Yamaha W5, W7 User's Manual

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Version 2

System Upgrade Information Guide

Information zur Systemerweiterung (Ver.2)

Information sur extension du système (Ver.2)

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WHAT’S NEW IN VERSION 2

Welcome to Version 2—a powerful system upgrade package for the Yamaha W5/W7 Music Synthesizer that adds an exciting new dimension to one of the most versatile all-in-one music production workstations ever made.

Version 2 provides additional Preset voice banks, more than a hundred greatsounding new voices, a long list of unique performance, song play, recording and remixing functions, plus many convenient shortcuts and other useful new features which further streamline the W5/W7’s already simple operation.

New Features

• A total of three Preset voice banks, plus hot new techno, dance music and other voices which add unprecedented sonic dimension and musical range to the W5/W7’s high quality digital sound. (For details, see page 8.)

• Cue Play, which lets you trigger-start a song or sequence phrase from a specified measure simply by pressing a Track button. Lining up a different phrase for each of the 16 Track buttons lets you cue up the right groove or music “hit” at the right time as the mood of the party dictates. (For details, see page 11.)

• Multitrack Loop Recording, which lets you jump from track to track and spot overdub new parts in a specified series of measures to capture inspiration as it strikes. (For details, see page 13.)

• Song Remix, which lets you mix alternate versions of your tunes complete with automatic track solo, mute and other commands which you can input in realtime. The result is greatly expanded on-board “automated mixdown” options. (For details, see page 14.)

• Playback Effect, which lets you apply “groove templates” with pre-programmed quantizing and swing factors to the playback of specified tracks without altering the original music data. The right Playback Effects can literally breathe new life into your tracks. (For details, see page 15.)

• Quick Split/Layer, which lets you easily select two split voices, or add a second layered voice, on the fly as you play. The new Dynamic Split feature lets you play two voices with a “floating split point” that’s determined by note prioritization based on how you play the keyboard. (For details, see page 19.)

• Tempo Delay, which automatically calculates the delay time of System Effect 3 to the tempo of the song, which eliminates unnatural sonic clashes in order to smooth out or tighten up your mix. (For details, see page 22.)

• Faster voice selection features, simplified voice element assign and other convenient voice editing features, expanded voice and multi storage functions, additional song record and edit features, automatic song loading from disk, and much more.

How to Use This Guide

• This W5/W7 Version 2 System Upgrade Information Guide is a supplement to the original W5/W7 Owner’s Manual and W5/W7 Technical Information booklet.

• The “New Features Overview Chart” shows at a glance just what’s new and where it’s located in relation to the existing features, and the “New Features in Version 2” section provides descriptions of each new feature and how to access it.

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CONTENTS

New Features Overview........................................................................2

About the Accompanying Floppy Disks ................................................6

NEW FEATURES IN VERSION 2 .............................................8

PRESET VOICE BANKS ...................................................................8

❑ Voice Category Search..................................................................................9

❑ Voice Category Display in the Voice Directory................................................9

❑ Quick Voice Bank Select .............................................................................10

❑ Quick Program Change...............................................................................10

CUE PLAY .....................................................................................11

❑ Cue Play as Additional Measure Locate Points .............................................12

MULTITRACK LOOP RECORDING.................................................13

REMIX..........................................................................................14

❑ Solo Mode.................................................................................................14

❑ Track Mute ................................................................................................15

PLAYBACK EFFECT.......................................................................15

❑ Playback Effect Template Type List .............................................................17

❑ Normalize Playback Effect (Song Job 1)......................................................18

❑ Quantize Parameters (Type, Sens, Strength).................................................18

QUICK SPLIT/LAYER AND DYNAMIC SPLIT.................................19

❑ Quick Split/Layer.......................................................................................19

❑ Dynamic Split............................................................................................19

OTHER FEATURES IN VERSION 2 .................................................21

❑ Song Play Mode .........................................................................................21

❑ System Effect.............................................................................................22

❑ Song Setup Mode.......................................................................................22

❑ Song Record Mode .....................................................................................22

❑ Song Edit Mode .........................................................................................23

❑ Song Play/Voice Mode ...............................................................................23

❑ Voice Edit Mode.........................................................................................24

❑ Store Mode................................................................................................24

❑ Utility Mode ..............................................................................................25

❑ Disk Mode.................................................................................................26

CHANGES TO THE TECHNICAL INFORMATION BOOKLET .................27

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New Features Overview

SONG PLAY

STORE MULTI

F7 F8

SHIFT

SONG

STORE

RECORD

F5 F8

SHIFT

F1SHIFT

F2SHIFT

F1SHIFT

F2SHIFT

SONG

For song recording, editing & playback...........72

Access Voice Assign, Volume, Pan, Insertion Effect On/Off, System Effect 1~ 3 Send level, Effect Type & Effect Parameter, Shift, Tune & Pitch Bend Range settings

F7 F8

Song Multi Play

(Mixer Screen)

(Inst Screen)

Category Search

Voice Directory

Sequencer Play

Song Name

Song Directory Playback Effect Cue Play

Song Setup

MIDI Filter Track Transmit Channel Keyboard Setup

Other Setup

Realtime Recording

Overdubbing Replace Punch-in

Step Recording

Transpose

For song playback & normal performance

Access Song Setup during song playback Start song after reading data in previous measures(excluding note) Access single track solo play View measure number in Multi & Sequence Play screens

Display 16 channel mixer for setting multi parameters Jump to designated mixer feature Display list of Instrument parameter settings Assign Tempo Delay

Access Voice Category Search Toggle between Voice Category & Program Number

Access Sequence Play settings Set Click Beat value by numeric (note) keypad View External Sync tempo value

Name the song Display list of songs Apply groove templates to song playback without overwriting Assign sequences to track buttons for trigger playback

MIDI, Keyboard & Other settings

Determine how W5/W7 responds to various MIDI data

Set MIDI transmit channel for each track Keyboard Mode (Normal, Split, Layer, 4-zone) settings

Assign Dynamic Split (floating split point) settings

Access Quick Split/Layer Transpose octave from Keyboard Normal Mode Access Next Song, MIDI Control, Sync & Transpose functions

For storing multi settings into a song memory

Assign Multi Auto/Manual Store setting (Utility Mode)

For selecting a recording method & recording a song

Remix a song using solo, mute & other switch operations

Record actual note, controller & program data as you play

Select Count-in value before record start Select Quantize, Click Beat value with numeric (note) keypad Record new data on top of existing data in the track Record new data in the track while erasing existing data Replace record between a series of designated measures Select track & overdub between a series of designated measures

(Multitrack Loop Recording)

Input note, controller, program & other data one-by-one

Select Click Beat value by numeric (note) keypad Move cursor to next note event

Transpose input keyboard octave setting

: New features shaded in gray

Numbers below indicate Owner's Manual pages

( *: Version 2 System Upgrade Information)

*21 *21 *14 *21

*21

*22

*9 *9

*22 *21

81 81

*15 *11

82 82 82 82

*19 *19 *22

129

*25

*14

*22 *22

88 88 88

*13

*22 *22

*23

SONG RECORD

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SONG EDIT

EDIT

SONG JOB

JOB

F4 F5

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

F8SHIFT

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

Sequence Track

Insert

Change Graphic

Tempo Track

Insert

Change

Job 1

Copy Song

Append Song Clear Song Copy Track Clear Track Mix Track Normalize Playback Effect

Job 2

Copy Measure Erase Measure Create Measure Delete Measure Insert Measure Thin Out Extract Chord Sort

Job 3

Quantize

Move Clock Modify Gate Time Modify Velocity Transpose Shift Note Crescendo

SONG VOICE PLAY

Access voice select screen in Song Play Mode

For specific event editing of recorded song data

Edit the sequence track Input parameter change data

Insert sequence track event data Change sequence track event data Display note event data graphically Move cursor to next note event Input measure number by numeric keypad

Edit the tempo track

Insert tempo change data in the middle of the song

Change tempo data value

For editing of song, track & measure data

Jobs for song & track editing

Copy a song from one song memory location to another Append a song onto another song from a specified measure Clear all multi & performance data of a specified song Copy track data from one song into another song Clear all performance data from a track Combine data in one track with data in another track Write the specified Playback Effect data into the song

Jobs for current song/track measure, note & other event editing

Copy specified measures to a specified location Erase data in specified measures Insert new empty measures into specified location in all tracks Delete a specified range of measures from all tracks Specify a range of measures & copy to specified location for all tracks Delete unnecessary controller data from a track Extract designated events from one track & place in another Rearrange a cluster of notes in ascending/descending order

Jobs for current song event editing

Correct timing of performance data Quantize Sensitivity & Strength parameters are added Move data in specified measures by a specified clock value Modify durations of notes in specified measures Modify note-on velocity values in specified measures Transpose notes in specified measures by a designated interval Shift a note number to another number in specified measures

Add crescendo or diminuendo over specified range of measures

*23

93 92 91

*23 *23

93 93 92

96 96 96 96 97 97 97

*18

98 98 98 98 99 99 99 99

100

100 100

*18

101 101 102 102 103 103

*23

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VOICE

STORE VOICE

STORE

For selecting & playing voice.......................106

Transpose

Category Search Voice Directory Quick Voice Bank Select

F5 F8

F3 F8

F7 F8

F2 F3 F4 F5 F6 F7

F7 F8

F2 F7 F8

F2 F6 F7 F8

VOICE

F8SHIFT

SHIFT SONG

NORMAL

VOICE EDIT

DISK

For saving & loading data to &

from a floppy disk.......................................132

VOICE EDIT MODE

Disk Status Save To Disk Load From Disk Rename File Delete File Format Disk Auto Load Auto Play

View types of files on the inserted floppy disk Save voice, song or other data to floppy disk Load voice, song or other data from floppy disk Rename a file on the inserted floppy disk Delete a specified file from the inserted floppy disk Format a disk for use with the W5/W7 Automatically load the designated file at power on Automatically load & play the designated file at power on

130

*24

109

110 110

*24

110 110

112 112

*24 *24

112 112 113

113 113 114

115 116 116

133 134 136 139 140 141

*26 *26

Select voice by last-digit within a group of ten (Quick PC) Transpose octave (in Keyboard Normal Mode) Keyboard mode display (Quick Split/Layer, Dynamic Split) Select the next voice program number in the same Voice Category View list of voices. Press [F8] twice to see Voice Categories Direct selection of any voice bank Revert to multi settings when switching back to Song Mode

Store Voice Voice Directory

Common Group

Category/Volume

Voice Name Initialize Voice

Element Group

Element Assign

Pan Velocity Limit Note Limit

Amplitude Group

Level Envelope

Filter Group

Tone Envelope

Store edited voice into specified program number

Store voice into Internal (or Song) voice bank View list of voices. Press [F8] twice to see Voice Categories

Edit Normal Voice

Parameters common to the entire voice

Assign Voice Category code and set voice Volume Copy Effect & Control Group parameters to another voice Name the voice Initialize all voice data

Parameters related to the individual elements

Assign up to four elements to the voice Element category search Copy Element Group parameters to another voice Position each element within the stereo field Specify the Velocity Limit of each element Specify the Note Limit of each element

Parameters related to volume characteristics of each element

Specify the volume Level of each element Assign the amplitude Envelope characteristics of each element

Parameters related to tone quality of each element

Specify the type of filter and parameters of each element Assign the filter Envelope characteristics of each element

*10 *22 *19

107

*10 *23

For editing specific voice parameter.....108

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F4 F5 F6 F7 F8

F2 F3 F4 F5 F6 F7 F8

F4 F6 F7 F8

DRUM

VOICE EDIT

For accessing & assigning settings

which affect the entire system................142

Memory

Initialize

Voice Bulk Dump Synthesizer Setup Controllers

MIDI Setup Other Setup

Greeting Message

Copy a voice bank to RAM Copy from Song voice bank to Internal voice bank Initialize the Internal voice bank Delete elements not in use (Free Element) Perform bulk dump operation of Internal voices to external device Assign Master Tune, Velocity Curve & Controller settings Assign CS, Foot Volume & Foot Controller settings Set Foot Controller Assign & CS data entry functions Assign MIDI related settings Set LCD Contrast & Edit Confirm status Assign Multi Auto/Manual Store status Personalize the start-up Greeting Message

VOICE BANK

GM Voice Bank

128 Normal Voices + 8 Drum Voices

Internal Voice Bank

128 Normal Voices + 2 Drum Voices

External Voice Bank

(Optional Expansion Wave/Voice Board)

Song Voice Bank

1set/song

Preset Voice Banks

P1 :

128 Normal Voices

P2 : 128 Normal Voices *8 P3 : 128 Normal Voices *8 PD: 4 Drum Voices

F7 F8

F1 F2 F7 F8

F3 F4 F5

F6 F7

117 117 118 118 118 118

119 119 119 120 120

121 121 121

122 122 122 122 123 123 124 124

124

125 125 127 128

143

*25

144

*25

144 145 147

*25

148 149

*25

149

STORE

VOICE

Pitch Group

Scale Tune Note Shift Sensitivity Envelope

Effect Group

System Effect Send Insertion Effect Type Insertion Effect Parameter Insertion Effect Control

