Zoom 505 User Manual

Thank you for selecting the ZOOM 505 (hereafter simply called the "505"). Please take the time to read this manual carefully so as to get the most out of
your 505 and to ensure optimum performance and reliability. Retain this manual for future reference.
ZOOM CORPORATION
NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183, Japan PHONE: 0423-69-7111 FAX: 0423-69-7115
• 24 individual built-in effects provide maximum flexibility. Up to 9 effects can be used simultaneously in any combination.
• Memory capacity for up to 24 user-programmable patches.
• Integrated auto-chromatic guitar tuner for simple and precise tuning anywhere.
• Optional foot controller FP01 can be used for pedal wah or pedal pitch, and volume control is also possible.
• Optional foot switch FS01 can be used for bank switching, resulting in enhanced playability.
• Dual power supply principle allows the unit to be powered from an alkaline battery or an AC adapter.
• New DSP (digital signal processor) ZFx-2 developed by Zoom produces high-quality effects from an amazingly compact package.
USAGE AND SAFETY PRECAUTIONS
In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows:
Please observe the following safety tips and precautions to ensure hazard-free use of the 505.
• Since power consumption of this unit is fairly high, we recommend the use of an AC adapter whenever possible. When powering the unit from a battery, use only an alkaline type.
AC adapter operation
• Be sure to use only an AC adapter which supplies 9 V DC, 300 mA and is equipped with a "center minus" plug (Zoom AD-0006). The use of an adapter other than the specified type may damage the unit and pose a safety hazard.
• Connect the AC adapter only to an AC outlet that supplies the rated voltage required by the adapter.
• When disconnecting the AC adapter from the AC outlet, always grasp the adapter itself and do not pull at the cable.
• If the unit is not to be used for a long time, disconnect the AC adapter from the outlet.
Battery operation
• Use only a 9 V (alkaline) battery (6LR61).
• The 505 cannot be used for recharging. Pay close attention to the labelling of the battery to make sure you choose the correct type.
• If the 505 is not to be used for an extended period of time, remove the battery from the unit.
• If battery leakage has occurred, wipe the battery compartment and the battery terminals carefully to remove all remnants of battery fluid.
• While using the unit, the battery compartment cover should be closed.
Avoid using your 505 in environments where it will be exposed to:
• Extreme temperature
• High humidity or moisture
• Excessive dust or sand
• Excessive vibration or shock
• The 505 is a precision instrument. Except for the foot switches, do not push other parts with your feet or subject them to strong force.
• Take care that no foreign objects (coins or pins etc.) or liquids can enter the unit.
• Be sure to turn the power to all equipment off before making connections.
• Before moving the unit, turn the power off, and disconnect all cables and the AC adapter.
Never open the case of the 505 or attempt to modify the product in any way since this can result in damage to the unit.
Usage precautions
For safety considerations, the 505 has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and from external interference.However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the 505, as the possibility of interference cannot be ruled out entirely.
Whatever the type of digital control device, the 505 included, electromagnetic damage can cause malfunctioning, and can corrupt or destroy data. Since this is an ever-present danger, thorough care should be taken to minimize the risk of damage.
Use a soft, dry cloth to clean the 505. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface.
Connecting cables and input and output jacks
You should always turn off the power to the 505 and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all cables and the AC adapter before moving the 505.
Major Features
Safety Precautions
Warning
This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the device the wrong way, serious injury or death could result.
Caution
This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result.
Warning
About power
Caution
Environment
Caution
Handling
Caution
Alterations
Electrical interference
Cleaning
1
2
Operation Manual
• PATCH
A combination of several effects, each with individual parameter settings is called a "patch". The 505 comes with 24 preset patches which can be changed (edited) by the user.
• BANK
The 505 calls up patches in sets of four, called a "bank".
The 505 has memory capacity for 24 patches. At the factory, these are programmed with recommended settings. The user can freely change the contents of any patch, and it is also possible to restore the factory settings.
