Zoom 3000B Operation Manual
ADVANCED BASS EFFECTS PROCESSOR
OPERATION MANUAL
PRECAUTIONS SAFETY AND USAGE
USAGE AND SAFETY PRECAUTIONS
USAGE AND SAFETY PRECAUTIONS
In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows:
|
|
|
|
This symbol indicates explanations about extremely dangerous |
|
|
|
|
matters. If users ignore this symbol and handle the device the wrong |
|
|
|
|
|
|
Warning |
|
|
way, serious injury or death could result. |
|
|
|
|
|
|
|
|
|
This symbol indicates explanations about dangerous matters. If |
|
|
|
|
|
|
Caution |
|
|
users ignore this symbol and handle the device the wrong way, |
|
|
|
bodily injury and damage to the equipment could result. |
|
|
|
|
||
|
|
|
|
|
Please observe the following safety tips and precautions to ensure hazard-free use of the 3000B.
• Power requirements
The 3000B is powered by the supplied AC adapter. To prevent malfunction and safety hazards, do
Warning
not use any other kind of AC adapter.
When using the 3000B in an area with a different line voltage, please consult your local ZOOM distributor about acquiring a proper AC adapter.
• Environment
Caution |
Avoid using your 3000B in environments where it will be exposed to: |
|
•Extreme temperature
•High humidity or moisture
•Excessive dust or sand
•Excessive vibration or shock
• Handling
Since the 3000B is a precision electronic device, avoid applying excessive force to the switches
Caution
and buttons. Also take care not to drop the unit, and do not subject it to shock or excessive pressure.
|
• Alterations |
|
Caution |
Never open the case of the 3000B or attempt to modify the product in any way since this can |
|
result in damage to the unit. |
||
|
• Connecting cables and input and output jacks
You should always turn off the power to the 3000B and all other equipment before connecting or
Caution
disconnecting any cables. Also make sure to disconnect all cables and the AC adapter before moving the 3000B.
ADVANCED BASS EFFECTS PROCESSOR
Usage Precautions
• Electrical interference
For safety considerations, the 3000B has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the 3000B, as the possibility of interference cannot be ruled out entirely.
With any type of digital control device, the 3000B included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage.
• Cleaning
Use a soft, dry cloth to clean the 3000B. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface.
Please keep this manual in a convenient place for future reference.
PRECAUTIONS SAFETY AND USAGE
ADVANCED BASS EFFECTS PROCESSOR
CONTENTS
CONTENTS
USAGE AND SAFETY PRECAUTIONS*
Introduction • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
• • • • • • |
• • |
1 |
|||
Names of Parts• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
|||||
Top Panel View • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
|||||
Rear Panel View • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
2 |
|||||
Getting Connected • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
3 |
|||||
Before Playing • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
3 |
|||||
Introducing the 3000B |
• • • • • • • • • • • • • • • • • • • • • • • • |
4 |
||||
Terms Used in This Manual • • • • • • • • • • • • • • • • • • • • • • • |
4 |
|||||
Let's Try Out Some Patches |
|
|
|
|
||
(Play Mode Operation) |
• • • • • • • • • • • • • • • • • • • • • • • |
6 |
||||
Panel Display in Play Mode |
• • • • • • • • • • • • • • • • • • • • • |
6 |
||||
Selecting a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
7 |
|||||
Adjusting the Master Volume |
• • • • • • • • • • • • • • • • • • • • |
8 |
||||
Temporarily Switching Effects Off |
|
|
|
|||
(Bypass Function) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
9 |
|||||
Temporarily Turning the Sound Off |
|
|
|
|||
(Mute Function) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
10 |
|||||
Tuning Your Bass Guitar |
|
|
|
|
|
|
(Auto tuner Function) • • • • • • • • • • • • • • • • • • • • • • • • • • • |
11 |
|||||
Adjusting Standard Pitch of Tuner |
|
|
|
|||
(Calibration) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
12 |
|||||
Adjusting Input Sensitivity/Tone |
• • • • • • • • • • • • • • • • |
13 |
||||
Using the Metronome Function |
• • • • • • • • • • • • • • • • |
14 |
||||
Changing the Patch Sound |
|
|
|
|
||
