Yamaha Audio PSR-420, PSR-320 User Manual

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Congratulations!

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You are the proud owner of a fine electronic keyboard. The Yamaha PSR-320/420 PortaTone combines the most advanced AWM tone generation technology with state-of-theart digital electronics and features to give you stunning sound quality with maximum musical enjoyment. A new large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.

In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.

Important Features

● 128 outstanding voices with eight percussion kits.

● A Voice Set function automatically selects appropriate voice parameters whenever a v oice

is selected.

● 100 accompaniment styles, each with independent intro, main A and B , 4 fill-ins, and ending

sections.

● Advanced auto-accompaniment technology gives you fully-orchestrated accompaniment

to back up what you play on the keyboard.

● Large multi-function LCD display panel makes it easy to select and edit parameters.

● One Touch Setting feature automatically selects appropriate voice, effect, and other

settings for the selected accompaniment style — all you ha ve to do is select a style and play .

● Digital effects add depth and ambience to your sound.

● Guide, Minus One, and Repeat functions are ideal for learning new songs and polishing

your keyboard technique.

● Song recording feature lets you record two melody tracks with an accompaniment track.

● Multi Pads pla y a number of short rhythmic and melodic sequences that can be used to add

impact and variety to your performances.

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● Registration Memory saves your favorite panel settings for instant recall when needed.

● Optional Yamaha Music Car tr idges can be plugged in for enjoyable automated perform-

ance, keyboard practice, and extra accompaniment styles.

● Built-in amplifier and speaker system delivers top-quality sound without the need for

external equipment.

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Contents

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Taking Care of Your PortaTone ....................................... 3

Panel Controls 4

Setting Up 6

Power Supply ...................................................................... 6

■

Using An Optional AC Power Adaptor............................ 6

■

Using Batteries ............................................................... 6

Connections ........................................................................ 7

■

The PHONES Jack......................................................... 7

■

SUSTAIN Jack ............................................................... 7

■

MIDI IN and OUT Connectors ........................................ 7

The Music Stand ................................................................. 7

The Demonstration 8

Basic Display Operation 10

Playing the PSR-320/420 12

Selecting & Playing Voices..............................................12

■

Keyboard Percussion ................................................... 14

The Split Mode .................................................................. 15

Changing the Split Voice & Related Parameters............. 15

Touch Response................................................................17

Dual Voice.......................................................................... 17

Changing the Dual Voice & Related Parameters ............ 18

Digital Effects .....................................................................19

Changing the Digital Effect ...............................................19

Transposition .....................................................................20

Using Auto Accompaniment 21

■

The Stop Accompaniment Function ..............................27

Accompaniment Track Control...................................... 28

■

Large/Small Accompaniment ....................................... 28

■

Muting Individual Tracks............................................... 29

■

Changing Accompaniment Track Voices ..................... 29

■

Adjusting Accompaniment Track Volume..................... 29

Changing the Accompaniment Split Point .................. 30

One Touch Setting ............................................................31

Harmony............................................................................. 31

Selecting a Harmony Type ...............................................32

The Multi Pads 42

Selecting a MULTI PAD KIT ............................................ 42

Playing the MULTI PADS................................................. 43

Using Music Cartridges 44

■

Inserting a Music Cartridge ...........................................44

■

Music Cartridge Handling Precautions ......................... 44

Cartridge Accompaniment Styles ..................................45

Selecting Cartridge Styles ............................................... 45

■

The Yamaha Style File Format......................................46

Cartridge Songs................................................................ 47

Cartridge Song Playback................................................. 47

Cartridge Registration Presets ...................................... 48

Selecting Cartridge Registration...................................... 48

Practice Features 49

The Minus One Mode ........................................................49

■

Specifying the Parts To Be Turned On or Off................49

The Guide Mode (PSR-420 only).................................... 50

Repeat Play.........................................................................51

Overall Functions 52

General Functions ............................................................ 53

■

Keyboard Volume ......................................................... 53

■

Octave .......................................................................... 53

■

Pan ............................................................................... 54

■

Voice Set ...................................................................... 54

■

Accompaniment Volume ...............................................54

■

Touch Sensitivity ...........................................................54

■

Minus-one Right/Left-hand Channel..............................55

■

Lamp (PSR-420 only) ................................................... 55

■

Metronome ....................................................................55

MIDI Functions .................................................................. 56

■

Remote Channel ...........................................................57

■

Keyboard Out ................................................................58

■

Song Out ...................................................................... 58

■

Accompaniment Out ..................................................... 58

■

Local Control ................................................................ 59

■

External Clock .............................................................. 59

■

Initial Data Send ............................................................59

■

Bulk Data Send ............................................................ 60

■

Receiving Bulk Data ..................................................... 60

Registration Memory 33

Registering the Panel Settings ...................................... 33

Recall the Registered Panel Settings ........................... 34

The Accomp Freeze Function ........................................ 34

Song Recording 35

Recording a Melody Track ...............................................35

Recording Accompaniment With or Without a Melody

Accompaniment and Melody Playback .........................39

Play from a Specified Measure ....................................... 40

■

Voice & Volume Rewrite............................................... 41

■

Clearing the SONG TRACKS ....................................... 41

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...37

Appendix

Data Backup & Initialization..............................................61

■

Data Initialization ...........................................................61

Voice & Polyphony List.................................................... 62

Troubleshooting................................................................63

Percussion Kit List ............................................................64

MIDI Implementation Chart ..............................................66

■

GM System Level 1 .......................................................67

Specifications .................................................................. 68

Index ................................................................................... 69

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Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:

Taking Care of Your PortaTone

■ Location

Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.

● Direct sunlight (e.g. near a window).

● High temperatures (e.g. near a heat source, out-

side, or in a car during the daytime).

● Excessive humidity.

● Excessive dust.

● Strong vibration.

■ Power Supply

● Turn the power switch OFF when the instrument

is not in use.

● An AC adaptor, if used (the PSR-320/420 runs

from either batteries or an optional AC adaptor),

should be unplugged from the AC outlet if the

instrument is not to be used for an extended pe-

riod of time.

● Unplug the AC adaptor during electric storms.

● Avoid plugging the AC adaptor into the same AC

outlet as appliances with high power consump-

tion, such as electric heaters or ovens. Also avoid

using multi-plug adaptors since these can result

in reduced sound quality, operation errors, and

possibly damage.

■ Turn Power OFF When Making

Connections

● To avoid damage to the instrument and other

devices to which it is connected, turn the power

switches of all related devices OFF prior to con-

necting or disconnecting MIDI cables.

■ Handling and Transport

● Disconnect all cables before moving the instru-

ment.

● Physical shocks caused by dropping, bumping,

or placing heavy objects on the instrument can result in scratches and more serious damage.

■ Cleaning

● Clean the cabinet and panel with a dry soft cloth.

● A slightly damp cloth may be used to remove

stubborn grime and dirt.

● Never use cleaners such as alcohol or thinner.

● Avoid placing vinyl objects on top of the instru-

ment (vinyl can stick to and discolor the surface).

■ Electrical Interference

● This instrument contains digital circuitry and

may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

■ Data Backup

● Internal data (registration memory and song

data) will be retained in memory even if the power switch is turned OFF as long as an AC power adaptor is connected or batteries are installed.

■ Service and Modification

● The PSR-320/420 contains no user serviceable

parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.

● Never apply excessive force to the controls, con-

nectors or other parts of the instrument.

● Always unplug cables by gripping the plug

firmly, not by pulling on the cable.

YAMAHA is not responsible for damage caused by improper handling or operation.

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Panel Controls

PHONES

STYLE

ROCK 01 ROCK BOOGIE 02 ROCK POP 03 LT RK BALLAD 04 ROCK BALLAD 05 ROCK SHUFFLE 06 HARD ROCK 07 6/8HEAVY ROCK 08 SLOW ROCK POP 09 UP POP SHFFL 10 8 UPBEAT POP 11 DETROIT POP

POWER

ON / OFF

MASTER VOLUME

MIN MAX

ACCOMPANIMENT

26 6/8 BALLAD

12 LIGHT POP 13 FOLK ROCK 14 POP RHUMBA 15 16BT POP 16 POP SHUFFLE 17 SURF SHUFFLE POP BALLAD 18 8BT BALLAD 19 8BT LIGHT 20 16BT BALLAD 1 21 16BT BALLAD 2 22 POP BALLAD 23 SLOW BALLAD 24 EPIC BALLAD 25 PNO BALLAD

3 4 5 6

DEMO

REC

SYNC-

START/STOP

AUTO

ROCK & ROLL 27 ROCK & ROLL 1 28 ROCK & ROLL 2 29 BOOGIE 30 TWIST RHYTHM & BLUES 31 R & B 32 BLUES 33 FUNK 34 FUNK SHFL 35 SOUL 36 6/8 BLUES 37 GOSPEL 38

GOSPEL WALTZ

SONG

PLAY/STOP REPEAT

START/STOP

DIGITAL EFFECT

PLAY

DANCE 39 DANCE POP 40 EUROBEAT 41 TECHNO 42 JUNGLE 43 POP RAP 44 ACID JAZZ DISCO 45 DISCO SOUL 46 DISCO POP 47 70S DISCO 48 DISCO TROP 49 DISCO PARTY 50 DISCO FOX 51 MARCH FOX

INTRO

MINUS ONE

TRAD JAZZ 52 DIXIELAND 53 BIG BAND 54 B B BALLAD 55 SWING CONTEMP JAZZ 56 UPTEMPO JAZZ 57 COOL JAZZ 58 JAZZ BALLAD 59 JAZZ WALTZ 60 FUSION 61 FUSION BALLAD LATIN 62 FAST BOSSA 63 SLOW BOSSA

MAIN

AUTO FILL

64 POP BOSSA 65 SALSA 66 MAMBO 67 MERENGUE 68 SAMBA 1 69 BOLERO LENTO 70 SON CARIBBEAN 71 POP REGGAE 72 REGGAE 16 73 REGGAE 12 C & W 74 BLUEGRASS 75 TWO STEP 76

COWBOY BOOGIE

CURSOR

TEMPO

RESET

ENDING

FUNCTION

ACCOMP

LARGE/SMALL

77 C SHUFFLE 78 C BALLAD 79 C ROCK 1 80 C ROCK 2 81 C WALTZ WORLD MUSIC 82 POLKA 83 TARANTELLA 84 ESPAGNOLE 85 ZYDECO 86 TRAD WALTZ 87 MARCH 88 6/8 MARCH BALLROOM STD 89 QUICKSTEP

90 FOXTROT 91 JIVE 92 SLOWFOX 93 TANGO ARGN 94 VIEN WALTZ 95 SLOW WALTZ BALLROOM LATIN 96 CHA CHA 97 CONGA 98 SAMBA 2 99 RHUMBA 00 PASODOBLE

VOICE STYLE

001

SONG

REGIST MEMORY

REGIST

MULTI PAD

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

DUAL VOICE

ON / OFF

SPLIT VOICE

HARMONY

VOICE

OVERALL

VOL

DIGITAL EFFECT

MEMORIZE

11 MUSIC BOX

VOICE

12 VIBRAPHONE 13 MARIMBA

PIANO

14 XYLOPHONE

01 GRAND PIANO

15 TUBE BELLS

02 BRIGHT PNO

16 DULCIMER

03 E GRAND PNO

ORGAN

04 HONKY-TONK

DRAWBAR ORG

05 E PIANO 1

18 PERC ORGAN

06 E PIANO 2

19 ROCK ORGAN

07 HARPSICHORD

20 CHURCH ORG

08 CLAVI

21 REED ORGAN

CHROMATIC PERC

22 ACCORDION

09 CELESTA

23 HARMONICA

10 GLOCKEN

24 BANDONEON

GrandPno

TEMPO

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

REGISTRATION MEMORY

123 4

BEAT

OTS

TRANSPOSE

152

MEASURE

REPEAT

REC

REC REC

GUITAR 25 NYLON GTR 26 STEEL GTR 27 JAZZ GUITAR 28 CLEAN GTR 29 MUTE GUITAR 30 OVRDRV GTR 31 DIST GUITAR 32 HARMONICS BASS 33 ACC BASS 34 FINGER BASS 35 PICK BASS 36 FRETLESS 37 SLAP BASS 1

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

ACCOMP FREEZE

38 SLAP BASS 2 39 SY BASS 1 40 SY BASS 2 STRINGS 41 VIOLIN 42 VIOLA 43 CELLO 44 CONTRABASS 45 TREMOLO STR 46 PIZZ STR 47 HARP 48 TIMPANI ENSEMBLE 49 STRINGS 1 50 STRINGS 2

NORMAL

SPLIT

SINGLE FINGERED

MODE

MULTI PADS

51 SYNTH STR 1 52 SYNTH STR 2 53 CHOIR AAHS 54 VOICE OOHS 55 SYNTH VOICE 56 ORCH HIT BRASS 57 TRUMPET 58 TROMBONE 59 TUBA 60 MUTE TRP 61 FRENCH HORN 62 BRASS SECT 63 SY BRASS 1 64 SY BRASS 2

STYLE

ONE TOUCH

SETTING

TERMINATE

REED

78 SHAKUHACHI

91 POLYSYN PAD

65 SOPRANO SAX

79 WHISTLE

66 ALTO SAX

80 OCARINA

67 TENOR SAX

SYNTH LEAD

68 BARI SAX

81 SQUARE LEAD

69 OBOE

82 SAWTOOTH LD

70 ENG HORN

83 CALLIOPE LD

71 BASSOON

84 CHIFF LEAD

72 CLARINET

85 CHARANG LD

PIPE

86 VOICE LEAD

73 PICCOLO

87 FIFTH LEAD

74 FLUTE

88 BASS & LEAD

75 RECORDER

SYNTH PAD

76 PAN FLUTE

89 NEWAGE PAD

77 BOTTLE

90 WARM PAD

– –

123

789

VOICE

TOUCH RESPONSE

–

/NO

1234

92 CHOIR PAD 93 BOWED PAD 94 METALLIC PD 95 HALO PAD 96 SWEEP PAD SYNTH EFFECTS 97 RAIN 98 SOUNDTRACK 99 CRYSTAL 100 ATMOSPHERE 101 BRIGHTNESS 102 GOBLINS 103 ECHOES 104 SCI-FI

654

/YES

DUAL VOICE

ETHNIC 105 SITAR 106 BANJO 107 SHAMISEN 108 KOTO 109 KALIMBA 110 BAGPIPE 111 FIDDLE 112 SHANAI PERCUSSIVE 113 TINKLE BELL 114 AGOGO 115 STEEL DRUMS 116 WOODBLOCK 117 TAIKO DRUM

PRESS AND HOLD FOR A WHILE.

HARMONY

(

118 MELODIC TOM 119 SYNTH DRUM 120 REV CYMBAL SOUND EFFECTS 121 FRET NOISE 122 BREATH 123 SEASHORE 124 BIRD TWEET 125 TELEPHONE 126 HELICOPTER 127 APPLAUSE 128 GUNSHOT

PSR-320

KEYBOARD

PERCCUSSION KIT

129 STANDARD 130 ROOM 131 ROCK 132 ELECTRONIC 133 ANALOG 134 JAZZ 135 BRUSH 136 CLASSIC

PHONES

STYLE

ROCK 01 ROCK BOOGIE 02 ROCK POP 03 LT RK BALLAD 04 ROCK BALLAD 05 ROCK SHUFFLE 06 HARD ROCK 07 6/8HEAVY ROCK 08 SLOW ROCK POP 09 UP POP SHFFL 10 8 UPBEAT POP 11 DETROIT POP

POWER

ON / OFF

MASTER VOLUME

MIN MAX

ACCOMPANIMENT

26 6/8 BALLAD ROCK & ROLL 27 ROCK & ROLL 1 28 ROCK & ROLL 2 29 BOOGIE 30 TWIST RHYTHM & BLUES 31 R & B 32 BLUES 33 FUNK 34 FUNK SHFL 35 SOUL 36 6/8 BLUES 37 GOSPEL

GOSPEL WALTZ

SONG

PLAY/STOP REPEAT

START/STOP

DIGITAL EFFECT

PLAY

DANCE 39 DANCE POP 40 EUROBEAT 41 TECHNO 42 JUNGLE 43 POP RAP 44 ACID JAZZ DISCO 45 DISCO SOUL 46 DISCO POP 47 70S DISCO 48 DISCO TROP 49 DISCO PARTY 50 DISCO FOX 51 MARCH FOX

INTRO

MINUS ONE

TRAD JAZZ 52 DIXIELAND 53 BIG BAND 54 B B BALLAD 55 SWING CONTEMP JAZZ 56 UPTEMPO JAZZ 57 COOL JAZZ 58 JAZZ BALLAD 59 JAZZ WALTZ 60 FUSION 61 FUSION BALLAD LATIN 62 FAST BOSSA 63 SLOW BOSSA

GUIDE

MAIN

AUTO FILL

3 4 5 6

DEMO

REC

SYNC-

START/STOP

AUTO

64 POP BOSSA 65 SALSA 66 MAMBO 67 MERENGUE 68 SAMBA 1 69 BOLERO LENTO 70 SON CARIBBEAN 71 POP REGGAE 72 REGGAE 16 73 REGGAE 12 C & W 74 BLUEGRASS 75 TWO STEP

COWBOY BOOGIE

CURSOR

TEMPO

RESET

ENDING

FUNCTION

ACCOMP

LARGE/SMALL

77 C SHUFFLE 78 C BALLAD 79 C ROCK 1 80 C ROCK 2 81 C WALTZ WORLD MUSIC 82 POLKA 83 TARANTELLA 84 ESPAGNOLE 85 ZYDECO 86 TRAD WALTZ 87 MARCH 88 6/8 MARCH BALLROOM STD 89 QUICKSTEP

