This product utilizes batteries or an external power supply (adapter). DO NOT
connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recommended by
Yamaha.
WARNING:
Do not place this product in a position where anyone could walk on, trip over
,or roll anything over power or connecting cords of any kind. The use of an
extension cord is not recommended! IF you must use an extension cord, the
minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the
AWG number ,the larger the current handling capacity. For longer extension
cords, consult a local electrician.
This product should be used only with the components supplied or; a cart,
rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please
observe all safety markings and instructions that accompany the accessory
product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time
of printing. However, Yamaha reserves the right to change or modify any of
the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones
or speaker/s, may be capable of producing sound levels that could cause
permanent hearing loss. DO NOT operate for long periods of time at a high
volume level or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accessories.
Some of these items are designed to be dealer assembled or installed. Please
make sure that benches are stable and any optional fixtures (where
applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other uses
are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery
is approximately five years. When replacement becomes necessary, contact a
qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable
type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a
different type. Batteries MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries
away from children. Dispose of used batteries promptly and as regulated by
the laws in your area. Note: Check with any retailer of household type
batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its
useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products that contain lead,
batteries, plastics, etc. If your dealer is unable to assist you, please contact
Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the rear of the product. The model number,
serial number, power requirements, etc., are located on this plate. You should
record the model number, serial number, and the date of purchase in the
spaces provided below and retain this manual as a permanent record of your
purchase.
Model
Serial No.
Purchase Date
92-BP (rear)
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be
used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users
manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference
will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please
try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
NEDERLAND / THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur afdankt of
de volgende Yamaha Service Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
• For the removal of the battery at the moment of the disposal at the end of
the service life please consult your retailer or Yamaha Service Center as
follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL UTRECHT
Tel: 030-2828425
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning m*
kun ske med batteri af samme fabrikat og type. Levér det brugte batteri
tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en
ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt
batteri enligt fabrikantens instruktion.
VAR OITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävit* käytetty paristo
valmistajan ohjeiden mukaisesti.
(lithium caution)
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• Only use the voltage specified as correct for the instrument.
The required voltage is printed on the name plate of the
instrument.
• Use the specified adaptor (PA-5C or an equivalent
recommended by Yamaha) only. Using the wrong adaptor
can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or
dust which may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such
as heaters or radiators, and do not excessively bend or
otherwise damage the cord, place heavy objects on it, or
place it in a position where anyone could walk on, trip over,
or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the
internal parts or modify them in any way. The instrument
contains no user-serviceable parts. If it should appear to be
malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the instrument to rain, use it near water or in
damp or wet conditions, or place containers on it
containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or
damaged, or if there is a sudden loss of sound during use
of the instrument, or if any unusual smells or smoke should
appear to be caused by it, immediately turn off the power
switch, disconnect the adaptor plug from the outlet, and
have the instrument inspected by qualified Yamaha service
personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to
the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptorLocation
• When removing the electric plug from the instrument or an
outlet, always hold the plug itself and not the cord.
• Unplug the AC power adaptor when not using the
instrument, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound
quality, or possibly cause overheating in the outlet.
• Do not expose the instrument to excessive dust or
vibrations, or extreme cold or heat (such as in direct
sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the
internal components.
• Do not use the instrument in the vicinity of a TV, radio,
stereo equipment, mobile phone, or other electric devices.
Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it
might accidentally fall over.
• Before moving the instrument, remove all connected
adaptor and other cables.
• Use only the stand specified for the instrument. When
attaching the stand or rack, use the provided screws only.
Failure to do so could cause damage to the internal
components or result in the instrument falling over.
(3)-7 1/2
Connections
• Before connecting the instrument to other electronic
components, turn off the power for all components. Before
turning the power on or off for all components, set all
volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually
raise the volume controls while playing the instrument to
set the desired listening level.
Backup battery
• This instrument has a built-in lithium backup battery. When
you unplug the power cord from the AC outlet, the internal data
is retained. However, if the backup battery fully discharges,
this data will be lost. When the backup battery is running
low, the LCD indicates “!BatteryLo.” In this case,
immediately save the data to a Memory Card
(SmartMedia), then have qualified Yamaha service
personnel replace the backup battery.
