bleiben, müssen sie über eine leicht zugängliche Trennvorrichtung

verfügen, die außen am Gerät angebracht sein muss.

- Das Kabel mittels dem Stecker herausziehen. Niemals am Stromkabel selbst ziehen.

- Die Steckdose muß sich in der Nähe des Geräts benden und leicht zugänglich sein.

- Das Stromkabel nicht fallen lassen und keine schweren Gegenstände auf es stellen.

Wenn das Stromkabel beschädigt ist, das Gerät sofort abschalten. Es ist gefährlich das Gerät mit einem

beschädigten Stromkabel zu betreiben; ein abgenutztes Kabel kann zu einem Feuer oder Stromschlag

führen. Das Stromkabel regelmäßig untersuchen. Für den Ersatz, wenden Sie sich an Ihren Verkäufer

oder Kundendienststelle.

• ANSCHLÜSSE: Bei allen Ein- und Ausgängen (außer der Stromversorgung) handelt es sich, gemäß EN

60950, um Sicherheits Kleinspannunganschlüsse.

• REPARATUR UND WARTUNG: Der Benutzer darf keinesfalls versuchen das Gerät selbst zu reparieren,

die Öffnung des Geräts durch Abnahme der Abdeckhaube oder jeglichen anderen Teils des Gehäuses

sowie die Entfernung von außen sichtbaren Schrauben zu Stromschlägen oder anderen Gefahren für den Benutzer führen kann. Wenden Sie sich an Ihren Verkäufer, Ihre Kundendienststelle oder an qualizierte

Fachkräfte.

• ÖFFNUNGEN UND MUNDUNGEN: Die Geräte können über Öffnungen verfügen (Belüftung, Schlitze,

usw.). Niemals Gegenstände in die Öffnungen einführen oder die Öffnungen verschließen. Wenn eine

Flüssigkeit oder ein Gegenstand in das Gerät gelangt, den Stecker herausziehen und es vor einer neuen

Inbetriebnahme von qualiziertem Fachpersonal überprüfen lassen.

INSTRUCCIONES DE SEGURIDAD

Para comprender mejor el funcionamiento de este aparato, le recomendamos que le acuidadosamente todas las consignas de seguridad y de funcionamiento del aparato antes de usarlo. Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente. Respete todas las consignas indicadas en la documentación, relacionadas con el producto y este documento.

• CUIDADO: Para prevenir cualquier riesgo de choque eléctrico y de incendio, no exponga este aparato a

la lluvia, a la humedad ni a fuentes de calorintensas.

• INSTALACIÓN: Cerciórese de que haya una circulación de aire suciente para evitar cualquier

sobrecalentamiento al interior del aparato. No coloque el aparato cerca ni sobre una supercie textil que pudiera obstruir los oricios de ventilación. No instale el aparato cerca de fuentes de calor como radiador

o boca de aire caliente, ni en un lugar expuesto a los rayos solares directos o al polvo excesivo, a las vibraciones o a los choques mecánicos. Esto podría provocar su mal funcionamiento o un accidente.

• ALIMENTACIÓN: Ponga a funcionar el aparato únicamente con la fuente de alimentación que se indica

en el aparato. Los aparatos deben estar conectados obligatoriamente a una fuente equipada con una

puesta a tierra ecaz. Por ningún motivo este enlace de tierra deberá ser modicado, cambiado o

suprimido.

• CABLE DE ALIMENTACIÓN: Los equipos incluyan interruptor general de alimentación (Encender I /

Apagar 0), la puesta en marcha o desconexión se realiza por medio de este interruptor.

El cable de alimentación constituye el único medio de desconectar el aparato totalmente de la red eléctrica.

Para estar seguro de que el aparato no está más alimentado, este cable debe de ser desconectado de la toma de corriente.

Aplicar las siguientes consignas:

- El material conectado a residencia a la red informática, debe de tener un dispositivo de seccionamiento

fácilmente accesible que debe de ser incorporado al exterior del aparato.

- Desconectar el aparato del enchufe mural si no piensa utilizarlo durante varios días.

- Para desconectar el cable, tire de la clavija. No tire nunca del cable propiamente dicho.

- El enchufe de alimentación debe estar cerca del aparato y ser de fácil acceso.

- No deje caer el cable de alimentación ni coloque objetos pesados encima de él.

Si el cable de alimentación sufriera algún daño, ponga el aparato inmediatamente fuera de tensión. Es peligroso

hacer funcionar este aparato con un cable averiado, ya que un cable dañado puede provocar un incendio o un

choque eléctrico. Verique el estado del cable de alimentación de vez en cuando. Póngase en contacto con

su distribuidor o con el servicio de posventa si necesita cambiarlo.

• CONEXIONES: Todas las entradas y salidas (excepto la entrada del sector) son de tipo TBTS (Muy Baja

Tensión de Seguridad) denidas según EN 60950

• REPARACIÓN Y MANTENIMIENTO: Por ningún motivo, el usuario deberá tratar de efectuar operaciones

de reparación, ya que si abre los aparatos retirando el capó o cualquier otra pieza que forma parte de las cajas o si destornilla los tornillos aparentes exteriores, existe el riesgo de producirse una explosión, choques eléctricos o cualquier otro incidente. Contacte el servicio de posventa, a su distribuidor o dirigirse

con personal cualicado únicamente.

• ABERTURAS Y ORIFICIOS: Los aparatos pueden contener aberturas (aireación, ranuras, etc.). No

introduzca allí ningún objeto ni obstruya nunca estas aberturas. Si un líquido o un objeto penetra al

interior del aparato, desconéctelo y hágalo revisar por personal cualicado antes de ponerlo nuevamente

en servicio.

2-2. UNPACKING AND INSPECTION

1 x Eikos (EKS500) 1 x Power supply cord. 2 x DVI male to HD15 female and DVI-D female Breakout Cable 1 x HD15-M to 5 BNC-F cable 1 x Ethernet cross cable (for device update) 1 x Set of 11 audio 5 pin screw terminals 1 x RCS - Remote Control Software (PC only) * 4 x Screws for handle removal (M4x12mm)

If required, front handles of the device can be dismantled, but with caution. The original screws removed must not be reintroduced to their location without handles in place.

Substantial damages can occur, including risk of electric shock from the mains voltage.

WARNING !

Only M4x12mm screws can be used.

(They are supplied with the unit)

1 x User manual 1 x Quick Start guide

* Download on our website: www.analogway.com

2-3. RACKMOUNT INFORMATION

Tabletop mounting: The Eikos can be used directly on a table, the unit is equipped with 4 handy anti-slip rubber feet.

Rack mounting: The Eikos is compatible with a 19” enclosure. Please follow the instructions below to install the device in a 19” rack.

Place the device in your rack. Attach the device to the rack by using 4 screws through the front panel holes (screws not included). Rear xing is also recommended, in particular for permanent installations. The Eikos is equipped with drill holes designed for compatibility with most rackmount braces. Connect all of the cables of the device and attach them to the rack with the help of tie wraps.

IMPORTANT:

- The openings in the side and rear panels of the device are for cooling. Do not cover these openings to

avoid cutting air circulation.

- Be sure that no weight in excess of 2 kg (4.4 Lbs.) is added onto the Eikos.

- The maximum ambient operating temperature should not exceed 40°C (104°F).

- The rack and all mounted equipment in it must be reliably grounded according to national and/or local

electrical standards.

Dismantling front handles of the device could invalidate warranty on after sales services of your Eikos. It is strongly advised to avoid using front handles as rests for your Eikos, they are designed

for manipulation purposes only.

If required, front handles of the device can be dismantled, but with caution. The original screws removed must not be reintroduced to their location without handles in place. Substancial damages can occur, including risk of electric shock from the main voltage. Only M4x12mm screws can be used. They are supplied with the unit.

2-4. CABLE AND ADAPTOR INFORMATION

A large choice of cables and adaptors are compatible with the Eikos. To nd which are to be used in your setup, please refer to the Hardware Specications chapter. Please contact your distributor for a list of available

cables and connectors for your Eikos.

2-5. HARDWARE SPECIFICATIONS

Description of the input formats supported by the device.

• SDTV

Standard Size Frame Frequency Line Frequency

NTSC 525/480i 59.94Hz / 60Hz 15.735 KHz PAL 625/576i 50Hz 15.625 KHz SECAM 625/576i 50Hz 15.625 KHz

• EDTV

Standard Size Frame Frequency Line Frequency

480p 525/480i 59.94Hz / 60Hz 31.47 KHz 576p 625/576i 50Hz 31.25 KHz

• HDTV (RGB or YUV)

Standard Size Frame Frequency Standard

720p 1280x720 50Hz / 59.94Hz / 60Hz SMPTE 296M 1035i 1920x1035 59.94Hz / 60Hz SMPTE 260M 1080i 1920x1080 50Hz / 59.94Hz / 60Hz SMPTE 274M 1080p 1920x1080 23.97Hz / 24Hz / 25Hz / 29.97Hz / 30Hz SMPTE 274M 1080sF 1920x1080 50Hz / 59.94Hz / 60Hz SMPTE 274M 1080p 1920x1080 50Hz / 60Hz HDTV

• INPUT FEATURES

Inputs Format Signal Connector EDID

1 HD15#1 YES 2 SDTV Analog SDTV HD15#2 YES

3 EDTV Analog EDTV HD15#3 NO 4 HDTV Analog HDTV HD15#4 NO 5 Computer Analog Computer DVI#1: ANALOG PART NO 6 DVI#2: ANALOG PART NO

Digital SDTV (Except SDI)

SDTV EDTV HDTV Computer

Digital EDTV

Digital HDTV (Except SDI) Digital Computer

DVI#1: DIGITAL PART YES

DVI#2: DIGITAL PART YES

9 Digital SDTV BNC#1 NO

10 SDTV

11 Digital HDTV BNC#3 NO 12 (SDI only) BNC#4 NO

HDTV

(SDI only) BNC#2 NO

• COMPUTER FORMATS

The Eikos recognizes the following computer formats (Subsampled formats will be displayed with a degraded quality. For a pixel clock > 165 MHz).

Format Size Reduced Blankings Subsampling

VGA 640x480 800x480 800x480 SVGA 800x600 WVGA 848x480 XGA 1024x768 1152x864 1152x864 1280x600 1280x600 720p RGB 1280x720 WXGA 1280x768 800p RGB 1280x800 960p RGB 1280x960 SXGA 1280x1024 SWXGA 1360x768 1360x1024 1360x1024 1366x768 1366x768 DILA4/3 1364x1024 SWXGA+ 1366x800 SXGA+ 1400x1050 900p RGB 1440x900 1600x900 1600x900 UXGA 1600x1200 WSXGA+ 1680x1050 1080p RGB 1920x1080 YES WUXGA 1920x1200 YES 1920x1440 1920x1440 YES 2K 2048x1080 YES QXGA 2048x1536 YES

• EDID

The EDID is available on inputs #1 & #2 and #7 & #8. The user can modify the EDID choosing from a list of

predened formats and frequencies.

SETTING AND INPUT FUNCTIONS

Analog DVI-D SDI

Settings / Functions 1 2 3 4 5 6 7 8 9 10 11 12

Auto Settings Auto Framing Blanking Settings Cropping Optimization Under/Overscan Aspect Ratio Settings Aspect Input Output Color Settings Advanced settings 2:2 Pulldown 3:2 Pulldown

1/ Analog Computer Input or Analog Video Input (EDTV or HDTV only) 2/ Only Video Input 3/ Only interlaced 50 Hz 4/ Only interlaced 59.94 Hz to 60 Hz

YES YES YES YES YES YES YES YES N/A N/A N/A N/A

YES

YES1YES1YES1YES1YES1NO NO NO NO NO NO YES YES YES YES YES YES NO NO NO NO NO NO YES YES YES YES YES YES YES YES YES YES YES YES

YES YES

YES1YES1YES1YES1YES1NO NO NO NO NO NO

YES2YES2YES2YES2YES2YES2YES2YES2YES

YES2YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES NO NO NO NO NO NO

YES YES

YES3YES3YES3YES3YES3YES3YES3YES

YES4YES4YES4YES4YES4YES4YES4YES

YES YES

YES3YES

YES4YES

Input specications

• ANALOG COMPUTER

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins).

Line frequency: Up to 130 kHz (165 MHz Max pixel rate). Resolution: Up to 1600x1200 @ 165Mhz, 1920x1200px (RB, Max V size: 1200px, Max H size 2048px). Sync. types: RGBHV, RGB/S, RGsB (Sync On Green). Levels: R, G, B = 0.7 Vp/p. H & V Sync = TTL. Composite Sync = TTL and 0.3 V (negative). SOG (Sync On Green) = 0.3 V. Impedance: R, G, B = 75 ohms. H = 75 ohms or Hi-Z. V = Hi-Z.

• RGB/S - RGsB VIDEO

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins). Frequency: 15.625 kHz - 50 Hz (625 lines).

15.734 kHz - 60 Hz (525 lines). Levels: R, G, B = 0.7 Vp/p. SYNC. = 0.3 Vp/p or TTL (negative). Impedance: RGB = 75 ohms. SYNC. = 75 ohms or Hi-Z.

• COMPONENT

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins). Input #8: female HD15. Frequency: 15.625 kHz - 50 Hz (625 lines).

15.734 kHz - 60 Hz (525 lines). Levels: Y = 1 Vp/p (0.7 V Luma + 0.3 V Sync.). Cr / Pr & Cb / Pb = 0.7 Vp/p. Impedance: 75 ohms.

