Liste der Artikulationen für S.Art2!-Voices
Liste relative à la sonorité Super Articulation S.Art2!
Elenco articolazioni voci S.Art2!
S.Art2! Voice Articulation-lijst
Lista brzmień S.Art2! ................................................................................................
Drum/SFX Kit List
Drum/SFX-Kit-Liste
Liste des kits de batterie/SFX
Elenco dei kit di batteria/SFX
Drum/SFX Kit-lijst
Lista zestawów perkusyjnych/efektów......................................................................
Style List
Liste der Styles
Liste des styles
Elenco degli stili
Style-lijst
Lista stylów...............................................................................................................
Multi Pad Bank List
Multi-Pad-Banikliste
Liste des banques mutli-pads
Elenco dei banchi multipad
Pulti Pad Bank-lijst
Lista sekwencji Multi Pad .........................................................................................
Ensemble Voice List
Liste der Ensemble-Voices
Liste des sonorités Ensemble Voice
Elenco delle voci di gruppo
Ensemble Voice-lijst
Lista brzmień zespołowych ......................................................................................
Chord Types Recognized in the Fingered Mode
Im Fingered-Modus erkannte Akkordarten
Types d’accords reconnus en mode Fingered
Tipi di accordi riconosciuti in modalità Ditteggiatura
Herkende akkoordtypes in Fingered-modus
Typy akordów rozpoznawane w trybie Fingered ......................................................
Effect Type List
Liste der Effekttypen
Liste des types d’effet
Elenco dei tipi di effetti
Effect Type-lijst
Lista rodzajów efektów .............................................................................................
Effect Parameter List
Liste der Effektparameter
Liste des paramètres d’effets
Elenco dei parametri di effetti
Effect Parameter-lijst
Lista parametrów efektów ........................................................................................
3
15
22
24
40
42
44
45
46
54
Effect Data Assign Table
Effektdaten-Zuordnungstabelle
Tableau d’assignation des données d’effets
Tabella assegnazione dati degli effetti
Effect Data Assign-tabel
Tabela przypisania danych efektów..........................................................................
Keyboard Harmony/Arpeggio Type List
Tastatur Harmonie/Liste der Arpeggio-Typen
Harmonie clavier/Liste de types d'arpège
Armonia della tastiera/Elenco dei tipi di arpeggio
Toetsenbord Harmonie/Lijst met arpeggiotypen
Harmonia klawiatury/Lista rodzajów arpeggia ..........................................................
Vocal Harmony Parameter List
Liste der Vokalharmonie-Parameter
Liste des paramètres liés à l’harmonie vocale
Elenco dei parametri di armonia vocale
Vocal Harmony Parameter-lijst
Lista parametrów harmonii wokalnej ........................................................................
Parameter Chart
Parametertabelle
Tableau des paramètres
Prospetto di parametri
Parameter-tabel
MIDI-Datenformat
Format des données MIDI
Formato dati MIDI
MIDI-gegevensindeling
Format danych MIDI .................................................................................................
Song Meta Event List
Liste der Meta-Events der Songs
Liste des méta-événements des morceaux
Elenco dei metaeventi song
Song Meta Event-lijst
Lista metadanych utworu .......................................................................................
Song System Exclusive Message List
Liste der System-Exclusive-Meldungen der Songs
Liste des messages exclusifs au système de morceaux
Elenco di System Exclusive message song
Song System Exclusive Message-lijst
Lista komunikatów System Exclusive dla utworu ..................................................
MIDI Implementation Chart
MIDI-Implementationstabelle
MIDI Implementation Chart
Prospetto di implementazione MIDI
MIDI Implementation-tabel
Note 36–95pmfflegatospiccato mfspiccato ftremolo glissando down
KinoLargeAmbiOctCb
8550
KinoSmallAmbi
8649
KinoLargeAmbi
8650
60sVintage
8104
60sVintageSlap
8114
Genos Data List
21
Page 22
S.Art2! Voice Articulation List / Liste der Artikulationen fürS.Art2!-Voices /
Liste relative à la sonorité Super ArticulationS.Art2! / Elenco articolazioni voci S.Art2! /
S.Art2! Voice Articulation-lijst / Lista brzmień S.Art2!
Bend F: Bend Fast, Bend M: Bend Middle, Bend S: Bend Slow, -: No Assign
Genos Data List
22
Page 23
S.Art2! Voice Articulation List / Liste der Artikulationen für S.Art2!-Voices / Liste relative à la sonorité Super Articulation S.Art2! / Elenco articolazioni voci S.Art2! / S.Art2! Voice
Bend F: Bend Fast, Bend M: Bend Middle, Bend S: Bend Slow, -: No Assign
PC#
(1–128)
ART.1ART.2ART.3ART.1ART.2ART.3
Key OnKey Off
Hi-Velocity
Genos Data List
23
Page 24
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX /
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
MSB (0–127)127127127127
LSB (0–127)0000
PC# (1–128)1259
MIDI
Keyboard
Note# Note
13C#-1C#0Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3
14D-1D0Surdo Open3Surdo Open3Surdo Open3Surdo Open3
15D#-1D#0Hi QHi QHi QHi Q
16E-1E0Whip SlapWhip SlapWhip SlapWhip Slap
17F-1F0Scratch H4Scratch H4Scratch H4Scratch H4
18F#-1F#0Scratch L4Scratch L4Scratch L4Scratch L4
19G-1G0Finger SnapFinger SnapFinger SnapFinger Snap
20G#-1G#0 Click NoiseClick NoiseClick NoiseClick Noise
21A-1A0Metronome ClickMetronome ClickMetronome ClickMetronome Click
22A#-1A#0Metronome BellMetronome BellMetronome BellMetronome Bell
23B-1B0Seq Click LSeq Click LSeq Click LSeq Click L
24C0C1Seq Click HSeq Click HSeq Click HSeq Click H
25C#0C#1 Brush TapBrush TapBrush TapBrush Tap
26D0D1Brush SwirlBrush SwirlBrush SwirlBrush Swirl
27D#0D#1Brush SlapBrush SlapBrush SlapBrush Slap
28E0E1Brush Tap SwirlBrush Tap SwirlBrush Tap SwirlBrush Tap Swirl
29F0F1Snare RollSnare RollSnare RollSnare Roll
30F#0F#1 CastanetCastanetCastanetCastanet
31G0G1Snare SoftSnare Soft 2Snare ElectroSnare Soft
32G#0G#1SticksSticksSticksSticks
33A0A1Kick SoftKick SoftKick Tight LKick Soft
34A#0A#1 Open Rim Shot
35B0B1Kick TightKick TightKick WetKick Tight
36C1C2KickKick ShortKick Tight HKick
37C#1C#2 Side StickSide Stick LightStick AmbientSide Stick
38D1D2SnareSnare ShortSnare AmbientSnare Snappy
39D#1D#2 Hand ClapHand ClapHand ClapHand Clap
40E1E2Snare TightSnare Tight HSnare Tight 2Snare Tight Snappy
41F1F2Floor Tom LFloor Tom LHybrid Tom 1Tom Room 1
42F#1F#2 Hi-Hat Closed1Hi-Hat Closed1Hi-Hat Closed 21Hi-Hat Closed1
43G1G2Floor Tom HFloor Tom HHybrid Tom 2Tom Room 2
44G#1G#2 Hi-Hat Pedal1Hi-Hat Pedal1Hi-Hat Pedal 21Hi-Hat Pedal1
45A1A2Low TomLow TomHybrid Tom 3Tom Room 3
46A#1A#2 Hi-Hat Open1Hi-Hat Open1Hi-Hat Open 21Hi-Hat Open1
47B1B2Mid Tom LMid Tom LHybrid Tom 4Tom Room 4
48C2C3Mid Tom HMid Tom HHybrid Tom 5Tom Room 5
49C#2C#3 Crash Cymbal 1Crash Cymbal 1Crash Cymbal 1Crash Cymbal 1
50D2D3High TomHigh TomHybrid Tom 6Tom Room 6
51D#2D#3 Ride Cymbal 1Ride Cymbal 1Ride Cymbal 1Ride Cymbal 1
52E2E3Chinese CymbalChinese CymbalChinese CymbalChinese Cymbal
53F2F3Ride Cymbal CupRide Cymbal CupRide Cymbal CupRide Cymbal Cup
54F#2F#3TambourineTa m bo u ri neTambourine LightTambourine
55G2G3Splash CymbalSplash CymbalSplash CymbalSplash Cymbal
56G#2G#3CowbellCowbellCowbellCowbell
57A2A3Crash Cymbal 2Crash Cymbal 2Crash C ymbal 2Crash Cymbal 2
58A#2A#3VibraslapVibraslapVibraslapVibraslap
59B2B3Ride Cymbal 2Ride Cymbal 2Ride Cymbal 2Ride Cymbal 2
60C3C4Bongo HBongo HBongo HBongo H
61C#3C#4Bongo LBongo LBongo LBongo L
62D3D4Conga H MuteConga H MuteConga H MuteConga H Mute
63D#3D#4 Conga H OpenConga H OpenConga H OpenConga H Open
64E3E4Conga LConga LConga LConga L
65F3F4Timbale HTimbale HTimbale HTimbale H
66F#3F#4 Timbale LTimbale LTimbale LTimbale L
67G3G4Agogo HAgogo HAgogo HAgogo H
68G#3G#4 Agogo LAgogo LAgogo LAgogo L
69A3A4CabasaCabasaCabasaCabasa
70A#3A#4 MaracasMaracasMaracasMaracas
71B3B4Samba Whistle HSamba Whistle HSamba Whistle HSamba Whistle H
72C4C5Samba Whistle LSamba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Guiro ShortGuiro ShortGuiro ShortGuiro Short
74D4D5Guiro LongGuiro LongGuiro LongGuiro Long
75D#4D#5 ClavesClavesClavesClaves
76E4E5Wood Block HWood Block HWood Block HWood Block H
77F4F5Wood Block LWood Block LWood Block LWood Block L
78F#4F#5 Cuica MuteCuica MuteCuica MuteCuica Mute
79G4G5Cuica OpenCuica OpenCuica OpenCuica Open
80G#4G#5 Triangle Mute2Triangle Mute2Tri angle Mut e2Triangle Mute2
81A4A5Triangle Open2Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 ShakerShakerShakerShaker
83B4B5Jingle BellsJingle BellsJingle BellsJingle Bells
84C5C6Bell TreeBell TreeBell TreeBell Tree
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
StandardKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Open Rim Shot H Short
StandardKit2
Alternate
Group
(*1)
Key
Off
(*2)
Alternate
Revo!
(*3)
HitKit
Snare PitchedOpen Rim Shot
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
RoomKit
Alternate
Group
(*1)
Key
(*2)
Off
Revo!
(*3)
Genos Data List
24
Page 25
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127127
LSB (0–127)0000
PC# (1–128)17252628
MIDI
Note# Note
13C#-1C#0Surdo Mute3Surdo Mute3Surdo Mute3Kick Dance 1
14D-1D0Surdo Open3Surdo Open3Surdo Open3Kick Dance 2
15D#-1D#0Hi QHi QHi QHi Q
16E-1E0Whip SlapWhip SlapWhip SlapWhip Slap
17F-1F0Scratch H4Scratch H4Scratch H4Scratch Dance 1
18F#-1F#0Scratch L4Scratch L4Scratch L4Scratch Dance 2
19G-1G0Finger SnapFinger SnapFinger SnapFinger Snap
20G#-1G#0 Click NoiseClick NoiseClick NoiseClick Noise
21A-1A0Metronome ClickMetronome ClickMetronome ClickDance Perc 1
22A#-1A#0Metronome BellMetronome BellMetronome BellReverse Dance 1
23B-1B0Seq Click LSeq Click LSeq Click LDance Perc 2
24C0C1Seq Click HSeq Click HSeq Click HHi Q Dance 1
25C#0C#1 Brush TapBrush TapBrush TapSnare Analog 3
26D0D1Brush SwirlBrush SwirlBrush SwirlVinyl Noise
27D#0D#1 Brush SlapBrush SlapBrush SlapSnare Analog 4
28E0E1Brush Tap SwirlReverse CymbalReverse CymbalReverse Cymbal
29F0F1Snare RollSnare RollSnare RollReverse Dance 2
30F#0F#1 CastanetHi Q 2Hi Q 2Hi Q 2
31G0G1Snare Noisy
32G#0G#1 SticksSticksSticksSnare Dance 1
33A0A1Kick SoftKick 3Kick 3Kick Techno Q
34A#0A#1 Open Rim ShotOpen Rim ShotOpen Rim ShotRim Gate
35B0B1Kick 2Kick GateKick Analog ShortKick Techno L
36C1C2Kick GateKick Gate HeavyKick AnalogKick Techno
37C#1C#2 Side StickSide StickSide Stick AnalogSide Stick Analog
38D1D2Snare RockSnare Noisy 2Snare AnalogSnare Clap
39D#1D#2 Hand ClapHand ClapHand ClapDance Clap
40E1E2Snare Rock TightSnare Noisy 3Snare Analog 2Snare Dry
41F1F2Tom Rock 1Tom Electro 1Tom Analog 1Tom Dance 1
42F#1F#2 Hi-Hat Closed1Hi-Hat Closed1
43G1G2Tom Rock 2Tom Electro 2Tom Analog 2Tom Dance 2
44G#1G#2 Hi-Hat Pedal1Hi-Hat Pedal1
45A1A2Tom Rock 3Tom Electro 3Tom Analog 3Tom Dance 3
46A#1A#2 Hi-Hat Open1Hi-Hat Open1
47B1B2Tom Rock 4Tom Electro 4Tom Analog 4Tom Dance 4
48C2C3Tom Rock 5Tom Electro 5Tom Analog 5Tom Dance 5
49C#2C#3 Crash Cymbal 1Crash Cymbal 1Crash AnalogCrash Analog
50D2D3Tom Rock 6Tom Electro 6Tom Analog 6Tom Dance 6
51D#2D#3 Ride Cymbal 1Ride Cymbal 1Ride Cymbal 1Ride Cymbal 1
52E2E3Chinese CymbalChinese CymbalChinese CymbalChinese Cymbal
53F2F3Ride Cymbal CupRide Cymbal CupRide Cymbal CupRide Cymbal Cup
54F#2F#3 TambourineTam b ou ri n eTambourineTambourine Analog
55G2G3Sp lash CymbalSpl ash CymbalSplash CymbalSplash Cymbal
56G#2G#3 CowbellCowbellCowbell AnalogCowbell Dance
57A2A3Crash Cymbal 2Crash Cymbal 2Crash Cymbal 2Crash Cymbal 2
58A#2A#3 VibraslapVibraslapVibraslapVibraslap Analog
59B2B3Ride Cymbal 2Ride Cymbal 2Ride Cymbal 2Ride Analog
60C3C4Bongo HBongo HBongo HBongo Analog H
61C#3C#4 Bongo LBongo LBongo LBongo Analog L
62D3D4Conga H MuteConga H MuteConga Analog HConga Analog H
63D#3D#4 Conga H OpenConga H OpenConga Analog MConga Analog M
64E3E4Conga LConga LConga Analog LConga Analog L
65F3F4
66F#3F#4 Timbale LTimbale LTimbale LTimbale L
67G3G4Agogo HAgogo HAgogo HAgogo H
68G#3G#4 Agogo LAgogo LAgogo LAgogo L
69A3A4CabasaCabasaCabasaCabasa
70A#3A#4 MaracasMaracasMaracas 2Maracas 2
71B3B4
72C4C5Samba Whistle LSamba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Guiro ShortGuiro ShortGuiro ShortGuiro Short
74D4D5Guiro LongGuiro LongGuiro LongGuiro Long
75D#4D#5 ClavesClavesClaves 2Claves 2
76E4E5Wood Block HWood Block HWood Block HDance Perc 3
77F4F5Wood Block LWood Block LWood Block LDance Perc 4
78F#4F#5 Cuica MuteScratch H 2Scratch H 2Dance Breath 1
79G4G5Cuica OpenScratch L 2Scratch L 2Dance Breath 2
80G#4G#5 Triangle Mute2Triangle Mute2Tri an gle Mu te2Triangle Mute2
81A4A5Triangle Open2Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 ShakerShakerShakerShaker
83B4B5Jingle BellsJingle BellsJingle BellsJingle Bells
84C5C6Bell TreeBell TreeBell TreeBell Tree
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127127
LSB (0–127)0000
PC# (1–128)33414249
MIDI
Keyboard
Note# Note
13C#-1C#0Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3
14D-1D0Surdo Open3Surdo Open3Surdo Open3Surdo Open3
15D#-1D#0Hi QHi QHi QHi Q
16E-1E0Whip SlapWhip SlapWhip SlapWhip Slap
17F-1F0Scratch H4Scratch H4Scratch H4Scratch H4
18F#-1F#0Scratch L4Scratch L4Scratch L4Scratch L4
19G-1G0Finger SnapFinger SnapFinger SnapFinger Snap
20G#-1G#0 Click NoiseClick NoiseClick NoiseClick Noise
21A-1A0Metronome ClickMetronome ClickMetronome ClickMetronome Click
22A#-1A#0Metronome BellMetronome BellMetronome BellMetronome Bell
23B-1B0Seq Click LSeq Click LVintage TipSeq Click L
24C0C1Seq Click HSeq Click HVintage Swirl 1Seq Click H
25C#0C#1 Brush TapBrush TapVintage Slap 1Brush Tap
26D0D1Brush SwirlBrush SwirlVintage Swirl 2Brush Swirl
27D#0D#1 Brush SlapBrush SlapVintage Slap 2Brush Slap
28E0E1Brush Tap SwirlBrush Tap SwirlVintage Tap SwirlBrush Tap Swirl
29F0F1Snare RollSnare RollVintage Slap SwirlSnare Roll
30F#0F#1 CastanetCastanetVintage Swirl 3Castanet
31G0G1Snare Jazz HBrush Slap 2Vintage Slap 3Snare Soft
32G#0G#1 SticksSticksSticksSticks
33A0A1Kick SoftKick SoftKick Soft LKick Soft 2
34A#0A#1 Open Rim ShotOpen Rim Shot
35B0B1Kick TightKick TightKick Soft HGran Cassa
36C1C2Kick JazzKick JazzKick Jazz AmbienceGran Cassa Mute
37C#1C#2 Side Stick LightSide Stick Light
38D1D2Snare Jazz LBrush Slap 3Vintage Slap 4Band Snare
39D#1D#2 Hand ClapHand ClapClap PowerHand Clap
40E1E2Snare Jazz MBrush Tap 2Vintage Slap 5Band Snare 2
41F1F2Floor Tom LTom Brush 1Tom Real Brushes 1Floor Tom L
42F#1F#2 Hi-Hat Closed1Hi-Hat Closed1
43G1G2Floor Tom HTom Brush 2Tom Real Brushes 2Floor Tom H
44G#1G#2 Hi-Hat Pedal1Hi-Hat Pedal1
45A1A2Low TomTom Brush 3Tom Real Brushes 3Low Tom
46A#1A#2 Hi-Hat Open1Hi-Hat Open1
47B1B2Mid Tom LTom Brush 4Tom Real Brushes 4Mid Tom L
48C2C3Mid Tom HTom Brush 5Tom Real Brushes 5Mid Tom H
49C#2C#3 Crash Cymbal 1Crash Cymbal 1
50D2D3High TomTom Brush 6Tom Real Brushes 6High Tom
51D#2D#3 Ride Cymbal 1Ride Cymbal 1
52E2E3Chinese CymbalChinese Cymbal
53F2F3Ride Cymbal CupRide Cymbal Cup
54F#2F#3 TambourineTam b ou ri n eTambourineTa mb o ur i ne
55G2G3Sp lash CymbalSpl ash Cymbal
56G#2G#3 CowbellCowbellCowbellCowbell
57A2A3Crash Cymbal 2Crash Cymbal 2
58A#2A#3 VibraslapVibraslapVibraslapVibraslap
59B2B3Ride Cymbal 2Ride Cymbal 2
60C3C4Bongo HBongo HBongo HBongo H
61C#3C#4 Bongo LBongo LBongo LBongo L
62D3D4Conga H MuteConga H MuteConga H MuteConga H Mute
63D#3D#4 Conga H OpenConga H OpenConga H OpenConga H Open
64E3E4Conga LConga LConga LConga L
65F3F4Timbale HTimbale HTimbale HTimbale H
66F#3F#4 Timbale LTimbale LTimbale LTimbale L
67G3G4Agogo HAgogo HAgogo HAgogo H
68G#3G#4 Agogo LAgogo LAgogo LAgogo L
69A3A4CabasaCabasaCabasaCabasa
70A#3A#4 MaracasMaracasMaracasMaracas
71B3B4Samba Whistle HSamba Whistle HSamba Whistle HSamba Whistle H
72C4C5Samba Whistle LSamba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Guiro ShortGuiro ShortGuiro ShortGuiro Short
74D4D5Guiro LongGuiro LongGuiro LongGuiro Long
75D#4D#5 ClavesClavesClavesClaves
76E4E5Wood Block HWood Block HWood Block HWood Block H
77F4F5Wood Block LWood Block LWood Block LWood Block L
78F#4F#5 Cuica MuteCuica MuteCuica MuteCuica Mute
79G4G5Cuica OpenCuica OpenCuica OpenCuica Open
80G#4G#5 Triangle Mute2Triangle Mute2Tri an gle Mute2Triangle Mute2
81A4A5Triangle Open2Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 ShakerShakerShakerShaker
83B4B5Jingle BellsJingle BellsJingle BellsJingle Bells
84C5C6Bell TreeBell TreeWind ChimeBell Tree
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
JazzKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
BrushKit
Alternate
Group
(*1)
Key
Off
(*2)
Alternate
Revo!
RealBrushesKit
(*3)
Open Rim Shot Real Brushes
Side Stick Real Brushes
Hi-Hat Closed Real Brushes
Hi-Hat Pedal Real Brushes
Hi-Hat Open Real Brushes
Crash Cymbal Real Brushes 1
Ride Cymbal Real Brushes
China Cymbal Real Brushes
Ride Cup Real Brushes 1
Splash Cymbal Real Brushes
Crash Cymbal Real Brushes 2
Ride Cup Real Brushes 2Hand Cymbal Short 2
Key
Off
(*2)
Revo!