(Edit Mode Operation) • • • • • • • • • • • • • • • • • • • • • • • |
15 |
|||||
Switching Between Edit and Play Mode |
• • • • • • • |
15 |
||||
Panel Display in Edit Mode |
• • • • • • • • • • • • • • • • • • • • • |
16 |
||||
Switching Effect Modules On/Off |
• • • • • • • • • • • • • • |
17 |
||||
Changing Parameter Settings of Effects |
• • • • • • • |
18 |
||||
Storing Patches • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
19 |
|||||
Copying a Patch to Another Location • • • • • • • • • • |
20 |
|||||
Using the FUNCTION switch |
• • • • • • • • • • • • • • |
21 |
||||
Selecting the Action of the FUNCTION |
|
|
|
|||
Switch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
21 |
|||||
Manual Mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
23 |
|||||
Recording/Playing a Phrase (Hold Delay) |
• • • • • • |
24 |
||||
Delay Time Tap Input • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
26 |
|||||
Adjusting Effect Parameters in Real Time |
|
|
|
|||
(RTM) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
27 |
|||||
Controlling the Volume in Real Time
(Volume RTM) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
30 |
Returning the 3000B to the Factory Default |
|
Settings • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
32 |
Using the Remote Pedal • • • • • • • • • • • • • • • • • • • • |
33 |
|
Names of Parts / Connections |
• • • • • • • • • • • • • • • • • |
33 |
RP01 Names of Parts / Functions • • • • • • • • • • • • • |
33 |
|
Control functions (RTM mode) |
• • • • • • • • • • • • • • • • • |
34 |
Control functions (DELAY mode) • • • • • • • • • • • • • • • |
34 |
|
Using the RP01 for Controlling the RTM |
|
|
Parameter (RTM Mode) • • • • • • • • • • • • • • • • • • • • • • • • |
35 |
|
Using the RP01 for delay effect control |
|
|
(DELAY Mode) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
38 |
|
Effect Types and Parameters • • • • • • • • • • • • • • |
40 |
COMP (Compressor) Module • • • • • • • • • • • • • • • • • • • |
40 |
DIST/AMP (Distortion/Amp Simulator) • • • • • • • • |
41 |
WAH • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
43 |
EQ (Equalizer) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
45 |
SYNTH (Bass Synthesizer) • • • • • • • • • • • • • • • • • • • • • • |
46 |
EFFECT • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
48 |
DLY/REV (Delay/Reverb) • • • • • • • • • • • • • • • • • • • • • • • • • |
51 |
3000B SPECIFICATIONS • • • • • • • • • • • • • • • • • • • • |
53 |
Troubleshooting • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • |
54 |
PRESET PATCH LIST |
|
ADVANCED BASS EFFECTS PROCESSOR
Introduction
Thank you for selecting the ZOOM PLAYER 3000B (hereafter simply called the "3000B").
The 3000B is a bass multi-effect device with the following features:
• |
45 built in effects types covering a wide range. Up to 9 effects can be combined in |
|
|
|
a patch, letting you easily create your own sound. |
|
|
|
Introduction |
||
• Many special effects designed to enhance a bass guitar performance. DEFRET |
|||
|
|||
|
makes a normal bass sound like a fretless bass. SLAP achieves slapping sound |
|
|
|
from 2-finger playing. |
|
|
• |
Built-in bass synthesizer detects bass pitch and controls a sound source to generate |
|
|
|
unison phrases and harmonic voices. Unusual auto effects such as TRILL and |
|
|
|
SWEEP are also available. |
|
|
• |
Hold delay function is separate from individual effects and can store and repeat |
|
|
|
phrases of up to 6 seconds duration. The delay time can be conveniently set by |
|
|
|
tapping a foot switch. |
|
|
• User-definable FUNCTION switch operates as a bypass or mute switch and can |
|
||
|
also be used as real-time controller, for example to vary effect parameters or |
|
|
|
volume during a performance. |
|
|
• |
Connecting the optional remote pedal RP01 provides an even more powerful range |
|
|
|
of real-time controller functions. Use as pedal wah or pedal pitch shifter is also |
|
|
|
possible. |
|
|
• |
Input sensitivity and tone can be adjusted to match the instrument characteristics |
|
|
|
and the playing venue. |
|
|
• |
Built-in metronome function and auto-chromatic tuner enhance practice sessions. |
|
|
Please take the time to read this manual carefully, so as to get the most out of your 3000B and to ensure optimum performance and reliability.