LFO Group

LFO Parameter LFO Modulation

Controller Group

Sustain/Exp. Low Limit Pitch Bend After Touch Modulation Wheel Foot Controller MIDI Control 1 MIDI Control 2

Common Group Key Group Effect Group Controller Group

Parameters related to pitch characteristics of each element

Specify the Scale parameters of each element Specify the Tune parameters of each element Specify the Note Shift parameters of each element Specify the Sensitivity parameters of each element Assign the pitch Envelope characteristics of each element

Parameters related to voice effects assignments

Specify the Send Level for each System Effect Specify the Insertion Effect Type for the voice Specify the Insertion Effect parameters Specify the Insertion Effect Control parameters

Parameters related to Low Frequency Oscillator characteristics

Specify the LFO Parameter settings for each element Specify the LFO Modulation parameters for each element

Parameters related to the various controllers

Specify the Sustain & Exp. Low Limit settings for each element Specify the Pitch Bend settings for each element Specify the After Touch settings for each element Specify the Modulation Wheel settings for each element Specify the Foot Controller settings for each element Specify the MIDI Control 1 settings for each element Specify the MIDI Control 2 settings for each element

Edit Drum Voice

Parameters common to the entire voice Element assignments for each key Parameters related to voice effects assignments Parameters related to the various controllers

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W_DEMO.A1A file

Five songs are sequentially arranged in the file:

• SONG 01 : Isn’tItHip

• SONG 02 : Metal Bomb

• SONG 03 : Gavotte

• SONG 04 : Halftime

• SONG 05 : RAM-Jam

The various songs showcases how great the W5/W7 sounds across different genres of music. There’s more to each demonstration song than just an impressive performance, however, since they are also great examples for study of clever ways to allocate voices, optimize the various effect and other settings, and more. Note that there are special Song voices used in Song 01 and Song 05 which are not included in the factory presets.

INTVOICE.A1V file

This file contains a safety backup of the factory-programmed bank of Internal voices.

About the Accompanying Floppy Disks

The demonstration floppy disk “W5/W7 FACTORY SET & DEMONSTRATION” comes bundled with Version 1 and the “W5/W7 Version 2 DEMONSTRATION” disk is additionally bundled with Version 2. Each disk contains factory-programmed song and other data which especially highlight the exceptional capabilities of the W5/W7. (For information about loading files from a disk, see the Owner’s Manual, pages 52 and 136.)

The contents of each demonstration disk are listed and described below.

W5/W7 FACTORY SET & DEMONSTRATION

There are two types of files on the disk, as follows:

W_DEMO.A1A

All Data type file

INTVOICE.A1V Voice type file

NOTE

When loading an All Data type file, the settings in Utility mode will also be replaced. Therefore, be sure to save any important All Data type settings to floppy disk before loading an All Data type file.

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W5/W7 Version 2 DEMONSTRATION

There are three types of files on the disk, as follows:

W_DEMO2.A1A All Data type file

AUTOPLAY.A1S 1 Song+Voice type file

VOICE_EDIT.A1S 1 Song+Voice type file

NOTE

W_DEMO.A1A file

Three songs are sequentially arranged in the file:

• SONG 01 : Dancyndrom

• SONG 02 : Whale Song

• SONG 03 : Push Track

Version 2 features a Preset 3 voice bank which includes various voices perfect for techno and dance music.

Song 3 (“Push Track”) is a special demonstration song which lets you try out the new Cue Play function (see page

11). When you start the song from the top, the W5/W7 automatically enters Cue Play mode. In the screen you will notice which measure has been assigned as the start point for each Track button. Press a Track button to start the Cue Play from the designated measure.

AUTOPLAY.A1S file

This file contains the same song data as “SONG 01: Dancyndrom”. However, since this was saved as an Auto Play file (see page 26), if you insert the disk while the power is off, then switch the power on, the file will automatically be loaded in the first song memory and begin playing.

VCE_EDIT.A1S file

This file is a special demonstration for editing a voice. When you start the song from the top, the W5/W7 plays the intro of the demo song “Isn’t It Hip” (same as in the “W5/W7 FACTORY SET & DEMONSTRATION” disk, above), then stops, selects Track 7, then goes on to give a visual demonstration of how to edit the voice “Needle”. A note in the screen will explain what’s happening. Watch the screen as the various parameters are selected, including element assignment, template selection and parameter adjustments, Insertion Effect type selection and parameter adjustments, and others—including System Effect adjustments to various tracks. The new Remix mute and solo (see page 14) and Playback Effect features (page 15) are also introduced.

NOTE

Do not stop the playback in the middle of the song when playing VCE_EDIT.A1S, since stopping it may cause data error.

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PRESET VOICE BANKS

Version 2 includes two additional Preset voice banks, making a total of three Preset voice banks, or 384 Preset normal voices in ROM. Preset voice bank 2 contains the same voices as the Internal voice bank (RAM). Preset voice bank 3 includes 128 new voices, including many techno and dance music oriented voices, and several unique voices which can yield various characteristics as you play, controlled by the modulation wheel.

Including the GM voice bank, Version 2 comes complete with a total of 512 normal voices and 12 drum voices in ROM (excluding those available in the External voice bank when an Expansion Wave/Voice Board is installed), and 128 normal voices and 2 drum voices in RAM— for a total of 640 normal voices and 14 drum voices. Additionally, there are 128 Song voice memories and 2 Song drum voice memories which can be dedicated to up to 10 songs.

NEW FEATURES INVERSION 2

GM Standard General MIDI set 128 Normal Voices

(P1) Preset 1 Same as previous Preset bank 128 Normal Voices (P2) Preset 2 Same as previous Internal bank 128 Normal Voices (P3) Preset 3 New bank of voices 128 Normal Voices

Internal Same as previous Internal bank 128 Normal Voices

Song — 128 Normal Voices/Song

GM Drum Various GM drum kits 8 Drum Voices

Preset Drum Two new Preset drum kits 4 Drum Voices

Internal Drum Same as first two GM drum kits 2 Drum Voices

Song Drum — 2 Drum Voices/Song

For a list of the new normal voices in the Preset 3 voice bank and the two new drum voices in the Preset drum voice bank, as well as the additional new elements available, see page 27.

The process of selecting voices and voice banks in Version 2 is the same as before, but there are several convenient new options as well, including Voice Category Search, Quick Voice Bank Select and Quick Program Change.

Here’s a breakdown of what’s in each of the voice banks:

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P3-03:Blue Lead This is a classic high-resonance analog synth type lead voice. The filter cutoff is assigned to the CS, so you

can control the amount of resonance applied to the voice at any time by moving the CS as you play.

P3-10:N-Hall Airy, futuristic sound effect type voice. The filter cutoff is assigned to the CS, so you can greatly modify the

quality of the voice in realtime by moving the CS.

P3-13:HaHahaha A whimsical simulated laughter type voice. Control the speed of the laughing with key velocity, and the

quality of the sound with the CS and Modulation Wheel.

P3-17:MwScratch1 A highly useful voice which simulates the sound of record scratching commonly used in rap and other dance-

oriented music. Adjust the CS to control the characteristic of the sound, and simulate the DJ scratching with the Modulation Wheel.

P3-32:Gang Soft but powerful, versatile resonant synth voice with rotary speaker Insertion Effect applied. Use the CS to

control the speed of the rotary speaker effect.

P3-53:Feed Pad Grungy but distinctively pleasant distortion pad voice. Control the amount of resonance with the CS.

P3-120:S.O.S. Cumulative chaos of a frantic S.O.S. signal from a submarine in distress. Use the CS to control the balance

between bell timbre and “muffled voices”.

❑Voice Category Search

Version 2’s Voice Category Search feature makes it easier than ever to locate just the right voice when you want it. This is critical considering the many hundreds of voices that are now available at any given time.

Voice Category Search lets you select the next voice number with the same Voice Category code as the current voice simply by pressing function key F5 (Ctg), in either Song Multi Play Mode or Voice Mode—including when the Voice Directory is displayed. This is really helpful when searching for similar types of voices as the currently selected one— such as piano type voices assigned with the “Pf” Voice Category code, for example.

To select the next voice number with the same Voice Category code as the current voice:

Press [F5].

Each time you press F5, the next voice with the same Voice Category code will be selected within the current voice bank, starting back at the lowest numbered voice after the highest numbered voice has been selected. You don’t need to press the Enter key.

SONG MODE

VOICE MODE

❑Voice Category Display in

the Voice Directory

Version 2 not only lets you view the voice program numbers in the Voice Directory, but also gives you the option of viewing the two-letter Voice Category codes assigned to each voice—in both Song Multi Play Mode and Voice Mode.

To view the Voice Category codes in the Voice Directory:

Press [F8] (Dir) twice.

When the Voice Directory is selected, pressing F8 will toggle back and forth between voice program numbers display and Voice Category codes display in the Voice Directory.

Version 2’s Preset 3 voice bank features an assortment of modern music sounds including techno, dance music and other voices—which add a completely new dimension to the W5/W7’s sonic possibilities. Below are descriptions of a few of the more intriguing voices which rely on the CS and Modulation Wheel to achieve maximum flexibility and impact:

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❑Quick Voice Bank Select

Version 2 provides a convenient shortcut for selecting voice banks within Voice Mode or from the Voice Directory in Song Multi Play Mode.

Simply pressing the Shift button will display the first letter of each voice bank (E*, I, S, G, P1, P2, P3) above function keys F1*~F7—by which you can jump directly to a desired voice bank.

To select a different voice bank:

Hold [SHIFT] and press a function key [F1]~[F7] above the desired voice bank.

When you press a function key, the desired bank is selected; the voice number is the same as for the previously selected bank. It is not necessary to press Enter as with the normal procedure for selecting banks.

When you select one of the Preset voice banks, the voice bank prefix which appears to the left of the voice program number will be denoted with one, two, or three dots, respectively, as follows:

• Preset 1

• Preset 2

• Preset 3

Note that pressing F8 (Drum) while holding the Shift button lets you alternate between normal (“Norm”) and drum voice banks.**

To select a drum voice bank:

1. Hold [SHIFT] and press [F8].

2. Press a function key [F2]~[F5] above the

desired drum voice bank.

* F1 can only be used for accessing the External voice bank when an

Expansion Wave/Voice Board is installed.

** When Track 10 is selected, you cannot access the normal voices,

since channel 10 is dedicated to the drum voices.

F1 F2 F3 F4 F5 F8

F1 F2 F3 F4 F5 F6 F7 F8

SHIFT

❑ Quick Program Change

Version 2 has a new Quick Program Change feature in Voice Mode. When Quick Program Change is activated, you can quickly select program numbers within a group of ten with the same first digit using buttons 0~9 on the numeric keypad—each of which corresponds to the last digit of the program number of each voice.

For example, say the currently selected voice number is 35. With Quick Program Change, you can jump directly to any voice between 30~39 simply by pressing buttons 0~9 on the numeric keypad.

To activate Quick Program Change:

1. In Voice Mode, press the [VOICE] button.

2. Press a number [0]~[9] on the keypad

corresponding to the last digit of the program number you want to select.

When in Voice Mode (see the Owner’s Manual, page 106), pressing the Voice button will toggle back and forth between Quick Program Change and normal Voice Play Mode. The words “Quick PC” will display in the upper area of the screen when Quick Program Change is active.

When you press the desired number on the keypad, the corresponding voice with the same last digit will be selected instantly, and therefore you need not press Enter to lock in the selection, as in the normal voice selection procedure. You can also press F6 and F7 to select a different voice bank, and then press a number on the keypad to select it—within the group of ten also with the same first digit.

Quick Program Change also lets you select voices outside the group of ten using the Jog dial and the Inc/Dec buttons. Also note that when you press F8 to view the Voice Directory, Quick Program Change will be bypassed, and you can select voices and banks in the normal way. However, when you exit the Voice Directory, Quick Program Change will be reactivated.

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CUE PLAY

Version 2 features Cue Play in Song Sequence Play Mode (see the Owner’s Manual, page 80), which lets you compile a list of 16 songs or sequence phrases and trigger-start them from any measure simply by pressing Track buttons. With Cue Play you can set fire to the dance floor by triggering the right groove at just the right time—jumping from one to another in realtime as the mood of the party dictates.

Cue Play works by assigning any of the 16 songs to any of the Track buttons, along with which measure in the song to start from.

To enter Cue Play Mode:

1. In Song Mode, press [F2] (Seq) to enter

Song Sequence Play Mode.

2. Hold [SHIFT] and press [F2] (Cue) to

enter Cue Play Mode.

The Cue Play screen lists which songs are assigned to each of the 16 Track buttons, and which measures are designated as starting points for each cue.