(*3)
Open Rim Shot
Side Stick
Hand Cymbal
Hand Cymbal Short
Chinese Cymbal
Ride Cymbal Cup
Splash Cymbal
Hand Cymbal 2
Group
(*1)
1Hi-Hat Closed1
1Hi-Hat Pedal1
1Hi-Hat Open1
SymphonyKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
26
Page 27
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127127
LSB (0–127)0000
PC# (1–128)57585960
MIDI
Keyboard
Note# Note
13C#-1C#0Surdo Mute5Surdo Mute3Surdo Mute3Surdo Mute3
14D-1D0Surdo Open5Surdo Open3Surdo Open3Surdo Open3
15D#-1D#0Hi QHi QHi QHi Q
16E-1E0Whip SlapWhip SlapWhip SlapWhip Slap
17F-1F0Scratch H6Scratch H4Scratch H4Scratch H4
18F#-1F#0Scratch L6Scratch L4Scratch L4Scratch L4
19G-1G0Hi-Hat Closed T8 24Finger SnapSnare Hammer
20G#-1G#0 Tom T8 3Snare Break 8Kick Zap HardKick Break 2
21A-1A0Hi-Hat Open T8 24Snare Break 9Snare Garg LSnare Distortion
22A#-1A#0Tom T8 6
23B-1B0Crash T8
24C0C1Triangle Mute1Kick Break DeepKick T8 4Kick T9 2
25C#0C#1 Triangle Open1Snare HipSnare Analog CRSnare Analog CR
26D0D1Wind ChimeSnare Lo-FiSnare T8 7Snare T9 5
27D#0D#1 Tambourine Light 2Snare ClappySnare Clap AnalogClap Analog Sm
28E0E1Tambourine Light 1Snare LdwH MonoSnare T8 6Snare T9 Gate 1
29F0F1Kick HipHop 9Snare Rock RollTom T8 5Snare Rock Roll
30F#0F#1 Hi-Hat Closed Tek3Snare Gate 1Snare T8 5Snare T9 3
31G0G1Kick GateSnare MidKick T8 3Snare T9 4
32G#0G#1 Hi-Hat Open Lo-Fi3Snare Break RimSnare T8 4Snare T9 Gate 2
33A0A1Kick Gran Casa OpenKick Break HeavyKick T8 2Kick T9 4
34A#0A#1
35B0B1Kick HipHop 1Kick Break 2T8 Kick BassKick T9 1
36C1C2Kick Analog CRKick Break 1Kick T8 1Kick T9 3
37C#1C#2 Snare Analog Sm RimSnare Hip Rim 1Snare T8 RimSnare T9 Rim
38D1D2Snare HipHop 1Snare Break 3Snare T8 2Snare T9 1
39D#1D#2 Snare ClappySnare Break 1Clap T9Clap T9
40E1E2Snare HipHop 2Snare Break 2Snare T8 1Snare T9 2
41F1F2Floor Tom LTom Break 1Tom T8 1Tom T9 1
42F#1F#2
43G1G2Low TomTom Break 2Tom T8 2Tom T9 2
44G#1G#2 Hi-Hat Pedal HipHop2Hi-Hat Pedal Rock1Hi-Hat Pedal T81Hi-Hat Pedal T91
45A1A2Mid Tom LTom Break 3Tom T8 3Tom T9 3
46A#1A#2 Hi-Hat Open HipHop2
47B1B2High TomTom Break 4Tom T8 4Tom T9 4
48C2C3Ride Cymbal 3Tom Break 5Tom T8 6Tom T9 5
49C#2C#3 Crash Cymbal 3Crash Cymbal 1Crash Cymbal T8Crash Cymbal T9
50D2D3Shaker 2Tom Break 6Tom T8 7Tom T9 6
51D#2D#3
52E2E3
53F2F3Kick HipHop 2Ride Cymbal Cup 2Ride Cymbal Cup 2Ride Cymbal Cup 2
54F#2F#3 Snare HipHop Rim 2Tambourine 1 HitTambourine RX5Tambourine RX5
55G2G3HipHop Clap 2Splash Cymbal 2Splash CymbalSplash Cymbal 2
56G#2G#3 HipHop Snap 1Cowbell 1Cowbell T8Cowbell 1
57A2A3Snare HipHop 3Crash Cymbal 2Crash Cymbal 4Crash Cymbal 4
58A#2A#3 Electric Clap 2Cowbell RX11VibraslapCowbell T8
59B2B3Kick Hip DeepRide Cymbal 2Ride Cymbal 3Ride Cymbal 3
60C3C4Kick HipHop 3Bongo HConga T8 5Conga T8 5
61C#3C#4 Snare HipHop Rim 3Bongo LConga T8 4Conga T8 4
62D3D4Snare HipHop 5Conga H TipConga T8 3Conga Tip
63D#3D#4 Electric Clap 1
64E3E4Handbell HConga H OpenConga T8 1Conga Open
65F3F4Kick HipHop 4Bongo 2 H
66F#3F#4 HipHop Clap 3Bongo 2 LTimbale LTimbale L
67G3G4HipHop Snap 2Conga OpenGlass HAnalog Click
68G#3G#4
69A3A4HipHop Flex 1CabasaCabasaCabasa
70A#3A#4 HipHop Flex 2Maracas SlurMaracas T8Maracas Slur 2
71B3B4Shaker 2Timbale HFx Gun 2Fx Gun 2
72C4C5Kick HipHop 5Timbale LFx Gun 1Fx Gun 1
73C#4C#5 Snare HipHop Rim 4Scratch H 3Analog Shaker HScratch H 3
74D4D5Snare HipHop 6Scratch DownAnalog Shaker LScratch Down
75D#4D#5 Snare HipHop 11
76E4E5Kick HipHop 10Wood Block HHi Q 1Hi Q 1
77F4F5Snare HipHop 7Wood Block LHi Q 2Hi Q 2
78F#4F#5 HipHop Clap 5Scratch H 2Scratch H 2Scratch H 2
79G4G5Conga H TipScratch L 2Scratch L 2Scratch L 2
80G#4G#5 Conga H HeelTr iangl e Mu te2Triangle Mute2Triangle Mute2
81A4A5Conga H OpenTriangle Open2Triangle Open2Triangle Open2
82A#4A#5 Conga L Open 1Kick Break 3Analog ShakerAnalog Shaker
83B4B5Conga L Open 2Kick Break 4Sleigh BellsJingle Bells
84C5C6Kick HipHop 8Kick Break 5Wind ChimeWind Chime
85C#5C#6 HipHop Clap 6Kick Break 6Snare Hip 1Snare Piccolo
86D5D6Snare T8 1Kick Break 7Snare Hip 2Snare T8 7
87D#5D#6 Snare T8 1 H
88E5E6HipHop Clap 7Snare Break 4Snare Break 1Snare Brush Mute
89F5F6Tom T8 1Snare Break 5Kick BlipKick Blip Hard
90F#5F#6 Hi-Hat Closed T8 2Snare Break 6Snare Fx 1Snare Jungle 1
91G5G6Tom T8 2Snare Break 7Kick Fx HammerKick Sustain
Kick Tek PowerKick Tek Power
Kick SlimyKick Distortion RM
1Hi-Hat Closed T81Hi-Hat Closed T91
1Hi-Hat Open T81Hi-Hat Open T91
AnalogT8Kit
(*3)
Conga T8 2Conga Open Slap
Timbale HTi mbale H
Snare Hip GateSnareRckRollDist
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Snare Drum&Bass 1
AnalogT9Kit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
27
Page 28
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127127
LSB (0–127)0000
PC# (1–128)73878889
MIDI
Keyboard
Note# Note
13C#-1C#0
14D-1D0
15D#-1D#0
16E-1E0
17F-1F0
18F#-1F#0Loop Element 1f SCScratch L4Scratch L4Scratch L4
19G-1G0
20G#-1G#0
21A-1A0Loop Element 1i SCMetronome ClickMetronome ClickMetronome Click
22A#-1A#0Loop Element 1f SCMetronome BellMetronome BellMetronome Bell
23B-1B0Noise Up 1 SCSeq Click LSeq Click LSeq Click L
24C0C1Kick TB SCSeq Click HSeq Click HSeq Click H
25C#0C#1
26D0D1
27D#0D#1
28E0E1
29F0F1
30F#0F#1 Loop Element 2i SCCastanetCastanetCastanet
31G0G1Snare 1 SCSnare Studio 2Snare Soft Power 1Snare Soft Power 2
32G#0G#1 Snare 1 83PSticksSticksSticks
33A0A1Kick 2 81PKick Ambience HKick Ambient+Kick Ambient+
34A#0A#1 Snare 4 SCOpen Rim ShotOpen Rim Power 1Open Rim Power 2
35B0B1Kick 2 SCKick Ambience LKick Power OpenKick Power Open
36C1C2Kick 1 SCKick StudioKick Power MuteKick Power Mute
37C#1C#2 Side Stick PowerSide StickSide Stick PowerSide Stick Power
38D1D2Snare 2 SCSnare Studio MSnare Power 1Snare Power 2
39D#1D#2 Snare 3 SCHand ClapHand Clap PowerHand Clap Power
40E1E2Snare 6 SCSnare Studio LSnare RoughSnare Loose
41F1F2Tom 1 SCFloor Tom LTom Power 1Tom Power 1
42F#1F#2 Hi-Hat Closed 1 SC1Hi-Hat Closed1
43G1G2Tom 2 SCFloor Tom HTom Power 2Tom Power 2
44G#1G#2 Hi-Hat Closed 2 SC1Hi-Hat Pedal1Hi-Hat Pedal Power1Hi-Hat Pedal Power1
45A1A2Tom 3 SCLow TomTom Power 3Tom Power 3
46A#1A#2 Hi-Hat Open 1 SC1Hi-Hat Open1Hi-Hat Open Power1Hi-Hat Open Power1
47B1B2Tom 4 SCMid Tom LTom Power 4Tom Power 4
48C2C3Tom 5 SCMid Tom HTom Power 5Tom Power 5
49C#2C#3 Crash Cymbal 1 SCCrash Cymbal 1
50D2D3Tom 6 Hi SCHigh TomTom Power 6Tom Power 6
51D#2D#3
52E2E3Impact 6 SCChinese Cymbal
53F2F3Crash Impact SCRide Cymbal Cup
54F#2F#3 TambourineTam b ou ri n eTambourineTambourine
55G2G3Crash Cymbal 2 SCSplash Cymbal
56G#2G#3 Cowbell 1CowbellCowbellCowbell
57A2A3Crash Cymbal 3 SCCrash Cymbal 2
58A#2A#3 Snare 5 SCVibraslapVibraslapVibraslap
59B2B3Snare 7 SCRide Cymbal 2
60C3C4Snare 8 SCBongo HBongo HBongo H
61C#3C#4 Snare 9 SCBongo LBongo LBongo L
62D3D4Snare 10 SCConga H MuteConga H MuteConga H Mute
63D#3D#4 Clap 7 SCConga H OpenConga H OpenConga H Open
64E3E4Clap 1 SCConga LConga LConga L
65F3F4Clap 2 SCTimbale HTimbale HTimbale H
66F#3F#4 Clap 3 SFX SCTimbale LTimbale LTimbale L
67G3G4Clap 6 SCAgogo HAgogo HAgogo H
68G#3G#4 Clap 5 SFX SCAgogo LAgogo LAgogo L
69A3A4Shaker 4 SCCabasaCabasaCabasa
70A#3A#4 Shaker 3 SCMaracasMaracasMaracas
71B3B4Clap 8 SCSamba Whistle HSamba Whistle HSamba Whistle H
72C4C5Echo Shot 1 SCSamba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Echo Shot 2 SCGuiro ShortGuiro ShortGuiro Short
74D4D5Echo Shot 3 SCGuiro LongGuiro LongGuiro Long
75D#4D#5 Echo Shot 4 SCClavesClavesClaves
76E4E5Hi-Hat Closed 3 SCWood Block HWood Block HWood Block H
77F4F5Hi-Hat Closed 4 SCWood Block LWood Block LWood Block L
78F#4F#5 Hi-Hat Closed 5 SCCuica MuteCuica MuteCuica Mute
79G4G5Hi-Hat Open 2 SCCuica OpenCuica OpenCuica Open
80G#4G#5 Shaker 1 SC2Triangle Mute2Tri ang le M ute2Triangle Mute2
81A4A5Shaker 2 SC2Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 Shaker 6 SCShakerShakerShaker
83B4B5Shaker 5 SCJingle BellsJingle BellsJingle Bells
84C5C6Reverse 1 SCBell TreeWind ChimeWind Chime
85C#5C#6 Reverse 3 SC
86D5D6
87D#5D#6 Long Snare SC
88E5E6LpDr Kick SC
89F5F6LpDr Hi-Hat 1 SC
90F#5F#6 LpDr Snare SC
91G5G6LpDr Hi-Hat 2 SC
Note
SchlagerKit
Loop Element 1a SC
Loop Element 1b SC
Loop Element 1c SC
Loop Element 1d SC
Loop Element 1e SC
Loop Element 1g SC
Loop Element 1h SC
Loop Element 2a SC
Loop Element 2b SC
Loop Element 2c SC
Loop Element 2d SC
Loop Element 2h SC
Brush TapBrush TapBrush Tap
Brush SwirlBrush SwirlBrush Swirl
Brush SlapBrush SlapBrush Slap
Brush Tap SwirlBrush Tap SwirlBrush Tap Swirl
Snare RollSnare RollSnare Roll
Ride Cymbal 1
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
PowerKit1
Hi-Hat Closed Power
Crash Cymbal Acoustic 1Crash Cymbal Acoustic 1
Ride Cymbal Acoustic 1
China Cymbal AcousticChina Cymbal Acoustic
Ride Cymbal Cup AcousticRide Cymbal Cup Acoustic
Splash Cymbal Acoustic
Crash Cymbal Acoustic 2Crash Cymbal Acoustic 2
Ride Cymbal Acoustic 2
Alternate
Group
(*1)
1
Key
Off
(*2)
Revo!
(*3)
PowerKit2
Hi-Hat Closed Power+Edge
Ride Cymbal Acoustic 1
Splash Cymbal Acoustic
Ride Cymbal Acoustic 2
Alternate
Group
(*1)
1
Key
Off
(*2)
Revo!
(*3)
Genos Data List
30
Page 31
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
26D0D1Brush SwirlBrush SwirlBrush Tap SwirlSnare 2 no-Rim RD
27D#0D#1 Brush SlapBrush SlapBrush SlapSnare 4 no-Rim RD
28E0E1Brush Tap SwirlBrush Tap SwirlBrush Tap SwirlSnare 3 no-Rim RD
29F0F1Snare Roll AcousticSnare Roll RockSnare Roll RockSnare Roll RD
30F#0F#1 CastanetCastanetCastanetSnare 2 RD
31G0G1Snare Soft AcousticSnare Soft RockSnare TightSnare 4 RD
32G#0G#1 SticksSticksSticksStick Count VO
33A0A1Kick Soft AcousticKick Soft RockKick GenuineKick 4 RD
34A#0A#1 Rim AcousticRim RockRim Real
35B0B1Kick Mute AcousticKick Rock HeavyKick Real 1Kick 2 RD
36C1C2Kick Open AcousticKick RockKick Real 2Kick 1 RD
37C#1C#2 Stick AcousticStick RockStick Real
38D1D2Snare AcousticSnare RockSnare Real 1Snare 1 RD
39D#1D#2 Hand Clap PowerHand Clap PowerClap PowerClap Power
40E1E2
41F1F2Tom Acoustic 1Tom Rock 1Tom Real 1Tom RD 1
42F#1F#2
43G1G2Tom Acoustic 2Tom Rock 2Tom Real 2Tom RD 2
44G#1G#2
45A1A2Tom Acoustic 3Tom Rock 3Tom Real 3Tom RD 3
46A#1A#2 Hi-Hat Open Acoustic1Hi-Hat Open Rock1Hi-Hat Open Real1Hi-Hat Edge 75 RD1
47B1B2Tom Acoustic 4Tom Rock 4Tom Real 4Tom RD 4
48C2C3Tom Acoustic 5Tom Rock 5Tom Real 5Tom RD 5
49C#2C#3
50D2D3Tom Acoustic 6Tom Rock 6Tom Real 6Tom RD 6
51D#2D#3
52E2E3
53F2F3
54F#2F#3 TambourineTa mb o ur in eTambourineTa m bo u r in e
55G2G3
56G#2G#3 CowbellCowbellCowbellCowbell RD
57A2A3
58A#2A#3 VibraslapVibraslapVibraslapVibraslap
59B2B3
60C3C4Bongo HBongo HBongo HBongo H
61C#3C#4 Bongo LBongo LBongo LBongo L
62D3D4Conga H MuteConga H MuteConga H MuteConga H Mute
63D#3D#4 Conga H OpenConga H OpenConga H OpenConga H Open
64E3E4Conga LConga LConga LConga L
65F3F4Timbale HTimbale HTimbale HTimbale H
66F#3F#4 Timbale LTimbale LTimbale LTimbale L
67G3G4Agogo HAgogo HAgogo HAgogo H
68G#3G#4 Agogo LAgogo LAgogo LAgogo L
69A3A4CabasaCabasaCabasaCabasa
70A#3A#4 MaracasMaracasMaracasMaracas
71B3B4Samba Whistle HSamba Whistle HSamba Whistle HSamba Whistle H
72C4C5Samba Whistle LSamba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Guiro ShortGuiro ShortGuiro Shor tGuiro Short
74D4D5Guiro LongGuiro LongGuiro LongGuiro Long
75D#4D#5 ClavesClavesClavesClaves
76E4E5Wood Block HWood Block HWood Block HWood Block H
77F4F5Wood Block LWood Block LWood Block LWood Block L
78F#4F#5 Cuica MuteCuica MuteCuica MuteCuica Mute
79G4G5Cuica OpenCuica OpenCuica OpenCuica Open
80G#4G#5 Triangle Mute2Triangle Mute2Triangle Mute2Triangle Mute2
81A4A5Triangle Open2Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 ShakerShakerShakerShaker
83B4B5Jingle BellsJingle BellsJingle BellsJingle Bells
84C5C6Wind ChimeWind ChimeWind ChimeWind Chime
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
AcousticKit
Snare Rough Acoustic
Hi-Hat Closed Acoustic
Hi-Hat Pedal Acoustic
Crash Cymbal Acoustic 1Crash Cymbal Acoustic 1
Ride Cymbal Acoustic 1Ride Cymbal Acoustic 1
China Cymbal AcousticChina Cymbal Acoustic
Ride Cymbal Cup AcousticRide Cymbal Cup AcousticRide Cymbal Cup Real
Splash Cymbal AcousticSplash Cymbal AcousticSplash Cymbal Real
Ride Cymbal Real 1Ride Cymbal Tip RD
China Cymbal RealChina Cymbal RD
Crash Cymbal Real 2
Ride Cymbal Real 2Ride Cymbal Real 2
Group
(*1)
Key
(*2)
Off
Revo!
RockDrumKit
(*3)
Hi-Hat Pedal Closed RD
Snare Brush Mute Snappy
Off Edge Pressed JB
Snare 1 Open Rim RD
Snare 1 Side-Stick RD
Hi-Hat Pedal Closed RD
Crash Cymbal RD 1
Ride Cymbal Cup RD
Splash Cymbal RD
Crash Cymbal RD 2
Alternate
Group
(*1)
64
1
Key
(*2)
Off
Revo!
(*3)
Genos Data List
31
Page 32
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127
LSB (0–127)888
PC# (1–128)747576
MIDI
Keyboard
Note# Note
13C#-1C#0Hi-Hat Tip 00 PD64 Hi-Hat Tip 00 VO64 Surdo Mute3
14D-1D0Hi-Hat Edge 00 PD64 Hi-Hat Edge 00 VO64 Surdo Open3
15D#-1D#0Hi-Hat Tip 10 PD64 Hi-Hat Tip 10 VO64 Hi Q
16E-1E0Hi-Hat Edge 10 PD64 Hi-Hat Edge 10 VO64 Whip Slap
17F-1F0Hi-Hat Edge 25 PD96 Hi-Hat Edge 25 VO96 Scratch H4
18F#-1F#0Hi-Hat Edge 50 PD96 Hi-Hat Edge 50 VO96 Scratch L4
19G-1G0Hi-Hat Edge 75 PD96 Hi-Hat Edge 75 VO96 Finger Snap
20G#-1G#0 Hi-Hat Edge 99 PD96 Hi-Hat Edge 99 VO96 Click Noise
21A-1A0Hi-Hat Pedal Closed PD64 Hi-Hat Pedal Closed VO64 Metronome Click
22A#-1A#0Hi-Hat Pedal Splash96Hi-Hat Pedal Splash96Metronome Bell
23B-1B0Seq Click LSeq Click L
24C0C1Seq Click HSeq Click H
25C#0C#1
26D0D1Snare 5 no-Rim PD Snare 4 no-Rim VO Snare Brush Swirl Loop 1 JB
27D#0D#1 Snare 4 no-Rim PD Snare 3 no-Rim VO Snare Brush Pressed JB
28E0E1Snare 2 no-Rim PD Snare 2 no-Rim VO
29F0F1Snare Roll PDSnare Roll PD
30F#0F#1 Snare 5 PD Snare 3 VO
31G0G1Snare 4 PD Snare 4 VO
32G#0G#1 Stick Count VO Stick Count VO Stick Count VO
33A0A1Kick 4 PDKick 4 VOKick 5 VM
34A#0A#1 Snare 2 Open Rim PD Snare 2 Open Rim VO Snare Brush Mute only Shaft Cpt
35B0B1Kick 2 PDKick 2 VOKick 2 JB
36C1C2Kick 1 PDKick 1 VOKick 3 JB
37C#1C#2 Snare 1 Side-Stick PD Snare 1 Side-Stick VO Snare 2 Side-Stick JS
38D1D2Snare 1 PD Snare 1 VO Snare Brush Mute with Shaft JB
39D#1D#2 Clap PowerClap PowerClap Power
40E1E2Snare 2 PD Snare 2 VO Snare Brush with Shaft JB
41F1F2Tom PD 1Tom VO 1Tom JB 1
42F#1F#2 Hi-Hat Edge 00 PD1 Hi-Hat Tip 00 VO1 Hi-Hat Center 00 JB1
43G1G2Tom PD 2Tom VO 2Tom JB 2
44G#1G#2 Hi-Hat Pedal Closed PD1 Hi-Hat Pedal Closed VO1 Hi-Hat Pedal Closed JB1
45A1A2Tom PD 3Tom VO 3Tom JB 3
46A#1A#2 Hi-Hat Edge 75 PD1 Hi-Hat Edge 75 VO1 Hi-Hat Edge 75 JB1
47B1B2Tom PD 4Tom VO 4Tom JB 4
48C2C3Tom PD 5Tom VO 5Tom JB 5
49C#2C#3 Crash Cymbal PD 1Crash Cymbal VO 1Crash Cymbal JB 1
50D2D3Tom PD 6Tom VO 6Tom JB 6
51D#2D#3 Ride Cymbal Tip PD Ride Cymbal Tip VO Ride Cymbal Tip JB
52E2E3China Cymbal PDChina Cymbal PDChina Cymbal Real Brushes
53F2F3Ride Cymbal Cup PD Ride Cymbal Cup VO Ride Cymbal Cup JB
54F#2F#3 TambourineTambourineTam b ou ri n e
55G2G3Splash Cymbal PDSplash Cymbal PDSplash Cymbal JB
56G#2G#3 Cowbell 1 JBCowbell 1 JBCowbell 1 JB
57A2A3Crash Cymbal PD 2Crash Cymbal VO 2Crash Cymbal JB 2
58A#2A#3 VibraslapVibraslapVibraslap
59B2B3Ride Cymbal Real 2Ride Cymbal Real 2Ride Backend JB
60C3C4Bongo HBongo HBongo H
61C#3C#4 Bongo LBongo LBongo L
62D3D4Conga H MuteConga H MuteConga H Mute
63D#3D#4 Conga H OpenConga H OpenConga H Open
64E3E4Conga LConga LConga L
65F3F4Timbale HTimbale HTimbale H
66F#3F#4 Timbale LTimbale LTimbale L
67G3G4Agogo HAgogo HAgogo H
68G#3G#4 Agogo LAgogo LAgogo L
69A3A4CabasaCabasaCabasa
70A#3A#4 MaracasMaracasMaracas
71B3B4Samba Whistle HSamba Whistle HSamba Whistle H
72C4C5Samba Whistle LSamba Whistle LSamba Whistle L
73C#4C#5 Guiro ShortGuiro ShortGuiro Short
74D4D5Guiro LongGuiro LongGuiro Long
75D#4D#5 ClavesClavesClaves
76E4E5Wood Block HWood Block HWood Block H
77F4F5Wood Block LWood Block LWood Block L
78F#4F#5 Cuica MuteCuica MuteCuica Mute
79G4G5Cuica OpenCuica OpenCuica Open
80G#4G#5 Triangle Mute2Triangle Mute2Triangle Mute2
81A4A5Triangle Open2Triangle Open2Triangle Open2
82A#4A#5 ShakerShakerShaker
83B4B5Jingle BellsJingle BellsJingle Bells
84C5C6Wind ChimeWind ChimeWind Chime
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
Snare Brush Mute Snappy Off Edge Pressed JB
PopDrumKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
VintageOpenKit
(*3)
Tambourine Stick
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
JazzBrushKitComp
Snare Brush Linear Sweep Short L/R
Snare Brush Linear Sweep Long L/R
Snare Brush Snappy Off Edge Pressed JB
Snare Brush Swirl Loop 2 with Attack Cpt
Snare Brush Swirl Loop 1 with Attack Cpt
Snare Brush Dynamic Sweep Long - Short Cpt
Snare Brush Pressed Low Range Cpt
Alternate
Group
(*1)
Key
Revo!