90 FOXTROT 91 JIVE 92 SLOWFOX 93 TANGO ARGN 94 VIEN WALTZ 95 SLOW WALTZ BALLROOM LATIN 96 CHA CHA 97 CONGA 98 SAMBA 2 99 RHUMBA 00 PASODOBLE

VOICE STYLE

001

SONG

REGIST MEMORY

REGIST

MULTI PAD

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

DUAL VOICE

ON / OFF

SPLIT VOICE

HARMONY

VOICE

OVERALL

VOL

DIGITAL EFFECT

MEMORIZE

VOICE

PIANO 01 GRAND PIANO 02 BRIGHT PNO 03 E GRAND PNO 04 HONKY-TONK 05 E PIANO 1 06 E PIANO 2 07 HARPSICHORD 08 CLAVI CHROMATIC PERC 09 CELESTA 10 GLOCKEN

GrandPno

TRANSPOSE

TEMPO

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

REGISTRATION MEMORY

123 4

11 MUSIC BOX 12 VIBRAPHONE 13 MARIMBA 14 XYLOPHONE 15 TUBE BELLS 16 DULCIMER ORGAN 17

DRAWBAR ORG 18 PERC ORGAN 19 ROCK ORGAN 20 CHURCH ORG 21 REED ORGAN 22 ACCORDION 23 HARMONICA 24 BANDONEON

MEASURE

REC

BEAT

REC REC

OTS

REPEAT

GUITAR 25 NYLON GTR 26 STEEL GTR 27 JAZZ GUITAR 28 CLEAN GTR 29 MUTE GUITAR 30 OVRDRV GTR 31 DIST GUITAR 32 HARMONICS BASS 33 ACC BASS 34 FINGER BASS 35 PICK BASS 36 FRETLESS 37 SLAP BASS 1

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

ACCOMP FREEZE

39 SY BASS 1 40 SY BASS 2 STRINGS 41 VIOLIN 42 VIOLA 43 CELLO 44 CONTRABASS 45 TREMOLO STR 46 PIZZ STR 47 HARP 48 TIMPANI ENSEMBLE 49 STRINGS 1 50 STRINGS 2

NORMAL

SPLIT

SINGLE FINGERED

MODE

MULTI PADS

52 SYNTH STR 2 53 CHOIR AAHS 54 VOICE OOHS 55 SYNTH VOICE 56 ORCH HIT BRASS 57 TRUMPET 58 TROMBONE 59 TUBA 60 MUTE TRP 61 FRENCH HORN 62 BRASS SECT 63 SY BRASS 1 64 SY BRASS 2

STYLE

ONE TOUCH

SETTING

TERMINATE

51 SYNTH STR 1

38 SLAP BASS 2

)

REED

79 WHISTLE

65 SOPRANO SAX

80 OCARINA

66 ALTO SAX

SYNTH LEAD

67 TENOR SAX

81 SQUARE LEAD

68 BARI SAX

82 SAWTOOTH LD

69 OBOE

83 CALLIOPE LD

70 ENG HORN

84 CHIFF LEAD

71 BASSOON

85 CHARANG LD

72 CLARINET

86 VOICE LEAD

PIPE

87 FIFTH LEAD

73 PICCOLO

88 BASS & LEAD

74 FLUTE

SYNTH PAD

75 RECORDER

89 NEWAGE PAD

76 PAN FLUTE

90 WARM PAD

77 BOTTLE

– –

123

789

VOICE

TOUCH RESPONSE

–

/NO

1234

92 CHOIR PAD 93 BOWED PAD 94 METALLIC PD 95 HALO PAD 96 SWEEP PAD SYNTH EFFECTS 97 RAIN 98 SOUNDTRACK 99 CRYSTAL 100 ATMOSPHERE 101 BRIGHTNESS 102 GOBLINS 103 ECHOES 104 SCI-FI

654

/YES

DUAL VOICE

105 SITAR 106 BANJO 107 SHAMISEN 108 KOTO 109 KALIMBA 110 BAGPIPE 111 FIDDLE 112 SHANAI PERCUSSIVE 113 TINKLE BELL 114 AGOGO 115 STEEL DRUMS 116 WOODBLOCK 117 TAIKO DRUM

PRESS AND HOLD FOR A WHILE.

HARMONY

ETHNIC

91 POLYSYN PAD

78 SHAKUHACHI

(

118 MELODIC TOM 119 SYNTH DRUM 120 REV CYMBAL SOUND EFFECTS 121 FRET NOISE 122 BREATH 123 SEASHORE 124 BIRD TWEET 125 TELEPHONE 126 HELICOPTER 127 APPLAUSE 128 GUNSHOT

PSR-420

KEYBOARD

PERCCUSSION KIT

129 STANDARD 130 ROOM 131 ROCK 132 ELECTRONIC 133 ANALOG 134 JAZZ 135 BRUSH 136 CLASSIC

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MIDI

OUT IN

w e r

DC IN 10-12V SUSTAIN

Page 6

PSR-320

Panel Controls

■ Top Panel Controls..........................................................................................................................................................................

PSR-420

1 POWER Switch ............................ page 8

2 MASTER VOLUME Control.......... page 8

3 DEMO Button ............................... page 9

4 DIGITAL EFFECT Button ........... page 19

5 LCD Panel .................................. page 10

6 Number [0]~[9] and

[+/YES], [–/NO] Buttons ......... page 9, 13

7 SONG Section

• REC Button........................ page 36, 38

• PLAY/STOP Button ..... page 36, 38, 39

• REPEAT PLAY Button............. page 51

• MINUS ONE Button ................ page 49

• GUIDE Button (PSR-420) ....... page 50

8 AUTO ACCOMPANIMENT Section

• SYNC-START/STOP Button ... page 26

• START/STOP Button......... page 25, 27

0 TEMPO s, t Buttons ................ page 24

! FUNCTION s, t Buttons .......... page 10

@ REGISTRATION MEMORY Section

• MEMORIZE Button ................. page 34

• 1~4 Buttons ............................. page 34

• ACCOMP FREEZE Button...... page 34

# MODE ▼ Button ......................... page 11

$ STYLE Button............................. page 24

% VOICE Button ............................. page 12

^ ONE TOUCH SETTING Button.. page 31

& Music CARTRIDGE Slot ............ page 44

* KEYBOARD Section

• TOUCH RESPONSE Button... page 17

• DU AL VOICE Button ............... page 17

• HARMONY Button................... page 31

• INTRO Button.......................... page 25

• MAIN A Button ................... page 25, 27

• MAIN B Button ................... page 25, 27

• ENDING Button....................... page 27

( MULTI PADS Section

• MULT I PADS 1~4 .................... page 43

• TERMINATE Button ................ page 43

) Keyboard Guide Lamps

• ACCOMP LARGE/SMALL

Button ...................................... page 28

(PSR-420)............................. page 50, 55

q PHO N E S Ja ck .............................. page 7

9 CURSOR s, t, <, > Buttons .. page 10

■ Rear Panel Controls.......................................................................................................................................................................

MIDI OUT and IN Connectors ..

e SUS TAIN Jack .............................. page 7

r DC IN 10-12V Jack....................... page 6

page 7, 56

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Page 7

Setting Up

This section contains information about setting up your PSR-320/ 420 and preparing to play. Be sure to go through this section carefully before using your PSR-320/420.

Power Supply

Your PSR-320/420 will run either from batteries or an optional power adaptor. Follow the instructions below according to the power source you intend to use.

■ Using An Optional AC Power Adaptor .............................................................

Plug the DC output cable from an optional Yamaha PA-5, PA-5B, or PA-

5C AC Power Adaptor into the DC IN jack on the rear panel of the PSR-

320/420, then plug the Power Adaptor (or the AC cable of the Power Adap-

tor) into a convenient wall AC power socket. The internal batteries are auto-

matically disconnected when an AC Power Adaptor is used.

DC IN 10-12V

PA-5,

PA-5B,

PA-5C

AC power socket

• Never interrupt the power

supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-320/420 record operation! Doing so can result in a loss of data.

• Use ONLY a Yamaha PA-5, PA-

5B, or PA-5C AC Power Adaptor to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-320/420.

■ Using Batteries...............................................................................................................................................

For battery operation the PSR-320/420 requires six 1.5V SUM-1, “D”

size, R-20 or equivalent batteries.

When the batteries need to be replaced “Btry Low” will appear on the display. Also the volume may be reduced, the sound may be distorted, and other problems may occur . When this happens, turn the power off and either replace the batteries or connect an AC adaptor.

Replace the batteries as follows:

ZOpen the battery compartment cover located on the instrument’s bottom

panel.

XInsert the six new batteries, being careful to follow the polarity markings

on the inside of the compartment.

CReplace the compartment cover, making sure that it locks firmly in place.

• When the batteries run down,

replace them with a complete set of six new batteries. NEVER mix old and new batteries.

• Do not use different kinds of

batteries (e.g. alkaline and manganese) at the same time.

• To prevent possible damage

due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time.

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Page 8

Connections

■ The PHONES Jack...................................................................................................................................

A standard pair of stereo headphones can be plugged in here for private

practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.

PHONES

■ SUSTAIN Jack...................................................................................................................................................

An optional Yamaha FC4 or FC5 footswitch can be plugged into the rear-

panel SUSTAIN jack for sustain control. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.

Setting Up

• The PHONES jack can also be used to deliver the output of the PSR-320/420 to a keyboard amplifier, stereo sound system, mixing console or tape recorder.

• Be sure that you do not press the pedal while turning the power on. If you do, the ON/OFF status of the footswitch will be reversed.

SUSTAIN

■ MIDI IN and OUT Connectors.............................................................................................

The MIDI IN connector receives MIDI data from an external MIDI de-

vice (such as a MIDI sequencer) which can be used to control the PSR-320/

420. The MIDI OUT connector transmits MIDI data generated by the PSR320/420 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 56.

MIDI

OUT IN

The Music Stand

The PSR-320/420 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

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Page 9

The Demonstration

Once you’ve set up your PSR-320/420, try listening to the pre-programmed demonstration songs — they’ll give you a good idea of what the PSR-320/420 can do! A total of 16 demo songs are provided — songs 01 through 08 have been created to demonstrate several of the instrument’s voices , while songs 09 through 16 demonstrate a range of accompaniment styles.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

Switch ON.................................................................................................................................................................

U01

Trumpet

REGIST

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

TEMPO

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

Turn the power ON by pressing the [POWER] switch.

POWER

ON / OFF

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Set an Initial Volume Level.......................................................................................................

Turn the [MASTER VOLUME] control up (clockwise) about a quarterturn from its minimum position. You can re-adjust the [MASTER VOL- UME] control for the most comfortable overall volume level after playback begins.

MASTER VOLUME

MIN MAX

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Page 10

Press the [DEMO] Button...........................................................................................................

Press the [DEMO] button to start demo playback. The PSR-320/420

SONG mode will automatically be selected and the number and name of the first demo song will appear on the top line of the display and the SONG [PLAY/STOP] indicator will light. The demo will begin playing automatically. The demo songs will play in sequence, and the sequence will repeat until stopped.

DEMO

001

Skip to the Beginning Of a Different Demo Song.......................

Trumpet

PSR-420

The Demonstration

• You can play along on the PSR320/420 keyboard while the demonstration is playing.

• Harmony effect (see page 31) may not be available for some demo songs.

• As the demonstration plays the guide lamps above the PSR-420 keyboard will light according to the notes played — see page 50 for details on the GUIDE function.

While the demonstration is playing you can select any of the 16 demo

songs by using the [–/NO] and [+/YES] buttons or the number buttons. Playback will skip to the beginning of the selected song.

– –

123

654

789

–

/NO

/YES

Exit When Done.............................................................................................................................................

Press the [DEMO] button, the SONG [PLAY/STOP] button, or the AUTO ACCOMP ANIMENT [STAR T/STOP] button to stop demo play- back, then press the [VOICE] button to exit from the song mode and return to the normal play-mode display when you’ve finished playing the demo songs.

DEMO

• When you stop the demo songs played in sequence and start again by pressing the [PLAY/ STOP] button, the selected song will play and stop automatically when the selected song playback has ended.

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Page 11

Basic Display Operation

The PSR-320/420 LCD panel is a large multi-function type that simultaneously displays and provides access to a number of important parameters. Basic operation of the display as well as the CURSOR, FUNCTION, MODE, and NUMBER buttons, and the meaning of the icons which appear in the display, are summarized briefly below.

The Cursor Buttons

The CURSOR buttons are used to select the various parameters which appear in the display. Depending on the selected parameter, the “cursor” may appear as an underline, or the selected icon or value may simply flash. Each CURSOR button moves the cursor in the corresponding direction. The [▲] and [▼] CURSOR buttons are also used to select functions within the function groups selected by the FUNCTION buttons in some cases.

CURSOR

The Functions

The PSR-320/420 has a range of functions selected via the FUNCTION [▲] and [▼] buttons — e.g. voice selection, style selection, song number selection, etc. The currently selected function is indicated by an arrow in the display next to the function list printed immediately to the left of the display. All of the listed functions can be selected by pressing either the FUNCTION [▲] or [▼] button as many times as necessary until the arrow in the display appears next to the name of the desired function.

Parameter Icons

CART (Cartridge)

Appears when a Music Cartridge song, style, or registration memory is selected (page 44).

BEAT

Flashes at the current tempo and indicates the

BEAT

current beat during accompaniment and song playback. (page 26)

OTS (One Touch Setting)

OTS

Appears when the ONE TOUCH SETTING feature is engaged (page 31).

FUNCTION

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

001

REGIST

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

GrandPno

152

TRANSPOSE

TEMPO

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

Accompaniment Track Parameters & Icons

The PSR-320/420 has 5 accompaniment tracks, each with on/off, voice number, and volume parameters that can be set as required (page 29). Each track has its own icon which appears when the track is on.

RHYTHM BASS CHORD PAD PHRASE

111

MEASURE

REC REC REC

BEAT

OTS

REPEAT

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Page 12

The Modes

Basic Display Operation

REGIST

TEMPO

TRANSPOSE

MEASURE

REPEAT

REGIST (Registration Memory)

Indicates the currently selected REGISTRATION MEMORY number (page

33).

TEMPO

Shows the current tempo of accompaniment/song playback (page 24).

TRANSPOSE

The current transpose value (page

20).

MEASURE

Indicates the current measure number during song recording and playback (page 40).

REPEAT

Indicates the “A” and “B” repeat points when programming a repeat section. (page 51)

The MODE button to the right of the display selects one of the PSR-320/420’s four operational modes: NORMAL, SPLIT, SINGLE, and FINGERED. The currently selected mode is indicated by an arrow in the display next to the mode list printed immediately to the right of the display. All of the listed modes can be selected by pressing the MODE button as many times as necessary until the arrow in the display appears next to the name of the desired mode.

NORMAL: The normal play mode (page 12). SPLIT: The split-keyboard mode in which different

voices can be played by the left and right hands (page 15).

SINGLE: The single-finger accompaniment mode

which allows fully-orchestrated accompaniment to be produced by specifying chords using only one, two or three fingers (page 22).

FINGERED: The fingered accompaniment mode in

which fully-orchestrated accompaniment is produced according to chords you play on the keyboard (page 22).

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

MODE

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Song Track Parameters & Icons

Like the accompaniment tracks, each of the 3 song tracks has on/off, voice number (MELODY tracks), and volume parameters that can be set as required (page 35). Each track has its own icon which appears when the track is on.

ACCOMP MELODY1MELODY

Feature On/Off Icons

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

Appears when the MINUS ONE feature is on (page 49).

DIGITAL EFFECT

Appears when the DIGITAL EFFECT is on (page 19).

TOUCH (Touch Response)

Appears when TOUCH RESPONSE is on (page 17).

DUAL (Dual Voice)

Appears when the DUAL VOICE feature is on (page 18).

HARMONY

Appears when HARMONY is on (page 31).

GUIDE (PSR-420)

Appears when the GUIDE feature is on (page 50).

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Page 13

Playing the PSR-320/420

VOICE

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

U01

GrandPno

REGIST

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

TEMPO

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Selecting & Playing Voices

The PSR-320/420 has 128 outstanding “pitched” voices (voice numbers 01 through 128) and 8 percussion

kits (numbers 129 through 136) that you can select and play on the keyboard.

Select the NORMAL Mode........................................................................................................

If you want to play a single voice over the entire range of the PSR-320/

420 keyboard, you’ll need to select the NORMAL mode. To do this, press the [MODE] button to the right of the display as many times as necessary until the arrow in the display appears next to “NORMAL” in the mode list to the right of the display. The other modes will be described later in this manual.

NORMAL SPLIT SINGLE FINGERED

Select the VOICE Function......................................................................................................

MODE

Before you select a voice to play, the PSR-320/420 voice function must

be selected. The simplest way to do this is to press the [VOICE] button. This immediately selects the VOICE function no matter what function was previously selected.

An alternative method is to press the [FUNCTION] button to the left of

the display as many times as necessary until the arrowhead in the display appears next to “VOICE” in the function list to the left of the display.

FUNCTION

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

001

GrandPno

STYLE

•“Kybd Vol” function in the OVERALL function group can be quickly selected by pressing and holding the [VOICE] button.

VOICE

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Page 14

Select a Voice.....................................................................................................................................................

The PSR-320/420 has 136 voices that can be selected by using either the

[–/NO] and [+/YES] buttons or the number buttons. The voices are listed in the VOICE list printed at the top of the instrument’s control panel. The number and name of the currently selected voice appears on the top line of the display panel while the VOICE function is selected.

● The [–/NO] and [+/YES] Buttons

When the VOICE function is selected these buttons step up or down through the PSR-320/420’s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.

789

–

/NO

+/YES

Playing the PSR-320/420

● The Number Buttons

The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices.

Two-digit voice numbers (i.e. “01” through “99”) are selected simply by entering the two digits in sequence — e.g. to select voice number “57”, briefly press the [5] buttons and then the [7] button.

