Yamaha Studio 100 User Manual

-

{

-

THE OFFICIAL PUBLICATION

-

OF

THE YAMAHA USERS

--

-

GROUP

-

~TM

-

AUGUST 1986·

O

YAMAHA®

Editor

Tom

Darter

Operations

Sibyl

Darter

-

- -

-

- -

-·

-

~-

--

-

•

Editorial

Bob Frye Bill Hinely Mark Phil

Jim

Production

Leslie Bartz

Rick Eberly

Pat Gates

Paul Haggard Chris

Cheryl Matthews Joyce Phillips June

Joe Verri

Board

Koenig

Moon

Smerdel

Ledgerwood

Ramirez

August

4

5

6

7

1986

RX11/DX7

Enhancing the sound Stephen Solum.

SOL-RXPLUS

A new DX7 voice (for use with an RX11 by Stephen Solum.

TINSYNTH

A new DX21 voice created by John Cocchiarella.

HOOTGLOCK

A new DX21 voice created by J .H. Kane.

8 BRITRODES

A new DX100 voice created by Ken Como.

9 BELLA

A new DX100 voice created by Stephen Cullo.

of

your RX

11

Volume

or

RX15 with a DX7.

2,

Number

or

RX15) created

Issue

8

#11

By

'

A

product

GPI

Tom

P.O.

ridge,

AFrERTOUCH

lished

postage

Prairie, MN and additional

points

SCRIPTIONS:

Address subscription

respondence to

TOUCH, P.O. Box 2338,

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2338.P()~S11E~

Send form 3579

Box

91323-2338.

2 AFrERTOUCH!Vol. 2

of

Editorial

Darter,

Box

CA 91323-2338

monthly. Third

of

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paid

entry.

Services

Director

2338,

at

Long

SUB-

AFrER-

CA

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North-

is pub-

Free.

to

P.O.

class

cor-

CA

10

13

14

18

c

1986 form International Corporation.

No.8

Studio

DX10Q/DX21

CXSM/FB-01

Final Touch

Yamaha International Corporation.

or

by any means, electronically, mechanically, photocopying, recording,

100

An

grated horne recording system.

Blank voicing charts in the AfterTouch format for the DX100, DX27, DX27S, and DX21 4,operator synthesizers.

Introducing the new YRM506 f'B,01 Editor Program car, tridge for the CXSM music computer. Huisman.

Hot

System

introduction

tips for the CXSM music computer.

No

part

to

Yamaha's compact, affordable, fully,inte,

By

of

this publication rna y be reproduced, stored

or

otherwise, without the prior written permission

Torn Darter.

By

Michael A.

in

a retrieval system,

or

transmitted

of

Yamaha

in

any

Fron1

OR

MONTHS

F

receiving Yamaha's family thesizers. Recently, we also 4-operator voices from readers. This month, will begin readers.

On

pages 6 DX21 patches pages 8 from readers.

of DX21 so you voices digital synthesizers: DX21, DX2 7, DX2 7S, DX100.

also provided, for standard

also Studio System 100, beginning

(begun FM will find an introduction Editor Program cartridge for computer. Next month, CA V (computer-aided the Macintosh computer.

can use

of

and

Users

course aware

and

will be able

if

With

the

DXlOO family

featured

In this issue, we

in

tone

FB-01,

For

DX7 owners,

to

your RX11

requests

to

share those patches with

from

9 feature

of

these

DX 100 are completely compatible,

you

own

this

compatibility

on

AfterTouch

as

the last issue) ofYamaha's new FB-01

module:

one

enhance dte

NOW,

for

of

4-operator FM digital syn-

and

7,

you

After

Touch

two

new DX

:RQpular

th~t

to

page 13, a blank voicing chart

part

Beginning

that

or

RX15 digital rhythm pro-

4-operator units are

the

voice

take advantage

one

of

synthesizers,

format.

of

our

also

continue

to

the YRM506

we

will look at another

voicing)

operates

there

drum

The

we

have

more

coverage

started

will

the

in

overview

on

the

is a and cymbal sounds

receiving

find

readers,

100

structure

of

following

mind,

The

DX100

on

page 10.

our

page

CXSM music

program

on

the

patch

been

of

we

all

of

our

two

new

and

patches

of

the

all

four

FM

or

we have

in

the

is

of

the

coverage

14,

you

FB...()1

for

Apple

that

you

Editor

grarnmers. ing a couple applications system, see page 18.