ADVANCED BASS EFFECTS PROCESSOR |
1 ● |
Names of Parts
Top Panel View
Parameter LEDs
Parameter Select keys
FUNCTION switch
|
|
|
|
|
|
|
|
|
|
|
|
EDIT (CANCEL) key |
|
|
|||||
|
|
|
|
|
|
Module LEDs |
|
|
|
|
|
GROUP key |
|
BANK switch |
|||||
|
Module Select keys |
|
|
|
|
|
|
|
|
|
|
|
Display |
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
STORE key |
|
|
Names |
3.LIMITER |
3.TE-C 4.SW-C 3.OCT 4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
METRO ON/OFF |
3.HOLD DLY(LONG) |
BANK(VALUE) |
|
FUNCTION |
|||||||
|
|
|
|
|
POSITION |
|
|
|
|
|
|
FUNCTION MODE |
|
|
|||||
|
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
1.BANK DOWN |
|
|
|
BANK |
|
|||||
|
1.COMP2.COMP2 |
1.CLN1 2.CLN2 |
1.AUTO 2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
2.MANUAL |
|
|
|
|
|||||
of |
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH 6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
4.HOLD DLY(REAL) |
|
|
|
||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
5.DELAY(TAP) |
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|||||||||||
Parts |
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
7.MUTE |
U |
|
|
|
|
|
|||||
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
USER |
PRESET |
|
|
|
|||
|
|
|
|
P U(BOTH)O |
|
|
|||||||||||||
|
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
INPUT ATT |
EDIT(CANCEL) |
GROUP |
STORE |
|
|
||||||
|
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
|
|
|
|
|
|
||||
|
2:WAH-DIST |
|
|
|
|
|
|
|
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
VALUE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR
Foot switches 1– 4 |
VALUE knob |
Rear Panel View
REMOTE IN jack |
DC INPUT (AC adapter) jack |
OUTPUT (PHONES) jack |
|
DC9V |
OUTPUT |
INPUT |
SERIAL NO. |
|
|
|
REMOTE IN |
300mA |
(PHONES) |
|
GUITAR INPUT jack
● 2 |
ADVANCED BASS EFFECTS PROCESSOR |
Getting Connected
PEDAL SW |
STATUS |
|
|
|
|
MONITOR |
|
|
|
PEDAL-WAH |
ON/OFF(PEDAL SW) |
|
|
PEDAL-PITCH |
ON/OFF(PEDAL SW) |
|
|
VOLUME |
ASSIGN |
|
|
MODE DELECT |
|
|
|
RTM MODE |
|
MODE SELECT |
DELAY MODE |
(PEDAL SW TRIGGER) |
|
|
|
|
|
|
|
|
|
RP01
REMOTE IN
DC9V
SERIAL NO.
REMOTE IN |
300mA |
When using the optional remote pedal RP01, use the remote cable supplied with the RP01 to connect the REMOTE OUT jack of the RP01 to the REMOTE IN jack of the 3000B. Power for the remote pedal will be supplied by the 3000B.
Other remote cables (RC05, RC10) cannot be used.
INPUT
OUTPUT
(PHONES)
Bass
INPUT
DC INPUT
AC adapter
When using the 3000B with one bass guitar amplifier, make the connection with a mono cable. For driving two bass guitar amplifiers, a stereo Y cable is required. The use of two amplifiers will result in impressive wide sound for stereo effects.
OUTPUT |
PHONES OUT |
|
Headphones |
|
A pair of stereo headphones can |
|
be connected to the OUTPUT |
Bas amplifiers |
(PHONES) jack. If the volume |
|
level from the headphones is low, |
|
use phones with low impedance. |
Before Playing
After completing connection, the volume has to be adjusted according to the following procedure.
STEP1 |
Cut the power to the amplifier, turn the volume down to its minimum level, and |
connect the 3000B correctly to the musical instrument and amplifier |
STEP2 Power up the 3000B.
STEP3 Switch ON the power to the amplifier.
Adjust the volume of the musical instrument and the amplifier while playing the instrument.
ADVANCED BASS EFFECTS PROCESSOR |
3 ● |
Parts of Names
3000B the Introducing
Introducing the 3000B
Terms Used in This Manual
Some important concepts are explained in this section.
■ Effect module
An effect module is a single effect that influences the sound in a certain way, similar to a stand-alone compact effect device such as a compressor or a delay. The 3000B incorporates seven effect modules which can be used all together or in various combinations.
The following effect modules are incorporated in the 3000B:
•COMP (Compressor)
•DIST/AMP (Distortion/Amp Simulator)
•WAH (Wah)
•EQ (Equalizer)
•SYNTH (Bass Synthesizer)
•EFFECT (Effect)
•DLY/REV (Delay/Reverb)
The following diagram shows the signal flow in the effect modules of the 3000B.
|
|
|
|
|
|
|
|
*2 |
|
|
|
|
|
|
|
|
|
|
|
INPUT |
|
|
COMP |
|
DIST/AMP |
|
WAH |
|
EQ |
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
*1 |
WAH |
|
DIST/AMP |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
*1 The position of the DIST/AMP effect module and WAH effect module can be reversed.
*2 ZNR is a noise reduction system developed by Zoom.