Off
(*3)
(*2)
Genos Data List
32
Page 33
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)127127127
LSB (0–127)888
PC# (1–128)777879
MIDI
Keyboard
Note# Note
13C#-1C#0Hi-Hat Ctr 00 JB64Hi-Hat Tip 00 VM64 Hi-Hat Tip 00 JS64
14D-1D0Hi-Hat Edge 00 JB64Hi-Hat Edge 00 VM64 Hi-Hat Edge 00 JS64
15D#-1D#0Hi-Hat Ctr 10 JB64Hi-Hat Tip 10 VM64 Hi-Hat Tip 10 JS64
16E-1E0Hi-Hat Edge 10 JB64Hi-Hat Edge 10 VM64 Hi-Hat Edge 10 JS64
17F-1F0Hi-Hat Edge 25 JB96Hi-Hat Edge 25 VM96 Hi-Hat Edge 25 JS96
18F#-1F#0Hi-Hat Edge 50 JB96 Hi-Hat Edge 50 VM96 Hi-Hat Edge 50 JS96
19G-1G0Hi-Hat Edge 75 JB96 Hi-Hat Edge 75 VM96 Hi-Hat Edge 75 JS96
20G#-1G#0 Hi-Hat Edge 99 JB96 Hi-Hat Edge 99 VM96 Hi-Hat Edge 99 JS96
21A-1A0Hi-Hat Pedal Closed JB64 Hi-Hat Pedal Closed VM64 Hi-Hat Pedal Closed JS64
22A#-1A#0Hi-Hat Pedal Splash96Hi-Hat Pedal Splash96Hi-Hat Pedal Splash96
23B-1B0Snare Brush Swirl Loop 1 JBSeq Click LSeq Click L
24C0C1
25C#0C#1
26D0D1
27D#0D#1 Snare Brush Dynamic Sweep Short JBSnare 3 no-Rim VM Snare 1 no-Rim JS
28E0E1Snare Brush Linear Sweep Long L JBSnare 2 no-Rim VM Snare 4 no-Rim JS
29F0F1Snare Brush Linear Sweep Long R JBSnare Roll PDSnare Roll JS
30F#0F#1 Snare Brush Linear Sweep Short L JBSnare 3 VM Snare 1 JS
31G0G1Snare Brush Linear Sweep Short R JBSnare 4 VM Snare 4 JS
32G#0G#1 Stick Count VO Stick Count VM Stick Count VO
33A0A1Kick 5 VMKick 4 VMKick 5 VM
34A#0A#1 Snare Brush Pressed JB Snare 1 Open Rim VM Snare 2 Open Rim JS
35B0B1Kick 2 JBKick 2 VMKick 2 JS
36C1C2Kick 3 JBKick 5 VMKick 3 JS
37C#1C#2 Snare 2 Side-Stick JS Snare 1 Side-Stick VM Snare 2 Side-Stick JS
38D1D2Snare Brush Mute with Shaft JB Snare 1 VM Snare 2 no-Rim JS
39D#1D#2 Clap PowerClap PowerClap Power
40E1E2Snare Brush with Shaft JB Snare 2 VM Snare 2 Snappy Off JS
41F1F2Tom JB 1Tom VM 1Tom JS 1
42F#1F#2 Hi-Hat Center 00 JB1Hi-Hat Edge 00 VM1 Hi-Hat Edge 00 JS1
43G1G2Tom JB 2Tom VM 2Tom JS 2
44G#1G#2 Hi-Hat Pedal Closed JB1 Hi-Hat Pedal Closed VM1 Hi-Hat Pedal Closed JS1
45A1A2Tom JB 3Tom VM 3Tom JS 3
46A#1A#2 Hi-Hat Edge 75 JB1 Hi-Hat Edge 75 VM1 Hi-Hat Edge 99 JS1
47B1B2Tom JB 4Tom VM 4Tom JS 4
48C2C3Tom JB 5Tom VM 5Tom JS 5
49C#2C#3 Crash Cymbal JB 1Crash Cymbal VM 1Crash Cymbal JS 1
50D2D3Tom JB 6Tom VM 6Tom JS 6
51D#2D#3 Ride Cymbal Tip JB Ride Cymbal Tip VM Ride Cymbal Tip JS
52E2E3China Cymbal Real BrushesChina Cymbal PDChina Cymbal PD
53F2F3Ride Cymbal Cup JB Ride Cymbal Cup VM Ride Cymbal Cup JS
54F#2F#3 TambourineTambourineTa m b ou r in e
55G2G3Splash Cymbal JBSplash Cymbal PDSplash Cymbal JS
56G#2G#3 Cowbell 1 JB Cowbell 1 JBCowbell 2 JB
57A2A3Crash Cymbal JB 2Crash Cymbal VM 2Crash Cymbal JS 2
58A#2A#3 Cowbell 1 Tip JBVibraslapVibraslap
59B2B3Ride Brush Backend JB Ride Cymbal Real 2Ride Cymbal Real 2
60C3C4Snare Brush Roll JBBongo HBongo H
61C#3C#4 Snare Brush Snappy Off Pressed JB Bongo LBongo L
62D3D4
63D#3D#4 Snare Brush Snappy Off JB Conga H OpenConga H Open
64E3E4Snare Brush Snappy Off Edge JB Conga LConga L
65F3F4
66F#3F#4
67G3G4Snare Brush Mute Snappy Off JB Agogo HCowbell 1 JB
68G#3G#4 Snare Brush Mute Snappy Off Edge JB
69A3A4Snare Brush Swish L JB CabasaCabasa
70A#3A#4 Snare Brush Swish R JB MaracasMaracas
71B3B4Kick 4 JBSamba Whistle HSamba Whistle H
72C4C5Kick 3 JSSamba Whistle LSamba Whistl e L
73C#4C#5 Snare 2 Side-Stick JS Guiro ShortGuiro Short
74D4D5Snare 2 no-Rim JS Guiro LongGuiro Long
75D#4D#5Clap AF ClavesClaves
76E4E5Snare 2 Snappy Off JS Wood Block HWood Block H
77F4F5Tom JS 1Wood Block LWood Block L
78F#4F#5 Hi-Hat Edge 00 JS1 Cuica MuteCuica Mute
79G4G5Tom JS 2Cuica OpenCuica Open
80G#4G#5 Hi-Hat Edge 50 JS1 Tri ang le Mut e2Tr ian gle Mu te2
81A4A5Tom JS 3Triangle Open2Triangle Open2
82A#4A#5 Hi-Hat Edge 99 JS1 ShakerShaker
83B4B5Tom JS 4Jingle BellsJingle Bells
84C5C6Tom JS 5Wind ChimeWind Chime
85C#5C#6 Crash Cymbal JS 1
86D5D6Tom JS 6
87D#5D#6 Ride Cymbal Tip JS
88E5E6China Cymbal PD
89F5F6Ride Cymbal Cup JS
90F#5F#6 Shaker
91G5G6Splash Cymbal JS
Note
JazzBrushExpanded
Snare Brush Swirl Loop 2 JB
Snare Brush Dynamic Sweep Long JB
Snare Brush Dynamic Sweep Medium JB
Snare Brush Snappy Off Edge Pressed JB
Snare Brush Mute Snappy Off Pressed JB
Snare Brush Mute Snappy Off Edge Pressed JB
Alternate
Key
Group
(*1)
Revo!
Off
(*3)
(*2)
Seq Click HSeq Click H
Tambourine Stick Snappy Off Side-Stick JS
Snare 4 no-Rim VM Snare 2 Snappy Off no-Rim JS
VintageMutedKit
Conga H MuteConga H Mute
Timbale HTimbale H
Timbale LTimbale L
Agogo LCowbell 1 Tip JB
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
JazzStickKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
33
Page 34
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)126126126126
LSB (0–127)0000
PC# (1–128)9212236
MIDI
Keyboard
Note# Note
13C#-1C#0BD Electro Reverse BD Electro
14D-1D0BD FX Gate Reverse BD Fx Gate
15D#-1D#0BD Hammer Reverse BD Hammer
16E-1E0BD Analog Power
17F-1F0
18F#-1F#0
19G-1G0
20G#-1G#0
21A-1A0
22A#-1A#0BD Analog Tight Reverse BD Analog Tight
23B-1B0BD Analog 94 Reverse BD Analog 94
24C0C1BD Analog Blip 2 Reverse BD Analog Blip 2 Nakarazan Dom
25C#0C#1
26D0D1BD Analog 93 Reverse BD Analog 93 Nakarazan Edge
27D#0D#1BD Analog 90 Reverse BD Analog 90 Hager Dom
28E0E1BD Analog 83 Reverse BD Analog 83 Hager Edge
29F0F1BD Analog 82 Reverse BD Analog 82 Bongo H
30F#0F#1BD Analog 92 Bongo L
31G0G1BD Analog 91 Reverse BD Analog 91 Conga H Mute
32G#0G#1BD Analog Deep Reverse BD Analog Deep Conga H Open
33A0A1BD Analog Hard 2 Conga L
34A#0A#1BD Analog Hard 1
35B0B1BD Analog Blip 1 Reverse BD Analog Blip 1 Zagrouda L
36C1C2White Noise
37C#1C#2 Pink NoiseBD Analog Loose
38D1D2
39D#1D#2 Pink Noi se Down 1BD Synth 2 Reverse BD Synth 2 Arabic Hand Clap
40E1E2
41F1F2Pink Noise Down 2Ripper Reverse Ripper Floor Tom L
42F#1F#2White Noise Up 2BD Analog 70 LHi-Hat Closed1
43G1G2White Noise Up 1BD Analog 70 Reverse BD Analog 70 Floor Tom H
44G#1G#2 Pink Noise UpBD Analog 80 Reverse BD Analog 81 Hi-Hat Pedal1
45A1A2
46A#1A#2
47B1B2
48C2C3Pink Noise Up LFOBD Room 1 Mid Tom H
49C#2C#3BD Soft Reverse BD Soft Crash Cymbal 1
50D2D3BD Room 2 Reverse BD Room 2 High Tom
51D#2D#3BD Break Lo-fi 2 Reverse BD Break Lo-fi 2 Ride Cymbal 1
52E2E3BD Break Lo-fi 1 Reverse BD Break Lo-fi 1 Crash Cymbal 2
53F2F3BD & Hi-Hat Open
54F#2F#3BD Jungle 2 Ta mb o ur i ne
55G2G3BD Jungle 1 Duhulla Tak
56G#2G#3BD Jungle 3 Reverse BD Jungle 3 Cowbell
57A2A3BD D&B 1 Reverse BD D&B 1 Duhulla Sak
58A#2A#3BD D&B 2 Reverse BD D&B 2 Claves
59B2B3BD RX5 1 Reverse BD RX5 1 Doff Dom
60C3C4BD RX5 2 Reverse BD RX5 2 Katem Dom
61C#3C#4BD Room 3 Reverse BD Room 3 Katem Tak
62D3D4BD Power Gate Reverse BD Power Gate Katem Sak
63D#3D#4BD R&B 1 Reverse BD R&B 1 Katem Tak
64E3E4BD R&B 2 Reverse BD R&B 2 Doff Tak
65F3F4
66F#3F#4
67G3G4
68G#3G#4
69A3A4BD Break Hard Reverse BD Break Hard Tabla Sak
70A#3A#4
71B3B4
72C4C5
73C#4C#5
74D4D5BD Industrial Reverse Tom Industrial Sagat 3
75D#4D#5Door Slam Reverse Door Slam Tabel Tak
76E4E5Punch Reverse Punch Sagat 2
77F4F5Heart Riq Dom
78F#4F#5Feet 1 Reverse Feet 1 Riq Tak 2
79G4G5BD Human Reverse BD Human Riq Finger 1
80G#4G#5BD Human Deep Reverse BD Human Deep Riq Tak 1
81A4A5Vox Buh! Reverse Vox Buh! Riq Finger 2
82A#4A#5Vox Muh! Reverse Vox Muh! Riq Brass Tremolo
83B4B5Riq Sak
84C5C6Riq Tik
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
NoisesKit
White Noise Down 1
White Noise Down 2
White Noise Up Release
Pink Noise Up Release
White Noise Up LFO
Alternate
Key
Group
(*1)
Revo!
Off
(*2)
BD Synth 1 Reverse BD Synth 1 Snare Soft
BD Analog 80 LongLow Tom
BD Dry Reverse BD Dry Hi-Hat Open1
BD Dry Hard Mid Tom L
BassDrumKit
(*3)
BD Analog Distortion 5
BD Analog Distortion 6Reverse BD Analog Distortion 6
BD Analog Distortion 4
BD Analog Distortion 3Reverse BD Analog Distortion 3
BD Analog Distortion 2Reverse BD Analog Distortion 2
BD Analog Rubber 2
BD Analog Rubber 1
BD Analog Distortion 1Reverse BD Analog Distortion 1
BD Lo-fi Reverse BD Lo-fi Tabla Dom
BD Hip Deep Tabla Tak 1
BD Break Deep Reverse BD Break Deep Tabla Tik
BD Break Heavy Reverse BD Break Heavy Tabla Tak 2
Big Drum Reverse Big Drum Tabla Roll Edge
Taiko Drum Reverse Taiko Drum Tabla Flam
Surdo Open Reverse Surdo Open Sagat 1
Feet 2 Reverse Feet 2 Tabel Dom
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
ReverseBD Kit
Reverse BD Analog Power
Reverse BD Analog Rubber 2
Reverse BD Analog Hard 1
Reverse BD Analog Rubber 1
Reverse BD Analog Loose
Reverse BD & Hi-Hat Open
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Cabasa
Zagrouda H
Kick Soft
Side Stick
Snare Drum
Duhulla Dom
ArabicKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
35
Page 36
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)126126126
LSB (0–127)000
PC# (1–128)414445
MIDI
Keyboard
Note# Note
13C#-1C#0Cajon LowCajon Low
14D-1D0Cajon SlapCajon Slap
15D#-1D#0Cajon TipCajon Tip
16E-1E0Claves HighClaves High
17F-1F0Claves LowClaves Low
18F#-1F#0Hand ClapHand Clap
19G-1G0
20G#-1G#0Finger SnapFinger Snap
21A-1A0CastanetCastanet
22A#-1A#0Conga H TipConga H TipConga H Tip
23B-1B0Conga H HeelConga H HeelConga H Heel
24C0C1Conga H OpenConga H OpenConga H Open
25C#0C#1 Conga H MuteConga H MuteConga H Mute
26D0D1Conga H Slap OpenConga H Slap OpenConga H Slap Open
27D#0D#1 Conga H SlapConga H SlapConga H Slap
28E0E1Conga H Slap MuteConga H Slap MuteConga H Slap Mute
29F0F1Conga L TipConga L TipConga L Tip
30F#0F#1 Conga L HeelConga L HeelConga L Heel
31G0G1Conga L OpenConga L OpenConga L Open
32G#0G#1 Conga L MuteConga L MuteConga L Mute
33A0A1Conga L Slap OpenConga L Slap OpenConga L Slap Open
34A#0A#1 Conga L SlapConga L SlapConga L Slap
35B0B1Conga L SlideConga L SlideConga L Slide
36C1C2
37C#1C#2
38D1D2Bongo H RimBongo H RimBongo H Rim
39D#1D#2 Bongo H TipBongo H TipBongo H Tip
40E1E2Bongo H HeelBongo H HeelBongo H Heel
41F1F2Bongo H SlapBongo H SlapBongo H Slap
42F#1F#2
43G1G2
44G#1G#2 Bongo L RimBongo L RimBongo L Rim
45A1A2Bongo L TipBongo L TipBongo L Tip
46A#1A#2 Bongo L HeelBongo L HeelBongo L Heel
47B1B2Bongo L SlapBongo L SlapBongo L Slap
48C2C3Timbale LTimbale LTimbale L
49C#2C#3
50D2D3
51D#2D#3
52E2E3
53F2F3Paila LPaila LPaila L
54F#2F#3 Timbale HTimbale HTimb ale H
55G2G3Hand Clap Mute 1
56G#2G#3Hand Clap Mute 2
57A2A3Hand Clap Open 1
58A#2A#3Hand Clap Open 2
59B2B3Paila HPaila HPaila H
60C3C4Cowbell TopCowbell TopCowbell Top
61C#3C#4Cowbell 1C owbell 1
62D3D4Cowbell 2Cowbell 2
63D#3D#4Cowbell 3C owbell 3
64E3E4Guiro ShortGuiro ShortGuiro Short
65F3F4Guiro LongGuiro LongGuiro Long
66F#3F#4Metal Guiro ShortMetal Guiro Short
67G3G4
68G#3G#4 TambourineTambourineTambourine
69A3A4
70A#3A#4
71B3B4
72C4C5MaracasMaracasMaracas
73C#4C#5 ShakerShakerShaker
74D4D5CabasaCabasaCabasa
75D#4D#5Cuica MuteCuica Mute
76E4E5Cuica OpenCuica Open
77F4F5Cowbell High 1Cowbell High 1
78F#4F#5Cowbell High 2Cowbell High 2
79G4G5ShekereShekere
80G#4G#5Shekere ToneS hekere Tone
81A4A5Triangle Mute1Triangle Mute1
82A#4A#5Triangle Open1Triangle Open1
83B4B5
84C5C6Wind ChimeWind Chime
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
CubanKit
Bongo H Open One Finger
Bongo H Open Three Finger
Bongo L Open One Finger
Bongo L Open Three Finger
Alternate
Group
(*1)
Key
Off
(*2)
Alternate
Revo!
(*3)
PopLatinKit1
Bongo H Open One FingerBongo H Open One Finger
Bongo H Open Three FingerBongo H Open Three Finger
Bongo L Open One FingerBongo L Open One Finger
Bongo L Open Three FingerBongo L Open Three Finger
Metal Guiro LongMetal Guiro Long
Tambourim OpenTambourim Open
Tambourim MuteTambourim Mute
Tambourim TipTambourim Tip
Group
(*1)
Key
(*2)
Off
Revo!
(*3)
PopLatinKit2
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
36
Page 37
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)126126126
LSB (0–127)000
PC# (1–128)475068
MIDI
Keyboard
Note# Note
13C#-1C#0Cajon Low LCAsma Davul Left Side
14D-1D0Cajon Slap LCAsma Davul Right Side
15D#-1D#0Cajon Tip LCAsma Davul Side Body
16E-1E0Claves High LCAsma Davul Both Sides
17F-1F0Claves Low LCKoltuk Davul Flam
18F#-1F#0Hand Clap LCKoltuk Davul Teke
19G-1G0Koltuk Davul Tek
20G#-1G#0 Finger Snap LCKoltuk Davul Dum
21A-1A0Castanet LCBendir Teke Flam
22A#-1A#0Conga H Tip LCBendir Teke Dead
23B-1B0Conga H Heel LCBendir Tek Dead
24C0C1Conga H Open LCBendir Teke
25C#0C#1 Conga H Mute LCBendir Tek
26D0D1Conga H Slap Open LCBendir Slap2
27D#0D#1 Conga H Slap LCBendir Dum2
28E0E1Conga H Slap Mute LCZil Right Close3
29F0F1Conga L Tip LCZil Right Open3
30F#0F#1 Conga L Heel LCZil Left Close4
31G0G1Conga L Open LCZil Left Open4
32G#0G#1 Conga L Mute LCTef Teke Flam5
33A0A1Conga L Slap Open LCTef Tek Mute5
34A#0A#1 Conga L Slap LCTef Teke Damped
35B0B1Conga L Slide LCTef Tek Mute Medium
36C1C2Bongo H Open One Finger LCKick ATef Dum Mute
37C#1C#2 Bongo H Open Three Finger LCTimbale ATef Cymbal9
38D1D2Bongo H Rim LCChina Cymbal ATef Cymbal Mute9
39D#1D#2 Bongo H Tip LCCrash Cymbal ATef Tremolo
40E1E2Bongo H Heel LCRide Cymbal ATef Shake 1
41F1F2Bongo H Slap LCSplash Cymbal ATef Shake 2
42F#1F#2 Bongo L Open One Finger LCTef Tek Flam
43G1G2Bongo L Open Three Finger LCTef Full Open
44G#1G#2 Bongo L Rim LCCrash Cymbal B1Tef Teke Open Short
45A1A2Bongo L Tip LCCrash Cymbal B2Tef Tek Open Short
46A#1A#2 Bongo L Heel LCRide Cymbal BTef Tek Open
47B1B2Bongo L Slap LCTef Dum Open
48C2C3Timbale L LCHollo Finger Dead
49C#2C#3Crash Cymbal CHollo Slap
50D2D3Ride Cymbal CHollo Dum
51D#2D#3Brush Ride Cymbal CKasik1
52E2E3Brush Sizzle Cymbal CKasik Flam1
53F2F3Paila L LCBass Darbuka Tek Dead
54F#2F#3 Timbale H LCBass Darbuka Tek Flam
55G2G3Hand Clap Mute 1 LCCrash Cymbal D1Bass Darbuka Teke
56G#2G#3 Hand Clap Mute 2 LCCrash Cymbal D2Bass Darbuka Teke Other Finger
57A2A3Hand Clap Open 1 LCCrash Cymbal D3Bass Darbuka Teke Index Finger
58A#2A#3 Hand Clap Open 2 LCRide Cymbal DBass Darbuka Tek
59B2B3Paila H LCSplash Cymbal DBass Darbuka Slap
60C3C4Cowbell Top LCBass Darbuka Slap Medium7
61C#3C#4 Cowbell 1 LCBass Darbuka Dum7
62D3D4Cowbell 2 LCCrash Cymbal E1Darbuka Roll Close6
63D#3D#4 Cowbell 3 LCCrash Cymbal E2Darbuka Roll Open6
64E3E4Guiro Short LCRide Cymbal EDarbuka Teke Damped Flam
65F3F4Guiro Long LCHi-Hat Half Open EDarbuka Tek Dead
66F#3F#4 Metal Guiro Short LCDarbuka Tek Damped
67G3G4Metal Guiro Long LC
68G#3G#4 Tambourine LC
69A3A4Tambourim Open LCDarbuka Teke Other Finger 1
70A#3A#4 Tambourim Mute LC
71B3B4Tambourim Tip LC
72C4C5Maracas LCCrash Cymbal F1Darbuka Teke Other Finger 2
73C#4C#5 Shaker LCBrush Crash Cymbal F1Darbuka Teke Index Finger 2
74D4D5Cabasa LCCrash Cymbal F2Darbuka Tek 2
75D#4D#5 Cuica Mute LCJazz Ride Cymbal F1Darbuka Slap Medium
76E4E5Cuica Open LCCrash Cymbal F3Darbuka Slap8
77F4F5Cowbell High 1 LCHi-Hat Splash FDarbuka Dum8
78F#4F#5 Cowbell High 2 LCRide Cymbal F1Bongo Tek Roll
79G4G5Shekere LCCrash Cymbal F4Bongo Flam
80G#4G#5 Shekere Tone LCRide Cymbal F2Bongo Tek Flam
81A4A5Triangle Mute LC1Brush Crash Cymbal F2Bongo Tek
82A#4A#5 Triangle Open LC1Jazz Ride Cymbal F2Bongo Slap
83B4B5Crash Cymbal F5Bongo Flam Hi
84C5C6Wind Chime LCBongo Dum
85C#5C#6
86D5D6
87D#5D#6
88E5E6
89F5F6
90F#5F#6
91G5G6
Note
PopLatinKit2Comp
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
CymbalKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Darbuka Teke Open Flam
Darbuka Teke Open
Darbuka Teke Index Finger 1
Darbuka Tek 1
TurkishKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
37
Page 38
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Drum/SFX Kit List / Drum/SFX-Kit-Liste / Liste des kits de batterie/SFX / Elenco dei kit di batteria/SFX / Drum/SFX Kit-lijst / Lista zestawów perkusyjnych/efektów
*1 Alternate Group:
1–95: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
96–127: For these numbers, playing within a specific numbered group will NOT stop other instrument sounds in the same group number. However, the sound of instruments within these
numbers are stopped when playing any instrument of a group whose number is that minus “32.” For example, the sound of an instrument numbered “96” will be stopped by playing
any instrument numbered “64.”