• HDTV - HD-YUV

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins). Formats: 720p/576p (60Hz), 1080i (50/60Hz), EDTV. Levels: Y = 1 Vp/p (0.7 V + sync.). Cr / Pr & Cb / Pb = 1 Vp/p (0.7 V + sync.). Sync.: Tri-level: ±0.3V (positive/negative). Bi-level: 0.3V (negative). Impedance: 75 ohms.

• S.VIDEO

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins). Standard: PAL/SECAM: 15.625 kHz - 50 Hz - 625 lines. NTSC (3.58 - 4.43 MHz): 15.734 kHz / 60 Hz / 525 lines.

Levels: Y = 1 Vp/p (0.7 V Luma + 0.3 V Sync.). C = 0.3 Vp/p (Chroma Burst). Impedance: 75 ohms.

• COMPOSITE VIDEO

Connectors: Inputs #1 to #4: female HD15. Inputs #5 & #6: female DVI-I (analog pins). RCA.Standard: PAL / SECAM: 15.625 kHz - 50 Hz - 625 lines.

NTSC (3.58 - 4.43 MHz): 15.734 kHz / 60 Hz / 525 lines. Level: 1 Vp/p (0.7 V Luma + 0.3 V Sync.). Impedance: 75 ohms.

• DVI (Digital Video Interface)

Connector: DVI Inputs #1 & #2: female DVI-I (digital pins). Line frequency: Up to 130 kHz (165 MHz Max pixel rate). Format: Digital Visual Interface (DVI)-TMDS single link. Resolution: Up to 1600x1200 @ 165Mhz, 1920x1200px. (RB, Max V size: 1200px, Max H size 2048px).

• 3G/SD-SDI

Connector: SDI Inputs #1 to #4: female BNC. Format: SMPTE 259M-C. Data rate: 270 Mbps serial digital. Impedance: 75 ohms.

• 3G/HD-SDI

Connector: SDI Inputs #1 to #4: female BNC. Formats: 720p @ 50, 59.94 & 60 Hz. 1035i @ 50, 59.94 & 60 Hz. 1080i @ 50, 59.94 & 60 Hz. 1080p @ 23.97 / 24 / 25 / 29.97 / 30 / 50 / 59.94 & 60 Hz. 1080sF @ 50 / 59.94 & 60 Hz. Data rate: 1.5 Gbps serial digital - SMPTE 292M (Level A).

2.97 Gbps serial digital - SMPTE 425M (Level A). Impedance: 75 ohms.

• AUDIO

Input# Stereo Balanced Audio Connectivity

AUX

YES

Non applicable (Embedded Audio SDI) Non applicable (Embedded Audio SDI)

YES Connectors Phoenix 5 pins

L+ L-

R+ R-

UNBALANCED

LEFT

RIGHT

GROUND

AUDIO SETTINGS

L+ L-

R+ R-

BALANCED

L+

R+

L-

R-

GROUND(S)

Settings Availability

GAIN

YES: from -

to + 18dB

∞

Balanced Audio YES: Left and Right

• Connector: Balanced or unbalanced mono/stereo inputs

(all pin MCO male connector). 8 audio stereo inputs + 1 auxiliary. (all balanced / unbalanced). Vi = +15dBV max. Zi = 40Kohms (Balanced).

Output specications

Outputs #1 to #2: Balanced & unbalanced connection

• ANALOG OUTPUTS

Connector: Outputs #1 (Main) & #2 (Preview): female HD15, DVI-I (analog pins).

Resolutions:

MCO male connectors

Inputs #1 to #6: Balanced & unbalanced connection Inputs DVI #1 to DVI #2: Balanced & unbalanced connection Input AUX: Balanced & unbalanced connection

Format Ratio Available Refresh Rates Reduced Blankings

640 x 480 4 : 3 50Hz 60Hz 72Hz 75Hz 800 x 600 4 : 3 50Hz 60Hz 72Hz 75Hz 848 x 480 16 : 9 50Hz 60Hz 72Hz 75Hz 1024 x 768 4 : 3 50Hz 60Hz 72Hz 75Hz 1280 x 720 16 : 9 50Hz 60Hz 1280 x 768 15 : 9 50Hz 60Hz 72Hz 75Hz 1280 x 800 16 : 10 50Hz 60Hz 72Hz 75Hz 1280 x 1024 5 : 4 50Hz 60Hz 72Hz 75Hz 1360 x 768 16 : 9 50Hz 60Hz 72Hz 75Hz 1366 x 800 15 : 9 50Hz 60Hz 72Hz 75Hz 1400 x 1050 4 : 3 50Hz 60Hz 72Hz 75Hz 1440 x 900 16 : 10 50Hz 60Hz 72Hz 75Hz 1600 x 1200 4 : 3 50Hz 60Hz 1680 x 1050 16 : 10 50Hz 60Hz 1920 x 1080 16 : 9 50Hz 60Hz 72Hz 75Hz YES 1920 x 1080 B 16 : 9 50Hz 60Hz YES 1920 x 1080 C 16:9 50Hz 60Hz YES 1920 x 1080 HD 16:9 50Hz 60Hz YES 1920 x 1200 16 : 10 50Hz 60Hz YES 2048 x 1080 19 : 10 50Hz 60Hz YES

Signals: RGBHV, RGBS and RGsB. Levels: R, G, B = 0.7 Vp/p. Sync. : Separate H & V = TTL (negative). Composite = TTL (negative). SOG = 0.3 Vp/p (negative). Impedance: R, G, B = 75 ohms.

• DVI (Digital Video Interface) OUTPUTS

L+ L-

R+ R-

BALANCED

L+

R+

L-

R-

GROUND(S)

Connector: Outputs #1 (Main) & #2 (Preview): female DVI-I (digital pins).

Signal: Digital Visual Interface (DVI)-TMDS single link.

Resolutions:

Format Ratio Refresh Rate Reduced Blanking

640 x 480 4 : 3 50Hz 60Hz 72Hz 75Hz 800 x 600 4 : 3 50Hz 60Hz 72Hz 75Hz 848 x 480 16 : 9 50Hz 60Hz 72Hz 75Hz 1024 x 768 4 : 3 50Hz 60Hz 72Hz 75Hz 1280 x 720 16 : 9 50Hz 60Hz 1280 x 768 15 : 9 50Hz 60Hz 72Hz 75Hz 1280 x 800 16 : 10 50Hz 60Hz 72Hz 75Hz 1280 x 1024 5 : 4 50Hz 60Hz 72Hz 75Hz 1360 x 768 16 : 9 50Hz 60Hz 72Hz 75Hz 1366 x 800 15 : 9 50Hz 60Hz 72Hz 75Hz 1400 x 1050 4 : 3 50Hz 60Hz 72Hz 75Hz 1440 x 900 16 : 10 50Hz 60Hz 72Hz 75Hz 1600 x 1200 4 : 3 50Hz 60Hz 1680 x 1050 16 : 10 50Hz 60Hz 1920 x 1080 16 : 9 50Hz 60Hz 72Hz 75Hz YES 1920 x 1080 B 16 : 9 50Hz 60Hz YES 1920 x 1080C 16 : 9 50Hz 60Hz YES 1920 x 1080 HD 16 : 9 50Hz 60Hz YES 1920 x 1200 16 : 10 50Hz 60Hz YES 2048 x 1080 19 : 10 50Hz 60Hz YES

• AUDIO OUTPUT

Connector: Output #1 (Main) and #2 (Prelist): 2 Balanced or unbalanced. mono/stereo outputs (on 5-pin MCO male connector).

Vo max: Unbalanced = +15dBu (at 300Ω load). Balanced = +21dBu (at 600Ω load).

Outputs #1 to #2: Balanced & unbalanced connection

Zo = 600Ω balanced. Zo = 300Ω unbalanced.

G = 0 dB nominal.

The video output generates a SDI signal in which is embedded only one stereo audio stream.

Settings Availability

Gain

Yes: from Balanced Audio Left and Right Auxiliary Input Mixing Yes Adjusting Audio Delay Yes: from 0 to 80ms (Automatic or Manual)

to +18dB

∞

• VIDEO OUT

Connector: 1x BNC-F: 3G/HD-SD-SDI (with audio embedded) 3x BNC-F: Y_Cb_Cr. 1x Mini Din 4: S. Video. 1x BNC-F: Composition video PAL/NTSC.

Impedance: 75 ohms.

Formats: 720p @ 50 / 59.94 & 60 Hz. 1035i @ 59.94 & 60 Hz. 1080i @ 50 / 59.94 & 60 Hz. 1080p @ 23.97 / 24 / 25 / 29.97 / 30 / 50 & 60 Hz.

Data rate: 270Mbps serial digital - SMPTE 259M-C.

1.54 Gbps serial digital - SMPTE 292M-A.

2.97 Gbps serial digital - SMPTE 425M-A.

Communication specications

• COMMUNICATION PORTS

REMOTE RS232 Connector: DB 9 female. Protocol: RS232.

Data Rate: 9600 Bauds, 8 data bits, 1 stop bit, no parity bit, no ow control by

default.

DTR & RTS needed for upgrade.

• LAN

Connector: RJ45. Protocol: TCP (Transmission Control Protocol) or UDP. (User Datagram Protocol). Ethernet: Base 10/100.

Environmental specications

Dimensions: W 480 x D 330 x H 88 mm 19”W x 13”D x 3.50”H Weight: 5.4 kg / 11.90 lbs (Compatible with a Standard 19” rack, Height = 2 U)

Cooling air ow from right side to left side.

Max ambient operating temperature: < 40°C (< 104°F).

Operating temperature: 0 to +40°C / +32°F to +104°F

Storage temperature: -40 to +70°C / -40°F to +158°F

Operating humidity: 10 to 80% (non condensing)

Input voltage range: 100-240 VAC, 50/60 Hz

Typical consumption: 90 W

CE Compliancy, test following:

- EN 55022: 2006 / A1: 2007,

- EN 55024: 1998 / A1: 2001 / A2: 2003,

- EN 61000-3-2: 2006,

- EN 61000-3-3: 1995 / A1: 2001 / A2: 2005.

Safety, test following:

- IEC 60950-1: 2005,

- UL 60950-1: 2007,

- CAN/CSA-C22.2 NO. 60950-1.

Power supply: IEC/EN/UL/CSA 60950-1, internal, autoswitching

Mechanical (in carton): Vibration: IEC60068-2-64

Free fall: IEC60068-2-32

RoHS, WEEE

Pin outs

• VGA

STANDARD VGA

1- Red 6- Red Return 11- ID Bit 0 2- Green 7- Green Return 12- ID Bit 1 3- Blue 8- Blue Return 13- H Sync 4- ID Bit 2 9- No Pin 14- V Sync 5- Test (Gnd) 10- Sync Return 15- ID Bit 3

• DIGITAL VISUAL INTERFACE DVI

1- TMDS Data 2- 7- DDC Data 13- Not used 19- TMDS Data 0 Shield 2- TMDS Data 2+ 8- Analog Vertical Sync 14- +5V (Power) 20- Not used 3- TMDS Data 2 Shield 9- TMDS Data 1- 15- Ground for (+5V) 21- Not used 4- Not used 10- TMDS Data 1+ 16- Hot Plug Detect. 22- TMDS Clock Shield 5- Not used 11- TMDS Data 1 Shield 17- TMDS Data 0- 23- TMDS Clock + 6- DDC Clock 12- Not used 18- TMDS Data 0+ 24- TMDS Clock-

C1- Analog Red Video (or Cr/Pr or C) C2- Analog Green Video (or Y or Composite Video) C3- Analog Blue Video (or Cb/Pb) C4- Analog Horizontal Sync (or Composite Sync) C5- Analog Common Ground Return

DDC = Display Data Channel TMDS = Transition Minimized differential signal

• RS-232 CONNECTOR

1- NC 6- NC 2- Transmit data to PC (Tx1) 7- NC 3- Transmit data from PC (Rx1) 8- NC (or +12V. dc) 4- Receive data from display unit (Rx2) 9- Transmit data to display unit (Tx2) 5- Ground

• S-VIDEO (Y/C) CONNECTOR - 4-pin Mini Din

1- Y Ground 2- C Ground 3- Y Signal 4- C Signal

• VESA DDC

1- Red 7- Green Return 13- H Sync 2- Green 8- Blue Return 14- V Sync 3- Blue 9- DDC+5 Volt supply 15- Data Clock (SCL) 4- ID Bit 2 0 10- Sync Return 5- Test 11- ID Bit 6- Red Return 12- Bi-directional data (SDA)

HDCP compliance

If you want to use HDCP content from your sources, be sure pluging HDCP compliant screens or projectors. If it’s not the case, the output image could be disabled. When displaying HDCP protected sources on non HDCP compliant equipment, the following message will be displayed on the device VFD screen:

“Due to HDCP content, non HDCP screens cannot display protected sources”

Screen will go to black without displaying the HDCP input image, or partially layer out non HDCP content.

Concerning the DVI inputs, a specic feature allows enable/disable the HDCP receiver for the input chosen.

It can be very useful especially using a Mac:

Input Menu > DVI# > HDCP detection

The output status can provide you all information about the output in real time.

This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled.

NOTE : as part of our policy of continuous improvement, Analog Way reserves the right to make

design and specication changes for product improvements without prior notice. The performance

specication gures indicated are nominal values of production units. There may be some deviations

from these values in individual units.

CONNECTING THE EIKOS

3-1. CONNECTING THE EIKOS

The Eikos can be set up with up to 12 different sources, and will drive up to 2 digital DVI-D sources, 2 3G/ SD-SDI sources and 8 analog computer/video sources simultaneously. The versatility of the Eikos will allow

for almost any event conguration and cater for all your projection needs.