ZNR
*4 |
|
|
|
MASTER EQ |
EFFECT |
DLY/REV |
OUTPUT |
*3
● 4
The detailed settings that determine the sound are called "parameters". The 3000B has three different
kinds of parameters:
• Effect parameter
Determines the effect intensity or signal flow in an effect module. Effect parameter settings are stored as part of each patch.
• Patch parameter
Determines the overall level of a patch, Zoom Noise Reduction (ZNR) settings, and other aspects affecting the entire patch. Patch parameters are stored as part of each patch.
• Global parameter
This kind of parameter affects all patches in the same way. For example, the FUNCTION Mode parameter that determines how the FUNCTION switch works is a global parameter. This setting is retained also when switching patches, until the unit is turned off. When wishing to preserve the global parameter setting, any patch of the USER group should be selected and stored before turning the unit off.
The effect types and effect parameters available for a given effect module are indicated on the panel of
the 3000B.
Effect modules
|
POSITION |
|
|
|
|
|
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
1.COMP2.COMP2 |
|
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
|
1-6.BASS SYNTH |
1.CHO 2.FLG |
1.DELAY |
3.LIMITER |
|
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
|
7.HARMO SYNTH |
3.PIT 4.P-PIT |
2.HALL 3.ROOM |
4.DUAL COMP |
|
5.OD |
6.FUZZ |
5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
|
5.DETUNE6.TRILL |
4.EARLY REF |
5.DEFRET 6.SLAP |
|
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
|
|
|
|
|
|
|
|
|
||
Sens/Sens 1 |
|
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
|
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
||
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
||
Atk/Sens 2 |
|
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
|
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
||
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
||
Peak/X-F |
|
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
|
Decay/Atk |
Rate/Tone |
FB/RevColor |
||
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
||
Tone/Bal |
|
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
|
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
||
|
|
1:DIST-WAH |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
Level |
|
Level |
Level |
|
Level |
FUNCTION Mode |
Patch Level |
|||
|
2:WAH-DIST |
|
||||||||
|
|
|
|
|
|
|
|
|
||
VOLUME RTM |
|
DIST/AMP RTM |
WAH RTM |
ZNR |
|
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
||
Effect types
Parameters 1– 6
Effect parameters |
Patch parameter |
Global parameter |
■ Mode
Operation of the 3000B can be divided into five different states, called "modes". These modes are listed below.
• Play mode • • • • • • • • In this mode, you select patches and use the effects for playing your instrument. In Play mode, you can also temporarily switch effects off, and you can use the auto tuner function.
•Manual mode • • • • • In this mode, you can switch effect modules on and off individually, using the top panel switches of the 3000B. This is also suitable for use during a performance.
• Edit mode • • • • • • • • |
In this mode, the effect parameters of the currently selected patch can be edited |
|
|
(changed) by the user. This allows you to create your own patches. |
|
• |
Store mode • • • • • • • |
This mode serves for storing patches in memory and for copying patches from |
|
one location in memory to another. |
|
• |
Special mode • • • • • |
This mode serves for initializing the 3000B. USER group settings and patches |
can be selectively returned to the factory default.
■ RTM
The 3000B incorporates a so-called RTM (real-time modulation) function which lets the user change effect parameters or volume in real time, using the FUNCTION switch or the optional remote pedal RP01. This makes it possible to adjust for example overdrive distortion or reverb mix during a performance, creating a wide expression range. The parameters to be affected by RTM and the range of the change can be set for each patch individually.
3000B the Introducing
ADVANCED BASS EFFECTS PROCESSOR |
5 ● |
Operation) Mode (Play Patches Some Out Try Let's
Let's Try Out Some Patches (Play Mode Operation)
The Play mode is for selecting a patch and playing. When you power up the 3000B, it automatically activates in Play mode, and the USER group's Bank 0, Patch Number 1 is selected.
Panel Display in Play Mode
In Play mode, the display LEDs on the panel show the following information:
|
|
|
|
|
|
|
(4) |
|
|
|
|
|
|
|
(1) |
(2) |
|
|
|
|
|
|
POSITION |
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
1.BANK DOWN |
|
|
|
BANK |
FU |
|||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO 2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
METRO ON/OFF |
2.MANUAL |
|
|
|
|
||||
3.LIMITER |
3.TE-C |
4.SW-C 3.OCT 4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT 4.P-PIT |
2.HALL 3.ROOM |
3.HOLD DLY(LONG) |
|
|
|||||||||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH 6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
4.HOLD DLY(REAL) |
|
|
|
||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
5.DELAY(TAP) |
|
|
|
|
|
||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
U |
USER P |
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
PRESET |
|
|
|
||||
|
|
U(BOTH)O |
|
|
||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
INPUT ATT |
EDIT(CANCEL) |
GROUP |
STORE |
|
|
||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
|
||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
|
|
|
|
|
|
||||
2:WAH-DIST |
|
|
|
|
|
|
|
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
|
|
|
VALUE
ADVANCED BASS EFFECTS PROCESSOR
(3)
(1)Group
The type of group currently selected is indicated in the left side of the display.