*2 Key Off: Keys marked “” stop sounding the instant they are released.
*3 Revo!: Keys marked “” sound different each time the same key is played, so that the sound is more natural.
Same as StandardKit No So und
MSB (0–127)126126126
LSB (0–127)888
PC# (1–128)4312046
MIDI
Keyboard
Note# Note
13C#-1C#0Djembe Bass AF Djembe Bass AF Dj embe Bass AF
14D-1D0Djembe Close AFDjembe Close AFDjembe Close AF
15D#-1D#0Djembe Open AF Djembe Open AF Djembe Open AF
16E-1E0Djembe Slap AF Djembe Slap AF Djembe Slap AF
17F-1F0Cajon Bass AFSurdo Open BR1Cajon Bass PP
18F#-1F#0Cajon Mid AFSurdo Mute BR1Cajon Mid PP
19G-1G0Cajon Hi AFSurdo Stop BR1Cajon Hi PP
20G#-1G#0 Conga Lo Open AF1 Conga Lo Open BR2 Conga Lo Open BR1
21A-1A0Conga Lo Close AF1 Conga Lo Close BR2 Conga Lo Close BR1
22A#-1A#0Conga Lo Slap Open AF1 Conga Lo Slap Open BR2 Conga Lo Slap Open BR1
23B-1B0Conga Lo Slap Mute AF1Conga Lo Slap Mute BR2Conga Lo Slap Mute BR1
24C0C1Conga Hi Bass AF2Conga Hi Bass BR3Conga Hi Bass BR2
25C#0C#1 Conga Hi Heel AF2Conga Hi Heel BR3Conga Hi Heel BR2
26D0D1Conga Hi Tip AF2 Conga Hi Tip BR3 Conga Hi Tip BR2
27D#0D#1 Conga Hi Open AF2 Conga Hi Open BR3 Conga Hi Open BR2
28E0E1Conga Hi Slap Close AF2Conga Hi Slap Close BR3Conga Hi Slap Close BR2
29F0F1Conga Hi Slap Open AF2 Conga Hi Slap Open BR3 Conga Hi Slap Open BR2
30F#0F#1 Conga Hi Slap Mute AF2 Conga Hi Slap Mute BR3 Conga Hi Slap Mute BR2
31G0G1Bongo Lo Open 1 / Rim 1 AF Bongo Lo Open 1 / Rim 1 AF Bongo Lo Open 1 / Rim 1 AF
32G#0G#1 Bongo Lo Open 3 AF Bongo Lo Open 3 AF Bongo Lo Open 3 AF
33A0A1Bongo Lo Close 3 AF Bongo Lo Close 3 AF Bongo Lo Close 3 AF
34A#0A#1 Bongo Lo Slap AFBongo Lo Slap AFBongo Lo Slap AF
35B0B1Bongo Hi Heel AFBongo Hi Heel AFBongo Hi Heel AF
36C1C2Bongo Hi Tip AF Bongo Hi Tip AF Bongo Hi Tip AF
37C#1C#2 Bongo Hi Open 1 /Rim 1 AF Bongo Hi Open 1 /Rim 1 AF Bongo Hi Open 1 /Rim 1 AF
38D1D2Bongo Hi Open 3 / Rim 3 AF Bongo Hi Open 3 / Rim 3 AF Bongo Hi Open 3 / Rim 3 AF
39D#1D#2 Bongo Hi Mute1 AF Bongo Hi Mute1 AF Bongo Hi Mute1 AF
40E1E2Bongo Hi Slap AF Bongo Hi Slap AF Bongo Hi Slap AF
41F1F2Cowbell 3 Mouth AF Agogo 2 Close BRCowbell 5 Mouth AF
42F#1F#2 Cowbell 3 Top1 AF Agogo 2 Bell 2 BR Cowbell 3 Mouth AF
43G1G2Cowbell 3 Top2 AF Agogo 2 Bell 1 BR Chabell Open AF
44G#1G#2 Cowbell 3 Edge AF Agogo 1 Close BRCowbell RD
45A1A2Cowbell 5 Mouth AF Agogo 1 Bell 2 BR Fibre Clave PP
46A#1A#2 Cowbell 5 Top1 AF Agogo 1 Bell 1 BR Plastic Wood Block AF
47B1B2Cowbell 5 Top2 AF Cabasa L BRAfrican Clave AF
48C2C3Cowbell 5 Edge AF Cabasa R BRWood Clave AF
49C#2C#3 Crash Cymbal AFCrash Cymbal AFCrash Cymbal AF
50D2D3Chabell Mute AF Tamborim 1 Back BR Temp Block 1 PP
51D#2D#3 Chabell Open AF Tamborim 1 Close BR Temp Block 3 PP
52E2E3Chabell Top AF Tamborim 1 Open BR Temp Block 5 PP
53F2F3Mambobell Centre AF Tamborim 1 Rim BR Tambourine 1 Shake PP
54F#2F#3 Mambobell Edge AF Tamborim 2 Up BR Tambourine 1 Hit PP
55G2G3Timbale Finger Lo Mute AF64 Tamborim 2 Down BR Tambourine 2 Shake PP
56G#2G#3 Timbale Finger Lo Open AF3 Pandeiro 2 Heel BRTambourine 2 Hit PP
57A2A3Timbale Lo Cask Tip / Shank AF Pandeiro 2 Thumb Open / Shank BR Tambourine 3 Hit PP
58A#2A#3 Timbale Hi Cask Tip / Shank AF Pandeiro 2 Toe Open / Shank BR Palmas L Mute AF
59B2B3Timbale Lo Side Stick AF96 Pandeiro 2 Thumb Close BR Palmas R Mute AF
60C3C4Timbale Lo Open AF Pandeiro 2 Toe Close BRPalmas L Open AF
61C#3C#4 Timbale Lo Rim AF96 Pandeiro 2 Slap BR Palmas R Open AF
62D3D4Timbale Hi Open AF Pandeiro 1 Heel BR Claps Lo PP
63D#3D#4 Timbale Hi Rim AF Pandeiro 1 Thumb Open BR Claps Hi PP
64E3E4Plastic Wood Block AF Pandeiro 1 Toe Open BR Cabasa L BR
65F3F4African Clave AF Pandeiro 1 Thumb Close BR Cabasa R BR
66F#3F#4 Wood Clave AF Pandeiro 1 Toe Close BRShaker 1 Up BR
67G3G4Maracas 1 Lo AF Pandeiro 1 Slap BR Shaker 1 Down BR
68G#3G#4 Maracas 1 Hi AF Shaker 1 Up BR Shaker 1 Long BR
69A3A4Maracas 2 Lo AF Shaker 1 Down BR Shaker 2 Up BR
70A#3A#4 Maracas 2 Hi AF Shaker 1 Lo ng BRShaker 2 Down BR
71B3B4Shekere 2 Tone AF Shaker 2 Up BR Shaker 2 Long BR
72C4C5Shekere 2 Up AF Shaker 2 Down BR Shaker 3 Up BR
73C#4C#5 Shekere 2 Down AF Shaker 2 Long BRShaker 3 Down BR
74D4D5Shekere 1 Tone AF Shaker 3 Up BR Shaker 3 Long BR
75D#4D#5 Shekere 1 Up AF Shaker 3 Down BR Shaker 4 Up BR
76E4E5Shekere 1 Down AF Shaker 3 Long BRShaker 4 Down BR
77F4F5Guiro Up Short AF Shaker 4 Up BR Shaker 4 Long BR
78F#4F#5Guiro Dn Short AF Shaker 4 Down BR Shaker 5 Up PP
79G4G5Guiro Up Slow AFSha ker 4 Long BRShaker 5 Down PP
80G#4G#5Guiro Up Fast AFShekere 1 Tone AF Udu Bass Open PP
81A4A5Metal Guiro Up Short AF Shekere 1 Up AF Udu Bass PP
82A#4A#5 Metal Guiro Down Short AF Shekere 1 Down AF Udu Heel PP
83B4B5Metal Guiro Long AFReco-reco Scrape BRUdu Tip PP
84C5C6Palmas L Mute AF Reco-reco Short BRUdu Body PP
85C#5C#6 Palmas C Mute AF Reco-reco Long BRUdu Top PP
86D5D6Palmas R Mute AF Triangle Open Up BR4Triangle Open Up BR3
87D#5D#6 Palmas L Open AF Triangle Open Down BR4Triangle Open Dn BR3
88E5E6Palmas C Open AF Triangle Close Up BR4Triangle Close Up BR3
89F5F6Palmas R Open AF Triangle Close Down BR4Triangle Close Dn BR3
90F#5F#6 Chimes Down AFChimes Down AFChimes Down AF
91G5G6Chimes Up AFChimes Up AFChimes Up AF
Note
AfroCubanKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
BrazilianKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
PopPercKit
Alternate
Group
(*1)
Key
Off
(*2)
Revo!
(*3)
Genos Data List
39
Page 40
Style List / Liste der Styles / Liste des styles / Elenco degli stili / Style-lijst / Lista stylów
CategoryStyle Name
PopSkyPop
KissDancePop
BoyBandPop
CinematicPop
BritishDancePop
SongwriterBallad
UnpluggedBallad
6-8GuitarBallad
12-8PopBallad
EpicDivaBallad
SweetPop
OrchestralPop
IrishFolkPop
PopTeenShuffle
DivaChartPunk
SoulfulBallad
PowerPopBallad
IrishPopBallad
EpicEuroBallad
UnpluggedPop
DivaPowerPop
BritPopDiva
BritPopAnthem
LoveSong
90sGuitarPop
SmoothPopBallad
16BeatBallad
PianoBallad
90s8BeatBallad
6-8PopBallad
BritPopSwing
CrazyPop
ChartPianoShuffle
WestCoas tPop
FunkPopRock
PowerBallad
BoyBandBallad
ModernPopBallad
VocalPopBallad
Acoustic8BtBallad
PopRockShuffle
90sPopShuffle
90sDisco
00sBoyBand
Live8Beat
PopEvergreen
ChilloutCafe
Chillout1
Chillout2
Rock80sClassicRock
HighRoadRock
70sHardRock
70sShuffleRock
70sStraightRock
IndieRock
Summer8BeatRock
80sPowerRock
80sEdgyRock
80sRockDiva
OrchRockBallad1
OrchRockBallad2
BigRockBallad
90sRockBallad
6-8Rock
CanadianRock
US RockShuffle
80sRockBeat
80sSynthRock
80sRockAnthem
PowerRock
CategoryStyle Name
RockStadiumRock
BritRockPop
StandardRock
AcousticRock
RetroPop80sMonsterHit
80sTeenDisco
80sPopDiva
80sEuroPop
80sSynthPop
80sClassic6-8
80sFunkIcon
80sRetroDisco
80sBritishPop
80sSynthDuo
GrooveShack
BritishSunnyPop
SunnyReggae
SheriffReggae
HappyReggae
Cool8Beat
Wonder8Beat
Uptempo8Beat
Swedish8BeatPop
SwedishPopShuffle
80sSynthBallad
80sAnalogBallad
80sPopBallad
80sDivaBallad
80sChilloutSynth
80sBoyBand
80sGuitarPop
80s8Beat
80sPianoBallad
80sShuffle
70sDisco1
70sDisco2
70sDiscoFunk
70sGlamPiano
70s8BeatBallad
PopLegend
PhillyDisco
RoseDisco
FunkDisco
SingItDisco
LatinPartyPop
SynthPop
6-8ClassicSynth
DiscoChocolate
PopWaltz
70sFrenchHit
80sDiscoBeat
Oldies60sBlueEyedSoul
60sShadowedPop
60sVintageRumba
60sGuitarRock
60sBritishSoul
60sOrganBallad
60sRisingPop
60sUnderground
60sPianoPop
60sChartSwing
Rock&Roll
50sRock&Roll
60sRock&Roll
Rock&RollJive
Rock&RollShuffle
OldiesRock&Roll
Twist
Skiffle
BoogieWoogie
CategoryStyle Name
OldiesPianoBoogie
60sVintageRock
60sPopRock
SurfRock
BeachRock
BubblegumPop
60s8Beat
60sVintagePop
Classic8Beat
BlueberryBlues
6-8SlowRock
SingalongDanceBand
SingalongPiano
PubPiano
SimpleShuffle
VintageGuitarPop
ScandSlowRock
ScandCountry
ScandBugg
ScandShuffle
DancePartyAnthem
Reggaeton
Dubstep
DanceFloor
DangerDance
ElectroPop
HardTrance
EDM Anthem
Slow'n'Swingin'
ChartEDM
ElectroHouse
StreetBeatbox
RockYaBeatbox
BigRoom
US ClubDance
ClubRiddim
HardClub
ClubDance1
ClubDance2
EuroTrance
RetroDance
ClubHouse
DreamDance
GlobalDJs
TrancePop
Electronica
ModernHipHop
FunkyHouse
DirtyPop
FrenchClub
ClubHouse
MiamiHouse
ElectroHouse
GangstaHouse
GrindHouse
PianoHouse
ElectroStep
Eurodance1
Eurodance2
TropicalHouse
Ibiza2010
TurkishEuro
R&BMr.Soul
SoulShuffle
SoulSupreme
DetroitPop
MotorCity
SuperGroove
LovelyShuffle
SwingSoul
CategoryStyle Name
R&BFranklySoul
6-8SoulBallad
GuitarBlues
SlowBlues
AcousticBlues
AcousticShuffle
BluesShuffleBand
BluesRock
BluesShuffle
R&B Shuffle
KoolShuffle
FusionShuffle
70sCoolBallad
80sGrooveBallad
80sSmoothBallad
90sSmoothBallad
90sPopGroove
CoolR&B
R&B SoulBallad
R&B PopDiva
JazzFunk
JazzFusion
AmazingGospel
HollywoodGospel
GospelSwing
GospelBallad
SouthernGospel
Worship6-8
WorshipSlow
GospelBrothers
GospelSisters
LiveSoulBand
Classic16Beat
70sScatLegend
70sChartSoul
SoulBallad
HipHop
EntertainerDanceFox2016
DreamSchlager
FantasyFox
ApresSkiParty
MalleDiscoKing
AlpenSchlager
VolksDance
OktoberRockHit
ElectroSchlager
VolksSchlager
PopRumba
Schlager3-4
RockPartyKing
AustrianDiscoPop
AustrianGuitarPop
SchlagerFox
You ng Fo x
YoungBallad
HelloShuffle
ModernSchlager
SwingSchlager
SchlagerRock1
SchlagerRock2
SchlagerRock3
SchlagerPop
SchlagerBeat
SchlagerAlp
SchlagerRumba
Schlager6-8
SchlagerFever
AlpenBallad1
AlpenBallad2
PartyPolka
Genos Data List
40
Page 41
Style List / Liste der Styles / Liste des styles / Elenco degli stili / Style-lijst / Lista stylów
CategoryStyle Name
EntertainerSchlagerPolka
SchlagerPalace
PolkaPop
SchlagerShuffle
SchlagerSamba
DiscoFox
DiscoFoxRock
PandaHipHop
GermanRock
SchlagerWaltz
MallorcaParty
MallorcaDisco
PartyArena
SoftSchlager
ApresSkiHit
SynthPopDuo
RumbaIsland
CountryCountryFolk8Beat
CountryFolkUpbeat
CountrySongwriter
AcousticBluegrass
PopBluegrass
NashvillePop
NashvilleRock
NashvilleBreakPop
NashvilleBallad1
NashvilleBallad2
CountryFolkBallad
CountrySwingBallad
CountryBallad1
CountryBallad2
CountryBallad3
CalifornianCountry
CountryPop
Country8Beat1
Country8Beat2
Country8Beat3
Hoedown
Bluegrass
CountryShuffle1
CountryShuffle2
CountrySwing
CountryWaltz
CountryHits
CountrySingalong
CountryRock
CountryStrummin'
FastCountryBlues
CountryBlues
ModernPickin'
Pickin'Swing
CountryStraits
To pC h ar t C ou n t ry
EasyCountryBallad
Country2-4
JazzBigBandCrooner
BigBandCount
BigBandJazz
ClassicBigBand
ModernBigBand
AcousticJazz
CoolPianoJazz
InstrumentalJazz
CoolJazzBallad
BigBandBallad
JazzOrganBallad
JazzOrganGrinder
JazzOrganGroove
JazzOrganCombo
JazzGuitarClub
CategoryStyle Name
JazzTradPianoJazz
TradPianoBallad
UpTempoSwing
ManhattanSwing
CoolJazzClub
OrchBigBand1
OrchBigBand2
SlowJazzWaltz
MediumJazzWaltz
FrenchJazz
BigBandFast1
BigBandFast2
BigBandMedium
Swingin'BigBand
BigBandShuffle
Dixieland
Ragtime
FiveFour
AfroCuban
JumpJive
EasyListeningPartyAGogo
HappyBeat
OrchestralSwing1
OrchestralSwing2
Orchestral6-8
LushBallad
DreamyBallad
EasyBallad
EpicBallad
Orchestral12-8
Tijuana
70sPopDuo1
70sPopDuo2
70sEasyPop
70sChartBallad
EasySwing
EasyPop
EasyListening
MidnightSwing
40sSwingBallad
EuroPopOrgan
TheatreOrgBallad
OrganSwing
OrganBossa
RomanticWaltz
ChillPerformer
CloudyBay
NightWalk
Play4Sofa
AngelSun
8BeatAdria
Hawaiian
LatinPopCha-cha
RockCha-cha
SambaRio
PopCumbia
LiveCumbia
LatinPop
BossaRio
CoolBossaNova
BossaBrazil
LoungeBossa
SlowBossa
BossaNova
PopBossa
SmoothLatinBallad
PopLatinBallad
JazzSamba
GuitarRumba
SpanishRumba
CategoryStyle Name
LatinPopFlamencos
TangoFlamencos
BoleroLento
PopLatin
LiveMerengue
PopMerengue
Bachata
Guajira
Salsa
Guaguanco
CubanSon
Bomba
BallroomMoonWaltz
FinalWaltz
Voca lWalt z
EnglishWaltz
SlowWaltz
Quickstep1
Quickstep2
SlowFoxtrot1
SlowFoxtrot2
VocalFoxtrot
Cha-cha1
Cha-cha2
Samba1
Samba2
Pasodoble1
Rumba1
Rumba2
Tan g o1
Tan g o2
Pasodoble2
Jive1
Jive2
Foxtrot
SwingFox
Beguine
Charleston
OrganRumba
OrganQuickstep
OrganCha-cha
OrganSamba
TheatreQuickstep
TheatreFoxtrot
Movie&ShowTV Blockbuster
BoxingLegend
SecretService
WildWest
Sci-FiMarch
OnBroadway
RomanticMovie
MovieHorns
EtherealMovie
EtherealVoices
MovieClassic
MovieSoundtrack
ChoirSoundtrack
AnimationFantasy
AnimationBallad
70sTV Theme
80sDetective
CultKidsTV
MoviePanther
MovieDisco
MovieBallad
80sMovieBallad
BroadwayBallad
MovieSwing1
MovieSwing2
It'sShowtime
CategoryStyle Name
Movie&ShowTapDanceSwing
SaturdayNight
GuitarSerenade
TheatreShowtime
Classic&EventsRussianWaltz
VienneseWaltz
OrchPopClassics
StringAdagio
Moonlight6-8
6-8March
US March
PromsMarch
OrchestralMarch
OrchestralPolka
80sChristmas
ChristmasBallad
ChristmasSwing
ChristmasWaltz
AmbientChristmas
BaroqueAir
GreenFantasia
OrganHymn
Trad&FolkOberkrainerPolka1
OberkrainerPolka2
OberkrainerPolka3
ZitherPolka
BohemianWaltz
OberkrainerWaltz1
OberkrainerWaltz2
OberkrainerWaltz3
GermanWaltz
StubnmusiWaltz
ScottishJig
ScottishReel
ScottishStrathspey
ScottishPolka
ScottishWaltz
BrassBand
IrishHymn
CelticDance3-4
CelticDance
IrishDance
SwingingMusette
FrenchMusette
MexicanDance
Tarantella
Sirtaki
FrenchWaltz
ScandWaltz
MariachiWaltz
ItalianWaltz
ItalianMazurka
Flamenco
SpanishPaso
AlpenLand
FolkSongDuo
FolkPop
GermanMarch1
GermanMarch2
TheatreMarch
Genos Data List
41
Page 42
Multi Pad Bank List / Multi-Pad-Banikliste / Liste des banques mutli-pads / Elenco dei banchi multipad /
Pulti Pad Bank-lijst / Lista sekwencji Multi Pad
CategoryBank Name
SteelGuitarSteel8BeatStrum1
Steel8BeatStrum2
SteelGtrTriplet1
SteelGtrTriplet2
Steel16BeatStrum1
Steel16BeatStrum2
SteelGuitarPick1
SteelGuitarPick2
SteelGuitar6-8 1
SteelGuitar6-8 2
NylonGuitarNylon8BeatStrum1
Nylon8BeatStrum2
Nylon8BeatStrum3
NylonGuitarBasic
NylonGuitarRumba
SpanishGtrRumba
NylonGuitarSamba
NylonGuitarBossa1
FlamencoGuitar1
FlamencoGuitar2
VintageGuitarVintage8BeatStrum
Vintage16BeatCut1
Vintage16BeatCut2
FunkyGtr16Beat1
FunkyGtr16Beat2
Vintage16BtShfl1
Vintage16BtShfl2
Vintage16BtShfl3
VintageGuitarRock
JazzGuitarSwing1
VocalVocalChords1
VocalChords2
PopVocal
SwingVocal
OldiesPopVocal
DooWopSwing
DooWopStraight
BossaVocal1
BossaVocal2
LatinVocalFX1
GospelChoir
GospelAdlibs1
GospelAdlibs2
GospelAdlibs3
GospelAdlibs4
ShooBeDooWah1
ShooBeDooWah2
DaBaDooBee
VocalFades1
VocalFades2
Brass&StringsBigBandSwing1
BigBandSwing2
PopBrassFastSwing1
PopBrassMedSwing1
FunkyHorns
PopBrass1
PopBrass2
SynthBrass
PopStrings1
PopStrings2
PopBrassFX
Brass&Sax1
Brass&Sax2
Falls
AttentionDuo
Fanfare
OrchestraHits1
OrchestraSweeps
SynthBrassSlide1
SynthBrassSlide2
CategoryBank Name
LatinPercussionSambaPercussion1
SambaPercussion2
RumbaPercussion
BossaPercussion
ChaChaPercussion
SalsaPercussion
LatinPopPerc1
LatinPopPerc2
LatinPopPerc3
LatinPopPerc4
LatinPopPerc5
LatinPopPerc6
LatinPopPerc7
LatinPc16BtShfl1
LatinPc16BtShfl2
CarnivalDeRio1
CarnivalDeRio2
CarnivalDeRio3
CarnivalDeRio4
CarnivalDeRio5
CarnivalDeRio6
CarnivalDeRio7
RelaxedCuban
LatinTopper
LatinShuffle
ChaChaLounge
LatinTriangle
Buleria
Cajon1
Cajon2
WorldPercussion ArabicPerc1
ArabicPerc2
TurkishPerc1
TurkishPerc2
OrientalPerc1
OrientalPerc2
OrientalPerc3
OrientalPerc4
OrientalPerc5
OrientalPerc6
OrientalPerc7
OrientalPerc8
AfricanBeat1
AfricanBeat2
EthnicPercussion
PercussionOneshot
DrumLoopMarchingSnares
VocalBeatBox1
VocalBeatBox2
VocalBeatBox3
BigBells1
ChurchBells
Cymbal&Chimes1
RideCymbal
LatinKit1
LatinKit2
LatinKit3
TurkishKit1
TurkishKit2
TurkishKit3
TurkishKit4
TurkishKit5
TurkishKit6
TurkishKit7
ArabicKit1
ArabicKit2
ArabicKit3
SnarePlay1
SnarePlay2
RockCymbal
JazzCymbal
CategoryBank Name
DrumLoopClaps2&4
Claps1-2-3-4
Shaker&Tambourine1
Shaker&Tambourine2
HiHatPlay
DrumOneshotCrashCymbals
PowerSnares
PowerToms
BrushHits1
SynthToms1
DubStepKit
EDM Kit1
ElectroKit
Tra pK i t
RockKit
ArrangerLoopPianoArp8Beat1
PianoArp16Beat1
ChordAddOns1