In the next ward patches for use with the operator use and control capabilities voices answers your

In closing, I want ments about your mail are happy ing the ducts, and can in the Questions column; however, requests for general product information must Yamaha [Yamaha International Corp., P.O. Box 6600, Buena Park,

More or

suggestion Yamaha product pondence should if

have a comment about Yamaha's advertising,

marketing,

to

go works hear your thoughts want makers, you should send them

And

for CXSM owners, we are offer-

of

hot

of

your

few

to

a lengthy article

synthesizers, an

of

the

RX family

advice

on

how

from

readers,

to

reader questions,

mailbox-more

to

receive specific questions concern-

use

of

Yamaha professional music pro-

we

will answer

importantly,

about

or

corporate policies, those sho.uld

Yamaha as well.

only

on

After

your

thoughts

tips from readers; for novel

CXSM

months, you can look for-

of

to

in

real time.

is

to

CA

the

or

product line, that corres-

also

be

The

Touch.

on

these subjects; but,

music

computer

on

how

to

convert DX7

DX100 family

in-depth rhythm use

tips

on repeat last issue's com-

to

90622 ].

if

to

programmers,

the

KX76's

We'll

on

programming,

and

more.

the way, and soon!

us:

We

at After Touch

as

many

of

you

have a complaint

design

of a particular

sent

to

Yamaha. And,

staff

of

After

We

are

reach

the

to

Yamaha.

of

look

at

MIDI

also

Watch

them

as

be

sent

Touch

happy

if

decision

-TD

have

4-

the

we

to

you

AFfER--

TOUCHisa monthly informational publication from Yamaha.

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AFrERTOUCH 3

-

--==-

Enhancing The

Of

RXll RX15

Sound

Your

Or

With ADX7.By Stephen Solum.

E

OFTEN

w:

RX15 merely set describe a new use for MIDI sounds the sounds. patch (see page to cymbals. Later, patch DX9.

operators# 1 and approximately sound, little much a tuned "thud"

#3.../16

very high frequency

ways

digital

to

it

in a comer

from a DX7

RX

to

I've

the

bass

if

you

The

patch,

to

longer.

to

are used

sync

alter

drum

own

make

balance

OVERLOOK

to

use

MIDI

rhythm

it

to

included

5)

them

The

pitch

to

programmer,

with the rest

play by itself. This article will

or

other

or

enhance

an

that

will

add

and

toms,

I'll

also explain

a 4-operator synthesizer like a

called

one

SOL~RXPLUS,

#2

to

create

octave

heavier

bass

drum

as

it

the

tom

make a

"ping"

sizzle,

the

many

with

an

RX11

of

our

system

on

the RX: layering

synthesizer

the

basic

example

and

below

and

addition

is a

sounds.

which adds dynamic

of a DX7

power

and

sparkle

how

to

fundamentals

each

let

them

low

frequency Operators

trailing

or

content

and

onto

drum

depth

to

the

use

the

uses

tom

ring a

isn't

so

off

to

a

-

--==-

-

channel4.

3.

On

the RX, hold TION OUT

If,

UNA to

get the setting

4. Now, move the with receive above, TOM 1 to

5.

Repeat toms, cymbals. Check tons

other

6.

When OUT its basic "SELECT

key

button.

CH

instead,

VAIL,"

the

push

hit

the

DATA

MIDI

send

your

DX7 setting.

on

you

TOM1

this

the

bass drums,

to

make sure they are set for something

than

"TRNS

it

all checks

key twice

-

~

down

while

pressing

The

display should read:

INFO

AVAIL

display

the

you

TOM1

channel

MIDI

should

read as follows:

TRNS

procedure

th~

more

says

orange+

need.

instrument

ENTRY

for

If

you

channel4,

set

the

CH=04

with

and

other

CH=04."

out,

push

to

get

PTN"

7

the

green

the

grey

"CH

1/YES

button

slider

to

TOM 1 to

set the DX7

as

suggested

RX

display

the

rest

the

crash

instrument

the

grey MIDI

the

RX

display.

FUNC

MIDI

INFO

button

and

change

agree

for

of

the

and

ride

but~

back

to

RX1

1

digital

programmer.

rhythm

range cymbals.

sound way:

2.

and

high

end

to

the

ride

and

After

entering

like

much

1. Connect a MIDI cable from the MIDI of

the

RX

On

the

DX7, press

the

green

VOICE/PARAMETERkey(#8),

and

use the

DX7's

MIDI receive

to

use;

for

the

by

itself),

to

the MIDI IN

the

DATA

this

example,

patch

(which

set

up

the

of

the

FUNCTION

ENTRY slider

to

the

channel you want

let's

DX7.

to

say

crash

won't

RX

OUT

key

set

MIDI

this

and

the

At

this

point, sounds ment Follow these steps:

1.

