Yamaha Audio PSR-5700 User Manual

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Page 1

OWNER’S MANUAL

Getting Started

BEDIENUNGSANLEITUNG

Kurzanleitung

MODE D’EMPLOI

Pour commencer

MANUAL DE INSTRUCCIONES

Para empezar

Page 2

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

92-469 1

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

AUX. OUT AUX. IN MIDI FOOT

SUSTAIN EXP.

SW.

PEDAL

OUT THRUINL/L+RL/L+RRR

Model _____________________________________ Serial No. __________________________________ Purchase Date ______________________________

177

Page 3

Congratulations!

You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-5700 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. The Interactive Accompaniment and Super Style Play features, in particular, are brilliant examples of how advanced technology can significantly expand your musical horizons. In order to make the most of your PortaTone’s features and vast performance potential, we urge you to read the manuals thoroughly while trying out the various features described. Keep the manuals in a safe place for later reference.

Contents

About the PSR-5700 Manuals ................................................ 3

Taking Care of Your PortaTone ............................................. 4

Nomenclature ............................................................................ 6

Connections & Music Stand................................................... 8

The Demonstration ................................................................ 10

Playing the PSR-5700 ............................................................ 11

Selecting & Playing Voices .................................................... 11

Keyboard Percussion ............................................................ 14

Transposition, Tuning, and Octave Change ..................... 15

TRANSPOSE/TUNE ............................................................. 15

OCTAVE CHANGE ............................................................... 16

Voice Registration .................................................................. 17

Using the Accompaniment Section .................................... 18

Interactive Accompaniment ................................................... 24

Using the Disk Style on the Supplied Data Disk ..................... 25

Super Style Play ..................................................................... 26

Using the Pads........................................................................ 28

The MULTI Mode .................................................................. 28

The PERC Mode ................................................................... 32

The TEMPO Mode ................................................................ 34

Expression & Effects ............................................................. 36

Panel Registration .................................................................. 38

Playing DOC (Disk Orchestra Collection) Disks............... 40

Troubleshooting ..................................................................... 42

Options ..................................................................................... 42

Index ......................................................................................... 43

Fingering Chart ..................................................................... 178

Page 4

About the PSR-5700 Manuals

The PSR-5700 comes with two manuals: “Getting Started” (this manual), and the “Advanced Features” manual.

■ The “Getting Started” Manual

This, as its name suggests, is the manual you should start with. The “Getting Started” manual will teach you everything you need to basically play and enjoy the PSR5700, concentrating on the keys and controls that you’ll use most frequently.

The Getting Started manual covers:

● Playing the demonstration.

● Selecting and playing voices.

● Tuning and transposition.

● Voice registration.

● Using the auto accompaniment functions.

● The multi, tempo, and percussion pads.

● Expression and effects.

● The panel registration feature.

● Playing Disk Orchestra Collection disks.

Go through the Getting Started manual first!

■ The “Advanced Features” Manual

The Advanced Features manual is the manual you’ll want to refer to after you gain initial familiarity with the PSR-5700 — i.e. after you’ve carefully gone through the Getting Started manual. As its name suggests, the Advanced Features manual concentrates on the many advanced features and utility functions provided by the PSR-5700.

The Advanced Features manual covers:

● The sequencer.

● The custom accompaniment programmer.

● Custom voice editing.

● The PSR-5700’s digital effects.

● Floppy disk operations.

● And a range of other functions including MIDI

operations and General MIDI Level 1 protocol compatibility.

Unlike the Getting started manual which is designed to be read through from beginning to end, the Advanced Features manual allows you to directly reference information on individual features and functions.

■ Icons

The following simple icons are used throughout this manual to draw attention to important points and information where necessary. The icons also make it easier to differentiate between information that you should read immediately and information that can be skipped until later, hopefully helping you to become familiar with the PSR-5700 in the quickest, most efficient manner possible.

This icon warns of possible hardware damage, software malfunction, or any other seri-

CAUTION

IMPORTANT

DETAIL

MUSICAL

NOTE

HINT

ous problem that may occur due to improper operation or set up.

This icon marks information that you read — i.e. important steps or procedures that are essential for proper, efficient, or easy operation.

The magnifying-glass icon indicates information that may not be essential for general operation, but is a more detailed explanation of a feature, a description of the principle involved, etc. You can skip this information if full details are not required immediately.

Suggestions as to how a feature or function can be applied musically are identified by this icon.

Hints or ideas that are not specifically musical but may make operation easier or more interesting are marked by the light-bulb icon.

must

Page 5

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:

■ Location

■ Power Supply

■ Turn Power OFF When Making

Connections

Do not expose the instrument to the following conditions to avoid defor-

mation, discoloration, or more serious damage.

● Direct sunlight (e.g. near a window).

● High temperatures (e.g. near a heat source, outside, or in a car during the

daytime).

● Excessive humidity.

● Excessive dust.

● Strong vibration.

● Turn the power switch OFF when the instrument is not in use.

● The power supply cord should be unplugged from the AC outlet if the

instrument is not to be used for an extended period of time.

● Unplug the instrument during electric storms.

● Avoid plugging the instrument into the same AC outlet as appliances

with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adapters since these can result in reduced sound quality, operation errors, and possibly damage.

● To avoid damage to the instrument and other devices to which it is con-

nected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables.

■ Handling and Transport

■ Cleaning

● Never apply excessive force to the controls, connectors or other parts of

the instrument.

● Always unplug cables by gripping the plug firmly, not by pulling on the

cable.

● Disconnect all cables before moving the instrument.

● Physical shocks caused by dropping, bumping, or placing heavy objects

on the instrument can result in scratches and more serious damage.

● Clean the cabinet and panel with a dry soft cloth.

● A slightly damp cloth may be used to remove stubborn grime and dirt.

● Never use cleaners such as alcohol or thinner.

● Avoid placing vinyl objects on top of the instrument (vinyl can stick to

and discolor the surface).

Page 6

■ Electrical Interference

● This instrument contains digital circuitry and may cause interference if

placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

■ Data Backup

■ Handle Floppy Disks and the

Disk Drive With Care

● Internal data (e.g. sequencer data) is retained in memory even if the

power switch is turned OFF. If the power is not turned ON for periods longer than about a week, however, memory data will be lost. Save all important data to disk before turning off for longer periods.

● Internal memory data can be corrupted due to incorrect operation. Be

sure to “save” important data to a floppy disk frequently so you have a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up copy of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e. away from speakers, appliances containing motors, etc.).

● Do not bend or apply pressure to the floppy disk. Do not open the shutter

and touch the surface of the floppy disk inside.

● Do not expose the disk to high temperatures. (e.g. direct sunlight)

● Use only 3.5” 2DD type floppy disks.

● Do not expose the disk to magnetic fields. Magnetic fields can partially

or totally erase data on the disk, rendering the disk unreadable.

● To eject a floppy disk, press the eject button

then, when the disk is fully ejected, remove it by hand. The disk may not be ejected properly if the eject button is pressed too quickly, or it is not pressed in as far as it will go (the eject button may become stuck in a half-pressed position and the disk extends from the drive slot by only a few millimeters). If this happens, do not attempt to pull out the partially ejected disk. Using force in this situation can damage the disk-drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure carefully.

● Do not insert anything but floppy disks into the disk drive. Other objects

may cause damage to the disk drive or the floppy disk.

● Be sure to remove the floppy disk from the drive when moving the PSR-

5700. Moving the instrument while a floppy disk is loaded can damage both the drive and the disk.

● Apply floppy disk labels carefully! Improperly applied disk labels (wrin-

kled, protruding corners, etc.) can cause the disk to become stuck in the disk drive.

slowly as far as it will go

■ Service and Modification

YAMAHA is not responsible for damage caused by improper handling or operation.

● The PSR-5700 contains no user serviceable parts. Opening it or tamper-

ing with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.

Page 7

S M S B S C W

S A

E S

Nomenclature

PITCH BEND/

MODULATION/

GLISSANDO

EFFECT

MAX

STYLE

LIST

MAX

MIN

0 CUSTOM12345

BANK

0 DISK12345

NUMBER

01 DANCE POP 02 PARTY POP 03 ROCK’N’ROLL 04 60’S ROCK 05 8 BEAT-LIGHT

10 8 BEAT BALLAD 11 ROCK SHUFFLE 12 16 BEAT-LIGHT 13 16 BEAT BALLAD 14 PIANO BALLAD 15 6/8 SLOW ROCK

ENDING/

FILL INnFILL IN

INTRO.3INTRO.2INTRO.1

STYLE SELECT

rit.

21 SOUL ROCK 22 SOUL BALLAD 23 FUNK SHUFFLE 24 SWING 25 BIG BAND

30 JAZZ BALLAD 31 SHUFFLE 32 BOOGIE 33 WALTZ 34 SLOW WALTZ 35 JAZZ WALTZ

VOLUME

CHORD2BASSRHYTHMMASTER

VERSE

20 SYNTH BOOGIE

00 EURO BEAT

VOICE

LIST

REVERB

EFFECT

INTERACTIVE

ACCOMPANIMENT

SYNCHRO

START

00 PIANO 1 01 PIANO 2 02 E.PIANO 1 03 E.PIANO 2 04 E.PIANO 3 05 E.PIANO 4 06 HARPSICHORD 07 CLAVI 08 PIPE ORGAN 1 09 PIPE ORGAN 2

AUTO

BASS CHORD

START/

RE-START

40 BOSSA NOVA 41 SAMBA 42 LATIN POP 43 RHUMBA 44 TANGO 45 CHA-CHA

50 REGGAE 51 COUNTRY 52 POLKA 53 MARCH 54 6/8 MARCH 55 NEW AGE

ORCH.

CHORD

VERSE

10 JAZZ ORGAN 1 11 JAZZ ORGAN 2 12 E. ORGAN 1 13 E. ORGAN 2 14 ROCK ORGAN 15 THEATER ORGAN 16 CHOIR 1 17 CHOIR 2 18 SYNTH CHOIR 19 VOYAGER

BEAT

STOPCHORUS2SOLOCHORUS

TEMPO

SUPER STYLE PLAY

VERSE

CHORUS

ABAB

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

20 WHISTLE 21 STRINGS 1 22 STRINGS 2 23 STRINGS 3 24 PIZZ. STRINGS 25 TREMOLO STRINGS 26 SYNTH STRINGS 27 SOLO STRINGS 28 TUTTI 29 ORCHESTRA HIT

SEQUENCER

CUSTOM ACCOMPANIMENT PROGRAMMER

30 FLUTE 31 PAN FLUTE 32 BREATH FLUTE 33 CLARINET 34 OBOE 35 ENGLISH HORN 36 BASSOON 37 SAXOPHONE 38 ACCORDION 1 39 ACCORDION 2

SONG SELECT

40 HARMONICA 41 TRUMPET 1 42 TRUMPET 2 43 MUTE TRUMPET 44 TROMBONE 1 45 TROMBONE 2 46 FRENCH HORN 47 TUBA 48 BRASS 1 49 BRASS 2

123456

ORCHESTRATION

ORCH.1ORCH.

MULTI PLAYING

+– +–

2+1

ORCH.

LEFT

HARMONY SUSTAIN

2v1

HOLD

Tempo lTap StartTempo Change a tempofasteraccel. slower rit.

(

PAD

)

VOICE PART

ORCH.2ORCH.1CUSTOM

+–

REC/STOP PHRASE CHORD

50 BRASS FALL 51 SYNTH BRASS 52 VIBES 53 GLOCKEN 54 MARIMBA 55 XYLOPHONE 56 BELLS 57 CHIME 58 TIMPANI 59 STEEL DRUM

PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC

CHORD 1 CHORD 2 CHORD 3 CHORD 4 CHORD 5 CHORD 6 BASS RHYTHM

60 CLASSIC GUITAR 61 FOLK GUITAR 62 12 STRINGS GUITAR 63 JAZZ GUITAR 1 64 JAZZ GUITAR 2 65 ROCK GUITAR 1 66 ROCK GUITAR 2 67 ROCK GUITAR 3 68 DISTORTION GUITAR 69 MUTE GUITAR

1 2 3 4 5 6 7 ACCOMP.

