Thank you for downloading the “M7CL StageMix” iPad app for the Yamaha M7CL
digital mixing consoles. This version of StageMix is for use with M7CL firmware V3.5
and higher.
The latest firmware version for M7CL can be downloaded from
www.yamahaproaudio.com
StageMix provides remote control of M7CL functions via a simple, intuitive
graphical interface from anywhere within wireless range. The software has
been specifically designed to allow engineers to adjust monitor mixes from
the performers’ positions on stage, directly controlling mix parameters via the
iPad rather than having to rely on verbal directions to a second engineer.
The result is better mixes in less time: a huge advantage during high-pressure
pre-show setup. StageMix does not provide remote control of all M7CL
parameters, but is focused on the requirements for adjusting monitor mixes on
stage.
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Yamaha Commercial Audio M7CL StageMix V2.0 User Guide
4.8.5 Navigation in the GEQ Editing Section 22
4.8.6 GEQ ON 22
4.8.7 GEQ FLAT 22
4.8.8 Copy/Paste 22
4.9 SCENE MEMORY 23
4.9.1 Current Scene 23
4.9.2 Decrement / Increment Scene 24
4.9.3 Scene List 24
4.9.4 Scene Range 24
4.9.5 Selected Scene 25
4.9.6 Store Scene 25
4.9.7 Undo Store 25
4.9.8 Recall Scene 25
4.9.9 Undo Recall 26
5.0 Troubleshooting 27
5.1 No Wi-Fi Available 27
5.2 Connection Error 27
5.3 Connection Lost 28
5.4 Graphic EQ Doesn’t Affect the Sound 28
5.5 Problems Moving Multiple Faders 29
5.6 Incompatibility with Earlier M7CL Versions 29
Special Notices
• The software and this Owner’s Manual are the exclusive copyrights of Yamaha
Corporation.
• Copying of the software or reproduction of this manual in whole or in part by any
means is expressly forbidden without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the
software and documentation and cannot be held responsible for the results of the use
of this manual and the software.
• The company names and product names in this Owner’s Manual are the
trademarks or registered trademarks of their respective companies.
• The screen displays as illustrated in this Owner’s Manual are for instructional
purposes, and may appear somewhat different from the screens which appear on
your computer.
• Future upgrades of application and system software and any changes in
specifications and functions will be announced separately.
• Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S.
and other countries.
• Windows® is the registered trademark of Microsoft® Corporation.
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1.0 System Requirements
• Apple iPad (any model)
• Yamaha M7CL digital mixing console with V3.5 firmware or higher (any model,
including M7CL-48, M7CL-32, M7CL-48ES)
• Wi-Fi access point (preferably with 802.11n, 5GHz capability, though 2.4GHz
and 802.11g will also work)
• CAT5 cable (to connect M7CL to Wi-Fi access point)
2.0 Wi-Fi Settings
Configure the Wi-Fi access point, following the manufacturer’s instructions. No
special settings are needed, but using security such as WPA is highly recommended,
to prevent unwanted devices from joining the network. Here are some suggested
settings to assist less experienced Wi-Fi users:
1. Give the wireless network a name (this is the “SSID”).
2. Choose a security mode (such as WPA) and password.
3. Select the wireless mode (802.11g or n).
4. In the case of “n”, select the wireless band (2.4 or 5GHz).
5. If available, enable “Auto Channel Selection” so the wireless channel with the
least interference will be selected.
802.11n networks at 5GHz are preferred because they allow faster communication
between the iPad and the Wi-Fi access point. Practically, this could result in more
accurate level metering with the StageMix app. Also, with 802.11n being a new
standard, it is less prone to interference from other wireless networks. Using a Wi-Fi
access point with 2 or more external aerials is recommended to increase potential
signal range.
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3.0 Getting Started
3.1 M7CL Network Setup
I. Connect the Wi-Fi access point to the M7CL’s network port via a CAT5 cable.
Note that a cross-over cable will be needed with older access points that don’t
have the “auto MDIX” function. Most recent devices will support “auto MDIX”,
in which case a straight CAT5 cable can be used.
