Yamaha CVP-89 User Manual

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point with the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model _____________________________________

92-469-

Serial No.__________________________________ Purchase Date _____________________________

➀

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Owner’s Manual

Bedienungsanleitung

English

Deutsch

Mode d’emploi

Manual de instrucciones

Français

Español

Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure.

● AWM (Advanced Wave Memor y) tone generator system offers a range of 60 rich, realistic voices.

● 32-note polyphony permits use of sophisticated playing techniques.

● Piano-like touch response provides extensive expressive control and outstanding playability.

● Dual and split play modes allow 2 voices to be played simultaneously or individually with the left and right hands.

● 50 exciting accompaniment styles can be used to provide rhythm-only accompaniment or fully-orchestrated rhythm, bass, and chord accompaniment. 50 additional accompaniment styles are provided on floppy disk (Style Disk).

● Custom Rhythm lets you create original rhythm patterns that can be recalled and played in the same way

In order to make the most of your Clavinova’s performance potential and features, we urge you to read this

Owner’s Manual thoroughly, and keep it in a safe place for later reference.

as the presets.

● Full-keyboard ABC (Auto Bass Chord) provides accompaniment as you play across the entire keyboard.

● 50 Solo Styleplay variations make it simple to produce rich, complex harmonies.

● 10-track performance memory records and plays back your keyboard performances.

● Registration Memory memorizes 12 complete controlpanel setups that you can recall whenever needed.

● Internal 3.5" floppy disk drive provides extended Performance Memory capacity and Disk Orchestra playback capability – one blank floppy disk for recording and one Disk Orchestra Collection disk with corresponding score are provided.

● MIDI compatibility, GM voices, and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems.

Taking Care of Your Clavinova 1 The Panel Controls 2 Preparation 4 The Volume Controls 5 Demonstration Playback 6 Voice Selection 7

■ Selecting the 60 Voices ....................... 7

■ Keyboard Percussion .......................... 8

Dual Mode 9

■ Engaging the Dual Mode ..................... 9

■ Dual-mode Voice Balance ................... 9

Split Mode 10

■ Engaging the Split Mode ................... 10

■ Changing the Split Voices ................. 10

■ Changing the Split Point .................... 10

■ Split Balance ..................................... 11

■ Damper Pedal Operation in the

Split Mode ......................................... 11

Digital Reverb Effects 12

■ Selecting a Reverb Effect .................. 12

■ Reverb Depth Control ........................ 12

The Keyboard & Polyphony 13 Pan 13 The Pedals 14

■ Right Pedal (Damper Pedal) ............. 14

■ Center Pedal (Sostenuto Pedal) ........ 14

■ Left Pedal (Multi-function) ................. 14

Pitch Control 16

■ The Pitch Display .............................. 16

Contents

Accompaniment 17

■ Style Selection ................................... 17

■ Tempo Control ................................... 18

■ Starting the Accompaniment ............. 18

■ Fill-ins ................................................ 20

■ Left-pedal Rhythm Break ................... 20

■ Stopping the Accompaniment ........... 20

■ Metronome ........................................ 20

Auto Bass Chord (ABC) 21

■ Single-Finger & Fingered

Accompaniment................................. 21

■ Full-keyboard ABC ............................ 22

■ Volume Control .................................. 23

■ Changing the ABC Split Point ........... 23

■ Special Modes ................................... 23

Custom Rhythm 24

■ Creating an Original Rhythm Pattern 24

■ Playing Back Your Custom Rhythm

Pattern............................................... 25

Disk Styles 26

■ Selecting & Loading Disk Styles ........ 26

■ Using a Loaded Disk Style ................ 27

Solo Styleplay 28

■ Using Solo Styleplay ......................... 28

■ Harmonization Variations .................. 28

■ The Left Pedal & Solo Styleplay ........ 28

Registration Memory 29

■ Memory Store .................................... 29

■ Recall ................................................ 29

Disk Orchestra 30

■ Automatic Performance ..................... 30

■ Playing Back only Specific Parts ....... 31

■ Volume Control .................................. 32

■

Guided Right- and Left-hand Practice...

■ Repeat Functions .............................. 33

■ Other Playback Controls ................... 34

■ DISK ORCHESTRA COLLECTION

Disk Copy .......................................... 34

■ Playing Other Types of Music Data ... 34

32

Performance Memory 35

Easy One-pass Recording & Playback .. Multi-track Recording & Playback

■ Adding New Tracks ........................... 38

■ Punch-in Recording ........................... 39

■ Playback ............................................ 40

The Chord Sequence Function

.....

...........

35 36

41

Utility Functions 42

■

Selecting & Using the Utility Functions . 42

The Utility Mode Functions................ 42

Effect Functions Disk Functions MIDI Functions General Utilities

.....................................

.......................................

.....................................

43 44 54 60

The Connectors 65 Factory Preset Recall 66 Troubleshooting 66 Options 66 Index 67

Assembly ................................................ i

MIDI Data Format................................... iii

Voice List ..............................................vii

Percussion Kit List............................... ix

Specifications....................................... xi

Fingering Chart .................................... xii

MIDI Implementation Chart................ xvii

Taking Care of Your Clavinova

Your Clavinova will give you years of playing pleasure if you observe the simple rules given below:

1

1. Avoid Humidity & Heat

Avoid placing the Clavinova in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example.

2. Avoid Dust & Moisture

Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture.

3. Power-off Before Connecting

Connections between the Clavinova and any other device must be made with both pieces of equipment turned off.

4. Handle With Care

Never apply excessive force to the controls, connectors or other parts of your Clavinova, and avoid scratching or bumping it with hard objects. Further, always turn the POWER switch off after use, and close the key cover to protect the keyboard.

5. Clean Carefully

Clean the cabinet and keys of your Clavinova only with a clean, slightly damp cloth. A neutral cleanser may be used if desired. Never use abrasive cleansers, waxes, solvents or chemical dust cloths since these can dull or damage the finish.

6. Never Tamper With the Internal Circuitry

Never open the Clavinova cabinet and touch or tamper with the internal circuitry. Tampering with the circuitry can result in electrical shock!

7. Electric Interference

Since the Clavinova contains digital circuitry, it may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

8. Name Plate Location

The Clavinova name plate, including the unit’s serial number, is located on the bottom panel of the main unit.

9. Handling Floppy Disks

Yamaha Disk Orchestra Collection and Style Disk are writeprotected, and therefore cannot be used to save songs. To save Performance Memory songs from the Performance Memory, a blank floppy disk should be used (one blank disk is supplied with the Clavinova).

Taking Care of Your Floppy Disks

■ Do NOT eject the disk during recording or playback, or at any time when the disk drive lamp is lit. Doing so may damage both the disk and the FDD.

■ Do NOT turn the Clavinova on or off while the disk is in the drive.

■ Always eject the disk before turning the Clavinova off.

■ When ejecting a floppy disk from the disk drive:

nism and/or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again or push the disk back into the slot, then repeat the eject procedure carefully.

■ Never open or close the key cover while a disk is extending from the drive (i.e. in the ejected position). The key cover may contact the disk, possibly damaging the disk or even the disk drive.

■ Do not insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disk.

■ Use only double-sided double density (2DD) 3.5-inch floppy disks with the Clavinova.

Precautions Regarding Floppy Disk Use

■ Never open the disk’s shutter. Dirt or dust on the Internal magnetic surface will cause data errors.

■ Never leave disks near a speaker, TV, or other device that emits a strong magnetic field.

■ Do not store disks in places exposed to direct sunlight or sources of high temperature.

■ Do not place heavy objects such as books on top of a disk.

■ Avoid getting the disks wet.

■ Be sure to store the disks in environmental condi-

tions as specified below:

• Storage temperature: 4° to 53°C (39° to 127°F).

• Storage humidity: 8 to 90% relative humidity.

• Store in an area free from dust, sand, smoke, etc.

■ Be sure to apply the disk label at the proper position. When changing the label never cover the old label with a new label; always remove the old label first.