The intuitive rear panel of the Eikos will let you set up for the rst time quickly and easily. Here is an example of a typical Eikos setup.

3-2. THE EIKOS REAR PANEL

Overview

The Eikos rear panel is equipped with 11 universal digital and analog inputs. Inputs #1 through #4 (3) are universal analog inputs. Inputs #5 & #6 share a DVI-D signal and a universal analog signal (plug the included Analog Way DVI/HD15 adaptor cable to use DVI-D and analog signals simultaneously). The Main and Preview (6) outputs will allow for the Eikos high resolution digital and analog signals to be

viewed on screen and/or on a preview monitor (see also Output Specications in this chapter).

The extra Video Out card installed on the Eikos, can be used for recording, broadcasting or previewing purposes in a wide range of formats for maximum compatibility with industry viewing or recording equipment. Finally, the audio in and output card will let users mix audio with any source, accurately balance or tweak sound sources and outputs.

1 : AC outlet and on/off switch 2 : IP-LAN connector 3 : Universal Computer/TV/HDTV inputs 4 : DVI-D inputs 5 : HD- inputs 6 : Main and Preview outputs 7 : 3G/HD/SD-SDI output 8 : SD/HDTV output 9 : Audio inputs 10 : Audio outputs 11 : RS-232 connector 12 : Serial #

4 6 10

Inputs #1 to #6

UNIVERSAL COMPUTER & VIDEO INPUTS:

Universal Inputs accept computer sources (RGBHV, RGBS, and RGsB (SOG) signals), standard TV/VIDEO sources (Composite video, S.VIDEO), Component video (YUV, RGBS & RGsB (SOG)), and HDTV sources (480p, 720p & 1080i). HD15: 1x Universal Analog input on female HD15 connector.

COMPOSITE VIDEO SOURCES:

The Composite Video signal, usually called COMPOSITE or VIDEO, is available on most video equipment (VCR, DVD, CAMCORDER…), but is also the lowest in picture quality. The video standard of this signal can be NTSC, PAL or SECAM. The signal is transmitted on a single coaxial cable, and is connected to the video equipment with an HD15 connector.

Analog Computer Sources

For inputs #1 to #4: connect a 1x BNC from your composite source, to the HD15 input of the device.

S.VIDEO SOURCES:

The S.VIDEO signal, also called Y/C, HI-8™, or S.VHS™, is available on DVD players and high quality VCRs (S.VHS). The S.VIDEO signal in which the Luminance (Y) and Chrominance (C) information are separately transmitted, gives a higher quality picture than the Composite video signal. The S.VIDEO connector is usually a 4-pin Mini-DIN connector also called Oshiden™ connector.

For inputs #1 to #4: connect a 2x BNC from your S.VIDEO, Y (G/Y) & C (R/R-Y), to the HD15 input of the device.

Composite Source

S.Video Source

COMPONENT VIDEO SOURCES:

The Component Video signal, also called YUV (Y, Pr, Pb) or BETACAM™, is widely used in broadcasting and is available on high-quality DVD players. The COMPONENT signal is transmitted with 3 coaxial cables, and also has a better quality picture than COMPOSITE and S.VIDEO signals. The COMPONENT connectors are usually RCA (x3), or BNC (x3).

For inputs #1 to #4: connect a HD15 to 3x BNC cable between the HD15 connector of the device and your Component source.

Component (YUV) Source

G BR

COMPUTER SOURCES:

The device accepts the following computer signals: RGBHV, RGB/S and RGsB on inputs #1 to #6.

RGBS VIDEO SOURCES:

This signal is widely used in broadcasting and is available on European DVD player. The RGB/S signal is transmitted with 4 coaxial cables, and also has a better picture quality than COMPOSITE and S.VIDEO signals. The RGB/S connectors are usually BNC connectors for Broadcasting equipment, and SCART connector for DVD players.

For inputs #1 to #4: connect a HD15 to 4x BNC cable

G B

between the HD15 connector of the device and your RGB/S source.

RGBS Source

DVI Inputs #1 and #2

DVI & ANALOG SOURCES:

DVI Inputs #1 & #2 on the Eikos accept up to 2 live sources in Digital format. DVI-I: 1x digital (DVI) and 1 x analog input on female DVI-I universal connector.

For analog sources, please use the breakout cable supplied.

DVI-D

Analog Computer Sources

3G/HD/SD-SDI Inputs #1 and #2

3G/HD/SD-SDI SOURCES:

3G/HD/SD-SDI Inputs #1 & #2 on the Eikos accept up to 2 live sources in

Digital formats.

3G/HD/SD-SDI: 1x digital input on female BNC connector.

Preview Outputs

PREVIEW OUTPUT:

ANALOG: 1x analog output for the main display device on female HD15 connector. DIGITAL/ANALOG: 1x main output on female DVI-I connector

(simultaneous analog and digital).

BNC

3G/HD/SD-SDI Source

Main Outputs

MAIN OUTPUT:

ANALOG: 1x analog output for the main display device on female HD15 connector.

DIGITAL/ANALOG: 1x main output on female DVI-I connector (simultaneous analog and digital).

VIDEO OUTPUT:

Video Output card provides SD or HDTV formats in various signals and connectors from Composite Video to 3G/HD-SDI. This output can be used to record your show by outputting the same content as the Main output in Mixer Mode, or a choice between output 1 or 2 in Matrix Mode (see also Eikos Modes, p.5).

AUDIO SWITCHER:

Audio Stereo Switcher card features 12 inputs and 2 outputs. An additional auxiliary input can be mixed with any other input. Master Volume and individual input level can be adjusted. Each input and output offers balanced or unbalanced connections. It should be noted that the management of the audio output follows the selection of video layers. Two modes are available: Top Follow or Breakaway. In Top Follow Mode, the audio follows the topmost video layer (after having pressed TAKE). In Breakaway Mode, it is the selected audio layer input that is permanently diffused.

Video Output

Main Output

Audio Switcher

Preview Output

OPERATING THE EIKOS

4-1. THE EIKOS FRONT PANEL

Overview

The highly intuitive front panel of the Eikos was designed by Analog Way engineers to simply and quickly meet all of your event needs. Within minutes, you will be able to enjoy its full potential and easily parameter most of its functions, without having to be an expert audio-visual engineer, leaving room for what is most important to our users: concentrating on their event.

The Eikos front panel is comprised of several sections, each carefully labelled and self explanatory, corresponding to all the machine’s versatile functions.

1 : Standby button 2 : Menu screen 3 : Menu scroll knob 4 : Control section 5 : Layer selection section 6 : Analog Input selection section 7 : Digital Input selection section 8 : Function button 9 : Adjustment for Layer selection 10 : Take button 11 : Input Window section (Quadravision Mode) 12 : Preset selection button 13 : Toggle Preset button 14 : Layer section 15 : Matrix Mode section 16 : Effect selection button

2 3 5 98 11

1 4 6 7

14 151013

12 16

On/Off button

The STANDBY button allows users to put the Eikos into sleep mode, and startup again. The STANDBY button does not replace the ON/ OFF switch at the rear of the unit, and is implemented essentially for ease-of-use in rackmount situations.

--> Hold for 3 seconds for stand-by mode

Menu screen

The Menu Screen of the Eikos is the visual interface to your Eikos menu. It gives users a constant indication of available menu

options, parameters of any selected object, system information, and everything you need to know to control the device.

Menu scroll knob

The Menu scroll knob allows users to quickly scroll through menu items and increase or decrease any modiable value in the Eikos menu. Simply scroll to the desired menu item, and press the ENTER

button to conrm your choice.

The ENTER Function is also available by pressing the scroll Knob.

Control section

The EXIT/MENU button and the ENTER button in the Control section of the Eikos, allow users to respectively enter and exit the Eikos

menu, and conrm selected menu items.

Layer selection section

The Layer Selection section allows to select which type of layer to work with:

• Background Frame (non-positionable, non-resizable static background),

• Background Live

• PIP (positionable, sizable oating window), or

• Logo (positionable, key sensitive layer).

(positionable, resizable animated

background),

Input selection section

The Input Selection section allows to select which input (#1 to #12) to display in a selected layer. Select one of 12 simultaneous inputs, (6 analog inputs, 2 DVI-D inputs, 4 3G/HD/SD-SDI inputs) by simply pressing one of the Input buttons.

The Freeze button of the Eikos allows users to freeze the Main output current display or the active input, depending on the freeze mode: Freeze All or to freeze the current selected input [Input Freeze].

The Eikos ADJUSTMENT button allows users to select which type of adjustment: Pos, Size or Zoom. Press the button for toggle between 2 menus: Layer Adjust or Layer Zoom.

The BLACK button allows users to remove layer content on screen.

Freeze button

Adjustment

Toggle Preset

The Eikos TOGGLE PRESET button allows users to return the Current Preset to the Next Preset.

Take button

The Eikos TAKE button allows to switch from Preview to Main outputs. By pressing the TAKE button, what you have setup on your preview screen will be transitioned to the Main output display.

Quadravision selection button

The Eikos QUADRAVISION Selection button is a practical Front Panel shortcut to the Window Selection Button to Fill the Template.

Effect selection button

The Eikos EFFECT SELECTION button selects the assigned Effect to the active layer.

Preset selection button

The Eikos PRESET SELECTION button allows you to instantly recall a saved preset.

4-2. THE EIKOS MENU

Menu navigation

To access the Eikos menu, press the EXIT/MENU button in the control section (4). To highlight items in the menu which will appear on the VFD screen (2), turn the scroll knob (3) left or right to the desired menu item. When you have reached the desired menu item, press the ENTER button in the control section (4) to access that menu function. Pressing the ENTER button when a selection has been made sets the value to that selection in the Eikos memory. When all settings have been made, press the EXIT/MENU button to exit sub-menus and return to the main menu.

Simply selecting a menu item will not set it to that value. Be sure to press the ENTER button when

parametering the menu items or to push the scroll knob.

Home menu

Pressing the MENU button in the menu section of the Eikos, will display and give you access to the following items on the menu VFD screen:

- MODE: select to choose which mode the Eikos will work (in Mixer or Matrix or Quadravision Mode, see Eikos modes p.5).

- INPUT: select to congure the 12 individual input types and resolutions.

- MAIN OUT: in Mixer Mode, select to set the output types and resolutions of the Main output.

- OUTPUT 1: in Matrix Mode, select to set the output types and resolutions of Output 1.

- PREVIEW OUT: in Mixer Mode, select to set the output types and resolutions of the Preview output.

- OUTPUT 2: in Matrix Mode, select to set the output types and resolutions of Output 2.

- VIDEO OUT: select to congure Video output card settings.

- PRESET: select to store and use presets.

- PREDEFINED LAYOUTS: select a layout for the Quadravision Mode.

- IMAGE: select to change source image settings of an input.

- KEYING/TITLING: select to access keying and titling controls and parameters when video layer is selected.

- LAYER: select to adjust layer size, position, border, transparency or transitions.

- LOGO/FRAME: select to store (record), use and manage logos and frames into the Eikos.

- AUDIO: select to access all audio input and output parameters.

- OSD Settings: select to display OSD.

- CONTROL: select to access device software information, LAN settings, reset factory settings, amongst

other user oriented functions.

- VIRTUAL T-Bar: select to access the Virtual T-Bar.

4-3. WORKING WITH THE EIKOS

Operating modes

The Eikos offers 3 modes to work from: the Mixer Mode, which is the Eikos default mode, the Matrix Mode, which turns your Eikos into a true 12 x 2 scaled matrix with numerous effects and PIPs and logos, and

Quadravision Mode which displays 4 layers.

* NOTE * : In Mixer Mode, the Eikos will only let you work on your preview screen (direct access to main screen is locked).

To choose which mode the Eikos will work in, press the EXIT/MENU button and select Mode in the menu by rotating the scroll knob. Then press the ENTER button to enter the Mode sub-menu. Select the desired mode by rotating the scroll knob, and press the ENTER button

to conrm your choice. Press the EXIT/MENU button to return to the

main menu.

Reseting default values

It is strongly recommended resetting all of the default values of your Eikos unit before setting up your shows and events. To do so, press the EXIT/MENU button and select Control in the menu by rotating the corresponding knob. Then press the ENTER button to enter the Control sub-menu. Select Default Values by rotating the scroll knob, and press the ENTER button to enter your choice to restart your Eikos with its factory settings. This operation should take approximately 30 seconds.

Eikos color codes

Analog Way engineers have developed a handy, user friendly way of identifying machine status on the front

panel, via the use of color codes on the buttons of the machine. All new Analog Way machines use the same codes, for quick recognition of the status of any device of the range, at any given time.

For the Eikos, button color codes are as follow:

- Sources on the Main output are indicated in red when active,

- Sources on the Preview output are indicated in green when active,

- Buttons in the layer section turn red or green, depending on whether the selected layer is active in

respectively the Main or Preview window,

- Menu buttons are indicated in green,

- Selecting a button with an available source or function will cause that button to blink green on the

preview, or red once it is on the Main output,

- TAKE button reacts as follows:

• If take function is available, the button will appear in green.

• When the take function is active, it will light up red.