(2)Bank Number
The currently selected bank number is indicated in the right side of the display.
(3)Patch Number
The LED of the Foot Switch 1 - 4 corresponding to the currently selected patch number lights up.
(4)Effect Module ON/OFF
The panel module LEDs light for the effect modules that are on in the currently selected patch.
● 6 |
ADVANCED BASS EFFECTS PROCESSOR |
Selecting a Patch
In the Play mode, you can play by choosing one of the patches from among the 80 types (40 USER group patches plus 40 PRESET patches) in memory.
|
|
|
|
POSITION |
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
1.BANK DOWN |
|
|
|
|||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO 2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
METRO ON/OFF |
2.MANUAL |
|
|
|
|
||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT 4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT 4.P-PIT |
2.HALL 3.ROOM |
3.HOLD DLY(LONG) |
|
|
||||||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH 6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
4.HOLD DLY(REAL) |
|
|
|||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
5.DELAY(TAP) |
|
|
|
||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
METRO TEMPO |
6.BYPASS |
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
U |
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
USER |
PRESET |
|
|||
|
|
|
P U(BOTH)O |
|||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
INPUT ATT |
EDIT(CANCEL) |
GROUP |
STORE |
||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
|
|
|
|
||||
2:WAH-DIST |
|
|
|
|
|
|||||||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
|
VALUE
BANK |
1 |
FUNCTION |
|
|
2 |
ADVANCED BASS EFFECTS PROCESSOR
3
STEP1 Press the GROUP key to select the group.
STEP2 Press the GROUP key to select the group.
STEP3 Step on a Foot Switch (1 – 4) to select a patch.
The LEDs lights for the Foot Switch you stepped on, telling you that a patch has been selected. Also, the indicated bank number changes from flashing to constantly lit.
Here, try switching the patches while you are actually playing HINT your instrument, and find out what types of patches are stored in
the 3000B.
ADVANCED BASS EFFECTS PROCESSOR |
7 ● |
Operation) Mode (Play Patches Some Out Try Let's
Adjusting the Master Volume
In Play mode, regardless of the selectable patches, the final output volume by the 3000B can be controlled by the Master Volume.
|
|
|
|
POSITION |
|
|
|
|
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
|||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
|
|
|
1.BANK DOWN |
|
|
BANK |
FUNCTION |
||||||||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
METRO ON/OFF |
3.HOLD DLY(LONG) |
|
|
||||||||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
|
|
|
2.MANUAL |
|
|
|
|
|
|
|||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
|
|
|
4.HOLD DLY(REAL) |
|
|
|
|||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
|
|
|
5.DELAY(TAP) |
|
|
|
|
|||||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
|
|
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
|
|
|
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
U USER P |
PRESET |
|
|
|
||||||||
|
|
U(BOTH)O |
|
|
|||||||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
|
|
INPUT ATT |
EDIT(CANCEL) |
|
|
GROUP |
STORE |
|
|
|||||||
|
|
|
|
||||||||||||||||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
|
|
||||||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
2:WAH-DIST |
|
|||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
|
|
|
|
VALUE |
1, 2 |
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR |
|
|
|
|
|
|
||
Operation) Mode (Play Patches Some Out Try Let's
STEP1 Operate the VALUE knob.
While the value is displayed, use the VALUE knob to adjust the volume to the STEP2 desired level.
HINT
NOTE
● 8
VALUE
• The Master Volume setting works in common for all patches. It
cannot be stored for separate patches.
• If you want to change the volume for specific patches, adjust the patch level in Edit mode. For details, see page 52
• Master volume can also be adjusted in Manual mode ( → page
23).
The master level setting cannot be stored. It needs to be adjusted every time the unit is turned on.
