Yamaha M7CLEDITOR User Manual

Page 1
M7CL Editor
M7CL Editor
M7CL Editor
Owner’s Manual
Owner’s Manual
Owner’s Manual
Special Notices
•The software and this owner’s manual are the exclu­sive copyrights of Yamaha Corporation.
•Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manu­facturer.
•Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use.
•Yamaha makes no representations or warranties with regard to the use of the software and documen­tation and cannot be held responsible for the results of the use of this manual and the software.
•The screen displays as illustrated in this owner’s manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer.
•Future upgrades of application and system software and any changes in specifications and functions will be announced separately.
•The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
Contents
Getting Started ......................................... 2
Master window ......................................... 9
Overview window ................................... 11
Selected Channel window....................... 23
Library window ....................................... 42
Patch Editor window............................... 45
Rack window ........................................... 49
Meter window ......................................... 58
Group/Link window ................................ 60
Scene window ......................................... 64
Keyboard Shortcuts................................. 71
Index........................................................ 72
Yamaha Pro Audio Global Site
http://www.yamahaproaudio.com/
*Specifications and descriptions in this owner ’s manual are
for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice.
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Getting Started
Overview of M7CL Editor
M7CL Editor enables you to remotely control the Yamaha M7CL mixing console and to save the parameter settings on your computer. To use M7CL Editor, you must first perform the following operations:
1 Start and configure Studio Manager.
2 Start and configure M7CL Editor.
3 Synchronize M7CL Editor with your M7CL console ( p.8).
NOTE
Configuring M7CL Editor
You must configure the following settings for each open Editor.
NOTE
For more information on using Studio Manager, refer to the Studio Manager Owner’s Manual.
• Before you make the following settings, you must make settings for the DME-N Network Driver and select the MIDI port in the Setup window of Studio Manager.
•To open an editor, double-click the icon for the desired editor in the Studio Manager window.
System Setup
To open the System Setup window, choose [System Setup] from the [File] menu.
NOTE
A Input port/Output port
From the ports you specified in Studio Man­ager, select the ports that the editor will use to communicate with the M7CL console.
B Fast Sync
This allows synchronization to be speed up, reducing the time required. Use this check box to choose whether to enable this func­tion.
C Window Control from Console
This option determines whether or not using the USER DEFINED KEYS on the console enables you to remotely open and close the M7CL Editor windows.
D Level Meter
By disabling the meter function you can reduce the processing load caused by screen drawing and communica­tion. This option specifies whether the level meter functionality will be enabled.
Be sure to specify the Input port and Output port.
1
2
3
4
5
6
E Confirmation
These check boxes specify whether a confirmation dialog box will appear when you store (Store Confirmation), recall (Recall Confirmation), patch (Patch Confirmation), or make a patch change that would modify an existing patch (Steal Patch Confirmation).
F Administrator Password
Enter the Administrator password that was specified on the M7CL console. If this password is not entered cor­rectly, it will not be possible to synchronize from M7CL Editor to the M7CL console.
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Mixer Setup
To open the Mixer Setup window, choose [Mixer Setup] from the [File] menu.
1
2
3
A Input Channels
Specify the number of input channels on the M7CL console. When the editor is synchronized with the M7CL console, the actual number of channels on the M7CL console will automatically be specified here.
B Mix Bus Setup
Here you can make settings relating to the MIX buses.
Signal Type: Choose either MONOx2 or STEREO for each two adjacent odd-numbered/even-numbered MIX
buses.
Bus Type/Send Point: Choose either VARI (PRE FADER) or VARI (PRE EQ) or FIXED for each two adja-
cent odd-numbered/even-numbered MIX buses.
Pan Link: This is valid only if the Signal Type is set to STEREO and the Bus Type is set to VARI. If this is
enabled, the pan setting sent to stereo MIX buses will be linked with the pan setting to the STEREO bus.
C Matrix Bus Setup
Here you can make settings relating to the MATRIX buses.
Signal Type: Choose either MONOx2 or STEREO for each two adjacent odd-numbered/even-numbered
MATRIX buses.
Bus Type/Send Point: Choose either PRE FADER or PRE EQ for each two adjacent odd-numbered/even-
numbered MATRIX buses.
Pan Link: This is valid only if the Signal Type is set to STEREO and the Bus Type is set to VARI. If this is
enabled, the pan setting sent to stereo MATRIX buses will be linked with the pan setting to the STEREO bus.
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Creating a user key
1
To open the Create User Key window, choose [Create User Key] from the [File] menu. This creates a user key (with “.M7U” file name extension) that can be read from a USB storage device by the
M7CL console to automatically set user-specific parameters.
3
2 465
7
8
9
J
K
O P
A User Name
Specify the name of the user. You can enter up to eight single-byte characters of alphabet and numerals.
L
M
N
B Comment
Enter a comment for each user. You can enter up to thirty-two single-byte alphanumeric characters.
C Password
Enter a password that will be used when this user key is read by the M7CL console. You can enter up to eight sin­gle-byte alphanumeric characters. Uppercase and lowercase are distinguished.
D Re-Enter Password
Enter the password once again as a safeguard against mistaken entry.
E POWER USER
Specify whether this user is a power user. Power users can use the M7CL console to create or edit a user authenti­cation key with a specified user level.
F Administrator Password
Enter the Administrator password that was specified on the M7CL console. This is not required if no Administra­tor password has been specified on the M7CL console, but if this password is incorrect you will be asked to enter it when the user key is read.
G ACCESS PERMISSION
In this area, specify the parameters that this user will be allowed to operate.
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H CH OPERATION
INPUT, ST IN, DCA, MIX, MATRIX, ST/MONO: Select the channels whose parameters will be opera-
ble.
HA: Change the operating privileges for the head amp gain and phantom power of the selected channels. PROCESSING: Change the operating privileges for overall signal processing parameters (except for fader
and [ON] key) of the selected channel. For the specific parameters included in PROCESSING, refer to the appendix of the M7CL owner’s manual.
FADER/ON: Change the operating privileges for the pan/balance, fader, channel on, send on/off, and send
level of the selected channels.
Set All: Tu rn on HA, PROCESSING, and FADER/ON for all channels. Clear All: Tu rn off HA, PROCESSING, and FADER/ON for all channels. Set by One Click: If this button is on, HA, PROCESSING, and FADER/ON will all be turned on when you
select a channel. If all are already on, all will be turned off.