– –

123

654

789

–

/NO

/YES

Three-digit voice numbers (i.e. “100” through “136”) are entered by first pressing and holding the [1] button until “1” appears in the hundreds position on the display, then press the remaining two digits in sequence.

– –

VOICE STYLE

SONG

101

GrandPno

123

• Whenever you select a new

voice, the appropriate voicerelated parameters for that voice will be set automatically. This is the PSR-320/420 Voice Set function. The Voice Set function can be turned off if not required — page 54.

• The stereo pan position of the

voice can be set via the “Pan” function in the OVERALL function group — see page 54.

• The PSR-320/420 panel voice

allocation complies with the GM System Level 1 Standard (see page 69). However, the settings on Octave, Volume, and Touch Curve are independent of GM System Level 1.

• The optimum octave settings

(OVERALL function: octave = 0) are set for each voice (except for the keyboard percussion voices).

654

789

–

/NO

+/YES

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Page 15

Playing the PSR-320/420

Play & Adjust Volume.........................................................................................................................

You can now play the selected voice on the PSR-320/420 keyboard. On

the PSR-420 the keyboard guide lamps will light according to the keys played (page 50). Use the [MASTER VOLUME] control to adjust the overall volume level.

■ Keyboard Percussion

When one of the eight PERCUSSION KIT voices are selected — voice numbers 129 through 136 — you can play drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols below the keys.

VOICE STYLE SONG

● The Percussion Kits

129 Standard Kit 130 Room Kit 131 Rock Kit 132 Electronic Kit 133 Analog Kit 134 Jazz Kit 135 Brush Kit 136 Classic Kit

129

Std.Kit

• The keyboard volume can be adjusted independently from the accompaniment volume via the “Kybd Vol” function in the OVERALL function group — see page

53. “Kybd Vol” function can be quickly selected by pressing and holding the [VOICE] button.

• The Harmony, Dual and Digital Effect functions (pages 31, 18 and 19) cannot be turned on while a keyboard percussion voice is selected, and will automatically be turned off if a keyboard percussion voice is selected while they are on.

• The TRANSPOSE parameter (page 20) has no effect on the keyboard percussion voices.

• See page 66 for a complete listing of the keyboard percussion drum instrument assignments.

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Page 16

Playing the PSR-320/420

The Split Mode

The SPLIT mode lets you play different voices with the left and right hands. You could, for example, play bass with the left hand while playing piano with the right. The right-hand voice is the keyboard voice you select in the normal way (page 12), and the left hand voice is selected via the SPLIT VOICE function, described below. The “split point” is initially set at B2 (note number 59), but it can be set at any key on the keyboard.

The SPLIT mode is engaged by pressing the [MODE] button so that the indicator in the display appears next to “SPLIT” in the mode list to the right of the display.

• The SPLIT mode and DUAL VOICE feature (page 18) can be used together. In this case the dual voice plays simultaneously with the right-hand voice only.

Split Point

Split Voice

Voice selected via the VOICE function

MODE

NORMAL SPLIT SINGLE FINGERED

Changing the Split Voice & Related Parameters

Select the SPLIT VOICE Function..............................................................................

Press the [FUNCTION] button to the left of the display as many times

as necessary until the arrowhead in the display appears next to “SPLIT VOICE” in the function list to the left of the display .

VOICE

FUNCTION

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

133

Aco.Bass

Select the Function and Set As Required.................................................

Use the cursor [▲] and [▼] buttons to select the desired function, and

then the [–/NO] and [+/YES] buttons or number buttons to set as required (the name of the selected function and its current setting appear on the top line of the display).

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Page 17

Playing the PSR-320/420

CURSOR

789

–

/NO

/YES

Function Description

Voice The split voice can be changed as required while the

Split

number and name of the current split voice appear on the top line of the display.

S. olume Sets the volume of the split voice so you can create the

optimum blend with the right-hand voice. The volume range is from “00” (no sound) to “127” (maximum split voice volume).

S.Octa e Shifts the pitch of the split voice up or down one or two

octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively.

S.Pan Positions the split voice in the stereo sound field. The pan

range is from “–7” to “+7”. “–7” is full left and “+7” is full right.

S.Split Sets the keyboard split point — i.e. the key that separates

the left- and right-hand voices (the split-point key is included in the left-hand section of the keyboard). Simply press the key you want to assign as the split point. The key number of the key you press will appear to the left of “S.Split” on the top line of the display. You can also use the [–/NO] and [+/YES] buttons or number buttons to enter the split point key number. The lowest key on the keyboard (C1) is key number “36”, middle C (C3) is “60”, and the highest key (C6) is 96. The split point can be set at any key number from 00 through 127, allowing the split point to be set outside the range of the PSR-320/420 keyboard for MIDI applications. The default split point is 59 (B2).

• If the Voice Set function is ON (page 54), the Split Voice parameters will change automatically whenever a different keyboard voice is selected.

• The selected Split Voice parameter can be reset to its initial value by simultaneously pressing the [–/NO] and [+/YES] buttons.

• Negative values with “S.Octave” and “S.Pan” parameters can be entered by pressing the number buttons while holding the [–/NO] button.

Exit.........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

SPLIT VOICE function.

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Page 18

Playing the PSR-320/420

Touch Response

This function turns the touch response of the keyboard on or off. Use the

KEYBOARD [TOUCH RESPONSE] button to turn touch response ON or OFF as required. The touch-response icon will appear next to “TOUCH” in the display when touch response is turned ON. The actual touch response sensitivity of the keyboard can be adjusted via the “Touch Sensitivity” function in the OVERALL function group (page 54). When OFF (i.e. when the touch-response icon is not showing) the same volume is produced no matter how hard you play on the keyboard. Touch response can be turned OFF to produce a more realistic effect with voices that normally do not have touch response: e.g. organ and harpsichord.

• Touch Response is turned on

whenever the power switch is turned on.

•“Touch Sensitivity” function in the

OVERALL function group can be quickly selected by pressing and holding the [TOUCH RESPONSE] button.

TOUCH

TOUCH RESPONSE

DUAL VOICE

HARMONY

KEYBOARD

Dual Voice

When the DUAL VOICE feature is engaged you can play two voices simultaneously across the entire keyboard — the keyboard voice you select in the normal way (page 12), and a “dual” voice selected via the DUAL VOICE function.

The DUAL VOICE feature is turned on and of f by pressing the [DUAL VOICE] button. The dual-voice icon (overlapping keyboards) will appear next to “DUAL” in the display when DUAL VOICE is turned on.

TOUCH RESPONSE

DUAL

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DUAL VOICE

HARMONY

KEYBOARD

Page 19

Playing the PSR-320/420

Changing the Dual Voice & Related Parameters

Select the DUAL VOICE Function...............................................................................

Press the [FUNCTION] button to the left of the display as many times

as necessary until the arrowhead in the display appears next to “DUAL VOICE” in the function list to the left of the display.

VOICE

FUNCTION

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

052

•“DUAL VOICE” function can be quickly selected by pressing and holding the [DUAL VOICE] button.

Syn.Str2

Select the Function and Set As Required.................................................

Use the cursor [▲] and [▼] buttons to select the desired function, and

then the [–/NO] and [+/YES] buttons or number buttons to set as required (the name of the selected function and its current setting appear on the top line of the display).

Function Description

Dual

Voice The dual voice can be changed as required while the

number and name of the current dual voice appear on the top line of the display.

. olume Sets the volume of the dual voice so you can create the

optimum blend with the main keyboard voice. The volume range is from “00” (no sound) to “127” (maximum dual voice volume).

.Octa e Shifts the pitch of the dual voice up or down one or two

octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively. The original octave of the dual voice is determined by the Octave function in the OVERALL function group — page 53.

.Pan Positions the dual voice in the stereo sound field. The pan

range is from “–7” to +”7". “–7” is full left and “+7” is full right.

• If the Voice Set function is ON (page 54), the Dual Voice parameters will change automatically whenever a different voice is selected via the VOICE function.

• Keyboard percussion voices cannot be used as the dual voice.

• The selected Dual Voice parameter can be reset to its initial value by simultaneously pressing the [–/NO] and [+/YES] buttons.

• The octave of the main and dual voices can be changed via the “Octave” function in the OVERALL function group — page 53.

• Negative values with “D.Octave” and “D.Pan” parameters can be entered by pressing the number buttons while holding the [–/NO] button.

Exit.........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

DUAL VOICE function.

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Page 20

Playing the PSR-320/420

Digital Effects

The PSR-320/420 has four digital effects — Ambience, Ensemble, and

Ambience+Ensemble, and Sustain — that can be turned ON or OFF via the [DIGITAL EFFECT] button. The individual effects are as follows:

DIGITAL EFFECT

1: Ambience A reverb-like effect that adds an “ambient” feel to notes played

on the keyboard.

2: Ensemble This effect produces a thicker, “detuned” sound. Please note

that the DUAL VOICE function (described below) cannot be used at the same time as the Ensemble effect. DUAL VOICE will be automatically turned off when the Ensemble effect is turned on, and vice versa.

DIGITAL EFFECT

• Sustain does not apply to some

voices.

• 3: Amb+Ens is selected when-

ever the power switch is turned on.

• Digital effect can not be turned

on when a keyboard percussion kit is selected.

Amb+Ens A combination of the Ambience and Ensemble effects de-

scribed above.

4: Sustain When Sustain is selected, all notes played on the keyboard

have a longer sustain.

You can change the digital effect applied to the current voice as follows:

Changing the Digital Effect

Select the DIGITAL EFFECT Function...............................................................

Press the [FUNCTION] button to the left of the display as many times

as necessary until the arrowhead in the display appears next to “DIGITAL EFFECT” in the function list to the left of the display.

You can also select the DIGITAL EFFECT function by pressing and

holding the [DIGITAL EFFECT] button until the arrow jumps the DIG- ITAL EFFECT position on the display.

VOICE

FUNCTION

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STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o03

Amb+Ens

Page 21

Playing the PSR-320/420

Select the Effect...........................................................................................................................................

Use the [–/NO] and [+/YES] buttons or number buttons to select the

various effects (the name of the selected effect appears on the top line of the display.

789

Exit.........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

DIGITAL EFFECT function.

–

/YES

/NO

Transposition

This functions allow the overall pitch of the PSR-320/420 to be transposed up or down by a maximum of

one octave in semitone increments.

Move the Cursor to the Transpose Value.....................................................

Use the CURSOR buttons to select the number to the right of the key-

board icon labeled “TRANSPOSE” on the display (the number will flash when selected).

CURSOR

TRANSPOSE

Set the Transposition As Required.........................................................................

Use the [–/NO] and [+/YES] buttons or the number buttons to set the

desired degree of transposition. The transpose range is from –12 to +12, allowing a maximum upward or downward transposition of 1-octave. A setting of “0” produces the normal pitch.

• Press the [–/NO] and [+/YES] buttons simultaneously to instantly reset the transpose value to “0”.

• The new transpose value will apply from the next note played.

• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.

789

–

/NO

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/YES

Page 22

Using Auto Accompaniment

The PSR-320/420 has 100 different accompaniment “styles” that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR-320/420’s sophisticated Auto Accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style.

• The maximum number of notes that can be played simultaneously on the PSR-320/420 keyboard is reduced when the Accompaniment mode is used.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

Select the SINGLE or FINGERED

U01

REGIST

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

RkBoogie

TEMPO

TRANSPOSE

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

Accompaniment Mode.....................................................................................................................

Press the [MODE] button to the right of the display as many times as

necessary until the arrow in the display appears next to “SINGLE” or “FINGERED” in the mode list to the right of the display. If you select the “SINGLE” mode, accompaniment chords are played as follows:

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

NORMAL

MODE

SPLIT SINGLE FINGERED

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Page 23

Using Auto Accompaniment

● SINGLE FINGER ACCOMPANIMENT

Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minorseventh chords by pressing a minimum number of keys on the left-hand section of the keyboard. The abbreviated chord fingerings described below are used:

■ For a major chord, press the root key only.

and a black key to its left.

■ For a seventh chord, simultaneously press the root

■ For a minor chord, simultaneously press the root key

key and a white key to its left.

■ For a minor-seventh chord, simultaneously press the

If the FINGERED Mode is Selected, Select the

root key and both a white and black key to its left.

Desired Fingering Mode...............................................................................................................

The PSR-320/420 has two fingering modes for fingered accompaniment — Normal and Full. The NORMAL mode is automatically selected whenever the power is turned ON. To select a different fingering mode first select the OVERALL functions by pressing the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. “FngrngMd” should appear on the top line of the display (if a different OVERALL function is selected, press the cursor [▲] or [▼] button as many times as necessary until “FngrngMd” appears). Then use the [–/NO] and [+/ YES] buttons to select the desired fingering mode (the mode abbreviation appears to the left of “FngrngMd” on the display).

CURSOR

FUNCTION

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

The normal (“nor”) and full (“Full”) fingering modes function as fol-

lows:

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nor

FngrngMd

Page 24

Using Auto Accompaniment

● NORMAL

This is the default FINGERED accompaniment mode. The NORMAL mode lets you finger your own chords on the left-hand section of the keyboard (i.e. all keys to the left of and including the split-point key — normally 54 while the PSR-320/420 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The FINGERED mode will accept the chord types listed below (notes in parentheses may be omitted).

Example for “C” chords Chord Name/[Abbreviation] Normal Voicing

CM C

Csus

CmM

Caug

Cdim

Major [M] ........................................................ 1-3-5

Minor [m] .......................................................1-b3-5

( )

Major seventh [M7]....................................1-3-(5)-7

Major sixth [6]............................................ 1-(3)-5-6

Suspended fourth [sus4] ................................ 1-4-5

Minor sixth [m6]......................................... 1-b3-5-6

( )

C sus

( )

Minor seventh [m7]................................ 1-b3-(5)-b7

Minor seventh flatted fifth [m7b5] ...........1-b3-b5-b7

Minor major seventh [mM7]..................... 1-b3-(5)-7

Seventh [7] .............................................. 1-3-(5)-b7

Seventh flatted fifth [7b5] .........................1-3-b5-b7

Seventh suspended fourth [7sus4] ........... 1-4-5-b7

C aug

Augmented [aug]...........................................1-3-#5

(Seventh augmented [7aug]................... 1-3-#5-b7)

Cdim

Diminished [dim]..........................................1-b3-b5

• If you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhythm instruments will continue playing (CHORD CANCEL function).

• An octave produces accompaniment based only on the root.

• The chord fingerings listed are all in “root” position, but other inversions can be used — with the following exceptions:

* 6 chords are only recognized

in root position. All other inversions are interpreted as m7.

* m6 chords are only recognized

in root position. All other inver-

sions are interpreted as m7

* 1+2+5 chords are only recog-

nized in root position. All other inversions are interpreted as sus4.

* With augmented chords the

lowest note played is assumed to be the root.

* With 7

5 chords the lowest note played is assumed to be the root or

(Diminished seventh [dim7].................... 1-b3-b5-6)

1+2+5

One + Two + Five........................................... 1-2-5

● FULL

In this mode chords played anywhere on the keyboard are detected and used for Auto Accompaniment. Otherwise the keyboard functions normally , and the entire range is available for playing. Chord recognition is the same as in the NORMAL mode. This means you can play in just about any style anywhere on the keyboard, and the PSR-320/420 will

• A single note eleven notes higher than the lowest note of the chord is recognized as a melody note.

• The Harmony function (page 31) has no effect in the FULL mode.

automatically produce appropriate accompaniment.

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Page 25

Using Auto Accompaniment

Select the Style Function...........................................................................................................

Press the [STYLE] button to directly select the STYLE function. Another way to do this is to press the [FUNCTION] button to the left of

the display as many times as necessary until the arrowhead in the display appears next to “STYLE” in the function list to the left of the display.

•“AcompVol” function in the OVERALL function group can be quickly selected by pressing and holding the [STYLE] button.

VOICE

FUNCTION

Select a Style.....................................................................................................................................................

STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

001

RkBoogie

STYLE

The PSR-320/420 has 100 styles that can be selected by using either the

[–/NO] and [+/YES] buttons or the number buttons (these controls function in the same way as for voice selection — see page 13). The styles are listed in the STYLE list printed at the top of the instrument’s control panel. The number and name of the currently selected style appears on the top line of the display while the STYLE function is selected.

VOICE

• See page 45 for details on selecting cartridge styles.

Set the Tempo...................................................................................................................................................

When you select a different style while the accompaniment is not playing, the “default” tempo for that style is also selected, and the tempo is displayed to the right of the metronome icon (“TEMPO”) in quarter-note beats per minute. If the accompaniment is playing and the One Touch Setting function is off (page 31), the same tempo is maintained even if you select a different style.

You can change the tempo to any value between 32 and 280 beats per minute, however, by using TEMPO [▲] and [▼] buttons. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing. The default tempo for the selected style can be recalled at any time by pressing both the TEMPO [▲] and [▼] buttons simultaneously.

TEMPO

RESET

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116

Page 26

Using Auto Accompaniment

You can also use the CURSOR buttons or the number buttons to select the tempo value in the display , and then use the [–/NO] and [+/YES] but- tons to set the tempo value as required. In this case the [–/NO] and [+/YES] buttons can be pressed simultaneously to recall the default tempo. This can be done either before the accompaniment is started or while it is playing.

CURSOR

789

–

TEMPO

116

Start the Accompaniment.........................................................................................................

There are several ways to start the accompaniment:

● Straight start:

Press the [START/STOP] button. The rhythm will begin playing imme-

diately without bass and chord accompaniment. The currently selected

MAIN [A] or [B] section will play.

/NO

• In this case, three-digit numbers (i.e. “100” through “280”) are entered by first pressing and holding the [1] or [2] button until “1” or “2” appears in the hundreds position on the display, then press the remaining two digits in sequence.

