Yamaha Audio PSR-330 User Manual

Page 1

Page 2

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT T O CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENT AL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCA TION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

NOTE:

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to

• This applies only to products distributed by Yamaha Corporation of America.

the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

• Relocate either this product or the device that is being affected by the interference.

• Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

• In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

Page 3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-5, PA-5B, PA-5C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during electrical storms.

• Always make sure all batteries are inserted in conformity with the +/– polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.

• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batteries that are not intended to be charged.

• If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.

• Keep batteries away from children.

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.

• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl or plastic objects on the instrument, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

• Use only the stand specified for the instrument. When attaching the stand, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

■ SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF2, in order to help prevent the loss of important data due to a malfunction or user operating error.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Make sure to discard used batteries according to local regulations.

(4)

Page 4

Congratulations!

VOICE R2 VOICE R1

51 1

REGISTRATION

MULTI PAD

You are the proud owner of a fine electronic keyboard. The Yamaha PSR-330 PortaTone combines the most advanced tone generation technology with state-of-the-art digital electronics and features to give y ou stunning sound quality with maximum musical enjo yment. A large g raphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.

In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.

Important Features

T ouch-sensitive 61-key ke yboard for a wide

range of dynamic musical expression.

An outstanding range of 126 panel voices

and 10 drum kits, plus a full set of 128 GM voices.

V oice set feature automaticaly selects the appropriate voice parameter settings for the panel voices.

Advanced auto-accompaniment technology gives you 100 fully-orchestrated accompaniment “styles” to back up what you play on the keyboard.

One Touch Setting feature automatically selects appropriate voice, effect, and other settings for the selected accompaniment style — all you have to do is select a style and play.

Digital effects add depth and ambience to

your sound.

Minus-one and Repeat functions are ideal for learning new songs and polishing your keyboard technique.

Song recording feature lets you record four melody tracks with an accompaniment track.

Multi Pads play a number of short rhythmic and melodic sequences that can be used to add impact and variety to your performances.

Optional Yamaha Music Cartridges can be plugged in for enjoyable automated performance, keyboard practice, and extra accompaniment styles.

Large multi-function LCD display panel

makes it easy to select and edit parameters.

Registration Memory saves your favorite

panel settings for instant recall when needed.

Built-in amplifier and speaker system delivers top-quality sound without the need for external equipment.

A range of MIDI functions for expanded musical enjoyment (General MIDI System Level 1 compatible).

Page 5

Panel Controls 4

Included Accessories ........................................................ 5

The Music Stand.............................................................. 5

Basic Display Operation 6

The Display Icons ....................................................................... 6

The Menus .................................................................................. 8

Shortcuts......................................................................... 9

Setting Up 10

Power Supply............................................................................ 10

Using An Optional AC Power Adaptor.............................. 10

Using Batteries ................................................................ 10

Connections.............................................................................. 11

The PHONES Jack .......................................................... 11

SUSTAIN Jack ................................................................. 11

MIDI IN and OUT Connectors.......................................... 11

The Demonstration 12

Playing the PSR-330 14

The PSR-330 Voices ................................................................. 14

A Word About the “R1”, “R2”, and “L” Voices ................... 14

Selecting & Playing Voices ...................................................... 15

Keyboard Percussion .......................................................... 17

The Dual Voice Mode................................................................ 17

The Split Voice Mode................................................................ 18

Changing the SPLIT VOICE Split Point..................................18

Auto Accompaniment 20

Using Auto Accompaniment....................................................20

The Synchro Stop Function............................................. 24

Accompaniment Trac k Muting ................................................ 25

Muting Individual Tracks ..................................................25

Accompaniment Volume Control ............................................26

Changing the Accompaniment Split Point .............................27

Interaction Between the AUTO ACCOMPANIMENT

and SPLIT VOICE Split Points .................................... 28

The Auto Accompaniment Fingering Modes ......................... 28

The Stop Accompaniment Function ................................. 32

One T ouch Setting .................................................................... 32

Digital Effects 34

Reverb .......................................................................................34

Turning the Reverb Effect On or Off ....................................... 34

Selecting a Reverb Type ........................................................ 34

Harmony .................................................................................... 35

Turning the Harmony Effect On or Off.................................... 36

Selecting a Harmony Type .....................................................36

Adjusting the Harmony Volume.............................................. 37

Transpose 38

Setting Transposition ...............................................................38

Registration Memory 39

Registering the Panel Settings................................................ 39

Recall the Registered Panel Settings ..................................... 40

The Accompaniment Freeze Function.................................... 40

The Multi Pads 41

Selecting a MULTI PAD Set ...................................................... 41

Turning the CHORD MATCH Function On/Off........................42

Playing the MULTI PADs ..........................................................43

Song Playback 44

Song Playback Procedure .......................................................44

Song V olume Control ...............................................................45

Play from a Specified Measure................................................ 46

Minus-one Practice...................................................................47

Minus-one T r ack Assignment ................................................. 47

Repeat Play ...............................................................................49

Song Recording 50

Song Recording Procedure ..................................................... 51

Clearing Song Data .................................................................. 54

Clearing an Entire Song .........................................................54

Clearing Selected Melody Tr acks........................................... 54

Using Music Cartridges 55

Inserting a Music Cartridge............................................. 55

Music Cartridge Handling Precautions .............................55

Cartridge Songs........................................................................ 56

Cartridge Song Playback .......................................................56

Cartridge Accompaniment Styles ...........................................57

Revoicing 58

Revoicing the R1, R2, and L Voices ........................................ 58

Revoicing a Style ......................................................................60

Revoicing a User Song ............................................................ 61

Overall Functions 63

Touch Sensitivity .............................................................. 64

Master Tuning .................................................................. 64

Scale Tuning ....................................................................64

Metronome ....................................................................... 65

Split Voice Split Point.......................................................65

Accompaniment Split Point ..............................................65

Fingering Mode ................................................................65

Voice Set.......................................................................... 65

MIDI Functions 66

The MIDI Connectors....................................................... 66

Simple MIDI Control......................................................... 66

MIDI Sequence Recording............................................... 67

The PSR-330 MIDI Functions................................................... 67

Transmit Channel & Transmit Track ................................68

Receive Channel & Receive Mode ................................. 69

Local Control.................................................................... 70

Clock................................................................................ 70

Bulk Data Send ................................................................70

Initial Data Send .............................................................. 71

Appendix

PSR-330 Display MENU/SUB MENU Structure ...................... 72

Troubleshooting .......................................................................73

Voice List ...................................................................................74

Maximum Polyphony ....................................................... 74

Drum Kit List ............................................................................. 78

Data Backup & Initialization .................................................... 80

Data Backup ....................................................................80

Data Initialization ............................................................. 80

MIDI Implementation Chart ...................................................... 81

MIDI Data Format ...................................................................... 83

Specifications ...........................................................................84

Index ..........................................................................................85

Page 6

Panel Controls

4 5 6 7 8 9 0

Top Panel Controls

■

q POWER Switch............................................page 12

w MASTER VOLUME Control .........................page 12

e DEMO Button...............................................page 12

r TEMPO Buttons ........................................... page 21

t TRANSPOSE Buttons.................................. page 38

y ACCOMPANIMENT/SONG VOLUME

Buttons................................................. pages 26, 45

u AUTO ACCOMPANIMENT SECTION

• AUTO ACCOMPANIMENT

ON/OFF Button......................................... page 20

• SYNC STOP Button.................................. page 24

• SYNC START Button ................................page 22

• INTRO Button ........................................... page 22

• MAIN/AUT O FILL A & B Buttons............... page 22

• ENDING Button.........................................page 24

8BEAT 8BEAT POP 1

1 8BEAT POP 2

2 8BT UPTEMPO

3 8BT STANDARD

4 FOLKROCK

5 POP ROCK 1

6 POP ROCK 2

7 8BEAT MEDIUM

8 8BEAT BALLAD

9 EPIC BALLAD

10 PIANO BALLAD

11 16BEAT 16BEAT POP

12 16BT SHUFFLE 1

13 16BT SHUFFLE 2

14 16BT BALLAD 1

15 16BT BALLAD 2

16 16BT BALLAD 3

17 FUNK 1

18 SOUL BALLAD

19 FUSION BALLAD

6/8 BALLAD 21

SLOW ROCK 1 22

SLOW ROCK 2 23

6/8 BALLAD DANCE 24

DANCE POP 1 25

DANCE POP 2 26

TECHNO 27

EUROBEAT 28

EURO HOUSE 29

HIP HOP 30

SYNTH BOOGIE DISCO 31

70S DISCO 32

DISCO TROP 33

POLKA POP ROCK 8BT ROCK BLD

34 16BT ROCK BLD

35 HARD ROCK

36 ROCK SHUFFLE

37 6/8HVY ROCK

POWER

ON / OFF

MASTER

VOLUME

MIN MAX

AUTO

ACCOMPANIMENT

ON/OFF

US ROCK 40

16BEAT ROCK RHYTHM & BLUES 41

R&B 42

FUNK 2 43

SOUL 44

GOSPEL SHUFFLE 45

6/8 GOSPEL 46

4/4 BLUES ROCK & ROLL 47

ROCK&ROLL 1 48

ROCK&ROLL 2 49

BOOGIE 50

TWIST C & W BLUEGRASS 1

51 BLUEGRASS 2

52 COUNTRY 2/4

53 8BT COUNTRY

54 COUNTRY ROCK

55 COWBOY BOOG

56 C BALLAD

SYNC STOP

C SHUFFLE

BOSSA NOVA 3

C WALTZ

SALSA

AMERICAS

SAMBA

CAJUN

MAMBO

BANDA

BEGUINE

MARIACHI

MERENGUE

TEJANO

BOLERO LENTO

CUMBIA

ESPAGNOLE

TRAD JAZZ

CARIBBEAN

SWING

REGGAE 12

B B SWING

POP REGGAE

B B BALLAD

BALLROOM LATIN

JAZZ QUARTET

CHA CHA

DIXIELAND

RHUMBA

CONTEMP JAZZ

PASODOBLE

COOL JAZZ

TANGO

JAZZ BALLAD

BALLROOM STD

JAZZ WALTZ

FOXTROT

FUSION

JIVE

LATIN

MARCH & WALTZ

BOSSA NOVA 1

MARCH 1

BOSSA NOVA 2

MARCH 2

TEMPO

TRANSPOSE

ACCOMPANIMENT/SONG VOLUME

MAIN/AUTO FIL

INTRO

SYNC START

R M R H A D S

9 9 9 9 9 9 1

DIGITAL

REVERB

i RECORD Button ..........................................page 51

o START/STOP Button...................... pages 13, 22, 24

!0 DIGITAL EFFECT SECTION

• REVERB Button........................................page 34

• HARMONY Button ....................................page 36

!1 DISPLAY & RELATED CONTROLS

• DISPLAY ..................................................... page 6

• MENU Buttons ............................................page 8

• SUB MENU Buttons.................................... page 8

• VOICE Button ..................................... pages 8, 15

• STYLE Button ..................................... pages 8, 20

• SONG Button ...................................... pages 8, 44

• CARTRIDGE Button ........................... pages 8, 56

• REVOICE Button ...................................... page 58

• TRACK Buttons..................... pages 17, 25, 47, 52

!2 REGISTRATION MEMORY SECTION

• MEMORY Button....................................... page 40

• 1, 2, 3, 4 Buttons............................... pages 33, 40

• FREEZE Button ........................................ page 40

!3 ONE TOUCH SETTING Button....................page 33

!4 NUMBER Buttons ........................................page 15

!5 + and – Buttons............................................page 13

!6 MUSIC CARTRIDGE Slot ............................ page 55

CLICK

36T37

41 4238 40

45 46

M47H

48 49

!7 KEYBOARD SECTION

• DUAL VOICE Button ................................. page 17

• SPLIT VOICE Button ................................ page 18

!8 MULTI PAD SECTION

• STOP Button............................................. page 43

• 1, 2, 3, 4 Buttons....................................... page 43

!9 Keyboard...................................................... page 16

@0 PHONES Jack ............................................. page 11

50 51H5244

53H54

Page 7

Panel Controls

RESS AND HOLD FOR A WHILE.

GIST MEMORY

REGIST BANK MULTI PAD SET

LTI PAD STOP

REVERB TYPE

VERB RMONY

HARMONY TYPE FINGERING

MP ON/OFF

AL VOICE

REVOICE R2 REVOICE L

LIT VOICE

SHORTCUT

6/8 MARCH POLKA STD WALTZ POP WALTZ GERMAN WALTZ VIEN WALTZ 0

MUSETTE

STYLE

FFECT

ARMONY

START/STOP

ENDING

TINKLE BELL

21 ORGAN JAZZ ORGAN 1

22 JAZZ ORGAN 2

23 JAZZ ORGAN 3

24 FULL ORGAN

25 ROCK ORGAN 1

26 ROCK ORGAN 2

27 16+2 ORGAN

28 16+4 ORGAN

29 CHURCH ORG

30 REED ORGAN

31 32

MUSETTE 33

TRAD ACCORD 34

BANDONEON GUITAR 35

CLASSIC GTR 36

FOLK GUITAR 37

12ST GUITAR 38

JAZZ GUITAR 39

OCTAVE 40

CLEAN GUITAR

137~264 GM VOICE

809

MUTE GUITAR

41 HARMONICS

42 OVERDRIVE

43 DISTORTION

44 BASS ACC BASS

45 FINGER BASS

46 FRETLESS

47 SLAP BASS

48 SYNTH BASS 1

49 SYNTH BASS 2

50 ENSEMBLE STRINGS

51 CHAMBER STR

52 SYNTH STR

53 SLOW STR

54 TREMOLO STR

55 VIOLIN+STR

56 PIZZICATO STR

57 CHOIR

58 CHOIR AAHS

59 CHOIR OOHS

MUTLI PAD

SYNTH CHOIR

61 ORCH HIT

62 STRINGS VIOLIN

63 CELLO

64 CONTRABASS

65 BANJO

66 SHAMISEN

67 KOTO

68 HARP

69 SITAR

70 BRASS TRUMPET

71 MUTE TRP

72 TROMBONE

73 TRB SECTION

74 FRENCH HORN

75 TUBA

76 77

BRASS SECT 78

BRASS+SAX 79

BRASS+TRB 80

BRASS+TRP

SY BRASS 1 82

SY BRASS 2 REED 83

SOPRANO SAX 84

ALTO SAX 85

TENOR SAX 86

BARITONE SAX 87

SAX+CLARINET 88

SAX+TRB 89

OBOE 90

ENGLISH HORN 91

BASSOON 92

CLARINET 93

HARMONICA 94

SHANAI 95

BAGPIPE PIPE 96

PICCOLO 97

FLUTE 98

PAN FLUTE 99

RECORDER BOTTLE

KEYBOARD

DUAL VOICE

SPLIT VOICE

100

BOTTLE 101

SHAKUHACHI 102

WHISTLE 103

OCARINA SYNTH LEAD 104

SQUARE 105

SAWTOOTH 106

VOICE LEAD 107

CRYSTAL 108

BRIGHTNESS 109

ANALOG SYNTH PAD 110

FANTASIA 111

BELL PAD 112

XENON PAD 113

ANGELS 114

DARK MOON PERCUSSIVE 115

AGOGO 116

WOODBLOCK TAIKO DRUM

117

MELODIC TOM

118 SYNTH DRUM

119 REV CYMBAL

120 SOUND EFFECTS SEASHORE

121 BIRD TWEET

122 TELEPHONE

123 HELICOPTER

124 APPLAUSE

125 GUNSHOT

126 DRUM KITS STANDARD 1

127 STANDARD 2

128 ROOM

129 ROCK

130 ELECTRONIC

131 ANALOG

132 DANCE

133 JAZZ

134 BRUSH

135 136

CLASSIC

PSR-330

PIANO GRAND PIANO

1 2

001

GrandPno

VOICE L VOICE R2 VOICE R1

46 51 1

REGIST

MEMORY

MULTI PAD

DIGITAL EFFECT

OVERALL

MIDI

ONE TOUCH

REPEAT

FREEZE

REGISTRATION

1234

SYNC

FINGERING

STOP

ACCOM-

PANIMENT

SETTING

MEASURE

MULTI PAD

1234

VOICE VOICE VOICE

LR2R1

REVERB TRANSPOSE

116

HARMONY TEMPO

RHYTHM1BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY

MELODY MELODY MELODY

1234

MINUS ONE SPLIT DUAL

VOICE

STYLE

SONG

REVOICE

TRACK

REGISTRATION MEMORY

FREEZE STOP

HONKY-TONK 3

FUNKY E PIANO 4

DX E PIANO 5

MIDI GRAND 6

HYPER E PIANO 7

BELL E PIANO 8

HARPSICHORD 9

HARPSI CPL 10

CLAVI 11

CELESTA MALLETS 12

VIBRAPHONE 13

MARIMBA 14

XYLOPHONE 15

TUBE BELLS 16

TIMPANI 17

DULCIMER 18

STEEL DRUMS 19

MUSIC BOX 20

KALIMBA

VOICE

123

456

NO YES

4321

57 5856

Rear Panel Controls

■

HRS

C 2

69 70

716564 66 67

7268

IN MIDI OUT SUSTAIN

@1 @2 @3

L76H77L78H79L

7574

DC IN 10-12V

81 82

L84S85L

8887

L89M90O

91 93 9492 95 96

◆ The Music Stand

@1 MIDI IN and OUT Connectors .............. pages 11, 66

@2 SUSTAIN Jack ............................................. page 11

@3 DC IN 10-12V Jack ...................................... page 11

◆ Included Accessories

• Music Stand

• Music Cartridge

The PSR-330 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

Page 8

Basic Display Operation

The PSR-330 LCD panel is a large multi-function type that simultaneously displays and provides access to a number of important parameters. Basic operation of the display as well as the MENU and SUB MENU buttons, and the meaning of the icons which appear in the display, are summarized briefly below.

The Display Icons

CART (Cartridge)

Appears when a Music Cartridge song or style is selected (page 56).

GM (General MIDI)

Appears when one of the PSR-330’s GM voices is selected (pages 14, 83).

REVERB

Appears when the PSR-330 REVERB effect is turned on (page

34).

HARMONY

Appears when the HARMONY effect is turned on (page 36).

TRANSPOSE

The current transpose value (page 38).

VOICE L VOICE R2 VOICE R1

46 51 1

VOICE L, VOICE R2, and VOICE R1

The currently selected L (Left-hand), R2 (Right-hand

2) and R1 (Right-hand 1) voice numbers are displayed in these display locations (page 14).

001

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

GrandPno

VOICE L VOICE R2 VOICE R1

116

BASS CHORD1CHORD2PAD PHRASE1PHRASE

46 51 1

REPEAT

FREEZE

REGISTRATION

1234

SYNC STOP

ONE TOUCH

SETTING

FINGERING

MULTI PAD

1234

MEASURE

116

Shows the current tempo of accompaniment/song playback (page 21).

TEMPO

RHYTHM

MELODY

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

MINUS ONE SPLIT DUAL

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

MELODY

MELODY MELODY MELODY

1234

MINUS ONE SPLIT DUAL

ACCOM-

PANIMENT

VOICE VOICE VOICE

LR2R1

ACCOMPANIMENT TRACKS

The top row of 8 icons light to indicate which of the 8 possible accompaniment tracks are being used for accompaniment playback. They are also used to specify tracks when using the REVOICE function (pages 25, 60).

Page 9

Basic Display Operation

ONE TOUCH

SETTING

1234

FREEZE

1234

REPEAT

Indicates the “A” and “B” repeat points when programming a repeat section, and whether REPEAT PLAY is on or off (page 49).

ONE TOUCH SETTING

Appears when the ONE TOUCH SETTING feature is engaged (page 32).

REGISTRATION 1 … 4 (Registration Memory)

Indicates the currently selected REGISTRATION MEMORY number (page 39).

FREEZE

Appears when the REGISTRATION MEMORY “FREEZE” function is on (page 40).

MULTI PAD 1 … 4

Indicates the currently playing MULTI PAD number (page 43).

BEAT

Flashes at the current tempo and indicates the current beat during accompaniment and song playback. (page 23)

MEASURE

Indicates the current measure number during song recording and playback (page 46).

SYNC STOP

Appears when the A UT O ACCOMPANIMENT SYNC STOP function is engaged (page 24).

FINGERING

Shows the currently selected fingering mode (page 28).

CHORD

Displays the current chord name during AUTO ACCOMPANIMENT playback or SONG recording/playback (page 23).

RHYTHM

MELODY

1234

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

MINUS ONE SPLIT DUAL

VOLUME

These icons show the volume (actually velocity) of each accompaniment track during accompaniment playback, the volume of the melody and accompaniment tracks during song playback, and the volume of the R1, R2 and L voices (pages 26, 45, 59).