I SCENE LIST
STORE/SORT: Change the operating privileges for scene store and sort operations. RECALL: Change the operating privileges for scene recall operations.
J LIBRARY LIST
STORE/CLEAR: Change the operating privileges for library store and clear operations. RECALL: Change the operating privileges for library recall operations.
K FILE LOAD
USER SETUP: Change the operating privileges for loading user-defined keys and preferences when loading a
file.
SYSTEM SETUP MONITOR SETUP: Change the operating privileges for loading system setup and moni-
tor setup settings when loading a file.
CURRENT SCENE: Change the operating privileges for loading the current scene when loading a file. SCENE LIST: Change the operating privileges for loading the scene list when loading a file. LIBRARY LIST: Change the operating privileges for loading the library list when loading a file.
L CURRENT SCENE
INPUT PATCH: Change the operating privileges for input patch operations. INPUT NAME: Change the privileges for editing the input names. OUTPUT PATCH: Change the operating privileges for output patching. OUTPUT NAME: Change the privileges for editing the output names. BUS SETUP: Change the operating privileges for buses. RACK: Change the operating privileges for rack operations. MUTE GROUP ASSIGN: Change the privileges for assigning mute groups. MUTE GROUP MASTER: Change the operating privileges for enabling/disabling mute groups.
M MONITOR SETUP
OSILLATOR: Change the operating privileges for oscillator settings. TALKBACK: Change the operating privileges for talkback settings.
N SYSTEM SETUP
MIXER SETUP: Change the privileges for making mixer setup settings. OUTPORT SETUP: Change the privileges for making outport setup settings. MIDI: Change the privileges for making MIDI settings.
O Create
Creates the user key.
P Cancel
Closes the window.
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Working with Sessions
All of your console’s mix settings in M7CL Editor, including Scene and library data, are called Sessions. The following table describes how to handle Sessions.
Creating a new Session Choose [New Session] from the [File] menu.
Opening a previously saved Session Choose [Open Session] from the [File] menu.
Saving the current Session Choose [Save Session] from the [File] menu.
Saving the current Session with a new name Choose [Save Session As...] from the [File] menu.
When you save a session in the window of an editor, the settings of only that editor will be saved in a file. Session files saved by M7CL Editor have a filename extension of “.YSE”. Files in which only the M7CL console data is saved (file­name extension “.M7C”) can also be handled, allowing you to use a USB storage device to exchange data with the M7CL console.
If you save a Session in the Studio Manager window, all selected Editor settings are saved in a file with a file extension of “.YSM.”
Undo/Redo Function
In M7CL Editor, you can cancel the latest operation (Undo) and also cancel the cancellation of the latest operation (Redo). If you perform an Undo operation twice in a row, you can cancel the two most-recent operations. If you per­form an Undo operation three times in a row, you can cancel the three most-recent operations. In this way, you can cancel multiple recent operations. The following table describes how to use the Undo/Redo function.
Undo Choose [Undo] from the [Edit] menu.
Redo Choose [Redo] from the [Edit] menu.
Please note, however, that after you perform one of the following operations, you cannot successfully undo or redo any previous operation:
•Operations on the M7CL console
• Quitting Studio Manager
•Synchronizing with the M7CL console
•Session operations
NOTE
NOTE
You cannot Undo or Redo the following operations:
• Edits in the Setup window
• Synchronization
• Opening and closing the windows
• Resizing or moving the windows There are certain other operations that cannot be undone, depending on the function.
For library or scene operations, Undo/Redo applies only to the single most recent operation. You cannot undo any operations prior to this. Undo/Redo in these windows is available only using the [UNDO] button within the respective window. Even if you perform a scene recall from the Master window, you cannot use a shortcut or menu operation to undo the recall.
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Window operations
You can select and open each window from the [Win­dows] menu. For the INPUT CH window and Effect Edi­tor window, use the sub-menu to select the channels or library you want to see.
You can choose Tile or Cascade to arrange the windows within the editor.
CascadeTile
In the Library window or Scene window, click the tabs located at the top of the window to switch between pages.
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Synchronizing M7CL Editor
When M7CL Editor starts up, the parameter settings on the console and the parameter settings in M7CL Editor may be different. Therefore, you must first match the parameter settings on the console with those in M7CL Editor. This operation is called “synchronization.” Follow the steps below to synchronize M7CL Editor.
1 Select [Synchronize], then [Re-synchronize].
The following window opens.
2 Select whether you want to transfer your settings to M7CL
Editor, or vice versa.
At this time, the All Libs option determines whether or not Scene and Library data is synchronized.
PC Console: Tr ansfers the current parameter settings in M7CL Editor to your console. Console PC: Tr ansfers the current parameter settings of your console to the M7CL Editor.
3 Click [OK].
Do not operate the console while synchronization is in progress.
NOTE
If you use the “Total Recall” function in Studio Manager, all selected Editors in Studio Manager are syn­chronized with the corresponding devices.
Offline Edit Function
If you do not want to synchronize your console with M7CL Editor, select [Offline Edit] from the [Synchronization] menu. To apply your off-line edits to your console, select [Re-Synchronize] from the [Synchronization] with the PC
-> Console option to synchronize the console with M7CL Editor. The Offline Edit function is also activated when you click the [ONLINE]/[OFFLINE] button in the Sync window.
NOTE
Some effect parameters in the console change their displayed values depending on the sampling fre­quency. If you switch M7CL Editor from OFFLINE to ONLINE, displayed parameter values may change because M7CL Editor loads the sampling frequency from the console and updates the display.
Other Functions
Resetting to the default value (Ctrl+click)
Move the cursor to a control or a parameter value, then hold down the <Ctrl> key and click the mouse button to reset the value to the default (e.g., to reset a pan setting to Center).
However, the channel faders and the send knobs and bar graphs can be set to
regardless of the default value.
❏ Ctrl+Shift+Click
Move the mouse cursor to a channel fader or to a send knob or bar graph, and click while holding down the <Ctrl> key and <Shift> key to set the nominal value regardless of the default value.