The number in brackets represents the Track number. The number to the right of the Track number represents the song number (1~16). The number to the right of the song number represents the starting measure number.

To assign song numbers and starting measures to the Track buttons:

1. Position the cursor over the song number

of a desired Track button.

2. Specify a song number using [INC],

[DEC], [JOG] or [KEYPAD].

3. Position the cursor over the starting

measure number.

Starting measure number

Track button number

Song number

4. Specify a measure start point using [INC],

[DEC], [JOG] or [KEYPAD].

Note that you can assign the same song to more than one Track button, designating a different measure as the starting point for each. Thus, with various sections of the song assigned to different Track buttons, you can literally create a playback arrangement on the fly, just by pressing the Track buttons.

You can designate the Cue song to play from the start measure and continue to the end of the song, or to play only so long as you hold down the Track button.

To have a Cue song continue playing from the start measure to the end:

Press [F7] (Cnt) once or more so that “Cnt” is highlighted in black.

When “Cnt” (Continue) is highlighted, pressing a Track button will cause the song assigned to it to play from the starting measure point till the end— unless you press another Track button while the current Cue song is playing. Pressing another Track button will terminate the song in play and start the next song. (This also lets you restart the same song while it is playing by pressing its Track button again.)

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To have a Cue song play only while you hold down a Track button:

Press [F7] (Cnt) once or more so that “Cnt” is not highlighted in black.

Pressing a Track button will start the Cue song from the specified measure start point, but the song will stop if you let go of the button. This allows you to trigger orchestra hits and other key song phrases at will.

A “Memorize” feature provides a convenient shortcut for assigning a measure number to a Track button while the song is playing back.

❑Cue Play as Additional

Measure Locate Points

In addition to the standard Cue Play features described above, you can also use the assignments in Cue Play as 16 additional measure locate points (see the Owner’s Manual, page 81). Just assign the various measure start points beforehand, then switch to the Cue Play screen and press the relevant Track button to start the song from that point. The song will continue playing as you switch back to the mixer screen by pressing the Song button.

Note that although you can stop a Cue song at any time by pressing the Sequencer Stop button, the Run button is unrelated to Cue Play. Pressing the Run button in Cue Play will simply start the currently selected song (as displayed at the top right of the screen).

To save the Cue Play data to floppy disk, simply save the current data in the W5/W7 as an “All Data” file. (For details about saving and loading, see the Owner’s Manual, page 131.)

NOTE

If you jump from one song to another, or to a fairly distant measure, it may take a brief moment before the second song starts playing.

To use the Memorize function:

1. Position the cursor over either the song

number or starting measure number of a desired Track button.

2. As the song plays, simply press [F8]

(Mem.) when the song reaches the measure that you want to assign.

The Memorize function can also be used when the song is stopped.

NOTE

The demo song 03: Push Track (W_DEMO02.A1A) presents a good example of the Cue Play function. (For more information, see page 7)

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MULTITRACK LOOP RECORDING

Version 2 features Multitrack Loop Recording, which provides more flexible song sequencing options. The Multitrack Loop Recording feature lets you specify a series of measures which will loop repeatedly as you overdub additional parts. You can jump from track to track to add new parts without stopping the sequencer.

Multitrack Loop Recording is accessible from Punch-in Record Mode (see the Owner’s Manual, page 88).

To use Multitrack Loop Recording:

1. Press [RECORD] to enter Song Record

Mode (standby).

2. Press [F8] (Pnch) to select Punch-in

Record.

3. Press [F4] (AllTr) to designate All Track

Record.

4. Position the cursor over the “From”

parameter field and enter the number of the measure which you want to be the first measure in the loop.

5. Position the cursor over the “To ”

parameter field and enter the number of the measure which you want to be the last measure in the loop.

6. Position the cursor over the “Loop”

parameter field and use [INC], [DEC] or [JOG] to turn the loop on.

7. Press [RUN] to start the recording loop.

You can delete a wrong note while the loop recording is still active. To do so, simply hold the Shift button and press the note again when it comes back around. (Be aware of the limitation in number of notes that can be recorded based on available polyphony.)

Note that if All Track Record is not specified, you can still start loop recording, but you can only overdub on the currently selected track, and will not be able to select other tracks without first stopping the sequencer.

Also note that if you engage loop recording while Quantize or Playback Effect is selected, these parameter values will also be recorded in the designated loop.

Be sure to keep in mind the maximum number of notes which can be recorded (32 notes), since as you keep overdubbing notes during loop recording, you may inadvertently erase existing note data.

F4 F8

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REMIX

Version 2 includes a Remix feature which lets you create an alternate “dub” mix which includes track solo, mute and other button on/off switchings as the song plays.

Every time you press the Song, Voice, Select, Solo or any of the 16 Track buttons, the W5/W7 generates a corresponding MIDI system exclusive parameter change (“Switch Remote”) message.

Version 2 lets you record these Switch Remote messages in the sequencer in realtime (or Step edit) in an empty track so that they will be recalled automatically during song playback. In this way, you can program track solo, mute and other commands in a Remix version of your song to achieve a multi-dimensional automated mixdown without changing any of the original note, controller or other data in the song.

To create a Remix version of the currently selected song:

1. Select an empty track in the currently

selected song.

2. Press [RECORD], then press [RUN] to

start the recording.

3. Press [SONG], [VOICE], [SELECT],

[SOLO], [TRACK 1~16] and perform any desired parameter adjustments during the recording.

Note that during recording any key you press on the keyboard will also be recorded in the currently selected track as note data. You will find it most convenient to keep all Switch Remote messages together in one track, apart from note and other data, since it is easier to locate and edit Switch Remote messages this way.

❑Solo Mode

Recall that when there is sequence data in the currently selected song, the Track buttons of tracks which contain data will be lit in green, and the currently selected Track button will be lit in red. (The Select button will be lit in green, thus indicating the W5/W7 is in Track Select Mode; see the Owner’s Manual, page 74.)

By entering Solo Mode (i.e., by pressing the Solo button), you can “solo” one or more tracks to hear them only, thus “muting” the rest. Pressing a Track button will toggle back and forth between solo (red) and mute (green) status. Multiple tracks can be soloed at once.

You can exit Solo Mode and the W5/W7 will still remember which tracks were soloed and muted the next time you press the Solo button.

Version 2 also lets you solo, or isolate and play a single track just by pressing the corresponding Track button.

To solo, or isolate and play a single track:

Hold [SELECT] and press [SOLO].

In single-track Solo Mode, pressing a Track button will turn that track on (red light), while turning all others off (green lights). Thus, you can easily isolate a single track that you want to examine during mixdown, or to play by itself during a specific point in the song when you’re recording a Remix.

Pressing Solo again will return you to the multipletrack Solo Mode.

NOTE

When deleting switch remote on/off data from a track in Song Edit Mode, be sure to delete both On and Off commands.

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PLAYBACK EFFECT

Version 2 includes a Playback Effect Mode accessible from the Song Sequence Play screen (see the Owner’s Manual, page 80) that lets you apply various playback-only effects—including quantization, swing, clock shift, gate time and velocity—to your songs. The actual data in memory does not change; the only thing modified is the way the data is played back.

The right Playback Effect type can literally breathe new life into your song. You can add a Playback Effect type to individual tracks or to all tracks and adjust their default parameters at will. (Note that if you choose another song the Playback Effect parameters will be initialized. You can, however, apply Playback Effect settings permanently to a song by normalizing them in Song Job 1 (see page 18).

❑Track Mute

As explained above, Solo Mode lets you toggle back and forth between solo and mute status when you press a Track button, and the W5/W7 will remember the current solo/mute status when entering and exiting Solo Mode.

Version 2 also lets you enter Solo Mode with all tracks soloed (you can hear the complete mix, just as in Track Select Mode), and therefore standing by ready to be muted.

To enter Mute Mode:

Hold [SOLO] and press [SELECT].

The Track buttons of tracks which contain data will be lit in red, which means they are all in solo status, and therefore any Track button you press will mute that track (indicated by a green light in the Track button).

NOTE

The VCE_EDIT.A1S file introduces the Remix function. (For more information, see page 7)

To enter Playback Effect Mode:

1. In Song Sequence Play Mode, hold

[SHIFT] and press [F1] (PEF).

2. Press [F7] (Tr) and a [TRACK] button to

designate a specific track, or press [F8] (All) to designate all tracks.

3. Select a Playback Effect type with [INC],

[DEC], [JOG], or [KEYPAD].

F7 F8

SHIFT

4. Position the cursor over a parameter and

adjust it as desired.

When you enter Playback Effect Mode (shown as “Play Effect” in the screen) the type and parameters screen will be displayed. Moving the cursor to the right will access the Playback Effect parameters screen. Likewise, moving the cursor to the left when the parameters screen is displayed will once again access the Playback Effect type and depth screen.

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• Type 00~27, **

There are 27 different Playback Effect types. Playback Effect types 01~27 are those programmed at the factory, whose parameters you can still adjust at will. If you want to design your own Playback Effect parameters from scratch, simply select Playback Effect type “00” (no Playback Effect applied) and begin adjusting parameters. Note that when you adjust parameters in any Playback Effect type, these will be stored in a Playback Effect user memory under the type heading “ ** ”.

• Depth 0~100%

The Playback Effect depth parameter will have a different effect—such as quantize length, swing velocity, etc.— depending on which Playback Effect (01~27) is selected. (For a complete listing of the designated depth parameters for each type, see the Playback Effect Template Type List on page 17.)

• Quantize

The Quantize function aligns notes in the specified track to the nearest beat as designated by the Quantize value and strength parameters. This is helpful for tightening up sloppy timing. Note that “perfect” quantization tends to result in an unnatural, mechanical feel, which may or may not be a good thing, depending on the type of feel you’re going for.

Val (Value)

“Val” determines to what beats the note data in the corresponding track will be aligned. If you select “#16th-note#”, for example, all notes in the track will be aligned to the nearest 16th-note beat, to a degree determined by the strength parameter, below. You can select a quantize value by pressing the key in the numeric keypad with the corresponding note value printed above it. Pressing button 7 more than once toggles between 8th-note-triplet and 8th-note + 8th-note-triplet, and pressing button 8 more than once toggles between 16th-notetriplet and 16th-note + 16th-note-triplet. (For a complete listing of the quantize parameters for each type, see the Playback Effect Template Type List on page 17.)

Str (Strength) 0~100%

“Str” determines how strongly the notes are attracted to the specified quantize value. At a setting of 0%, no quantization will occur, while a setting of 100% will cause all notes to be aligned precisely to the nearest specified beat value.

,,,,,,, , ,

• Swing

The Swing effect—which can only be used when the Quantize function is set to a value other than off—produces a more natural “swing” feel by shifting the timing of the offbeats, as specified by the Quantize setting. For example, if the specified Quantize value is 8th-notes, then the Swing effect will shift the 2nd, 4th, 6th, and 8th beats of each measure forward to create the swing feel. If the Quantize value is set to a triplet note length, the last note in each triplet group will be shifted.

Rate 50~83%

“Rate” determines the strength of the swing feel, or how much the timing of the affected notes will be shifted. Apply 50% (no swing) to 75% (maximum swing) for even note lengths; apply 66% to 83% for triplet note lengths; apply 50% to 66% for evenplus-triplet note lengths (e.g., 8th-note + 8th-note-triplet).

Vel (Velocity) 0~200%

“Vel” determines the relative increase or decrease of the off-beat velocity value (as set by the Quantize value) in relation to the onbeat. A setting of 100% will produce no effect, whereas settings between 0~99% will produce a decrease in the off-beat velocity value, and settings of 101~200% will produce an increase in offbeat velocity value.

Gate (Gate Time) 0~200%

“Gate” determines the relative length of the off-beat note duration (as set by the Quantize value) in relation to the on-beat. A setting of 100% will produce no effect, whereas settings between 0~99% will shorten the gate time of the off-beat, and settings of 101~200% will lengthen the gate time of the off-beat.

• ClockSft (Clock Shift) –99~+99

“ClockSft” determines the amount by which all notes in a track are shifted in time, forward or backward, by the specified number of clocks (at 96 clocks per quarter-note). Note that since the Clock Shift parameters shift the timing of all notes and other events in the specified track forward or backward, they can significantly alter the feel of the song. You could move the notes forward (positive settings) to create a more laid-back feel, or backward (negative settings) to produce a more powerful, driving feel. Of course, Clock Shift comes in extremely handy when you want to correct timing that is consistently off in the first place.

• Vel.Ofst (Velocity Offset) –99~+99

“Vel.Ofst” determines the amount of velocity change for all note data by the same relative amount. A setting of 00 will cause no change, whereas negative values will decrease velocity levels, and positive values will increase velocity levels.

• Vel.Rate (Velocity Rate) 0~200%

“Vel.Rate” determines the ratio between the lower and higher velocity values. A setting of 100% maintains the original relationship between the notes, while lower values produce a narrower dynamic range (minimum 1%), and higher values produce a broader dynamic range (maximum 200%).