MELODY TRACKS 1 … 4, ACCOMPANIMENT TRACK

These icons indicate the playback on/off status of each song

track, and are used to specify tracks for song recording (page 52). They are also used to specify tracks when using the REVOICE function (page 61).

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

VOICE L, VOICE R2, VOICE R1

These icons indicate the on/off status of the L, R2, and R1 voices when the DUAL VOICE and/or SPLIT VOICE functions are used (page 14). They are also used to specify tracks when using the REVOICE function (page 58).

Page 10

Basic Display Operation

The Menus

The buttons to the right of the display directly select one of the PSR-330’s four main function menus: V OICE, STYLE, SONG, and CARTRIDGE. The currently selected menu is indicated by a triangular indicator in the display next to the menu list printed immediately to the right of the display panel. In addition to the menus and functions which are available directly via the PSR-330 panel controls, there is also a range of important “background” functions which can be selected via the MENU and SUB MENU [▲] and [▼] buttons.

REGIST

MEMORY

MULTI PAD

MIDI

DIGITAL EFFECT

OVERALL

001

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

GrandPno

VOICE L VOICE R2 VOICE R1

46 51 1

116

RHYTHM

REPEAT

FREEZE

REGISTRATION

1234

SYNC STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

ONE TOUCH

SETTING

FINGERING

MEASURE

MULTI PAD

1234

VOICE

STYLE

SONG

MELODY

MELODY MELODY MELODY

1234

MINUS ONE SPLIT DUAL

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

The MENU [▲] and [▼] buttons are used to select the menu: REGISTRATION MEMORY, MULTI PAD, MIDI, DIGITAL EFFECT , or O VERALL. The currently selected MENU category is indicated by a triangular indicator in the display next to the menu list printed immediately to the left of the display panel. All of the listed menu categories can be selected by pressing either the MENU [▲] or [▼] button as many times as necessary until the triangular indicator in the display appears next to the name of the desired category. Once a MENU has been selected, the SUB MENU [ ▲] and [▼] buttons can be used to select the desired function. The SUB MENU functions will be described in detail in the appropriate chapters throughout this manual.

Page 11

Basic Display Operation

Shortcuts

To make operation as easy and as efficient as possible, the PSR-330 features a number of “shortcuts” which allow you to jump directly to certain functions without having to use the MENU and SUB MENU buttons. All of these shortcuts work in the same way: press and hold a panel button for a few seconds to go to the related function. For example, if you press and hold the [REVERB] button for a few seconds, you will go directly to the REVERB type selection function. The shortcut buttons and the functions they access are listed on the PSR-330 panel, near the upper left corner of the display . The shorcuts will also be described where appropriate throughout this manual.

REVERB

Reverb

Page 12

Setting Up

This section contains information about setting up your PSR-330 and preparing to play. Be sure to go through this section carefully before using your PSR-330.

Power Supply

Although the PSR-330 will run either from an optional A C adaptor or batteries, Y amaha recommends use of the more enviromentally safe AC adaptor . Follow the instructions below according to the power source you intend to use.

■ Using An Optional AC Power Adaptor

z Plug an optional Yamaha PA-5, PA-5B, or PA-5C Power Adaptor into a wall

AC outlet.

x Then plug the DC output cable from the PA-5, PA-5B, or P A-5C into the DC

IN 10-12V jack on the rear panel of the PSR-330. The internal batteries are

automatically disconnected when an AC Power Adaptor is used.

DC IN 10-12V

PA-5,

PA-5B,

PA- 5C

When turning the power OFF, simply r everse the procedure.

• Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-330 record operation! Doing so can result in a loss of data.

• Use ONLY a Yamaha PA5, PA-5B, or PA-5C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-330.

• Unplug the AC Power Adaptor when not using the PSR-330, or during electrical storms.

■ Using Batteries

For battery operation the PSR-330 requires six 1.5V SUM-1, “D” size, R-20 or equivalent batteries. When the batteries need to be replaced the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries.

Replace the batteries as follows:

z Open the battery compartment cover located on the instrument’ s bottom panel. x Insert the six new batteries, being careful to follow the polarity markings on

the inside of the compartment.

c Replace the compartment cover, making sure that it locks firmly in place.

• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries.

• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.

• If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.

Page 13

Connections

■ The PHONES Jack

A standard pair of stereo headphones can be plugged in here for private practice or

late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.

Setting Up

■ SUSTAIN Jack

An optional Yamaha FC4 or FC5 footswitch can be plugged into the rear-panel

SUSTAIN jack for sustain control. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.

SUSTAIN

■ MIDI IN and OUT Connectors

The MIDI IN connector receives MIDI data from an external MIDI device (such

as a MIDI sequencer) which can be used to control the PSR-330. The MIDI OUT connector transmits MIDI data generated by the PSR-330 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 66.

• Be sure that you do not press the footswitch while turning the power on. If you do, the ON/OFF status of the footswitch will be reversed.

IN MIDI OUT

Page 14

The Demonstration

Once you’ve set up your PSR-330, try listening to the pre-programmed demonstration songs. A total of 20 demo songs are provided.

Switch ON

Turn the power ON by pressing the [POWER] switch.

POWER

ON / OFF

Set an Initial Volume Level

Turn the [MASTER V OLUME] control up (clockwise) about a quarter-turn from

its minimum position. You can re-adjust the [MASTER VOLUME] control for the most comfortable overall volume level after playback begins.

MASTER

VOLUME

MIN MAX

Press the [DEMO] Button

Press the [DEMO] button to start demo playback. The PSR-330 SONG menu will

automatically be selected and the number and name of the first demo song will appear on the top line of the display. The demo will begin playing automatically. The demo songs will play in sequence, and the sequence will repeat until stopped.

DancePop

• You can play along on the PSR-330 keyboard while the demonstration is playing.

• The volume icons will move in response to the data in each track while the demonstration plays.

Page 15

Skip to the Beginning Of a Different Demo Song

While the demonstration is playing you can select any of the demo songs by

using the [–] and [+] buttons. Playback will skip to the beginning of the selected song.

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The Demonstration

Stop When Done

Press the [DEMO] button or the [ST ART/ST OP] button to stop demo playback.

START/STOP

• Demo playback can be restarted after it has been stopped by pressing the [START/STOP] button. In this case the selected demo song will play through to the end and then playback will stop automatically.

• When a demo which uses the PSR-330’s internal accompaniment styles is playing, the names of the chords being played will appear on the display.

• Since playing the demo automatically selects the SONG menu, the SONG menu will remain active when demo playback is stopped. To select and play voices after stopping the demo, for example, you will have to press the [VOICE] button to go to the VOICE menu. The same applies for other menus.

Page 16

Playing the PSR-330

The PSR-330 Voices

The PSR-330 actually includes two voice sets: the “panel” voices and drum kits (listed on the PSR-330 panel), and the GM (General MIDI) voices. The panel voices include 126 “pitched” voices (voice numbers 1 through 126) and 10 drum kits (numbers 127 through 136), while the GM voice set includes 128 pitched voices (voice numbers 137 through 264).

Panel voices 1 … 126 Panel drum kits 127 … 136 GM voices 137 … 264

■ A Word About the “R1”, “R2”, and “L” Voices

The PSR-330 allows up to three voices to be selected at the same time: “R1” (Righthand 1), “R2”, (Right-hand 2) and “L” (Left-hand). Only the “R1” voice is used when you’re playing a single voice o ver the entire range of the keyboard. When you’ re using the DUAL VOICE and/or SPLIT VOICE modes (decribed on pages 17 and 18), however , the “R2” and/or “L” voice will be used as well. The numbers of the currently selected R1, R2, and L voices are all shown on the display panel.

VOICE L VOICE R2 VOICE R1

R1 Voice + R2 Voice

L Voice

(Split Voice Mode + Dual Voice Mode)

46 51 1

R1 Voice

R1 Voice + R2 Voice

VOICE VOICE VOICE

LR2R1

SPLIT DUAL

VOICE VOICE VOICE

LR2R1

SPLIT DUAL

VOICE VOICE VOICE

LR2R1

SPLIT DUAL

VOICE VOICE VOICE

LR2R1

SPLIT DUAL

The R2 and L voices will be discussed in more detail in the DUAL VOICE and SPLIT VOICE sections. For now we’ll describe how to select and play the main R1 voice.

Page 17

Selecting & Playing Voices

Here’s how you can select and play the panel voices.

Select the VOICE Menu

Press the [V OICE] button so that the triangular indicator appears in the display next

to “VOICE” to the right of the display . The number and name of the cur rently selected “R1” voice appears on the top line of the display panel when the VOICE menu is selected.

Playing the PSR-330

001

Select a Panel Voice

The PSR-330 voices can be selected by using the [–] and [+] buttons, the number

buttons, or the [VOICE] b utton. The panel v oices are listed in the VOICE list printed at the top of the instrument’s control panel.

● The [–] and [+] Buttons

When the VOICE menu is selected these b uttons step up or down through the PSR330’s v oices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.

002

GrandPno

VOICE R1

HnkyTonk

VOICE R1

VOICE

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● The Number Buttons

The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices. T o select voice number 109 (AN ALOG LEAD), for example, press the [1], [0], and [9] number buttons in sequence.

109

AnalogLd

VOICE R1

109

123

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Page 18

Playing the PSR-330

One- or two-digit voice numbers can be entered without leading zeros. To select voice number “23” (JAZZ ORGAN 2), for example, simply press the [2] button and then the [3] button. The bars below the voice number on the display will flash for a few seconds, and then disappear when the selected voice number has been recognized by the PSR-330.

023

One- or two-digit voice numbers can also be entered with leading zeroes: e.g. “23” can be entered as “023” by pressing the [0], [2], and [3] buttons. In this case the specified voice number will be immediately recognized by the PSR-330.

JazzOrg2

VOICE R1

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● The [VOICE] Button

Pressing the [VOICE] button increments the voice number. Press briefly to increment by one, or hold for continuous incrementing.

VOICE

Play & Adjust Volume

Y ou can no w play the selected voice on the PSR-330 keyboard. Use the [MASTER VOLUME] control to adjust the overall volume level.

If the V oice Set function (page 65) is turned “on”, whenever a panel voice is selected appropriate “R2” and “L” voices (i.e. DUAL VOICE and SPLIT VOICE modes) as well as digital effects, etc., will be automatically selected at the same time.

MASTER

VOLUME

• The PSR-330’s GM voices are selected in the same way as the panel voices, as described above.

• When a GM voice is selected the GM icon will appear below the voice number.

• Refer to page 74 for a complete list of the panel and GM voices.

MIN MAX

Page 19

◆ Keyboard Percussion

When one of the 10 panel DRUM KIT voices are selected (voice numbers 127 through 136) you can play different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols below the keys.

127

● The Drum Kits

127 Standard Kit1 128 Standard Kit2 129 Room Kit 130 Rock Kit 131 Electronic Kit

Std.Kit1

VOICE R1

132 Analog Kit 133 Dance Kit 134 Jazz Kit 135 Brush Kit 136 Classic Kit

127

VOICE

Playing the PSR-330

• The HARMONY effect (page 35) cannot be turned on while a drum kit is selected for the “R1” voice, and will automatically be turned off if a drum kit is selected while HARMONY is on.

• The TRANSPOSE parameter (page 38) has no effect on the drum kit voices.

• When a drum kit is selected the OCTAVE parameter (page 58) is automatically set to “–1”.

• See page 78 for a complete listing of the keyboard percussion drum instrument assignments.

The Dual Voice Mode

When the DU AL V OICE mode is engaged you can play two voices (the R1 and R2

voices) simultaneously across the entire keyboard.

The DUAL VOICE mode is turned on and off by pressing the [DUAL VOICE]

button. When the DU AL VOICE mode is tur ned on both R1 and R2 icons in the display will light. Press the [DUAL V OICE] button a second time to turn the DU AL VOICE mode off: the R2 icon in the display will go out leaving only the R1 icon lit.

VOICE VOICE VOICE

LR2R1

DUAL

The R2 TRACK button belo w the display can also be used to turn the R2 v oice on

or off as required (when a frame appears around the voice icons).

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

KEYBOARD

DUAL VOICE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

DUAL

• The R1/R2 voice settings can be changed as required by using the REVOICE function, described on page 58.

• The R1 voice cannot be turned off.

• The DUAL VOICE mode can be used at the same time as the SPLIT VOICE mode, described below. In this case the L voice is played on the lefthand section of the keyboard while both the R1 and R2 voices are played on the right-hand section of the keyboard. See the “The Split Voice Mode” section, below, for more information.

TRACK

Page 20

Playing the PSR-330

The Split Voice Mode

The SPLIT V OICE mode lets you play different voices with the left and right hands. Y ou could, for example, play bass with the left hand (the L voice) w hile playing piano with the right (the R1 or R1 and R2 voices). The “split point” is initially set at B2 (note number 59), but it can be set at any key on the keyboard.

The SPLIT VOICE mode is eng aged by pressing the [SPLIT VOICE] button. When turned on, the L icon in the display will light in addition to the R1 or R1 and R2 icons. Press the [SPLIT VOICE] button a second time to disengage the SPLIT VOICE mode: the L icon will go out leaving only the R voice.

Split Point (59)

The L TRA CK button below the displa y can also be used to turn the L voice on or off as required (when a frame appears around the voice icons).

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

SPLIT

VOICE VOICE VOICE

LR2R1

SPLIT

SPLIT VOICE

• The L/R1/R2 voice settings can be changed as required by using the REVOICE function, described on page 58.

• The split point can be changed as required as described below.

• The SPLIT VOICE mode can be used at the same time as the DUAL VOICE mode, described above. In this case the L voice is played on the lefthand section of the keyboard while both the R1 and R2 voices are played on the right-hand section of the keyboard. See the “The Dual Voice Mode” section, above, for more information.

TRACK

Changing the SPLIT VOICE Split Point

The SPLIT VOICE split point can be set to any key on the PSR-330 keyboard to

match your individual playing requirements.

Select the SPLIT VOICE Split Point Function

Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular

indicator next to “OVERALL” on the left side of the display.

MIDI

DIGITAL EFFECT

OVERALL

Page 21

Playing the PSR-330

Then use the SUB MENU [▲] and [▼] buttons to select the “S.Split” function

from within the OVERALL menu . The MIDI note number corresponding to the current split point will appear to the left of “S.Split” on the top line of the display .

Set As Required

059

S.Split

Simply press the key you w ant to assign as the split point. T he key number of

the key you press will appear to the left of “S.Split” on the top line of the display . Y ou can also use the [–] and [+] b uttons or number buttons to enter the split point key number. The lowest key on the keyboard (C1) is ke y number “36”, middle C (C3) is “60”, and the highest key (C5) is 96. The split point can be set at any key number from 0 through 127, allowing the split point to be set outside the range of the PSR-330 keyboard for MIDI applications.

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• The split point key becomes the highest key in the lefthand section of the keyboard.

• The default split point (59) can be instantly recalled by pressing the [–] and [+] buttons at the same time.

• The SPLIT VOICE split point and AUTO ACCOMPANIMENT split point (page

27) can be independently specified, with the following limitations. The SPLIT VOICE split point cannot be set at a lower key than the AUTO ACCOMPANIMENT split point (if you attempt to do this the AUTO ACCOMPANIMENT split point will be set to the same key as the SPLIT VOICE split point). Conversely, the AUTO ACCOMPANIMENT split point cannot be set at a higher key than the SPLIT VOICE split point (if you attempt to do this the SPLIT VOICE split point will be set to the same key as the AUTO ACCOMPANIMENT split point).

• The split point cannot be set via the keyboard while Auto Accompaniment is playing.

Page 22

Auto Accompaniment

The PSR-330 has 100 different accompaniment “styles” that can be used to pro vide fullyorchestrated or rhythm-only accompaniment. The PSR-330’s sophisticated AUTO ACCOMP ANIMENT system can provide automated bass and chord bac king that is perfectly matched to the selected accompaniment style.

When Auto-Accompaniment is turned on, the specified left-hand section of the keyboard becomes the “auto accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.

AUTO ACCOMPANIMENT

split point (54)

“auto accompaniment”

section

Using Auto Accompaniment

Select the Style Menu

Press the [STYLE] button to select the STYLE menu (the triangular indicator will

appear next to “STYLE” to the right of the display). The number and name of the currently selected style will appear on the top line of the display, and the accompaniment track and volume icons in the display will appear framed.

001

REVERB TRANSPOSE

HARMONY TEMPO

MELODY

8BtPop1

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION1MULTI PAD

116

SYNC

FINGERING

RHYTHM

MELODY MELODY MELODY

1234

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

ACCOM-

PANIMENT

MEASURE

VOICE VOICE VOICE

LR2R1

DUAL

VOICE

STYLE

SONG

Page 23

Auto Accompaniment

Select a Style

The PSR-330 has 100 styles that can be selected by using the [–] and [+] buttons,

the number buttons, or the [STYLE] button (these controls function in the same way as for voice selection — see page 15). The styles are listed in the STYLE list printed at the top of the instrument’s control panel.

123

456

• See page 57 for details on selecting cartridge styles.

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Turn AUTO ACCOMPANIMENT On

STYLE

Press the AUTO ACCOMPANIMENT [ON/OFF] so that its indicator lights.

ON/OFF

AUTO

Set the Tempo

ACCOMPANIMENT

When you select a different style while the accompaniment is not playing, the “default” tempo for that style is also selected, and the tempo is displayed immediately above “TEMPO” in the display in quarter-note beats per minute. If the accompaniment is playing and the One T ouch Setting function is off (page 32), the same tempo is maintained even if you select a different style.

• If AUTO ACCOMPANIMENT is off, only rhythm (drums and percussion) accompaniment will be produced.

You can change the tempo to any value between 32 and 280 beats per minute,

however, by using the TEMPO [ ▼] and [▲ ] buttons. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.

TEMPO

When either of the TEMPO buttons is pressed the cur rent tempo value will appear

on the top line of the display for a few seconds — during this time the number or [–] and [+] buttons can also be used to set the tempo. The default tempo for the selected style can be recalled at any time by pressing both the TEMPO [▼] and [ ▲] buttons simultaneously (or by pressing the [–] and [+] buttons simultaneously while the tempo value is showing on the top line of the display).

120

REVERB TRANSPOSE

120

HARMONY TEMPO

Tempo

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION1MULTI PAD

MEASURE

Page 24

Auto Accompaniment

Start the Accompaniment

There are several ways to start the accompaniment:

● Straight start

Press the [ST ART/STOP] button. The rhythm will begin playing immediately without bass and chord accompaniment. The currently selected MAIN [A] or [B] section will play.

START/STOP

● Start with an introduction followed by the MAIN A variation

Press the [INTRO] b utton so that its indicator lights, press the MAIN/A UTO FILL [A] button (not necessary if its indicator is already flashing), then press [ST ART/STOP].

SYNC

STOP

START

SYNC STOP

SYNC

START

MAIN/AUTO FILL ENDINGINTRO

START/STOP

• It is possible to select the MAIN A or B section prior to a straight start — refer to “7. Select the MAIN A and B Sections as Required,” below.

● Start with an introduction followed by the MAIN B variation

Press the [INTRO] b utton so that its indicator lights, press the MAIN/A UTO FILL [B] button (not necessary if its indicator is already flashing), then press [START/STOP].

SYNC STOP

SYNC

START

MAIN/AUTO FILL ENDINGINTRO

START/STOP

● Synchronized start

Any of the above start types can be synchronized to the first note or chord played on the left-hand section of the keyboard (i.e. keys to the left of and including the split-point key — normally 54) by first pressing the [SYNC START] button.

SYNC STOP

SYNC

START

MAIN/AUTO FILL ENDINGINTRO

• If you press the [SYNC START] button while the accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged.

• The [INTRO] button can be used to select the INTRO section even while the accompaniment is playing.

• The accompaniment split point can be changed via the “Accompaniment Split Point” function in the OVERALL menu — see page 27.

Page 25

Auto Accompaniment

Pressing the [SYNC START] button alone causes a straight start to occur when the first note or chord is played. Press the [SYNC START] b utton and then the appropriate [INTRO] and [MAIN/AUTO FILL] buttons for a synchronized introduction start. The BEAT indicator will flash at the current tempo when a synchronized start mode has been selected. The synchro start mode can be disengaged prior to actually starting the accompaniment by pressing the [SYNC START] button a second time.

SYNC STOP

SYNC

START

MAIN/AUTO FILL ENDINGINTRO

• When the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point are set at different keys, the L voice can be played between the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point when the AUTO ACCOMPANIMENT function is on.