A. B. C. MODE

TRANSPOSE/

TUNE

HARMONY

TYPE

VOICE

REGISTRATION

MEMORY

VOICE

87654321

70 HAWAIIAN GUITAR 71 BANJO 72 KOTO 73 HARP 74 ACOUSTIC BASS 75 E. BASS 1 76 E. BASS 2 77 FRETLESS BASS 78 SLAP BASS 79 SYNTH BASS 1

FUNCTION

F1: CUSTOM VOICE EDIT F2: REVERB / EFFECT F3: CONTROLLER / KEY V

EXIT

A B

A/B 1 2 3

RECALL

F4: SPLIT POINT / I.A. / S. F5: DISK F6: UTILITY / MIDI

OCTAVE CHANGE

01234

MEMORY

VOICE SEL

80 81 82 83 84 85 86 87 88 89

PAN

MIN

DOWN

HEADPHONES

1 POWER Button ........................................ [page 10]

2 DEMO Button .............................................[page 10]

3 VOICE SELECT Buttons..................... [page 13, 17]

BANK NUMBER VOICE REGISTRATION MEMORY

4 BEAT Display ........................................... [page 21]

5 LED Display.............................................. [page 20]

6 TEMPO [-] and [+] Buttons....................... [page 20]

7 Liquid Crystal Display (LCD)........ [page 10, 13, 20]

8 Left and Right [-] and [+] Buttons [page 10, 13, 20] 9 Display Scroll/Function Buttons

ABC MODE (s)................................... [page 18]

HARMONY TYPE (t) ......................... [page 36]

TRANSPOSE/TUNE (<) .................... [page 15]

OCTAVE CHANGE (>) ...................... [page 16]

0 FUNCTION Button . [Advanced Features, page 26]

! EXIT Button ............. [Advanced Features, page 26]

@ TO DISK Button...... [Advanced Features, page 42]

# DISK IN USE Lamp ....................................[page 40]

$ FROM DISK Button [Advanced Features, page 44]

% DISK ORCHESTRA/GENERAL MIDI Button

............ [page 40, Advanced Features, page 50]

^ ORCHESTRATION Buttons and Indicators

............................................................. [page 12]

ORCH. 1 ORCH. 2+1 ORCH. 2v1

& LEFT HOLD Button .................................. [page 36]

* HARMONY Button.................................... [page 36]

( SUSTAIN Button ...................................... [page 36]

) VOICE PART Buttons and Indicators ...... [page 13]

ORCH. 2 ORCH. 1

q CUSTOM VOICE Button and Indicator

........................... [Advanced Features, page 27]

w VOLUME Controls ........................ [page 10, 11, 13]

MASTER RHYTHM BASS CHORD 2 CHORD 1 ORCH. 2 ORCH. 1

Page 8

90 SPACE PIANO

YNTH BASS 2

INI LEAD

91 STRINGS & HARPSCD 92 BELL STRINGS

QUARE LEAD IG LEAD

93 CLARINET & SAX 94 BIG BRASS

YNTH PAD RYSTAL

95 SYNTH REED

ARM PAD

96 ATMOS PAD 97 EVOLUTION

WEEP PAD

98 DRUM KIT

TMOS

99 POP DRUM KIT

TO DISK

FROM DISK

DEMO

POWER

DISK ORCHESTRA/

GENERAL MIDI DISK IN USE

978

RECORD DELETE EDIT

prf

LOCITY

.P.MODE

ECT

L REGISTRATION

45678

e REVERB Button ....................................... [page 37]

r EFFECT Button ........................................ [page 37]

t STYLE SELECT Buttons.......................... [page 20]

y INTERACTIVE ACCOMPANIMENT Button and

u AUTO BASS CHORD Button and Indicator

i SUPER STYLE PLAY Buttons and Indicators

OFF

BANK

NUMBER

CANCEL

BANK NUMBER CUSTOM DISK

Indicator .................................................... [page 24]

............................................................. [page 18]

............................................................. [page 26]

VERSE A VERSE B CHORUS A CHORUS B

o Fill-in, Intro, and Ending Buttons ....... [page 21, 23]

FILL INj/INTRO 1 FILL INn/INTRO 2 ENDING/rit./INTRO 3

p Verse, Chorus, and Solo Buttons ............ [page 22]

VERSE 1 VERSE 2 CHORUS 1 CHORUS 2 SOLO

Q Accompaniment Control Buttons ............. [page 21]

SYNCHRO START START/RE-START STOP

W PAD MODE SELECT Buttons and Indicators

....................................................... [page 28~35]

E PAD Buttons ....................................... [page 28~35]

R PANEL REGISTRATION Buttons ............ [page 38]

SEQUENCER Button .. [Advanced Features, page 3]

T Y CUSTOM ACCOMPANIMENT PROGRAMMER

Button ..................... [Advanced Features, page 15]

U SONG SELECT Button

............................. [Advanced Features, page 3]

I Sequencer Track/Custom Accompaniment

Programmer Track Buttons

............. [Advanced Features, page 4~6, 16~17]

1 through 6/CHORD 1 through 6 7/BASS ACCOMP./RHYTHM

O Sequencer/Custom Accompaniment Programmer

Control Buttons

............. [Advanced Features, page 4~6, 16~17]

RECORD DELETE EDIT

p (Top) r (Rewind) f (Forward)

P PITCH BEND/GLISSANDO Wheel .......... [page 37]

a MODULATION/EFFECT Wheel ............... [page 37]

s Disk Drive ........................................... [page 25, 40]

d Disk Eject Button ...................................... [page 40]

Page 9

Connections & Music Stand

1 The HEADPHONES Jack

2 The AUX. OUT L/L+R and R Jacks

AUX. OUT

L/L+RR

AUX. OUT AUX. IN

A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the HEADPHONES jack.

The rear-panel AUX. OUT L/L+R and R jacks deliver the output of the PSR-5700 for connection to a keyboard amplifier, stereo sound system, a mixing console, or tape recorder. If you will be connecting the PSR-5700 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the PSR-5700 sound.

L/L+RL/L+RRR

Stereo System

3 AUX. IN L/L+R and R Jacks

AUX. IN

L/L+RR

Tone Generator

4 FOOT SW. Jack

FOOT

SW.

To prevent damage to the internal circuitry, the AUX. OUT jack signal must never be returned to the AUX. IN jacks, either directly or through external equip-

CAUTION

ment.

These jacks are intended primarily for use with external audio sources such as tone generators, drum machines, CD players, and similar equipment. The signal received via the AUX. IN L and R jacks is reproduced via the PSR-5700’s internal stereo amplifier and speaker system. If you will be connecting a monaural source to the PSR-5700, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the monaural input signal is fed to both the left and right channels of the PSR-5700 stereo sound system. Please note that the PSR-5700 MASTER VOLUME control does not affect the level of the signal delivered to external equipment.

The supplied FC5 footswitch or a second (optional) footswitch connected to this jack can be used to control a range of important functions. Refer to the “FOOT SWITCH SELECT” function described on page 37 of the Advanced Features manual.

Page 10

MIDI FOOT

OUT THRUIN

SW.

SUSTAIN EXP.

PEDAL

5 SUSTAIN Jack

6 EXP. PEDAL Jack

7 MIDI IN, THRU and OUT

Connectors

MIDI

OUT THRUIN

Tone Generator

Music

Computer

SUSTAIN

EXP.

PEDAL

The PSR-5700 comes with an FC5 footswitch that should be connected here for foot sustain control. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.

An optional Yamaha EP-1 Expression Pedal can be connected to this jack to allow foot expression (swell) or effect control. Please note that when the pedal is used for expression control, no sound will be produced if the expression pedal is set to the minimum position.

The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the PSR-

5700. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the PSR-5700 (e.g. note and velocity data produced by playing the keyboard).

More details on MIDI are provided on page 50 of the Advanced Features manual.

The Music Stand

The PSR-5700 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

Page 11

The Demonstration

To give you an idea of the PSR-5700’s sophisticated capabilities, it is programmed

with four demonstration sequences which play automatically.

The demonstration sequences have been specially programmed for demonstration purposes — it is not possible to reproduce the demonstration sequences

DETAIL

100% using the PSR-5700 sequencer functions.

ZSwitch ON

POWER

OFF

*** YAMAHA PORTATONE *** *** PSR-5700 ***

XSet Initial Volume Levels

VOLUME

CHORD

BASSRHYTHMMASTER

MAX

MIN

CPress the [DEMO] Button

DEMO

ORCH.

Plug the AC power cord into a convenient AC outlet, then press the

[POWER] button to turn the PSR-5700 ON.

>00:Piano 1

00:Eurobeat 21:Strings1

Set the [MASTER] VOLUME control to a position about half way to-

ward the “MAX” setting. You can re-adjust the [MASTER] VOLUME con-

ORCH.

trol for the most comfortable overall volume level after playback begins.

The demonstration will begin playing as soon as you press the [DEMO]

button.

The demonstration will play continuously until the [DEMO] button is pressed a second time, or until the accompaniment control [STOP] button is pressed.

PSR-5700 DEMONSTRATION

Song=1 ClubRock

+–

PSR-5700 DEMONSTRATION

Playing 1:ClubRock

You can select playback of just one of the four demonstration sequences by using the [+] and [-] buttons below “Song=ALL” on the LCD panel while holding the [DEMO] button. Select “Song=1”, “Song=2”, “Song=3”, or Song=4" and then

HINT

release the [DEMO] button. The selected demonstration will play through to the end and then stop automatically.

DEMO

Page 12

Playing the PSR-5700

■ Before You Begin

FUNCTION

EXIT

“RECALL INITIAL DATA 1

Data=AllData Busy!

Before playing your PSR-5700 for the first time, it might be a good idea to reinitialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, press the [FUNCTION] button a few times until “F6” appears on the LED display (this is the UTILITY mode). Now press the [t] button (HARMONY TYPE) to the right of the LCD panel a few times until the following display appears:

A. B. C. MODE

TRANSPOSE/

TUNE

FUNCTION

HARMONY

TYPE

OCTAVE CHANGE

Press both the right [-] and [+] buttons under “-Execute-” on

the display simultaneously. “Busy!” will appear while the ini-

“RECALL INITIAL DATA 1

Data=AllData -Execute-

+– +–

tialization is taking place, and “Completed” will appear when the

+–

EXIT

initialization is complete. Finally, press the [EXIT] button to return to the normal play mode.

Turn Power On and Set Initial

Volume

VOLUME

CHORD

BASSRHYTHMMASTER

MAX

MIN

CHORD

Selecting & Playing Voices

Press the [POWER] button to turn the power ON, and set all seven VOLUME controls about three-quarters of the way toward their MAX settings. You can set the [MASTER] VOLUME control for the most comfortable overall volume level after beginning to play.

ORCH.

No sound will be produced if all volume controls other than the MASTER control are set to their minimum positions.

DETAIL

Page 13

T D

Playing the PSR-5700

XSelect the Orchestration

ORCHESTRATION

ORCH.1ORCH.

Split Point (F#2)

Left-Hand Section

• The lowest key on the keyboard is C1.

ORCH.

LEF

2+1

▼

HOL

2v1

Right-Hand Section

The PSR-5700 has three orchestration modes, selected by the corresponding ORCHESTRATION buttons. The corresponding ORCHESTRATION indicator will light.

ORCH. 1: In this mode a single voice — the ORCH. 1 voice — can

be played across the entire keyboard.

ORCH. 2+1: This is a “dual” mode in which two voices — ORCH. 1 and

ORCH. 2 — can be played simultaneously across the entire keyboard.

ORCH. 2v1: This is a “split” mode in which the ORCH. 2 voice is

played on the left-hand section of the keyboard (to the left of the “split point” — see “DETAIL” below), while the ORCH. 1 voice is played on the right-hand section of the keyboard. Since two voices are played simultaneously in this mode, the total number of notes that can be played on the keyboard at the same time is reduced.

The split point for the PSR-5700 is initially set at F#2 when the unit is shipped. This means that when the “ORCH. 2v1” mode is selected, the ORCH. 2 voice

DETAIL

will be played by all keys to the left of and including F#2, while the ORCH. 1 voice will be played on all keys to the right of F#2. You can change the split point to any key desired by using the SPLIT POINT function described on page 40 of the Advanced Features manual.

When the “ORCH.2+1” mode is selected and the same voice is selected for both ORCH. 1 and ORCH. 2, the sound may be slightly different from the nor-

DETAIL

mal voice.

CSelect a Voice or Voices

Voice List

BANK 0

00 PIANO 1 01 PIANO 2 02 E.PIANO 1 03 E.PIANO 2 04 E.PIANO 3 05 E.PIANO 4 06 HARPSICHORD 07 CLAVI 08 PIPE ORGAN 1 09 PIPE ORGAN 2

BANK 5

50 BRASS FALL 51 SYNTH BRASS 52 VIBES 53 GLOCKEN 54 MARIMBA 55 XYLOPHONE 56 BELLS 57 CHIME 58 TIMPANI 59 STEEL DRUM

10 JAZZ ORGAN 1 11 JAZZ ORGAN 2 12 E.ORGAN 1 13 E.ORGAN 2 14 ROCK ORGAN 15 THEATER ORGAN 16 CHOIR 1 17 CHOIR 2 18 SYNTH CHOIR 19 VOYAGER

60 CLASSIC GUITAR 61 FOLK GUITAR 62 12 STRING GUITAR 63 JAZZ GUITAR 1 64 JAZZ GUITAR 2 65 ROCK GUITAR 1 66 ROCK GUITAR 2 67 ROCK GUITAR 3 68 DISTORTION GUITAR 69 MUTE GUITAR

BANK 1

BANK 6

The PSR-5700 has 100 voices. A list of the voice names is printed on the control panel for easy reference.

BANK 2

20 WHISTLE 21 STRINGS 1 22 STRINGS 2 23 STRINGS 3 24 PIZZ. STRINGS 25 TREMOLO STRINGS 26 SYNTH STRINGS 27 SOLO STRINGS 28 TUTTI 29 ORCHESTRA HIT

BANK 7

70 HAWAIIAN GUITAR 71 BANJO 72 KOTO 73 HARP 74 ACOUSTIC BASS 75 E.BASS 1 76 E.BASS 2 77 FRETLESS BASS 78 SLAP BASS 79 SYNTH BASS 1

30 FLUTE 31 PAN FLUTE 32 BREATH FLUTE 33 CLARINET 34 OBOE 35 ENGLISH HORN 36 BASSOON 37 SAXOPHONE 38 ACCORDION 1 39 ACCORDION 2

80 SYNTH BASS 2 81 MINI LEAD 82 SQUARE LEAD 83 BIG LEAD 84 SYNTH PAD 85 CRYSTAL 86 WARM PAD 87 POLY SYNTH 88 SWEEP PAD 89 ATMOS

BANK 3

BANK 8

BANK 4

40 HARMONICA 41 TRUMPET 1 42 TRUMPET 2 43 MUTE TRUMPET 44 TROMBONE 1 45 TROMBONE 2 46 FRENCH HORN 47 TUBA 48 BRASS 1 49 BRASS 2

BANK 9

90 SPACE PIANO 91 STRINGS & HARPSCD 92 BELL STRINGS 93 CLARINET & SAX 94 BIG BRASS 95 SYNTH LEAD 96 ATMOS PAD 97 EVOLUTION 98 DRUM KIT 99 POP DRUM KIT

Page 14

Playing the PSR-5700

VOICE PART

STAIN

ORCH.2ORCH.1CUSTO

VOICE

>00:Piano 1

00:Eurobeat 21:Strings1

VOICE

REGISTRATION

MEMORY

0 612345

>73:Harp

00:Eurobeat 21:Strings1

+–

VOICE SELECT

Press the [ORCH. 1] or [ORCH. 2] VOICE PART button, depending on

which voice you want to select. The corresponding VOICE PART indicator will light and the “>” cursor on the LCD panel will move to the corresponding voice position.

