Yamaha MagicStomp User Manual 3
GUITAR EFFECTS PROCESSOR
EFFECT LIST
1
Effect Type List
EFFECT TYPE Description
Distortion
Digital Distortion Distortion effect. Mainly used for direct connection to guitar amp’s front input.
Amp Simulator
Chorus Chorus effect.
Symphonic Symphonic effect.
Flange Flange effect.
Vintage Flange Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Phaser Maximum 16-stage phaser.
Mono Vintage Phaser
Stereo Vintage Phaser
Tremolo Tremolo effect.
Auto Pan Autopanner.
Rotary Rotary speaker simulator.
Ring Mod. Ring modulator.
Mod. Filter Modulation filter.
Compressor Compressor.
M.Band Dyna. 3-band dynamics processor.
Dyna. Filter Filter effect. The effect changes according to input level.
Dyna. Flange Flanger effect. The effect changes according to input level.
Dyna. Phaser Phaser effect. The effect changes according to input level.
Tape Echo Vintage tape echo.
Mono Delay Basic monaural delay.
Stereo Delay Basic stereo delay.
Mod. Delay Basic repeat delay with modulation.
Delay LCR 3-tap delay (left, center, right).
Echo Stereo delay with crossed feedback loop.
8 Band Parallel Delay 8-band modulation delay connected in parallel.
8 Band Series Delay 8-band modulation delay connected in series.
4 Band 2 Tap Mod. Delay 4-band delay connected in parallel w/2 multi-tap modulation delays.
2 Band 4 Tap Mod. Delay 2-band delay connected in parallel w/4 multi-tap modulation delay.
8 Multi Tap Mod. Delay 8 Multi tap modulation delay.
2 Band Long + 4 Short Mod. Delay 2 band parallel 2 multi tap + 4 band short modulation delay.
Short + Medium + Long Mod. Delay 3 band multi tap delay w/3 delay times.
Reverb Hall, room, stage, and plate reverb simulations, all with gates.
Early Ref. Early reflections.
Gate Reverb Early reflections with gate.
Reverse Gate Early reflections with reverse gate.
Spring Reverb Spring reverb simulation.
HQ. Pitch High-quality pitch shifter.
Dual Pitch Pitch shifter.
Advanced distortion. Mainly used for direct connection to guitar amp’s front
input.
DG Series amp sound. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
2
EFFECT TYPE Description
3 Band Parametric EQ 3-band parametric equalizer.
Multi Filter 3-band multi-filter (24 dB/octave).
Reverb+Chorus Reverb and chorus effects in parallel.
Reverb->Chorus Reverb and chorus effects in series.
Reverb+Flange Reverb and flanger effects in parallel.
Reverb->Flange Reverb and flanger effects in series.
Reverb+Symphonic Reverb and symphonic effects in parallel.
Reverb->Symphonic Reverb and symphonic effects in series.
Reverb->Pan Reverb and autopan effects in series.
Delay+Early Ref. Delay and early reflections effects in parallel.
Delay->Early Ref. Delay and early reflections effects in series.
Delay+Reverb Delay and reverb effects in parallel.
Delay->Reverb Delay and reverb effects in series.
Distortion->Delay
Amp Multi (Chorus)
Amp Multi (Flange)
Amp Multi (Tremolo)
Amp Multi (Phaser)
Distortion Multi (Chorus)
Distortion Multi (Flange)
Distortion Multi (Tremolo)
Distortion Multi (Phaser)
Acoustic Multi Multi effect for electric-acoustic guitar.
Distortion and delay effects in series. Mainly used for direct connection to guitar
amp’s front input.
Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Multi effect consisting of Comp + Amp Simulator + Flanger + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Multi effect consisting of Comp + Distortion + Flanger + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
3
Effect Parameters
Distortion
Advanced distortion. Mainly used for direct connection to guitar amp’s front input.