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Master window
1 2
In the Master window you can synchronize to the M7CL itself, recall scenes, and display the Overview window. To open this window, choose [Master] from the [Windows] menu.
CHANNEL SELECT
This indicates the number and name of the channel to which your operations will apply. To switch channels, you can either click the [SELECT] button and choose from the list that appears, or you can click the left/right arrow-shaped channel select buttons. You can also use the channel name text box to edit the name.
This is linked with the [SEL] keys on the M7CL itself. You can right-click the icon to select a different one.
SYNC
This indicates the status of connection and synchronization between M7CL Editor and the M7CL.
A [ONLINE]/[OFFLINE] button
The ONLINE/OFFLINE status will alternate each time you click this button. This has the same function as [Synchronization] menu [Offline Edit]. ( p.8)
This indicator is shown when M7CL Editor is correctly con­nected to the M7CL itself. In this state, the parameters of M7LC Editor and the M7CL itself are linked.
This indicator is shown when M7CL Editor and the M7CL itself are not connected, or when there is a problem with the connec­tion, or when Offline Edit is selected. In this state, the parame­ters of M7CL Editor and the M7CL itself are not linked.
B [RE-SYNC] button
Clicking this button opens the Synchronization dialog box. This has the same function as [Synchronization] menu [Re-Synchronize]. (➥ p.8)
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SCENE MEMORY
876
Here you can view the currently-recalled scene, and recall or store scenes.
A Scene number display
1 2 3
4 5 6
Indicates the number of the scene that is selected for store or recall.
BProtect indicator
The lock icon is displayed for scene memories that are protected.
CEdit indicator
The edit indicator will light when you edit the parameters after recalling a scene.
D [STORE] button
This button stores the current scene into the number shown by the scene number dis­play (
E []/[] buttons
These buttons increment or decrement the number shown in the scene number display (
1). The scene number display (1) will blink until you actually store or recall, and
while blinking will not match the scene number indicated on the M7CL.
F [RECALL] button
This button recalls the scene of the number shown in the scene number display (1).
1).
Navigation Keys
These keys open various windows.
NOTE
A [17-32] button
1
2
3 4
B [1-16] button
C [ST IN] button
5
D [DCA] button
E [STEREO] button
F [MIX] button
G [MTRX] button
These are not linked with the navigation key section on the panel of the M7CL itself.
Opens the INPUT CH 17–32 window.
Opens the INPUT CH 1–16 window.
Opens the ST IN window.
Opens the DCA window.
Opens the STEREO/MONO window.
Opens the MIX window.
Opens the MATRIX window.
H [33-48] button
Opens the INPUT CH 33–48 window. This is available only during offline editing and when 48 is selected as the number of input channels in the Mixer Setup window, or when editing online with the M7CL-48.
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Overview window
INPUT CH window
This window displays the mix parameters of INPUT CH 1–16, 17–32, or 33–48(*). The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click in the window.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and select “CH1-16” / “CH17-32” / “CH33-48”
Use the navigation keys in the Master window to turn on the [1-16] button / [17-32] button / [33-48] button(*
On the M7CL itself, assign one of the USER DEFINED KEYS to [1-16]/[17-32]/[33-48](*) in [INPUT CH] of [M7CL
EDITOR CONTROL], and execute the function
(*)
INPUT CH 33-48 can be viewed only if 48 is selected in the Input Channels field of the Mixer Setup window when editing offline, or when editing online with the M7CL-48.
(*)
)
A Input patch
1
2 3
Click here to select the input source that will be assigned to the INPUT CH, from the following choices.
NONE No assignment
IN1–IN48
STIN1L–STIN4R L/R channels of ST IN jacks 1–4
SLOT1-1, SLOT1-2...SLOT3-15, SLOT3-16
RACK1A, RACK1B...RACK8R(B) L/R outputs of Rack 1–8
(*) AD33–48 (INPUT jacks 33-48) can be viewed only if 48 is selected in the Input Channels field of the
(*)
Mixer Setup window when editing offline, or when editing online with the M7CL-48.
INPUT jacks 1–48(*
Input channels of an I/O card installed in slots 1–3
)
B HA GAIN
Drag the knob in the screen to adjust the gain of the internal head amp or of the exter­nal head amp (AD8HR) patched to the INPUT CH.
C 48V
Switches on/off the phantom power (+48V) of the internal head amp or of the external head amp (AD8HR) patched to the INPUT CH.
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4
• Pre/on (green)
• Pre/off (green)
• Post/on (yellow)
• Post/off (yellow)
D Ø (Phase)
Inverts the phase of the signal after AD conversion.
E HPF (High Pass Filter)
Switches the high pass filter on/off. You can drag the numeric value up or down to edit the cutoff frequency.
5
6 7 8
9
J
F INS (Insert)
Enables/disables the insert-in.
G D. OUT (Direct out)
Enables/disables the direct output.
H EQ (Equalizer)
Switches the EQ on/off. The graph immediately below the button shows the approxi­mate response of the EQ. You can drag within the graph to edit the response of the EQ. To reset the EQ to flat response, hold down the <Ctrl> key of your computer keyboard and click the grap (The HPF setting will remain).
I DYN1/DYN2 (Dynamics 1/Dynamics 2)
Tu rns the two dynamics processors on/off. If Gate is assigned (Dynamics 1 only), the status of the gate is shown immediately below
the button.
Gate status
indication
On/off status On
Open/closed status
Remarks
Gain reduction amount is 30 dB or more
Closed Open
Gain reduction amount is 0–30 dB
On On
Open
Gain reduction amount is 0 dB
Off
If something other than Gate is assigned, a GR meter is shown immediately below the button, and the amount of gain reduction is shown while this is on.
The type for each dynamics processor can be selected in the Selected Channel window.
J MIX/MATRIX SEND
Switches between the send indications to MIX buses 1–16 and to MATRIX buses 1–8.
The bar graphs located immediately below the button show the send level of the signals sent from the INPUT CH to VARI type MIX/MATRIX buses. You can also drag the bar graph to left or right to set the send level. While you drag the bar graph, the send level is shown in the numerical display area for PAN/TO STEREO MONO (
You can set the minimum value (– dB) by holding down the <Ctrl> key of your computer keyboard and clicking the bar graph, or set the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the bar graph.