Use the VOICE SELECT buttons to enter the number of the desired voice. Press a button in the upper row (BANK) to select the “BANK” or “tens” digit, and then a button in the lower row (NUMBER) to select the “ones” digit. For example, to select voice number 73 (HARP), press the BANK [7] button and then the NUMBER [3] button.

If a BANK button is pressed but then no NUMBER button is pressed for more than about 3 seconds, the BANK entry will automatically be cancelled.

DETAIL

978

BANK

978

NUMBER

The number of the ORCH. 1 or ORCH. 2 voice can also be decreased (decremented) or increased (incremented) by using the [-] and [+] buttons immediately below the voice names on the LCD panel. Press either button briefly to decrement or increment the voice number by one, or hold the button for continuous decrementing or incrementing.

VPlay & Adjust Volume

VOLUME

CHORD

BASSRHYTHMMASTER

MAX

MIN

ORCH.

You can now play the selected voice or voices with the selected orchestration. Use the [MASTER] volume control to adjust the overall volume level, and the [ORCH. 1] and [ORCH. 2] VOLUME controls to set the desired balance between the ORCH. 1 and ORCH. 2 voices when either the dual or split orchestration mode is used.

The tone of some voices may change slightly at one or more points on the keyboard. Some voices may also shift octaves on some of the lowest and high-

DETAIL

est keys of the keyboard. This is due to the way in which the voice waveforms were initially sampled and is not a malfunction.

Voice numbers 90 through 97 are actually combinations of two voices, so the total number of simultaneous notes that can be played when these voices are

DETAIL

selected is less than when any of the other voices are selected.

Page 15

Playing the PSR-5700

>98:Drum Kit

00:Eurobeat 99:Pop.Drum

Keyboard Percussion

When voice number 98 (DRUM KIT) or 99 (POP DRUM KIT) is selected, you can play 59 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instruments in the DRUM KIT and POP DRUM KIT voices sound different even though they have the same name, while others are essentially the same.

The Transpose, Tune, Sustain, Harmony, Left Hold, Modulation, and Octave Change functions do not affect the keyboard percussion sound.

DETAIL

The pitch bend wheel can be used to bend the pitch of the keyboard percussion voices to create unique musical effects, but it has little effect on some percus-

MUSICAL

NOTE

sion sounds.

98: DRUM KIT 99: POP DRUM KIT

Key Instrument Instrument

C1 Applause Hand Claps

Db1 Triangle Close Triangle Close

D1 Whistle Low Whistle Low

Eb1 Triangle Open Triangle Open

E1 Whistle Hi Whistle Hi

F1 Kick 1 Kick 5

F#1 Kick 2 Kick 6

G1 Kick 3 Kick 7

Ab1 Kick 4 Kick 8

A1 Tom 1 Bass Tom Bass

Bb1 Rim Shot 1 Rim Shot 2

B1 Tom 1 Low Tom Low

C2 Tom 1 Mid Tom Mid

Db2 Snare 1 Snare 7

D2 Tom 1 Hi Tom Hi

Eb2 Snare 2 Snare 8

E2 Snare 3 Snare 9

F2 Snare 4 Snare 3

F#2 Snare 5 Snare 10

G2 Snare 6 Snare 11

Ab2 Brush Hit 1 Brush Hit 2

A2 Snare Roll Snare Roll

Bb2 Snare Brush Squeeze Snare Brush Squeeze

B2 Pedal Hi-Hat 1 Pedal Hi-Hat 2

C3 Closed Hi-Hat 1 Closed Hi-Hat 2

Db3 Timbales Low Timbales Low

D3 Open Hi-Hat 1 Open Hi-Hat 2

Eb3 Timbales Hi Timbales Hi

E3 Closed Hi-Hat 2 Closed Hi-Hat 3

F3 Open Hi-Hat 2 Open Hi-Hat 3

98: DRUM KIT 99: POP DRUM KIT

Key Instrument Instrument

F#3 Conga 1 Low Conga 2 Low

G3 Ride Cymbal 1 Ride Cymbal 2

Ab3 Conga 1 Hi Conga 2 Hi

A3 Ride Cup 1 Ride Cup 2

Bb3 Conga 1 Mute Conga 2 Mute

B3 Crash Cymbal 1 Crash Cymbal 1

C4 Crash Cymbal 2 Crash Cymbal 2

Db4 Bongo Low Bongo Low

D4 Splash Cymbal Chinese Cymbal

Eb4 Bongo Hi Bongo Hi

E4 March Cymbal Reverse Cymbal

F4 Surdo E.Tom Bass

F#4 Cabasa Maracas

G4 Tom Brush Low E.Tom Low

Ab4 Vibraslap Vibraslap

A4 Tom Brush Mid E.Tom Mid

Bb4 Claves Wood Block

B4 Tom Brush Hi E.Tom Hi

C5 Guiro Long Guiro Long

Db5 Cuica Low Scratch Noise Low

D5 Guiro Short Guiro Short

Eb5 Cuica Hi Scratch Noise Hi

E5 Tambourine Running Water

F5 Cowbell Low Cowbell Hi

F#5 Agogo Low Agogo Low

G5 Castanet Dropping Coin

Ab5 Agogo Hi Agogo Hi

A5 Finger Snaps Finger Snaps

Bb5 Cross Sticks Cross Sticks

—— —

Page 16

Transposition, Tuning, and Octave Change

The most important and fundamental adjustment for any musical instrument is tuning. The TRANSPOSITION, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-5700 in a number of ways.

TRANSPOSE/TUNE

This function allows the overall pitch of the PSR-5700 to be transposed up or down in

semitone increments, and fine-tuned in 0.5 Hertz increments.

Press the [TRANSPOSE/

TUNE] Button

TRANSPOSE / PITCH TUNE

Trans.= 0 Pitch=440.0Hz

+– +–

Set the Transposition and/or

Tuning As Required

TRANSPOSE / PITCH TUNE

Trans.= 0 Pitch=440.0Hz

+– +–

Select the TRANSPOSE/TUNE function from the normal play mode by

pressing the [TRANSPOSE/TUNE] button (this is the same as the [<] display scroll button to the right of the LCD panel).

A. B. C. MODE

TRANSPOSE/

TUNE

HARMONY

TYPE

OCTAVE

CHANGE

Use the left [-] and [+] buttons to set the desired degree of transposition,

and the right [-] and [+] buttons to set the desired degree of tuning.

The transpose range is from -6 to +6, allowing a maximum upward or downward transposition of 1/2-octave. A setting of 0 produces the normal pitch. The “0” setting can be instantly recalled by pressing both the left [-] and [+] buttons simultaneously.

The tuning range is from 427.5 Hertz to 452.5 Hertz, adjustable in 0.5Hertz increments. 440.0 Hertz is “normal” pitch, and this setting can be directly recalled by pressing both the right [-] and [+] buttons simultaneously.

CPress [EXIT] When Done

FUNCTION

EXIT

Press the [EXIT] button to exit from the TRANSPOSE/TUNE function.

The TRANSPOSE/TUNE mode is automatically exited if neither of the [-] or [+] buttons are pressed for approximately 10 seconds.

DETAIL

Page 17

Transposition, Tuning, and Octave Change

OCTAVE CHANGE

This function allows the ORCH. 1 and ORCH. 2 voices to be independently trans-

posed up or down by one octave.

Press the [OCTAVE CHANGE]

Button

OCTAVE CHANGE

Orc2=Normal Orc1=Normal

+– +–

Set the Octave Change As

Required

OCTAVE CHANGE

Orc2=Normal Orc1=Normal

+– +–

CPress [EXIT] When Done

Select the OCTAVE CHANGE function from the normal play mode by

pressing the [OCTAVE CHANGE] button (this is the same as the [>] display scroll button to the right of the LCD panel).

A. B. C. MODE

TRANSPOSE/

TUNE

HARMONY

TYPE

OCTAVE CHANGE

Use the left [-] and [+] buttons to set the octave of the ORCH. 2 voice, and the right [-] and [+] buttons to set the octave of the ORCH. 1 voice. “Normal” on the display indicates that the corresponding voice is set to its normal octave, “1down” indicates that the voice is shifted down one octave, and “1up” indicates that the voice is shifted up one octave.

Press the [EXIT] button to exit from the OCTAVE CHANGE function.

FUNCTION

EXIT

The OCTAVE CHANGE mode is automatically exited if neither of the [-] or [+] buttons are pressed for approximately 10 seconds.

DETAIL

Some voices may suddenly shift octaves when played at the extreme ends of the keyboard if they are set to a lower or higher octave than normal. This can

IMPORTANT

also occur when the PITCH BEND wheel is used on extremely low or high notes.

If you change the transpose, octave change, or tuning settings while playing one or more notes on the keyboard, the new transpose and octave change

DETAIL

settings will take effect from the next notes played while tune settings take effect immediately.

Page 18

Voice Registration

VOICE SELECT

0 612345

NUMBER

0 612345

BANK

978

MEMORY

VOICE

REGISTRATION

Store Edited V.Regist

-> 4

If you have particular combinations of voices you like to use in the dual or split orchestration modes, the PSR-5700 lets you store up to 10 different combinations in its Voice Registration memory so that they can be recalled by pressing a single button. Voice registration also memorizes the volume settings of the voices; the orchestration; the ON/OFF status of the key velocity, sustain, and harmony effects; and the reverb and effect settings.

Here’s how you can store and recall voice combinations:

ZSelect the Desired Voices

>74:Aco.Bass

00:Eurobeat 52:Vibes

Memory

Recall the Registered

Combination

>00:Piano 1

00:Eurobeat 21:Strings1

VOICE

REGISTRATION

MEMORY

0 612345

VOICE SELECT

Select the desired ORCH. 1 and ORCH. 2 voices as described in the previous section. As an example, let’s use the Acoustic Bass (number 74) and Vibes (number 52) voices.

Press one of the VOICE SELECT NUMBER buttons ([0] through [9]) while holding the [MEMORY] button.

If a voice registration was previously recalled, the corresponding voice registration number will appear in the upper right-hand area of the display.

DETAIL

Anytime you want to recall a registered voice combination, press the [VOICE REGISTRATION] button so that its indicator lights, then simply press the VOICE SELECT NUMBER button (lower row) corresponding to the desired combination. “V0” through “V9” will appear in the upper left corner of the display while a registered voice combination is selected.

978

BANK

978

NUMBER

V4 >74:Aco.Bass 00:Eurobeat 52:Vibes

Data Stored By the Voice Registration Memory

• ORCHESTRA 1 VOICE

• ORCHESTRA 2 VOICE

• ORCHESTRA 1 VOLUME

• ORCHESTRA 2 VOLUME

• ORCHESTRA 1 OCTAVE

• ORCHESTRA 2 OCTAVE

• ORCHESTRATION

• HARMONY TYPE

• HARMONY ON/OFF

• SUSTAIN ORCH. 1/ORCH. 2 ON/OFF

• KEY VELOCITY ON/OFF

• PITCH BEND SELECT

• WHEEL ON/OFF (Modulation only)

• WHEEL TYPE

Press the [VOICE REGISTRATION] button so that its indicator goes out and its registration number disappears to return to the normal voice selection mode.

The “V?” symbol in the upper left corner of the display will disappear if any of the parameters listed below are changed.

IMPORTANT

• REVERB ON/OFF

• REVERB TYPE & ORCH. 1/ORCH. 2 DEPTH

• EFFECT ON/OFF

• EFFECT TYPE & ORCH. 1/ORCH. 2 DEPTH

• SUSTAIN ON/OFF (when external SUSTAIN switch not connected)

Voice registration data can be saved to floppy disk. See page 46 of the Advanced Features manual for details.

HINT

Page 19

Using the Accompaniment Section

The PSR-5700 has 36 different accompaniment “styles” that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR-5700’s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style.

ZTurn ABC ON

ERACTIVE MPANIMENT

AUTO

BASS CHORD

XSelect the Desired ABC Mode

ABC MODE:Fingered Chord

SF FC MB

+–

Press the [AUTO BASS CHORD] button so that its indicator lights,

thereby turning the ABC mode on.

The maximum number of notes that can be played simultaneously on the PSR5700 keyboard is reduced when the Auto Bass Chord feature is used.

DETAIL

Press the [ABC MODE] button to select the ABC MODE display, then use the left [-] and [+] buttons to select the FINGERED CHORD or SINGLE FINGER mode, or the right [-] and [+] buttons to select the MANUAL BASS mode and specify the bass voice to be used. The ABC mode display ends automatically after about 10 seconds if the [-] and [+] buttons are not pressed.

A. B. C. MODE

TRANSPOSE/

TUNE

HARMONY

TYPE

OCTAVE CHANGE

The FINGERED CHORD, SINGLE FINGER, and MANUAL BASS modes function as follows:

● FINGERED CHORD (FC):

Csus

-5

CmM

This is the default ABC mode. The Fingered Chord mode lets you finger your own chords on the left-hand section of the keyboard (i.e. all keys to the left of and including the split-point key — normally F#2), while the PSR-5700 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style.

The Fingered Chord mode will accept the chord types listed below (notes in parentheses may be omitted).