No light:

Solid red:

Solid green:

Dim green:

Blinking red:

Blinking green:

Dim red:

Solid orange:

#1 = Input not available on autolock #2 = Frame or Logo not available #3 = Layer not available #4 = Button not available depending on the user mode

#1 = Source, Layer or Window is on Main #2 = Mosaic Preview enable #3 = Freeze enable

#1 = Source or Layer is on Preview

#2 = Function available for modication

#3 = Current output on Matrix Mode

Button available for selection

Active Layer or Source for modication on Main

Active Layer or Source for modication on Preview

Stand-by button

#1 = Shift button #2 = Function available by Shift button

A- SETTINGS IN MIXER MODE

Source Input selection

Plug your sources thanks to the 6 universal inputs, 2 DVI-I Inputs or 4 3G/HD/SD-SDI inputs. Don’t forget that the 2 DVI-I inputs can be used with DVI-D computer sources (DVI#1 & DVI#2) but also with a DVI-A adaptor for analog sources too (source #5 & #6) shipped with your unit.

Be sure that all connectors are rmly attached using all available locking screws.

Input selection settings

To set up your inputs:

Input menu → Auto settings

You can also do it manually on each input# using the ENTER and the Knob button and set up the inputs type one by one.

You can also check your actual input conguration using the cong status:

Input menu → Cong Status

You can nd several settings for each input (some settings are specic to some signal type):

- Type: to set up your input type (Computer, Video etc..)

- Enabled/disabled: to enable/disable input#

- Audio input: to set up the audio regarding the input

- H sync. load: to change the load of the Sync. signal (Hi-Z, 75 ohms)

- EDID: to set up the EDID in terms of resolution and rate

- Status: to summarize the input status

Concerning the DVI inputs, a specic feature allows enable/disable the HDCP receiver for the input chosen.

It can be very useful especially using a Mac:

Input menu → DVI # → HDCP detection

* NOTE * : The input status is available at any time in status input menu and can give you information about format rate and HDCP.

Input Sync. Loss Function

Allows to display a frame or a source in case of sync loss of the selected input. To set up the Sync. Loss function:

Menu → Control → Sync. Loss → Press Input# or Enabled

The selected input must be activated to be for being visible in case of sync loss.

Source output selection

Once your inputs all have been congured, the output settings of the Eikos must be set according to the machines plugged on your Eikos main and preview outputs (video projector, preview monitor...).

* NOTE *: If you want to use HDCP content from your sources, be sure to attach HDCP compliant screens or projectors. If it’s not the case, the output image could be disabled.

Output selection settings

To set up the output, go in the Main Output or Preview Output menu and choose rst the adapted format/

resolution, and then the appropriate rate for your screens by using the knob button and the Enter button.

Main Output → Output Format → Output rate

Use the native resolution of your screens/projectors in order to obtain the best image quality. In the Preview Output menu, you can also match the output conguration the Main Output to the Preview Output by checking the case Sync w/Out 1. It allows you to set up your outputs via the output 1 menu.

Preview output → Synch w/Out 1

Some other settings are available too:

- The Output sync. polarity.

- The Gamma: use this feature to set up the output Gamma.

- Flicker Filter (Video Out only): apply a icker lter on your video output.

- Analog type: set up the type of synchronisation of your Analog output.

- DVI type: set up the type of color space of your Digital output.

- HDCP detection: set up to enable/disable the HDCP detection on the output.

- Background colour: add a background colour in place of the default black one.

- Test pattern: use test pattern on Main or Preview screen to congure your projectors.

*All changes have to be validated by pressing the ENTER button in order to be saved*

* NOTE *: The output status can provide you all information about the output in real time. This

feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled.

Video Out

The Video Out allows you the same settings as other outputs with some additional specic options:

- Sharpness: set up the sharpness on the video out image.

- Flicker Filter: apply a icker lter on your video output to eliminate ickering.

In Matrix mode, the menu “Connection Mode” appears. It allows you to choose recording Output #1 or Output #2.

Preview Features

The Preview output can display all adjustments before the Take.

All current layers for the Main are dened by a colorful frame on Preview. They are identied by a letter and

a number with the same color.

Background Frame: BFx, with x of 1 to 8 Background Live: Axx, with xx of 1 to 12 PIP#1: Bxx, with xx of 1 to 12 PIP#2: Cxx, with xx of 1 to 12 Logo#2: 2Lx, with x of 1 to 8 Logo#1: 1Lx, with x of 1 to 8

Because the number of resources available is limited, the Preview displays only one live or still layer. The

others are only identied by their colorful frame and their number.

Blinking of the Frame of the Preview allows to display the selected layer.

Preview Mode and OSD Settings

The Preview output can display 6 elds on OSD.

To set up your Preview:

Menu → OSD Settings → OSD Fields

Field#1: Input Field#2: Transparency Field#3: Border Field#4: Opening Effect Field#5: Closing Effect Field#6: Smooth Move

The OSD elds are not available in Preview Mosaic Mode.

Preview Id

The function disables all the display of information in Preview Mode. The colorful frames and numbers with the same color are disable. To set up your Preview Id:

Menu → Control → Preview Id

How to use the Mosaic Preview feature

The Mosaic Preview displays all inputs on one screen with live information about the input status. There are 3 lines of 4 pictures.

Information Availability

Name of input YES Displaying (Green: Preview - Red: Main - Grey: No source) YES Resolution if recognized input YES Line frequency if recognized input YES

To have better visualize all aspects of your inputs, two modes are available, when the Mosaic Preview button is activated (Red light solid button):

- Refresh current: The input selected will be displayed at full frame rate on your Mosaic Preview

Select Mosaïc mode Menu --> Select Refresh current

- Refresh all: To have a cyclic refreshment of all your inputs, select refresh all into the Mosaïc mode Menu.

All sources will be automatically refreshed.

Select Mosaïc mode Menu --> Select Refresh all

INPUT1 NO SIGNAL

INPUT3 NO SIGNALINPUT2 PAL 50.00 Hz

INPUT4 1920x1080 60 Hz

INPUT5 NO SIGNAL DVI2 NO SIGNAL

SDI1 1920x1080 60.00 Hz SDI2 NO SIGNAL SDI3 NO SIGNAL SDI4 NO SIGNAL

INPUT6 1920x1080 60 Hz DVI1 1920x1080 60.00 Hz

Working with Layers

To attach a source to a layer, press the Layer button, press the Source# you want to attach.

Ex: Background Live → Source #4

The source number 4 will be displayed in the Background live.

Press Take to view the result on the Main screen.

To delete a Layer from the Preview screen:

Press Layers # → Press Black button

Press Take to view the result on the Main screen.

To delete every Layers on your Preview screen:

Hold the Black button briey

Press Take to view the result on the Main screen.

To freeze a layer: Select a Layer → Press Freeze button

Working with Layers Functions

Once a source is attached to a layer, you will have access to some layer settings in the Layer menu or directly by pressing the layer button.

The settings available depend on the layer selected:

- Layer adjusts: set up layer size and position.

- Layer zoom: set up layer zoom size and position.

- Size Templates: adjust a specic size

- Transparency: adjust the Layer transparency.

- Border: choose the border and adjust its properties.

- Opening and Closing effect: adjust the Open/Close effect type and duration.

- Smooth move: enable/disable smooth move.

- Status: get the selected layer status.

*All changes have to be validated by pressing the OK button in order to be saved*

Press Take to view the result on the main screen.

Settings available:

Settings Background Live / PIP#1 PIP#2 PIP#3

Position YES YES YES Size YES YES YES Zoom YES YES YES Transparency YES YES YES Border YES YES YES Opening effects YES YES YES Closing effects YES YES YES Smooth Move YES YES YES H Flip / V Flip YES YES YES

Even the Logo and Frame buttons can access to their own settings, but a source # has to be affected too.

The Main output can displayed simultaneously up to 6 layers stacked from bottom to top as follows:

- The Background Frame: One stored frame selected from 8 available,

- The Background Live/ PIP#1: One source selected from 12 inputs available,

- The PIP#2: One source selected from 12 inputs available,

- The PIP#3: One source selected from 12 inputs available,

- The Logo#1: One stored Logo selected from 8 available,

- The Logo#2: One stored Logo selected from 8 available.

Opening transitions and closing Live Layers

When transitioning live layers, depending on how many scalers are in use, the Eikos TAKE function will act in one of 3 different ways when transitioning the Next Preset (Preview) to the Current Preset (Main):

• Take 1- shot: Case #1

- There are enough scalers for making a transition

- All inputs are locked on to scalers

- There are no contraints for closing before the Take

- All opening and closing transitions can be performed simultaneously.

• Take 2- shot: Case #2

- There are enough scalers for making a transition

- All inputs are locked on to scalers before the Take

- There are no constraints for closing during the Take

- All the necessary closing transitions are performed to free occupied scalers and then the Eikos performs all

openings.

• Take sequenced- shot: Case #3

- There are not enough scalers for making a transition

- All inputs are not locked on to scalers

- All the necessary closing transitions are performed to free occupied scalers. The Eikos locks on to new sources

and performs all openings.

Working with PIPs

A PIP is used as a layer. Please report to WORKING WITH LAYERS section.

1 PIP + Live Background 2 PIPs + Live Background 3 PIPs + Still Background

PIP adjustment menu

To have access to the PIP adjustment menu, a source has to be affected to your PIP:

Press PIP# button → Press source #

Once a source is attached to PIP, you can have access to the PIP adjustment Menu:

Press PIP # button

Press Take to view the result on the main screen.

To adjust PIPs, there is a shortcut on a front panel too:

Press PIP# button → Press Pos/size/zoom button

PIP conguration

All the settings and shortcuts available for layers are available for PIPs. Please refer to “Working with Layer” and “Working on Layer functions” sections.

PIPs as Layers

A PIP is considered as a layer and has the same properties. All of the same manipulations are possible.

PIPs with Transitions & Borders

Transitions:

All the settings are available in the Layer Menu after pressing the selected PIP. The transition effects have some shortcut on the front panel too. To Use it: Press the selected PIP# → Press the Cut, Fade, User #1 or User #2 button

The effect will be immediately attached to the selected PIP. Concerning the User 1 and User 2 button, they have to be set up before in the Control menu → Prog. Keys

Fade

- Adjustable pre-timed fades or manual transition with T-Bar

- Fade between any input, computer or video

- Adjustable cross-fading duration

Wipe

- Numerous wipes can be selected horizontal and vertical, from the center or outside, in circle, Zoom in and out

- Horizontal: from left, center -or- vertical: from up, down, center

Slide

- Sliding of video or computer images during the transition

- Horizontal: from/to left, -or- vertical: from/to up, down

The Eikos offers 33 seamless transition effects including 31 options, in addition to a dissolve (fade) and a cut effect.

WIPE DOWN HARD WIPE UP HARD WIPE RIGHT HARD WIPE LEFT HARD

A A

WIPE CURTAIN IN HARDWIPE CENTER OUT HARDWIPE CENTER IN HARD

WIPE ANGLE

TOP LEFT

CORNER HARD

WIPE ANGLE

TOP RIGHT

CORNER HARD

A A

B B

WIPE CIRCLE

BOTTOM LEFT

CORNER HARD

WIPE CIRCLE

BOTTOM RIGHT

CORNER HARD

WIPE ANGLE

BOTTOM LEFT

CORNER HARD

B B

A A

WIPE CIRCLE

TOP LEFT

CORNER HARD

WIPE CIRCLE

TOP RIGHT

CORNER HARD

WIPE ANGLE

BOTTOM RIGHT

CORNER HARD

WIPE CIRCLE CENTER OUT

HARD

STRETCH DOWN

HARD

STRETCH CENTER

IN HARD

STRETCH UP

HARD

STRETCH RIGHT

STRETCH CENTER

OUT HARD

HARD

STRETCH LEFT

HARD

STRETCH CURTAIN

IN HARD

SLIDE DOWN HARD

CUT FADE

SLIDE UP HARD SLIDE RIGHT HARD

SLIDE LEFT HARD

SLIDE ANGLE

TOP LEFT

CORNER HARD

SLIDE ANGLE

TOP RIGHT

CORNER HARD

SLIDE ANGLE

BOTTOM LEFT

CORNER HARD

SLIDE ANGLE

BOTTOM RIGHT

CORNER HARD

Border:

The border has to be setting up in the Layer Menu:

Press PIP# button → go in border menu → select and set your border with colour and size

Press Take to view the result on the main screen.

No border Color border

Shadow border

(Four possible orientations)

- Size and style of PIP border are adjustable

- The background or PIP image can be switched

A transparency can be applied to the shadow border

Capturing still Frames

To capture a frame, display the exact content you want to save on one of your outputs, at the exact resolution, you can use the freeze button if you want. Then follow this step:

Logos/Frames menu → record Frame menu→ Frame #

Choose the frame number slot and wait until the unit to nish saving. Your frame is now saved and you can

use it through the background frame button.

The capture of frames can be done only under the following conditions:

- The unit can be in Mixer Mode or Matrix Mode,

- The capture can be done the Main output or the Preview output,

- The disappearance of frames on the Preview and Main output is normal.

A frame captures the state of the specied output at the main output resolution, and must be recalled using the same

output resolution. Resizing or other image manipulation of the captured frame is not possible.

Attempting to use a Frame at a different resolution will result in a partial Frame display or a Frame which does not ll

the step. The captured output is outlined by a white border and includes the pixels beneath the white border.

Working with Frames

It is possible to store up to 8 frames in the Eikos non volatile memory. Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from any of the Eikos’

12 sources and called back at the press of a single button. To use a frame, be sure rst that it is well saved,

then:

Press Background frame button → Press Frame # button

* NOTE * : Frames may be used only one at a time and can be placed only in the background Frame layer.

Opening transitions & closing Still Layers (Logos or Frames)

When transitioning still layers, depending on how many scalers are in use, the Eikos TAKE function will act in one of 2 different ways when transitioning the Next Preset (Preview) to the Current Preset (Main):

• Take shot: #1

- All still frames make an opening and closing phase.