• When the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point are set to the same key, the L voice can be played anywhere to the left of the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point while AUTO ACCOMPANIMENT is not playing.

Play On the Auto-accompaniment Section Of the Keyboard

As soon as you play any chord that the PSR-330 can “recognize” on the lefthand section of the keyboard, the PSR-330 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The name of the current chord will appear on the display. The accompaniment will continue playing even if you release the keys (unless the Synchro Stop function is engaged — page 24).

ATION MULTI PAD

FINGERING

● The Beat Indicator

The four dots of the BEA T indicator provide a visual indication of the selected tempo as shown below.

4/4 time 3/4 time

1st beat 2nd beat 3rd beat 4th beat

• The PSR-330 has several fingering modes which allow you to play chords in different ways. See “The Auto Accompaniment Fingering Modes” on page 28 for details.

Select the MAIN A and B Sections as Required

The MAIN A and MAIN B sections can be selected at any time during playback

by pressing the corresponding button. Whenever you press the MAIN/AUTO FILL [A] or [B] button during playback, the PSR-330 will generate an appropriate “fill-in” (one of four types: AA, AB, BA, and BB) which will smoothly connect the current section to the selected section — even if it is the same section. For

Page 26

Auto Accompaniment

example, if you press the MAIN/AUTO FILL [A] button while the MAIN A section is playing, a fill-in will be produced, then the MAIN A section will continue playing. When you select a different section, the fill-in will begin immediately and the new section will actually begin playing from the top of the next measure unless the MAIN/A UTO FILL [A] or [B] button is pressed during the last beat of the measure, in which case the fill-in will begin from the first beat of the next measure.

SYNC STOP

Stop the Accompaniment

The accompaniment can be stopped at any time by pressing the [START/

STOP] b utton. Press the [ENDING] button if you want to go to the ending section

and then stop. The ending section will begin from the top of the next measure.

START/STOP

SYNC STOP

SYNC

START

SYNC

START

MAIN/AUTO FILL ENDINGINTRO

• The MAIN A section is automatically selected whenever the PSR-330 power is initially turned on.

• The indicator of the destination section (MAIN A or B) will flash while the corresponding fill-in is playing. During this time you can change the destination section by pressing the appropriate MAIN/AUTO FILL [A] or [B] button.

• Some INTRO and ENDING sections have their own chord progressions which play in the current accompaniment key.

• If the MAIN/AUTO FILL [A] or [B] button is pressed while the ENDING section is playing, an appropriate fill-in will be played, followed by a return to the MAIN A or B section.

• The accompaniment volume can be adjusted independently of the keyboard volume via the ACCOMPANIMENT/SONG VOLUME

▼

] and [▲] buttons (page

[

26).

◆ The Synchro Stop Function

When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the auto-accompaniment section of the keyboard are released. Accompaniment playback will start again as soon as a chord is play ed. The BEAT indicators in the display will flash while the accompaneiment is stopped.

The Synchro Stop function is engaged by pressing the [SYNC STOP] button so that the SYNC STOP icon in the display appears. Press the [SYNC STOP] button again so that the icon disappears to turn the Synchro Stop function off.

SYNC STOP

REPEAT

GISTRATION MULTI PAD

SYNC STOP

FINGERING

MEASURE

• The Synchro Stop function can not be turned on when the FULL KEYBOARD AUTO ACCOMPANIMENT fingering mode is selected. The Synchro Stop function will be automatically turned off if the FULL KEYBOARD fingering mode is selected while the Synchro Stop func-

tion is on.

Page 27

Auto Accompaniment

Accompaniment Track Muting

The PSR-330 has eight accompaniment tracks — RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, and PHRASE 2 — that you can control to modify the “orchestration” and therefore the overall sound of the accompaniment. When a style is selected the icons corresponding to the tracks which contain data for any section of that style will light.

● What’s in the Tracks

RHYTHM 1 & 2 These are the main rhythm tracks. The RHYTHM tracks produce the

drum and percussion sounds.

BASS The BASS track always plays a bass line, but the voice will change to

fit the selected style … acoustic bass, synth bass, tuba, etc.

CHORD 1 & 2 These tracks provide the rhythmic chordal accompaniment required by

each style. You’ll find guitar, piano , and other chordal instruments here.

PAD This track pla ys long chords where necessary, using sustained instru-

ments such as strings, organ, choir.

PHRASE 1 & 2 This is where the m usical embellishments reside. The PHRASE trac ks

are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.

• Individual track voices, volume, and other parameters can be changed by using the REVOICE function — page 58.

■ Muting Individual Tracks

Individual accompaniment tracks can be turned OFF (muted) or ON by using the

TRACK buttons corresponding to the target tracks. The track icon will disappear when a track is muted.

RHYTHM

MELODY

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

ACCOM-

PANIMENT

TRACK

VOICE VOICE VOICE

LR2R1

DUAL

Page 28

Auto Accompaniment

Accompaniment Volume Control

When the STYLE menu is selected (i.e. the accompaniment track and volume icons are framed) the volume of the accompaniment in relation to the keyboard can be adjusted for the best overall balance by using the ACCOMPANIMENT/SONG VOLUME [▼] and [▲] buttons. When either button is pressed the current accompa- niment volume setting will appear on the top line of the display for a few seconds. The accompaniment volume range is from “0” (no sound) to “127” (maximum volume). The default setting is “100”. Press the ACCOMPANIMENT/SONG VOLUME [▼] button to decrease the volume or the [▲] button to increase the volume. Pressing briefly to single step, or hold for continuous decrementing/incrementing.

ACCOMPANIMENT/SONG VOLUME

100

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

MELODY

AccVol

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION1MULTI PAD

116

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

ACCOM-

PANIMENT

MEASURE

VOICE VOICE VOICE

LR2R1

DUAL

While the accompaniment volume setting appears on the top line of the display the number or [–] and [+] buttons can also be used to set the accompaniment volume.

Page 29

Changing the Accompaniment Split Point

The AUTO ACCOMPANIMENT split point can be set to any k ey on the PSR-330

keyboard to match your individual playing requirements.

Select the Accompaniment Split Point Function

Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular

indicator next to “OVERALL” on the left side of the display.

MIDI

DIGITAL EFFECT

OVERALL

Auto Accompaniment

Then use the SUB MENU [▲] and [▼] buttons to select the “AccSpPnt” function

from within the OVERALL menu . The MIDI note number corresponding to the current split point will appear to the left of “ AccSpPnt” on the top line of the display.

Set As Required

054

AccSpPnt

Simply press the key you want to assign as the split point. The key number of the

key you press will appear to the left of “ AccSpPnt” on the top line of the display . Y ou can also use the [–] and [+] buttons or number buttons to enter the split point key number. The lowest key on the keyboard (C1) is key number “36”, middle C (C3) is “60”, and the highest key (C5) is 96. The split point can be set at any key number from 0 through 127, allowing the split point to be set outside the range of the PSR-330 keyboard for MIDI applications.

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456

7809

• The split point key becomes the highest key in the Auto Accompaniment section of the keyboard.

• The default split point (54) can be instantly recalled by pressing the [–] and [+] buttons at the same time.

• The split point cannot be set via the keyboard while Auto Accompaniment is playing.

NO YES

Page 30

Auto Accompaniment

◆ Interaction Between the AUTO ACCOMPANIMENT and

SPLIT VOICE Split Points

The SPLIT V OICE split point (page 18) and A UTO ACCOMP ANIMENT split point can be independently specified, with the following limitations. The SPLIT VOICE split point cannot be set at a lower ke y than the A UTO ACCOMP ANIMENT split point (if you attempt to do this the A UTO ACCOMP ANIMENT split point will be set to the same key as the SPLIT VOICE split point). Conversely, the AUTO ACCOMPANIMENT split point cannot be set at a higher key than the SPLIT VOICE split point (if you attempt to do this the SPLIT V OICE split point will be set to the same k ey as the AUTO ACCOMPANIMENT split point).

AUTO ACCOMPANIMENT

split point

Accompaniment

AUTO ACCOMPANIMENT split point/

Accompaniment/

L Voice

SPLIT VOICE split point

L Voice

SPLIT VOICE split point

R Voice

The Auto Accompaniment Fingering Modes

The PSR-330 AUTO ACCOMPANIMENT feature has five different fingering

modes which can be selected as follows.

Select the Fingering Mode Function

Use the MENU [▲] and [▼] buttons to the left of the display to move the triangular

indicator next to “OVERALL” on the left side of the display.

MIDI

DIGITAL EFFECT

OVERALL

• You can jump directly to the “FngrngMd” function by pressing and holding the AUTO ACCOMPANIMENT [ON/OFF] button for a few seconds.

Page 31

Auto Accompaniment

Then use the SUB MENU [▲] and [▼] buttons to select the “FngrngMd” function

from within the OVERALL menu. The abbreviated name of the current fingering mode will appear to the left of “FngrngMd” on the top line of the display.

FngrngMd

Select the Required Fingering Mode

Use the [–] and [+] buttons to select the desired fingering mode:

SF Single Finger

F1 Fingered 1 F2 Fingered 2

FuL Full Keyboard

MuL Multi-finger

● SF: The SINGLE FINGER Mode

FngrngMd

Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the A UTO ACCOMPANIMENT section of the keyboard. The abbreviated chord fingerings described below are used:

■ For a major chord, press the root key only.

■ For a minor chord, simultaneously press the root key and a

black key to its left.

■ For a seventh chord, simultaneously press the root key and a

white key to its left.

■ For a minor-sev enth chord, simultaneously press the root key

and both a white and black key to its left.

Page 32

Auto Accompaniment

● F1: The FINGERED 1 Mode

The Fingered 1 mode lets you finger your own c hor ds on the AUTO ACCOMPANIMENT section of the keyboard (i.e. all keys to the left of and including the splitpoint key — normally 54) while the PSR-330 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The FINGERED 1 mode recognizes the following chords:

FngrngMd

Chord Name/[Abbreviation] Normal Voicing

Major [M] 1 - 3 - 5 Add ninth [(9)] 1 - 2 - 3 - 5 Sixth [6] 1 - (3) - 5 - 6 Sixth add ninth [6(9)] 1 - 2 - 3 - (5) - 6 Major seventh [M7] 1 - 3 - (5) - 7 or

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 Major seventh sharp eleventh [M7#11] 1 - 2 - 3 - #4 - (5) - 7 or

Flatted fifth [(b5)] 1 - 3 - b5 Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 Suspended fourth [sus4] 1 - 4 - 5 Augmented [aug] 1 - 3 - #5 Major seventh augmented [M7aug] 1 - (3) - #5 - 7 Minor [m] 1 - b3 - 5 Minor add ninth [m(9)] 1 - 2 - b3 - 5 Minor sixth [m6] 1 - b3 - 5 - 6 Minor seventh [m7] 1 - b3 - (5) - b7 Minor seventh add ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Minor seventh eleventh [m7_11] 1 - (2) - b3 - 4 - 5 - (b7) Minor major seventh [mM7] 1 - b3 - (5) - 7 Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 Diminished [dim] 1 - b3 - b5 Diminished seventh [dim7] 1 - b3 - b5 - 6 Seventh [7] 1 - 3 - (5) - b7 or

Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 Seventh flatted thirteenth [7b13] 1 - 3 - 5 - b6 - b7 Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 Seventh sharp eleventh [7#11] 1 - 2 - 3 - #4 - (5) - b7 or

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 Seventh augmented [7aug] 1 - 3 - #5 - b7 Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 One plus two plus five [1+2+5] 1 - 2 - 5

1 - (3) - 5 - 7

1 - (2) - 3 - #4 - 5 - 7

1 - (3) - 5 - b7

1 - (2) - 3 - #4 - 5 - b7

Chord (C) Display

CC C(9) C(9) C6 C6 C6(9) C6(9) CM7 CM7

CM7(9) CM7(9) CM7#11 CM7#11

C(b5) C(b5) CM7b5 CM7b5 Csus4 Csus4 Caug Caug CM7aug CM7aug Cm Cm Cm(9) Cm(9) Cm6 Cm6 Cm7 Cm7 Cm7(9) Cm7(9) Cm7_11 Cm7 11 CmM7 CmM7 CmM7(9) CmM7(9) Cm7b5 Cm7b5 CmM7b5 CmM7b5 Cdim Cdim Cdim7 Cdim7 C7 C7

C7(b9) C7(b9) C7b13 C7b13 C7(9) C7(9) C7#11 C7#11

C7(13) C7(13) C7(#9) C7(#9) C7b5C7b5 C7aug C7aug C7sus4 C7sus4 C1+2+5 C

• Notes in parentheses can be omitted.

• If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function).

• An octave produces accompaniment based only on the root.

• A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.

• The chord fingerings listed are all in “root” position, but other inversions can be used — with the following exceptions:

5, 6, m6,

m7, m7 sus4, aug, dim7,

5, 6(9), m7_11,

7 1+2+5.

• Inversion of the

7sus4, 7 not recognized if the 5th is omitted.

11 chord are

Page 33

Example for “C” chords

(9)

Auto Accompaniment

(9)

#11

(b5)

Csus

CmM

(9)

( )

Caug

CmM

( )

#11

( )

(9)

( )

CM aug

( )

(13)

( )

CmM

(#9)

( )

Cdim

( )

(9)

Cdim

C aug

( )

C sus

● F2: The FINGERED 2 Mode

FngrngMd

This is essentially the same as the FINGERED 1 mode, described above, except that the FINGERED 2 mode additionally allows you to specify the lowest note of each chord — simply, the lowest note played in the AUTO ACCOMPANIMENT section of the keyboard is used as the accompaniment bass note. This means you can specify “on-bass” chords in which the main bass note for the chord is not the root of the chord. For a C major chord, for example, you could use E (the third) or G (the fifth) as the bass note rather than C.

C C on E C on G

( )

(9)

( )

(b9)

( )

1+2+5

7 11

–

( )

b13

● FuL: The FULL KEYBOARD Mode

FuL

In this mode the PSR-330 automatically differentiates between left-hand chords and right-hand melody, no matter where they are played on the keyboard. Righthand chords with a left-hand bass line — single or octave — are also recognized. In the first case left-hand chords are recognized and accompaniment is produced in the same way as in the FINGERED 1 mode, in the latter case the right-hand chords are recognized in the same way but the accompaniment bass line will be based on the left-hand bass line you play. T his means you can play in just about any style anywhere on the keyboard, and the PSR-330 will automatically produce appropriate accompaniment.

FngrngMd

• A single note one octave lower than the lowest note of the chord is recognized as a bass note, and notes eleven notes or more higher are recognized as melody notes.

Page 34

Auto Accompaniment

● MuL: The MULTI-FINGER Mode

muL

FngrngMd

This is the default accompaniment mode. The MULTI-FINGER mode automatically detects SINGLE FINGER or FINGERED 1 chord fingerings, so you can use either type of fingering without having to switch fingering modes.

◆ The Stop Accompaniment Function

While the SINGLE FINGER, FINGERED 1, FINGERED 2, or MULTI-FINGER mode is selected chords played in the AUTO ACCOMPNIMENT section of the keyboard are also detected and played by the PSR-330 Auto Accompaniment system when the accompaniment is stopped (except when the FULL KEYBOARD mode is engaged). In this case the bass note and chord voices are selected automatically.

• When the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point are set to the same key, the L voice and the automatically selected bass note will sound.

One Touch Setting

The PSR-330’s 100 internal styles eac h have four recommended “panel setups” that

can be instantly selected via the [ONE TOUCH SETTING] and REGISTRATION MEMORY [1] … [4] buttons. The One Touch Setting feature automatically sets the following parameters:

● One Touch Setting Parameter List

• R1 Voice (Voice number, volume, octave, pan, reverb level)

• Dual Voice ON/OFF

• R2 Voice (Voice number, volume, octave, pan, reverb level)

• Split Voice ON/OFF

• L Voice (Voice number, volume, octave, pan, reverb level)

• Split Point: Split Voice=59

: Auto Accompaniment=54

• Tempo=Default (for the currently selected style)

• Auto Accompaniment=ON

• Main A/B section

• Accompaniment Track data (Style parameters=default, Track ON/OFF)

• Synchro start=ON

• Accompaniment volume=100

• Harmony ON/OFF, type, volume

• Reverb ON/OFF

• Reverb type

• Multi Pad Set number

• Chord Match ON/OFF=Default (Multi Pad1…4)

Page 35

Auto Accompaniment

Select a Style

Select the STYLE menu and select an accompaniment style as described on page

20.

Press the [ONE TOUCH SETTING] Button

Press the [ONE TOUCH SETTING] button. The ONE TOUCH SETTING and

REGIST [1] icons will appear in the display, and the ONE TOUCH SETTING type 1 panel settings will be recalled. At the same, AUTO ACCOMPANIMENT will automatically be turned on if it was off, and the SYNC START mode will be engaged.

ONE TOUCH

REPEAT

SETTING

MEASURE

REGISTRATION

1234

MULTI PAD

Select a ONE TOUCH SETTING Type, as Required

If you want to select a different REGISTRATION MEMOR Y, use the REGISTRATION MEMORY buttons to select the desired ONE TOUCH SETTING type. The corresponding number will appear in the display, and all setting will change according to the recalled data.

REGISTRATION MEMORY

4321

Turn ONE TOUCH SETTING Off When Done

REGISTRATION

1234

REPEAT

ONE TOUCH

SETTING

MEASURE

MULTI PAD

Press the [ONE TOUCH SETTING] button so that the ONE TOUCH SETTING icon in the display disappears to turn the ONE TOUCH SETTING feature off.

• “No OTS” will appear on the display if an optional cartridge style which has no ONE TOUCH SETTING data is selected.

Page 36

Digital Effects

The PSR-330 has digital REVERB and HARMONY effects that can be used to add extra ambience and depth to your sound.

Reverb

The PSR-330 has 8 digital reverb ef fects that simulate the natural re verberation of

a range of acoustic environments. There’s also an “Off” setting:

1 Hall 1 2 Hall 2 3 Room 1

4 Room 2 5 Plate 1 6 Plate 2

7 Delay 1 8 Delay 2 9 Off

Turning the Reverb Effect On or Off

Press the [REVERB] button so that the REVERB icon appears in the display to turn

the selected REVERB effect on. Press [REVERB] a second time so that the REVERB icon disappears to turn the REVERB effect off.

REVERB

HARMONY TEMPO

The [REVERB] buttons affect the rev erb applied to all PSR-330 sound: i.e. the R1,

R2, and L voices, accompaniment playback, song playback, and the MULTI PADs (see “The Multi Pads” on page 41). Overall rev erb can be turned off by selecting the “Off” reverb type as described below.

REVERB TRANSPOSE

116

• When the Voice Set function is ON (page

65), the REVERB effect will be turned on or off according to the selected R1 panel voice.

Selecting a Reverb Type

Select the Digital Effect “Reverb” Function

Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display

next to “DIGITAL EFFECT”.

OVERALL

MIDI

DIGITAL EFFECT

• You can also jump directly to the DIGITAL EFFECT REVERB TYPE function by pressing and holding the [REVERB] button for a few seconds.

Page 37

Then use the SUB MENU [▲] and [▼] buttons to select “Reverb”. After a few

seconds the name of the currently selected REVERB type will appear on top line of the display.

Reverb

Hall1

Select a Reverb Effect

Use the [–] and [+] buttons or number buttons to select the desired REVERB ef fect

(the name of the selected REVERB effect will appear on the top line of the display). Select “OFF” if you want no REVERB effect on any part of the PSR-330 sound.

Digital Effects

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7809

NO YES

Harmony

When HARMONY is on and HARMONY type 1 through 4 is selected (see list below), playing single notes or chords on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords (AUTO ACCOMPANIMENT m ust be on). HARMONY types 5 through 25 ar e delay-based effects which do not depend on the A UTO ACCOMPANIMENT chords. Harmony is applied to the R1 voice. When chords are played the harmony is based on the last note played (i.e. last-note priority).

The PSR-330 has 25 different harmony types, as listed below.

Type Description

1 Duet An extra note is added to the melody

to produce duet type harmony.

2 Trio Two notes are added below the

melody for three-part harmony.

Type Description

3 Country One note is added above the melody

for a country-style harmony feel.

4 Octave One note is added an octave below

the melody.

Page 38

Digital Effects

Type Description Type Description

5 Trill 1/4 6 Trill 1/6 7 Trill 1/8 8 Trill 1/12

9 Trill 1/16 10 Trill 1/24 11 Trill 1/32 12 Tremolo 1/4 13 Tremolo 1/6 14 Tremolo 1/8 15 Tremolo 1/12 16 Tremolo 1/16 17 Tremolo 1/24 18 Tremolo 1/32

Two notes played on the keyboard are played alter-

nately at the currently set tempo.