Chord Name/[Abbreviation] Normal Voicing

Major [M] ...................................................................... 1-3-5*

Minor [m] .................................................................... 1-b3-5*

Major seventh [M7] .................................................1-3-(5)-7*

Major sixth [6] ............................................................ 1-3-5-6

Suspended fourth [sus4].............................................. 1-4-5*

Minor sixth [m6] ........................................................ 1-b3-5-6

Minor seventh [m7] .............................................. 1-b3-(5)-b7

Minor seventh flatted fifth [m7-5] .......................... 1-b3-b5-b7

Minor major seventh [mM7] .................................. 1-b3-(5)-7*

Page 20

C sus

(9)

CmM

Caug

-5

Seventh [7] ........................................................... 1-3-(5)-b7*

Seventh flatted fifth [7-5]......................................... 1-3-b5-b7

Augmented seventh [7+5] .................................... 1-3-#5-b7*

Cadd

Cm add

Seventh suspended fourth [7sus4] ......................... 1-4-5-b7*

Added ninth [add9] ................................................... 1-2-3-5*

Minor added ninth [madd9] ..................................... 1-2-b3-5*

(9)

Seventh ninth [7(9)] ........................................... 1-2-3-(5)-b7*

Minor seventh ninth [m7(9)] ............................. 1-2-b3-(5)-b7*

Major seventh ninth [M7(9)] ................................ 1-2-3-(5)-7*

Minor major seventh ninth [mM7(9)] .................. 1-2-b3-(5)-7*

(9)

(b9)

-5

Seventh flatted ninth [7(b9)]............................. 1-b2-3-(5)-b7*

Major seventh flatted fifth [M7-5] ............................ 1-3-b5-7*

Augmented [aug] ......................................................... 1-3-#5

Cdim

Diminished [dim] .................................................. 1-b3-b5-(6)

* Chords marked with an asterisk (*) can be played in any inversion (i.e. the root of the

chord does not have to be the lowest note played).

* If you play any three adjacent keys (including black keys), the chord sound will be

cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function).

● SINGLE FINGER (SF):

CGF

● MANUAL BASS (MB):

ABC MODE:Manual Bass

SF FC 74:Aco.Bass

+–

Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the left-hand section of the keyboard. The abbreviated chord fingerings described below are used:

■ For a major chord, press the root key only.

■ For a minor chord, press the root key and a black key to its left.

■ For a seventh chord, press the root key and a white key to its left.

■ For a minor-seventh chord, press the root key and both a white and black

key to its left.

The Manual Bass mode provides an alternative to the normal split keyboard. The bass voice assigned to the left-hand keyboard section is monophonic, while a polyphonic ORCH. 1 voice is played on the upper section of the keyboard. You can select any of the PSR-5700’s normal voices (00 through 89) to play on the lower section of the keyboard — of course, it’s normal to choose a bass voices for the left hand. No automatic bass and chord accompaniment is produced, although the Interactive Accompaniment feature (page 24) does affect the rhythm sound.

Voices created using the PSR-5700 Custom Voice feature (Advanced Features manual, page 27) can also be selected for use with the Manual Bass mode.

DETAIL

Page 21

Using the Accompaniment Section

CSelect a Style

Style List

BANK 0

00 EUROBEAT 01 DANCE POP 02 PARTY POP 03 ROCK’N’ROLL 04 60’S ROCK 05 8 BEAT-LIGHT

0 CUSTOM12345

BANK

NUMBER

0 DISK12345

31:Shuffle 21:Strings1

10 8 BEAT BALLAD 11 ROCK SHUFFLE 12 16 BEAT-LIGHT 13 16 BEAT BALLAD 14 PIANO BALLAD 15 6/8 SLOW ROCK

STYLE SELECT

>00:Piano 1

+–

BANK 1

A list of the 36 accompaniment styles is printed on the PSR-5700 for

easy reference.

BANK 2

20 SYNTH BOOGIE 21 SOUL ROCK 22 SOUL BALLAD 23 FUNK SHUFFLE 24 SWING 25 BIG BAND

Use the STYLE SELECT buttons to enter the number of the desired style. Press a button in the upper row (BANK) to select the “BANK” or “tens” digit, and then a button in the lower row (NUMBER) to select the “ones” digit. For example, to select style number 31 (SHUFFLE), press the BANK [3] button and then the NUMBER [1] button. The selected style number and name is displayed at the lower left corner of the LCD panel.

DETAIL

The number of the style can also be decreased (decremented) or increased (incremented) by using the [-] and [+] buttons immediately below the style name on the LCD panel. Press either button briefly to decrement or increment the style number by one, or hold the button for continuous decrementing or incrementing.

Although you can select the ORCH. 1 voice you intend to play on the right-hand section of the keyboard and the ORCH. 2 voice if you use the split mode, the PSR-5700 automatically determines the voices to be used for the accompaniment bass and chords according the accompaniment style you select.

BANK 3

30 JAZZ BALLAD 31 SHUFFLE 32 BOOGIE 33 WALTZ 34 SLOW WALTZ 35 JAZZ WALTZ

If a BANK button is pressed but then no NUMBER button is pressed for more than about 3 seconds, the BANK entry will automatically be cancelled.

BANK 4

40 BOSSA NOVA 41 SAMBA 42 LATIN POP 43 RHUMBA 44 TANGO 45 CHA-CHA

BANK 5

50 REGGAE 51 COUNTRY 52 POLKA 53 MARCH 54 6/8 MARCH 55 NEW AGE

VSet the Tempo

+–

TEMPO

When you select a different style while the accompaniment is

not playing, the “default” tempo for that style is also selected, and the tempo is displayed on the TEMPO display in quarter-note beats per minute. If the accompaniment is playing, the same tempo is maintained even if you select a different style.

You can change the tempo to any value between 40 and 280 beats per minute, however, by using [-] and [+] TEMPO buttons below the display. This can be done either before the accompaniment is started or while it is playing. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.

The default tempo for the selected style can be recalled at any time by pressing both the [-] and [+] buttons simultaneously.

HINT

Page 22

Using the Accompaniment Section

BStart the Accompaniment

SYNCHRO

FILL IN

OLO

START

ENDING/

rit.

INTRO.3INTRO.2INTRO.1

ENDING/

rit.

INTRO.3INTRO.2INTRO.1

START/

RE-START

VERSE

STOP

VERSE

CHORUS

CHOR

There are several ways to start the accompaniment:

● Straight start: Press the [START/RE-START] button. If you press the

[START/RE-START] button, the rhythm will begin playing immediately without bass and chord accompaniment.

If you press the [START/RE-START] button while the accompaniment is playing, playback will immediately return to the first beat of the current accompani-

MUSICAL

ment pattern, making it possible to create measures with odd time signatures.

NOTE

It is also possible to select one of the several variations available prior to a straight start — refer to “7. Select Variations as Required,” below.

HINT

● Start with an introduction followed by the VERSE 1 variation:

press the [INTRO. 1] button.

● Start with an introduction followed by the VERSE 2 variation:

press the [INTRO. 2] button.

FILL IN

1st Beat

2nd Beat

3rd Beat 4th Beat

rit.

SYNCHRO

START

VERSE

START/

RE-START

FILL IN

ENDING/

INTRO.3INTRO.2INTRO.1

OLO

4/4 Time 3/4 Time

BEAT

VERSE

STOP

CHORUS

CHOR

● Start with an introduction followed by the CHORUS 1 varia-

tion: press the [INTRO. 3] button.

● Synchronized start: Any of the above start types can be synchronized

to the first note or chord played on the left-hand section of the keyboard (i.e. keys to the left of and including the split-point key — normally F#2) by first pressing the [SYNCHRO START] button. Pressing the [SYNCHRO START] button alone causes a straight start to occur when the first note or chord is played. Press [SYNCHRO START] and then the appropriate INTRO button for a synchronized introduction start. The first dot of the BEAT display will flash at the current tempo when a synchronized start mode has been selected.

If you press the [SYNCHRO START] button while the accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged.

DETAIL

The four LED dots of the BEAT display provide a visual indication of the selected tempo as shown here:

IMPORTANT

Several LEDs will flash simultaneously on the first beat of odd-numbered measures in all time signatures.

A Yamaha FC5 footswitch plugged into the rear panel FOOT SW. jack can also be used to start the accompaniment if the appropriate function is assigned to

DETAIL

the footswitch using the FOOT SWITCH SELECT function described on page 37 of the Advanced Features manual.

Page 23

Using the Accompaniment Section

Play On the Left-hand Section

Of the Keyboard

Split Point

ABC Section

▼

Melody Section

MSelect Variations as Required

VERSE

CHORUS2SOLOCHORUS

As soon as you play any chord that the PSR-5700 can “recognize” on the left-hand section of the keyboard in the FINGERED CHORD mode (see fingering chart on page 178) or an abbreviated chord in the SINGLE FINGER mode, the PSR-5700 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The accompaniment will continue playing even if you release the left-hand keys.

If the MANUAL BASS mode is selected only the rhythm accompaniment will play automatically, and selected bass voice can be played on the lefthand section of the keyboard.

The appropriate chord and bass note will sound will sound if you play in the lefthand section of the keyboard while the ABC function is on but the accompani-

HINT

ment is stopped.

Each accompaniment style has a number of variations: INTRO, VERSE 1, VERSE 2, CHORUS 1, and CHORUS 2. The VERSE and CHORUS variations further have more complex SOLO variations. There is also an ENDING variation which is described in step 9. The INTRO variation can be used to start the accompaniment as described in the preceding step. The remaining variations — VERSE 1, VERSE 2, CHORUS 1, CHORUS 2, and the SOLO variations of these — can be selected manually by pressing the corresponding variation button. It is also possible to select the variation that will follow the INTRO by pressing the appropriate variation button while the INTRO is playing or while the intro synchro start mode is engaged.

● The SOLO Variations

VERSE

CHORUS2SOLOCHORUS

Some INTRO, ENDING, and SOLO variations have their own chord progressions which play in the current accompaniment key — the key is shown

MUSICAL

in the top left-hand corner of the LCD.

NOTE

Although the SOLO variations can be selected manually, they can also be activated automatically when INTERACTIVE ACCOMPANIMENT is engaged (see page 24). If an accompaniment is playing and nothing is played on the keyboard for several measures, the SOLO mode is automatically engaged to “fill out” the accompaniment. When SOLO is on, not only are the variations more complex, but they will automatically cycle (VERSE 1 m VERSE 2 m CHORUS 1 m CHORUS 2 m VERSE 1, etc.). If the SOLO mode is on, it will be automatically disengaged after you begin playing on the keyboard.

This automatic switching of the solo mode can be turned off via the Auto Solo function described on page 40 of the Advanced Features manual.

The SOLO variation will be automatically disengaged if it is turned on prior to starting the accompaniment with an introduction.

DETAIL

Page 24

Using the Accompaniment Section

<Use Fill-ins

FILL IN

ENDING/

rit.

INTRO.3INTRO.2INTRO.1

ENDING/

rit.

INTRO.3INTRO.2INTRO.1

The PSR-5700 provides two types of automatic breaks or “fill-ins.”

● FILL IN j: Press the [FILL IN j] button to produce a short fill and

return to the same variation.

● FILL IN n: Press the [FILL IN n] button to produce a fill and then go

to the corresponding chorus or verse:

VERSE 1 n CHORUS 1 VERSE 2 n CHORUS 2

It is possible to change the variation that will play after the fill-in by pressing the appropriate variation button while the fill-in is playing. If you hold one of the FILL IN buttons, the fill-in will repeat until the button is released.

A Yamaha FC5 footswitch plugged into the rear panel FOOT SW. jack can also be used to activate fill-ins if the appropriate function is assigned to the

HINT

footswitch using the FOOT SWITCH SELECT function described on page 37 of the Advanced Features manual.

The transitions between the verse and chorus are different when SOLO is ON.

DETAIL

>Stop the Accompaniment

SYNCHRO

START

START/

RE-START

OLO

● Accompaniment Volume

VOLUME

CHORD

BASSRHYTHMMASTER

MAX

MIN

● Rhythm-only Accompaniment

ERACTIVE MPANIMENT

AUTO

BASS CHORD

CHORD

STOP

ORCH.

The accompaniment can be stopped at any time by pressing the [STOP] button. Press the [ENDING/rit.] button if you want to go to the ending variation and then stop. Press the [ENDING/rit.] button while the ending variation is playing to produce a “ritardando” ending — i.e. the tempo gradually slows down during the ending.

If ABC is turned on in the single or dual voice mode, a strings voice will sound on the left-hand section of the keyboard while the rhythm is stopped. Please

DETAIL

note that left hold cannot be applied to this strings voice.

Use the [RHYTHM], [BASS], [CHORD 1], and [CHORD 2] VOLUME controls to set the best balance between the corresponding accompaniment parts, and the optimum volume of the accompaniment parts in relation to the ORCH. 1 and ORCH. 2 voices.

The AUTO BASS CHORD mode can be turned off at any time — leaving the rhythm accompaniment only — by pressing the [AUTO BASS CHORD] button so that its indicator goes out.

Page 25

AUTO

BASS CHORD

INTERACTIVE

ACCOMPANIMENT

Using the Accompaniment Section

Interactive Accompaniment

Press the [INTERACTIVE ACCOMPANIMENT] button so that its indicator lights to activate the Interactive Accompaniment mode. In this mode the PSR-5700 uses advanced technology to monitor the way you are playing on the keyboard and automatically varies the rhythm or ABC accompaniment accordingly.

If you are playing with the VERSE 1 variation, for example, and you begin to build up the musical excitement on the keyboard (i.e. play more notes, faster, and/or harder) the PSR-5700 will automatically switch to the VERSE 2 variation to better support what you are playing. On the other hand, if you play more mellow right-hand lines the PSR-5700 will automatically “shift down” to the VERSE 1 variation. The same applies to the CHORUS 1 and CHORUS 2 variations.

The “sensitivity” of the Interactive Accompaniment mode can be adjusted via the INTERACTIVE ACCOMPANIMENT Sensitivity function described on page

DETAIL

40 of the Advanced Features manual. Also note that automatic switching between VERSE 1 and VERSE 2 or CHORUS 1 and CHORUS 2 will not occur if INTERACTIVE ACCOMPANIMENT Mode 1 is selected — see page 40 of the Advanced Features manual.