II. Note the IP address and MAC address of the M7CL - they will need to be
entered into the iPad later. They can be found in the console as follows:
a. Press the [SETUP] button on the M7CL touchscreen
b. Press [NETWORK] on the M7CL touchscreen
3.2 iPad Wi-Fi Settings
The iPad needs to be given a static IP address in the same range as the
M7CL’s IP Address.
a. Open the iPad “Settings” menu
b. Select “Wi-Fi”, and choose the correct network
c. Press the blue circle with the white arrow to the right of the selected
network to edit the IP address.
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d. Select [Static].
e. Write an IP Address similar to the one for the M7CL, but with just the
last number different. (For example, if M7CL is 192.168.0.128, give an
address to the iPad such as 192.168.0.127).
f. Enter a Subnet Mask such as “255.255.255.0.”
g. Press the iPad’s Home button to exit the Settings menu.
3.3 StageMix Setup
Launch the “M7CL StageMix” App
The “Select Mixer” screen will appear. From this screen, you can do any of
the following things:
• Access the OFFLINE DEMO mode to explore the features and user
interface of M7CL StageMix.
• Configure StageMix to work with an M7CL console.
• Select an M7CL console that has already been configured to work with
your iPad and begin using StageMix.
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3.3.1 OFFLINE DEMO
If [OFFLINE DEMO] is pressed in the “Select Mixer” screen, all the functions of
StageMix will operate independently of any mixing console. It is a useful way
to demonstrate and learn how to use the app without the need for a mixer.
Level meters will not work in this mode.
3.3.2 Configure StageMix to Work with an M7CL
i. Press [ADD MIXER] to open the following screen:
ii. Tap on the blank Name field and enter a name for your M7CL using the
iPad’s onscreen keyboard.
iii. Enter the M7CL IP address noted in 3.1. The default IP Address may
not need to be changed but confirm this in the Network Setup screen of
the M7CL console (refer to 3.1). If you need to modify the IP Address
in StageMix, make sure you include the dots between the sets of
numbers (as shown above).
iv. Enter the M7CL MAC address noted in 3.1. When entering the MAC
Address, the colons between sets of characters will be automatically
added by StageMix.
v. Select the Model of M7CL console from the choices of M7CL-48 or
M7CL-32. Select M7CL-48 if you use the M7CL-48ES.
vi. Press the [ADD MIXER] button at the bottom of the screen
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3.3.3 Select a Mixer and Begin Working
If your iPad has been configured to work with an M7CL console, select the
mixer from the list and press [CONNECT]. (The model of mixer (M7CL-48 or
M7CL-32) will appear in smaller text below the mixer’s name.)
The message “Syncing With M7CL…” will appear while StageMix is obtaining
parameters from the console. After this process is complete, the Mixer window will
appear and StageMix is ready to be used.
If StageMix cannot connect with your M7CL, refer to the Troubleshooting section
(5.0) at the end of this document for possible solutions.
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4.0 StageMix Operation
4.1 Mixer Window
The main page of the StageMix is called the “Mixer” window. It shows the EQ
curve, CUE and ON buttons, fader and level meters, and channel names for
eight adjacent channels.
Across the top of the screen, level meters and faders are displayed in blocks
of channels for mono Input Channels 1-48, Stereo Input Channels 1-4, Mix
and Matrix busses, and the Master Stereo and Mono busses. This is the
“Navigation/Meter Bridge”.
4.1.1 Channel Bank Navigation
Press any of the “Navigation/Meter Bridge” blocks to select which bank
of channels is viewed and controlled in the fader strips below.
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4.1.2 Channel Names
The channel names are
obtained from the M7CL mixer.
They cannot be edited in
StageMix. The names are
dimmed if the channel is
switched off.
4.1.3 Faders
Each fader has its channel number displayed on its cap. The fader cap
must be touched to allow the level to be adjusted. The fader will not
“jump” or “ramp” to a new position on the slider. When a fader cap is
touched, its background will lighten and its current dB value will be
displayed. Using the iPad’s multi-touch facility, up to eight faders can
be moved simultaneously.
Note: “Multitasking Gestures” must be turned Off in the iPad in order to
allow four or more faders to be adjusted simultaneously.
4.1.4 Channel ON
Press [ON] to change the on/off status of the channel. The button is
green when the channel is on. When a channel is off, its name and
level meter will go dim, and its fader position shown in the
“Navigation/Meter Bridge” will also go dim.