A tremolo effect is applied

to the melody at the currently set tempo.

19 Echo 1/4 20 Echo 1/6 21 Echo 1/8 22 Echo 1/12 23 Echo 1/16 24 Echo 1/24 25 Echo 1/32

An echo effect is applied to

the melody at the currently set tempo.

Turning the Harmony Effect On or Off

Press the [HARMONY] button so that the HARMONY icon appears in the display

to turn the selected HARMONY effect on. Press [HARMONY] a second time so that the HARMONY icon disappears to turn the HARMONY effect off.

HARMONY

REVERB TRANSPOSE

HARMONY TEMPO

116

Selecting a Harmony Type

Select the Digital Effect “Harmony” Function

Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display

next to “DIGITAL EFFECT”.

MIDI

DIGITAL EFFECT

• HARMONY can not be turned on when a drum kit is selected for the R1 voice.

• HARMONY can not be turned on when the FULL KEYBOARD AUTO ACCOMPANIMENT fingering mode is selected even if AUTO ACCOMPANIMENT is on. HARMONY will be automatically turned off if the FULL KEYBOARD fingering mode is selected while the HARMONY effect is on.

• HARMONY is automatically turned off during song playback.

• When the Voice Set function is ON (page

65), the HARMONY effect settings may change according to the selected R1 panel voice.

• When a “Trill” harmony type (7 … 12) is selected, two notes played on the keyboard will sound alternately at the specified note value.

OVERALL

Page 39

Then use the SUB MENU [▲] and [▼] buttons to select “Harmony”. After a few

seconds the name of the currently selected HARMONY type will appear on top line of the display.

Harmony

Duet

Select a Harmony Type

Use the [–] and [+] buttons or number buttons to select the desired HARMONY type

(the name of the selected HARMONY type will appear on the top line of the display).

Digital Effects

• You can also jump directly to the DIGITAL EFFECT HARMONY TYPE function by pressing and holding the [HARMONY] button for a few seconds.

Adjusting the Harmony Volume

The volume of the harmony sound in relation to the keyboard sound can be adjusted for HARMONY types 1 through 4 as follows (HARMONY types 5 through 25 are not affected):

Select the Digital Effect “HarmVol” Function

Use the MENU [▲] and [▼] buttons to move the triangular indicator in the display next to “DIGIT AL EFFECT”, then use the SUB MENU [▲] and [▼] b uttons to select “HarmV ol”. T he current harmony volume setting will appear to the left of “HarmVol” on the display.

100

HarmVol

Adjust the Harmony Volume

Use the [–] and [+] buttons or number buttons to adjust the harmony volume as required. The range is from “0” to “127” — “0” is minimum (no sound) and “127” is maximum volume.

Page 40

Transpose

This functions allow the overall pitch of the PSR-330 to be transposed up or down by a maximum of one octave in semitone increments.

Setting Transposition

Use the TRANSPOSE [▼] and [▲] buttons to set the desired degree of transposi-

tion. Press either button briefly to decrement or increment by one, or hold for continuous decrementing or incrementing. The current transpose value will appear on the top line of the display for a few seconds whenever one of the TRANSPOSE b uttons is pressed — during this time the [–] and [+] buttons or number buttons can also be used to set the transpose value (the transpose value also appears continuously above “TRANSPOSE” in the display).

TRANSPOSE

-02

REVERB TRANSPOSE

Transpos

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

• Press the TRANS-

• The new TRANS-

• The TRANSPOSE

▼

POSE [ buttons simultaneously to instantly reset the transpose value to “0”.

POSE value will take effect from the next key played.

value cannot be changed during song playback or while the record mode is engaged.

] and [▲]

The transpose range is from –12 to +12. Each step corresponds to one semitone, allowing a maximum upward or downw ard transposition of 1-octave. A setting of “0” produces the normal pitch.

Page 41

Registration Memory

The PSR-330 Registration Memory feature can be used to memorize 32 complete controlpanel setups (8 banks, 4 setups each) that you can recall whenever needed.

Registering the Panel Settings

Set Up the Controls as Required

Make the desired control settings. The following settings ar e memorized by the

Registration Memory function:

● Data Stored By the Registration Memory

VOICE PARAMETERS

• R1 Voice (Voice number, volume, octave, pan, reverb send level)

• Dual Voice ON/OFF

• R2 Voice (Voice number, volume, octave, pan, reverb send level)

• Split Voice ON/OFF

• L Voice (Voice number, volume, octave, pan, reverb send level)

• Split Point (Split Voice)

• Touch Sensitivity

• Reverb ON/OFF

• Harmony ON/OFF, type, volume

• Scale Tuning

ACCOMPANIMENT PARAMETERS

• Auto Accompaniment ON/OFF

• Style number

• Fingering mode

• Tempo

• Split point (Auto Accompaniment)

• Accompaniment volume

• Track data (Track ON/ OFF, voice, volume, pan, reverb send level)

• Accompaniment section (Main A/B)

• Multi Pad Set number

• Chord Match ON/OFF (Multi Pad1…4)

• Transpose*

• Reverb type

* The transpose value will not be af-

fected if a different registration memory is selected during song playback or while the record mode is engaged.

Select a Registration Bank (if necessary)

Any of the eight Registration Memory banks can be selected via the REGISTRA-

TION MEMORY menu. Use the MENU [▲] and [▼] buttons to move the triangular indicator next to “REGISTRATION MEMORY “ in the menu list to the left of the display — the currently selected registration bank number and name will appear on the top line of the display . Then use the [–] and [+] buttons or number buttons to select the desired bank (1 through 8).

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456

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REGIST

MEMORY

MULTI PAD

MIDI

DIGITAL

EFFECT

OVERALL

Bank1

• Press and hold the REGISTRATION MEMORY [MEMORY] button for a few seconds to go directly to the REGISTRATION BANK display.

Page 42

Registration Memory

While holding the [MEMORY] button, press one of the REGISTRATION

MEMORY buttons — [1] through [4]. Any data that was previously in the selected location is erased and replaced by the new settings. The corresponding REGISTRATION MEMORY number will appear below “REGISTRATION” in the display.

REGISTRATION MEMORY

4321

Recall the Registered Panel Settings

REPEAT

REGISTRATION

1234

MEASURE

MULTI PAD

• The REGISTRATION MEMORY contents will be retained even after turning the power off. See page 80 for the details.

Simply select the appropriate bank as described above, then press the desired REGISTRA TION MEMOR Y button at any time to recall the memorized settings. T he corresponding Registration Memory number will appear below “REGISTRATION” in the display, and the appropriate setting changes will appear in the display.

REGISTRATION MEMORY

4321

REPEAT

REGISTRATION

1234

MEASURE

MULTI PAD

The Accompaniment Freeze Function

When the FREEZE function is engaged, the accompaniment parameters listed above will not be changed when a REGISTRATION MEMORY is recalled. This allows you to recall different REGISTRATION MEMORY settings while using Auto Accompaniment, without suddenly disturbing the flow of the accompaniment. The FREEZE function is turned on and off by pressing the [FREEZE] button. The “FREEZE” icon appears in the display when it is turned on.

ISTRATION MEMORY

FREEZE

REPEAT

FREEZE

REGISTRATION

1234

MEASURE

MULTI PAD

• REGISTRATION MEMORY data cannot be recalled when the ONE TOUCH SETTING feature is on.

• No REGISTRATION

MEMORY indicator will be showing when the PSR-330 is initially turned on or when a bank is selected prior to actually selecting a REGISTRATION MEMORY number.

• FREEZE remains on even if a different registration bank is selected.

• FREEZE will automatically be turned on when a demo, cartridge, or user song is played, and when a user song is recorded. FREEZE will then be automatically be turned off when playback or recording is finished.

Page 43

The Multi Pads

The PSR-330 MUL TI P ADS can be used to pla y a number of short pre-recorded rhythmic and melodic sequences that can be used to add impact and variety to your keyboard performances. Percussion type pad phrases simply play back as programmed, while the “pitched” phrases are “chord match” types which, if the CHORD MATCH function is turned on, are automatically transposed to match chords played using the PSR-330 A uto Accompaniment feature.

Selecting a MULTI PAD Set

The PSR-330 has 26 multi pad sets, each containing a complete set of 4 MULTI P AD phrases — 104 phrases in all. Before using the MUL TI PADS, select the MUL TI PAD set containing the phrases you want to use as follows:

Select the Multi Pad Function

To select a multi pad set first use the MENU [▲] and [▼] buttons to select the MULTI PAD function so that the triangular indicator in the display appears next to “MULTI PAD” to the left of the display.

MULTI PAD

MIDI

DIGITAL EFFECT

OVERALL

Select a Multi Pad Set Number

If necessary use the SUB MENU [▲] and [ ▼] buttons so that the name of the currently selected MULTI PAD set appears on the display (see list on page 43), then use the [–] and [+] or number buttons to select the MULTI PAD set you want to use.

Funky

• Press and hold the MULTI PAD [STOP] button for a few seconds to go directly to the MULTI PAD SET display.

Page 44

The Multi Pads

7809

Turning the CHORD MATCH Function On/Off

The CHORD MATCH function can be individually turned on or off for each of the

MULTI PADs, as described below.

Select the MULTI PAD Function

Use the MENU [▲] and [▼] buttons to select the MUL TI PAD function so that the

triangular indicator in the display appears next to “MULTI PAD” to the left of the display.

MULTI PAD

MIDI

• The chord match function has no effect with pads that contain percussion phrases.

DIGITAL EFFECT

OVERALL

Select a CHORD MATCH Function

Use the SUB MENU [▲] and [▼] buttons to select “Pad1Chd”, “Pad2Chd”,

“Pad3Chd”, or “Pad4Chd”, depending on the pad for which you want to turn the CHORD MATCH function on or off.

Pad1Chd

Turn the CHORD MATCH Function On or Off

Use the [–] and [+] buttons to turn the CHORD MATCH function for the selected

pad “on” or “off” as required.

NO YES

• The CHORD MATCH ON/OFF setting is restored to its original status when a new MULTI PAD set is selected.

Page 45

Playing the MULTI PADs

Simply tap any of the MULTI PADs at any time to play back the corresponding phrase at the currently set tempo. MUL TI PAD playback begins as soon as the button is pressed. You can even play two, three, or four MULTI P ADs at the same time (only one pad can be played during SONG playback). Also, you can create “retriggered sample” effects by repeatedly pressing a pad before its contents are completely played back.

The Multi Pads

STOP

MUTLI PAD

MEASURE

MULTI PAD

1234

The MUL TI P AD voices are indepedent from the voices you hav e currently selected for keyboard performance. You could , for example, play piano on the keyboar d while a MULTI PAD plays a brass chord stab.

When the CHORD MATCH function for a pad is turned on, the corresponding phrase will be automatically transposed to match chords played using the PSR-330 Auto-accompaniment feature.

MULTI PAD playback can be terminated by pressing the MULTI PAD [STOP] button.

STOP

● The Multi Pad Sets

1 Funky 2 Techno 1 3 Techno 2 4 Guitar Play 5 Pianist 6 Strings 7 Arpeggio 8 Twinkle 9 Brass Hit

MUTLI PAD

10 Synth Brass

11 Fanfare 1 12 Fanfare 2 13 Jingle 1 14 Jingle 2 15 Sound Effect 16 Crystal 17 Rock Kit 18 Tom Flam

19 Techno Kit 20 Techno Sequence 21 Analog Kit 22 Anlaog Sequence 23 Latin Percussion 1 24 Latin Percussion 2 25 Bongo Sequence 26 Timbales

Page 46

Song Playback

Use the following procedure to pla y back the PSR-330’s internal demonstration songs as well as songs you record yourself (see “Song Recording”, page 50).

Song Playback Procedure

Select the Song Menu

Press the [SONG] button to select the SONG menu (the triangular indicator will

appear next to “SONG” to the right of the display). The number and name of the currently selected song will appear on the top line of the display, and the song track and volume icons near the bottom of the display will appear framed.

DancePop

VOICE L VOICE R2 VOICE R1

46 51 1

REVERB TRANSPOSE

116

HARMONY TEMPO

RHYTHM

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

Select a SONG Number

REPEAT

REGISTRATION MULTI PAD

SYNC STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

FINGERING

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

MEASURE

VOICE

STYLE

SONG

If necessary , use the [–] and [+] or number buttons to select the SONG number you

want to play. The SONG number can also be incremented by pressing the [SONG] button: press briefly to increment by one, or hold for continuous incrementing.

123

456

WåRock

7809

NO YES

Page 47

Start Playback

Playback will begin as soon as the [ST AR T/STOP] b utton is pressed. You can turn

the MELOD Y and ACCOMP ANIMENT tracks on and off during playbac k as required by using the TRACK buttons.

START/STOP

Play Along If You Like

Play along on the keyboard if you like. You can also c hange the tempo during

playback.

Stop Playback

SONG playback will stop automatically when the entire SONG has been played

back. You can also stop playback at any time by pressing the [ST ART/ST OP] button.

Song Playback

• You can also start playback from any specified measure (see page 46).

Song Volume Control

When the SONG menu is selected (i.e. the song track and volume icons near the bottom of the display are framed) the volume of SONG playback in relation to the keyboard can be adjusted for the best overall balance by using the ACCOMPANIMENT/SONG VOLUME [▼] and [▲] buttons. When either button is pressed the current song volume setting will appear on the top line of the display for a few seconds. The song volume range is from “0” (no sound) to “127” (maximum volume). The default setting is “100”. Press the A CCOMP ANIMENT/SONG VOLUME [▼] button to decrease the volume or the [▲] button to increase the volume. Pressing briefly to single step, or hold for continuous decrementing/incrementing.

While the song volume setting appears on the top line of the display the number or [–] and [+] buttons can also be used to set the accompaniment volume.

ACCOMPANIMENT/SONG VOLUME

100

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

SongVol

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION MULTI PAD

116

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MEASURE

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

Page 48

Song Playback

Play from a Specified Measure

Y ou can star t SONG playback from any specified measure, as long as the specified

measure is within the range of measures that has already been recorded:

Select the Measure Parameter

While the SONG menu is selected, but no playback or recording is in progress, use

the SUB MENU [▲] and [▼] buttons to select the “Measure” parameter in the display . The current measure number will appear to the left of “Measure” on the top line of the display (the current measure number is also continuously displayed next to “MEASURE” in the display).

001

REVERB TRANSPOSE

Enter the Desired Measure Number

Use the [–] and [+] buttons or the number buttons to enter the desired measure

number.

009

REVERB TRANSPOSE

Start Playback

Measure

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

Measure

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

MEASURE

123

456

7809

NO YES

You can now start playback from the specified measure number by pressing the

[START/STOP] button.

START/STOP

Page 49

Minus-one Practice

Minus-one playback lets you turn off specific parts of a song so you can practice them on the PSR-330 keyboard while the other parts play automatically. Any of the PSR-330’s four MELOD Y tracks and/or the ACCOMP ANIMENT track can be turned on or off as required. Individual SONG tracks can be turned OFF (muted) or ON by using the TRACK buttons corresponding to the target MELODY or ACCOMPANIMENT tracks. The track icon will disappear when a track is muted.

Song Playback

MELODY

MELODY MELODY MELODY

1234

MINUS ONE SPLIT DUAL

MINUS ONE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

Minus-one Track Assignment

Many of the PSR-330 demonstration songs, and songs provided on Music Cartridges (see “Using Music Cartridges”, page 55) have more than 4 channels — as many as 16, in fact. This function lets you assign any of the song’ s channels to the PSR-330’ s MELODY tracks so they can be turned on or off for minus-one practice.

Select the MinusOne Parameter

While the SONG menu is selected, but no recording is in progress, use the SUB MENU [ ▲ ] and [▼] buttons to select the “MinusOne” parameter in the display . After a few seconds “MinusOne” will change to “MinusCh”, the number of the current minus-one channel will appear to the left of “MinusCh”, and a frame will appear around the MELODY 1 song track icon.

MinusOne

VOICE L VOICE R2 VOICE R1

46 51 1

REVERB TRANSPOSE

116

HARMONY TEMPO

RHYTHM

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

REPEAT

REGISTRATION MULTI PAD

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

ACCOM-

PANIMENT

MEASURE

VOICE VOICE VOICE

LR2R1

REVERB TRANSPOSE

116

HARMONY TEMPO

RHYTHM

MELODY

MELODY MELODY MELODY

MINUS ONE

MinusCh

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION MULTI PAD

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

ACCOM-

234

PANIMENT

MEASURE

VOICE VOICE VOICE

LR2R1

Page 50

Song Playback

Select a MELODY Track

Use the TRACK buttons to select the song MELODY track (1…4) to which a

minus-one channel is to be assigned. A frame will appear around the selected track icon.

MELODY

MELODY MELODY MELODY

2 34

MINUS ONE

Assign a Channel to the Selected Track

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

Use the [–] and [+] buttons to assign the desired minus-one channel (1…16) to the

selected MELODY track. The number of the assigned channel will a ppear to the left of “MinusCh” on the top line of the display.

123

456

MinusCh

7809

NO YES

• Press the [+] and [–] buttons simultaneously to recall the song’s initial channel assignment for the selected track.

• Minus-one channel assignments do not apply to songs you record yourself.

• If a selected song includes minus-one channel settings, those channels will automatically be assigned to the appropriate tracks.

Page 51

Repeat Play

This function allows you to specify any section of a song — internal or cartridge

— for continuous repeat playback.

Select the A-b Repeat Parameter

While the SONG menu is selected, but no recording is in progress, use the SUB

MENU [▲] and [▼] b uttons to select the “ A-b Repeat” parameter in the displa y . The MAIN/AUTO FILL [A] and [B] button indicators will flash.

Song Playback

A-b

Start Playback

Repeat

Press the [START/STOP] button to start song playback.

START/STOP

Specify the Repeat “A” and “B” Points

While the song is playing, press the MAIN/A UTO FILL [A] button at the beginning

of the section to be repeated (the [A] button indicator will light continuously , and the “A” repeat icon will appear in the display), then press the MAIN/AUTO FILL [B] button at the end of the section to be repeated (the [B] button indicator will light continuously, and the “B” repeat icon will appear in the display). Repeat playback will begin automatically from the A point as soon as the B point has been specified, and will continue until either the MAIN/AUT O FILL [A] button is pressed again to cancel the repeat function, or until song playback is stopped.

MAIN/AUTO FILL

FREEZE

REPEAT

ONE TOUCH

SETTING

ONE TOUCH

SETTING

MEASURE

• A-B repeat points are automatically placed at the nearest measure lines.

• If only the “A” repeat point is specified, repeat playback will occur between the “A” point and the end of the song.

• If the MAIN/AUTO FILL [B] button is pressed during repeat playback, the previously specified “B” point will be cancelled and a new “B” point can be specified as required.

• Repeat playback will continue even if a different menu is selected during repeat playback.

• Repeat playback will be cancelled if a different SONG number selected or the record mode is engaged.

Page 52

Song Recording

The PSR-330 SONG tracks allows you to record and play back complete songs including chord sequences created using the AUTO ACCOMPANIMENT feature and a melody lines you play on the ke yboard. The SONG tracks include one A CCOMPANIMENT track and four MELODY tracks. The PSR-330 can retain up to 2 complete songs in internal memory, and these can be selected and played back as described in the preceding section.

• Material recorded on the SONG tracks will be retained even after turning the power off. See page 80 for the details.

• The recorded data will be lost if the power is turned off, the AC adaptor is unplugged, or the batteries fail during recording.

● The SONG MELODY tracks record the following operations and

data:

• Note on/off.

• Velocity.

• R1 and R2 voice number, volume, octave*, pan, reverb send level.

• Dual voice on/off.

• Harmony on/off, type.**

• Sustain pedal on/off.

• Scale Tuning.***

●The SONG ACCOMPANIMENT track records the following opera-

tions and data:

• Section changes.

• Style number.*

• Accompaniment track changes*

(8 tracks: track on/off, voice number, volume, pan, reverb send level).

• Accompaniment volume.*

• Chord changes, timing.

• Reverb on/off.

• Reverb type.

• Tempo and time signature

(common to the ACCOMPANIMENT and MELODY tracks).*

• Up to approximately 1000 notes can be recorded in the PSR330 MELODY tracks.

• Only harmony applied to the last track recorded will be included in the recorded song data (see page 35 for details on the HARMONY effect).

• Up to approximately 1400 chords can be recorded in the ACCOMPANIMENT track.

Recorded only at the beginning of a song; changes cannot be made during recording.

Recorded only at the beginning of a song; changes cannot be made during recording. Only one

melody track can be recorded with harmony. The harmony data for the last track recorded with harmony will be retained (last priority).