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not
use paint thinners, solvents, cleaning fluids, or chemicalimpregnated wiping cloths.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into
the gaps on the panel or keyboard. If this happens, turn off
the power immediately and unplug the power cord from the
AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons,
switches or connectors.
• Do not operate the instrument for a long period of time at a
high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss
or ringing in the ears, consult a physician.
Saving data
Saving and backing up your data
• Any edited data (see pages 33 and 40) that is left un-stored
will be lost if you turn off the power to the instrument. Save the
data to the USER memory (see page 50).
• USER memory data (see page 20) is retained when the
power is turned off, as long as the backup battery retains a
charge. However, the data could be lost due to malfunction
or incorrect operation. Save important data to a Memory
Card (SmartMedia).
Backing up the Memory Card (SmartMedia)
•To protect against data loss through media damage, we
recommend that you save your important data onto two
Memory Cards (SmartMedia).
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost
or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
(3)-7 2/2
Introduction
Thank you for purchasing the Yamaha S08 Music Synthesizer. In order to get the most out of your new S08 and its
sophisticated functions, we suggest you read through this manual thoroughly. Also keep it in a safe, convenient place
so that you can regularly refer to it when necessary.
Package Contents
• PA-5C AC Adaptor *• CD-ROM•Installation Guide
• Owner’s Manual• Data List
* May not be included in your area. Please check with your Yamaha dealer.
About the Included CD-ROM
Application software for your S08 is included on this CD-ROM. The Voice Editor lets you edit the Voices of the S08
with a highly intuitive graphical interface. With the included sequencing software (Windows only), you can easily
create and edit your own original songs on your computer. For details, refer to the separate Installation Guide or the
on-line manual included with the software.
Never attempt to play back the CD-ROM on an audio CD player. Doing so may result in damage to your hearing as well as
to your CD player/audio speakers.
Main Features
•Exceptionally high-quality dynamic Voices — including many sounds from Yamaha’s top-of-the-line S80 Music
Synthesizer (page 16).
• Naturally responsive 88-key Balanced Hammer Effect keyboard, drawing on our extensive experience and
expertise in piano-making.
• Wide variety of pro-quality digital effects (page 46).
• Category Search function for quickly calling up Voices in a desired instrument group (page 31).
•A total of 493 Normal Voices and 29 Drum Voices, all GM2/XG-compatible — in addition to Preset Voices and
User Voices (page 20).
• Memory cards, which let you easily organize and archive the internal data (page 53).
• Sequence Play function, that lets you directly play song files stored to memory cards (page 51).
• Comprehensive, detailed editing features for customizing your Voices (page 40 and 58).
• Convenient USB terminal for direct, easy connection to computer — with just one cable (page 14).
GM System Level 1
“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI
functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone
generator, regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear
this GM logo.
GM System Level 2 (GM2)
“GM System Level 2” is a standard specification that enhances the original “GM System Level 1” and improves song data
compatibility. It provides for increased polyphony, greater voice selection, expanded voice parameters, and integrated effect
processing. Tone generators and song data that meet the “GM System Level 2” specifications bear this GM2 logo.
XG
“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet the
ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining
upward compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which voices are expanded
or edited and the structure and type of effects.
When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you
will enjoy a full musical experience that includes unlimited expansion voices and effect functions.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral devices.
It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).
6
About This Manual
This manual consists of the following sections.
■ Basics Section (page 11)
This section provides a overview of the main functions and features of the S08 and introduces you to the basic
operating conventions.
■ Quick Guide (page 29)
This section explains how to use the basic functions.
■ Reference : Function List (page 58)
The S08 encyclopedia. This section explains all parameters.
■ Appendix (page 72)
This section contains detailed information on the S08 such as MIDI, Display Messages, Troubleshooting and
Specifications.
■ Installation Guide (separate booklet)
Refer to this for instructions on installing the included software programs (on the CD-ROM) to your computer.
■ Data List (separate booklet)
This contains various important lists such as the Voice List, Wave List, Multi List, and MIDI Implementation
Chart.
About the “Page” References in this Manual
PAGE xx ..... Refers to a display “page” in the LCD
page xx........ Refers to an actual page in this manual.
Many of the functions and parameters of the S08 are shown on various display “pages,” each of which is numbered
within each mode and indicated in the display. Searching for a function or parameter is made more convenient and
fast by the use of these page numbers.
