Yamaha Audio PSR-290 User Manual

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and head­phones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before dam­age occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a func­tion or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmen­tally friendly. We sincerely believe that our products and the production meth­ods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applica­ble) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batter­ies in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or
another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equip­ment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause inter­ference harmful to the operation of other electronic devices. Compliance
with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corpora­tion of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
(standby)
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam­melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
(battery)
(class B)
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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (PA-3C or PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
• Unplug the AC power adaptor when not using the instrument, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Battery
• Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.
• Do not dispose of batteries in fire.
4
• Do not attempt to recharge batteries that are not intended to be charged.
• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
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• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Saving data
Saving and backing up your data
• Saved data may be lost due to malfunction or incorrect operation. Save important data to external media such as the Yamaha MDF3 MIDI data filer.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your instrument.
Regarding the song (or composition) “Just The Way You Are” included in this keyboard
Composition Title : Just The Way You Are Composer’s Name : Billy Joel Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD CAUTION : All Rights Reserved, Unauthorised copying, public performance and broadcasting are strictly prohibited.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• Windows is the registered trademark of Microsoft
®
Corporation.
All other trademarks are the property of their respective holders.
(4)-8 2/2
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Congratulations on your purchase of the Yamaha PSR-290 PortaTone!
You now own a portable keyboard that combines advanced functions, great sound
and exceptional ease-of-use in a highly compact package. Its outstanding features
also make it a remarkably expressive and versatile instrument.
Read this Owner’s Manual carefully while playing your new PSR-290 in order to
take full advantage of its various features.

Main Features

The PSR-290 is a sophisticated yet easy-to-use keyboard with the following features and functions:
Stereo Sampled Piano .......................................................................... page 20
The PSR-290 has a special Portable Grand Piano Voice — created by state-of-the-art stereo sampling technol­ogy and using Yamaha’s sophiscated AWM (Advanced Wave memory) tone generation system.
Touch Response.................................................................................... page 30
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives you maxi­mum expressive level control over the voices. It also works in conjunction with the Dynamic Filter, which dynamically adjusts the timbre or tone of a voice according to your playing strength — just a like a real musical instrument!
Yamaha Education Suite......................................................... pages 43, 45, 61
The PSR-290 features the new Yamaha Education Suite — a set of learning tools that utilize the latest technol­ogy to make studying and practicing music more fun and fulfilling than ever before!
One Touch Setting................................................................................. page 28
The One Touch Setting feature lets you automatically call up an appropriate voice for playing with the selected style. Each style has memory space for two One Touch Settings, and you can change them to your own desired voice setting — letting you save your custom panel settings for instant recall.
Powerful Speaker System
The built-in stereo amplifier/speaker system of the PSR-290 — with a special Bass Boost feature — provides exceptionally powerful, high-quality sound, letting you hear the full dynamic range of the PSR-290’s authentic voices.
Music Database ..................................................................................... page 48
The PSR-290 has an advanced, easy-to-use Music Database feature that automatically selects the style, voice, and effect settings for playing in a specific type of music. This can be a big help if you know what genre of music you want to play, but you don’t know what settings to make. Just select the genre, and the PSR-290 takes care of the rest!
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format. Natu­rally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.
6

Contents

Panel Controls and Terminals ........................8
Setting Up....................................................... 10
• Power Requirements ........................................10
• Turning On the Power.......................................11
• Accessory Jacks ...............................................11
Quick Guide 12
Step 1 Voices ........................................................... 12
Step 2 Songs............................................................ 14
Step 3 Music Database............................................. 16
Panel Display Indications .............................18
Portable Grand............................................... 20
• Playing the Portable Grand...............................20
• Using the Metronome .......................................20
DJ .................................................................... 22
• Playing the DJ...................................................22
Playing Voices ...............................................23
• Playing a Voice .................................................23
• #000 OTS .........................................................26
• Dual Voice ........................................................26
• Split Voice.........................................................27
• Setting the Split Point .......................................27
• One Touch Setting............................................28
• Transpose and Tuning......................................29
• Touch and Touch Sensitivity.............................30
Effects............................................................. 31
• Harmony ...........................................................31
• Reverb ..............................................................31
• Chorus ..............................................................32
• DSP ..................................................................32
Selecting and Playing Styles ........................ 35
• Selecting a Style ...............................................35
• Playing the Styles .............................................36
• Sync Stop .........................................................40
• Changing the Tempo ........................................41
• Accompaniment Sections (Main A/B and Fill-ins). 42
• Adjusting the Style Volume...............................42
• Using Auto Accompaniment — Multi Fingering 43
• Dictionary..........................................................45
Using the Music Database ............................ 48
• Data stored by the Music Database..................50
Selecting and Playing Songs ....................... 51
• Selecting a Song.............................................. 51
• Playing the Songs ............................................ 53
• A-B Repeat ...................................................... 54
• Melody Voice Change...................................... 55
• Adjusting the Song Volume.............................. 55
Song Recording............................................. 56
• Recording a User Song.................................... 56
• Song Clear ....................................................... 59
• Track Clear ...................................................... 60
Song Lesson.................................................. 61
• Using the Lesson Feature................................ 61
• Select the Lesson Track .................................. 63
• Lesson 1 — Timing .......................................... 63
• Lesson 2 — Waiting......................................... 64
• Lesson 3 — Minus One ................................... 64
• Lesson 4 — Both Hands .................................. 65
• Grade ............................................................... 65
MIDI Functions............................................... 66
• What Is MIDI? .................................................. 66
• Connecting to a Personal Computer................ 68
• Local Control.................................................... 69
• Using Initial Setup Send with a Sequencer...... 69
• External Clock.................................................. 69
• Bulk Data Send ................................................ 69
• Keyboard Out................................................... 70
• Style Out .......................................................... 70
• Song Out.......................................................... 70
• Loading a Song into PSR-290’s Flash Memory71
• PC Mode .......................................................... 73
Function ......................................................... 74
• Using the Function parameters........................ 74
Troubleshooting ............................................ 77
Data Backup & Initialization ......................... 78
Voice List ....................................................... 79
Style List ........................................................ 86
Music Database List...................................... 87
Drum Kit List.................................................. 88
MIDI Implementation Chart........................... 90
Effect map ...................................................... 92
Specifications ................................................ 93
Index ............................................................... 94
7