■ Auto Solo

ABC/IA Accompaniment Flow Diagram

INTRO. 1

FILL IN j

INTRO. 2

FILL IN j

INTRO. 3

FILL IN j

VERSE 1

VERSE 2

CHORUS 1

CHORUS 2

When the AUTO SOLO function is turned ON (ON is the default setting — see page 40 of the Advanced Features manual), the SOLO accompaniment variations will automatically be activated if nothing is played on the keyboard for a few measures. Further, the solo variations will automatically be de-activated from the end of the current phrase after keyboard performance is resumed.

Auto Solo

VERSE 1 SOLO

VERSE 2 SOLO

CHORUS 1 SOLO

CHORUS 2 SOLO

FILL IN n

ENDING

(ENDING 1)

ENDING

(ENDING 2)

ENDING

(ENDING 3)

VERSE 1

VERSE 2

CHORUS 1

CHORUS 2

Page 26

Using the Accompaniment Section

Using the Disk Style on the Supplied Data Disk

The Disk Style

70’S DISCO

The data disk supplied with the PSR-5700 contains 1 disk style that can be used in addition to the 36 internal styles. Use the following procedure to assign the desired disk style to the [DISK] style button on the PSR-5700 panel.

ZInsert the Data Disk

XPress [FROM DISK]

TO DISK

DISK IN USE

FROM DISK

CPress the Right [+] Button

FROM DISK Size: 50k

00:SET1 NO YES

+–

Insert the data disk into the PSR-5700 disk drive (located below the right end of the keyboard) with the disk shutter facing the drive slot and the label side facing upward.

Press the [FROM DISK] button. The display shown to the left should appear.

FROM DISK Size: 50k

00:SET1 NO YES

Press the right [+] button to begin loading. “Don’t remove disk” will appear on the display while the data is loading. “Completed!” will appear briefly when the data has been successfully loaded, and the normal play mode will then be automatically engaged.

If you press the right [-] button instead of the [+], the load operation will be cancelled and the normal play mode will be engaged immediately.

● Selecting a DISK Style

0 CUSTOM12345

BANK

NUMBER

0 DISK12345

STYLE SELECT

The data disk contains sequence and custom style data in addition to the disk style data. This data will be loaded as well as the disk style data when the

DETAIL

above procedure is carried out. See “F5 DISK” on page 46 of the Advanced Features manual for instructions on how to load only the disk style data.

If an error message appears during the disk load procedure, refer to page 48 of the Advanced Features manual for details.

IMPORTANT

Once loaded, the disk style can be selected and used in the same way as the internal styles by pressing the [DISK] button.

Disk style data that has been loaded into the PSR-5700 can be saved to a different floppy disk. See page 46 of the Advanced Features manual for details.

HINT

Page 27

Super Style Play

The PSR-5700’s 36 internal styles and the external disk style each have 4 different preset “panel setups” that can be instantly selected via the SUPER STYLE PLAY buttons — [VERSE A], [VERSE B], [CHORUS A], and [CHORUS B] — to create different musical textures. The SUPER STYLE PLAY setups include settings for all of the following parameters:

• ORCHESTRATION

• ORCHESTRA 1 VOICE

• ORCHESTRA 2 VOICE

• ORCHESTRA 1 VOLUME

• ORCHESTRA 2 VOLUME

• BASS VOLUME*

• CHORD 1 VOLUME*

• CHORD 2 VOLUME*

• RHYTHM VOLUME*

• ORCHESTRA 1 OCTAVE

• ORCHESTRA 2 OCTAVE

* Parameters marked with an asterisk (*) are not stored by the VOICE REGISTRATION function described on page 17.

On the other hand, the WHEEL ON/OFF, WHEEL TYPE, and KEY VELOCITY ON/OFF parameters registered by the VOICE REGISTRATION function are not included in the SUPER STYLE PLAY setups.

* Although voice registration only allows the reverb and effect depth for the orchestra 1 and orchestra 2 voices to be

memorized, Super Style Play allows all depth settings to be memorized.

ZEngage Super Style Play

• HARMONY TYPE

• LEFT HOLD ON/OFF*

• SUSTAIN ON/OFF

• SUSTAIN PART SELECT

• PITCH BEND SELECT

• REVERB ON/OFF

• REVERB TYPE & DEPTH

• EFFECT ON/OFF

• EFFECT TYPE & DEPTH

The SUPER STYLE PLAY feature can be used either while an accompaniment is playing or prior to starting an accompaniment by simply pressing the appropriate SUPER STYLE PLAY button so that its indicator lights: [VERSE A] for a soft, mellow feel; [VERSE B] for a slightly more active feel; [CHORUS A] for an even more lively sound; [CHORUS B] for maxi-

AUTO

S CHORD

SUPER STYLE PLAY

VERSE CHORUS

ABAB

ORCH.

mum presence and animation.

If a different accompaniment style is selected while Super Style Play is engaged, the Super Style Play settings for that style will also be selected automatically.

Adjust The Settings If

Necessary

>00:Piano 1

02:PartyPop 14:RockOrg

+– +–

Any of the parameters set by the SUPER STYLE PLAY feature can be adjusted to create the desired sound after a SUPER STYLE PLAY setup has been selected. If you change a SUPER STYLE PLAY setting, the corresponding SUPER STYLE PLAY indicator will flash to indicate that a change has been made.

SUPER STYLE PLAY

VERSE CHORUS

ABAB

Page 28

Memorize the Super Style

Play Settings If You Like

SUPER STYLE PLAY

VERSE CHORUS

ABAB

Store Edited P.Regist

-> SSP02_1

MEMORY

A B

A/B 1

RECALL

Your Super Style Play settings can be memorized by pressing the VERSE [A] or [B] or CHORUS [A] or [B] button while holding the Panel Registration [MEMORY] button.

The initial Super Style Play settings can be recalled by using the RECALL INITIAL DATA function described on page 50 of the Advanced Features manual.

DETAIL

Super Style Play settings can also be stored in the Panel Registration memory, and some settings can be saved in the Voice Registration memory.

HINT

VTurn Super Style Play Off

SUPER STYLE PLAY

AUTO S CHORD

VERSE CHORUS

ABAB

VERSE CHORUS

ABAB

ORCH.

SUPER STYLE PLAY is turned OFF by pressing the currently engaged SUPER STYLE PLAY button a second time so that its indicator goes out. If

the SUPER STYLE PLAY indicator is flashing because changes have been made to the panel settings, pressing any SUPER STYLE PLAY button twice turns SUPER STYLE PLAY off.

If you turn the SUPER STYLE PLAY Section Changing parameter described on page 41 of the Advanced features manual ON, the SUPER STYLE PLAY setup

MUSICAL

will automatically switch between VERSE A/B and CHORUS A/B, when the

NOTE

accompaniment variation switches between VERSE 1/2 and CHORUS 1/2.

SUPER STYLE PLAY cannot be used with accompaniment styles created using the Custom Accompaniment feature described on page 15 of the Advanced Features manual.

DETAIL

Super Style Play setup data can be saved to floppy disk. See page 46 of the Advanced Features manual for details.

HINT

Page 29

Using the Pads

The PSR-5700 features 8 “PADs” above the keyboard that can be used in a variety of ways:

● MULTI: When the MULTI mode is selected, the 4 pads marked “PHRASE” and the 4 pads marked

“CHORD” can be used to record and play back short sequences of notes and chords, respectively.

● PERC: In the PERC mode the pads can be used to play 8 different drum and percussion instruments

selected from the PSR-5700’s drum voices — 98 DRUM KIT and 99 POP DRUM KIT.

● TEMPO: In the TEMPO mode the pads are used to vary tempo in a number of ways, giving the PSR-

5700 unprecedented capability for creative tempo variations while playing.

MULTI PLAYING

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

DETAIL

REC/STOP PHRASE CHORD

Pad data can be saved to floppy disk. See page 46 of the Advanced Features manual for details.

To engage the MULTI mode, press the [MODE SELECT] button a few times until the MULTI

indicator lights.

Preset data is initially recorded in pads 1 through 8.

DETAIL

The PHRASE Pads (pads 1 … 4)

Each PHRASE pad can record up to approximately 160 notes played using the ORCH. 1 voice (only the ORCH. 1 voice is recorded even if the ORCH. 2+1 orchestration mode is selected). The recorded phrases can then be played back at any time — even while playing on the keyboard, with or without accompaniment. The PHRASE pads record the following data:

PAD

e a tempofasteraccel. slower rit.

Tempo lTap StartTempo Chan

The MULTI Mode

87654321

• VOICE NUMBER (ORCH. 1)

• NOTE ON/OFF (ORCH. 1)

• MODULATION (when MODULATION is ON for ORCHESTRA 1: see page 39 of the Advanced Features manual)

• ORCHESTRA 1 VOLUME

• SUSTAIN ON/OFF (when SUSTAIN is ON for ORCHESTRA 1: see page 38 of the Advanced Features manual)

• PITCH BEND (when PITCH BEND is ON for ORCHESTRA 1: see page 39 of the Advanced Features manual)

• GLIDE ON/OFF (when GLIDE is ON for ORCHESTRA 1: see page 37 of the Advanced Features manual)

• OCTAVE CHANGE (ORCH. 1)

The data listed above is also recorded if it is received via the PSR-5700 MIDI interface (Advanced Features manual, page 246).

DETAIL

Page 30

■ Recording Phrases

Select a PHRASE Pad For

Recording

REC/STOP PHRASE

XPlay a Phrase

CStop Recording

Tempo lTap StartTempo Change accel.

Press the PHRASE pad you intend to record to while holding the [REC/ STOP] button. The REC/STOP indicator will flash, indicating that the selected pad is ready to record.

4321

Recording begins automatically as soon as you play on the keyboard using the ORCHESTRA 1 voice (i.e. the right-hand section of the keyboard if the split play mode or AUTO BASS CHORD accompaniment is engaged), and the REC/STOP indicator will light continuously as long as recording continues.

You can record phrases while AUTO BASS CHORD accompaniment is playing or stopped. In either case the phrase will be recorded in relation to the currently

MUSICAL

set accompaniment tempo, so it is a good idea to record phrases while monitor-

NOTE

ing the accompaniment to ensure that they are reproduced at an appropriate tempo when played back with accompaniment.

Press the [REC/STOP] button to stop recording when you’ve finished playing the phrase. The [REC/STOP] button indicator will go out when recording ends.

■ Phrase Playback

MULTI PLAYING

PHRASE

Tempo lTap StartTempo Change accel.

Recording will stop automatically if the PHRASE pad memory becomes full (approximately 160 notes per pad), or if another pad is pressed.

DETAIL

As long as the MULTI mode is selected, any recorded phrase can be played back simply by pressing the corresponding PHRASE pad. The

phrase will play back whether the accompaniment is playing or not, but will always play at the currently set tempo. The MULTI PLAYING indicator

4321

will light while the phrase plays back, and playback will end automatically as soon as the end of the phrase is reached. A phrase can be stopped while it is playing by pressing either the [REC/STOP] button or the corresponding pad button. It is also possible to play back several phrases at the same time.

Although the note data played by the phrase pads can not be recorded by the PSR-5700 sequencer (Advanced Features manual, page 3), the phrase pad

DETAIL

events (i.e. the fact that a pad has been pressed) can be recorded. Phrase pad data can be saved to and loaded from disk (Advanced Features manual, page

46), but can not be memorized by the Panel Registration feature (page 38).

Use the MASTER VOLUME control to adjust the playback volume of the phrase pads.

HINT

Page 31

Using the Pads

The CHORD Pads (pads 5 … 8)

Each CHORD pad can record up to approximately 80 chords played on the left-hand section of the keyboard when the AUTO BASS CHORD feature is engaged. The recorded chords can then be played back at any time — even while playing on the keyboard, with or without accompaniment.

■ Recording Chords

Select a CHORD Pad For

Recording

REC/STOP

CHORD

a tempofaster slower rit.

XPlay the Required Chords

CStop Recording

Press the CHORD pad you intend to record to while holding the [REC/ STOP] button. The REC/STOP indicator will flash, indicating that the selected pad is ready to record. If the accompaniment is stopped when the CHORD pad is selected for recording, the SYNCHRO START mode will automatically be engaged.

8765

If AUTO BASS CHORD is OFF when a CHORD pad is selected for recording, it will automatically be turned ON. Further, if the MANUAL BASS mode is se-

DETAIL

lected, the FINGERED CHORD mode will automatically be selected in its place.

Recording begins automatically as soon as you play a chord on the lefthand section of the keyboard, and the REC/STOP indicator will light continuously as long as recording continues.

Press the [REC/STOP] button or the pad being recorded to stop recording when you’ve finished playing the chords. The [REC/STOP] button indicator will go out when recording ends.

Recording will stop automatically if the CHORD pad memory becomes full (approximately 80 chords per pad); if another pad is pressed; or if the accompa-

DETAIL

niment [STOP], [START/RE-START], or [SYNCHRO START] buttons is pressed.

■ Chord Playback

MULTI PLAYING

Tempo Change

CHORD

8765

a tempofaster slower rit.

As long as the MULTI mode is selected and an AUTO BASS CHORD accompaniment is playing, any recorded chord sequence can be played back simply by pressing the corresponding CHORD pad. The phrase will play back at the currently set tempo. The MULTI PLAYING indicator will light while the chord sequence plays back, and playback will end automatically as soon as the end of the sequence is reached. Only one chord sequence can be played at a time.

During chord pad playback the ABC indicator will go out and the lefthand section of the keyboard plays in the same way as the right-hand section. To indicate that the end of the chord sequence is approaching, the MULTI PLAYING indicator flashes during the last two measures. A chord sequence that is playing can be stopped by pressing the same chord pad again, or by pressing the [REC/STOP] button.

Page 32

MULTI Pad Repeat Playback

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

Using the Pads

If you press a CHORD pad while the accompaniment is stopped or while the AUTO BASS CHORD function is off, “Start ABC!” will appear on the display. Also, if AUTO BASS CHORD is on but the Manual Bass mode is selected,

IMPORTANT

“Change to FC or SF mode!” will appear on the display, since chord playback will not function in the Manual Bass mode..

