Yamaha HTR-5760 User Manual

HTR-5760

AV Receive r

U

OWNER’S MANUAL

IMPORTANT SAFETY INSTRUCTIONS

IMPORTANT SAFETY INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert you to the
presence of uninsulated “dangerous voltage” within
the product’s enclosure that may be of sufficient
magnitude to constitute a risk of electric shock to
persons.

The exclamation point within an equilateral triangle
is intended to alert you to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.

1 Read Instructions – All the safety and operating instructions

should be read before the product is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the product and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and use instructions

should be followed.

5 Cleaning – Unplug this product from the wall outlet before

cleaning. Do not use liquid cleaners or aerosol cleaners. Use
a damp cloth for cleaning.

6 Attachments – Do not use attachments not recommended by

the product manufacturer as they may cause hazards.

7 Water and Moisture – Do not use this product near water –

for example, near a bath tub, wash bowl, kitchen sink, or
laundry tub; in a wet basement; or near a swimming pool;
and the like.

8 Accessories – Do not place this product on an unstable cart,

stand, tripod, bracket, or table. The product may fall,
causing serious injury to a child or adult, and serious
damage to the product. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the product. Any mounting of the product should
follow the manufacturer’s instructions, and should use a
mounting accessory recommended by the manufacturer.

9 A product and cart combination should be moved with care.

Quick stops, excessive force, and uneven
surfaces may cause the product and cart
combination to overturn.

10 Ventilation – Slots and openings in the cabinet are provided

for ventilation and to ensure reliable operation of the
product and to protect it from overheating, and these
openings must not be blocked or covered. The openings
should never be blocked by placing the product on a bed,
sofa, rug, or other similar surface. This product should not
be placed in a built-in installation such as a bookcase or rack
unless proper ventilation is provided or the manufacturer’s
instructions have been adhered to.

11 Power Sources – This product should be operated only from

the type of power source indicated on the marking label. If
you are not sure of the type of power supply to your home,
consult your product dealer or local power company. For
products intended to operate from battery power, or other
sources, refer to the operating instructions.

12 Grounding or Polarization – This product may be equipped

with a polarized alternating current line plug (a plug having
one blade wider than the other). This plug will fit into the
power outlet only one way. This is a safety feature. If you
are unable to insert the plug fully into the outlet, try
reversing the plug. If the plug should still fail to fit, contact
your electrician to replace your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.

13 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched
by items placed upon or against them, paying particular
attention to cords at plugs, convenience receptacles, and the
point where they exit from the product.

14 Lightning – For added protection for this product during a

lightning storm, or when it is left unattended and unused for
long periods of time, unplug it from the wall outlet and
disconnect the antenna or cable system. This will prevent
damage to the product due to lightning and power-line
surges.

15 Power Lines – An outside antenna system should not be

located in the vicinity of overhead power lines or other
electric light or power circuits, or where it can fall into such
power lines or circuits. When installing an outside antenna
system, extreme care should be taken to keep from touching
such power lines or circuits as contact with them might be
fatal.

16 Overloading – Do not overload wall outlets, extension

cords, or integral convenience receptacles as this can result
in a risk of fire or electric shock.

17 Object and Liquid Entry – Never push objects of any kind

into this product through openings as they may touch
dangerous voltage points or short-out parts that could result
in a fire or electric shock. Never spill liquid of any kind on
the product.

18 Servicing – Do not attempt to service this product yourself

as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualified service personnel.

19 Damage Requiring Service – Unplug this product from the

wall outlet and refer servicing to qualified service personnel
under the following conditions:

a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the

product,

c) If the product has been exposed to rain or water,

i

IMPORTANT SAFETY INSTRUCTIONS

d) If the product does not operate normally by following

the operating instructions. Adjust only those controls
that are covered by the operating instructions as an
improper adjustment of other controls may result in
damage and will often require extensive work by a
qualified technician to restore the product to its normal
operation,

e) If the product has been dropped or damaged in any

way, and

f) When the product exhibits a distinct change in perfor-

mance - this indicates a need for service.

20 Replacement Parts – When replacement parts are required,

be sure the service technician has used replacement parts
specified by the manufacturer or have the same
characteristics as the original part. Unauthorized
substitutions may result in fire, electric shock, or other
hazards.

21 Safety Check – Upon completion of any service or repairs to

this product, ask the service technician to perform safety
checks to determine that the product is in proper operating
condition.

22 Wall or Ceiling Mounting – The unit should be mounted

to a wall or ceiling only as recommended by the
manufacturer.

23 Heat – The product should be situated away from heat

sources such as radiators, heat registers, stoves, or other
products (including amplifiers) that produce heat.

Note to CATV system installer:

This reminder is provided to call the CATV system installer’s
attention to Article 820-40 of the NEC that provides
guidelines for proper grounding and, in particular, specifies
that the cable ground shall be connected to the grounding
system of the building, as close to the point of cable entry as
practical.

24 Outdoor Antenna Grounding – If an outside antenna or

cable system is connected to the product, be sure the antenna
or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Article 810 of the National Electrical Code, ANSI/NFPA 70,
provides information with regard to proper grounding of the
mast and supporting structure, grounding of the lead-in wire
to an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING

ANTENNA
LEAD IN
WIRE

ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)

GROUNDING CONDUCTORS
(NEC SECTION 810–21)

GROUND CLAMPS

ELECTRIC
SERVICE
EQUIPMENT

NEC – NATIONAL ELECTRICAL CODE

MAST

GROUND
CLAMP

POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)

FCC INFORMATION (for US customers)

1 IMPORTANT NOTICE: DO NOT MODIFY THIS

UNIT!

This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.

2 IMPORTANT: When connecting this product to

accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to
follow instructions could void your FCC authorization to
use this product in the USA.

3 NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15
for Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that
your use of this product in a residential environment will
not result in harmful interference with other electronic
devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions found
in the users manual, may cause interference harmful to the
operation of other electronic devices.

Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this
product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the
following measures:

Relocate either this product or the device that is being
affected by the interference.

Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.

ii

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future
reference.

2 Install this sound system in a well ventilated, cool,

dry, clean place — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.
Allow ventilation space of at least 30 cm on the top,
20 cm on the left and right, and 20 cm on the back of
this unit.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid
humming sounds.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this unit
in a environment with high humidity (i.e. a room with
a humidifier) to prevent condensation inside this
unit, which may cause an electrical shock, fire,
damage to this unit, and/or personal injury.

5 Avoid installing this unit where foreign object may

fall onto this unit and/or this unit may be exposed to
liquid dripping or splashing. On the top of this unit,
do not place:
– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may fall

and liquid may cause electrical shock to the user
and/or damage to this unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation. If
the temperature inside this unit rises, it may cause
fire, damage to this unit, and/or personal injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.
9 Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified

is dangerous and may cause fire, damage to this

unit, and/or personal injury. YAMAHA will not be

held responsible for any damage resulting from use

of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical
storm.

14 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.

15 When not planning to use this unit for long periods

of time (i.e. vacation), disconnect the AC power plug
from the wall outlet.

16 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that
this unit is faulty.

17 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the
AC power plug from the wall outlet.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.

This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit itself
is turned off. This state is called the standby mode. In this
state, this unit is designed to consume a very small quantity of
power.

FOR CANADIAN CUSTOMERS

To prevent electric shock, match wide blade of plug to
wide slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.

IMPORTANT

Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association's Consumer
Electronics Group want you to get the most out of your
equipment by playing it at a safe level. One that lets the sound
come through loud and clear without annoying blaring or
distortion - and, most importantly, without affecting your
sensitive hearing.

iii

Since hearing damage from loud sounds is often
undetectable until it is too late, YA M A H A and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.

CONTENTS

INTRODUCTION

FEATURES............................................................. 2

GETTING STARTED............................................ 3

Supplied accessories .................................................. 3

Installing batteries in the remote control ................... 3

CONTROLS AND FUNCTIONS ......................... 4

Front panel ................................................................. 4

Remote control........................................................... 6

Using the remote control ........................................... 7

Front panel display .................................................... 8

Rear panel ................................................................ 10

PREPARATION

SPEAKER SETUP ............................................... 11

Speaker placement ................................................... 11

Speaker connections ................................................ 12

CONNECTIONS .................................................. 15

Before connecting components................................ 15

Connecting video components................................. 16

Connecting audio components................................. 19

Connecting the antennas .......................................... 21

Connecting the power supply cord .......................... 22

Turning on the power............................................... 24

AUTO SETUP....................................................... 25

Introduction.............................................................. 25

Optimizer microphone setup.................................... 25

Starting the setup ..................................................... 26

BASIC OPERATION

PLAYBACK.......................................................... 30

Basic operations....................................................... 30

Selecting sound field programs ............................... 32

Selecting input modes.............................................. 36

TUNING ................................................................ 38

Automatic and manual tuning.................................. 38

Presetting stations .................................................... 39

Selecting preset stations........................................... 41

Exchanging preset stations ...................................... 42

RECORDING ....................................................... 43

SOUND FIELD PROGRAMS

SOUND FIELD PROGRAM

DESCRIPTIONS...............................................44

For movie/video sources.......................................... 44

For music sources .................................................... 47

ADVANCED OPERATION

ADVANCED OPERATIONS ..............................48

Selecting the OSD mode.......................................... 48

Using the sleep timer ............................................... 48

Manually adjusting speaker levels........................... 49

Using the test tone ................................................... 50

SET MENU ............................................................51

Using SET MENU................................................... 52

1 SOUND MENU.................................................... 53

2 INPUT MENU...................................................... 57

3 OPTION MENU................................................... 58

REMOTE CONTROL FEATURES ...................60

Control area ............................................................. 60

Setting manufacturer codes...................................... 61

Controlling other components ................................. 62

Clearing setup manufacturer codes.......................... 63

ADDITIONAL INFORMATION

EDITING SOUND FIELD PARAMETERS ......64

What is a sound field ............................................... 64

Changing parameter settings ................................... 64

SOUND FIELD PARAMETER

DESCRIPTIONS...............................................66

TROUBLESHOOTING .......................................70

RESETTING THE FACTORY PRESETS ........75

GLOSSARY...........................................................76

Audio formats .......................................................... 76

Sound field programs............................................... 77

Audio information ................................................... 77

Video signal information ......................................... 78

SPECIFICATIONS...............................................79

PREPARATIONINTRODUCTION

OPERATION

BASIC

SOUND FIELD

PROGRAMS

OPERATION

ADVANCED

1

INFORMATION

ADDITIONAL

English

FEATURES

FEATURES

Built-in 7-channel power amplifier

◆ Minimum RMS output power

(0.06% THD, 20 Hz – 20 kHz, 8Ω)
Front: 95 W + 95 W
Center: 95 W
Surround: 95 W + 95 W
Surround back: 95 W + 95 W

Sound field features

◆ Proprietary YAMAHA technology for the creation of
sound fields

◆ Dolby Digital/Dolby Digital EX decoder

◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,

DTS 96/24 decoder

◆ Dolby Pro Logic/Dolby Pro Logic II/Dolby Pro Logic
IIx decoder

◆ Virtual CINEMA DSP

◆ SILENT CINEMA

™

Other features

◆ YPAO: YAMAHA Parametric Room Acoustic
Optimizer for automatic speaker setup

◆ 192-kHz/24-bit D/A converter

◆ A SET MENU which provides you with items for

optimizing this unit for your audio/video system

◆ 8 additional input jacks for discrete multi-channel input

◆ On-screen display function helpful in controlling this

unit

◆ S-Video signal input/output capability

◆ Component video input/output capability

◆ Video signal conversion (Composite video ↔ S-Video)

capability for monitor out

◆ Optical and coaxial digital audio signal jacks

◆ Sleep timer

◆ Cinema and music night listening modes

◆ Remote control with preset manufacturer codes

Sophisticated AM/FM tuner

◆ 40-station random access preset tuning

◆ Automatic preset tuning

◆ Preset station shifting capability (preset editing)

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button
names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.

• This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In
case of differences between the manual and product, the product has priority.

Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol
are trademarks of Dolby Laboratories.

“SILENT CINEMA” is a trademark of YAMAHA
CORPORATION.

2

“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of
Digital Theater Systems, Inc.

GETTING STARTED

GETTING STARTED

Supplied accessories

Please check that you received all of the following parts.

Remote control

TRANSMITCODE SET

SYSTEM

POWERPOWER

STANDBY

POWER

AVTV

CD

MD/CD-R

TUNER

SLEEP

DTV/CBL

V-AUX

DVD

VCR 1 DVR/VCR2

TV VOL TV CH

TV MUTE TV INPUT

LEVEL

TEST

REC

DISC SKIP

FREQ/RDS

PRESET/CH

SELECT

MULTI CH IN

AMP

VOLUME

MUTE

ROCKJAZZHALLSTEREO

4321

MOVIETV THTRMUSIC ENTERTAIN

81070965

STRAIGHT

EX/ESNIGHTq/DTS

ENTER

EFFECT

SET MENU

MENUTITLE

A/B/C/D/E

ON SCREEN

DISPLAYRETURN

AUDIO

EONSTARTMODE PTY SEEK

Batteries (4)

(AAA, R03, UM-4)

Indoor FM antenna
(U.S.A., Canada and
China models)

Installing batteries in the remote control

2

1

3

1 Press the part and slide the battery

compartment cover off.

AM loop antenna

Optimizer microphone

Indoor FM antenna
(Australia and Korea
models)

Notes on batteries

• Change all of the batteries if you notice the following
conditions; the operation range of the remote control decreases,
the indicator does not flash or its light becomes dim.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline and
manganese batteries) together. Read the packaging carefully as
these different types of batteries may have the same shape and
color.

• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.

If the remote control is without batteries for more than
2 minutes, or if exhausted batteries remain in the
remote control, the contents of the memory may be
cleared. When the memory is cleared, insert new
batteries, set up the manufacturer code and program
any acquired functions that may have been cleared.

INTRODUCTION

2

Insert four supplied batteries (AAA, R03,
UM-4) according to the polarity markings
(+ and –) on the inside of the battery
compartment.

3 Slide the cover back until it snaps into place.

English

3

CONTROLS AND FUNCTIONS

Front panel

STANDBY

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

SILENT CINEMA

CONTROLS AND FUNCTIONS

31458 96270

(U.S.A. model)

VOLUME

MEMORY

TUNING MODE

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

STRAIGHT

EFFECT

FM/AMPRESET/TUNING

PROGRAM

A/B/C/D/E

TONE CONTROL

l PRESET/TUNING h

INPUT MODE

1 STANDBY/ON

Turns on this unit or sets it to the standby mode. When
you turn on this unit, you will hear a click and there will
be a 4 to 5-second delay before this unit can reproduce
sound.

Note

In standby mode, this unit consumes a small amount of power in
order to receive infrared-signals from the remote control.

2 OPTIMIZER MIC jack

Use to connect and input audio signals from the supplied
microphone for use with the AUTO SETUP function (see
page 25).

3 Remote control sensor

Receives signals from the remote control.

4 Front panel display

Shows information about the operational status of this
unit.

5 FM/AM

Switches the reception band between FM and AM.

I

JGFBACDEH

6 A/B/C/D/E (NEXT)

Selects one of the 5 preset station groups (A to E) when
the unit is in tuner mode.
Selects the speaker channel to be adjusted when the unit is
not in tuner mode.

7 PRESET/TUNING l / h (LEVEL –/+)

Selects preset station number 1 to 8 when the colon (:) is
displayed next to the band indication in the front panel
display when the unit is in tuner mode. Selects the tuning
frequency when the colon (:) is not displayed.
Adjusts the level of the speaker channel selected using
A/B/C/D/E (NEXT) when the unit is not in tuner mode.

8 MEMORY (MAN’L/AUTO FM)

Stores a station in the memory. Hold down this button for
more than 3 seconds to start automatic preset tuning.

9 TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic (AUTO
indicator on) and manual (AUTO indicator off).

0 VOLUME

Controls the output level of all audio channels.
This does not affect the REC OUT level.

4

A PHONES (SILENT CINEMA) jack

Outputs audio signals for private listening with
headphones. When you connect headphones, no signals
are output to the OUTPUT jacks or to the speakers.
All Dolby Digital and DTS audio signals are mixed down
to the left and right headphone channels.

B SPEAKERS A/B

Turns on or off the set of front speakers connected to the A
and/or B terminals on the rear panel each time the
corresponding button is pressed.

C PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h
(LEVEL –/+) between selecting preset station numbers
and tuning.

D STRAIGHT (EFFECT)

Switches the sound fields off or on. When STRAIGHT is
selected, input signals (2-channel or multi-channel) are
output directly from their respective speakers without
effect processing.

E PROGRAM

Use to select sound field programs or adjust the bass/treble
balance (in conjunction with TONE CONTROL).

F TONE CONTROL

Use to adjust the bass/treble balance for the front left and
right, center, presence and subwoofer channels (see
page 31).

G INPUT MODE

Sets the priority (AUTO, DTS, ANALOG) for the type of
signals received when one component is connected to two
or more of this unit’s input jacks (see page 36).

H INPUT selector

Selects the input source you want to listen to or watch.

I MULTI CH INPUT

Selects the source connected to the MULTI CH INPUT
jacks. When selected, the MULTI CH INPUT source takes
priority over the source selected with INPUT (or the input
selector buttons on the remote control).

J VIDEO AUX jacks

Input audio and video signals from a portable external
source such as a game console. To reproduce source
signals from these jacks, select V-AUX as the input
source.

CONTROLS AND FUNCTIONS

INTRODUCTION

5

English

CONTROLS AND FUNCTIONS

Remote control

This section describes the function of each control on the
remote control used to control this unit. To operate other
components, see “REMOTE CONTROL FEATURES” on
page 60.

1

2

TRANSMITCODE SET

POWERPOWER

AVTV

CD

MD/CD-R

STANDBY

TUNER

SYSTEM

POWER

SLEEP

9

0

A

B

DTV/CBL

V-AU X

MULTI CH IN

C

AMP

3

DVD

VCR 1 DVR/VCR2

D

E

4

5
6

7

8

TV VOL TV CH

TV MUTE TV INPUT

LEVEL

TEST

REC

DISC SKIP

MODE PTY SEEK

FREQ/RDS

65

09

PRESET/CH

SELECT

EX/ESNIGHTq/DTS

VOLUME

7

10

MUTE

ROCKJAZZHALLSTEREO

4321

MOVIETV THTRMUSIC ENTERTAIN

8

STRAIGHT

ENTER

EFFECT

SET MENU

MENUTITLE

A/B/C/D/E

ON SCREEN

DISPLAYRETURN

AUDIO

EONSTART

F

G
H

I

J

3 Input selector buttons

Select the input source and change the control area.

4 Sound field program / numeric buttons (1 - 8)

Use to select sound field programs.
Use numbers 1 through 8 to select preset stations when the
unit is in tuner mode.

5 NIGHT

Turns on or off the night listening modes (see page 35).

6 LEVEL

Selects the speaker channel to be adjusted and sets the
level.

7 Cursor buttons u / d / j / i / SELECT

Use to select and adjust sound field program parameters or
SET MENU items.
Press u / d to select preset station numbers when the unit
is in tuner mode.

8 TEST (RETURN)

Outputs the test tone to adjust the speaker levels.
Returns to the previous menu level when adjusting the
SET MENU parameters.

9 TRANSMIT indicator

Flashes while the remote control is sending signals.

0 STANDBY

Sets this unit in the standby mode.

A SYSTEM POWER

Turns on the power of this unit.

B SLEEP

Sets the sleep timer.

C MULTI CH IN

Selects MULTI CH INPUT when using an external
decoder (etc.).

D AMP

Selects the AMP mode. You must select the AMP mode to
control the main unit.

1 Infrared window

Outputs infrared control signals. Aim this window at the
component you want to operate.

2 CODE SET

Use to set up manufacturer codes (see page 61).

6

E VOLUME –/+

Increases or decreases the volume level.

F MUTE

Mutes the sound. Press again to restore the audio output to
the previous volume level.

G EX/ES

Switches between 5.1 or 6.1/7.1-channel playback of
multi-channel software.

H STRAIGHT (EFFECT)

Switches the sound fields off or on. When STRAIGHT is
selected, input signals (2-channel or multi-channel) are
output directly from their respective speakers without
effect processing.

I SET MENU (A/B/C/D/E)

Activates the SET MENU function.
Selects preset station groups when the unit is in tuner
mode.

J ON SCREEN

Selects the display mode of the on-screen display (OSD)
this unit sends to your video monitor.

CONTROLS AND FUNCTIONS

Using the remote control

The remote control transmits a directional infrared beam.
Be sure to aim the remote control directly at the remote
control sensor on the main unit during operation.

STANDBY

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

SILENT CINEMA

FM/AMPRESET/TUNING

PROGRAM

BA

STRAIGHT

EFFECT

TRANSMITCODE SET

SYSTEM

POWERPOWER

STANDBY

POWER

AVTV

CD

MD/CD-R

TUNER

SLEEP

V-AUX

DVD

DTV/CBL

MULTI CH IN

VCR

AMP

VOLUME

TV VOL TV CH

TV MUTE TV INPUT

MUTE

ROCKJAZZHALLSTEREO

4321

MOVIETV THTRMUSICENTERTAIN

81070965

EX/ESNIGHTq/DTS

STRAIGHT

ENTER

EFFECT

PRESET/CH

LEVEL

SET MENU

MENUTITLE

A/B/C/D/E

SELECT

TEST

DISPLAYRETURN

REC

AUDIO

DISC SKIP

MEMORY

l PRESET/TUNING h

A/B/C/D/E

INPUT

INPUT MODE

TONE CONTROL

Approximately 6 m (20 ft)

30 30

■ Handling the remote control

• Do not spill water or other liquids on the remote

control.

• Do not drop the remote control.

• Do not leave or store the remote control in the

following types of conditions:
– high humidity such as near a bath
– high temperature such as near a heater or stove
– extremely low temperatures
– dusty places

VOLUME

TUNING MODE

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

VIDEO AUX

MULTI CH

INPUT

S VIDEO VIDEO OPTICALL AUDIO R

INTRODUCTION

7

English

CONTROLS AND FUNCTIONS

J

Front panel display

123456 780AB9

t

MATRIX DISCRETE

q

DIGITAL

q

q

EX

q

PL

q

PCM

PL x

96
24

SILENT CINEMA NIGHT PTY HOLD AUTO

VIRTUAL

PL

SP
A B

V-A UXVCR

SLEEP

DTV/CBL

FG H I LKEDC

1 Decoder indicators

When any of this unit’s decoders function, the respective
indicator lights up.

2 SILENT CINEMA indicator

Lights up when headphones are connected and a sound
field program is selected (see page 31).

3 NIGHT indicator

Lights up when you select night listening mode.

4 Input source indicators

A cursor lights to show the current input source.

5 Sound field indicators

Light to indicate the active DSP sound fields.

Presence DSP sound field

Listening position

Left surround
DSP sound field

Surround back DSP sound field

6 CINEMA DSP indicator

Lights up when you select a CINEMA DSP sound field
program.