- All sources of the same layer are completely different between the Current Preset and the Next Preset. The opening and closing effects of the Layer are set to Cut.

• Take shot: #2

- One of the Layer makes a change of source which be not in Cut.

- The opening and closing phases can be done with different effects.

- The still frame appears and disappears of the layer with the following effects: Cut, Fade, Slide or Wipe.

Memorizing Frames

The Eikos can memorize up to 8 frames from any resolution (see capturing still Frames).

1. In the Input Selection section, press the source button (#1 to #12) of the source you wish to record as

a frame. The source button will start blinking. Press the TAKE button to display that source on the main display.

2. Select Logos/Frames in the menu by rotating the scroll knob, then press the ENTER button. Select the

output you want to record in capture source menu.

3. Select Record Frames in the Logo/Frames menu by rotating the scroll knob, then press the ENTER

button. A white rectangle will appear on your main display or your Preview, indicating the frame which will be captured. Select an empty frame memory (empty frames are indicated in the sub-menu) to store the frame into. Press the corresponding ENTER button.

4. The Eikos will display a progress status bar on the VFD screen. Your frame is stored when the menu

reappears on the VFD screen.

5. Press the BACKGROUND FRAME button, select the frame number (#1 to #8) you just recorded, and

press the TAKE button. Your background frame will appear on your preview output.

Frame input setup menu

In the frame input setup menu, you have the possibility to save a frame, and the possibility to erase a stored frame:

Logos/Frames menu → save Frame → Frame #

Logos/Frames menu → Erase → Frame #

Frames as Layer

The background frame is considered as a layer and has some settings available:

Transparency, Opening/Closing effect, Smooth move and Status.

Those settings have to be used as Layer settings.

Press background frame button to have access to the Layer menu settings.

You can change frame or delete frame on the preview screen using the same way the layers do:

Delete: Press background frame button → Press Black

Change: Press background frame button → Press another Frame #

Press Take to view the result on the main screen.

Layer transitions & effects

The Eikos offers a wide variety of transitions between the scenes you create for your shows and events. It allows for live recall of 8 user presets, each of which you can edit at any given time.

1. Whether catering for complex event setups, or putting together intricate shows, your Eikos will also deliver

some of what you could expect from a dedicated mixer, along with its switcher and scaler capabilities.

2. In the Layer Selection section, press the PIP1 button. The button will start blinking. On your Preview screen, PIP1 will appear as a color rectangle. The parameters of the layer will automatically appear on your Eikos VFD menu screen.

3. In the Layer Menu, make the position, size, border and transparency settings you like, then select Opening Effect in the layer options, press the ENTER button and select Type. Select Slide Left - Right for example, and press the ENTER button to conrm. Navigate to Duration in the Opening Effect sub-menu, and set the duration of your effect by rotating the SCROLL knob and pressing ENTER.

Repeat the procedure in the Closing Effect sub-menu to determine the way your layer will close. Try Slide From Left - Right for the closing type with a duration of 1.5 seconds for example.

Mixer Functions

In Multi Layer Mixer Mode, the Eikos offers a variety of mixer type transitions, including wipes, fades, and cuts. The transitions, transition times and fade/wipe effects can all be setup through the Eikos Layer menu.

Capturing Logos

To capture a Logo, display the exact content you want to save on the main screen, you can use the freeze button if you want. Then follow these steps:

Logos/Frames menu → Record Logo menu → Set up your logo →Store menu → logo#

To set up your logo you have several features available:

- Position / Size Adjustment

- Keying type

- Luma / Chroma key

- Cut out color.

Select the logo number you want to save and wait until the unit nish saving. Your logo is now saved and you

can use it through the background logo button.

You can save up to 8 logos with the Eikos.

The capture of logos can be done only with the following conditions:

- The unit can be in Mixer Mode or Matrix Mode

- The capture can be done on the Main output or the Preview output

- The disappearance of logos on the Preview and Main output is normal.

The logos are captured with the same size as is visible on the Main output without any form of adjustments. If zooming is required resize the PIP or use the layer or input zoom.

A logo captures the state of the dened area on the specied output at the Main output resolution, and must

be recalled using the same output resolution. Resizing or other image manipulation of the captured logo is not possible.

The capture zone is outlined by a white rectangle and includes the pixels beneath the white border. The noncaptured area is reduced in brightness.

Logo capture is limited in the number of pixels being captured. When the logo capture area is resized, extending the horizontal size may reduce the vertical size to compensate.

Logos can also be captured and displayed with transparent areas. By adjusting the keyer in the logo capture menu, the portions of the captured area can be keyed away and captured as transparent.

The Logo “Cut out color” can help display which portions of the image will be captured as tranparent.

* NOTE *: The cut out color is only a visual tool to help identify the transparent areas of the logo. These colored regions will not be captured but later displayed as transparent area.

* NOTE *: Capturing a “Logo” is limited to a small percentage of the output resolution. To capture and display a full screen image, use the still “Frame”.

Capturing an animated Logo

To capture animated Logo, display the exact content you want to save on the main screen, you can use the freeze button. Then follow this step:

Logos/Frames menu → Record Anim menu → Set up your Anim →Store menu → logo#

To set up your animation, you have several features available:

- Position / Size Adjustment

- Keying type

- Luma / Chroma key

- Recording time

- Cut out color

Select the animated logo #8 and wait until the unit nishes saving. Your animation is now saved and you can

use it through the background logo button.

Only one Animated logo can be saved in the Eikos.

Memorizing logos in the Eikos

1. In the Input Selection section, press the source button (#1 to #12) of the source you wish to record as a logo. The source button will start blinking.

2. Select the Logos/Frames menu by scrolling through the menu with the scroll knob, then pressing the ENTER button.

3. Select Record Logos in the Logos/Frames menu by rotating the scroll knob, then pressing ENTER. A small white rectangle will appear on your main display, indicating the logo that will be captured.

4. Adjust logo size, position, and ne tune key attributes by rotating the scroll knob and pressing ENTER to memorize logo settings.

5. Select an empty logo memory (empty logos are indicated in the sub-menu) to store the logo into. Press the ENTER button. The Eikos will display a progress status bar on the VFD screen.

6. In the Layer Selection section, press the LOGO#1 button, and select logo number (#1 to #8) you wish to use. Your logo will appear on the preview screen above any existing layer on screen.

7. Press the TAKE button. Your logo will appear on the main display.

Logos input setup menu

In the Logos/Frames menu, the logos can be deleted in the Erase menu:

Logos/Frames menu → Erase menu → Select Logo#

Working with Logos

A simple or animated Logo can be manipulated through the front panel. On the front panel, the logo# are associated to the input# respectively. To assign a logo# to the logo layer:

Press Logo1 Layer button → Press Input#

Logos #1 to #6 are available directly by the input # button on the front panel. For logo #7 and #8, you have to

use the Shift button rst:

Press Logo1 Layer button → Press Shift button → Press Input#

(for logo #7 or #8 use Shift then Input# button)

You can change logos or delete logos on the preview screen using the same way the layers do:

Clear: Press Logo (#1 or #2) button → Press Black

Change: Press Logo (#1 or #2) button → Press another Input#

Logos as Layer

Logos are under the Layer rules, you will have direct access to settings by pressing the Logo Layer button. You have 2 Logos Layers buttons available.

You can use the Pos/Size/Zoom adjustment button and the Effect button from the front panel too.

Working with Presets

The four user presets of the Eikos can be recalled at any stage during your show or event.

1. Press the PRESET button, then press one of the eight rst Input Selection section buttons to choose which memory (#1 to #8) you wish to use. The preset will be displayed on your preview screen.

2. Once you have selected your preset, simply press the TAKE button to view the result on your main screen.

Creating Presets

The Eikos allows the creation of user dened presets very easily. Any setup you have congured on screen, can be stored into one of the 8 available user presets.

1. After having congured Layers, PIP transitions, logos... on your screen (see Working with the Eikos, p.32), go to the Preset menu by pressing the EXIT/MENU button, and select Preset by rotating the scroll knob. Then, press the ENTER button to enter the Preset sub-menu. Choose Preset Copy by scrolling with the corresponding knob, and press the ENTER button to access the sub-menu.

2. In the sub-menu, choose Save From Main or Save From Preview to determine which screen you want to memorize the preset from, then set the preset memory (#1 to #8) you wish to use as your “User Preset” (by default, the Eikos will choose the next available preset in the Eikos memory).

3. By pressing the ENTER button, the Eikos will ask you to conrm. Select Yes, your screen is memorized as a preset.

Working with Audio

The Eikos allows to work with up to 10 stereo inputs, 1 auxiliary input, and 2 stereo embedded SDI audio inputs (via the SDI BNC connectors), all accessible via the Audio menu of the Eikos, and which can be assigned to one or both of the 2 independant symetrical/asymetrical outputs of the device.

Audio conguration

To congure audio settings of the Eikos, plug all audio inputs into the device, and navigate to the Audio menu.

1. Choose the Audio mode, Break Away or Top Layer Follow, which you wish the audio to work in.

* NOTE * : the Break Away mode will route the selected audio source, while the Top Layer Follow mode

will route audio from the topmost active layer of the Eikos.

2. Select Source Settings from the Audio Menu to select the audio source you wish to work with, then set levels and left/right balance for each input.

3. Select Auxiliary Settings to determine level and balance of the auxiliary input.

* NOTE * : the auxiliary input is combined with the currently selected input.

4. In Mixer Mode, select the Main Output Menu to determine main audio output level, balance and delay settings, or to mute main audio output.

* NOTE * : in Matrix Mode, all output parameters can be assigned separately to outputs #1 and #2.

5. In Mixer Mode, select Audio Prelist, from the Audio menu, to determine pre-listen audio output level, balance and delay settings, for each audio input, or to mute Prelist audio output.

* NOTE * : in Matrix Mode, select Out1 Prelist or Out2 Prelist from the Audio menu to set audio pre- listen output parameters.

6. Select Delay Mode, to determine how the Eikos deals with audio delay. Select Auto Adjust to let the Eikos determine audio output delay. Select Manual Adjust to determine audio delay manually.

* NOTE * : selecting Manual Adjust will give access to audio delay value (in milliseconds) of the Main

and Prelist audio output Menus.

Special Features

Dynamic Fit (automatically activates the Transparent Background)

- Dynamic & Automatic adjustment of the PIP to t the source image borders (Black Stripe).

PIP

- Automatic adjustment of the PIP (Ratio) to t the source image borders during a transition.

Transparent Background

- Transparent Background allows you to remove the black band on sources in the background live layer in order to display behind a background frame or background color.

Background Frame

Image Live

Smooth Move effect

- Smooth Move PIP control the acceleration of the PIP. The time can be different between the opening and closing PIP.

Working with DSK (Chroma / Luma key)

- Eikos allows to use a live source with green or blue (or any color) background and to key it over another live input.

- Background is removed and replaced by another source.

- Title can be keyed (DSK) on Analog or Digital Sources.

+ =

To use Keying, rst select a source in the desired layer:

Layer button -> source number button

Then in the main menu, select the Keying/Titling menu.

You now have several choices to key your sources. The Luma Key and the Chroma Key based on the Luma pixel values and the Chroma pixel values and for both an additional Titling menu which can be useful to choose the transparency value of your keying.

Keying/Titling menu -> Type menu -> Select your keying type

Once your keying mode is selected, the Eikos provides you some keying advance setting:

For Luma Key:

Luma Keying is used to key from a particular luminous intensity. It produces a hard edged key based

on intensity, which is most suitable for titling effects. You can choose to key things that are extremely dark or extremely bright and keep everything in between, or invert to key only things that are of a medium intensity.

The black and white levels dene where to begin the keying. In the range 0 to 255, 0 represents no

luminance, or black and 255 represents full luminance, or white.

- Level Black: As the Black Level is changed from 0 to 255, things that are black are rst keyed out, followed by dark grey, then light grey, and so forth, until the entire picture is keyed out at 255.

- Level White: As the White Level is changed from 255 to 0, things that are white are rst keyed out, followed by light grey, then dark grey, and so forth, until the entire picture is keyed out at 0.

Non-Inverted Mode

Keyed Away Keyed Away

Visible Picture

White levelBlack level

For Chroma Key:

Chroma Keying is used to key from a particular color. It produces a soft-edged key which is most suitable for moving images and “weatherman” style applications.

Color grabber:

Select Chroma Key menu -> Select Color grabber menu

Using a crosshair, you can select a particular hue based on what is on screen. Once you have adjusted the crosshairs to a desired position, press set/enter to capture the color value at that instant. You can then adjust

the other parameters such as Tolerance to further rene your key.

Manual Setting:

Select Chroma Key menu -> Manual Settings menu

R,G,B:

These controls allow you to manually select a hue, dened by its Red, Green, and Blue values as you

can nd in Windows (Paint software).

Tolerance:

The Tolerance parameter allows you to expand your key color selection to include colors which are

similar to the selected value. A tolerance of 1 will select only the desired hue, whereas a tolerance of 255 will select nearly all hues.

Black Level:

This option permits adjustment of the luminance levels of the keyed hue. The Black Level is the lumi-

nance lower bound. Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key.

White Level:

This option permits adjustment of the luminance levels of the keyed hue. The White Level is the lumi-

nance lower bound. Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key.

Titling alpha:

If you have selected one of the two Titling mode, the titling menu appears. This option places a transparent black backdrop behind the entire layer to which the key is applied. This effect is useful for using bright titles on bright backgrounds, such as clouds.

Invert keying:

By default, this mode is disabled. When this mode is activated, the key selection will remain on screen, and all other portions of the image will be keyed away. For example, you would see the green screen behind the actor, while the actor would be keyed away.