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4.1.5 CUE
The [CUE] buttons for each channel control the mixer’s cue functions.
Their operation mode corresponds to the status of the [LAST CUE]
button on the left side of the Mixer Overview.
When the [LAST CUE] button is highlighted yellow, only one channel
can be cued at a time. When this button is grey, multiple channels can
be cued simultaneously. This is equivalent to Mix Cue mode in the
M7CL console.
The [CUE CLEAR] button will cancel any cues that have been activated.
This is useful when there are multiple cues to cancel, and when some
are hidden in other layers.
4.1.6 Master Bank
Pressing the [Master] block in the “Navigation/Meter Bridge” will cause
channels from the master section to appear in the fader strips.
Included in this block are the Stereo Master channel, Mono Master
channel and the Monitor Level and On control.
Note: there are two EQ thumbnails above the Stereo Master channel.
Parametric EQ is always linked for the left and right sides of the Stereo
Master channel. However it is possible to have independent GEQs
assigned to the left and right side of the Stereo Master.
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4.2 SETUP
Press the [SETUP] button in the upper left area of the Mixer window to open a
new window which allows user preferences to be selected.
iPad Status Bar
The iPad’s Status Bar is visible in this screen, allowing the Wi-Fi signal
strength and the battery charge status to be viewed.
Press [Done] in the top-right corner to return to the Mixer window.
4.2.1 Fader Delay
This is a safety function to avoid accidental fader movements. The
value set here is the time needed to wait between touching a fader and
being able to move it.
4.2.2 Filled EQ Graph
When this preference is ON, the EQ graph will be filled in, as it is on the
M7CL screen. When it is off, only the outline of the graph will be shown.
4.2.3 Set EQ band to 0dB with Double-Tap
When this preference is ON, Parametric and Graphic EQ Gains can be
set to 0dB by double-tapping on the EQ band.
4.2.4 Enable Inc/Dec Scene Recall
When this preference is ON, buttons will appear in the Scene Memory
screen that allow instant recall of the Next or Previous Scene Memory.
Refer to section 4.9.2 for more details.
4.2.5 Channel Select – StageMix Follows Console
When this preference is ON, the currently selected channel in the
StageMix Parametric and Graphic EQ screens will follow the Selected
Channel in the M7CL. This feature is only available with M7CL firmware
V3.5 and higher.
4.2.6 Channel Select – Console Follows StageMix
When this preference is ON, the Selected Channel in the M7CL will
follow the currently selected channel in the EQ screens of StageMix.
This feature is only available with M7CL firmware V3.5 and higher.
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4.3 Long Faders
Press the [LONG FADERS] button at the bottom-left corner of the Mixer
window to allow more accurate adjustment of the currently selected fader
block. In this view, EQ curves and the “Navigation/Meter Bridge” are not
visible.
Press the [LONG FADERS] button in the bottom-left corner again to return to
the Mixer Overview.
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4.4 HA GAIN
The head amp gain for each input channel can be controlled using the faders
in StageMix. Press the [HA GAIN] button in the lower left portion of the Mixer
window to enter HA GAIN mode. This button will turn red and the background
behind the channel faders will become red to indicate that StageMix is in HA
Gain control mode.
Faders can be moved to change the HA Gain for each channel. The gain
value of each head amp will be displayed above the fader while any fader cap
is being touched. Up to 8 faders can be adjusted simultaneously.
Faders will only appear for channels that have a head amp available. In the
screenshot above, channel 8 does not have a head amp available.
4.4.1 Input Port
When HA GAIN mode is active, the input port assigned to each channel
will be displayed at the top of each channel strip (the EQ thumbnail is
not displayed when HA GAIN mode is active).
Note: the Input Port is a display-only parameter and cannot be edited
from StageMix.
4.4.2 Phantom Power
The 48V phantom power status for each input channel is also displayed
at the top of each channel strip when HA GAIN mode is active. The
48V indicator will appear in red when phantom power is active.
Note: the Phantom Power status is a display-only parameter and
cannot be edited from StageMix.
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4.4.3 Phase
The Phase setting for each input channel appears near the top of the
channel strips when HA GAIN mode is active. The Phase setting can
be edited from StageMix by pressing this button. The button will have a
grey background when the Phase setting is normal and will change to
an orange background when Phase is reversed.