Recorded only at the beginning of a song; changes cannot be made during recording. Only recorded

***

once for all melody tracks (last priority).

Page 53

Song Recording Procedure

Set Up to Record

Before recording set up the PSR-330 as required: e.g. select the required voice(s),

effects, accompaniment style, accompaniment fingering mode, etc.

Engage the Record Ready Mode

Press the [RECORD] button to engage the record-ready mode. The [RECORD]

button indicator will light, the SONG menu will automatically be selected, and a SONG number will appear on the top line of the display . The beat indicator dots will flash at the currently set tempo, indicating that the record ready (synchro-start) mode is engaged. Also, the frame surrounding the song MELODY and ACCOMPANIMENT track icons will flash, indicating that a MELOD Y and/or ACCOMP ANIMENT track must be selected before recording can begin.

UserSng1

VOICE L VOICE R2

46 51

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

MELODY

REGISTRATION MULTI PAD

116

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

MINUS ONE

REPEAT

SYNC STOP

FINGERING

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

MEASURE

VOICE

STYLE

SONG

Song Recording

• If the [RECORD] button is pressed while a demonstration song or cartridge song is selected, the lowestnumbered user song which does not contain any recorded data will automatically be selected. If other user songs already contain data, however, user song number 21 will be selected.

• The following panel setting changes will occur when the record ready mode is engaged:

• The measure number

will be reset to “1”.

• If the Metronome

function is on (page

65), the metronome will sound at the current tempo.

• The REGISTRATION

MEMORY FREEZE function will be turned on (it cannot be turned off while the record mode is engaged).

• The SYNCHRO STOP

function wil be turned off.

If Necessary, Select a User Song Number

If the desired user song is not already selected, use the [+] and [–] or number

buttons to select as required.

Page 54

Song Recording

Select the Track(s) to be Recorded

Use the TRACK buttons to select a SONG MELODY track to record (only one

MELODY track can be recorded at a time). A frame appears continuously around the icon of the MELODY track selected for recording.

The ACCOMPANIMENT track can be recorded alone or at the same time as one

MELODY track. If you intend to record accompaniment use the appropriate TRACK button to select the ACCOMPANIMENT track (a frame will appear continuously around the ACCOMPANIMENT track icon).

Record

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

• The R1 and R2 voices can be simultaneously recorded on a single track. The L voice cannot be recorded.

• If you start recording without selecting a specific track, the MELODY 1 and ACCOMP tracks will automatically be selected for recording.

• The panel AUTO ACCOMPANIMENT [ON/ OFF] button is automatically turned off when the ACCOMPANIMENT track is turned off.

• AUTO ACCOMPANIMENT will automatically be turned on if it is off when the ACCOMPANIMENT track is selected for recording. Conversely, the ACCOMPANIMENT track will automatically be selected for recording if the AUTO ACCOMPANIMENT [ON/OFF] button is turned on.

• AUTO ACCOMPANIMENT cannot be turned on or off during recording.

Recording will begin as soon as you play a note on the keyboard or press the

[START/STOP] button, and the BEAT indica tor dots will begin to indicate the current beat as in the Auto Accompaniment mode. The MEASURE parameter will also show the current measure number during recording.

START/STOP

• Before actually starting to record you can try playing the PSR-330 the way it is set up by using the “Rehearsal Mode”: press the [SYNC START] button to temporarily disengage the record ready mode, rehearse as necessary, then press the [SYNC START] button again to return to the record ready mode.

ONE TOUCH

SETTING

MEASURE

ATION

MULTI PAD

• Whenever you record using a SONG, any previously recorded material in the same track will be erased.

• If the SONG memory becomes full while recording, “FULL” will appear on the display and recording will stop (the “Rehearsal Mode” will be engaged).

Page 55

Song Recording

• Recording is carried out in 1-measure increments. If you stop recording in the middle of a measure, rests will automatically be recorded until the end of that measure.

• If you start recording by pressing the [START/STOP] button, nothing will be recording on a MELODY track until you begin playing on the keyboard. Only rhythm accompaniment will be recorded on the ACCOMPANIMENT track until you play a chord in the auto accompaniment section of the keyboard.

Stop Recording

• During recording you can use the TRACK buttons to turn playback of previously-recorded MELODY tracks or the ACCOMPANIMENT track on or off as required.

Stop recording by pressing the [ST ART/STOP] button. If y ou press the [ENDING]

button while recording the A CCOMP ANIMENT track, recording will stop automatically after the ending section has finished. When recording is stopped the MEASURE number on the display will return to “001” and the record-ready mode will be engaged.

START/STOP

ENDING

• You can also press the [SYNC START] button to stop recording and return to the record ready mode.

Record Additional Tracks as Required

By repeating steps 4 through 6, above, you can select and record additional tracks

as required.

Exit From the Record Mode

When you’re finished recording a song, press the [RECORD] button so that its

indicator goes out to exit from the record mode. The recorded user song can now be played back in the same way as the demonstration songs (page 44).

• While the record ready mode is engaged you can press the [VOICE] button to go to the VOICE menu and change the R1 voice as required. The R2 voice, however, cannot be changed (If the Voice Set function is on — page 65 — the R2 voice will automatically be changed when an R1 panel voice is selected). The record-ready mode must be disengaged in order to change the R2 voice and other settings.

• Many types of data recorded in user songs can be re-written (“revoiced”) as described on page 61.

Page 56

Song Recording

7809

Clearing Song Data

This function makes it possible to clear unneeded data from the PSR-330 SONG

memory.

While the SONG record-ready or rehearsal mode is engaged use the SUB MENU

[▲] and [▼] buttons to select the “SongClr?” function, then press the [+] (YES) button: “Sure?” will appear on the display. Press the [+] (YES) b utton a second time to actually clear the currently selected user song (the demonstration songs and cartridge songs cannot be cleared). Press [–] (NO) if you want to abort the clear operation.

Clearing an Entire Song

YEs

SongClr?

Sure?

Clearing Selected Melody Tracks

While the SONG record-ready or rehearsal mode is engaged use the SUB MENU

[▲] and [▼] buttons to select the “TrkClr?” function. The SONG tracks icons corresponding to MELODY tracks whic h contain data will flash (the ACCOMPANIMENT track cannot be cleared — neither can tracks in demonstration or cartridge songs). Use the TRACK buttons to select track(s) you want to clear (frames will appear continuously around the selected tracks). Once the desired tracks have been selected, press the [+] (YES) button: “Sure?” will appear on the display. Press the [+]

(YES) button a second time to actually clear the currently selected track(s). Press [–] (NO) if you want to abort the clear operation.

REGIST

MEMORY

MULTI PAD

MIDI

YEs

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

TrkClr?

VOICE L VOICE R2

46 51

REPEAT

REGISTRATION MULTI PAD

116

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

VOICE R1

MEASURE

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

PANIMENT

VOICE VOICE VOICE

LR2R1

DIGITAL EFFECT

OVERALL

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

PANIMENT

VOICE VOICE VOICE

LR2R1

Page 57

Using Music Cartridges

The PSR-330 features a catridge slot which accepts pre-programmed Yamaha Music Cartridges containing style and/or song data. One sample Music Cartridge containing song data is supplied with the PSR-330. Others are available from your Yamaha dealer.

◆ Inser ting a Music Car tridg e

With the power OFF , insert the Music Car tridge into the cartridge slot as shown, and press down firmly until the Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot one way don’t try to force it in the wrong way . Turn the power back ON ag ain after inserting.

The triangular mark on the front of the Cartridge

For Cartridges without the mark, the bottom of the serrated edges of the Cartridge should be even with the panel edge (not above it).

should be completely below the panel edge when the Cartridge is properly seated.

◆ Music Cartridg e Handling Precautions

• Do not leave Music Cartridges in lo-

cations which are subject to excessive heat or humidity.

• Do not drop Music Cartridges or sub-

ject them to strong shock.

• Do not disassemble Music Cartridges.

• Do not directly touch the Music

Cartridge’s electrical contacts. Persistently touching it may cause to break electrical contacts or generate static electricity. Static electric charges can cause loss of data and unreliable operation.

• Do not insert objects or cartridges

other than Yamaha Music Cartridges in the PortaTone car tridge slot. Doing so can result in serious damage to the instrument.

• Never attempt to insert or remove a cartridge when the power switch is ON. Doing so can result in loss of the PSR-330 memory data (song data/ registration memory data) or complete lack of control.

• The Music Cartridge data may not be selected or played back correctly, if the electrical contacts on the Music Cartridge are affected with dust. If this happens, insert and remove the Music Cartridge several times. This may solve the problem. If the problem still happens, wipe and clean the electrical contacts on the Music Cartridge with a dry soft cloth.

• Be sure to insert the Music Cartridge when you recall the registration settings based on the cartridge data or playback the song based on the cartridge data. Otherwise, “No Cart (Cartridge)” will appear on the display.

Page 58

Using Music Cartridges

Cartridge Songs

Using Yamaha Music Cartridges (the one supplied with the PSR-330 includes 7 songs, others are available from your Y amaha dealer), the PSR-330 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically.

Cartridge Song Playback

Select the Cartridge Menu

Press the [CARTRIDGE] button to select the CARTRIDGE menu (the triangular indicator will appear next to “CARTRIDGE” to the right of the display). The number and name of the currently selected cartridge song will appear on the top line of the display , the CART icon will appear in the upper left corner of the display , and the song track and volume icons near the bottom of the display will appear framed. The [START/STOP] indicator will flash.

StåLife

VOICE L VOICE R2 VOICE R1

46 51 1

VOICE

START/STOP

Select a Cartridge Song Number

STYLE

SONG

Use the [–] and [+] or number buttons to select the cartridge song number you want to play. The song number can also be incremented by pressing the [CARTRIDGE] button: press briefly to increment by one, or hold for continuous incrementing.

123

456

7809

NO YES

• Cartridge song numbers can also be selected from the SONG menu as follows: press and hold the number [3] button until the cartridge icon appears in the display, then enter the number of the cartridge song you want to select via the number buttons in the normal way.

• The cartridge songs can also be selected from the SONG menu by using the [–] and [+] buttons to go beyond the highest or lowest internal song numbers — e.g. pressing the [+] button while internal song number 22 is selected will select cartridge song number 1 (the cartridge icon will appear).

Page 59

Using Music Cartridges

Start Playback

Playback will begin as soon as the [ST AR T/STOP] b utton is pressed. You can turn

the MELOD Y and ACCOMP ANIMENT tracks on and off during playbac k as required by using the TRACK buttons.

START/STOP

• Playback can be started from any measure — page 46.

• The playback tempo can be changed freely as required.

• Cartridge song data cannot be revoiced.

Cartridge Accompaniment Styles

Optional Style Music Cartridges provides extra accompaniment styles that can be

used in the same way as the internal accompaniment styles after pressing the [STYLE] button to select the STYLE menu.

Cartridges which contain both song and style data require a slightly different style

selection procedure: Press and hold the number [3] button until the cartridge icon appears to the left of the style name in the display, then enter the number of the cartridge style you want to select via the number buttons in the normal way. The cartridge styles can also be selected by using the [–] and [+] buttons to go beyond the highest or lowest internal style numbers — e.g. pressing the [+] button while internal style number 100 is selected will select cartridge style number 01 (the cartridge icon will appear).

The cartridge styles are used in exactly the same way as the internal accompaniment

styles (page 20).

VOICE

STYLE

123

456

7809

SONG

NO YES

Page 60

Revoicing

The PSR-330 REVOICE function lets you change the f ollowing parameters for the R1, R2 and L voices, the AUTO ACCOMPANIMENT tracks, and the user SONG tracks.

● Revoice Parameters

Parameter Display Range Comments

V oice Voice Name 1 … 264 Assigns a voice n umber to the specified PSR-

330 voice or track.

Volume Volume 0 … 127 Sets the volume of the specified PSR-330

voice or track.

Octave Octave –2 … 2 Shifts the pitch of the specified voice or tr ac k

up or down by one or tw o octaves. A setting of “0” produces normal pitch.

Pan Pan –7 … 7 Positions the sound of the specified voice or

track from left to right in the stereo sound field. “–7” is full left, “7” is full right, “0” is center, and all other settings are corresponding positions in between.

Reverb Send Level RevSndLv 0 … 127 Sets the reverb send level for the specified

voice or tr ack, and thus the amount of rev erb effect applied to that voice or track.

Revoicing the R1, R2, and L Voices

Select the VOICE REVOICE Mode

While the VOICE menu is selected, press the [REVOICE] button (actually, the order here is not important: you can also press the [VOICE] button after pressing the [REVOICE] button). The [REVOICE] button indicator will light and a frame will appear around the R1 voice icon in the display (i.e. the R1 voice is initially selected for revoicing).

001

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

MELODY

GrandPno

VOICE L VOICE R2 VOICE R1

46 51 1

REPEAT

REGISTRATION MULTI PAD

116

SYNC

FINGERING

STOP

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

ACCOM-

PANIMENT

MEASURE

VOICE VOICE VOICE

LR2R1

VOICE

STYLE

SONG

REVOICE

• The VOICE REVOICE mode cannot be selected while the song record mode is engaged.

Page 61

If Necessary Select a Voice to Revoice

Use the three rightmost TRACK buttons to select the voice you want to

revoice: L, R2, or R1. A fr ame will appear around the icon of the selected v oice.

MELODY

MELODY MELODY MELODY

1234

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

Revoicing

• The TRACK button below the selected voice can be used to turn the voice on or off. Make sure that the voice is turned on if you want to monitor the sound while revoicing (the R1 voice cannot be turned off).

TRACK

Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter . T he

name of the selected parameter will appear on the top line of the display to the right of the parameter’s current value. Use the [+] and [–] or number buttons to set the parameter’ s value as required. Refer to the “Re voice Parameters” chart on page 58.

001

100

GrandPno

Volume

Octave

Pan

RevSndLv

• You can jump directly to the REVOICE R2 VOICE display by pressing and holding the [DUAL VOICE] button for a few seconds.

• You can jump directly to the REVOICE L VOICE display by pressing and holding the [SPLIT VOICE] button for a few seconds.

• If the Voice Set function is turned on (page 65) the R1, R2, and L voice parameter settings may be changed when a different R1 panel voice is selected, thus the REVOICE settings will be lost. Turn off the Voice Set function if you do not want this to occur.

• Minus settings for the Octave and Pan parameters can be directly entered by pressing the appropriate number button while holding the [–] button.

Repeat as Required and Exit When Done

Repeat steps 2 and 3, above, to revoice the voices as required, then press the

[REVOICE] button so that its indicator goes out to exit from the REVOICE mode.

REVOICE

• The REVOICE mode will automatically be exited if the MENU [ tons are used to select any of the menus to the left of the display, or if the [CARTRIDGE] button is pressed.

• Save any revoice settings you want to keep to the PSR-330 REGISTRATION MEMORY (page 39). The revoice setting are temporary and will be lost if the power is turned off, a different R1 panel voice is selected while the Voice Set function is on, or a REGISTRATION MEMORY is recalled.

▲

] and [▼] but-

Page 62

Revoicing

Revoicing a Style

Select the STYLE REVOICE Mode

While the STYLE menu and the style you want to revoice are selected, press the

[REVOICE] button (actually, the order here is not important: you can also press the [STYLE] button after pressing the [REVOICE] button). The [REVOICE] button

indicator will light and a frame will appear around the RHYTHM 1 track icon in the display (i.e. the RHYTHM 1 track is initially selected for revoicing).

127

REVERB TRANSPOSE

HARMONY TEMPO

RHYTHM

MELODY

If Necessary Select a Track to Revoice

Use the TRACK buttons to select the accompaniment track you want to revoice:

RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, or PHRASE 2. A frame will appear around the icon of the selected track.

RHYTHM

MELODY

Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter . The name

of the selected parameter will appear on the top line of the display to the right of the parameter’s cur rent value. Use the [+] and [–] or number buttons to set the parameter’s value as required. Refer to the “Revoice Parameters” chart on page 58.

Std.Kit1

VOICE L VOICE R2 VOICE R1

116

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

BASS CHORD1CHORD2PAD PHRASE1PHRASE

RHYTHM

MELODY MELODY MELODY

1234

46 51 1

REPEAT

REGISTRATION MULTI PAD

SYNC

FINGERING

STOP

ACCOM-

PANIMENT

ACCOM-

PANIMENT

TRACK

MEASURE

VOICE VOICE VOICE

LR2R1

VOICE VOICE VOICE

LR2R1

• The STYLE REVOICE mode can even be selected by pressing the [REVOICE] button while an accompaniment is playing.

• The STYLE REVOICE mode cannot be selected while the song record mode is engaged.

VOICE

STYLE

SONG

REVOICE

• The STYLE REVOICE mode cannot be selected while a song or voice is being revoiced during song playback.

• The TRACK button below the selected track can be used to turn the track on or off. Make sure that the track is turned on if you want to monitor the sound while revoicing.

• Only drum kits (voice numbers 127 … 136) can be selected for the RHYTHM 1 track.

• Any voice can be selected for the RHYTHM 2 track, but please note that the RHYTHM 2 track is not affected by the AUTO ACCOMPANIMENT feature.

• The OCTAVE parameter cannot be edited in the STYLE REVOICE mode.

• Style revoicing affects all sections of the selected style.

• “- - -” will appear on the top line of the display if you select an accompaniment track which contains no data for revoicing, and revoicing will not be possible.

• Minus settings for the Octave and Pan parameters can be directly entered by pressing the appropriate number button while holding the [–] button.

Page 63

Repeat as Required and Exit When Done

Repeat steps 2 and 3, above, to revoice the tracks as required, then press the

[REVOICE] button so that its indicator goes out to exit from the REVOICE mode.

REVOICE

Revoicing

• The REVOICE mode will automatically be exited if the MENU

▲

] and [▼] buttons

[ are used to select any of the menus to the left of the display, or if the [CARTRIDGE] button is pressed.

• Save any revoice settings you want to keep to the PSR-330 REGISTRATION MEMORY (page 39). The revoice setting are temporary and will be lost if the power is turned off, a different style is selected, or a REGISTRATION MEMORY is recalled.

Revoicing a User Song

Select the SONG REVOICE Mode

While the SONG menu and the user song you want to rev oice are selected, press the

[REVOICE] button (actuall y, the order here is not important: you can also press the [SONG] button after pressing the [REVOICE] button). The [REVOICE] button

indicator will light and a frame will appear around the MELODY 1 track icon in the display (i.e. the MELODY 1 track is initially selected for revoicing).

SONG

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

If Necessary Select a Track to Revoice

Use the TRA CK buttons to select the SONG track you want to re voice: MELOD Y

1 … MELODY 4, or ACCOMP. A frame will appear around the icon of the selected track.

MELODY

MELODY MELODY MELODY

1234

MINUS ONE

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

ACCOM-

VOICE VOICE VOICE

PANIMENT

LR2R1

REVOICE

• Revoicing a user song actually rewrites the recorded song data, so the original data will be lost.

• The pre-programmed internal songs and cartridge songs cannot be revoiced.

• The SONG REVOICE mode cannot be selected while the song record mode is engaged.

• The SONG REVOICE mode cannot be selected while a style or voice is being revoiced during accompaniment style playback.

• The TRACK button below the selected track can be used to turn the track on or off. Make sure that the track is turned on if you want to monitor the sound while revoicing.

Page 64

Revoicing

Select and Edit the Revoice Parameters

Use the SUB MENU [▲] and [▼] buttons to select the desired parameter. The

name of the selected parameter will appear on the top line of the display to the right of the parameter’s current value.

Use the [+] and [–] or number buttons to set the parameter’s value as required.

Refer to the “Revoice Par ameters” chart on page 58.

100

RevSndLv

123

456

7809

NO YES

• “- - -” will appear on the top line of the display if you select a song track which contains no data for revoicing, and revoicing will not be possible.

• Only the Volume parameter can be revoiced for the ACCOMPANIMENT track. If you attempt to change any other parameter “- - -” will appear on the top line of the display and revoicing will not be possible.

• If the R1 and R2 voices have been recorded to a single track, only the R1 voice can be revoiced.

• Minus settings for the Octave and Pan paraneters can be directly entered by pressing the appropriate number button while holding the [–] button.

• Only one song revoice parameter can be recorded per track. If you revoice a song while playing back the song, only the last-entered data will be recorded.

Repeat as Required and Exit When Done

Repeat steps 2 and 3, above, to revoice the tracks as required, then press the

[REVOICE] button so that its indicator goes out to e xit from the REVOICE mode.

REVOICE

• The REVOICE mode will automatically be exited if the MENU [ tons are used to select any of the menus to the left of the display, or if the [CARTRIDGE] button is pressed.