Source Input selection

Same as MIXER Mode.

Input selection settings

Same as MIXER Mode.

Working with Layers

B- SETTINGS IN NATIVE MATRIX MODE

Same as MIXER Mode.

Settings Background Live

(Output #1 & Output #2)

Position YES YES YES Size YES YES YES Zoom YES YES YES Transparency YES YES YES Border YES YES YES Opening effects YES YES YES Closing effects YES YES YES Smooth move YES YES YES H Flip / V Flip YES YES YES

Source output selection

PIP #1 PIP #2

Same as MIXER Mode.

* NOTE *: If you want to use HDCP content from your sources, be sure to plug HDCP compliant screens or projectors. If it’s not the case, the output image could be disabled.

Output selection settings

To set up the outputs, go in the Output #1 or Output #2 menu and choose rst the appropriate format/reso- lution and then the adapted rate for your screens by using the knob button and the Enter button.

Output# → Output Format → Output rate

You can also in the Output #2 menu, synchronise all the changes from the Output #1 to the Output #2 by checking the case Synch w/Out 1. It allows you to set up both outputs at the same time.

Output #2 → Synch w/Out 1

Try to use the native resolution of your screens/projectors in order to obtain the best image quality.

* NOTE *: The output status can provide you all information about the output in real time. This feature is particularly needed when HDCP is used thanks to the HDCP status.

*All changes have to be validated by pressing the OK button in order to be saved*

Video Out

In Native Matrix mode, the menu “connection mode” allows you to choose recording Output #1 or Output #2.

Display Mode

Output #1

Menu→ Video Out → Connection →

Output #1

Output #2

Menu→ Video Out → Connection →

Output #2

Display Mode

Presentation

OUT #1

OUT #2

Presentation

Availability

YES

Availability

Output #1 & #2 side by side

Menu→ Video Out → Connection →

Output Titled Horizontally

Output #1 & #2 Top and Bottom

Menu→ Video Out → Connection →

Output Titled Vertically

OUT #1

OUT #2

OUT #1

OUT #2

Matrix Mode only

Working with Native Matrix Mode

To activate the Native Matrix Mode:

Mode Menu → Matrix Mode Menu

You’ll nd all menus from the Mixer Mode in the main menu except some specic matrix function added.

To work with Native Matrix Mode, you have to use the Matrix # buttons rst. For instance, if you want to put the Frame #1 on the Output #1 and the Live source #3 on the output #2:

Press Matrix #1 button → Press Background Frame button → Press input #1

Press Matrix #2 button → Press Background live button → Press input #3

Press Take to view the result on both screens

Don’t forget to press the correct Matrix # button before pressing the Layer selection button, in order to be sure doing the manipulation on the correct output.

Working with Cut, Fade or Transitions

All the transitions (Cut, Fade or Transitions) are available in the Native Matrix Mode. Although the Matrix Mode is activated, you will be able to perform powerful transition effects seamlessly. It can depend on your

conguration.

The Eikos has 4 scalers, to understand how your effect will be performed, you need to know how many scalers are used on your outputs. Don’t forget that you always need one free scaler to perform clean transition. Example:

1 background live on each output → 2 scalers used → 2 seamless transitions

1 background live on each output + 1 PIP on output #1 → 3 scalers used → 1 seamless transition

available

1 background live on each output + 2 PIP on each outputs → 4 scalers used → no seamless transi-

tion (ie: fade through black)

The background Frame and the Logos are not considered as live layers and are not counted as using a scaler.

Working with PIP

The PIPs are used in the same way as the Mixer Mode. A source has to be selected to activate the PIP settings. Each PIP has its own settings, PIP1 on output #1 is not linked to PIP1 on output #2 in terms of settings.

All PIP settings are available in the Layer menu once the PIP is selected.

* NOTE *: Take a look at the blinking of the Matrix Mode button to always know on which output you are working on.

Working with Mirror Modes

The Mirror Matrix Mode is a specic Matrix Mode where the output #2 will be the perfect mirror copy of the output #1. In that way, each settings apply to output #1 will be performed on the output #2 too.

Mode Menu → Matrix Mode Menu

To use the Mirror mode, just perform your setting and operation from the Matrix output #1. Nevertheless, you can do manipulation on the output #2 at any time.

For a perfect use, set up the output format and rate for the output #2 as for the output #1 using the synchronise button:

Output #2 → Synch w/Out 1

Using the Matrix Mode, several congurations are available, the simple Mode and the mirror mode.

Using the Mirror Mode:

To use the Mirror Mode, simply select the Matrix Mode throught the main menu, then the Mirror Mode can be activated layer by layer thanks to the layers menu.

Select the chosen layer and go in the layer menu, then select the “Layer Copy Mode” menu. There are several mirror positioning options:

Mode

Layer

PIP PIP + Background

OUTPUT #1

No Copy: This mode is the standard Matrix Mode, output #1 and #2 are independent.

OUTPUT #1 OUTPUT #1OUTPUT #2 OUTPUT #2

Copy Mode (Clone mode): Output #1 and #2 will be the same. All changes on output #1 will be affected to output #2. PIPs will have the same position and size.

OUTPUT #2

Copy Mode (Clone mode): Output #1 and #2 will be the same. All changes on output #1 will be affected to output #2. The PIP and the background will have the same position and size.

OUTPUT #1

Copy & Horizontal position Flip mode: Output #2 will be exactly the same as output #1 except the fact that the selected PIP will

have its Horizontal position ipped

OUTPUT #2

Copy & Horizontal position Flip mode: Output #2 will be exactly the same as output #1 except the fact that the selected PIP or

background will have its Horizontal position ipped

OUTPUT #1

OUTPUT #2

OUTPUT #1

Copy & Horizontal + Data Flip all modes: Output #2 will be exactly the same as the output #1 except the fact that the selected

PIP will have its Horizontal position and data ipped.

OUTPUT #2

Copy & Horizontal + Data Flip all modes: Output #2 will be exactly the same as the output #1 except the fact that the selected PIP or background will have its Horizontal position and data

ipped.

OUTPUT #1

OUTPUT #2

* NOTE *: Remember that to simplify the use of this feature, you need to manipulate the Output #1. While in

Mirror Mode, the Output #2 will follow the desired steps.

* NOTE *: Every change on the Output #2 will have an effect only on the Output #2, but remember that if a

change occurs on the Output #1 after that, the Output #2 will update automatically to match output 1 (in Mode 2/3/4).

Working with Frames/Logos

The Frame/Logo can be memorized from Output #1 or #2. To record a Frame/Logo, please refer to the chapter “Capturing still Frame/Logo” in the Mixer mode (p.43).

To use a Frame/Logo, refer to “Working with Frame/Logo”. As a source, each frame/logo can be used by both outputs, you just have to select the correct matrix# button

rst.

C- SETTINGS IN QUADRAVISION MODE

W 1

W 2

W 4

W 3

W 1

W 2

W 4

W 3

W 1

W 3

W 2

The Quadravision Mode allows to display up to 4 live sources on a screen. The preview will display just the edge of each PIP to know the position, size and the source attached. Choose Quadravision Mode in the Mode Menu, then choose your rst template.

To use windows, rst attach your source to the desired window, you have to use the windows button in the quadravision eld.

All windows have the same settings as PIPs in other modes. You can have access to them by the Layer menu or directly by pressing the W# button once a source is attached. You always have access to the shortcut transition button/black button:

Press W# button → Press the Cut/fade/user1/user2 button to set up the transition

Press Take to apply the change on the main screen.

Press W# button → Press input #

Working with Templates

Some templates are available for the Quadravision Mode, you will nd them here:

Mode menu → Quadravision menu → Template menu

(or directly by the predened Layouts Menu)

Templates are just here to provide some useful layers positions, you can adjust them manually at any time. Each template has to be saved in presets before doing any change. If it’s not the case, all template settings will be deleted.

W 1

W 3

W 2

Win1 Full screen Win2 Full screen

W 4

Win3 Full screen Win4 Full screen

W 1

W 2

W 1

W 2

W 3

W 2

W 3

W 4

W 3

W 1

Split Screen

W 1 W 1

1 x Left + 3 x Right

W 2

W 3

3 x Left + 1 x Right 1 x Top + 3 x Bottom

W 4

W 1

W 2

W 3

W 1

W 2

Split 3V Split 3H

W 2

W 3

W 1

W 2

Split 2H Split 2V

Working with Presets

Presets are useful to recall all layers/windows settings pressing just one button. In presets, you’ll save position, size, transparency, source attached, etc... (Layers settings).

The source settings as colours, zoom, etc... are not saved into a preset.

You can recall a preset at any time. It will be displayed on your preview in order to check the content before taking it on the main screen.

Creating a Preset

Presets are the copy of a conguration. To save it:

Go in the Preset menu → save preset → select the origin and the destination, press ENTER

to conrm

To load it:

Go in the Preset menu → load preset → select the destination, press ENTER to conrm

You can also load a preset directly through the front panel using the presets button:

Press P#1 to #4 or Press shift then P#5 to #8 to load the preset directly to the preview screen

In the Preset menu, you have access to the Step Back feature which allows recalling the last preset on the preview screen.

Working with Frames/Logos

Only one logo is available for display in Quadravision Mode.

HOME MENU

MIXER MODE

[MAIN] [MAIN]

Format : 1920 x 1080 Rate : 50Hz Rate : 50Hz Lock : internal Lock : internal

Format : 1920 x 1080 Rate : 50Hz Lock : internal

MAIN PREVIEW

---------+--------------+--------- Logo1 | Logo #1 | Logo #8 Live Frame | Frame 1 | Frame 8

Format : 1920 x 1080 Rate : 50Hz Lock : internal

MATRIX MODE QUADRAVISION MODE

[OUT 1]

Format : 1920 x 1080

| OUT 1 | OUT 2

| MAIN | PREVIEW

---------+--------------+--------- Logo1 | Logo #1 | Logo #8

Input 1 | SDI 4

Win.4 Win.3 | SDI 2 | SDI 4

Input 1 | SDI 4

Win.2 | DVI 1 | DVI 2 Win.1 | Input 1 | Input 8

[OUT 2]

Frame

| Frame 1 |

Frame 8

MODE

Mixer Mode Matrix Mode Quadravision Mode

Win1 fullscreen Win2 fullscreen Win3 fullscreen Win4 fullscreen Split Screen 1x Left + 3x Right 3x Left + 1x Right 1x Top + 1x Bottom Split 2 H Split 2 V Split 3 H Split 3 V

INPUT

Cong status

Autoset all

Synchronized

Input 1 Analog Input 2 Analog Input 3 Analog Input 4 Analog Input 5 Analog Input 6 Analog DVI 1 DVI 2 SDI 1 SDI 2 SDI 3 SDI 4

(i1) displayed when plug is not SDI (i2) displayed when type is analog video (i3) displayed when plug is analog (i4) displayed for input ln1, ln2, DVI1 & DVI2

Analog Group 1 Analog Group 2

Analog Group 3

(i1)

Type

(i1)

Autoset

Enabled

Audio input

VCR Mode

(i10) displayed when plug is DVI-D (i11) displayed when plug is analog

Input 1 Input 2 Input 3 Input 4 Input 5 Input 6

SDTV Composite SDTV Y/C SD/ED/HD RGBS SD/ED/HD RGsB SD/ED/HD YUV Computer SOG Computer HV/C Computer RW Computer 0-255 Computer 16-235 DVI video RGB DVI video YUV

(i11)

(i10)

None Audio Input 1 Audio Input 2 Audio Input 3 Audio Input 4 Audio Input 5 Audio Input 6 Audio DVI 1 Audio DVI 2 Audio SDI 1 Audio SDI 2 Audio SDI 3 Audio SDI 4

Auto NTSC PAL PAL_M

Left Right

Group A - Ch 1 Group A - Ch 2 Group A - Ch 3 Group A - Ch 4 Group B - Ch 1 Group B - Ch 2 Group B - Ch 3 Group B - Ch 4 Group C - Ch 1 Group C - Ch 2 Group C - Ch 3 Group C - Ch 4 Group D - Ch 1 Group D - Ch 2 Group D - Ch 3 Group D - Ch 4

HDCP enable

H sync load

(i10)

(i3)

Hi-Z 75 Ohms

MAIN OUT OUTPUT 1 PREVIEW OUT OUTPUT 2

(A1)

(A2)

(A1)

Sync w/OUT 1

Output status

(o1)

(A1) displayed in Mixer & Quadravision Mode (A2) displayed in Matrix Mode

Output format

Output rate

(i4)

EDID

Format

Status

HDTV 720p HDTV 1035i HDTV 1080i HDTV 1080p HDTV 1080sF 640x480 4/3 800x600 4/3 848x480 16/9 1024x768 4/3 1280x720 16/9 1280x768 15/9 1280x800 16/10 1280x1024 5/4 1360x768 16/9 1366x800 15/9 1400x1050 4/3 1440x900 16/10 1600x1200 4/3 1680x1050 16/10 1920x1080 16/9 1920x1080 HD 1920x1080 B 1920x1080 C 1920x1200 16/9 2048x1080 19/10

Internal ref

Edit EDID

(o1) only for Preview out/Output2 (o2) depending on output format (o3) computer & HDTV only (o4) Interlaced output only

23.97 Hz 24 Hz 25 Hz

29.97 Hz 30 Hz 50 Hz

59.94 Hz 60 Hz 72 Hz 75 Hz

(o2)

640x480 852x480 800x600 1280x720 1024x768 1280x768 1360x768 1200x800 1366x800 1440x900 1280x960 1280x1024 1364x1024 1400x1050 1680x1050 1920x1080 2048x1080 1600x1200 1920x1200