Head Cleaning

The head of the disk drive unit will get dirty as you use it eventually causing data errors. If this occurs, clean the head with a 3.5 inch head cleaning disk (available from most computer supply stores).

Data Backup

It is recommended that you copy your recorded songs to another disk for backup (see page 46). If the or iginal disk is damaged or your song is deleted, the backup disk can be used instead of the original.

Protecting Your Data (Write Protect Tab)

Disk drive lamp

Write protect tab

• To eject a floppy disk, press the eject button slowly as far as it will go. Then when the disk Is fully ejected, remove it by hand.

• The disk may not be ejected properly if the eject button is pressed too quickly or if it is not pressed in far enough. (The eject button may become stuck halfway with the disk extending from the slot by only a few millimeters). If this is the case, do not attempt to pull out the partially ejected disk. Doing so may damage the disk drive mecha-

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open (locked — write protected)

Write protect tab closed (unlocked — write enabled)

2

H S

The Panel Controls

P

AUX IN

R

L

AUX OUT

R L/L+R

a

2 4 5 7

3698!0@

MAX

MIN

MASTER VOLUME

1

POWER

RHYTHM BASS 1 CHORD 2



DEMO LEFT PEDAL

UTILITY REVERB

AUTO ACCOMPANIMENT

CDEFGAB

MIC. VOL

MIN MAX

I

MIC.

PHONES

O

# %

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

A B C

INTRO/ ENDING

START/STOP

MIN

NORMAL

$^

SOLO

START

STYLEPLAY

VARIATI ON

NORMAL

FILL TO

VARIATI ON

&

PROGRAM

CUSTOM

RHYTHM

POP 16BEAT

) q

BEAT

DANCE

BOOGIE

SWING

BALLAD

ROCK

POP

BOSSA RHUMBA

STYLE

MARCH

* (

JAZZ

SLOW

COUNTRY

STYLE

WALTZ

STYLE

13-50

we r t

DISK

1

2

TAP

STYLE

TEMPO

METRONOME

+

–

– / NO

CLAVINOVA

PIANO

E. PIANO

TONE

1

23

+ / YES

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

6

4

7

89

VOICE

UPRIG

BAS

0

W

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4

B0A0G0F0E0D0C0B-1A-1

R

E

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

o

i

u

T

VOICE

ELEC

DRUMS

13-60

BASS

B4 C5 D5 E5 F5 G5 A5 B5 C6

y

VOICE

SPLIT

SONG/PHRASE

NUMBER

MEMORY

START/STOP

REGIST-

RATION

T

Y

Q

p

RIGHT

REW

RHYTHM

ORCH

LEFT

2

3-10

1

FF

PAUSE

DISK ORCHESTRA

D6 E6 F6 G6 A6 B6 C7

LAMP

PHRASE

GUIDE

CANCEL

REPEAT

CHORD

REC

SONG SELECT

SEQUENCE

CLEAR

CANCEL

ALL

U

THRUIN

OUT

MIDI

EXP PEDAL

d

s

The Panel Controls

1 POWER Switch........................................................page 4

2 MASTER VOLUME Control..................................... page 5

3 [UTILITY] Button ............... page 5, 13, 30, 33, 38, 42—64

4 [DEMO] Button.........................................................page 6

5 [LEFT PEDAL] Button............................................page 14

6 [REVERB] Button...................................................page 12

7 AUTO ACCOMPANIMENT Volume Controls .... page 5, 23

8 [START/STOP] Button .................................... page 18, 22

9 ABC [FULL KEYBOARD] Button...........................page 22

0 [INTRO/ENDING] Button................................ page 19, 22

! ABC [SINGLE/FINGERED] Button .......................page 21

@ [NORMAL/FILL TO NORMAL] Button............ page 18, 22

# [SYNCHRO START] Button...................................page 19

$ [VARIATION/FILL TO VARIATION] Button ..... page 18, 22

% [SOLO STYLEPLAY] Button..................................page 28

^ [CUSTOM RHYTHM] Button .................................page 24

& [PROGRAM] Button...............................................page 24

* STYLE Selectors ...................................................page 17

( [DISK STYLE] Buttons ..........................................page 26

) BEAT Display .........................................................page 20

q LCD Display .............................................................page 4

w [TAP (–)] Button .............................................. page 19, 42

e [METRONOME (+)] Button............................. page 20, 42

r TEMPO [▲ (+/YES)] and [▼(–/NO)] Buttons. page 18, 42

t VOICE Selectors......................................................page 7

y [SPLIT] Button .......................................................page 10

u 3.5" Floppy Disk Drive ........................ page 26, 30, 35, 44

i [REGISTRATION] Button ......................................page 29

o [MEMORY] Button .................................................page 29

p DISK ORCHESTRA Buttons .......................... page 30, 55

Q [CHORD SEQUENCE] Button...............................page 41

W Keyboard................................................................page 13

E FILL IN Bars...........................................................page 20

R Disk Orchestra Keyboard Guide Lamps ...............page 32

T Soft Pedal ...............................................................page 14

Y Sostenuto Pedal.....................................................page 14

U Damper Pedal ........................................................page 14

I PHONES Jacks........................................................page 4

O MIC. Jack & MIC. VOL. Control..............................page 65

P AUX IN R and L Jacks...........................................page 65

a AUX OUT R and L/L+R Jacks...............................page 65

s EXP PEDAL Jack .............................................. page 5, 65

d MIDI Connectors....................................................page 65

3

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4

Preparation

■The Music Stand

■The Key Cover

If you will be using sheet music with your Clavinova, raise the music stand

built into it’s top panel by lifting the rear edge of the music stand.

The music stand can be lowered by slightly lifting the stand and then lowering

it gently back down to its resting position.

To open the CVP-89 key cover lift it just enough to clear the keys (do not lift excessively) then slide the cover back into the main unit. To close the cover slide it forward all the way and then lower it gently until it closes completely.

■The Power Switch

POWER

∫ 001µ Piano 1

œ= 78 Pop 1

■Headphones

PHONES

After making sure that the Clavinova’s AC plug is properly inserted into a convenient AC wall outlet, press the [POWER] switch located to the left of the keyboard once to turn the power on. The power indicator located below the left end of the keyaboard will light. Press the [POWER] switch again to turn the power off.

When the power is initially turned on, the PIANO voice selector LED will light, the POP style selector LED will light, and the display will appear as shown to the left.

One or two standard pairs of stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either or both of the PHONES jacks.

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The Volume Controls

5

The Clavinova has several volume controls that

give you extra versatility in creating the required

RHYTHM BASS 1 CHORD 2

MAX

sound.

MAX

MIN

MASTER VOLUME

AUTO ACCOMPANIMENT

RHYTHM BASS 1 CHORD 2

MAX

KEYBOARD



DEMO LEFT PEDAL

START/STOP

UTILITY REVERB

MIN

AUTO ACCOMPANIMENT

MASTER VOLUME

FULL

SINGLE/ FINGERED

SYNCHRO

SOLO

A B C

START

STYLEPLAY

INTRO/

VARIATION

ENDING

NORMAL

FILL TO

NORMAL

VARIATION

MIN

SONG/PHRASE

RIGHT

NUMBER

PROGRAM

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

POP

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

E. PIANO

TAP

PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

TEMPO

METRONOME

CHORD

TONE

+

23

–

+ / YES

5

6789

1

4

–

/ NO

VOICE

MEMORY

1

UPRIGHT

ELEC

BASS

0

START/STOP

VOICE

REGIST-

DRUMS

13-60

REWFFREC

VOICE

SPLIT

RATION

● Master Volume ........................................................................................................................................

MAX

MIN

MASTER VOLUME

The MASTER VOLUME control adjusts the overall volume of sound

produced by the Clavinova. It also adjusts headphone volume when one or two pairs of headphones are plugged into the PHONES jacks.