Chord pad playback can be recorded by the PSR-5700 sequencer.

HINT

Chord pad data can be saved to and loaded from disk (Advanced Features manual, page 46), but can not be memorized by the Panel Registration feature

DETAIL

(page 38).

Playback occurs in measure units. Playback will continue until the end of the measure even if recording was stopped prior to the end of that measure.

DETAIL

If you press the button immediately to the right of the pad [MODE SELECT] button so that the indicator above it lights while the MULTI mode is engaged, the MULTI REPEAT function is engaged and phrase or chord playback will repeat continuously until the [REC/STOP] button is pressed, the same pad is pressed a second time, or the REPEAT mode is turned off by pressing the button to the right of the [MODE SELECT] button again. In the last case the phrase or chord sequence will play through to the end and then stop.

Page 33

Using the Pads

The PERC Mode

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

To engage the PERC mode, press the [MODE SELECT] button a few times until the PERC indi-

cator lights.

The 8 pads are initially programmed with the following drum and percussion instruments which

can be played via the pads when the PERC mode is selected:

1. Kick 1

2. Snare 3

3. Tom 1 Low

4. Tom 1 Mid

5. Tom 1 Hi

6. Closed Hi-Hat 1

7. Open Hi-Hat 1

8. Clash Cymbal 2

Assigning Different Instruments To the PERC Pads

ZPress [REC/STOP]

REC/STOP

Tempo C

Press the [REC/STOP] button so that its indicator lights (make sure the PERC mode is selected first). You are now ready to assign new instruments to the pads.

XAssign the Instruments

PHRASE

54321

Tempo lTap StartTempo Change

Press [REC/STOP] To End

Assignment

fasteraccel.

A new drum/percussion instrument is assigned to a pad simply by playing the key corresponding to the desired instrument while holding the drum pad to which it is to be assigned. The reverse also works: press the pad while holding the key. The velocity at which you play the key (how hard you press the key = how loud the note sounds) is also recorded to the specified pad.

The DRUM KIT voice is automatically selected if you press the [REC/STOP] key while in the PERC mode and a non-drum voice is selected. You can select

HINT

either voice 98 DRUM KIT or 99 POP DRUM KIT while still in the PERC assignment mode (simply press the NUMBER [8] or [9] button) to access different drum and percussion voices that you want to assign to the pads.

Percussion voices created using the CUSTOM VOICE EDIT functions described on page 27 of the Advanced Features manual cannot be assigned to

DETAIL

the percussion pads.

When you’re finished making instrument assignments to the PERC pads, press the [REC/STOP] button so that its indicator goes out.

Percussion pad data can be saved to and loaded from disk (Advanced Features manual, page 45, 46), but can not be memorized by the Panel Registration feature (page 38).

DETAIL

Page 34

Playing the Percussion Pads

Using the Pads

PHRASE

Tempo lTap StartTempo Change a temp

fasteraccel.

The PERC BREAK Function

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

The PERC pads can be played at any time — whether an accompaniment

is playing or not — as long as the PERC mode is selected. Depending on

654321

the assigned instrument, some pads will play continuously as long as they are held.

The PERC pad sounds are not affected by the PSR-5700 PITCH BEND wheel or EFFECT settings.

DETAIL

If you press the button immediately to the right of the pad [MODE SELECT] button so that the indicator above it lights while the PERC mode is engaged, the PERC BREAK function is engaged — playing on the PERC pads causes the accompaniment rhythm to stop playing so you can create your own fill-in. The accompaniment rhythm begins playing from the beginning of the next measure when you stop playing the percussion pads.

The BREAK mode is turned off by pressing the button to the right of the [MODE SELECT] button again.

Page 35

Using the Pads

The TEMPO Mode

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

● Tempo Change

● Tap Start

Tap Start

MODE SELECT

REC/STOP

Tempo Change

To engage the TEMPO mode, press the [MODE SELECT] button a few times until the

TEMPO indicator lights.

The functions of the pads in the TEMPO mode are indicated by labels below each pad:

If you press this pad while holding the [REC/STOP] button, the tempo at that instant is registered in memory. The registered tempo can then be recalled at any time, regardless of the current tempo, simply by pressing the [Tempo Change] pad.

If this pad is used during an accelerando or ritardando (described below), the accelerando or ritardando stops immediately and the [Tempo Change] value

DETAIL

takes effect.

While the accompaniment is stopped, or during the SYNCHRO START mode before the accompaniment is started, the [Tap Start] pad can be used to set any desired tempo (within the PSR-5700’s 40 to 280 beats per minute range) by simply tapping on the pad at the required tempo. Tap 4 times for an accompaniment with a 4/4 time signature, 3 times for 3/4, and 5 times for 5/4.

● Tempo I (Tempo Primo)

Tempo l

● accel. (Accelerando)

accel.

If the accompaniment is started before the required number of taps has been entered, the Tap Start setting will be ignored. The Tap Start setting will also be ignored if several seconds elapse before the required number of taps have

DETAIL

been entered, if a different style is selected, or if the accompaniment [STOP] button is pressed.

If the [Tempo I] pad is tapped while an accompaniment is playing, the tempo setting that was active when the accompaniment was started is immediately restored, regardless of any tempo changes that occurred after the accompaniment was started.

If this pad is used during an accelerando or ritardando (described below), the accelerando or ritardando stops immediately and the [Tempo I] value takes

DETAIL

effect.

Pressing the [accel.] pad immediately starts a 2-measure accelerando (tempo increase) that is executed by increasing the tempo by a small amount on every 8th beat. The accelerando is stopped if the [accel.] pad is pressed again before the 2 measures are completed.

Page 36

Using the Pads

● faster

● a tempo

● slower

faster

a tempo

slower

Tap the [faster] pad to increase the tempo by a fixed amount, whether the

accompaniment is playing or not.

If this pad is used during an accelerando or ritardando, the accelerando or ritardando stops immediately and the [faster] value takes effect.

DETAIL

This pad recalls the tempo prior to the last tempo change — e.g. any change incurred by pressing the [Tempo Change], [accel.], [faster], [slower], or [rit.] pad.

If this pad is used during an accelerando or ritardando, the accelerando or ritardando stops immediately and the [a tempo] value takes effect.

DETAIL

Tap the [slower] pad to decrease the tempo by a fixed amount, whether the accompaniment is playing or not.

If this pad is used during an accelerando or ritardando, the accelerando or ritardando stops immediately and the [slower] value takes effect.

DETAIL

● rit. (Ritardando)

rit.

The TEMPO SYNCHRO Function

MULTI REPEAT

PERC. BREAK

TEMPO SYNCHRO

MODE SELECT

Pressing the [rit.] pad immediately starts a 2-measure ritardando (tempo decrease) that is executed by decreasing the tempo by a small amount on every 8th beat. The ritardando is stopped if the [rit.] pad is pressed again before the 2 measures are completed.

The [PAD 8/rit.] pad has essentially the same effect on the tempo as the [ENDING/rit.] pad (page 23), except that while the [ENDING/rit.] pad causes the

DETAIL

tempo to return to its initial value after the rhythm stops, the tempo does not return to its initial value if the [PAD 8/rit.] pad is used, even after the rhythm is stopped.

If a fill-in pattern is selected during a ritardando, the ritardando continues during the fill-in but then original tempo is then restored as soon as the fill-in ends.

DETAIL

If you press the button immediately to the right of the pad [MODE SELECT] button so that the indicator above it lights while the TEMPO mode is engaged, the TEMPO SYNCHRO function is engaged — any tempo change initiated by a TEMPO pad takes place at the beginning of the next measure instead of immediately when the pad is tapped (TEMPO SYNCHRO has no effect on Tap Start operation).

The SYNCHRO mode is turned off by pressing the button to the right of the [MODE SELECT] button again.

Page 37

Expression & Effects

■ Sustain

ORCH.

LEFT

HOLD

HARMONY SUSTAIN

2v1

■ Harmony

ORCH.

LEFT

HOLD

HARMONY SUSTAIN

2v1

● Harmony Type Selection

VOI

ORCH.

VOI

ORCH.

Press the [SUSTAIN] button to turn the sustain effect on or off. When on (indicator lit), extra sustain is applied to the selected voice. If a footswitch connected to the rear-panel SUSTAIN jack is pressed in order to apply sustain, however, the panel SUSTAIN function will be automatically turned off.

Sustain can be applied to the ORCH. 1 voice only, the ORCH. 2 voice only, or both voices via the SUSTAIN ASSIGN function described on page 38 of the Advanced

HINT

Features manual.

The harmony effect can only be used when the AUTO BASS CHORD accompaniment mode is selected. Press the [HARMONY] button to turn the HARMONY effect on or off. When HARMONY is on (indicator lit), playing single notes or chords* on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords. The type of harmony produced can be selected via the Harmony Type function described below.

* The harmony is based on the top note of chords.

Slight tempo delays may occur when harmony is used in conjunction with the ABC Fingered Chord mode.

DETAIL

To select one of the 16 different harmony types available for the HARMONY function:

TYPE] Button

HARMONY TYPE No. 1

Type=Basic :Duet

XSelect a Harmony Type

■ Left Hold

ORCH.

2v1

Press the [HARMONY

+– +–

The Harmony Types are:

1. Basic : Duet

2. Basic : Trio

3. Basic : 4Part

LEFT

HARMONY SUSTAIN

HOLD

4. Pop : Octaves

5. Pop : PopRif.

6. Pop : Strings1

7. Pop : Strings2

8. Pop : SynthEns.

9. Pop : AddVocal

VOI

ORCH.

Select the HARMONY TYPE function from the normal play mode by pressing the [HARMONY TYPE] button (this is the same as the [t] display scroll button to the right of the LCD panel).

A. B. C. MODE

TRANSPOSE/

TUNE

HARMONY

TYPE

OCTAVE CHANGE

The right [-] and [+] buttons step through the harmony list one by one. For faster selection you can use the left [-] and [+] buttons to directly select the harmony categories — Basic, Pop, etc. — and then use the right [-] and [+] buttons to select the desired harmony type within that category.

The HARMONY TYPE mode ends automatically if neither of the [-] or [+] buttons are pressed for approximately 10 seconds.

10. Jazz : 4WayClose

11. Jazz : 4WayOpen

12. Jazz : VibesEns.

13. Jazz : SaxEns.

14. Jazz : WindEns.

15. Jazz : Guitar

16. Classic : Strings

This function causes the left-hand (ORCH. 2) voice to be held even when the keys are released when using the AUTO BASS CHORD and Split modes. Nondecaying voices such as strings are held continuously, while decay-type voices such as piano decay more slowly (as if the sustain pedal has been pressed).

The LEFT HOLD function works only while AUTO BASS CHORD accompaniment is running. Further, LEFT HOLD is temporarily disengaged during ENDING variations

DETAIL

and INTRO or SOLO variations that have their own chord progressions.

Page 38

LEFT HOLD will not function during Multi Pad playback or Sequencer ACCOMP. track playback even if the LEFT HOLD indicator is lit.

DETAIL

■ Pitch Bend/Glissando Wheel

PITCH BEND/

GLISSANDO

DOWN

MODULATION/

EFFECT

MAX

MIN

■ Modulation/Effect Wheel

PITCH BEND/

GLISSANDO

DOWN

MODULATION/

EFFECT

MAX

MIN

The PITCH BEND/GLISSANDO wheel to the left of the keyboard lets you bend the pitch of notes or “glissando” notes played on the keyboard up or down. Normal pitch is restored when the PITCH BEND/GLISSANDO wheel is released. The maximum pitch bend/glissando range is preset for each voice, but can be set as required for custom voices by using the CUSTOM VOICE EDIT feature described on page 27 of the Advanced Features manual.

Pitch bend can be applied o the ORCH. 1 voice only, the ORCH. 2 voice only, or both voices via the PITCH BEND ASSIGN function described on page 39 of

HINT

the Advanced Features manual. Also, pitch bend is applied to harmony notes on the basis of the ORCH. 1 settings.

The pitch bend wheel may have no effect when applied to notes at the upper and lower extremes of the keyboard if a CUSTOM VOICE is used. Also, sudden

DETAIL

pitch changes may occur.

Pitch bend can be applied to notes from C-1 to C7 (i.e. MIDI note numbers 12 through 108). Pitch can not be bent down below the lowest note or up above the highest note in this range.

DETAIL

The MODULATION/EFFECT wheel to the left of the keyboard lets you apply effects or amplitude/pitch modulation to notes played on the keyboard. Rolling the MODULATION/EFFECT wheel upward (away from you) increases the effect or modulation depth. Use the WHEEL SELECT function described on page 39 of the Advanced Features manual to select effect or modulation operation. The type of effect applied when effect operation is selected is determined by the EFFECT TYPE function described on page 36 of the Advanced Features manual.

The modulation effect mode is preset for each voice, but can be set for custom voices by using the CUSTOM VOICE EDIT feature described on page 27 of the Advanced Features manual.

■ Reverb

REVERB

EFFECT

■ Effects

REVERB

EFFECT

Modulation is automatically applied to some voices, while to some it cannot be applied even if the modulation wheel is operated.

DETAIL

Press the [REVERB] button to apply the reverb effect specified by the REVERB TYPE function described on page 35 of the Advanced features manual to the ORCH. 1 and 2 voices as well as the chord and rhythm accompaniment sound. The [REVERB] button alternately turns the reverb effect on (indicator lit) or off (indicator out).

Press the EFFECT button to apply the effect specified by the EFFECT TYPE function described on page 36 of the Advanced features manual to the ORCH. 1 and 2 voices as well as the chord accompaniment sound. The [EFFECT] button alternately turns the effect on (indicator lit) or off (indicator out).