• GateRate (Gate Time Rate) 0~200%

“GateRate” determines the ratio between the shorter and longer gate time values. A setting of 100% maintains the original relationship between the notes, while lower values produce a narrower gate time range (minimum 1%), and higher values produce a broader gate time range (maximum 200%). You can use Gate Time to give the entire pattern a more staccato or legato feel, as desired.

NOTE

The VCE_EDIT.A1S file introduces the Playback Effect function. (For more information, see page 7)

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TEMPLATE DESCRIPTION DEPTH PARAMETER

00 [ ] Off. No Playback Effect applied. — 01 [Just ] Aligns to the nearest 16th-note. Quantize Strength

02 [Just ] Aligns to the nearest 8th-note. Quantize Strength

03 [Just ] Aligns to the nearest quarter-note. Quantize Strength

04 [Just ] Aligns to the nearest 16th-note-triplet. Quantize Strength

05 [Just ] Aligns to the nearest 8th-note-triplet. Quantize Strength

06 [Just ] Aligns to the nearest 16th-note + 16th-note-triplet. Quantize Strength

07 [Just ] Aligns to the nearest 8th-note + 8th-note-triplet. Quantize Strength

08 [Shufle ] Quantize 16th-notes and delay off-beats. Quantize Strength and Swing Rate

09 [Shufle ] Quantize 8th-notes and delay off-beats. Quantize Strength and Swing Rate

10 [Shufle ] Quantize quarter-notes and delay off-beats. Quantize Strength and Swing Rate

11 [Shufle ] Quantize 8th-note-triplets and delay third off-beats. Quantize Strength and Swing Rate

12 [Loose ] Delay 16th-note off-beats and lengthen gate time. Swing Rate and Gate Time

13 [Loose ] Delay 8th-note off-beats and lengthen gate time. Swing Rate and Gate Time

14 [Loose ] Delay quarter-note off-beats and lengthen gate time. Swing Rate and Gate Time

15 [Loose ] Delay 8th-note-triplet off-beats and lengthen gate time. Swing Rate and Gate Time

16 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

17 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

18 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

19 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

20 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

21 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

22 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

23 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

24 [Heavy ] Delay quarter-note off-beats and emphasize them Swing Rate and Velocity

25 [Humanize ] Slightly quantize quarter-notes and randomize values. Quantize Strength

26 [Techno ] Quantize 16th-notes and set velocity flat. Velocity Offset and Velocity Rate

27 [Acid ] Quantize 16th-notes and delay off-beats. Swing Rate

** [ ] Original template (00) or modified templates (01~27). (Depends on selected template.)

❑Playback Effect Template Type List

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❑Normalize Playback Effect

(Song Job 1)

Although the Playback Effects apply to the song playback only, and do not affect the original song data, Version 2’s Normalize Playback Effect feature lets you apply the designated Playback Effects permanently to the current song. The Normalize Playback Effect feature is located in Song Job 1 (see the Owner’s Manual, page 95).

To use Normalize Playback Effect:

1. Press [JOB], then [F2] (Job1) to enter

Song Job 1 Mode.

2. Position the cursor over “Normalize

Effect” and press [ENTER].

3. Press the [TRACK] buttons for those

tracks which you want to apply the Playback Effects to. (Selected Track buttons will light in red.)

4. Press [ENTER] to activate Normalize

Playback Effect.

❑Quantize Parameters

(Type, Sens, Strength)

Version 2 includes additional Quantize parameters in Song Job 3, including Type, Sensitivity, and Strength, which greatly expand your ability to put just the right feel into your music.

There are 19 Quantize types, with “00” representing off, and 01~19 representing the same types as in Playback Effect Mode (For descriptions of each, refer to the Playback Effect Template Type List on page 17, 00~19).

The Sensitivity (“Sens”) parameter determines the range over which notes will be quantized. This parameter can be set from –100 through 0% (no quantization) to +100. A setting of either –100% or +100% will cause all notes to be quantized.

The Strength (“Strng”) parameter determines how strongly the notes are attracted to the specified quantize value. At a setting of 0% no quantization will occur, while a setting of 100% will cause all notes to be aligned precisely to the nearest specified beat value.

Note that with Version 2 you can select a quantize value (“Qunt”) by pressing the button in the numeric keypad with the corresponding note value printed above it. Pressing button 7 more than once toggles between 8th-note-triplet and 8th-note + 8th-notetriplet, and pressing button 8 more than once toggles between 16th-note-triplet and 16th-note + 16th-notetriplet.

Page 21

❑QUICK SPLIT/LAYER

To activate Quick Split:

Hold a [TRACK] button and press another [TRACK] button.

The first Track button you hold will become the upper (right side) voice, and the second Track button will become the lower (left side) voice, as indicated in the screen.

Note that if Dynamic Split (see below) is designated in Split Mode, accessing Quick Split will engage in Dynamic Split status. Pressing a single Track button will reinstate the Keyboard Normal Mode.

To activate Quick Layer:

1. First, in Keyboard Normal Mode, select a

[TRACK] button with one of the voices you want to layer.

2. Hold [SHIFT] and press the [TRACK]

button for the second voice you want in the layer.

The two layered Track numbers are indicated in the screen. To change the layered (second) voice, simply hold Shift and press another Track button.

Pressing a single Track button will reinstate the Keyboard Normal Mode.

❑DYNAMIC SPLIT

Version 2’s Dynamic Split feature frees you from the limitations of a fixed split point. When Dynamic Split is active, the split point is determined by the first note you play when no keys are being pressed.

Dynamic Split parameters are accessible in the Song Play Mode Keyboard Setup screen (see the Owner’s Manual, page 82).

To enter Dynamic Split Mode:

1. In Song Play Setup Mode, press [F7] to

display the Keyboard Setup screen.

2. Position the cursor over the Mode

parameter and set it to split status using [INC], [DEC] or [JOG].

3. Position the cursor over the “Dynmc”

parameter and select one of the Dynamic Split options.

Left

Right

Depending on which Dynamic Split option you select, you can set either the upper or lower voice to play first, as well as specify an interval zone on each side of the split point to provide unprecedented playing flexibility.

QUICK SPLIT/LAYER AND DYNAMIC SPLIT

Version 2 features Quick Split and Quick Layer functions which make it easy to split the keyboard or layer two voices. When the W5/W7 is in Voice Mode or in Song Play Mode with the Keyboard Setup screen visible (see the Owner’s Manual, page 83), you can easily activate Quick Split or Quick Layer.

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• off

When set to “off”, the Dynamic Split is not active, and the split point is fixed as determined by the Point setting.

• upr (Upper)

When set to “upr”, the first notes you play will be the upper voice, and the highest note will designate the new split point according to the specified Interval setting (see below).

• lwrL (Lower Low)

When set to “lwrL”, when the upper range of the keyboard is played, the key below the specified interval from the highest note played will become the split point (similar to “upr”); when the lower range of the keyboard is played, the key above the specified interval from the lowest note played will become the split point.

• lwrH (Lower High)

When set to “lwrH”, when the upper range of the keyboard is played, the key below the specified interval from the highest note played will become the split point (similar to “upr”); when the lower range of the keyboard is played, the key above the specified interval from the highest note played will become the split point.

Interval 7th

New split point setting

Keys played

Highest key played

Interval 7th

New split point settingLowest key played

Keys

played

Interval 7th

New split point setting Highest key played

Keys

Played

NOTE

When “lwrL” or “lwrH” is selected, if the split point as determined by playing the lower range of the keyboard is lower than the Keyboard Setup split point setting, the Keyboard Setup split point setting will take precedence.

• 1stL (1st Lower)

When set to “1stL”, the key just above the first note played will be the lower voice.

• 1stU (1st Upper)

When set to “1stU”, the key just below the first note played will be the upper voice.

Intvl (Interval)

The “Intvl” setting determines the interval; you can select a 3rd, 5th, 7th or 9th interval setting.

Upper/Lower AT, PB, MW, Sus, FV, FC

Just as in 4-zone Mode (see the Owner’s Manual, page 83), Dynamic Split lets you turn the controllers on and off for the upper and lower voices. Controllers which you can turn on or off include aftertouch, pitch bend, modulation wheel, sustain, foot volume and foot controller.

New split point setting

Keys played

New split point settingKeys played

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❑Song Play Mode

Measure Display

Version 2 always displays the current measure number of the selected song at the top of the mixer screen, to the left of the available memory gauge, in Song Play Mode (excluding Song Setup). Thus, you can always see the current measure location during mixdown, rather than having to first display the Song Sequence Play screen.

Quick Song Select

Version 2 lets you select any of the 16 songs directly from Song Multi Play Mode (mixer screen) or Song Sequence Play Mode (see the Owner’s Manual, page 80), using the 16 Track buttons. In this case, the number of each Track button corresponds with the song of the same number. Just hold [SONG] and press the [TRACK] button with the same number as the song you want to select.

Quick Measure Locate

Version 2 lets you jump to either of the two measure locate points in a song directly from the Song Multi Play Mode screen. When the mixer is displayed, simply hold [SHIFT] and press [F5] (Location 1) or [F6] (Location 2). (For details about how to assign the two measure locate points, see the Owner’s Manual, page 81.)

Mixer Screen Jump

Version 2 provides easier navigation within the mixer with the Mixer Screen Jump feature. This lets you, for example, quickly jump back and forth between the Effect Send 1 knob and the Volume fader for the selected track.

In Song Multi Play Mode, hold [SHIFT] and press [F2]. To assign a different feature for each arrow, use the cursorup/down buttons.

External Sync Tempo Display

Version 2 displays the tempo value of a connected external sequencer when the W5/W7 is set to MIDI (external) clock status. The tempo value of the external sequencer’s clock will appear in parentheses in the tempo field of Song Sequence Play Mode. (For details about setting the clock status, see the Owner’s Manual, page 84.)

Song Playback From Specified Measure

Version 2 lets you start song playback from any measure and still have the system exclusive, program change, control change and other data applied. Holding [SHIFT] and pressing [RUN] will cause the song to start from the currently specified measure after reading the data in the previous measures—so that the correct voices, etc., will be applied to the playback.

Song Setup During Playback

Version 2 lets you select the Song Setup Keyboard and Other (Next Song, Transpose) features during song playback.

OTHER FEATURES IN Version 2

Version 2 incorporates a variety of other features which streamline the W5/W7’s operation as well as greatly expand your playing options.

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❑System Effect

Tempo Delay

In Version 2 the tempo of the song can be used to automatically determine the delay time in System Effect 3.

The Tempo Delay feature lets you quickly and easily match the delay time in System Effect 3 to the tempo of the song. The various note values are accessible from the delay parameters below a value of 0.1ms by pressing [DEC].

Note that a slower tempo which exceeds the delay range will halve the actual delay time. Also note that using the external clock or changing the tempo may produce noise.

❑Song Setup Mode

Transpose

Version 2 provides an octave Transpose feature in Keyboard Normal Mode (Keyboard Setup screen; see the Owner’s Manual, page 82) that lets you shift the octave up or down between –3 and +3 octaves.

There is also a shortcut to accessing the octave Transpose feature from Voice Mode, by pressing [F1] (octave down) or [F2] (octave up).

F1 F2

❑Song Record Mode

Variable Count-in

Version 2 lets you determine the number of measures for count-in before realtime (Overdub or Replace) recording begins. (For details about Song Record Mode, see the Owner’s Manual, page 86). There are four options, as follows:

key

When “key” is selected, recording will begin as soon as you press a key on the keyboard.

When “0” is selected, recording will begin as soon as you press the Run button.

When “1” is selected, recording will begin after a onemeasure count-in after pressing the Run button.

When “2” is selected, recording will begin after a twomeasure count-in after pressing the Run button.

Click Beat and Quantize

Version 2 displays note values graphically to the right of the Quantize and Click Beat parameters. Also, you can select Quantize and Click Beat parameters via the numeric keypad, in accordance with the note values as printed above the various keypad buttons.

Jump To Next Note Event

In Step Record Mode (see the Owner’s Manual, page 89), when the Data/Cursor button is set to “Cursor” (red light), you can jump directly to each subsequent note using the [JOG] dial or [CURSOR-LEFT/RIGHT] buttons, rather than having to scroll through each segment of 12 clocks.

Page 25

Transpose

Just as in Keyboard Normal Mode (Song Setup screen) and Voice Mode, you can transpose the pitch between –3 and +3 octaves from within Step Record Mode (see the Owner’s Manual, page 90)—by holding [SHIFT] and pressing [F1] (octave down) or [F2] (octave up).

❑Song Edit Mode

System Exclusive Input

When you select a type other than “Excl”, such as VceC (Voice Common), VceE (Voice Element), DrmC (Drum Voice Common), Song, Mlt (Multi), Sys (System), and SwR (Switch Remote), the various types of parameters for the parameter changes can be edited.