Panel Controls and Terminals

Front Panel
@2
!3
!4
@4 @6@3
u i
e r t y
!0o!1 !2
q
w
@1
q Power switch ([STANDBY/ON]) w [MASTER VOLUME] dial
This determines the overall volume of the PSR-290.
e [TOUCH] button
This turns the Touch function on and off. (See page
30.)
r [HARMONY] button
This turns the Harmony effect on and off. (See page
31.)
t [DUAL] button
This turns the Dual voice on or off. (See page 26.)
y [SPLIT] button
This turns the Split voice on and off. (See page 27.)
u [DICTIONARY] button
This calls up the Dictionary function (page 45).
i [DJ] button
This instantly calls up a special DJ voice and style.
o [PC] Button
This exceptionally convenient control lets you store and instantly call up the specified MIDI settings for optimum use with a connected computer or other MIDI device. (See page 73.)
LESSON [L] (Left) and [R] (Right) buttons
!0
These call up the Lesson exercises for the correspond­ing hand (left or right) for the selected song. (See page 62.)
8
GrandPno
001
@5 @7
@0
!5
001092
!6 !7 !8
@8 @9
!9
!1 [METRONOME] button
This turns the metronome on and off. (See page 20.)
!2 [PORTABLE GRAND] button
This instantly calls up the Grand Piano voice. (See page 12.)
!3 [DEMO] button
This is used to play the Demo song. (See page 14.)
!4 [FUNCTION] Button
This calls up the Function mode and stores the speci­fied panel setting to the flash memory (see pages 74,
78).
!5 [SONG] button
This is for enabling song selection. (See page 51.)
!6 [STYLE] button
This is for enabling style selection. (See page 35.)
!7 [VOICE] button
This is for enabling voice selection. (See page 23.) Holding down this button calls up the Melody Voice Change function. (See page 55.)
!8 [M.D.B.] (MUSIC DATABASE) button
This calls up the optimum panel settings for selected music genre. (See page 48.)
!9 Dial, CATEGORY [ ]/[ ] buttons,
SELECT [ ]/[ ] buttons
>
<
f
r
This dial is used to select the number of the desired song, voice, style or M.D.B.. (See page 24.) This also used to set the Tempo and Function value. The CATEGORY [ ]/[ ] buttons are used to select
f
r
Panel Controls and Terminals
the category of songs, voices, styles, M.D.B. or Func­tions. Pressing the buttons steps through the various categories. The SELECT [ ]/[ ] buttons are used to decrease or increase the number of the desired song, voice, style, M.D.B., or specific Function, as well as to adjust certain settings.
>
<
@0 Numeric keypad, [+/YES] and [-/NO] but-
tons
These are used for selecting songs, voices, and styles. (See pages 24.) They are also used for adjusting cer­tain settings and answering certain display prompts.
@1 [ACMP] / [A-B REPEAT] button
When the Style mode is selected, this turns the auto accompaniment on and off. (See page 36.) In the Song mode, this calls up the A-B Repeat function. (See page 54.)
@2 [SYNC STOP] button
This turns the Sync Stop function on and off. (See page 40.)
@3 [SYNC START] / [PAUSE] button
This turns the Sync Start function on and off. (See page 37.) In the Song mode, it is used to temporarily pause song playback. (See page 53.)
@4 [INTRO ENDING] / [REW
When the Style mode is selected, this is used to con­trol the Intro and Ending functions. (See page 36.) When the Song mode is selected, this is used as a
rrrr] button
“rewind” control, or move the song playback point back toward the beginning.
@5 [MAIN/AUTO FILL] / [FF
When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function. (See page 42.) When the Song mode is selected, this is used as a “fast forward” con­trol, or move the song playback point toward the end.
ffff] button
@6 [START/STOP] button
When the Style mode is selected, this alternately starts and stops the style. (See page 36.) In the Song mode, this alternately starts and stops song playback. (See page 54.)
@7 [TEMPO/TAP] button
This button is used to call up the Tempo setting, let­ting you set the Tempo with the dial, numeric keypad or [+]/[-] buttons. (See page 20.) It also allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. (See page 37.)
@8 ONE TOUCH SETTING buttons
These buttons ([MEMORY], [1], [2]) are used to select the One Touch Setting registrations. (See page
28.)
@9 SONG MEMORY buttons
These buttons ([REC], [1] - [5], [A]) are used for song recording, letting you record up to six different tracks of a song (including a special Chord track). (See page
57.)
Rear Panel
#0
#0 MIDI IN, OUT terminals
These are for connection to other MIDI instruments and devices. (See page 67.)
#1 SUSTAIN jack
This is for connection to an optional FC4 or FC5 Footswitch for control over sustain, just like the damper pedal on a piano. (See page 11.)
#1 #2
#2 PHONES/OUTPUT jack
This is for connection to a set of stereo headphones or to an external amplifier/speaker system. (See page
11.)
#3 DC IN 12V jack
This is for connection to a PA-3C or PA-3B AC power adaptor. (See page 10.)
#3
9