What Are Banks and Patches? PATCH LIST
Effect Connections
Controls and Functions
As shown in the illustration below, the 505 can be thought to contain seven "effect modules" which are internally connected. In most effect modules, only one effect may be active at any given time, but the COMP
and MOD modules can use two effects simultaneously. Therefore the 505 can act like a total of nine single effect devices.
INPUT
OUTPUT
Delay/Reverb
DLY/REV
Modulation
MOD
Equalizer
EQ
Amp Simulator
AMP
ZOOM Noise Reduction
ZNR
Distortion
DIST
Compressor
COMP
ZNR/AMP BLOCK
Compressor:
Keeps the input within a given level range.
Limiter:
Restricts the input level.
Auto Wah:
Shifts the emphasis frequency automatically, according to the input signal dynamics. Can also be used as Compressor+Auto
Wah.
Pedal Wah:
Shifts the emphasis frequency manually, according to the FP01 control signal from CONTROL IN. Can also be used as
Compressor+Pedal Wah.
Acoustic:
Produces a sound similar to an electric acoustic guitar.
Rhythm:
Gives slight distortion when strings are picked strongly.
OD:
Extended overdrive distortion similar to driving a tube amp.
DIST:
Hard distortion comparable to driving a three-stack amp.
Blues:
Overdrive sound with a firm core.
Fuzz:
Choppy sound with fat bass.
Lead:
Bright and smooth distortion.
Metal:
Shredding type sound.
ZNR:
Noise reduction with natural sounding cutoff.
AMP:
Makes the output sound as if coming from a guitar amplifier.
4band EQ:
Allows boost and cut in four ranges: presence, high, midrange, and low.
Phase Shift:
Applies a phase-shifted component to the direct sound. The amount of shift varies periodically, resulting in a breathing effect.
Chorus:
Simple 2-phase chorus suitable for achieving a clean sound.
Flanger:
Adds a very short delay to the direct sound and varies the delay time periodically, resulting in a peculiar sound character. Can also be used as Flanger+Chorus.
Doubling:
Overlays the direct sound with a short delay component, creating the impression of several players and making the sound more full­bodied. Can also be used as
Doubling+Chorus.
Step:
Randomly changing filter creates an auto-arpeggio effect. Can also be used as Step+Chorus.
Pitch Shift:
Can be used as dual-voice pitch shifter or Pitch+Chorus.
Delay:
Conventional digital delay with a delay time of up to 370ms.
Hall Reverb:
Simulates the acoustics of a hall.
Room Reverb:
Simulates the acoustics of a room.
OUTPUT jack
The output signal of the 505 appears at this jack. You can connect either a single guitar amplifier, using a monaural shielded cable, or two guitar amplifiers, using a Y-type stereo shielded cable, or a pair of stereo headphones. If the volume level is low when using headphones, increase the patch level or master level, or use headphones with low impedance (32 ohms or less).
CONTROL IN jack
When the optional expression pedal FP01 is connected to this jack, it can serve as volume pedal or be used for pedal wah and pedal pitch. When the optional foot switch FS01 is connected, it can serve for bank UP switching.
TUNER indicator
In the Bypass (Mute)/Tuner mode, this indicator shows that the tuner is active, and it serves as a gauge for fine tuning your instrument.
• Battery empty warning
When the unit is powered from the battery, this indicator begins to flash when the battery is exhausted.
STORE key
Serves to initiate and execute the store function for patches.
• Direct Load function
When the key is held down for at least 1 second in the Play mode, the Direct Load function is turned on or off.
EDIT key
This key serves to toggle between the Play mode (where effects are used for playing the instrument) and Edit mode (where the user can freely change patch settings). The Edit mode is also used to select effect parameters. When the key is pressed while a Delay/Reverb effect parameter is selected, the unit switches back to Play mode.
• Bank Hold function
When the key is held down for at least 1 second in Play mode, the Bank Hold function is turned on or off.