Parameters

D (Device Number) input numerically C (Inst Channel) input numerically Param (Parameter Type) depends on the type selected E (Element Number) input only when the type is “VceE” Val (Value) input numerically

For more information about MIDI system exclusive data, refer to “MIDI Data Format” in the separate W5/W7 Technical Information booklet.

Song Edit Graphic Measure Select

Now you can locate a specific measure in Song Edit Sequence Track Graph Mode (see the Owner’s Manual, page 91) using the numeric keypad. Also, when the Data/Cursor button is set to “Cursor” (red light), you can jump directly to each subsequent note using the [JOG] dial or [CURSOR-LEFT/RIGHT] buttons, rather than having to scroll through each segment of 12 clocks.

F1 F2

SHIFT

❑Song Play/Voice Mode

Version 2 provides several convenient new features in Voice Mode (see the Owner’s Manual, page 106).

Recall that when you switch into Voice Mode, the settings for the selected voice are reset to the factory settings, and the designated Insertion Effect will also be applied.

Version 2 also gives you the option of selecting voices from the Voice Mode screen without the factory settings being automatically applied—by holding [SONG] and pressing [VOICE], or by holding [SHIFT] and pressing [VOICE]. The red lamp above both the Song and Voice buttons will light.

In this “Song Play/Voice Mode” the W5/W7 is still technically in Song Play Mode, but you get the benefits of Voice Mode features such as a visual display of which Insertion Effect is specified for the selected voice, plus new features like Quick Octave Shift and Quick Voice Bank Select.

Note that when you switch to Voice Mode, if all three Insertion Effects are in use by other channels, one will be “stolen” and applied to the voice in the currently selected channel. In Song Play/Voice Mode, an Insertion Effect will not be automatically applied to the currently selected channel.

When the W5/W7 is in Song Play/Voice Mode, to switch back into Voice Mode, simply press [VOICE]. To switch back into Song Multi Play Mode, simply press [SONG]. When you switch back to Song Play Mode, the settings for the voice will not be changed.

Another new aspect of Version 2 is that when you switch from Voice Mode to Song Play Mode, you can hold [SHIFT] and press [SONG] and the multi settings will be restored as they were before entering Voice Mode.

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❑Voice Edit Mode

Element Assign

Version 2 provides a shortcut for selecting voice elements from the Voice Element Assign function (see the Owner’s Manual, page 112). Now you can position the cursor over the two-letter element category code (if P1 or P2 is selected) and directly select a different element category. As you do, the first element of each category will be recalled.

Voice Common Copy

Version 2 features a convenient Voice Common Copy function in Voice Edit Mode (see the Owner’s Manual, page 110). Voice Common Copy lets you copy controller parameters only, or effect parameters only, or both controller and effect parameters from a designated voice to the current voice.

To access Voice Common Copy, press [F1] (Com) to select the Common parameters, followed by [F6] (Vol) to select the Volume function. Then press [F2] (Copy).

Voice Element Copy

Version 2 features a convenient Voice Element Copy function (see the Owner’s Manual, page 112) that lets you copy element and pitch from a designated voice to a specified element (1~4) of the current voice.

To access Voice Element Copy, press [F2] (Elem) to select the Element parameters, followed by [F5] (Assign) to select the Assign function. Then press [F2] (Copy).

The destination element (“To”) can also be selected by pressing [TRACK 1~ 4].

F2 F5

F2 F6

❑Store Mode

Song/Internal Voice Bank Copy

Version 2 provides much greater flexibility for storing and managing user voices. Specifically, you can now transfer the contents of any Song voice bank into the Internal voice bank as long as the Song voices don’t use the Song Element.

This gives you the option of storing a set of Song voices as a normal voice bank on floppy disk, rather than as “Song + Voice” data only, which cannot be loaded into the Internal voice bank.

The GM, Preset, or Internal voice bank can be stored to the existing Song voice bank if the voices don’t use the Internal Elements.

Voice banks can be exchanged by using the Memory function of Utility Mode (see page 25).

Store Mode Voice Directory

When storing a multi or voice in Store Mode (see the Owner’s Manual, page 129-130), you can now call up the Song Directory or Voice Directory, respectively, by pressing [F8] (Dir).

When storing a voice, note that the currently selected track (channel number) will be indicated to the right of the currently selected voice to be stored.

Version 2 lets you designate auto or manual multi store in Utility Mode, Other Setup (see page 25).

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❑Utility Mode

Memory Copy

The Memory function (see the Owner’s Manual, page

143) has been expanded to give you the option of exchanging various voice banks. For example, in addition to being able to copy the Internal, Preset (1, 2, 3), GM or Song Voice (1~16) bank to the Internal or Song Voice (1~16) banks, you can copy a song voice bank to the Internal bank.

Depending on which voice bank you copy from, specific drum voice banks will also be copied, as follows:

• GM GM1 (StdKit) and GM2 (RoomKit)

• Preset 1 Preset 1 (QY10 Kit) and Preset 2 (SY85 Kit)

• Preset 2 GM1 (StdKit) and GM2 (RoomKit)

• Preset 3 Preset 3 (HipHopKit) and Preset 4 (Lofi Kit)

CS Assign and FC Assign

There is a new aspect to the CS Assign function in the Controller screen (see the Owner’s Manual, page 147), as well as a new function, FC Assign.

• CS Assign

You can assign one of many functions to be controlled by the continuous slider on the W5/W7’s panel. “000” becomes the default setting which allows the CS to be used as a data entry slider, and “032” turns the CS off.

• FC Assign

You can assign one of many functions to be controlled by a connected foot controller. Selectable parameters include 000 (off), 001~031, 032 (off), and 033~119. When you want to use the foot controller in its normal capacity, select parameter “004: FootCtrl”. Note that when loading an All Data type file which was saved in Version 1, FC Assign will automatically default to “000: off”.

Multi Store Auto/Manual

In Version 1, whenever you made changes to a multi they were stored in the multi automatically. Version 2 features a Multi Store function accessible from the Other Setup screen (see the Owner’s Manual, page 149) which lets you choose whether or not you want the changes you make in a multi to be stored automatically or manually using Store Mode.

The “auto” setting is the default setting which means that all changes you make in multi parameters will be stored automatically, and will be retained even if you switch from song to song.

The “manual” setting will keep the changes you make in a memory buffer, and will be lost when you switch to another song, unless you perform the Multi Store function in Store Mode. Manual lets you make changes in a multi without fear of losing the original settings in the song.

Free Internal Element

Version 2’s Free Element Initialize function in the Initialize screen (see the Owner’s Manual, page 144) lets you initialize unused Internal elements which unintentionally have been stored by using a commercially available disk, to provide more memory space for those voices you need.

To access Free Element Initialize, press [F2] (Init) and select “Free Element” using [INC] or [JOG].

ENGLISH

Page 28

ENGLISH

❑Disk Mode

Auto Load and Auto Play

Version 2 features new Auto Load and Auto Play options in Disk Mode (see the Owner’s Manual, page 131).

Auto Load lets you insert a floppy disk when the power is off so that a file on the disk will load automatically into songs when you turn the power on—so that the file is ready to play. Auto Play lets you have the file load into Song 01 and start playing automatically after the W5/W7 system starts up.

Auto Load works by saving a song file to floppy disk as a “1 Song + Voice” (.A1S) type file using the name AUTOLOAD. (“AUTOLOAD.A1S”)

Auto Play works by saving a song file to floppy disk as a “1 Song + Voice” (.A1S) type file using the name AUTOPLAY. (“AUTOPLAY.A1S”)

Note that you can only store one Auto Load or Auto Play file on a single floppy disk. Also note that when you load the .A1S type song file, its voice data will be loaded into the Song voice bank, thus overwriting any existing Song voices.

NOTE

The AUTOPLAY.A1S file is included in the accompanying floppy disk. (For more information, see page 7)

CAUTION

Turning the power off or ejecting the floppy disk while loading may cause irretrievable data loss or floppy disk drive malfunction.

Page 29

Changes to the Technical Information Booklet

Please use the new information below in conjunction with the W5/W7 Technical Information booklet.

● Voice List

Two new Preset voice banks, P2 and P3, are included in Version 2. Please note the following:

• The voices in Preset voice bank P1 are the same as those in the “Preset Voice List” on pages 6 ~ 11 of the Technical Information booklet.

• The voices in Preset voice bank P2 are the same as those in the “Internal Voice List” on pages 12 ~ 17 of the Technical Information booklet.

• The voices in Preset voice bank P3 are listed under “Preset Voice Bank 3” on pages 28 ~ 31, herein.

● Drum Voice Key Assignments

Two new Preset drum voices (PD03 and PD04) are included in the Preset Drum voice bank, which include some differences in key assignments. Please note the following:

● Element List

Eleven new preset elements (246 ~ 256) are added to the P2 element bank, as listed on pages 19 ~ 24 of the Technical Information booklet. Please add the following to the list which ends on page 24:

Element Element Bank Number

P2 246 Se VBInsect Vibraslap Insect

Category LCD Name

247 Sine 5th Sine 5th 248 Science Science 249 OffMumin Off Mumin 250 Ghost Ghost 251 TapeSpin Tape Spin 252 Bell Dly Bell Dly 253 Bird Bird 254 Reviw Reviw 255 PlsSiren Pulse Siren 256 GhostCH Ghost Choir

• A listing of the key assignments for PD03 and PD04 are provided in the “DRUM VOICE LIST” chart on page 32, herein.

Page 30

NORMAL VOICE LIST

Voice

Preset V oice Bank 3 (001~064)

Number

Voice

Number

001 Ld Bass&Lead off 3 Band EQ 002 Fat&fat on 3 Band EQ 003 Blue Lead on Dist+Comp 004 YellowLead on Dist+Comp 005 Pump 7sus4 on Flanger A 006 Pump Tri 1 on Flanger A 007 Pump Tri 2 on Flanger A 008 Koff Lead off 3 Band EQ 009 Digi Sync off 3 Band EQ 010 Se N-Hall on Flanger B ModWheel ins.ef 12-011 DOWN on Phaser 012 L.F.O. on Auto PAN 013 HaHahaha on 3 Band EQ 014 Tek Boy on Dist+Comp 015 Tek Loop on Phaser 016 Tek S&H on Flanger A 017 MWScratch1 on Dist+Wah ModWheel ins.ef 12-018 MWScratch2 on Dist+Wah ModWheel ins.ef 12-019 Tape Spin on Distortion ModWheel off __-- ModWheel off __-020 Choral Hit on Cross Delay 021 Dr 4spHipHop1 on Reverb Plate 022 4spHipHop2 on Reverb Plate 023 4spTekno 1 on Reverb Plate 024 4spTekno 2 on Reverb Plate 025 Ba Super Sub on 3 Band EQ 026 ElekiTight on 3 Band EQ 027 Joy Bass on Flanger A 028 Tek Line on Flanger B 029 Tight Syn on 3 Band EQ 030 LatelyBass on 3 Band EQ 031 Star Dust on Phaser ModWheel off __-032 Gang on Rotary Sp. 033 VocoBass on Dist->Flange 034 P Funk on Dist+Wah 035 Pick Comp on Dist+Comp 036 LoFiAcBass on Early Ref.1 037 Upright on Dist+Comp 038 Fx Rave Hit 1 on Aural Exc 039 Rave Hit 2 on Aural Exc 040 Acid Hit1 on Early Ref.1 041 Acid Hit2 on Early Ref.1 042 Acid Hit3 on Reverb Room 043 Saxes Hit on 3 Band EQ 044 Brass Hit on 3 Band EQ 045 Staring on Phaser 046 End Time on Flanger B 047 Tek Liner on Flanger A ModWheel lfo speed 1234 048 OverTheSky on Flanger B ModWheel ins.ef 123049 Pd Square St off 3 Band EQ 050 Ambient St off Cross Delay 051 BeautyPad on 3 Band EQ 052 ReverseRR on Cross Delay 053 Feed Pad on Dist->Flange ModWheel ins.ef 123054 AngelHair on Chorus B ModWheel ins.ef 1234 055 Ice Doll on Chorus A ModWheel ins.ef 1234 056 Flute Pad on Pitch Chng 2 ModWheel flt reso 123057 BuzzDrone on Flanger B ModWheel ins.ef 123058 Lily on "Delay L,C,R" 059 Pf Dance CP on Dist->Phaser 060 Ana EP off Pitch Chng 1 061 EP Phaser on Phaser 062 ClaviPhase on Phaser 063 60Vintage on Rotary Sp. 064 AcP & EP off 3 Band EQ

*The "Enable" column indicates Element on/off and MIDI control status, where 1,2,3 and 4 represent Elements 1,2,3 and 4, respectively. A horizontal line at the baseline ("_") or a number indicates that an element is turned on, with the number indicating that the element can be controlled by MIDI, and the horizontal line indicating that it cannot. A horizontal dash ("-") indicates that the element is turned

off. For example, an Enable situation coded with "12_-" indicates that Elements 1, 2 and 3 are turned on, with Elements 1 and 2 able to be controlled by MIDI. Element 4 is turned off.

