Yamaha GF24-12, GF12-12, GF16-12 User Manual

MIXING CONSOLE

Owner’s Manual

Keep This Manual For Future Reference.

E

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

Precautions

Warnings

• Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result.

• Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Manual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

• Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre and electrical shock hazard.

• Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet.

• If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, ﬁre or electrical shock may result.

• If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

• Do not remove the unit’s cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer.

• Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

Precautions

Cautions

• This unit has ventilation holes at the top and right side to prevent the internal temperature rising too high. Do not block them. Blocked ventilation holes are a ﬁre hazard.

• Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a potential ﬁre and electrical shock hazard.

• Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

Operating Notes

• Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

• XLR-type connectors are wired as follows: pin 1: ground, pin 2: hot (+), and pin 3: cold (–).

• Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.

• The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.

3

—Owner’s Manual

Introduction

4

Introduction

Thank you for purchasing the Yamaha GF24/12, GF16/12, or GF12/12 mixing console. These mixers provide an ample twelve outputs, and are suitable for a wide variety of applications ranging from concert sound reinforcement to installed systems. In order to take full advantage of the mixer’s functionality and to enjoy years of trouble-free performance, please read this manual carefully.

Note:

• This owner’s manual assumes that you are familiar with basic operation of a mixing console and its specialized vocabulary.

• At points where the speciﬁcations of the GF24/12, GF16/12, and GF12/12 differ, the speciﬁcations of the GF16/12 and GF12/12 are given in curly brackets { }.

Features of the system

• In addition to the main stereo outputs, this mixer provides six AUX outputs plus four group outputs (a total of 12 outputs). The AUX/GROUP outputs can be used not only as sends to external effect processors or to a multitrack recorder, but are also ideal for creating separate foldback mixes for each speaker and amp.

• The MONO OUT jack can be controlled independently from the STEREO OUT jacks. Since a monaural mix of the main output is sent from this output, it can be used to extend a PA system.

• All input channels provide a high-pass ﬁlter, a three-band EQ, and 60 mm faders.

• All input channels/AUX returns provide a PFL switch, and AUX/group/stereo output channels provide an AFL switch. You can audition input and output sources at the touch of a button.

• All mono input channels provide balanced XLR type and TRS phone jack connectors that accommodate a range of sources from mics to line level devices.

• Switchable phantom power is provided. This can supply DC +48 V power from the XLR type input connectors to condenser mics and direct boxes that require an external power supply.

• Two stereo input channels allow connection of line-level equipment. 1/4" phone jack and phono jack inputs can be selected by a switch.

• Two stereo AUX returns are provided. This allows AUX return signals to be sent to an AUX bus or GROUP bus as well as to the ST bus. These can also be used as spare line level input jacks.

• An insert I/O jack is provided on each mono input channel and on the ST bus, allowing you to insert external effect processors as desired.

• The TAPE IN jacks and REC OUT jacks let you easily connect a master recorder for recording or playback.

Front and rear panel

This section explains the names and functions of each section of the GF24/12, GF16/12, and GF12/12.

The functionality of these mixers is grouped into ten sections. These are the two channel control sections, seven master control sections, and the rear panel connectors. Their functions will be explained sequentially.