50Hz 60Hz 72Hz 75Hz 85Hz

Out Sync Polarity

Gamma

Flicker lter

(o4)

Analog Type

DVI Type

HDCP Detection

Background color

Follow x 1/2

Follow x1 Follow x2 Follow x3

H-, V H-, V+ H+, V H+, V+

RGB HV RGBS RGsB (SOG) YUV

RGB full (0-255) RGB (16-235) YUV

Disabled Automatic

Predened color

Hue Saturation Luma

Input 1 Analog Input 2 Analog Input 3 Analog Input 4 Analog Input 5 Analog Input 6 Analog DVI 1 DVI 2 SDI 1 SDI 2 SDI 3 SDI 4 Video out

Test Pattern

Main Preview

OFF V Grey scale H Grey scale V Color bar H Color bar Grid SMPTE

(o3)

Burst Centering

VIDEO OUT

Connection

Output status

Output format

Output rate

Adjust

Gamma

Flicker Filter

Sharpness

Under/Overscan

Test Pattern

Output 1 Output 2 Output Tiled Horizontally Output Tiled Vertically

SDTV PAL SDTV NTSC EDTV 480p EDTV 576p HDTV 720p HDTV 1035i HDTV 1080i HDTV 1080p HDTV 1080 sF

23.97 Hz 24 Hz 25 Hz

29.97 Hz 30 Hz 50 Hz

59.94 Hz 60 Hz

(o2)

H Pos V Pos H Size V Size

OFF V Grey scale

H Grey scale V Color bar

H Color bar Grid SMPTE

(o3)

Burst Centering

(o1) available in near future (o2) according to output format

PRESET

Preset mgmt

Preset Layouts

Step Back

(p1)

(p2)

Both Outputs Current Output

Output 1 Output 2

Default Bkgnd + TL Pip

Bkgnd + TR Pip Bkgnd + BL Pip Bkgnd + BR Pip 2 Pip H split 2 Pip V split 1L + 2 H split 1R + 2 H split 1T + 2 V split 1B + 2 V split 3 H Pip 3 diag Pip

(p1) available only on Matrix Mode

(p2) available only on Mixer Mode

Save Preset

Save from

Save to

Main Preview

Memory 1 Memory 2 Memory 3 Memory 4 Memory 5 Memory 6 Memory 7 Memory 8

PREDEFINED

LAYOUTS

(A5)

Win1 fullscreen Win2 fullscreen Win3 fullscreen Win4 fullscreen Split screen 1xLeft + 3xRight 3xLeft + 1xRight 1xTop + 3xBottom Split 2 H Split 2 V Split 3 H Split 3 V

(A6)

MOSAIC MODE

(A3)

IMAGE

Refresh current

Auto Centering

Blanking Adjust

(A3) displayed when an input is active

Cropping

Optimize

Under/Over

Aspect OUT

Advanced

2:2 Pulldown

3:2 Pulldown

Force 4:3

Reset settings

Load Preset

Refresh all

(R2)

(R1)

Aspect IN

Colorimetry

(R9)

Save from

Save to

(R1)

(R2)

H position V position H size V size...

Phase H Total

(R3)

Underscan Overscan

Native LetterBox_1_78 LetterBox_2_35 Anamorphic Pillar Box

Full screen Centered Cropped 1-1

Brightness Contrast Color Hue

(R2)

Component Level

Motion Correct.

(R7)

(R8)

Main Preview

Memory 1 Memory 2 Memory 3 Memory 4 Memory 5 Memory 6 Memory 7 Memory 8

(A5) displayed on Quadravision mode

(A6) displayed on Mixer Mode

(R1) Analog Computer Input (R2) Analog Input (R3) Video Input (R4) EDTV/HDTV Input (R5) RGB or YUV or YC or CV (R6) NTSC Input (R7) Interlaced 50 Hz (R8) Interlaced 60 Hz (R9) SDTV (R10) Analog input or interlaced signal (R11) Interlaced signal

(R6)

(R11)

(R2)

Red Level Green Level Blue Level

(R5)

KEYING/TITLING

Type

Lumakey

Chromakey

Titling alpha

Invert keying

None Lumakey Chromakey Lumakey+Titling Chromakey+Titling

(t1)

Level Black Level White

(t2)

Color grabber

Manual setting

(t3)

(t4)

(t1) only displayed for Type = Luma Key or LumaKey+Titling (t2) only displayed for Type = Chroma Key or ChromaKey+Titling (t3) only displayed for Type = LumaKey +Titling or ChromaKey+Titling (t4) only displayed for Type = different from

H position V position Tolerance Level Black Level White

Red key Green key Blue key Tolerance Level Black Level White

LAYER

(A3)

Layer copy Mode

(b7)

Layer adjust

Layer zoom

(b1)

(b3)

Size templates

Transparency

(b3)

Border

Opening effect

Standard Mode Full Copy Copy & H. Pos Flip Copy & H. Flip All

H Pos V Pos HV Pos HV Size H Size V Size

H Pos V Pos H Size V Size

(b3)

Full Screen 3/4 Full Screen 2/3 Full Screen 1/2 Full Screen 1/3 Full Screen 1/4 Full Screen

Style

Adjust

Type

(b3)

(b1) Not available for Background Frame & Live (b2) Not available for Logos

(b2)

(b3) Not available for Frames & logos (b4) Only for Slide, Wipe and Stretch (b5) Only for Wipe and Stretch (b6) Only for Wipe, Circle and Stretch (b7) Only for Slide, Wipe and Circle

None Edge Shadow

H Size V Size Transparency Color

Cut Clean Cut

(b3)

Fade Slide Wipe Circle Stretch

Direction

Effect duration

Left to Right Right to Left Bottom to Top Top to Bottom Vertical from Center Horizontal from Center HV from Center

(b4)

(b5)

(b6)

From Bottom Left Corner From Bottom Right Corner From Top Left Corner From Top Right Corner

(b7)

Closing effect

Type

Cut Clean Cut Fade Slide Wipe Circle Stretch

(b3)

LOGOS/FRAMES

Smooth Move

H Flip

V Flip

Status

Capture source

Record Frames

Record Logos

Record Anim

Direction

Effect duration

Main Preview

Frame 1 Frame 2 (Empty)

(lf1)

Frame 3 Frame 4 Frame 5 (Empty) Frame 6 (Empty)

(lf1)

Frame 7 Frame 8

Position / Size Adjust

Keying type

Luma key

Chromakey

Cut out color

(lf5)

Left to Right Right to Left Bottom to Top Top to Bottom Vertical to Center Horizontal to Center HV to Center To Bottom Left Corner To Bottom Right Corner To Top Left Corner To Top Right Corner

(b4)

(b5)

(b6)

(b7)

(lf1) Empty if slot is free for a Frame (lf2) Empty if slot is free for a logo (lf3) Displays only list of valid Frames and Logos (lf4) Displays only for animated Logo (lf5) Displays according to keying type chosen

H pos V pos H size V size

None Luma Chroma

Level black Level white

Color grabber

Manual setting

Cut out black Cut out white

H position V position Tolerance Level Black Level White

Red key Green key Blue key Tolerance Level Black Level White

Erase

Recording time

Store

(lf3)

Frame 1 Frame 3 Frame 4 Frame 7 Frame 8 Logo 1 Logo 2 Logo 8

(lf3)

(lf4)

Logo 1

Logo 2 Logo 3 (empty) Logo 4 (empty) Logo 5 (empty) Logo 6 (empty) Logo 7 (empty)

Logo 8

(lf2)

AUDIO

Mode

Source settings

Aux. setting

Audio Main

(m1)

Audio Out 1

Audio Out 2

OUT1 Prelist OUT2 Prelist

Audio Prelist

Delay Mode

(m2)

(m1)

Breack away

TopLayer follow

Input 1 Input 2 Input 3 Input 4 Input 5 Input 6 DVI 1 DVI 2 SDI 1 SDI 2 SDI 3 SDI 4

Level Balance

Master Mute

Master Volume

Stereo

Audio Delay

Source

Master Mute Master Volume

Stereo

Source

Aux. Mute

Audio Delay Auto Adjust

Manual Adjust

Level

Balance

(m1) Available only on Mixer Mode (m2) Available only on Matrix Mode

None Input 1 Input 2 Input 3 Input 4 Input 5 Input 6 DVI 1 DVI 2 SDI 1 SDI 2 SDI 3 SDI 4

Level Balance

Level

Balance

OSD Settings

(osd1) Available if OSD is activated

OSD enable

OSD Fields

(osd1)

INPUT

Transparency

Border

Opening effect

Closing effect

Smooth move

CONTROL

Versions

(L1) UDP only

(L2) Conrmation asked

(L3) Only for User 1 & User 2 (L4) Visible if Sync. Loss is activated

RS232/LAN

LAN setup

HDCP Summary

Vers.: 4.10 l1=xxxx l2=xxxx l3=xxxx l4=xxxx 0=xxxx MM K=xxxx MF K=xxxx CA V=xxxx FA V=xxxx TH V=xxxx CS V=xxxx

RS232 LAN

TCP UDP

DVI1 In : Idle DVI2 In : Idle

DVI1 Out : Idle DVI2 Out : Idle

Device address... Remote address Gateway address... Device port... Remote port Netmask... Default setup

(L1)

(L2)

(L1)

Sync. loss

Auto Lock

Auto TAKE

Preset Toggle

V-TBar enable

Transp Backgr

Dynamic t

Preview Id

Freeze mode

Key locking

Prog. Keys

LCD brightness

Key brightness

Standby

Enabled

(L4)

Input 1

(L4)

Input 2

(L4)

Input 3

(L4)

Input 4

(L4)

Input 5

(L4)

Input 6

(L4)

DVI 1

(L4)

DVI 2

(L4)

SDI 1

(L4)

SDI 2

(L4)

SDI 3

(L4)

SDI 4

Input freeze Freeze all

All Menus

Fade User 1 User 2

Baud rate Set message ON Set message OFF Clear message ON Clear message OFF Standby

(L3)

Type

Direction

(L3)

Effect duration

VIRTUAL TBAR

Reset Layers

Erase Memories

Default values

(L3)

REMOTE CONTROL SOFTWARE

5-1. THE EIKOS RCS

RCS presentation

The RCS will give you a powerful tool to exploit all the features of your Eikos at distance. By LAN, or RS-232, you will be able to do exactly the same manipulation as you could do from the front panel. User-Friendly and easy-to-use, you will take the hand quickly with it.

How to use the RCS ?

You have to install the software on a Computer and have a LAN board or RS232 link to use the RCS. After the installation, launch the program and proceed to the network establishment.

Software installation

1. Connect you on www.analogway.com.

2. In the menu, select [Technical Support] menu, then click on [Remote Control Software], select the name of your device and click on [Download].

3. Click on [Open with] or [Register the le], select the .exe le.

4. Follow the Windows installation instructions.

Software overview

The RCS software for your Eikos is composed of several easily identied sections. The tabs menu (1) allows you to navigate through the equivalent of the Eikos front panel menu items (see also “The Eikos Menu” p.31). The green window of the RCS (2) represents your Preview window, and can be used to parameter sources, frames, layers and logos directly by clicking on the corresponding button, then navigating through the different available tabs. The red window of the RCS (3) represents your Main window, and can also be used much like the front panel of the Eikos.

Create user presets directly in the RCS main window by clicking on one of the four available Preset icons (4) and setting up your preset in the Preview window. Clear unwanted steps with the clear button (5), reload a fresh copy of your screen via the Reload Main button (6), make smooth takes directly with your mouse or trackpad with the virtual T-bar (7). The Take button (9) will allow you to view any change made to your Preview screen on your Main screen. Analog Way engineers have even implemented a Stepback button (8) to quickly move back to your previous setup in the case of a manipulation error. The status section (10) allows for easy monitoring of the connection status.

The RCS software for your Eikos can be viewed as the software version of the Eikos front panel menu section. It allows you to quickly access all of the Eikos functions via a single page interface, and easily edit your settings directly from your laptop or PC.

Before starting with the RCS software, you must establish a connection from your laptop to the Eikos you wish to run.

Serial connection

1. Connect a RS-232 cable between the Eikos and your PC, then power on your devices.

2. Click on the RCS program le on your PC to run the software.

3. Click on the “Connections” tab and select RS-232 as the connection type. In the drop-down menu, select the COM port number corresponding to the connected device (default is Port 1).

4. Click apply, and wait for devices to synchronize. The RCS will display the following connection message : “Device Connected”.

5. Click on the “Connections” tab to return to the main screen.

Ethernet connection

1. Connect a crossed RJ45 cable between the Eikos and your PC, then power on your devices. Use straight RJ45 if connecting through a network switcher.

2. Click on the RCS program le on your PC to run the software.

3. Click on the “Connections” tab and select LAN as the connection type.

4. In the “Remote Address” eld, enter the IP address of the Eikos you wish to control (see also “Working with the Eikos”, p.32).

5. In the “Remote Port” eld, enter the remote port number of the Eikos you wish to control (see also “Working with the Eikos”, p. 32).

6. Click Apply, and wait for devices to synchronize. The RCS will display a connection message.

7. Click on the “Connections” tab to return to the main screen.

5-2. WORKING WITH THE RCS

Operating Mode

To choose the operating mode you want your Eikos to work in, simply click the “Mode” tab, then select the desired mode by clicking on one of the two mode buttons (Mixer or Sync Matrix).

* NOTE * : for further details on different modes, restrictions and settings, please refer to the “Working with the Eikos” chapter, p.32, and the “Home Menu” chapter p.61.