ADVANCED BASS EFFECTS PROCESSOR
Temporarily Switching Effects Off (Bypass Function)
You can switch the 3000B Effect mode OFF temporarily (this is called "bypass"), and monitor the instrument's direct sound. This is a handy function for checking how the effects are working.
|
|
|
|
POSITION |
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
||
|
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
METRO ON/OFF |
1.BANK DOWN |
|
BANK |
FUNCTION |
||||
|
3.LIMITER |
3.TE-C |
4.SW-C 3.OCT |
4.PHASE 2.3-BAND |
7.HARMO SYNTH 3.PIT 4.P-PIT 2.HALL 3.ROOM |
3.HOLD DLY(LONG) |
|
|||||||||
|
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL 1.GRAPHIC |
1-6.BASS SYNTH 1.CHO 2.FLG |
1.DELAY |
|
2.MANUAL |
|
|
|
||||
|
4.DUAL COMP |
5.OD 6.FUZZ 5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL 4.EARLY REF |
|
4.HOLD DLY(REAL) |
|
|
||||||
|
5.DEFRET 6.SLAP |
7.FN-D 8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING 5.DLY+REV |
|
5.DELAY(TAP) |
|
|
|
|||||
|
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
METRO TEMPO 6.BYPASS |
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
U USER P |
|
|
|
|
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
PRESET |
|
|
|||
|
Atk |
|
U(BOTH)O |
|
|
|||||||||||
|
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
INPUT ATT |
EDIT(CANCEL) |
GROUP STORE |
|
|
||||
|
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|||
|
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
|
|
|
|
|||
|
2:WAH-DIST |
|
|
|
|
|
||||||||||
|
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
VALUE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR |
|
|
|
|
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1, 2 |
STEP1 |
Step on the Foot Switch for the currently selected patch number (the Foot Switch |
|||||||||||||||
whose LED is lit) and release your foot straight away. |
|
|||||||||||||||
STEP2 |
To release this status, lightly step on and release your foot from the Foot Switch |
again, or select another patch. |
The 3000B will return to the usual Play mode.
The FUNCTION switch can also be used to activate the Bypass
HINT function. For details, please refer to page 21.
When the FUNCTION switch mode is set to bypass or mute, step 1
NOTE is invalid. When not wishing to use the Foot Switches 1 - 4 for on/off switching of the bypass or mute condition, set the FUNCTION switch mode to BYPASS or MUTE.
ADVANCED BASS EFFECTS PROCESSOR |
9 ● |
Operation) Mode (Play Patches Some Out Try Let's
Operation) Mode (Play Patches Some Out Try Let's
Temporarily Turning the Sound Off (Mute Function)
The mute function temporarily turns the output OFF.
|
|
POSITION |
|
|
|
|
|
|
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO 2.FLG |
1.DELAY |
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT 4.P-PIT |
2.HALL 3.ROOM |
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
||
Atk/Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
||
2:WAH-DIST |
||||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
||
ADVANCED BASS EFFECTS PROCESSOR
|
FUNCTION MODE |
BANK(VALUE) |
|
|
||
|
1.BANK DOWN |
|
|
BANK |
FUNCTION |
|
|
3.HOLD DLY(LONG) |
|
|
|||
METRO ON/OFF |
2.MANUAL |
|
|
|
|
|
|
|
|
|
|
||
|
4.HOLD DLY(REAL) |
|
|
|
||
|
5.DELAY(TAP) |
|
|
|
|
|
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
7.MUTE |
U USER P |
|
|
|
|
METRO VOL |
9.RTM |
PRESET |
|
|
|
|
|
U(BOTH)O |
|
|
|||
INPUT ATT |
EDIT(CANCEL) |
GROUP |
STORE |
|
|
|
MASTER HIGH
MASTER MID
MASTER LOW
VALUE
1, 2
STEP
1 Step on the Foot Switch whose LED is currently lit, keep your foot pressed on the switch for a moment, and then release it.
STEP2 To release this status, step on the Foot Switch again, or select another patch.
The 3000B will return to the usual Play mode.
The FUNCTION switch can also be used to activate the Mute
HINT function. For details, please refer to page 21.
When the FUNCTION switch mode is set to bypass or mute, step 1
NOTE is invalid. When not wishing to use the Foot Switches 1 - 4 for on/off switching of the bypass or mute condition, set the
FUNCTION switch mode to BYPASS or MUTE.
● 10 |
ADVANCED BASS EFFECTS PROCESSOR |
Tuning Your Bass Guitar (Auto tuner Function)
The 3000B incorporates a chromatic auto tuner function. This function can be used in the Bypass or Mute condition.
|
|
|
|
POSITION |
|
|
|
|
|
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
|||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
|
|
|
|
1.BANK DOWN |
|
|
|
BANK |
FUNCTION |
|||||||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
|
METRO ON/OFF |
3.HOLD DLY(LONG) |
|
|
|
|||||||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
|
|
|
|
2.MANUAL |
|
|
|
|
|
|
|||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH 6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
|
|
|
|
4.HOLD DLY(REAL) |
|
|
|
|
|||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
|
|
|
|
5.DELAY(TAP) |
|
|
|
|
|
||||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
|
|
|
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
|
|
|
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
U USER P |
PRESET |
|
|
|
|
||||||||
|
|
U(BOTH)O |
|
|
|
|||||||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
|
|
|
INPUT ATT |
EDIT(CANCEL) |
|
GROUP |
STORE |
|
|
|
|||||||
|
|
|
|
|
||||||||||||||||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
|
|
|||||||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
|
|
|
MASTER MID |
|
|
|
|
|
|
|
|
||||||
2:WAH-DIST |
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||
|
MASTER LOW |
|
|
|
|
VALUE |
|
|
||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
ADVANCED BASS EFFECTS PROCESSOR
1, 2
STEP
1 Lightly step on the foot switch whose LED is currently lit in the display for Foot Switches 1 - 4, and release your foot straight away.