The bar graph display will change according to the send position (pre/post) and on/off status of the signal sent from the INPUT CH to the MIX/MATRIX buses.
To switch a send on/off, click the channel number located at the left of the bar graph.
NOTE
K).
For FIXED-type MIX buses, the bar graph is fixed at nominal level (0 dB), and only the on/off status is shown.
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K
L M
N
K PAN/TO STEREO MONO
The PAN knob adjusts the panning of the signal that is sent from the INPUT CH to the STEREO bus L/R channels (or the L/C/R channels). You can set this to the center value by holding down the <Ctrl> key of your computer keyboard and clicking this knob.
The [ST] button is an on/off switch for the signal that is sent from the INPUT CH to the STEREO bus.
The [M(C)] button is an on/off switch for the signal that is sent from the INPUT CH to the MONO bus.
If LCR MODE is selected in the Selected Channel window, the [LCR] button will appear instead of the [ST] button and [M(C)] button, and the [LCR] button will be an on/off switch for the signal that is sent from the INPUT CH to the LCR bus.
O
P
Q
L SEL (Select)
Selects the INPUT CH for which you want to perform operations. This is linked with the INPUT section [SEL] keys on the M7CL’s panel.
M CUE
This button cue-monitors the signal of the INPUT CH. This is linked with the INPUT section [CUE] keys on the M7CL’s panel.
N ON
Switches the INPUT CH on/off. This is linked with the INPUT section [ON] keys on the M7CL’s panel.
O Fader
Adjusts the input level of the INPUT CH. When the M7CL itself is in other than SENDS ON FADER mode, this is linked with the INPUT section faders of the M7CL’s panel.
The current fader value is shown in the numerical box located immediately below the fader.
You can set this to the minimum value (– dB) by holding down the <Ctrl> key of your computer keyboard and clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the fader knob.
The numbers and alpha­betical letters at the right of the fader indicate the DCA group and mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status of the channel.
The numbers of DCA groups to which this channel belongs are shown in yellow.
The numbers of mute groups to which this channel belongs are shown in red.
If this channel is set to Recall Safe, the R character is shown in green.
If this channel is set to Mute Safe, the M char­acter is shown in green.
P Channel number
This is the number of the INPUT CH. You can open the Selected Channel window for this channel by double-clicking this number. If you hold down the <Ctrl> key of your computer keyboard and double-click this, the Selected Channel window will open as an additional view.
Q Channel name
This is a text box that displays the channel name. You can also edit the channel name in this text box.
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ST IN window
1
In this window you can view and edit the mix parameters of ST IN channels 1–4. The parameters shown in the win­dow can be selected from the [View] menu or the menu that appears when you right-click in the window.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and then choose “ST IN”
Use the navigation keys in the Master window to turn on the [ST IN] button
A INPUT PATCH
2 3 4
5
6
Selects the input source that will be assigned to the ST IN channel. The input sources that can be assigned are the same as for an INPUT CH ( p.11).
B HA GAIN
Drag the knob in the screen to adjust the gain of the internal head amp or of the exter­nal head amp (AD8HR) patched to the ST IN channel.
C 48V
Switches on/off the phantom power (+48V) of the internal head amp or of the external head amp (AD8HR) patched to the ST IN channel.
D Ø (Phase)
Inverts the phase of the signal after AD conversion.
E HPF (High Pass Filter)
Switches the high pass filter on/off. You can drag the numeric value up or down to edit the cutoff frequency.
F EQ (Equalizer)
Switches the EQ on/off (the L/R settings are linked). This is the same as the equalizer for INPUT CH ( p.12).
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7
G DYN1/DYN2 (Dynamics 1//Dynamics 2)
These buttons switch the two dynamics processors on/off. This is the same as the dynamics 1/dynamics 2 for INPUT CH ( p.12).
8
9
J K L
M
N O
H MIX/MATRIX SEND
Switches between the send indications to MIX buses 1–16 or to MATRIX buses 1–8. This is the same as the mix/matrix send for INPUT CH (➥ p.12).
I BALANCE
The BALANCE knob adjusts the balance of the signal that is sent from the ST IN chan- nel to the STEREO bus L/R channels (or the L/C/R channels). Other than the BAL­ANCE knob, this is the same as PAN/TO STEREO MONO for an INPUT channel ( p.13).
J SEL (Select)
Selects the ST IN channel for which you want to perform operations. (L and R can be selected separately.) This is linked with the ST IN section [SEL] keys on the M7CL’s panel.
K CUE
This button cue-monitors the signal of the ST IN channel (L/R are linked). This is linked with the ST IN section [CUE] keys on the M7CL’s panel.
L ON
Switches the ST IN channel on/off (the L/R settings are linked). This is linked with the ST IN section CH [ON] keys on the M7CL’s panel.
M Fader
Adjusts the input level of the ST IN channel. When the M7CL itself is in other than SENDS ON FADER mode, this is linked with the INPUT section faders of the M7CL’s panel.
The current fader value is shown in the numerical box located immediately below the fader. This is the same as the fader for INPUT CH (➥ p.13).
N Channel number
This is the number of the ST IN channel. You can double-click this number to open the Selected Channel window for this channel. If you hold down the <Ctrl> key of your computer keyboard and double-click this, the Selected Channel window will open as an additional view.
O Channel name
This is a text box that displays the channel name. You can also edit the channel name in this text box.
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MIX window
In this window you can view and edit the parameters of MIX channels 1–16. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click in the window.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and then choose “MIX”
Use the navigation keys in the Master window to turn on the [MIX] button
A OUTPUT PATCH
1 2
3
4
Click here to select the output port that will be assigned to the MIX channel, from the following choices.
OMNI1–OMNI16 OMNI jacks 1–16
SLOT1-1, SLOT1-2...SLOT3-16
RACK1A, RACK1B...RACK8R(B)
2TROUT L, 2TROUT R L/R channels of the 2TR OUT DIGITAL jack
Input channels of an I/O card installed in slot 1–3
L/R outputs of Rack 1–8
If multiple patches have been made, only the first port is shown. If you change the patching in this window, the port that had been assigned until then
will be cancelled, and only the newly selected port will be assigned.
B EQ (Equalizer)
Switches the EQ on/off. This is the same as the equalizer for INPUT CH (➥ p.12).