Setting Up

-
This section contains information about setting up your PSR-290 for playing. Make sure to read this section carefully before using the instrument.

Power Requirements

Although the PSR-290 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
• Never interrupt the power sup­ply (e.g. remove the batteries or unplug the AC adaptor) dur­ing any PSR-290 record opera­tion! Doing so can result in a loss of data.
• Never attempt to turn the power off when a “WRITING!” message is shown in the dis­play. Doing so can damage the internal flash memory and result in loss of data.
Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • • • • • •
q Make sure that the [STANDBY/ON] switch of the PSR-290 is set to
STANDBY.
w Connect the AC adaptor (PA-3C, PA-3B, or other adaptor specifically recom-
mended by Yamaha) to the power supply jack.
e Plug the AC adaptor into an AC outlet.
we
Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For battery operation the PSR-290 requires six 1.5V “D” size, R20P (LR20) or equivalent batteries. (Alkaline batteries are recommended.) When the batteries need to be replaced, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries, as described below
q Open the battery compartment cover located on the instrument’s bottom panel. w Insert the six new batteries, being careful to follow the polarity markings on
the inside of the compartment.
e Replace the compartment cover, making sure that it locks firmly in place.
• Use ONLY a Yamaha PA-3C or PA-3B AC Power Adaptor (or other adaptor specifically rec­ommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irrepa­rable damage to both the adap tor and the PSR-290.
• Unplug the AC Power Adaptor when not using the PSR-290, or during electrical storms.
• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new bat­teries.
• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
• If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.
10

Turning On the Power

• Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the mini­mum level. When you are not using the PSR-290 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
• Never attempt to turn the power off when a “WRITING!” message is shown in the display. Doing so can damage the internal flash memory and result in loss of data.
-
With the AC power adaptor connected or with batteries installed, simply press the power switch until it locks in the ON posi­tion. When the instrument is not in use, be sure to turn the power off. (Press the switch again so that it pops up.)

Accessory Jacks

Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For private practicing and playing without dis­turbing others, connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. Sound from the built-in speaker system is auto­matically cut off when you insert a headphone plug into this jack.
Setting Up
Connecting a Keyboard Amplifier or Stereo System • • • • • • •
Though the PSR-290 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the PSR-290 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the PSR-290.
Using a Footswitch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices. The footswitch functions the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the keyboard to sustain the sound.
Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • •
The PSR-290 also features MIDI terminals, allowing you to interface the PSR-290 with other MIDI instruments and devices. (For more infor­mation, see page 67.)
Stereo System
MIDI
instrument
To prevent damage to the speakers, set the volume of the external devices at the mini­mum setting before connect­ing them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and grad ually raise the volume controls while playing the instrument to set the desired listening level.
• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
11