STEP2 Pick the string you want to tune
When the display shows the desired note, perform fine adjustment until the STEP3 center module LED (EQ module LED) lights up.
STEP4 Press the Foot Switch 1 - 4 again. The 3000B reverts to Play mode.
Operation) Mode (Play Patches Some Out Try Let's
ADVANCED BASS EFFECTS PROCESSOR |
11 ● |
Operation) Mode (Play Patches Some Out Try Let's
Adjusting Standard Pitch of Tuner (Calibration)
This function sets the reference pitch used by the tuner of the 3000B.
|
|
|
|
POSITION |
|
|
|
|
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
|||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
|
|
|
1.BANK DOWN |
|
|
BANK |
FUNCTION |
||||||||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
METRO ON/OFF |
3.HOLD DLY(LONG) |
|
|
||||||||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
|
|
|
2.MANUAL |
|
|
|
|
|
|
|||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
|
|
|
4.HOLD DLY(REAL) |
|
|
|
|||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
|
|
|
5.DELAY(TAP) |
|
|
|
|
|||||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
|
|
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
|
|
|
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
U USER P |
PRESET |
|
|
|
||||||||
|
|
U(BOTH)O |
|
|
|||||||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
|
|
INPUT ATT |
EDIT(CANCEL) |
|
|
GROUP |
STORE |
|
|
|||||||
|
|
|
|
||||||||||||||||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
|
|
||||||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
2:WAH-DIST |
|
|||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
|
MASTER LOW |
2, 3 |
|
|
|
|
|
|
|
VALUE |
|
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR |
|
|
|
|
|
|
||
1
STEP
1 Invoke the Bypass status by lightly stepping on and releasing your foot from the Foot Switch whose LED is currently lit in the display for Foot Switches 1 - 4.
STEP2 Operate the VALUE knob.
STEP3 While the value is displayed, use the VALUE knob to set the desired value.
Calibration is within the range of "35" (A = 435 Hz) and "45" (A = 445
Hz). |
VALUE |
NOTE |
Every time the unit is turned on, the calibration value is reset to |
A = 440 Hz. |
435Hz :
440Hz : 
445Hz : 
● 12 |
ADVANCED BASS EFFECTS PROCESSOR |
Adjusting Input Sensitivity/Tone
This section describes how to adjust input sensitivity (for matching the 3000B to the output level of the instrument) and tone (to suit the acoustic requirements of a performance venue).
|
|
|
|
POSITION |
|
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
METRO ON/OFF |
1.BANK DOWN |
|
|
|
|
FUNCTION |
||||||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
3.HOLD DLY(LONG) |
|
|
|
||||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
2.MANUAL |
|
|
|
|
BANK |
1 |
||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH 6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
4.HOLD DLY(REAL) |
|
|
|
|||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
5.DELAY(TAP) |
|
|
|
|
|
|||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
U |
USER P |
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
9.RTM |
PRESET |
|
|
|
|||||
|
|
U(BOTH)O |
|
|
|||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
INPUT ATT |
EDIT(CANCEL) |
GROUP |
STORE |
|
3 |
|||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
||||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
|
|
|
|
|
||||||
2:WAH-DIST |
|
|
|
|
|
|
|||||||||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
VALUE |
|
2, 4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR |
|
|
|
|
|
|
|
|
|
|
|
|
|||||
To adjust input sensitivity, press the Parameter Select key marked INPUT ATT in STEP1 Play mode or Manual mode.
STEP2 Adjust the VALUE knob while playing your instrument, to adjust the input sensitivity.
VALUE
To adjust tone, press one of the Parameter Select keys marked MASTER HIGH, STEP3 MASTER MID, or MASTER LOW.