To distinguish these display page references from actual pages in the manual, we’ve applied the following convention:
“PAGE” (all capital letters) refers to the display page. Unless indicated otherwise, the PAGE reference is for display
pages within the same mode (as described for other parameters in the same section).
Throughout the manual, parameter names are prefaced by numbers, such as “13-2 Resonance.” This, for example,
indicates that the Resonance parameter is on display PAGE 13 in the selected mode.
When one display page contains two or more related parameters, use the []/[] buttons (page 26) to scroll
through the available parameters. These related parameters selected by the []/[] buttons are indicated by
hyphenated numbers (e.g., 13-1, 13-2, etc.). In the example above, you can select the Resonance parameter by using
the []/[] buttons to move to the second page.
n For a full listing of the parameters and their corresponding display pages, refer to the Function List (page 58) or the
Parameter Table (page 18).
● Copying of the commercially available music sequence data and/or digital audio files is strictry prohibited except
for your personal use.
● The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on your instrument.
● The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of
their respective companies.
7
Application Index
This convenient, easy-to-use index is divided to general categories to help you when you want to find information on
a specific topic or function.
Listening/Playing
■
• Listening to Demo songs ................................................................................................................................... Demo Playback (Page 16)
• Playing the voices .......................................................................................................................................................................... (Page 29)
• Calling up Voices in a desired instrument group ........................................................................ Using Voice Category Search (Page 31)
• Playing songs from memory cards................................................................................................................................................ (Page 51)
• Assigning songs to each chain step automatically....................................................................................................................... (Page 52)
• Converting Standard MIDI file from format 1 to format 0..... the separate Installation Guide and the Card Filer Owner’s Manual (PDF)
• Performing live while playing back a Song file ........................................................................................................................... (Page 34)
• Splitting the keyboard — Setting upper and lower ranges for the Voices
- In Multi mode............................................................................................................................................................................. (Page 34)
- In Voice mode ........................................................................................................................................................... Note Limit (Page 59)
• Layering two voices (Parts together)............................................................................................................................................ (Page 35)
• Changing the keyboard played part in the Multi mode ...............................................................................................Trans Ch (Page 66)
• Selecting the touch sensitivity (Global setting) ......................................................................................................................... (Page 57)
• Changing the volume response to your playing strength - getting high volume from soft playing or soft volume from strong playing
(for each Voice/Multi).......................................................................................................................VelSnsDpt/VelSnsOfs (Pages 58, 64)
• Setting the Pitch Bend Range............................................................................................................................... PB Range (Pages 58, 65)
• Using a Foot Controller/Footswitch to control parameters ........................................................................................................ (Page 38)
• Using a Footswitch to start/stop the sequencer........................................................................................................................... (Page 38)
• Using a Footswitch to advance through Voice or Multi programs.............................................................................................. (Page 38)
• Maintaining the controller state/position when you switch between voices ................................................ Controller Reset (Page 67)
• Copying the Voice Variation Effect settings to the Multi mode ............................................................. Copy Variation Effect (Page 49)
• Copying the Controller settings of the Voice mode to the Multi mode............................................................Copy Controller (Page 49)
• Copying Element parameter settings of the Voice being edited to another Element in the same Voice................................... (Page 48)
• Copying Part parameter settings of the Multi being edited to another Part in the same Multi ................................................ (Page 49)
• Backing up your S08 data ..............................................Saving S08 Settings to an External Device/Saving the Settings (Pages 36, 50)
■ Changing the sound
• Editing a Voice ............................................................................................................................................................. Voice Edit (Page 40)
• Effect structure and signal flow........................................................................................................................................Effects (Page 46)
• Editing the effect settings................................................................................................................. Example of Effect Settings (Page 46)
• Adjusting the Voice sustain..........................................................................................................................................AEGRelR (Page 61)
• Getting a brighter sound ....................................................................................................................................................Cutoff (Page 43)
• Getting a more pronounced effect ............................................................................................................................. Resonance (Page 43)
• Setting the stereo pan position................................................................................................................................. Pan (Pages 59, 62, 63)
• Changing the Element/Part that is sounded according to the velocity................................................................................... VelLmt-L/H
In Voice Mode................................................................................................................................................................................ (Page 59)
In Multi Mode................................................................................................................................................................................ (Page 64)
• Getting a smooth transition in pitch from one note to the next............................................................... Porta Sw/Time (Pages 58, 65)
■ Changing the pitch
• Transposing the sound/Adjusting the pitch (tone generator settings)
- Multi (Part) settings.................................................................................................................................... Note Shift/Detune (Page 64)