Page 39

Panel Registration

PANEL REGISTRATION

MEMORY

A B

RECALL

A/B 1 2 3 4 5 6

The PSR-5700 Panel Registration feature can be used to memorize 16 complete con-

trol-panel setups (2 banks, 8 setups each) that you can recall whenever needed.

INITIAL PANEL REGIST A1 ROMANTIC PIANO

● Registering the Panel Settings

Set Up the Controls as

Required

Data Stored By the Panel Registration Memory

• ORCHESTRA 1 VOICE

• ORCHESTRA 2 VOICE

• MANUAL BASS VOICE

• ORCHESTRA 1 VOLUME

• ORCHESTRA 2 VOLUME

• BASS VOLUME

• CHORD 1 VOLUME

• CHORD 2 VOLUME

• RHYTHM VOLUME

• ORCHESTRATION

• ORCHESTRA 1 OCTAVE

• ORCHESTRA 2 OCTAVE

• EFFECT ON/OFF

• EFFECT TYPE & DEPTH

• HARMONY ON/OFF

When the PSR-5700 is in its initial factory-preset condition, the panel registration memories contain preset setups. When these are recalled, a descriptive setup name will appear on the LCD for a few seconds (example: A1 ROMAN-

DETAIL

TIC PIANO).

Make the desired control settings. The following settings are memorized

by the Panel Registration function:

• HARMONY TYPE

• REVERB ON/OFF

• REVERB TYPE & DEPTH

• SUSTAIN ON/OFF switch not connected)

• SUSTAIN PART SELECT

• KEY VELOCITY ON/OFF

• STYLE

• AUTO BASS CHORD ON/OFF

• AUTO BASS CHORD MODE

• INTERACTIVE ACCOMPANIMENT ON/OFF

• INTERACTIVE ACCOMPANIMENT MODE 1/2

• INTERACTIVE ACCOMPANIMENT PART

• INTERACTIVE ACCOMPANIMENT SENSITIVITY

(when external SUSTAIN

• AUTO SOLO ON/OFF

• SUPER STYLE PLAY

• MULTI PAD SELECT

• PAD SYNCHRO/BREAK/REPEAT ON/OFF

• TEMPO

• TRANSPOSE

• SPLIT POINT

• LEFT HOLD ON/OFF

• PITCH BEND SELECT

• WHEEL ON/OFF

• WHEEL TYPE

• ACCOMPANIMENT VARIATION

• FOOT SWITCH SELECT

• FOOT SWITCH PERCUSSION

• EXPRESSION PEDAL SELECT

XRegister in Memory

A B

MEMORY

A/B 1

RECALL

Use the [A/B] button to select memory bank A or B — the A or B indicator will light. Press and hold the MEMORY button, then press one of the PANEL REGISTRATION buttons. Any data that was previously in the selected location is erased and replaced by the new settings.

Store Edited P.Regist

-> A3

If a panel registration was previously recalled, the corresponding panel registration number will appear in the upper right-hand area of the display.

DETAIL

Page 40

● Recall the Registered Panel Settings

A B

MEMORY

A/B123 456

RECALL

PANEL REGISTRATION

Simply select the appropriate bank using the [A/B] button and press the desired PANEL REGISTRATION button at any time to recall the memorized settings.

No registration name is displayed when a user registration setup is recalled.

DETAIL

The preset registration setups can be recalled by using the initialization procedure described on page 50 of the Advanced Features manual.

HINT

● Recall the Previous Panel Settings

A B

MEMORY

A/B 1

RECALL

Press the [A/B] button while holding the [MEMORY] button to recall the panel settings prior to the last panel registration recall operation. This provides a handy way to compare different panel setups.

Panel registration data can be saved to floppy disk. See page 46 of the Advanced Features manual for details.

HINT

Page 41

Playing DOC (Disk Orchestra Collection) Disks

Using DISK ORCHESTRA disks (available from Yamaha), the PSR-5700 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically.

• PSR-5700 supports General MIDI Level 1 as well as DOC.

For more information, refer to page 50 of the Advanced Features manual.

● Automatic Performance

ZInsert the DOC Disk

XSelect a Song Number

DISK ORCHESTRA PLAY Song=ALL Mode=L+R

+–

Press [START] To Begin

Playback

SYNCHRO

START

START/

RE-START

STOP

Insert the DISK ORCHESTRA disk into the PSR-5700 disk drive (located below the right end of the keyboard) with the metallic disk door facing the drive slot and the label side facing upward. The disk should click into place and the DISK IN USE lamp will light briefly while the PSR-5700 reads and identifies the disk.

To engage the DOC mode from another mode when the disk is already loaded in the drive, press the [DISK ORCHESTRA/GENERAL MIDI] button. Any rhythm or ABC operation in progress will stop automatically.

CAUTION

You can use the [EXIT] button or [DISK ORCHESTRA/GENERAL MIDI] button to exit from the DOC mode.

DETAIL

When the disk is inserted and identified the display shown to the left will appear (if this display doesn’t appear, press the [DISK ORCHESTRA/ GENERAL MIDI] button):

Use the [-] and [+] buttons below “Song=ALL” display to select the desired song number. Select “ALL” if you want all songs on the disk to be played and repeated until playback is stopped.

Start playback of the selected song by pressing the [START] button. Unless “ALL” is selected, the selected song will play through to the end and playback will stop automatically. The current measure number will normally be shown on the LCD display during playback.

Playback can be stopped at any time by pressing the [STOP] button.

VEject the Disk When Done

Please note that playback cannot be started while the PSR-5700 is searching the disk for a selected song — this can take several seconds.

DETAIL

Some Disk Orchestra software does not produce a tempo display (e.g. freetempo phrases, etc.). In this case, three lit bars appear along the center of the

DETAIL

TEMPO display.

When you’ve finished with the currently loaded disk, simply press the disk drive EJECT button to remove it. This will automatically exit the DISK ORCHESTRA mode.

NEVER eject a disk or turn the power off while:

1) the DISK ORCHESTRA function is playing.

CAUTION

2) the DISK is formatting or recording.

Page 42

● Playing Back only Specific Parts

DISK ORCHESTRA PLAY Song=ALL Mode=L+R

+–

By turning off the left- or right-hand melody part, or both, you can practice playing those parts on the PSR-5700 keyboard. Sheet music is provided with the Disk Orchestra Collection disks.

Use the [-] and [+] buttons under “Mode=L+R” on the display to select the desired mode:

• Mode=L+R: Both the left- and right-hand parts are played auto-

matically.

• Mode=L: Only the left-hand part is played automatically so you

can practice the right-hand part.

• Mode=R: Only the right-hand part is played automatically so

you can practice the left-hand part.

• Mode=OFF: Neither the left- or right-hand part is played, so you

can practice playing both parts on the keyboard.

The left and right-hand parts cannot be played separately on some songs.

DETAIL

The appropriate voice for the part you are going to play is automatically selected when you select a song (When “All” is selected, the voice for the first

DETAIL

song is automatically selected).

● Volume Control

BASSRHYTHMMASTER

MAX

MIN

VOLUME

CHORD

REVERB

EFFECT

CHORD

ORCH.

During DISK ORCHESTRA playback use the VOLUME controls to adjust the volume of the corresponding parts, as described below. As always, the MASTER control adjusts the overall volume level.

ORCH.1: Adjusts the volume of ORCH.1 played on the keyboard.

CHORD1: Adjusts the volume of the disk melody line.

CHORD2: Adjusts the volume of the disk backing.

BASS: Adjusts the volume of the disk bass part.

RHYTHM: Adjusts the volume of the disk rhythm part.

Operation of the volume controls may be different with some songs. Further, the reverb or other effect can be turned on or off for all parts by using the REVERB

DETAIL

or EFFECT button.

During DOC playback reverb (type) ON/OFF data may be read from the disk. When OFF data is received, the depth values for all parts other than the part you are playing are set to “0.” This means that unless you change the depth

DETAIL

setting, reverb cannot be applied to those parts even if the REVERB indicator is lit. Also, since the effect depth values for all parts other than the part you will be playing are set to “0” before DOC playback is started, you will have to change the depth settings before effects can be applied to those parts, even if the EFFECT indicator is lit.

Since only the ORCH.1 voice is used for the part played on the keyboard in the DOC mode, the ORCH.2 volume control has no effect.

DETAIL

Page 43

Troubleshooting

Symptom Possible Cause Solution

Noise is heard when the power is turned on or off.

No sound.

The ABC chord does not change even when a different chord is played.

This is a normal result of the power surge that occurs when the unit is turned on of off.

The volume controls or expression pedal are turned all the way down.

A pair of headphones is plugged into the HEADPHONES jack.

You have attempted to play a new chord before fully releasing the previous chord in the left-hand section of the keyboard.

You are using single-finger type fingering in the fingered mode, or vice-versa.

No solution necessary.

Set the volume controls and expression pedal to a reasonable listening level.

Unplug the headphones.

Turn MIDI local control ON.MIDI local control is turned OFF.

Be sure to release each chord completely before playing the next chord.

Use the correct type of chord fingering for the selected ABC mode.

The disk lamp lights dimly. This is not a problem.

The PSR-5700 is constantly checking for the presence of a disk.

Options

● Headphones ................................. HPE-5/HPE-3

● Expression Pedal ....................................... EP-1

● Foot Switch.................................................. FC5

● Keyboard Stand ........................................... L-5

Page 44

Index

This index covers both the PSR-5700 “Getting Started” and “Advanced Features” manuals, so the

page numbers include coded prefixes to indicate in which manual the information can be found:

GS = Getting Started AF = Advanced Features

A tempo ......................................................................GS-35

ABC ............................................................................GS-18

Accelerando ............................................................... GS-34

Accents ....................................................................... AF-16

Accompaniment .......................................................... GS-18

Accompaniment name .......................................... AF-18, 20

Accompaniment style ................................................. AF-15

Accompaniment variation ........................................... AF-15

Attack ......................................................................... AF-29

Auto solo .................................................................... GS-24

Bank buttons ........................................................ GS-13, 20

Bass & chord parts ..................................................... AF-16

Beat display ................................................................GS-21

Brilliance ..................................................................... AF-30

Change pattern ........................................................... AF-23

Chord pads .................................................................GS-30

Chorus ........................................................................GS-22

Cleaning ....................................................................... GS-4

Clock .......................................................................... AF-57

Common ..................................................................... AF-28

Condition/rec type ........................................................ AF-7

Controller .................................................................... AF-37

Copy ........................................................................... AF-22

Custom accompaniment edit ...................................... AF-19

Custom accompaniment programmer ........................ AF-15

Custom number .......................................................... AF-18

Custom voice edit ....................................................... AF-27

Custom voice name .................................................... AF-27

Data backup ................................................................. GS-5

Data transmit .............................................................. AF-58

Decay ......................................................................... AF-29

Delete all tracks .......................................................... AF-11

Delete file ................................................................... AF-47

Demo .......................................................................... GS-10

Disk ............................................................................ AF-42

Disk error messages .................................................. AF-48

Disk free area ............................................................. AF-47

Disk functions ............................................................. AF-45

Disk orchestra mode voice list .................................. AF-253

Disk orchestra/general MIDI button ............................ AF-50

Disk style ....................................................................GS-25

DOC disk playback ..................................................... GS-40

DOC mode ................................................................. AF-52

DOC/GM mode ........................................................... AF-50

Drum kits .................................................................... GS-14

Drum voice edit .......................................................... AF-33

Dual detune ................................................................ AF-32

Dual mode ..................................................................GS-12

Dual name .................................................................. AF-30

Dual octave ................................................................ AF-31

Dual pan ..................................................................... AF-32

Dual voice ................................................................... AF-31

Dual voice edit ............................................................ AF-30

Dual volume ............................................................... AF-31

Editing procedure ....................................................... AF-26

Effect depth ................................................................ AF-36

Effect type .................................................................. AF-36

Effect wheel ................................................................ GS-37

EG rate ....................................................................... AF-29

Electrical interference ................................................... GS-5

Erase .......................................................................... AF-12

Event abbreviations .................................................... AF-13

Exit button .................................................................. AF-26

Exp. pedal select ........................................................ AF-38

Expression & effects ................................................... GS-36

Expression pedal jack .................................................. GS-9

Page 45

Index

Fader select ................................................................ AF-20

Faster ......................................................................... GS-35

Fill-ins .........................................................................GS-23

Fingered chords ......................................................... GS-18

Fingering chart ......................................................... GS-178

Floppy disks ........................................................... GS-5, 25

Foot switch select ....................................................... AF-37

Footswitch jack .............................................................GS-8

Format disk ................................................................. AF-47

From disk .................................................................... AF-45

From disk button ......................................................... AF-44

General function selection .......................................... AF-26

General MIDI .............................................................. AF-51

General MIDI mode .................................................... AF-53

General MIDI mode voice list ................................... AF-254

Glissando ................................................................... GS-37

GM/DOC mode percussion map .............................. AF-256

Manual bass ...............................................................GS-19

Manuals, about the ....................................................... GS-3

Measure/beat ............................................................. AF-19

Memory backup .......................................................... AF-49

Metronome ................................................................... AF-7

MIDI ............................................................................ AF-49

MIDI bulk dump .......................................................... AF-58

MIDI channel setting ................................................... AF-54

MIDI connectors ........................................................... GS-9

MIDI function tree ..................................................... AF-242

MIDI switch ................................................................. AF-56

MIDI system ............................................................... AF-57

Modulation .................................................................. GS-37

Modulation depth ........................................................ AF-28

Modulation speed ....................................................... AF-28

Multi pad mode ...........................................................GS-28

Multi pad repeat playback .......................................... GS-31

Multi part setting ......................................................... AF-56

Music stand .................................................................. GS-9

Handling & transport ..................................................... GS-4

Harmony ...........................................................GS-36, AF-7

Headphones .................................................................GS-8

Hertz ...........................................................................GS-15

Icons .............................................................................GS-3

Initialization ................................................................. GS-11

Input jacks .................................................................... GS-8