Initially set the MASTER VOLUME control about half way between the

“MIN” and “MAX” settings. Then, when you start playing, adjust the control for the most comfortable listening level.

● Auto Accompaniment ............................................................................................................................

RHYTHM BASS 1 CHORD 2

MAX

MIN

Separate volume controls are provided for the RHYTHM, CHORD 1, CHORD 2, and BASS sound. These volume controls let you set up the best balance between the various accompaniment parts when the AUTO BASS CHORD (ABC), Disk Orchestra Collection playback, and Performance Memory

features are used, and the RHYTHM volume control can be used to balance the keyboard and rhythm sound when only rhythm accompaniment is used.

LAMP

PHRASE

RHYTHM

ORCH

LEFT

GUIDE

CANCEL

REPEAT

2

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

AUTO ACCOMPANIMENT

BASS

UTILITY

The volume of the keyboard can be independently adjusted (1 … 127) by using the BASS control while holding the [UTILITY] button — this is particularly handy for adjusting the balance when recording the Clavinova sound.

● Other Volume Control Modes

The Auto Accompaniment volume controls can be assigned to other functions

[001] Piano 1 œ= 78 MANUAL VOL. 127

via the “Accompaniment Volume Mode” utility function (page 61). They can be

used to control modulation, pitch bend, and expression; or individual reverb

depth for the rhythm, chord 1, chord 2, and bass parts.

• If any or all of the Auto Accompaniment volume controls are set to their minimum

NOTES

positions, no sound will be produced by the corresponding parts. The maximum control positions produce the normal volume levels.

● Expression Control ................................................................................................................................

An optional Yamaha EP-1 Expression Pedal can be plugged into the EXP PEDAL jack for foot volume (expression) control of the keyboard sound only (i.e.

expression doesn’t affect the auto-accompaniment sound or disk playback). Press

EXP PEDAL

The Internal Amplifier & Speaker System

the pedal forward to increase volume, and backward to decrease volume.

The CVP-89 features a powerful “3D System” amplifier featuring a single 50-watt channel and stereo 25-watt channels. This high-performance amplifier and speaker system puts out exceptionally rich sound with natural response from powerful lows to shimmering highs. The CVP-89 speaker system employs a single 18-cm speaker for center-channel low-frequency reproduction, and three speakers each per stereo channel: 13-centimeter speaker units for midrange sound, 2.5-cm units for outstanding high-frequency sound, and 8-cm units for player monitoring.

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6

Demonstration Playback

The Clavinova features 25 demonstration tunes that effectively demonstrate its sound and accompaniment capabilities. Here’s how you can select and play the demo tunes.

DRUMS

VOICE

13-60

POP 16BEAT

DANCE

POP

BOOGIE

SLOW ROCK

SWING

JAZZ

BALLAD

CLAVINOVA

PIANO

1

BOSSA RHUMBA

E. PIANO

TONE

23

MARCH

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

COUNTRY

6

WALTZ

7

89

VOICE

UPRIGHT

BASS

0

ELEC BASS

STYLE

DEMO

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

SWING

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

+

–

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

E. PIANO

TONE

23



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

RIGHT

LEFT

2

1

REWFFREC

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

ZPress the [DEMO] button .......................................................................................................................

DEMO

DEMO SONG SELECT VOICE OR STYLE

XSelect a Demo Tune ...............................................................................................................................

PIANO

CLAVINOVA

1

TONE

23

E. PIANO

HARPSI-

CHORD

DEMO SONG Elec. Piano Voice

VIBES

5

4

The 25 demo tunes are selected via the STYLE and VOICE selectors — the

corresponding selector indicators light when the [DEMO] button is pressed. Press a selector to start playback of the corresponding tune. You can also select continuous repeat playback of all demo tunes by pressing the [START/STOP] button. The demo tunes will play back in sequential or random order, depending on the setting of the “Random All Song Repeat” utility function described on page 62. The corresponding voice name will appear on the LCD during VOICE demo playback. The style name will appear on the display during STYLE demo playback.

CAdjust the Volume ..................................................................................................................................

MAX

MIN

MASTER VOLUME

Use the MASTER VOLUME control to adjust the volume, and play along on

the keyboard if you like.

• The tempo cannot be adjusted during demo playback.

NOTES

VStop Playback .........................................................................................................................................

DEMO

START/STOP

The Demo Tunes

VOICE NAME COMPOSER SONG TITLE

PIANO F. F. Chopin Etude Op.25-1 “Aeolian Harp” or “The Shephered Boy” CLAVINOVA TONE D. Foster “Water Fountain” from “The Secret of My Success” HARPSICHORD J. S. Bach Italienisches Konzert (Italian Concerto) BWV 971 3rd movement GUITAR I. Albeniz Asturias STRINGS A. Vivaldi The Four Seasons No. 3 “Autumn” 1st movement ORGAN J. S. Bach Sinfonia from Kantate (Cantata) 29 BWV 29 CHOIR W. A. Mozart Requiem K. 626 No. 6 “Lacrimosa”

Demo playback can be stopped temporarily by pressing either the [START/

STOP] button or STYLE or VOICE selector corresponding to the demonstration

tune which is currently playing. Press the [DEMO] button when you want to stop demo playback and return to the normal mode.

* The demonstration pieces listed above, except the PIANO piece, are short excerpts from the original compositions.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice Selection

The CVP-89 has a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard.

7

PIANO

CLAVINOVA

1

E. PIANO

TONE

23

MASTER VOLUME

MAX

DEMO

UTILITY

MIN

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED



A B C

LEFT PEDAL

INTRO/

START/STOP

ENDING

REVERB

MIN

AUTO ACCOMPANIMENT

6

SYNCHRO

SOLO

PROGRAM

START

STYLEPLAY

VARIATION

NORMAL

FILL TO

NORMAL

VARIATION

JAZZ

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

SWING

BOSSA RHUMBA

BALLAD

RHYTHM

ROCK

POP

STYLE

7

BEAT

STYLE

WALTZ

COUNTRY

MARCH

13-50

89

VOICE

DISK

STYLE

1

2

TAP

STYLE

METRONOME

+

–

UPRIGHT

BASS

ELEC BASS

DRUMS

VOICE

13-60

VOICE

0

SONG/PHRASE

NUMBER

MEMORY

HARPSI-

CLAVINOVA

PIANO

TEMPO

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

E. PIANO

TONE

23

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

■Selecting the 60 Voices

● Voices 1-12: Direct Panel Selection......................................................................................................

PIANO

CLAVINOVA

1

TONE

23

E. PIANO

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

[001] Elec. Piano 3 œ= 78 Pop 1

6

7

89

Of the Clavinova’s 60 voices, 12 are “panel voices” which can be directly

accessed by pressing the corresponding VOICE selector. When a voice selector is pressed the corresponding indicator will light and the number and name of the selected voice will appear on the display.

The PIANO voice is automatically selected when the power is initially turned

on.

UPRIGHT

BASS

0

ELEC BASS

DRUMS

VOICE

13-60

VOICE

● The VOICE 13-60 [▲] and [▼] Buttons..................................................................................................

VOICE

DRUMS

13-60

VOICE

[001] Brass 13 œ= 78 Pop 1

Use the VOICE [▲] and [▼] buttons immediately to the right of the [VOICE

13-60] button to select a voice number between 13 and 60. Press either button

briefly to select the next voice number in the specified direction, or hold the button for continuous scrolling in the specified direction. The [VOICE 13-60] indicator will light and the voice number and name will appear on the display.

If a panel voice (1-12) is selected, the last selected voice in the 13-60 range can

be instantly re-selected simply by pressing the [VOICE 13-60] button. The [VOICE 13-60] button will initially select voice number 13 (BRASS) after the power is turned on.

• Voice number 13 can be instantly selected by pressing the VOICE [▲] and [▼]

NOTES

buttons simultaneously.

● Numeric Selection ..................................................................................................................................