4.5 SENDS ON FADERS
Press the [SENDS ON FADERS] button in the left column of the Mixer screen
to access sends to Mix and Matrix busses. In “SENDS ON FADERS” mode,
each fader controls the send level from its channel to the currently selected
Mix/Matrix bus.
A large button will appear to show the currently selected Mix or Matrix bus,
and its name. The color of this button matches those used on the M7CL
console. [CUE] and [ON] buttons appear below, allowing the currently active
Mix or Matrix bus to be Cued and turned On/Off.
Press the colored [MIX ON FADERS] button to select a new target Mix Bus:
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Choose from Mix 1-16 and Matrix 1-8. The currently selected Mix will appear
as a white button with a check mark. Stereo pairs appear as single large
buttons.
4.5.1 Mix Send Levels
When in “SENDS ON FADERS” mode, the fader in each channel strip
controls the level being sent from that channel to the currently selected
Mix Bus.
Note: if a Mix Bus is set to “Fixed” mode, send levels to that Mix Bus
are fixed at 0dB and cannot be adjusted. Mix Send faders will not
appear when a Mix Bus set to “Fixed” mode is selected.
4.5.2 Mix Sends ON
In “SENDS ON FADERS” mode, the [ON] button in each channel strip
is used to turn On/Off the Mix Send from each channel to the currently
selected target Mix/Matrix bus.
When a Mix, Matrix or Master block is selected in the “Navigation/Meter
Bridge”, the [SENDS ON FADERS] button is not available.
To exit “SENDS ON FADERS” mode, press the [SENDS ON FADERS] button
in the left column.
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4.6 EQ Editing
Every channel in the M7CL has a dedicated Parametric EQ (PEQ). The M7CL
also has Graphic EQs (GEQs) that can be assigned (inserted) on input or
output channels.
Note: assignment of GEQs to channels must be done on the console and
cannot be done in StageMix.
EQ Curve in Mixer Screen
The EQ curve section on the Mixer Screen will show the user whether a GEQ
is available on any channel. If GEQ is available on a channel in addition to
PEQ, the user will be able to view the curve for either of these EQs and
access the editing screen for either type of EQ.
Green and blue dots below each EQ curve indicate the types of EQ available
on that channel, and the type of EQ (PEQ or GEQ) that is currently displayed
for that channel. A green dot indicates PEQ and a blue dot indicates GEQ.
When only PEQ is currently available on a channel, no dots will appear below
the curve. (In Demo mode, GEQs appear on Mix busses 1, 7 and 8).
In the example above:
• Mix Bus 1 has both PEQ and GEQ available, and GEQ is currently being
displayed (the blue dot is solid and the curve is blue).
• Mix Bus 2 has both PEQ and GEQ available, and PEQ is currently being
displayed (the green dot is solid and the curve is green).
• Mix Busses 3-8 have only PEQ available so no dots are displayed below
their EQ curves.
Changing the EQ Curve Display between PEQ and GEQ
On any channel displaying both a green and blue dot below the EQ curve, the
user can select either of those EQ types to be displayed by using a swipe
gesture in the EQ curve area.
If a PEQ curve is currently displayed, swiping from right to left will cause the
GEQ curve to be displayed.
If a GEQ curve is currently displayed, swiping from left to right will cause the
PEQ curve to be displayed.
Accessing the EQ Editing Screens
To access the PEQ or GEQ Editing Screens, tap on the EQ curve to open the
appropriate EQ Editing screen.
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• If a PEQ curve is displayed, the PEQ Editing Screen will be accessed.
• If a GEQ curve is displayed, the GEQ Editing Screen will be accessed.
Note: the EQ editing screen will be accessed when the finger is removed from
the curve. Swipe gestures will not cause the Editing screen to be accessed.
4.7 Parametric EQ Editing Screen
The current channel’s Name, Fader, Level Meters, [ON] and [CUE] buttons
are shown in the left column. At the bottom-left, there are “previous” and
“next” arrow buttons for navigating to different channels.
Note: the In/Out meters display the levels going In and Out of the EQ section.