/YES

• It is possible to select the MAIN A or B section prior to a straight start — refer to “8. Select the MAIN A and B Sections as Required,” below.

SYNC-

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

● Start with an introduction followed by the MAIN A variation:

Press the [INTRO] button so that its indicator lights, press the MAIN [A] button (not necessary if its indicator is already flashing), then press [START/STOP].

SYNC-

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

● Start with an introduction followed by the MAIN B variation:

Press the [INTRO] button so that its indicator lights, press the MAIN [B] button (not necessary if its indicator is already flashing), then press [START/STOP].

SYNC-

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

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Page 27

Using Auto Accompaniment

● Synchronized start:

Any of the above start types can be synchronized to the first note or chord played on the left-hand section of the keyboard (i.e. keys to the left of and including the split-point key — normally 54) by first pressing the [SYNC-START/STOP] button. Pressing the [SYNC-START/STOP] button alone causes a straight start to occur when the first note or chord is played. Press [SYNC-START/STOP] and then the appropriate [INTRO] and [MAIN] buttons for a synchronized introduction start. The BEAT display will flash at the current tempo when a synchronized start mode has been selected. The synchro start mode can be disengaged prior to actually starting the accompaniment by pressing the [SYNC-START/ STOP] button a second time.

SYNC-

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

• If you press the [SYNC-START/ STOP] button while the accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged.

• The [INTRO] button can be used to select the INTRO section even while the accompaniment is playing.

• If you press and hold the [SYNCSTART/STOP] button the “Initial Send” function will be selected — see page 59.

• The accompaniment split point can be changed via the “Accompaniment Split Point” function in the OVERALL function group — see page 30.

SYNC-

START/STOP

Play On the Auto-accompaniment Section

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

Of the Keyboard ...........................................................................................................................................

As soon as you play any fingering that the PSR-320/420 can “recognize” on the left-hand section of the keyboard (or anywhere on the keyboard if the FULL fingering mode is selected), the PSR-320/420 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The accompaniment will continue playing even if you release the keys.

● The Beat Indicator

The four dots of the BEAT display provide a visual indication of the se-

lected tempo and beat as shown below.

4/4 time 3/4 time

1st beat 2nd beat 3rd beat 4th beat

BEAT

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

BEAT

Page 28

Using Auto Accompaniment

Select the MAIN A and B Sections as Required............................

The MAIN A and MAIN B sections can be selected at any time during

playback by pressing the corresponding button. Whenever you press the MAIN [A] or [B] button during playback, the PSR-320/420 will generate an appropriate “fill-in” (one of four types) which will smoothly connect the current section to the selected section — even if it is the same section. For example, if you press the MAIN [A] button while the MAIN A section is playing, a fill-in will be produced, then the MAIN A section will continue playing. When you select a different section, the fill-in will begin immediately and the new section will actually begin playing from the top of the next measure unless the MAIN [A] or [B] button is pressed during the last beat of the measure, in which case the fill-in will begin from the first beat of the next measure.

SYNC-

START/STOP

Stop the Accompaniment..........................................................................................................

START/STOP

INTRO

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

The accompaniment can be stopped at any time by pressing the [START/

STOP] button. Press the [ENDING] button if you want to go to the ending

section and then stop. The ending section will begin from the top of the next measure.

SYNC-

START/STOP

SYNC-

START/STOP

INTRO

MAIN

AUTO FILL

MAIN

AUTO FILL

ENDING

ACCOMP

LARGE/SMALL

ACCOMP

LARGE/SMALL

• Some INTRO and ENDING sections have their own chord progressions which play in the current accompaniment key.

• If the MAIN [A] or [B] button is pressed while the ENDING section is playing, an appropriate fillin will be played, followed by a return to the MAIN A or B section.

• The accompaniment volume can be adjusted independently of the main keyboard volume via the “Accompaniment Volume” function in the OVERALL function group — see page 54.

■ The Stop Accompaniment Function

While the SINGLE or FINGERED mode is selected chords played in the Auto Accompaniment section of the keyboard are also detected and played by the PSR-320/420 Auto Accompaniment system when the accompaniment is stopped (except when the FULL FINGERED mode is engaged). In this case the bass note and chord voices are selected automatically.

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Page 29

Using Auto Accompaniment

Accompaniment Track Control

The PSR-320/420 has five accompaniment tracks — RHYTHM, BASS, CHORD, PAD, and PHRASE — that you can control to modify the “orchestration” and therefore the overall sound of the accompaniment.

● What’s in the Tracks

RHYTHM BASS CHORD PAD PHRASE

111

ON / OFF

VOICE VOL

RHYTHM This is the main rhythm track. The RHYTHM track usually

plays one of the keyboard percussion kits.

BASS The BASS track always plays a bass line, but the voice will

change to fit the selected style … acoustic bass, synth bass, tuba, etc.

CHORD This track provides the rhythmic chordal accompaniment re-

quired by each style. You’ll find guitar, piano, and other chordal instruments here.

PAD This track plays long chords where necessary, using sustained

instruments such as strings, organ, choir.

PHRASE This is where the musical embellishments reside. The

PHRASE track is used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.

39 28 19 301

ACCOMP TRACK

• Some INTRO and ENDING sections have 2 PHRASE tracks (PHRASE 1 and PHRASE 2). The melody of the INTRO and ENDING sections is played using the PHRASE 2 track.

• The icons for all tracks that contain data in any section will appear whenever an accompaniment style is selected.

■ Large/Small Accompaniment.............................................................................................

The simplest form of accompaniment track control is provided by the

[ACCOMP LARGE/SMALL] button. This button alternately turns the PAD and PHRASE tracks on and off, thereby changing the number of parts in the accompaniment. When the LARGE accompaniment is selected and the PAD and PHRASE tracks are ON, their respective icons (violins for the PAD track and a trumpet for the PHRASE track) will appear in the appropriate positions in the display. The PAD and PHRASE 1 icons will not show when the SMALL accompaniment is selected. Please note that some styles do not use the PAD track, so the PAD icon may not appear even if the LARGE accompaniment is selected.

MAIN

AUTO FILL

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ENDING

ACCOMP

LARGE/SMALL

RHYTHM BASS CHORD PAD PHRASE

111

ON / OFF

• The LARGE accompaniment is always selected whenever a new style is selected.

• When SMALL accompaniment is selected for a cartridge style (page 45), the appropriate track for that style will be turned off.

Page 30

Using Auto Accompaniment

■ Muting Individual Tracks..............................................................................................................

Individual accompaniment tracks can be turned OFF (muted) or ON by

using the cursor buttons to select the icon of the target track (the icon and track name will flash), and then using the [–/NO] and [+/YES] buttons to turn the track OFF or ON, respectively. The track icon will disappear when a track is muted.

PAD

ON / OFF

VOICE VOL

■ Changing Accompaniment Track Voices......................................................

You can change the voice played by any individual accompaniment track

by using the cursor buttons to select the voice number of the target track (the voice number will flash), and then using the number buttons or [–/NO] and [+/YES] buttons to select the desired voice number. Please note that only numbers 1 through 8 can be selected for the RHYTHM track, and that these numbers correspond to PERCUSSION KIT numbers 129 through 136. Voice numbers 01 through 136 can be selected for all other tracks.

PAD

ON OFF

789

–

/NO

/YES

• PHRASE 1, 2 tracks can also be

selected by moving the cursor. If the PHRASE 1 track is selected and the cursor is moved once to the right, the cursor will not actually move but “PHRASE 2” will appear in place of “PHRASE 1” and the parameters for the PHRASE 2 track can be changed as required.

• Muting individual tracks, chang-

ing accompaniment track voices and adjusting accompaniment track volume cannot be executed during song recording.

PAD

ON / OFF

VOICE VOL

Voice Number

789

–

/NO

/YES

■ Adjusting Accompaniment Track Volume...................................................

The volume of each accompaniment track can be adjusted to produce the

ideal “mix” between tracks. Use the cursor buttons to select the volume bar of the target track (the volume bar will flash), and then use the [–/NO] and [+/YES] buttons to set the maximum volume of the track as required. The shorter the bar, the lower the volume. During playback the top segment of each volume bar will remain at the maximum volume level, while the lower bars will move according to the amount of activity in each track.

ON / OFF

VOICE VOL

PAD

Volume

789

–

/NO

/YES

• When a different style number is

selected, all accompaniment track parameters will be reset to their initial values. Use the REGISTRATION MEMORY — page 33 — if you want to store a particular set of settings for instant recall when needed.

• After changing the voice or vol-

ume, the [–/NO] and [+/YES] buttons can be pressed simultaneously to reset the initial values.

• The track data changed applies

to all sections.

• See page 46 for information on

accompaniment track control with cartridge styles.

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Page 31

Using Auto Accompaniment

Changing the Accompaniment Split Point

Select the Accompaniment Split Point Function.........................

Press the [FUNCTION] button to the left of the display as many times

as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. Then use the cursor [▲] and [▼] buttons to select the “AccSpPnt” function from within the OVERALL function list.

CURSOR

Set As Required...........................................................................................................................................

FUNCTION

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

154

AccSpPnt

Simply press the key you want to assign as the split point. The key

number of the key you press will appear to the left of “AccSpPnt” on the top line of the display. You can also use the [–/NO] and [+/YES] buttons or number buttons to enter the split point key number . The lowest key on the keyboard (C1) is key number “36”, middle C (C3) is “60”, and the highest key (C6) is 96. The split point can be set at any key number from 00 through 127, allowing the split point to be set outside the range of the PSR-320/420 keyboard for MIDI applications.

– –

123

• The split point key becomes the highest key in the Auto Accompaniment section of the keyboard.

• The default split point (54) can be instantly recalled by pressing the [–/NO] and [+/YES] buttons at the same time.

654

789

–

/NO

/YES

Exit.........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

OVERALL functions.

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Page 32

Using Auto Accompaniment

One Touch Setting

The PSR-320/420’s 100 internal styles and styles added via a plug-in sup-

plied Music Cartridge (page 44) have recommended “panel setups” that can be instantly selected via the [ONE TOUCH SETTING] button. The One Touch Setting feature automatically sets the following parameters:

One Touch Setting Parameter List

• Voice number

• Octave

• Pan

• Dual Voice (Voice number, volume, octave, pan)

• Dual on/off

• Split Voice (Voice number, volume, octave, pan, split point = 59)

• Keyboard volume

• Harmony on/off, type

• Digital effect on/off, type

• Multi Pad set

• Style parameters = default

• Synchro start = ON

• Accomp volume = 100

• Accomp split point = 54

• Accomp large/small = large

• Tempo = Default (for the currently selected style)

• If a Registration Memory is selected while One Touch Setting is on, One Touch Setting will automatically be turned off.

The One Touch Setting feature can be used either while an accompaniment

is playing or prior to starting an accompaniment by simply pressing the [ONE TOUCH SETTING] button so that “OTS” appears on the display (below the BEAT display). One Touch Setting can be turned off by pressing the [ONE TOUCH SETTING] button a second time so that “OTS” disappears from the display .

If a different accompaniment style is selected while One Touch Setting is engaged, the One Touch Setting settings for that style will also be selected automatically.

BEAT

OTS

REPEAT

ONE TOUCH

SETTING

Harmony

The harmony effect can be used when an Auto Accompaniment mode is selected. Press the [HARMONY] button to turn the HARMONY effect on or off. When HARMONY is on (the harmony icon will appear next to “HARMONY” in the display), playing single notes or chords on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords. The type of harmony produced can be selected via the Harmony Type function described on page 32.

• If the One Touch Setting is turned on when the NORMAL or SPLIT mode is selected, the FINGERED mode is automatically selected.

TOUCH RESPONSE

HARMONY

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DUAL VOICE

HARMONY

KEYBOARD

Page 33

Using Auto Accompaniment

Selecting a Harmony Type

Select the HARMONY Function.....................................................................................

To select a harmony type, first select the HARMONY function (either

use the [FUNCTION] buttons or press and hold the [HARMONY] button until the indicator in the display appears next to “HARMONY” in the function list to the left of the display).

VOICE

FUNCTION

Select a HARMONY Type.............................................................................................................

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

Use the [–/NO] and [+/YES] buttons or the number buttons to select one

of the five available harmony types (listed below).

1: uet One harmony note is added to notes you play on the key-

board, creating a two-part harmony.

003

Block

• Harmony can not be turned on when a keyboard percussion kit is selected.

• Harmony applies only to the main voice when the Dual Voice function is engaged.

• Harmony can not be used when the Auto Accompaniment Chord Cancel function (page 23) is in use.

• Harmony does not apply in the NORMAL mode.

• Harmony can be used in the SPLIT mode as well as in the SINGLE and FINGERED modes.

• If the Voice Set function is on (page 54), the harmony type will change automatically whenever a different voice is selected via the VOICE function.

• 3: Block can be selected by simultaneously pressing the [–/ NO] and [+/YES] buttons.

• The Harmony function can not be turned on when the FINGERED FULL mode (page 23) is in use and will automatically be turned off when the FINGERED FULL mode is selected.

2: rio Two harmony notes are added to notes you play on the

keyboard, creating three-part harmony.

3: loc Three harmony notes are added to notes you play on the

keyboard, creating the effect of playing block chords.

4: Country One harmony note is added to notes you play on the key-

board, using intervals that produce a country feel.

5: Octa e One note is added, one octave below notes you play on

the keyboard.

Exit.........................................................................................................................................................................................

Press the [VOICE] button or select a different function to exit from the

HARMONY function.

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Page 34

Registration Memory

The PSR-320/420 Registration Memory feature can be used to memorize 32 complete control-panel setups (8 banks, 4 setups each) that you can recall whenever needed.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o01

Bank1

REGIST

TEMPO

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

Registering the Panel Settings

Set Up the Controls as Required................................................................................

Make the desired control settings. The following settings are memorized

by the Registration Memory function:

● Data Stored By the Registration Memory

VOICE PARAMETERS

• Voice number

• Keyboard volume

• Octave

• Pan

• Split voice (Voice number, volume, octave, pan, split point)

• Dual voice (Voice number, volume, octave, pan)

• Dual voice on/off

• Touch response on/off, sensitivity

• Harmony on/off, type

• Digital effect on/off, type

ACCOMPANIMENT PARAMETERS

• Mode (NORMAL/SPLIT/SINGLE/FINGERED)

• Style number (includes cartridge styles)

• Tempo

• Split point (Accomp.)

• Fingering mode

• Accompaniment volume

• Track data (Track on/off, voice, volume)

• Main A/B section

• Transpose

• Multi Pad set

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Select a Registration Bank (if necessary).................................................

Any of the eight Registration Memory banks can be selected via the

REGIST MEMORY function. Use the [FUNCTION] buttons to move the indicator next to “REGIST MEMORY” in the function list to the left of the display , then use the [–/NO] and [+/YES] buttons or number buttons to se- lect the desired Registration Memory bank (01 through 08).

VOICE

FUNCTION

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STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o01

Bank1

Page 35

Registration Memory

Register the Settings..........................................................................................................................

While holding the [MEMORIZE] button, press one of the REGISTRA-

TION MEMORY buttons. Any data that was previously in the selected location is erased and replaced by the new settings. The corresponding Registration Memory number will appear above “REGIST” in the display.

MEMORIZE

REGISTRATION MEMORY

1234

ACCOMP

FREEZE

Recall the Registered Panel Settings

Simply select the appropriate bank as described above, then press the desired REGISTRATION MEMORY button at any time to recall the memorized settings. The corresponding Registration Memory number will appear above “REGIST” in the display, and the appropriate setting changes will appear in the display.

The indicator of the selected REGISTRATION MEMORY will flash as soon as any change is made to the panel settings. In other words, if the REGISTRATION MEMORY indicator is flashing, the current panel settings are different from those stored in the memory.

No REGISTRATION MEMORY indicator will be showing when the PSR320/420 is turned on or when a bank is selected.

• Music Cartridge registration settings can be recalled in the same way — see page 48.

• If the Accomp Freeze function is on when a REGISTRATION MEMORY is recalled, the registration number will flash.

• Registration bank 01 can be instantly recalled by simultaneously pressing the [–/NO] and [+/ YES] buttons.

ACCOMP

FREEZE

REGIST

MEMORIZE

REGISTRATION MEMORY

1234

The Accomp Freeze Function

When the ACCOMP FREEZE function is engaged, the accompaniment parameters listed above will not be changed when a REGISTRATION MEMORY is recalled. This allows you to recall different REGISTRATION MEMORY settings while using Auto Accompaniment, without suddenly disturbing the flow of the accompaniment. The ACCOMP FREEZE function is turned on and off by pressing the [ACCOMP FREEZE] button. The “FREEZE” indicator appears in the “REGIST” area in the display when it is turned on.

ACCOMP

FREEZE

REGIST

MEMORIZE

REGISTRATION MEMORY

1234

• Accomp Freeze remains on even if a different registration bank is selected.

• When you recall the REGISTRATION MEMORY settings while song recording or playback, only the voice parameter settings can be recalled even if the ACCOMP FREEZE function is turned off.

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Page 36

Song Recording

The PSR-320/420 SONG TRACKS allows you to record and play back complete songs including chord sequences created using the Auto Accompaniment feature and a melody line you pla y on the keyboard. The SONG TRACKS include one ACCOMP track and two MELODY tracks. The PSR-320/420 can retain up to 3 complete songs in internal memory, and these can be selected and played back simply by selecting the appropriate SONG.

• Material recorded on the SONG TRACKs is retained in memory even when the POWER switch is turned OFF if batteries are present or an AC adaptor is connected.

• The recorded data will be lost if the power is turned off, the AC adaptor is unplugged, or the batteries fail during recording.