ChordAddOns2
ChordAddOns3
OffBeatChords1
OffBeatChords2
ReggaeAccomp1
UkuleleHawaii
UkuleleDooBaa
DubStepElements1
DubStepElements2
Chillout1
Chillout2
Lullaby
SynthPlus
XmasLoops1
XmasLoops2
ProcessedVocals1
ProcessedVocals2
ArrangerOneshot UkuleleShot
Rasgueo
Harpeggio1
Harpeggio2
PianoGlissando
MagicBells
Pads&Bells
SlowSynths
SynthSweeps
Comedy
Enterprise
Impacts&Hits1
Impacts&Hits2
FX Drums1
FX Drums2
Wooshes1
SoundFX
CarFX1
ScratchBank1
Telephones
EDM SynthMini1980
SideChained
BigSynth
CrossFusion
PetShops
Tak e On
SilentJoy
PopFamily
Autobahn
JustInTime
PumpingUp
ManiacFive
BeaverTime
PowerFifths
HiddenOne
CategoryBank Name
EDM SynthHiddenTwo
HiddenThree
HelloBallad
PianoSticks
Englishman
EDM DrumTheBeatBeat
Interactor
CompanyMen
HalfTimeBeatBox
Nervous
TomFactory
MinorThird
MagicGrinder
BigSmileDrummer
VintageSession
FunkyHalfTime
Buffalo
ElectroReggae
HipHopMix1
HipHopMix2
HipHopMix3
ElectroBeat
ElectroHouseDrum
DanceMix1
DanceMix2
DJ PhraseClubHouse A
ClubHouse B
ClubHouse C
ClubHouse D
MiamiHouse A
MiamiHouse B
MiamiHouse C
MiamiHouse D
ElectricHouse A
ElectricHouse B
ElectricHouse C
ElectricHouse D
GangstaHouse A
GangstaHouse B
GangstaHouse C
GangstaHouse D
GrindHouse A
GrindHouse B
GrindHouse C
GrindHouse D
PianoHouse A
PianoHouse B
PianoHouse C
PianoHouse D
ElectroStep A
ElectroStep B
ElectroStep C
ElectroStep D
Eurodance1 A
Eurodance1 B
Eurodance1 C
Eurodance1 D
Eurodance2 A
Eurodance2 B
Eurodance2 C
Eurodance2 D
TropicalHouse A
TropicalHouse B
TropicalHouse C
TropicalHouse D
Legacy/
SteelGuitar
Steel16BeatStrum3
Steel16BeatStrum4
Steel8BeatStrum3
Steel8BeatStrum4
TwinBsChordSlow
Genos Data List
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Multi Pad Bank List / Multi-Pad-Banikliste / Liste des banques mutli-pads / Elenco dei banchi multipad / Pulti Pad Bank-lijst / Lista sekwencji Multi Pad
CategoryBank Name
Legacy/
SteelGuitar
Legacy/
NylonGuitar
Legacy/
VintageGuitar
Legacy/VocalPop-Ooh p
SteelBsChordSlow1
SteelBsChordSlow2
SteelBsChordFast
Twin8BeatArp
Steel8BeatArp
Twin16BeatStrum
Twin16BeatArp
Steel16BeatArp
Steel6-8Strum1
Steel6-8Strum2
Twin6-8Arp
Steel6-8Arp1
Steel6-8Arp2
SteelGtrTriplet3
SteelGtrTriplet4
SteelGtrPick3
SteelGtrPick4
SteelGtrPick5
SteelGtrPick6
NylonGtrPick
NylonAccomp
NylonGuitarBossa2
NylonGuitarBossa3
FlamencoGuitar3
FlamencoGuitar4
A.GtrAccomp
E.Gtr16BeatCut1
E.Gtr16BeatCut2
E.Gtr16BeatCut3
FunkyGtr16Beat3
FunkyGtr16Beat4
FunkyGtr16Beat5
DiscoGuitar
E.Gtr16BtShuffle1
E.Gtr16BtShuffle2
E.Gtr16BeatPick
E.Gtr8BeatShuffle
E.Guitar6-8
E.Gtr8BeatStrum1
E.Gtr8BeatStrum2
E.GtrRock1
E.GtrRock2
JazzGuitarSwing2
Pop-Ooh p Vib
Pop-Ooh f
Pop-Ooh f Vib
PopPad
Pop-Aah p
Pop-Aah p Vib
Pop-Aah f
Pop-Aah f Vib
PopVocalPhrase
50sPopVocal
60sPopVocal
DooWop1
DooWop2
BossaVocal3
BossaVocal4
LatinVocalFX2
CountIn1
CountIn2
CountIn3
GospelAdlibs5
GospelAdlibs6
GospelChoirFX1
GospelChoirFX2
GospelSoloFX1
GospelSoloFX2
GospelChoirOnBeat
CategoryBank Name
Legacy/VocalGospelChoirOffBeat
Legacy/
Brass&Strings
Legacy/
Percussion
Legacy/DrumEDM Kit2
Legacy/Keyboard PianoArp8Beat2
Legacy/SynthChillout3
PopBrassFastSwing2
PopBrassMedSwing2
BigBandSwing3
BigBandSwing4
BigBandSwing5
BrassSwing
TrumpetSwing
Brass8Beat
BrassChords1
BrassChords2
BrassChords3
OrchestraMarch
StringsArpeggio
StringsBallad
StringsLegato
BaroqueStrings
StringsRun&Fall
Classical
OrchestraHits2
FolkDance
LatinPercussion1
LatinPercussion2
LatinPercussion3
LatinPercussion4
LatinPercussion5
Conga&Bongo1
Conga&Bongo2
LatinPop
Rumba&Soca
Shaker&Tambourine3
Timbales&Tom
Gong&Chime
BigBells2
EDM Kit3
DanceMix3
House1
House2
House3
ElectroStepMix
BigRoom
Tri ba l
BreakBeatz
HipHop1
HipHop2
HeavyShuffle
NewR&B
SnarePlay3
SnarePlay4
Cymbal&Chimes2
PowerKit1
PowerKit2
DrumEndings
BrushHits2
SynthToms2
DanceKit
DJ-BasicSet
DJ-SFX
ScratchBank2
PianoArp16Beat2
LatinKeys
BoogieLoops
OrganBlues
HeavenArpeggio
TwinkleArpeggio
ReggaeAccomp2
Chillout4
CategoryBank Name
Legacy/SynthElectronicSeq
ElectroPop1
ElectroPop2
EurodanceMix1
EurodanceMix2
TranceSeq1
TranceSeq2
TranceSeq3
TechnoSeq1
TechnoSeq2
TechnoSeq3
Garage
EurodanceMix3
DanceSynth
Legacy/SFXWooshes2
Wooshes3
Breathing
CarFX2
DayFX
NightFX
WaterFX
WeatherF X1
WeatherF X2
HorrorShowFX1
HorrorShowFX2
OrdnanceFX
TransportFX
AmbienceFX
Genos Data List
43
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Ensemble Voice List / Liste der Ensemble-Voices / Liste des sonorités Ensemble Voice /
Elenco delle voci di gruppo / Ensemble Voice-lijst / Lista brzmień zespołowych
Voice Name
PopSection
BalladHorns
R&B Saxes
BallroomSaxes
MillerTime
LushStrings
SoloQuartet
HollyWoodwind
BalladWoodwind
OrchestralWoodwind
SwingingMutes
Flute&Mutes
OrchestralHorns
AllThatJazz
LazyBlues
ClassicStrings
RomanticBowing
Strings&Flute
StringQuartet
OpenQuartet
SaxSection
BigBandSaxes
DanceBandOct
SaxModern
BossaNights
NoveltyWoodwind
FluteBlocks
WoodBloc ks
HauntingFlutes
FullWoodSection
Unison
UnisonOctave
Funkadelic
MovieScore
SymphonyPlayers
WoodyStrings
LushOctStrings
DivisiSections
PopularSection
JustViolins
BrassyReeds
BassyBaritone
BigBandReeds
SoftReeds
MarchingBand
Boys&Men
OpenChoral
MixedChoirs
Chapel
PopChoirs
FullReeds
FluteLead
OboeLead
ModernBallroom
Showtime
HauntingHorns
ModernMutes
JazzTrio
BellToneUp
BellToneDown
MelodicPlayers
WideSections
ChamberStrings
ViennaDance
Strings&Horns
WideWoodwind
ModernSection
PiccoloLead
AnimationClassic
PopWoodwind
Alpen1
Alpen2
Alpen3
JazzUnison1
JazzUnison2
PolkaTime
Genos Data List
44
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Chord Types Recognized in the Fingered Mode / Im Fingered-Modus erkannte Akkordarten /
Types d’accords reconnus en mode Fingered / Tipi di accordi riconosciuti in modalità Ditteggiatura /
Herkende akkoordtypes in Fingered-modus / Typy akordów rozpoznawane w trybie Fingered
Chord Name [Abbreviation]Normal VoicingDisplay for root “C”
1+81+8C1+8
1+51+5C1+5
Major [M]1+3+5C
Sixth [6]1+(3)+5+6C6
Major seventh [M7]1+3+(5)+7CM7
Major seventh flatted fifth [M7b5]1+3+b5+7CM7(b5)
Major seventh add sharp eleventh [M7(#11)]1+(2)+3+#4+5+7CM7(#11)
Add ninth [(9)]1+2+3+5Cadd9
Major seventh ninth [M7_9]1+2+3+(5)+7CM7(9)
Sixth ninth [6_9]1+2+3+(5)+6C6(9)
Flatted fifth [(b5)]1+3+b5Cb5
Augmented [aug]1+3+#5Caug
Seventh augmented [7aug]1+3+#5+b7C7aug
Major seventh augmented [M7aug]1+(3)+#5+7CM7aug
Minor [m]1+b3+5Cm
Minor sixth [m6]1+b3+5+6Cm6
Minor seventh [m7]1+b3+(5)+b7Cm7
Minor seventh flatted fifth [m7b5]1+b3+b5+b7Cm7(b5)
Minor add ninth [m(9)]1+2+b3+5Cm add9
Minor seventh ninth [m7(9)]1+2+b3+(5)+b7Cm7(9)
Minor seventh eleventh [m7(11)]1+(2)+b3+4+5+(b7)Cm7(11)
Minor major seventh flatted fifth [mM7b5]1+b3+b5+7CmM7(b5)
Minor major seventh [mM7]1+b3+(5)+7CmM7
Minor major seventh ninth [mM7(9)]1+2+b3+(5)+7CmM7(9)
Diminished [dim]1+b3+b5Cdim
Diminished seventh [dim7]1+b3+b5+6Cdim7
Seventh [7]1+3+(5)+b7C7
Seventh suspended fourth [7sus4]1+4+5+b7C7sus4
Seventh ninth [7(9)]1+2+3+(5)+b7C7(9)
Seventh add sharp eleventh [7(#11)]1+(2)+3+#4+5+b7C7(#11)
Seventh add thirteenth [7(13)]1+3+(5)+6+b7C7(13)
Seventh flatted fifth [7b5]1+3+b5+b7C7(b5)
Seventh flatted ninth [7(b9)]1+b2+3+(5)+b7C7(b9)
Seventh add flatted thirteenth [7(b13)]1+3+5+b6+b7C7(b13)
Seventh sharp ninth [7(#9)]1+#2+3+(5)+b7C7(#9)
Suspended fourth [sus4]1+4+5Csus4
One plus two plus five [sus2]1+2+5Csus2
cancel1+b2+2Cancel
• Notes in parentheses can be omitted.
Genos Data List
45
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Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti /
Effect Type-lijst / Lista rodzajów efektów
Reverb Block
CategoryTypeDescriptionMSBLSB
ReverbReal Large Hall +Real reverb simulating the acoustics of a large sized hall with rich middle range.135REAL REVERB
LegacyHall M
---No EffectNo effect.00NO EFFECT
Real Medium Hall +Real reverb simulating the acoustics of a medium sized hall with rich middle range.136 REAL REVERB
Real Small Hall +Real reverb simulating the acoustics of a small sized hall with rich middle range.137REAL REVERB
Real Large HallReal reverb simulating the acoustics of a large sized hall.132 REAL REVERB
Real Medium HallReal reverb simulating the acoustics of a medium sized hall.133REAL REVERB
Real Bright HallReal reverb simulating the acoustics of a bright sounding hall.134 REAL REVERB
Basic HallReverb simulating the acoustics of a hall. Standard setting.121 REVERB1
Light HallReverb simulating the acoustics of a hall. Light setting.122 REVERB1
Ballad HallReverb simulating the acoustics of a hall. For ballad type music.119 REVERB2
Piano HallReverb simulating the acoustics of a hall. For piano sound.120 REVERB2
Hall 1
Hall 2116 REVERB1
Hall 3117 REVERB1
Hall 4118 REVERB1
Hall 511REVERB1
Vocal Hall 1
Vocal Hall 2128 REVERB1
Real Room +Real reverb simulating the acoustics of a room with rich middle range.234 REAL REVERB
Real RoomReal reverb simulating the acoustics of a room.232 REAL REVERB
Real Power RoomReal reverb simulating the acoustics of a room with powerful room reflections.233REAL REVERB
Acoustic RoomReverb simulating the acoustics of a room. Standard setting.220 REVERB1
Drums RoomReverb simulating the acoustics of a room. For drum sounds.221 REVERB1
Stage 1Reverb suitable for a solo instrument.316 REVERB1
Real Large Plate +Real reverb simulating a large plate reverb unit with rich middle range.435 REAL REVERB
Real Medium Plate +Real reverb simulating a medium sized plate reverb unit with rich middle range.436 REAL REVERB
Real Large PlateReal reverb simulating a large plate reverb unit.432 REAL REVERB
Real Medium PlateReal reverb simulating a medium sized plate reverb unit.433REAL REVERB
Real Rattle PlateReal reverb simulating a plate reverb unit with spring rattle.434REAL REVERB
Large Plate +Reverb simulating a large plate reverb unit with rich middle range.418 REVERB1
Plate 1Reverb simulating a plate reverb unit.416 REVERB1
Hall L17REVERB1
Atmosphere HallA unique long reverb with atmosphere.123REVERB1
Large Hall
Medium Hall13REVERB2
Percussion RoomReverb simulating the acoustics of a room. For percussion sounds.222 REVERB1
Room 1
Room 2217 REVERB1
Room 3218 REVERB1
Room 4219 REVERB1
Room 520REVERB1
Room 621REVERB1
Room 722REVERB1
Room S25REVERB1
Room M26REVERB1
Room L27REVERB1
Warm RoomReverb simulating the acoustics of a warm room.23REVERB2
White RoomA unique short reverb with a bit of initial delay.160REVERB3
Woody RoomReverb simulating the acoustics of a wood-built room.24REVERB2
Stage 2
Stage 330REVERB1
Stage 431REVERB1
Plate 2
Plate 340REVERB1
GM Plate47REVERB1
Rich PlateReverb simulating a rich plate reverb unit.41REVERB2
TunnelSimulates a cylindrical space expanding to left and right.170REVERB3
CanyonA hypothetical acoustic space which extends without limit.180REVERB3
BasementA bit of initial delay followed by reverb with a unique resonance.190REVERB3
Reverb simulating the acoustics of a hall.
Reverb suitable for vocals.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb suitable for a solo instrument.
Reverb simulating a plate reverb unit.
10REVERB1
127 REVERB1
16REVERB1
12REVERB2
216 REVERB1
317 REVERB1
417 REVERB1
Effect Parameter
(pages 54 – 68)
Genos Data List
46
Page 47
Chorus Block
CategoryType
ReverbHall 1
Hall 2116 REVERB1
Hall 3117 REVERB1
Hall 4118 REVERB1
Hall 511REVERB1
Acoustic RoomReverb simulating the acoustics of a room. Standard setting.220 REVERB1
Drums RoomReverb simulating the acoustics of a room. For drum sounds.221 REVERB1
Stage 1Reverb suitable for a solo instrument.316 REVERB1
Plate 1Reverb simulating a plate reverb unit.416 REVERB1
DelayTempo Delay 1
Tempo Delay 22116 TEMPO DELAY
Tempo EchoTempo-synchronized echo.218TEMPO DELAY
Tempo Cross 1
Tempo Cross 22216 TEMPO CROSS DELAY
Tempo Cross 32217 TEMPO CROSS DELAY
Tempo Cross 42218 TEMPO CROSS DELAY
ModulationChorus 1
Chorus 2668CHORUS
Symphonic 1Adds more stages to the modulation of Celeste.6816SYMPHONIC
Flanger 1Creates a sound similar to that of a jet airplane.678FLANGER
Tempo FlangerTempo-synchronized flanger.1070TEMPO FLANGER
Phaser 1Cyclically modulates the phase to add modulation to the sound.720PHASER1
Tempo Phaser 1Tempo-synchronized phaser.1080TEMPO PHASER
E-Piano Phaser 1Cyclically modulates the phase to add modulation to the sound. For electric piano.7217 PHASER1
Real Rotary
Dual Rotary Speaker Bright9916ROTARY SPEAKER1
Dual Rotary Speaker Warm9917ROTARY SPEAKER1
Rotary Speaker 16916ROTARY SPEAKER2
Tremolo 1
E-Piano Tremolo7018 TREMOLO
Tempo TremoloTempo-synchronized rich Tremolo effect with both volume and pitch modulation.1200TEMPO TREMOLO
Auto Pan 1Several panning effects that automatically shift the sound position (left, right, front, back).7116 AUTO PAN1
Tempo Auto Pan 1Tempo-synchronized auto pan.1210TEMPO AUTO PAN1
LegacyHall M
Hall L17REVERB1
Atmosphere HallA unique long reverb with atmosphere.123REVERB1
Percussion RoomReverb simulating the acoustics of a room. For percussion sounds.222 REVERB1
Room 1
Room 2217 REVERB1
Room 3218 REVERB1
Room 4219 REVERB1
Room 520REVERB1
Room 621REVERB1
Room 722REVERB1
Room S25REVERB1
Room M26REVERB1
Room L27REVERB1
Stage 2
Stage 330REVERB1
Stage 431REVERB1
Plate 2
Plate 340REVERB1
GM Plate47REVERB1
Karaoke 1
Karaoke 2201KARAOKE
Karaoke 3202KARAOKE
Early Reflection 1
Early Reflection 291EARLY REFLECTION
Chorus 3
Chorus 4661CHORUS
Chorus 5652CHORUS
Chorus 6650CHORUS
Chorus 7651CHORUS
Chorus 8658CHORUS
Chorus Fast6516 CHORUS
Chorus Lite6517 CHORUS
GM Chorus 1653CHORUS
GM Chorus 2654CHORUS
GM Chorus 3655CHORUS
GM Chorus 4656CHORUS
Feedback Chorus657CHORUS
Celeste 1
Celeste 2662CHORUS
Symphonic 2Adds more stages to the modulation of Celeste.680SYMPHONIC
Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti / Effect Type-lijst / Lista rodzajów efektów
Description
Reverb simulating the acoustics of a hall.
Tempo-synchronized delay.
Tempo-synchronized cross delay.
Conventional chorus program with rich, warm chorusing.
Simulates a rotary speaker.
Rich Tremolo effect with both volume and pitch modulation.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb suitable for a solo
Reverb simulating a plate reverb unit.
Echo for karaoke.
This effect isolates only the early reflection components of the reverb.
Conventional chorus program with rich, warm chorusing.
A 3-phase LFO adds modulation and spaciousness to the sound.
instrument.
MSBLSBEffect Parameter
(pages 54 – 68)
10REVERB1
210TEMPO DELAY
220TEMPO CROSS DELAY
6617 CHORUS
6932 REAL ROTARY
7016 TREMOLO
16REVERB1
216 REVERB1
317 REVERB1
417 REVERB1
200KARAOKE
90EARLY REFLECTION
6616 CHORUS
660CHORUS
Genos Data List
47
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Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti / Effect Type-lijst / Lista rodzajów efektów
CategoryType
LegacyEnsemble Detune 1
Ensemble Detune 28716 ENSEMBLE DETUNE
Flanger 2
Flanger 36717FLANGER
Flanger 4671FLANGER
Flanger 5670FLANGER
GM Flanger677FLANGER
Phaser 2
Phaser 37219 PHASER2
Tempo Phaser 2Tempo-synchronized phaser.10816 TEMPO PHASER
Tempo Auto Pan 2Tempo-synchronized auto pan.1211TEMPO AUTO PAN2
Pitch Change 1
Pitch Change 2800PITCH CHANGE1
Pitch Change 3801PITCH CHANGE2
---No EffectNo effect.00NO EFFECT
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Creates a sound similar to that of a jet airplane.
Cyclically modulates the phase to add modulation to the sound.
Cyclically modulates the phase to add modulation to the sound. For electric piano.
Simulates a rotary speaker.
Rich Tremolo effect with both volume and pitch modulation.
Several panning effects that automatically shift the sound position (left, right, front, back).
Changes the pitch of the input signal.