PIANO

CLAVINOVA

1

TONE

23

E. PIANO

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

[001] Mute Trumpet 16 œ= 78 Pop 1

6

7

89

Enter the number of the desired voice via the voice selectors (note that each

voice selector has a number between 1 and 0 associated with it) while pressing the [DRUMS] selector.

To select voice number 16, for example, press and hold [DRUMS], press [PI- ANO/1], then [GUITAR/6], then release the [DRUMS] button. The voice number and name will appear on the display. The [VOICE 13-60] button indicator will light whenever a voice number between 13 and 60 is selected.

UPRIGHT

BASS

0

ELEC BASS

DRUMS

VOICE

13-60

VOICE

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

8

Voice Selection

Panel Voices (1 — 12)

No. Name

1 PIANO A-1 - C7 2 CLAVINOVA TONE C1 - C7 3 E. PIANO C1 - C6 4 HARPSICHORD C1 - C6 5 VIBES F2 - F5 6 GUITAR E1 - F#4 7 STRINGS C0 - C6 8 ORGAN C0 - C6

9 CHOIR E1 - E5 10 UPRIGHT BASS C0 - F#3 11 ELEC BASS E0 - F#3 12 DRUMS —

Voices 13 — 60

No. Name

13 BRASS F0 - C6 14 POP BRASS F0 - C6 15 TRUMPET F0 - C6 16 MUTE TRUMPET F#2 - A5 17 HORN A#0 - F4 18 SAX A#0 - F#5

Usable Range

No. Name

19 SAX SOFT A#0 - F#5 20 CLARINET D2 - A#5 21 OBOE A#2 - G5 22 FLUTE G2 - F#6 23 ACCORDION F2 - A5 24 HARMONICA C3 - C6 25 STRINGS SOFT C0 - C6 26 VIOLIN C0 - C6 27 VIOLIN HARD C0 - C6 28 FULL ORGAN C0 - C6 29 JAZZ ORGAN 1 C1 - C6 30 SYNTH BRASS C1 - C6 31 SYNTH WOOD C2 - F#6 32 SYNTH STRINGS C0 - C6 33 SYNTH CHOIR E1 - E5 34 PIANO BRIGHT A-1 - C7 35 PIANO SOFT A-1 - C7 36 E. PIANO DX C1 - C6 37 SYNTH CRYSTAL C2 - C6 38 CELESTA C2 - C6 39 MARIMBA C2 - C6

• When the DRUMS voice is selected only the keys with drum or percussion sym-

NOTES

bols printed above them will sound.

• The PIANO voice is automatically selected when the power is initially turned on.

• The chorus effect ON/OFF and pitch bend range parameters for the voices can be accessed via the UTILITY mode — page 43, 62.

Usable Range

No. Name

40 FOLK GUITAR E1 - A4 41 JAZZ GUITAR 1 E1 - A4 42 JAZZ GUITAR 2 E1 - A4 43 ROCK GUITAR 1 E1 - A4 44 ROCK GUITAR 2 E1 - A4 45 MUTE GUITAR E1 - A4 46 BANJO C3 - A5 47 PIZZICATO C1 - C6 48 HARP C1 - C6 49 U. BASS SOFT C0 - F#3 50 E. BASS SOFT E0 - F#3 51 E. BASS HEAVY E0 - F#3 52 SYNTH BASS E0 - F#3 53

TIMPANI & ORCH. HIT 54 BASSOON A#0 - D4 55

CHAMBER STRINGS 56 JAZZ ORGAN 2 C1 - C6 57 ROCK GUITAR 3 E1 - A4 58 COSMIC 1 G0 - C6 59 COSMIC 2 G0 - C6 60 COSMIC 3 G0 - C6

Usable Range

E0 - C2/G2 - C6

C1 - C6

■Keyboard Percussion

DRUMS

VOICE

13-60

ELEC BASS

When the [DRUMS] voice selector is pressed (its indicator will light), you can

play 44 different drum and percussion instruments on the keyboard. The symbols above the keys correspond to the NORMAL drum kit instruments (keys with no symbols produce no sound).

• The CVP-89 has two drum kits — “NORMAL” and “PROCESSED”. Which of

NOTES

these kits will sound when Keyboard Percussion is engaged depends on the currently selected accompaniment style. Some styles which use the “NORMAL” kit, however, include instruments from the “PROCESSED” kit, and vice-versa.

• The accompaniment styles listed below use the “PROCESSED” drum kit while all others use the “NORMAL” kit.

Internal Styles Disk Styles

3: DANCE POP 8: POP BALLAD 23: TECHNO POP 11: NEW AGE POP

12: COMPUTER GAME 16: DANCE POP 2 20: REGGAE 2 38: CLOCK

• See page ix for a list of the NORMAL and PROCESSED drum kit instrument assignments.

• The TRANSPOSE and PITCH functions described on pages 43 and 16 do not affect the DRUMS sound.

• Drum parameters individually programmable for each instrument are accessible via the UTILITY mode — page 63.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range

of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.

PIANO

CLAVINOVA

1

TONE

23

E. PIANO

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED



A B C

DEMO LEFT PEDAL

INTRO/

START/STOP

ENDING

UTILITY REVERB

MIN

AUTO ACCOMPANIMENT

MASTER VOLUME

6

SYNCHRO

SOLO

PROGRAM

START

STYLEPLAY

VARIATION

NORMAL

FILL TO

NORMAL

VARIATION

JAZZ

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

SWING

BOSSA RHUMBA

BALLAD

RHYTHM

ROCK

POP

STYLE

7

BEAT

STYLE

WALTZ

COUNTRY

MARCH

13-50

89

VOICE

DISK

STYLE

1

2

TAP

STYLE

METRONOME

+

–

■Engaging the Dual Mode

Dual mode voice combinations can be broadly divided into three categories: panel voice + panel voice, panel voice + voice number 13-60, and two voices in the 13-60 range. The dual mode for each combination is selected in a different way, as described below:

● Panel Voice + Panel Voice .....................................................................................................................

PIANO

CLAVINOVA

TONE

2

1

E. PIANO

3

HARPSI- CHORD

4

VIBES

To combine two panel voices simply press two voice selectors at the same time

5

— or press one voice selector while holding another. The names of both selected voices will appear on the display when the DUAL mode is active. To return to the normal single-voice play mode, press any single voice selector.

UPRIGHT

BASS

ELEC BASS

DRUMS

VOICE

13-60

VOICE

0

SONG/PHRASE

MEMORY

HARPSI-

CLAVINOVA

PIANO

TEMPO

TONE

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

ELEC

BASS

0

VOICE

E. PIANO

23

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

LAMP

PHRASE

RIGHT

RHYTHM

ORCH

LEFT

NUMBER

GUIDE

CANCEL

REPEAT

2

3-10

1

CHORD

REWFFREC

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

9

● Panel Voice + 13-60 Voice .....................................................................................................................

PIANO

CLAVINOVA

TONE

1

VOICE

13-60

VOICE

2

A voice in the 13…60 range can be “dualed” with the panel voices by pressing

the [VOICE 13-60] button and any other voice selector at the same time. The VOICE [▲] and [▼] buttons can then be used to select the desired 13…60 voice. The names of both selected voices will appear on the display (the 13-60 voice name will appear on right side of the display). To return to the normal single-voice play mode, press any single voice selector.

● Two 13-60 Voices....................................................................................................................................

DRUMS

VOICE

13-60

VOICE

To combine two voices in the 13-60 range press the [DRUMS] button and the

[VOICE 13-60] button at the same time (the default combination is POP BRASS

and BRASS). The voice shown on the right of the display can then be selected by using the VOICE [▲] and [▼] button, while the left voice can be selected by using the VOICE [▲] and [▼] buttons while holding the [DRUMS] and [VOICE 13-60] buttons. To return to the normal single-voice play mode, press any single voice selector.

ELEC BASS

[001] PopBrass+Brass œ= 78 Pop 1

■Dual-mode Voice Balance

The volume balance between the two voices combined in the DUAL mode can

be adjusted by using the TEMPO [▲] and [▼] buttons while pressing both of the active voice selectors. The selected balance value (1 … 15) will be shown on the display until the voice selectors are released.