Quick Guide

Step 1 Voices

q
GrandPno
001
001092
zz qr
Playing the Piano
Simply by pressing the [PORTABLE GRAND] button, you can automatically select the Grand Piano voice.
z
Press the [PORTABLE GRAND] button.
z
Playing along with the Metronome
Press the [METRONOME] button.
w
x
Play the keyboard.
Panel Voice List
No. Voice Name
001 Grand Piano 002 Bright Piano 003 Honky-tonk Piano 004 MIDI Grand Piano 005 CP 80 006 Harpsichord
007 Galaxy EP 008 Funky Electric Piano 009 010 Hyper Tines 011 Venus Electric Piano 012 Clavi
12
PIANO
E.PIANO
DX Modern Elec. Piano
GrandPno
001
Want to find out more? See page 20.
No. Voice Name
ORGAN
013 Jazz Organ 1 014 Jazz Organ 2 015 Click Organ 016 Bright Organ 017 Rock Organ 018 Purple Organ 019 16'+2' Organ 020 16'+4' Organ 021 Theater Organ 022 Church Organ 023 Chapel Organ 024 Reed Organ
No. Voice Name
025 026 Musette Accordion 027 Bandoneon 028 Harmonica
029 Classical Guitar 030 Folk Guitar 031 12Strings Guitar 032 Jazz Guitar 033 Octave Guitar 034 Clean Guitar 035 60’s Clean Guitar 036 Muted Guitar 037 Overdriven Guitar
ACCORDION
Traditional Accordion
GUITAR
Want to find out more? See page 20.
* This list includes only a portion of the total available voices.
No. Voice Name
038 Distortion Guitar
BASS
039 Acoustic Bass 040 Finger Bass 041 Pick Bass 042 Fretless Bass 043 Slap Bass 044 Synth Bass 045 Hi-Q Bass 046 Dance Bass
STRINGS
047 String Ensemble 048 Chamber Strings 049 Synth Strings 050 Slow Strings
No. Voice Name
051 Tremolo Strings 052 Pizzicato Strings 053 Orchestra Hit 054 Violin 055 Cello 056 Contrabass 057 Banjo 058 Harp
CHOIR
059 Choir 060 Vocal Ensemble 061 Vox Humana 062 Air Choir
Step 1 Voices
Selecting and Playing Other Voices
The PSR-290 has a huge total of 605 dynamic and realistic instrument voices. Let’s try a few of them out now...
q
Press the [VOICE] button.
w
Select a voice.
or
BritePno
002
• You can also select the appropriate category
GrandPno
001
by using the [ ]/[ ] buttons.
e
Play the keyboard.
f
r
Want to find out more? See page 23.
Playing with the DJ Feature
The exciting new DJ feature gives you a full variety of dance and DJ sounds — letting you create your own real-time mixes and groove along with various contemporary rhythms.
q
Press the [DJ] button.
DJ Set 1
000
w
Play the DJ style.
Accompaniment
area
The DJ starts as soon as you play keys in the accompa­niment area of the keyboard.
No. Voice Name
SAXOPHONE
063 Soprano Sax 064 Alto Sax 065 Tenor Sax 066 Breathy Tenor 067 Baritone Sax 068 Oboe 069 English Horn 070 Bassoon 071 Clarinet
TRUMPET
072 Trumpet 073 Muted Trumpet 074 Trombone
No. Voice Name
075 Trombone Section 076 French Horn 077 Tuba
BRASS
078 Brass Section 079 Big Band Brass 080 Mellow Horns 081 Synth Brass 082 Jump Brass 083 Techno Brass
FLUTE
084 Flute 085 Piccolo 086 Pan Flute
e
r
No. Voice Name
087 Recorder 088 Ocarina
SYNTH LEAD
089 Square Lead 090 Sawtooth Lead 091 Voice Lead 092 Star Dust 093 Brightness 094 Analogon 095 Fargo
SYNTH PAD
096 Fantasia 097 Bell Pad 098 Xenon Pad
Play the DJ voices.
Stop the DJ style.
No. Voice Name
099 Equinox 100 Dark Moon
PERCUSSION
101 Vibraphone 102 Marimba 103 Xylophone 104 Steel Drums 105 Celesta 106 Tubular Bells 107 Timpani 108 Music Box
DRUM KITS
109 Standard Kit 1 110 Standard Kit 2
Want to find out more? See page 22.
No. Voice Name
111 Room Kit 112 Rock Kit 113 Electronic Kit 114 Analog Kit 115 Dance Kit 116 Jazz Kit 117 Brush Kit 118 Symphony Kit 119 SFX Kit 1 120 SFX Kit 2
13
Quick Guide