C DYN1(Dynamics 1)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH ( p.12).
D INS (Insert)
Enables/disables the insert-in.
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5
The numbers of mute groups to which this channel belongs are shown in red.
If this channel is set to Recall Safe, the R character is shown in green.
If this channel is set to Mute Safe, the M character is shown in green.
6
7
8 9
J
K
L
M
E MATRIX SEND
These bar graphs indicate the send levels of the signals sent from the MIX channel to MATRIX 1–8 bus. You can also adjust the send lev­els by dragging a bar graph to left or right. While you drag the bar graph, the send level is shown in the numerical display area for TO STEREO/MONO.
You can set the minimum value (– dB) by holding down the <Ctrl> key of your computer keyboard and clicking the bar graph, or set the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the bar graph.
The bar graph display will change as follows according to the send position (pre/post) and on/off status of the signal sent from the MIX channel to the MATRIX buses.
To switch a send on/off, click the channel number located at the left of the bar graph.
F PAN/BALANCE
The PAN knob adjusts the panning of the signal that is sent from the mix channel to the STEREO bus L/R channels (or the L/C/R channels). You can set this to the center value by holding down the <Ctrl> key of your computer keyboard and clicking this knob. If assigned as a stereo bus, this adjusts the balance of the odd-numbered channel and even-numbered channel. The stereo bus setting can be made in Mix Bus Setup of the Mixer Setup screen.
The [ST] button is an on/off switch for the signal that is sent from the mix channel to the STEREO bus.
The [MONO] button is an on/off switch for the signal that is sent from the mix channel to the MONO bus.
If LCR MODE is selected in the Selected Channel window, the [LCR] button will appear instead of the [ST] button and [MONO] button, and the [LCR] button will be an on/off switch for the signal that is sent from the mix channel to the LCR bus.
G VARI/FIXED
Indicates the type (VARI or FIXED) of the currently selected MIX bus. This parameter can be switched in Mix Bus Setup of the Mixer Setup screen.
H SEL (Select)
Selects the MIX channel for which you want to make settings.
I CUE
This button cue-monitors the signal of the MIX channel.
J ON
Switches the MIX channel on/off.
K Fader
Adjusts the output level of the MIX channel. The current fader value is shown in the numeric box immediately below the fader. You can set this to the minimum value (– dB) by holding down the <Ctrl> key of your computer key­board and clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the fader knob.
The numbers and alphabetical letters at the right of the fader indicate the mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status of the channel.
L Channel number
Indicates the number of the MIX channel. You can double-click this number to open the Selected Channel window for this channel. If you hold down the <Ctrl> key of your computer keyboard and double-click this, the Selected Channel window will open as an additional view.
M Channel name
This is a text box that displays the channel name. You can also edit the channel name in this text box.
17
• Pre/on (green))
• Pre/off (green)
• Post/on (yellow)
• Post/off (yellow)
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MATRIX window
In this window you can view and edit the parameters of MATRIX channels 1–8. The parameters shown in the win­dow can be selected from the [View] menu or the menu that appears when you right-click in the window.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and then choose “MATRIX”
Use the navigation keys in the Master window to turn on the [MTRX] button
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1
2
A MIX/CH/ST IN (Send levels from the MIX/INPUT CH/ST IN to
the MATRIX bus)
This switches between indicating the sends from MIX channels 1–16, the sends from INPUT CH 1–16 / 17–32 / 33–48
The bar graphs located immediately below the button indicate/adjust the level of the signal that is sent from each channel to the MATRIX bus. The method of operation and the meaning of the display are the same as for ( ( p.17).
(*)
INPUT CH 33–48 can be viewed only if 48 is selected in the Input Channels field of the Mixer Setup window when editing offline, or when editing online with the M7CL-48.
(*)
, and the sends from ST IN.
5) MATRIX in the MIX window
3
4
5
6 7
8
9
B STEREO (Send levels from the STEREO channels to the MATRIX
bus)
Here you can view and edit the send levels of the signals sent from the STEREO chan­nels to the MATRIX bus. While you drag the bar graph, the send level is shown in the numerical display area immediately below. The method of operation and the meaning of the display are the same as for (
5) MATRIX in the MIX window ( p.17).
C EQ (Equalizer)
Switches the EQ on/off. The graph immediately below the button shows the approxi­mate response of the EQ. This is the same as the equalizer for INPUT CH (➥ p.12).
D DYN1(Dynamics 1)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH ( p.12).
E INS (Insert)
Enables/disables the insert-in.
F SEL (Select)
Selects the MATRIX channel for which you want to make settings.
G CUE
This button cue-monitors the signal of the MATRIX channel.
H ON
This switches the MATRIX channel on/off.
J
I Fader
This adjusts the output level of the MATRIX channel. The current fader value is shown in the numeric box immediately below the fader.
The numbers and alphabetical letters at the right of the fader indicate the mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status of the channel. (For the significance of the numbers and alphabetical letters, see p.13).
J Channel number
Indicates the number of the MATRIX channel. You can double-click this number to open the Selected Channel window for this channel. If you hold down the <Ctrl> key of your computer keyboard and double-click this, the Selected Channel window will open as an additional view.
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STEREO/MONO window
1
In this window you can view and edit the parameters of the STEREO and MONO channels. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click in the window.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and then choose “STEREO/MONO”
Use the navigation keys in the Master window to turn on the [STEREO] button
A EQ (Equalizer)
Switches the EQ on/off (the L/R settings are linked). This is the same as the equalizer for INPUT CH ( p.12).
2
3
4
B DYN1(Dynamics 1)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH ( p.12).
C INS (Insert)
Enables/disables the insert-in. (The L/R settings are linked.)
D MATRIX SEND
Here you can view and edit the send levels of the signals sent from the STEREO/MONO channel to MATRIX 1–8 bus. The method of operation and the meaning of the display are the same as for MATRIX in the MIX window (➥ p.17).
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E BALANCE
Adjusts the left/right balance of the STEREO channel.
5
6 7 8
9
J
F SEL (Select)
Selects the channel for which you want to make settings. (You can specify L and R inde­pendently.) This is linked with the STEREO/MONO MASTER section [SEL] keys on the M7CL’s panel.