- Multi (Common) settings .........................................................................................................................................Transpose (Page 63)
• Transposing the keyboard.......................................................................................................................................... Kbd Trans (Page 67)
• Adjust the tuning to other instruments ..................................................................................................................MasterTune (Page 66)
• Setting the all notes (keys) to the same pitch ............................................................................................................ PchSclSns (Page 59)
8
Application Index
■ Setting the volume/level
• Adjusting the total volume................................................................................................................................ VOLUME slider (Page 12)
• Adjusting the Multi volume (affects all parts)............................................................................................................. Total Vol (Page 63)
• Adjusting each part’s volume...........................................................................................................................................Volume (Page 64)
• Adjusting the Voice volume (affects all elements)................................................................................................ Total Lvl/Vol (Page 63)
• Adjusting each element’s volume....................................................................................................................................... Level (Page 59)
• Adjusting each drum key’s volume..................................................................................................................................... Level (Page 62)
■ Setting the sound of a drum voice
• Moving the pan position randomly each time a key is pressed............................................................................................ Pan (Page 62)
• Setting the drum key for independent open and closed hi-hat sounds ...................................................................Alt. Group (Page 62)
• Setting the key release response: Enabling a sound to decay naturally even when a key is released,
or having the sound cut off when key is released.....................................................................................................RxNoteOff (Page 62)
• Disabling the sound for specific instruments in a drum kit..................................................................................... RxNoteOn (Page 62)
■ Selectively disabling sounds
• Keeping certain elements from sounding temporarily during editing........................................................Mute function (Pages 41, 42)
• Disabling the sound of specific elements................................................................................................................. Element Sw (Page 59)
• Keeping certain parts from sounding temporarily.............................................................................................. Mute function (Page 41)
• Disabling the sound of specific parts................................................................................................................................ RcvCh (Page 64)
• Disabling the sound of specific keys (instrument sounds) in a drum kit...............................................................Rx NoteOn (Page 62)
■ Convenient editing functions
• Monitoring an Element for Editing.............................................................................................................................................. (Page 42)
• Creating a completely new Voice/Multi from scratch ................................................................................................................ (Page 48)
• Listening to the difference between the Voice/Multi with your edited settings
and the same Voice/Multi prior to editing ................................................................................................... Compare Function (Page 41)
■ Entering data
• Entering the value directly with the numeric keypad or the keyboard...................................................................................... (Page 28)
• Entering characters (Voice/Multi/File Name Settings)............................................................................................................. (Page 50)
■ Saving data
• Storing the edited Voice/Multi to the S08’s internal (USER) memory...................................................................................... (Page 50)
• Saving S08 settings (Voice/Multi/MIDI/Utility) to an external device such as a computer or Memory Card................ (Pages 36, 54)
■ Connecting the S08 to other devices
• Connecting a computer .......................................................................................................... Connecting a Personal computer (Page 14)
• Setting Local On/Off ...................................................................................................................................... Local On/Off (Pages 15, 67)
• Using the S08 as a multitimbral tone generator .......................................................................................................................... (Page 33)
• Sending the S08 data using the Bulk Dump function .......................................... Saving S08 Settings to an External Device (Page 36)
• Editing Voices using a computer..................................The separate Installation Guide and S08 Voice Editor Owner’s Manual (PDF)
• Using the included sequencing software (Windows only).............The separate Installation Guide and the application’s on-line help
• Setting the S08 to either receive or ignore program changes (Voice/Multi) from an external device..... RxPgmChng/RxBankSel (Page 66)
• Determining whether or not the S08 sends program changes to an external device.......................TxPgmChng/TxBankSel (Page 66)
• Determining whether or not an external sequencer starts/stops when starting/stopping the S08’s sequencer............ SeqCtl (Page 66)
• Determining whether or not the S08’s sequencer starts/stops when starting/stopping an external sequencer............ SeqCtl (Page
• Resetting the S08 to its default settings....................................................................... Factory Set (Restore Factory Defaults) (Page 23)
■ Quick solutions and reference materials
• Global functions of the Function List .......................................................................................................................................... (Page 58)
• S08 parameter structure and the LCD PAGES ................................................................................................ Parameter Table (Page 18)
• Memory Structure — indicating where various settings are stored ........................................................................................... (Page 20)
• Voice Structure - examining which elements are used in the voices .................... Checking the Voice Structure and Muting (Page 42)
• Parameters that are not effective for drum-voice-assigned parts................................................................................................ (Page 22)
• Explanation of Effect Types ................................................................................................................................... The separate Data List
• Lists of the Voices, Multis, Waves, Original Kits, etc............................................................................................. The separate Data List
• General information on MIDI ................................................................................................................................ About MIDI (Page 72)
• Meaning of the display messages.................................................................................................................... Display Messages (Page 77)
n Host Select parameter is set in the Utility mode (page13).