2.

3.

to

the

button

On

the

RX, hold

TION

button

IN

button

HittheTOM1

ENTRY follows:

Hit

TOM2

on

with

the

using these key numbers:

TOM1 TOM2 TOM3

we

RX

by directing each

to

play a

while pressing the grey MIDI

twice.

The

OMNION

buttonandmovetheDATA

slider

TOM1

and

other

so

repeat

must

"tune"

certain

down

NOTE=

relevant instrument keys,

key

the

display should read:

the

display

the

procedure,

52

RX

on

green

the

FUNC

reads

=52

DX7

instru~

DX7.

as

and

so

=48

=45

Contimced

on

page

20

4 AFTERTOUCH/Vol. 2

No.8

TR1

WAVE

POLY

POLY/MONO RANGE STEP

35 0 0 0

SPHD

R1

L1

DEI.AY

R2

99 99 99 54

L2

50 50

P1TCH ENVELOPE

0

0 NA

I

P1TCHBEND PORTAIII!NTO

PMD

LFO

R3

L3

50

FUNCTIONS

MODE GUIISANDO

...

L4

I

AMD

44

0

ON 0

SYNC PM8

KEY

0

I

nME

C31

TIIANSI'Ose

I ON I

OSCSYNC

SOL-RXPLUS.A NewDX7

Voice

Use RXll

(For

With

Or

RX15)By Stephen Solum.

An

CONTROLLER RANGE

MOD

WHEEL

FOOT

CONTROL

BREATH

CONTROL

AFTERTOUCH

FREQUENCY

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A1

99 99 99

L1

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IVELOCOITY

Notes:

7

This

#2

fur

ment,

used

patch

the

u.Nie

fur

the

uses

dncm

Ops

cymbal

Ops #I and

enhance-

#3-#6

me

enhancement.

For

more

patch,

see

article

on

Remember.

designed

ro

bwt

Tather

an

RX1

z or

Th,r}un

progmmmeT.

information

the

page

this

be

in

on

acrompanying

4·

patch

isn't

used

.,

iUelf,

conjunction

RXzs

digital

this

with

This DX7 voice can also be loaded into

all the other

Yamaha6

.. operator FM digital synthe

.. sizers and tone generators, including the DXl,

DX5, TX7, TX216, TX816, and

TFl.

Vol. 2

No.8/

AFTER

TOUCH

5

TINSYNTH. ANewDX21 Voice

By

John

Cocchiarella.

TAl

WAVE

LPO

I !'UNCTIONS

35 8 10 0 OFF

-D

DeLAY

6 0

PIIS AMI

I

PIID

KIY1'IIAHSPOSI!

AMD

~

SYNC

DX21 ONLY

PITCH ENVELOPE

PR1

PL1

PAl

99 99 99

PLl

50 50 50

CHORUS FOOT

PR3

PLl

VOL

These DX21 voices can also be loaded into the

DX27,

DX27S,

and

DXlOO

4,operator synthesizers;

all voice parameters, with the exception

of those listed in the

uDX21

ONLY" box, can be loaded into these

units.

POLY I

POL

Y/IIONO

50

I

PITCH I

WHIILRANOE

FREQUENCY

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0.50

31 31

BIAS

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RATE

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0

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....

OUTPUT LEVEL

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12

AANGI

FULL I

MOOI TIMI

PB

0 0

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+1

15 0 6

KEYBOARD

PITCH

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0

DATA

DlR r

1

ICALINO

LEVEL

0

ON I

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POATAMINTO FOOTSWITCH

SUSTAIN

0 50 0

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FREQUENCY

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6.00

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ID1A

31

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10 15 0 7

RATE

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-2

KEYBOARD SCALING

ON

BIAS

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0 0 0 0 0

83

VELOCITY

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0 4 75 0

OUTPUT LIVEL

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14 6 6

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DATA

rlA

0

0 0

I

ALOGAITHM

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LEVEL

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lAME

SCALING

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VELOCITY

lAME

LEVEL

VELOCITY

#2

0

IRA

0

rA

0

~

7

0

6 AFrERTOUCH/Vol. 2

No.8