7 AUTO indicator

Lights up when this unit is in automatic tuning mode.

8 TUNED indicator

Lights up when this unit is tuned into a station.

9 STEREO indicator

Lights up when this unit is receiving a strong signal for an
FM stereo broadcast while the AUTO indicator is lit.

Right surround
DSP sound field

CDTUNER

MEMORY

OPTIMIZER

ft
mS
dB

96/24

LFE

HiFi DSP

DVD

MD/CD-R

TUNED STEREO MUTE

PS RT CT EONPTY

0 MEMORY indicator

Blinks to show that a station can be stored.

A MUTE indicator

Blinks while the MUTE function is on.

B VOLUME level indication

Indicates the volume level.

C PCM indicator

Lights up when this unit is reproducing PCM (pulse code
modulation) digital audio signals.

D VIRTUAL indicator

Lights up when Virtual CINEMA DSP is active (see
page 36).

E Headphones indicator

Lights up when headphones are connected.

F SP A B indicators

Light up according to the set of front speakers selected.
Both indicators light up when both sets of speakers are
selected.

G SLEEP indicator

Lights up while the sleep timer is on.

H HiFi DSP indicator

Lights up when you select a HiFi DSP sound field
program.

I Multi-information display

Shows the current sound field program name and other
information when adjusting or changing settings.

J OPTIMIZER indicator

Lights up during the auto setup procedure and when the
auto setup speaker settings are used without any
modifications.

VOLUME

dB

LCR

SL SB SR

M N

8

K 96/24 indicator

Lights up when a DTS 96/24 signal is input to this unit.

L LFE indicator

Lights up when the input signal contains the LFE signal.

M Input channel indicators

Indicate the channel components of the current digital
input signal.

N Presence and surround back speaker

indicators

Indicate the connection of presence and/or surround back
speakers when using the SPEAKER LEVEL setting (see
page 55).

CONTROLS AND FUNCTIONS

INTRODUCTION

9

English

CONTROLS AND FUNCTIONS

78 9 0 A

Rear panel

12 3 465

COMPONENT VIDEO

PR PB Y

DVD

DTV
/CBL

DIGITAL

INPUT

COAXIAL

OPTICAL
DTV/CBL

DVD

MD/CD-R

MD/CD-R

OPTICAL

DIGITAL

OUTPUT

DVD

(PLAY)

CD

/CD-R

OUT

(REC)

FRONT

SURROUND

SURROUND

BACK

AUDIO AUDIO

CD

IN

MD

SUB

WOOFER

MULTI CH INPUT

MONITOR OUT

CENTER

VIDEO

DVD

DTV
/CBL

IN

VCR 1

OUT

IN

DVR/

VCR 2

OUT

VIDEO S VIDEO

VIDEO

S VIDEO

MONITOR

OUT

1 DIGITAL INPUT jacks

See pages 16, 18 and 19 for details.

2 Audio component jacks

See page 19 for connection information.

3 Video component jacks

See pages 16 and 18 for connection information.

4 Antenna terminals

See page 21 for connection information.

TUNER

75Ω UNBAL.

FM
ANT

PRE OUT

CENTER

SUB

FRONT

SURROUND

WOOFER

FRONT

SURROUND

BACK

A

B

AM
ANTGND

PRESENCE

SPEAKERS

CENTER SURROUND BACK

SURROUND

AC OUTLETS

SWITCHED

IMPEDANCE SELECTOR

(U.S.A. model)

7 DIGITAL OUTPUT jack

See page 19 for details.

8 MULTI CH INPUT jacks

See page 17 for connection information.

9 PRE OUT jacks

See page 20 for connection information.

0 Speaker terminals

See page 13 for connection information.

5 PRESENCE speaker terminals

See page 13 for connection information.

A IMPEDANCE SELECTOR switch

See page 23.

6 AC OUTLET(S)

Use to supply power to your other A/V components (see
page 22).

10

SPEAKER SETUP

Speaker placement

The speaker layout below shows the standard ITU-R
speaker setting. You can use it to enjoy CINEMA DSP and
multi-channel audio sources.

PL

FL

SL

SL

more than 30 cm (12 in)

SBL

C

30˚

60˚

80˚

SBR

PR

FR

SR

SR

SPEAKER SETUP

Surround speakers (SR and SL)

The surround speakers are used for effect and surround
sounds. Place these speakers behind your listening
position, facing slightly inwards, about 1.8 m (6 ft) above
the floor.

Surround back speakers (SBR and SBL)

The surround back speakers supplement the surround
speakers and provide for more realistic front-to-back
transitions. Place these speakers directly behind the
listening position and at the same height as the surround
speakers. They should be positioned at least 30 cm (12 in)
apart. Ideally, they should be positioned at the same width
as the front speakers.

Subwoofer

The use of a subwoofer, such as the YAMAHA Active
Servo Processing Subwoofer System, is effective not only
for reinforcing bass frequencies from any or all channels,
but also for high fidelity reproduction of the LFE (low­frequency effect) channel included in Dolby Digital and
DTS software. The position of the subwoofer is not so
critical, because low bass sounds are not highly
directional. But it is better to place the subwoofer near the
front speakers. Turn it slightly toward the center of the
room to reduce wall reflections.

PREPARATION

1.8 m (6 ft)

1.8 m (6 ft)

Front speakers (FR and FL)

The front speakers are used for the main source sound plus
effect sounds. Place these speakers an equal distance from
the ideal listening position. The distance of each speaker
from each side of the video monitor should be the same.

Center speaker (C)

The center speaker is for the center channel sounds
(dialog, vocals, etc.). If for some reason it is not practical
to use a center speaker, you can do without it. Best results,
however, are obtained with the full system. Align the front
face of the center speaker with the front face of your video
monitor. Place the speaker centrally between the front
speakers and as close to the monitor as possible, such as
directly over or under it.

Presence speakers (PR and PL)

Presence speakers supplement the sound from the front
speakers with extra ambient effects produced by CINEMA
DSP (see page 44). These effects include sounds that
filmmakers intend to locate a little farther back behind the
screen in order to create more theater-like ambience. Place
these speakers at the front of the room about 0.5 - 1 m
(1 - 3 ft) outside the front speakers, facing slightly
inwards, and about 1.8 m (6 ft) above the floor.

English

11

SPEAKER SETUP

Speaker connections

Be sure to connect the left channel (L), right channel (R),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.

CAUTION

• If you will use 6 ohm speakers, be sure to set
this unit’s speaker impedance setting to 6
ohms before using (see page 23).

• Before connecting the speakers, make sure that the
power of this unit is off.

• Do not let the bare speaker wires touch each other or do
not let them touch any metal part of this unit. This
could damage this unit and/or speakers.

• Use magnetically shielded speakers. If this type of
speakers still creates the interference with the monitor,
place the speakers away from the monitor.

A speaker cord is actually a pair of insulated cables
running side by side. One cable is colored or shaped
differently, perhaps with a stripe, groove or ridges.
Connect the striped (grooved, etc.) cable to the “+” (red)
terminals on this unit and your speaker. Connect the plain
cable to the “–” (black) terminals.

10 mm (3/8")

5 Tighten the knob to secure the wire.

3

4

5

Red: positive (+)

Black: negative (–)

■ Connecting to PRESENCE speaker
terminals

2

1

3

1 Open the tab.

2 Insert one bare wire into the hole of each

terminal.

1

2

1 Remove approximately 10 mm (3/8") of

insulation from the end of each speaker
cable.

2 Twist the exposed wires of the cable together

to prevent short circuits.

3 Unscrew the knob.

4 Insert one bare wire into the hole in the side

of each terminal.

3 Return the tab to secure the wire.

■ Banana plug connections

First, tighten the knob and then insert the banana plug
connector into the end of the corresponding terminal.

Banana plug

y

You can also use banana plugs with the PRESENCE speaker
terminals. Open the tab, then insert one banana plug connector
into the hole of each terminal. Do not attempt to close the tabs
after connecting the banana plugs.

12

SPEAKER SETUP

Subwoofer

system

Presence speakers

LeftRight

Surround speakers

LeftRight

(U.S.A. model)

1

FRONT

6 7 10

2 3 4 5

PRE OUT

CENTER

SUB

WOOFER

SURROUND

Front

speakers

(B)

FRONT

SURROUND

BACK

A

B

PRESENCE

SPEAKERS

SURROUND

CENTER SURROUND BACK

Center

speaker

98

LeftRight

Surround back

speakers

PREPARATION

LeftRight

Front speakers (A)

You can connect both surround back and presence speakers to this unit, but they do not output sound simultaneously.

• The surround back speakers output the surround back channel included in Dolby Digital EX and DTS-ES software and only
operate when the Dolby Digital EX or DTS-ES decoder is turned on.

• The presence speakers output ambient effects created by the DSP sound fields. They do not output sound when other sound fields
are selected.

English

13

SPEAKER SETUP

■ FRONT terminals

Connect one or two speaker systems to these terminals. If
you use only one speaker system, connect it to either the
FRONT A or B terminals.

Note

The Canada model cannot output to two separate speaker systems
simultaneously.

■ CENTER terminals

Connect a center speaker to these terminals.

■ SURROUND terminals

Connect surround speakers to these terminals.

■ SUBWOOFER jack

Connect a subwoofer with built-in amplifier, such as the
YAMAHA Active Servo Processing Subwoofer System,
to this jack.

■ SURROUND BACK terminals

Connect surround back speakers to these terminals. If you
only connect one surround back speaker, connect it to the
left (L) terminals.

3

2

6

8

7

Speaker layout

1

5

10

4

9

■ PRESENCE terminals

Connect presence speakers to these terminals.

14

CONNECTIONS

Before connecting components

CAUTION

Do not connect this unit or other components to the mains
power until all connections between components are
complete.

■ Cable indications

For analog signals

left analog cables

right analog cables

For digital signals

optical cables

coaxial cables

For video signals

video cables

S-Video cables

■ Analog jacks

You can input analog signals from audio components by
connecting audio pin cable to the analog jacks on this unit.
Connect red plugs to the right jacks and white plugs to the
left jacks.

■ Digital jacks

This unit has digital jacks for direct transmission of digital
signals through either coaxial or fiber optic cables. You
can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both
the COAXIAL and OPTICAL jacks, priority is given to
the input signals from the COAXIAL jack. All digital
input jacks are compatible with 96-kHz sampling digital
signals.

Note

This unit handles digital and analog signals independently. Thus
audio signals input to the analog jacks are only output to the
analog OUT (REC) jacks. Likewise audio signals input to the
digital (OPTICAL or COAXIAL) jacks are only output to the
DIGITAL OUTPUT jack.

L

R

O

C

V

S

V

CONNECTIONS

Dust protection cap

Pull out the cap from the optical jack before you connect
the fiber optic cable. Do not discard the cap. When you are
not using the optical jack, be sure to put the cap back in
place. This cap protects the jack from dust.

■ Video jacks

This unit has three types of video jacks. Connection
depends on the availability of input jacks on your monitor.
The signals input through the S VIDEO jacks on this unit
are automatically converted for output through the VIDEO
jacks. When V CONV. is set to ON (see page 58), signals
input through the VIDEO jacks can be output through the
S VIDEO jacks.

VIDEO

S VIDEO

VIDEO jack

For conventional composite video signals.

S VIDEO jack

For S-Video signals, separated into luminance (Y) and
color (C) video signals to achieve high-quality color
reproduction.

COMPONENT VIDEO jacks

For component signals, separated into luminance (Y) and
color difference (PB, PR) to provide the best quality in
picture reproduction.

Signal flow inside this unit

Input

COMPONENT
VIDEO

S VIDEO

VIDEO

Only when V CONV. is set to ON
(see page 58).

COMPONENT VIDEO

PR PB Y

Output

(MONITOR OUT)

PREPARATION

Note

When signals are input through both the S VIDEO and VIDEO
jacks, signals input through the S VIDEO jack have priority.

English

15

CONNECTIONS

Connecting video components

■ Connections for DVD playback

Optical out

Coaxial out

O

DVD player

Audio out

LRC

Video out

COMPONENT VIDEO

PR PB Y

DVD

DIGITAL

INPUT

OPTICAL

DVD

AUDIO

DVD

MONITOR OUT

VIDEO

DVD

VIDEO S VIDEO

VIDEO

S VIDEO

MONITOR

OUT

Video in

Video

monitor

(U.S.A. model)

16

CONNECTIONS

■ Connecting to the MULTI CH INPUT jacks

This unit is equipped with 8 additional input jacks (left and right FRONT, CENTER, left and right SURROUND, left and
right SURROUND BACK and SUB WOOFER) for discrete multi-channel input from a multi-format player, external
decoder, sound processor or pre-amplifier.
Connect the output jacks on your multi-format player or external decoder to the MULTI CH INPUT jacks. Be sure to
match the left and right outputs to the left and right input jacks for the front and surround channels.

For 6-channel input

FRONT

SURROUND

WOOFER

MULTI CH INPUT

Subwoofer

LR

out

Multi-format player/

External decoder

Front
out

For 8-channel input

(U.S.A. model)

FRONT

SURROUND

SURROUND

BACK

SUB

CENTER

LR

LR

SUB

WOOFER

MULTI CH INPUT

Subwoofer
out

Center
out

Multi-format player/

External decoder

Surround
out

Front
out

(U.S.A. model)

PREPARATION

CENTER

LR LR

Center
out

Surround
back out

Surround
out

Notes

• When you select MULTI CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you
cannot select sound field programs.

• This unit does not redirect signals input to the MULTI CH INPUT jacks to accommodate for missing speakers. We recommend that
you connect at least a 5.1-channel speaker system before using this feature.

• When headphones are used, only front left and right channels are output.

English

17

CONNECTIONS

■ Connections for other video components

DIGITAL

INPUT

OPTICAL

DTV/CBL

O

DVD

Optical out

Audio out

Cable TV or

satellite tuner

LR

AUDIO

Video out

DTV
/CBL

IN

VCR 1

OUT

VIDEO

VIDEO

S VIDEO

COMPONENT VIDEO

PR PB Y

DTV
/CBL

(U.S.A. model)

LR LR

Audio in

Audio out Video out

DVD recorder

or VCR

■ VIDEO AUX jacks (on the front panel)

Use these jacks to connect any video source, such as a
game console or video camera, to this unit.

18

S

Video in

VIDEO AUX

VIDEOS VIDEO OPTICALL AUDIO R

V

L

O

R

Optical out

Audio out R

Audio out L
Video out

Game
console or
video
camera

S-Video out

Connecting audio components

■ Connections for audio components

CONNECTIONS

(U.S.A. model)

CD player

Audio out

L

R

C

Coaxial out

DIGITAL

INPUT

COAXIAL

OPTICAL

MD/CD-R

MD/CD-R

OPTICAL

DIGITAL
OUTPUT

AUDIO

CD

IN

(PLAY)

CD

MD

/CD-R

OUT

(REC)

Audio out

L

R

L

R

MD recorder or

tape deck

PREPARATION

Audio in

Optical out

O

Optical in

O

19

English

CONNECTIONS

■ Connecting to an external amplifier

If you want to increase the power output to the speakers,
or want to use another amplifier, connect an external
amplifier to the PRE OUT jacks as follows.

Notes

• When audio pin plugs are connected to the PRE OUT jacks for
output to an external amplifier, do not make connections to the
corresponding SPEAKERS terminals. Set the volume of the
amplifier connected to this unit to the maximum.

• The signals output through the FRONT PRE OUT and
CENTER PRE OUT jacks are affected by the TONE
CONTROL settings.

• If SPEAKERS A is turned off and SP B is set to ZONE B (see
page 59), signals will only be output from the FRONT PRE
OUT jacks.

12354

PRE OUT

SURROUND

CENTER

SUB

WOOFER

SURROUND

BACK

L

R

FRONT

1 FRONT PRE OUT jacks

Front channel line output jacks.

2 SURROUND PRE OUT jacks

Surround channel line output jacks.

3 CENTER PRE OUT jack

Center channel line output jack.

4 SURROUND BACK PRE OUT jacks

Surround back or presence channel line output jacks.

5 SUB WOOFER PRE OUT jack

Connect a subwoofer with built-in amplifier, such as the
YAMAHA Active Servo Processing Subwoofer System,
to this jack.

Notes

• Each PRE OUT jack outputs the same channel signals as the
corresponding speaker terminals.

• Adjust the volume level of the subwoofer with the control on
the subwoofer. It is also possible to adjust the volume level
using the remote control (see “Manually adjusting speaker
levels” on page 49).

• Some signals may not be output from the SUB WOOFER PRE
OUT jack depending on the SPEAKER SET (see page 53) and
LFE/BASS OUT (see page 54) settings.

20

Connecting the antennas

CONNECTIONS

Both AM and FM indoor antennas are included with this
unit. In general, these antennas should provide sufficient
signal strength. Connect each antenna correctly to the
designated terminals.

Indoor FM antenna
(included)

75Ω UNBAL.

FM

ANT

AM loop antenna

(included)

TUNER

AM

ANTGND

Ground (GND terminal)

For maximum safety and minimum
interference, connect the antenna
terminal to a good earth ground. A good
earth ground is a metal stake driven into
moist earth.

GND

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.

• A properly installed outdoor antenna provides clearer reception
than an indoor one. If you experience poor reception quality, an
outdoor antenna may improve the quality. Consult the nearest
authorized YAMAHA dealer or service center about outdoor
antennas.

■ 75-ohm/300-ohm antenna adapter

(U.K. model only)

1 Open the cover of the

included 75-ohm/300-ohm
antenna adapter.

2 Cut the external sleeve

of the 75-ohm coaxial
cable and prepare it for

11 (7/16)
8 (5/16)
6 (1/14)

Unit:
mm (in)

connection.

3 Cut the lead wire and

remove it.

Lead wire

PREPARATION

■ Connecting the AM loop antenna

1 Set up the AM loop antenna, then connect it

to the terminals on this unit.

2 Press and hold the tab to

insert the AM loop antenna
lead wires into the AM ANT
and GND terminals.

3 Orient the AM loop antenna

for the best reception.

4 Insert the cable

wire into the slot,
and clamp it with
pliers.

5 Snap the cover

into place.

Clamp

nsert the wire
nto slot.

Clamp

English

21

CONNECTIONS

Connecting the power supply cord

■ Connecting the AC power cord

Plug the power cord into an AC wall outlet.

■ AC OUTLET(S) (SWITCHED)

Australia model .............................................. 1 OUTLET

Korea model ..............................................................None

Other models .................................................2 OUTLETS

Use these outlets to connect the power cords from your
other components to this unit. Power to the AC
OUTLET(S) is controlled by this unit’s STANDBY/ON
(or SYSTEM POWER and STANDBY). The outlet(s)
supply power to any connected component whenever this
unit is turned on. The maximum power (total power
consumption of components) that can be connected to the
AC OUTLET(S) is:

Korea model ............................................................... N/A

China model ............................................................. 50 W

Other models ...........................................................100 W

■ Memory back-up

The memory back-up circuit prevents the stored data from
being lost even if this unit is in the standby mode.
However if the power cord is disconnected from the AC
wall outlet, or the power supply is cut for more than one
week, the stored data will be lost.

22

CONNECTIONS

■ IMPEDANCE SELECTOR switch

CAUTION

Do not change the setting of the IMPEDANCE
SELECTOR switch when the unit power is switched on,
as doing so may damage the unit.

If this unit fails to turn on when STANDBY/ON is pressed
on either the front panel or remote control, the
IMPEDANCE SELECTOR switch may not be fully slid to
either position. If this is the case, slide the switch all the
way to either position when this unit is in standby mode.

Select the switch position (left or right) according to the
impedance of the speakers in your system.

IMPEDANCE SELECTOR switch

Switch position Speaker Impedance level

If you use one set (A or B), the impedance of each speaker must be

Front

Left

4 Ω or higher.

If you use two sets (A and B), the impedance of each speaker must be
8 Ω or higher.

(U.S.A. model)

SET BEFORE POWER ON

IMPEDANCE SELECTOR

PREPARATION

Center, Surround, Surround back,

Right

Center, Surround, Surround back,

*

The Canada model cannot use two separate speaker systems (A and B) simultaneously when the switch is set to the right position.

Presence

Front

Presence

The impedance of each speaker must be 6 Ω or higher.

If you use one set (A or B), the impedance of each speaker must be
8 Ω or higher.

If you use two sets (A and B), the impedance of each speaker must be
16 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

*

English

23

CONNECTIONS

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

Turning on the power

When all connections are complete, turn on the power of
this unit.

1

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

l PRESET/TUNING h

INPUT MODE

MEMORY

TUNING MODE

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

1

1 Press STANDBY/ON (SYSTEM POWER on the

remote control) to turn on the power of this
unit.

SYSTEM

STANDBY

/ON

Front panel

or

POWER

Remote control

2 Turn on the video monitor connected to this

unit.

24

AUTO SETUP

AUTO SETUP

Introduction

This receiver employs YAMAHA Parametric Room
Acoustic Optimizer (YPAO) technology which lets you
avoid troublesome listening-based speaker setup and
achieves highly accurate sound adjustments. The supplied
optimizer microphone collects and analyzes the sound
your speakers produce in your actual listening
environment.

Notes

• Please be advised that it is normal for loud test tones to be
output during the auto setup procedure.

• If auto setup stops and error messages appear on the screen,
follow the troubleshooting on page 29.

YPAO performs the following checks and makes
appropriate adjustments to give you the best possible
sound from your system.

WIRING/LEVEL:
Checks which speakers are connected and the polarity of
each speaker. Also checks and adjusts the sound level
(volume) of each speaker so that the sound level of each
speaker is the same when heard from the listening
position.

DISTANCE/PHASE:
Checks the distance of each speaker from the listening
position and adjusts the delay of each channel so that the
sound from each speaker reaches the listening position at
the same time. Also checks the phase of each speaker.

SIZE:
Checks the speakers frequency response and sets the
crossover/high cut frequency for the subwoofer to improve
the sound relationship between the speakers and the
subwoofer.

Optimizer microphone setup

1 Connect the supplied optimizer microphone

to the OPTIMIZER MIC jack on the front
panel.

(U.S.A. model)

STANDBY

/ON

l PRESET/TUNING h

A/B/C/D/E

STRAIGHT

FM/AMPRESET/TUNING

PROGRAM

EFFECT

TONE CONTROL

LEVELNEXTEDIT

INPUT MODE

OPTIMIZER

MIC

SPEAKERSPHONES

BA

SILENT CINEMA

Notes

• After you have completed the auto setup procedure, be sure to
disconnect the optimizer microphone.

• The optimizer microphone is sensitive to heat.
– Keep it away from direct sunlight.
– Do not place it on top of this unit.

2 Place the optimizer microphone on a flat

level surface with the omni-directional
microphone head upward, at your normal
listening position.

If possible, use a tripod (etc.) to affix the optimizer
mic at the same height as your ears would be when
you are seated in your listening position.