The Controls & Connectors
11
Basics SectionQuick GuideReferenceAppendix
T
DC IN
ON
FOOT
CONTROLLER
FOOT
SWITCH
STANDBY
PHONES
L/MONO
R
OUTPUT
Before Use
Power Supply
Rear Panel
LLER
STANDBY
ON
DC IN
DC IN
STANDBY/ON switch
1 Make sure that the S08’s STANDBY/ON switch is
at the STANDBY (off) position.
2 Connect the PA-5C’s DC plug to the S08’s DC IN
terminal on the instrument’s rear panel.
3 Connect the adaptor’s AC plug to the nearest
electrical outlet.
Do not attempt to use an AC adaptor other than the
Yamaha PA-5C or an equivalent recommended by
Yamaha. The use of an incompatible adaptor may cause
irreparable damage to the S08, and may even pose a
serious shock hazard! ALWAYS UNPLUG THE AC
ADAPTOR FROM THE AC POWER OUTLET WHEN
THE S08 IS NOT IN USE.
Even when the switch is in the “STANDBY” position,
electricity is still flowing to the instrument at a minimum
level. When not using the S08 for an extended period of
time, be sure to unplug the AC power adaptor from the
wall AC outlet.
R
OUTPUT
L/MONO
PHONES
To electrical
outlet
When using the S08 as MIDI slave:
PAN
CHORUS
REVERB
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
KNOB
REMOTE
POWER
ON!!
ASSIGN AASSIGN B ASSIGN 1 ASSIGN 2
CONTROL
CONTROL
FUNCTION
ON/OFF
MODE
KN 1 KN 2 KN 3 KN 4
VOICEPERFORM MASTER
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
ARPEGGIO
EFFECT BYPASS
SYSTEM
ON/OFF
INSERTION
MASTER
VOLUME 1VOLUME 2 VOLUME 3VOLUME 4
VOLUME
SEQUENCER
SONG
FILE
PATTERN
SEQ
TRANSPORT
INTEGRATED
SAMPLING
UTILITY
MIXING
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
2
LOCATE
1
REC
EDIT
STORE
JOB
F1 F2 F3 F4 F6F5
SCENE STORE
COMPARE
SET LOCATE
CS 1 CS 2 CS 3 CS 4
OCTAVE
UP
DOWN
ZONE 1 ZONE 2 ZONE 3 ZONE 4
MIDI master (transmitting device)
MUSIC
SYNTHESIZER
PRODUCTION
Sequencer
Sampling
Integrated
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
SLOT 1 SLOT 2 SLOT 3
CATEGORY
PRE 2
PRE 1
PRE 3
PLG 3
PLG 2
DRUM KITS
USER PLG 1
GM
SEARCH
BANK
GUITAR/
BRASS
KEYBOARD
STRINGS
A. PIANO
REED/PIPE
ORGAN
BASS
FAVORITES
PLUCKED
COMMON
D
B
E
SECTION
A
C
FGH
DEC/NO INC/YES
INFORMATION
EXIT
GROUP
DRUM/
SYN COMPCHROMATIC
SE
SYN LEADSYN PAD/
MUSICAL FXCOMBI
PERCUSSION
PERCUSSION
CHOIR
TRACK
1234
567
8
SELECT
ELEMENT/PERF.PART/ZONE
NUMBER
11
12
10
131416
9
ENTER
15
MUTE
EXECUTE
SOLO
MUSIC SYNTHESIZER
S08 as MIDI slave (MIDI receiving device)
12345678910111213141516LR
Audio equipment (first mixer, then amplifier)
Turning on the S08
In order to avoid possible damage to the speakers or other
connected electronic equipment, always switch on the
power of the S08 before switching on the power of the
amplified speakers or mixer and amplifier. Likewise,
always switch off the power of the S08 after switching off
the power of the amplified speakers or mixer and
amplifier.
n Before you switch your S08 on or off, first turn down the
volume of any connected audio equipment.