One band of Parametric EQ can be adjusted at a time. Press one of the green
circles to select the band, and it will be highlighted yellow. EQ bands in
StageMix are labelled as follows:
HP = HPF (input channels only)
1 = Low Band
2 = Low-Mid Band
3 = High-Mid Band
4 = High Band
The current values for Freq, Gain and Q will be displayed for the currently
selected EQ band.
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Gain and Frequency can be adjusted by dragging the circle around the graph.
Q is adjusted by using the iPad’s “pinch” gesture: hold one finger (or thumb)
on the screen while moving another finger closer to or further away from the
first.
TIP___________________________________________________________
The most comfortable and accurate way of adjusting Q is to use a vertical
pinch movement with the thumb and forefinger.
______________________________________________________________
While an EQ band is being moved, the
parameter value will turn yellow to
indicate that it has changed. The little
yellow arrows show which direction the
band should be moved to return to its
previous position.
In some cases, it may be necessary to adjust the gain without altering the
frequency. Or to adjust the frequency without changing the gain. In this case,
the “Gain Lock” or “Frequency Lock” functions can be used. These buttons
are located at the top of the EQ graph.
The “Lock” buttons affect all 4 bands (but not the HPF). When a band is
adjusted, the locked parameter value becomes red.
4.7.1 HPF
When the HPF is selected, an extra [HPF] button appears at the top of
the EQ graph. Press this button to switch the HPF on/off. When the
button is green, the HPF is On. HPF has no Gain or Q parameter: only
frequency.
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4.7.2 EQ Bands 1 & 4
EQ bands 1 & 4 have additional choices of band-type. Both these
bands can be a shelf or a bell, and band 4 can also be a Low Pass
Filter. Band 1 can also be a HPF for Mix, Matrix and Stereo/Mono
Master channels. When one of these bands is selected, the relevant
additional buttons are shown above the EQ graph.
4.7.3 EQ ON
The channel EQ can be switched on/off with the [EQ ON] button
towards the top-right of the EQ graph. It is green when the EQ is on.
When the EQ is switched off, the EQ curve will be grey.
4.7.4 EQ FLAT, EQ DEFAULT
These two buttons, above the EQ curve perform the same function as
those on the M7CL console. [FLAT] will set the Gain of bands 1-4 to
0dB, but will not change the Q and Frequency values. [DEFAULT] will
reset all EQ parameters for the selected channel back to their default
values, including HPF.
After pressing one of these buttons, an “Are You Sure?” pop-up will be
displayed before the action is executed (or cancelled).
To exit from the EQ window and return to the Mixer window, press the
[MIXER] button at the top-right of the display.
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4.8 Graphic EQ Editing Screen
GEQ Overview
In the upper portion of the GEQ Editing Screen, the complete GEQ curve is
displayed along with the gain positions for all 31 bands. White dots represent
the position for each of the 31 bands. (These dots change to yellow and
become larger when they are being touched in the Editing section below.)
The current channel’s Name, Fader, Level Meters, [ON] and [CUE] buttons
are shown in the left column. At the bottom-left, there are “previous” and
“next” arrow buttons for navigating to different channels. Pressing these
buttons will only access other channels that have GEQs assigned to them.
Note: the In/Out meters display the levels going In and Out of the EQ section.
4.8.1 Navigation in the GEQ Overview Section
Tapping anywhere in the GEQ Overview will cause the GEQ sliders in
the Editing section to jump to that range of the GEQ (represented by a
light grey area in the overview). Touching the selected range in the
Overview and dragging it left / right will scroll the range of GEQ sliders.
4.8.2 Rack Position
In the upper-left area of the GEQ screen, the Rack position of the
channel’s GEQ will be displayed. In the screenshot above, this GEQ is
located in rack position 5B.
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4.8.3 GEQ Type
Next to the Rack position, the type of GEQ is identified as either “31
Band” or “Flex 15”. In the case of a Flex 15 GEQ, a larger-sized
number indicates the remaining number of available bands for that
GEQ. As each band is adjusted away from 0dB, the number of
available bands will decrease. This number will turn red when no
further bands are available to be edited.
4.8.4 Editing GEQ Bands
Sliders in the lower portion of the GEQ screen allow each band of EQ
to be edited. Multiple bands can be edited simultaneously with up to 10
bands appearing at any one time. Touch the silver sliders for one or
more bands and move them vertically to adjust the gain for each band.