• Since revoicing a user song actually rewrites the song data, the revoiced song will remain in memory as long as a working set of batteries is installed in the PSR-330, or the AC adapter is connected.

▲

] and [▼] but-

Page 65

Overall Functions

Some of the functions in the OVERALL function group have already been described in appropriate sections of this manual. Others will be introduced f or the first time in this section. Refer to the chart below for the page numbers on which each function is described. The chart also lists the full name of each function, the abbreviated name which appears on the displa y , and the available settings or range of settings. Ranges are indicated by two or more v alues separated by ellipsis (…).

Function Display Settings Page

Touch Sensitivity TouchSns 0 … 127 64 Master T uning Tuning~~ –50 … +50 64 Scale T uning Note SC.Note~ C … b 64 Scale T uning SC.Tune~ –64 … 63 64 Metronome Metronom oFF, on 65 Split Voice Split Point S.Split~ 0 … 127 18 Accompaniment Split Point AccSpPnt 0 … 127 27 Fingering Mode FngrngMd SF, F1, F2, FuL, MuL 28 Voice Set VoiceSet oFF, on 65

T o access an OVERALL function f irst use the MENU [▲] and [▼] buttons to mov e

the triangular indicator in the display next to “OVERALL”.

MIDI

DIGITAL EFFECT

OVERALL

Then use the SUB MENU [▲] and [▼] buttons to select the desired function from

within the OVERALL menu. When a function is selected the current setting will appear to the left of the function name on the top line of the display . Once the function has been selected, use the [–] and [+] buttons (or number buttons, where applicable) to set the function as required.

100

TouchSns

123

456

789

Page 66

Overall Functions

■ Touch Sensitivity

This function sets the keyboard touch sensitivity. The range is from “0” to “127”. The higher the value the higher the sensitivity . When the touch sensitivity value is set to “0”, “oFF” appears in the display and the same volume is produced no matter how hard you play the keys. — this setting can produce a more realistic effect with v oices that normally do not have touch response: e.g. organ and harpsichord.

100

TouchSns

■ Master T uning

The Tuning function sets the overall pitch of the PSR-330 over a ±50 cent range (from –50 to +50) in 1-cent increments. Since 1 cent is 1/100th of a semitone, the total tuning range is from a semitone below normal pitch to a semitone above normal pitch.

Tuning

■ Scale T uning

Scale tuning allows each individual note of the octa ve to be tuned o v er range from –64 to +63 cents in 1-cent increments (1 cent = 1/100th of a semitone). This makes it possible to produce subtle tuning variations, or tune the instrument to totally different scales (e.g. classic or Arabic scales).

First use the SC.Note function to select the note to be tuned. The range is from C to b: C, db, d, Eb, E, F, Gb, G, Ab, A, bb, b.

SC.Note

note

db Eb Gb Ab bb

Db Eb C# D#

Gb Ab Bb F# G# A#

• The “normal” tuning value (“0”) can be recalled by simultaneously pressing the [–] and [+] buttons.

• Minus values can be entered by using the number buttons while holding the [–] button.

• The scale tuning settings are common to each octave on the keyboard.

• The Accompaniment and Multi Pad sound is affected by Scale Tuning.

• The “normal” tuning value (“0”) can be recalled by simultaneously pressing the [–] and [+] buttons.

• Minus values can be entered by using the number buttons while holding the [–] button.

C D E F G A B

note

C d E F G A b

Then use the SC.Tune function to tune the selected note as required.

-50

SC.Tune

Page 67

■ Metronome

When turned “on” the PSR-330 metronome will sound during A UTO A CCOMP A-

NIMENT playback as well as SONG playback and recording.

Metronom

■ Split Voice Split Point

See page 18.

■ Accompaniment Split Point

Overall Functions

See page 27.

■ Fingering Mode

See page 28.

■ Voice Set

The VOICE SET feature brings out the best in each individual voice by automatically setting a range of important voice-related parameters whenever an R1 panel voice (voice numbers 1 … 136) is selected. The parameters that may be set by the VOICE SET feature are listed below . This function lets you turn VOICE SET on or off, as required.

VoiceSet

• The Voice Set function is on by default when the power is initially turned on.

● Voice Set parameter list

• R1 Voice (Volume, octave, pan, reverb send level)

• R2 Voice (Voice number, volume, octave, pan, reverb send level)

• L Voice (Voice number, volume, octave, pan, reverb level)

• Reverb ON/OFF

• Harmony type, volume

Page 68

MIDI Functions

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical infor mation and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.

■ The MIDI Connectors

The MIDI IN connector receives MIDI data from an external MIDI device which can be used to control the PSR-330. The MIDI OUT connector transmits MIDI data generated by the PSR-330 (e.g. note and velocity data produced by playing the keyboard).

IN MIDI OUT

■ Simple MIDI Control

Most MIDI keyboards (including the PSR-330, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, pro viding thick multi-instrument sounds. The PSR-330 also transmits “program change” data when one of its voices is selected. Depending on how the receiving device is set up, the corresponding voice will be automatically selected on the receiving keyboard or tone generator whenev er a voice is selected on the PSR-330.

PSR-330

The PSR-330 is capable of receiving the same MIDI data, so a second MIDI keyboard connected to the PSR-330 MIDI IN connector can be used to remotely play the PSR-330 and select voices as required.

MIDI INMIDI OUT

Tone Generator

PSR-330

MIDI OUTMIDI IN

MIDI Keyboard

Page 69

■ MIDI Sequence Recording

Although the PSR-330 features a built-in “sequencer” (the SONG recorder is a type of sequencer), the same type of musical information transfer described above can be used for more sophisticated MIDI sequence recording using an external sequencer or music computer. A MIDI sequence recorder or music computer can be used to “record” MIDI data received from a PSR-330, for example. When the recorded data is played back, the PSR-330 automatically “plays” the recorded performance in precise detail.

PSR-330

MIDI INMIDI OUT

MIDI OUTMIDI IN

Computer

(Sequencer)

MIDI Functions

• Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors.

The PSR-330 MIDI Functions

The PSR-330 has the following MIDI functions.

Function Display Settings Page

Transmit Channel Tr.Ch~~~ 1 … 16 68 T ransmit Track Tr.Trk~~ r1, r2, L, rH1, rH2, bAS, CH1,

CH2, PAd, PH1, PH2, oFF Receive Channel Rcv.Ch~~ 1 … 16 69 Receive Mode Rcv.Mod~ nor, oFF, rE 69 Local Control Local~~~ oFF, on 70 External Clock ExtClock oFF, on 70 Bulk Data Send BlkSnd?~ None 70 Initial Data Send InitSnd? None 71

To access a MIDI function first use the MENU [▲] and [▼] buttons to move the

triangular indicator in the display next to “MIDI”, then use the SUB MENU [▲] and [▼] buttons to select the desired function from within the MIDI menu. When a function is selected the current setting will appear on the top line of the display. Once the function has been selected, use the [–] and [+] buttons (or number buttons, where applicable) to set the function as required.

• No MIDI transmission or reception occurs while the song track icons in the display are active (i.e. when they are framed). In other words, no MIDI transmission or reception occurs during song playback, song stop, song recording, song record standby, or the song rehearsal mode.

MIDI

DIGITAL EFFECT

OVERALL

Tr.Ch

Page 70

MIDI Functions

■ Transmit Channel & Transmit Track

The PSR-330 can simultaneously transmit data on all 16 MIDI channels. The Transmit Channel and Transmit Track functions determine what PSR-330 data is transmitted via which MIDI channels.

● Transmit Channel

The “Tr.Ch” function selects a MIDI channel to which a PSR-330 track can be assigned via the Transmit Track function, below. First select a transmit channel, then the transmit track for that channel. Different tracks can be assigned to each of the 16 MIDI channels. Any of the standard MIDI channels - 1 through 16 — can be specified.

Tr.Ch

● Transmit T rack

The “Tr.Trk” function selects the track to be transmitted via the transmit channel specified by the Transmit Channel function, above. The available settings are as follows:

Tr.Trk

~r1 R1 keyboard voice. ~r2 R2 keyboard voice ~~L L keyboard voice.

rH1 Auto accompaniment rhythm 1 track data. rH2 Auto accompaniment rhythm 2 track data. bAS Auto accompaniment bass track data. CH1 Auto accompaniment chord 1 track data. CH2 Auto accompaniment chord 2 track data. PAd Auto accompaniment pad track data. PH1 Auto accompaniment phrase 1 track data. PH2 Auto accompaniment phrase 2 track data. oFF No data transmitted.

• The initial default channel/track settings are: Channel 1: R1 voice. Channel 2: L voice Channel 11: R2 voice. All other channels: OFF.

• When a track is assigned to more than one MIDI channel, the data from that track is transmitted via the lowest-numbered channel.

• To avoid MIDI loops which can cause operational errors, check the PSR-330 Local Control setting (page

70), and the MIDI THRU settings of any external MIDI devices.

• MIDI transmit track settings will be retained even after turning the power off. See page 80 for the details.

Page 71

■ Receive Channel & Receive Mode

The PSR-330 can simultaneously receive data on all 16 MIDI channels, allowing it to function as a 16-channel multi-timbral tone generator. The Recei ve Channel and Receive Mode functions determine how each c hannel will respond to receiv ed MIDI data.

● Receive Channel

The “Rcv.Ch” function selects a MIDI channel to which a receive mode is to be assigned via the Receive Mode function, below . First select a receive channel, then the receive mode for that channel. Any of the standard MIDI channels — 1 through 16 — can be specified.

Rcv.Ch

MIDI Functions

● Receive Mode

The “Rcv.Mod” function specif ies the receive mode for the channel selected via the Receive Channel function, above. The receive mode settings are as follows:

nor

nor “Normal”. Received MIDI data is sent directly to the PSR-330 tone

generator. If all channels are set to “nor”, the PSR-330 functions as a 16channel multi-timbral tone generator.

oFF No MIDI data is received on channels set to “oFF”.

~rE “Remote”. Received MIDI data is handled in the same way as data

generated by the PSR-330’s own keyboard. In other words, a remote keyboard could be used to control the PSR-330 AUTO ACCOMPANIMENT functions, etc.

Rcv.Mod

• MIDI receive mode settings will be retained even after turning the power off. See page 80 for the details.

Page 72

MIDI Functions

7809

■ Local Control

“Local Control” refers to the fact that, normally , the PSR-330 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control on” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received on channels set to the “nor” (normal) mode via the MIDI IN connector. This means that while an external MIDI sequencer, for e xample, plays the PSR-330 internal voices, an external tone generator can be played from the PSR-330 keyboard. The default Local Control setting is “on”.

Local

■ Clock

Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled (“off”), all of the time-based functions (Auto Accompaniment, SONG recording and playback, etc.) are controlled by its own internal clock. When MIDI clock reception is enabled (“on”), however, all timing is controlled by an external MIDI clock signal received via the MIDI IN terminal (in this case the PSR-330 TEMPO setting has no effect). The default setting is “off”.

oFF

ExtClock

■ Bulk Data Send

This function causes the contents of the registration and song memories to be transmitted via the MIDI OUT connector. This data can be saved to memory or disk via a MIDI sequence recorder or MIDI data recorder, and then reloaded when required. The bulk data can also be sent directly to a second PSR-330.

To send the bulk data select the “BlkSnd?” function, then press the [+] (YES) button. “Sure?” will appear on the display. Press [+] (YES) again to be g in transmission of the bulk data. “BkSnd:Rg” (registration data) and then “BkSnd:Sg” (song data) will appear on the display during transmission. “End” will appear on the display briefly when the transmission has finished.

• Clock is “off” be default when the power is initially turnd on.

• When Clock is turned “on”, AUTO ACCOMPANIMENT playback cannot be started or stopped via the panel [START/STOP] button, or started via the synchro start function. Also, the MULTI PAD playback cannot be initiated by pressing the MULT PADs.

• A bulk dump transmission can be stopped at any time by pressing the [–] (NO) button.

• No other operations can be performed during bulk dump transmission.

YES

BlkSnd?

Sure?

Page 73

● Receiving Bulk Data

The PSR-330 will automatically receive compatible bulk data from an external MIDI device as long as no auto accompaniment, multi pad, or song recording/ playback operation is in progress. “BkRcv” will appear on the display during reception, then “End” will appear briefly when all data has been received.

BkRcv

End

MIDI Functions

• No other operations can be performed during bulk dump reception.

• If an error is encountered during bulk data reception, “Blk Err” will appear on the display, and song and registration memory will be cleared.

• When a bulk dump is received, the received data replaces any data that was previously in the PSR-330 memory.

■ Initial Data Send

Transmits all current panel settings to a second PSR-330 or a MIDI data storage

device. To send the initial data select the “InitSnd?” function, then press the [+] (YES) button. “Sure?” will appear on the display. Press the [+] (YES) again to begin transmission of the initial data.

YES

InitSnd?

Page 74

Appendix

MENU SUB MENU FUNCTION PAGE

VOICE GrandPno (R1 voice name)...................................... R1 voice selection. ................................... 15, 58

STYLE 8BtPop1 (Style name)............................................... Accompaniment style selection. ...............20, 60

SONG DancePop (Song name)............................................Song selection. ......................................... 12, 44

CARTRIDGE StåLife (Song name) ..............................................Cartridge song selection. ................................56

PSR-330 Display MENU/SUB MENU Structure

ex ex

Repeat

✩

.................................................................Measure from which to start playback. ........... 46

✩

..............................................Minus-one channel setting. ............................ 47

✩

..........................................................Repeat playback setting. ................................49

Measure MinusCh [MinusOne]

A-b

SongClr? * ...............................................................Song clear. ..................................................... 54

TrkClr? *.................................................................. Track clear...................................................... 54

REGISTRATION MEMORY Bank1 (Bank name) ....................................................Registration bank selection. ........................... 39

MULTI PAD Funky (Multi Pad set name)........................................Multi Pad set selection. .................................. 41

Pad1Chd .................................................................... Chord match on/off selection (pad 1) ............. 42

Pad2Chd .................................................................... Chord match on/off selection (pad 2) ............. 42

Pad3Chd .................................................................... Chord match on/off selection (pad 3) ............. 42

Pad4Chd .................................................................... Chord match on/off selection (pad 4) ............. 42

MIDI Tr.Ch ..........................................................................Transmit channel selection............................. 68

Tr.Trk .......................................................................Transmit track selection. ................................68

Rcv.Ch .......................................................................Receive channel selection. .............................69

Rcv.Mod .................................................................... Receive mode selection. ................................69

Local .......................................................................... Local on/off selection...................................... 70

ExtClock .................................................................External/internal clock selection. ....................70

BlkSnd? .................................................................... Bulk dump transmission. ................................ 70

InitSnd? .................................................................Initial panel setting transmission. ................... 71

DIGITAL EFFECT Hall1 [Reverb] (Reverb type name) ..........................Reverb type selection. .................................... 34

Duet [Harmony] (Harmony type name) .......................Harmony type selection. .................................36

HarmVol .................................................................... Harmony volume setting. ................................37

OVERALL TouchSns ................................................................. Touch sensitivity setting. ................................ 64

Tuning .......................................................................Overall tuning. ................................................64

SC.Note .................................................................... Scale tuning (note) setting.............................. 64

SC.Tune .................................................................... Scale tuning (tune) setting.............................. 64

Metronom .................................................................Metronome on/off selection. ...........................65

S.Split .................................................................... Split mode split point selection. ...................... 18

AccSpPnt .................................................................Auto accompaniment split point selection. ..... 27

FngrngMd AUTO ACCOMPANIMENT .........Fingering mode selection. .............................. 28

VoiceSet .................................................................Voice set on/off selection. ..............................65

REGISTRATION MEMORY Button

MULTI PAD STOP Button

REVERB Button

HARMONY Button

ON/OFF Button

• Sub-menu items with a “

• Sub-menu items with “ jump directly to the associated sub-menu function). In addition to the shortuts listed above, the [DUAL VOICE] button can be held to jump to the R2 voice revoice function, and the [SPLIT VOICE] button can be held to jump to the L voice revoice function.

” appear only when the record mode is engaged.

✩

” appear only when the record mode is not engaged.

” have shortcut access (press and hold the specified button for a few seconds to

Page 75

Troubleshooting

Something not working as it should? In many cases what appears to be a malfunction can be traced to a simple error that can be remedied immediately . Before assuming that your PSR330 is faulty, please check the following points.

PROBLEM POSSIBLE CAUSE/SOLUTION

The speakers produce a “pop” sound whenever the power is turned ON or OFF.

The volume is reduced or the sound is distorted. The registration memory doesn’t work properly. Recorded song data will not play back properly. The display goes bland and all panel controls are reset.

No sound when the keyboard is played.

Not all simultaneously-played notes sound. Auto Accompaniment seems to “skip” when the keyboard is

played. Auto Accompaniment doesn’t sound when started.

Auto accompaniment won’t function properly. No lower keyboard sound.

The Harmony function will not turn on.

Certain notes sound at the wrong pitch.

A cartridge style or song cannot be selected or will not play properly.

Operation of the sustain pedal is reversed.

Individual registration or song memory data transmitted via bulk dump from an external sequencer or other device is not received by the PSR-330.

This is normal and is no cause for alarm.

The batteries probably need to be replaced. Either replace all six batteries, or use an AC power adaptor.

The R1/R2/L voice volume settings could be set too lo w. Make sure the voice volumes are set at appropriate levels (page 58).

The Local Control function could be turned off. Mak e sure Local Control is turned on (page 70).

You are probably exceeding the maximum polyphony of the PSR-330. The PSR-330 can play up to 31 notes at the same time — including split, dual, auto-accompaniment, song, and multi pad notes. Notes exceeding this limit will not sound.

The MIDI Clock mode may be set to “on”. Make sure it is turned “off” (page 70).

Make sure that all accompaniment tracks are turned on, and that the they are all set to appropriate volume levels.

Make sure you are using fingerings recognized by the selected fingering mode, and are playing in the Auto Accompaniment section of the keyboard.

Are you sure you’re pla ying in the Auto-Accompaniment section of the keyboard? Make sure that the A uto Accompaniment split point is set appropriately (page 27).

Are you playing chords that the PSR-330 can recognize (see chord types on page 29~)?

Harmony cannot be turned on when the FULL KEYBOARD fingering mode is selected or if a percussion kit voice is selected. Select an appropriate fingering mode or voice.

Make sure that the scale tuning value for those notes is set to “0” (page 64).

Make sure that an appropriate Yamaha Music Cartridge is properly plugged into the cartridge slot (page 55), or the cartridge contacts are dirty. Try re-inserting the cartridge. If the contacts are dirty removing and inserting the cartridge several times will sometimes solve the problem. If this doesn’t work, try wiping the cartridge connectors carefully with a soft, dry cloth.

Sustain pedal operation will be reversed if you turn on the power or plug in the pedal while pressing the pedal. For normal operation turn off the power then turn it back on while the pedal is not pressed.

T ransmit the data with no more than a 2-second break betw een blocks, or transmit as entirely separate data.

Page 76

Voice List

■ Maximum Polyphony

The PSR-330 has 31-note maximum polyphony. This means that it play a maximum of up to 31 notes at once, regardless of what functions are used. Auto Accompaniment uses a number of the available notes, so when Auto Accompaniment is used the total number of notes that can be played on the keyboard is correspondingly reduced. The same applies to the Dual Voice, Split Voice, Multi Pad, and Song functions. Furthermore, some of the PSR330 voices actually use two notes, thus reducing the total number of notes that can be played. The number of notes used by each voice are listed in the voice list, below.

When the maximum 31-note polyphony of the PSR-330 is exceeded, notes are played using last-note priority.

Panel Voice List

• The Voice List includes MIDI program numbers for each voice. Use these program numbers when playing the PSR-330 via MIDI from an external device.

• The following voices use only one note outside the specified ranges:

95, 246 (Bagpipe) : above A#2. 182 (Pizzicato strings) :

• When a voice number between 127 and 264 is selected using the corresponding bank select (MSB No./LSB No.) and MIDI program number, the PSR-330’s GM voice set is selected.

below C

2 and above F5.