Optimizer microphone position

PREPARATION

25

English

AUTO SETUP

Starting the setup

For best results, make sure the room is as quiet as possible
during the auto setup procedure (YPAO). If there is too
much ambient noise, the results may not be satisfactory.

y

If your subwoofer has adjustable volume and crossover/high cut
frequency controls, set the volume between 9 and 11 o’clock (as
viewed on a conventional clockface) and set the crossover/high
cut frequency to the maximum.

VOLUME

MAX

MIN

Subwoofer

1 Switch on this unit and your video monitor.

Make sure the OSD is displayed.

2 Press AMP.

3 Press SET MENU.

4 Press u / d to select AUTO SETUP.

CROSSOVER/

HIGH CUT

MIN

MAX

SET MENU

A/B/C/D/E

AMP

MENU

6 Press u / d to select SETUP, then press j / i

to select the desired setting.

1 AUTO:MENU

. SETUP;;;;;;;AUTO

START

Automatic
processing
of all items

p

p

[ ]/[ ]:Up/Down

[<]/[>]:Select

AUTO To perform the auto setup procedure

(YPAO).

RELOAD To reload the last auto setup (YPAO)

settings to override any manual
changes.

UNDO To undo the last auto setup (YPAO) and

restore the previous settings.

DEFAULT To restore the factory preset (default)

setup parameters.

y

You can choose RELOAD or UNDO only if you have
already performed auto setup.

7 Press d to select START, then press SELECT

to start the setup procedure.

• If you selected AUTO in step 6, loud test tones will
be output from each speaker in turn; WAIT appears
during the auto setup procedure.

• If you selected DEFAULT, RELOAD or UNDO in
step 6, no test tones are output.

PRESET/CH

SELECT

SET MENU

.;AUTOSETUP
;MANUALSETUP

p

p

[ ]/[ ]:Up/Down
[SELECT]:Enter

5 Press SELECT to enter AUTO SETUP.

PRESET/CH

SELECT

1 AUTO:MENU

SETUP;;;;;;;AUTO
.START

Automatic
processing
of all items

p

p

[]/[]:Up/Down
[SELECT]:Start

The RESULT:WIRING screen appears after all items
have been measured and set.

RESULT:WIRING



FRONTL;;;;;;;OK



[<]/[>]:Select



[SELECT]:Return

• If an ERROR screen appears, see “If an error
screen appears” on page 27.

• If a WARNING screen appears, see “If a warning
screen appears” on page 28.

26

8 Use the cursor buttons to display the results.






[


• Press u / d to display information about
individual results.

• Press j / i to switch between each result list.

RESULT:WIRING



FRONTL;;;;;;;OK



[<]/[>]:Select



[SELECT]:Return

9 When finished, press SELECT.

The RESULT:EXIT screen appears.

■ If an error screen appears

1 Press SELECT to display detailed

information about the error.

ERROR

.E-5:NOISY

)RETRYEXIT

p

p

[]/[]:Up/Down
[SELECT]:Enter

2 Press j / i to switch between error

messages.

For details about each message, see page 29.

AUTO SETUP

PREPARATION

10 Press u / d to select SET or CANCEL.

RESULT:EXIT

NOWARNING
RESULTLIST


.)SETCANCEL

p

p

[]/[]:Up/Down
[SELECT]:Enter

SET To apply the auto setup (YPAO)

settings.

CANCEL To cancel the auto setup (YPAO)

without making any changes.

11 Press SELECT to set or cancel the auto

setup settings.

y

If you are not satisfied with the result or want to manually adjust
each setup parameter, use the manual setup parameters (see
page 51).

Notes

• If E-10 appears during testing, restart the procedure from step 3.

• To cancel the auto setup procedure before completion, press
SET MENU.

ERROR: E-5

<NOISY>



KeepSILENT



[SELECT]:Return

3 When finished, press SELECT to return to

the main error screen.

4 Press u / d to select RETRY or EXIT, then

press SELECT.

ERROR

E-5:NOISY

.)RETRY



RETRY To retry the auto setup procedure.
EXIT To exit auto setup.

EXIT

p

p

]/[]:Up/Down

[SELECT]:Enter

English

27

AUTO SETUP

■ If a warning screen appears

1 Press j / i to display detailed information

about each warning.

For details about each message, see page 29.

WARNING:W-1

<OUTOFPHASE>
ReverseChannel
FLFR
-­---­---­---­[<]/[>]:Select
[SELECT]:Return

y

Warnings let you know about potential problems detected
during auto setup. Warnings will not cancel the auto setup.

2 When you are finished, press SELECT.

The RESULT:EXIT screen appears.

3 Press u / d to select RESULT LIST, then

press SELECT.

RESULT:EXIT

WARNINGLIST
.RESULTLIST

)SETCANCEL

p

p

[]/[]:Up/Down
[SELECT]:Enter

The RESULT:WIRING screen appears.

RESULT:WIRING



FRONTL;;;;;REV.



[<]/[>]:Select



[SELECT]:Return

Continue from step 8 on page 27 to display
each result.

Notes

• If you change speakers, speaker positions, or the layout of your
listening environment, perform auto setup again to re-calibrate
your system.

• If SWFR PHASE:REV appears in RESULT:WIRING, the SET
MENU “SUBWOOFER PHASE” parameter is automatically
set to REVERSE (see page 55).

• In the DISTANCE results, the distance displayed may be longer
than the actual distance depending on the characteristics of your
subwoofer.

28

AUTO SETUP

■ Troubleshooting for auto setup procedure

Before auto setup

Error message Cause Remedy

Connect MIC!

Unplug HP!

Errors during auto setup

Press SELECT to display detailed information about individual errors. Press j / i to switch between error messages.

Error message Cause Remedy

E-1:NO FRONT SP

E-2:NO SURR.SP

E-3:NO PRES. SP

E-4:SBR->SBL

E-5:NOISY

E-6:CHECK SURR.

E-7:NO MIC

E-8:NO SIGNAL

E-9:USER CANCEL

E-10:OTHER ERROR

Optimizer microphone is not connected. • Connect the supplied optimizer microphone to the

Headphones are connected. • Unplug the headphones.

Front L/R channel signal(s) is (are) not
detected.

A surround channel signal is not detected. • Check the surround speaker connections.

A presence channel signal is not detected. • Check the presence speaker connections.

Only right surround back channel signal is
detected.

Background noise is too loud. • Try the auto setup procedure in a quiet environment.

Surround back speaker(s) is (are) connected,
though surround L/R speakers are not.

The optimizer microphone was unplugged
during the auto setup procedure.

The optimizer microphone does not detect test
tones.

The auto setup procedure was cancelled due to
user activity.

A DSP communication error or hangup
occurred.

OPTIMIZER MIC jack on the front panel.

• Select the front speakers with SPEAKER A or B.

• Check the front left and right speaker connections.

• Connect the surround back speaker to the LEFT
SURROUND BACK SPEAKERS terminal if you
only have one surround back speaker.

• Turn off noisy electric equipment like air conditioners
(etc.) or move them away from the optimizer
microphone.

• Connect surround speakers when you use (a)
surround back speaker(s).

• Do not touch the optimizer microphone during the
auto setup procedure.

• Check the microphone setting.

• Check the speaker connections and placement.

• Perform the auto setup procedure again. Do not adjust
VOLUME (etc.) during the auto setup procedure.

• Perform the auto setup procedure again.

PREPARATION

Warnings after auto setup

Press j / i to display detailed information about individual warnings.

Warning message Cause Remedy

W-1:OUT OF PHASE

W-2:OVER 24m
(80ft)

W-3:LEVEL ERROR

• If the ERROR or WARNING screens appears, check the cause of the problem, then perform the auto setup procedure again.

• If warning W-1 appears, corrections are made, but they may not be optimal.

• If warning W-2 or W-3 appears, no corrections are made.

• If error E-10 occurs repeatedly, please contact a qualified YAMAHA service center.

Speaker polarity is not correct. This message
may appear depending on the speakers even
when the speakers are connected correctly.

The distance between the speaker and the
listening position is over 24 m (80 ft).

The difference of volume level among speakers
is excessive. (No level correction is made.)

• Check the speaker connections for proper polarity
(+ or –).

• Bring the speaker closer to the listening position.

• Readjust the speaker installation so that all speakers
are set in locations with similar conditions.

• Check the speaker connections.

• Use speakers of similar quality and efficiency.

• Adjust the output volume of the subwoofer.

English

29

PLAYBACK

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

MUTE

VOLUME

STRAIGHT

ROCKJAZ ZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

TV MUTE TV INPUT

TV VOL TV CH

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

PLAYBACK

Basic operations

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

7 43 61

1

4
7

1 Press STANDBY/ON (SYSTEM POWER on the

remote control) to turn on the power.

STANDBY

/ON

Front panel Remote control

MEMORY

PRESET/TUNING

l

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

6

7

SYSTEM

POWER

or

4 Select the input source.

Use INPUT (or press one of the input selector buttons
on the remote control) to select the input you desire.

INPUT

or

Front panel

Remote control

The current input source name and input mode appear
in the front panel display and video monitor for a few
seconds.

t

MATRIX DISCRETE

q

DIGITAL
EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

VIRTUAL

q PLq

PL x

01DDVD D AUTOO00

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

Selected input source

DTV/CBL

HiFi DSP

Input mode

MD/CD-R

DVD

PTY HOLD AUTO

PS RT CT EONPTY

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

dB

96/24

L C R

SL SB SR

LFE

5 Start playback or select a broadcast station

on the source component.

Refer to the operating instructions for the component.

6 Adjust the volume to the desired output level.

VOLUME

2 Turn on the video monitor connected to this

unit.

3 Press SPEAKERS A or B on the front panel.

Each press turns the respective speakers on or off.

SPEAKERS

BA

30

Front panel

or

VOLUME

Remote control

7 Select a sound field program if desired.

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

Use PROGRAM (or press AMP to select the AMP
mode, then press one of the sound field program
buttons repeatedly) to select a sound field program.
See page 44 for details about sound field programs.

PROGRAM

AMP

or

Front panel

PLAYBACK

To adjust the tone

You can adjust the tonal quality
of your front left and right,

TONE CONTROL

center, presence and subwoofer
speakers or headphones (when
connected).
Press TONE CONTROL on the
front panel repeatedly to select

PROGRAM

TREBLE or BASS, then rotate
PROGRAM to the right or left to
increase or decrease.

• Select TREBLE to adjust the
high frequency response.

• Select BASS to adjust the low frequency response.

To cancel the tone control, press TONE CONTROL
repeatedly to select BYPASS.

y

Speaker and headphone adjustments are stored independently.

Remote control

To listen with headphones (SILENT CINEMA)

“SILENT CINEMA” allows you to enjoy multi-channel
music or movie sound, including Dolby Digital and DTS
surround, through ordinary headphones. “SILENT
CINEMA” activates automatically whenever you connect
headphones to the PHONES jack while listening to
CINEMA DSP or HiFi DSP sound field programs. When
activated, the “SILENT CINEMA” indicator lights up in
the front panel display.

Notes

• This unit will not be set to “SILENT CINEMA” when MULTI
CH INPUT is selected as the input source.

• “SILENT CINEMA” is not effective when the Direct Stereo or
2ch Stereo program is selected, or in STRAIGHT mode.

Note

TONE CONTROL is not effective with the Direct Stereo program
(page 35) or MULTI CH INPUT.

To mute the sound

Press MUTE on the remote control.
The MUTE indicator blinks in the
front panel display.

MUTE

To resume the audio output, press
MUTE again (or press VOLUME –/+).
The MUTE indicator disappears from
the display.

y

You can adjust the muting level (see page 56).

OPERATION

BASIC

English

31

PLAYBACK

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR1

DTV/CBL

MULTI CH IN

SLEEP

■ Selecting MULTI CH INPUT

Press MULTI CH INPUT so that “MULTI CH INPUT”
appears in the front panel display and video monitor.

MULTI CH

INPUT

or

Front panel

MULTI CH IN

Remote control

Selecting sound field programs

■ Front panel operation

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

l PRESET/TUNING h

INPUT MODE

MEMORY

TUNING MODE

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

MULTI CH

INPUT

S VIDEO VIDEO OPTICALL AUDIO R

VOLUME

VIDEO AUX

MULTI CH INPUT

Note

When “MULTI CH INPUT” is shown in the front panel display,
no other source can be played. To select another input source with
INPUT (or one of the input selector buttons), press MULTI CH
INPUT to turn off “MULTI CH INPUT” in the front panel
display.

■ Playing video sources in the
background

You can combine a video image from a video source with
sound from an audio source. For example, you can enjoy
listening to classical music while viewing beautiful
scenery from the video source on the video monitor.

Use the input selector buttons on the remote
control to select a video source, then select an
audio source.

Audio sources

Video sources

(U.S.A. model)

PROGRAM

Rotate PROGRAM to select the desired program.

The name of the selected program appears in the front
panel display and video monitor.

PROGRAM

t

MATRIX DISCRETE

q

DIGITAL

q PLq

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

SP

VIRTUAL

A B

PL x

01DJAZZA CLUBO00

DTV/CBL

V-AUXVCR-1

ZONE2

SLEEP

HiFi DSP

MD/CD-R

DVD

PTY HOLD AUTO

PS RT CT EONPTY

Program name

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

dB

96/24

L C R

SL SB SR

LFE

Note

If you want to enjoy audio from the MULTI CH INPUT jacks
together with a video source, first select the video source, then
press MULTI CH INPUT.

32

PLAYBACK

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

MUTE

MENUTITLE

VOLUME

SET MENU

LEVEL

A/B/C/D/E

STRAIGHT

ROCKJAZ ZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

TV MUTE TV INPUT

TV VOL TV CH

SELECT

PRESET/CH

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

■ Remote control operation

AMP

Press AMP to select the AMP mode, then press
one of the sound field program buttons
repeatedly to select the desired program.

The name of the selected program appears in the front
panel display.

AMP

t

MATRIX DISCRETE

q

DIGITAL

q PLq

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

SP

VIRTUAL

A B

PL x

01DJAZZA CLUBO00

DTV/CBL

V-AUXVCR-1

ZONE2

SLEEP

HiFi DSP

MD/CD-R

DVD

PTY HOLD AUTO

TUNED STEREO MUTE

PS RT CT EONPTY

Program name

y

Choose a sound field program based on your listening preference,
and not on the name of the program.

Notes

• When you select an input source, this unit automatically selects
the last sound field program used with that source.

• Sound field programs cannot be selected when MULTI CH
INPUT is selected.

• Sampling frequencies higher than 48 kHz (except for DTS 96/
24 signals) will be sampled down to 48 kHz, then sound field
programs will be applied.

Sound

program

buttons

CDTUNER

MEMORY

96/24

ft
mS

LFE

dB

field

VOLUME

L C R

SL SB SR

dB

■ Enjoying multi-channel software

If you connected a surround back speaker, use this feature
to enjoy 6.1/7.1-channel playback for multi-channel
sources using the Dolby Pro Logic IIx, Dolby Digital
Surround EX or DTS-ES decoders.

Press AMP to select the AMP mode, then press
EX/ES on the remote control to switch between

5.1 and 6.1/7.1-channel playback.

EX/ES

10

To select a decoder, press j / i repeatedly when
PLIIxMusic (etc.) is displayed.

PRESET/CH

SELECT

AUTO (AUTO)

When a signal (flag) that can be recognized by the unit is
input, the unit selects the optimum decoder for playing
back the signal in 6.1/7.1 channels.
If the unit cannot recognize the flag or no flag is present in
the input signal, it cannot automatically be played in 6.1/

7.1 channels.

Decoders (select with j / i)

You can select from the following decoders depending on
the format of the software you are playing.

PLIIxMovie

For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Pro Logic IIx movie decoder.

PLIIxMusic

For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Pro Logic IIx music decoder.

EX/ES

For playing back Dolby Digital signals in 6.1/7.1 channels
using the Dolby Digital Surround EX decoder.
DTS signals are played back in 6.1/7.1 channels using the
DTS-ES decoder.

EX

For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Dolby Digital Surround EX decoder.

OFF (OFF)

Decoders are not used to create 6.1/7.1 channels.

y

When “SURR B L/R SP” is set to SMLx1 or LRGx1 (see
page 54), the surround back channel will be output from the left
SURROUND BACK speaker terminals.

OPERATION

BASIC

English

33

PLAYBACK

Notes

• Some 6.1-channel compatible discs do not have a signal (flag)
which this unit can automatically detect. When playing these
kinds of discs with 6.1-channel, select a decoder (PLIIx Movie,
PLIIx Music, EX/ES or EX) manually.

• 6.1-channel playback is not possible even if EX/ES is pressed in
the following cases:
– When “SURR L/R SP” (see page 53) or “SURR B L/R SP”

(see page 54) is set to NONE.

– When the source connected to the MULTI CH INPUT jack is

being played.

– When the source being played does not contain surround left

and right channel signals.
– When a Dolby Digital KARAOKE source is being played.
– When “2ch Stereo” or Direct Stereo is selected.

• When the power of this unit is turned off, the input mode will be
reset to AUTO.

• When the DTS-ES decoder is applied to DTS 96/24 signals, you
cannot use the DTS 96/24 decoding feature.

• The Pro Logic IIx decoder is not available when “SURR B L/R
SP” is set to NONE (see page 54).

• PLIIxMovie cannot be selected when “SURR B L/R SP” is set
to SMLx1 or LRGx1 (see page 54).

■ Enjoying 2-channel software

Signals input from 2-channel sources can also be played
back on multiple channels.

Press q/DTS on the remote control to select the
decoder.

q

/DTS

9

You can select from the following decoders depending on
the type of software you are playing and your personal
preference.

PRO LOGIC SUR. STANDARD

Standard processing for Dolby Surround sources.

PRO LOGIC SUR. ENHANCED

CINEMA DSP enhanced processing for Dolby Surround
sources.

PRO LOGIC IIx Movie

Dolby Pro Logic II/IIx processing for movie software.

PRO LOGIC IIx Music

Dolby Pro Logic II/IIx processing for music software.

PRO LOGIC IIx Game

Dolby Pro Logic II/IIx processing for game software.

DTS Neo:6 Cinema

DTS processing for movie software.

DTS Neo:6 Music

DTS processing for music software.

*

Use the PLII/PLIIx parameter to select the Pro Logic II or Pro
Logic IIx decoders (see page 69).

Note

The Pro Logic IIx decoder is not available when “SURR B L/R
SP” is set to NONE (see page 54).

*

*

*

34

PLAYBACK

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

■ Listening to high fidelity stereo sound
(Direct Stereo)

Direct Stereo allows you to bypass this unit’s decoders and
DSP processors to enjoy pure high fidelity sound from 2­channel PCM and analog sources.

Rotate PROGRAM (or press AMP to select the
AMP mode, then press STEREO repeatedly) to
select “Direct Stereo”.

PROGRAM

AMP

or

Front panel

Remote control

Direct Stereo

■ Night listening modes

The night listening modes are designed to improve
listenability at lower volumes or at night. Choose either
NIGHT:CINEMA or NIGHT:MUSIC depending on the
type of material you are playing.

Press NIGHT on the remote control repeatedly to
select cinema or music.

When night listening is selected, the NIGHT indicator in
the front panel display lights up.

NIGHT

0

Remote control

• Select NIGHT:CINEMA when watching films to
reduce the dynamic range of film soundtracks and
make dialog easier to hear at lower volumes.

• Select NIGHT:MUSIC when listening to music sources
to preserve ease-of-listening for all sounds.

• Select OFF if you do not want to use this function.

Press j / i to adjust the effect level while
NIGHT:CINEMA or NIGHT:MUSIC is displayed.

This adjusts the level of compression.

PRESET/CH

OPERATION

BASIC

Notes

• To avoid unexpected noise, do not play DTS-encoded CDs in
this mode.

• When multi-channel signals (Dolby Digital and DTS) are input,
this unit automatically switches to the corresponding analog
input. (When DTS is selected as an input mode, no sound will
be heard.)

• No sound will be output from the subwoofer.

• CONTROL (page 31) and SET MENU (page 51) settings are
not effective.

• The front panel display automatically dims.

SELECT

Remote control

Effect.Lvl:MID

• Select MIN for minimum compression.

• Select MID for standard compression.

• Select MAX for maximum compression.

y

NIGHT:CINEMA and NIGHT:MUSIC adjustments are stored
independently.

Notes

• You cannot use the night listening modes with the Direct Stereo
program or MULTI CH INPUT (even though the NIGHT
indicator lights up when Direct Stereo is selected).

• The night listening modes may vary in effectiveness depending
on the input source and surround sound settings you use.

English

35

PLAYBACK

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

■ Downmixing to 2 channels

You can enjoy 2-channel stereo playback even from multi­channel sources.

Rotate PROGRAM (or press STEREO on the
remote control) to select 2ch Stereo.

Selecting input modes

This unit comes with a variety of input jacks. Do the
following to select the type of input signals you want to
use.

PROGRAM

or

Front panel

Remote control

2ch Stereo

y

You can use a subwoofer with this program when SWFR or
BOTH is selected in “BASS OUT”.

■ Listening to unprocessed input signals

In STRAIGHT mode, two channel stereo sources are
output from only the front left and right speakers. Multi­channel sources are decoded straight into the appropriate
channels without any additional effect processing.

Press STRAIGHT (EFFECT) to select STRAIGHT.

STRAIGHT

or

EFFECT

Front panel

STRAIGHT

ENTER

EFFECT

Remote control

STRAIGHT

Press STRAIGHT (EFFECT) again so that “STRAIGHT”
disappears from the display when you want to turn the
sound effect back on.

■ Virtual CINEMA DSP

Virtual CINEMA DSP allows you to enjoy the CINEMA
DSP programs without surround speakers. It creates
virtual speakers to reproduce the natural sound field.
If you do not connect surround speakers, Virtual CINEMA
DSP activates automatically whenever you select a
CINEMA DSP sound field program.

1 Rotate INPUT to select the input source.

INPUT

2 Press INPUT MODE to select an input mode.

In most cases, use AUTO.

INPUT MODE

t

MATRIX DISCRETE

q

DIGITAL

q PLq

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

SP

VIRTUAL

A B

PL x

01DDVD D AUTOO00

DTV/CBL

V-AUXVCR-1

ZONE2

SLEEP

HiFi DSP

MD/CD-R

DVD

PTY HOLD AUTO

PS RT CT EONPTY

Input modeInput source

AUTO Automatically selects input signals in

the following order:

1) Digital signals

*

2) Analog signals

DTS Selects only digital signals encoded in

DTS. If no DTS signals are input, no
sound is output.

ANALOG Selects only analog signals. If no

analog signals are input, no sound is
output.

* If this unit detects a Dolby Digital or DTS signal, the

decoder automatically switches to the appropriate sound
field program.

y

You can adjust the default input mode this unit selects when the
power is turned on (see page 58).

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

96/24

L C R

SL SB SR

LFE

dB

Note

Virtual CINEMA DSP will not activate, even when “SURR L/R
SP” is set to NONE (see page 53) in the following cases:

– When MULTI CH INPUT is selected as the input source.
– When headphones are connected to the PHONES jack.