STEP
4 Adjust the VALUE knob to change the attenuation or boost of the selected frequency range.
VALUE
Operation) Mode (Play Patches Some Out Try Let's
ADVANCED BASS EFFECTS PROCESSOR
Using the Metronome Function
The 3000B incorporates a metronome function that is handy for scale and fingering practice. The metronome can be used at any time in Play mode, Manual mode, and in the Bypass state.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
POSITION |
|
|
|
|
|
|
|
|
|
|
|
FUNCTION MODE |
BANK(VALUE) |
|
|
1, 6 |
|||||
COMP |
DIST/AMP |
WAH |
EQ |
SYNTH |
EFFECT |
DLY/REV |
|
|
|
|
|
1.BANK DOWN |
|
|
BANK |
FUNCTION |
|||||||||
3.LIMITER |
3.TE-C |
4.SW-C |
3.OCT |
4.PHASE |
2.3-BAND |
7.HARMO SYNTH |
3.PIT |
4.P-PIT |
2.HALL 3.ROOM |
METRO ON/OFF |
3.HOLD DLY(LONG) |
|
|
||||||||||||
1.COMP2.COMP2 |
1.CLN1 |
2.CLN2 |
1.AUTO |
2.PEDAL |
1.GRAPHIC |
1-6.BASS SYNTH |
1.CHO |
2.FLG |
1.DELAY |
|
|
|
|
|
2.MANUAL |
|
|
|
|
|
|
|
|||
4.DUAL COMP |
5.OD |
6.FUZZ |
5.ENH |
6.P-EQ |
3.PARAMETRIC |
|
5.DETUNE6.TRILL |
4.EARLY REF |
|
|
|
|
|
4.HOLD DLY(REAL) |
|
|
|
|
|||||||
5.DEFRET 6.SLAP |
7.FN-D |
8.AC-D |
7.GRAPHIC EQ |
|
|
7.SWEEP 8.RING |
5.DLY+REV |
|
|
|
|
|
5.DELAY(TAP) |
|
|
|
|
4 |
|||||||
Sens/Sens 1 |
Gain/Mid Enh |
Dpt/F1/500Hz |
8kHz/High/F1 |
Freq/Mode |
Color/Pit/Dly |
DlyTime/RevTime |
|
|
METRO TEMPO |
6.BYPASS |
|
|
|
|
|
|
|
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7.MUTE |
|
|
|
|
|
|
|
|
Atk |
/ |
Sens 2 |
Level |
Spd/G1/250Hz |
4kHz/MidF/G1 |
Reso/Scale |
Dpt/Sft/Mode |
FineTime/DlyMix |
METRO VOL |
|
9.RTM |
U USER P |
PRESET |
|
|
|
|
||||||||
|
|
|
U(BOTH)O |
|
|
|
|||||||||||||||||||
Peak/X-F |
D.Level |
Color/F2/100Hz |
2kHz/MidG/F2 |
Decay/Atk |
Rate/Tone |
FB/RevColor |
|
|
INPUT ATT |
EDIT(CANCEL) |
|
|
GROUP |
STORE |
|
|
|
||||||||
|
|
|
|
|
|||||||||||||||||||||
Tone/Bal |
Cabinet |
Mode/G2/500Hz |
1kHz/Low/G2 |
D.Level |
Mix/Bal/Reso |
DlyMix/RevMix |
MASTER HIGH |
|
|
|
|
|
|
|
|
|
|||||||||
Level |
1:DIST-WAH |
Level |
Level |
Level |
FUNCTION Mode |
Patch Level |
MASTER MID |
|
2:WAH-DIST |
|
|||||||
VOLUME RTM |
DIST/AMP RTM |
WAH RTM |
ZNR |
SYNTH RTM |
EFFECT RTM |
DLY/REV RTM |
|
|
|
|
|
|
|
|
|
MASTER LOW |
|
|
|
|
|
|
|
|
VALUE |
3, 5 |
|
|
|
|
|
|
|
|
|
ADVANCED BASS EFFECTS PROCESSOR |
|
|
|
|
|
|
||
Operation) Mode (Play Patches Some Out Try Let's
STEP1 |
To activate the metronome, press the Parameter Select key marked METRO |
ON/OFF in Play mode, Manual mode, or in the Bypass state. |
|
|
METRO ON/OFF |
STEP2 |
To change the metronome tempo, press the Parameter Select key marked |
METRO TEMPO. |
|
|
METRO TEMPO |
STEP3 Use the VALUE knob to adjust the tempo. |
|
|
VALUE |
STEP4 |
To change the metronome volume, press the Parameter Select key marked |
METRO VOL. |
|
|
METRO VOL |
STEP5 Use the VALUE knob to adjust the volume. |
|
STEP6 To turn the metronome off, press the METRO ON/OFF key once more. |
|
|
• The tempo and volume settings are maintained also when the unit is |
|
HINT switched off. |
|
• The metronome function can be used also in Manual mode (page 23). |
● 14 |
ADVANCED BASS EFFECTS PROCESSOR |
|
|
Loading...