Step 2 Songs

zx
GrandPno
001
xcr
z
001092
w
xq
Playing the Songs
The PSR-290 is packed with a total of 100 songs, including one Demo song — which has been specially created to show­case the rich and dynamic sounds of the instrument. There are also 99 additional songs, designed to be used with the edu­cational Lesson feature. You can also play songs loaded to the PSR via MIDI. The songs can be stored to song numbers 101-199. (See page 71.)
Playing the Demo song
Let’s play the Demo song now, Repeating with #001.
Start the Demo song.
z
Just You
001
You can also play back songs of other categories. Simply select the appropriate number of the desired song during playback.
x
Stop the Demo song.
or
• The PSR-290 also has a Demo and DJ Cancel function that allows you to disable Demo song and DJ function. Set Demo and DJ Cancel in the Function mode (page 76).
Playing a single song
Naturally, you can also individually select and play back the PSR-290’s songs (001 - 205).
z
Press the [SONG] button.
Just You
001
x
Select a song.
or
• You can also select the appropriate category by using the [ ]/[ ] buttons.
c
Start (and stop) the song.
B Bailey
002
f
r
14
Want to find out more? See page 51.
Step 2 Songs
Recording Your Own Song
Much like a multi-track tape recorder, the PSR-290 lets you play and record the individual parts of your own song in real time.
e
q
Select the desired User song (201 - 205) for recording.
or
User 2
202
• You can also select the appropriate category by using the [ ]/[ ] buttons.
w
Simultaneously hold down the [REC] button and press
f
r
the desired track number button ([1] - [5]).
Start recording by playing a melody on the keyboard.
The PSR-290 starts recording as soon as you play the first note on the keyboard.
r
To stop recording, press the [START/ STOP] button.
User 2
202
Song List
No. Song Name
001 Just The Way You Are
002 Bill Bailey (Won’t You Please
003 When Irish Eyes Are Smiling 004 Down By The Riverside 005 America The Beautiful 006 When The Saints Go
007 Frühlingsstimmen 008 Danse Des Mirlitons From
009 “Orphée Aux Enfers” Ouver-
010 Slavonic Dances No.10 011 La Primavera (From Le Quat-
012 Méditation De Thais 013 Guillaume Tell 014 Camptown Races 015 Frühlingslied 016 Ungarische Tänze Nr.5
017 Dolly’s Dreaming And Awak-
018 La Candeur 019 Arabesque 020 Pastorale 021 Petite Réunion 022 Innocence
Demo
Favorites
Come Home)
Marchin’ In
Orchestra
“The Nutcracker”
ture
tro Stagioni)
Pianist
ening
No. Song Name
023 Progrès 024 Tarentelle 025 La Chevaleresque 026 Etude Op.10-3 “Chanson De
L’adieu” 027 Marcia Alla Turca 028 Turkish March 029 Valse Op.64-1 “Peiti Chien” 030 Menuett 031 Nocturne Op.9-2 032 Moments Musicaux Op.94-3 033 The Entertainer 034 Prelude (Wohltemperierte
Klavier 1-1) 035 La Viollette 036 Für Elise
037 Little Brown Jug 038 Loch Lomond 039 Oh! Susanna 040 Greensleeves 041 Aura Lee 042 Londonderry Air 043 Ring De Banjo 044 Wenn Ich Ein Vöglein Wär ? 045 Die Lorelei 046 Funiculi-Funicula 047 Turkey In The Straw 048 Old Folks At Home 049 Silent Night 050 Jingle Bells
Practice
Want to find out more? See page 56.
No. Song Name
051 Muss I Denn 052 Liebesträume Nr.3 053 Jesu, Joy Of Man’s Desiring 054 Symphonie Nr.9 055 Song Of The Pearl Fisher 056 Gavotte 057 String Quartet No.17 2nd
Mov. “Serenade” 058 Menuett 059 Canon 060 The Danube Waves 061 From “The Magic Flute” 062 Piano Sonate Op.27-2
“Mondschein” 063 “The Surprise” Symphony 064 To A Wild Rose 065 Air de Toréador “Carmen” 066 O Mio Babbino Caro (From
“Gianni Schicchi”)
067 Row Row Row Your Boat 068 On Top Of Old Smoky 069 We Wish You A Merry Christ-
070 Scarborough Fair 071 Im Mai 072 O Christmas Tree 073 Mary Had A Little Lamb 074 Ten Little Indians 075 Pop Goes The Weasel 076 Twinkle Twinkle Little Star
Duet
mas
No. Song Name
077 Close Your Hands, Open
Your Hands 078 The Cuckoo 079 O Du Lieber Augustin 080 London Bridge
081 Twinkle Twinkle Little Star 082 Close Your Hands, Open
083 The Cuckoo 084 O Du Lieber Augustin 085 London Bridge 086 American Patrol 087 Beautiful Dreamer 088 Battle Hymn Of The Republic 089 Home Sweet Home 090 Valse Des Fleurs (From “The
091 Aloha Oe 092 I’ve Been Working On The
093 My Darling Clementine 094 Auld Lang Syne 095 Grandfather’s Clock 096 Amazing Grace 097 My Bonnie 098 Yankee Doodle 099 Joy To The World 100 Ave Maria
Chord Lesson
Your Hands
Nutcracker”)
Railroad
15
Quick
Accompaniment
area
Left hand
Auto accompaniment
(for example, bass + guitar + drums)
Right hand
Melody
+
r
Guide

Step 3 Music Database

zb
Music Database
GrandPno
001
001092
v z
x
Here’s a convenient feature that lets you instantly reconfigure the PSR-290 for playing in different music styles. If you want to per­form in a certain genre but don’t know what settings to make, simply select the genre from the Music Database — and the PSR­290 makes all the right settings for you!
• For more infomation on playing proper chords for the auto accompa­niment, see “Using Auto Accompaniment — Multi Fingering” on page 43 and “Looking up Chords in the Dictionary” on the next page.
z
Press the [M.D.B.] (MUSIC DATABASE) button.
x
Select a Music Database.
Refer to the Music Database List on page 87.
AlvFever
001
• You can also select the appropriate category by using the [ ]/[ ] buttons.
f
or
Croco Rk
002
16
Step 3 Music Database
Looking up Chords in the Dictionary
The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example below, we’ll learn how to play a GM7 chord...
c
Keys for entering
the chord
(C1 – B2)
Keys for entering
the chord type
(C3 – B4)
Keys for entering
the chord root
(C5 – B5)
Specify the chord type of the chord (in this case, M7).
Learning how to play a specific chord
Example:
GM7
Root note Chord type
z
Press the [DICTIONARY] button.
Dict.
x
Specify the root note of the chord (in this case, G).
v
Play the notes of the chord as indicated in the keyboard diagram in the display. The chord name flashes when the chord is played prop­erly.
Chord area
b
To leave the Dictionary function, press the [DICTIONARY] button again
Want to find out more? See page 45.
c
Play a chord with your left hand.
The style starts as soon as you play the keyboard, letting you play the melody along with accompani­ment. For more on chords, see “Looking up Chords in the Dictio­nary” above.
v
Stop the style.
Want to find out more? See page 48.
Accompaniment
area
17