1 Press the STANDBY/ON switch.
Power-on Procedure
When you have made all the necessary connections
between your S08 and any other devices (page 13),
make sure that all volume settings are turned down all
the way to zero. Then turn on every device in your
setup in the order of MIDI masters (senders), MIDI
slaves (receivers), then the audio equipment (mixers,
amplifiers, speakers, etc.). This ensures smooth MIDI
operation and prevents speaker damage.
When powering down the setup, first turn down the
volume for each audio device, then switch off each
device in the reverse order (first audio devices, then
MIDI).
12
Before Use
A splash screen (“Welcome to S08”) is displayed
briefly. The Multi or Voice Play Mode screen
appears next.
2 Turn up the amplifier’s volume as necessary.
3 Adjust the S08’s [VOLUME] slider to set an
appropriate volume level.
VOLUME
Connections
Before connecting the S08 to other electronic components, turn off the power to all the components. Before turning the power on or
off to all components, set all volume levels to minimum(0). Otherwise, electrical shock or damage to the components may occur.
Connecting to External
Connecting External MIDI
Basics SectionQuick GuideReferenceAppendix
Audio Equipment
Since the S08 has no built-in speakers, you need to
monitor its sound output via external audio
equipment. Alternatively, you could use a pair of
headphones. There are several methods of connecting
to external audio equipment, as described in the
following illustrations.
Connecting Stereo Powered Speakers
A pair of powered speakers can accurately produce the
S08’s rich sounds with their own pan and effect
settings. Connect your powered speakers to the
OUTPUT L/MONO and R jacks on the rear panel.
Powered speaker
(Left)
OUTPUT L /MONOOUTPUT R
n When using just one powered speaker, connect it to the
OUTPUT L/MONO jack on the rear panel.
Connecting to a Mixer
If you want to integrate the S08 into a larger system
with other instruments and additional audio
processing capabilities, connect it to a mixer, amplifier
and stereo monitor system as shown below.
Mixer
12345678910111213141516 L R
OUTPUT L
OUTPUT L /MONO
Powered speaker
(Right)
INPUTINPUT
R
R
L
MUSIC SYNTHESIZER
Amplifier
PHONES
MUSIC SYNTHESIZER
Stereo headphones
PHONES
S08
Speaker
Stereo
headphones
R
Equipment
You can connect an external MIDI device using a MIDI
cable (available separately) and control it from the S08.
You can also use an external MIDI keyboard or
sequencer to control the S08’s internal sounds. This
section introduces several different MIDI applications.
n The HOST SELECT (UTILITY PAGE 13) should be set
to “MIDI.” Otherwise, MIDI data will not be transmitted
from the S08’s MIDI OUT connector.