VOICE

Voice

Category

VOICE

Voice

Category

Voice Name

INSERTION EFFECT

Effect

Mode

INSERTION EFFECT

Effect

Mode

Normal-Voice-Liste Liste des Sonorités Normales

Effect Type

Device Parameter Enable*

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

MIDI CONTROL

MC 1

Device Parameter Enable*

MIDI CONTROL

MC 1

Device Parameter Enable*

flt cutof 123- ModWheel off ___sys.ef 2 ___- ModWheel off ___flt cutof 12-- ModWheel off __-flt cutof 12-- ModWheel off __-flt cutof 123- ModWheel off ___flt cutof 123- ModWheel off ___sys.ef 3 1234 ModWheel off ____ flt cutof 123- ModWheel off ___flt cutof 123- ModWheel off ___-

ins.ef __-- ModWheel off __-lfo speed 12-- ModWheel off __-flt reso 12-- ModWheel off __-lfo speed 1--- ModWheel off _--lfo speed 1--- ModWheel flt cutof 1--lfo speed 1--- ModWheel flt cutof 1---

sys.ef 2 ____ ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef __-- ModWheel off __-sys.ef 2 123- ModWheel off ___flt cutof 123- ModWheel off ___ins.ef 12-- ModWheel off __-flt cutof 12-- ModWheel off __-flt cutof 12-- ModWheel off __--

ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off 1234 ins.ef 12-- ModWheel off __-flt cutof 12-- ModWheel off __-ins.ef 1--- ModWheel off _--flt cutof 12-- ModWheel off __-flt band 12-- ModWheel off __-ins.ef 1--- ModWheel off _--ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef 1234 ModWheel off ____ ins.ef 123- ModWheel off ___ins.ef 123- ModWheel off ___ins.ef 12-- ModWheel off __-ins.ef 123- ModWheel off ___-

flt cutof 12-- ModWheel off __-flt cutof 123- ModWheel off ___ins.ef 12-- ModWheel off __-flt reso 12-- ModWheel off __--

ins.ef 123flt cutof 1_-- ModWheel off __-feg decay 12-- ModWheel off __-ins.ef 12-- ModWheel off __-ins.ef 1--- ModWheel off _--ins.ef 12-- ModWheel off __-sys.ef 1 _23- ModWheel off ___-

General1(CS)

General1(CS) General1(CS)

General1(CS)

General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

MC 2

flt cutof 12--

flt cutof 12-flt cutof 12--

flt cutof _2--

ins.ef 1234 lfo speed 123-

flt reso 123flt cutof 1234 flt cutof 1234 ins.ef 123flt cutof 123sys.ef 2 123-

Page 31

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

P1 238 Br SynBrs10 P2 30 Ld BrsLd1 P1 166 Ba SynBs17 off -- -P2 20 Ld Sweep P2 20 Ld Sweep P2 20 Ld Sweep off -- -P1 152 Ba SynBs3 P1 152 Ba SynBs3 off -- -- off -- -P1 157 Ba SynBs8 P1 157 Ba SynBs8 off -- -- off -- -P1 234 Br SynBrs6 P1 234 Br SynBrs6 P1 234 Br SynBrs6 off -- -P1 234 Br SynBrs6 P1 234 Br SynBrs6 P1 234 Br SynBrs6 off -- -P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3 P1 36 Pf Harpsi1 off -- -P2 116 Pc DigiWobb P2 116 Pc DigiWobb P2 116 Pc DigiWobb off -- -P2 33 Ld RezLd P2 159 Se Shilling off -- -- off -- -P2 26 Ld Digi6 P2 25 Ld Digi5 off -- -- off -- -P2 158 Se Seq2 P2 142 Se Insect off -- -- off -- -P2 138 Se Guffaw1 P2 139 Se Guffaw2 off -- -- off -- -P2 248 Se Science off -- -- -- off -- -- off -- -P1 165 Ba SynBs16 off -- -- -- off -- -- off -- -P2 24 Ld Digi4 off -- -- -- off -- -- off -- -P2 234 Dr Scrach P2 92 Fx WindLoop off -- -- off -- -P2 234 Dr Scrach P2 154 Se Burst off -- -- off -- -P2 251 Se TapeSpin P2 251 Se TapeSpin off -- -- off -- -P1 198 En Choir1 P1 198 En Choir1 P2 35 Pd Pad1 P1 61 Cp Hndbel1 P2 179 Dr BdStd P2 185 Dr SDRock P2 202 Dr HHClose P2 203 Dr HHAnOpn P2 172 Dr BDStdH P2 184 Dr SDRmH2 P2 204 Dr HHAnCls P2 203 Dr HHAnOpn P2 178 Dr BDAnalog P2 192 Dr SDAna9 P2 204 Dr HHAnCls P2 203 Dr HHAnOpn P2 178 Dr BDAnalog P2 199 Dr TMEle P2 202 Dr HHClose P2 200 Dr HHOpen P1 165 Ba SynBs16 P1 161 Ba SynBs12 off -- -- off -- -P1 118 Gt Mute3 P1 139 Ba AlenBs4 P1 139 Ba AlenBs4 off -- -P1 155 Ba SynBs6 P1 155 Ba SynBs6 P1 155 Ba SynBs6 off -- -P2 17 Ld Squ P2 17 Ld Squ off -- -- off -- -P1 156 Ba SynBs7 P1 153 Ba SynBs4 off -- -- off -- -P1 153 Ba SynBs4 P1 155 Ba SynBs6 off -- -- off -- -P1 45 Pf Stuff7 P1 155 Ba SynBs6 off -- -- off -- -P2 11 Ld Saw1 P2 11 Ld Saw1 P2 11 Ld Saw1 P2 11 Ld Saw1 P1 215 En Vox6 P1 216 En Vox7 P1 0 Pi Whistle P2 161 Se SlapAtk P1 140 Ba BeatleBs P1 149 Ba SlapBs2 off -- -- off -- -P1 134 Ba PickBs1 P1 141 Ba Fretls1 off -- -- off -- -P1 132 Ba A.Bass2 off -- -- -- off -- -- off -- -P1 141 Ba Fretls1 P1 132 Ba A.Bass2 off -- -- off -- -P1 218 En OrchHit P1 218 En OrchHit off -- -- off -- -P1 218 En OrchHit off -- -- -- off -- -- off -- -P2 207 Dr CyCrush P1 244 Rd TenorSx1 P1 222 Br MuteTp P1 132 Ba A.Bass2 P2 208 Dr CyChina P1 243 Rd AltGrwl P1 219 Br Trumpet P1 137 Ba AlenBs2 P2 208 Dr CyChina P1 243 Rd AltGrwl P1 219 Br Trumpet P1 159 Ba SynBs10 P1 242 Rd AltoSx P1 245 Rd TenorSx2 P1 246 Rd BariSx off -- -P1 219 Br Trumpet P1 219 Br Trumpet P1 222 Br MuteTp off -- -P1 238 Br SynBrs10 P2 164 Se TuneRes2 off -- -- off -- -P1 180 St SynSt2 P1 180 St SynSt2 P2 54 Pd Pad20 off -- -P2 78 Fx RevSyn P2 78 Fx RevSyn P2 78 Fx RevSyn P2 78 Fx RevSyn P2 60 Pd Pad26 P2 57 Pd Pad23 P2 47 Pd Pad13 off -- -P2 17 Ld Squ P2 17 Ld Squ off -- -- off -- -P2 19 Ld SquSaw P2 18 Ld SawSqu P2 19 Ld SquSaw off -- -P1 183 St SynSt5 P1 183 St SynSt5 off -- -- off -- -P2 61 Pd Pad27 P2 61 Pd Pad27 off -- -- off -- -P2 67 Pd Pad33 P2 63 Pd Pad29 P1 0 Pi Whistle off -- -P2 53 Pd Pad19 P2 65 Pd Pad31 P2 83 Fx DigiEcho P1 211 En Vox2 P2 63 Pd Pad29 P2 123 Se Bush P2 87 Fx TimpMute P2 41 Pd Pad7 P2 39 Pd Pad5 P2 1 Pi Flute1 P2 1 Pi Flute1 off -- -P2 65 Pd Pad31 P2 74 Pd Pad40 P2 65 Pd Pad31 off -- -P1 44 Pf Stuff6 P2 5 Pi PanFlt1 P2 5 Pi PanFlt1 off -- -P1 11 Pf E.Grand3 P1 36 Pf Harpsi1 off -- -- off -- -P2 24 Ld Digi4 P2 24 Ld Digi4 off -- -- off -- -P1 13 Pf EP2 P1 17 Pf EP6 off -- -- off -- -P2 22 Ld Digi2 off -- -- -- off -- -- off -- -P1 28 Pf EP17 P1 93 Or Stuff1 off -- -- off -- -P1 1 Pf A.Piano1 P1 14 Pf EP3 P1 14 Pf EP3 off -- --

Page 32

Preset V oice Bank 3 (065~128)

VOICE

Voice

Number

065 Pf TX816 EP on Symphonic 066 Mod Roades on Flanger B ModWheel ins.ef 1--067 Or House Orgn on Aural Exc ModWheel off 1--068 The Cat on Rotary Sp. ModWheel ins.ef ____ 069 Gt HeavyMetal on Dist->Delay 070 Prince on Distortion 071 Stratus on Dist->PtChng 072 Eleki Man on Reverb Plate 073 St Progressiv on 3 Band EQ 074 Br Elec Mute on Dist+Wah 075 Rd LoFi Sax off 3 Band EQ 076 Pi Shaku8 on Early Ref.2 077 Sc Ana Pluck off 3 Band EQ 078 Acid Digi on 3 Band EQ 079 SquareSeq off 3 Band EQ 080 Pulse Seq off 3 Band EQ 081 Saw Stab off 3 Band EQ 082 Harpy off 3 Band EQ 083 Wire Comp on Phaser 084 DeCaY off 3 Band EQ 085 Platinum on Dist->Delay ModWheel sys.ef 3 123086 Fx Polaris on 3 Band EQ ModWheel off 1234 087 Moon Base on "Delay L,C,R" 088 WaterMalet on Symphonic ModWheel ins.ef 12-089 Sun Set on 3 Band EQ ModWheel off 123090 Fly Sine on Cross Delay 091 Space Dust on Stereo Echo 092 Galaxy on Cross Delay 093 Ice Land on Stereo Echo ModWheel amp level ___4 094 Insectoid on Cross Delay 095 Ambi S&H on 3 Band EQ 096 LisWat on Gate Reverb 097 Deep Ambi1 on Auto PAN 098 Deep Ambi2 on Phaser 099 Psychic on 3 Band EQ ModWheel off 1234 100 Myth on Pitch Chng 1 ModWheel off 1234 101 Maria on "Delay L,R" ModWheel off 12-102 Puppet on Pitch Chng 1 ModWheel lfo speed 123103 Stoma on Phaser 104 SnowFlakes on Chorus A ModWheel ins.ef 123105 Shanbala on 3 Band EQ ModWheel flt cutof 12-106 Spell on Phaser ModWheel ins.ef 12-107 Et Beijing on Pitch Chng 2 108 Chiang Mai on Early Ref.2 109 Pc Jungle Tom off Reverb Plate 110 EthnicPerc on Reverb Room 111 Se Meadow on Auto PAN 112 GhostRiver on Cross Delay 113 Feed on Dist->Delay ModWheel lfo pmd 12_114 Bell Crash on "Delay L,R" 115 SpaceLab on Flanger A 116 Feedle on Flanger A 117 Mad Man on 3 Band EQ 118 Going Up on Cross Delay 119 Apollo on Phaser 120 S.O.S on Flanger A 121 Teleport on Pitch Chng 1 122 Torpedo on Phaser ModWheel ins.ef 12-123 Emergency on Dist->Phaser ModWheel ins.ef 12-124 Planet X on Dist->Flange ModWheel ins.ef 12-125 CuicaWomen on Early Ref.1 126 Co Bahama on 3 Band EQ ModWheel sys.ef 2 ____ 127 RckBandHit on Distortion 128 MerryXmas on Early Ref.1

Voice

Category

Voice Name

INSERTION EFFECT

Effect

Mode

Effect Type

MC 1

Device Parameter Enable*

General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS)

General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS)