– / NO

TEMPO

+ / YES

PIANO

CLAVINOVA

1

E. PIANO

TONE

23

■ A setting of “1” sets the volume of the left voice on the display to maximum

[001] Piano + ClavTone œ= 78 DUAL BALANCE 8

and the right voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons si- multaneously).

■ A setting of “15” sets the volume of the right voice on the display to maximum and the left voice to minimum (no sound).

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

direction.

• The dual mode cannot be used with the DRUMS voice. Also, the dual and split modes cannot be used at the same time.

10

R

Split Mode

The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the Clavinova’s voices to the left and right-hand sections of the keyboard.

RHYTHM BASS 1 CHORD 2

MAX



DEMO

LEFT PEDAL

UTILITY

REVERB

MIN

MASTER VOLUME

AUTO ACCOMPANIMENT

■Engaging the Split Mode

Left-hand section

SPLIT

F#2

▼

C3

Right-hand section

When the [SPLIT] button is pressed and its indicator lights, the keyboard is

split into left- and right-hand sections and different voices can be assigned to each. The split point is initially set at the F#2 key when the power is turned on, and the UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard (all keys up to and including F#2). The voice that was selected when the SPLIT mode was engaged is assigned to the right-hand section of the keyboard. The current settings are retained if the SPLIT mode is turned off (press the [SPLIT] button again) and on while the power remains on. The names of both the left and righthand voices appear on the display while the SPLIT mode is active.

SPLIT

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

+

23

–

+ / YES

1

–

/ NO

SONG/PHRASE NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

[001] Up Bass /Piano œ= 78 Pop 1

■Changing the Split Voices

UPRIGHT

ELEC

D

BASS

SPLIT

0

[001] E.Bs Slp/Piano œ= 78 SPLIT BALANCE 8

The right-hand voice can be changed simply by pressing the appropriate voice

selector.

The left-hand voice can be changed by pressing a voice selector while holding

the [SPLIT] button.

■Changing the Split Point

SPLIT

C3

The split point can be set at any key by pressing the desired key while holding

the [SPLIT] button. The split point key name will appear on the display while the [SPLIT] button is held.

A keyboard guide lamp will indicate the selected split point. The default split point — F#2 — will always be set automatically whenever the power is initially turned on.

• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS

NOTES

(voice number 12) are shifted up one octave when assigned to the lower section of the keyboard (this function can be turned on or off via the “Split Left Octave” utility function described on page 64).

[001] E.Bs Slp/Piano œ= 78 SPLIT POINT C 2

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

■Split Balance

The volume balance between the left-hand and right-hand voices can be ad-

justed by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] but- ton. The selected balance value (1 … 15) will be shown on the display while the

– / NO

TEMPO

SPLIT

+ / YES

[SPLIT] button is held.

■ A setting of “1” sets the volume of the left voice to maximum and the right

[001] E.Bs Slp/Piano œ= 78 SPLIT BALANCE 8

voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).

■ A setting of “15” sets the volume of the right voice to maximum and the left voice to minimum (no sound).

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified

NOTES

direction.

■Damper Pedal Operation in the Split Mode

Split Mode

11

SPLIT

The damper pedal (the right pedal — see “The Pedals” on page 14) can be as-

signed to the left voice only, the right voice only, or to both voices in the split mode.

■ Right Voice Only (default): Press the right (damper) pedal while holding the [SPLIT] button.

■ Left Voice Only: Press the left (soft) pedal while holding the [SPLIT] button.

■ Both Voices: Press both the right and left pedals while holding the [SPLIT]

button.

• The dual and split modes cannot be used at the same time.

NOTES

• In the split the soft and sostenuto pedal functions apply to both the left- and righthand voices.

• When the ABC Single/Fingered mode (page 21) and the split mode are used simultaneously, the left-hand voice will be accompanied by the appropriate ABC chord voices.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

12

Digital Reverb Effects

The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.

■Selecting a Reverb Effect

REVERB

TAP

–

METRONOME

+

REVERB TYPE:HALL 1 DEPTH: 8

Each time the [TAP] or [METRONOME] button is pressed while the

[REVERB] button is held, the next reverb effect is selected. The currently selected

reverb effect and the reverb depth setting appear on the display while the [REVERB] button is held. The reverb effect can also be selected by repeatedly pressing the [REVERB] button while the reverb type remains on the display.

OFF

No effect is produced.

ROOM

This setting adds a reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a medium-size room.

REVERB

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

MIN

FILL TO

NORMAL

SLOW

CUSTOM

DANCE

POP 16BEAT

BOOGIE

ROCK

RHYTHM

POP

FILL TO

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

23

+

–

+ / YES

1

–

/ NO



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

■Reverb Depth Control

REVERB

REVERB TYPE:HALL 1 DEPTH:11

REVERB

TEMPO

+ / YES

–

/ NO

BASS

HALL 1

For a more spacious reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a medium-size concert hall.

HALL 2

HALL 2 simulates the reverb of a very large concert hall.

COSMIC

“COSMIC” is an echo effect in which the sound seems to “bounce” around in the stereo sound field.

• The ROOM effect is automatically selected when the POWER switch is turned

NOTES

on.

The depth of the selected reverb effect can be increased or decreased by press-

ing the TEMPO [▲] or [▼] button while holding the [REVERB] button. The reverb depth is shown on the display while the [REVERB] button is held. The reverb depth range is from “0” (no effect) to “15” (maximum depth).

• Reverb depth is initially set to “8” when the power is turned on (this setting can be

NOTES

recalled during reverb depth selection by pressing the TEMPO [▲] and [▼] buttons simultaneously).

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified direction.

• The depth of reverb effect applied to the manually-played part can be individually adjusted (0 … 127, 64 by default) by using the BASS volume control while holding the [REVERB] button: This setting is shown on the display while the [REVERB] button is held.

[001] Piano 1 œ= 78 MANUAL REV. 64

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Keyboard & Polyphony

The Clavinova has “32-note polyphony” which means you can normally play up to 32 notes at once.

This number varies, however, according to the functions being used, as shown in the chart below:

13

Keyboard only 32 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard + ABC 12 notes (rhythm 8; ABC 12).

The following voices are STEREO:

• No.1 PIANO

• No.8 ORGAN

• No.28 FULL ORGAN

• No.34 PIANO BRIGHT

• No.35 PIANO SOFT

The following voices feature VELOCITY SWITCHING (i.e. they sound different when played soft or loud).

• No.3 E.PIANO

• No.11 ELEC BASS

Pan

● The number of available notes is further reduced if the dual

mode, the performance memory, or a Disk Orchestra Collection disk is being played at the same time.

The Clavinova also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of variation available depends on the selected voice.

NOTES

• Some voices have greater polyphony than shown in the above chart. Further, some dual-mode and split-mode voice combinations provide 64note total polyphony (32 notes per voice).

UTILITY

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

E. PIANO

CHORD

4

VIBES GUITAR STRINGS ORGAN CHOIR

5

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

+

23

–

+ / YES

1

–

/ NO



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

PHRASE

RIGHT

RHYTHM

ORCH

LEFT

NUMBER

MEMORY

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

GUIDE

REPEAT

2

3-10

1

START/STOP

CHORD

REWFFREC

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

RHYTHM

UTILITY

[001] Piano 1 œ= 78 PAN POS. RIGHT 6

The pan settings are as follows:

KEYBOARD

LEFT 6 RIGHT 6

LEFT 1

CENTER

Full Left Full Right

•

RIGHT 1

● The pan (stereo) position of the voice played on the key-

board can be adjusted by moving the RHYTHM volume control while holding the [UTILITY] button. The pan position is shown on the display, from “LEFT 6” for full

LAMP

CANCEL

left at the “MIN” control position, through “CENTER” for center, to “RIGHT 6” for full right at the “MAX” control position. This can be used to produce a broader ensemble sound with the Performance Memory multitrack recording feature.