Front panel

1918171110987654321

20

26dB

GAIN

+10

HIGH

MID

LOW

1

2

3

4

5

6 PAN

–15

PEAK

–15 +15

250 5K

–15 +15

010

GAIN

–34

+10

–60

–15

–60

–15

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

3

010

4

010

PRE

5

010

6

010

PAN

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

PFL

+10

–60

–15

–60

–15

–60

–15

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

EVENLODD

1–2

3–4

ST

PFL

010

PRE

3

010

4

010

PRE

5

010

6

010

PAN

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

PFL

–34

+10

HIGH

MID

LOW

1

2

3

4

5

6 PAN

–15

PEAK

–15 +15

250 5K

–15 +15

010

+10

–60

–15

–60

–15

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

3

010

4

010

PRE

5

010

6

010

PAN

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

PFL

–60

80

AUX

PRE

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10 15

20 30 40

PFL

GAIN

–34

+10

–60

–15

–60

–15

–60

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

3

010

4

010

PRE

5

010

6

010

PAN

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

PFL

–15

PEAK

–15 +15

250 5K

–15 +15

010

26dB

GAIN

–34

+10

–60

–15

–60

–15

–60

80

AUX

PRE

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10 15

20 30 40

PFL

–15

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

3

010

4

010

PRE

5

010

6

010

PAN

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

PFL

20

1918171110987654321

Front and rear panel

5

6379

POWER

234

10

5

0

5

10

15

20

30

40

AFL

MONO

010

POST

10

5 0

5

10 15

20 30 40

AFL

STEREO

PHANTOM +48V

OFF ON

METER SELECT

STEREO PFL•AFL

TAPE IN

010

C-R MONITOR

LEVEL

010

PHONES LEVEL

PHONES

PEAK +8 +5 +3 +1 0 –1 –3 –5 –7 –10 –15 –20

PHANTOM

GROUP

3

0

4

010

3

010

4

010

PEAK

+8 +5 +3 +1

0 –1 –3 –5 –7

–10

10

–15 –20

LR LR

STEREO PFL•AFL/TAPE IN

1

010

ON

MIXING CONSOLE

TAPE IN

10

5

0

5

10

15

20

30

40

AFL

PAN

RL

TO ST

RL

TO ST

10

5

0

5

10

15

20

30

40

AFL

21/22

23/24

A

B

26dB

–60

PRE

EVENLODD

1–2

3–4

ST

PFL

B

GAIN

GROUP

–34

+10 –34

80

PEAK

HIGH

–15 +15

MID

–15 +15

LOW

–15 +15

AUX

PRE

1

010

2

010

PRE

3

010

4

010

PRE

5

010

6

010

BAL

R

EVENLODD

ON

10

1–2

5

3–4

0

5

ST

10 15

20 30 40

PFL

23/2421/22

GROUP

1

0

10

80

2

010

AUX

1

010

2

010

ST

010

PFL PFL

AUX

1 AUX RETURN 2

PRE

10

5 0

PRE

5

10 15

20 30

PRE

40

AFL

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6

PAN

R

RL

EVENLODD

TO ST

ON

10

1–2

5

3–4

0

5

ST

10

15

20

30

40

AFL

PFL

GROUP 1 GROUP 2 GROUP 3 GROUP 4

Channel controls

1. Mono input channels (page 6)

2. Stereo input channels (page 8)

Rear panel

Connectors (page 17)

POWER

ON/ OFF

C-R OUT

MONO OUT

+4dB

GROUP OUT +4dB

+4dBV

ST INSERT I/O

1234

AUX OUT +4dB (BALANCE)

+4dBV

STEREO OUT

0dB

AUX RETURN

(MONO)

2LLRLR

TAPE IN –10dBV

RRLL

REC OUT –10dBV

+4dB

1L

1R2R

23L

24R

123456

23L

24R

INPUT

(MONO)

INPUT

21 54 8

Master controls

3. GROUP section (page 10)

4. AUX section (page 11)

5. STEREO/MONO section (page 12)

6. AUX RETURN section (page 13)

7. TAPE IN section (page 14)

8. Other controls/connectors (page 14)

9. Meter section (page 16)

INSERT I/O

OUT IN

B

INSERT I/O

21L

0dB

22R

INPUT

B

21L

22R

INPUT

A

0dB

INPUT

B

INPUT

A

INSERT I/O 0dB

INPUT

B

INPUT

A

—Owner’s Manual

Front and rear panel

6

Channel controls

■

Mono input channels

4

6

GAIN

+10

–16

80

PEAK

HIGH

–15 +15

MID

250 5K

–15 +15

LOW

–15 +15

AUX

1

010

2

010

3

010

4

010

5

010

6

010

PAN

L

ODD

ON

10

5 0

5

10 15

20 30 40

26dB

–34

–60

PRE

R

EVEN

1–2

3–4

ST

PFL

1

2

3

5

7

8

9

0

A

B

C

Here are the 20 {12, 8} mono input channels of the GF24/12 {GF16/12, GF12/12}. The input channel section processes the signal from the input jacks of the connector section, and sends the result to the GROUP buses, AUX buses, and the ST bus.

Pad switch

1

This attenuates the input signal by 26 dB. The pad is on when this switch is pressed in.

GAIN control

2

This adjusts the input sensitivity. The range of levels that can be accommodated is –16 dB to –60 dB when the pad switch ( 1 ) is off, and +10 dB to –34 dB when the pad switch is on.

High pass ﬁlter switch

3

This is an on/off switch for the high pass ﬁlter that cuts the frequency range below 80 Hz at a slope of 12 dB/octave. The high pass ﬁlter is on when the switch is pressed in.

4

PEAK indicator

This is an indicator that detects post-EQ clipping. It will light 3 dB before clipping, indicating that the signal is near the clipping level. If this LED lights, lower the GAIN control ( 2 ).

EQ controls (HIGH/MID/LOW)

5

This is a three-band equalizer that boosts/cuts each frequency band over a

±

15 dB range. The center frequency and equalizer type for each band is shown below.

Band

HIGH 10 kHz shelving

MID 250 Hz–5 kHz peaking

LOW 100 Hz shelving

Center

frequency

Type

The response is ﬂat when the knob is in the “▼” position.