General1(CS) General1(CS)

ins.ef 123- ModWheel off ___-

sys.ef 3 12_ins.ef 12-- ModWheel off __-ins.ef 12_- ModWheel off 12_ins.ef 1--- ModWheel off _--flt cutof 12-- ModWheel off __-ins.ef _--- ModWheel off _--flt band 1--- ModWheel off _--flt cutof 1_3- ModWheel off ___flt cutof 12-- ModWheel off __-flt cutof 12-- ModWheel off __-sys.ef 2 1--- ModWheel off _--flt reso 12-- ModWheel off __-flt reso 1--- ModWheel off _--flt reso 123- ModWheel off ___ins.ef 12-- ModWheel off __-flt reso 12-- ModWheel off __--

flt cutof 12-- ModWheel off __--

amp level _2__ flt reso _2__ sys.ef 2 ____ ModWheel off ____

sys.ef 2 ____ lfo speed 12-- ModWheel off __-ins.ef 123- ModWheel off ___flt cutof 12-- ModWheel off __-ins.ef 123- ModWheel off ___-

flt reso 12-- ModWheel off 12--

flt reso 12-- ModWheel off __-flt cutof 123- ModWheel off ___ins.ef 1--- ModWheel off _--ins.ef 12-- ModWheel off __-ins.ef ____ ModWheel lfo speed _2__ flt cutof 1___ ModWheel off ____

sys.ef 3 ____ flt cutof 12-- ModWheel off __-flt cutof 12-- ModWheel off __-flt cutof 12-- ModWheel off 12-flt cutof 123- ModWheel off ___ins.ef 123- ModWheel flt cutof 123flt reso 123- ModWheel ins.ef __3lfo speed 1_-- ModWheel flt reso 12--

flt cutof 12-- ModWheel off __--

aeg decay _23_ ModWheel off ____ flt band 1234 ModWheel off ____

MIDI CONTROL

MC 2

Device Parameter Enable*

General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS)

General1(CS) General1(CS)

General1(CS) General1(CS) General1(CS)

General1(CS)

sys.ef 1 1--flt cutof 1--aeg decay ___4 sys.ef 1 12_-

sys.ef 1 123flt cutof 1234

flt cutof 12-amp level _2_amp level __3_ flt cutof ____

sys.ef 2 ____ amp level 12__

lfo speed 1234 ins.ef 1234 amp level 1_-flt reso 123-

lfo speed 123amp level _2-flt cutof 12--

ins.ef 1__sys.ef 2 ____

flt reso 12-lfo speed 12-flt cutof 12--

sys.ef 3 ____

Page 33

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element Number

Element

Category

Element

Name

P1 16 Pf EP5 P1 17 Pf EP6 P1 47 Pf Stuff9 off -- -P1 12 Pf EP1 off -- -- -- off -- -- off -- -P1 76 Or Organ2 off -- -- -- off -- -- off -- -P1 96 Or Stuff4 P1 96 Or Stuff4 P1 96 Or Stuff4 P1 96 Or Stuff4 P1 121 Gt Ovdrv1 P1 121 Gt Ovdrv1 P1 116 Gt Mute1 off -- -P1 184 St Violin1 P1 184 St Violin1 off -- -- off -- -P1 103 Gt Clean1 P1 116 Gt Mute1 P2 161 Se SlapAtk off -- -P1 116 Gt Mute1 off -- -- -- off -- -- off -- -P1 174 St Strings6 P1 174 St Strings6 off -- -- off -- -P1 222 Br MuteTp off -- -- -- off -- -- off -- -P1 244 Rd TenorSx1 off -- -- -- off -- -- off -- -P2 10 Pi Noise P2 9 Pi Bottle P1 254 Pi Shaku8 off -- -P1 152 Ba SynBs3 P1 152 Ba SynBs3 off -- -- off -- -P2 27 Ld Digi7 P2 27 Ld Digi7 off -- -- off -- -P2 17 Ld Squ off -- -- -- off -- -- off -- -P2 18 Ld SawSqu P2 18 Ld SawSqu off -- -- off -- -P2 11 Ld Saw1 off -- -- -- off -- -- off -- -P1 97 Gt Nylon1 P1 97 Gt Nylon1 P1 190 St Harp off -- -P1 49 Pf Stuff11 P1 129 Gt Stuff5 off -- -- off -- -P1 43 Pf Stuff5 P2 35 Pd Pad1 off -- -- off -- -P1 44 Pf Stuff6 P1 39 Pf Stuff1 P2 151 Se MtlBel1 off -- -P2 32 Ld VoxLd P2 32 Ld VoxLd P2 80 Fx Dissolve P1 204 En Choir7 P1 217 En Vox8 P1 217 En Vox8 off -- -- off -- -P2 76 Fx SlwSweep P2 72 Pd Pad38 off -- -- off -- -P2 69 Pd Pad35 P1 46 Pf Stuff8 P1 0 Pi Whistle off -- -P2 249 Se offMumin P1 254 Pi Shaku8 P1 206 En Choir9 P1 70 Cp Digi4 P2 248 Se Science P2 36 Pd Pad2 P2 248 Se Science P2 185 Dr SDRock P2 17 Ld Squ P2 46 Pd Pad12 P2 46 Pd Pad12 P1 71 Cp Digi5 P2 247 Se Sine 5th P2 247 Se Sine 5th P2 35 Pd Pad1 P2 37 Pd Pad3 P2 35 Pd Pad1 P2 35 Pd Pad1 P2 246 Se VibraInc P2 246 Se VibraInc P2 80 Fx Dissolve P2 80 Fx Dissolve off -- -- off -- -P1 69 Cp Digi3 P1 69 Cp Digi3 P1 69 Cp Digi3 off -- -P2 158 Se Seq2 P2 86 Fx AtkChr2 off -- -- off -- -P2 24 Ld Digi4 P2 53 Pd Pad19 P2 157 Se Seashore off -- -P2 44 Pd Pad10 P2 33 Ld RezLd P2 76 Fx SlwSweep P2 88 Fx Octivate P1 123 Gt Harm1 P1 209 En Choir12 P2 94 Fx EP-S&H P2 87 Fx TimpMute P2 149 Se Quasar P1 202 En Choir5 off -- -- off -- -P1 51 Cp Clste1 P1 69 Cp Digi3 P2 73 Pd Pad39 off -- -P2 129 Se Simmer P2 65 Pd Pad31 off -- -- off -- -P2 63 Pd Pad29 P2 233 Dr SleiBell P2 83 Fx DigiEcho off -- -P2 38 Pd Pad4 P2 87 Fx TimpMute off -- -- off -- -P2 59 Pd Pad25 P2 160 Se Simpl'n' off -- -- off -- -P2 100 Et Sitar P2 100 Et Sitar off -- -- off -- -P2 115 Pc TnklBell P2 115 Pc TnklBell P2 115 Pc TnklBell off -- -P2 197 Dr TMJazz off -- -- -- off -- -- off -- -P2 241 Dr Tumba P2 241 Dr Tumba off -- -- off -- -P2 0 Se GorstCH P2 255 Se PulsCire P2 254 Se Reviw P2 253 Se Bird P1 198 En Choir1 P2 128 Se Stream P1 208 En Choir11 P2 250 Se Gorst P2 22 Ld Digi2 P2 22 Ld Digi2 P2 140 Se Guffaw3 off -- -P2 220 Dr BellTree P2 162 Se Telephon P2 162 Se Telephon P2 162 Se Telephon P2 146 Se CymSir P2 160 Se Simpl'n' off -- -- off -- -P2 144 Se LFO Xylo P2 144 Se LFO Xylo off -- -- off -- -P2 242 Dr VbSlp P2 242 Dr VbSlp off -- -- off -- -P2 87 Fx TimpMute P2 130 Se Seq1 P2 14 Ld Saw4 off -- -P2 150 Se MadTinke P2 163 Se TuneRes1 P2 159 Se Shilling off -- -P2 164 Se TuneRes2 P2 150 Se MadTinke P1 217 En Vox8 off -- -P2 74 Pd Pad40 P2 80 Fx Dissolve off -- -- off -- -P2 20 Ld Sweep P2 157 Se Seashore off -- -- off -- -P2 33 Ld RezLd P2 166 Se Tweet 2 off -- -- off -- -P2 94 Fx EP-S&H P2 128 Se Stream off -- -- off -- -P2 227 Dr CuiKL P2 226 Dr CuiKH off -- -- off -- -P2 252 Se Bell Dly P2 81 Fx LoopXylo P1 64 Cp StlDrum P2 223 Dr CongaOp P1 137 Ba AlenBs2 P1 119 Gt Dist1 P1 119 Gt Dist1 P2 172 Dr BDStdH P1 183 St SynSt5 P1 183 St SynSt5 P1 65 Cp Marimba P1 60 Cp Glock1

Page 34

DRUM VOICE LIST

Dum-Voice-Liste Liste des Sonorités Rythmiques

pgm#

Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit Preset1(QY10) Preset2(SY85) HipHop Ki t Lofi Kit

24 C 0 Click H 25 CH 0 Brush Tap 26 D 0 O Brush Swirl L 27 DH 0 Brush Slap 28 E 0 O Brush Swirl H 29 F 0 O Snare Roll 30 FH 0 Castanet Hi Q Hi Q Hi Q 31 G 0 Snare L SD Power M Snare M SD Power H Brush Slap L Snare M 32 GH 0 Sticks 33 A 0 Bass Drum L Bass Drum M Bass Drum H Bass Drum M Bass Drum M Bass Drum H 34 AH 0 Open Rim Shot Open Rim Shot 35 B 0 Bass Drum M Bass Drum H BD Power BD Analog L BD RoomS Bass Drum L 36 C 1 Bass Drum H BD Power BD Gate BD Analog H Gran Cassa Bass Drum H BD Power Bass Drum L Bongo H 37 CH 1 Side Stick 38 D 1 Snare M SD Rock SD Power L Analog Snare L Brush Slap SD Rock Bass Drum H Snare M HHAnOpn 39 DH 1 Hand Clap Snare M Bass Drum L Hand Clap 40 E 1 Snare H SD Power Rim SD Power H Analog Snare H Brush Tap Room Tom 1 Room Tom 1 SD Rim H Chinese Cymbal 41 F 1 Floor Tom L Room Tom 1 Power Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1 Room Tom 2 Room Tom 2 Jazz Tom 1 42 FH 1 1 Closed Hi Hat 43 G 1 Floor Tom H Room Tom 2 Power Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 Hand Clap Room Tom 4 Jazz Tom 2 Conga H Open 44 GH 1 Pedal Hi-Hat 45 A 1 Low Tom Room Tom 3 Power Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 Side Stick Bass Drum H Jazz Tom 3 Conga H Open 46 AH 1 1 Hi-Hat Open 47 B 1 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4 Closed Hi Hat Tom 1 Jazz Tom 4 Conga H Open 48 C 2 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5 Hi-Hat Open Tom 2 Jazz Tom 5 Conga H Open 49 CH 2 50 D 2 High Tom Room Tom 6 Power Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6 Tom 3 Jazz Tom 6 Conga H Open 51 DH 2 Ride Cymbal 1 52 E 2 53 F 2 54 FH 2 Tambourine Hand Clap 55 G 2 Splash Cymbal Cowbell 56 GH 2 Cowbell Shaker 57 A 2 58 AH 2 Vibraslap Closed Hi Hat2 59 B 2 Ride Cymbal 2 60 C 3 Bongo H BDAnalog 61 CH 3 Bongo L Cowbell 62 D 3 Conga H Mute Analog Conga H SDPower Ride Cymbal 63 DH 3 Conga H Open Analog Conga M SDAna9 64 E 3 Conga L Analog Conga L CongaOpL Conga L Open 65 F 3 Timbale H CongaOpH Conga H Mute 66 FH 3 Timbale L CongaMt Conga H Open 67 G 3 High Agogo AgogoL Bongo L 68 GH 3 Low Agogo AgogoH Bongo H 69 A 3 Cabassa TimbleL Timble L 70 AH 3 Maracas TimbleH Timble H 71 B 3 O 72 C 4 O 73 CH 4 Guiro Short Wood Block 74 D 4 O Guiro Long Agogo L 75 DH 4 Claves Agogo H 76 E 4 Wood Block H Samba Whistle 77 F 4 Wood Block L BDAnalog 78 FH 4 Cuica Mute Scratch Push Scratch Push Squ Scratch Push 79 G 4 Cuica Open Scratch Pull Scratch Pull BDGate Scratch Pull 80 GH 4 2 Triangle Mute HHAnCls 81 A 4 2 Triangle Open SDAna9 82 AH 4 Shaker HHAnOpn 83 B 4 Jingle Bell SDAna8 84 C 5 Bell Tree SynBsC 85 CH 5 Hi Q SynBsCH 86 D 5 SynBsD 87 DH 5 SynBsDH 88 E 5 SynBsE 89 F 5 SynBsF 90 FH 5 SynBsFH 91 G 5 SynBsG 92 GH 5 SynBsGH 93 A 5 SynBsA 94 AH 5 SynBsAH 95 B 5 SynBsB 96 C 6 SynBsC

GM Preset

Key Off

Alt. GM-1(GD01) GM-9(GD02) GM-17(GD03) GM-25(GD04) GM-26(GD05) GM-33(GD06) GM-41(GD07) GM-49(GD08) Pre-1(PD01) Pre-2(PD02) Pre-3(PD03) Pre-4(PD04)

Reverse Cymbal

Crash Cymbal 1

Chinese Cymbal Ride Cymbal Cup

Crash Cymbal 2

Samba Whistle H Samba Whistle L

Reverse Cymbal Crash Cymbal 1

Analog Side Stick

Analog HH Closed 1

Analog HH Closed 2

Analog HH Open

Hand Cym.Open L

Hand Cym.Closed L

Hand Cym.Open H

Hand Cym.Closed H

BD Gate BD RoomS Side Stick L Analog Side Stick

Room Tom 3 Room Tom 3

Crash Cymbal Bass Drum L

Ride Cymbal Cup SD Power M HHAnOpn

Snare 1 HHAnOpn

Side Stick Snare 2 Tom 4

Closed Hi Hat

Hi-Hat Open Crash Cymbal 1 Crash Cymbal 2

Ride Cymbal Cup

HHAnCls Tumbrn Shaker Clave

Conga HH Closed 1 Analog HH Closed 1

Analog HH Closed

: Same as Standard Kit

: No Sound

Page 35

GM PRESET 1 INTERNAL SONG EXTERNAL PRESET 2 PRESET 3 GM PRESET INTERNAL SONG EXTERNAL

Normal Voice

Drum Voice

Bank No. MSB / LSB 0($00) / 0($00) 1($01) / 0($00) 2($02) / 0($00) 3($03) / 0($00) 4($04) / 0($00) 5($01) / 0($00) 6($01) / 0($00) 127($7F) / 0($00) 17($11) / 0($00) 18($12) / 0($00) 19($13) / 0($00) 20($14) / 0($00)

PGM CNG No. 1〜128($00〜$7F)

↓ ↓ ↓ ↓ ↓ ↓

*1 *2 *2 *2 *2

● MIDI DATA FORMAT

Please note that there are a few changes in the “MIDI DATA FORMAT” specifications (see the W5/W7 Technical Information booklet, page 39). Items shaded in gray, below, are the new additions to Version 2.