Panel Display Indications

The PSR-290 features a large multi-function display that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display.
q Notation
e Beat marks
!4 Octave indicator
GrandPno
001
w Keyboard
q Notation / w Keyboard
These two portions of the display conveniently indi­cate notes. When a song is being played back, they show the melody or chord notes in succession. When you play the keyboard yourself, the display shows the notes you play.
r Song/Voice/Style/M.D.B.
name and number
092 001
t Touch indicator y Harmony indicator u Dual indicator i Split indicator o Accompaniment On
indicator
!0 Sync Stop indicator
!1 Measure and Tempo
!2 Chord !3 Song track
indicators
t Touch indicator
This appears when the Touch function is turned on. (See page 30.)
y Harmony indicator
This appears when the Harmony effect is turned on. (See page 31.)
• For a few specific chords, not all notes may be shown in the nota­tion section of the display. This is due to space limitations in the display.
e Beat marks
These marks (one large, three small) flash in sequence and in time with the song or style. The large arrow indicates the first beat of the measure.
Song/Voice/Style/M.D.B. name and number
r
This portion of the display indicates the name and number of the currently selected song, voice, style or M.D.B. It also displays the category name when using the category button, or the name and current set­ting/value of other functions, as well as other impor­tant operation messages.
18
u Dual indicator
This appears when the Dual function is turned on. (See page 26.)
i Split indicator
This appears when the Split function is turned on. (See page 27.)
o Accompaniment On indicator
This appears when the auto accompaniment is turned on. (See page 36.)
Panel Display Indications
!0 Sync Stop indicator
This appears when the Sync Stop function is turned on. (See page 40.)
!1 Measure and Tempo
These show the current measure during playback of a song or style, and the currently set Tempo value for the song or style.
!2 Chord
When a song (with chords) is being played back, this indicates the current chord root and type. It also indi­cates chords played in the ACMP area of the keyboard when the Style mode and auto accompaniment are on.
!3 Song track indicators
In song recording and playback, these indicate the sta­tus of the tracks. (See page 57.)
!4 Octave indicator
When note data exceeds the range limit of note dis­play, the “8va” indication appears in the display.
Music Stand
Insert the bottom edge of the included music stand into the slot located at the top rear of the PSR-290 control panel.
19

Portable Grand

This convenient function lets you instantly call up the Grand Piano voice.

Playing the Portable Grand

Press the [PORTABLE GRAND] button.
GrandPno
001
Doing this automatically selects the special “Stereo Sampled Piano” Grand Piano voice.

Using the Metronome

1 Call up the Tempo setting.
Press the [TEMPO/TAP] button.
TEMPO
148
Current Tempo value
2 Change the value.
Use the dial or numeric keypad to set the desired Tempo value, or use the [+]/[-] buttons to increase or decrease the value.
or
148
Restoring the Default Tempo Value
Each song and style has been given a default or standard Tempo setting. If you’ve changed the Tempo, you can instantly restore the default setting by pressing both [+]/[-] buttons simultaneously (when Tempo is selected).
You can also restore the default Tempo easily by simultaneously holding the [TEMPO/TAP] button and moving the dial.
20
3
Turn on the Metronome.
Press the [METRONOME] button.
Portable Grand
1148
To turn the Metronome off, press the [METRONOME] button again.
Setting the Metronome Time Signature
The time signature of the Metronome can be set to var­ious quarter-note based meters.
The Time Signature can be set in the Function mode (page 76).
• The time signature changes automatically when a style or song is selected.
Numeric keypad
01 1/4 — Plays only “1” beats (all high clicks) 02 2/4 03 3/4 04 4/4
15 15/4
Time signature
: :
0 Plays no “1” beats (all low clicks)
Indicates the beat number in the measure.
Time Sig
04
Indicates current beat number.
Adjusting the Metronome Volume
You can adjust the volume of the Metronome sound in the Function mode (page 76). The volume range is 000 -
127.
21
DJ
This exciting feature lets you instantly call up a dynamic DJ voice and style for playing contem­porary dance music.