36

PLAYBACK

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

Notes

• When you play DTS-encoded CD/LDs with the input mode set
to AUTO:
– This unit automatically switches to the DTS decoding mode.

The unit remains in DTS mode (and the t indicator may
flash) for up to 30 seconds after playback of the DTS source is
complete. To manually release the DTS mode, press INPUT
MODE to reselect AUTO.

– The DTS decoding mode may be released if search or skip

operations are performed for more than 30 seconds. To
prevent this, press INPUT MODE to select DTS.

• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.

Displaying information about the input
source

You can display the type, format and sampling frequency
of the current input signal.

1 Select the input source.

3 Press u / d to display the following

information about the input signal.

PRESET/CH

SELECT

(Format) Signal format display. When the unit

cannot detect a digital signal it
automatically switches to analog input.

in Number of source channels in the input

signal. For example, a multi-channel
soundtrack with 3 front channels, 2
surround channels and LFE, is
displayed as “3/2/LFE”.

fs Sampling frequency. When the unit is

unable to detect the sampling
frequency “Unknown” appears.

rate Bit rate. When the unit is unable to

detect the bit rate “Unknown” appears.

flg Flag data encoded with DTS or Dolby

Digital signals that cue this unit to
automatically switch decoders.

OPERATION

BASIC

2 Press AMP to select the AMP mode, then

press STRAIGHT (EFFECT) so that
“STRAIGHT” appears in the display.

AMP

then

STRAIGHT

ENTER

EFFECT

STRAIGHT

English

37

TUNING

M

M

TUNING

Automatic and manual tuning

There are 2 tuning methods; automatic and manual.
Automatic tuning is effective when station signals are
strong and there is no interference.

■ Automatic tuning

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

3 312 4

1 Rotate INPUT to select TUNER as the input

source.

INPUT

l

PRESET/TUNING

MEMORY

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator lights up in the
front panel display.

TUNING MODE

AUTO/MAN'L MONO

AUTO

Lights up

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.

PRESET/TUNING

EDIT

TUNER

MD/CD-R

DVD

DTV/CBL

/VCR2

T CINEMA NIGHT

UAL

A

V-AUXVCR-1

ZONE2

SP

A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

TUNED STEREO ME

-AAM1 1440k kHz

4 Press PRESET/TUNING l / h once to begin

automatic tuning.

Press h to tune into a higher frequency, or press l
to tune into a lower frequency.

l PRESET/TUNING h

LEVEL

2 Press FM/AM to select the reception band.

“FM” or “AM” appears in the front panel display.

FM/AM

FM

or

AM

/VCR2

T CINEMA NIGHT

UAL

A

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

TUNED STEREO ME

-AAM1 1530k kHz

TUNER

MD/CD-R

DVD

DTV/CBL

When tuned into a station, the TUNED indicator
lights up and the frequency of the received station is
shown in the front panel display.

38

■ Manual tuning

M

M

If the signal from the station you want to select is weak,
tune into it manually. Manually tuning into an FM station
will automatically switch the tuner to monaural reception
to increase the signal quality.

1 Select TUNER and the reception band

following steps 1 and 2 as described in
“Automatic tuning”.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator disappears from
the front panel display.

TUNING MODE

AUTO/MAN'L MONO

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.

PRESET/TUNING

EDIT

AUTO

Disappears

TUNING

Presetting stations

■ Automatically presetting FM stations

You can use the automatic preset tuning feature to store
FM stations. This function enables this unit to
automatically tune into FM stations with strong signals,
and to store up to 40 (8 stations in 5 groups, A1 through
E8) of those stations in order. You can then recall any
preset station easily by selecting the preset station number.

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

1 Press FM/AM to select the FM band.

FM/AM

l

PRESET/TUNING

MEMORY

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

231

FM

OPERATION

BASIC

/VCR2

T CINEMA NIGHT

UAL

A

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

TUNED STEREO ME

-AAM1 1440k kHz

TUNER

MD/CD-R

DVD

DTV/CBL

3 Press PRESET/TUNING l / h to tune into

the desired station manually.

Hold down the button to
continue searching.

l PRESET/TUNING h

LEVEL

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator lights up in the
front panel display.

TUNING MODE

AUTO/MAN'L MONO

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.

PRESET/TUNING

EDIT

DTV/CBL

/VCR2

T CINEMA NIGHT

UAL

A

V-AUXVCR-1

ZONE2

SP
A B

HiFi DSP

SLEEP

-AAM1 1440k kHz

DVD

AUTO

Lights up

MD/CD-R

PTY HOLD AUTO

PS RT CT EONPTY

TUNER

TUNED STEREO ME

English

39

TUNING

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number, the MEMORY and AUTO
indicators flash. After about 5 seconds, automatic
presetting starts from the frequency currently
displayed and proceeds toward the higher
frequencies.

MEMORY

MAN'L/AUTO FM

■ Manually presetting stations

You can also store up to 40 stations (8 stations in 5 groups,
A1 through E8) manually.

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

l

PRESET/TUNING

MEMORY

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

t

MATRIX DISCRETE

q

DIGITAL
EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

VIRTUAL

q PLq

PL x

A1 1:FM187.5k MHz

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

DTV/CBL

HiFi DSP

DVD

PTY HOLD AUTO

MD/CD-R

PS RT CT EONPTY

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

dB

96/24

L C R

SL SB SR

LFE

When automatic preset tuning is completed, the front
panel display shows the frequency of the last preset
station.

Notes

• Any stored station data existing under a preset number is
cleared when you store a new station under that preset number.

• If the number of the received stations does not reach 40 (E8),
automatic preset tuning has automatically stopped after
searching all stations.

• Only FM stations with sufficient signal strength are stored
automatically by automatic preset tuning. If the station you
want to store is weak in signal strength, tune into it manually,
and store it by following the procedure in “Manually presetting
stations”.

Automatic preset tuning options

You can select the preset number from which this unit will
store FM stations and/or begin tuning toward lower
frequencies.
After pressing MEMORY in step 3:
1 Press A/B/C/D/E, then PRESET/TUNING l / h to

select the preset number under which the first station
will be stored. Automatic preset tuning will stop when
stations have all been stored up to E8.

2 Press PRESET/TUNING (EDIT) to turn off the colon

(:) and then press PRESET/TUNING l to begin
tuning toward the lower frequencies.

43 2,5

1 Tune into a station.

See page 38 for tuning instructions.

t

MATRIX DISCRETE

q

DIGITAL

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

VIRTUAL

q PLq

PL x

A11:AM18630k kHz

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

DTV/CBL

HiFi DSP

DVD

PTY HOLD AUTO

MD/CD-R

PS RT CT EONPTY

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

dB

96/24

L C R

SL SB SR

LFE

When tuned into a station, the front panel display
shows the frequency of the station received.

2 Press MEMORY (MAN’L/AUTO FM).

The MEMORY indicator flashes for about 5 seconds.

MEMORY

MAN'L/AUTO FM

MEMORY

Flashes

3 Press A/B/C/D/E repeatedly to select a preset

station group (A to E) while the MEMORY
indicator is flashing.

The group letter appears. Check that the colon (:)
appears in the front panel display.

A/B/C/D/E

NEXT

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the preset stations may be cleared. If
so, store the stations again by using the presetting
station methods.

40

96

DVR/VCR2

t

24

SILENT CINEMA NIGHT

MATRIX DISCRETE

VIRTUAL

q

DIGITAL

q PLq

EX

q PLq

PL x

PCM

Preset group

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

TUNED STEREO MUTE

MD/CD-R

DVD

DTV/CBL

V-AUXVCR-1

C11:AM18630k kHz

MEMORY

CDTUNER

VOLUME

dB

96/24

L C R

ft
mS

SL SB SR

LFE

dB

TUNING

REC

AUDIO

MENUTITLE

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

1009

ENTER

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

SELECT

PRESET/CH

9

4 Press PRESET/TUNING l / h to select a

preset station number (1 through 8) while the
MEMORY indicator is flashing.

Press h to select a higher preset station number.
Press l to select a lower preset station number.

l PRESET/TUNING h

LEVEL

96

t

24

MATRIX DISCRETE

q

DIGITAL

q PLq

EX

q PLq

PL x

PCM

Preset number

DVR/VCR2

SILENT CINEMA NIGHT

VIRTUAL

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

MD/CD-R

DVD

DTV/CBL

C1 3:AM18630kkHz

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

96/24

L C R

SL SB SR

LFE

5 Press MEMORY (MAN’L/AUTO FM) on the

front panel while the MEMORY indicator is
flashing.

The station band and
frequency appear in the front
panel display with the preset
group and number you have
selected.

t

MATRIX DISCRETE

q

DIGITAL

q PLq

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

SP

VIRTUAL

A B

PL x

C1 3:AM18630kkHz

DTV/CBL

V-AUXVCR-1

ZONE2

HiFi DSP

SLEEP

MD/CD-R

DVD

PTY HOLD AUTO

PS RT CT EONPTY

MEMORY

MAN'L/AUTO FM

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

96/24

L C R

SL SB SR

LFE

Selecting preset stations

You can tune any desired station simply by selecting the
preset station number under which it was stored.

(U.S.A. model)

VOLUME

STANDBY

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

SILENT CINEMA

dB

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

1

When performing this operation with the remote
control, first press TUNER to set the remote to
tuner mode.

1 Press A/B/C/D/E to select the preset station

group.

dB

The preset group letter appears in the front panel
display and changes each time you press the button.

l

PRESET/TUNING

MEMORY

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

2

1
2

OPERATION

BASIC

Shows the displayed station has been stored as C3.

6 Repeat steps 1 to 5 to store other stations.

Notes

• Any stored station data existing under a preset number is
cleared when you store a new station under that preset number.

• The reception mode (stereo or monaural) is stored along with
the station frequency.

A/B/C/D/E

NEXT

or

SET MENU

MENU

A/B/C/D/E

Front panel Remote control

2 Press PRESET/TUNING l / h (PRESET/CH

u / d on the remote control) to select a
preset station number (1 through 8).

The preset group and number appear on the front
panel display along with the station band, frequency
and the TUNED indicator lights up.

PRESET/CH

l PRESET/TUNING h

LEVEL

Front panel

DVR/VCR2

SILENT CINEMA NIGHT

SP

VIRTUAL

A B

E1 1:FM187.5k MHz

or

SELECT

Remote control

TUNED STEREOMMEMORY

CDTUNER

ft
mS
dB

ZONE2

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

MD/CD-R

DVD

DTV/CBL

V-AUXVCR-1

English

41

TUNING

9

9

9

Exchanging preset stations

You can exchange the assignment of two preset stations
with each other. The example below describes the
procedure for exchanging preset station “E1” with “A5”.

(U.S.A. model)

VOLUME

STANDBY

SILENT CINEMA

/ON

OPTIMIZER

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

2,4 1,31,3

1 Select preset station “E1” using A/B/C/D/E

and PRESET/TUNING l / h.

See “Selecting preset stations”.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the MEMORY indicator flash in the front
panel display.

PRESET/TUNING

MEMORY

PRESET/TUNING

l

EDIT

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are
exchanged.

PRESET/TUNING

EDIT

MD/CD-R

DVD

DTV/CBL

DVR/VCR2

SILENT CINEMA NIGHT

VIRTUAL

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

TUNED STEREOMMEMORY

E1 EDIT18E1-A5Hz

CDTUNER

ft
mS
dB

TUNED STEREOMMEMORY

CDTUNER

ft
mS
dB

DVR/VCR2

SILENT CINEMA NIGHT

VIRTUAL

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

HiFi DSP

PTY HOLD AUTO

PS RT CT EONPTY

MD/CD-R

DVD

DTV/CBL

E1 1:FM187.5k MHz

3 Select preset station “A5” using A/B/C/D/E

and PRESET/TUNING l / h.

“A5” and the MEMORY indicator flash in the front
panel display.

A/B/C/D/E

NEXT

DVR/VCR2

SILENT CINEMA NIGHT

VIRTUAL

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

A1 5:FM190.6k MHz

l PRESET/TUNING h

DVD

DTV/CBL

HiFi DSP

MD/CD-R

PTY HOLD AUTO

PS RT CT EONPTY

LEVEL

TUNED STEREOMMEMORY

CDTUNER

ft
mS
dB

42

RECORDING

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

DTV/CBL

MULTI CH IN

SLEEP

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

RECORDING

Recording adjustments and other operations are
performed from the recording components. Refer to the
operating instructions for those components.

(U.S.A. model)

VOLUME

STANDBY

OPTIMIZER

SILENT CINEMA

/ON

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

l

PRESET/TUNING

MEMORY

TUNING MODE

h

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

INPUT MODE

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

21

1

2

VCR 1 DVR/VCR2

1 Turn on the power of this unit and all

connected components.

2 Select the source component you want to

record from.

INPUT

or

Front panel Remote control

3 Start playback (or select a broadcast station)

on the source component.

Notes

• When this unit is set in the standby mode, you cannot record
between other components connected to this unit.

• The setting of TONE CONTROL, VOLUME, “SPEAKER
LEVEL” (page 55) and programs does not affect recorded
material.

• A source connected to the MULTI CH INPUT jacks of this unit
cannot be recorded.

• S-Video and composite video signals pass independently
through this unit’s video circuits. Therefore, when recording or
dubbing video signals, if your video source component is
connected to provide only an S-Video (or only a composite
video) signal, you can record only an S-Video (or only a
composite video) signal to your VCR.

• Digital signals input to the DIGITAL INPUT jacks are not
output to the analog AUDIO OUT (L/R) jacks for recording.
Likewise, analog signals input to the AUDIO IN (L/R) jacks are
not output to the DIGITAL OUTPUT jack. Therefore, if your
source component is connected to provide only digital (or
analog) signals, you can only record digital (or analog) signals.

• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)

• Check the copyright laws in your country to record from
records, CDs, radio, etc. Recording of copyrighted material may
infringe copyright laws.

If you playback a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.

■ Special considerations when recording

DTS software

The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise
being recorded. Therefore, if you want to use this unit to
record sources that have DTS signals recorded on them,
the following considerations and adjustments need to be
made.
For DVDs and CDs encoded with DTS, when your player
is compatible with the DTS format, follow its operating
instructions to make a setting so that the analog signal will
be output from the player.

OPERATION

BASIC

4 Start recording on the recording component.

y

Do a test recording before you start an actual recording.

English

43

SOUND FIELD PROGRAM DESCRIPTIONS

SOUND FIELD PROGRAM DESCRIPTIONS

This unit is equipped with a variety of precise digital decoders that allow you to enjoy multichannel playback from
almost any sound source (stereo or multichannel). This unit is also equipped with a YAMAHA digital sound field
processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience.
Most of these sound field programs are precise digital recreations of actual acoustic environments found in famous
concert halls, music venues, and movie theaters.

y

The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set the input mode to
AUTO (see page 36) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.

Notes

• This unit’s DSP sound field programs are recreations of real-world acoustic environments made from precise measurements taken in
the actual hall, etc. Thus you may notice variations in the strength of the reflections coming from the front, back, left and right.

• Feel free to choose a sound field program based on your listening preference, and not purely on the name of the program itself.

For movie/video sources

You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI”
can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel
(stereo) sources like TV programs, video tapes, etc.

Program Features Sources

STEREO:
2ch Stereo

MUSIC VIDEO

ENTERTAINMENT:
Game

TV THEATER:
Mono Movie

TV THEATER:
Variety/Sports

MOVIE THEATER:
Spectacle

MOVIE THEATER:
Sci-Fi

MOVIE THEATER:
Adventure

MOVIE THEATER:
General

Downmixes multi-channel sources to 2 channel (left and right) or plays back 2-channel
sources as is.

This program lends an enthusiastic atmosphere to the sound, giving you the feeling you are at
an actual jazz or rock concert.

This program adds a deep and spatial feeling to video game sounds.

This program is provided for reproducing monaural video sources (such as old movies). The
program produces the optimum reverberation to create sound depth using only the presernce
sound field.

Though the presence sound field is relatively narrow, the surround sound field employs the
sound environment of a large concert hall. This effect enhances the experience of watching
various TV programs such as news, variety shows, music programs or sports programs.

CINEMA DSP processing. This program creates the extremely wide sound field of a 70-mm
movie theater. It precisely reproduces the source sound in detail, making both the video and the
sound field incredibly real. This is ideal for any kind of video source encoded with Dolby
Surround, Dolby Digital or DTS (especially large-scale movie productions).

CINEMA DSP processing. This program clearly reproduces dialog and sound effects in the
latest sound form for science fiction films, thus creating a broad and expansive cinematic space
amid silence. You can enjoy science fiction films in a virtual-space sound field that includes
Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced
techniques.

CINEMA DSP processing. This program is ideal for precisely reproducing the sound design of
the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to
that of the newest movie theaters, so the reverberations of the sound field itself are restrained
as much as possible.

CINEMA DSP processing. This program is for reproducing sounds from 70-mm and
multichannel soundtrack films, and is characterized by soft and extensive sound field.

MULTI

2-CH

44

Program Features Sources

DOLBY DIGITAL:
SUR. STANDARD

DOLBY DIGITAL:
SUR. ENHANCED

q D+PLIIx Movie:

SUR. STANDARD

q D+PLIIx Movie:

SUR. ENHANCED

DOLBY D EX:
SUR. STANDARD

DOLBY D EX:
SUR. ENHANCED

DTS:
SUR. STANDARD

DTS 96/24:
SUR. STANDARD

DTS:
SUR. ENHANCED

DTS+PLIIx Movie:
SUR. STANDARD

DTS+PLIIx Movie:
SUR. ENHANCED

DTS+DOLBY EX:
SUR. STANDARD

DTS+DOLBY EX:
SUR. ENHANCED

DTS ES Mtrx6.1:
SUR. STANDARD

DTS ES Mtrx6.1:
SUR. ENHANCED

DTS ES Disc6.1:
SUR. STANDARD

DTS ES Disc6.1:
SUR. ENHANCED

SOUND FIELD PROGRAM DESCRIPTIONS

Standard 5.1-channel processing for Dolby Digital sources.

CINEMA DSP enhanced processing for Dolby Digital sources.

Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby Digital sources.

CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby
Digital sources.

Standard 6.1-channel processing for Dolby Digital sources.

CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for Dolby Digital
sources.

Standard 5.1-channel processing for DTS sources.

Standard 5.1-channel processing for 96-kHz/24-bit DTS sources.

CINEMA DSP enhanced processing for DTS and 96-kHz/24-bit DTS sources.

Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS sources.

CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS
sources.

Standard 6.1-channel processing (Dolby Digital EX) for DTS sources.

CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for DTS sources.

Standard 6.1-channel processing (DTS-ES Matrix) for DTS sources.

CINEMA DSP enhanced processing (DTS-ES Matrix) for DTS sources.

Standard 6.1-channel processing (DTS-ES Discrete) for DTS sources.

CINEMA DSP enhanced processing (DTS-ES Discrete) for DTS sources.

MULTI

SOUND FIELD

PROGRAMS

45

English

SOUND FIELD PROGRAM DESCRIPTIONS

Program Features Sources

PRO LOGIC:

Standard processing for Dolby Surround sources.

SUR. STANDARD

PRO LOGIC:

CINEMA DSP enhanced processing for Dolby Surround sources.

SUR. ENHANCED

PRO LOGIC IIx:

Dolby Pro Logic IIx processing for movie software.

*

PLIIx Movie

PRO LOGIC II:

Dolby Pro Logic II processing for movie software.

*

PLII Movie

PRO LOGIC IIx:

Dolby Pro Logic IIx processing for game software.

*

PLIIx Game

PRO LOGIC II:

Dolby Pro Logic II processing for game software.

*

PLII Game

DTS: Neo:6 Cinema

*

You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 69.

DTS processing for movie software.

2-CH

46

SOUND FIELD PROGRAM DESCRIPTIONS

For music sources

You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.

Program Features Sources

CONCERT HALL

JAZZ CLUB

ROCK CONCERT

ENTERTAINMENT:
Disco

q D+PLIIx Music:

SUR. STANDARD

q D+PLIIx Music:

SUR. ENHANCED

DTS+PLIIx Music:
SUR. STANDARD

DTS+PLIIx Music:
SUR. ENHANCED

STEREO:
2ch Stereo

STEREO:
Direct Stereo

STEREO:
7ch Stereo

PRO LOGIC IIx:
PLIIx Music

PRO LOGIC II:
PLII Music

DTS: Neo:6 Music

HiFi DSP processing. A classic shoe-box type concert hall with approximately 1700 seats.
Pillars and ornate carvings create extremely complex reflections which produce a very full,
rich sound.

HiFi DSP processing. This is the sound field at stage front in “The Bottom Line”, a famous
New York jazz club. The floor can seat 300 people to the left and right in a sound field offering
a real and vibrant sound.

HiFi DSP processing. The ideal program for lively, dynamic rock music. The data for this
program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center­left of the hall.

HiFi DSP processing. This program recreates the acoustic environment of a lively disco in the
heart of a big city. The sound is dense and highly concentrated. It is also characterized by high­energy, “immediate” sound.

Standard Dolby Digital and Dolby Pro Logic IIx processing for music sources.

CINEMA DSP enhanced Dolby Digital and Dolby Pro Logic IIx processing for music sources.

Standard DTS and Dolby Pro Logic IIx processing for music sources.

CINEMA DSP enhanced DTS and Dolby Pro Logic IIx processing for music sources.

2-channel (left and right) playback.

Use to output stereo sources to only the front left and right speakers without any processing.

Use to increase the output stereo sources (in stereo) from all speakers. This provides a larger
sound field and is ideal for background music at parties, etc.

Dolby Pro Logic IIx processing for music software.

Dolby Pro Logic II processing for music software.

DTS processing for music software.

*

*

MULTI

2-CH

MULTI

2-CH

SOUND FIELD

PROGRAMS

*

You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 69.

English

47

ADVANCED OPERATIONS

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

ADVANCED OPERATIONS

Selecting the OSD mode

You can display this unit’s operating information on a
video monitor. If you display the SET MENU and sound
field program parameter settings on a monitor, it is much
easier to see the available options and parameters than it is
by reading this information on the front panel display.

1 Turn on the video monitor connected to this

unit.

2 Press ON SCREEN repeatedly to change the

OSD mode.

The OSD mode changes in the
following order: full display, short
display, and display off.

Full display

Always shows the sound field program parameter settings
as well as the contents of the front panel display.

Short display

Briefly shows the contents of the front panel display at the
bottom of the screen each time you operate this unit.

Display off

Only operations performed using ON SCREEN are
displayed. The OSD is displayed when using SET MENU
or the test tone feature, settings are displayed, even if the
OSD mode is set to “Display off”.

P08 MOVIE THEATER

.General
DSPLEVEL;;;;0dB
P.INIT.DLY;;15ms
P.ROOMSIZE;;1.0
S.INIT.DLY;;20ms
S.ROOMSIZE;;1.0

Full display Short display

P08MOVIETHEATER
General

ON SCREEN

DISPLAY

Using the sleep timer

Use this feature to automatically set this unit in the
standby mode after a certain amount of time. The sleep
timer is useful when you are going to sleep while this unit
is playing or recording a source. The sleep timer also
automatically turns off any external components
connected to the AC OUTLET(S).

■ Setting the sleep timer

2

1 Select a source and start playback on the

source component.

2 Press SLEEP repeatedly to set

the amount of time.

Each time you press SLEEP, the front
panel display changes as shown
below. The SLEEP indicator flashes
while switching the amount of time
for the sleep timer.

t

MATRIX DISCRETE

q

DIGITAL

EX

q PLq

PCM

q PLq

PL x

SLEEP 120min

96

DVR/VCR2

24

SILENT CINEMA NIGHT

VIRTUAL

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

E1 SLEEP8120minz

DTV/CBL

HiFi DSP

SLEEP 90min

SLEEP 60minSLEEP 30minSLEEP OFF

MD/CD-R

DVD

PTY HOLD AUTO

PS RT CT EONPTY

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

SLEEP

96/24

LFE

VOLUME

L C R

SL SB SR

dB

Notes

• The OSD signal is not output to the REC OUT jack, and will
not be recorded.

• You can set the OSD to turn on (gray background) or off when a
video source is not being reproduced (or the source component
is turned off) by using “DISPLAY SET” (see page 58).

48

The SLEEP indicator lights up in the front panel
display, and the display returns to the selected sound
field program.

SLEEP indicator

t

MATRIX DISCRETE

q

DIGITAL

EX

q PLq

PCM

96

DVR/VCR2

24

SILENT CINEMA NIGHT

VIRTUAL

q PLq

PL x

E1 CONCERT2HALLz

V-AUXVCR-1

ZONE2

SP
A B

SLEEP

DTV/CBL

DVD

HiFi DSP

MD/CD-R

PTY HOLD AUTO

PS RT CT EONPTY

CDTUNER

TUNED STEREO MUTE

MEMORY

ft
mS
dB

VOLUME

96/24

L C R

SL SB SR

LFE

dB

■ Canceling the sleep timer

AMP

REC

AUDIO

MUTE

MENUTITLE

VOLUME

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

ROCKJAZZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

TV MUTE TV INPUT

TV VOL TV CH

VCR 1 DVR/VCR2

PRESET/CH

SELECT

Press SLEEP repeatedly until “SLEEP OFF” appears in
the front panel display.
After a few seconds, “SLEEP OFF” disappears, and the
SLEEP indicator goes off.

SLEEP

SLEEP OFF

y

The sleep timer setting can also be canceled by pressing
STANDBY on the remote control (or STANDBY/ON on the front
panel) to set this unit to the standby mode.

ADVANCED OPERATIONS

Manually adjusting speaker levels

You can adjust the output level of each speaker while
listening to a music source. This is also possible when
playing sources through the MULTI CH INPUT jacks.
Please note that this operation will override the level
adjustments made in “AUTO SETUP” (page 25),
“SPEAKER LEVEL” (page 55) and “Using the test tone”
(page 50).

1

2

4
3

1 Press AMP.

2 Press LEVEL repeatedly to select the

speaker you want to adjust.

FRONT L Front left speaker level
CENTER Center speaker level
FRONT R Front right speaker level
SUR.R Surround right speaker level
SUR.B.R Surround back right speaker level
SUR.B.L Surround back left speaker level
SUR.L Surround left speaker level
SWFR Subwoofer level
PRES Presence speaker level

y

Once you press LEVEL, you can also select the speaker by
pressing u / d.

3 Press j / i to adjust the speaker output level.

The control range is from +10 dB to –10 dB.

OPERATION

ADVANCED

4 Press SELECT when you have completed

your adjustment.

y

This operation can also be performed using the controls on the
front panel. Press NEXT repeatedly to select the speaker you
want to adjust, then press LEVEL –/+ to adjust the output level.

English

49

ADVANCED OPERATIONS

AMP

REC

AUDIO

MUTE

MENUTITLE

VOLUME

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

ROCKJAZ ZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

TV MUTE TV INPUT

TV VOL TV CH

SELECT

VCR 1 DVR/VCR2

PRESET/CH

Using the test tone

You can use the test tone feature to manually balance your
speaker levels. Please note that this operation will override
the level adjustments made in “AUTO SETUP” (page 25),
“SPEAKER LEVEL” (page 55) and “Manually adjusting
speaker levels” (page 49). Use the test tone to set speaker
levels so that the volume from each speaker is identical
when heard from your listening position.

Note

You cannot activate the test tone if headphones are connected to
the

PHONES jack. Remove the headphones from the PHONES

jack.

1

■ Outputting the test tone from the
PRESENCE speakers

6 Press u / d repeatedly to select the speaker

from which you want to output the test tone.

TEST FRONT Front speakers
TEST PRESENCE Presence speakers
TEST PRES L Left presence speakers
TEST PRES R Right presence speakers

7 Press j / i to adjust the presence speaker

volumes.

8 Press TEST when you have completed your

adjustment.

The test tone stops.

2,5,8

3,4,6,7

1 Press AMP.

2 Press TEST.

The unit outputs a test tone.

3 Press u / d repeatedly to select the speaker

you want to adjust.

TEST LEFT Front left speaker
TEST CENTER Center speaker
TEST RIGHT Front right speaker
TEST SUR.R Right surround speaker
TEST SUR.B.R Right surround back speaker
TEST SUR.B.L Left surround back speaker
TEST SUR.L Left surround speaker
TEST SUBWOOFER Subwoofer

4 Press j / i to adjust the speaker volumes.

5 Press TEST when you have completed your

adjustment.

The test tone stops.
If PRESENCE SP in “SPEAKER SET” is set to YES,

you can adjust the presence speaker volumes
(proceed to step 6).

50

SET MENU

SET MENU

You can use the following parameters in SET MENU to adjust a variety of system settings and customize the way this
unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening
environment.

■ AUTO SETUP

Use to specify which speaker parameters auto setup will adjust, and to activate the auto setup procedure (see page 25).

■ MANUAL SETUP

Use to manually adjust speaker and system parameters.

1 SOUND MENU

Use to manually adjust any speaker setting, alter the quality and tone of the sound output by the system or compensate for
video signal processing delays when using LCD monitors or projectors.

y

Most of the parameters described in SOUND MENU are set automatically when you run auto setup (see page 25). You can use SOUND
MENU to make further adjustments, but we recommend running auto setup first

Item Features Page

A)SPEAKER SET

B)SPEAKER LEVEL

C)SP DISTANCE

D)CENTER GEQ

E)LFE LEVEL

F)DYNAMIC RANGE

G)AUDIO SET

H)PR/SB SELECT

Selects the size of each speaker, the speakers for low-frequency signal output, and the cross over
frequency.

Adjusts the output level of each speaker.

Adjusts the delay time of each speaker.

Adjusts the tonal quality of the center speaker.

Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.

Adjusts the dynamic range for Dolby Digital or DTS signals.

Customizes the muting level, audio delay and height of the front and center channel sounds.

Selects priority to either surround back or presence speakers when both sets of speakers are
connected to this unit.

.

53

55

55

56

56

56

56

57

2 INPUT MENU

Use to reassign digital input/outputs and select the input mode.

Item Features Page

A)I/O ASSIGNMENT

B)INPUT MODE

Assigns jacks according to the component to be used.

Selects the initial input mode of the source.

3 OPTION MENU

Use to adjust the optional system parameters.

Item Features Page

A)DISPLAY SET

B)MEMORY GUARD

C)PARAM. INI

D)ZONE SET

Adjusts the brightness of the display and converts video signals.

Locks sound field program parameters and other SET MENU settings.

Initializes the parameters of a group of sound field programs.

Specifies the location of the speakers connected to the SPEAKERS B terminals.

57

58

58

59

59

59

51

OPERATION

ADVANCED

English

SET MENU

AMP

REC

AUDIO

MUTE

MENUTITLE

VOLUME

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

ROCKJAZZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

TV MUTE TV INPUT

TV VOL TV CH

SELECT

VCR 1 DVR/VCR2

PRESET/CH

Using SET MENU

Use the remote control to access and adjust each
parameter.

1

2,8

3-7

y

You can change SET MENU parameters while the unit is
reproducing sound.

Note

You cannot change some SET MENU parameters while the unit
is in either cinema or music night listening mode.

1 Press AMP.

AMP

4 Press SELECT to enter MANUAL SETUP.

1 SOUND MENU appears on the front panel display.

PRESET/CH

SELECT

;MANUAL SETUP

.1SOUNDMENU

2INPUTMENU
3OPTIONMENU

p

p

[]/[]:Up/Down
[SELECT]:Enter

5 Press u / d to select the desired menu.

6 Press SELECT to enter the selected menu.

PRESET/CH

SELECT

1 SOUND

MENU 1/2

.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTERGEQ

p

[]/[]:Up/Down
[SELECT]:Enter

p

7 Press u / d to select the item you want to

adjust, then press j / i to change the setting
of the item.

2 Press SET MENU.

3 Press u / d to select MANUAL SETUP.

PRESET/CH

SELECT

52



SET MENU

;AUTOSETUP

.;MANUALSETUP

p

[]/[]:Up/Down
[SELECT]:Enter

SET MENU

MENU

A/B/C/D/E

p

B)SPEAKER

-+
.FR
C
SL

LEVEL

Repeat this operation to select and adjust each setting.
To return to the previous menu level, press RETURN.

8 To exit, press SET MENU when finished.

SET MENU

MENU

A/B/C/D/E

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is in the standby mode.
However, if the power cord is disconnected from the
AC outlet, or the power supply is cut for more than one
week, the stored data will be lost. If so, adjust the
items again.

1 SOUND MENU

Use to manually adjust any speaker setting or compensate
for video signal processing delays when using LCD
monitors or projectors. Most of the SOUND MENU
parameters are set automatically when you run auto setup
(see page 25).

1 SOUND

MENU 1/2

.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTERGEQ

p

[]/[]:Up/Down
[SELECT]:Enter

■ Speaker set A)SPEAKER SET

Use to manually adjust any speaker setting.

y

If you are not satisfied with the bass sounds from your speakers,
you can change these settings according to your preference.

Center speaker CENTER SP
Choices: NONE, SML, LRG

p

SET MENU

Front speakers FRONT SP
Choices: SMALL, LARGE

FRONT SP

SMALL)LARGE

• Select SMALL if you have small front speakers. The
unit directs the low-frequency signals of the front
channel to the speakers selected with “LFE/BASS
OUT”.

• Select LARGE if you have large front speakers. The
unit directs the entire range of the front left and right
channel signals to the front left and right speakers.

Surround left/right speakers SURR L/R SP
Choices: NONE, SML, LRG

SURR L/R SP

CENTER SP

NONE)SMLLRG

• Select NONE if you do not have a center speaker. The
unit directs all of the center channel signal to the front
left and right speakers.

• Select SML if you have a small center speaker. The
unit directs the low-frequency signals of the center
channel to the speakers selected with “LFE/BASS
OUT”.

• Select LRG if you have a large center speaker. The unit
directs the entire range of the center channel signal to
the center speaker.

NONE)SMLLRG

• Select NONE if you do not have surround speakers.
This will set the unit to the Virtual CINEMA DSP
mode (see page 36) and automatically set the surround
back speaker setting (SURR B L/R SP) to NONE.

• Select SML if you have small surround left and right
speakers. The low-frequency signals of the surround
channel are directed to the speakers selected with
“LFE/BASS OUT”.

• Select LRG if you have large surround left and right
speakers. The entire range of the surround channel
signal is directed to the surround left and right
speakers.

OPERATION

ADVANCED

53

English

SET MENU

Surround back speakers SURR B L/R SP
Choices: NONE, SMLx1, SMLx2, LRGx1, LRGx2

SURR B L/R SP

SMLx1)SMLx2

• Select NONE if you do not have a surround back
speaker. The unit directs all of the surround back
channel signal to the surround left and right speakers.

• Select SMLx1 if you have a small surround back
speaker. The low-frequency signals of the surround
back channel are directed to the speakers selected with
“LFE/BASS OUT”, and the rest of the frequency
signals are directed to the left surround back speaker.

• Select SMLx2 if you have 2 small surround back
speakers. The low-frequency signals of the surround
back channels are directed to the speakers selected with
“LFE/BASS OUT”.

• Select LRGx1 if you have a large surround back
speaker. The unit directs the entire range of the
surround back channel signal to the left surround back
speaker.

• Select LRGx2 if you have 2 large surround back
speakers. The unit directs the entire range of the
surround back channel signal to the surround back
speakers.

Note

If you select SMLx1 or LRGx1, connect the speaker to the left
SURROUND BACK speaker terminals.

Presence speakers PRESENCE SP
Choices: NONE, YES

PRESENCE SP

Bass out LFE/BASS OUT

Low-frequency (bass) signals can be directed to the
subwoofer and/or the front left and right speakers
according to the characteristics of your system. This
setting also determines the routing of the LFE (low­frequency effect) signals found in Dolby Digital or DTS
sources.
Choices: SWFR, FRNT, BOTH

LFE/BASS OUT

SWFRFRNT)BOTH

• Select SWFR if you connect a subwoofer. LFE and
low-frequency signals from other channels are directed
to the subwoofer according to the speaker settings.

• Select FRNT if you do not use a subwoofer. LFE and
low frequency signals from other channels are directed
to the front speakers according to the speaker settings
(even if you have previously set front speakers to
SML).

• Select BOTH if you connect a subwoofer and you want
to output low-frequency signals from front channels to
both the front speakers and subwoofer. LFE and low­frequency signals from other channels are also directed
to the subwoofer according to the speaker settings. Use
this function to reinforce low-frequency signals using
the subwoofer when playing back sources such as CDs.

Cross over CROSS OVER

Use this feature to select a cross-over (cut-off) frequency
for all low-frequency signals. All frequencies below the
selected frequency will be sent to the subwoofer.
Choices: 40Hz, 60Hz, 80Hz, 90Hz, 100Hz, 110Hz,
120Hz, 160Hz, 200Hz

CROSS OVER

)NONEYES

• Select NONE if you do not have presence speakers.

• Select YES if you have presence speakers.

54

FREQ;;;80Hz

SET MENU

Subwoofer phase SUBWOOFER PHASE

If bass sounds are lacking or unclear, use this feature to
switch the phase of your subwoofer.
Choices: NORMAL (normal), REVERSE (reverse)

02ASUBWOOFER PHASE

)NORMALREVERSE

• Select NORMAL if you do not want to reverse the
phase of your subwoofer.

• Select REVERSE to reverse the phase of your
subwoofer.

■ Speaker level B)SPEAKER LEVEL

Use these settings to manually balance the speaker levels
between the front left or surround left speakers and each
speaker selected in SPEAKER SET (page 53).
Choices: –10.0 dB to +10.0 dB

B)SPEAKER

-+
.FR
C
SL

• FR adjusts the balance of the front left and front right
speakers.

• C adjusts the balance of the front left and center
speakers.

• SL adjusts the balance of the front left and surround
left speakers.

*

• SBL

adjusts the balance of the surround left and

surround back left speakers.

• SBR

*

adjusts the balance of the surround left and

surround back right speakers.

• SR adjusts the balance of the surround left and
surround right speakers.

• SWFR adjusts the balance of the front left speaker and
subwoofer.

• PRES adjusts the balance of the front and presence
speakers.

*

SB will be displayed if you selected only one surround back
speaker in SURR B L/R SP (page 54).

y

To calibrate, use the test tone feature (see page 50).

LEVEL

■ Speaker distance C)SP DISTANCE

Use this feature to manually input the distance of each
speaker and adjust the delay applied to respective channel.
Ideally, each speaker should be the same distance from the
main listening position. However, this is not possible in
most home situations. Thus, a certain amount of delay
must be applied to the sound from each speaker so that all
sound will arrive at the listening position at the same time.

C)SP DISTANCE

. UNIT;;;;;;meters
FRONTL;;;;3.00m
FRONTR;;;;3.00m
CENTER;;;;;3.00m

p

[]/[]:Up/Down
[<]/[>]:Adjust

Unit UNIT

Choices: meters (m), feet (ft)
Initial setting:
U.S.A. and Canada models: feet (ft)
Other models: meters (m)

• Select meters to input speaker distances in meters.

• Select feet to input speaker distances in feet.

Speaker distances

Choices: 0.3 to 24.00 m (1 to 80 ft)

• FRONT L adjusts the distance of the front left speaker.

Initial setting: 3.0 m (10.0 ft)

• FRONT R adjusts the distance of the front right

speaker. Initial setting: 3.0 m (10.0 ft)

• CENTER adjusts the distance of the center speaker.

Initial setting: 3.0 m (10.0 ft)

• SURR L adjusts the distance of the surround left

speaker. Initial setting: 3.0 m (10.0 ft)

• SURR R adjusts the distance of the surround right

speaker. Initial setting: 3.0 m (10.0 ft)

*

• SB L

adjusts the distance of the surround back left

speaker. Initial setting: 2.10 m (7.0 ft)

*

• SB R

adjusts the distance of the surround back right

speaker. Initial setting: 2.10 m (7.0 ft)

• SWFR adjusts the distance of the subwoofer. Initial

setting: 3.0 m (10.0 ft)

• PRES L adjusts the distance of the presence left

speaker. Initial setting: 3.0 m (10.0 ft)

• PRES R adjusts the distance of the presence right

speaker. Initial setting: 3.0 m (10.0 ft)

*

SURR B will be displayed if you selected only one surround
back speaker in SURR B L/R SP (page 54).

p

OPERATION

ADVANCED

55

English

SET MENU

■ Center graphic equalizer D)CENTER GEQ

Use this feature to adjust the built-in 5-band graphic
equalizer for the center channel so that the tonal quality of
the center speaker matches that of the front speakers.
You can make adjustments listening to the currently
selected source component or a test tone.
You can adjust 5 frequency bands: 100Hz, 300Hz, 1kHz,
3kHz, 10kHz
Choices: –6 to +6 dB

D)CENTER GEQ

.TEST)OFFON
-+
100Hz0dB
300Hz0dB
1kHz0dB
3kHz0dB
10kHz0dB

p

p

[]/[]:Up/Down
[<]/[>]:Adjust

• Select ON to output test tones from the front left and
center speakers, and adjust the tonal quality of the
center speaker.

• Select OFF to stop the test tone and output the
currently selected source component.

• Press u / d to select a frequency band.

• Press j / i to adjust the selected frequency band.

■ Low-frequency effect level E)LFE LEVEL

Use to adjust the output level of the LFE (low-frequency
effect) channel according to the capacity of your
subwoofer or headphones. The LFE channel carries low­frequency special effects which are only added to certain
scenes. This setting is effective only when this unit
decodes Dolby Digital or DTS signals.
Choices: –20 to 0 dB

■ Dynamic range F)D.RANGE

Use to select the amount of dynamic range compression to
be applied to your speakers or headphones. This setting is
effective only when the unit is decoding Dolby Digital and
DTS signals.
Choices: MIN (minimum), STD (standard), MAX
(maximum)

F)DYNAMIC RANGE

.SP:MINSTD)MAX
HP:MINSTD)MAX

p

p

[]/[]:Up/Down
[<]/[>]:Select

Speaker SP

Select to adjust the speaker compression.

Headphone HP

Select to adjust the headphone compression.

• Select MIN if you regularly listen at low volume levels.

• Select STD for general use.

• Select MAX to preserve the greatest amount of
dynamic range.

■ Audio set G)AUDIO SET

Use to customize this units overall audio settings.

G)AUDIO SET

.AUDIOMUTE;;MUTE
AUDIODELAY;;0ms
DIALG.LIFT;;;OFF

p

[]/[]:Up/Down
[<]/[>]:Selet

p

E)LFE LEVEL

.SPEAKER;;;;;;0dB
HEADPHONE;;;;0dB

p

p

[]/[]:Up/Down
[<]/[>]:Adjust

Speaker SPEAKER

Select to adjust the speaker LFE level.

Headphone HEADPHONE

Select to adjust the headphone LFE level.

Note

Depending on the settings of “LFE LEVEL”, some signals may
not be output from the SUB WOOFER OUTPUT jack.

56

Audio mute AUDIO MUTE

Use to adjust how much the mute function reduces the
output volume.
Choices: MUTE, –20 dB

• Select MUTE to completely halt all output of sound.

• Select –20 dB to reduce the current volume by 20 dB.

Audio delay AUDIO DELAY

Use to delay the sound output and synchronize it with the
video image. This may be necessary when using certain
LCD monitors or projectors.
Choices: 0 to 160 mS

Dialog lift DIALG.LIFT

Use to turn on and off the DIALG.LIFT parameter (see
page 69). This parameter adjusts the height of the front
and center channel sounds (dialog, vocals, etc.) by
assigning some of the front and center channel elements to
the presence speakers.
Choices: OFF, ON

• Select OFF to turn off DIALG.LIFT effect.

• Select ON to turn on DIALG.LIFT effect.

Note

“DIALG.LIFT” appears only when “PRESENCE SP” is set

YES (see page 54).

to

■ Presence/surround back channel select

H)PR/SB SELECT

You can select to prioritize either the surround back or
presence speakers when playing sources that contain
surround back channel signals using CINEMA DSP sound
field programs.
Choices: PRch, SBch



H)PR/SB



SELECT

PRch)SBch

p

[]/[]:Select
[SELECT]:Return

• Select PRch to use presence speakers even when
surround back channel signals are input. The signals
for the surround back channel will be output from
surround speakers.

• Select SBch to use surround back speakers when a
surround back channel signal is detected in a CINEMA
DSP program. Presence channel signals will be output
from front speakers.

p

SET MENU

2 INPUT MENU

Use to reassign digital input/outputs and select the input
mode.

2

INPUTMENU

.A)I/OASSIGNMENT
B)INPUTMODE

p

[]/[]:Up/Down
[SELECT]:Enter

■ Input/output assignment A)I/O

ASSIGNMENT

You can assign jacks according to the component to be
used if this unit’s initial settings do not correspond to your
needs. Change the following parameters to reassign the
respective jacks and effectively connect more components.
Once the inputs have been reassigned, you can select the
corresponding component by using INPUT on the front
panel or the input selector buttons on the remote control.

For COMPONENT VIDEO jacks A and B

Choices: DVD, V-AUX, DTV/CBL, VCR 1, DVR/VCR2



.[A];;;;;DVD
(DVD)
[B];;;;;DTV/CBL
(DTV/CBL)

For OPTICAL OUTPUT jack 1

Choices: MD/CD-R, CD, V-AUX, DTV/CBL, VCR 1,
DVD, DVR/VCR2

p

CMPNT-V



INPUT

OPERATION

ADVANCED



OPTICAL



OUT

.(1);;;;;MD/CD-R

(MD/CD-R )

For OPTICAL INPUT jacks 2, 3 and 4

Choices: CD, DTV/CBL, VCR 1, DVD, DVR/VCR2,
MD/CD-R



OPTICAL



IN

.(2);;;;;MD/CD-R

(MD/CD-R)

(3);;;;; DVD

(DVD )

(4);;;;;DTV/CBL

(DTV/CBL )

English

57

SET MENU

For COAXIAL INPUT jacks 5 and 6

Choices: CD, V-AUX, DTV/CBL, VCR 1, MD/CD-R,
DVD, DVR/VCR2



COAXIAL



IN

.(5);;;;; CD

(CD)

(6);;;;; DVD

(DVD )

3 OPTION MENU

Use to adjust the optional system parameters.

3

OPTIONMENU1/2

.A)DISPLAYSET

B)MEMORYGUARD
C)PARAM.INI
D)ZONESET

p

[]/[]:Up/Down
[SELECT]:Enter

p

Notes

• You cannot select a specific item more than once for the same
type of jack.

• When you connect a component to both the COAXIAL and
OPTICAL jacks, priority is given to the input signals from the
COAXIAL jack.

■ Input mode B)INPUT MODE

Use this feature to designate the input mode for sources
connected to the DIGITAL INPUT jacks when you turn on
this unit (see page 36 for details about the input mode).
Choices: AUTO, LAST



B)INPUT



MODE

)AUTOLAST

[<]/[>]:Select
[SELECT]:Return

• Select AUTO to allow this unit to automatically detect

the type of input signal and select the appropriate input
mode.

• Select LAST to set this unit to automatically select the

last input mode used for that source.

Note

Even if LAST is selected, the last setting for the EX/ES button
will not be recalled.

■ Display set A)DISPLAY SET



A)DISPLAY

.DIMMER;;;;;;;;;0

VCONV;;;;;;;;ON
OSDSHIFT;;;;;;0
GRAYBACK;;;AUTO

[]/[]:Up/Down
[<]/[>]:sELECT

Dimmer DIMMER

Use to adjust the brightness of the front panel display.
Choices: –4 to 0

Video conversion V CONV.

Use this feature to turn on/off conversion of composite
(VIDEO) signals to S-Video signals. This allows you to
output converted video signals from the S VIDEO jacks
when no S-Video signals are input.
Choices: ON, OFF

• Select OFF not to convert any signals.

• Select ON to convert composite signals to S-Video
signals.

Note

Converted video signals are only output to the MONITOR OUT
jacks. When recording you must make the same type of video
connections (i.e., S-Video) between each component.

OSD shift OSD SHIFT

Use to adjust the vertical position of the OSD.
Choices: +5 (downward) to –5 (upward)

• Press + to lower the position of the OSD.

• Press – to raise the position of the OSD.

Gray back GRAY BACK

Selecting AUTO for the on-screen display setting displays
a gray background when there’s no video signal input.
Nothing is displayed if OFF is selected.
Choices: AUTO, OFF

Note

If “GRAY BACK” is set to OFF, no information will be
displayed on the screen when video signals are not being input.



SET

p

p

58

SET MENU

■ Memory guard B)MEMORY GUARD

Use this feature to prevent accidental changes to DSP
program parameter values and other system settings.
Choices: OFF, ON



B)MEMORY



GUARD

)OFFON

[<]/[>]:Select
[SELECT]:Return

Select ON to protect:

• DSP program parameters

• All SET MENU items

• All speaker levels

• The on-screen display (OSD) mode

Note

When “MEMORY GUARD” is set to ON, you cannot use the test
tone or select any other SET MENU items.

■ Parameter initialization C)PARAM. INI

Use this feature to initialize the parameters for each sound

program within a sound field program group. When

field

you initialize a sound field program group, all of the
parameter values within that group revert to their initial
settings.
Press the corresponding numeric button for the sound
program that you want to initialize.
An asterisk (*) next to a program number means that the
parameter values have been changed from their initial
settings.

field

■ Zone set D)ZONE SET

Use to specify the location of speakers connected to the
SPEAKERS B terminals.



D)ZONESET

SPB;;;;;;FRONT

[<]/[>]:Select
[SELECT]:Return

Speaker B set SP B

Use this feature to select the location of the front speakers
connected to the SPEAKERS B terminals.
Choices: FRONT, ZONE B

• Select FRONT to turn on/off SPEAKERS A and B
when the speakers connected to the SPEAKERS B
terminals are set in the main room.

• Select ZONE B if the speakers connected to the
SPEAKERS B terminals are set in another room. If
SPEAKERS A is turned OFF and SPEAKERS B is
turned ON, all the speakers including the subwoofer in
the main room are muted and the unit outputs sound
from SPEAKERS B only.

Notes

• If you connect headphones to the PHONES jack on the unit

when “SP B” is set to ZONE B, the sound is output from both
headphones and SPEAKERS B.

• If a DSP program is selected when “SP B” is set to ZONE B,

the unit automatically enters the Virtual CINEMA DSP mode.



C)PARAM.



INI

1234

567*8

9

Notes

• You cannot automatically revert to the previous parameter
settings once you initialize a

• You cannot separately initialize individual
programs.

• You cannot initialize any program groups when “MEMORY
GUARD” is set to ON.

sound field program group.

sound field

59

OPERATION

ADVANCED

English

REMOTE CONTROL FEATURES

REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can also operate other A/V components made by YAMAHA and
other manufacturers. To control other components, you must set up remote control with the appropriate manufacturer
codes.

Control area

■ Controlling this unit

The shaded areas below can be used to control this unit
when the AMP mode is selected. Press AMP to activate
the AMP mode.

TRANSMITCODE SET

POWERPOWER

CD

MD/CD-R

DTV/CBL

DVD

VCR 1 DVR/VCR2

TV VOL TV CH

TV MUTE TV INPUT

LEVEL

TEST

REC

DISC SKIP

SYSTEM

STANDBY

PRESET/CH

SELECT

TUNER

V-AUX

EX/ESNIGHTq/DTS

VOLUME

MUTE

POWER

SLEEP

MULTI CH IN

AMP

ROCKJAZZHALLSTEREO

MOVIETV THTRMUSIC ENTERTAIN

STRAIGHT

ENTER

EFFECT

SET MENU

MENUTITLE

A/B/C/D/E

ON SCREEN

DISPLAYRETURN

AUDIO

4321

81070965

AVTV

The buttons in the
dotted lines
(SYSTEM
POWER,
STANDBY,
SLEEP, MULTI CH
IN, VOLUME +/–
and MUTE)
function in any
mode.

Press AMP
to control
this unit.

■ Controlling other components

The shaded areas below can be used to control other
components. Each button has a different function
depending on the selected component. Select the
component you want to control by pressing an input
selector button.

The button and input
selector buttons switch the
function of the component
control area below.

*

Use the button to
control other components
regardless of whether they
are connected to this unit.

Component control
area

You can control up to 9
different components by
setting appropriate
manufacturer codes (see
page 61).

POWERPOWER

CD

MD/CD-R

DTV/CBL

DVD

VCR 1 DVR/VCR2

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

TEST

TEST

TEST

TEST

TEST

TEST

TEST

TEST

REC

REC

REC

REC

REC

REC

REC

REC

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

DISC SKIP

TRANSMITCODE SET

STANDBY

AVTV

TUNER

V-AUX

TV VOL TV CH

TV VOL TV CH

TV VOL TV CH

TV MUTE TV INPUT

TV MUTE TV INPUT

TV MUTE TV INPUT

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

PRESET/CH

PRESET/CH

PRESET/CH

PRESET/CH

PRESET/CH

PRESET/CH

LEVEL

LEVEL

LEVEL

SELECT

SELECT

SELECT

SELECT

SELECT

SELECT

TEST

TEST

TEST

TEST

REC

REC

REC

REC

DISC SKIP

DISC SKIP

DISC SKIP

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

PRESET/CH

PRESET/CH

SELECT

VOLUME

MUTE

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

PRESET/CH

PRESET/CH

PRESET/CH

SELECT

SELECT

SELECT

SYSTEM

POWER

SLEEP

MULTI CH IN

ROCKJA ZZHALLSTEREO

ROCKJA ZZHALLSTEREO

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

STRAIGHT

STRAIGHT

STRAIGHT

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

EFFECT

EFFECT

SET MENU

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

A/B/C/D/E

PRESET/CH

ON SCREEN

SELECT

DISPLAYRETURN

DISPLAYRETURN

SELECT

AUDIO

AUDIO

AMP

ROCKJA ZZHALLSTEREO

ROCKJA ZZHALLSTEREO

4321

4321

4321

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

81070965

81070965

81070965

STRAIGHT

STRAIGHT

STRAIGHT

ENTER

ENTER

ENTER

ENTER

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

EX/ESNIGHTq/DTS

EFFECT

EFFECT

EFFECT

SET MENU

SET MENU

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

A/B/C/D/E

A/B/C/D/E

DISPLAYRETURN

DISPLAYRETURN

AUDIO

AUDIO

ROCKJA ZZHALLSTEREO

ROCKJAZZHALLSTEREO

4321

4321

MOVIETV THTRMUSIC ENTERTAIN

81070965

81070965

STRAIGHT

STRAIGHT

ENTER

ENTER

EFFECT

SET MENU

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

A/B/C/D/E

DISPLAYRETURN

DISPLAYRETURN

AUDIO

AUDIO

ROCKJAZZHALLSTEREO

ROCKJA ZZHALLSTEREO

4321

4321

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

81070965

81070965

STRAIGHT

STRAIGHT

ENTER

ENTER

EFFECT

EFFECT

SET MENU

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

A/B/C/D/E

DISPLAYRETURN

DISPLAYRETURN

AUDIO

AUDIO

ROCKJA ZZHALLSTEREO

ROCKJA ZZHALLSTEREO

4321

4321

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

81070965

81070965

STRAIGHT

STRAIGHT

ENTER

ENTER

EFFECT

EFFECT

SET MENU

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

A/B/C/D/E

DISPLAYRETURN

DISPLAYRETURN

AUDIO

AUDIO

ROCKJAZZHALLSTEREO

ROCKJAZZHALLSTEREO

4321

4321

MOVIETV THTRMUSIC ENTERTAIN

MOVIETV THTRMUSIC ENTERTAIN

81070965

81070965

ENTER

ENTER

EFFECT

EFFECT

SET MENU

MENUTITLE

MENUTITLE

A/B/C/D/E

ON SCREEN
DISPLAYRETURN

DISPLAYRETURN

AUDIO

AUDIO

4321

81070965

60

REMOTE CONTROL FEATURES

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

Setting manufacturer codes

You can control other components by setting the
appropriate manufacturer codes. Codes can be set up for
each input area. For a complete list of available
manufacturer codes, refer to “LIST OF
MANUFACTURER CODES” at the end of this manual.

The following table shows the factory preset component
(Library: component category) and the manufacturer code
for each area.

Component

Input area

CD CD YAMAHA 0005

MD/CD-R MD YAMAHA 0024

TUNER TUNER YAMAHA 0003

DVD DVD YAMAHA 0098

DTV/CBL – – –

V- AU X – – –

VCR 1 – – –

DVR/VCR2

Note

You may not be able to operate your YAMAHA component even
if a YAMAHA manufacturer code is initially set as listed above.
In this case, try to set other YAMAHA manufacturer code(s).

category

Manufacturer Code

(Library)

–––
–––

1 Press an input selector button or to

select the component you want to set up.

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control
flashes twice.

CODE SET

TRANSMIT

3 Press the numeric buttons to enter the four

digit manufacturer’s code for the component
to be used.

Refer to “LIST OF MANUFACTURER CODES” at
the end of this manual.

The TRANSMIT indicator on the remote control
flashes twice.

Notes

• If the manufacturer of your component has more than one code,
try each of them until you find the correct one.

• If you wait for more than 30 seconds during step 3, the setup
process is canceled. If this happens, start over from step 2.

61

OPERATION

ADVANCED

English

REMOTE CONTROL FEATURES

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

MUTE

VOLUME

ROCKJAZZHALLSTEREO

4321

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

REC

AUDIO

MENUTITLE

DISC SKIP

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

ROCKJAZZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

SELECT

PRESET/CH

Controlling other components

Once you set the appropriate manufacturer codes, you can
use this remote to control your other components. Note
that some buttons may not correctly operate the selected
component. Use the input selector buttons to select the
component you want to operate. The remote control
automatically switches to the appropriate control mode for
that component.

1
2

3

4

7

8
9
0

B

C

D

5

A

6

1 AV P OW ER
2 TV POWER
3 TV CH +

DVD player/
DVD recorder

Power *1 Power *1 VCR power *3 Power *1 Power *1 Power *1

TV power *2 TV power *2 TV power TV power *2 TV power *2 TV power *2

TV channel up *2 TV channel up *2 TV channel up TV channel up *2 TV channel up *2 TV channel up *2

VCR

TV CH – TV channel down *2 TV channel down *2 TV channel down TV channel down *2 TV channel down *2 TV channel down *2

4 TV VOL +

TV volume up *2 TV volume up *2 TV volume up TV volume up *2 TV volume up *2 TV volume up *2

TV VOL – TV volume down *2 TV volume down *2 TV volume down TV volume down *2 TV volume down *2 TV volume down *2

5 TV MUTE
6 TV INPUT
7 1-9, 0, +10
8 TITLE
9 PRESET/CH u

TV mute *2 TV mute *2 TV mute TV mute *2 TV mute *2 TV mute *2

TV input *2 TV input *2 TV input TV input *2 TV input *2 TV input *2

Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Preset stations (1-8)

Title

Up VCR channel up Preset up

PRESET/CH d Down VCR channel down Preset down
PRESET/CH j Right
PRESET/CH i Left

0 RETURN
A REC/DISC

SKIP

Return

Disc skip (player)
Rec (recorder)

Rec VCR rec *3 Rec (MD)

p Play Play VCR play *3 Play Play

w Search backward Search backward

f Search forward Search forward VCR search forward *3 Search forward Search forward

AUDIO Audio

e Pause Pause VCR pause *3 Pause Pause
b Skip backward Skip backward Skip backward
a Skip forward Skip forward Skip forward
s Stop Stop VCR stop *3 Stop Stop

B ENTER
C MENU
D DISPLAY

*1

This button functions only when the original remote control of the component has a POWER button.

*2

These buttons can operate your TV without switching the input if the manufacturer code is set in DTV/CBL or . When the
manufacturer code for your TV is set up in both the DTV/CBL and areas, priority is given to the signal in the DTV/CBL area.

*3

These buttons can operate your VCR without switching the input to VCR 1 if the manufacturer code is set in VCR 1.

62

Title/Index Enter Enter Index Index

Menu A/B/C/D/E

Display Display Display Display

Digital TV/
Cable TV

VCR search
backward *3

CD player

MD/CD
recorder

Search backward Search backward

Tuner

Clearing setup manufacturer codes

CD

MD/CD-R

TUNER

V-AU X

DVD

AMP

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

■ Clearing a setup manufacturer code for
component control

1 Press an input selector button or to

select the component control for which you
want to clear the manufacturer code.

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control
flashes twice.

REMOTE CONTROL FEATURES

CODE SET

TRANSMIT

3 If you do not press any button within 30

seconds after step 2, the clearing process is
canceled. If this happens, start over from
step 1.

4 Enter the code number “0000”.

The TRANSMIT indicator on the remote control
flashes twice, and the manufacturer code for the
selected component is cleared.

y

You can clear all setup manufacturer codes at once by entering
the code number “9990”.

OPERATION

ADVANCED

English

63

EDITING SOUND FIELD PARAMETERS

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD

MD/CD-R

TUNER

V-AUX

DVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

REC

AUDIO

MUTE

MENUTITLE

SET MENU

LEVEL

A/B/C/D/E

TEST

ON SCREEN

STRAIGHT

ROCKJAZ ZHALLSTEREO

4321

81070965

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

DISPLAYRETURN

SELECT

PRESET/CH

STRAIGHT

ROCKJAZZHALLSTEREO

4321

8

10

7

09

65

ENTER

MOVIETV THTRMUSIC ENTERTAIN

EX/ESNIGHTq/DTS

EFFECT

EDITING SOUND FIELD PARAMETERS

What is a sound field Changing parameter settings

What really creates the rich, full tones of a live instrument
are the multiple reflections from the walls of the room. In
addition to making the sound “live”, these reflections
enable us to tell where the player is situated, and the size
and shape of the room in which we are sitting.

■ Elements of a sound field

In any environment, in addition to the direct sound coming
straight to our ears from the player’s instrument, there are
two distinct types of sound reflections that combine to
make up the sound field:

Early reflections

Reflected sounds reach our ears extremely rapidly (50 ms
– 100 ms after the direct sound), after reflecting from one
surface only — for example, from the ceiling or a wall.
Early reflections actually add clarity to the direct sound.

Reverberations

These are caused by reflections from more than one
surface — walls, ceiling, the back of the room — so
numerous that they merge together to form a continuous
sonic “afterglow”. They are non-directional, and lessen
the clarity of the direct sound.

Direct sound, early reflections and subsequent
reverberation taken together help us to determine the
subjective size and shape of the room, and it is this
information that the digital sound field processor
reproduces in order to create sound fields.

If you could create the appropriate early reflections and
subsequent reverberations in your listening room, you
would be able to create your own listening environment.
The acoustics in your room could be changed to those of a
concert hall, a dance floor, or virtually any size room at
all. This ability to create sound fields at will is exactly
what YAMAHA has done with the digital sound field
processor.

You can enjoy good quality sound with the factory preset
parameters. Although you do not have to change the initial
settings, you can change some of the parameters to better
suit the input source or your listening room.

3

1

2
4,5

1 Press AMP.

AMP

2 Turn on the video monitor and

press ON SCREEN repeatedly
to select the full display
mode.

ON SCREEN

DISPLAY

3 Select the sound field program you want to

adjust.

Program No. Program name

P08 MOVIE THEATER

Cursor

64

.General
DSPLEVEL;;;;0dB
P.INIT.DLY;;15ms
P.ROOMSIZE;;1.0
S.INIT.DLY;;20ms
S.ROOMSIZE;;1.0

Parameters Parameter values

EDITING SOUND FIELD PARAMETERS

4 Press u / d to select

PRESET/CH

the parameters.

SELECT

5 Press j / i to change

the parameter value.

When you set a parameter
to a value other than the
factory-set value, an
asterisk mark (*) appears
by the parameter name on
the front panel display.

PRESET/CH

SELECT

6 Repeat steps 3 through 5 as necessary to

change other program parameters.

Note

You cannot change parameter values when “MEMORY GUARD”
is set to ON. If you want to change the parameter values, set
“MEMORY GUARD” to OFF (see page 59).

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the parameter values will return to the
factory settings. If this happens, edit the parameter
value again.

■ Resetting parameters to the factory
presets

To reset a certain parameter

Select the parameter you want to reset, then press j / i
repeatedly until the asterisk mark (*) next to the parameter
name disappears.

To reset all parameters

Use PARAM. INI (see page 59).

65

INFORMATION

ADDITIONAL

English

SOUND FIELD PARAMETER DESCRIPTIONS

SOUND FIELD PARAMETER DESCRIPTIONS

You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your
listening room. Not all of the following parameters are found in every program.

■ DSP LEVEL

Function: This parameter adjusts the level of all the DSP effect sounds within a narrow range.
Description: Depending on the acoustics of your listening room, you may want to increase or decrease the DSP

effect level relative to the level of the direct sound.

Control range: –6 dB – +3 dB

■ INIT. DLY (Initial delay)

Function: This parameter changes the apparent distance from the source sound by adjusting the delay between the

direct sound and the first reflection heard by the listener.

Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther

it seems. For a small room, set to a small value. For a large room, set to a large value.

Control range: 1

– 99 msec

Source Sound

Early
Reflections

Level

Time

INIT. DLY

Sound Source

Reflection Face

Small value = 1 ms Large value = 99 ms

Level

INIT. DLY

Time

Level

Time

INIT. DLY

■ ROOM SIZE/P. ROOM SIZE (Room size)

Function: This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the

surround sound field becomes.

Description: As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between

the original reflected sound and the subsequent reflections. By controlling the time between the
reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from
one to two, doubles the apparent length of the room.

Control range: 0.1 – 2.0

Source Sound

Early
Reflections

Level

Time

Level

Time

Level

Time

66

Sound Source

Small value = 0.1

Large value = 2.0

SOUND FIELD PARAMETER DESCRIPTIONS

■ LIVENESS

Function: This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the

early reflections decay.

Description: The early reflections of a sound source decay much faster in a room with acoustically absorbent wall

surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces
is referred to as “dead”, while a room with highly reflective surfaces is referred to as “live”. The
LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the
room.

Control range: 0 – 10

Source Sound

Live

Dead

Level

Time

Level

Time Time

Level

Small Reflected
Sound

Small value = 0

Large Reflected
Sound

Large value = 10

■ S. INIT. DLY (Surround initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection on the surround side of

the sound field. You can only adjust this parameter when at least two front channels and two surround
channels are used.

Control Range: 1 – 49 msec

■ S. ROOM SIZE (Surround room size)

Function: This parameter adjusts the apparent size of the surround sound field.
Control Range: 0.1 – 2.0

■ S. LIVENESS (Surround liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
Control Range: 0 – 10

■ SB INIT. DLY (Surround back initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection in the surround back

sound field.

Control Range: 1 – 49 msec

■ SB ROOM SIZE (Surround back room size)

Function: This parameter adjusts the apparent size of the surround back sound field.
Control Range: 0.1 – 2.0

■ SB LIVENESS (Surround back liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual wall in the surround back sound field.
Control Range: 0 – 10

INFORMATION

ADDITIONAL

67

English

SOUND FIELD PARAMETER DESCRIPTIONS

■ REV.TIME (Reverberation time)

Function: This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to

decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an
extremely wide range.

Description: Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time

for “live” sources and listening room environments.

Control Range: 1.0 – 5.0 sec

Reverberation

60 dB 60 dB 60 dB

Source Sound

Early Reflections

Reverberation

Sound Source Short

Reverberation

Small value = 1.0 s

REV.TIME

REV.TIME

REV.TIME

Long
Reverberation

Large value = 5.0 s

■ REV.DELAY (Reverberation delay)

Function: This parameter adjusts the time difference between the beginning of the direct sound and the beginning

of the reverberation sound.

Description: The larger the value, the later the reverberation sound begins. A later reverberation sound makes you

feel like you are in a larger acoustic environment.

Control Range: 0 – 250 msec

Source Sound

Level

(dB)

60 dB

Reverberation

Time

REV.DELAY

REV.TIME

■ REV. LEVEL (Reverberation level)

Function: This parameter adjusts the volume of the reverberation sound.
Description: The larger the value, the stronger the reverberation becomes.
Control Range: 0 – 100%

Source Sound

Level

REV. LEVEL

68

Time

SOUND FIELD PARAMETER DESCRIPTIONS

■ DIALG.LIFT (Dialog lift)

Function: This parameter adjusts the height of the front and center channel sounds by assigning some of the front

and center channel elements to the presence speakers.
Description: The larger the parameter, the higher the position of the front and center channel sound.
Choices: 0/1/2/3/4/5, initial setting is 3.

For 7ch Stereo

Function: These parameter adjusts the volume level for each channel in 7-channel stereo mode.
Control Range: 0 – 100%

■ CT LEVEL (Center level)

■ SL LEVEL (Surround left level)

■ SR LEVEL (Surround right level)

■ SB LEVEL (Surround back level)

■ PR LEVEL (Presence level)

For PRO LOGIC IIx Music and PRO LOGIC II Music

■ PANORAMA

Function: Extends the front stereo image to include the surround speakers for wraparound effect.
Choices: OFF/ON, initial setting is OFF.

■ DIMENSION

Function: Gradually adjusts the sound field either towards the front or towards the rear.
Control range: –3 (towards the rear) to +3 (towards the front), initial setting is STD (standard).

■ CT WIDTH (Center width)

Function: Adjusts the center image from all three front speakers to varying degrees. A larger value adjusts the

center image towards the front left and right speakers.
Control range: 0 (center channel sound is output only from center speaker) to 7 (center channel sound is output only

from front left and right speakers), initial setting is 3.

For PRO LOGIC IIx Movie, Music and Game

■ PLII/PLIIx (Pro Logic II/Pro Logic IIx)

Function: Switches the type of Pro Logic decoding to be used. PLII decoding creates 5.1-channel sound from 2-

channel sources. PLIIx decoding creates 6.1/7.1-channel sound from 2-channel sources.
Choices: PLII, PLIIx

For DTS Neo:6 Music

■ C. IMAGE (Center image)

Function: This parameter adjusts the center image from all three front speakers to varying degrees.
Control range: 0 – 0.5

INFORMATION

ADDITIONAL

69

English

TROUBLESHOOTING

TROUBLESHOOTING

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below
or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the
nearest authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

This unit fails to turn
on when STANDBY/
ON (or SYSTEM
POWER) is pressed,
or enters in the
standby mode soon
after the power has
been turned on.

On-screen display
does not appear.

No sound Incorrect input or output cable

No picture The output and input for the picture are

The power cord is not connected or the
plug is not completely inserted.

The impedance setting is incorrect. Set the impedance to match your speakers.

The protection circuitry has been
activated.

This unit has been exposed to a strong
external electric shock (such as lightning
and strong static electricity).

The setting for the on-screen display is set
to “DISPLAY OFF”.

“GRAY BACK” in SET MENU is set to
OFF, and no video signal is currently
being received.

connections.

The optimizer microphone is connected. Disconnect the optimizer microphone.

The input mode is set to DTS or
ANALOG.

No appropriate input source has been
selected.

Speaker connections are not secure. Secure the connections.

The front speakers to be used have not
been selected properly.

The volume is turned down. Turn up the volume.

The sound is muted. Press MUTE or any operation buttons of this unit to

The input mode is set to ANALOG while
playing a source encoded with a DTS
signal.

The signals this unit cannot reproduce are
being received from a source component
e.g.: a CD-ROM.

connected to different types of video
jacks.

Connect the power cord firmly.

Make sure all speaker wire connections on this unit
and on all speakers are secure and that the wire for
each connection does not touch anything other than
its respective connection.

Set this unit in the standby mode, disconnect the
power cord, plug it back in after 30 seconds, then use
it normally.

Select the full display or short display mode.

Set “GRAY BACK” to AUTO to always show the
OSD.

Connect the cables properly. If the problem persists,
the cables may be defective.

Select AUTO.

Select an appropriate input source with INPUT,
MULTI CH INPUT or the input selector buttons.

Select the front speakers with SPEAKERS A and/or
B.

cancel a mute and adjust the volume.

Set the input mode to AUTO or DTS.

Play a source whose signals this unit can reproduce.

Turn on the video conversion function.

Refer to

page

—

23

12-14

—

48

58

16-19

25

36

30

12

30

—

31

36

—

58

70

TROUBLESHOOTING

Problem Cause Remedy

The sound suddenly
goes off.

Only the speaker on
one side can be
heard.

Only the center
speaker outputs
substantial sound.

No sound from the
effect speakers.

No sound from the
center speaker.

No sound from the
surround speakers.

No sound from the
surround back
speakers.

No sound from the
subwoofer.

The protection circuitry has been activated
because of a short circuit, etc.

The sleep timer has turned the unit off. Turn on the power, and play the source again.

The sound is muted. Press MUTE to cancel a mute.

Incorrect cable connections. Connect the cables properly. If the problem persists,

Incorrect balance settings in SET MENU. Adjust the SPEAKER LEVEL settings.

When playing a monaural source with a
CINEMA DSP program, the source signal
is directed to the center channel, and the
front and surround speakers output effect
sounds.

The sound field programs are turned off. Press STRAIGHT (EFFECT) to turn them on.

You are using a source or program
combination that does not output sound
from all channels.

The output level of the center speaker is
set to minimum.

“CENTER SP” in SET MENU is set to
NONE.

One of the Hi-Fi DSP programs (except
for 7ch Stereo) has been selected.

The output level of the surround speakers
is set to minimum.

“SURR L/R SP” in SET MENU is set to
NONE.

A monaural source is being played with
STRAIGHT.

Presence speakers are selected. Select surround back speakers in PR/SB SELECT.

“SURR L/R SP” in SET MENU is set to
NONE.

“SURR B L/R SP” in SET MENU is set to
NONE.

“LFE/BASS OUT” in SET MENU is set
to FRNT when a Dolby Digital or DTS
signal is being played.

“LFE/BASS OUT” in SET MENU is set
to SWFR or FRNT when a 2-channel
source is being played.

The source does not contain low bass
signals.

Check that the impedance selector setting is correct.

Check that the speaker wires are not touching each
other and then turn this unit back on.

the cables may be defective.

Try another sound field program.

Raise the level of the center speaker.

Select the appropriate setting for the center speaker.

Try another sound field program.

Raise the output level of the surround speakers.

Select the appropriate setting for the surround left and
right speakers.

Press STRAIGHT (EFFECT) to turn on the sound
fields.

If the surround left and right speakers are set to
NONE, the surround back speaker setting is
automatically set to NONE. Select the appropriate
setting for the surround speakers.

Select LRGx1 or SMLx1.

Select SWFR or BOTH.

Select BOTH.

Refer to

page

23

—

—

31

12

55

36

44

55

53

44

55

53

—

57

53

54

54

54

INFORMATION

ADDITIONAL

71

English

TROUBLESHOOTING

Problem Cause Remedy

Dolby Digital or DTS
sources cannot be
played. (Dolby Digital
or DTS indicator on
the front panel
display does not light
up.)

A “humming” sound
can be heard.

The volume level
cannot be increased,
or the sound is
distorted.

The sound effect
cannot be recorded.

A source cannot be
recorded by a digital
recording component
connected to this
DIGITAL OUTPUT
jack.

A source cannot be
recorded by an
analog component
connected to the
AUDIO OUT jacks.

The sound field
parameters and some
other settings on this
unit cannot be
changed.

This unit does not
operate properly.

“CHECK SP WIRES”
appears in the front
panel display.

The connected component is not set to
output Dolby Digital or DTS digital
signals.

The input mode is set to ANALOG. Set the input mode to AUTO or DTS.

Incorrect cable connections. Firmly connect the audio plugs. If the problem

The component connected to the OUT
(REC) jacks of this unit is turned off.

It is not possible to record the sound effect
with a recording component.

The source component is not connected to
this unit’s DIGITAL INPUT jacks.

Some components cannot record the
Dolby Digital or DTS sources.

The source component is not connected to
this unit’s analog AUDIO IN jacks.

“MEMORY GUARD” in SET MENU is
set to ON.

The internal microcomputer has been
frozen by an external electric shock (such
as lightning or excessive static electricity)
or by a power supply with low voltage.

Speaker cables are short circuited. Make sure all speaker cables are connected correctly.

Make an appropriate setting following the operations
instructions for your component.

persists, the cables may be defective.

Turn on the power to the component.

Connect the source component to the DIGITAL
INPUT jacks.

Connect the source component to the analog AUDIO
IN jacks.

Select OFF.

Disconnect the AC power cord from the outlet and
then plug it in again after about 30 seconds.

Refer to

page

—

36

—

—

16-19, 43

16-19, 43

59

—

12

72

TROUBLESHOOTING

Problem Cause Remedy

There is noise
interference from
digital or high­frequency equipment,
or this unit.

The picture is
disturbed.

This unit suddenly
turns into the standby
mode.

This unit is too close to the digital or high­frequency equipment.

The video source uses scrambled or
encoded signals to prevent dubbing.

The internal temperature becomes too
high and the overheat protection circuitry
has been activated.

Move this unit further away from such equipment.

Wait about 1 hour for this unit to cool down and then
turn it back on.

■ Tuner

Problem Cause Remedy

FM stereo reception is
noisy.

There is distortion, and
clear reception cannot
be obtained even with a

FM

good FM antenna.

The desired station
cannot be tuned in with
the automatic tuning
method.

Previously preset
stations can no longer
be tuned in.

The desired station
cannot be tuned in with
the automatic tuning
method.

There are continuous

AM

crackling and hissing
noises.

There are buzzing and
whining noises.

The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.

There is multipath interference. Adjust the antenna position to eliminate

The signal is too weak. Use a high-quality directional FM antenna.

This unit has been disconnected for a
long period.

The signal is weak or the antenna
connections are loose.

Noises result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.

A TV set is being used nearby. Move this unit away from the TV.

Check the antenna connections.
Try using a high-quality directional FM
antenna.

Use the manual tuning method.

multipath interference.

Use the manual tuning method.

Preset the stations again.

Tighten the AM loop antenna connections
and orient it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire.
This will help somewhat, but it is difficult to
eliminate all noise.

Refer to

page

—

—

Refer

to page

21

39

—

21

39

39

—

39

—

—

73

INFORMATION

ADDITIONAL

English

TROUBLESHOOTING

■ Remote control

Problem Cause Remedy

The remote control
does not work nor
function properly.

Wrong distance or angle. The remote control will function within a maximum

Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.

The batteries are weak. Replace all batteries.

The manufacturer code was not correctly
set.

Even if the manufacturer code is correctly
set, there are some models that do not
respond to the remote control.

range of 6 m (20 ft) and no more than 30 degrees off­axis from the front panel.

Reposition this unit.

Set the manufacturer code correctly using the “LIST
OF MANUFACTURER CODES” at the end of this
manual.

Try to set another code for the same manufacturer
using the “LIST OF MANUFACTURER CODES” at
the end of this manual.

Refer to

page

7

—

3

61

61

74

RESETTING THE FACTORY PRESETS

If you want to reset all of your unit’s parameters for any
reason, do the following. This procedure completely resets
ALL parameters, including the SET MENU, level, assign
and tuner presets.

Be sure this unit is in standby mode.

(U.S.A. model)

VOLUME

STANDBY

OPTIMIZER

SILENT CINEMA

/ON

MIC

SPEAKERSPHONES

BA

A/B/C/D/E

FM/AMPRESET/TUNING

PROGRAM

TONE CONTROL

STRAIGHT

EFFECT

l PRESET/TUNING h

INPUT MODE

MEMORY

TUNING MODE

AUTO/MAN'L MONOMAN'L/AUTO FMLEVELNEXTEDIT

INPUT

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

RESETTING THE FACTORY PRESETS

STANDBY/ON

STRAIGHT (EFFECT)

1 Hold down STRAIGHT (EFFECT) on the front

panel and press STANDBY/ON.

“FACTORY PRESET” appears in the front panel
display.

y

To cancel the initialization procedure without making any
changes, press STANDBY/ON.

2 Press STRAIGHT (EFFECT) to select the

desired setting.

Reset To reset the unit to its factory presets.
Cancel To cancel without making any changes.

3 Press STANDBY/ON to confirm your

selection.

If you selected “Reset”, the unit is reset to its factory
presets and switches to standby mode.
If you selected “Cancel”, the unit switches to standby
mode and nothing is reset.

INFORMATION

ADDITIONAL

75

English

GLOSSARY

GLOSSARY

Audio formats

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With 3
front channels (left, center, and right), and 2 surround
stereo channels, Dolby Digital provides 5 full-range audio
channels. With an additional channel especially for bass
effects, called LFE (low frequency effect), the system has
a total of 5.1-channels (LFE is counted as 0.1 channel). By
using 2-channel stereo for the surround speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum
volume) reproduced by the 5 full-range channels and the
precise sound orientation generated using digital sound
processing provide listeners with previously unheard of
excitement and realism.
With this unit, any sound environment from monaural up
to a 5.1-channel configuration can be freely selected for
your enjoyment.

■ Dolby Digital Surround EX

Dolby Digital EX creates 6 full-bandwidth output
channels from 5.1-channel sources. This is done using a
matrix decoder that derives 3 surround channels from the
2 in the original recording. For the best results, Dolby
Digital EX should be used with movie sound tracks
recorded with Dolby Digital Surround EX. With this
additional channel, you can experience more dynamic and
realistic moving sound especially with scenes with
“flyover” and “fly-around” effects.

■ Dolby Pro Logic II

Dolby Pro Logic II is an improved technique used to
decode vast numbers of existing Dolby Surround software.
This new technology enables a discrete 5-channel
playback with 2 front left and right channels, 1 center
channel, and 2 surround left and right channels (instead of
only 1 surround channel for conventional Pro Logic
technology). Music and Game modes are also available for
2-channel sources in addition to the Movie mode.

■ Dolby Pro Logic IIx

Dolby Pro Logic IIx is a new technology enabling discrete
multi-channel playback from 2-channel or multi-channel
sources. There is a Music mode for music, a Movie mode
for movies and a Game mode for games.

■ Dolby Surround

Dolby Surround uses a 4 channel analog recording system
to reproduce realistic and dynamic sound effects: 2 front
left and right channels (stereo), a center channel for dialog
(monaural), and a surround channel for special sound
effects (monaural). The surround channel reproduces
sound within a narrow frequency range.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.

■ DTS 96/24

DTS 96/24 offers an unprecedented level of audio quality
for multi-channel sound on DVD-Video, and is fully
backward-compatible with all DTS decoders. “96” refers
to a 96 kHz sampling rate (compared to the typical 48 kHz
sampling rate). “24” refers to 24-bit word length. DTS 96/
24 offers sound quality transparent to the original 96/24
master, and 96/24 5.1-channel sound with full-quality full­motion video for music programs and motion picture
soundtracks on DVD-video.

■ DTS (Digital Theater Systems)
Digital Surround

DTS digital surround was developed to replace the analog
soundtracks of movies with a 6-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc.
has developed a home theater system so that you can enjoy
the depth of sound and natural spatial representation of
DTS digital surround in your home. This system produces
practically distortion-free 6-channel sound (technically, a
left, right and center channels, 2 surround channels, plus
an LFE 0.1 channel as a subwoofer, for a total of 5.1­channels). The unit incorporates DTS-ES decoder that
enables 6.1- channel reproduction by adding the surround
back channel to existing 5.1-channel format.

■ Neo:6

Neo:6 decodes the conventional 2-channel sources for 6
channel playback by the specific decoder. It enables
playback with the full-range channels with higher
separation just like digital discrete signal playback. Two
modes are available; “Music mode” for playing music
sources and “Cinema mode” for movies.

76

Sound field programs Audio information

GLOSSARY

■ CINEMA DSP

Since the Dolby Surround and DTS systems were
originally designed for use in movie theaters, their effect
is best felt in a theater having many speakers and designed
for acoustic effects. Since home conditions, such as room
size, wall material, number of speakers, and so on, can
differ so widely, it’s inevitable that there are differences in
the sound heard as well. Based on a wealth of actually
measured data, YAMAHA CINEMA DSP uses
YAMAHA original sound field technology to combine
Dolby Pro Logic, Dolby Digital and DTS systems to
provide the visual and audio experience of movie theater
in the listening room of your own home.

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.

■ Virtual CINEMA DSP

YAMAHA has developed a Virtual CINEMA DSP
algorithm that allows you to enjoy DSP sound field
surround effects even without any surround speakers by
using virtual surround speakers.
It is even possible to enjoy Virtual CINEMA DSP using a
minimal two-speaker system that does not include a center
speaker.

■ ITU-R

ITU-R is the radio communication sector of the ITU
(International Telecommunication Union). ITU-R
recommends a standard speaker placement which is used
in many critical listening rooms, especially for mastering
purposes.

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals.
The frequency range for this channel is 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low frequency range compared to the full-range
reproduced by the other 5/6 channels in Dolby Digital or
DTS 5.1/6.1-channel systems.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog
audio signal is digitized, recorded and transmitted without
using any compression. This is used as a method of
recording CDs and DVD audio. The PCM system uses a
technique for sampling the size of the analog signal per
very small unit of time. Standing for “pulse code
modulation”, the analog signal is encoded as pulses and
then modulated for recording.

■ Sampling frequency and number of
quantized bits

When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by
the number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies
that can be played back, and the higher the number of
quantized bits, the more finely the sound level can be
reproduced.

77

INFORMATION

ADDITIONAL

English

GLOSSARY

Video signal information

■ Component video signal

With the component video signal system, the video signal
is separated into the Y signal for the luminance and the P
and PR signals for the chrominance. Color can be
reproduced more faithfully with this system because each
of these signals is independent. The component signal is
also called the “color difference signal” because the
luminance signal is subtracted from the color signal.
A monitor with component input jacks is required in order
to use the component signal for output.

■ Composite video signal

With the composite video signal system, the video signal
is composed of three basic elements of a video picture;
color, brightness and synchronization data. A composite
video jack on a video component transmits these three
elements combined.

■ S-Video signal

With the S-Video signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S-Video cable. Using the
S VIDEO jack eliminates video signal transmission loss
and allows recording and playback of even more beautiful
images.

B

78

SPECIFICATIONS

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Front, Center, Surround,
Surround back

20 Hz to 20 kHz, 0.06% THD, 8 Ω .......................................95 W

• Maximum Power (EIAJ)
[China and Korea models]

1 kHz, 10% THD, 8 Ω .........................................................135 W

• Dynamic Power (IHF)

8/6/4/2 Ω .........................................................130/165/195/240 W

• Damping Factor (IHF)

20 Hz to 20 kHz, 8 Ω .................................................. 100 or more

• Frequency Response

CD terminal to Front L/R .......................10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion

CD, etc. to Front L/R (20 Hz to 20 kHz, 50 W, 8 Ω) .......... 0.06%

• Signal to Noise Ratio (IHF-A Network)

CD (250 mV) to Front L/R, Effect Off ............................... 100 dB

• Residual Noise (IHF-A Network)

Front L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kΩ terminated) to Front L/R ........................ 60 dB/45 dB

• Tone Control (Front L/R)

BASS Boost/Cut ........................................................±6 dB/50 Hz

BASS Turnover Frequency ................................................. 350 Hz

TREBLE Boost/Cut ................................................. ±6 dB/20 kHz

TREBLE Turnover Frequency ........................................... 3.5 kHz

• Phones Output ........................................................... 150 mV/100 Ω

• Input Sensitivity/Input Impedance

CD, etc. .................................................................. 200 mV/47 kΩ

MULTI CH INPUT ................................................ 200 mV/47 kΩ

• Output Level/Output Impedance

REC OUT ............................................................. 200 mV/1.2 kΩ

PRE OUT ......................................................................2 V/1.2 kΩ

SUB WOOFER .............................................................4 V/1.7 kΩ

VIDEO SECTION

• Video Signal Type ...........................................................PAL/NTSC

• Signal to Noise Ratio ...............................................................50 dB

• Frequency Response (MONITOR OUT)

Composite, S-Video ..................................5 Hz to 10 MHz, –3 dB

Component ................................................5 Hz to 60 MHz, –3 dB

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................ 87.5 to 107.9 MHz

[Other models] ............................................. 87.50 to 108.00 MHz

• Usable Sensitivity (IHF) ........................................1.0 µV (11.2 dBf)

• Signal to Noise Ratio (IHF)

Mono/Stereo ...............................................................76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ................................................................. 0.2%/0.3%

• Stereo Separation (1 kHz) ........................................................42 dB

• Frequency Response ...........................20 Hz to 15 kHz, +0.5, –2 dB

AM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................... 530 to 1710 kHz

[Other models] .................................................... 531 to 1611 kHz

• Usable Sensitivity .............................................................. 300 µV/m

GENERAL

• Power Supply

[U.S.A. and Canada models] ...............................AC 120 V, 60 Hz

[Australia model] ................................................AC 240 V, 50 Hz

[China model] ......................................................AC 220 V, 50 Hz

[Korea model] .....................................................AC 220 V, 60 Hz

• Power Consumption

[U.S.A. and Canada models] .................................. 400 W/500 VA

[Other models] .................................................................... 440 W

• Standby Power Consumption .................................................. 0.1 W

•AC Outlets

[U.S.A. and Canada models] ............... 2 (Total 100 W maximum)

[Australia model] ................................ 1 (Total 100 W maximum)

[China model] ........................................ 2 (Total 50 W maximum)

• Dimension (W x H x D) ...................................435 x 171 x 420 mm

(17-1/8” x 6-3/4” x 16-1/2”)

• Weight .............................................................. 12.5 kg (27 lbs 9 oz)

79

INFORMATION

ADDITIONAL

English

LIST OF MANUFACTURER CODES

TV

A TANDY 0941
ABEX 1151
ADMIRA 1141
ADVENTURA 1131
AIKO 1121
AIWA 1481
AKAI 0331, 1101, 1111
ALBA 0431
ALLERON 1091
AMBASSADOR 1081
AMSTRAD 0481, 1081
ANAM 0251, 1041, 1051,

1061, 1071
ANAM NATIONAL 1041
AOC 0361, 1021, 1031,

1111, 1161
ARCHER 1161
AUDIOSONIC 1001
AUDIOVOX 1051, 1161
BAUER 0441
BAUR 1001
BEIJING 1511, 1551, 1561
BELCOR 1031
BELL & HOWELL 0981, 0991
BEON 1001
BRADFORD 1051
BROCKWOOD 1031
BROKSONIC 1161
BUSH 1001
CANDLE 0351, 0361, 0961,

0971, 1111, 1131
CAPEHART 1021
CARVER 0101
CATHAY 1001
CELEBRITY 0951
CENTURION 0411
CHANGHONG 1541, 1551, 1561,

1621

CITIZEN 0351, 0361, 0921,

0931, 0941, 0961,
0971, 1111, 1121,

1131
CLAIRTONE 1011
CLARIVOX 1001
CONCERTO 0351, 0971
CONROWA 1751
CONTEC 0901, 0911, 1011,

1051
CORANDO 0941
CRAIG 0251, 1051
CROWN 0941, 1051
CURTIS MATHES 0161, 0361,

0931, 0941,

0981, 1111
CXC 1051
DAEWOO 0291, 0301, 0331,

0721, 0941, 1001,
1031, 1121, 1191,
1531, 1581, 1591,
1601

DANSAI 1001

DAYTRON 0941, 1031
DECCA 0271, 1001
DIXI 0331, 1001, 1071
DUMONT 0891, 1031
DYNATECH 0881
ELECTROBAND 0951, 1011
ELECTROHOME 0941
ELECTRON 0941
ELIN 1001
E LTA 0 3 31
EMERSON 0001, 0021, 0061,

0071, 0081, 0091,
0111, 0811, 0821,
0831, 0841, 0851,
0861, 0871, 0901,
0921, 0941, 0981,
1011, 1031, 1051,

1081, 1091
ENVISION 0361, 1111
ERRES 1001
ETRON 0331
FERGUSON 1001
FINLUX 1001
FISHER 0171, 0801, 0981
FORMENTI 0441
FORMONTI 1001
FORTRESS 1141
FUJITSU 1091
FUNAI 1051, 1091, 1501,

1521
FUTURETECH 1051
GE 0131, 0161, 0201,

0751, 0761, 0771,

0781, 0791, 0811,

0861, 1041
GEC 0271, 1001
GEMINI 0391
GENEXXA 0431
GIBRALTER 0891, 1031, 1111
GOODMANS/TASHIKO

0271, 0661, 1001
GRANADA 1001
GRUNDIG 1781, 1791, 1801,

1811, 1821, 1831,

1841, 1851, 1861,

1871, 1881
GUNPY 1051, 1091
HARMAN/KARDON 0721
HALLMARK 0861
HANSEATIC 1001
HARVARD 1051, 1061
HINARI 1001, 1091
HITACHI 0181, 0351, 0671,

0681, 0691, 0701,

0711, 0871, 0941,

0971, 1351
HYPSON 1001
IMA 1051
INDIANA 1001
INFINITY REFERENCE

0101
INTERFUNK 1001
ITT 0611
JANEIL 1131

JBL 0101
JCB 0951
JENSEN 0311
JINXING 1531, 1541, 1551,

1561, 1571, 1621,
1631, 1641, 1651,
1691, 1731

JVC (VICTOR) 0261, 0281, 0641,

0651, 0661, 0841
KAWASHO 0901
KAYPANI 1021
KENWOOD 0361, 1031, 1111
KLOSS 0631, 0721, 1131
KTV 0921, 0941, 1011,

1051, 1111
LEYCO 1001
LG (GOLDSTAR) 0031, 0121,

0351, 0411, 0731,

0741, 0861, 0941,

0971, 1001, 1031,

1111, 1151
LIESENK & TTER 1001
LLOYTRON 0941
LOEWE 1001
LOGIK 0991, 1771
LUXMAN 0351, 0971
LXI 0101, 0621, 0761,

0861, 0981
MAGNAVOX 0101, 0341, 0391,

0401, 0411, 0421,

0581, 0591, 0601,

0611, 0631, 0661,

0961, 1111
MAJESTIC 0991
MARANTZ 0101, 0221, 0361,

1001, 1111
MARK 1001
MATSUI 0271, 0331, 1001
MEDIATOR 1001
MEGATRON 0691, 0861, 1161
MEI 1011
M-ELECTRONIC 1001
MEMOREX 0331, 0571, 0861,

0971, 0981, 0991,

1771
METZ 1791, 1831, 1891,

1901, 1911, 1921,

1931, 1941
MGA 0361, 0561, 0571,

0861, 1031, 1111
MIDLAND 0751, 0761, 0891,

0941, 1151
MITSUBISHI 0221, 0321, 0561,

0571, 0661, 0861,

1031, 1101, 1381
MONTGOMERY 1091
MOTOROLA 1041, 1141
MTC 0351, 0361, 0881,

0931, 0971, 1011,

1031, 1111
MULTITECH 0881, 1051
NAD 0551, 0621, 0861
NEC 0241, 0351, 0361,

0661, 0971, 1031,

1111, 1321, 1711

NECKERMANN 1001
NEI 1001
NIKKAI 0271, 0431, 1001,

1151
NIKKO 0861, 1111, 1121
NOVABEAM 0721
NTC 1121
ONWA 1051
OPTIMUS 0551
OPTONICA 0541, 1141
ORION 0831, 1001
OSAKI 0271, 1151
OTTO VERSAND 1001
PANASONIC 0101, 0191, 0251,

0751, 1041, 1311,

1371, 1431
PANDA 1541, 1721
PENNY 0161, 0361, 0521,

0531, 0621, 0731,

0751, 0761, 0781,

0791, 0861, 0931,

0941, 1031, 1041,

1111, 1151, 1161
PEONY 1561, 1621
PHILCO 0361, 0581, 0591,

0601, 0611, 0631,

0961, 1031, 1111
PHILIPS 0101, 0401, 1001
PHONOLA 1001
PILOT 0941, 1031, 1111
PIONEER 0511, 0551, 0871
PORTLAND 0941, 1031, 1121
PRICECLUB 0931
PRISM 0751
PROSCAN 0761
PROTECH 1001
PROTON 0501, 0861, 0941,

1021, 1161
PULSAR 0891
PULSER 1031
QUASAR 0251, 0751, 1041
QUELLE 1001
RADIO SHACK 0541, 0941,

1031, 1051,

1151
RADIOLA 1001
RCA 0051, 0141, 0151,

0181, 0411, 0491,
0531, 0761, 0771,
0871, 1031

REALISTIC 0541, 0861, 0941,

0971, 0981, 1031,

1051, 1111, 1151
RHAPSODY 1011
R-LINE 1001
RUNCO 0891, 1111
SAISHO 0331, 1081
SAMPO 0361, 0941, 1021,

1111, 1151
SAMSUNG 0331, 0341, 0351,

0361, 0861, 0931,

0941, 0971, 1001,

1031, 1111, 1151
SAMSUX 0941

i

SANYO 0171, 0231, 0271,

0661, 0801, 0911,
0981, 1231, 1251,

1261
SBR 1001
SCHEIDER 1001
SCIMITSU 1031
SCOTCH 0861
SCOTT 0831, 0861, 0941,

1031, 1051, 1091
SEARS 0101, 0161, 0171,

0351, 0481, 0521,

0621, 0761, 0801,

0861, 0971, 0981,

1091
SHANGHAI 1561, 1681
SHARP 0461, 0471, 0541,

0661, 0911, 0941,

1141
SHOGUN 1031
SIGNATURE 0991, 1771
SIMPSON 0581, 0961
SOLAVOX 1151
SONOKO 1001
SONTEC 1001
SONY 0371, 0451, 0661,

0841, 0951, 1281,

1441
SOUNDESIGN 0861, 0961, 1051,

1091
SOUNDWAVE 1001
SPECTRICON 1161
SQUAREVIEW 0481
SSS 1031, 1051
STAR-LITE 1051
SUPREM 0951
SUPRE-MACY 1131
SURPA 0351, 0971
SYLVANIA 0101, 0361, 0441,

0581, 0591, 0601,

0611, 0631, 0961,

1111
SYMPHONIC 0481
SYSLINE 1001
TANDY 0271, 0431, 1141
TATUNG 0271, 0881, 1001,

1041, 1161
TCL 1561, 1631, 1701
TECHNICS 0751
TECHWOOD 0351, 0751, 0971
TEKNIKA 0101, 0351, 0571,

0931, 0941, 0961,

0971, 0991, 1031,

1051, 1091, 1121,

1131, 1771
TELETECH 0331
TERA 0501
THAKRAL 1671
THORM 1001
TMK 0351, 0861, 0971,

1081
TOSHIBA 0381, 0521, 0621,

0661, 0931, 0981,

1301
TOSONIC 1011
TOTEVISION 0941
TRICAL 0911
UNIVERSAL 0781, 0791
UNIVERSUM 1001

VECTOR RESEARCH

0361, 1111
VESTEL 1001
VIDEO CONCEPT 1101
VIDIKRON 0101, 0211
VIDTECH 0861, 1031
VIKING 1131
WARDS 0101, 0361, 0451,

0541, 0581, 0591,

0601, 0611, 0771,

0781, 0791, 0861,

0971, 0991, 1031,

1091, 1111, 1771
WATSON 1001
XOGEGO 1611, 1621, 1661,

1741, 1761
YAMAHA 0361, 1031, 1111
YOKO 1001
ZENITH 0011, 0041, 0891,

0991, 1771
ZONDA 1161

CABLE TV

ABC 0256, 0376
ANTRONIX 0136
ARCHER 0136, 0286
BBT 0076
CABLETIME 0166
CABLEVISION 0196
COLOUR VOICE 0306, 0346
COMTRONICS 0216, 0276
EAGLE COMTRONICS

0276
EASTERN 0066
ELECTRICORD 0206
ELECTUS 0266
GE 0116, 0126
GEC CABLE SYSTEM

0196
HAMLIN H5 0676
HAMLIN H6 0666
HAMLIN H6S 0656
HAMLIN H8 0646
HAMLIN H9 0636
JERROLD 0256
JERROLD 400L 0626
JERROLD 450L 0616
JERROLD 550 0606
JERROLD OSD CATV

0596
JERROLD SPRUCER

0436
MAGNAVOX/PHILIPS

0416, 0426
MAMM 0296
MEMOREX 0386
MOVIE TIME 0146, 0206
NORTHCOAST 0016
NSC 0146
OAK 0106
OAK SIGMA 450 0546
OAK SIGMA 550 0536
PANASONIC TZ 120/130

0476
PANASONIC TZ 170/180

0446
PANASONIC TZ140 0466
PANASONIC TZ150/160

0456

PARAGON 0386
PHILIPS 0036, 0216, 0306,

0316, 0326, 0336,

0346
PIONEER 0006, 0086
PIONEER BR50 0846
PIONEER BR60/70/80/81/82

0696
PIONEER BR90 0556
PULSAR 0386
RCA DIGITAL SATELLITE
SYSTEM 0396, 0406
REALISTIC 0136
REGENCY/EASTERN0686
RUNCO 0386
SAMSUNG 0276
SCIENTIFIC ATLANTA 175/475

0576
SCIENTIFIC ATLANTA 75

0366, 0586
SCIENTIFIC ATLANTA 8650

0566
SIGNAL 0276
SL MARX 0276
SPECTAVISION 0236
STANDARD COMPONENTS

0186
STARCOM V 0256
STARGATE 0276
SYLVANIA/TEXSCAN

0376, 0496
TEKNIKA 0176
TELESERVICE 0056
TELEVIEW 0276
TEXSCAN 0186, 0376
TFC 0026
TOCOM 0226, 0356
TOCOM 5503A 0526
TOCOM 5503VIP/5507

0516
TOCOM TC56 0506
TOSHIBA 0386
TUDI 0046
UNIKA 0136
UNIVERSAL 0136, 0156, 0206,

0286
VIDEOWAY 0096
VIEWSTAR 0216
ZENITH 0246, 0386, 0486

SATELLITE TUNER

ALPHA STAR 0826
CHAPARRAL 0756
ECHOSTAR 0836
GENERAL INSTRUMENT

0776, 0876
HTS 0836
HUGHES NETWORK SYSTEMS

0816
JERROLD 0776, 0786
PANASONIC 0806
PRIMESTAR 0776, 0786
RCA 0766
SONY 0796

(DBS)

HITACHI 0856
MAGNAVOX 0886
MEMOREX 0886
PANASONIC 0896
PHILIPS 0886
SONY 0906
STAR CHOICE 0876
TOSHIBA 0866, 0916
UNIDEN 0886

VCR

A TANDY 0902
ADVENTURA 0992
AIKO 0982
AIWA 0992
AKAI 0262, 0942, 0952,

0962, 0972
AMERICAN HIGH 0932
AMSTRAD 0992
ASA 0002, 0912
ASHA 0922
AUDIO DYNAMICS 0202
AUDIOVOX 0912
BEAUMARK 0922
BELL & HOWELL 0902
BLAUPUNKT 0412
BROKSONIC 0872, 0882, 0892
BUSH 0852
CALIX 0912
CANON 0862, 0932
CCE 0852, 0982
CITIZEN 0912, 0982
COLT 0852
CRAIG 0832, 0842, 0852,

0912, 0922
CURTIS MATHES 0662, 0822,

0932
CYBERNEX 0922
DAEWOO 0802, 0812, 0982
DBX 0202
DYNATECH 0472, 0992
ELECTROHOME 0912
ELECTROPHONIC 0912
EMEREX 0792
EMERSON 0072, 0132, 0142,

0152, 0162, 0172,
0182, 0192, 0212,
0702, 0712, 0722,
0732, 0742, 0752,
0762, 0772, 0782,
0872, 0882, 0892,
0912, 0952, 0992,

1072
FINLUX 0002, 0992
FISHER 0682, 0692, 0842,

0902
FUJI 0672, 0932
FUNAI 0992
GARRARD 0992
GE 0662, 0822, 0932
GO VIDEO 0642, 0652
GOODMANS 0402
GRADIENTE 0992
GRANDA 0612, 0902
GRUNDIG 0002
HARLEY DAVIDSON

0992

ii

HARMAN/KARDON

0632, 1082
HARWOOD 0752, 0852
HEADQUARTER 0612
HI-Q 0842
HINARI 0852
HITACHI 0102, 0562, 0572,

0582, 0592, 0602,

0992
ITT 0942
JVC (VICTOR) 0202, 0522, 0532,

0542, 0552
KENWOOD 0202, 0542, 0612,

0632, 0902
KLH 0852
KODAK 0912, 0932
LG (GOLDSTAR) 0082, 0632,

0912
LLOYD 0992
LOGIK 0852
LUXOR 0942
LXI 0022, 0912
MAGNAVOX 0002, 0482, 0492,

0502, 0512, 0932
MAGNIN 0922
MARANTZ 0002, 0202, 0402,

0632, 0932
MARTA 0912
MATSUSHITA 0932
MATSUI 0722
MEI 0222, 0932
MEMOREX 0232, 0242, 0472,

0512, 0612, 0842,

0902, 0912, 0922,

0932, 0992
MGA 0762, 0952
MGA TECHNOLOGY

0922
MINOLTA 0592, 0602
MITSUBISHI 0452, 0462, 0542,

0762, 0952, 1082
MOTOROLA 0472, 0932
MTC 0922, 0992
MULTITECH 0852, 0992
NAD 0442
NEC 0122, 0202, 0292,

0422, 0432, 0542,

0632
NIKKO 0912
NOBLEX 0922
OLYMPUS 0412, 0932
OPTIMUS 0442, 0472, 0912
OPTONICA 0402
ORION 0212, 0722, 0742,

0772
OSAKI 0912
PANASONIC 0012, 0052, 0092,

0222, 0372, 0382,

0392, 0412, 0932
PENNY 0202, 0432, 0602,

0632, 0692, 0912,

0922, 0932
PENTAX 0592, 0602
PERDIO 0992
PHILCO 0002, 0932
PHILIPS 0002, 0282, 0402,

0492, 0932
PILOT 0912
PIONEER 0442, 0542

PROSCAN 1002, 1012, 1022,

1032, 1042, 1052,

1062
PULSAR 0512
QUARTER 0612
QUARTZ 0272, 0612
QUASAR 0382, 0392, 0932
RADIO SHACK 0912, 0992
RADIX 0912
RANDEX 0912
RCA 0112, 0382, 0392,

0482, 0592, 0602,

0662, 0822, 0942
REALISTIC 0402, 0472, 0612,

0682, 0842, 0902,

0912, 0922, 0932,

0992
RICOH 0352, 0362
SAISHO 0212, 0582, 0722,

0732, 0742, 0772
SALORA 0612, 0762
SAMSUNG 0212, 0312, 0922,

0962
SANKY 0472, 0512
SANSUI 0292, 0542, 0832
SANYO 0242, 0612, 0842,

0902, 0922
SBR 0002, 0282
SCHEIDER 0852
SCOTT 0342, 0712, 0762,

0872, 0882, 0892
SEARS 0302, 0592, 0602,

0612, 0682, 0692,

0842, 0902, 0912,

0932
SHARP 0402, 0472
SHINTOM 0852
SHOGUN 0922
SINGER 0852
SONY 0032, 0332, 0352,

0362, 0672, 0792,

0932
STS 0602
SUNPAK 0352
SYLVANIA 0002, 0492, 0502,

0762, 0932, 0992
SYMPHONIC 0992
TANDY 0992
TASHIKO 0712, 0992
TEAC 0992
TECHNICS 0932
TEKNIKA 0322, 0912, 0932,

0992
TELEFUNKEN 0252
TMK 0212, 0732, 0772,

0922
TOSHIBA 0062, 0302, 0342,

0622, 0682, 0712,

0762
TOTEVISION 0912, 0922
UNITECH 0922
VECTOR RESEARCH

0202, 0432, 0632
VIDEO CONCEPTS

0202, 0432, 0632,

0952
WARDS 0322, 0402, 0472,

0482, 0602, 0712,

0842, 0852, 0922,

0932, 0992

YAMAHA 0202, 0632
ZENITH 0042, 0362, 0512,

0672

DVD PLAYER

AKAI 0058
AIWA 0218
DENON 0188
HITACHI 0198
JVC (VICTOR) 0088, 0178
KENWOOD 0148
LG (GOLDSTAR) 0228
MAGNAVOX 0128
MITSUBISHI 0138
ONKYO 0068, 0128
PANASONIC 0028
PHILIPS 0098, 0128
PIONEER 0108, 0118
PROSCAN 0158
RCA 0158
SAMSUNG 0078
SHARP 0038
SONY 0018
TECHNICS 0028
THOMSON 0168
TOSHIBA 0048, 0128
YAMAHA 0008, 0028, 0098
ZENITH 0128

DVD RECORDER

PANASONIC 0238, 0248, 0258
PHILIPS 0208
PIONEER 0278, 0288, 0298
TOSHIBA 0268
YAMAHA 0208

LD PLAYER

AIWA 0157
DENON 0147
DISCO VISION0017
FUNAI 0157
HITACHI (E) 0017
KENWOOD 0087, 0107
MAGNAVOX 0027
MARANTZ 0027
MITSUBISHI 0137
NAD 0137
PANASONIC 0077, 0177
PHILIPS 0027
PIONEER 0017, 0037, 0137
RCA 0167
REALISTIC 0157
SHARP 0127
SONY 0047, 0057, 0117
VICTOR 0097
YAMAHA 0007, 0067

CD PLAYER

ACOUSTIC RESEARCH

1295
ADC 0025, 0065
ADCOM 0205, 0255, 1015
ADS 0265
AIWA 0295, 0945, 1035,

1055
AKAI 0175, 0485, 0535

ALPINE 1215, 1305
AUDIO-TECHNICA 0545
BSR 0245, 0655, 0775
CALIFORNIA AUDIO LAB

0055
CAPETRONIC 1205
CARRERA 0245
CARVER 0285, 1135
CASIO 0345
CROWN 0185
CURTIS MATHES 0345
DENON 0275, 0875, 0885
DEUAL (E) 0505
DYNAMIC BASS (H)

0555
EMERSON 0205, 0325, 1105
EROICA 1275
FISHER 0095, 0555, 0925,

1005
GARRARD 0365
GENEXXA 0305, 0325, 1105
HARMAN/KARDON 0105, 0175,

0465, 0995
HITACHI 0195, 0205, 0505,

0815
INKEL 0115, 0395
JVC (VICTOR) 0315
KENWOOD 0045, 0095, 0405,

0585, 0725, 0735,

0745, 0755, 0895
KYOCERA 0025
LG (GOLDSTAR) 1135, 1225,

1265, 1335
LUXMAN 0075, 0425, 0675,

0705, 0715, 0985
MAGNAVOX 0165, 0215, 0645,

0955
MARANTZ 0215, 0235, 0375,

0785, 1345
MCINTOSH 0355, 1085
MCS 0905, 1315
MEMOREX 0205, 0225, 0235,

0305, 0325, 1105
MGA 0135
MISSION 0215
MITSUBISHI 0135, 0445
MTC 1255
NAD 0035, 0615, 0685,

0695
NAKAMICHI 0125, 0435, 0515
NEC 0255, 0905, 0965
NIKKO 0545, 1005
ONKYO 0155, 0455, 0495,

0805, 1155
OPTIMUS 0225, 0245, 0555,

0595, 0845, 0855,

0865, 0895, 0935
PANASONIC 0055, 0825, 1095,

1125
PENNY 0905
PHILIPS 0165, 0215
PIONEER 0305, 0935, 1045
PROTON 0215, 1185
QUASAR 0055
RCA 0205, 0915, 1115
REALISTIC 0205, 0225, 0235,

0325, 0555, 0845
REVOX 1175
ROTEL 0215
SABA TELECOMMANDER (E)

0505

iii

SAE 0215
SAMSUNG 1285
SANSUI 0215, 0625, 0975,

1025, 1105

SANYO 0145, 0555, 0635,

0765
SCOTT 0325, 1105
SEARS 0345
SHARP 0235, 0665, 0895,

1065, 1075
SHERWOOD 0115, 0235, 0395,

0475
SIEMENTS GARRARD

1245
SIGNATURE 0175
SONTEC 1165
SONY 0065, 0565, 0865,

1145
STARON 1235
STS 0025
SYLVANIA 0215
SYMPHONIC 0335
TANDY 0305
TANGBERG 1195
TEAC 0235, 0335, 0385,

0525, 0795, 0835,

1355
TECHNICS 0055, 0605, 1095
TECHWOOD 1325
TELEFUNKEN (E) 0505
THOMSON (E) 0505
TOSHIBA 0035, 0685
VECTOR RESEARCH

0065, 1135
WARDS 0175
YAMAHA 0005, 0015, 0085,

0415, 0545, 0575,

1065

OPTIMUS 0034, 0064, 0204,

0334
ONKYO 0364, 0374
PHILIPS 0094
PIONEER 0034, 0044, 0064
REVOX 0354
SANSUI 0094, 0344
SHARP 0264
SHERWOOD 0334
SONY 0054, 0084, 0324
TEAC 0194, 0254
TECHNICS 0074, 0314
WA R DS 0 0 3 4
YAMAHA 0004, 0014, 0104,

0114, 0164, 0174,

0264

CD RECORDER

HITACHI 0474
JVC (VICTOR) 0504
MARANTZ 0484, 0494
PHILIPS 0444
PIONEER 0454, 0464
YAMAHA 0414

MD RECORDER

KENWOOD 0384
PIONEER 0424
SHARP 0434
SONY 0394
YAMAHA 0024, 0394, 0404,

0514

TAPE DECK

AIWA 0094, 0214, 0224
AKAI 0184
CARVER 0094
DENON 0304
FISHER 0144
GARRARD 0194, 0204
JVC (VICTOR) 0274, 0284, 0294
KENWOOD 0124, 0134, 0154,

MAGNAVOX 0094
MARANTZ 0094, 0344
MITSUBISHI 0184

0234, 0244, 0264

iv

©

2004 All rights reserved.

YAMAHA ELECTRONICS CORPORATION, USA
YAMAHA CANADA MUSIC LTD.
YAMAHA ELECTRONIK EUROPA G.m.b.H.
YAMAHA ELECTRONIQUE FRANCE S.A.
YAMAHA ELECTRONICS (UK) LTD.
YAMAHA SCANDINAVIA A.B.
YAMAHA MUSIC AUSTRALIA PTY, LTD.

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