VOICE

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

U17

Song1

REGIST

TEMPO

RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

Recording a Melody Track

The SONG MELODY tracks record the following operations and data:

• Note on/off

• Velocity

• Voice number

• Octave

• Pan

• Dual voice on/off

• Dual voice (Voice number, volume, octave, pan)

• Keyboard volume*

• Harmony on/off, type

• Digital effect on/off, type (Sustain Pedal on/off)

• (Tempo common to melody & accomp tracks)

* Recorded only at the beginning of a song; changes cannot be

made during recording.

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

• Up to approximately 1300 notes (for 3 songs) can be recorded in the PSR-320/420 MELODY tracks.

Select a SONG Number .................................................................................................................

If necessary, use the [FUNCTION] buttons to select the SONG function,

and then the [–/NO] and [+/YES] buttons to select the SONG number (“17”, “18”, or “19”) to which you want to record.

VOICE

FUNCTION

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STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

U17

Song1

Page 37

Song Recording

Select a Voice and Set the Voice Parameters......................................

Select the voice you want to record with, and set the digital effects and

other parameters as required.

Engage the MELODY Track Record Ready Mode ........................

Press the SONG [REC] button. The [REC] button indicator will flash,

and “REC” will appear in the MELODY 1 track position on the display indicating that the PSR-320/420 is ready to record. Flashing square brackets in both the MELODY 1 and MELODY 2 track positions indicate that either track can be selected for recording at this point — use the [–/NO] and [+/YES] buttons to select the MELODY track to be recorded (“REC” appears in the selected track position).

The BEAT indicator dots flash at the current tempo. If the “Metronom” function in OVERALL function group is turned “on”, the metronome will also begin to sound at the currently selected tempo (page 55).

SONG

REC

PLAY/STOP

ACCOMP MELODY1MELODY

REC

789

–

/NO

/YES

• You cannot record in the SPLIT mode — the NORMAL mode will automatically be selected when the SONG record ready mode is engaged.

• If a previously-recorded SONG ACCOMP. track is on (the SONG ACCOMP track icon is showing), it can be monitored while recording a MELODY track. If you don’t want to hear the ACCOMP track while recording, move the cursor to the ACCOMP track icon and press the [–/NO] button to turn it off.

• If a non-user song number is selected when the record ready mode is engaged, user song number 17 will automatically be selected.

• The melody track volume is the current Keyboard Volume setting — see page 53.

• When the record-ready mode is engaged, the measure number reset to “01”. (Recording can not start from the specified measure).

Record.............................................................................................................................................................................

Recording will begin as soon as you play a note on the keyboard or

press the SONG [PLAY/STOP] button, and the BEAT indicator dots will begin to indicate the current beat as in the Auto Accompaniment mode. The MEASURE parameter will also show the current measure number. The [REC] indicator lights continuously once recording has started.

You can play the melody using the entire keyboard if you are recording

only a MELODY track.

REC

Stop Recording..............................................................................................................................................

SONG

PLAY/STOP REPEAT

PLAY

Stop recording by pressing the SONG [PLAY/STOP] button. The

[REC] button indicator will go out and the MEASURE number on the dis-

play will return to “01”.

The melody track voice number and volume settings will appear on the

display.

MINUS ONE

• Whenever you record using the SONG MEMORY, any previously recorded material in the same track will be erased.

• If the SONG MEMORY becomes full while the MELODY track recording, “Mel Full” will appear on the display and recording will stop.

• Melody Track data can be cleared by pressing the [PLAY/ STOP] button to start recording and stop it without playing the keyboard (Melody Track Data Clear).

• Recording is carried out in 1measure increments. If you stop recording in the middle of a measure, rests will automatically be recorded until the end of that measure.

• If you start recording by pressing the [PLAY/STOP] button, nothing will be recording until you begin playing on the keyboard.

• Only VOICE function voice numbers are shown in the melody track displays (dual voice numbers are not shown).

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Page 38

Recording Accompaniment With or Without a Melody

The SONG ACCOMP track records the following operations and data:

• Accompaniment start/stop

• Section changes

• Style number* (includes cartridge styles)

• Accompaniment track changes* (track on/off, voice number, volume)

• Accompaniment volume*

• Chord changes, timing

• (Tempo common to melody & accomp tracks)

* Recorded only at the beginning of a song; changes cannot be made during recording.

Select a SONG Number .................................................................................................................

If necessary, use the [FUNCTION] buttons to select the SONG function,

and then the [–/NO] and [+/YES] buttons to select the SONG number (“17”, “18”, or “19”) to which you want to record.

Song Recording

• Up to approximately 200 chords

(for 3 songs) can be recorded in the ACCOMP track.

VOICE

FUNCTION

Select the SINGLE or FINGERED Mode and a Style.............

STYLE

SONG

REGIST MEMORY

MULTI PAD DUAL VOICE SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

U17

Song1

Select the SINGLE or FINGERED mode (page 21) and an accompaniment style that is appropriate for the type of music you want to record. Also select the FINGERED fingering mode you want to use, if necessary .

NORMAL SPLIT SINGLE FINGERED

MODE

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Page 39

Song Recording

Engage the ACCOMP/MELODY Track

Record Ready Mode.............................................................................................................................

Press the SONG [REC] button. The [REC] button indicator will flash,

and “REC” will appear in the ACCOMP and MELODY 1 track positions on the display indicating that the PSR-320/420 is ready to record. Flashing square brackets in both the MELODY 1 and MELODY 2 track positions indicate that either track can be selected for recording at this point — use the [–/NO] and [+/YES] buttons to select the MELODY track to be recorded, or none if you only want to record the ACCOMP track (“REC” appears in the selected track position).

SONG

REC

PLAY/STOP

ACCOMP MELODY1MELODY

REC REC

789

–

/NO

+/YES

• If a previously-recorded MELODY track is turned on (its icon is showing), it can be monitored while recording. If you don’t want to hear the previous track while recording, move the cursor to the corresponding track icon and press the [–/NO] button to turn it off.

• The accompaniment track volume is the current Accompaniment Volume setting — see page

54.

• When the record-ready mode is engaged, the measure number resets to “01”. (Recording can not start from the specified measure).

Record.............................................................................................................................................................................

Recording will begin as soon as you play a chord on the Auto Accompaniment section of the keyboard. If you’ve selected the MELODY track to record with the ACCOMP track, a right-hand note will also start the recording process. The [REC] indicator lights continuously once recording has started.

Recording can also be started by pressing the ACCOMPANIMENT CONTROL [START/STOP] button. In this case only the rhythm will begin without bass and chord accompaniment until you play the first chord on the Auto Accompaniment section of the keyboard.

Play the required chords in the Auto Accompaniment section of the keyboard. If you’ve also selected the MELODY track to be recorded, play the melody on the right-hand section of the keyboard. The MEASURE number on the display will increment as recording progresses.

Stop Recording..............................................................................................................................................

Stop recording by pressing the SONG [PLAY/STOP] button, the AUTO ACCOMPANIMENT [START/STOP] button, or stop with an ending by pressing the AUT O ACCOMPANIMENT [ENDING] button. The [REC] button indicator will go out and the MEASURE number on the display will return to “01”.

The ACCOMP track volume setting will appear on the display.

• Whenever you record using the SONG MEMORY, any previously recorded material in the same track will be erased.

• If the SONG MEMORY becomes full while the ACCOMP track recording, “Acc Full” will appear on the display and recording will stop.

• Recording is carried out in 1measure increments. If you stop recording in the middle of a measure, rests will automatically be recorded until the end of that measure.

• If you start the ACCOMP track recording by pressing the [PLAY/ STOP] button, no chord data will be recording until you begin playing on the keyboard.

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Page 40

Accompaniment and Melody Playback

Select a SONG Number .................................................................................................................

If necessary, use the [FUNCTION] buttons to select the SONG function,

and then the [–/NO] and [+/YES] buttons to select the SONG number (“17”, “18”, or “19”) containing the song you want to play.

VOICE

FUNCTION

STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

U17

Song1

Song Recording

Start Playback..................................................................................................................................................

Playback will begin as soon as the SONG [PLAY/STOP] button is

pressed. You can turn the ACCOMP and MELODY tracks on and off during playback as required.

SONG

REC

Play Along If You Like........................................................................................................................

PLAY/STOP REPEAT

PLAY

MINUS ONE

Play along on the keyboard if you like. You can also change the tempo

during playback.

Stop Playback...................................................................................................................................................

Accompaniment and melody playback will stop automatically when all

recorded data has been played back. You can also stop playback at any time by pressing the SONG [PLAY/STOP] button.

• You can also start playback from

any specified measure (see page

40).

• Individual tracks can be turned

OFF (muted) or ON by using the cursor buttons to select the icon of the target track (the icon and track name will flash), and then using the [–/NO] and [+/YES] buttons to turn the track OFF or ON, respectively. The track icon will disappear when a track is muted.

• The NORMAL mode is automati-

cally selected when SONG playback is started.

• Voice and volume data can be

rewritten during playback — see “Voice & Volume Rewrite”, below.

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Page 41

Song Recording

Play from a Specified Measure

You can start SONG playback from any specified measure, as long as the specified measure is within the range of measures that has already been recorded:

Select the MEASURE Parameter..................................................................................

Use the CURSOR buttons to select the MEASURE parameter in the

display.

CURSOR

MEASURE

Enter the Desired Measure Number......................................................................

Use the [–/NO] and [+/YES] buttons or the number buttons to enter the

desired measure number.

– –

123

654

789

–

/NO

/YES

Start Playback..................................................................................................................................................

You can now start playback from the specified measure number.

• Three-digit numbers are entered by first pressing and holding the [1] or [2] button until “1” or “2” appears in the hundreds position on the display, then press the remaining two digits in sequence.

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Page 42

■ Voice & Volume Rewrite

Song Recording

You can rewrite the last recorded voice change in the MELODY tracks during playback by using the cursor buttons to select the voice number of the target track (the voice number will flash), and then using the number buttons or [–/NO] and [+/YES] buttons to select the desired voice number. The data will actually be rewritten when the [PLAY/STOP] button is pressed, the end of the song is reached, or the next voice change is encountered in the recorded data. The original voice number can be recalled before it is actually rewritten by simultaneously pressing the [–/NO] and [+/YES] buttons. Any other voice changes included in the recorded track data will take effect at the appropriate times.

The volume of each track can be rewritten during playback in the same way . Use the cursor buttons to select the volume bar of the target track (the volume bar will flash), and then use the [–/NO] and [+/YES] buttons to set the maximum volume of the track as required. The shorter the bar , the lower the volume. The data will actually be rewritten when the [PLAY/STOP] button is pressed or the end of the song is reached. The original volume can be recalled before it is actually rewritten by simultaneously pressing the [–/NO] and [+/YES] buttons. The new volume data is written only at the beginning of the track and affects the entire track.

CURSOR

ACCOMP MELODY1MELODY

– –

123

654

• The dual voice will change automatically when a melody track voice is changed.

• Voice and volume data can only be rewritten in songs you have recorded yourself.

101 103

789

–

/NO

■ Clearing the SONG TRACKS

All data in the ACCOMP, MELODY 1 and MELODY 2 tracks of the

currently selected song can be completely erased by first pressing the [MI-

NUS ONE] button while holding the [REC] button, and then press the [+/YES] button in response to the “Clear?” confirmation prompt on the dis- play (press [–/NO] if you decide not to erase the data).

SONG

REC

PLAY/STOP REPEAT

PLAY

MINUS ONE

U17

Clear ?

+/YES

• Only songs you have recorded yourself can be cleared.

• If a non-user song number is selected when the song-clear mode is engaged, user song number 17 will automatically be selected.

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Page 43

The Multi Pads

The PSR-320/420 MULTI PADS can be used to play a number of short pre-recorded rhythmic and melodic sequences, that can be used to add impact and variety to your keyboard performances and SONG recordings. Some of the pad phrases simply play back as programmed, while others are “chord match” types which are automatically transposed to match chords played using the PSR-320/420 Auto Accompaniment feature.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o01

Fanfare

REGIST

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

TEMPO

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Selecting a MULTI PAD KIT

The PSR-320 has 11 multi pad kits and the PSR-420 has 14, each containing a complete set of 4 MULTI PAD phrases — 44 and 56 phrases in all, respectively. Before using the MULTI PADS, select the MULTI PAD containing the phrases you want to use as follows:

Select the MULTI PAD Function.....................................................................................

To select a multi pad kit, first select the MULTI PAD function by press-

ing one of the [FUNCTION] buttons until the indicator in the display ap-

pears next to “MULTI PAD” in the function list to the left of the display.

• See page 43 for a complete listing of the Multi Pad assingnments.

VOICE

FUNCTION

Select a Multi Pad Kit Number.........................................................................................

STYLE SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o01

Use the [–/NO] and [+/YES] buttons or the number buttons to select one

of the 11 or 14 available multi pad kits.

789

–

/NO

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Fanfare

PSR-420

/YES

Page 44

Playing the MULTI PADS

Simply tap any of the MULTI PADS at any time to play back the corresponding phrase. MULTI PAD playback begins as soon as the button is pressed. You can even play two, three, or four MULTI PADS at the same time. Also, you can create “retriggered sample” effects by repeatedly pressing a pad before its contents are completely played back.

The MULTI PAD voices are independent from the voices you have currently selected for keyboard performance. You could, for example, play piano on the keyboard while a MULTI PAD plays a brass chord stab.

When a “chord match” type MULTI PAD phrase is played, the phrase will be automatically transposed to match chords played using the PSR-320/420 Auto-accompaniment feature.

The Multi Pads

• MULTI PAD playback speed is determined by the current TEMPO setting.

TERMINATE

MULTI PADS

1234

MULTI PAD playback can be terminated by pressing the MULTI PADS

[TERMINATE] button.

TERMINATE

MULTI PADS

1234

● The Milti Pad Kits

PSR-320 Chord Match Kit Pad 1 Pad 2 Pad 3 Pad 4

01 WildWest –––– 02 StarShip –––– 03 Wedding ––OO 04 HarpGlis OOOO 05 BrassChd OOOO 06 Fanfare –––– 07 TechnoFX ––OO 08 Drum-Kit –––– 09 DrumFlam –––– 10 AnalogDr –––– 11 Timbales ––––

PSR-420 Chord Match Kit Pad 1 Pad 2 Pad 3 Pad 4

01 Fanfare –––– 02 HiTechno ––OO 03 Arpeggio ––OO 04 GuitRiff OO–– 05 DrumFill –––– 06 DrumFlam –––– 07 Drum Kit –––– 08 Class.Dr –––– 09 Timbales –––– 10 CongaSet –––– 11 TrumpHit OOOO 12 Amazonas –––– 13 Xeno-SFX ––OO 14 WildWest ––OO

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Page 45

Using Music Cartridges

The PSR-320/420 features a cartridge slot which accepts pre-programmed Yamaha Music Cartridges containing style, song and/or registration data. One sample Music Cartridge is supplied with the PSR320/420. Others are available from your Yamaha dealer.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

o01

REGIST

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

■ Inserting a Music Cartridge

With the power OFF, insert the Music Cartridge into the cartridge slot as shown, and press down firmly until the Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot one way - don’t try to force it in the wrong way. Turn the power back ON again after inserting.

The triangular mark on the front of the Cartridge should be completely below the panel edge when the Cartridge is properly seated.

For Cartridges without the mark, the bottom of the serrated edges of the Cartridge should be even with the panel edge (not above it).

YESTERDY

TRANSPOSE

TEMPO

152

33 25 26 101 1017

ACCOMP TRACK SONG TRACK

BEAT

MEASURE

REC REC REC

■ Music Cartridge Handling Precautions

• Do not leave Music Cartridges in locations which are subject to excessive heat or humidity.

• Do not drop Music Cartridges or subject them to strong shock.

• Do not disassemble Music Cartridges.

• Do not directly touch the Music Cartridge’s electrical contacts. Persistently touching it may cause to break electrical contacts or generate static electricity. Static electric charges can cause loss of data and unreliable operation.

• Do not insert objects or cartridges other than Yamaha Music Cartridges in the PortaTone cartridge slot. Doing so can result in serious damage to the instrument.

• Never attempt to insert or remove a cartridge when the power switch is ON. Doing so can result in loss of the PSR-320/420 memory data (song data/registration memory data) or complete lack of control.

• The Music Cartridge data may not be selected or played back correctly, if the electrical contacts on the Music Cartridge are affected with dust. If this happens, insert and remove the Music Cartridge several times. This may solve the problem. If the problem still happens, wipe and clean the electrical contacts on the Music Cartridge with a dry soft cloth.

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

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• Be sure to insert the Music Cartridge when you recall the registration settings based on the cartridge data or playback the song based on the cartridge data. Otherwise, “No Cart (Cartridge)” will appear on the display.

Page 46

Using Music Cartridges

Cartridge Accompaniment Styles

The Music Cartridge supplied with the PSR-320/420 provides an extra 8 accompaniment styles that can be

used in the same way as the internal accompaniment styles.

Selecting Cartridge Styles

Select the Style Function...........................................................................................................

Press the [STYLE] button to directly select the STYLE function, or

press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “STYLE” in the function list to the left of the display.

Select and Use a Cartridge Style................................................................................

To select a cartridge style, first press and hold the number [3] button (be-

low the cartridge icon on the panel) until the cartridge icon appears to the left of the style name in the display, then enter the number of the cartridge style you want to select via the number buttons in the normal way (2 digits). The cartridge styles can also be selected by using the [–/NO] and [+/YES] buttons to go beyond the highest or lowest internal style numbers — e.g. pressing the [+/YES] button while internal style number 00 is selected will select cartridge style number 01 (the cartridge icon will appear).

The cartridge styles are used in exactly the same way as the internal ac-

companiment styles (page 24).

– –

123

VOICE

STYLE

SONG

REGIST MEMORY

C01

ORGRKBLD

789

–

/NO

+/YES

•“No OTS” will appear on the display if the optional cartridge styles have no one touch setting data.