Voice

Number

Bank Select MIDI

MSB LSB

001 0 112 0 Grand Piano 1 002 0 112 3 Honky-tonk Piano 2 003 0 112 4 Funky Electric Piano 2 004 0 112 5 DX Electric Piano 2 005 0 112 2 MIDI Grand Piano 2 006 0 113 5 Hyper Electric Piano 2 007 0 114 5 Bell Electric Piano 2 008 0 112 6 Harpsichord 1 009 0 113 6 Harpsichord Coupled 2 010 0 112 7 Clavi 1 011 0 112 8 Celesta 1

012 0 112 11 Vibraphone 1 013 0 112 12 Marimba 1 014 0 112 13 Xylophone 1 015 0 112 14 Tubular Bells 1 016 0 112 47 Timpani 1 017 0 112 15 Dulcimer 2 018 0 112 114 Steel Drums 2 019 0 112 10 Music Box 2 020 0 112 108 Kalimba 1 021 0 112 112 Tinkle Bell 2

022 0 112 17 Jazz Organ 1 2 023 0 113 17 Jazz Organ 2 2 024 0 112 16 Jazz Organ 3 2 025 0 113 16 Full Organ 2 026 0 112 18 Rock Organ 1 2 027 0 113 18 Rock Organ 2 2 028 0 114 16 16'+2' Organ 2 029 0 115 16 16'+4' Organ 2 030 0 112 19 Church Organ 2 031 0 112 20 Reed Organ 2 032 0 112 21 Musette Accordion 2 033 0 113 21 Traditional Accordion 2 034 0 112 23 Bandoneon 2

Program of Notes

Number Used

PIANO

MALLETS

ORGAN

Voice Name

Number

Voice

Number

Bank Select MIDI MSB LSB

035 0 112 24 Classical Guitar 1 036 0 112 25 Folk Guitar 1 037 0 113 25 12Strings Guitar 2 038 0 112 26 Jazz Guitar 2 039 0 113 26 Octave Guitar 2 040 0 112 27 Clean Guitar 2 041 0 112 28 Muted Guitar 1 042 0 112 31 Guitar Harmonics 1 043 0 112 29 Overdriven Guitar 2 044 0 112 30 Distortion Guitar 2

045 0 112 32 Acoustic Bass 1 046 0 112 33 Finger Bass 1 047 0 112 35 Fretless Bass 1 048 0 112 36 Slap Bass 1 049 0 112 38 Synth Bass 1 2 050 0 112 39 Synth Bass 2 2

051 0 112 48 Strings 2 052 0 112 49 Chamber Strings 2 053 0 112 51 Synth Strings 2 054 0 113 49 Slow Strings 2 055 0 112 44 Tremolo Strings 2 056 0 114 49 Violin+Strings 2 057 0 112 45 Pizzicato Strings 1 058 0 113 52 Choir 2 059 0 112 52 Choir Aahs 2 060 0 112 53 Choir Oohs 2 061 0 112 54 Synth Choir 2 062 0 112 55 Orchestra Hit 2

063 0 112 40 Violin 1 064 0 112 42 Cello 1 065 0 112 43 Contrabass 1 066 0 112 105 Banjo 1 067 0 112 106 Shamisen 1

Program of Notes

Number Used

GUITAR

BASS

ENSEMBLE

STRINGS

Voice Name

Number

Page 77

Voice List

Voice

Number

Bank Select MIDI MSB LSB

068 0 112 107 Koto 1 069 0 112 46 Harp 2 070 0 112 104 Sitar 2

071 0 112 56 Trumpet 1 072 0 112 59 Muted Trumpet 1 073 0 112 57 Trombone 1 074 0 113 57 Trombone Section 2 075 0 112 60 French Horn 1 076 0 112 58 Tuba 1 077 0 112 61 Brass Section 2 078 0 113 61 Brass+Sax 2 079 0 114 61 Brass+Trombone 2 080 0 115 61 Brass+Trumpet 2 081 0 112 62 Synth Brass 1 2 082 0 113 63 Synth Brass 2 2

083 0 112 64 Soprano Sax 1 084 0 112 65 Alto Sax 1 085 0 112 66 Tenor Sax 1 086 0 112 67 Baritone Sax 1 087 0 113 66 Sax+Clarinet 2 088 0 114 66 Sax+Trombone 2 089 0 112 68 Oboe 1 090 0 112 69 English Horn 1 091 0 112 70 Bassoon 1 092 0 112 71 Clarinet 1 093 0 112 22 Harmonica 1 094 0 112 111 Shanai 1 095 0 112 109 Bagpipe 2

096 0 112 72 Piccolo 1 097 0 112 73 Flute 1 098 0 112 75 Pan Flute 1 099 0 112 74 Recorder 1 100 0 112 76 Blown Bottle 2 101 0 112 77 Shakuhachi 1 102 0 112 78 Whistle 1 103 0 112 79 Ocarina 1

104 0 112 80 Square Lead 2 105 0 112 81 Sawtooth Lead 2 106 0 112 85 Voice Lead 2 107 0 112 98 Crystal 2 108 0 112 100 Brightness 2 109 0 113 81 Analog Lead 2

110 0 112 88 Fantasia 2 111 0 113 100 Bell Pad 2 112 0 112 89 Xenon Pad 2 113 0 112 91 Angels 2 114 0 114 81 Dark Moon 2

Program of Notes

Number Used

BRASS

REED

SYNTH LEAD

SYNTH PAD

Voice Name

PIPE

Number

Voice

Number

Bank Select MIDI MSB LSB

115 0 112 113 Agogo 1 116 0 112 115 Woodblock 1 117 0 112 116 Taiko Drum 1 118 0 112 117 Melodic Tom 1 119 0 112 118 Synth Drum 1 120 0 112 119 Reverse Cymbal 1

121 0 112 122 Seashore 2 122 0 112 123 Bird Tweet 2 123 0 112 124 Telephone Ring 1 124 0 112 125 Helicopter 2 125 0 112 126 Applause 2 126 0 112 127 Gunshot 1

127 127 0 0 Standard Kit 1 1 128 127 0 1 Standard Kit 2 1 129 127 0 8 Room Kit 1 130 127 0 16 Rock Kit 1 131 127 0 24 Electronic Kit 1 132 127 0 25 Analog Kit 1 133 127 0 27 Dance Kit 1 134 127 0 32 Jazz Kit 1 135 127 0 40 Brush Kit 1 136 127 0 48 Classic Kit 1

Program of Notes

Number Used

PERCUSSIVE

SOUND EFFECTS

DRUM KITS

Voice Name

Number

Page 78

Voice List

Voice

Number

Bank Select MIDI

MSB LSB

137 0 0 0 Acoustic Grand Piano 1 138 0 0 1 Bright Acoustic Piano 1 139 0 0 2 Electric Grand Piano 2 140 0 0 3 Honky-tonk Piano 2 141 0 0 4 Electric Piano 1 2 142 0 0 5 Electric Piano 2 2 143 0 0 6 Harpsichord 1 144 0 0 7 Clavi 1

145 0 0 8 Celesta 1 146 0 0 9 Glockenspiel 1 147 0 0 10 Music Box 2 148 0 0 11 Vibraphone 1 149 0 0 12 Marimba 1 150 0 0 13 Xylophone 1 151 0 0 14 Tubular Bells 1 152 0 0 15 Dulcimer 2

153 0 0 16 Drawbar Organ 2 154 0 0 17 Percussive Organ 2 155 0 0 18 Rock Organ 2 156 0 0 19 Church Organ 2 157 0 0 20 Reed Organ 1 158 0 0 21 Accordion 2 159 0 0 22 Harmonica 1 160 0 0 23 Bandoneon 2

161 0 0 24 Acoustic Guitar (nylon) 1 162 0 0 25 Acoustic Guitar (steel) 1 163 0 0 26 Electric Guitar (jazz) 1 164 0 0 27 Electric Guitar (clean) 2 165 0 0 28 Electric Guitar (muted) 1 166 0 0 29 Overdriven Guitar 1 167 0 0 30 Distortion Guitar 1 168 0 0 31 Guitar Harmonics 1

169 0 0 32 Acoustic Bass 1 170 0 0 33 Electric Bass (finger) 1 171 0 0 34 Electric Bass (pick) 1 172 0 0 35 Fretless Bass 1 173 0 0 36 Slap Bass 1 1 174 0 0 37 Slap Bass 2 1 175 0 0 38 Synth Bass 1 1 176 0 0 39 Synth Bass 2 1

177 0 0 40 Violin 1 178 0 0 41 Viola 1 179 0 0 42 Cello 1 180 0 0 43 Contrabass 1 181 0 0 44 Tremolo Strings 2 182 0 0 45 Pizzicato Strings 2 183 0 0 46 Orchestral Harp 1 184 0 0 47 Timpani 1

Program of Notes

Number Used

Piano

Chromatic Percussion

Organ

Guitar

Strings

Voice Name

Bass

Number

Voice

Number

Bank Select MIDI MSB LSB

185 0 0 48 Strings Ensemble 1 1 186 0 0 49 Strings Ensemble 2 1 187 0 0 50 Synth Strings 1 2 188 0 0 51 Synth Strings 2 2 189 0 0 52 Choir Aahs 1 190 0 0 53 Voice Oohs 1 191 0 0 54 Synth Voice 1 192 0 0 55 Orchestra Hit 1

193 0 0 56 Trumpet 1 194 0 0 57 Trombone 1 195 0 0 58 Tuba 1 196 0 0 59 Muted Trumpet 1 197 0 0 60 French Horn 1 198 0 0 61 Brass Section 1 199 0 0 62 Synth Brass 1 2 200 0 0 63 Synth Brass 2 2

201 0 0 64 Soprano Sax 1 202 0 0 65 Alto Sax 1 203 0 0 66 Tenor Sax 1 204 0 0 67 Baritone Sax 1 205 0 0 68 Oboe 1 206 0 0 69 English Horn 1 207 0 0 70 Bassoon 1 208 0 0 71 Clarinet 1

209 0 0 72 Piccolo 1 210 0 0 73 Flute 1 211 0 0 74 Recorder 1 212 0 0 75 Pan Flute 1 213 0 0 76 Blown Bottle 2 214 0 0 77 Shakuhachi 1 215 0 0 78 Whistle 1 216 0 0 79 Ocarina 1

217 0 0 80 Lead 1 (square) 2 218 0 0 81 Lead 2 (sawtooth) 2 219 0 0 82 Lead 3 (calliope) 2 220 0 0 83 Lead 4 (chiff) 2 221 0 0 84 Lead 5 (charang) 2 222 0 0 85 Lead 6 (voice) 2 223 0 0 86 Lead 7 (fifth) 2 224 0 0 87 Lead 8 (bass+Lead ) 2

225 0 0 88 Pad 1 (new age) 2 226 0 0 89 Pad 2 (warm) 2 227 0 0 90 Pad 3 (polysynth) 2 228 0 0 91 Pad 4 (choir) 2 229 0 0 92 Pad 5 (bowed) 2 230 0 0 93 Pad 6 (metallic) 2 231 0 0 94 Pad 7 (halo) 2 232 0 0 95 Pad 8 (sweep) 2

Program of Notes

Number Used

Ensemble

Brass

Synth Lead

Synth Pad

Voice Name

Reed

Pipe

Number

Page 79

Voice List

Voice

Number

Bank Select MIDI MSB LSB

233 0 0 96 FX 1 (rain) 2 234 0 0 97 FX 2 (soundtrack) 2 235 0 0 98 FX 3 (crystal) 2 236 0 0 99 FX 4 (atmosphere) 2 237 0 0 100 FX 5 (brightness) 2 238 0 0 101 FX 6 (goblins) 2 239 0 0 102 FX 7 (echoes) 2 240 0 0 103 FX 8 (sci-fi) 2

241 0 0 104 Sitar 1 242 0 0 105 Banjo 1 243 0 0 106 Shamisen 1 244 0 0 107 Koto 1 245 0 0 108 Kalimba 1 246 0 0 109 Bagpipe 2 247 0 0 110 Fiddle 1 248 0 0 111 Shanai 1

249 0 0 112 Tinkle Bell 2 250 0 0 113 Agogo 1 251 0 0 114 Steel Drums 2 252 0 0 115 Woodblock 1 253 0 0 116 Taiko Drum 1 254 0 0 117 Melodic Tom 1 255 0 0 118 Synth Drum 1 256 0 0 119 Reverse Cymbal 1

257 0 0 120 Guitar Fret Noise 1 258 0 0 121 Breath Noise 1 259 0 0 122 Seashore 2 260 0 0 123 Bird Tweet 2 261 0 0 124 Telephone Ring 1 262 0 0 125 Helicopter 2 263 0 0 126 Applause 2 264 0 0 127 Gunshot 1

Program of Notes

Number Used

Synth Effects

Ethnic

Percussive

Sound Effects

Voice Name

Number

Page 80

Drum Kit List

• “<——” indicates that the drum kit is the same as “127: Standard Kit”.

• Each percussion voice uses one note.

• The MIDI Note # and Note actually sound one octave lower than listed. For example, in “127: Standard kit”, the “Seq Click” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).

• Voices with the same Alternate Note Number (*1 … 2) cannot be played simultaneously.

Voice# 127 128 129 130 131 Bank MSB# 127 127 127 127 127 Bank LSB# 00000

Program# 0 1 8 16 24 Keyboard

Note# Note

36 C1 Seq Click <—— <—— <—— <—— 37 C#1 Brush Tap <—— <—— <—— <—— 38 D1 Brush Swirl <—— <—— <—— <—— 39 D#1 Brush Slap <—— <—— <—— <—— 40 E1 Brush Swirl W/Attack <—— <—— <—— Reverse Cymbal 41 F1 Snare Roll <—— <—— <—— <—— 42 F#1 Castanet <—— <—— <—— Hi Q 43 G1 Snare L Snare L 2 <—— SD Rock M Snare M 3 44 G#1 Sticks <—— <—— <—— <—— 45 A1 Bass Drum L Bass Drum L2 <—— Bass Drum L3 Bass Drum H 4 46 A#1 Open Rim Shot <—— <—— <—— <—— 47 B1 Bass Drum M <—— <—— Bass Drum H 3 BD Rock 2 48 C2 Bass Drum H Bass Drum H 2 <—— BD Rock BD Rock 3 49 C#2 Side Stick <—— <—— <—— <—— 50 D2 Snare M Snare M 2 <—— SD Rock L SD Rock M 51 D#2 Hand Clap <—— <—— <—— <—— 52 E2 Snare H Snare H 2 <—— SD Rock Rim SD Rock H 53 F2 Floor Tom L <—— Room Tom 1 Room Tom 1 E Tom 1 54 F#2 *1 Hi-Hat Closed <—— <—— <—— <—— 55 G2 Floor Tom H <—— Room Tom 2 Room Tom 2 E Tom 2 56 G#2 *1 Hi-Hat Pedal <—— <—— <—— <—— 57 A2 Low Tom <—— Room Tom 3 Room Tom 3 E Tom 3 58 A#2 *1 Hi-Hat Open <—— <—— <—— <—— 59 B2 Mid Tom L <—— Room Tom 4 Room Tom 4 E Tom 4 60 C3 Mid Tom H <—— Room Tom 5 Room Tom 5 E Tom 5 61 C#3 Crash Cymbal 1 <—— <—— <—— <—— 62 D3 High Tom <—— Room Tom 6 Room Tom 6 E Tom 6 63 D#3 Ride Cymbal 1 <—— <—— <—— <—— 64 E3 Chinese Cymbal <—— <—— <—— <—— 65 F3 Ride Cymbal Cup <—— <—— <—— <—— 66 F#3 Tambourine <—— <—— <—— <—— 67 G3 Splash Cymbal <—— <—— <—— <—— 68 G#3 Cowbell <—— <—— <—— <—— 69 A3 Crash Cymbal 2 <—— <—— <—— <—— 70 A#3 Vibraslap <—— <—— <—— <—— 71 B3 Ride Cymbal 2 <—— <—— <—— <—— 72 C4 Bongo H <—— <—— <—— <—— 73 C#4 Bongo L <—— <—— <—— <—— 74 D4 Conga H Mute <—— <—— <—— <—— 75 D#4 Conga H Open <—— <—— <—— <—— 76 E4 Conga L <—— <—— <—— <—— 77 F4 Timbale H <—— <—— <—— <—— 78 F#4 Timbale L <—— <—— <—— <—— 79 G4 Agogo H <—— <—— <—— <—— 80 G#4 Agogo L <—— <—— <—— <—— 81 A4 Cabasa <—— <—— <—— <—— 82 A#4 Maracas <—— <—— <—— <—— 83 B4 Samba Whistle H <—— <—— <—— <—— 84 C5 Samba Whistle L <—— <—— <—— <—— 85 C#5 Guiro Short <—— <—— <—— <—— 86 D5 Guiro Long <—— <—— <—— <—— 87 D#5 Claves <—— <—— <—— <—— 88 E5 Wood Block H <—— <—— <—— <—— 89 F5 Wood Block L <—— <—— <—— <—— 90 F#5 Cuica Mute <—— <—— <—— Scratch Push 91 G5 Cuica Open <—— <—— <—— Scratch Pull 92 G#5 *2 Triangle Mute <—— <—— <—— <—— 93 A5 *2 Triangle Open <—— <—— <—— <—— 94 A#5 Shaker <—— <—— <—— <—— 95 B5 Jingle Bell <—— <—— <—— <—— 96 C6 Bell Tree <—— <—— <—— <——

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit

Page 81

Drum Kit List

Voice# 132 133 134 135 136 Bank MSB# 127 127 127 127 127 Bank LSB# 00000

Program# 25 27 32 40 48 Keyboard

Note# Note

36 C1 <—— <—— <—— <—— <—— 37 C#1 <—— <—— <—— <—— <—— 38 D1 <—— <—— <—— <—— <—— 39 D#1 <—— <—— <—— <—— <—— 40 E1 Reverse Cymbal Reverse Cymbal <—— <—— <—— 41 F1 <—— <—— <—— <—— <—— 42 F#1 Hi Q Hi Q <—— <—— <—— 43 G1 SD Rock H SD Analog 2 <—— Brush Slap L <—— 44 G#1 <—— <—— <—— <—— <—— 45 A1 Bass Drum H 5 BD Analog 2 <—— <—— Bass Drum L2 46 A#1 <—— SD Analog Open Rim SD Jazz Open Rim SD Jazz Open Rim <—— 47 B1 BD Analog 1 L BD Analog 3 <—— <—— Gran Casa 48 C2 BD Analog 1 H BD Analog 4 BD Jazz BD Jazz Gran Casa Mute 49 C#2 Analog Side Stick Analog Side Stick <—— <—— <—— 50 D2 SD Analog 1 H SD Analog 3 SD Jazz L Brush Slap H Marching SD M 51 D#2 <—— <—— <—— <—— <—— 52 E2 SD Analog 1 L SD Analog 4 SD Jazz H Brush Tap Marching SD H 53 F2 Analog Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1 54 F#2 *1 Analog HH 1 Closed Analog HH 3 Closed <—— <—— <—— 55 G2 Analog Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 56 G#2 *1 Analog HH 2 Closed Analog HH 4 Closed <—— <—— <—— 57 A2 Analog Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 58 A#2 *1 Analog HH 1 Open Analog HH 3 Open <—— <—— <—— 59 B2 Analog Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4 60 C3 Analog Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5 61 C#3 Analog Cymbal Analog Cymbal <—— <—— Hand Cym.L Open 62 D3 Analog Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6 63 D#3 <—— <—— <—— <—— Hand Cym. L Closed 64 E3 <—— <—— <—— <—— <—— 65 F3 <—— <—— <—— <—— <—— 66 F#3 <—— <—— <—— <—— <—— 67 G3 <—— <—— <—— <—— <—— 68 G#3 Analog Cowbell Analog Cowbell <—— <—— <—— 69 A3 <—— <—— <—— <—— Hand Cym. H Open 70 A#3 <—— <—— <—— <—— <—— 71 B3 <—— <—— <—— <—— Hand Cym. H Closed 72 C4 <—— <—— <—— <—— <—— 73 C#4 <—— <—— <—— <—— <—— 74 D4 Analog Conga H Analog Conga H <—— <—— <—— 75 D#4 Analog Conga M Analog Conga M <—— <—— <—— 76 E4 Analog Conga L Analog Conga L <—— <—— <—— 77 F4 <—— <—— <—— <—— <—— 78 F#4 <—— <—— <—— <—— <—— 79 G4 <—— <—— <—— <—— <—— 80 G#4 <—— <—— <—— <—— <—— 81 A4 <—— <—— <—— <—— <—— 82 A#4 Analog Maracas Analog Maracas <—— <—— <—— 83 B4 <—— <—— <—— <—— <—— 84 C5 <—— <—— <—— <—— <—— 85 C#5 <—— <—— <—— <—— <—— 86 D5 <—— <—— <—— <—— <—— 87 D#5 Analog Claves Analog Claves <—— <—— <—— 88 E5 <—— <—— <—— <—— <—— 89 F5 <—— <—— <—— <—— <—— 90 F#5 Scratch Push Scratch Push <—— <—— <—— 91 G5 Scratch Pull Scratch Pull <—— <—— <—— 92 G#5 *2 <—— <—— <—— <—— <—— 93 A5 *2 <—— <—— <—— <—— <—— 94 A#5 <—— <—— <—— <—— <—— 95 B5 <—— <—— <—— <—— <—— 96 C6 <—— <—— <—— <—— <——

Analog Kit Dance Kit Jazz Kit Brush Kit Classic Kit

Page 82

Data Backup & Initialization

■ Data Backup

Except for the data listed below, all PSR-330 panel settings are reset to their initial

settings whenever the power is turned on.