AUX controls (1–6)

6

These knobs adjust the level at which the input channel signal is sent to the AUX buses 1–6. AUX controls 1 and 2 are ﬁxed at pre-fader, and AUX controls 3–6 can be switched between pre/post fader using the PRE switch (7). When a knob is in the “√” position, the level is “nominal”.

—Owner’s Manual

PRE switches

7

These switches select whether the pre or post fader signal will be sent to AUX buses 3–6. This setting is switched in pairs: AUX 3/4 and 5/6. When the switch is pressed in, the pre-fader signal will be sent to the corresponding pair of AUX buses. When the switch is in the out (up) position, the post-fader signal will be sent.

PAN control

8

This adjusts the left/right position at which the input channel signal will be sent to the ST (stereo) bus, GROUP bus 1/2, and GROUP bus 3/4.

ON switch

9

This switches the input channel on/off. When this switch is turned off, the signal of the input channel will not be sent to the ST bus, GROUP buses, or AUX buses. However even if this switch is off, you can use the PFL switch (B) to monitor the signal from the C-R OUT jacks or the PHONES jack.

Channel controls

Group select switches

0

These switches send the signal of the input channel to GROUP buses 1–4. When the 1–2 switch is on (pressed in) the signal will be sent to GROUP bus 1/2. When the 3–4 switch is on, the signal will be sent to GROUP bus 3/4.

A

ST (stereo) switch

This switch sends the signal of the input channel to the ST bus. When this switch is on, the signal will be sent to the ST bus.

B

PFL (pre-fader listen) switch

This switch sends the pre-fader signal to the PFL/ AFL bus, allowing you to monitor it through headphones or monitor speakers. When this switch is on, the pre-fader signal of the input channel can be heard from the C-R OUT jacks and the PHONES jack, even if the ON switch (9) is off.

Channel fader

C

This fader adjusts the input level of the input channel. The position of the channel fader will affect the level of the signal that is output from the ST bus, GROUP buses 1–4, and AUX buses 1– 6 (except when the PRE switch is on for AUX buses 3–6).

7

INPUT A

1-20 {1-12} {1-8}

INPUT B

PHANTOM

+48V

PAD

26dB

+48V

HA

GAIN

PEAK

g

HIGH

PFL

HPF

80

INSERT I/O

0dB

3 Stage EQ

g

LOW

f

g

MID

Mono input channel signal ﬂow

AUX

GROUP

4321

ST

PAN

ON

PRE

1-2

3-4

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

PFL/AFL

654321

LR

ST

RL

—Owner’s Manual

Front and rear panel

8

■

Stereo input channels

4

6

GAIN

+10 –34

80

PEAK

HIGH

–15 +15

MID

–15 +15

LOW

–15 +15

AUX

1

010

2

010

3

010

4

010

5

010

6

010

BAL

L

EVEN

ODD

ON

10

5 0

5

10 15

20 30 40

PRE

1–2

3–4

ST

PFL

A B

1

2

Here are the two stereo input channels provided by the GF24/12, GF16/12, and GF12/12. The INPUT 21/22 and 23/24 {13/14 and 15/16 on the GF16, and 9/10 and 11/12 on the GF12/12} jacks ( 6 and 0 of the connector section) are pairs of

3

connectors that let you control a stereo signal using one input channel. If a cable is connected only to the INPUT A 21L or 23L jack {13L or 15L on the GF16/12, or 9L or 11L on the GF12/12}, the source will be controlled as a monaural signal.

5

A/B switch

1

This switch selects input jacks. When the switch is in the upward position ( ) the input signal of the INPUT A jack is selected (page 18, 6 of the connector section). When the switch is in the downward section ( ), the input signal of the INPUT B jack is selected (0 of the connector section).

GAIN control

2

This adjusts the input sensitivity. The range of levels that can be accommodated is +10 dB to –34 dB.

High pass ﬁlter switch

3

7

This is an on/off switch for the high pass ﬁlter that cuts the frequency range below 80 Hz at a slope of 12 dB/octave. The high pass ﬁlter is on when the switch is pressed in.

PEAK indicator

4

This is an indicator that detects post-EQ clipping.

R

8

It will light 3 dB before clipping, indicating that the signal is near the clipping level. If this LED

9

lights, lower the GAIN control ( 2 ).

EQ controls (HIGH/MID/LOW)

5

This is a three-band equalizer that boosts/cuts

0

each frequency band over a

±

15 dB range. The center frequency and equalizer type for each

A

B

C

band is shown below.

Band

HIGH 10 kHz shelving

MID 250 Hz peaking

LOW 100 Hz shelving

Center

frequency

Type

The response is ﬂat when the knob is in the “▼” position.

—Owner’s Manual

Yamaha GF24-12, GF12-12, GF16-12 User Manual

Precautions

Introduction

Features of the system

Contents

Front and rear panel

Front panel

Rear panel

Channel controls