654

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Page 47

Using Music Cartridges

■ The Yamaha Style File Format

The Yamaha “Style File Format”, is an original Yamaha auto-accompaniment data format which has evolved through years of development and refinement of the Standard MIDI File and GM System Level 1 formats on which it is based. Style File Format makes it possible to provide exceptionally high-quality accompaniments on many of our instruments, and in the Music Cartridges used by the PSR-320/420. Due to the sophisticated accompaniment capabilities provided by Style File Format, some cartridge styles may have a different number of sections and/ or accompaniment tracks than the internal styles provided by the PSR-320/

420.

● Different Number of Sections

Some cartridge styles, for example, have A and B intro and ending sections as well as A and B main sections. In such a case, if the [INTRO] and MAIN [A] buttons are pressed in order to start the accompaniment with an introduction and then go to the main A section, the intro A section will play. If the [INTRO] and MAIN [B] buttons are pressed, the intro B section will play. A similar situation applies to endings: if the main A or B section is playing and the [ENDING] button is pressed, the ending A or B section will play accordingly.

● Different Number of Tracks

While the PSR-320/420 styles have one rhythm, one bass, one chord, one pad, and one phrase track, some cartridge styles may have two rhythm, chord, and/or phrase tracks. In such a case these individual tracks can be selected by moving the cursor from track to track in the normal way. If the RHYTHM 1 track is selected and the cursor is moved once to the right, for example, the cursor will not actually move but “RHYTHM 2” will appear in place of “RHYTHM 1” and the parameters for the RHYTHM 2 track can be changed as required. The same applies to the CHORD 1 and 2, and PHRASE 1 and 2 tracks.

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Page 48

Using Music Cartridges

Cartridge Songs

Using Yamaha Music Cartridges (the one supplied with the PSR-320/420 includes 8 songs, others are available from your Yamaha dealer), the PSR-320/420 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically. The PSR-420 also shows you which keys to play with keyboard guide lamps that light up above each key .

Cartridge Song Playback

Select the SONG Function.......................................................................................................

Use the FUNCTION [▲] and [▼] buttons to select the SONG function.

Select a Cartridge Song Number................................................................................

To select a cartridge song, first press and hold the number [3] button (be-

low the cartridge icon on the panel) until the cartridge icon appears to the

left of the song name in the display, then enter the number of the cartridge

song you want to select via the number buttons in the normal way. The car-

tridge songs can also be selected by using the [–/NO] and [+/YES] buttons

to go beyond the highest or lowest internal song numbers — e.g. pressing

the [+/YES] button while user song number 19 is selected will select car-

tridge song number 01 (the cartridge icon will appear).

– –

123

VOICE

STYLE

SONG

REGIST MEMORY

Start Playback..................................................................................................................................................

C02

AåTRAIN

789

–

/NO

/YES

Playback will begin as soon as the SONG [PLAY/STOP] button is

pressed.

Playback can be stopped at any time by pressing the SONG [PLAY/

STOP] button.

654

• Playback can be started from any measure — page 40.

• The playback tempo can be changed freely as required.

• The keyboard guide lamps corresponding to the keys being played will light in real time. The keyboard guide lamps can be turned off via the “Lamp” function in the OVERALL function group — page 55. (PSR-420)

• Cartridge song track voice and volume data cannot be rewritten.

• Harmony effect (see page 31) may not be available for some cartridge songs.

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Page 49

Using Music Cartridges

Cartridge Registration Presets

The Music Cartridge supplied with the PSR-320/420 provides 8 banks of preset registration settings (8

banks x 4 registration memories = 32 total) that provide a number of useful registration setups (refer to page 33 for details on the registration memory).

Selecting Cartridge Registration

Select the Regist Memory Function......................................................................

Press either of the [FUNCTION] buttons to the left of the display as

many times as necessary until the arrowhead in the display appears next to “REGIST MEMORY” in the function list to the left of the display.

Select and Use a Cartridge Registration.....................................................

To select a cartridge registration memory , first press and hold the number

[3] button (below the cartridge icon on the panel) until the cartridge icon appears to the left of the registration bank number in the display, then enter the number of the bank you want to select via the number buttons in the normal way (page 33). The cartridge registration memories can also be selected by using the [–/NO] and [+/YES] buttons to go beyond the highest or lowest internal bank numbers — e.g. pressing the [+/YES] button while internal bank number 08 is selected will select cartridge registration bank number 01 (the cartridge icon will appear).

The individual cartridge registration memories are recalled via the REGISTRATION MEMORY buttons and used in exactly the same way as the internal registration memories (page 34).

– –

123

VOICE

STYLE

SONG

REGIST MEMORY

C01

ORGRKBLD

789

–

/NO

+/YES

• Original data cannot be stored in the cartridge registration memory.

• The voices recalled by a cartridge registration are not the panel voices (page 13) on the PSR-320/420 but the GM System Level 1 voices. As for the cartridge registration voices, voice numbers are not displayed. As a result, “- - - ” will appear to the left of the voice name in the display.

654

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Page 50

Practice Features

The PSR-320/420 includes several features that can be a great aid in learning to play and practicing on the keyboard.

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

__r

MinusMod

REGIST

TEMPO

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

The Minus One Mode

When the Minus One mode is engaged, the left-hand, right-hand, or both keyboard parts of a song — internal demo or Music Cartridge — are turned off so you can practice them on the PSR-320/420 keyboard. The “MinusMod” function in the OVERALL function group determines which part or parts are turned off when the Minus One mode is engaged.

To turn the Minus One function on, thus canceling the specified parts, press the [MINUS ONE] button. The MINUS ONE icon will appear in the display when the Minus One function is engaged.

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

SONG

REC

PLAY/STOP REPEAT

PLAY

MINUS ONE

•“MinusMod” function in the

■ Specifying the Parts To Be Turned On or Off.......................................

To specify the right-hand, left-hand, or both parts to be turned off when

the Minus One mode is engaged, first select the OVERALL functions by

pressing either of the [FUNCTION] buttons to the left of the display as

many times as necessary until the arrowhead in the display appears next to

“OVERALL” in the function list to the left of the display. Then use the cur-

sor [▲] and [▼] buttons to locate the “MinusMod” function. Finally use the

[–/NO] and [+/YES] buttons to select the desired Minus One mode.

OVERALL function group can be quickly selected by pressing and holding the [MINUS ONE] button.

• See page 55 for information on using the Minus One mode with the specified channel.

• With songs you record yourself, the MELODY 1 track corresponds to the right-hand part and the MELODY 2 track is the lefthand part.

•“_ _ r” (Right hand) is selected whenever the power switch is turned on.

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Page 51

Practice Features

CURSOR

FUNCTION

REGIST MEMORY

DIGITAL EFFECT

Mode Part Turned Off

__r Right hand. L__ Left hand. L_r Left and right hands.

The Guide Mode (PSR-420 only)

VOICE

STYLE

SONG

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

__r

MinusMod

789

–

/NO

/YES

With this feature, the PSR-420 waits for you to play the appropriate keys

before playing ahead, so you can learn to play the piece at your own pace.

Press the [GUIDE] button so that its icon appears in the display to turn the

guide mode on. The “MinusMod” function in the OVERALL function group determines which part(s) is guided. If you want to play the guided part(s) yourself, press the [MINUS ONE] button to on to mute the guided part(s).

SONG

REC

PLAY/STOP REPEAT

PLAY

MINUS ONE

GUIDE

When you press the SONG [PLAY/STOP] button to begin playback, the

introduction will play automatically but then the PSR-420 will stop and wait for you to play the next key(s). The next key(s) to be played are indicated via the guide lamps above the keyboard. As you play the appropriate keys, the piece will continue, pausing until you play the right keys each time.

As with automated performance, the song will stop automatically when

the end is reached, or it can be stopped at any time by pressing the SONG [PLAY/STOP] button.

• Song playback tempo can be set to any desired value after a song has been selected by using the TEMPO [

• If the guide lamps flashing above the keyboard distract you, or you want to try playing along without them, use the “Lamp” function in the OVERALL function group to turn them off — page 55. The guide function operates as described above whether the lamps are turned on or off.

▲

] and [▼] buttons.

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Page 52

Repeat Play

This function allows you to specify any section of a song — cartridge or

internal — for continuous repeat playback.

While the song is playing, press the [REPEAT PLAY] button once at the

beginning of the section to be repeated (the “A” repeat icon will appear on the display) and again at the end of the section to be repeated (the “B” repeat icon will appear). Repeat playback will begin automatically from the A point as soon as the B point has been specified, and will continue until either the [RE- PEAT PLAY] button is pressed again to cancel the repeat function.

SONG

REC

PLAY/STOP REPEAT

PLAY

MINUS ONE

REPEAT

Practice Features

• When only the A point is speci-

fied, playback will repeat from the A point to the end of the song.

• If you specify, for example,

measure number 8 for A point and measure number 2 for B point, playback will repeat from measure number 2 to 8.

It is also possible to specify the repeat section while playback is stopped.

First use the MEASURE parameter to specify the A point, then press the [RE-

PEAT PLAY] button. Next specify the B measure number and press [REPEAT PLAY] again. The specified A-B section will play repeatedly when the [PLAY/ STOP] button is pressed.

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Page 53

Overall Functions

Some of the functions in the OVERALL function group ha ve already been described in appropriate sections of this manual. Others will be introduced for the first time in this section. Refer to the chart below for the page numbers on which each function is described. The chart also lists the full name of each function, the abbreviated name which appears on the display, and the available settings or range of settings. Ranges are indicated by two or more values separated by ellipses (…).

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

100

Kybd Vol

REGIST

RHYTHM BASS C HORD PAD PHRASE ACCOMP MELODY1MELODY

111

ON / OFF

VOICE VOL

TRANSPOSE

TEMPO

152

39 28 19 30 101 1011

ACCOMP TRACK SONG TRACK

MEASURE

REC REC REC

BEAT

OTS

REPEAT

MINUS ONE

DIGITAL EFFECT

TOUCH

DUAL

HARMONY

GUIDE

NORMAL

SPLIT

SINGLE FINGERED

PSR-420

Function Display Settings Page

Keyboard Volume ybd ol 00 … 127 53 Octave Octa e –2 … 0 … 253 Pan Pan –7 … 0 … 754 Voice Set oiceSet oFF, on 54 Fingering Mode Fngrng d nor, Full 22 Accompaniment Volume Acomp ol 00 … 127 54 Accompaniment Split Point AccSpPnt 00 … 127 30 Touch Sensitivity ouchSns 00 … 127 54 Minus-one Mode inus od

_ _

r, L

_ _

, L

r49 Minus-one Right-hand Channel inusCh 01 … 16 55 Minus-one Left-hand Channel inusChL 01 … 16 55 Lamp (PSR-420 only) Lamp oFF, on 55 Metronome etronom oFF, on 55 Remote Channel emoteCh oFF, 01 … 16 57 Keyboard Out ybdOut oFF, on 58 Song Out SongOut oFF, on 58 Accompaniment Out AcompOut oFF, on 58 Local Control Local oFF, on 59 External Clock E tCloc oFF, on 59 Initial Data Send InitSnd? None 59 Bulk Data Send ul Snd? None 60

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Page 54

Overall Functions

To access an OVERALL function press either of the [FUNCTION] buttons to the left of the display as

many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. Then use the cursor [▲] and [▼] buttons to select the desired function from within the OVERALL function list. Once the function has been selected, use the [–/NO] and [+/YES] buttons (or number buttons, where applicable) to set the function as required).

– –

123

654

789

–

/NO

+/YES

CURSOR

FUNCTION

VOICE STYLE

SONG

REGIST MEMORY

MULTI PAD

DUAL VOICE

SPLIT VOICE

HARMONY

OVERALL

DIGITAL EFFECT

100

Kybd Vol

General Functions

■ Keyboard Volume.......................................................................................................................................

Sets the volume of the keyboard sound (including dual and split voices) in relation to the accompaniment and song playback sound. The range is from “00” to “127”. A setting of “00” produces no sound. “127” produces maximum volume. The default setting — “100” — can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.

100

■ Octave..............................................................................................................................................................................

Shifts the right-hand keyboard voice (including the dual voice) up or down by one or two octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively . The default setting — “0” — can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously .

Kybd Vol

•“Kybd Vol” function can be quickly selected by pressing and holding the [VOICE] button.

• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.

100

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Octave

Page 55

Overall Functions

■ Pan..........................................................................................................................................................................................

Sets the stereo pan position of the right-hand keyboard voice (selected in the VOICE section). The pan range is from “–7” (full left) to +7 (full right). The default setting for the current voice can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.

100

■ Voice Set .....................................................................................................................................................................

Pan

• If the Voice Set function is on, the pan setting = 0 will be selected automatically whenever a different voice is selected via the VOICE function.

• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.

The VOICE SET feature brings out the best in each individual voice by automatically setting a range of important voice-related parameters whenever a voice is selected. The parameters that may be set by the VOICE SET feature are listed below . This function lets you turn VOICE SET on or of f, as required. The Voice Set function is turned on whenever the power switch is turned on.

• Dual voice (Voice number, volume, octave, pan = 0)

• Split voice (Voice number, volume, octave, pan)

• Harmony type

• Pan (0)

1on

VoiceSet

■ Accompaniment V olume..............................................................................................................

Sets the volume of the accompaniment sound in relation to the keyboard and song melody track sound. The range is from “00” to “127”. A setting of “00” produces no sound. “127” produces maximum volume. The default setting — “100” — can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously .

• The Voice Set function has no effect on the keyboard percussion voices.

•“AccompVol” function can be quickly selected by pressing and holding the [STYLE] button.

100

AcompVol

■ Touch Sensitivity........................................................................................................................................

This function sets the keyboard touch sensitivity when the TOUCH RESPONSE function (page 17) is on. The range is from “00” to “127”. The higher the value the higher the sensitivity . Higher sensitivity means that greater volume can be produced by playing the keys relatively softly.

100

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TouchSns

• The default setting — “100” — can be recalled by pressing the [–/NO] and [+/YES] button simultaneously.

• The “TouchSns” function can be quickly selected by pressing and holding the [TOUCH RESPONSE] button.

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■ Minus-one Right/Left-hand Channel....................................................................

Overall Functions

You can practice the specific part (in the Minus One mode) by selecting the demo/cartridge song you want to practice and by assigning the appropriate channel to the desired part.

Any channel —1 through 16 — can be selected. The default setting “01” for the right-hand channel, “02” for the left-hand channel recalled by pressing the [–/NO] and [+/YES] buttons simultaneously .

_01

_02

MinusChR

MinusChL

■ Lamp (PSR-420 only)..........................................................................................................................

Turns the keyboard guide lamps on or off. The guide mode functions normally whether the lamps are turned on or off (page 50). The red guide lamps correspond to the white keys and the green guide lamps correspond to the black keys.

• The channel for the specific part will automatically be selected if the selected song contains the Minus-one (Right-/Left-hand) channel settings. In this case, “- - -” will appear on the display and you can not change it.

• Regardless of the Minus-one channel settings, with songs you record yourself, the MELODY 1 track corresponds to the righthand part and the MELODY 2 track is the left-hand part. While playing songs you record yourself, “- - -” will appear on the display and you cannot change the Minus-one channel settings.

• The lamp feature is turned on whenever the power switch is turned on.

1on

Lamp

■ Metronome..............................................................................................................................................................

Turns the metronome function on or off. The metronome will sound dur-

ing auto accompaniment playback and song recording when turned on.

oFF

Metronom

• The metronome function is turned off whenever the power switch is turned on.

• While playing demo songs in sequence, the metronome function cannot be used.

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Page 57

Overall Functions

MIDI Functions

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.

● The MIDI Connectors

The MIDI IN connector receives MIDI data from an external MIDI de- vice which can be used to control the PSR-320/420. The MIDI OUT connector transmits MIDI data generated by the PSR-320/420 (e.g. note and velocity data produced by playing the keyboard).

MIDI

OUT IN

● Simple MIDI Control

Most MIDI keyboards (including the PSR-320/420, of course) transmit note and velocity (touch response) information via the MIDI OUT con- nector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multiinstrument sounds. The PSR-320/420 also transmits “program change” data when one of its voices is selected. Depending on how the receiving device is set up, the corresponding voice will be automatically selected on the receiving keyboard or tone generator whenever a voice is selected on the PSR-320/420.

PSR-320/420

MIDI INMIDI OUT

Tone Generator

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Page 58

The PSR-320/420 is capable of receiving the same MIDI data, so a second MIDI keyboard connected to the PSR-320/420 MIDI IN connector can be used to remotely play the PSR-320/420 and select voices as required.

Overall Functions

PSR-320/420 MIDI Keyboard

MIDI OUTMIDI IN

● MIDI Sequence Recording

Although the PSR-320/420 features a built-in “sequencer (the SONG recorder is a type of sequencer), the same type of musical information transfer described above can be used for more sophisticated MIDI sequence recording using an external sequencer or music computer. A MIDI sequence recorder or music computer can be used to “record” MIDI data received from a PSR-320/420, for example. When the recorded data is played back, the PSR-320/420 automatically “plays” the recorded performance in precise detail.

PSR-320/420

MIDI INMIDI OUT

MIDI OUTMIDI IN

Music

Computer

• Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors.

■ Remote Channel..........................................................................................................................................

Sets the MIDI channel on which data from a remote keyboard will be received. Any of the standard MIDI channels — 1 through 16 — can be specified. The remote keyboard must be set up to transmit on the specified remote channel, and the keyboard’s MIDI OUT connector must be connected to the PSR-320/420 MIDI IN connector via a standard MIDI cable. Refer to the “MIDI Implementation Chart” section (page 68) for technical details. When set to “oFF” data is received on all 16 MIDI channels. The default setting — “oFF” — can be recalled by pressing the [–/NO] and [+/ YES] buttons simultaneously .

oFF

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RemoteCh

• Remote Channel is automatically turned off when a MIDI “GM ON” message is received.