The gain parameter value will appear in a floating display above any
GEQ slider while it is being touched.
Note: sliders will become transparent and cannot be operated
when there are no remaining bands available for a Flex 15 GEQ.
4.8.5 Navigation in the GEQ Editing Section
In addition to navigation in the upper GEQ Overview section, swipe
gestures can be used to navigate through the GEQ bands in the lower
editing section.
4.8.6 GEQ ON
The [GEQ ON] button in the upper-right part of this screen turns the
GEQ On or Off. The button appears blue when GEQ is On and turns
grey when GEQ is Off. When Off, the GEQ display curve will also turn
light grey.
4.8.7 GEQ FLAT
The [FLAT] button will reset all GEQ bands to 0dB. A confirmation
dialog will appear before this function is executed.
4.8.8 Copy/Paste
GEQ parameter settings can be copied and pasted from one GEQ to
another. Press the [COPY] button to capture the parameter settings of
the current GEQ. Navigate to another channel that has a GEQ
assigned and press [PASTE].
Note: the [PASTE] button will only be available when a suitable
GEQ has been selected. Only 31 Band GEQs that use up to 15
bands can be copied to a Flex 15 GEQ. Settings copied in the M7CL
console cannot be pasted in StageMix.
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4.9 SCENE MEMORY
The Current Scene Memory number and title (name) are displayed in the
upper-left corner of the StageMix Mixer window. An “E” indicator will be
displayed if the Scene has been edited since it was last stored or recalled.
The Scene Memory area in the Mixer window also functions as a button which
can be pressed to access the Scene Memory window.
4.9.1 CURRENT SCENE
The Current Scene Memory number and title also appear in the upper
part of the Scene Memory window. The Scene Comment also appears
in this area.
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4.9.2 DECREMENT / INCREMENT SCENE
Buttons in the upper right part of the Scene window allow instant recall
of the Previous and Next Scene relative to the current Scene. For
example, if the Current Scene is 005, pressing the [INC SCENE] button
will recall Scene 006 in the console. However, if Scene 006 is empty,
the next highest Scene containing data will be recalled.
Note: the [DEC SCENE] and [INC SCENE] buttons will only appear in
the Scene window if the related preference has been enabled in the
Setup window (refer to 4.2.5).
4.9.3 SCENE LIST
When the Scene Memory window is accessed for the first time after
launching StageMix, the Scene List will be sent from the console to
StageMix.
Note: if StageMix loses its Wi-Fi connection to the console, the Scene
List will need to be sent from the console again after the connection is
re-established.
12 Scenes can be viewed simultaneously in the Scene List. Drag up
and down in the list to access other Scenes.
The Current Scene will be indicated by a check mark to the right of the
Scene Title (the current scene is also displayed in the upper left portion
of the Scene screen). Empty Scene Memories locations will be
displayed with a grey background. Scene titles that have not been sent
from the console to StageMix will be indicated by a question mark.
4.9.4 SCENE RANGE
If the console contains a large number of Scenes, it may take some
time for the complete Scene List to be transmitted to StageMix. To
minimize the time required to update the Scene List in StageMix, a
Scene Range can be set so that only necessary Scenes are sent from
the console to StageMix.
By default, the Scene Range is set to the full range from Scene 0 to
300. By pressing the [SCENE RANGE] button, the user can define the
range of Scenes that will be updated in the Scene List. This range will
be remembered by StageMix and will continue to be used until it is
changed.
To update the Scene Range, tap the [SCENE RANGE] button on the
right side of the Scene Memory window. A small popup will appear.
Tap the [FIRST] or [LAST] button to access the iPad’s onscreen
keyboard. Enter a number for the First and/or Last Scenes in the
Range and press Return. Then press the [UPDATE RANGE] button in
this popup to update the Scene List based on the currently active range.
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4.9.5 SELECTED SCENE
Selecting a Scene in the Scene List will cause it to be displayed in
white text with a blue background. Further details about this selected
Scene will be displayed to the right of the Scene List. These details
include the following:
SCENE TITLE
The scene title can be edited by tapping on the title. The iPad’s
keyboard will appear. Tap the X button next to the title to clear the
current title before typing in a new title. Then press Return.