Parameter Display Range Description
Lead1, Lead2, Drive1, Drive2,
Type TYPE
Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion
Master MSTR 0.0 to 10.0 Adjusts the volume
Tone TONE 0.0 to 10.0 Adjusts the tone
EQ 1 Freq. EQ1F 50.0 to 400 Hz Specifies the post effect EQ1 frequency
EQ 1 Gain EQ1G -12.0 to 12.0 dB Specifies the post effect EQ1 gain
EQ 1 Q EQ1Q 0.100 to 20.0 Specifies the post effect EQ1 Q (bandwidth)
EQ 2 Freq. EQ2F 200 to 1.60 kHz Specifies the post effect EQ2 frequency
EQ 2 Gain EQ2G -12.0 to 12.0 dB Specifies the post effect EQ2 gain
EQ 2 Q EQ2Q 0.100 to 20.0 Specifies the post effect EQ2 Q (bandwidth)
EQ 3 Freq. EQ3F 600 to 4.80 kHz Specifies the post effect EQ3 frequency
EQ 3 Gain EQ3G -12.0 to 12.0 dB Specifies the post effect EQ3 gain
EQ 3 Q EQ3Q 0.100 to 20.0 Specifies the post effect EQ3 Q (bandwidth)
EQ 4 Freq. EQ4F 2.00 k to 16.0 kHz Specifies the post effect EQ4 frequency
EQ 4 Gain EQ4G -12.0 to 12.0 dB Specifies the post effect EQ4 gain
EQ 4 Q EQ4Q 0.100 to 20.0 Specifies the post effect EQ4 Q (bandwidth)
Pre EQ Level PELV 0.0 to 10.0 Specifies the pre effect EQ level
Pre EQ 1 Freq. PE1F 50.0 to 500 Hz Specifies the pre effect EQ1 frequency
Pre EQ 1 Gain PE1G -12.0 to 12.0 dB Specifies the pre effect EQ1 gain
Pre EQ 1 Q PE1Q 0.100 to 20.0 Specifies the pre effect EQ1 Q (bandwidth)
Pre EQ 2 Freq. PE2F 200 to 2.00 Hz Specifies the pre effect EQ2 frequency
Pre EQ 2 Gain PE2G -12.0 to 12.0 dB Specifies the pre effect EQ2 gain
Pre EQ 2 Q PE2Q 0.100 to 20.0 Specifies the pre effect EQ2 Q (bandwidth)
Pre EQ 3 Freq. PE3F 1.00 k to 10 kHz Specifies the pre effect EQ3 frequency
Pre EQ 3 Gain PE3G -12.0 to 12.0 dB Specifies the pre effect EQ3 gain
Pre EQ 3 Q PE3Q 0.100 to 20.0 Specifies the pre effect EQ3 Q (bandwidth)
N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates
N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold
N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open
N. G. Decay NGDC 6 to 44500 ms
Crunch1, Crunch2, Fuzz1,
Fuzz2, Distortion1, Distortion2,
Overdrive1, Overdrive2, Tube,
Solidstate
Distortion type
Time required for the noise gate to close after signal goes below threshold
Digital Distortion
Distortion effect. Mainly used for direct connection to guitar amp’s front input.
Parameter Display Range Description
Distortion1, Distortion2,
Type TYPE
Drive DRV 0 to 100 Distortion drive
Master MSTR 0 to 100 Master volume
Tone TONE –10 to +10 Tone
Noise Gate NG 0 to 20 Noise reduction
Overdrive1, Overdrive2,
Crunch
Distortion type
4
Amp Simulator
DG Series amp sound. Mainly used for direct connection to power amp.
Speaker simulator allows direct recording.
Parameter Display Range Description
Heavy1, Heavy2, Lead1, Lead2,
Amp Type AMP
Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion
Master MSTR 0.0 to 10.0 Adjusts the volume
Tone TONE 0.0 to 10.0 Adjusts the tone
Treble TRE 0.0 to 10.0 Adjusts level of high range frequencies
High Middle HMID 0.0 to 10.0 Adjusts level of upper mid frequencies
Low Middle LMID 0.0 to 10.0 Adjusts level of lower mid frequencies
Bass BASS 0.0 to 10.0 Adjusts level of low frequencies
Presence PRE 0.0 to 10.0 Adjusts level of extremely high frequencies
Speaker
Simulator
N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates
N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold
N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open
N. G. Decay NGDC 6 to 44500 ms
SP
Drive1, Drive2, Crunch1,
Crunch2, Clean1, Clean2, Solid
Off, American 412, British 412,
Modern 412, YAMAHA 412, Hybrid
412, American 212, British 212,
Modern 212, YAMAHA 212, Hybrid
212, American 112, Modern 112,
YAMAHA 112, Hybrid 112, 410,
210
Amp type
When using a line connection to connect directly to a mixer, this can be
used to simulate the natural characteristics of a speaker giving the tone
a more natural sound
Time required for the noise gate to close after signal goes below threshold
Chorus
Chorus effect.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
AM Depth AMDP 0 to 100% Amplitude modulation depth
PM Depth PMDP 0 to 100% Pitch modulation depth
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
Symphonic
Symphonic effect.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPT 0 to 100% Modulation depth
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
5
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