Insert all tracks ........................................................... AF-12

Interactive accompaniment ............................ GS-24, AF-40

Intro, fill-in, ending patterns ........................................ AF-24

Introduction ................................................................. GS-21

Key velocity ................................................................ AF-37

Keyboard percussion .................................................. GS-14

Left hold ...................................................................... GS-36

Left-hand keyboard section ........................................GS-22

Location ........................................................................GS-4

Note shift .................................................................... AF-14

Number buttons ....................................................GS-13, 20

Octave ........................................................................ AF-28

Octave change ........................................................... GS-16

Orchestra 1 and 2 ....................................................... GS-13

Orchestration .............................................................. GS-12

Output jacks ................................................................. GS-8

Overdub recording ........................................................ AF-8

Pads ........................................................................... GS-28

Pan ............................................................................. AF-28

Panel registration ....................................................... GS-38

Perc break function .................................................... GS-33

Perc pad mode ...........................................................GS-32

Perc. name ................................................................. AF-33

Perc. pan .................................................................... AF-34

Perc. pitch .................................................................. AF-33

Perc. tone ................................................................... AF-34

Page 46

Index

Percussion instrument cancel .................................... AF-16

Percussion map ........................................................ AF-255

Phrase pads ............................................................... GS-28

Pitch bend .................................................................. GS-37

Pitch bend range ........................................................ AF-28

Pitch bend select ........................................................ AF-39

Power supply ................................................................ GS-4

Punch recording ........................................................... AF-8

Quantize ............................................................... AF-10, 21

Recall initial data ........................................................ AF-50

Record track selection .................................................. AF-4

Recordable parameters (sequencer) ............................ AF-4

Recording type ............................................................. AF-8

Release ...................................................................... AF-29

Remote control mode ................................................. AF-52

Remove event ...................................................... AF-13, 23

Rename file ................................................................ AF-46

Replace recording ........................................................ AF-8

Resonance ................................................................. AF-30

Reverb ........................................................................GS-37

Reverb depth .............................................................. AF-35

Reverb type ................................................................ AF-35

Rhythm accompaniment ............................................. GS-23

Rhythm part ................................................................ AF-15

Ritardando ............................................................GS-23, 35

Save to accomp. ......................................................... AF-20

Sequence editing .......................................................... AF-7

Sequencer playback ..................................................... AF-6

Sequencer record ......................................................... AF-3

Single-finger chords ................................................... GS-19

Slower ........................................................................ GS-35

Solo ............................................................................ GS-22

Song clear .................................................................. AF-14

Song number ................................................................ AF-3

Split mode .................................................................. GS-12

Split point .................................................................... AF-40

Style list ......................................................................GS-20

Super style play .......................................................... GS-26

Super style play mode ................................................ AF-41

Sustain ........................................................... AF-29, GS-36

Sustain jack ..................................................................GS-9

Sustain part select ...................................................... AF-38

Synchronized start ...................................................... GS-21

Tap start ..................................................................... GS-34

Tempo ........................................................................ GS-20

Tempo change ........................................................... GS-34

Tempo I ...................................................................... GS-34

Tempo pad mode ....................................................... GS-34

Tempo synchro function .............................................GS-35

To disk ........................................................................ AF-46

To disk button ............................................................. AF-42

Tone ........................................................................... AF-30

Touch sensitivity ......................................................... AF-28

Track copy/mix ............................................................. AF-9

Track delete .................................................................. AF-5

Transposition .............................................................. GS-15

Tuning ........................................................................ GS-15

Utility ........................................................................... AF-49

Variations ................................................................... GS-22

Verse ..........................................................................GS-22

Voice list .....................................................................GS-12

Voice registration ........................................................ GS-17

Voice select buttons ................................................... GS-13

Voices, selecting ........................................................ GS-11

Volume ................................................................... AF-8, 19

Volume settings .................................................... GS-11, 13

Wheel select ............................................................... AF-39

Page 47

Fingering Chart/Akkordliste/Tablature/Gráfica de digitación

• Notes in parentheses ( ) can be omitted.

• Chord types marked with an asterisk (*) can be played in any inversion (i.e. the root does not have to be the lowest note in the chord).

• Please determine which chords you are going to use before playing a song. In the case of chords marked with a “●” it may be necessary to shift the split to allow easy fingering.

C (D )

Major* Dur* Majeur* Mayor*

C m

(D m)

Minor* Moll* Mineur* Menor*

• Noten in Klammern ( ) können ausgelassen werden.

• Mit einem Sternchenzeichen (*) versehene Akkorde können in jeder Umkehrung gespielt werden (d.h. der Grundton muß nicht die tiefste angeschlagene Note sein).

• Überlegen Sie sich bitte vor dem Spielen eines Stücks, welche Akkorde gebraucht werden. Bei Akkorden, die mit einem “●” gekennzeichnet sind, ist unter Umständen eine Verlagerung des Splitpunkts vorteilhaft, um das Greifen dieser Akkorde zu erleichtern.

Major seventh* Dur-Akkord mit großer

Septime* Septième majeure* Séptima mayor*

( )

C M

(D M )

( )

Major sixth Dur-Akkord mit

hinzugefügter Sexte Sixte majeure Sexta mayor

(D )

D (E )

F (G )

G (A )

A (B )

D m

(E m)

F m

(G m)

G m

(A m)

A m

(B m)

D M

(E M )

F M

(G M )

G M

(A M )

A M

(B M )

●

(E )

(G )

(A )

(B )

6 6

( )

178

●

( )

Page 48

• Les notes entre parenthèses ( ) peuvent être omises.

• Les accords marqués d’un astérisque (*) peuvent être joués dans n’importe qu’elle inversion (il n’est pas nécessaire que la note fondamentale de l’accord soit la note la plus basse).

• Veuillez déterminer quels accords que vous allez utiliser avant de commencer l’exécution d’un morceau. Dans le cas des accords marqués par “●”, il peut s’avérer nécessaire de déplacer le point de partage pour faciliter l’exécution.

Suspended fourth* Dur-Akkord mit

vorgehaltener Quarte* Quarte suspendue* Cuarta suspendida*

Csus

C sus

(D sus )

Dsus

Minor sixth Moll-Akkord mit

hinzugefügter Sexte Sixte mineure Sexta menor

C m

(D m )

• Las notas entre paréntesis pueden omitirse.

• Los tipos de acorde marcados con un asterisco (*) pueden tocarse en cualquier inversión (es decir, no es necesario que la raíz sea la nota más baja del acorde).

• Determine los acordes que desea utilizar antes de tocar una canción. En el caso de acordes marcados con “●”, será necesario cambiar la división par facilitar el digitado.

Minor seventh flatted fifth

Minor seventh Moll-Septakkord Septième mineure Séptima menor

Moll-Septakkord mit verminderter Quinte

Quinte bémol septième mineure

Menor de séptima quinta bemol

-5

C m

(D m )

( )

-5

C m

(D m )

-5

D sus

(E sus )

Esus

Fsus

F sus

(G sus )

Gsus

G sus

(A sus )

Asus

A sus

(B sus )

-5

D m (E m )

F m (G m )

G m (A m )

A m

●

(B m )

D m (E m )

F m (G m )

G m (A m )

●

A m

●

(B m )

( )

D m

(E m )

F m

(G m )

G m

(A m )

●

A m

●

(B m )

-5

Bsus

●

-5

●

( )

179

Page 49

Fingering Chart/Akkordliste/Tablature/Gráfica de digitación

( )

Minor major seventh* Moll mit großer Septime* Septième majeure mineure* Séptima mayor menor*

CmM

( )

C mM

(D mM )

DmM

D mM

(E mM )

EmM

FmM

( )

Seventh* Dur-Septakkord* Septième* Séptima*

( )

(D )

(E )

Seventh flatted fifth Dur-Septakkord mit

verminderter Quinte Quinte bémol septième Séptima quinta bemol

-5

( )

(D )

-5

(E )

-5

Augmented seventh* Dur-Septakkord mit

übermäßiger Quinte* Septième augmentée* Séptima aumentada*

(D )

(E )

F mM

(G mM )

GmM

G mM

(A mM )

AmM

A mM

(B mM )

BmM

( )

(G )

(A )

(B )

180

-5

( )

(G )

G (A )

●

(B )

●

-5

F (G )

G (A )

●

(B )

●

Page 50

( )

Fingering Chart/Akkordliste/Tablature/Gráfica de digitación

Seventh suspended fourth* Septakkord mit

vorgehaltener Quarte* Quarte suspendue septième* Séptima cuarta suspendida*

C sus

(D sus )

D sus

(E sus )

E sus

F sus

Added ninth* Dur-Akkord mit

hinzugefügter None* Neuvième ajoutée* Novena añadida*

Cadd

C add

(D add )

Dadd

D add

(E add )

Eadd

Fadd

Minor added ninth* Moll-Akkord mit

hinzugefügter None* Neuvième ajoutée mineure* Menor de novena añadida*

Cm add

C m add

(D m add )

Dm add

D m add (E m add )

Em add

Fm add

Seventh ninth* Dur-Septakkord mit

hinzugefügter None* Neuvième septième* Séptima novena*

(9)

( )

(9)

(D )

(9)

(E )

(9)

( )

F sus

(G sus )

G sus

(A sus )

A sus

(B sus )

B sus

4 4

F add

(G add )

Gadd

G add

(A add )

Aadd

A add

(B add )

Badd

F m add

(G m add )

Gm add

G m add

(A m add )

Am add

A add

(B add )

Bm add

(9)

9 9

(9)

(G )

(9)

(A )

(9)

(B )

(9)

( )

181

Page 51

( )

Fingering Chart/Akkordliste/Tablature/Gráfica de digitación

Minor major seventh ninth*

Moll-Akkord mit großer Septime und hinzugefügter None*

Neuvième septième majeure mineure*

Menor de séptima mayor novena*

Minor seventh ninth* Moll-Septakkord mit

hinzugefügter None* Neuvième septième mineure* Manor de séptima novena*

Major seventh ninth* Dur-Akkord mit großer

Septime und hinzugefügter None*

Neuvième septième majeure* Mayor de séptima novena*

Seventh flatted ninth* Dur-Septakkord mit

verminderter None* Neuvième bémol

septième* Séptima novena bemol*

(9)

C m

(9)

(D m )

(9)

D m

(9)

(E m )

(9)

F m

(9)

(G m )

(9)

( )

(9)

C M

( )

(9)

(D M )

(9)

D M

(9)

(E M )

(9)

F M

(9)

(G M )

(9)

( )

(9)

CmM

(9)

C mM

(9)

(D mM )

(9)

DmM

(9)

D mM

(9)

(E mM )

EmM

(9)

FmM

(9)

F mM

(9)

(G mM )

(9)

GmM

( 9)

( )

( 9)

( )

( 9)

(D )

( 9)

(E )

( 9)

(G )

( 9)

( )

(9)

G m

(A m )

(9)

A m

(9)

(B m )

(9)

( )

(9)

G M

(9)

(A M )

(9)

A M

(9)

(B M )

(9)

182

(9)

G mM

( )

(9)

(A mM )

(9)

AmM

(9)

A mM

(9)

(B mM )

(9)

BmM

( )

( 9)

(A )

( 9)

(B )

( 9)

( )

Page 52

( )

Fingering Chart/Akkordliste/Tablature/Gráfica de digitación

Major seventh flatted fifth* Dur-Akkord mit großer Septime

und verminderter Quinte* Quinte bémol septième majeure* Mayor de séptima quinta bemol*

-5

C M

-5

(D M )

-5

D M

-5

(E M )

-5

Caug

C aug

(D aug)

Daug

D aug

(E aug)

Eaug

Faug

Augmented Übermäßig Augmenté Aumentada

Cdim

Ddim

Edim

Fdim

dim

Diminished Vermindert Diminué Disminuida

)

( )

F M

-5

(G M )

-5

G M

(A M )

-5

A M

-5

(B M )

-5

F aug (G aug)

Gaug

G aug (A aug)

Aaug

A aug (B aug)

●

Baug

Gdim

Adim

Bdim

dim

)

( )

183

Page 53

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product, basic

precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Special

Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply.

2. Main Power Supply Verification: Yamaha products are manu-

factured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one blade

wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies or

adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other objects on

the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically designed

for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

8. This product was NOT designed for use in wet/damp locations

and should not be used near water or exposed to rain. Examples of wet/ damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components sup-

plied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected from the

outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids are not

spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a qualified

service person when:

a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in

performance; or e. The product has been dropped, or the enclosure of the prod-

uct has been damaged.

13. Do not attempt to service this product beyond that described in

the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

14. This product, either alone or in combination with an amplifier

and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

7. Temperature considerations: Electronic products should be

installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

92-469-2

184

PLEASE KEEP THIS MANUAL

15. Some Yamaha products may have benches and/or accessory

mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

Page 54

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

185

Page 55

Wichtiger Hinweis für die Benutzung in der Bundesrepublik Deutschland.

Bescheinigung des Importeurs

Hiermit wird bescheinigt, daß der/die/das

Portable Keyboard Typ: PSR-5700

(Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84 (Amtsblattverfügung)

funk-entstört ist. Der Deutschen Bundespost wurde das Inverkehrbringen

dieses Gerätes angezeigt und die Berechtigung zur Überprüfung der Serie auf Einhaltung der Bestimmungen eingeräumt.

Yamaha Europa GmbH Name des Importeurs

• This applies only to products distributed by Yamaha Europa GmbH.

• Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Europa GmbH.

• Esto se aplica solamente a productos distribuidos por Yamaha Europa GmbH.

IMPORTANT NOTICE FOR THE UNITED KING-

DOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

•

Dies bezieht sich nur auf die von der Yamaha Canada Music Ltd. vertriebenen Produkte.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music Ltd.

• Esto se aplica solamente a productos distribuidos por Yamaha Canada Music Ltd.

Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/ 308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

186

Page 56

Page 57

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