Playing the DJ

1 Press the [DJ] button.
• The PSR-290 has a Demo song and DJ Cancel function that
DJ Set 1
000
Doing this automatically resets the entire instrument for playing the spe­cially programmed DJ voice.
allows you to disable Demo song and DJ function. Set Demo and DJ Cancel in the Function mode (page 76).
2 Play the DJ style.
Play keys in the accompaniment area of the keyboard.
Accompaniment
area
3 Play the DJ voices.
Play the upper area of the keyboard.
4 Stop the DJ style.
• When the DJ style is selected, the accompaniment is triggered by only the root of the chord, let­ting you play with one finger.
22
For example, when 601 “DJ Set 1” is selected:
Accompaniment area
(C1 – F#2)
Ohh2 FX02
C3
Joo
Reverse
Huea
Huihu
FXTBrs
GetUp
Ohh1
Go
Scratch 2
Scratch 1
Scratch 3
Scratch 4
Scratch 5

Playing Voices

The PSR-290 features a total of 605 authentic voices — all of which have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. These include 480 XG voices and drum kits. The PSR-290 also has a Dual Voice or Split Voice function that lets you combine two different voices in a layer, or play from separate areas of the keyboard, play the two together across the keyboard.

Playing a Voice

1 Press the [VOICE] button.
Voice name and number
GrandPno
001
2 Select the desired voice number.
The categories of each voice and their numbers are shown on the panel. A complete voice list of the available voices is given on page 79.
Use the CATEGORY [ ]/[ ] buttons, dial or the SELECT [ ]/ [ ] buttons.
<
Select the voice CATEGORY
Using the CATEGORY [ ]/[ ] button jumps through the voice num­bers according to their category divisions.
f
f
r
r
• Selecting the #000 OTS voice calls up a convenient feature — automatically selecting an appro­priate voice to best match the current style or song.
>
Category name
GUITAR
23
Playing Voices
Select the voice number
Select a voice by using the dial or the SELECT [ ]/[ ] buttons.
>
<
Jazz Gtr
032
Use the numeric keypad.
There are two ways to select voices: 1) directly entering the voice number with the numeric keypad, or 2) using the [+]/[-] buttons to step up and down through the voice numbers.
Using the numeric keypad
Enter the digits of the voice number as listed on page 79. For example, to select voice #109, press “1” on the numeric keypad, then “0”, “9.” For voice numbers beginning with zeroes (such as #042 or #006), the initial zeroes may be omitted. In this case, there is a short pause before the indi­cation appears.
Std.Kit1
109
Using the [+]/[-] buttons
Press the [+] button to select the next voice number, and press the [-] but­ton to select the previous voice. Holding down either button continuously scrolls up or down through the numbers.
• Each voice is automatically called up with the most suitable octave range setting. Thus, play­ing middle C with one voice may sound higher or lower than another voice at the same key.
24
3
Play the selected voice.
Since either the Style, Song or M.D.B. mode is active in the background, you can also play styles, songs or M.D.B., respectively, in the Voice mode by simply pressing the [START/STOP] button. The last selected style, song or M.D.B. will be played.
Playing Voices
The following par
ameteres can be set in the Function mode (page 75).
CATEGORY SELECT
Main Voice Volume
Octave Pan Reverb Send Level Chorus Send Level DSP Send Level
Drum Kit Voice List (voices 109-120)
When one of the 12 Drum Kit voices is selected, you can play different drum and percussion instrument sounds from the keyboard.
• For more details, see page 88.
No. Name LCD
109 Standard Kit 1 Std.Kit1 110 Standard Kit 2 Std.Kit2 111 Room Kit Room Kit 112 Rock Kit Rock Kit 113 Electronic Kit Elct.Kit 114 Analog Kit AnlogKit 115 Dance Kit DanceKit 116 Jazz Kit Jazz Kit 117 Brush Kit BrushKit 118 Symphony Kit SymphKit 119 SFX Kit 1 SFX Kit1 120 SFX Kit 2 SFX Kit2
For example, when 109 “Standard Kit 1” is selected:
Ride Cymbal 1
Crash Cymbal 1
C3
High Tom
Splash Cymbal
Chinese Cymbal
Ride Cymbal Cup
Brush Swirl
Seq Click H
Brush Slap
Brush Tap
Brush Tap Swirl
Snare Roll
Snare H Soft
Bass Drum Soft
Castanet
Sticks
Bass Drum Hard
Open Rim Shot
Side Stick
Snare M
Bass Drum
Snare H Hard
Hand Clap
Floor Tom L
Floor Tom H
Hi-Hat Pedal
Hi-Hat Closed
Low Tom
Mid Tom L
Hi-Hat Open
Mid Tom H
Tambourine
Cowbell
Ride Cymbal 2
Crash Cymbal 2
Vibraslap
Bongo L
Bongo H
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Cabasa
Agogo H
Samba Whistle H
Agogo L
Maracas
Samba Whistle L
Guiro Short
Guiro Long
Wood Block L
Wood Block H
Claves
Cuica Open
Cuica Mute
Triangle Mute
Jingle Bell
Triangle Open
Shaker
Bell Tree
25
Playing Voices