G CUE
This button cue-monitors the signal of the STEREO/MONO channel. This is linked with the STEREO/MONO MASTER section [CUE] keys on the M7CL’s panel.
H ON
This switches the STEREO/MONO channel on/off. This is linked with the STEREO/ MONO MASTER section [ON] keys on the M7CL’s panel.
I Fader
Adjusts the output level of the STEREO/MONO channel. This is linked with the STE­REO/MONO MASTER section faders of the M7CL’s panel.
The current fader value is shown in the numeric box immediately below the fader. The numbers and alphabetical letters at the right of the fader indicate the mute groups
to which that channel belongs, and show the Recall Safe and Mute Safe status of the channel. (For the significance of the numbers and alphabetical letters, see p.15).
J Channel number
This is the channel number (ST or M). You can double-click this number to open the Selected Channel window for this channel. If you hold down the <Ctrl> key of your computer keyboard and double-click this, the Selected Channel window will open as an additional view.
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DCA window
In this window you can view and edit the parameters of DCA groups 1–8.
You can access this window in the following ways.
From the [Windows] menu, choose [Overview] and then choose “DCA”
Use the navigation keys in the Master window to turn on the [DCA] button
1 2
3
4
5
A CUE
This button cue-monitors all channels that are assigned to the DCA group.
B ON
If you turn this on, all channels assigned to the DCA group will be turned on. If you turn this off, no signal will be output from the channels assigned to the DCA group.
C DCA fader
This fader adjusts the level of the DCA group. The current fader value is shown in the numeric box immediately below the fader. You can set this to the minimum value (– dB) by holding down the <Ctrl> key of
your computer keyboard and clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the fader knob. If the fader is at nominal level, the green indicator at the right of the fader will light.
If a DCA group is set to Recall Safe, the R character at the lower right of the fader is dis­played in green.
D DCA number
This is the number of the DCA group.
E DCA group name
This is a text box that displays the DCA group name. You can also edit the DCA group name in this text box.
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Selected Channel window
Here you can set the parameters of the currently selected input channel (INPUT CH 1–48(*), ST IN channels 1–4) or output channel (MIX channels 1–16, MATRIX channels 1–8, STEREO/MONO channels).
You can access this window in the following ways.
From the [Windows] menu, choose [Selected Channel] and select “MAIN VIEW”
Double-click the channel number in one of the Overview windows
On the M7CL itself, assign one of the USER DEFINED KEYS to [1-16]/[17-32]/[33-48]
TOR CONTROL], and execute the function
(*)
in [SEL CH] of [M7CL EDI-
NOTE
By choosing [Selected Channel] from the [Windows] menu and then selecting “ADDITIONAL VIEW,” you can view a window for a channel that is not selected. This ADDITIONAL VIEW is not linked with [SEL] key operations on the panel of the M7CL.
The type of parameters that can be edited in this window depends on the type of the currently selected channel. The parameters of the Selected Channel window are explained below, in the order of input channels (input channels 1– 48, ST IN channels 1–4), MIX channels, MATRIX channels, and STEREO/MONO channels.
(*)
INPUT CH 33-48 can be viewed only if 48 is selected in the Input Channels field of the Mixer Setup window when editing offline, or when editing online with the M7CL-48.
If an input channel is selected
INPUT CH window
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ST IN channel window
1 2
NOTE
Unless otherwise specified, the parameters explained below are common to INPUT CH 1–48 and ST IN channels 1–4.
CHANNEL SELECT (Channel selection)
A SELECT (Channel selection)
Indicates the number and name of the channel you are editing. To switch channels, use the SELECT button or the triangle buttons at left and right. The channel selected in the Main View is linked with the [SEL] keys in the INPUT section of the M7CL’s panel. You can right-click the icon and select the desired choice. You can also edit the channel name in the text box.
B INPUT PATCH
Selects the input source assigned to the input channel (for the selectable input sources, ➥ p.11).
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MIX/MATRIX SEND
1 32
2
1
3
A MIX send level
This adjusts the send level of the signal sent from the input channel to VARI-type MIX bus and MATRIX bus. The current value is shown in the numerical box immediately below.
B PRE (Pre/Post)
This selects PRE or POST as the point from which the signal is sent from the input channel to the MIX bus and MATRIX bus. The point will be PRE POINT when this is on, and POST FADER when this is off. The PRE POINT setting can be specified in the Mixer Setup screen.
C ON (MIX send on/off)
This is an on/off switch for the signal sent from the input channel to the MIX bus and MATRIX bus.
HINT
• If MIX buses or MATRIX buses are being used in stereo, the odd-numbered knob will be PAN.
Knob of odd-num­bered side
Knob of odd­numbered side
• If the FIXED type is selected for the MIX bus, only the ON but­ton is valid.
• The stereo/mono setting and the VARI type / FIXED type setting can be made in the Mixer Setup screen.
HA GAIN/Ø/HPF
A HA (HA Gain)
Adjusts the gain of the internal head amp or of the external head amp (AD8HR) patched to the input channel. The current value is shown in the numerical box below the knob. You can set this to the default value (+10 dB) by holding down the <Ctrl> key and clicking the knob. You can also use the [48V] button to switch phantom power on/off.
B Ø (Phase)
Inverts the phase of the signal after AD conversion.
C HPF (High Pass Filter)
Use the [ON] button at the right to switch the high-pass filter on/off. You can use the knob at left to adjust the cutoff frequency. The current value is shown in the numerical box below the knob. An indication of “H” will appear on the EQ graph of the equalizer.
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TO STEREO/MONO
Here you can specify how the signal will be sent from the input channel to the STEREO bus / MONO bus.
MODE
• ST/MONO button
When this button is on, the signal will be sent to the STEREO L/R bus and independently to the MONO bus.
[INPUT CH 1–48] [ST IN channel 1–4]
Adjusts the panning of the signal sent from the input channel to the STEREO bus L/R chan-
PAN (BALANCE for ST IN)
ST Switches the signal sent from the input channel to the STEREO bus on/off.
M(C) Switches the signal sent from the input channel to the MONO bus on/off.
nels. You can set this to the center position by holding down the <Ctrl> key of the computer keyboard and clicking the knob. This is linked with the [PAN] encoder in the SELECTED CHANNEL section of the M7CL panel.
• LCR button
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.