• Registration Memory

• User Song Data

• MIDI Transmit Settings

• MIDI Receive Settings

The data listed above can be backed up — i.e. retained in memory — as long as a

working set of batteries is installed and you keep the following Off/On procedure.

z Turn the power OFF by pressing the [STAND BY/ON] switch.

x Unplug the DC output cable of the PA-5, PA-5B, or P A-5C from the DC IN 10-12V

jack on the rear panel of the PSR-330.

c Then unplug the PA-5, PA-5B, or PA-5C Power Adaptor from the wall AC outlet.

When turning the power ON, simply reverse the procedure.

■ Data Initialization

All data can be initialized and restored to the factory preset condition by turning on the

power while holding the highest (rightmost) white key on the keyboard. “CLr BackUp” will appear briefly on the display.

POWER

ON / OFF

CLr

Backup

• All registration and song memory data, plus the other settings listed above, will be erased and/or changed when the data initialization procedure is carried out.

• Carrying out the data initialization procedure will usually restore normal operation if the PSR330 freezes or begins to act erratically for any reason.

Page 83

MIDI Implementation Chart

[Portable Keyboard] Date: 1997. 1. 31 Model: PSR-330

Function Transmitted Recognized Remarks

Basic Default 1~16 CH 1~16 CH (*0) Channel Changed 1~16 CH 1~16 CH (*0)

Default Mode 3 (*0)

Mode Messages X X

Altered ***** X

Note 0~127 0~127 Number : True voice ***** 0~127

Velocity Note on O 9nH, v=1~127 O 9nH, v=1~127

Note off X 9nH, v=0 X 9nH, v=0 or 8nH

After key’s X X Touch Ch’s X X

Pitch Bender O O

MIDI Implementation Chart

Version: 1.0

Control Change 0, 32 O (*1) O (*1) Bank select MSB, LSB

1 O O Modulation depth

6, 38 O O Data entry MSB, LSB

7 O O Volume

10 O O Pan

11 O O Expression 64 O O Sustain 66 X O Sostenuto 84 O O Portamento control 91 O O Reverb depth 96 X O RPN Data increment 97 X O RPN Data decrement

100, 101 O (*2) O (*2) RPN LSB, MSB

120 O O All sound off 121 X O (*3) Reset all controllers

Program O 0~127 O 0~127 Change : True # ***** 0~127

System Exclusive O (*4) O (*4)

System : Song Position X X

: Song Select X X

Common : Tune X X

System : Clock O O (*5) Real Time: Commands O (*6) O (*6)

Aux : Local ON/OFF X X

: All Notes Off X O

Messages: Active Sense O O

: Reset X X

Mode 1: OMNI ON, POLY Mode 2 : OMNI ON, MONO O: Yes Mode 3: OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No

Page 84

MIDI Implementation Chart

*0 By default (factory settings) the PSR-330 ordinarily functions as a

16 channel multi-timbral tone generator. The Remote Channel can be designated with the panel settings. The designated channel can be controlled in the same manner as the PSR-330’s keyboard ON/ OFF control. The following messages can be received by the designated channel in this mode. All other messages will be ignored.

• Note ON

• Note OFF

• Control change : Bank select MSB, LSB Volume Pan Sustain Reverb depth All sound off Reset all controller

• Program change

• Exclusive

*1 BANK SELECT

• The bank select MSB is used for melody and rhythm voice

switching. (MSB 00H: Melody Voice/MSB 7FH: Rhythm Voice)

• Refer to the Voice List for details on LSB.

*2 RPN transmission/reception

Pitch bend Sensitivity BnH, 64H, 00H, 65, 00H Fine Tune BnH, 64H, 01H, 65, 00H Course Tune BnH, 64H, 02H, 65, 00H Null BnH, 64H, 7FH, 65, 00H

*3 Pitch Bend, modulation, expression, sustain, sostenuto and RPN

are returned to their default values. Also, resets the portamento control.

*4 EXCLUSIVE

<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

• All parameters except MIDI Master Tuning settings are reset to

their default values. <DISK ORCHESTRA ON> F0H, 43H, 73H, 01H, 14H, F7H <DISK ORCHESTRA OFF> F0H, 43H, 73H, 01H, 13H, F7H <MIDI MASTER VOLUME> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

• Allows the volume of all channels to be changed simultaneously. (Universal System Exclusive)

• “mm” is used as the MIDI Master Volume value (“ll” is ignored).

• The relationship between the MIDI Master Volume value and the real volume is the same as the Control Change Master Volume.

• The default value for “mm” is 7FH.

F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H

• Simultaneously changes the tuning of all channels.

• “mm, ll” is used as the MIDI Master Tuning Value. The tuning value is represented as follows:

T=M-128 (28<=M<=228) T: Tuning Value (in cents) M: is decimal value represented by 1-byte using bits 0..3 of “mm” as the MSB and bits 0..3 of “ll” as the LSB.

• The default values for “mm” and “ll” are 08H, 00H. Also, n and cc are recognized.

• This value is not reset by a GM System ON or Reset All Controllers message.

Resist Memory

F0H, 43H, 73H, 4CH, 06H, 09H, 0nH, 0nH, 0nH, 0nH, [DATA],

sum, F7H

0nH, 0nH, 0nH, 0nH: Data length (nnnnH Byte) sum : Check Sum

User Song Data

F0H, 43H, 73H, 4CH, 06H, 0AH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH,

[DATA], sum, F7H

0nH, 0nH, 0nH, 0nH, 0nH, 0nH: Data length (nnnnnnH Byte) sum : Check Sum

<Section Control> F0H, 43H, 7EH, 00H, ss, dd, F7H

• This message is related to the SW section operation. ss : 00H-07H INTRO

08H MAIN A 09H-0FH MAIN B 10H FILL IN AA 11H-17H FILL IN BB 18H FILL IN AB 19H-1FH FILL IN BA 20H-27H ENDING

dd : Switch ON/OFF 7FH (ON)/ 00H (OFF)

<START, STOP Control> F0H, 43H, 6nH, xx, F7H

• This message controls the Start/Stop for the Style. (received

only)

n : Ignores the Device Number. xx : 7A= Reset Start, 7D= Stop & Rewind

<TEMPO CONTROL> F0H, 43H, 7EH, 01H, tt, tt, tt, tt, F7H

• This message is used to change the Tempo Value. tt, tt, tt, tt : Tempo Data

<Internal Clock, External Clock> (Received Only)

F0H, 43H, 73H, 01H, 02H, F7H (Internal Clock) F0H, 43H, 73H, 01H, 03H, F7H (External Clock)

• This message controls the Clock Mode of the Style.

<XG System ON> (Received Only)

F0H, 43H, 1nH, 4CH, 00H, 00H, 7EH, 00H, F7H

n : ignores the Device Number.

• All parameters except MIDI Master Tuning are reset to their

default values.

• Remote Channel setting is canceled.

• This message requires approximately 50ms to execute, so

sufficient time should be allowed before the next message is sent.

F0H, 43H, 1nH, 4CH, aaH, bbH, ccH, ddH, ..., F7H

n: Device number is ignored. aa, bb, cc: address High, Mid, Low dd: data (successive transmission and reception are

possible within the amount of data shown in the following Table-1)

• For more details refer to Table-1.

Caution:The PSR-330 corresponds to the XG parameters in

Table-1, but this is only a portion of XG parameters. The PSR-330 does not completely correspond to the XG format.

*5 It is possible to switch between the External and Internal Clocks.

*6 Start/Stop commands for the style can only be received when

External Clock is ON.

*7 All MIDI messages will be ignored when in the Song Mode.

Page 85

MIDI Data Format

<Table-1> Parameter Change

Address Size Data Parameter Description Default Value

(H) (H) (H) (H)

SYSTEM 00 00 7E 1 00 XG SYSTEM ON EFFECT 02 01 00 2 00 — 7F REVERB TYPE MSB Refer Table-2 01 (=HALL1)

00 — 7F REVERB TYPE LSB Refer Table-2 00

MULTI PART 08 nn 41 1 00 — 7F SCALE TUNING C –64 — +63 cent 40

08 nn 42 1 00 — 7F SCALE TUNING C# –64 — +63 cent 40 08 nn 43 1 00 — 7F SCALE TUNING D –64 — +63 cent 40 08 nn 44 1 00 — 7F SCALE TUNING D# –64 — +63 cent 40 08 nn 45 1 00 — 7F SCALE TUNING E –64 — +63 cent 40 08 nn 46 1 00 — 7F SCALE TUNING F –64 — +63 cent 40 08 nn 47 1 00 — 7F SCALE TUNING F# –64 — +63 cent 40 08 nn 48 1 00 — 7F SCALE TUNING G –64 — +63 cent 40 08 nn 49 1 00 — 7F SCALE TUNING G# –64 — +63 cent 40 08 nn 4A 1 00 — 7F SCALE TUNING A –64 — +63 cent 40 08 nn 4B 1 00 — 7F SCALE TUNING A# –64 — +63 cent 40

08 nn 4C 1 00 — 7F SCALE TUNING B –64 — +63 cent 40

<Table-2> Effect map

LSB

MSB

00H NO EFFECT NO EFFECT 01H HALL1 HALL2 02H ROOM1 ROOM2 03H HALL1 HALL2 04H PLATE1 PLATE2 05H DELAY1 DELAY2 06H NO EFFECT NO EFFECT

....

7FH NO EFFECT NO EFFECT

Other than 00H, any LSB effect type that has no effect name in its corresponding part, will be directed to the corresponding effect type of the MSB value and LSB 00H.

00H 01H 02H 7FH

....

◆ GM System Level 1

The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from differ ent manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a dif ferent tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, howe ver, appropriate program change data must be transmitted to select the right voices.

The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as “GM System Level 1.” The PSR-330 voice allocation complies with the GM System Level 1 standard.

......

Page 86

Specifications

Keyboards

• 61 standard-size keys (C1 — C6) with touch response.

Display

• Large multi-function LCD display

Setup

• Power : ON/OFF

• Master Volume : MIN — MAX

Control & Number Buttons

• MENU ▲▼, VOICE, STYLE, SONG, CARTRIDGE, SUB MENU ▲▼, [1] — [0], [+] (YES), [–] (NO)

Cartridge Slot

Demo

• 20 Songs

Voice

• 126 Panel Voices +10 Drum Kits + 128 GM Voices

• Polyphony : 31

• Voice Set

• R1/R2/L Voices

• Revoice : Volume, Octave, Pan, Reverb Send Level

• Split Voice Mode

• Dual Voice Mode

Auto Accompaniment

• 100 Styles

• Auto Accompaniment ON/OFF

• Accompaniment Track : RHYTHM1/2, BASS, CHORD1/2,

PAD, PHRASE1/2

• Accompaniment Track Settings : ON/OFF

• Accompaniment Control : SYNC START, SYNC STOP,

START/STOP, INTRO, MAIN A/B (AUTO FILL), ENDING

• Beat Indicator

• Accompaniment Volume

• Revoice : Volume, Pan, Reverb Send Level

One T ouch Setting

Multi Pads

• 26 Multi Pad Sets

• 4 Pads + STOP

User Song

• User Song : 2 Songs

• Recording Tracks : ACCOMPANIMENT, MELODY 1 — 4

• Song Clear, Track Clear

• Song Volume

• Minus One Practice (Minus One Channel Setting)

• Repeat Play

• Revoice : Volume, Octave, Pan, Reverb Send Level

MIDI

• Transmit Settings

• Receive Settings

• Local Control

• Clock

• Bulk Data Send/Receive

• Initial Data Send

Auxiliary Jacks

• DC IN 10-12V, PHONES, SUSTAIN, MIDI IN/OUT

Amplifiers

• 6.0W + 6.0W (when using PA-5B power adaptor)

• 5.5W + 5.5W (when using batteries)

Speakers

• 12cm (4-3/4”) x 2

Power Consumption

• 19 W (when using PA-5B AC power adaptor)

Batteries

• Six SUM-1, “D” size, R-20 or equivalent batteries

Rated Voltage

• DC 10-12V

Dimensions (W x D x H)

• 933 x 372 x 128 mm (36-3/4” x 14-2/3” x 5-1/16”)

Overall Controls

• Tempo : 32 — 280

• Transpose

• Touch Sensitivity

• Master Tuning

• Scale Tuning

• Metronome

• Split Voice Split Point

• Accompaniment Split Point

• Fingering Mode :

• Voice Set

SINGLE FINGER/FINGERED 1/FINGERED 2/ FULL KEYBOARD/MULTI-FINGER

Digital Effect

• Reverb : 9 types

• Harmony : 25 types

Registration Memory

• 8 Regist Bank : 1 — 4

• Accompaniment Freeze

Weight

• 5.9 kg (13 lbs.) excluding batteries

Supplied Accessories

• Music Cartridge

• Music Stand

• Owner’s Manual

Optional Accessories

• Headphones : HPE-150

• AC Power Adaptor : PA-5, PA-5B, PA-5C

• Foot Switch : FC4, FC5

• Keyboard Stand : L-6

• Music Cartridge

* Specifications subject to change without notice.

Page 87

Index

AC power adaptor ............................................................10

Accompaniment styles, cartridge.....................................57

Accompaniment tracks, song........................................... 50

Auto accompaniment ....................................................... 20

Auto accompaniment on/off ............................................. 20

Auto Fill............................................................................23

Bank, registration .............................................................39

Batteries...........................................................................10

Beat indicator................................................................... 23

Bulk data receive .............................................................71

Bulk data send ................................................................. 70

Cartridge accompaniment styles ..................................... 57

Cartridge song playback .................................................. 56

Chord Match function....................................................... 42

Chord types, auto accompaniment .................................. 30

Clock................................................................................70

Connectors ...................................................................... 11

Contents ............................................................................3

Demonstration playback ..................................................12

Digital Effect.....................................................................34

Display operation ...............................................................6

Drum kit list ...................................................................... 78

Dual voice mode .............................................................. 17

Effects ..............................................................................34

Ending, accompaniment ..................................................24

Features.............................................................................2

Freeze (Accompaniment Freeze function)....................... 40

Fill-in ................................................................................23

Fingered 1 fingering mode...............................................30

Fingered 2 fingering mode...............................................31

Fingering modes, accompaniment................................... 28

Full Keyboard fingering mode ..........................................31

GM System Level 1 ................................................... 14, 83

Harmony ..........................................................................35

Icons ..................................................................................6

Initial data send................................................................ 71

Initialization (data backup) ............................................... 80

Intro, accompaniment ......................................................22

Keyboard percussion ....................................................... 17

Local control .................................................................... 70

Main A & Main B sections ................................................23

Master tuning ................................................................... 64

Measure, song play from specified .................................. 46

Melody tracks, clearing .................................................... 54

Melody tracks, song .........................................................50

Menu structure .................................................................72

Menus ................................................................................8

Metronome....................................................................... 65

MIDI connectors......................................................... 11, 66

MIDI data format .............................................................. 83

MIDI functions..................................................................66

MIDI implementation chart ...............................................81

MIDI sequence recording.................................................67

Minus-one practice .......................................................... 47

Multi pad set selection .....................................................41

Multi Pads, playing........................................................... 43

Multi-finger fingering mode .............................................. 32

Music cartridges, handling ............................................... 55

Music stand........................................................................5

One touch setting.............................................................32

Overall functions .............................................................. 63

Panel controls ....................................................................4

Phones jack ..................................................................... 11

Polyphony ........................................................................ 74

Power supply ...................................................................10

Precautions........................................................................1

R1, R2, & L voices ...........................................................14

Receive channel & mode................................................. 69

Record Ready Mode........................................................ 51

Registration memory........................................................ 39

Rehearsal mode .............................................................. 52

Repeat play......................................................................49

Reverb .............................................................................34

Revoicing ......................................................................... 58

Scale tuning ..................................................................... 64

Shortcuts............................................................................9

Single Finger fingering mode ...........................................29

Song clear........................................................................ 54

Song playback .................................................................44

Song playback, cartridge .................................................56

Song recording ................................................................ 50

Song, revoice................................................................... 61

Specifications...................................................................84

Split point, auto accompaniment................................23, 27

Split point, split voice .......................................................18

Split voice mode .............................................................. 18

Start modes, accompaniment .......................................... 22

Stop Accompaniment function .........................................32

Style selection..................................................................20

Style, revoice ...................................................................60

Sustain jack ..................................................................... 11

Synchro Stop function......................................................24

Synchronized start ........................................................... 22

Tempo, accompaniment................................................... 21

Touch sensitivity ...............................................................64

Track assignment, minus-one..........................................47

Track muting, accompaniment .........................................25

Transmit channel & track .................................................68

Transposition ...................................................................38

Troub leshooting ...............................................................73

Voice list........................................................................... 74

Voice set ..........................................................................65

Voice, revoice ..................................................................58

Voices, about the .............................................................14

Voices, selecting & playing .............................................. 15

Volume control, accompaniment...................................... 26

Volume control, song .......................................................45

Volume, harmony .............................................................37

Page 88

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Author ization (RA) will be issued that has a

tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________ (Retailer)

YAMAHA CORPORATION OF AMERICA

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

Page 89

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V., Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

BRASIL

Yamaha Musical do Brasil LTDA.

Ave. Reboucas 2636, São Paulo, Brasil Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: 507-269-5311

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220

FRANCE

Yamaha Musique France, Division Claviers

BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A., Home Keyboard Division

Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

SPAIN

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270

PORTUGAL

Valentim de Carvalho CI SA

Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras, Portugal Tel: 01-443-3398/4030/1823

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Office

Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00

FINLAND

Warner Music Finland OY/Fazer Music

Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011

NORWAY

Norsk filial av Yamaha Scandinavia AB

Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AFRICA

Yamaha Corporation, International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

OTHER COUNTRIES

Yamaha Corporation, International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 730-1098

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

KOREA

Cosmos Corporation

#131-31, Neung-Dong, Sungdong-Ku, Seoul Korea Tel: 02-466-0021~5

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

Blk 202 Hougang, Street 21 #02-01, Singapore 530202 Tel: 382-1922

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-717-3812

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

Yamaha Corporation, International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation, International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317

[PK] 10

Downloaded from:

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-3273

Page 90

Page 91

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Yamaha Audio PSR-330 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

PRECAUTIONS

Congratulations!

Important Features

Contents

Panel Controls

◆ The Music Stand

◆ Included Accessories

The Display Icons

The Menus

Shortcuts

Setting Up

Power Supply

■ Using An Optional AC Power Adaptor

■ Using Batteries

Connections

■ The PHONES Jack

■ SUSTAIN Jack

■ MIDI IN and OUT Connectors

Playing the PSR-330

The PSR-330 Voices

■ A Word About the “R1”, “R2”, and “L” Voices

Selecting & Playing Voices

◆ Keyboard Percussion

The Dual Voice Mode

The Split Voice Mode

Changing the SPLIT VOICE Split Point

Auto Accompaniment

Using Auto Accompaniment

◆ The Synchro Stop Function

Accompaniment Track Muting

■ Muting Individual Tracks

Accompaniment Volume Control

Changing the Accompaniment Split Point

The Auto Accompaniment Fingering Modes

◆ The Stop Accompaniment Function

One Touch Setting

Digital Effects

Reverb

Turning the Reverb Effect On or Off

Selecting a Reverb Type

Harmony

Turning the Harmony Effect On or Off

Selecting a Harmony Type

Adjusting the Harmony Volume

Transpose

Setting Transposition

Registration Memory

Registering the Panel Settings

Recall the Registered Panel Settings

The Accompaniment Freeze Function

The Multi Pads

Selecting a MULTI PAD Set

Turning the CHORD MATCH Function On/Off

Playing the MULTI PADs

Song Playback

Song Playback Procedure

Song Volume Control

Play from a Specified Measure

Minus-one Practice

Minus-one Track Assignment

Repeat Play

Song Recording

Song Recording Procedure

Clearing Song Data

Clearing an Entire Song

Clearing Selected Melody Tracks

Using Music Cartridges

◆ Inser ting a Music Car tridg e

◆ Music Cartridg e Handling Precautions

Cartridge Songs

Cartridge Song Playback

Cartridge Accompaniment Styles

Revoicing

Revoicing the R1, R2, and L Voices

Revoicing a Style

Revoicing a User Song