SCENE COMMENT
The Scene Comment is displayed and can be edited using the same
procedure described for the Scene Title.
TIME STAMP
This shows the time and date that the Scene was last stored. The Time
Stamp is display-only.
SCENE STATUS (FOCUS and FADING)
This section displays the status of Focus and Fade Time functions for
the selected Scene Memory.
4.9.6 STORE SCENE
Pressing the [STORE] button will cause the current console parameter
settings to be stored to the currently selected Scene Memory
(highlighted in the Scene List).
a) Press [STORE] and the iPad’s onscreen keyboard will appear.
b) To enter a new title for this Scene, tap the X button next to the
Scene Title to clear the current title.
c) Type in a new title and press the [STORE] button or Return on
the keyboard.
d) A confirmation popup will appear if the STORE CONFIRMATION
preference is ON in the console.
4.9.7 UNDO STORE
Pressing the [UNDO STORE] button will cancel the most recent Scene
Store operation.
4.9.8 RECALL SCENE
Pressing the [RECALL] button will cause the currently selected Scene
Memory (highlighted in the Scene List) to be recalled by the console. A
confirmation popup will appear if the RECALL CONFIRMATION
preference is ON in the console.
When a Scene Memory is recalled by the console, StageMix must
synchronize itself with the current console parameter data. The status
of this synchronization will be indicated by a progress bar which
appears below the Current Scene number in the upper left section of
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Yamaha Commercial Audio M7CL StageMix V2.0 User Guide
the Scene Memory screen. You can exit the Scene Memory screen
while synchronization is occurring but you will not be able to edit any
parameters in StageMix until synchronization has been completed.
4.9.9 UNDO RECALL
Pressing the [UNDO RECALL] button will cause the most recent Scene
Recall to be cancelled. StageMix will need to synchronize with the
console after executing a Scene Recall UNDO.
Press the [MIXER] button in the top-right corner of the Scene Memory
window to return to the Mixer window.
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5.0 Troubleshooting
5.1 No Wi-Fi Available
If this message appears after launching StageMix, this indicates that the iPad
is not connected to a Wi-Fi access point or that Wi-Fi may be switched off in
the iPad. Refer to sections 2.0 and 3.2 for details about Wi-Fi hardware
configuration and iPad Wi-Fi settings.
5.2 Connection Error
If this message appears after selecting a mixer and pressing [CONNECT],
this indicates that StageMix cannot connect to the M7CL console. This may be
due to incorrect IP Address or MAC Address settings in either the M7CL or
StageMix. Verify that the settings in the M7CL match the settings in StageMix.
Refer to 3.1 and 3.3.2 for details about these settings. This problem will also
occur if the M7CL console is not turned.
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5.3 Connection Lost
If StageMix loses its connection to the M7CL, the following message will
appear. Operation of StageMix is not possible while this message box is
onscreen. StageMix will automatically attempt to reconnect to the M7CL. If
this is successful, StageMix will re-synchronize with the console data and
operation will become available again.
5.4 Graphic EQ Doesn’t Affect the Sound
If a Graphic EQ is assigned to an input channel or Mix/Matrix bus but it doesn’t
seem to be affecting the sound on that channel, it could be that the Insert for
that channel has been switched Off. Check the state of the Insert ON switch
in the M7CL console.
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Yamaha Commercial Audio M7CL StageMix V2.0 User Guide
5.5 Problems Moving Multiple Faders
If Multitasking Gestures is ON, it may not be possible to move more than three
faders simultaneously in StageMix. When using StageMix, it is recommended
that Multitasking Gestures be turned OFF.
a. Open the iPad “General” menu
b. Set the button for “Multitasking Gestures” to OFF
5.6 Incompatibility with Earlier M7CL Versions
M7CL StageMix V2.0 (and higher) is not compatible with M7CL console
firmware versions below V3.5. Please install the latest M7CL firmware in
order to use this version of StageMix. If you attempt to use this version of
StageMix with an earlier version of M7CL firmware, the following message will
appear during synchronization:
If this message appears, please Quit StageMix by pressing the Home key on
the iPad. Then update the M7CL to the latest firmware version in order to use
StageMix.
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