[INPUT CH 1–48] [ST IN channel 1–4]
Adjusts the panning of the signal that is sent from the input channel to each of the L/C/R
PAN (BALANCE for ST IN)
CSR (Center Side Ratio)
channels. You can set this to the center position by holding down the <Ctrl> key of the com­puter keyboard and clicking the knob. This is linked with the [PAN] encoder in the SELECTED CHANNEL section of the M7CL panel.
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a range of 0–100%.
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EQUALIZER
21
4
7 8
3
5 6
9
J
K
A LIBRARY
Accesses the INPUT EQ page of the LIBRARY window.
B ON
Switches the EQ on/off.
C EQ graph
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down the <Ctrl> key of your computer keyboard and click the graph (The HPF setting will remain).
D Q E FREQUENCY F GAIN
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID, and HIGH.
G HIGH shelving
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disap­pear).
H LPF (Low Pass Filter)
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the GAIN knob will act as the low pass filter on/off switch.
I LOW shelving
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear).
J TYPE I/TYPE II (EQ type)
Selects either TYPE I (the algorithm used by previous digital mixers) or TYPE II (a newly developed algorithm) as the EQ type.
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K ATT (Attenuation)
1 235
Adjusts the amount of attenuation/gain.
DYNAMICS1/2
You can select one of the following types for each of the two dynamics processors.
DYNAMICS1: GATE, DUCKING, EXPANDER, COMPRESSOR
DYNAMICS2: COMPRESSOR, COMPANDER-H, COMPANDER-S, DE-ESSER
If GATE/DUCKING is selected
4
6
7 8
9 J
K
L
M
A TYPE
Indicates the type of the currently selected gate. You can click here to select the type.
B LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY window.
C ON
This button switches the gate on/off.
D Response curve
Indicates the response for the gate of the currently selected channel.
E GR meter
This meter indicates the amount of gain reduction.
F THRESHOLD (Threshold level)
Specifies the level at which the gate will open and close. The gate will open when the key-in signal exceeds this level, and will close when the signal falls below this level.
G RANGE
Specifies the amount by which the signal is attenuated while the gate is closed.
H DECAY
Specifies the time over which the gate will close after the hold time has elapsed.
I ATTACK
Specifies the time from when the key-in signal exceeds the threshold level until the gate opens.
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J HOLD
1
2 3
Specifies the time that the gate will remain open after the key-in signal falls below the threshold.
K KEY IN SOURCE
Click this to select one of the following signals to use as the key-in source.
SELF PRE EQ The pre-EQ signal of the currently selected input channel
SELF POST EQ The post-EQ signal of the currently selected input channel
MIX OUT 13–16
CH 1–48 POST EQ The post-EQ signal of the corresponding input channel (however, you can only choose
STIN1L–STIN4R POST EQ
The output signal of the corresponding MIX channel immediately before the output attenuation
channels belonging to the same group, within the seven groups CH1–8, CH9–16, CH17–24, CH25–32, CH33–40, CH41–48, and STIN1L–STIN4R).
L CUE
This button cue-monitors the currently selected key-in signal. This is not shown in the ADDITIONAL VIEW.
M KEY IN FILTER
Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF (low pass filter). The ON/OFF button switches the filter on/off.
If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use the knob to adjust the cutoff frequency.
If COMPRESSOR is selected
5
6
7 8
4
9 J
K
L
A TYPE
Indicates the type of the currently selected compressor.
B LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY window.
C ON
This button switches the compressor on/off.
D Response curve
Indicates the response for the compressor of the currently selected channel.
E GR meter
This meter indicates the amount of gain reduction produced by the compressor.
F THRESHOLD
Specifies the threshold level at which the compressor will operate. The input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.
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G RATIO
1
2 35
Specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold.
H KNEE
Specifies the sharpness at which the output level will change. You can select from HARD or 1–5.
I ATTACK
Specifies the time from when the key-in signal exceeds the threshold level until the signal starts being compressed.
J GAIN
Adjusts the gain of the signal after it has passed through the compressor.
K RELEASE
Specifies the time from when the key-in signal falls below the threshold level until compression is removed.
L KEY IN SOURCE
Click this to select the key-in signal that you want to use. The choices are the same as for GATE.
If COMPANDER-H, COMPANDER-S is selected
6
7 8
4
9 J
K
L
A TYPE
Indicates the type of the currently selected compressor. You can click here to select the type.
B LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY window.
C ON
This button switches the compressor on/off.
D Response curve
Indicates the response for the compander of the currently selected channel.
E GR meter
This meter indicates the amount of gain reduction produced by the compressor.
F THRESHOLD
Specifies the threshold level at which the compressor will operate. The input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.
G RATIO
Specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold.
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H WIDTH
1
2 35
Specifies the width between the threshold level of the compressor (THRESHOLD) and the threshold level of the expander. The expander effect will apply to levels below THRESHOLD + WIDTH.
I ATTACK
Specifies the time from when the key-in signal exceeds the threshold level until the signal starts being compressed.
J GAIN
Adjusts the gain of the signal after it has passed through the compressor.
K RELEASE
Specifies the time from when the key-in signal falls below the threshold level until compression is removed.
L KEY IN SOURCE
Click this to select the key-in signal that you want to use. The choices are the same as for GATE.
If DE-ESSER is selected
6 7
4
8
A TYPE
This indicates that De-Esser is the currently selected type.
B LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY window.
C ON
This button switches the de-esser on/off.
D Response curve
Indicates the response for the de-esser of the currently selected channel.
E GR meter
This meter indicates the amount of gain reduction produced by the de-esser.
F THRESHOLD
Specifies the threshold level at which the de-esser will operate. The input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.
G FREQ. (Minimum frequency)
Specifies the minimum frequency at which the key-in signal will activate the de-esser.
H KEY IN SOURCE
Click this to select the key-in signal that you want to use. The choices are the same as for GATE.
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INSERT (except for ST IN channels)
1
1
2 3 4
A ON
Enables/disables insert-in/out.
B OUT (Insert out)
Click this to select the output port that will be assigned to insert-out, from the following choices.