• The Remote channel setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

Page 59

Overall Functions

■ Keyboard Out.....................................................................................................................................................

Determines whether keyboard data will or will not be transmitted via the

MIDI OUT connector. Keyboard data is transmitted when this function is turned “on” (default). When set to “on” the keyboard data is transmitted on the following MIDI channels:

Voice Channel

Right-hand main voice 1 Dual voice 11 Left-hand voice (Split voice)

oon

KybdOut

■ Song Out.....................................................................................................................................................................

Determines whether song data (Melody track/s only) will or will not be

transmitted via the MIDI OUT connector. Song data is transmitted when this function is turned “on”. The default setting is “oFF”. When set to “on” the song data is transmitted on the following MIDI channels:

Track/voice Channel

Melody 1/main voice 13 Melody 1/dual voice 14 Melody 2/main voice 15 Melody 2/dual voice 16

oFF

SongOut

• Keyboard Out setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

• Song Out setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

• Only the user song you recorded can be transmitted.

• If you want to transmit all the song data (including Accomp track), set “Song Out” and “Accompaniment Out” to on.

■ Accompaniment Out...........................................................................................................................

Determines whether auto-accompaniment data will or will not be trans-

mitted via the MIDI OUT connector. Accompaniment data is transmitted when this function is turned “on”. The default setting is “oFF”. When set to “on” the accompaniment data is transmitted on the following MIDI channels:

● Internal Styles

Track Channel

Rhythm 10 Bass 3 Chord 4 Pad 6 Phrase 1 7 Phrase 2 8

Phrase 2 (Dual voice) 5

● Cartridge Styles

Track Channel

Rhythm 1 9 Rhythm 2 10 Bass 3 Chord 1 4

oFF

AcompOut

Track Channel

Chord 2 5 Pad 6 Phrase 1 7 Phrase 2 8

• Accompaniment Out setting is retained in memory even when the power switch is turned off, as long as batteries are installed or an AC adaptor is connected.

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Page 60

■ Local Control......................................................................................................................................................

“Local Control” refers to the fact that, normally, the PSR-320/420 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control on” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the PSR-320/420 internal voices, an external tone generator can be played from the PSR-320/420 keyboard. The default Local Control setting is “on”.

Overall Functions

oon

Local

■ External Clock..................................................................................................................................................

Reception of external MIDI clock signal can be enabled or disabled as required.

When disabled (“oFF”), the PSR-320/420 is controlled by its own internal clock. When MIDI clock reception is enabled (“on”), however, the PSR320/420 is controlled by an external MIDI clock signal received via the MIDI IN terminal. The default setting is “oFF”.

oFF

ExtClock

■ Initial Data Send...........................................................................................................................................

Transmits all current panel settings to a MIDI data storage device before actually recording your performance. With the “InitSnd?” function selected, press the [+/YES] button to start transmission. When the data has been transmitted, “End” will appear momentarily on the display and return to the “InitSnd?”.

YES

InitSnd?

• If the External Clock function is turned “on” but the external clock signal is interrupted for more than 400 milliseconds, the internal clock is re-selected automatically.

• External Clock setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.

• The song data will not be played back correctly, if the panel settings for the song has not been recorded in advance. To record the panel settings to an external device, engage the external device in the record mode and execute the Initial Data Send operation.

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Page 61

Overall Functions

■ Bulk Data Send...............................................................................................................................................

This function causes the contents of the registration and song memories

to be transmitted via the MIDI OUT connector. This data can be saved to memory or disk via a MIDI sequence recorder or MIDI data recorder, and then reloaded when required. The bulk data can also be sent directly to a second PSR-320/420.

To send the bulk data select the “BulkSnd?” function, then press the

[+/YES] button. “Sure?” will appear on the display. Press [+/YES] again to begin transmission of the bulk data. “BkSnd:Sg” (song data) and then “BkSnd:Rg” (registration data) will appear on the display during transmission. When the bulk data has been transmitted, “End” will appear momentarily on the display and return to the “BulkSnd?”.

YES

BulkSnd?

• A bulk dump transmission can be stopped at any time by pressing the [–/NO] button.

• No other operations can be performed during bulk dump transmission.

■ Receiving Bulk Data

The PSR-320/420 will automatically receive compatible bulk data from an external MIDI device as long as no style playback or song recording/ playback operation is in progress. “BkRcv:Sg” (song data) and then “BkRcv:Rg” (registration data) will appear on the display during reception. When the bulk data has been received, “End” will appear momentarily on the display and return to the previously selected display.

001

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BkRcv:Sg

• No other operations can be performed during bulk dump reception.

• If an error is encountered during bulk data reception, “BkRcvErr” and then either “MemClrSg” or “MemClrRg” will appear on the display indicating that either the song or registration memory has been cleared.

• When a bulk dump is received, the received data replaces any data that was previously in the PSR-320/420 memory.

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Appendix: Data Backup & Initialization

Except for the data listed below, all PSR-320/420 panel settings are reset to their initial settings whenever the power is turned on. The data listed below are backed up — i.e. retained in memory — as long as an AC adapter is connected or a set of batteries is installed.

• Registration Memory

• Song Memory

• Remote Channel

• Keyboard Out

• Song Out

• Accomp Out

• External Clock

■ Data Initialization........................................................................................................................................

All data can be initialized and restored to the factory preset condition by

turning on the power while holding the [–/NO] and [+/YES] buttons. “CLr

Backup” will appear briefly on the display.

POWER

ON / OFF

CLr

Backup

789

–

/NO

+/YES

• All registration and song

memory data, plus the other settings listed above, will be erased and/or changed when the data initialization procedure is carried out.

• If the PSR-320/420 has been

“locked up” due to static electricity or other causes, turn the PSR-320/420 off and execute the initialize operation.

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Page 63

Appendix: Voice & Polyphony List

The PSR-320/420 can play up to 28 individual notes at the same time (i.e. it has a maximum “polyphony” of 28). This number includes all voices used: dual, split, auto accompaniment, song, and multi pads. If the maximum polyphony of the PSR-320/420 is exceeded, the excess notes will be truncated (they will not sound).

Another feature affecting polyphony is the fact that some PSR-320/420 voices actually use two voices at once, as shown in the voice list below . The effective maximum polyphony of the PSR-320/420 is correspondingly reduced when these voices are used.

• The voice list includes the MIDI program numbers that control each voice when the PSR-320/ 420 is played from an external MIDI device.

• The following voices use only one voice in the indicated ranges: 46 (Pizzicato Strings): all

notes below C 110 (Bagpipe): all notes above A

2 and above F5.

Voice

MIDI Number

Program Voice Name of Voices

Number

Number Used

Piano

01 0 Acoustic Grand Piano 1 02 1 Bright Acoustic Piano 1 03 2 Electric Grand Piano 2 04 3 Honky-tonk Piano 2 05 4 Electric Piano 1 2 06 5 Electric Piano 2 2 07 6 Harpsichord 1 08 7 Clavi 1

Chromatic Percussion

09 8 Celesta 1 10 9 Glockenspiel 1 11 10 Music Box 2 12 11 Vibraphone 1 13 12 Marimba 1 14 13 Xylophone 1 15 14 Tubular Bells 1 16 15 Dulcimer 2

Organ

17 16 Drawbar Organ 2 18 17 Percussive Organ 2 19 18 Rock Organ 2 20 19 Church Organ 2 21 20 Reed Organ 1 22 21 Accordion 2 23 22 Harmonica 1 24 23 Bandoneon 2

Guitar

25 24 Acoustic Guitar (nylon) 1 26 25 Acoustic Guitar (steel) 1 27 26 Electric Guitar (jazz) 1 28 27 Electric Guitar (clean) 2 29 28 Electric Guitar (muted) 1 30 29 Overdriven Guitar 1 31 30 Distortion Guitar 1 32 31 Guitar Harmonics 1

Bass

33 32 Acoustic Bass 1 34 33 Electric Bass (finger) 1 35 34 Electric Bass (pick) 1 36 35 Fretless Bass 1 37 36 Slap Bass 1 1 38 37 Slap Bass 2 1 39 38 Synth Bass 1 1 40 39 Synth Bass 2 1

Strings

41 40 Violin 1 42 41 Viola 1 43 42 Cello 1 44 43 Contrabass 1

MIDI Number

Voice

Program Voice Name of Voices

Number

Number Used

45 44 Tremolo Strings 2 46 45 Pizzicato Strings 2 47 46 Orchestral Harp 1 48 47 Timpani 1

Ensemble

49 48 Strings Ensemble 1 1 50 49 Strings Ensemble 2 1 51 50 Synth Strings 1 2 52 51 Synth Strings 2 2 53 52 Choir Aahs 2 54 53 Voice Oohs 1 55 54 Synth Voice 1 56 55 Orchestra Hit 1

Brass

57 56 Trumpet 1 58 57 Trombone 1 59 58 Tuba 1 60 59 Muted Trumpet 1 61 60 French Horn 1 62 61 Brass Section 1 63 62 Synth Brass 1 2 64 63 Synth Brass 2 2

Reed

65 64 Soprano Sax 1 66 65 Alto Sax 1 67 66 Tenor Sax 1 68 67 Baritone Sax 1 69 68 Oboe 1 70 69 English Horn 1 71 70 Bassoon 1 72 71 Clarinet 1

Pipe

73 72 Piccolo 1 74 73 Flute 1 75 74 Recorder 1 76 75 Pan Flute 1 77 76 Blown Bottle 2 78 77 Shakuhachi 1 79 78 Whistle 1 80 79 Ocarina 1

Synth Lead

81 80 Lead 1 (square) 2 82 81 Lead 2 (sawtooth) 2 83 82 Lead 3 (calliope) 2 84 83 Lead 4 (chiff) 2 85 84 Lead 5 (charang) 2 86 85 Lead 6 (voice) 2 87 86 Lead 7 (fifth) 2 88 87 Lead 8 (bass+Lead ) 2

MIDI Number

Voice

Program Voice Name of Voices

Number

Number Used

Synth Pad

89 88 Pad 1 (new age) 2 90 89 Pad 2 (warm) 2 91 90 Pad 3 (polysynth) 2 92 91 Pad 4 (choir) 2 93 92 Pad 5 (bowed) 2 94 93 Pad 6 (metallic) 2 95 94 Pad 7 (halo) 2 96 95 Pad 8 (sweep) 2

Synth Effects

97 96 FX 1 (rain) 2 98 97 FX 2 (soundtrack) 2 99 98 FX 3 (crystal) 2 100 99 FX 4 (atmosphere) 2 101 100 FX 5 (brightness) 2 102 101 FX 6 (goblins) 2 103 102 FX 7 (echoes) 2 104 103 FX 8 (sci-fi) 2

Ethnic

105 104 Sitar 1 106 105 Banjo 1 107 106 Shamisen 1 108 107 Koto 1 109 108 Kalimba 1 110 109 Bagpipe 2 111 110 Fiddle 1 112 111 Shanai 1

Percussive

113 112 Tinkle Bell 2 114 113 Agogo 1 115 114 Steel Drums 2 116 115 Woodblock 1 117 116 Taiko Drum 1 118 117 Melodic Tom 1 119 118 Synth Drum 1 120 119 Reverse Cymbal 1

Sound Effects

121 120 Guitar Fret Noise 1 122 121 Breath Noise 1 123 122 Seashore 2 124 123 Bird Tweet 2 125 124 Telephone Ring 1 126 125 Helicopter 2 127 126 Applause 2 128 127 Gunshot 1

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Page 64

Appendix: Troubleshooting

Something not working as it should? In many cases what appears to be a malfunction can be traced to a simple error that can be remedied immediately. Before assuming that your PSR-320/420 is faulty, please check the following points.

POSSIBLE CAUSE/SOLUTIONPROBLEM

The speakers produce a “pop” sound whenever the power is turned ON or OFF.

Reduced volume. Poor sound quality. Improper song playback. “Btry Low” sometimes appears. Display has gone out and the panel setting has been set to default.

No sound when the keyboard is played.

This is normal and is no cause for alarm.

The batteries probably need to be replaced. Replace all six batteries with new ones of the same type, as described on page 6.

The Local Control function could be turned off. Make sure Local Control is turned on (page 59).

Not all simultaneously-played notes sound.

Auto accompaniment won’t function properly. No lower keyboard sound.

The selected voice does not sound when the keyboard is played.

Rhythm doesn’t sound when started. Some sections of some styles do not use the accompaniment rhythm track.

Operation of the sustain pedal is reversed.

The desired parameter cannot be edited.

Accompaniment does not play properly.

The Harmony/Dual Voice/Digital Effect function will not turn on.

You are probably exceeding the maximum polyphony of the PSR-320/420. The PSR-320/420 can play up to 28 notes at the same time — including split, dual, autoaccompaniment, song memory, and multi pad notes. Notes exceeding this limit will not sound.

Auto accompaniment won’t sound right if you’re using SINGLE FINGER type fingering when the SINGLE FINGER mode is not selected (page 22).

Are you sure you’re playing in the Auto-Accompaniment section of the keyboard? Are you playing chords that the PSR-320/420 can recognize (see chord types on

page 23)? Make sure that the Keyboard Volume, Split Voice Volume, and/or Dual Voice Volume

parameters are set at an appropriate level (pages 53, 16, and 18).

Sustain pedal operation will be reversed if you turn on the power or plug in the pedal while pressing the pedal. For normal operation turn off the power then turn it back on while the pedal is not pressed.

The cursor is not located at the parameter to be edited. Make sure that the cursor is located at the parameter to be edited (the parameter should be flashing).

Make sure that the accompaniment tracks you want to hear are not muted (page

29), and that the Accomp Volume parameter is turned up to a reasonable level (page 54).

Neither of these functions can be turned ON if a percussion kit voice is selected. Make sure a voice between number 01 and 141 is selected.

The Harmony effect cannot be turned ON when the FINGERED FULL mode is in use.

Make sure that an appropriate Yamaha Music Cartridge is properly plugged into

the cartridge slot (page 44). Cartridge data cannot be selected or cannot be played bac k correctly.

Individual registration or song memory data transmitted via bulk dump from an external sequencer or other device is not received by the PSR-320/420.

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The electrical contacts on the Music Cartridge are affected with dust. Insert and

remove the Music Cartridge several times. This may solve the problem. If the

problem still happens, wipe and clear the electrical contacts on the Music Car-

tridge with a dry soft cloth.

Transmit the data with no more than a 2-second break between blocks, or transmit

as entirely separate data.

Page 65

P ercussion Kit List

*“<——” indicates the content is the same as that of Standard Kit. *The number in parentheses ( ) after the percussion kit name is the MIDI program

number.

*The corresponding MIDI note numbers for the notes listed in the chart below are

actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0).

*Each drum/percussion voice uses one note. *The drum and percussion voices in same alternate group *1–4 can not be played

at the same time.

Note# Note 129: Standard Kit (0) 130: Room Kit (8) 131: Rock Kit (16) 132: Electronic Kit (24)

36 C1 Click (Square wave) <—— <—— <—— 37 C#1 Brush Tap <—— <—— <—— 38 D1 Brush Swirl <—— <—— <—— 39 D#1 Brush Slap <—— <—— <—— 40 E1 Brush Swirl W/Attack <—— <—— Reverse Cymbal 41 F1 Snare Roll <—— <—— <—— 42 F#1 Castanet <—— <—— Hi-Q 43 G1 Snare H Soft Snare Room L Snare Rock L Snare Gate L 44 G#1 Sticks <—— <—— <—— 45 A1 Bass Drum H Soft Bass Drum Room L Bass Drum Rock L Bass Drum Gate L 46 A#1 Open Rim Shot <—— <—— <—— 47 B1 Bass Drum L Bass Drum Room M Bass Drum Rock M Bass Drum Gate M 48 C2 Bass Drum H Hard Bass Drum Room H Bass Drum Rock H Bass Drum Gate H 49 C#2 Closed Rim Shot <—— <—— <—— 50 D2 Snare L Snare Room M Snare Rock M Snare Gate M 51 D#2 Hand Clap <—— <—— <—— 52 E2 Snare H Hard Snare Room H Snare Rock H Snare Gate H 53 F2 Floor Tom L Room Tom 1 Rock Tom 1 Electronic Tom 1 54 F#2 Hi-Hat Closed *1 <—— <—— <—— 55 G2 Floor Tom H Room Tom 2 Rock Tom 2 Electronic Tom 2 56 G#2 Hi-Hat Pedal *1 <—— <—— <—— 57 A2 Low Tom Room Tom 3 Rock Tom 3 Electronic Tom 3 58 A#2 Hi-Hat Open *1 <—— <—— <—— 59 B2 Mid Tom L Room Tom 4 Rock Tom 4 Electronic Tom 4 60 C3 Mid Tom H Room Tom 5 Rock Tom 5 Electronic Tom 5 61 C#3 Crash Cymbal 1 <—— <—— <—— 62 D3 High Tom Room Tom 6 Rock Tom 6 Electronic Tom 6 63 D#3 Ride Cymbal 1 <—— <—— <—— 64 E3 Chinese Cymbal <—— <—— <—— 65 F3 Ride Cymbal Cup <—— <—— <—— 66 F#3 Tambourine <—— <—— <—— 67 G3 Splash Cymbal <—— <—— <—— 68 G#3 Cowbell <—— <—— <—— 69 A3 Crash Cymbal 2 <—— <—— <—— 70 A#3 Vibraslap <—— <—— <—— 71 B3 Ride Cymbal 2 <—— <—— <—— 72 C4 Bongo H <—— <—— <—— 73 C#4 Bongo L <—— <—— <—— 74 D4 Conga H Mute <—— <—— <—— 75 D#4 Conga H Open <—— <—— <—— 76 E4 Conga L <—— <—— <—— 77 F4 Timbale H <—— <—— <—— 78 F#4 Timbale L <—— <—— <—— 79 G4 Agogo H <—— <—— <—— 80 G#4 Agogo L <—— <—— <—— 81 A4 Cabasa <—— <—— <—— 82 A#4 Maracas <—— <—— <—— 83 B4 Samba Whistle H <—— <—— <—— 84 C5 Samba Whistle L <—— <—— <—— 85 C#5 Guiro Short <—— <—— <—— 86 D5 Guiro Long <—— <—— <—— 87 D#5 Claves <—— <—— <—— 88 E5 Wood Block H <—— <—— <—— 89 F5 Wood Block L <—— <—— <—— 90 F#5 Cuica Mute <—— <—— Scratch H 91 G5 Cuica Open <—— <—— Scratch L 92 G#5 Triangle Mute *2 <—— <—— <—— 93 A5 Triangle Open *2 <—— <—— <—— 94 A#5 Shaker <—— <—— <—— 95 B5 Jingle Bell <—— <—— <—— 96 C6 Bell Tree <—— <—— <—— 97 C#6 Voice ‘One’ <—— <—— <—— 98 D6 Voice ‘Two’ <—— <—— <——