#000 OTS

This special “voice” is actually a convenient feature which automatically selects a suitable voice for you when you select a style. The voice is selected to best match the style or song you’ve called up.
Select voice #000 (OTS).
#000 OTS is selected.
or
GrandPno
000

Dual Voice

The Dual Voice function lets you combine two different voices in a layer — one the Main voice, which is selected normally, and the other the Dual voice, which is selected in the Function mode (pa independently for these voices, such as giving them separate volume, octave, Pan, Reverb, Chorus, and DSP settings. This lets you create an optimum mix for the voices, and enhance the way they blend together.
The following parameters can be set in the Function mode (page 75).
CATEGORY SELECT
Dual Voice Voice
Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level
ge 75). You can also set various parameters
26
To turn the Dual Voice on or off, press the [DUAL] button.
Indicates Dual Voice is on.
GrandPno
001

Split Voice

The Split Voice function lets you assign two different Voices to opposite areas of the keyboard, and play one Voice with your left hand while your right plays another. For example, you could play bass with the left hand and play piano with the right. The right-hand (or upper) Voice is selected in the Main Voice mode (page 23), and the left-hand (or lower) Voice is selected in the Function mode (page 75), along with the other Split Voice parameters shown below.
The following parameters can be set in the Function mode (page 75).
CATEGORY SELECT
Split Voice Voice
Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level
Playing Voices
To turn the Split Voice on or off, press the [SPLIT] button.
GrandPno
001

Setting the Split Point

The Split Point determines the highest key for the split voice and sets the split point.
Split Point
Indicates Split Voice is on.
• This setting also affects the split point for the accompaniment area.
Split Voice Main Voice
Split Point can be set in the Function mode (page 75).
27
Playing Voices
28
This convenient feature automatically selects the voice to best match the selected style — simply by pressing one of the two One Touch Setting buttons. Two types of One Touch Settings are available. For each style, you can create and store your own custom One Touch Settings.
One Touch Setting Parameters
* Accompaniment is automatically set to on. Synchro Start is automatically set to on (when style is stopped).
Calling up a One Touch Setting. • • • • • • • • • • • • • • • • • • • • • •
1
Select the style.
2 Press the ONE TOUCH SETTING button [1] or [2].
Main Voice Voice Number Effect DSP Type
Volume Harmony On/Off Octave Harmony Type Pan Harmony Volume Reverb Send Level Chorus Send Level DSP Send Level
Dual Voice ON/Off
Voice Number Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level
One Touch Setting
• One Touch Setting does not func
-
tion in the Song mode.
or
OTS 2
Creating and Storing a One Touch Setting. • • • • • • • • • • • • • •
-
You can also create and store your own custom One Touch Settings for each of the styles.
1 Select the desired style. 2 Make the desired settings.
Change the voice and make any other settings you want to use with the selected style and the One Touch Setting buttons.
Playing Voices
3 Press and hold the [MEMORY] button then press the
appropriate button — ONE TOUCH SETTING button [1] or [2].
WRITING!

Transpose and Tuning

You can also adjust the tuning and change the transposition (key) of the entire PSR-290 sound with the Transpose and Tuning functions.
Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Transpose determines the key of both the main voice and the bass/chord accompa­niment. It also determines the pitch of the songs. This allows you to easily match the pitch of the PSR-290 to other instruments or singers, or play in a different key without changing your fingering. The Transpose settings can be adjusted over a range of ± 12 semitones (± 1 octave).
Restoring the Default One Touch Setting data
Each One Touch Setting can be restored to its default. To do this, simply press and hold the appropri ate One Touch Setting button, [1] or [2]. To restore both buttons to their defaults, simultaneously press and hold both the [1] and [2] buttons.
• The Transpose function has no effect on the Drum Kits voices (#109 - #120) and DJ voices (#601 - #605).
T
ranspose can be set in the Function mode (page 75).
Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment. It also determines the pitch of the songs. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of ± 100 (approx. ± 1 semitone).
uning can be set in the Function mode (page 75).
T
• The Tuning settings have no effect on the Drum Kit voices (#109 - #120).
29
Playing Voices

Touch and Touch Sensitivity

The Touch function gives you dynamic, expressive control over the voices, letting you determine how loud or soft the sound is by your playing strength.
Turn the Touch function on or off as desired by pressing the [TOUCH] button.
GrandPno
001
Touch Sensitivity lets you set how the PSR-290 responds to your playing strength, allowing you to customize the keyboard to suit your own playing style. The default Touch Sensitivity is 2 (Medium).
• To save the Touch on/off status and the Function parameters to internal memory (flash memory), press and hold the [FUNCTION] button. (See page 78.)
Indicates Touch function is on.
Sensitivity can be set in the Function mode (pa
Settings:
1 (Soft) This results in limited touch response, and produces a relatively narrow
dynamic range, no matter how lightly or strongly you play the keys.
2 (Medium) This lets you play over a normal dynamic range (soft to loud). 3 (Hard) This is designed for playing very soft passages, giving you slightly more
detailed control in the soft volume range.
ge 75).
When Touch is turned off, a constant volume (corresponding to a velocity value of
80) is produced.
30
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