NONE No assignment
SLOT1-1, SLOT1-2...SLOT3-15, SLOT3-16 Output channels of an I/O card installed in slots 1–3
RACK1A, RACK1B...RACK8R(B) L/R outputs of Rack 1–8
C IN (Insert in)
Click this to select the input port that will be assigned to insert-in, from the following choices.
NONE No assignment
SLOT1-1, SLOT1-2...SLOT3-15, SLOT3-16 Input channels of an I/O card installed in slots 1–3
RACK1A, RACK1B...RACK8R(B) L/R inputs of Rack 1–8
D POINT (Insert point)
Selects the position at which insert-in/out will be patched. Choose from PRE EQ or PRE FADER.
DIRECT OUT (except for ST IN channels)
2 3 4
A ON
Tu rns the direct output on/off.
B DIRECT OUT GAIN
Adjusts the gain of the direct output. The current value is shown in the numerical box below the knob. You can set this to the nominal value (0.0 dB) by holding down the <Ctrl> key and clicking the knob.
C DIRECT OUT PORT
Click this to select one of the following output ports as the one used for direct out.
NONE No assignment
OMNI1–OMNI16 OMNI jacks 1–16
SLOT1-1, SLOT1-2...SLOT3-16 Output channels of an I/O card installed in slots 1–3
D DIRECT OUT POINT
Selects the position at which direct out will be patched. Choose from PRE HPF or PRE EQ.
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RECALL SAFE/MUTE SAFE
1 2
These enable/disable Recall Safe and Mute Safe for the channel.
DCA GROUP/MUTE GROUP
A DCA GROUP
Selects the DCA group (1–8) to which that channel belongs.
BMUTE GROUP
Selects the mute group (1–8) to which that channel belongs.
Fader
1
2
3
A ON
Switches the input channel on/off. This is linked with the INPUT section CH [ON] keys on the M7CL’s panel.
B Fader
Adjusts the input level of the input channel. This is linked with the INPUT section fad­ers of the M7CL’s panel. A meter indicating the signal level is shown at the right of the fader, and the current value is shown in the numerical box immediately below. You can set this to the minimum value (– dB) by holding down the <Ctrl> key of your com­puter keyboard and clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl> key and <Shift> key and clicking the fader knob.
C CUE
This button cue-monitors the signal of the input channel. This is linked with the INPUT section [CUE] keys on the M7CL’s panel.
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If a MIX channel is selected
1 2
Knob of odd­numbered side
CHANNEL SELECT (Channel selection)
A SELECT (Channel selection)
Except for the fact that your editing applies to a MIX channel, this is the same as the channel selection for an input channel (➥ p.24).
B INPUT PATCH
Selects the input source assigned to the input channel (for the selectable input sources, ➥ p.16)
If multiple patches have been made, only the first port is shown. If you change the patching in this window, the port that had been
assigned until then will be cancelled, and only the newly selected port will be assigned.
TO MATRIX
A MATRIX send level
1 2
3
This adjusts the send level of the signal sent from the MIX channel to the MATRIX buses.
B ON (MATRIX send on/off)
This is an on/off switch for the signal sent from the MIX channel to the MATRIX bus.
C POINT (Send point)
Select either PRE or POST as the position from which the signal is sent from the MIX channel to the MATRIX bus. PRE POINT is selected if this is on, or POST FADER is selected if this is off. The PRE POINT setting can be made in the Mixer Setup screen.
HINT
• If you are using MATRIX buses in stereo, the knob for the odd-numbered bus will be PAN.
• The stereo/mono status can be specified in the Mixer Setup screen.
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TO STEREO/MONO
Here you can specify how the signal will be sent from the MIX channel to the STEREO bus / MONO bus.
MODE
• ST/MONO button
When this button is on, the signal will be sent to the STEREO bus and independently to the MONO bus.
Adjusts the panning of the signal sent from the MIX channel to the STEREO bus L/R chan­nels. You can set this to the center position by holding down the <Ctrl> key of the computer
PAN
ST Switches the signal sent from the MIX channel to the STEREO bus on/off.
MONO Switches the signal sent from the MIX channel to the MONO bus on/off.
keyboard and clicking the knob. This is linked with the [PAN] encoder in the SELECTED CHANNEL section of the M7CL panel. If the selected MIX bus is used as a stereo bus, the odd-numbered channel is fixed at L63 and the even-numbered channel fixed at R63.
This is shown only if the selected MIX bus is assigned as a stereo bus. It adjusts the left/
BALANCE
right volume balance of the stereo bus. You can set this to the center position by holding down the <Ctrl> key of the computer keyboard and clicking the knob.
• LCR button
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.
Adjusts the panning of the signal that is sent from the MIX channel to each of the L/C/R channels. You can set this to the center position by holding down the <Ctrl> key of the com-
PAN
BALANCE
puter keyboard and clicking the knob. This is linked with the [PAN] encoder in the SELECTED CHANNEL section of the M7CL panel. If the selected MIX bus is used as a ste­reo bus, the odd-numbered channel is fixed at L63 and the even-numbered channel fixed at R63.
This is shown only if the selected MIX bus is assigned as a stereo bus. It adjusts the left/ right volume balance of the stereo bus. You can set this to the center position by holding
down the <Ctrl> key of the computer keyboard and clicking the knob.
CSR (Center Side Ratio)
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a range of 0–100%.
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M7CL Editor Owner’s Manual
Page 36
EQUALIZER
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7 8
3
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9 J K
L
A LIBRARY
Accesses the OUTPUT EQ page of the LIBRARY window.
B ON
Switches the EQ on/off.
C EQ graph
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down the <Ctrl> key of your computer keyboard and click the graph.
D Q E FREQUENCY F GAIN
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID, and HIGH.
G HIGH shelving
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disappear).
H LPF (Low Pass Filter)
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the GAIN knob will act as the low pass filter on/off switch.
I (LOW shelving)
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear).
J HPF (High Pass Filter)
If this button is on, the LOW EQ will function as a high pass filter EQ. The Q knob of the LOW EQ will disappear, and the GAIN knob will act as the high pass filter on/off switch.
K TYPE I/TYPE II (EQ type)
Selects either TYPE I (the algorithm used by previous digital mixers) or TYPE II (a newly developed algorithm) as the EQ type.
L ATT (Attenuation)
Adjusts the amount of attenuation/gain.
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M7CL Editor Owner’s Manual
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