Description
MSBLSBEffect Parameter
(pages 54 – 68)
870ENSEMBLE DETUNE
6716 FLANGER
728PHASER2
7218 PHASER1
990ROTARY SPEAKER1
7119 AUTO PAN1
710AUTO PAN1
8016 PITCH CHANGE1
Genos Data List
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Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti / Effect Type-lijst / Lista rodzajów efektów
Variation/Insertion Block
CategoryTypeDescriptionMSBLSB
ReverbHall 1
DelayDelay LCR 1
DistortionTweed Guy Warm BassVintage bass amp simulator. Setting for rich and fat Bass sound.10332TWEED GUY
Hall 2116 REVERB1
Hall 3117 REVERB1
Hall 4118 REVERB1
Hall 511REVERB1
Acoustic RoomReverb simulating the acoustics of a room. Standard setting.220 REVERB1
Drums RoomReverb simulating the acoustics of a room. For drum sounds.221 REVERB1
Stage 1Reverb suitable for a solo instrument.316 REVERB1
Plate 1Reverb simulating a plate reverb unit.416 REVERB1
Delay LCR 250DELAY LCR
Delay LRProduces two delayed sounds: L and R. Two feedback delays are provided.60DELAY LR
EchoTwo delayed sounds (L and R), and independent feedback delays for L and R.70ECHO
Cross Delay 1
Cross Delay 2816CROSS DELAY
Tempo Delay 1
Tempo Delay 22116 TEMPO DELAY
Tempo EchoTempo-synchronized echo.218TEMPO DELAY
Tempo Cross 1
Tempo Cross 22216 TEMPO CROSS DELAY
Tempo Cross 32217 TEMPO CROSS DELAY
Tempo Cross 42218 TEMPO CROSS DELAY
Tweed Guy Live BassVintage bass amp simulator. Setting for punchy and bright Bass sound.10333 TWEED GUY
Tweed Guy Rock BassVintage bass amp simulator. Setting for deep distortion Bass sound.10334 TWEED GUY
Tweed Guy CleanVintage combo amp simulator. Setting for clean and bright sound.10335TWEED GUY
Tweed Guy VintageVintage combo amp simulator. Setting for crunch sound.10336TWEED GUY
Tweed Guy ComboVintage combo amp simulator. Setting for deep distortion sound.10337 TWEED GUY
Tweed Guy HeavyVintage combo amp simulator. Setting for full drive distortion sound.10338TWEED GUY
Boutique DC CleanBoutique made overdrive amp simulator. Setting for clean sound.10432 BOUTIQUE DC
Boutique DC DirtyBoutique made overdrive amp simulator. Setting for dirty sound.10433 BOUTIQUE DC
Boutique DC BluesBoutique made overdrive amp simulator. Setting for blues sound.10434 BOUTIQUE DC
Boutique DC ClassicBoutique made overdrive amp simulator. Setting for classic rock sound.10435 BOUTIQUE DC
Y-Amp Live CleanPreamp & amp simulator for Guitar. Setting for clean sound.10532Y-AMP
Y-Amp British CrunchPreamp & amp simulator for Guitar. Setting for British crunch sound.10533 Y-AMP
Y-Amp Sweet DistortionPreamp & amp simulator for Guitar. Setting for punchy distortion sound.10534Y-AMP
Y-Amp Modern LeadPreamp & amp simulator for Guitar. Setting for deep distortion sound.10535 Y-AMP
Distomp Mild DrivePreamp & parametric EQ simulator for Guitar. Setting for overdrive sound.10632DISTOMP
Distomp ZZ DistortionPreamp & parametric EQ simulator for Guitar. Setting for fat distortion sound.10633DISTOMP
Distomp High GainPreamp & parametric EQ simulator for Guitar. Setting for classic distortion sound.10634DISTOMP
Distomp MetalPreamp & parametric EQ simulator for Guitar. Setting for Metal sound.10635DISTOMP
80s Small Box Warm80s distortion pedal simulator. Setting for warm distortion sound.1073280S SMALL BOX
80s Small Box Full Dist80s distortion pedal simulator. Setting for distortion sound which is pushed forward.10733 80S SMALL BOX
US Combo TwinAmerican combo amp simulator. Setting for typical sound.9932 US COMBO
US Combo Rich CleanAmerican combo amp simulator. Setting for rich clean sound.9933US COMBO
US Combo Thin CleanAmerican combo amp simulator. Setting for thin clean sound.9934US COMBO
US Combo CrunchAmerican combo amp simulator. Setting for crunch sound.9935US COMBO
Jazz Combo BasicJazz combo amp simulator. Setting for basic sound.10032 JAZZ COMBO
Jazz Combo Warm ChorusJazz combo amp simulator. Setting for warm chorus sound.10033JAZZ COMBO
US High Gain DirtyAmerican high gain amp simulator. Setting for dirty sound.10132 US HIGH GAIN
US High Gain RiffAmerican high gain amp simulator. Setting for guitar riffs.10133US HIGH GAIN
US High Gain BurnAmerican high gain amp simulator. Setting for burn sound.10134US HIGH GAIN
US High Gain SoloAmerican high gain amp simulator. Setting for guitar solos.10135US HIGH GAIN
British Lead DirtyBritish stack amp simulator. Setting for dirty sound.10232 BRITISH LEAD
British Lead DriveBritish stack amp simulator. Setting for overdrive sound.10233 BRITISH LEAD
British Lead GainerBritish stack amp simulator. Setting for gainer sound.10234 BRITISH LEAD
British Lead HardBritish stack amp simulator. Setting for hard sound.10235 BRITISH LEAD
Multi FX Distortion SoloMulti effector for guitar. Setting for guitar solo.9532MULTI FX
Multi FX Distortion BasicMulti effector for guitar. Setting for basic distortion.9533 MULTI FX
Multi FX Overdrive ChorusMulti effector for guitar. Setting for overdrive & chorus.9534MULTI FX
Multi FX Crunch WahMulti effector for guitar. Setting for crunch & wah.9535 MULTI FX
Multi FX Oldies DelayMulti effector for guitar. Setting for vintage delay.9536 MULTI FX
Multi FX Vintage EchoMulti effector for guitar. Setting for vintage echo.9537MULTI FX
Small Stereo DistortionStereo distortion for guitar. Setting for distortion sound.9632 SMALL STEREO DIST
Small Stereo OverdriveStereo distortion for guitar. Setting for overdrive sound.9633SMALL STEREO DIST
Small Stereo Vintage AmpStereo distortion for guitar. Setting for vintage sound.9634SMALL STEREO DIST
Small Stereo Heavy DistStereo distortion for guitar. Setting for heavy sound.9635 SMALL STEREO DIST
British Combo ClassicBritish combo amp simulator. Setting for classic sound.9732 BRITISH COMBO
British Combo Top BoostBritish combo amp simulator. Setting for “TOP BOOST” sound.9733 BRITISH COMBO
British Combo CustomBritish combo amp simulator. Setting for custom sound.9734 BRITISH COMBO
British Combo HeavyBritish combo amp simulator. Setting for heavy sound.9735BRITISH COMBO
British Legend BluesBritish stack amp simulator. Setting for blues sound.9832BRITISH LEGEND
British Legend Heavy 1British stack amp simulator. Setting for heavy sound 1.9833BRITISH LEGEND
British Legend Heavy 2British stack amp simulator. Setting for heavy sound 2.9834BRITISH LEGEND
British Legend CleanBritish stack amp simulator. Setting for clean sound.9835BRITISH LEGEND
Reverb simulating the acoustics of a hall.
Produces three delayed sounds: L, R and C (center).
The feedback of the two delayed sounds is crossed.
Tempo-synchronized delay.
Tempo-synchronized cross delay.
10REVERB1
516DELAY LCR
80CROSS DELAY
210TEMPO DELAY
220TEMPO CROSS DELAY
Effect Parameter
(pages 54 – 68)
Genos Data List
49
Page 50
Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti / Effect Type-lijst / Lista rodzajów efektów
CategoryTypeDescriptionMSBLSB
DistortionBritish Legend Dirty CleanBritish stack amp simulator. Setting for crunch sound.9836 BRITISH LEGEND
EQ & CompUni Comp BasicCompressor using “downward” algorithm for making loud sounds quieter.8332 UNI COMP
ModulationChorus 1
MiscDamper ResonanceSimulates a damper resonance effect for grand piano.1238DAMPER RESONANCE
V Distortion Crunch
V Distortion Blues9821 V DISTORTION
Stereo Amp Sim Solid
Stereo Amp Sim Crunch7530 STEREO AMP SIMULATOR
Stereo Amp Sim Blues7528STEREO AMP SIMULATOR
V Distortion Hard + DelayV Distortion Hard and Delay are connected in series.981V DISTORTION DELAY
Uni Comp Drums Acoustic
Uni Comp Drums Electric
Uni Comp Percussion
Uni Comp Clipper Dist
Uni Comp Bass Electric
Uni Comp Bass Acoustic
Uni Comp Guitar Electric
Uni Comp Guitar Acoustic
Uni Comp EP&Synth
VCM CompressorThis simulates an analog compressor, giving a vintage flavor to the sound.1244VCM COMPRESSOR
Compressor MediumCompressor with medium setting.8316COMPRESSOR
Compressor HeavyCompressor with heavy setting.8317 COMPRESSOR
Compressor MelodyCompressor for the Melody part.10516 MULTI BAND COMP
Compressor BassCompressor for the Bass part.10517 MULTI BAND COMP
EQ Telephone
3Band EQA mono EQ with adjustable LOW, MID, and HIGH equalization.7603BAND EQ
Chorus 2668CHORUS
Symphonic 1Adds more stages to the modulation of Celeste.6816SYMPHONIC
VCM Flanger 1This simulates an analog flanger, giving a strong vintage flavor to the sound.1241VCM FLANGER
Flanger 1Creates a sound similar to that of a jet airplane.678FLANGER
V FlangerA simulation of an analog flanger effect. The LFO has a random setting.1040V FLANGER
Tempo FlangerTempo-synchronized flanger.1070TEMPO FLANGER
VCM Phaser 1
VCM Phaser Stereo 1
Phaser 1Cyclically modulates the phase to add modulation to the sound.720PHASER1
Tempo Phaser 1Tempo-synchronized phaser.1080TEMPO PHASER
E-Piano Phaser 1Cyclically modulates the phase to add modulation to the sound. For electric piano.7217 PHASER1
VCM Auto Wah
Auto Wah 1Cyclically modulates the center frequency of a wah filter.7816AUTO WAH
Auto Wah + Distortion 1Distortion can be applied to the output of Auto Wah.7817AUTO WAH DISTORTION
Tempo Auto WahTempo-synchronized Auto Wah.790TEMPO AUTO WAH1
VCM Touch Wah
Touch Wah 1Changes the center frequency of a wah filter according to the input level.820TOUCH WAH1
Touch Wah + Distortion 1Distortion can be applied to the output of Touch Wah.8216TOUCH WAH1
VCM Pedal Wah Basic
VCM Pedal Wah Disco12516 VCM PEDAL WAH
Pedal Wah
Pedal Wah + DistortionDistortion can be applied to the output of Pedal Wah.1221PEDAL WAH2
Real Rotary
Dual Rotary Speaker Bright9916ROTARY SPEAKER1
Dual Rotary Speaker Warm9917ROTARY SPEAKER1
Rotary Speaker 16916ROTARY SPEAKER2
Tremolo 1
E-Piano Tremolo7018 TREMOLO
Tempo TremoloTempo-synchronized rich Tremolo effect with both volume and pitch modulation.1200TEMPO TREMOLO
Auto Pan 1Several panning effects that automatically shift the sound position (left, right, front, back).7116 AUTO PAN1
Tempo Auto Pan 1Tempo-synchronized auto pan.1210TEMPO AUTO PAN1
Presence Clearly Natural
Presence Bass Keeper
Presence Crispy Thin
Loop FX 1
Loop FX 29417 LO FI
Distortion which simulates the sound of a vintage tube, fuzz effect, etc.
Stereo amp simulator.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Acoustic Drums.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Electric Drums.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Percussion.
Compressor using “downward” algorithm for making loud sounds quieter with added Clipper
distortion.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Electric Bass.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Acoustic Bass.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Electric Guitar.
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Acoustic Guitar
Compressor using “downward” algorithm for making loud sounds quieter.
Good for Electric Piano and Synth sound.
Equalizer effect that cuts both high and low frequencies, to simulate the sound heard through
a telephone receiver.
Conventional chorus program with rich, warm chorusing.
This simulates an analog phaser, giving a strong vintage flavor to the sound. It is effective in mono.
This simulates an analog phaser, giving a strong vintage flavor to the sound. It is effective in stereo.
This simulates an analog wah pedal effect, giving a strong vintage flavor to the sound. It
cyclically changes the central frequency of the wah filter.
This simulates an analog wah pedal effect, giving a strong vintage flavor to the sound. It
changes the central frequency of the wah filter according to the input level.
Vintage Wah which can be controlled by “Pedal Control” parameter. (See Effect Parameter
List.)
Changes the center frequency of a wah filter according to “Pedal Control” parameter. (See
Effect Parameter List.)
Simulates a rotary speaker.
Rich Tremolo effect with both volume and pitch modulation.
Brings out the hidden presence of the input signal.
This preset enhances the presence of the input signal whilst keeping the natural character of
the original sound. Suitable for acoustic instruments such as piano, guitar and many classical
instruments.
Brings out the hidden presence of the input signal.
This preset enhances the presence of the input signal whilst keeping the bass frequencies of
the original sound. Suitable for drums, basses and dark sounds.
Brings out the hidden presence of the input signal.
This preset enhances the presence of the input signal making high frequencies become clear
and more audible. Suitable for lead voices and instruments that need to cut through in the mix.
Degrades the audio quality of the input signal.
9818 V DISTORTION
7529 STEREO AMP SIMULATOR
8333 UNI COMP
8334 UNI COMP
8335 UNI COMP
8336 UNI COMP
8337 UNI COMP
8338 UNI COMP
8339 UNI COMP
8340 UNI COMP
8341 UNI COMP
7617 3BAND EQ
6617 CHORUS
1242VCM PHASER MONO
1243VCM PHASER STEREO
1245VCM AUTO WAH
1252VCM TOUCH WAH
1251VCM PEDAL WAH
1220PEDAL WAH1
6932 REAL ROTARY
7016 TREMOLO
7632 PRESENCE
7633 PRESENCE
7634 PRESENCE
9416 LO FI
Effect Parameter
(pages 54 – 68)
Genos Data List
50
Page 51
Effect Type List / Liste der Effekttypen / Liste des types d’effet / Elenco dei tipi di effetti / Effect Type-lijst / Lista rodzajów efektów
CategoryTypeDescriptionMSBLSB
MiscLo-Fi Drum 1
Lo-Fi Drum 29419 LO FI
Lo-Fi Drum 37619 3BAND EQ
Lo-Fi Drum 47620 3BAND EQ
LegacyHall M
Hall L17REVERB1
Atmosphere HallA unique long reverb with atmosphere.123REVERB1
Percussion RoomReverb simulating the acoustics of a room. For percussion sounds.222 REVERB1
Room 1
Room 2217 REVERB1
Room 3218 REVERB1
Room 4219 REVERB1
Room 520REVERB1
Room 621REVERB1
Room 722REVERB1
Room S25REVERB1
Room M26REVERB1
Room L27REVERB1
White RoomA unique short reverb with a bit of initial delay.160REVERB3
Stage 2
Stage 330REVERB1
Stage 431REVERB1
Plate 2
Plate 340REVERB1
GM Plate47REVERB1
TunnelSimulates a cylindrical space expanding to left and right.170REVERB3
CanyonA hypothetical acoustic space which extends without limit.180REVERB3
BasementA bit of initial delay followed by reverb with a unique resonance.190REVERB3
Karaoke 1
Karaoke 2201KARAOKE
Karaoke 3202KARAOKE
Early Reflection 1
Early Reflection 291EARLY REFLECTION
Gate Reverb 1
Gate Reverb 21016 GATE REVERB
Reverse GateSimulation of gated reverb played back in reverse.110GATE REVERB
V Distortion Warm
V Distortion Classic Hard9823 V DISTORTION
V Distortion Classic Soft9820 V DISTORTION
V Distortion Metal9824V DISTORTION
V Distortion Edgy9819 V DISTORTION
V Distortion Solid9825 V DISTORTION
V Distortion Clean 19817V DISTORTION
V Distortion Clean 29826V DISTORTION
V Distortion Twin9816 V DISTORTION
V Distortion Rockabilly10318 V DIST TEMPO DELAY
V Distortion Jazz Clean9827 V DISTORTION
V Distortion Fusion10319 V DIST TEMPO DELAY
V Distortion Hard980V DISTORTION
V Distortion Soft982V DISTORTION
Stereo Amp Sim Clean
Stereo Amp Sim Blues Harp7531STEREO AMP SIMULATOR
Distortion Hard 1
Distortion Hard 27522 AMP SIMULATOR1
Distortion Soft 1
Distortion Soft 27523 AMP SIMULATOR1
Distortion HeavyHeavy distortion.730DISTORTION
OverdriveAdds mild distortion to the sound.740DISTORTION
Dynamic Ring ModulatorDynamically controlled Ring Modulator.1120DYNAMIC RING MOD
Ring Modulator
---No EffectNo effect.00NO EFFECT
---ThroughBypass without applying an effect.640THRU
Overdrive distortion can be applied to the output of Auto Wah.
Tempo-synchronized Auto Wah. Distortion can be applied to the output.
Tempo-synchronized Auto Wah. Overdrive distortion can be applied to the output.
Changes the center frequency of a wah filter according to the input level.
Distortion can be applied to the output of Touch Wah.
Overdrive distortion can be applied to the output of Touch Wah.
Wah, Distortion and Delay are connected in series.
Wah, Overdrive and Delay are connected in series.
Wah, Overdrive and Tempo Delay are connected in series.
Distortion can be applied to the output of Pedal Wah.
Overdrive distortion can be applied to the output of Pedal Wah.
Simulates a rotary speaker.
Rich Tremolo effect with both volume and pitch modulation.
Several panning effects that automatically shift the sound position (left, right, front, back).
Changes the pitch of the input signal.
An effect that modifies the pitch by applying amplitude modulation to the frequency of the input.
7822 AUTO WAH DISTORTION
791TEMPO AUTO WAH2
792TEMPO AUTO WAH2
828TOUCH WAH2
821TOUCH WAH1
8217 TOUCH WAH2
9716WAH DISTORTION DELAY
9717WAH DISTORTION DELAY
1021WAH DIST TEMPO DELAY
12221 PEDAL WAH2
1222PEDAL WAH2
990ROTARY SPEAKER1
7119 AUTO PAN1
710AUTO PAN1
8016 PITCH CHANGE1
1130RING MODULATOR
Effect Parameter
(pages 54 – 68)
Genos Data List
53
Page 54
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets /
Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
• Parameters marked with a in the “Control” column can be controlled from an AC1
(assignable controller 1) etc. However, these only affect insertion type effects.
• Parameter 10 Dry/Wet only affects insertion type effects.
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
TEMPO FLANGER
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable Control
1 LFO Frequency16th – 4thx16529Table#5
2 LFO Depth0 – 1270127
3 Feedback Level-63 – 0 – +631127
4 Delay Offset0.0ms – 50.0ms0127 Table#9
5
6 EQ Low Frequency32Hz – 2.0kHz440Table#3
7 EQ Low Gain-12dB – 0dB – +12dB5276
8 EQ High Frequency500Hz – 16kHz2858Table#3
9 EQ High Gain-12dB – 0dB – +12dB5276
10 Dry/WetD63>W – D=W – D<W631127
11 EQ Mid Frequency100Hz – 10kHz1454Table#3
12 EQ Mid Gain-12dB – 0dB – +12dB5276
13 EQ Mid Width0.1 – 12.01120
14 LFO Phase Difference-180deg – 0deg – +180deg
15
16
DYNAMIC FLANGER
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Sensitivity0 – 1270127
2 Delay Time Offset0 – 1270127
3 Feedback Level-63 – 0 – +631127
4 Attack Time0.3ms – 227ms0127
5 Release Time2.6ms – 2171.4ms0127
6 Release Curve0 – 1270127
7 DirectionUp, Down01
8 Dyna Threshold Level0 – 1270127
9 Dyna Level Offset0 – 1270127
10 Dry/WetD63>W – D=W – D<W631127
11
12
13 EQ Low Frequency32Hz – 2.0kHz440Table#3
14 EQ Low Gain-12dB – 0dB – +12dB5276
15 EQ High Frequency500Hz – 16kHz2858Table#3
16 EQ High Gain-12dB – 0dB – +12dB5276
AMBIENCE FLANGER
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 LFO Frequency0.00Hz – 39.7Hz0127 Table#8
2 LFO Depth0 – 1270127
3 Feedback Level-63 – 0 – +631127
4 Delay Offset0.0ms – 50.0ms0127 Table#9
5
6
7
8
9
10 Dry/WetD63>W – D=W – D<W631127
11
12
13
14 LFO Phase Difference-180deg – 0deg – +180deg
15 Ambience0 – 1270127
16 Connect ModeAmb->Flg, Flg->Amb01
(resolution=3deg.)
(resolution=3deg.)
4124
Control
Table#13
Table#14
Control
4124
PHASER
VCM PHASER MONO
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Speed0.100Hz – 10.00Hz0252
2 Manual0 – 1270127
3 Depth0 – 1270127
4 Feedback0 – 1270127
5 Stage4, 6, 8, 10, 12, 1605
6 Mode1, 2, 302
7 Color (*)0 – 1270127
8
9
10
11
12
13
14
15
16
(*) In the case of the following settings, Color is not effective.
When Stage is set to 4, 6 or 8 at Mode = 1, and 4 or 10 at Mode = 2.
VCM PHASER STEREO
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Speed0.100Hz – 10.00Hz0252
2 Manual0 – 1270127
3 Depth0 – 1270127
4 Feedback0 – 1270127
5 Stage4, 6, 8, 1003
6Mode1, 20 1
7 Color (*)0 – 1270127
8 Spread0 – 1270127
9
10
11
12
13
14
15
16
(*) In the case of the following settings, Color is not effective.
When Stage is set to 4, 6 or 8 at Mode = 1, and 4 or 10 at Mode = 2.
PHASER1
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 LFO Frequency0.00Hz – 39.7Hz0127 Table#8
2 LFO Depth0 – 1270127
3 Phase Shift Offset0 – 1270127
4 Feedback Level-63 – 0 – +631127
5
6 EQ Low Frequency32Hz – 2.0kHz440Table#3
7 EQ Low Gain-12dB – 0dB – +12dB5276
8 EQ High Frequency500Hz – 16kHz2858Table#3
9 EQ High Gain-12dB – 0dB – +12dB5276
10 Dry/WetD63>W – D=W – D<W631127
11 Stage4 – 22422
12 DiffusionMono, Stereo01
13
14
15
16
Table#15
Table#15
Control
Control
Control
Genos Data List
57
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Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
PHASER2
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 LFO Frequency0.00Hz – 39.7Hz0127 Table#8
2 LFO Depth0 – 1270127
3 Phase Shift Offset0 – 1270127
4 Feedback Level-63 – 0 – +631127
5
6 EQ Low Frequency32Hz – 2.0kHz440Table#3
7 EQ Low Gain-12dB – 0dB – +12dB5276
8 EQ High Frequency500Hz – 16kHz2858Table#3
9 EQ High Gain-12dB – 0dB – +12dB5276
10 Dry/WetD63>W – D=W – D<W631127
11 Stage3 – 11311
12
13 LFO Phase Difference-180deg – 0deg – +180deg
14
15
16
TEMPO PHASER
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 LFO Frequency16th – 4thx16529Table#5
2 LFO Depth0 – 1270127
3 Phase Shift Offset0 – 1270127
4 Feedback Level-63 – 0 – +631127
5
6 EQ Low Frequency32Hz – 2.0kHz440Table#3
7 EQ Low Gain-12dB – 0dB – +12dB5276
8 EQ High Frequency500Hz – 16kHz2858Table#3
9 EQ High Gain-12dB – 0dB – +12dB5276
10 Dry/WetD63>W – D=W – D<W631127
11 Stage3 – 11311
12
13 LFO Phase Difference-180deg – 0deg – +180deg
14
15
16
DYNAMIC PHASER
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Sensitivity0 – 1270127
2 Dyna Level Offset0 – 1270127
3 Feedback Level-63 – 0 – +631127
4 Attack Time0.3ms – 227ms0127
5 Release Time2.6ms – 2171.4ms0127
6 Release Curve0 – 1270127
7 DirectionUp, Down01
8 Dyna Threshold Level0 – 1270127
9
10 Dry/WetD63>W – D=W – D<W631127
11 Stage4, 5, 646
12
13 EQ Low Frequency32Hz – 2.0kHz440Table#3
14 EQ Low Gain-12dB – 0dB – +12dB5276
15 EQ High Frequency500Hz – 16kHz2858Table#3
16 EQ High Gain-12dB – 0dB – +12dB5276
(resolution=3deg.)
(resolution=3deg.)