INPUT jack
Serves for connection of the guitar. When the unit is powered from the battery, this jack also functions as on/off switch. Plugging a shielded cable into the jack turns the 505 on. When not using the unit, the cable should be disconnected to prevent battery drain.
DC IN jack
Serves for connection of an AC adapter (Zoom AD-0006) which delivers 9 V DC, 300 mA with a "center minus" plug configuration. When the AC adapter is connected to this jack, the 505 is turned on.
Display
Shows information required to operate the 505.
• Play mode:
Shows the currently selected bank and patch.
• Edit mode:
Shows the value of the parameter currently being edited.
• Bypass (Mute)/Tuner mode:
Shows the pitch of the input signal.
Parameter cursor LEDs
• Play mode:
The currently used effect module lights up.
• Edit mode:
The currently used effect module lights up. When selected for editing, the indicator for the effect module flashes.
• Bypass (Mute)/Tuner mode:
Indicators function as tuning meter.
VALUE + / - keys
• Play mode:
The keys serve for bank switching.
• Edit mode:
The keys serve for changing the effect parameter.
• Bypass (Mute)/Tuner mode:
The keys serve for setting the tuner reference pitch (calibration).
Patch UP / DOWN pedals
• Play mode:
The pedals serve for patch switching. Pressing both pedals simultaneously activates the Bypass (Mute)/Tuner mode.
• Edit mode:
The pedals serve for selecting effect parameters. Pressing both pedals simultaneously turns the currently selected effect module on or off.
• Bypass (Mute)/Tuner mode:
Pressing a pedal cancels the Bypass (Mute)/Tuner mode.
STORE
EDIT
TUNER CAL .
EDIT VAL .
BANK
+
OUTPUT INPUT
COMP
DIST
GAIN
ZNR AMP
EQ
MOD
LEVEL
/REV
DLY
1-30
COMP
WAH
ACOUSTIC
RHYTHM
OD DIST BLUES
METAL
FUZZ LEAD
PEDALWAH
LIMIT
1-30
1-9 EQ(1-50)
CHORUS
STEP
DOUBLE
FLANGE
PHASE
A1-A9
UPDOWN
BYPASS
DELAY HALL ROOM
PITCH
BANK HOLD
Top Panel
Rear Panel
ZOOM CORPORATION
MADE IN JAPAN
INPUT DC 9V CONTROL IN OUTPUT
300mA
[PHONES]
5
3 4
6
BANK A
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK b
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK C
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK d
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK E
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK F
PATCH 1 PATCH 2 PATCH 3 PATCH 4
PATCH PATCH NAME COMMENT
BANK
A
b
C
d
E
F
Super Dist Solo
1
Clean Delay
2
Psycho Harmony
3
Metal
4
Mellow Drive
1
Wah Dist
2
Multi Phaser
3
Steel China
4
Rock Drive
1
Bright Chorus
2
Power Distortion
3
Choir Wave
4
Jet Drive
1
Funky Phase
2
Head Long
3
City Night
4
PWM Synth Lead
1
JAZZY
2
Octave Pitch
3
Step Mode
4
Wah Fuzz
1
Blues Lead
2
Blues Rhythm
3
Acoustic
4
Tight and smooth distortion Clean sound with chorus and feedback delay Distortion sound for avant-garde harmony solos High-gain metal sound allows 2-octave bend-down with pedal Straight overdrive sound Distortion sound with auto wah and chorus Multi Phaser Synthesizer-like SFX sound Straight rock sound Chorus sound with a distinct edge Distortion with doubling as hidden flavor Clean sound with transparent chorus and flanger Wild jet sound with flanger Clean sound with wah and effect shift for rhythm play Zoom's famous step-type effect Clean chorus sound Synthesizer sound with full effect palette Warm jazz sound with octave overlays Wild and heavy lead sound with up/down octave unison SF type sound combining step effect with chorus Noisy wah/fuzz sound Lead sound for fusion and blues Cutting sound with distortion as hidden flavor Electric acoustic guitar simulation sound
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