Controlling the S08 from an
External MIDI device
UTILITY PAGE 13
HostSelect
KEYELEMPART
PAGE
13
MIDI IN
OCTAVE
UP
DOWN
MIDI OUT
Controlling an External MIDI device
with the S08
UTILITY PAGE 13
HostSelect
PAGE
13
MIDI OUT
MIDI
S08
PAN
CHORUS
REVERB
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
KNOB
REMOTE
ASSIGN AASSIGN B ASSIGN 1 ASSIGN 2
CONTROL
CONTROL
FUNCTION
ON/OFF
MODE
KN 1 KN 2 KN 3 KN 4
VOICEPERFORM MASTER
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
ARPEGGIO
EFFECT BYPASS
SYSTEM
ON/OFF
INSERTION
MASTER
VOLUME 1VOLUME 2 VOLUME 3VOLUME 4
VOLUME
SEQUENCER
SONG
FILE
PATTERN
SEQ
TRANSPORT
INTEGRATED
SAMPLING
UTILITY
MIXING
2
LOCATE
1
REC
EDIT
STORE
JOB
SCENE STORE
COMPARE
SET LOCATE
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
External MIDI keyboard
or synthesizer
KEYELEMPART
MIDI
DRUM KITS
FAVORITES
COMMON
DEC/NO INC/YES
SONG SCENE
INFORMATION
SF 1SF 2SF 3SF 4SF 5
ENTER
EXIT
F1 F2 F3 F4 F6F5
EXECUTE
MUSIC SYNTHESIZER
MUSIC
SYNTHESIZER
PRODUCTION
Sequencer
Sampling
Integrated
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
SLOT 1 SLOT 2 SLOT 3
CATEGORY
PRE 2
PRE 1
PRE 3
PLG 3
PLG 2
USER PLG 1
GM
SEARCH
BANK
GUITAR/
KEYBOARD
BRASS
STRINGS
A. PIANO
ORGAN
REED/PIPE
BASS
PLUCKED
D
B
E
SECTION
A
C
FGH
GROUP
DRUM/
SYN COMPCHROMATIC
SE
SYN LEADSYN PAD/
MUSICAL FXCOMBI
PERCUSSION
PERCUSSION
CHOIR
TRACK
1
34567
2
8
SELECT
ELEMENT/PERF.PART/ZONE
NUMBER
11
12
10
131416
9
15
MUTE
SOLO
MUSIC SYNTHESIZER
S08
n Connecting a pair of headphones does not affect audio
output from the OUTPUT (L/MONO and R) jacks. The
audio output at the PHONES jack and the OUTPUT
jacks is exactly the same.
MIDI IN
PAN
CHORUS
REVERB
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
KNOB
REMOTE
ASSIGN AASSIGN B ASSIGN 1 ASSIGN 2
CONTROL
CONTROL
FUNCTION
ON/OFF
MODE
KN 1 KN 2 KN 3 KN 4
VOICEPERFORM MASTER
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
ARPEGGIO
EFFECT BYPASS
SYSTEM
ON/OFF
INSERTION
MASTER
VOLUME 1VOLUME 2 VOLUME 3VOLUME 4
VOLUME
SEQUENCER
SONG
FILE
PATTERN
SEQTRANSPORT
INTEGRATED
SAMPLING
UTILITY
MIXING
2
LOCATE
1
REC
EDIT
STORE
JOB
SCENE STORE
COMPARE
SET LOCATE
CS 1 CS 2 CS 3 CS 4
OCTAVE
UP
DOWN
ZONE 1 ZONE 2 ZONE 3 ZONE 4
External MIDI keyboard
or synthesizer
S08
MUSIC
SYNTHESIZER
PRODUCTION
Sequencer
Sampling
Integrated
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
SLOT 1 SLOT 2 SLOT 3
CATEGORY
PRE 1 PRE 2
PRE 3
PLG 3
USER PLG 1
PLG 2
DRUM KITS
GM
SEARCH
BANK
GUITAR/
KEYBOARD
BRASS
STRINGS
A. PIANO
ORGAN
REED/PIPE
FAVORITES
BASS
PLUCKED
COMMON
D
B
E
SECTION
A
C
FGH
DEC/NO INC/YES
SONG SCENE
INFORMATION
SF 1SF 2SF 3SF 4SF 5
EXIT
F1 F2 F3 F4 F6F5
GROUP
DRUM/
SYN COMPCHROMATIC
SE
SYN LEADSYN PAD/
MUSICAL FXCOMBI
PERCUSSION
PERCUSSION
CHOIR
TRACK
1
34567
2
8
SELECT
ELEMENT/PERF.PART/ZONE
NUMBER
11
12
10
131416
9
ENTER
15
MUTE
EXECUTE
SOLO
Connections
13
Basics SectionQuick GuideReferenceAppendix
Recording and Playback using an
External MIDI Sequencer
Connecting to a Personal
Computer
MIDI IN
UTILITY PAGE 13
HostSelect
KEYELEMPART
PAGE
13
MIDI
External
MIDI sequencer
MUSIC SYNTHESIZER
MIDI OUT
MIDI IN
MIDI OUT
S08
Controlling Another MIDI Device via
MIDI THRU
UTILITY PAGE 13
HostSelect
KEYELEMPART
PAGE
13
MIDI
External
MIDI sequencer
MIDI OUT
MIDI IN
MUSIC SYNTHESIZER
MIDI sequencer
MIDI IN
MIDI THRU
External
MIDI OUT
You can use a connected computer to control the S08
and to transfer S08 data to/from computer via MIDI.