Technical Information – page 39

1.2 Channel Message

1.2.1 Transmission

1.2.1.1 Note on/off Transmission note range = C-2(0)...G8(127)

Velocity range = 1...127

1.2.1.2 Control change Control change is output via MIDI when the following controllers are used.

ctrl# 1 4 7 11 64 1〜119 1〜119

Technical Information – page 40

1.2.1.3 Program change When a voice is selected, the bank select and program change is

transmitted according to the following chart.

Normal Voice

Drum Voice

parameter Modulation Wheel Foot Controller Foot Volume Expression Sustain Switch Continuous Slider Foot Controller

GM PRESET 1 INTERNAL SONG EXTERNAL PRESET 2 PRESET 3 GM PRESET INTERNAL SONG EXTERNAL

data rng 0 〜127 0 〜127 0 〜127 0 〜127 0 ，127 0 〜127 0 〜127

PGM CNG No. 1〜128($00〜$7F)

↓ ↓ ↓ ↓ ↓ ↓

*1 *2 *2 *2 *2

Technical Information – page 40

1.2.2.2 Control change Parameters in the table below can be controlled by MIDI.

cntrl# 0 32 1 4 6 7 10 11 71 72 73 74 84 91 93 94 1〜119 1〜119 64

parameter Bank Select MSB Bank Select LSB Modulation wheel Foot control Data Entry Inst Volume Pan Expression Harmonic Content Release Time Attack Time Brightness Portament Control EF Send 1 (Reverb) EF Send 2 (Chorus) EF Send 3 (Delay/Rev) MIDI Control 1 MIDI Control 2 Sustain Switch

data rng 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 〜 127 0 , 127

*1 *1

*1: See Program Change 1.2.1.3

1.2.2.3 Program Change When a program change message is received, the W5/W7 performs the

operations below. Three types of reception modes can be set with the System Setup.

In Store Mode and Voice Edit Mode program changes will not be received.

1) Off: Program changes will not be received.

2) Ignore Bank Select: Individual program number (001 ~ 128) change messages will be received but bank select messages will be ignored.

3) On: Bank select and program change messages will be received according to the following chart.

Technical Information – page 41

2.2 Parameter Change The W5/W7 will transmit and receive the eight types of parameter change messages

listed below. When recording is activated and “All Track” and “Punch-in” are not designated, parameter change messages will be transmitted when the [SONG], [VOICE], [SELECT], [SOLO] and [TRACK 1]~[TRACK 16] buttons are pressed.

However, 6) Switch Remote will only receive and it will act the same function as the panel switches.

1). Song/Multi Data

2). Normal Voice Data

3). Drum Voice Data

4). Element Data

5). Setup Data

6). Switch Remote

7). Master Tuning

8). Universal System Exclusive Message

Except for Device Number off, the parameter change reception cannot be turned off with each MIDI switch.

Page 36

Technical Information – page 44

6. Appended Table

(1) MIDI Parameter Change table (Song / Multi)

$F0,$43,$1n,$33,$04,sub_group,p_msb,p_lsb,v_msb,v_lsb,$F7 NOTES: n: Device Number

s: parameter sub group number 000ccccc c: 1..16; Inst Channel (1..16), 0: common data p: parameter number v: parameter value

[SONG_MULTI PARAMETERS]

1.COMMON c=0 PARAMETER PARAMETER BULK DATA DISPLAY NOTES

NUMBER NUMBER RANGE

SNG_NAME0 0 0 32..127 ASCII song name top SNG_NAME1 1 1 32..127 ASCII song name

SNG_LOC1 - 72,73 0..998 1..999 location point 1 SNG_LOC2 - 74,75 0..998 1..999 location point 2 SNG_KEY_MODE 76 76 b0..b1 norm, split, keyboard mode

SNG_SPLIT 77 77 0..127 C-2..G8 split point reserved - 78 reserved

layer, 4zone

b2..b4 off, 1st, upr, dynamic split mode

lwrL, lwrH

b5..b6 3rd, 5th, 7th dynamic split interval

9th

Technical Information – page 52

(5) MIDI Parameter Change table (Setup)

$F0,$43,$1n,$33,$07,sub_group,p_msb,p_lsb,v_msb,v_lsb,$F7 NOTES: n: Device Number

s: parameter sub group number = 0 p: parameter number v: parameter value

1. SYSTEM s=0

PARAMETER PARAMETER BULK DATA DISPLAY NOTES

NUMBER NUMBER RANGE

SYS_GRTU00 0 0 32..127 ASCII upper 0 SYS_GRTU11 1 1 32..127 ASCII upper 1

SYS_LOCAL 44 44 0..1 off,on local switch SYS_DEVNO 45 45 0..17 off,1..16,all device number SYS_PROT 46 46 SYS_PGMSW 47 47 0..2 off,ignore,on program change switch reserved - 48 reserved SYS_CTRL_RST 49 49 0..1 hold,reset controller hold SYS_EDIT_CONF 50 50 0..1 off,on edit confirm SYS_MVOL 51 51 0..127 0..127 master volume reserved - 52..56 reserved SYS_CS 57 57 0..119 off,1..119 cs assign SYS_FC 58 58 0..119 off, 1..119 foot ctrl assign SYS_FV 59 59 0..1 fc, exp foot vol assign SYS_FCINIT 60 60 0..127 ??? foot ctrl init val. SYS_FIX_VEL 61 61 0..127 off,1..127 play fix velocity

0..1

Greeting Message

auto, manual multistore

Technical Information – pages 56-57

The Implementation Chart on pages 35 ~ 36 now replaces the chart on pages 56 ~ 57 of the Technical

Information booklet.

Page 37

YAMAHA [ Music Synthesizer---synthesizer part ] Date:17-OCT-1995 Model W5/W7 MIDI Implementation Chart Version : 2.0 +----------------------------------------------------------------------+ | | Transmitted | Recognized | Remarks | | Function ... | | | | |-------------------+----------------+----------------+----------------| |Basic Default | 1 - 16 | 1 - 16 | memorized | |Channel Changed | 1 - 16 | 1 - 16 | | |-------------------+----------------+----------------+----------------| | Default | 3 | 3 | memorized | |Mode Messages | x | x | | | Altered | ************** | x | | |-------------------+----------------+----------------+----------------| |Note | 0 - 127 | 0 - 127 | | |Number : True voice| ************** | 1 - 127 | | |-------------------+----------------+----------------+----------------| |Velocity Note ON | o 9nH,v=1-127 | o v=1-127 | | | Note OFF | x 9nH,v=0 | x | | |-------------------+----------------+----------------+----------------| |After Key's | x | x | | |Touch Ch's | o | o | | |-------------------+----------------+----------------+----------------| |Pitch Bender | o | o 0-12 semi |7 bit resolution| |-------------------+----------------+----------------+----------------| | 0,32 | o *2| o *2|Bank Select | | 1 | o M.Wheel | o | | | Control 4 | o Foot cont. | o | | | 6 | x | o | | | 7 | o Foot volume | o |Volume | | 10 | x | o |Pan | | Change 11 | o Foot volume | o | | | 64 | o Sustain sw. | o |Sustain | | 71 | x | o |Harmonic Content| | 72 | x | o |Release Time | | 73 | x | o |Attack Time | | 74 | x | o |Brightness | | 84 | x | o |Porta Cont. | | 91 | x | o |Effect Send1 | | 93 | x | o |Effect Send2 | | 94 | x | o |Effect Send3 | | 1-31,33-119 | o CS,Foot Cont.| o |Assignable | | 120 | x | o |All Sounds Off | | 121 | x | o |Reset All Cont. | |-------------------+----------------+----------------+----------------| |Prog | o 0-127 *3 | o 0-127 *3 | | |Change : True # | *********** | | | |-------------------+----------------+----------------+----------------| |System Exclusive | o *1 | o *1 |voice etc. | |-------------------+----------------+----------------+----------------| | : Song Pos | | |Common : Song Sel | | | : Tune | See the sequencer part. | |-------------------+ | |System :Clock | | |Real Time :Commands| | |-------------------+----------------+----------------+----------------| |Aux :Local ON/OFF | x | x | | | :All Notes OFF| x | o | | |Mes- :Active Sense | o | o | | |sages:Reset | x | x | | |-------------------+----------------+----------------+----------------| |Note *1 ; transmit/receive if device No is not off. | | *2 ; transmit/receive if program sw is on. | | *3 ; transmit/receive if program sw is not off. | +----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

Page 38

YAMAHA [ Music synthesizer---sequencer part ] Date:17-OCT-1995 Model W5/W7 MIDI Implementation Chart Version : 2.0 +----------------------------------------------------------------------+ | | Transmitted | Recognized | Remarks | | Function ... | | | | |-------------------+----------------+----------------+----------------| |Basic Default | 1 - 16 | 1 - 16 | memorized | |Channel Changed | 1 - 16 | 1 - 16 | | |-------------------+----------------+----------------+----------------| | Default | x | x | | |Mode Messages | x | x | | | Altered | ************** | x | | |-------------------+----------------+----------------+----------------| |Note | 0 - 127 | 0 - 127 | | |Number : True voice| ************** | | | |-------------------+----------------+----------------+----------------| |Velocity Note ON | o 9nH,v=1-127 | o v=1-127 | | | Note OFF | x 9nH,v=0 | x | | |-------------------+----------------+----------------+----------------| |After Key's | o | o *6| | |Touch Ch's | o | o *6| | |-------------------+----------------+----------------+----------------| |Pitch Bender | o | o | | |-------------------+----------------+----------------+----------------| | 0,32 | o *3| o *10|Bank Select | | 1 - 31,33 - 121 | o | o | | | | | | | | | | | | | Control | *5| *7| | | | | | | | Change | | | | | | | | | |-------------------+----------------+----------------+----------------| |Prog | o 0 - 127 *4| o 0 - 127 *9| | |Change : True # | ************** | | | |-------------------+----------------+----------------+----------------| |System Exclusive | o | o *8| Song data etc. | |-------------------+----------------+----------------+----------------| |System : Song Pos | o *2| o *2| except REC mode| | : Song Sel | x | o *2| | |Common : Tune | x | x | | |-------------------+----------------+----------------+----------------| |System :Clock | o *2| o *1| | |Real Time :Commands| o *2| o *2| | |-------------------+----------------+----------------+----------------| |Aux :Local ON/OFF | o | o | | | :All Notes OFF| x | x | | |Mes- :Active Sense | o | x | | |sages:Reset | x | x | | |-------------------+----------------+----------------+----------------| |Notes: *1 = receive in MIDI sync mode. | | *2 = transmit/receive if MIDI control is not off. | | *3 = transmit if playback filter bank select is not ignore. | | *4 = transmit if playback filter program change is not ignore. | | *5 = transmit if playback filter control change is not ignore. | | *6 = receive if record filter after touch is not ignore. | | *7 = receive if record filter control change is not ignore. | | *8 = receive if record filter system exclusive is not ignore. | | *9 = receive if program switch is not off. | | *10 = receive if program switch is on. | +----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No