4124
4124
Table#13
Table#14
Control
Control
Control
DISTORTION/AMP SIMULATOR
TWEED GUY
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 TypeNormal, Bright01
2 Volume0.0 – 10.00100
3
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Presence0.0 – 10.00100
8
9 Output0 – 1270127
10 Dry/WetD63>W – D=W – D<W631127
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14
15
16
BOUTIQUE DC
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1
2 Ch1 Volume0.0 – 10.00100
3 Ch2 Volume0.0 – 10.00100
4 Ch1 Bass0.0 – 10.00100
5 Ch2 Tone1 – 605
6 Ch1 Treble0.0 – 10.00100
7 Cut0.0 – 10.00100
8 Master0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14
15
16
Y- A M P
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 TypeClean, Clean Boost, British
2 Preamp0.0 – 10.00100
3 Tone0.0 – 10.00100
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Sweep0.0 – 10.00100
8 Master0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14 Presence0.0 – 10.00100
15 Power Mode6L6GC, EL34, KT6602
16
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8,
Original
Crunch, Boutique Crunch,
Classic Hi-Gain, British HiGain, Modern Hi-Gain,
Lead, Metal, Normal
Distortion, Sweet Distortion
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
010
011
010
010
Control
Control
Control
Genos Data List
58
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Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
DISTOMP
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 TypeOverdrive, Normal
2 Drive0.0 – 10.00100
3 Tone0.0 – 10.00100
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Sweep0.0 – 10.00100
8 Speaker TypeOff, BS 4x12, AC 2x12, AC
9 Output0 – 1270127
10
11 EQ1 Q0 – 24024
12 EQ1 Frequency20.0Hz – 20.0kHz4124
13 EQ1 Gain-18.0dB – 0.0dB – 18.0dB28100
14 EQ2 Q0 – 24024
15 EQ2 Frequency20.0Hz – 20.0kHz4124
16 EQ2 Gain-18.0dB – 0.0dB – 18.0dB28100
80S SMALL BOX
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1
2
3
4
5 Drive0.0 – 10.00100
6 Cut0.0 – 10.00100
7 Overtone0.0 – 10.00100
8
9 Output0.0 – 10.00100
10
11 Foot SwitchOff, On01
12
13
14
15
16
US COMBO
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Gain BoostLow, High01
2 Volume0.0 – 10.00100
3 Low Cut0.0 – 10.00100
4 Mid Cut0.0 – 10.00100
5 Mid Width0.0 – 10.00100
6 Mid Sweep0.0 – 10.00100
7 High Cut0.0 – 10.00100
8 Balance0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14 Presence0.0 – 10.00100
15
16
Distortion, Sweet Distortion,
Classic Distortion, Metal,
Fuzz, Clean, British Crunch,
Boutique Crunch, Classic
Hi-Gain, British Hi-Gain,
Modern Hi-Gain
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8, Dip1,
Dip2, Metal, Light
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
011
014
Table#16
Table#16
010
Control
Control
Control
JAZZ COMBO
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Panning0.0 – 10.00100
2 Volume0.0 – 10.00100
3 DistortionOff, 0.1 – 10.00100
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 High Treble0.0 – 10.00100
8
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14 ChorusOff, Chorus, Vib02
15 Vib Speed0.0 – 10.00100
16 Depth0.0 – 10.00100
US HIGH GAIN
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 TypeRaw1, Vintage1, Modern1,
2 Gain0.0 – 10.00100
3
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Presence0.0 – 10.00100
8 Master Volume0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14
15
16
BRITISH LEAD
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 TypeCrunch, Hi-Gain, Lead02
2 Preamp0.0 – 10.00100
3 Tone ShiftNormal, Loose, Tight02
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Presence0.0 – 10.00100
8 Master Volume0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14
15
16
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
Raw2, Vintage2, Modern2
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
010
05
010
010
Control
Control
Control
Genos Data List
59
Page 60
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Echo2 M, Chorus M, Dl
Chorus M, Flanger1 M,
Flanger2 M, Flanger3 M,
Delay St, Echo1 St, Echo2
St, Chorus St, Dl Chorus St,
Flanger1 St, Flanger2 St,
Flanger3 St
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
07
07
08
012
Table#17
04
016
17
08
012
010
Control
Control
Control
BRITISH LEGEND
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 SensitivityHigh, Low01
2 Preamp0.0 – 10.00100
3
4 Bass0.0 – 10.00100
5 Middle0.0 – 10.00100
6 Treble0.0 – 10.00100
7 Presence0.0 – 10.00100
8 Master Volume0.0 – 10.00100
9 Output0 – 1270127
10
11 Speaker TypeOff, BS 4x12, AC 2x12, AC
12 Speaker Air0 – 202
13 Mic PositionCenter, Edge01
14
15
16
V DISTORTION
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Overdrive0% – 100%0100
2 DeviceTransistor, Vintage Tube,
3 Speaker TypeFlat, Stack, Combo, Twin,
4 Presence0 – 20020
5 Output Level0% – 100%0100
6
7
8
9
10 Dry/WetD63>W – D=W – D<W631127
11
12
13
14
15
16
V DIST TEMPO DELAY
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Overdrive0% – 100%0100
2 DeviceTransistor, Vintage Tube,
3 Speaker TypeFlat, Stack, Combo, Twin,
4 Presence0 – 20020
5 Output Level0% – 100%0100
6 Delay Time32nd/3 – 4thx6019Table#5
7 Delay Feedback Level-63 – 0 – +631127
8 L/R Diffusion-63ms – 0ms – +63ms1127
9 Lag-63ms – 0ms – +63ms1127
10 Dry/WetD63>W – D=W – D<W631127
11 Delay Mix0 – 1270127
12 Feedback High Damp0.1 – 1.0110
13
14
15
16
1x12, AC 4x10, BC 2x12,
AM 4x12, YC 4x12, JC 2x12,
OC 2x12, OC 1x8
Dist1, Dist2, Fuzz
Radio, Megaphone
Dist1, Dist2, Fuzz
Radio, Megaphone
010
04
05
04
05
Control
Control
Control
Genos Data List
60
Page 61
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
COMPRESSOR/NOISE GATE
UNI COMP
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Threshold-60.0dB – 0.0dB0120
2 Knee0 – 808
3 Attack0.010ms – 80.00ms0127
4 Release6.250ms – 999.0ms0127
5 Ratio1.00 – 500.00, ∞0127
6 Side Chain EQ SwitchOff, On01
7 Side Chain EQ Q0.100 – 10.000126
8 Side Chain EQ
Frequency
9 Side Chain EQ Gain-30.0dB – 0.0dB – +30.0dB0120
10 Dry/WetD63>W – D=W – D<W631127
11 Output Level-20.0dB – 0.0dB – +40.0dB0120
12 Make Up Gain-20.0dB – 0.0dB – +40.0dB0120
13 Post-comp HPFOff, 1.04Hz – 80.35Hz0127
14 ClipperOff, 1 – 1000100
15 Clipper SourceDry+Wet, Wet01
16
(*) When UNI COMP is used with System connection in a Variation Block, the “Clipper
Source” parameter will always refer to the “Wet” signal, even if “Dry+Wet” is selected.
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
2BAND EQ
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 EQ Low Frequency32Hz – 2.0kHz440Table#3
2 EQ Low Gain-12dB – 0dB – +12dB5276
3 EQ High Frequency500Hz – 16kHz2858Table#3
4 EQ High Gain-12dB – 0dB – +12dB5276
5
6
7
8
9
10
11
12
13
14
15
16
HARMONIC ENHANCER
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 HPF Cutoff Frequency500Hz – 16kHz2858Table#3
2 Drive0 – 1270127
3 Mix Level0 – 1270127
4
5
6
7
8
9
10
11
12
13
14
15
16
Control
Control
MISC
DAMPER RESONANCE
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1
2
3
4
5
6
7
8
9
10 Dry/WetD63>W – D=W – D<W631127
11
12
13
14
15
16 Pedal Control0 – 1270127
PRESENCE
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Presence0 – 1000100
2 Texture0 – 1000100
3 Output Level-6.0dB – 0.0dB – +6.0dB0120
4
5
6
7
8
9
10
11
12
13
14
15
16
Control
Control
PITCH CHANGE
PITCH CHANGE1
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Pitch-24 – 0 – +244088
2 Initial Delay Time0.1ms – 400.0ms0127 Table#6
3 Fine 1-50 – 0 – +5014114
4 Fine 2-50 – 0 – +5014114
5 Feedback Level-63 – 0 – +631127
6
7
8
9
10 Dry/WetD63>W – D=W – D<W631127
11 Pan 1L63 – C – R631127
12 Output Level 10 – 1270127
13 Pan 2L63 – C – R631127
14 Output Level 20 – 1270127
15
16
PITCH CHANGE2
Block : Chorus, Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Pitch-24 – 0 – +244088
2 Initial Delay Time0.1ms – 400.0ms0127 Table#6
3 Fine 1-50cent – 0cent – +50cent14114
4 Fine 2-50cent – 0cent – +50cent14114
5 Feedback Level-63 – 0 – +631127
6
7
8
9
10 Dry/WetD63>W – D=W – D<W631127
11 Pan 1L63 – C – R631127
12 Output Level 10 – 1270127
13 Pan 2L63 – C – R631127
14 Output Level 20 – 1270127
15
16
Control
Control
VOICE CANCELAR
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1
2
3
4
5
6
7
8
9
10
11 Low Adjust0 – 26026
12 High Adjust0 – 26026
13
14
15
16
AMBIENCE
Block : Variation, Insertion1-28
No.ParameterDisplayMin MaxTable
1 Delay Time0.0ms – 50.0ms0127 Table#9
2 Output PhaseNormal, Inverse01
3
4
5
6 EQ Low Frequency32Hz – 2.0kHz440Table#3
7 EQ Low Gain-12dB – 0dB – +12dB5276
8 EQ High Frequency500Hz – 16kHz2858Table#3
9 EQ High Gain-12dB – 0dB – +12dB5276
10 Dry/WetD63>W – D=W – D<W631127
11
12
13
14
15
16
Control
Control
Genos Data List
67
Page 68
Effect Parameter List / Liste der Effektparameter / Liste des paramètres d’effets / Elenco dei parametri di effetti / Effect Parameter-lijst / Lista parametrów efektów
Effect Data Assign Table / Effektdaten-Zuordnungstabelle / Tableau d’assignation des données d’effets /
Tabella assegnazione dati degli effetti / Effect Data Assign-tabel / Tabela przypisania danych efektów
Effect Data Assign Table / Effektdaten-Zuordnungstabelle / Tableau d’assignation des données d’effets / Tabella assegnazione dati degli effetti / Effect Data Assign-tabel / Tabela
przypisania danych efektów
Effect Data Assign Table / Effektdaten-Zuordnungstabelle / Tableau d’assignation des données d’effets / Tabella assegnazione dati degli effetti / Effect Data Assign-tabel / Tabela
przypisania danych efektów
Table#21
VCM Wa h Spee d [Hz]
Data Value Data Value Data Value Data Value Data Value
Effect Data Assign Table / Effektdaten-Zuordnungstabelle / Tableau d’assignation des données d’effets / Tabella assegnazione dati degli effetti / Effect Data Assign-tabel / Tabela
przypisania danych efektów
Effect Data Assign Table / Effektdaten-Zuordnungstabelle / Tableau d’assignation des données d’effets / Tabella assegnazione dati degli effetti / Effect Data Assign-tabel / Tabela
przypisania danych efektów
Table#38
VCM Comp Release Time [ms]
Data Value Data Value Data Value Data Value Data Value
Keyboard Harmony/Arpeggio Type List / Tastatur Harmonie/Liste der Arpeggio-Typen /
Harmonie clavier/Liste de types d'arpège / Armonia della tastiera/Elenco dei tipi di arpeggio /
Toetsenbord Harmonie/Lijst met arpeggiotypen / Harmonia klawiatury/Lista rodzajów arpeggia
CategoryName
HarmonyStandard Duet 1
Standard Duet 2
Standard Trio
Full Chord
Rock Duet
Country Duet 1
Country Duet 2
Country Trio
Block
4-Way Close 1
4-Way Close 2
4-Way Close 3
4-Way Close 4
4-Way Open 1
4-Way Open 2
4-Way Open 3
1+5
Octave
Strum
Multi Assign
EchoEcho
Tre mo lo
Trill
Arpeggio /
Up&Down
Arpeggio /
SynthSeq1
Arpeggio /
SynthSeq2
Up Octave 1
Up Octave 2
Up Octave 3
Up Octave 4
Down Octave 1
Down Octave 2
Down Octave 3
Down Octave 4
Up&Down A Octave 1
Up&Down A Octave 2
Up&Down A Octave 3
Up&Down A Octave 4
Up&Down B Octave 1
Up&Down B Octave 2
Up&Down B Octave 3
Up&Down B Octave 4
2 Octave Up
4 Octave Up
Up&Down 1
Up&Down 2
Up&Down 3
Up&Down 4
Up&Random 1
Up&Random 2
Up&Random 3
Up&Random 4
Classic Arpeggio 1
Classic Arpeggio 2
Classic Arpeggio 3
Classic Arpeggio 4
Classic Arpeggio 5
Synth Riff Arpeggio 1
Synth Riff Arpeggio 2
Synth Riff Arpeggio 3
Synth Riff Arpeggio 4
Synth Riff Arpeggio 5
Melodic Arpeggio 1
Melodic Arpeggio 2
Melodic Arpeggio 3
Melodic Arpeggio 4
Melodic Arpeggio 5
Synth Sequence 1
Synth Sequence 2
Synth Sequence 3
Synth Sequence 4
CategoryName
Arpeggio /
SynthSeq2
Arpeggio /
ChordSeq1
Arpeggio /
ChordSeq2
Arpeggio / Trance Trance 1
Synth Sequence 5
Synth Sequence 6
Synth Sequence 7
Synth Sequence 8
Synth Sequence 9
Synth Sequence 10
Synth Sequence 11
Synth Sequence 12
Synth Sequence 13
Octave Sequence 1
Octave Sequence 2
Octave Sequence 3
Octave Sequence 4
Octave Sequence 5
Mute Arpeggio 1
Mute Arpeggio 2
Mute Arpeggio 3
Sequence S&H 1
Sequence S&H 2
Poly Arpeggio 1
Poly Arpeggio 2
Syncopation 1
Syncopation 2
X-Sweep 1
X-Sweep 2
X-Sweep 3
Chord Arpeggio 1
Chord Arpeggio 2
Chord Arpeggio 3
Chord Arpeggio 4
Chord Arpeggio 5
Chord Arpeggio 6
Chord Arpeggio 7
Chord Arpeggio 8
Chord Arpeggio 9
Chord Arpeggio 10
Chord Arpeggio 11
Chord Arpeggio 12
Chord Arpeggio 13
Chord Random 1
Chord Random 2
Chillout 1
Chillout 2
Chillout 3
Chillout 4
Chillout 5
Chillout 6
Chillout 7
Chillout 8
Chillout 9
Chillout 10
Synth Chord 1
Synth Chord 2
Synth Chord 3
Synth Chord 4
Synth Chord 5
Synth Chord 6
Synth Chord 7
Synth Chord 8
Synth Chord 9
Synth Chord 10
Synth Chord 11
Synth Chord 12
Synth Chord 13
Synth Chord 14
Synth Chord 15
Trance 2
CategoryName
Arpeggio / Trance Trance 3
Trance 4
Trance 5
Trance 6
Trance 7
Trance 8
Trance 9
Trance 10
Trance 11
Trance 12
Trance 13
Trance 14
Trance 15
Trance 16
Trance 17
Dream Dance 1
Dream Dance 2
Techno
Arpeggio / Electro Electro 1
Electro 2
Electro 3
Electro 4
Electro 5
Electro 6
Electro 7
Electro 8
Electro 9
Electro 10
Electro 11
Electro 12
Electro 13
Electro 14
Electro 15
Electro 16
Electro 17
Acid 1
Acid 2
Acid 3
Arpeggio /
Filter&Gate
Arpeggio / Guitar Finger Pickin 1
Filter Control 1
Filter Control 2
Filter Control 3
Filter Control 4
Filter Control 5
Filter Control 6
Filter Control 7
Filter Control 8
Filter Control 9
Filter Control 10
Gate Control 1
Gate Control 2
Gate Control 3
Gate Control 4
Gate Control 5
Gate Control 6
Gate Control 7
Gate Control 8
Gate Control 9
Gate Control 10
Finger Pickin 2
Finger Pickin 3
Finger Pickin 4
Finger Pickin 5
Finger Pickin 6
Finger Pickin 7
Finger Pickin Swing 1
Finger Pickin Swing 2
Finger Pickin Swing 3
CategoryName
Arpeggio /
MegaGuitar
Arpeggio /
Keyboard
Strumming 1
Strumming 2
Strumming 3
Strumming 4
Strumming 5
Strumming 6
Strumming 7
Strumming Swing 1
Strumming Swing 2
Strumming Swing 3
Funk Guitar 1
Funk Guitar 2
Funk Guitar 3
Funk Guitar 4
Funk Guitar 5
Piano Arpeggio 1
Piano Arpeggio 2
Piano Arpeggio 3
Piano Arpeggio 4
Piano Arpeggio 5
Piano Arpeggio 6
Piano Arpeggio 7
Piano Arpeggio 8
Piano Arpeggio 9
Piano Arpeggio 10
Piano Arpeggio 11
Piano Arpeggio 12
Piano Arpeggio 13
Piano Arpeggio 14
Piano Arpeggio 15
Piano Club 1
Piano Club 2
Clavi 1
Clavi 2
Clavi 3
Genos Data List
74
Page 75
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter /
Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale /
Vocal Harmony Parameter-lijst / Lista parametrów harmonii wokalnej
Vocal Harmony Type List
Default
Default
Setting
CategoryType NameDescriptionMSBLSB
Vocal HarmonyDuetHarmonyStandard setting for lead vocal plus 1 harmony part with vibrato. Useful for many music genres.1249ONOFF
StandardHarmony Standard setting for lead vocal plus 2 or 3 harmony parts with vibrato. Useful for many music genres.1250ONOFF
EasyHarmonyStandard setting for lead vocal plus 2 simple harmony parts with vibrato. Useful for many music genres.1251ONON
LightHarmonyA light sound with 2 or 3 harmony parts on the lead vocal pitch.1252ONOFF
StudioSingersLead vocal with harmony with suitable EQ and less reverb, good for studio productions.1257ONON
QuartetHarmonyStandard setting for lead vocal plus 3 harmony parts with vibrato. Useful for many music genres.1253ONOFF
BigHarmony3 harmony parts overlap the lead vocals, makes a powerful harmony. Useful for many music genres.1254ONOFF
BigAcapellaCharacteristic acapella sound of lead vocal + 3 voice open harmony (2 voice harmony + bass part.)1255ONOFF
BigChoirA powerful sound with 2 or 3 harmony parts on the lead vocal pitch.1256ONON
VocoderSchlagerVocoder sound for harmony in Schlager music.1258ONOFF
StandardDuetStandard setting for lead vocal plus 1 harmony part. Useful for many music genres.120ONOFF
StandardTrioStandard setting for lead vocal plus 2 harmony parts. Useful for many music genres.121ONOFF
StandardQuartetStandard setting for lead vocal plus 3 harmony parts. Useful for many music genres.122ONOFF
StudioVocalsGood for studio productions with suitable EQ setting and less Reverb.1233ONON
JazzyQuartetGood for Bass, Tenor and Alto singers; for Jazz repertoire. You will hear additional 6th notes.123ONOFF
SchlagerTrioGood for standard Schlager repertoire with simple harmony chords.124ONON
DestinyPop
VocalDoubler
VocoderVHStandard vocoder setting; ideal for controlling harmony notes with “UPPER” part.126ONOFF
VocoderMono
Rock&Roll
Tem p oC ro s s
HeavyVoice
TelephoneChoir
LikeThe80sGood for 80’s Pop with typical reverb image.1239ONON
GramophoneTypical 30’s vocal ensemble; use as old fashioned gramophone sound.1240ONON
PokerPhaserGood for modern Pop songs using phaser effect for lead vocal.1241ONON
DetuneVoiceLead vocal plus two additional detuned harmony parts for exciting detuned sound.128ONOFF
PerfectFourthQuartet singing only perfect fourths; parallel movement of all parts.129ONON
SingCMajorScale
BalladChoirGood for Ballad backing vocals with long reverb time.1211ONON
ChurchChoir
GregorianChoir
GospelChoirGood for Gospel songs with long reverb on harmony parts and dominant 7th feel.1214ONON
CosmicChoirExtreme phasing vocals; useful for exciting effects in Dance and Modern Music.1242ONON
AlpenGirlsGood for male singer with 2 female harmony parts above lead vocal.1215ONON
CountryRockTypical Country Rock quartet; recommended range is tenor/alto.1216ONON
R&B DivaGood for female alto singer for R&B repertoire; also usable with Tenor lead vocal.1217ONON
ClosedPopChicks
QueenOfPop
Bob->Mary
Mary->Bob
FlangingVocalsUseful for modern Pop, Rock and Dance music.1244OFFON
JazzySingersGood for Bass and Tenor Singers. Harmony parts add 3 female Jazz singers.1221ONON
QuartetOnStageGood for Rock and Pop Music. Harmony parts make up a quartet.1222ONON
DelayedHarmony Useful in several genres with a tempo-synced delay choir as background.1245ONON
KidsChoirWant to be a child again? Use this preset type and sing with your friends…1223ONOFF
ChorusChoirThe chorus effect adds a rich and exciting characteristics to your voice and the harmony parts.1246ONON
BohemianVocoder Tempo flanging Vocoder Type; good for Rock or Pop songs and Intros.1247ONON
RobotVoiceDo you want to sound like a robot? This is the setting. Use Harm.3 for variation.1248ONON
Good for female singers with lead vocal plus 2 harmony parts above; for female Pop and R&B
repertoire.
Use this preset to overdub your singing in real time. Turn the “Harmony” button on in the Vocal Harmony
display, and it add harmony parts with Vocal Doubler effect.
Standard vocoder setting; ideal for controlling with “UPPER” part. You can play mono (single-note)
melodies.
Good for Rock&Roll songs from the 50’s and 60’s with typical delay sound. Turn the “Harmony” button
on in the Vocal Harmony display, and it add harmony parts with Blues chords.
Tempo Cross Delay on lead vocal. Turn the “Harmony” on the Vocal Harmony display on to add
harmony parts; good for Pop songs or special show effects.
Good for Rock and Pop with overdriven vocal. Turn the “Harmony” button on in the Vocal Harmony
display, and it add Harmony with 1 octave down.
Typical Lo-fi vocal ensemble; use as old fashioned ensemble sound or exciting effect in Rock, Pop and
Jazz.
Sing C major scale and the harmony parts will create suitable chord notes based on the C major scale.
You can edit the key root and type by “Harmony Assign” setting on the Vocal Harmony display.
Good for standard church songs and Christmas songs with long reverb time; recommended for Bass,
Tenor and Alto voice.
Good for rubato Gregorian-chant-type monophonic songs with large reverb; parallel movement of all
parts.
Good for female singers with two harmony parts below. Change volume of Harm.3 for an additional (3rd)
part below.
Good for Pop and R&B songs using Tempo Delay. Turn the “Harmony” button on in the Vocal Harmony
display, and it add 2nd Voice.
Male singer can sound like Female voice with long romantic reverb. Use “Balance” on the Vocal
Harmony display to add a male duet partner.
Female singer can sound like Male voice with short reverb. Use “Balance” on the Vocal Harmony
display to add a female duet partner.