Each voice has a preset pan setting (indicated by “KEYBOARD” on the display) which is automatically set when the power is first turned on.

NOTES

• The “KEYBOARD” default keyboard scale pan places the treble-register sound to the right and the bass-register sound to the left. Using a different PAN setting places the entire voice, low and high notes included, at the same position.

• The DRUMS voice has a preset PAN setting which cannot be changed.

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14

The Pedals

The CVP-89 has three pedal which offer a

range of advanced expressive capabilities.

■Right Pedal (Damper Pedal)

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is

pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.

MAX

MIN

MASTER VOLUME

LEFT PEDAL

RHYTHM BASS 1 CHORD 2



DEMO LEFT PEDAL

UTILITY REVERB

AUTO ACCOMPANIMENT

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

UPRIGHT

CLAVINOVA

TAP

PIANO

E. PIANO

TEMPO

METRONOME

TONE

+

23

–

+ / YES

1

–

/ NO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

SONG/PHRASE

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

LAMP

PHRASE

RIGHT

RHYTHM

ORCH

LEFT

NUMBER

GUIDE

CANCEL

REPEAT

2

3-10

1

CHORD

REWFFREC

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

• The damper pedal can be set for continuous or on/off type damping control via

NOTES

the “Damper Pedal Mode” utility function (page 62). Continuous control is th default setting.

• The damper pedal can also be used to increase the depth of a unique “Soundboard” effect for the PIANO voice (voice number 1). The maximum depth of the Soundboard effect can be set via the “Damper Pedal Mode” utility function (page 62).

■Center Pedal (Sostenuto Pedal)

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”

• The sostenuto pedal will not function while the SOLO STYLEPLAY feature (page

NOTES

28) is engaged.

■Left Pedal (Multi-function)

LEFT PEDAL

TAP

–

METRONOME

+

–

/ NO

TEMPO

+ / YES

The left pedal has a number of functions which can be selected using the

[LEFT PEDAL] button. Each time the [TAP] or [METRONOME] button is pressed while the [LEFT PEDAL] button is held, the next LEFT PEDAL function is selected and shown on the display. The left pedal functions can also be selected by using the TEMPO [▲] or [▼] button while holding the [LEFT PEDAL] button. It is also possible to select the left pedal function by repeatedly pressing the [LEFT PEDAL] button while the left-pedal function name remains on the display.

● Soft...........................................................................................................................................................

Pressing the soft pedal subtly reduces the volume and slightly changes the tim-

LEFT PEDAL FUNCTION

SOFT PEDAL

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bre of notes played. The amount of “softness” corresponds to how deeply the pedal is pressed. The SOFT function is automatically selected whenever the POWER switch is turned on.

● Start/Stop ................................................................................................................................................

15

LEFT PEDAL FUNCTION

START/STOP

The left pedal performs the same function as the panel [START/STOP] buttons.

For details on the START/STOP function, refer to the “Accompaniment” section, page 18.

● Rhythm Break .........................................................................................................................................

LEFT PEDAL FUNCTION

RHYTHM BREAK

For details on the RHYTHM BREAK function, refer to the “Accompaniment”

section, page 20.

● Pitch Bend...............................................................................................................................................

LEFT PEDAL FUNCTION

PITCH BEND

When this function is selected the center and left pedals can be used to bend the pitch of notes played on the keyboard up or down, respectively, while the center or left pedal is held. The default pitch bend range is individually set for each voice. The pitch bend range can be adjusted as required via the “Pitch Bend Range” utility function (page 62).

● Solo Styleplay .........................................................................................................................................

LEFT PEDAL FUNCTION

SOLO STYLEPLAY

For details on the SOLO STYLEPLAY function see “SOLO STYLEPLAY” on page 28 (the SOLO STYLEPLAY pedal function can only be selected when the SOLO STYLEPLAY feature is in use).

• The damper, soft, and sostenuto pedal functions do not affect the DRUMS voice.

NOTES

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16

Pitch Control

Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music.

● Tuning Up................................................................................................................................................

A-1B

-1

3

C

TEMPO

+ / YES

–

/ NO

3

B

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously (A-1 and B-

1 are the two lowest white keys on the keyboard) and press any key between C3 and B3. Each time a key in this range is pressed the pitch is raised by approximately 1.2 cents, up to a maximum of about 50 cents above standard pitch. To raise the pitch in 1-hertz increments press the TEMPO [▲] button instead of the C3-B3 keys. The TEMPO [▼] button can also be used to tune down while the A-1 and B-1 keys are held.

XRelease the A-1 and B-1 keys.

● Tuning Down...........................................................................................................................................

-1

A#

-1

A

3

C

TEMPO

+ / YES

–

/ NO

3

B

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultaneously and

press any key between C3 and B3. Each time a key in this range is pressed the pitch is lowered by approximately 1.2 cents, up to a maximum of about 50 cents below standard pitch. To lower the pitch in 1-hertz increments press the TEMPO [▼] button instead of the C3-B3 keys. The TEMPO [▲] button can also be used to tune up while the A-1 and A#-1 keys are held.

XRelease the A-1 and A#-1 keys.

● To Restore Standard Pitch* ...................................................................................................................

A#

A-1B

-1

3

C

3

B

ZTo restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1, and B-1 keys si-

multaneously and press any key between C3 and B3, or simultaneously press the TEMPO [▲] and [▼] buttons.

XRelease the A-1, A#-1, and B-1 keys.

* Standard pitch (A3 = 440 Hz) is automatically set whenever the POWER

switch is initially turned on.

• The PITCH function does not affect the DRUMS sound.

NOTES

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified direction.

–

/ NO

TEMPO

+ / YES

■The Pitch Display

The approximate pitch of A3 is shown on the display in Hertz while the pitch

PITCH

A3=440.0Hz

control function is in operation. The total display range is from approximately 427 hertz (-50 cents) to 453 hertz (+50 cents).

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Accompaniment

The CVP-89 has 50 “styles” that can be used as a basis for rhythm accompaniment, or fully

orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 21).

• The Accompaniment Style data is not transmitted via the MIDI OUT connector.

NOTES

BEAT

POP 16BEAT

DANCE

FULL

KEYBOARD

A B C

POP

BOOGIE

SINGLE/

FINGERED

A B C

SLOW ROCK

SYNCHRO

START

SWING

SOLO

STYLEPLAY

JAZZ

BALLAD

BOSSA RHUMBA

STYLE

MARCH

COUNTRY

WALTZ

STYLE

13-50

STYLE

17

DISK

1

2

STYLE

START/STOP

INTRO/

ENDING

NORMAL

FILL TO

NORMAL

MAX

MIN

MASTER VOLUME

VARIATION

TAP

METRONOME

+

FILL TO

VARIATION

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

MIN

FILL TO

NORMAL

VARIATION

JAZZ

CUSTOM

SLOW

DANCE

MARCH

BOSSA RHUMBA

POP 16BEAT

BOOGIE

SWING

BALLAD

RHYTHM

ROCK

POP

STYLE



DEMO LEFT PEDAL

UTILITY REVERB

–

BEAT

STYLE

DISK

WALTZ

STYLE

COUNTRY

1

13-50

CLAVINOVA

2

TAP

PIANO

E. PIANO

TEMPO

STYLE

METRONOME

TONE

+

23

–

+ / YES

1

–

/ NO

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

TEMPO

+ / YES

–

/ NO

SONG/PHRASE

MEMORY

UPRIGHT

ELEC

BASS

0

VOICE

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

NUMBER

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

■Style Selection

● Styles 1-12: Direct Panel Selection.......................................................................................................

POP 16BEAT

DANCE

POP

BOOGIE

SLOW ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

COUNTRY

STYLE

Of the Clavinova’s 50 styles, 12 are “panel styles” which can be directly

[001] Piano 1 œ= 72 16Beat 2

accessed by pressing the corresponding STYLE selector. When a style selector is pressed the corresponding indicator will light and the number and name of the selected style will appear on the display.