With the included Voice Editor program, for instance,
you can edit the Voices of the S08.
There are two ways to connect your S08 to a computer:
Depending on your particular computer, the
connections may differ. (See below.)
n You may also want to change the Local On/Off setting
(pages 15 and 67), depending on how you are using the
S08 in your MIDI system.
n You will also need the appropriate MIDI application
(sequencer, editor, etc.), compatible with your computer
platform.
1: USB connection
UTILITY PAGE 13
HostSelect
KEYELEMPART
PAGE
13
USB
USB connecter
MUSIC SYNTHESIZER
USB cable
S08
PAN
CHORUS
REVERB
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
KNOB
REMOTE
ASSIGN AASSIGN B ASSIGN 1 ASSIGN 2
CONTROL
CONTROL
FUNCTION
ON/OFF
MODE
KN 1 KN 2 KN 3 KN 4
VOICEPERFORM MASTER
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
ARPEGGIO
EFFECT BYPASS
SYSTEM
ON/OFF
INSERTION
MASTER
VOLUME 1VOLUME 2 VOLUME 3VOLUME 4
VOLUME
SEQUENCER
SONG
PATTERN FILE
SEQ
TRANSPORT
INTEGRATED
SAMPLING
UTILITY
MIXING
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
2
LOCATE
1
REC
EDIT
STORE
JOB
F1 F2 F3 F4 F6F5
SCENE STORE
COMPARE
SET LOCATE
CS 1 CS 2 CS 3 CS 4
OCTAVE
UP
DOWN
ZONE 1 ZONE 2 ZONE 3 ZONE 4
MUSIC
SYNTHESIZER
PRODUCTION
Sequencer
Sampling
Integrated
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
SLOT 1 SLOT 2 SLOT 3
CATEGORY
PRE 2
PRE 1
PRE 3
PLG 3
USER PLG 1
PLG 2
DRUM KITS
GM
SEARCH
BANK
GUITAR/
KEYBOARD
BRASS
STRINGS
A. PIANO
ORGAN
REED/PIPE
FAVORITES
BASS
PLUCKED
COMMON
D
SECTION
B
E
A
C
FGH
DEC/NO INC/YES
INFORMATION
EXIT
GROUP
DRUM/
SE
SYN COMPCHROMATIC
MUSICAL FXCOMBI
SYN LEADSYN PAD/
PERCUSSION
PERCUSSION
CHOIR
TRACK
1
34567
2
8
SELECT
ELEMENT/PERF.PART/ZONE
NUMBER
11
12
10
131416
9
ENTER
MUTE
15
EXECUTE
SOLO
MIDI IN
External MIDI synthesizer
With the above MIDI connections, you can send MIDI
data from the S08’s MIDI OUT terminal, while
sending MIDI data from the external sequencer to an
external MIDI synthesizer via the S08’s MIDI THRU
terminal.
n MIDI THRU simply relays the MIDI messages received
via MIDI IN.
n The MIDI cable should be no greater than 15 meters in
length, and there should be no more than three devices in
a MIDI chain (chained in series via each unit’s MIDI
THRU). To connect more units, use a MIDI Thru Box
for parallel connections. You may encounter errors if the
MIDI cables are too long or if too many devices are
chained together via their MIDI THRU connectors.
Computer
S08
n The data via the MIDI IN terminal is ignored when using
the USB port (Host Select set to “USB”).
n When connecting the S08 to a computer with a USB
cable, make sure that the USB cable is properly connected
before turning on the power.
Be careful not to turn off the power of the S08 if an
application using the USB/MIDI connection is currently
running.
n The USB connection can only be used for transfer of
MIDI data. No audio data can be transferred via USB.
n Once connected via USB, the S08 begins communication
after a short time.
n Keep in mind that when using Windows 2000/XP, some
operating problems on the computer may occur during
startup. If this happens, try turning on the power of the
S08 only after the computer is properly running.
n When connecting the S08 and your computer via USB,
make sure to connect them directly without routing
through a USB hub.
14
Connections
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