125ONON
1234OFFON
127ONOFF
1235OFFON
1236OFFON
1237OFFON
1238ONON
1210ONOFF
1212ONON
1213ONON
1218ONON
1243OFFON
1219ONON
1220ONOFF
Harmony
of Vocal
On/Off
Setting
of Vocal
Effect
On/Off
Genos Data List
75
Page 76
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Default
CategoryType NameDescriptionMSBLSB
Setting
of Vocal
Harmony
On/Off
Vocal HarmonyChordalXGCHORDAL type setting of previous Vocal Harmony system.900ONOFF
DetuneXGDETUNE type setting of previous Vocal Harmony system.910ONOFF
ChromaticXGCHROMATIC type setting of previous Vocal Harmony system.920ONOFF
VocoderXGVOCODER type setting of previous Vocal Harmony system.890ONOFF
ThruBypass without any harmonies and effects.640OFFOFF
Synth VocoderMonsterPadBig vocoder sound with added octave for playing single notes in the lower keyboard range.1311ONON
DigiStackClassic soft vocoder sound with added noise for better speech intelligibility.1318ONON
ReflectingStrong detuned effect makes atmospheric vocoder sound.1323ONON
MonsterFXVocoder sound with phaser for vocal sound effects.1328ONON
PhatStackStrongly detuned vocoder sound with a mixture of natural and electronic vocal sound.1329ONON
UniVCOSpacious ensemble vocoder sound with added noise for better speech intelligibility.1331ONON
JP SawSlightly detuned vocoder sound for vocal sound effects.1334ONON
PulseWave10Classic vocoder sound with a mixture of natural and electronic vocal sound.1335ONON
PulseWave25Classic vocoder sound with phaser.1336ONON
DigiWaveClassic vocoder sound with upshifted formants for vocal sound effects.1337ONON
FatSawFat synth vocoder sound with fat saw tooth wave sound.131ONON
SimpleSawSimple synth vocoder sound with simple saw tooth wave sound.130ONON
SyncSawSync sound image. You can feel the phaser sound as well.132ONON
StrongDetuneStrong detuned Sound.133ONON
VP PadPad oriented synth vocoder sound.134ONON
ChoirWithYouChoir oriented synth vocoder. You can hear your own voice as well.135ONON
OrganOrgan oriented synth vocoder sound.136ONON
SweepingProduces a sweeping sound image.137ONON
AtmospherePad oriented synth vocoder sound with soft pad sound.138ONON
AmbientFXRichly textured sound.139ONON
Default
Setting
of Vocal
Effect
On/Off
Genos Data List
76
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Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Chordal Type List
Type NameDescription
2Abv&1Blw.SimpleHarmony based on 3-tone chord, 2 above and 1 below; suitable for backing chorus parts. Basically it generates harmonies within an octave.
1Abv&2Blw.SimpleHarmony based on 3-tone chord, 1 above and 2 below; suitable for backing chorus parts. Basically it generates harmonies within an octave.
1Abv&2Blw.OpenHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&2Blw.OpenParaHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&2Blw.OpenBluesHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&1Blw+UnsD.SimpleHarmony suitable for a trio based on 2-tone chord, 1 above and 1 below (+ Oct. below the input pitch); it is suitable for backing chorus parts.
3Blw.ClosedHarmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Blw.ClosedParaHarmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Blw.ClosedBluesHarmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
2Blw+Bass.ChordalHarmony based on 3-tone chord, 2 below and a chord root; it is suited for backing chorus parts.
2Blw+UnsD.ModalHarmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below the input pitch); it can produce a feeling of movement.
2Blw+UnsD.ModalBluesHarmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below the input pitch); it can produce a feeling of movement.
1Blw+UnsD+BassHarmony suitable for a duet based on 1 total tone from chord and scale, the nearby 1 below (+ Oct. below the input pitch and chord root); it can produce a
1Blw.Far+UnsD+BassHarmony suitable for a duet based on 1-tone chord, 1 below, (priority on character) (+ Oct. below the input pitch and chord root). This setting skillfully
3Abv.JazzHarmony based on 3 total tones from chords and scales, 3 above; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Abv.ChordalHarmony based on 3-tone chord, 3 above; it is suitable for backing chorus parts. It is also good for low pitched vocals.
3Abv.JazzParaHarmony based on 3 total tones from chords and scales, 3 above; it handles a major triad as add 6th chord. Because it handles the major second as a scale
3Abv.JazzBluesParaHarmony based on 3 total tones from chords and scales, 3 above; it handles a major triad as add 6th chord. Since it handles the major second as a scale tone
2Abv&1Blw.WideHHarmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Basically it generates open harmonies
2Abv&1Blw.forDuoHarmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Because it combines elements suited
2Abv&1Blw.JazzHarmony based on 3 total tones from chords and scales, 2 above and 1 below; it handles a major triad as add 6th chord. Because it handles the major
2Abv&1Blw.WideLHarmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Its harmony range tends to be lower
2Abv+UnsD.Modal6thHarmony suitable for a trio based on 2 total tones from chords and scales, 2 above (+ Oct. below the input pitch); it handles a major triad as add 6th chord.
2Abv+Bass.Modal6thHarmony suitable for a trio based on 2 total tones from chords and scales, 2 above (+ chord root); it handles a major triad as add 6th chord. Because it
UnsU+1Abv+Bass.OpenHarmony suitable for a duet based on 1 total tone from chord and scale, the nearby 1 above (+ Oct. below the input pitch and chord root); it can produce a
1Abv&2Blw.JazzHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
1Abv&2Blw.80sHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
1Abv&2Blw.BluesHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Since it handles the major second as a
1Abv&2Blw.ChordalBluesHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
1Abv&2Blw.ChordalHarmony based on tone chords and scale tones used as duet, 1 above and 2 below; it can produce a feeling of movement. HARM.1 is a tone above and
1Abv&2Blw.WideHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. It handles a major triad as add 6th
1Abv&2Blw.WideBluesHarmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Since it handles a major triad as add 6th
1Abv&1Blw+BassHarmony based on tone chords and scale tones used as duet, 1 above and 1 below; (+ chord root); it can produce a feeling of movement. HARM.1 is a tone
1Abv&1Blw+UnsD.Modal6th Harmony suitable for a trio based on 2 total tones from chords and scales, a above and below (+ Oct. below the input pitch); it can produce a feeling of
1Abv&1Blw+Bass.Modal6th Harmony based on tone chords and scale tones used as duet, 1 above and 1 below (+ chord root); it can produce a feeling of movement. HARM.1 is harmony
3Blw.JazzHarmony based on 3 total tones from chords and scales, 3 below; it handles a major triad as add 6th chord. Because it handles the major second as a scale
3Blw.JazzBluesHarmony based on 3 total tones from chords and scales, 3 below; it handles a major triad as add 6th chord. Because it handles the major second as a scale
2Blw+UnsD.Modal6thHarmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below input pitch); it handles a major triad as add 6th chord.
2Blw+Bass.Modal6thHarmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ chord root); it handles a major triad as add 6th chord. Because it
of an octave or more.
of an octave or more. It includes the effect of creating parallel motion of a half tone in certain conditions.
of an octave or more. Since it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone during 7th chords. Suitable for 3tone chord blues or for country rock in major keys. There are cases where it is not suitable during 7th chord in minor keys.
is unsuitable for low input pitch, because the harmonies are low.
is unsuitable for low input pitch, because the harmonies are low. It includes the effect of creating parallel motion of a half tone in certain conditions.
is unsuitable for low input pitch, because the harmonies are low. Because it adds the major second as the scale tone to harmony during 7th chord, it provides
a passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. There are cases where it is not suitable during 7th chord in
minor keys.
Because it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone during 7th chords. Suitable for 3-tone chord blues
or for country rock in major keys. There are cases where it is not suitable during 7th chord in minor keys.
feeling of movement.
expresses the chord character.
is suitable for low pitched vocals.
tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It includes the effect of creating parallel motion of a
half tone in certain conditions. It is suitable for low pitched vocals.
in major triads, it can also provide passing tones. Because it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone
during 7th chords. Suitable for 3-tone chord blues or for country rock in major keys. Basically it generates harmonies within an octave. It includes the effect of
creating parallel motion of a half tone in certain conditions. There are cases where it is not suitable during 7th chord in minor keys. It is suitable for low pitched
vocals.
of an octave or more. It is suitable for low pitched vocals.
for duets, HARM. 1, 2 and 3 can be independently selected for use for duets. It can also be used for octave transposing. Basically, the highest tone (HARM.1)
is an octave above the lowest tone (HARM.3), and this tone (HARM.1 or HARM.3) handles the major second as the scale tone in major triads. (You should be
careful, however, depending on the song.) It is suited for low pitched vocals in situations where all harmonies are used for a quartet.
second as a scale tone in major triads, it can also provide passing tones. Basically, the highest tone (HARM.1) is an octave above the lowest tone (HARM.3).
Each of its tones is treated as an element, so it can be used for duets or trios. It is suitable for low pitched vocals.
than that of 2Abv&1Blw.WideH. Basically it generates open harmonies of an octave or more. It is suitable for low pitched vocals.
Because it handles the major second as a scale tone in major triads, it can also provide passing tones. It is suitable for low pitched vocals.
handles the major second as a scale tone in major triads, it can also provide passing tones. It is suitable for low pitched vocals.
feeling of movement.
as a scale tone in major triads, it can also provide passing tones. Basically it is a closed harmony within an octave.
as a scale tone in major triads, it can also provide passing tone. With priority on the chord’s character, it is good for broadening the sound in which Maj7 and
m7 chords are often used. Basically it generates closed harmonies within an octave.
scale tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides a
passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. Basically it generates closed harmonies within an octave.
as a scale tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides
a passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. With priority on the chord’s character, it is good for
broadening the sound in which Maj7 and m7 chords are often used. Basically it generates closed harmonies within an octave.
nearest the input pitch. HARM.2, tone which is below the input pitch and nearest the input pitch, handles a major triad as add 6th chord. HARM.3 is harmony
with priority on the chord character of the lower notes. Because it handles the major second as a scale tone in major triads, it can also provide passing tones.
chord. Since it handles the major second as a scale tone, it can also provide passing tones. Basically it generates open harmonies of an octave or more.
chord, and handles the major second as a scale tone, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during
7th chords, it provides a passing tone during 7th chords. Suitable for 3-tone chord in major keys or for country rock. Basically it generates open harmonies of
an octave or more.
above and nearest the input pitch. HARM.2, tone which is below the input pitch and nearest the input pitch, handles a major triad as add 6th chord, and since
it handles the major second as a scale tone in major triads, it can provide passing tones.
movement. Because it handles a major triad as add 6th chord, and handles the major second as a scale tone, it can provide passing tones.
of above tone with priority on the chord character. HARM.2, harmony near the below side, handles a major triad as add 6th chord, and since it handles the
major second as a scale tone, it can provide passing tones.
tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is suitable for high pitched vocals.
tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides a passing
tone during 7th chords. Suitable for 3-tone chord blues or for country rock in major keys. Basically it generates harmonies within an octave. It is suitable for
high pitched vocals.
Because it handles the major second as a scale tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is
suitable for high pitched vocals.
handles the major second as a scale tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is suitable for
high pitched vocals.
Genos Data List
77
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Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Type NameDescription
ScaleDiatonicThis generates harmonies based on the scale specified by the KEY ROOT/TYPE value and the degree specified by the DEGREE value. The harmonies are not
ParallelThis can reproduce harmonies for which semitone pitches are fixed 4th build or diminished sounds, for example. This setting is good, for example, in modal
dependent on a chord. If there are many notes, the chord feeling intensifies, so it is suitable for use as duets, fixed at a third above. This setting is good for
modal church music or modal jazz.
jazz scales (when you want to eliminate chordal feeling) or in progressive music.
Vocal Effect Type List
Type NameDescriptionMSBLSB
Romantic ReverbLong reverb for vocal part. Romantic image.10
80s Pop ReverbLong reverb for vocal part. 80's pop image.116
RoomReverb simulating the acoustics of a room.20
Concert StageReverb simulating the concert stage.30
PlateReverb simulating a plate reverb unit.40
Vocal DoublerImmediate delay with center focused feeling.516
Stereo SpreadImmediate delay with spread feeling.517
DelayProduces simple delayed sounds: L,R, and C (center).50
Short DelayProduces short delayed sound with narrow image.51
Rock & Roll DelayProduces slap back echo sound. Good for Rock&Roll music.518
Cross DelayThe feedback of the two delayed sounds is crossed.80
Tempo DelayTempo-synchronized delay.210
Tempo Cross DelayTempo-synchronized cross delay.220
ChorusConventional chorus program with rich, warm chorusing.660
EQ Hi-FiEqualizer effect that boosts both high and low frequencies.7616
EQ TELEqualizer effect that cuts both high and low frequencies.760
GramophoneProduces Lo-Fi sound with gramophone image.940
RobotProduces Lo-Fi sound with robotic image.9416
OverdrivenProduces overdriven sound. Good for rock and dance music.980
Transpose Mode0Assigns the harmony to the octave range centered around the pitch of the played note.
* These are effective only when
Vocoder or Vocoder-Mono is
selected in Mode.
Session TableNormalThe chord designation is used as shown. This is for general use in conventional music genres.
* These are effective only when a
Chordal Type other than Scale
Diatonic or Parallel is selected.
Key RootCDetermines the root key for the transposition. Use this in combination with Key Type below to enable modal scale harmony
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
Key TypeMajDetermines the scale type for the transposition. Use this in combination with Key Root above to enable modal scale harmony
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
AutoAssigns the harmony to the same octave range as the vocal (microphone) input.
-3Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
1Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
2Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
3Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
SimpleTends to add a simpler harmony. Use this when you need simple accompaniment.
R&RTends to add harmony with a strong major 6th in both major and minor triads. This is good with rock ‘n’ roll music.
UrbanATends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated,
UrbanBTends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated,
Blues7Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanCTends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel.
C#
D
D#
E
F
F#
G
G#
A
A#
B
min(Natural)
min(Harmonic)
urban feel.
urban feel.
transposition.
transposition.
Genos Data List
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Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Pitch Correct ModeOFFThe input sound is not pitch corrected. Since the harmony has a more natural sound, this setting is good for duets, etc.
SOFT1
SOFT2The input sound is slightly pitch corrected. Since the harmony has a more natural sound, this setting is good for duets, etc.
HARD
HumanizeOffThe harmony will not be humanized.
1
2The harmony will be humanized so as to have a more distinct groove. Even faster passages will retain their rhythmic essence.
3
Lead Pitch Detect Speed /Harm
Pitch Detect Speed
Harmony EffectThruThis is a bypass setting. It has no harmony effect.
Harmony StabilityDynamicThis tends to add harmony with motion according to the input sound.
Lead Vibrato Depth0 – 127This specifies the vibrato depth of the lead sound.
Harm Vibrato Depth0 – 127This specifies the vibrato depth of the harmony sound.
Vibrato Speed0 – 127It specifies the vibrato speed of both the lead and harmony sounds.
Vibrato Delay0 – 127It specifies the vibrato delay of both the lead and harmony sounds.
as Mic SettingThis setting gives priority to the speed which is set on the VOCAL page of the MIC SETTING display.
1(Slow)This setting responds most slowly to pitch changes, and even if the vocal is slightly off pitch, the harmony easily follows.
2This setting responds relatively slowly to pitch changes, and even if the vocal is slightly off pitch, the harmony easily follows.
3This setting responds relatively quickly to pitch changes, and even if the vocal is slightly off pitch, the harmony easily follows.
4(Normal)This setting responds relatively quickly to pitch changes, and pitch detection is moderately precise.
5This setting responds a little quickly to pitch changes, and even if the vocal is slightly off pitch, the harmony easily follows.
6This setting responds a little quickly to pitch changes, and pitch detection is moderately precise.
7This setting responds a little quickly to pitch changes, and sensitivity of pitch detection is slightly low.
8This setting responds a little quickly to pitch changes, and sensitivity of pitch detection is slightly high.
9This setting responds fairly quickly to pitch changes, and even if the vocal is slightly off pitch, the harmony easily follows.
10This setting responds a little quickly to pitch changes, and pitch detection is moderately precise.
11This setting responds a little quickly to pitch changes, and sensitivity of pitch detection is slightly low.
12This setting responds a little quickly to pitch changes, and sensitivity of pitch detection is slightly high.
13This setting responds qui ckly to pitch changes, and sensitivity of pitch detection is slightly high.
14This setting responds even more quickly to pitch changes, and sensitivity of pitch detection is slightly high.
15(Fast)
BasicThis setting is suited for male vocalists.
LiteThis setting is suited for male vocalists. It attenuates the bass range and provides a light image.
FemaleThis setting is suited for female vocalists.
Female LiteThis setting is suited for female vocalists. It attenuates the bass range and provides a light image.
EQ HiThis EQ setting emphasizes the treble range.
EQ HiLoThis EQ setting emphasizes the treble and bass ranges.
EQ HeavyThis EQ setting has a heavy feeling.
EQ LiteThis EQ setting has a light feeling, while emphasizing the bass range.
EQ MidThis EQ setting emphasizes the mid range.
EQ WideThis is a well-balanced EQ setting which covers a wide spectrum range.
CmpThis compresses strong peaks for a narrower dynamic range.
Cmp&EQ HiThis EQ setting emphasizes the treble range. It also compresses strong peaks for a narrower dynamic range.
Cmp&EQ HiLoThis EQ setting emphasizes the treble and bass ranges. It also compresses strong peaks for a narrower dynamic range.
Cmp&EQ HeavyThis EQ setting has a heavy feel. It also uses compresses strong peaks for a narrower dynamic range.
Cmp&EQ LiteThis EQ setting has a light feel, while emphasizing the bass range. It also compresses strong peaks for a narrower dynamic range.
Cmp&EQ MidAn EQ setting which emphasizes the mid range, it also compresses strong peaks for a narrower dynamic range.
Cmp&EQ WideThis is a well-balanced EQ setting covering a wide range. It also compress strong peaks for a narrower dynamic range.
Cmp&EQ SolidThis compresses strong peaks and consonant sounds, etc.
StableThis has a relatively stable sound with little harmony motion.
The input sound is almost without pitch correction. Since the pitches of the harmony are more accurate, this setting is good for
backing chorus parts, etc.
The input sound is pitch corrected. Since the pitches of the harmony are more accurate, this setting is good for backing chorus
parts, etc.
The harmony will be humanized so as to feel more natural. An authentic-sounding widening impression of more people
playing.effect will be applied, giving the impression of more people playing.
The harmony will reflect the way in which vocalist and back chorus interact, with the lead be slightly relaxed.vocal out front. In
addition, the timing will be slightly relaxed.
This setting responds even more quickly to pitch changes, and even if the vocal is slightly off however, sensitivity is high.pitch, the
harmony easily follows; however, sensitivity is high.
Genos Data List
79
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Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Vocal Effect Parameter List
Table....... Indicates the corresponding table number in the Effect Data Assign Table.
Romantic Reverb, 80s Pop Reverb, Room, Concert Stage, Plate
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Elenco dei parametri di armonia vocale / Vocal Harmony
Parameter-lijst / Lista parametrów harmonii wokalnej
Parameter Chart / Parametertabelle / Tableau des paramètres / Prospetto di parametri / Parameter-tabel / Schemat parametrów
Setup
SongStyle
Registration
Parameter
Backup/Restore
System
Keyboard/Joystick
Keyboard
Initial Touch CurveOOXXX-X-XXXX--
Fixed VelocityOXXXX-X-XXXOVoice-
Initial Touch Part On/OffOXXXX-X-XXXOVoice-
After Touch CurveOOXXX-X-XXXX--
After Touch Part On/OffOXXXX-X-XXXOVoice-
Joystick
Modulation(+) Part On/OffOXXXX-X-XXXOVoice-
Modulation(-) Part On/OffOXXXX-X-XXXOVoice-
Pitch Bend Range (Left)OXXXX-OKeyboard VoiceXOXOStyle-
Pitch Bend Range (Right1)OXXXX-OKeyboard VoiceXOXOVoice-
Pitch Bend Range (Right2)OXXXX-OKeyboard VoiceXOXOVoice-
Pitch Bend Range (Right3)OXXXX-OKeyboard VoiceXOXOVoice-
MIDI
SettingOOXXX - X-XXXX--
Preset Setting NameOXOXX-X-XXXX--
System
Local ControlOXOXX-X-XXXX--
ClockOXOXX - X-XXXX--
Transmit ClockOXOXX-X-XXXX--
Transpose MIDI InputOXOXX-X-XXXX--
Start/StopOXOXX - X-XXXX--
SysEx TransmitOXOXX-X-XXXX--
SysEx ReceiveOXOXX-X-XXXX--
Chord SysEx TransmitOXOXX-X-XXXX--
Chord SysEx ReceiveOXOXX-X-XXXX--
Transmit
ChOXOXX - X-XXXX--
FilterOXOXX - X-XXXX--
Receive
PartOXOXX- X-XXXX--
Filter OXOXX-X-XXXX--
On Bass Note
Bass(On Bass Note)OXOXX-X-XXXX--
Chord Detect
Chord DetectOXOXX-X-XXXX--
External Controller
MIDI PortOOXXX-X-XXXX--
MIDI ChOOXXX-X-XXXX--
Utility
Speaker/Connectivity
SpeakerOOXXX - X-XXXX--
Digital Out LevelOOXXX-X-XXXX--
Display Out ContentOOXXX-X-XXXX--Cannot be reset
Display/Touch Screen
Display Time StampOOXXX-X-XXXX--
Display Pop-up Display TimeOOXXX-X-XXXX--
Display Transition EffectOOXXX-X-XXXX--
Touch Screen SoundOOXXX-X-XXXX--
Brightness LEDOOXXX-X-XXXX--
Parameter Lock
Parameter LockOOXXX-X-XXXX--
System
LanguageOOXXX-X-XXXX--Cannot be reset
Owner NameOOXXX-X-XXXX--Cannot be reset
Auto Power SavingOOXXX-X-XXXX--
Auto Power OffOOXXX-X-XXXX--
Time
Set AutomaticallyOOXXX-X-XXXX--
Time ZoneOOXXX-X-XXXX--
Daylight Saving TimeOOXXX-X-XXXX--
Voice Set
MIDI
User Effect
Voice Set Group
Song
Song Setup
Group
Multi Pad
Style Data
OTS
Regist
Freeze Group
Parameter Lock
Group
with Factory Reset.
with Factory Reset.
with Factory Reset.
Note
Genos Data List
93
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MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato dati MIDI /
MIDI-gegevensindeling / Format danych MIDI
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers.
Hexa-decimal numbers may include the letter “H” as a suffix. Also, “n” can freely be defined as any whole number.
To enter data/values, refer to the table below.
• Except the table above, for example 144–159 (decimal)/9nH/10010000–1001 1111 (binary) denotes the Note On Message for each channel (1–16). 176–191/BnH/
1011 0000–1011 1111 denotes the Control Change Message for each channel (1–16). 192-207/CnH/1100 0000–1100 1111 denotes the Program Change Message
for each channel (1–16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive
Message.
• aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
: Transmitted via panel operations and keyboard/controller performances. O : Available
About Mic/Vocal Harmony column:
(HarmonyChannel): The relevant parameters are received by the Song part designated by the HARMONY CHANNEL of the SPECIAL EFFECT parameters in the XG format.
(A/D Part Receive Channel): The relevant parameters are received by the Song part designated by the Rcv CHANNEL of the A/D PART parameters in the XG format.
*1: Same operation as when receiving All Note Off.
*2: Same operation as when receiving All Note Off. OMNI ON is not enabled.
mm ll : 00H 00H -1 00 [cent]
: :
mm ll : 40H 00H 0 [cent]
: :
mm ll : 7FH 7FH 100 [cent]
mm : 28H – 40H – 58H
(-24…0…+24 [semitones])
mm : Specified in semitone steps
ll : Specified in 100/128 cent steps
–OOOOO
Mic/
Vocal
Harmony
Song Right1
Drum/
OXOOO
OXOOO
OXOOO
OX OX X XX XXX OXOX X
KeyboardStyle Extra Right1
Right2
Right3
Left
(All Keyboard
parts)
(All Keyboard
parts)
(All Keyboard
parts)
(All Keyboard
parts)
M.Pad Style Song Upper
Right2
Right3
Left
OO
OO
OOX OOOXOO X
OOX OOOXO X X
OOOX OO O
OOOX OO O
PLAY REW From panel
Lower
: Transmitted via panel operations and keyboard/controller performances. O : Available
About Mic/Vocal Harmony column:
The relevant parameters are received by the Song part designated by the HARMONY CHANNEL or the MELODY CHANNEL of the SPECIAL EFFECT parameters in the XG format.