The POP style is automatically selected when the power is initially turned on.

● The [STYLE 13-50] Button and STYLE [s]/[t] Buttons......................................................................

POP 16BEAT

DANCE

POP

BOOGIE

SLOW ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

COUNTRY

WALTZ

STYLE

13-50

STYLE

13-50

STYLE

[001] Piano 1 œ=100 8Beat 13

Pressing the [STYLE 13-50] button immediately recalls the last style selected

in the 13-50 range. The STYLE [s] and [t] buttons can be used to select a style number between 13 and 50. Press either button briefly to select the next style number in the specified direction, or hold the button for continuous scrolling in the specified direction. The selected style number and name will appear on the display.

The styles 13-50 are organized into categories corresponding to the names of

SWING

JAZZ

BALLAD

STYLE

13-50

STYLE

the panel STYLE selectors (POP, DANCE POP, 16 BEAT, etc. — see the STYLE LIST, below). You can directly jump any category by pressing the STYLE [s] or [t] button when the corresponding panel STYLE selector indicator is lit. To select the “SWING” styles in the 13-50 range, for example, use the STYLE [s] or [t]

[001] Piano 1 œ=208 Bebop 30

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

button when the [SWING] STYLE selector indicator is lit.

• The 8 BEAT style (number 13) will initially be selected by the [STYLE 13-50]

NOTES

button when the power is turned ON.

• There are also two [DISK STYLE] buttons that can be used to select styles loaded from floppy disk (the supplied Style Disk). See the “Disk Styles” section on page 28 for details.

• Use the RHYTHM volume control to adjust the volume of the rhythm sound.

18

Accompaniment

■Tempo Control

TEMPO

+ / YES

–

/ NO

[001] Piano 1 œ=132 Dance Pop 3

Panel Styles (1—12)

1 POP 2 16BEAT 3 DANCE POP 4 BOOGIE 5 SLOW ROCK 6 SWING 7 JAZZ BALLAD 8 BOSSA

9 RHUMBA 10 MARCH 11 COUNTRY 12 WALTZ

Whenever you select a different style, the preset tempo for that style is also selected, and the tempo is displayed on the display in quarter-note beats per minute (unless the accompaniment is playing, in which case the same tempo is maintained).

You can change the tempo to any value between 32 and 280 beats per minute, however, by using the TEMPO [▲] and [▼] buttons. This can be done either before the accompaniment is started or while it is playing. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.

NOTES

Styles 13—50

POP

13 8BEAT 14 ROCK BAND 15 70’S JAZZ ROCK 16 LATIN ROCK

16BEAT

17 16BEAT POP 18 16BEAT BALLAD 19 FUNK 20

16BEAT SHUFFLE SOFT

21 16BEAT SHUFFLE

DANCE POP

22 DISCO 23 TECHNO POP 24 REGGAE

• The preset tempo for the selected style can be recalled at any time by pressing both the [▲] and [▼] buttons simultaneously.

• Automatic style tempo switching can be turned on or off via the “Style Tempo Switching” utility function described on page 61.

BOOGIE

25

ROCK’N’ROLL SHUFFLE 26 60’S ROCK’N’ROLL 27 SPEED METAL 28 TWIST

SLOW ROCK

29 SLOW BLUES

SWING

30 BEBOP 31 2BEAT SWING 32 DIXIELAND 33 BIG BAND

JAZZ BALLAD

34 BIG BAND BALLAD

BOSSA

35 JAZZ BOSSA 36 SAMBA 37 SALSA

38 MAMBO 39 CHACHA 40 TANGO

41 MUSICAL 42 POLKA 43 6/8 MARCH

44 COUNTRY SHUFFLE 45 COUNTRY SWING 46 COUNTRY ROCK

47 JAZZ WALTZ 48 VIENNA WALTZ 49 BOSSA WALTZ 50 COUNTRY WALTZ

RHUMBA

MARCH

COUNTRY

WALTZ

■Starting the Accompaniment

There are several ways to start the accompaniment:

● Straight Start...........................................................................................................................................

START/STOP

FILL IN Bars

Normal straight start Variation straight start



○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Press the [START/STOP] button. Each of the styles also has a variation that can be selected by pressing the

[VARIATION/FILL TO VARIATION] button or the right FILL IN bar (its LED will light) before pressing the [START/STOP] button. Normally the [NORMAL/ FILL T O NORMAL] button LED will be lit (or you can select it if the variation is selected), indicating that the normal pattern is selected.

NORMAL/FILL TO NORMAL

= =

VARIATION/FILL TO VARIATION

Left FILL IN Bar

/

Right FILL IN Bar

/

START/STOP START/STOP

Accompaniment

● Start With an Introduction .....................................................................................................................

19

INTRO/

ENDING

Press the [INTRO/ENDING] button.

If you press the [NORMAL/FILL T O NORMAL] button (or left FILL IN bar) or the [VARIATION/FILL TO VARIATION] button (or right FILL IN bar) while holding the [INTRO/ENDING] button, the rhythm will start with an appropriate fill and then go to the normal rhythm or variation rhythm, respectively.

(Flashing)

Intro start

 Fill start to normal 

Fill start to variation

=

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

START/STOP

(Flashing)

+

NORMAL/FILL TO NORMAL

(Flashing)

VARIATION/FILL TO VARIATION

+

Left FILL IN Bar

/

Right FILL IN Bar

/

START/STOP

The selected start mode can be disengaged prior to starting the accompaniment by pressing the selected button (flashing indicator) a second time.

● Synchronized Start.................................................................................................................................

SYNCHRO

START

Any of the start types described above can be synchronized to the first note or chord played on the keyboard by first pressing the [SYNCHRO START] button so that its indicator lights. When the keyboard is split or Auto Bass Chord Single/ Fingered mode is used, the first note played on the left-hand section of the keyboard will start the accompaniment (i.e. keys to the left of and including the splitpoint key — normally F#2). Once the synchronized start mode has been selected, use the [NORMAL/FILL T O NORMAL], [VARIATION/FILL TO VARIA- TION] and/or [INTRO/ENDING] buttons to select the type of start you want.

The first dot of the BEAT display will flash at the current tempo when a synchronized start mode has been selected.

SYNCHRO START

Left FILL IN Bar

/

Right FILL IN Bar

/

Play key

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Play key Play key

Left FILL IN Bar

/

Right FILL IN Bar

/

Play key Play key

Normal start Variation start Intro start Fill start to normal Fill start to variation

After pressing

NORMAL/FILL TO NORMAL

=

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

The synchronized start mode can be cancelled by pressing the [SYNCHRO START] button a second time so that its indicator goes out.

• The synchronized start mode is automatically turned on when one of the ABC

NOTES

modes is engaged — see page 21 for details.

● Tap start ..................................................................................................................................................

TAP

–

METRONOME

+

This function lets you set the tempo and start the rhythm in one operation. Simply tap the [TAP] button at the required tempo — 3 times for a 3/4 style and 4 times for a 4/4 style. The rhythm will start from the beginning of the next measure at the specified tempo.

• The [TAP] button can also be used to change the tempo during rhythm playback.

NOTES

In this case the “tap” click will not sound.

• If you tap the [TAP] button less than the required number of times (i.e. 3 or 4), the tap tempo function will be cancelled after a few seconds.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

20

Accompaniment

[001] Piano 1 œ= 78 Pop 1

Measure number

1st. Beat 2nd. Beat 3rd. Beat 4th. Beat

■Fill-ins

NORMAL

FILL TO

NORMAL

VARIATION

FILL TO

VARIATION

FILL IN Bars

BEAT

● Measure Number Display

During rhythm playback the current measure number is shown in the upper lefthand corner of the display.

● The Beat Display

The four LED dots of the BEAT display provide a visual indication of the se- lected tempo. The leftmost (red) dot flashes on the first beat of each measure, the second dot flashes on the second beat, and so on (all dots except the leftmost dot are green). When a 3/4-time rhythm is selected, only the first three dots will flash.