Source input conguration

Once your Eikos is wired up to your PC, the rst step in properly conguring your machine is to individually select and parameter

your inputs.

1. Click on the “Inputs” tab of the RCS.

2. In the Plug column of the “Input” page, select the plug type by

clicking the appropriate eld.

3. Activate the input in the Enabled column if it is not.

4. In the scroll-down menu of the Type column, select the signal type connected to that plug.

5. Repeat steps 2 to 4 for all sources connected to the rear panel of your Eikos.

6. Click on the “Inputs” tab to return to the main screen.

Source output conguration

1. Click on the “Outputs” tab of the RCS.

2. Select the type of plug which is connected to outputs #1 &

#2 of your Eikos by clicking in the appropriate eld in Analog Type or DVI Type for both Main and Preview outputs.

3. Select the appropriate output format and output rate.

4. Click on the “Outputs” tab to return to the main screen.

The Output menu also allows you to generate test patterns. The test patterns available through the Output menu let you quickly and reliably setup your projectors.

* NOTE * : Be sure to turn the test pattern off to display your sources again.

Working with PIPs

The Eikos allows users to manipulate 2 PIPs (Picture In Picture) which you can move, size, crop or zoom, apply transparency or transitions to.

PIP conguration

1. Click on the Image tab of the RCS interface. The empty Image screen will appear on screen.

2. By clicking on the drop-down menu in the Preview section, situated next to the layer you wish to use as a PIP, you will access the image parameters of the PIP source you select (#1 to #12)

3. Set the desired PIP attributes (size, position, zoom, border, transparency...).

4. Click on the Image tab to return to the main screen.

Working with Frames

It is possible to store up to 8 frames in the Eikos non volatile memory. Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from

any of the 8 Eikos sources and called back at the click of a single button.

* NOTE * : To memorize a frame, select an input, and take it to the Main screen. Once the frame is displayed on your

Main output, it is then possible to store it to the Eikos non volatile memory.

* NOTE * : Frames may be used only one at a time. A frame may not be used as a Live Background.

Memorizing Frames in the Eikos

1. In the Input Selection section, click on the source button (#1 to #12) of the source you wish to record as a frame.

2. Click on the Logos/Frames tab of the RCS interface. Then click on the Record Frame button.

3. Click on the eld next to the rst free Frame to select it.

4. Click on the Execute button.

Working with Logos

It is possible to store up to 8 logos in the Eikos non volatile memory. Logos work in much the same way as frames, and can be recorded from any of the Eikos’ 12 sources.

Logos have more attributes than frames. They can be sized, positionned, but also keyed via color cutout selection or Luma Key.

Memorizing Logos

1. In the Input Selection section, click on the source button (#1 to #12) of the source you wish to record as a logo.

2. In the Logos/Frames tab, click on Record Logo, then select an empty logo memory slot (#1 to #8) to record your logo into.

3. Adjust position, size and keying attributes for your logo.

4. Click Execute to record your logo into the selected memory slot. The Eikos RCS will display a progress bar while recording the logo.

5. In the Input Selection section, click the LOGO1 button, and select logo number (#1 to #8) you wish to use. Your logo will appear on the preview screen above any existing layer on screen.

6. Click the TAKE button. Your logo will appear on the main display.

Layer transitions & effects

The Eikos offers a wide variety of transitions between the scenes you create for your shows and events. It allows for live recall of 4 user presets, each of which you can edit at any given time.

1. In the Layer Selection section, click on the PIP1 button. On your Preview screen, PIP1 will appear as a color rectangle. The parameters of the layer will automatically appear in the RCS Preview section.

2. At the bottom of the Preview section, click on the Transition tab, then select the transition type from the left dropdown menu, and the effect behaviour from the right dropdown menu.

3. Determine effect duration by sliding the duration bar left (shorter) or right (longer), or by manually setting the value in the duration value box.

4. Repeat the procedure in the Closing Effect tab to determine the way your layer will close.

Creating Presets

The Eikos allows the creation of user dened presets very easily. Any setup you have congured on screen,

can be stored into one of the 4 available user presets.

1. After having congured layers, PIP transitions, logos... on your screen (see “Working with the RCS” chapter, p. 73), click on one of the four available Preset buttons.

2. In the dropdown menu, choose Save From Main or Save From Preview to determine which screen you want to memorize the preset from.

3. By clicking one of the two options, the RCS will automatically load and preview the selected Preset.

4. Click on the Take button to view your preset on the Main screen.

Working with Presets

The four Eikos user presets can be called back at any stage during your show or event.

1. Click on one of the four available Preset buttons to choose which memory you wish to use. Select Load to Preview from the dropdown menu, your preset will appear on the Preview screen.

2. Once you have selected your preset, simply click on the Take button to view the result on your Main screen.

Working with Audio

The Eikos allows to work with up to 10 stereo inputs, 1 auxiliary input, and 2 embedded SDI audio inputs (via the SDI BNC connectors), all accessible via the Audio menu of the Eikos, and which can be affected to one or both of the 2 independent symetrical/asymetrical outputs of the device.

Audio conguration

To congure audio settings of the Eikos, plug all audio inputs into the device, and click on the Audio tab of the RCS home page.

1. Set the Main audio output level and delay (accessible only if Delay Mode is set to Manual Adjust), or click on the Mute button to mute Main audio output.

2. Repeat step 2 for the Prelist audio output.

3. Individual source settings (level and balance) for

each audio input can be congured in the right

hand section of the Audio tab.

OPTIONAL REMOTE CONTROL SYSTEMS

6-1. Axion2

Analog Way engineers have designed several remote controllers specically made for easy control of the Di-VentiX II, Eikos, Eikos LE, OPS 300, OPS 200, Pulse, Pulse LE, Smart Vu and Smart Vu LE, Smart MatriX, Smart MatriX LE, Smart Edge, Smart Edge FX and Smart Quad.

Axion2: The Axion2 is an ergonomic and reliable remote controller for

rental & staging/multi-venues at an optimal price/performance ratio. It controls simultaneously up to 6 screens in a single or multiple display

conguration.

*NOTE*: for further information concerning our optional remote controllers, please connect to our website on: www.analogway.com

6-2. ORCHESTRA

Analog Way engineers have designed

several remote controllers specically

made for easy control of the DiVentiX II, Eikos, Eikos LE, OPS300, OPS200, Pulse, Pulse LE, SmartVu and SmartVu LE, Smart MatriX, Smart MatriX LE, Smart Edge, Smart Edge FX and Smart Quad.

Orchestra: The Orchestra is an

ergonomic and reliable remote controller for rental & staging/multivenues at an optimal price/performance ratio. It controls simultaneously up to 6 screens in a single or multiple display

conguration.

*NOTE*: for further information concerning our optional remote controllers, please connect to our website on:

www.analogway.com

6-3. TRK-800

>> Event Controllers

Application Note #6-1

Triple Screen Presentation using 1 Eikos LE (with Mosaic Pre-

view), 1 SmartVu LE, 1 Smart MatriX LE controlled by

the TRK-800 Remote Keypad

TRK-800: Triple Remote Keypad designed to control up to 3 units.

> Powerful High End Remote Controller > Controls up to 3 switchers > Mini Joystick for easy element control > Ethernet LAN RJ45 connector for easy connection > Double Large VFD display offering high contrast menu and status

Analog Way engineers have designed several remote

controllers specically made for

control of the Eikos, Eikos LE, OPS300, OPS200, Pulse, Pulse LE, SmartVu and SmartVu LE, Smart MatriX, Smart MtriX LE, Smart Edge, Smart Edge FX and Smart Quad.

*NOTE*: for further information concerning our optional remote controllers, please connect to our website on:

www.analogway.com

6-4. RK-300

Analog Way engineers have designed several remote

controllers specically made

for easy control of the Eikos, Eikos LE, OPS300, OPS200, Pulse, Pulse LE, SmartVu and SmartVu LE, Smart MatriX, Smart MatriX LE, Smart Edge, Smart Edge FX and Smart Quad.

RK-300: Remote Control Keypad designed to control Analog Way’s new Seamless Switchers

> Very User-friendly Remote Control Keypad > Controls different Switchers > Mini Joystick for easy element control > Ethernet LAN RJ45 connector for easy connection > Large VFD display offering high contrast menu

*NOTE*: for further information concerning our optional remote controllers, please connect to our website on:

www.analogway.com

EXAMPLES AND TIPS

7-1. ABOUT EXAMPLES

Examples are intended to make the use of the Eikos as easy as possible, by providing visual help in setting up your equipment. In an effort to make the use of our machines the most pleasant experience possible, the Analog Way team is constantly aiming to create easy to follow examples, update information, and furnish our website with useful user information.

Please check on www.analogway.com.

7-2. EXAMPLES

Please see following page for Examples.

Example #1

1 Projector and 1 EKS500 in Mixer Seamless Switcher Mode

Live Background with 2 PIPs and 2 Logos

Example #2

1 Projector and 1 EKS500 in Mixer Seamless Switcher Mode

Still Background with 3 PIPs, 2 Logos and Mosaic Preview

Example #3

2 Projectors and 1 EKS500 in Native Matrix Mode

7-3. EXTERNAL PROGRAMMING

If you need to use your own Software Control program from a PC or automation, the device allows communication through an ASCII code protocol. All commands can be found on the CD-Rom shipped with the Eikos in the “External Programming” le. Information can also be found in the “Programmer’s Guide” on certain media or documentation (website, CD-Rom,...).

All Analog Way products equipped with a RS-232 input are compatible with Crestron, AMX, Medialon, and most major control systems. TCP/IP control ports are also available on most Analog Way products, as standard or as options.

To control an Eikos with an External Remote Controller (PC Software Control - Touch Pad Controller…) follow the indications below :

1. First establish a RS-232 communication between the Remote Control Software and the Eikos, in order to setup the LAN parameters of the product.

2. In the “Control” - “Eikos LAN Setup” menu, congure the connection of the Eikos in UDP mode and setup the Local and Remote Addresses as well as the Local and Remote Ports in concordance with your Network.

3. Congure the TCP/IP address of your External Remote Controller.

In example: 192.168.000.001

4. Setup the UDP connection of your External Remote Controller in concordance with your Network.

For example on the Remote Software in the “Control” - “RS232/

LAN Setup” - “LAN/Setup” menu :

5. Setup the LAN parameters in UDP mode in the “Console” - “LAN Setup” menu.

For example: RK Address: 192.168.000.002 Remote Address: 192.168.000.010 Gateway Address: 192.168.000.001 RK Port: 10500 Remote Port: 10500 Netmask: 255.255.255.000

6. Select the LAN communication port in the remote controller console - “RS232/LAN port” menu.

7. You can now control your Eikos with an External Remote Controller.

WARRANTY

8-1. ANALOG WAY LIMITED WARRANTY

All Analog Way products have a 3 year warranty on parts and labor, back to factory. This warranty does not

include faults resulting from user negligence, special modications, electrical surges, abuse (drop/crush),

and/or other unusual damage.

8-2. SERVICES AND RMA

In the unlikely event that a product is required to return for repair, please call the regional Maintenance center / Customer Service, and ask to receive a Return Material Authorization number (RMA). Three regional maintenance centers are available depending on your location. See map below for information on which regional maintenance center you depend on.

RMA Conditions :

1. Prior to returning any item, you must receive a Return Material Authorization (RMA) number.

2. All RMA numbers must appear on the return-shipping label.

3. All shipping and insurance charges on all RMAs must be prepaid by the customer.

The Americas

Analog Way Inc.

299 Broadway, Suite1620 New York, NY 10007 United States of America

Europe, Middle East and Africa

Analog Way SAS

2/4, rue Georges Besse 92160 ANTONY France

Asia Pacic

Analog Way Pte Ltd.

152 Beach Road #15-03 Gateway East Singapore 189721

CONTACT INFORMATION

HOW TO CONTACT US

Analog Way SAS

2/4, rue Georges Besse 92160 ANTONY France Tel.: +33 1 81 89 08 60 Fax: +33 1 57 19 04 54 Sales/General information: saleseuro@analogway.com

Technical Support: techsupport@analogway.com

Analog Way Inc.

299 Broadway, Suite 1620 New York, NY 10007 United States of America Tel.: +1 212 269 1902 Fax. +1 212 269 1943 Sales/General information: salesusa@analogway.com

Technical Support: techsupport@analogwayusa.com

Analog Way Pte Ltd.

152 Beach Road #15-03 Gateway East Singapore 189721 Tel.: +65 6292 5800 Fax: +65 6292 5205 Sales/General information: sales@analogwayasia.com

Technical Support: techsupport@analogwayasia.com

For more documentation, general information, or simply to keep up to date with new releases and upcoming Analog Way products, please log on to www.analogway.com.

Before calling your regional maintenance center, please gather the following information :

- Serial number of the unit

- Firmware version (look in: CONTROL MENU/VERSIONS)

- Model reference (EKS500)

- Description of failure

INFORMATION ON UNIT DISPOSAL

In the European Union :

If the product is used for business purposes and you want to discard it :

Please contact your Analog Way dealer who will inform you about take-back of the product. You might be charged for the costs arising from take-back and recycling.

For Spain : Please contact the established collection system or your local authority for take-back of your used product.

In other countries outside the EU :

If you wish to discard of this product, please contact your local authorities and ask for the correct method of disposal.

Version: 4.10 - 05/02/2013

Designs and specications are subject to change without notice

The illustrations and screens described in this manual may be exaggerated or simplied for easy

recognition and may be slightly different from the actual unit.

ANALOG WAY SAS

2/4, rue Georges Besse

92160 ANTONY - France

Code: 140118

Analog Way Eikos User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual