Yamaha HTR-5560 User Manual

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Page 1

HTR-5560

AV Receiver

OWNER’S MANUAL

Page 2

SAFETY INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

1 Read Instructions – All the safety and operating instructions

should be read before the product is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the product and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and use instructions

should be followed.

5 Cleaning – Unplug this product from the wall outlet before

cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.

6 Attachments – Do not use attachments not recommended

by the product manufacturer as they may cause hazards.

7 Water and Moisture – Do not use this product near water –

for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like.

8 Accessories – Do not place this product on an unstable cart,

stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

9 A product and cart combination should be

moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.

10 Ventilation – Slots and openings in the cabinet are provided

for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

11 Power Sources – This product should be operated only from

the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

12 Grounding or Polarization – This product may be equipped

with a polarized alternating current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

13 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

14 Lightning – For added protection for this product during a

lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.

15 Power Lines – An outside antenna system should not be

located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.

16 Overloading – Do not overload wall outlets, extension

cords, or integral convenience receptacles as this can result in a risk of fire or electric shock.

17 Object and Liquid Entry – Never push objects of any kind

into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product.

18 Servicing – Do not attempt to service this product yourself

as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

19 Damage Requiring Service – Unplug this product from the

wall outlet and refer servicing to qualified service personnel under the following conditions:

a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into

the product,

c) If the product has been exposed to rain or water,

I CAUTION

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d) If the product does not operate normally by following

the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation,

e) If the product has been dropped or damaged in any

way, and

f) When the product exhibits a distinct change in

performance - this indicates a need for service.

20 Replacement Parts – When replacement parts are

required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

21 Safety Check – Upon completion of any service or

repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

22 Wall or Ceiling Mounting – The unit should be mounted

to a wall or ceiling only as recommended by the manufacturer.

23 Heat – The product should be situated away from heat

sources such as radiators, heat registers, stoves, or other products (including amplifiers) that produce heat.

Note to CATV system installer:

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.

SAFETY INSTRUCTIONSSAFETY INSTRUCTIONS

24 Outdoor Antenna Grounding – If an outside antenna or

cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/ NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING

ANTENNA LEAD IN WIRE

ANTENNA DISCHARGE UNIT (NEC SECTION 810–20)

GROUNDING CONDUCTORS (NEC SECTION 810–21)

GROUND CLAMPS

ELECTRIC SERVICE EQUIPMENT

NEC

– NATIONAL ELECTRICAL CODE

MAST

GROUND CLAMP

POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)

FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

CAUTION II

Page 4

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the left and right, and 10 cm at the back of this unit — away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid humming sounds. To prevent fire or electrical shock, do not place this unit where it may get exposed to rain, water, and/or any type of liquid.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may

cause fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may

cause electrical shock to the user and/or damage to this unit.

6 Do not cover this unit with a newspaper,

tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified is dangerous and may cause fire, damage to this unit, and/or personal injury. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical storm.

14 Take care of this unit so that no foreign objects

and/or liquid drops inside this unit.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons.

16 When not planning to use this unit for long

periods of time (i.e. vacation), disconnect the AC power plug from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the AC power plug from the wall outlet.

19 VOLTAGE SELECTOR (China and General models

only) The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

IMPORTANT

Please record the serial number of this unit in the space below. MODEL: Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.

FOR CANADIAN CUSTOMERS

To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with Canadian ICES-003.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing.

III CAUTION

Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.

Page 5

INTRODUCTION

CONTENTS ............................................................ 1

FEATURES ............................................................. 2

GETTING STARTED............................................ 3

Checking the package contents ................................. 3

Installing batteries in the remote control ...................3

CONTROLS AND FUNCTIONS ......................... 4

Front panel ................................................................ 4

Remote control .......................................................... 6

Using the remote control ........................................... 7

Front panel display .................................................... 8

PREPARATION

SPEAKER SETUP ................................................. 9

Speakers ....................................................................9

Speaker placement .................................................... 9

Connecting the speakers ..........................................10

CONNECTIONS .................................................. 13

Before connecting components ............................... 13

Connecting video components ................................ 14

Connecting audio components ................................ 16

Connecting the antennas ......................................... 17

Connecting an external amplifier ............................ 18

Connecting an external decoder .............................. 18

Connecting the power supply cords ........................ 19

Turning on the power .............................................. 19

SPEAKER MODE SETTINGS .......................... 20

ADJUSTING SPEAKER OUTPUT LEVELS .. 21

Before you begin ..................................................... 21

Using the test tone ................................................... 21

ADVANCED OPERATION

SET MENU ........................................................... 40

Adjusting the items on the SET MENU ..................40

1 SPEAKER SET (speaker mode settings) ............ 41

2 LFE LEVEL ........................................................ 43

3 SP DLY TIME (speaker delay time) ................... 43

4 D. RANGE (dynamic range) ...............................44

5 L/R BALANCE (balance of the main left and

right speakers) ..................................................... 44

6 HP TONE CTRL (headphone tone control) ........ 44

7 I/O ASSIGN (input/output assignment) ..............44

8 INPUT MODE (initial input mode) .................... 45

9 DISPLAY SET ....................................................45

10MEM. GUARD (memory guard) ........................ 45

REMOTE CONTROL FEATURES ................... 46

Control area ............................................................. 46

Setting the manufacturer code .................................47

Clearing setup manufacturer codes ......................... 47

Controlling other components .................................48

ADJUSTING THE LEVEL OF THE EFFECT

SPEAKERS ....................................................... 49

ADJUSTING THE DELAY TIME ..................... 50

ADJUSTING THE PARAMETER SETTINGS

FOR PRO LOGIC

Changing parameter settings ................................... 51

PRO LOGIC Music parameter descriptions .......51

MUSIC ......................... 51

ADDITIONAL INFORMATION

TROUBLESHOOTING ...................................... 52

GLOSSARY .......................................................... 56

SPECIFICATIONS .............................................. 58

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

BASIC OPERATION

BASIC PLAYBACK ............................................ 23

Input modes and indications .................................... 25

Selecting a sound field program ..............................26

DIGITAL SOUND FIELD PROCESSING

(DSP) ................................................................. 29

Understanding sound fields .....................................29

Hi-Fi DSP programs ................................................ 29

CINEMA-DSP ...................................................... 30

Sound design of CINEMA-DSP .............................30

CINEMA-DSP programs ........................................ 32

TUNING ................................................................ 34

Automatic and manual tuning ................................. 34

Presetting stations .................................................... 35

Tuning in to a preset station .................................... 37

Exchanging preset stations ...................................... 37

SLEEP TIMER ..................................................... 38

Setting the sleep timer ............................................. 38

Canceling the sleep timer ........................................ 38

RECORDING ....................................................... 39

INFORMATION

ADDITIONAL

English

Page 6

FEATURES

Built-in 6-channel power amplifier

◆ Minimum RMS output power

(0.06% THD, 20 Hz – 20 kHz, 8Ω) Main: 75 W + 75 W Center: 75 W Rear: 75 W + 75 W Rear center: 75 W

Multi-mode digital sound field processing

◆ Dolby Pro Logic/Dolby Pro Logic decoder

◆ Dolby Digital/Dolby Digital EX decoder

◆ DTS/DTS-ES compatible decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

technology and Dolby Pro Logic, Dolby Digital or DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA DSP

Sophisticated AM/FM Tuner

◆ 40-Station random access preset tuning

◆ Automatic preset tuning

◆ Preset station shifting capability (Preset

editing)

Other features

◆ 96-kHz/24-bit D/A converter

◆ “SET MENU” for optimizing this unit for your

Audio/Video system

◆ Test tone generator for easier speaker balance

adjustment

◆ 6-channel external decoder input

◆ S-video signal input/output capability

◆ Component video input/output capability

◆ Optical and coaxial digital audio signal jacks

◆ Sleep timer

◆ Remote control with preset manufacturer codes

■ About this manual

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button

names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.

• This manual is printed prior to production. Design and specifications are subject to change in part for the reason of the improvement in operativity ability, and others. In this case, the product has priority.

Manufactured under license from Dolby Laboratories.

“Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories.

“DTS”, “ES” and “DTS Digital Surround” are trademarks of Digital Theater Systems, Inc.

Page 7

GETTING STARTED

Checking the package contents

Check your package to make sure it contains the following items.

Remote control

CODE SET

TRANSMIT

SYSTEM

STANDBY

POWER POWER

DVD

VCR 1 VCR2/DVR

–

HALL

SPORTS

/DTS

SUR.

LEVEL

TITLE

–

TEST

RETURN

REC

DISC SKIP

POWER

AVTV

SLEEP

MD/CD-R TUNERCD

D-TV/CBL

V-AUX

6CH INPUT

VOLUME

TV CHTV VOL

–+–

TV INPUTTV MUTE

MUTE

ENTER-

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

MONO

MOVIE

THEATER 2

MOVIE

THEATER 1

678

STEREO

EX/ES

SELECT

+10

EFFECT

PRESET/CH

SET MENU

A/B/C/D/E

SELECT

DISPLAY

AUDIO

AMP

ENTER

Batteries (4) (AAA, R03, UM-4)

Front VIDEO AUX jack cap

AM loop antenna

75-ohm/300-ohm antenna adapter (U.K. model)

INTRODUCTION PREPARATION

Indoor FM antenna (U.S.A., Canada, China, Korea and General models)

(Europe, U.K., Australia and Singapore models)

BASIC OPERA-

TION

Installing batteries in the remote control

Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity markings (+ and –) inside the battery compartment.

1 Press the part and slide off the battery

compartment cover.

2 Insert the four supplied batteries (AAA, R03,

UM-4) according to the polarity markings on the inside of the battery compartment.

3 Slide the cover back on so that it snaps into

place.

■ Notes on batteries

• Change all of the batteries if you notice a decrease in the operating range of the remote control, that the indicator does not flash, or the light becoming dim.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline

and manganese batteries) together. Read the packaging carefully as these different types of batteries may have the same shape and color.

• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

If the remote control is without batteries for more than 2 minutes, or if exhausted batteries remain in the remote control, the contents of the memory may be cleared. When the memory is cleared, insert new batteries, set up the manufacturer code that may have been cleared.

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 8

Front panel

CONTROLS AND FUNCTIONS

123 456

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

INPUT M0DE

BASS

– + – +

TREBLE

INPUT

PRESET/TUNING

FM/AM

EDIT

TUNING MODE

MEMORY

AUTO/MAN'L MONO

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

VIDEO AUX

6CH INPUT

90 ert8qw y

PRESET/TUNING

FM/AM

EDIT

TUNING MODE

MEMORY

AUTO/MAN'L MONO

MAN'L/AUTO FM

iupo

1 STANDBY/ON

Turns this unit on, or set it to the standby mode. When you turn this unit on, you will hear a click and there will be a 4 to 5-second delay before this unit can reproduce sound.

Standby mode

In this mode, this unit will consume a small amount of power in order to receive infrared-signals from the remote control.

2 Remote control sensor

Receives signals from the remote control.

3 Front panel display

Shows information about the operational status of this unit.

4 INPUT MODE

Sets the priority for the types of input signals (AUTO, DTS, ANALOG) to receive when one component is connected to two or more input jacks. Priority cannot be set when 6CH INPUT is selected as the input source.

5 INPUT l / h

Selects the input source you want to listen to or watch.

6 VOLUME

Controls the output level of all audio channels. This does not affect the OUT (REC) level.

7 6CH INPUT

Selects the audio source connected to the 6CH INPUT jacks. This audio takes priority over the source selected with INPUT l / h (or the input selector buttons on the remote control).

8 SILENT (PHONES jack)

Allows you enjoy DSP effect for private listening with headphones. When you connect headphones, no signals are output to the speakers or the OUTPUT jacks.

9 SPEAKERS A/B

Turns the set of main speakers connected to the A and/or B terminals on or off.

Page 9

CONTROLS AND FUNCTIONS

0 STEREO/EFFECT

Switches between normal stereo and DSP effect reproduction. When STEREO is selected, 2-channel signals are directed to the main left and right speakers without effect sounds and all Dolby Digital and DTS signals (except the LFE channel) are mixed down to the main left and right speakers.

q PROGRAM l / h

Selects the DSP program.

w PRESET/TUNING l / h

Selects preset station numbers 1 to 8 when the colon (:) appears in the front panel display. Selects the tuning frequency when the colon (:) does not appear.

e A/B/C/D/E

Selects preset station groups A to E.

r BASS

Adjusts the low-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the lowfrequency response.

t TREBLE

Adjusts the high-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the highfrequency response.

y VIDEO AUX jacks

Inputs for audio and video signals from a portable external source (game console, etc.). Set the input source to V-AUX to enjoy source signals from these jacks. When the VIDEO AUX jacks on the front panel are not used, you can attach the provided front VIDEO AUX jack cap as shown in the illustration. When the cap is not attached, be sure retain it carefully.

VID

TICA

VID

S VID

u PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h between selecting a preset station number and tuning (the colon (:) turns on or off). This button is also used to exchange the assignment of two preset stations with each other.

i TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic and manual.

o MEMORY (MAN’L/AUTO FM)

Stores the current station in the memory.

p FM/AM

Switches the reception band between FM and AM.

INTRODUCTION PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 10

CONTROLS AND FUNCTIONS

Remote control

This section describes the remote control controls and their functions. Make sure that the AMP mode is selected before starting operation. See “REMOTE CONTROL FEATURES” on pages 46 to 48.

CODE SET

POWER POWER

AVTV

MD/CD-R TUNERCD

D-TV/CBL

DVD

TRANSMIT

STANDBY

V-AUX

SYSTEM

POWER

SLEEP

6CH INPUT

9 0

VCR 1 VCR2/DVR

AMP

e r

TV CHTV VOL

–

TV MUTE

TV INPUT

HALL

JAZZ CLUB

MONO

SPORTS

MOVIE

678

/DTS

SUR.

SELECT

LEVEL

TITLE

PRESET/CH

–

TEST

RETURN

REC

DISC SKIP

THEATER 1

SELECT

ROCK

CONCERT

3421

MOVIE

EX/ES

+10

VOLUME

–

MUTE

ENTER-

TAINMENT

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

SET MENU

A/B/C/D/E

DISPLAY

AUDIO

t y

1 Infrared window

Outputs infrared control signals. Aim this window at the component you want to operate.

2 CODE SET

Used when setting up the manufacturer code (see page

47).

3 Input selector buttons

Select the input source and set the remote control to operate the selected source component.

4 DSP program

Select DSP programs for the AMP position. Press a button repeatedly to select a DSP program within that group.

5 LEVEL

Selects the effect speaker channel to be adjusted.

6 Multi control section

Used when changing the setting and to implement the settings.

7 TEST

Outputs the test tone to adjust the speaker levels.

8 TRANSMIT indicator

Flashes while the remote control is sending signals.

9 STANDBY

Sets this unit in the standby mode.

0 SYSTEM POWER

Turns on the power of this unit.

q SLEEP

Sets the sleep timer.

w 6CH INPUT

Selects the audio source connected to the 6CH INPUT jacks.

e AMP

Sets the remote control to the AMP mode for controlling this unit.

r Å

Sets the remote control to operate other component (not necessarily connected to this unit) without changing this unit’s input source.

t VOLUME +/–

Increases or decreases the volume level.

y MUTE

Mutes the sound. Press again to restore the audio output to the previous volume level.

Page 11

CONTROLS AND FUNCTIONS

VCR 1 VCR2/DVR

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY /

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

TUNING MODE

VOLUMEINPUT

INPUT M0DE

6CH INPUT

30° 30°

u STEREO/EFFECT

i SET MENU

Selects the SET MENU mode.

Using the remote control

Approximately 6 m (20 feet)

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main unit during operation.

■ Handling the remote control

• Do not spill water or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the

following types of conditions: – high humidity or temperature such as near a heater,

stove or bath;

– dusty places; or – in places subject to extremely low temperatures.

INTRODUCTION PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 12

CONTROLS AND FUNCTIONS

Front panel display

1234

MATRIX

VCR2/DVR

VIRTUAL

SILENT

DIGITAL

PRO LOGIC

DSP

PCM

57890qwert

VCR

DTS MOVIE

V-AUX

D-TV/CBL

DOLBY DIGITAL PRO LOGIC

THTR

ENTERTAINMENT

1 Processor indicators

Lights up when the t, g, VIRTUAL,

MATRIX lights up when the Dolby Digital EX decoder or the DTS-ES compatible decoder is activated.

PRO LOGIC

DSP

are activated.

2 Input source indicator

Shows the current input source with a cursor.

3 MUTE indicator

Flashes while the MUTE function is on.

4 VOLUME level indicator

Indicates the volume level.

5 v indicator

Lights up when this unit is reproducing PCM (pulse code modulation) digital audio signals.

6 SILENT indicator

Lights up when headphones are connected while the digital sound field processor is on.

DVD

MD/CD-R

TUNER CD

STEREO TUNED

AUTO

MEMORY

MUTE SLEEP

dB mS

VOLUME

LCR

LFE

RC RR

0 STEREO indicator

Lights up when this unit is receiving a strong signal for an FM stereo broadcast while the “AUTO” indicator is lit.

q TUNED indicator

Lights up when this unit is tuned to a station.

w MEMORY indicator

Flashes to show a station can be stored.

e AUTO indicator

Shows that this unit is in the automatic tuning mode.

r SLEEP indicator

Lights up while the sleep timer is on.

t Input channel indicator

Indicates the channel components of input signals being received.

7 Headphones indicator

Lights up when headphones are connected.

8 DSP program indicators

The name of the selected DSP program lights up when the ENTERTAINMENT, MOVIE THEATER 1, MOVIE THEATER 2 or V/DTS SURROUND DSP program is selected.

9 Multi-information display

Shows the current DSP program name and other information when adjusting or changing settings.

Page 13

PREPARATION

Speakers

SPEAKER SETUP

INTRODUCTION

Speaker placement

This unit has been designed to provide the best soundfield quality with a 6-speaker system, using main left and right speakers, rear left and right speakers, a center speaker, and a rear center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacturer or speakers with the same tonal quality.

The main speakers are used for the main source sound plus effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for effect and surround sounds. The center speaker is for the center sounds (dialog, vocals, etc.). The rear center speaker supplements the rear (left and right) speakers and provides for more realistic front-to-back transitions.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use the models of equivalent performance with the main speakers.

■ Use of a subwoofer expands your sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low-frequency effect) channel with high fidelity when playing back Dolby Digital or DTS signals. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

Refer to the following diagram when you place the speakers.

Main speaker (R)Center speaker

Rear speaker (R)

Subwoofer

Main speaker (L)

1.8 m (6 feet)

Rear center speaker

Rear speaker (L)

■ Main speakers

Place the main left and right speakers an equal distance from the ideal listening position. The distance between each speaker and each side of the video monitor should also be the same.

■ Center speaker

Align the front face of the center speaker with the front face of your video monitor. Place the speaker as close to the monitor as possible (such as directly over or under the monitor) and centrally between the main speakers.

■ Rear speakers

Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (6 feet) above the floor.

■ Rear center speaker

Place the rear center speaker in the center between the rear left and right speakers at the same height from the floor as the rear speakers.

■ Subwoofer

The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce wall reflections.

Note

• If you do not use any of effect speakers (rear, center and/or rear center), change the settings of SPEAKER SET items at the SET MENU to designate the signals to other terminals you connect speakers to.

CAUTION

Use magnetically shielded speakers. If this type of speakers still creates the interference with the monitor, place the speakers away from the monitor.

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 14

SPEAKER SETUP

Connecting the speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit

and/or the speakers.

If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers in your configuration after you finish connecting your speakers.

■ Speaker cables

A speaker cord is actually a pair of insulated cables running side by side. One cable is colored or shaped

10 mm (3/8”)

differently, perhaps with a stripe, groove or ridge.

1 Remove approximately 10 mm (3/8”) of

insulation from each of the speaker cables.

2 Twist the exposed wires of the cable

together to prevent short circuits.

■ Connecting to the SPEAKERS terminals

Red: positive (+) Black: negative (–)

(U.S.A. model)

1 Unscrew the knob. 2 Insert one bare wire into the hole in the side

of each terminal.

3 Tighten the knob to secure the wire.

Banana plug

(U.S.A. model)

(U.S.A., Canada, Australia, China, Korea and General models)

• Banana plug connections are also possible. First, tighten the knob and then insert the banana plug connector into the end of the corresponding terminal.

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. When using only one speaker system, it can be connected to either the MAIN A or the MAIN B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

■ REAR CENTER SPEAKER terminals

A rear center speaker can be connected to these terminals.

Page 15

SPEAKER SETUP

DIGITAL

INPUT

COAXIAL OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

DIGITAL OUTPUT

/CD-R

(PLAY)

MAIN

SURROUND

Main B speaker

Right Left

SUB

WOOFER

S VIDEO VIDEO

OUT

VCR 2 /VDR

OUT

VCR 1

D-TV /CBL

DVD

S VIDEO

VIDEO

MONITOR OUT

VIDEO

TUNER

ANT

GND

UNBAL.

ANT

AUDIOAUDIO

OUT (REC) MD

SUB

CENTER

WOOFER

6CH INPUT

OUTPUT

Main A speaker

Right Left

COMPONENT VIDEO

B/CBPR/CR

DVD

D-TV /CBL

MONITOR

OUT

MAIN A OR B A+B CENTER REAR CENTER

REAR

MIN. /SPEAKER

MAIN

SET BEFORE POWER ON

IMPEDANCE SELECTOR

SPEAKERS

–

MAIN A OR B

A+B

CENTER

REAR CENTER

REAR

REAR CENTER

OUTPUT

MIN. /SPEAKER

REAR

CENTER

–

REAR

(SURROUND)

CENTER

REAR

(SURROUND)

–

CENTER

Center

speaker

INTRODUCTION

PREPARATION

AC OUTLETS

BASIC OPERA-

TION

Subwoofer

system

Right

Left

Rear speaker

Rear center

speaker

The diagram shows the speaker layout in the listening room.

■ SUBWOOFER jack

When using a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input jack of the subwoofer system to this jack. Low bass signals distributed from the main, center and/or rear channels are directed to this jack in accordance with your SPEAKER SET selections. The LFE (low-frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed to this jack in accordance with your SPEAKER SET selections.

Notes

• The cut-off frequency of the SUBWOOFER jack is 90 Hz.

• If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the setting of SPEAKER SET item “1E BASS” on the SET MENU to MAIN.

• Use the control on the subwoofer to adjust its volume level. It is also possible to adjust the volume level by using this unit’s remote control (see “ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS” on page 49).

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 16

SPEAKER SETUP

■ IMPEDANCE SELECTOR switch

WARNING

Do not change setting of the IMPEDANCE SELECTOR switch when the power of this unit is on, this may damage the unit. If this unit fails to turn on when STANDBY/ON (or SYSTEM POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slid to either position. If so, slide the switch all the way to either position when this unit is in the standby mode.

Select the switch position (left or right) according to the impedance of the speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

MAIN A OR B A+B CENTER REAR CENTER

REAR

MPONENT VIDEO

B/CB/CR

MAIN

MIN. /SPEAKER

A OR B

MIN. /SPEAKER

A+B

MIN. /SPEAKER

CENTER REAR CENTER

MIN. /SPEAKER

REAR

(U.S.A. model)

MIN. /SPEAKER

MAIN

SET BEFORE POWER ON

IMPEDANCE SELECTOR

SPEAKERS

–

MAIN A OR B

A+B

16 :

CENTER

REAR CENTER

REAR

REAR CENTER

OUTPUT

MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER

IMPEDANCE SELECTOR switch

SET BEFORE POWER ON

IMPEDANCE SELECTOR

CENTER

–

REAR

(SURROUND)

REAR

CENTER

REAR

(SURROUND)

MAIN A OR B

A+B

16 :

CENTER

REAR CENTER

REAR

–

CENTER

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

Switch

position

Left

Right

Speaker

Main

Center

Rear

Center

Rear

Main

Impedance level

If you use one set of main speakers, the impedance of each speaker must be 4 Ω or higher. If you use two sets of main speakers, the impedance of each speaker must be 8 Ω or higher.

The impedance must be 6 Ω or higher.

The impedance of each speaker must be 6 Ω or higher.

If you use one set of main speakers, the impedance of each speaker must be 8 Ω or higher. If you use two sets of main speakers, the impedance of each speaker must be 16 Ω or higher. [Canada model only] The impedance of each speaker must be 8 Ω or higher.

Center

Rear

Center

Rear

The impedance must be 8 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

Page 17

CONNECTIONS

Before connecting components

CAUTION

Do not connect this unit or other components to the mains power until all connections between the components have been completed.

• Be sure all connections are made correctly, that is to

say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different jack names. Refer to the operation instructions for each component to be connected to this unit.

• When you connect other YAMAHA audio components

(such as a tape deck, MD recorder and CD player or changer), connect them to the jack with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

• After you have completed all connections, check them

again to make sure they are correct.

• The name of jack corresponds to input selector.

DIGITAL INPUT jacks (pages 13-16)

Audio component jacks (page 16)

Antenna input terminals (page 17)

Video component jacks (pages 14-15)

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, Dolby Digital and DTS bitstreams. To enjoy multi-channel sound track of DVD software, etc. with DSP effect, you need to make digital connection. All digital input jacks are acceptable for 96-kHz sampling digital signals.

Note

• The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber optic cable that does not conform to this standard, this unit may not function properly.

Speaker terminals (pages 10-11)

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

CENTER

AUDIOAUDIO

OUTPUT

DIGITAL

INPUT

COAXIAL OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

DIGITAL OUTPUT

OUT

(REC) MD

/CD-R

(PLAY)

MAIN

SURROUND

SUB

WOOFER

6CH INPUT

6CH INPUT jacks (page 18)

DIGITAL OUTPUT jack (page 16)

SUB

WOOFER

S VIDEO VIDEO

OUT

VCR 2 /VDR

OUT

VCR 1

D-TV

/CBL

DVD

S VIDEO

MONITOR OUT

VIDEO

TUNER

AM ANT

GND

UNBAL.

ANT

VIDEO

SUBWOOFER OUTPUT jack (page 11)

DVD

D-TV

/CBL

MONITOR

OUT

COMPONENT VIDEO

B/CBPR/CR

MAIN

–

SPEAKERS

MAIN

REAR CENTER

OUTPUT

REAR

CENTER

–

REAR

(SURROUND)

CENTER

REAR

(SURROUND)

–

CENTER

INFORMATION

ADDITIONAL

APPENDIX

AC OUTLETS (page 19)

OUTPUT jacks (page 18)

English

Page 18

CONNECTIONS

Connecting video components

Refer to the connection examples on the next page.

■ Types of video jacks

There are three types of video jacks as follows:

VIDEOS VIDEO

2 1 3

1 VIDEO jack

Conventional composite video signal.

2 S VIDEO jack

Transmits color and luminance separately and achives high-quality color reproduction.

3 COMPONENT VIDEO jacks

Transmit color difference (P luminance separately and provide the best quality picture.

• Each type of video jack works independently. Signals input through the composite video, S-video and component jacks are only output through the corresponding composite video, S-video, and component jacks.

• Use a commercially available cable specified for connecting each type of jacks.

• The description of the component video jacks may differ depending on the component (e.g. Y, C

, PR/Y, B-Y, R-Y etc.). When using these jacks, refer

also to the operation instructions for the component being connected.

■ Connecting a video monitor

Connect the video input jack on your video monitor to the MONITOR OUT VIDEO jack.

Note

• If you connect this unit with a source component using S-video

(or Component video) jacks, you also need to connect your video monitor using S-video (or Component video) jacks.

■ Connecting a DVD player/digital

TV/cable TV

Connect the optical digital audio signal output jack on your component to the DIGITAL INPUT jack and connect the video signal output jack on the component to the VIDEO jack on this unit. Then connect AUDIO jacks on your component to the AUDIO jacks on this unit.

COMPONENT VIDEO

R/CRPB/CB

, PR/CR) and

B/CB

, CR/Y,

• If your video component has an S-video output or component video output, connect the S-video signal output jack on the component to the S VIDEO jack or connect the component video signal output jacks on the component to the COMPONENT VIDEO jacks.

• The AUDIO jacks are available for a video component which does not have optical digital output jack. However, multichannel reproduction cannot be obtained with audio signals input from AUDIO jacks.

■ Connecting a game console or

camcorder

Connect the optical digital audio signal output jack on your video component to the OPTICAL jack on the front panel and connect video signal output jack on the component to the VIDEO jack on the front panel.

• If your video component has an S-video output, connect the Svideo signal output jack on the component to the S VIDEO jack.

• The AUDIO jacks are available for a video component such as a camcorder which does not have optical digital output jack.

■ Connecting a VCR or DVR (digital

video recorder)

Connect the audio signal input jacks on your video component to the AUDIO OUT jacks and connect the video signal input jack on the video component to the VIDEO OUT jack on this unit for picture recording. Connect the audio signal output jacks on your component to the AUDIO IN jacks and connect the video signal output jack on the component to the VIDEO IN jack on this unit to play a source from your recording component. Second VCR or digital video recorder can be connected using VCR 2/DVR jacks.

• If your video component has an S-video input, connect the Svideo signal input jack on the component to the S VIDEO OUT jack.

• If your video component has an S-video output, connect the Svideo signal output jack on the component to the S VIDEO IN jack.

Notes

• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.

• S-video and component video signals pass independently through this unit’s video circuit. Make sure to connect this unit to both a source component and a recording component using the video jacks of the same system.

Page 19

CONNECTIONS

DIGITAL

INPUT

COAXIAL

OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

DIGITAL

OUTPUT

OUT (REC)

/CD-R

(PLAY)

MAIN

SURROUND

AUDIO OUTPUT

SUB

CENTER

WOOFER

6CH INPUT

VCR 1

OPTICAL OUTPUT

TV/digital TV/

cable TV

INTRODUCTION

AUDIO INPUT

AUDIOAUDIO

OUTPUT

SUB

WOOFER

OUT

VCR 2

/VDR

OUT

VCR 1

D-TV /CBL

DVD

S VIDEO VIDEO

S VIDEO

MONITOR OUT

VIDEO INPUT

V V

VIDEO

TUNER

AM ANT

GND

FM ANT

VIDEO OUTPUT

UNBAL.

COMPONENT VIDEO

DVD

D-TV /CBL

MONITOR

OUT

B/CBPR/CR

MAIN

MIN. /SPEAKER

A OR B

MIN. /SPEAKER

A+B

MIN. /SPEAKER

CENTER REAR CENTER

MIN. /SPEAKER

REAR

VIDEO OUTPUT

PREPARATION

BASIC OPERA-

TION

A/B/C/D/E

INPUT M0DE

BASS

– + – +

TREBLE

Game console or

camcorder

OPTICAL OUTPUT

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

AUDIO OUTPUT

DVD player

INPUT

FM/AM

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VIDEO OUTPUT

VOLUME

VIDEO AUX

VIDEO OUTPUT

OPTICAL OUTPUT

6CH INPUT

VIDEO INPUT

Video monitor

indicates signal direction

indicates left analog cables

indicates right analog cables

indicates optical cables

indicates video cables

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 20

CONNECTIONS

Connecting audio components

■ Connecting a CD player

Connect the coaxial digital output jack on your CD player to the DIGITAL INPUT CD jack.

• The AUDIO jacks are available for a CD player which does not have coaxial digital output jack.

■ Connecting a CD recorder or MD

recorder

Connect the optical digital signal input jack on your CD recorder or MD recorder to the DIGITAL OUTPUT MD/ CD-R jack for digital recording. Connect the optical digital output jack on your CD recorder or MD recorder to the DIGITAL INPUT MD/ CD-R jack to play a source from your recording component.

DIGITAL

INPUT

CD player

CD recorder or

MD recorder

COAXIAL OUTPUT

OPTICAL OUTPUT

OPTICAL INPUT

COAXIAL

OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

DIGITAL

OUTPUT

• The AUDIO jacks are available for an CD recorder or MD recorder which does not have optical digital input or output jack.

Notes

• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.

• DIGITAL OUTPUT jack and analog OUT (REC) jacks are independent. Only digital signals are output from DIGITAL OUTPUT jack and analog signals from OUT (REC) jacks.

VCR 2

S VIDEO VIDEO

OUT

/VDR

OUT

VCR 1

D-TV /CBL

DVD

S VIDEO

VIDEOAUDIO

MONITOR OUT

VIDEO

OUT (REC)

/CD-R

(PLAY)

MAIN

SURROUND

SUB

WOOFER

6CH INPUT

AUDIO

CENTER

SUB

WOOFER

OUTPUT

indicates signal direction

indicates coaxial cables

indicates optical cables

Page 21

T T

Connecting the antennas

CONNECTIONS

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength.

Connect each antenna correctly to the designated terminals.

AM loop antenna

(included)

VIDEO

TUNER

ANT

GND

UNBAL.

ANT

VIDEO

FREQUENCY

OUT

STEP

DVD

D-TV

/CBL

MONI

Ground (GND terminal)

For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

Indoor FM antenna (included)

75-ohm/300-ohm antenna adapter (U.K. model)

11 (7/16)

Open the cover of the included 75-ohm/300-ohm antenna adapter.

8 (5/16) 6 (1/14)

Cut the external sleeve of the 75-ohm coaxial cable and prepare it for connection.

Unit: mm (inch)

■ Connecting the AM loop antenna

1 Set up the AM loop antenna, then connect it.

2 Press and hold the tab to insert the AM loop

antenna lead wires into the AM ANT and GND terminals.

3 Orient the AM loop antenna for the best

reception.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an

outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality. Consult the nearest authorized YAMAHA dealer or service center about the outdoor antennas.

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

Lead wire

Cut the lead wire and remove it.

Clamp with pliers.

Insert the cable wire into the slot, and clamp it with pliers.

Clamp with pliers.

Insert the wire into the slot.

Snap the cover into place.

FREQUENCY STEP switch (China and General models)

FM/AM

50kHz/9kHz

100kHz/10kHz

FREQUENCY

STEP

Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located on the rear panel) according to the frequency spacing in your area. North, Central and South America: 100 kHz/10 kHz Other area: 50 kHz/9 kHz Before setting this switch, disconnect the AC power plug of this unit from the AC outlet.

APPENDIX

English

Page 22

CONNECTIONS

Connecting an external amplifier

If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the OUTPUT jacks as follows.

Note

• When RCA pin plugs are connected to the OUTPUT jacks for output to an external amplifier, signals are output from the SPEAKERS terminals as well.

SUB

WOOFER

OUTPUT

1 SUBWOOFER jack

Notes

• The cut-off frequency of the SUBWOOFER jack is 90 Hz.

• If you do not use a subwoofer, designate the signals to the main

left and right speakers by changing the settings of SPEAKER SET item “1E BASS” on the SET MENU.

2 MAIN jacks

Main channel line output jacks.

Note

• The signals output through these jacks are affected by the BASS and TREBLE settings.

3 REAR CENTER jack

Rear center channel line output jack.

234

OUTPUT

MAIN

REAR

CENTER

REAR

(SURROUND)

CENTER

Connecting an external decoder

This unit is equipped with 6 additional input jacks (MAIN left and right, CENTER, SURROUND left and right, and SUBWOOFER) for discrete multi-channel input from an external decoder, sound processor, or pre-amplifier.

Connect the output jacks on your external decoder to the 6CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the main and surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, settings of “1 SPEAKER SET” on the SET MENU do not apply (except for “1F MAIN Lv”).

4 CENTER jack

Center channel line output jack.

5 REAR (SURROUND) jacks

Rear channel line output jacks.

Page 23

CONNECTIONS

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR1/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

Connecting the power supply cords

VOLTAGE SELECTOR

VOLTAGE

SELECTOR

AC OUTLETS

SWITCHED

120V 60Hz

100W MAX. TOTAL

(General model)

■ Connecting the AC power cord

Plug in this unit to the wall outlet.

■ AC OUTLETS (SWITCHED)

U.S.A., Canada, China, Europe, Singapore and

General models ..............................................2 OUTLETS

U.K. and Australia model ................................1 OUTLET

Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLETS is controlled by this unit’s STANDBY/ON (or SYSTEM POWER and STANDBY). These outlets will supply power to any source component connected to this unit whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLETS varies depending on the area which it was purchasing.

China and General models ......................................... 50 W

Other models ........................................................... 100 W

Turning on the power

When all connections are complete, turn on the power of this unit.

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

EDIT

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

6CH INPUT

VIDEO AUX

1 Press STANDBY/ON (SYSTEM POWER on

the remote control) to turn on the power of this unit.

SYSTEM

STANDBY

/ON

Front panel

POWER

Remote control

The level of the main volume, and then the current DSP program name appear on the front panel display.

2 Turn on the video monitor connected to this

unit.

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

■ VOLTAGE SELECTOR (China and General models)

The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/ 220/240 V AC, 50/60 Hz.

APPENDIX

English

Page 24

SPEAKER MODE SETTINGS

This unit has 6 SPEAKER SET items on the SET MENU that you must set according to the number of speakers in your configuration and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings.

If the initial settings shown in the following table are not appropriate for your speaker configuration, see “1 SPEAKER SET” on pages 41-43 to change the settings.

Summary of SPEAKER SET items 1A through 1F

Item

1A CENTER

1B MAIN

1C REAR LR

1D REAR CT

1E BASS

1F MAIN Lv

Description

Sets center speaker availability and size.

Sets main speaker size.

Sets rear L/R speakers availability and size.

Sets rear center speaker availability and size.

Sets the speaker(s) to be used to output low bass signals.

Sets the main speaker level.

Possible settings (default setting indicated in bold)

LRG/SML/NON

LARGE/SMALL

LRG/SML/NON

SWFR/MAIN/BOTH

Nrm (Normal)/–10 dB

Page 25

ADJUSTING SPEAKER OUTPUT LEVELS

VOLUME

This section explains how to adjust speaker output levels using the test tone generator. When this adjustment is complete, the output level heard at the listening position should be the same from each speaker. This is important for best performance of the digital sound field processor, and the various decoders (Dolby Digital, Dolby Pro Logic, Dolby Pro Logic

and DTS).

Note

• Since this unit cannot enter the test mode while headphones are

connected to this unit, be sure to unplug the headphones from the PHONES jack when using the test tone.

Before you begin

INPUT

NATURAL SOUND AV RECEIVER

STANDBY

SILENT

SPEAKERS

PHONES

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

1 Press SPEAKERS A or B

BASS

– + – +

INPUT M0DE

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

TREBLE

VOLUME

FM/AM

MEMORY

MAN'L/AUTO FM

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

SPEAKERS

6CH INPUT

to select the main speakers to be used.

If you are using two sets of the main speakers, press both A and B.

2 Set the BASS and TREBLE controls on the

front panel to the center position.

BASS

–

TREBLE

–

Using the test tone

Use the test tone to balance the output levels of the speakers. The adjustment of each speaker output level should be made at your listening position using the remote control.

INPUT

FM/AM

EDIT

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

AMP

VOLUME

VIDEO AUX

NATURAL SOUND AV RECEIVER

STANDBY

SILENT

SPEAKERS

PHONES

STEREO

EFFECT

2,5

PROGRAM

PRESET/TUNING

VCR 1 VCR2/DVR

TV CHTV VOL

–+–

–

TV INPUTTV MUTE

HALL

JAZZ CLUB

MONO

SPORTS

MOVIE

678

/DTS

SUR.

SELECT

LEVEL

TITLE

–

TEST

RETURN

A/B/C/D/E

PRESET/CH

SELECT

CONCERT

THEATER 1

VOLUME

MUTE

ROCK

3421

MOVIE

EX/ES

+10

1 Press AMP.

2 Press TEST to output the

test tone.

BASS

– + – +

AMP

ENTER-

TAINMENT

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

SET MENU

A/B/C/D/E

DISPLAY

INPUT M0DE

TREBLE

1 3

PRESET/TUNING

TUNING MODE

AUTO/MAN'L MONO

TEST

RETURN

3 Adjust the volume of this unit so you can

hear the test tone.

The test tone is heard (in order) from the main left speaker, center speaker, main right speaker, rear right speaker, rear center, rear left speaker, and the subwoofer. The tone is produced for 2.5 seconds from each speaker.

6CH INPUT

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

VOLUME

–

Remote controlFront panel

English

Page 26

ADJUSTING SPEAKER OUTPUT LEVELS

LEFT

CENTER

SUBWOOFER

LEFT SURROUND RIGHT SURROUND

REAR CENTER

RIGHT

* Subwoofer test tone is output after the rear left

speaker (LEFT SURROUND).

The front panel display shows which speaker is outputting the test tone.

Note

• If the test tone cannot be heard, turn down the volume, set this unit to standby mode and check the speaker connections.

4 Adjust the level of the

effect speakers using j / i so that it matches the

PRESET/CH

SELECT

–

level of the main speakers.

While adjusting, the test tone is heard from the selected speaker.

Note

• To adjust the level of the main speakers, use VOLUME knob (or VOLUME +/– on the remote control).

5 When adjustment is

complete, press TEST to

TEST

RETURN

stop the test tone.

Notes

• If “1A CENTER” on the SET MENU is set to NON, the center channel sound is automatically output from the main left and right speakers.

• If “1C REAR LR” on the SET MENU is set to NON, the output level of the rear left, right and center speakers cannot be adjusted in step 4. The test tone will be circulated skipping the rear left and right speakers and the rear center speaker.

• If “1D REAR CT” on the SET MENU is set to NON, the output level of the rear center speaker cannot be adjusted in step 4. The test tone will be circulated skipping the rear center speaker.

• If “1E BASS” on the SET MENU is set to MAIN, the test tone will be circulated skipping the subwoofer.

• It is not necessary to readjust the speaker levels once they are set (as long as you do not change the speakers). You can enjoy listening to or watching the input source at the desired volume simply by adjusting the VOLUME knob (or VOLUME +/– on the remote control).

• If the output level of the effect speakers (center, rear left, rear right, and rear center) cannot be increased enough to match the level of the main speakers, set “1F MAIN Lv” on SET MENU to –10 dB (see page 43). This setting decreases the main speaker output level to about one-third of the normal level. After you have set “1F MAIN Lv” on the SET MENU to –10 dB, adjust the levels for the center and rear speakers again.

Page 27

BASIC PLAYBACK

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

BASS

A/B/C/D/E

– + – +

CODE SET

TRANSMIT

SYSTEM

STANDBY

POWER POWER

DVD

VCR 1 VCR2/DVR

–

HALL

SPORTS

/DTS

SUR.

POWER

AVTV

MD/CD-R TUNERCD

SLEEP

D-TV/CBL

V-AUX

6CH INPUT

+–+

VOLUME

TV CHTV VOL

–

TV INPUTTV MUTE

MUTE

ENTER-

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

MONO

MOVIE

THEATER 2

MOVIE

THEATER 1

678

STEREO

EX/ES

SELECT

+10

EFFECT

AMP

ENTER

464

INPUT

INPUT M0DE

PRESET/TUNING

FM/AM

EDIT

TUNING MODE

MEMORY

AUTO/MAN'L MONO

MAN'L/AUTO FM

TREBLE

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

VIDEO AUX

1 Press STANDBY/ON (SYSTEM POWER on

the remote control) to turn on the power.

SYSTEM

STANDBY

/ON

Front panel

POWER

Remote control

4 Press INPUT l / h repeatedly (one of the

input selector buttons on the remote control)

6CH INPUT

to select the input source.

The selected input source name and input mode appear on the front panel display for a few seconds.

INPUT

DVD

MD/CD-R

Remote control

TUNER CD

Front panel

VCR

VCR2/DVR

V-AUX

D-TV/CBL

Selected input source

To select the audio source connected to the 6CH INPUT jacks

(When combining with a video source)

• You need to select the input to which the video source component is connected before selecting audio source.

Press 6CH INPUT until “6CH INPUT” appears on the front panel display.

6CH INPUT

Remote controlFront panel

VOLUME

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

2 Turn on the video monitor connected to this

unit.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you are using two sets of main speakers, press both A and B.

SPEAKERS

Note

• If “6CH INPUT” is shown on the front panel display, no other

source can be played. To select another input source, first press 6CH INPUT to turn off “6CH INPUT” from the front panel display.

INFORMATION

ADDITIONAL

APPENDIX

English

Page 28

BASIC PLAYBACK

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

5 Start playback or select a broadcast station

on the source component.

Refer to the operation instructions for the component.

6 Adjust the volume to the desired level.

The volume level is displayed digitally.

Example: –70 dB Control range: VOLUME MUTE (minimum) to

0 dB (maximum) The volume level indicator also shows the current volume level as a bar graph. If desired, use BASS and TREBLE. These controls only effect the sound from the main speakers.

VOLUME

–

BASS

–

TREBLE

–

Front panel

Remote control

Notes

• If you increase or decrease the high-frequency or the lowfrequency sound to an extreme level, the tonal quality from the center and rear speakers may not match that of the main left and right speakers.

• If you have connected a recording component to the VCR 1 OUT, VCR 2/DVR OUT, or MD/CD-R OUT jacks, and you notice distortion or low volume during playback of other components, try turning the recording component on.

7 Select a DSP program if desired.

Use PROGRAM l / h (DSP program buttons on the remote control) to select a DSP program. See pages 29 to 33 for details about DSP programs. When using the remote control, press AMP before selecting a DSP program.

ENTER-

PROGRAM

HALL

SPORTS

/DTS

SUR.

Front panel Remote control

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

THEATER 1

EX/ES

+10

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

MONO MOVIE

678

SELECT

■ BGV (background video) function

The BGV function allows you to enjoy video images from a video source together with sounds from an audio source. For example, you can enjoy listening to classical music while having beautiful scenery from a video source on the video monitor.

Select a source from the video group, then select a source from the audio group using the input selector buttons on the remote control. BGV selections cannot be made with INPUT l / h on the front panel.

■ To mute the sound

1 Press MUTE on the

remote control.

To resume the audio output, press MUTE again.

MUTE

• You can also cancel mute by pressing VOLUME +/–, etc.

• During muting, the “MUTE” indicator flashes on the front

panel display.

■ When you have finished using this unit

1 Press STANDBY/ON (STANDBY on the

remote control) to set this unit in the standby mode.

STANDBY

/ON

Front panel

Remote control

Page 29

BASIC PLAYBACK

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

Input modes and indications

This unit comes with a variety input jacks. You can select the type of input signals you desire.

Each time you turn on the power of this unit, the input mode is set according to “8 INPUT MODE” setting on the SET MENU (see page 45 for details).

1 Press INPUT MODE (the input selector

button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the front panel display.

INPUT MODE

Remote controlFront panel

VCR

V-AUX

VCR2/DVR

DVD AUTO

AUTO: In this mode, the input signal is selected

automatically as follows:

1) Digital signal

2) Analog signal

DTS: In this mode, only the digital input signal

encoded with DTS is selected, even if another signal is input at the same time.

ANALOG: In this mode, only the analog input signal is

selected, even if a digital signal is input at the same time.

Notes

• When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting.

• When playing a disc encoded with Dolby Digital or DTS on some LD or DVD players, the sound output delays for a moment when playback resumes after a search because the digital signal is selected again.

• When playing a LD source that has not been digitally recorded, the sound may not be output for some LD players. In this case, set the input mode to ANALOG.

D-TV/CBL

DVD

MD/CD-R

Input mode

TUNER CD

VOLUME

■ Notes on 96-kHz sampling digital signals

The digital input jacks of this unit can handle 96-kHz sampling digital signals. Note the following when 96-kHz sampling digital signal is input to this unit:

– DSP programs cannot be selected. – Sound will be output as 2-channel stereo from only the

main left and right speakers. (There may be sound output from the subwoofer depending on the SPEAKER MODE settings on the SET MENU.) Therefore, the level of the effect speakers cannot be adjusted while listening to such a source.

■ Notes on playing DTS-CD/LDs

• If the digital output data of the player has been

processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player.

• If you play a source encoded with a DTS signal and

set the input mode to ANALOG, this unit may reproduce the noise of an unprocessed DTS signal. In this case, connect the source to a digital input jack and set the input mode to AUTO or DTS.

• If you switch the input mode to ANALOG while

playing a source encoded with a DTS signal, this unit reproduces no sound.

• If you play a source encoded with a DTS signal with

the input mode set to AUTO; – This unit automatically switches to the DTS-

decoding mode (The “t” indicator lights up) after having detected the DTS signal. When playback of the DTS source is completed, the “t” indicator may flash. While this indicator is flashing, only DTS source can be played. If you want to play a normal PCM source soon, set the input mode back to AUTO.

– When the input mode is set to AUTO and a search or

skip operation is performed during playback of a DTS source, the “t” indicator may flash. If this status continues for longer than 30 seconds, this unit will automatically switch from “DTS-decoding” mode to PCM digital signal input mode. The “t” indicator will turn off.

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 30

BASIC PLAYBACK

DGTLz Sci-Fi

LCR

LFE

DSP

PRO LOGIC

VOLUME

MOVIE

THTR

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

Selecting a sound field program

You can enhance your listening experience by selecting a DSP program. For details about each program, see pages 29 to 33.

INPUT

FM/AM

MEMORY

MAN'L/AUTO FM

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

AMP

VOLUME

6CH INPUT

NATURAL SOUND AV RECEIVER

STANDBY /

SILENT

SPEAKERS

PHONES

STEREO

PROGRAM l / h

1 Press AMP.

INPUT M0DE

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

BASS

VOLUME

–

MUTE

ROCK

3421

EX/ES

+10

– + – +

SYSTEM

POWER

SLEEP

6CH INPUT

AMP

ENTER-

TAINMENT

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

TREBLE

2,3

PRESET/TUNING

CODE SET

POWER POWER

AVTV

MD/CD-R TUNERCD

D-TV/CBL

DVD

VCR 1 VCR2/DVR

+–+

TV CHTV VOL

–

TV INPUTTV MUTE

HALL

JAZZ CLUB

MONO

SPORTS

MOVIE

678

/DTS

SUR.

SELECT

A/B/C/D/E

TRANSMIT

STANDBY

V-AUX

CONCERT

MOVIE

THEATER 1

PROGRAM

EFFECT

2 Press one of the DSP program buttons on

the remote control to select the desired program.

The name of the selected program appears on the front panel display.

ENTER-

HALL

SPORTS

/DTS

SUR.

Program name

VCR

VCR2/DVR

PRO LOGIC

DSP

DGTL Spectacle

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

THEATER 1

D-TV/CBL

EX/ES

+10

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

DVD

MONO MOVIE

678

SELECT

V-AUX

THTR

MOVIE

Sub-program name

MD/CD-R

TUNER CD

VOLUME

LFE

LCR

3 After selecting the desired program, press

the same button repeatedly to select the desired sub-program if available.

Example: Pressing MOVIE THEATER 1 repeatedly

switches the sub-program between “Sci-Fi” and “Spectacle”.

ENTER-

HALL

SPORTS

/DTS

SUR.

Program name

Notes

• There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not all sub-programs can be used with all input signal formats.

• The digital sound field processor cannot be used when a source connected to the 6CH INPUT jacks of this unit is selected or when 96-kHz sampling digital signals are input to this unit.

• The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects the last DSP program used with that source.

• When you set this unit in the standby mode, the current source and DSP program are memorized and are automatically selected when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode is set to AUTO, the DSP program (No. 7–9) automatically switches to the appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/Enhanced, or PRO LOGIC Movie, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. (If “1A CENTER” on the SET MENU is set to NON, the center channel sound is output from the main speakers.)

• You can also select DSP program by pressing PROGRAM

l / h on the front panel.

• Select a program based on your listening preference. Program names are just for reference.

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

THEATER 1

EX/ES

+10

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

MONO MOVIE

678

SELECT

Sub-program name

Page 31

BASIC PLAYBACK

■ Selecting PRO LOGIC

You can enjoy the 2-channel sources decoded into five or

INPUT

FM/AM

EDIT

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

6CH INPUT

VIDEO AUX

six discrete channels by selecting PRO LOGIC program No. 9.

STANDBY

V-AUX

CONCERT

MOVIE

THEATER 1

EX/ES

VOLUME

MUTE

ROCK

3421

+10

BASS

– + – +

SYSTEM

POWER

SLEEP

6CH INPUT

AMP

–

ENTER-

TAINMENT

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

INPUT M0DE

PRESET/TUNING

TUNING MODE

AUTO/MAN'L MONO

TREBLE

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

STEREO

PROGRAM l / h

3,4,5

PRESET/TUNING

PROGRAM

EFFECT

A/B/C/D/E

CODE SET

POWER POWER

AVTV

MD/CD-R TUNERCD

D-TV/CBL

DVD

VCR 1 VCR2/DVR

+–+

TV CHTV VOL

–

TV INPUTTV MUTE

HALL

JAZZ CLUB

MONO

SPORTS

MOVIE

678

/DTS

SUR.

SELECT

TRANSMIT

4 Press SELECT repeatedly to select the

decoder; PRO LOGIC or PRO LOGIC

ENTER-

HALL

SPORTS

/DTS

SUR.

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

MONO MOVIE

SELECT

THEATER 2

THEATER 1

678

EX/ES

+10

STEREO

ENTER

EFFECT

5 After selecting on the decoder (PRO LOGIC

), select the mode appropriate for the

source by pressing q/DTS SUR.

The selection switches as follow; PRO LOGIC

• You can select PRO LOGIC, PRO LOGIC Movie, and PRO

LOGIC Music by pressing PROGRAM l / h on the front panel repeatedly.

Movie ↔ PRO LOGIC Music

ENTER-

HALL

SPORTS

/DTS

SUR.

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

MONO MOVIE

678

SELECT

THEATER 1

EX/ES

+10

THEATER 2

STEREO

ENTER

EFFECT

INTRODUCTION

PREPARATION

OPERATION

BASIC

1 Select a 2-channel source and start playback

on the source component.

2 Press AMP.

AMP

3 Press q/DTS SUR.

The previously selected sub program appears on the front panel display.

ENTER-

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

MONO MOVIE

SELECT

D-TV/CBL

THEATER 2

THEATER 1

678

PRO LOGIC

EX/ES

DVD

STEREO

ENTER

+10

EFFECT

MD/CD-R

TUNER CD

VOLUME

DSP

PRO LOGIC

VCR2/DVR

HALL

SPORTS

/DTS

SUR.

Remote control

VCR

V-AUX

PRO LOGIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 32

BASIC PLAYBACK

■ Playing Dolby Digital Surround EX or DTS ES software

Press EX/ES to turn on the Dolby Digital EX or DTS-ES compatible decoder.

The MATRIX indicator lights up.

EX/ES

+10

DSP

MATRIX

DIGITAL

VCR

V-AUX

VCR2/DVR

MOVIE

THTR

Spectacle EX

D-TV/CBL

DVD

MD/CD-R

TUNER

The display changes AUTO → Matrix6.1 → OFF each time the EX/ES button is pressed.

AUTO: This mode automatically switches Dolby

Digital EX and DTS-ES compatible depending on the signal. Rear center speaker does not work for 5.1 channel sources.

Matrix6.1: This setting produces 6-channel playback of

the input source using the Dolby Digital EX or DTS-ES compatible decoder. The rear center speaker can be used when playing a

5.1-channel source.

OFF: Rear center speaker does not work in this

setting. (Except for when the DSP program “6ch” is selected.)

Notes

• No sound will be output from the rear center speaker if you

have set “1C REAR LR” or “1D REAR CT” on the SET MENU to NON.

• The setting becomes AUTO once this unit turns into standby

mode.

• Some Dolby Digital Surround EX or DTS ES software may not

contain the signal that is necessary for this unit to switch to the Dolby Digital EX or DTS-ES compatible decoding mode. To turn on the decoder when playing such a source, select “Matrix6.1”.

■ Virtual CINEMA DSP

With Virtual CINEMA DSP, you can enjoy all DSP programs without rear speakers. It creates virtual speakers to reproduce a natural sound field. You can listen to virtual CINEMA DSP by setting “1C REAR LR” in the SET MENU to NON. Sound field processing changes to VIRTUAL CINEMA DSP automatically.

Note

• This unit is not set in the virtual CINEMA DSP mode even if

“1C REAR LR” is set to NON in the following cases: – when the 6ch Stereo, DOLBY DIGITAL Normal, Pro Logic

Normal, Pro Logic , or DTS Normal program is selected; – when the sound effect is turned off; – when 6CH INPUT is selected as the input source; – when 96-kHz sampling digital signals are input to this unit; – when using the test tone; or – when connecting the headphones.

■ SILENT CINEMA DSP

You can enjoy a powerful sound field similar to what you could expert from actual speakers with SILENT CINEMA DSP. You can listen to SILENT CINEMA DSP by connecting your headphones to the PHONES jack while the digital sound field processor is on. Enjoy all the DSP program using the headphones. The “SILENT” indicator lights up on the front panel display. (When sound effects are off, you listen to the source with normal stereo reproduction.)

Notes

• This feature is not available when 6CH INPUT is selected or 96-kHz sampling digital signals are input to this unit.

• The sound of LFE channel will be mixed and output from the headphone.

■ Normal stereo reproduction

1 Press STEREO to turn off the sound effect

for normal stereo reproduction.

Press STEREO again to turn the sound effect back on.

STEREO

EFFECT

Front panel

STEREO

ENTER

EFFECT

Remote control

Notes

• If you turn off the sound effects, no sound is output from the center speaker, rear speakers, or rear center speaker.

• If you turn off the sound effects while a Dolby Digital or DTS signal is being output, the dynamic range of the signal is automatically compressed and the sounds of the center and rear speaker channels are mixed and output from the main speakers.

• The volume may be greatly reduced when you turn off the sound effects or if you set “4 D. RANGE” on the SET MENU to MIN. In this case turn on the sound effect.

• The sound of LFE channel will be directed to the main left and right or the subwoofer (or both) channels depending on the setting of “1E BASS” on the SET MENU.

During stereo reproduction, you can display information such as the type, format and sampling frequency of the signal input from the components connected to this unit.

(While playing a source)

1 Press AMP. 2 Press d to display the information about the

input signal.

PRESET/CH

SELECT

–

Page 33

DIGITAL SOUND FIELD PROCESSING (DSP)

Understanding sound fields

A sound field is defined as the “characteristic sound reflections of a particular space.” In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality. YAMAHA sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit.

■ Recreating a sound field

Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHA’s DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources and fully encompass the listener.

Hi-Fi DSP programs

INTRODUCTION PREPARATION

OPERATION

BASIC

No.

Program

CONCERT HALL

JAZZ CLUB

ROCK CONCERT

ENTERTAINMENT/ Disco

ENTERTAINMENT/ 6ch Stereo

Features

A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage.

This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club, that seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound.

The ideal program for lively, dynamic rock music. The data for this program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of the hall.

This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.

Using this program increases the listening position range. This is a sound field suitable for background music at parties, etc.

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 34

CINEMA-DSP

Sound design of CINEMA-DSP

Filmmakers intend for the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide a surround sound field. It recreates comprehensive movie sound design in your audio room. In CINEMA-DSP sound field programs, YAMAHA’s exclusive DSP processing is added to the Main left and right, and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal.

L SURROUND SOUND FIELD

PRESENCE SOUND FIELD

EFFECT MUSIC

DIALOG

R SURROUND SOUND FIELD

In addition to the DSP, this unit is equipped with a variety of precise decoders; Dolby Pro Logic decoder for Dolby Surround sources, Dolby Pro Logic for multi-channel sources and Dolby Digital EX or DTS-ES compatible decoder for adding a rear center channel. You can select CINEMA-DSP programs to optimize these decoders and the DSP sound patterns depending on the input source.

decoder for Dolby Surround and 2-channel sources, Dolby Digital/DTS decoder

Page 35

CINEMA-DSP

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using matrix processing. This unit’s MOVIE THEATER programs provide the same quality of sound and sound localization that 6-channel soundtracks do. The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home. With this unit’s MOVIE THEATER programs, you can use Dolby Digital or DTS technology to recreate a dynamic sound that gives you the feeling of being in a public theater.

■ Dolby Digital/DTS + DSP sound field effect

Presence DSP sound field

These programs use YAMAHA’s tri-field DSP processing on each of the Dolby Digital or DTS signals for the front, left surround, and right surround channels. This processing enables this unit to reproduce the immense sound field and surround expression of a Dolby Digitalor DTS-equipped movie theater without sacrificing the clear separation of all channels.

INTRODUCTION PREPARATION

Left surround DSP sound field

Right surround DSP sound field

■ Dolby Digital EX/DTS-ES compatible + DSP sound field effect

These programs provide you with the maximum experience of the spacious surround effects by adding an extra rear center DSP sound field created from the rear center channel.

■ Dolby Pro Logic + DSP sound field effect

Most movie software has 4-channel (left, center, right,

Presence DSP sound field

and surround) sound information encoded by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend to be lost in the encoding and

Surround DSP sound field

decoding processes.

■ Dolby Pro Logic

Dolby Pro Logic decodes Dolby Surround software into 5 discrete full-range channels (3 channels in front and 2 channels in rear). There are 2 modes; MOVIE for movies and MUSIC for 2-channel audio sources.

OPERATION

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 36

CINEMA-DSP

CINEMA-DSP programs

■ For movie programs: No. 7 to 9

This unit automatically chooses the appropriate decoder and DSP sound field pattern according to the input signal format.

Table of Program Names for Each Input Format

2 channel

Stereo

70 mm Spectacle

70 mm Sci-Fi

70 mm Adventure

70 mm General

—

Normal

Enhanced

Movie

Music

5.1 channel

DOLBY DIGITAL

DGTL Spectacle

DGTL Sci-Fi

DGTL Adventure

DGTL General

Normal

Enhanced

—

DTS

DTS Spectacle

DTS Sci-Fi

DTS Adventure

DTS General

—

Normal

Enhanced

—

6.1 channel *

DOLBY DIGITAL

Spectacle EX

Sci-Fi EX

Adventure EX

General EX

Dolby D EX

Enhanced EX

—

DTS-ES

compatible

Spectacle ES

Sci-Fi ES

Adventure ES

General ES

—

DTS-ES

Enhanced ES

—

No.

Input

Program

MOVIE THEATER 1

MOVIE THEATER 2

DOLBY DIGITAL

DTS DIGITAL SUR

PRO LOGIC

* means the Dolby Digital EX decoder or the DTS-ES compatible decoder is ON.

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will automatically switch to the Dolby Digital playback sound field or DTS playback sound field.

• If Dolby Digital Surround EX software or DTS ES software is played when AUTO is selected by pressing the EX/ES button on the remote control, the Dolby Digital EX or DTS-ES compatible decoder usually turns on and the corresponding DSP program is selected.

• EX/ES on the remote control can be used to play Dolby Digital or DTS 5.1 channel sources with the rear center speaker. In this case the program name changes to the corresponding name for 6.1 channel.

• When playing a 6.1 channel source with the Dolby Digital EX decoder or the DTS-ES compatible decoder turned off, the program name changes to the corresponding name for 5.1 channel.

Notes

• The “ ” indicator does not light up when selecting program No. 9 except in Enhanced mode.

• When playing a monaural source with a CINEMA DSP program, the source signal is directed to the center channel, main and rear

speakers output effect sounds.

Page 37

CINEMA-DSP

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. Select the DSP program that you feel sounds best regardless of the name and description given for it below.

No.

Program

Features

INTRODUCTION PREPARATION

MOVIE THEATER 1

MOVIE THEATER 2

Enhanced Mode

Spectacle

Sci-Fi

Adventure

General

This program creates the extremely wide sound field of a 70-mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions).

This program clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.

This program is ideal for precisely reproducing the sound design of the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible.

This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. The presence sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining the echo effect of conversations without losing clarity.

This program ideally simulates the multi-surround speaker systems of the 35-mm film theaters. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing create precise effects without altering the original sound orientation. The surround effects produced by this sound field wrap around the viewer naturally from the back to the left and right, and toward the screen.

OPERATION

BASIC

OPERATION

ADVANCED

■ For audio-video sources: No. 4 to 6

No.

Program

ENTERTAINMENT/ Game

ENTERTAINMENT/ Concert Video

TV SPORTS

MONO MOVIE

This program adds a deep and spatial feeling to video game sounds.

This program adds a deep and spatial feeling to concert video sounds.

With this program, you can enjoy watching various TV programs such as news, variety shows, music programs or sports programs. In a stereo broadcast of a sports game, the commentator is oriented at the center position, and the shouts and the atmosphere in the stadium spread on the surround side, while their spread to the rear is properly restrained.

This program is provided for reproducing monaural video sources (such as old movies). The program produces the optimum reverberation to create sound depth by using only the presence sound field.

Features

INFORMATION

ADDITIONAL

APPENDIX

English

Page 38

TUNING

SYSTEM

Automatic and manual tuning

There are 2 ways to tune; automatic and manual. Automatic tuning is effective when station signals are strong and there is no interference.

■ Automatic tuning

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

MEMORY

MAN'L/AUTO FM

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

4233

1 Press INPUT l / h (TUNER on the remote

control) to select TUNER as the input source.

INPUT

Front panel

POWER POWER

DVD

VCR 1 VCR2/DVR

STANDBY

V-AUX

POWER

6CH INPUT

AVTV

MD/CD-R TUNERCD

D-TV/CBL

Remote control

SLEEP

AMP

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

FM/AM

4 Press PRESET/TUNING l / h once to begin

automatic tuning.

Press h to tune in to a higher frequency, or press l to tune in to a lower frequency.

PRESET/TUNING

VCR

V-AUX

D-TV/CBL

DVR

A AM 144O

When tuned in to a station, the “TUNED” indicator

6CH INPUT

lights up and the frequency of the received station is shown on the front panel display.

• Use the manual tuning method if the tuning search does not stop at the desired station because the signal is weak.

■ Manual tuning

If the signal from the station you want to select is weak, you must tune in to it manually.

1 Select TUNER and the reception band

following steps 1 and 2 described in “Automatic tuning” at left.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator goes off from the front panel display.

TUNING MODE

AUTO/MAN'L MONO

If the colon (:) appears on the front panel display, press PRESET/TUNING (EDIT) to turn it off.

PRESET/TUNING

EDIT

DVR

A AM 144O

VCR

V-AUX

AUTO

Goes off

D-TV/CBL

DVD

MD/CD-R

TUNER

TUNED

TUNER

TUNED

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the front panel display.

TUNING MODE

AUTO/MAN'L MONO

If the colon (:) appears on the front panel display,

AUTO

Lights up

3 Press PRESET/TUNING l / h to tune in to

the desired station manually.

Hold down the button to continue the tuning search.

Note

• Manually tuning in to an FM station will automatically change the reception mode to monaural to increase the signal quality.

PRESET/TUNING

press PRESET/TUNING (EDIT) to turn it off.

VCR

V-AUX

PRESET/TUNING

EDIT

DVR

A AM 144O

D-TV/CBL

DVD

MD/CD-R

TUNER

TUNED

Page 39

TUNING

Presetting stations

■ Automatically presetting stations (for FM stations)

You can use the automatic preset tuning feature to store FM stations. This function enables this unit to automatically tune in to FM stations with strong signals, and to store up to 40 (8 stations x 5 groups) of those stations in order. This feature enables you to easily tune in to any preset station by selecting the preset station number (see page 37).

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

EDIT

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

6CH INPUT

VIDEO AUX

1 Press FM/AM to select the FM band.

FM/AM

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the front panel display.

TUNING MODE

AUTO/MAN'L MONO

AUTO

Lights up

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number and the “MEMORY” and “AUTO” indicators flash. Then, after about

5 seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies.

MEMORY

MAN'L/AUTO FM

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• When a station data is stored under a preset number, the frequency and reception band are also stored.

• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section

“Manually presetting stations” on page 36.

• If the number of the received stations does not reach E8,

automatic preset tuning has automatically stopped after searching all stations.

• Only FM stations with sufficient signal strength are stored automatically by automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in the monaural mode, and store it by following the procedure in “Manually presetting stations” on page 36.

Automatic preset tuning options

You can select the preset number from which this unit will store FM stations and/or begin tuning toward lower frequencies. After pressing MEMORY in step 3:

1. Press A/B/C/D/E and PRESET/TUNING l / h to

select the preset number under which the first station will be stored. Automatic preset tuning will stop when stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn off the colon

(:) and then press PRESET/TUNING l to begin tuning toward lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the preset stations may be cleared. If so, store the stations again.

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

VCR

VCR2/DVR

A1:FM

V-AUX

D-TV/CBL

DVD

MD/CD-R

TUNER CD

AUTO

MEMORY

VOLUME

When automatic preset tuning is completed, the front panel display shows the frequency of the last preset station.

APPENDIX

English

Page 40

TUNING

■ Manually presetting stations

You can also store up to 40 stations (8 stations x 5 groups) manually.

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

MEMORY

MAN'L/AUTO FM

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

6CH INPUT

4 3 2,5

1 Tune in to a station.

See page 34 for tuning instructions.

VCR

V-AUX

VCR2/DVR

A AM 63O kHz

D-TV/CBL

DVD

MD/CD-R

TUNER CD

TUNED

VOLUME

When tuned in to a station, the front panel display shows the frequency of received station.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about 5 seconds.

MEMORY

MAN'L/AUTO FM

MEMORY

Flashes

3 Press A/B/C/D/E repeatedly to select a preset

station group (A to E) while the “MEMORY” indicator is flashing.

The group letter appears and make sure that the colon (:) appears on the front panel display.

A/B/C/D/E

4 Press PRESET/TUNING l / h to select a

preset station number (1 to 8) while the “MEMORY” indicator is flashing.

Press h to select a higher preset station number. Press l to select a lower preset station number.

PRESET/TUNING

VCR

V-AUX

VCR2/DVR

C3:AM 63O kHz

D-TV/CBL

DVD

MD/CD-R

TUNER CD

TUNED

MEMORY

VOLUME

5 Press MEMORY (MAN’L/AUTO FM) on the

front panel while the “MEMORY” indicator is flashing.

The station band and frequency appear on the front

MEMORY

MAN'L/AUTO FM

panel display with the preset group and number you have selected.

VCR

V-AUX

VCR2/DVR

C3:AM 63O kHz

Shows the displayed station has been stored as C3.

D-TV/CBL

DVD

MD/CD-R

TUNER CD

TUNED

VOLUME

6 Repeat steps 1 to 5 to store other stations.

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• The reception mode (stereo or monaural) is stored along with the station frequency.

VCR

VCR2/DVR

V-AUX

D-TV/CBL

DVD

MD/CD-R

C :AM 63O kHz

TUNER CD

TUNED

MEMORY

VOLUME

Page 41

TUNING

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

EFFECT

RETURN

DISPLAY

TITLE

–

EDIT

PRESET/TUNING

Tuning in to a preset station

You can tune any desired station simply by selecting the preset station number under which it was stored.

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

EDIT

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

MEMORY

MAN'L/AUTO FM

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

1 2

1 Press A/B/C/D/E (A/B/C/D/E on the remote

control) to select the preset station group.

The preset group letter appears on the front panel display and changes each time you press A/B/C/D/E.

A/B/C/D/E

Front panel

SET MENU

A/B/C/D/E

Remote control

2 Press PRESET/TUNING l / h (PRESET

u / d on the remote control) to select a

preset station number (1 to 8).

The preset group and number appear on the front panel display along with the station band, frequency and the “TUNED” indicator lights up.

PRESET/CH

PRESET/TUNING

Front panel

VCR

VCR2/DVR

V-AUX

D-TV/CBL

DVD

MD/CD-R

E1:FM 87.5 MHz

SELECT

–

Remote control

TUNER CD

TUNED

Exchanging preset stations

You can exchange the assignment of two preset stations. The example below describes the procedure for exchanging preset station “E1” with “A5”.

6CH INPUT

NATURAL SOUND AV RECEIVER

STANDBY

SILENT

SPEAKERS

PHONES

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

BASS

– + – +

INPUT M0DE

TREBLE

2,41,3 1,3

1 Tune in to preset station “E1” by using the

A/B/C/D/E and PRESET/TUNING l / h.

See “Tuning in to a preset station” at left.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the “MEMORY” indicator flash on the front panel display.

VCR

V-AUX

D-TV/CBL

VCR2/DVR

E1:FM 87.5 MHz

3 Tune in to preset station “A5” by using the

A/B/C/D/E and PRESET/TUNING l / h.

“A5” and the “MEMORY” indicator flash on the front panel display.

VCR

VCR2/DVR

V-AUX

D-TV/CBL

DVD

MD/CD-R

A5:FM 9O.6 MHz

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are exchanged.

VCR

V-AUX

D-TV/CBL

PRESET/TUNING

EDIT

VCR2/DVR

EDIT E1-A5

Shows the exchange of stations has been completed.

INPUT

PRESET/TUNING

FM/AM

EDIT

TUNING MODE

MEMORY

AUTO/MAN'L MONO

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

DVD

TUNER CD

TUNED

MEMORY

DVD

MD/CD-R

VIDEO AUX

VOLUME

TUNER CD

TUNED

MEMORY

TUNER CD

MEMORY

6CH INPUT

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 42

SLEEP TIMER

Use this feature to automatically set this unit in the standby mode after the amount of time you have set. The sleep timer is useful when you are going to sleep while this unit is playing or recording a source. The sleep timer also automatically turns off the external component(s) connected to AC OUTLET(S).

The sleep timer can only be set with the remote control.

• By connecting a commercially available timer to this unit, you can also set a wake-up timer. Refer to the operation instructions of the timer.

Setting the sleep timer

CODE SET

TRANSMIT

SYSTEM

STANDBY

POWER POWER

DVD

VCR 1 VCR2/DVR

–

AVTV

MD/CD-R TUNERCD

D-TV/CBL

+–+

TV CHTV VOL

TV INPUTTV MUTE

POWER

SLEEP

–

6CH INPUT

AMP

V-AUX

VOLUME

MUTE

1 Select a source and start playback on the

source component.

2 Press SLEEP repeatedly

to set the amount of time.

Each time you press SLEEP, the front panel display changes as shown below.

SLEEP

Canceling the sleep timer

1 Press SLEEP repeatedly until “SLEEP OFF”

appears on the front panel display.

After a few seconds, “SLEEP OFF” disappears, the “SLEEP” indicator goes off and the display returns

to the previous indication.

SLEEP

• The sleep timer setting can also be canceled by setting this unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel) or by disconnecting the AC power cord from the AC outlet.

VCR

V-AUX

VCR2/DVR

DSP

PCM

SLEEP 12Omin

D-TV/CBL

DVD

MD/CD-R

TUNER CD

SLEEP

VOLUME

3 The “SLEEP” indicator lights up on the front

panel display soon after the sleep timer has been set.

The display then returns to the previous indication.

VCR

V-AUX

VCR2/DVR

DSP

PCM

CONCERT HALL

D-TV/CBL

DVD

MD/CD-R

TUNER CD

SLEEP

VOLUME

Page 43

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

RECORDING

Recording adjustments and other operations are performed from the recording components. Refer to the operation instructions for these components.

INPUT

STANDBY

SILENT

PHONES

NATURAL SOUND AV RECEIVER

SPEAKERS

INPUT M0DE

PRESET/TUNING

TUNING MODE

AUTO/MAN'L MONO

BASS

PRESET/TUNING

PROGRAM

STEREO

EFFECT

A/B/C/D/E

TREBLE

– + – +

FM/AM

EDIT

MEMORY

MAN'L/AUTO FM

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

6CH INPUT

VIDEO AUX

1 Turn on the power of this unit and all

connected component.

2 Select the source component you want to

record from.

MD/CD-R TUNERCD

INPUT

D-TV/CBL

DVD

VCR 1 VCR2/DVR

Front panel Remote control

V-AUX

SLEEP

6CH INPUT

AMP

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record

between the components connected to this unit.

• The setting of BASS, TREBLE, VOLUME, “5 L/R BALANCE” on the SET MENU and DSP programs does not effect the recorded material.

• A source connected to the 6CH INPUT jacks on this unit cannot be recorded.

• A given input source is not output to the same OUT (REC) channel. (For example, the signal input from VCR 1 IN is not output to VCR 1 OUT.)

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you playback a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations and adjustments need to be made.

For LDs, DVDs and CDs encoded with DTS, when your player is compatible with the DTS format, follow its operation instruction to make a setting so that the analog signal will be output from the player.

■ Timer playback/recording

This unit can perform playback or recording with an external timer (not supplied). Refer to the operating instructions for the component and the timer to be used.

Notes

• Stored data, such as input source, will be reflected when playback or recording with the timer.

• If you do not want any sound output when recording with a timer, turn the volume down.

Memory back-up

The memory back-up circuit prevents the stored data (input source, volume level, set menu settings and so on) from being lost even if this unit is disconnected from the AC outlet. However, if the timer is turned off for more than one week, the stored data will be lost.

INTRODUCTION

PREPARATION

OPERATION

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 44

ADVANCED OPERATION

SET MENU

The SET MENU consists of 10 items including the speaker mode setting. Choose the appropriate item and adjust or select the values as necessary.

• You can adjust the items on the SET MENU while playing a source.

Items Initial settings

1 SPEAKER SET

A CENTER LRG (large) B MAIN LARGE C REAR LR LRG (large) D REAR CT LRG (large) E BASS BOTH F MAIN Lv Nrm (Normal)

2 LFE LEVEL SP/HP 0 dB

3 SP DLY TIME

CENTER 0 ms REAR CNTR 3 ms

4 D. RANGE SP/HP MAX

5 L/R BALANCE 0 dB for L/R

HP TONE CTRL BASS/TRBL

7 I/O ASSIGN

A (component video input) [A] DVD

B (optical output) (1) MD/CDR

C (optical input) (2) MD/CDR

D (coaxial input) (5) CD

8 INPUT MODE AUTO

9 DISPLAY SET

DIMMER 0

10 MEM. GUARD OFF

• In the descriptions for each item from the following page, the default setting is indicated in bold.

0 dB

[B] D-TV/CBL

(3) DVD (4) D-TV/CBL

Adjusting the items on the SET MENU

Adjustment should be made with the remote control.

3,6

Note

• Some items require extra steps.

1 Press AMP.

2 Press SET MENU to enter

the SET MENU.

3 Press u/d repeatedly to

select the item you want to adjust (1 to 10).

• By pressing SET MENU repeatedly, you can select items in the

same order as when pressing d.

4 Press j / i once to enter

the setup mode of the selected item.

The last setting you adjusted appears on the front panel display.

Depending on the item, press u/d to select a sub item.

VCR 1 VCR2/DVR

TV CHTV VOL

–+–

–

TV INPUTTV MUTE

HALL

JAZZ CLUB

MONO

SPORTS

MOVIE

678

/DTS

SUR.

SELECT

LEVEL

TITLE

–

TEST

RETURN

REC

DISC SKIP

PRESET/CH

SELECT

CONCERT

MOVIE

THEATER 1

EX/ES

AMP

VOLUME

MUTE

ENTER-

ROCK

TAINMENT

3421

MOVIE

THEATER 2

STEREO

ENTER

+10

EFFECT

SET MENU

A/B/C/D/E

DISPLAY

4,5

AUDIO

AMP

SET MENU

A/B/C/D/E

PRESET/CH

SELECT

–

PRESET/CH

SELECT

–

PRESET/CH

SELECT

–

Page 45

SET MENU

5 Press j / i repeatedly to

change the setting of the item.

PRESET/CH

SELECT

–

6 Press u/d repeatedly until the menu

disappears or simply press one of the DSP program group buttons to exit SET MENU.

PRESET/CH

SELECT

–

HALL

SPORTS

/DTS

SUR.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the items again.

ROCK

JAZZ CLUB

CONCERT

3421

MONO

MOVIE

SELECT

THEATER 2

THEATER 1

678

EX/ES

+10

ENTER-

TAINMENT

MOVIE

STEREO

ENTER

EFFECT

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your speaker configuration.

Notes

• When 96-kHz sampling digital signals are input to this unit, some items are not affected.

• When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1E are not affected.

■ 1A CENTER (center speaker

mode)

By adding a center speaker to your speaker configuration, this unit can provide better dialog localization for several listeners and superior synchronization of sound and images.

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have a large center speaker. The entire range of the center channel signal is directed to the center speaker.

SML

Select this if you have a small center speaker. The lowfrequency signals (90 Hz and below) of the center channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have a center speaker. All of the center channel signal are directed to the main left and right speakers.

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 46

SET MENU

■ 1B MAIN (main speaker mode)

Choices: LARGE, SMALL

LARGE

Select this if you have large main speakers. The entire range of the main left and right channel signal is directed to the main left and right speakers.

SMALL

Select this if you have small main speakers. The lowfrequency signals (90 Hz and below) of the main channel are directed to the speakers selected with “1E BASS”.

■ 1C REAR LR (rear speaker mode)

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have large rear left and right speakers or if a rear subwoofer is connected to the rear speakers. The entire range of the rear channel signal is directed to the rear left and right speakers.

SML

Select this if you have small rear left and right speakers. The low-frequency signals (90 Hz and below) of the rear channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have rear speakers.

• This unit is set in the virtual CINEMA DSP mode when you select NON for “1C REAR LR”. In this case, the rear center speaker will automatically be set to “NON” and the “1D REAR CT” item will be skipped.

■ 1D REAR CT (rear center speaker mode)

By adding a rear center speaker to your speaker configuration, this unit can provide more realistic frontto-back and transitions.

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have a large rear center speaker. The entire range of the rear center channel signal is directed to the rear center speaker.

SML

Select this if you have a small rear center speaker. The low-frequency signals (90 Hz and below) of the rear center channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have a rear center speaker. All of the rear center channel signal are directed to the rear left and right speakers.

■ 1E BASS (LFE/bass out mode)

LFE signals carry low-frequency effects when this unit decodes a Dolby Digital or DTS signal. Low-frequency signals are defined as 90 Hz and below. The Lowfrequency signals can be directed to both main left and right speakers, and the subwoofer (subwoofer can be used for both stereo reproduction and the DSP program).

Choices: SWFR (subwoofer), MAIN, BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE signals are directed to the main speakers.

BOTH

The LFE signals are directed to the subwoofer. Lowfrequency signals designated to the main channels in accordance with other speaker mode settings are directed to both main speakers and a subwoofer.

Note

• When you select MAIN for “1E BASS”, the low-frequency

signals (90 Hz and below) of the main channel are directed to the main speakers even if you select SMALL for the main speaker mode.

Page 47

SET MENU

■ 1F MAIN Lv (main level mode)

Change this setting if you cannot match the output level of the center, rear (L/R), and rear center speakers with the main speakers because of unusually high-efficiency performance from the main speakers.

Choices: Nrm (Normal), –10 dB

Nrm

Select this if you can match the output level of your effect speakers with that of your main speakers when using the test tone.

–10 dB

Select this if you cannot match the output level of your effect speakers with that of your main speakers when using the test tone.

2 LFE LEVEL

Use this feature to adjust the output level of the LFE (low-frequency effect) channel when playing back a Dolby Digital or DTS signal. The LFE signal carries the low-frequency special effect sound which is only added to certain scenes.

Control range:

SPEAKER ............ –20 to 0 dB

HEADPHONE ..... –20 to 0 dB

Initial setting: 0 dB

1 Press d/u to select the item to be adjusted.

2 Press j to adjust the LFE level.

3 SP DLY TIME (speaker delay

time)

Use this feature to adjust the delay of the center and the rear center channel sounds. This feature works when there is sound output from the center speakers, with a source like Dolby Digital or DTS, etc. Ideally, the center speaker and the rear center speaker should be the same distance from the main listening position as the left and right speakers. However, in most home situations, the center speaker or the rear center speaker are placed in line with the main speakers or the rear speakers. By delaying the sound from the center speaker and the rear center speaker, the apparent distance from the center speaker and the rear center speaker to the main listening position can be adjusted to make it seem the same as the distance between the main left and right speaker, and the rear left and right speakers to the listening position. Adjusting the delay time for the center speaker is especially important for giving depth to the dialogue.

Control range:

CENTER .......................... 0 to 5 ms

REAR CNTR (center) ...... 0 to 30 ms

Initial setting:

CENTER .......................... 0 ms

REAR CNTR (center) ...... 3 ms

1 Press j / i to increase or decrease the delay

of the center and the rear center channel sounds.

Center speaker image

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

Note

• Adjust the LFE level according to the capacity of your subwoofer or headphones.

• Increasing the delay by 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position.

INFORMATION

ADDITIONAL

APPENDIX

English

Page 48

SET MENU

4 D. RANGE (dynamic range)

Use this feature to adjust the dynamic range. This setting is effective only when this unit is decoding Dolby Digital signals.

Choices: MAX, STD (standard), MIN (minimum)

MAX

Select the “MAX” for feature films.

STD

Select the “STD” for general use.

MIN

Select the “MIN” for listening to sources at low volume levels.

5 L/R BALANCE (balance of the

main left and right speakers)

Use this feature to adjust the balance of the output level from the main left and right speakers.

Control range: 20 steps for L/R Initial setting: 0 dB for L/R

1 Press i to decrease the output level for the

main left speaker. Press j for the main right speaker.

6 HP TONE CTRL (headphone tone

control)

Use this feature to adjust the level of the bass and treble when you use your headphones.

Control range (dB):

BASS ............... –6 to +3

TRBL (treble) .. –6 to +3

Initial setting:

BASS ............... 0 dB

TRBL............... 0 dB

7 I/O ASSIGN (input/output

assignment)

It is possible to assign jacks according to the component to be used if this unit’s COMPONENT VIDEO input jack or DIGITAL INPUT/OUTPUT jack settings (component names for jacks) differ from that component. This makes it possible to change the jack assignment and effectively connect more components. Once you assign, you can select that component with INPUT l / h (or the input selector buttons on the remote control).

■ 7A CMPNT-V INPUT for COMPONENT VIDEO INPUT jacks [A] and [B]

Choices: [A] DVD, V-AUX, VCR 2/DVR, VCR 1,

D-TV/CBL

[B] DVD, V-AUX, VCR 2/DVR, VCR 1,

D-TV/CBL

■ 7B OPTICAL OUT for OPTICAL OUTPUT jack (1)

Choices: (1) MD/CD-R, CD, V-AUX, VCR 2/

DVR, VCR 1, D-TV/CBL, DVD

■ 7C OPTICAL IN for OPTICAL INPUT jacks (2) to (4)

Choices: (2) MD/CD-R, CD, VCR 2/DVR, VCR 1,

D-TV/CBL, DVD

(3) MD/CD-R, CD, VCR 2/DVR, VCR 1,

D-TV/CBL, DVD

(4) MD/CD-R, CD, VCR 2/DVR, VCR 1,

D-TV/CBL, DVD

■ 7D COAXIAL IN for COAXIAL INPUT jack (5)

Choices: (5) MD/CD-R, CD, V-AUX, VCR 2/

DVR, VCR 1, D-TV/CBL, DVD

Notes

• You cannot select an item more than once for the same type of

jack.

• When you connect a component to both the COAXIAL and

OPTICAL jacks, priority is given to the input signals from the COAXIAL jack.

Page 49

8 INPUT MODE (initial input

mode)

Use this feature to designate the input mode for sources connected to the DIGITAL INPUT jacks when you turn on this unit (see page 25 for details about the input mode).

Choices: AUTO, LAST

AUTO

Select this to allow this unit to automatically detect the type of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last input mode used for the respective source.

9 DISPLAY SET

■ DIMMER

You can adjust the brightness of the front panel display.

Control range: –4 to 0 Initial setting: 0

SET MENU

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

10 MEM. GUARD (memory guard)

Use this feature to prevent accidental changes to settings on this unit.

Choices: ON, OFF

Select ON to protect the following features:

• All SET MENU items

• Center, rear speakers, rear center, and subwoofer

levels

• DSP program parameters

Notes

• When this item is set to ON, you cannot use the test tone.

• When this item is set to ON, you cannot select any other SET

MENU items.

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 50

REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can operate other A/V components made by YAMAHA and other manufacturers. To control other components, you must set up the remote control with the manufacturer codes.

Control area

■ Controlling this unit

The shaded areas below can be used to control this unit when the AMP mode is selected. Press AMP to select the AMP mode.

CODE SET

TRANSMIT

SYSTEM

STANDBY

AVTV

MD/CD-R TUNERCD

D-TV/CBL

TV CHTV VOL

–

TV INPUTTV MUTE

JAZZ CLUB

MONO MOVIE

SELECT

POWER

SLEEP

V-AUX

6CH INPUT

AMP

VOLUME

–

MUTE

ENTER-

ROCK

CONCERT

TAINMENT

3421

MOVIE

THEATER 2

THEATER 1

678

STEREO

EX/ES

ENTER

+10

EFFECT

PRESET/CH

SET MENU

A/B/C/D/E

SELECT

DISPLAY

AUDIO

The buttons in the dotted lines (SYSTEM POWER, STANDBY, SLEEP, 6CH INPUT, VOLUME +/– and MUTE) function in any mode.

Å button and input selector buttons

Press AMP to control this unit.

POWER POWER

DVD

VCR 1 VCR2/DVR

–

HALL

SPORTS

/DTS

SUR.

LEVEL

TITLE

–

TEST

RETURN

REC

DISC SKIP

■ Controlling other component

The shaded areas below can be used to control other components. Each button has a different function depending on the selected components. Select the component to be controlled by pressing an input selector button.

CODE SET

TRANSMIT

SYSTEM

Å button and input selector buttons switch the control area for each component. * Å button is to operate the other components that are not connected to this unit. Factory setting: Å...VCR

POWER POWER

DVD

VCR 1 VCR2/DVR

AVTV

MD/CD-R TUNERCD

D-TV/CBL

–

HALL

SPORTS

/DTS

SUR.

LEVEL

TITLE

–

TEST

RETURN

REC

DISC SKIP

STANDBY

POWER

SLEEP

V-AUX

6CH INPUT

AMP

VOLUME

–

TV CHTV VOL

MUTE

–

TV INPUTTV MUTE

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MONO

MOVIE

SELECT

THEATER 2

THEATER 1

678

EX/ES

+10

PRESET/CH

A/B/C/D/E

SELECT

ENTER-

MOVIE

STEREO

ENTER

EFFECT

SET MENU

DISPLAY

AUDIO

Component control area

You can control up to 9 different components. You can set up manufacturer code and program other remote control functions for each component (see page 48).

Page 51

REMOTE CONTROL FEATURES

SYSTEM

Setting the manufacturer code

You can control other components by setting a manufacturer code. Codes can be set for each of the 9 component controls.

The following table shows factory-set component (Library: component category) and the manufacturer code for each component control.

Component

control

(buttons)

MD/CD-R

TUNER

DVD

D-TV/CBL

V-AUX

VCR 1

VCR 2/DVR

Component category

(Library)

TUNER

DVD

–

Manufacturer

YAMAHA

–

Code

0005

0024

0003

0098

–

1 Press an input selector button or Å to select

the component you want to set up.

V-AUX

SLEEP

6CH INPUT

AMP

MD/CD-R TUNERCD

D-TV/CBL

DVD

VCR 1 VCR2/DVR

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator flashes twice.

CODE SET

TRANSMIT

Clearing setup manufacturer codes

■ Clearing setup manufacturer code for the component control

1 Press an input selector button or Å to select

the component control for which you want to clear the manufacturer code.

AVTV

MD/CD-R TUNERCD

D-TV/CBL

STANDBY

V-AUX

POWER

SLEEP

6CH INPUT

AMP

POWER POWER

DVD

VCR 1 VCR2/DVR

2 Press CODE SET by using a ballpoint pen or

similar object.

The TRANSMIT indicator flashes twice.

CODE SET

TRANSMIT

Note

• If you do not press any button within 30 seconds after step 2,

the clearing process is canceled. If this happens, start over from step 1.

3 Enter the code number “0000”.

The TRANSMIT indicator flashes twice, and the manufacturer code for the selected component is cleared.

• You can clear all setup manufacturer codes at once by entering

the code number “9990”.

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

3 Press the numeric buttons to enter the four

digit manufacturer’s code for the component to be used.

Refer to “LIST OF MANUFACTURER’S CODES” at the end of this manual.

ENTER-

HALL

SPORTS

/DTS

SUR.

The TRANSMIT indicator flashes twice.

Notes

• If the manufacturer of your component has more than one code, try each of them until you find the correct one.

• If you wait for more than 30 seconds during step 3, the setup process is canceled. If this happens, start over from step 2.

ROCK

JAZZ CLUB

CONCERT

TAINMENT

3421

MOVIE

THEATER 1

EX/ES

+10

MOVIE

THEATER 2

STEREO

ENTER

EFFECT

MONO MOVIE

678

SELECT

APPENDIX

English

Page 52

REMOTE CONTROL FEATURES

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Controlling other components

You can operate other components when you have set the manufacturer code for your component. Note, however, that some buttons may not operate your component. Once you select an input source, the remote control switches to the mode for operating the component.

1 2

3 4

DVD player VCR TV, digital/cable TV CD player CD/MD recorder Tuner

1 AV POWER *1Power *1Power *3VCR power *1Power *1Power *1Power 2 TV POWER *2TV power *2TV power *2TV power *2TV power *2TV power *2TV power 3 TV CH + *2TV channel up *2TV channel up TV channel up *2TV channel up *2TV channel up *2TV channel up

TV CH – *2TV channel down

*2TV channel down TV channel down

*2TV channel down

4 TV VOL + *2TV volume up *2TV volume up TV volume up *2TV volume up *2TV volume up *2TV volume up

TV VOL – *2TV volume down

*2TV volume down TV volume down

*2TV volume down

5 TV MUTE *2TV mute *2TV mute TV mute *2TV mute *2TV mute *2TV mute 6 TV INPUT *2TV input *2TV input TV input *2TV input *2TV input *2TV input 7 1-9, 0, +10

Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Preset stations (1-8)

8 TITLE Title 9 PRESET/CH u Up VCR channel up Preset up

PRESET/CH d Down

VCR channel down

Preset down

PRESET/CH j Left

PRESET/CH i Right

SELECT Select

0 RETURN Return q

REC/DISC SKIP

w Play Play *

r Search forward Search forward *

Disc skip Rec *3VCR rec Disc skip Rec (MD)

VCR play Play Play

Search backward Search backward

*3VCR search backward

VCR search forward

Search backward Search backward

Search forward Search forward

AUDIO Audio

d Pause Pause *

VCR pause Pause Pause

t Skip backward Skip backward Skip backward

y Skip forward Skip forward Skip forward

a Stop Stop *

w ENTER Title/Index Enter Enter Index Index e MENU Menu A/B/C/D/E r DISPLAY Display Display Display

*1This button functions only when the original remote control of the component has POWER button. *2These buttons can operate your TV without switching the input if the manufacturer code is set in D-TV/CBL. *3These buttons can operate your VCR without switching the input to VCR if the manufacturer code is set in VCR.

VCR stop Stop Stop

Page 53

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

You can adjust the output level of each effect speaker (center, rear left and right, rear center and subwoofer) while listening to a source.

Adjustment should be made with the remote control.

2 2

1 Press AMP.

(While playing a source)

AMP

2 Press LEVEL repeatedly to select the

speaker(s) you want to adjust.

Each time you press LEVEL, the selected speaker changes and appears on the front panel display as follows: center, rear right, rear center, rear left and subwoofer.

LEVEL

TITLE

3 Press j / i to adjust the speaker output level.

• The control range for the center or rear left and right speakers is from +10 dB to –10 dB.

• The control range for the subwoofer is from 0 dB to –20 dB.

Notes

• When the speaker output modes for “1A CENTER” and “1C REAR LR” are set to NON, and “1E BASS” to MAIN, the output level of those speakers cannot be adjusted because there is no sound coming from these speakers.

• When you adjust the output level with LEVEL, the settings you made with the test tone will be changed.

• We recommend adjusting the speakers by following the steps described in “Using the test tone” on pages 21 and 22.

■ For 6ch Stereo

You can adjust the volume level for each channel in 6channel stereo mode.

Control range: 0 to 100%

• CT level (Center level)

• RL level (Rear left level)

• RR level (Rear right level)

• RC level (Rear center level)

PRESET/CH

SELECT

–

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

Center speaker output level

Rear right speaker output level

Rear center speaker output level

Rear left speaker output level

Subwoofer output level

• Once you press LEVEL, you can also select the speaker(s) to

be adjusted by pressing d / u.

LEVEL

TITLE

PRESET/CH

SELECT

–

1 Select 6ch Stereo. 2 Press u / d repeatedly to select the

speaker(s) you want to adjust.

INFORMATION

ADDITIONAL

3 Press j / i to adjust the speaker output level.

Memory back-up

APPENDIX

English

Page 54

ADJUSTING THE DELAY TIME

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.

The following table shows factory-set delay time.

Program

1. CONCERT HALL 45

2. JAZZ CLUB 30

3. ROCK CONCERT 15

4. DISCO 26

GAME 36 CONCERT VIDEO 21

5. TV SPORTS 10

6. MONO MOVIE 69

7. 70 mm SPECTACLE 23

DGTL SPECTACLE 15

DTS SPECTACLE 15 Spectacle EX/ES 15

70 mm SCI-FI 20

Sci-Fi EX/ES 15 DGTL SCI-FI 15

DTS SCI-FI 15

8. 70 mm ADVENTURE 20 DGTL ADVENTURE 15

DTS ADVENTURE 15

Adventure EX/ES 15 70 mm GENERAL 20

DGTL GENERAL 15

DTS GENERAL 15 General EX/ES 15

9. PRO LOGIC/NORMAL 15

DOLBY DIGITAL/NORMAL 5 DTS DIGITAL SUR./NORMAL 5

Dolby D EX/DTS-ES 5

PRO LOGIC/ENHANCED 20 DOLBY DIGITAL/ENHANCED 5

DTS DIGITAL SUR./ENHANCED 5

Enhanced EX/ES 5 PRO LOGIC Movie 15

PRO LOGIC Music 5

Preset value (ms)

Adjustment should be made with the remote control.

3 4

1 Press AMP.

(While playing a source)

AMP

2 Select a DSP program you want to adjust the

delay time.

3 Press u / d so that “DELAY” appears on the

front panel display.

PRESET/CH

SELECT

–

DELAY

4 Press j / i to adjust the delay time.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• The sound is momentarily interrupted while adjusting the delay time.

Memory back-up

Page 55

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

ADJUSTING THE PARAMETER SETTINGS FOR PRO LOGIC MUSIC

Changing parameter settings

You can adjust the values of PRO LOGIC Music parameters so the sound fields are recreated accurately in your listening room.

Adjustments should be made with the remote control.

3 4

1 Press AMP.

AMP

2 Select PRO LOGIC Music.

/DTS

SUR.

SELECT

3 Press u / d to select the

parameter.

4 Press j / i to change the

parameter value.

PRESET/CH

SELECT

–

PRESET/CH

SELECT

–

Note

• You cannot change parameter values when “10 MEM. GUARD” on the SET MENU is set to ON.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter value you edited will return to the factory setting. If so, edit the parameter value again.

PRO LOGIC Music parameter descriptions

■ PANORAMA

Function: Turning the function on extends the front

stereo image to include the surround speakers for wraparound effect.

Choices: OFF/ON, initial setting is OFF.

■ DIMENSION

Function: Gradually adjusts the soundfield either

towards the front or towards the rear.

Control range: –3 (towards the rear) to +3 (towards the

front), initial setting is STD (standard).

■ CT WIDTH (Center width)

Function: Adjusts the center image from all three

Control range: 0 (center channel sound is output only

front speakers to varying degrees. The larger the value, adjusts the center image towards the main left and right speakers.

from center speaker) to 7 (center channel sound is output only from main left and right speakers), initial setting is 3.

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

5 Repeat steps 3 and 4 above as necessary to

change other parameters.

APPENDIX

English

Page 56

TROUBLESHOOTING

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the nearest authorized YAMAHA dealer or service center.

■ General

Problem

This unit fails to turn on when STANDBY/ ON (or SYSTEM POWER) is pressed, or enters in the standby mode soon after the power has been turned on.

No sound.

Cause

The power cord is not connected or the plug is not completely inserted.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to either the left or right position.

The protection circuitry has been activated.

This unit has been exposed to a strong external electric shock (such as lightning and strong static electricity).

Incorrect input or output cable connections.

An appropriate input source has not been selected.

The speaker connections are not secure.

The main speakers to be used have not been selected properly.

The volume is turned down.

The sound is muted.

Remedy

Firmly connect the power cord.

Set the switch fully to the left or right position when this unit is in the standby mode.

Make sure all speaker wire connections on this unit and on all speakers are secure and that the wire for each connection does not touch anything other than its respective connection.

Set this unit in the standby mode, disconnect the power cord, plug it back in after 30 seconds, then start operating.

Connect the cables properly. If the problem persists, the cables may be defective.

Select an appropriate input source with INPUT l / h

or 6CH INPUT (or the input selector buttons).

Secure the connections.

Select the main speakers with SPEAKERS A and/or B.

Turn up the volume.

Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.

Refer to page

—

10, 11

—

10 – 16

10, 11

—

The picture does not appear.

Digital signals which this unit cannot reproduce are being input to this unit by playing a CD-ROM, etc.

The output and input for the picture are connected to different types of video jacks.

Play a source whose signals this unit can reproduce.

Make connections using the same type of video jacks (S VIDEO, VIDEO (composite), or COMPONENT VIDEO) for both the input and output.

—

14, 15

Page 57

TROUBLESHOOTING

Problem

The sound suddenly goes off.

Only the speaker on one side can be heard.

No sound from the effect speakers.

No sound from the center speaker.

Cause

The protection circuit has been activated because of a short circuit, etc.

The sleep timer has functioned.

The sound is muted.

Incorrect cable connections.

Incorrect setting of “5 L/R BALANCE” on the SET MENU.

The sound effect is off.

A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS.

A 96-kHz sampling digital signal is being input to this unit.

The output level of the center speaker is set to minimum.

Remedy

Check the IMPEDANCE SELECTOR switch is set to the appropriate position and then turn this unit back on.

Check the speaker wires are not touching each other and then turn this unit back on.

Turn on the power, and play the source again.

Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.

Connect the cables properly. If the problem persists, the cables may be defective.

Adjust it to the appropriate position.

Press STEREO/EFFECT to turn it on.

Select another DSP program.

Raise the level of the center speaker.

Refer to page

—

10, 11

26 – 33

—

INTRODUCTION PREPARATION

OPERAIONT

BASIC

No sound from the rear speakers.

No sound from the subwoofer.

Poor bass reproduction.

“1A CENTER” on the SET MENU is set to NON.

One of the Hi-Fi DSP programs (1 to 4) has been selected (except for 6ch Stereo).

The source encoded with a Dolby Digital or DTS signal does not have a center channel signal.

The output level of the rear speakers is set to minimum.

A monaural source is being played with program 9.

“1E BASS” on the SET MENU is set to MAIN when a Dolby Digital or DTS signal is being played.

“1E BASS” on the SET MENU is set to SWFR or MAIN when a 2-channel source is being played.

The source does not contain low bass signals (90 Hz and below).

“1E BASS” on the SET MENU is set to SWFR or BOTH and your system does not include a subwoofer.

The speaker mode settings (main, center, rear, or rear center) on the SET MENU does not match your speaker configuration.

Select the appropriate mode for your center speaker.

Select another DSP program.

Raise the output level of the rear speakers.

Select another DSP program.

Select SWFR or BOTH.

Select BOTH.

Select MAIN.

Select the appropriate position for each speaker based on the size of the speakers in your configuration.

26 – 33

—

26 – 33

—

41 – 43

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 58

TROUBLESHOOTING

Problem

No sound from the rear center speaker.

A “humming” sound can be heard.

The volume level cannot be increased, or the sound is distorted.

The sound effect cannot be recorded.

A source cannot be recorded by a digital recording component connected to the DIGITAL OUTPUT jack of this unit.

The sound field parameters and some other settings on this unit cannot be changed.

This unit does not operate properly.

Cause

“1C REAR LR” or “1D REAR CT” on the SET MENU is set to NON.

The Dolby Digital EX decoder or the DTS-ES compatible decoder is not on.

Incorrect cable connections.

The component connected to the OUT (REC) jacks of this unit is turned off.

It is not possible to record the sound effect by a recording component.

A source component is not connected to the DIGITAL INPUT jacks of this unit.

“10 MEM. GUARD” in the SET MENU is set to ON.

The internal microcomputer has been frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage.

Remedy

Select LRG or SML.

Press the EX/ES button on the remote control to turn it on.

Firmly connect the audio plugs. If the problem persists, the cables may be defective.

Turn on the power to the component.

Connect the source component to the DIGITAL INPUT jacks of this unit.

Set “10 MEM. GUARD” in the SET MENU to OFF.

Disconnect the AC power cord from the outlet and then plug it in again after about 30 seconds.

Refer to page

10 – 16

—

“CHECK SP WIRES” appears on the front panel display.

There is noise interference from digital or high-frequency equipment, or this unit.

This unit suddenly turns into the standby mode.

Speaker cables are short circuited.

This unit is too close to the digital or high-frequency equipment.

The internal temperature becomes too high and the overheat protection circuitry has been activated.

Make sure all speaker cables are connected correctly.

Move this unit further away from such equipment.

Wait until this unit cools down and then turn it back on.

—

Page 59

■ Tuner

TROUBLESHOOTING

Problem

FM stereo reception is noisy.

There is distortion, and clear reception cannot be obtained even with a

good FM antenna.

The desired station cannot be tuned in with the automatic tuning method.

Previously preset stations can no longer be tuned in.

The desired station cannot be tuned in with the automatic tuning method.

There are continuous

crackling and hissing noises.

There are buzzing and whining noises (especially in the evening).

Cause

The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.

There is multipath interference.

The station is too weak.

This unit has been disconnected for a long period.

The signal is weak or the antenna connections are loose.

Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.

A TV set is being used nearby.

Remedy

Check the antenna connections. Try using a high-quality directional FM antenna.

Use the manual tuning method.

Adjust the antenna position to eliminate multipath interference.

Use a high-quality directional FM antenna.

Use the manual tuning method.

Re-store the stations.

Tighten the AM loop antenna connections and orient it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.

Move this unit away from the TV.

Refer to page

—

35, 36

—

INTRODUCTION PREPARATION

OPERAIONT

BASIC

OPERATION

ADVANCED

■ Remote control

Problem

The remote control does not work nor function properly.

Cause

Wrong distance or angle.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

The batteries are weak.

The manufacture code has not correctly set.

Even if the manufacturer code is correctly set, there are some models that do not respond to the remote control.

Remedy

The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel.

Reposition this unit.

Replace all batteries with new ones.

Set the code correctly.

Try setting another code of the same manufacturer.

Refer to page

—

INFORMATION

ADDITIONAL

APPENDIX

English

Page 60

GLOSSARY

■ Dolby Surround

Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 main left and right channels (stereo), a center channel for dialog (monaural), and a rear channel for special sound effects (monaural). The rear channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (left, center, and right), and 2 rear stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (low frequency effect), the system has a total of 5.1 channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the rear speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range (from maximum to minimum volume) reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with previously unheard of excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment. Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with “fly- over” and “fly-around” effects.

■ Dolby Pro Logic

Dolby Pro Logic is an improved technique used to decode vast numbers of existing Dolby Surround softwares. This new technology enables a discrete 5channel playback with 2 main left and right channels, 1 center channel, and 2 rear left and right channels (instead of only 1 rear channel for conventional Pro Logic technology). A music mode is also available for 2-channel sources in addition to the movie mode.

■ DTS (Digital Theater Systems) Digital Surround

DTS digital surround was developed to replace the analog soundtracks of movies with a 6-channel digital sound track, and is now rapidly gaining popularity in movie theaters around the world. Digital Theater Systems Inc. has developed a home theater system so that you can enjoy the depth of sound and natural spatial representation of DTS digital surround in your home. This system produces practically distortion-free 6-channel sound (technically, a left, right and center channels, 2 rear channels, plus an LFE 0.1 channel as a subwoofer, for a total of 5.1 channels). The unit incorporates DTS-ES compatible decoder that enables 6.1-channel reproduction by adding the rear center channel to existing 5.1-channel format. (The rear center channel is created from rear left and right channels.)

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low frequency range compared to the full-range reproduced by the other 5 channels in a Dolby Digital or DTS 5.1 channel systems.

■ CINEMA DSP

Since the Dolby Surround and DTS systems were originally designed for use in movie theaters, their effect is best felt in a theater having many speakers and designed for acoustic effects. Since home conditions, such as room size, wall material, number of speakers, and so on, can differ so widely, it’s inevitable that there are differences in the sound heard as well. Based on a wealth of actually measured data, YAMAHA CINEMA DSP uses YAMAHA original sound field technology to combine Dolby Pro Logic, Dolby Digital and DTS systems to provide the visual and audio experience of movie theater in the listening room of your own home.

DIGITAL

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect DSP algorithm for headphones. Parameters for headphones have been set for each sound field so that accurate representations of all the sound field programs can be enjoyed using headphones.

Page 61

GLOSSARY

■ Virtual CINEMA DSP

YAMAHA has developed a virtual CINEMA DSP algorithm that allows you to enjoy DSP sound field surround effects even without any rear speakers by using virtual rear speakers. It is even possible to enjoy virtual CINEMA DSP using a minimal 2-speaker system that does not include a center speaker.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog audio signal is digitized, recorded and transmitted without using any compression. This is used as a method of recording CDs and DVD audio. The PCM system uses a technique for sampling the size of the analog signal per very small unit of time. Standing for “pulse code modulation”, the analog signal is encoded as pulses and then modulated for recording.

■ Sampling frequency and number of quantized bits

When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.

■ S-video signal

With the S-video signal system, the video signal normally transmitted using a pin cable is separated and transmitted as the Y signal for the luminance and the C signal for the chrominance through the S-video cable. Using the S VIDEO jack eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

■ Component video signal

With the component video signal system, the video signal is separated into the Y signal for the luminance and the PB/CB and PR/CR signals for the chrominance. Color can be reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to use the component signal for output.

INTRODUCTION PREPARATION

OPERAIONT

BASIC

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

APPENDIX

English

Page 62

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear, Rear Center

20 Hz to 20 kHz, 0.06% THD, 8 Ω ....................................... 75 W

1 kHz, 0.06% THD, 8 Ω ........................................................ 80 W

• DIN Standard Output Power [Europe model]

1 kHz, 0.7% THD, 4 Ω ........................................................ 125 W

• Maximum Power (EIAJ) [China, Korea and General models]

1 kHz, 10% THD, 8 Ω ......................................................... 110 W

• Dynamic Power (IHF)

8/6/4/2 Ω .......................................................... 90/120/150/190 W

• Damping Factor

20 Hz to 20 kHz, 8 Ω ................................................... 80 or more

• Frequency Response

CD to Main L/R ...................................... 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion

20 Hz to 20 kHz, 45 W, 8 Ω, Main L/R ................................ 0.06%

• Signal to Noise Ratio (IHF-A Network)

CD (250 mV, shorted) to Main L/R, Effect Off ................. 100 dB

• Residual Noise (IHF-A Network)

Main L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kΩ terminated) to Main L/R ........................ 60 dB/45 dB

• Tone Control (Main L/R)

BASS Boost/Cut ...................................................... ±10 dB/50 Hz

TREBLE Boost/Cut ............................................... ±10 dB/20 kHz

• Phones Output ............................................................. 0.34 V/560 Ω

• Input Sensitivity

CD, etc ....................................................................150 mV/47 kΩ

6CH INPUT ............................................................ 150 mV/47 kΩ

• Output Level

OUT (REC) ........................................................... 150 mV/1.2 kΩ

OUTPUT MAIN/CENTER/REAR CENTER/

REAR (SURROUND) ............................................ 2.2 V/1.2 kΩ

OUTPUT SUBWOOFER ............................................. 4 V/1.2 kΩ

VIDEO SECTION

• Video Signal Type ...................................................... NTSC or PAL

• Composite Video Signal Level ...................................... 1 Vp-p/75 Ω

• S-Video Signal Level

Y ................................................................................. 1 Vp-p/75 Ω

C .......................................................................... 0.286 Vp-p/75 Ω

• Component Video Signal Level

Y ................................................................................. 1 Vp-p/75 Ω

PB/CB, PR/CR............................................................. 0.7 Vp-p/75 Ω

• Signal to Noise Ratio ............................................................... 50 dB

• Frequency Response (MONITOR OUT)

Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB

Component ................................................. DC to 30 MHz, –3 dB

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................ 87.5 to 107.9 MHz

[Other models] .............................................. 87.50 to 108.00 MHz

• 50 dB Quieting Sensitivity (IHF, 100% mod.)

Mono/Stereo ........................ 2.0 µV (17.3 dBf) /25 µV (39.2 dBf)

• Selectivity (400 kHz) ............................................................... 70 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo .............................................................. 76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ................................................................. 0.2%/0.3%

• Stereo Separation (1 kHz) ....................................................... 45 dB

• Frequency Response ........................... 20 Hz to 15 kHz +0.5, –2 dB

AM SECTION

• Tuning Range ......................................... 530/531 to 1710/1611 kHz

• Usable Sensitivity ............................................................. 300 µV/m

GENERAL

• Power Supply

[U.S.A. and Canada models] ............................... AC 120 V/60 Hz

[Australia model] ................................................. AC 240 V/50 Hz

[U.K., Europe and Singapore models] ................ AC 230 V/50 Hz

[Korea model] ..................................................... AC 220 V/60 Hz

[China and General models] ..... AC 110/120/220/240 V, 50/60 Hz

• Power Consumption

[U.S.A. and Canada models] .................................. 290 W/370 VA

[Other models] ..................................................................... 290 W

Standby Mode ......................................................... approx. 0.6 W

• AC Outlets [U.S.A., Canada, Europe and Singapore models]

.......................................................... 2 (Total 100 W maximum)

[China and General models] .................. 2 (Total 50 W maximum)

[U.K. and Australia models] ......................... 1 (100 W maximum)

• Dimension (W x H x D)

.......................... 435 x 161 x 390 mm (17” x 6-7/16” x 15-3/8”)

• Weight ...................................................................... 11.5 kg (25 lbs)

• Accessories ............................................................... Remote control

Batteries

Front VIDEO AUX jack cap

75-ohm/300-ohm antenna adapter (U.K. model)

AM loop antenna

Indoor FM antenna

*Specifications are subject to change without notice.

Page 63

LIST OF MANUFACTURER CODES

LISTE DES CODES DES FABRICANTS

A TANDY 0941 ABEX 1151 ADMIRA 1141 ADVENTURA 1131 AIKO 1121 AIWA 1481 AKAI 0331, 1101, 1111 ALBA 0431 ALLERON 1091 AMBASSADOR 1081 AMSTRAD 0481, 1081 ANAM 0251, 1041, 1051,

1061, 1071 ANAM NATIONAL 1041 AOC 0361, 1021, 1031,

1111, 1161 ARCHER 1161 AUDIOSONIC 1001 AUDIOVOX 1051, 1161 BAUER 0441 BAUR 1001 BEIJING 1511, 1551, 1561 BELCOR 1031 BELL & HOWELL 0981, 0991 BEON 1001 BRADFORD 1051 BROCKWOOD 1031 BROKSONIC 1161 BUSH 1001 CANDLE 0351, 0361, 0961,

0971, 1111, 1131 CAPEHART 1021 CARVER 0101 CATHAY 1001 CELEBRITY 0951 CENTURION 0411 CHANGHONG 1541, 1551, 1561,

1621 CITIZEN 0351, 0361, 0921,

0931, 0941, 0961,

0971, 1111, 1121,

1131 CLAIRTONE 1011 CLARIVOX 1001 CONCERTO 0351, 0971 CONROWA 1751 CONTEC 0901, 0911, 1011,

1051 CORANDO 0941 CRAIG 0251, 1051 CROWN 0941, 1051 CURTIS MATHES 0161, 0361,

0931, 0941,

0981, 1111 CXC 1051 DAEWOO 0291, 0301, 0331,

0721, 0941, 1001, 1031, 1121, 1191, 1531, 1581, 1591,

1601 DANSAI 1001 DAYTRON 0941, 1031 DECCA 0271, 1001 DIXI 0331, 1001, 1071 DUMONT 0891, 1031 DYNATECH 0881 ELECTROBAND 0951, 1011 ELECTROHOME 0941

ELECTRON 0941 ELIN 1001 ELTA 0331 EMERSON 0001, 0021, 0061,

ENVISION 0361, 1111 ERRES 1001 ETRON 0331 FERGUSON 1001 FINLUX 1001 FISHER 0171, 0801, 0981 FORMENTI 0441 FORMONTI 1001 FORTRESS 1141 FUJITSU 1091 FUNAI 1051, 1091, 1501,

FUTURETECH 1051 GE 0131, 0161, 0201,

GEC 0271, 1001 GEMINI 0391 GENEXXA 0431 GIBRALTER 0891, 1031, 1111 GOLDSTAR 0031, 0121, 0351,

GOODMANS/TASHIKO

GRANADA 1001 GRUNDIG 1781, 1791, 1801,

GUNPY 1051, 1091 HARMAN/KARDON HALLMARK 0861 HANSEATIC 1001 HARVARD 1051, 1061 HINARI 1001, 1091 HITACHI 0181, 0351, 0671,

HYPSON 1001 IMA 1051 INDIANA 1001 INFINITY REFERENCE

INTERFUNK 1001 ITT 0611 JANEIL 1131 JBL 0101 JCB 0951 JENSEN 0311 JINXING 1531, 1541, 1551,

0071, 0081, 0091, 0111, 0811, 0821, 0831, 0841, 0851, 0861, 0871, 0901, 0921, 0941, 0981, 1011, 1031, 1051, 1081, 1091

1521

0751, 0761, 0771, 0781, 0791, 0811, 0861, 1041

0411, 0731, 0741, 0861, 0941, 0971, 1001, 1031, 1111, 1151

0271, 0661, 1001

1811, 1821, 1831, 1841, 1851, 1861, 1871, 1881

0721

0681, 0691, 0701, 0711, 0871, 0941, 0971, 1351

0101

1561, 1571, 1621, 1631, 1641, 1651, 1691, 1731

JVC (VICTOR) 0261, 0281, 0641,

0651, 0661, 0841 KAWASHO 0901 KAYPANI 1021 KENWOOD 0361, 1031, 1111 KLOSS 0631, 0721, 1131 KTV 0921, 0941, 1011,

1051, 1111 LEYCO 1001 LIESENK & TTER 1001 LLOYTRON 0941 LOEWE 1001 LOGIK 0991, 1771 LUXMAN 0351, 0971 LXI 0101, 0621, 0761,

0861, 0981 MAGNAVOX 0101, 0341, 0391,

0401, 0411, 0421,

0581, 0591, 0601,

0611, 0631, 0661,

0961, 1111 MAJESTIC 0991 MARANTZ 0101, 0221, 0361,

1001, 1111 MARK 1001 MATSUI 0271, 0331, 1001 MEDIATOR 1001 MEGATRON 0691, 0861, 1161 MEI 1011 M-ELECTRONIC 1001 MEMOREX 0331, 0571, 0861,

0971, 0981, 0991,

1771 METZ 1791, 1831, 1891,

1901, 1911, 1921,

1931, 1941 MGA 0361, 0561, 0571,

0861, 1031, 1111 MIDLAND 0751, 0761, 0891,

0941, 1151 MITSUBISHI 0221, 0321, 0561,

0571, 0661, 0861,

1031, 1101, 1381 MONTGOMERY 1091 MOTOROLA 1041, 1141 MTC 0351, 0361, 0881,

0931, 0971, 1011,

1031, 1111 MULTITECH 0881, 1051 NAD 0551, 0621, 0861 NEC 0241, 0351, 0361,

0661, 0971, 1031,

1111, 1321, 1711 NECKERMANN 1001 NEI 1001 NIKKAI 0271, 0431, 1001,

1151 NIKKO 0861, 1111, 1121 NOVABEAM 0721 NTC 1121 ONWA 1051 OPTIMUS 0551 OPTONICA 0541, 1141 ORION 0831, 1001 OSAKI 0271, 1151 OTTO VERSAND 1001 PANASONIC 0101, 0191, 0251,

0751, 1041, 1311,

1371, 1431 PANDA 1541, 1721

PENNY 0161, 0361, 0521,

0531, 0621, 0731, 0751, 0761, 0781, 0791, 0861, 0931, 0941, 1031, 1041,

1111, 1151, 1161 PEONY 1561, 1621 PHILCO 0361, 0581, 0591,

0601, 0611, 0631,

0961, 1031, 1111 PHILIPS 0101, 0401, 1001 PHONOLA 1001 PILOT 0941, 1031, 1111 PIONEER 0511, 0551, 0871 PORTLAND 0941, 1031, 1121 PRICECLUB 0931 PRISM 0751 PROSCAN 0761 PROTECH 1001 PROTON 0501, 0861, 0941,

1021, 1161 PULSAR 0891 PULSER 1031 QUASAR 0251, 0751, 1041 QUELLE 1001 RADIO SHACK 0541, 0941,

1031, 1051,

1151 RADIOLA 1001 RCA 0051, 0141, 0151,

0181, 0411, 0491, 0531, 0761, 0771, 0871, 1031

REALISTIC 0541, 0861, 0941,

0971, 0981, 1031,

1051, 1111, 1151 RHAPSODY 1011 R-LINE 1001 RUNCO 0891, 1111 SAISHO 0331, 1081 SAMPO 0361, 0941, 1021,

1111, 1151 SAMSUNG 0331, 0341, 0351,

0361, 0861, 0931,

0941, 0971, 1001,

1031, 1111, 1151 SAMSUX 0941 SANYO 0171, 0231, 0271,

0661, 0801, 0911,

0981, 1231, 1251,

1261 SBR 1001 SCHEIDER 1001 SCIMITSU 1031 SCOTCH 0861 SCOTT 0831, 0861, 0941,

1031, 1051, 1091 SEARS 0101, 0161, 0171,

0351, 0481, 0521,

0621, 0761, 0801,

0861, 0971, 0981,

1091 SHANGHAI 1561, 1681 SHARP 0461, 0471, 0541,

0661, 0911, 0941,

1141 SHOGUN 1031 SIGNATURE 0991, 1771 SIMPSON 0581, 0961 SOLAVOX 1151 SONOKO 1001

Page 64

SONTEC 1001 SONY 0371, 0451, 0661,

0841, 0951, 1281, 1441

SOUNDESIGN 0861, 0961, 1051,

1091 SOUNDWAVE 1001 SPECTRICON 1161 SQUAREVIEW 0481 SSS 1031, 1051 STAR-LITE 1051 SUPREM 0951 SUPRE-MACY 1131 SURPA 0351, 0971 SYLVANIA 0101, 0361, 0441,

0581, 0591, 0601,

0611, 0631, 0961,

1111 SYMPHONIC 0481 SYSLINE 1001 TANDY 0271, 0431, 1141 TATUNG 0271, 0881, 1001,

1041, 1161 TCL 1561, 1631, 1701 TECHNICS 0751 TECHWOOD 0351, 0751, 0971 TEKNIKA 0101, 0351, 0571,

0931, 0941, 0961,

0971, 0991, 1031,

1051, 1091, 1121,

1131, 1771 TELETECH 0331 TERA 0501 THAKRAL 1671 THORM 1001 TMK 0351, 0861, 0971,

1081 TOSHIBA 0381, 0521, 0621,

0661, 0931, 0981,

1301 TOSONIC 1011 TOTEVISION 0941 TRICAL 0911 UNIVERSAL 0781, 0791 UNIVERSUM 1001 VECTOR RESEARCH

0361, 1111 VESTEL 1001 VIDEO CONCEPT 1101 VIDIKRON 0101, 0211 VIDTECH 0861, 1031 VIKING 1131 WARDS 0101, 0361, 0451,

0541, 0581, 0591,

0601, 0611, 0771,

0781, 0791, 0861,

0971, 0991, 1031,

1091, 1111, 1771 WATSON 1001 XOGEGO 1611, 1621, 1661,

1741, 1761 YAMAHA 0361, 1031, 1111 YOKO 1001 ZENITH 0011, 0041, 0891,

0991, 1771 ZONDA 1161

CABLE TV

ABC 0256, 0376 ANTRONIX 0136 ARCHER 0136, 0286 BBT 0076 CABLETIME 0166 CABLEVISION 0196 COLOUR VOICE 0306, 0346 COMTRONICS 0216, 0276 EAGLE COMTRONICS

0276 EASTERN 0066 ELECTRICORD 0206 ELECTUS 0266 GE 0116, 0126 GEC CABLE SYSTEM

0196 HAMLIN H5 0676 HAMLIN H6 0666 HAMLIN H6S 0656 HAMLIN H8 0646 HAMLIN H9 0636 JERROLD 0256 JERROLD 400L 0626 JERROLD 450L 0616 JERROLD 550 0606 JERROLD OSD CATV

0596 JERROLD SPRUCER

0436 MAGNAVOX/PHILIPS

0416, 0426 MAMM 0296 MEMOREX 0386 MOVIE TIME 0146, 0206 NORTHCOAST 0016 NSC 0146 OAK 0106 OAK SIGMA 450 0546 OAK SIGMA 550 0536 PANASONIC TZ 120/130

0476 PANASONIC TZ 170/180

0446 PANASONIC TZ140 0466 PANASONIC TZ150/160

0456 PARAGON 0386 PHILIPS 0036, 0216, 0306,

0316, 0326, 0336,

0346 PIONEER 0006, 0086 PIONEER BR50 0846 PIONEER BR60/70/80/81/82

0696 PIONEER BR90 0556 PULSAR 0386 RCA DIGITAL SATELLITE SYSTEM 0396, 0406 REALISTIC 0136 REGENCY/EASTERN 0686 RUNCO 0386 SAMSUNG 0276 SCIENTIFIC ATLANTA 175/475

0576 SCIENTIFIC ATLANTA 75

0366, 0586 SCIENTIFIC ATLANTA 8650

0566 SIGNAL 0276 SL MARX 0276 SPECTAVISION 0236 STANDARD COMPONENTS

0186

STARCOM V 0256 STARGATE 0276 SYLVANIA/TEXSCAN

0376, 0496 TEKNIKA 0176 TELESERVICE 0056 TELEVIEW 0276 TEXSCAN 0186, 0376 TFC 0026 TOCOM 0226, 0356 TOCOM 5503A 0526 TOCOM 5503VIP/5507 0516 TOCOM TC56 0506 TOSHIBA 0386 TUDI 0046 UNIKA 0136 UNIVERSAL 0136, 0156, 0206,

0286 VIDEOWAY 0096 VIEWSTAR 0216 ZENITH 0246, 0386, 0486

SATELLITE TUNER

ALPHA STAR 0826 CHAPARRAL 0756 ECHOSTAR 0836 GENERAL INSTRUMENT

0776, 0876 HTS 0836 HUGHES NETWORK SYSTEMS

0816 JERROLD 0776, 0786 PANASONIC 0806 PRIMESTAR 0776, 0786 RCA 0766 SONY 0796

(DBS)

HITACHI 0856 MAGNAVOX 0886 MEMOREX 0886 PANASONIC 0896 PHILIPS 0886 SONY 0906 STAR CHOICE 0876 TOSHIBA 0866, 0916 UNIDEN 0886

VCR

A TANDY 0902 ADVENTURA 0992 AIKO 0982 AIWA 0992 AKAI 0262, 0942, 0952,

0962, 0972 AMERICAN HIGH 0932 AMSTRAD 0992 ASA 0002, 0912 ASHA 0922 AUDIO DYNAMICS 0202 AUDIOVOX 0912 BEAUMARK 0922 BELL & HOWELL 0902 BLAUPUNKT 0412 BROKSONIC 0872, 0882, 0892 BUSH 0852 CALIX 0912 CANON 0862, 0932 CCE 0852, 0982 CITIZEN 0912, 0982 COLT 0852 CRAIG 0832, 0842, 0852,

0912, 0922

CURTIS MATHES 0662, 0822,

0932 CYBERNEX 0922 DAEWOO 0802, 0812, 0982 DBX 0202 DYNATECH 0472, 0992 ELECTROHOME 0912 ELECTROPHONIC 0912 EMEREX 0792 EMERSON 0072, 0132, 0142,

0152, 0162, 0172, 0182, 0192, 0212, 0702, 0712, 0722, 0732, 0742, 0752, 0762, 0772, 0782, 0872, 0882, 0892, 0912, 0952, 0992,

1072 FINLUX 0002, 0992 FISHER 0682, 0692, 0842,

0902 FUJI 0672, 0932 FUNAI 0992 GARRARD 0992 GE 0662, 0822, 0932 GO VIDEO 0642, 0652 GOLDSTAR 0082, 0632, 0912 GOODMANS 0402 GRADIENTE 0992 GRANDA 0612, 0902 GRUNDIG 0002 HARLEY DAVIDSON

0992 HARMAN/KARDON

0632, 1082 HARWOOD 0752, 0852 HEADQUARTER 0612 HI-Q 0842 HINARI 0852 HITACHI 0102, 0562, 0572,

0582, 0592, 0602,

0992 ITT 0942 JVC (VICTOR) 0202, 0522, 0532,

0542, 0552 KENWOOD 0202, 0542, 0612,

0632, 0902 KLH 0852 KODAK 0912, 0932 LLOYD 0992 LOGIK 0852 LUXOR 0942 LXI 0022, 0912 MAGNAVOX 0002, 0482, 0492,

0502, 0512, 0932 MAGNIN 0922 MARANTZ 0002, 0202, 0402,

0632, 0932 MARTA 0912 MATSUSHITA 0932 MATSUI 0722 MEI 0222, 0932 MEMOREX 0232, 0242, 0472,

0512, 0612, 0842,

0902, 0912, 0922,

0932, 0992 MGA 0762, 0952 MGA TECHNOLOGY

0922 MINOLTA 0592, 0602 MITSUBISHI 0452, 0462, 0542,

0762, 0952, 1082 MOTOROLA 0472, 0932 MTC 0922, 0992

Page 65

MULTITECH 0852, 0992 NAD 0442 NEC 0122, 0202, 0292,

0422, 0432, 0542,

0632 NIKKO 0912 NOBLEX 0922 OLYMPUS 0412, 0932 OPTIMUS 0442, 0472, 0912 OPTONICA 0402 ORION 0212, 0722, 0742,

0772 OSAKI 0912 PANASONIC 0012, 0052, 0092,

0222, 0372, 0382,

0392, 0412, 0932 PENNY 0202, 0432, 0602,

0632, 0692, 0912,

0922, 0932 PENTAX 0592, 0602 PERDIO 0992 PHILCO 0002, 0932 PHILIPS 0002, 0282, 0402,

0492, 0932 PILOT 0912 PIONEER 0442, 0542 PROSCAN 1002, 1012, 1022,

1032, 1042, 1052,

1062 PULSAR 0512 QUARTER 0612 QUARTZ 0272, 0612 QUASAR 0382, 0392, 0932 RADIO SHACK 0912, 0992 RADIX 0912 RANDEX 0912 RCA 0112, 0382, 0392,

0482, 0592, 0602,

0662, 0822, 0942 REALISTIC 0402, 0472, 0612,

0682, 0842, 0902,

0912, 0922, 0932,

0992 RICOH 0352, 0362 SAISHO 0212, 0582, 0722,

0732, 0742, 0772 SALORA 0612, 0762 SAMSUNG 0212, 0312, 0922,

0962 SANKY 0472, 0512 SANSUI 0292, 0542, 0832 SANYO 0242, 0612, 0842,

0902, 0922 SBR 0002, 0282 SCHEIDER 0852 SCOTT 0342, 0712, 0762,

0872, 0882, 0892 SEARS 0302, 0592, 0602,

0612, 0682, 0692,

0842, 0902, 0912,

0932 SHARP 0402, 0472 SHINTOM 0852 SHOGUN 0922 SINGER 0852 SONY 0032, 0332, 0352,

0362, 0672, 0792,

0932 STS 0602 SUNPAK 0352 SYLVANIA 0002, 0492, 0502,

0762, 0932, 0992 SYMPHONIC 0992 TANDY 0992 TASHIKO 0712, 0992

TEAC 0992 TECHNICS 0932 TEKNIKA 0322, 0912, 0932,

0992 TELEFUNKEN 0252 TMK 0212, 0732, 0772,

0922 TOSHIBA 0062, 0302, 0342,

0622, 0682, 0712,

0762 TOTEVISION 0912, 0922 UNITECH 0922 VECTOR RESEARCH

0202, 0432, 0632 VIDEO CONCEPTS

0202, 0432, 0632,

0952 WARDS 0322, 0402, 0472,

0482, 0602, 0712,

0842, 0852, 0922,

0932, 0992 YAMAHA 0202, 0632 ZENITH 0042, 0362, 0512,

0672

DVD PLAYER

AKAI 0058 DENON 0188 HITACHI 0198 JVC (VICTOR) 0088, 0178 KENWOOD 0148 MAGNAVOX 0128 MITSUBISHI 0138 ONKYO 0068, 0128 PANASONIC 0028 PHILIPS 0098, 0128 PIONEER 0108, 0118 PROSCAN 0158 RCA 0158 SAMSUNG 0078 SHARP 0038 SONY 0018 TECHNICS 0028 THOMSON 0168 TOSHIBA 0048, 0128 YAMAHA 0008, 0028, 0098 ZENITH 0128

LD PLAYER

AIWA 0157 DENON 0147 DISCO VISION 0017 FUNAI 0157 HITACHI (E) 0017 KENWOOD 0087, 0107 MAGNAVOX 0027 MARANTZ 0027 MITSUBISHI 0137 NAD 0137 PANASONIC 0077, 0177 PHILIPS 0027 PIONEER 0017, 0037, 0137 RCA 0167 REALISTIC 0157 SHARP 0127 SONY 0047, 0057, 0117 VICTOR 0097 YAMAHA 0007, 0067

CD PLAYER

ACOUSTIC RESEARCH

ADC 0025, 0065 ADCOM 0205, 0255, 1015 ADS 0265 AIWA 0295, 0945, 1035,

AKAI 0175, 0485, 0535 ALPINE 1215, 1305 AUDIO-TECHNICA 0545 BSR 0245, 0655, 0775 CALIFORNIA AUDIO LAB

CAPETRONIC 1205 CARRERA 0245 CARVER 0285, 1135 CASIO 0345 CROWN 0185 CURTIS MATHES 0345 DENON 0275, 0875, 0885 DEUAL (E) 0505 DYNAMIC BASS (H)

EMERSON 0205, 0325, 1105 EROICA 1275 FISHER 0095, 0555, 0925,

GARRARD 0365 GENEXXA 0305, 0325, 1105 GOLDSTAR 1135, 1225, 1265,

HARMAN/KARDON

HITACHI 0195, 0205, 0505,

INKEL 0115, 0395 JVC (VICTOR) 0315 KENWOOD 0045, 0095, 0405,

KYOCERA 0025 LUXMAN 0075, 0425, 0675,

MAGNAVOX 0165, 0215, 0645,

MARANTZ 0215, 0235, 0375,

MCINTOSH 0355, 1085 MCS 0905, 1315 MEMOREX 0205, 0225, 0235,

MGA 0135 MISSION 0215 MITSUBISHI 0135, 0445 MTC 1255 NAD 0035, 0615, 0685,

NAKAMICHI 0125, 0435, 0515 NEC 0255, 0905, 0965 NIKKO 0545, 1005 ONKYO 0155, 0455, 0495,

OPTIMUS 0225, 0245, 0555,

PANASONIC 0055, 0825, 1095,

PENNY 0905 PHILIPS 0165, 0215 PIONEER 0305, 0935, 1045 PROTON 0215, 1185 QUASAR 0055 RCA 0205, 0915, 1115

1295

1055

0055

0555

1005

1335

0105, 0175,

0465, 0995

0815

0585, 0725, 0735, 0745, 0755, 0895

0705, 0715, 0985

0955

0785, 1345

0305, 0325, 1105

0695

0805, 1155

0595, 0845, 0855, 0865, 0895, 0935

1125

REALISTIC 0205, 0225, 0235,

0325, 0555, 0845 REVOX 1175 ROTEL 0215 SABA TELECOMMANDER (E)

0505 SAE 0215 SAMSUNG 1285 SANSUI 0215, 0625, 0975,

1025, 1105 SANYO 0145, 0555, 0635,

0765 SCOTT 0325, 1105 SEARS 0345 SHARP 0235, 0665, 0895,

1065, 1075 SHERWOOD 0115, 0235, 0395,

0475 SIEMENTS GARRARD

1245 SIGNATURE 0175 SONTEC 1165 SONY 0065, 0565, 0865,

1145 STARON 1235 STS 0025 SYLVANIA 0215 SYMPHONIC 0335 TANDY 0305 TANGBERG 1195 TEAC 0235, 0335, 0385,

0525, 0795, 0835,

1355 TECHNICS 0055, 0605, 1095 TECHWOOD 1325 TELEFUNKEN (E) 0505 THOMSON (E) 0505 TOSHIBA 0035, 0685 VECTOR RESEARCH

0065, 1135 WARDS 0175 YAMAHA 0005, 0015, 0085,

0415, 0545, 0575,

1065

CD RECORDER/CDRW

HITACHI 0474 JVC (VICTOR) 0504 MARANTZ 0484, 0494 PHILIPS 0444 PIONEER 0454, 0464 YAMAHA 0414

MD RECORDER

KENWOOD 0384 PIONEER 0424 SHARP 0434 SONY 0394 YAMAHA 0024, 0394, 0404

III

Page 66

TAPE DECK

AIWA 0094, 0214, 0224 AKAI 0184 CARVER 0094 DENON 0304 FISHER 0144 GARRARD 0194, 0204 JVC (VICTOR) 0274, 0284, 0294 KENWOOD 0124, 0134, 0154,

MAGNAVOX 0094 MARANTZ 0094, 0344 MITSUBISHI 0184 OPTIMUS 0034, 0064, 0204,

ONKYO 0364, 0374 PHILIPS 0094 PIONEER 0034, 0044, 0064 REVOX 0354 SANSUI 0094, 0344 SHARP 0264 SHERWOOD 0334 SONY 0054, 0084, 0324 TEAC 0194, 0254 TECHNICS 0074, 0314 WARDS 0034 YAMAHA 0004, 0014, 0104,

0234, 0244, 0264

0334

0114, 0164, 0174, 0264

Page 67

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia V874870

Yamaha HTR-5560 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

INTRODUCTION

CONTENTS

FEATURES

GETTING STARTED

Checking the package contents

Installing batteries in the remote control

Front panel

CONTROLS AND FUNCTIONS

Remote control

Using the remote control

Front panel display

PREPARATION

Speakers

SPEAKER SETUP

Speaker placement

Connecting the speakers

CONNECTIONS

Before connecting components

Connecting video components

Connecting audio components

Connecting the antennas

Connecting an external amplifier

Connecting an external decoder

Connecting the power supply cords

Turning on the power

SPEAKER MODE SETTINGS

ADJUSTING SPEAKER OUTPUT LEVELS

Before you begin

Using the test tone

BASIC PLAYBACK

Input modes and indications

Selecting a sound field program

Understanding sound fields

Hi-Fi DSP programs

CINEMA-DSP

Sound design of CINEMA-DSP

CINEMA-DSP programs

TUNING

Automatic and manual tuning

Presetting stations

Tuning in to a preset station

Exchanging preset stations

SLEEP TIMER

Setting the sleep timer

Canceling the sleep timer

RECORDING

ADVANCED OPERATION

SET MENU

Adjusting the items on the SET MENU

2 LFE LEVEL

4 D. RANGE (dynamic range)

9 DISPLAY SET

10 MEM. GUARD (memory guard)

REMOTE CONTROL FEATURES

Control area

Setting the manufacturer code

Clearing setup manufacturer codes

Controlling other components

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

ADJUSTING THE DELAY TIME

Changing parameter settings

TROUBLESHOOTING

GLOSSARY

SPECIFICATIONS

LIST OF MANUFACTURER CODES