99 D#6 Voice ‘Three’ <—— <—— <—— 100 E6 Voice ‘Four’ <—— <—— <—— 101 F6 Voice ‘Are You Sure?’ <—— <—— <——

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Page 66

Per cussion Kit List

Note# Note 133: Analog Kit (25) 134: Jazz Kit (32) 135: Brush Kit (40) 136: Classic Kit (48)

36 C1 <—— <—— <—— <—— 37 C#1 <—— <—— <—— <—— 38 D1 <—— <—— <—— <—— 39 D#1 <—— <—— <—— <—— 40 E1 Reverse Cymbal <—— <—— <—— 41 F1 <—— <—— <—— <—— 42 F#1 Hi-Q <—— <—— <—— 43 G1 Snare Analog L <—— Brush Slap L Snare Classic L 44 G#1 <—— <—— <—— <—— 45 A1 Bass Drum Analog L <—— <—— Gran Casa L 46 A#1 <—— <—— <—— <—— 47 B1 Bass Drum Analog M <—— <—— Gran Casa M 48 C2 Bass Drum Analog H <—— <—— Gran Casa H 49 C#2 Closed Rim Shot Analog <—— <—— <—— 50 D2 Snare Analog M <—— Brush Slap H Snare Classic M 51 D#2 <—— <—— <—— <—— 52 E2 Snare Analog H <—— Brush Tap Snare Classic H 53 F2 Analog Tom 1 Natural Tom 1 Brush Tom 1 Natural Tom 1 54 F#2 Analog Hi-hat Closed 1 *3 Dark Hi-Hat Closed *4 Dark Hi-Hat Closed *4 Dark Hi-Hat Closed *4 55 G2 Analog Tom 2 Natural Tom 2 Brush Tom 2 Natural Tom 2 56 G#2 Analog Hi-hat Closed 2 *3 Dark Hi-Hat Pedal *4 Dark Hi-Hat Pedal *4 Dark Hi-Hat Pedal *4 57 A2 Analog Tom 3 Natural Tom 3 Brush Tom 3 Natural Tom 3 58 A#2 Analog Hi-hat Open *3 Dark Hit Hat Open *4 Dark Hit Hat Open *4 Dark Hit Hat Open *4 59 B2 Analog Tom 4 Natural Tom 4 Brush Tom 4 Natural Tom 4 60 C3 Analog Tom 5 Natural Tom 5 Brush Tom 5 Natural Tom 5 61 C#3 <—— <—— <—— Hand Cymbal Long L 62 D3 Analog Tom 6 Natural Tom 6 Brush Tom 6 Natural Tom 6 63 D#3 <—— <—— <—— Hand Cymbal Short L 64 E3 <—— <—— <—— <—— 65 F3 <—— <—— <—— <—— 66 F#3 <—— <—— <—— <—— 67 G3 <—— <—— <—— <—— 68 G#3 <—— <—— <—— <—— 69 A3 <—— <—— <—— Hand Cymbal Long H 70 A#3 <—— <—— <—— <—— 71 B3 <—— <—— <—— Hand Cymbal Short H 72 C4 <—— <—— <—— <—— 73 C#4 <—— <—— <—— <—— 74 D4 <—— <—— <—— <—— 75 D#4 <—— <—— <—— <—— 76 E4 <—— <—— <—— <—— 77 F4 <—— <—— <—— <—— 78 F#4 <—— <—— <—— <—— 79 G4 <—— <—— <—— <—— 80 G#4 <—— <—— <—— <—— 81 A4 <—— <—— <—— <—— 82 A#4 <—— <—— <—— <—— 83 B4 <—— <—— <—— <—— 84 C5 <—— <—— <—— <—— 85 C#5 <—— <—— <—— <—— 86 D5 <—— <—— <—— <—— 87 D#5 <—— <—— <—— <—— 88 E5 <—— <—— <—— <—— 89 F5 <—— <—— <—— <—— 90 F#5 Scratch H <—— <—— <—— 91 G5 Scratch L <—— <—— <—— 92 G#5 <—— <—— <—— <—— 93 A5 <—— <—— <—— <—— 94 A#5 <—— <—— <—— <—— 95 B5 <—— <—— <—— <—— 96 C6 <—— <—— <—— <—— 97 C#6 <—— <—— <—— <—— 98 D6 <—— <—— <—— <——

99 D#6 <—— <—— <—— <—— 100 E6 <—— <—— <—— <—— 101 F6 <—— <—— <—— <——

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Page 67

MIDI Implementation Chart

[Portable Keyboard] Date: 1995. 3. 23 Model: PSR-320/420 MIDI Implementation Chart Version: 0.112

Function Transmitted Recognized Remarks

Basic Default 1~16 CH 1~16 CH (*0) Channel Changed 1~16 CH 1~16 CH (*0)

Default Mode 3 (*0)

Mode Messages XX

Altered ***************** X

Note 0~127 0~127 Number : True voice ***************** 0~127

Velocity Note on O 9nH, v=1~127 O 9nH, v=1~127

Note off X 9nH, v=0 X 9nH, v=0 or 8nH

After key’s XX Touch Ch’s XX

Pitch Bender OO

Control Change 0, 32 O (*1) O (*1) Bank select MSB, LSB

100, 101 O (*2) O (*2) RPN LSB, MSB

Program O 0~127 O 0~127 Change : True # ***************** 0~127

System Exclusive O (*4) O (*4)

System : Song Position XX

: Song Select XX

Common : Tune XX

1 OOModulation depth

6, 38 OOData entry MSB, LSB

7 OOVolume 10 OOPan 11 OOExpression 64 OOSustain 66 XOSostenuto 84 OOPortamento control 91 OO (*7) Ambience depth 96 XORPN data increment 97 XORPN data decrement

120 OOAll sound off 121 XO (*3) Reset all controllers

System : Clock OO (*5) Real Time: Commands O (*6) X

Aux : Local ON/OFF XX

: All Notes Off XO

Messages: Active Sense OO

: Reset XX

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O: Yes Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X: No

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Page 68

MIDI Implementation Chart

*0 PSR-320/420 functions as 16 MIDI channel multi-timbral tone

generator. The Remote Keyboard channel can be set by the panel settings. The designated channels on the PSR-320/420 can be controlled by an external device and receive all the data excepting the following control change data:

Data entry, MSB, LSB Portamento control RPN data increment RPN data decrement RPN LSB, MSB

*1 Bank select transmission: The LSB is fixed at 00H.

Bank select reception: The bank select MSB is used for melody voice and rhythm voice switching.

MSB 00H: Melody voice. MSB 7FH: Rhythm voice.

The bank select LSB is ignored. The bank select on the channel 10 is ignored. No voice change will occur when only a bank select is received. When a program change is received the latest bank select value is used.

*2 RPN transmits and receives the following data:

Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H Fine tuning: BnH, 64H, 01H, 65H, 00H Coarse tuning: BnH, 64H, 02H, 65H, 00H Null: BnH, 64H, 7FH, 65H, 7FH

*3 Reset all controllers.

Pitch bend, modulation, expression, sustain, sostenuto, and registered parameter number are returned to their default values. Portamento is reset.

*4 Exclusive.

<GM1 System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

All parameters except MIDI Master Tuning are reset to their default values.

<DISK ORCHESTRA ON> F0H, 43H, 73H, 01H, 14H, F7H

Disk Orchestra Collection disk can be played on the PSR320/420 via an external FDD device.

<DISK ORCHESTRA OFF> F0H, 43H, 73H, 01H, 13H, F7H

Allows the volume of all channels to be changed simultaneously (universal system exclusive). “mm” is used as the MIDI Master Volume value (“ll” is ignored). The relation between MIDI Master Volume value and the actual volume is the same as the one between control change master volume value and the actual volume.

The default value for “mm” is 7FH.

F0H, 43H, 1nH, 27H, 30H, 00H, mm, ll, cc, F7H Allows the pitch of all channels to be changed simultaneously. “mmll” is used as the MIDI Master Tuning value, and the actual tuning value is represented as follows:

T=M–128 (28<=M<=228)

Where T is the actual tuning value in cents. M is decimal value represented by 1-byte using bits 0..3 of “mm” as the MSB and bits 0..3 of “ll” as the LSB. The default values of “mm” and “ll” are 08H and 00H,

respectively. n and cc are also recognized. This value is not reset by a GM1 System On or Reset All Controllers message.

<Panel Voice> F0H, 43H, 76H, 1B, cc, vv, F7H

This message alternately selects Panel voice or GM voice.

cc: MIDI channel

vv: 00=GM voice mode, 01=Panel Voice mode The channel designated as the Remote Keyboard channel is fixed to Panel voice mode.

Song Memory: F0H, 43H, 76H, 20H, bl, bh, <DATA>, cs, F7H Registration Memory: F0H, 43H, 76H, 21H, bl, bh, <DATA>, cs, F7H

“bl” and “bh” represent the total byte count as “bl + bh*128”.

cs= Checksum.

*5 Internal/External clock selectable.

*6 Start/Stop messages is transmitted.

*7 Each channel receives the message (in Panel voice mode), but

ignores the message if the channel is in GM voice mode. The relation between the ambience depth value and actual effect value is defined as follows:

0~25:OFF, 26~81:1, 82~121:2, 122~127:3 (MAX)

F0H, 7FH, 7FH, 04H, 01H, II, mm, F7H

■ GM System Level 1

The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices.

The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as “GM System Level 1.” The PSR-320/420 voice allocation complies with the GM System Level 1 standard.

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Page 69

Specifications

Keyboards:

61 standard-size keys (C1-C6) with touch response.

Display:

Large multi-function LCD display

Setup:

Power: ON/OFF Master Volume: MIN-MAX

Control & Ten Keys:

CURSOR ▲▼< >, FUNCTION ▲▼, MODE ▼, [0]–[9], [+/YES], [–/NO]

Cartridge Slot Keyboard Guide Lamps (PSR-420 only) Demo:

Voice Demo: 8 Songs Style Demo: 8 Songs

Mode:

NORMAL, SPLIT, SINGLE, FINGERED

Voice:

AWM128 voices +8 Keyboard Percussion Kits Polyphony: 28 Voice Set Split Voice: Volume, Octave, Pan, Split Point Dual Voice: Volume, Octave, Pan Touch Response: Touch Sensitivity Harmony: 5 types Others: Keyboard Volume, Octave, Pan

Multi Pads:

14 Multi Pad Kits (PSR-420) 11 Multi Pad Kits (PSR-320) 4 Pads+Terminate

SONG:

Song: 3 songs Recording Tracks: ACCOMP, MELODY 1, 2 Edit: Volume, Voice (MELODY TRACK), Song Clear Minus One: 3 Modes

Minus One Right-hand Channel, Minus One Left-hand

Channel Repeat Guide (PSR-420 only)

MIDI:

Remote Channel, Keyboard Out, Song Out, Accompaniment Out, External Clock, Local Control, Initial Data Send, Bulk Data Send

Auxiliary Jacks:

DC IN 10-12V, PHONES, SUSTAIN, MIDI IN/OUT

Amplifiers:

6.0 W + 6.0 W (when using PA-5B AC power adaptor)

4.5 W + 4.5 W (when using batteries) Phones output: 100Ω ±5% Impedance

Speakers:

12cm (4-3/4") x 2

Power Consumption:

26 W (when using PA-5B AC power adaptor)

Auto Accompaniment:

100 styles Accomp Track: RHYTHM, BASS, CHORD, PAD, PHRASE

ACCOMP LARGE/SMALL Accomp Track Settings: ON/OFF, VOICE, VOLUME Accompaniment Control: SYNC-START/STOP, START/

STOP, INTRO, MAIN A/B (AUTO FILL), ENDING Tempo: 32–280 Beat Indicator Fingering (FINGERED Mode): Normal, Full Accompaniment Volume Split Point (Accomp Mode)

One Touch Setting Overall Controls:

Transpose Metronome Lamp (PSR-420 only)

Digital Effect:

4 types (Ambience/Ensemble/Ambience+Ensemble/Sustain)

Registration Memory:

8 Regist Bank: 1–4 ACCOMP FREEZE

Batteries:

Six SUM-1, “D” size, R-20 or equivalent batteries

Rated Voltage:

DC 10-12V

Dimensions (W x D x H):

933 x 372 x 127mm (36-3/4" x 14-5/8" x 5")

Weight:

PSR-320: 5.9 kg (13.0 lbs.) excluding batteries PSR-420: 6.1 kg (13.4 lbs.) excluding batteries

Supplied Accessories:

• Music Cartridge

• Music Stand

• Owner’s Manual

Optional Accessories:

• Headphones HPE-3, HPE-150

• AC Power Adaptor PA-5, PA-5B, PA-5C

• Foot switch FC4, FC5

• Music Cartridge

* Specifications subject to change without notice.

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Page 70

Index

AC power adaptor ................................6

Accomp large/small............................ 28

Accomp out (MIDI transmission) ........58

Accompaniment split point .................30

Accompaniment track (song) ............. 37

Accompaniment volume..................... 54

Ambience (digital effect).....................19

Auto accompaniment ......................... 21

Auto fill ...............................................27

Bass (accompaniment track)..............28

Batteries ...............................................6

Beat indicator .....................................26

Bulk data transmission .......................60

Bulk data reception ............................60

Bulk dump, MIDI.................................60

Cartridge accompaniment style..........45

Cartridge registration..........................48

Cartridge song....................................47

Chord Match (multi Pad) ....................42

Chord (accompaniment track)............ 28

Cleaning ...............................................3

Clearing (song tracks) ........................41

Connectors, MIDI ...........................7, 56

Cursor ................................................10

Data backup ...................................3, 61

Data initialization ................................61

Demo....................................................8

Digital effect .......................................19

Dual voice ..........................................18

Dual voice octave............................... 18

Dual voice pan ...................................18

Dual voice volume.............................. 18

Electrical Interference .......................... 3

Ending (accompaniment section)....... 27

Ensemble (digital effect).....................19

External clock control .........................59

Fill in (accompaniment section)..........27

Fingered .............................................22

Fingering mode ..................................22

Freeze (registration memory)............. 34

Full (Fingered)....................................23

Function .............................................10

GM system level 1..............................67

Guide (PSR-420)................................50

Harmony.............................................31

Initial data send ..................................59

Intro (accompaniment section)........... 25

Keyboard out (MIDI transmission)......58

Keyboard percussion .........................14

Keyboard volume ...............................53

Lamp (PSR-420) ................................55

Local control.......................................59

Main A & B

(accompaniment section) .........25, 27

Master volume......................................8

Measure .............................................40

Melody track (song)............................35

Metronome .........................................55

MIDI....................................................56

MIDI implementation chart ................. 66

Minus one...........................................49

Minus one left-hand channel ..............55

Minus one right-hand channel............55

Mode ..................................................11

Multi Pad Kit .......................................42

Multi pad kit list...................................43

Multi pads...........................................42

Music cartridge...................................44

Music stand ..........................................7

Normal (Fingered) ..............................23

Number buttons..............................9, 13

Octave................................................53

One touch setting ...............................31

Overall function ..................................52

Pad (accompaniment track) ...............28

Pan..................................................... 54

Panel controls ......................................4

Percussion kit list ...............................64

Phones .................................................7

Phrase (accompaniment track) ..........28

Playback (accompaniment & melody) 39

Playback (cartridge song) .................. 47

Playback (demo) ..................................8

Power supply........................................6

POWER switch.....................................8

Recording (song)................................35

Registration bank ...............................33

Registration memory ..........................33

Remote channel .................................57

Repeat play ........................................51

Rewrite (recording song data)............ 41

Rhythm (accompaniment track) .........28

Service & Modification..........................3

SFF (Style File Format)...................... 46

SINGLE ..............................................22

Song out (MIDI transmission).............58

Specifications .....................................68

Split point (Split mode) .......................16

Split voice........................................... 15

Split voice octave ...............................16

Split voice pan.................................... 16

Split voice volume ..............................16

Start/stop...................................... 25, 27

Stop accompaniment function............ 27

Straight start....................................... 25

Style selection ....................................24

Sustain (digital effect).........................19

Sustain (pedal) .....................................7

Synchro start ......................................26

Tempo control ....................................24

Touch response .................................17

Touch sensitivity.................................54

Tracks (auto accompaniment)............28

Transpose ..........................................20

Troubleshooting .................................63

Voice & polyphony list ........................62

Voice selection ...................................12

Voice set ............................................54

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Page 71

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

NOTE:

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to

• This applies only to products distributed by Yamaha Corporation of America.

the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

• Relocate either this product or the device that is being affected by the interference.

• Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

• In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

Page 72

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a

tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________ (Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division 6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

EXCLUSIONS

Page 73

VT41840 ???PO???.?-02B0 Printed in China

Page 74

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Yamaha Audio PSR-420, PSR-320 User Manual

Specifications and Main Features

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User Manual