The CVP-89 provides two types of automatic “fill-ins.”

■ Fill To Normal: Press the [NORMAL/FILL TO NORMAL] button or the left

FILL IN bar (located in front of the keyboard) during playback to produce a

fill-in and go to the normal rhythm.

■ Fill To Variation: Press the [VARIATION/FILL TO VARIATION] button or

the right FILL IN bar during playback to produce a fill-in and go to the variation pattern.

If you hold one of the FILL buttons or bars, the fill-in will repeat until the end

of the measure in which button is released.

■Left-pedal Rhythm Break

LEFT PEDAL FUNCTION

RHYTHM BREAK

When the left-pedal function is set to “Rhythm Break” as described on page 15, the left pedal can be used to create a break in the rhythm while playing. Press and release the left pedal to stop the rhythm. Rhythm playback will resume from the top of the next measure. You can also hold the left pedal for longer breaks — the rhythm will resume from the top of the next measure after the pedal is released. The break can be cancelled before the beginning of the next measure by pressing the pedal a second time.

■Stopping the Accompaniment

START/STOP

INTRO/

ENDING

The accompaniment can be stopped at any time by pressing the [START/ STOP] button. Press the [INTRO/ENDING] button if you want to go to the

ending pattern and then stop.

• If you started with an intro or fill-in, or using the SYNCHRO mode, these selec-

NOTES

• If the left pedal is switched to START/STOP operation, it performs the same

■Metronome

TAP

–

METRONOME

+

The CVP-89 also offers a metronome function that is ideal for practice.

To start the metronome, simply press the [METRONOME] button so that its indicator lights. The metronome will play at the currently selected tempo whether a style is playing or not. The metronome volume can be adjusted via the RHYTHM volume control.

Press the [METRONOME] button again to stop the metronome sound (the METRONOME indicator will go out). The metronome will also stop automatically if the [START/STOP] button is pressed to stop a style in progress.

tions are maintained even after the accompaniment is stopped.

function as the panel [START/STOP] buttons (press to START, press again to STOP).

• If the style is started by pressing the [START/STOP] button while the metronome

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

is playing, the metronome will continue to sound along with the style.

Auto Bass Chord (ABC)

The CVP-89 includes a sophisticated autoaccompaniment system (Auto Bass Chord — ABC) that can provide automated rhythm, bass and chord backing in a number of ways.

■Single-Finger & Fingered Accompaniment

This mode lets you create accompaniment in two ways.

“Single Finger” accompaniment makes it simple to produce accompaniment using major, seventh, minor and minorseventh chords by pressing a minimum number of keys in the ABC section of the keyboard. The automatic accompaniment consists of rhythm, bass and chords.

“Fingered” accompaniment is ideal if you already know how to play chords on a keyboard, since it allows you to supply your own chords for the Auto Accompaniment feature.

FULL

KEYBOARD

A B C

RHYTHM BASS 1 CHORD 2

MAX



DEMO LEFT PEDAL

UTILITY REVERB

MIN

AUTO ACCOMPANIMENT

MASTER VOLUME

SINGLE/

FINGERED

A B C

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

MIN

FILL TO NORMAL

SLOW

CUSTOM

DANCE

SWING

POP 16BEAT

BOOGIE

ROCK

RHYTHM

POP

FILL TO VARIATION

BEAT

STYLE

JAZZ

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

23

+

–

+ / YES

1

–

/ NO

SONG/PHRASE

RIGHT

LEFT

NUMBER

MEMORY

2

1

START/STOP

VOICE

REGIST-

DRUMS

13-60

REWFFREC

VOICE

SPLIT

RATION

21

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

ZSelect SINGLE/FINGERED .....................................................................................................................

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

Press the [SINGLE/FINGERED] button to select the SINGLE/FINGERED

mode (the SINGLE/FINGERED indicator will light).

XSelect a Style ..........................................................................................................................................

Select an accompaniment style using the style selectors (see “Style Selection”

on page 17).

CSet the Tempo.........................................................................................................................................

Use the TEMPO [▲] and [▼] buttons to set the desired accompaniment tempo

if necessary (see “Tempo Control” on page 18 for more details).

VPlay ..........................................................................................................................................................

● Single-finger Accompani-

ment

C

Cm

Pressing any key on the ABC section of the keyboard (up to the split point — normally the F#2 key) will cause the automatic chord and bass accompaniment to begin (synchro start is automatically selected in the ABC mode). If you press a “C” key, for example, a C-major accompaniment will be played. Press another key in the ABC section of the keyboard to select a new chord. The key you press will always determine the “root” of the chord played (i.e. “C” for a C chord). The name of the detected chord will appear on the display.

Single-finger minor, seventh, and minor-seventh chords can be played as follows:

C

7

• For a minor chord, press the root key and the black key to its left.

• For a seventh chord, press the root key and the white key to its left.

• For a minor-seventh chord, press the root key and both the white and black key to

Cm

7

its left.

Any other two-note fingerings that do not fit the above rules will produce a chord based on the previous chord.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

22

Auto Bass Chord (ABC)

● Fingered Accompaniment

As soon as you play any chord (up to 4 notes) on the lower keyboard (up to the

split point — normally the F#2 key), the Clavinova will automatically begin to play

[001] Piano 1 œ= 78 Dbm

the chord along with the selected rhythm and an appropriate bass line (synchro start is automatically selected in the ABC mode*). The name of the detected chord will appear on the display. If the chord played is not recognized by the CVP-89, only the root note will be displayed followed by an asterisk (“

* Automatic synchro start switching can be enabled or disabled via the “Auto Synchro Start

Switching” function, described on page 62.

The Clavinova will accept the following 20 chord types in the Fingered Accompaniment mode:

• Major

• Minor [m]

• Major seventh [M7]

• Sixth [6]

• Seventh [7]

• Minor sixth [m6]

• Minor seventh [m7]

• Minor major seventh [mM7]

• Minor seventh flatted fifth [m7(b5)]

• Minor flatted fifth [m(b5)]

• Flatted fifth [(b5)]

• Seventh flatted fifth [7(b5)]

• Major seventh flatted fifth [M7(b5)]

• Seventh suspended fourth [7sus4]

• Suspended fourth [sus4]

• Augmented [aug]

• Seventh sharp fifth [7(#5)]

• Major seventh sharp fifth [M7(#5)]

• Diminished [dim]

• Minor major seventh flatted fifth [mM7(b5)]

● The [INTRO/ENDING], [NORMAL/FILL TO NORMAL], and [VARIA-

TION/FILL TO VARIATION] buttons can be used in the ABC mode to create

pattern variations in the same way that they are used with rhythm patterns (refer to the “Accompaniment” section on page 18, 19 for details).

”).

*

“On-bass” chords can be produced by playing 5-note chords. the lowest note specifies the bass note while the upper 4 (or 3 if the 4-note chord is not recognized) specify the chord.

NOTES

• The automatic accompaniment will sometimes not

change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

Normal start Variation start Intro start Fill start to normal Fill start to variation

= Lower key

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

Lower key

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Left FILL IN Bar

/

Right FILL IN Bar

/

Lower key

Left FILL IN Bar

/

Right FILL IN Bar

/

Lower key Lower key

NORMAL/FILL TO NORMAL

BStop the Accompaniment ......................................................................................................................

START/STOP

INTRO/

ENDING

Press the [START/STOP] or [INTRO/ENDING] button to stop the accompani-

ment.

• Press the [SINGLE/FINGERED] button so that its indicator goes out when you

NOTES

want to exit from the SINGLE/FINGERED mode.

■Full-keyboard ABC

● Full-keyboard ABC

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

When this advanced auto-accompaniment mode is engaged (press the [FULL

KEYBOARD] button so that its indicator lights) the Clavinova will automatically

create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display. You don’t have to worry about specifying the accompaniment chords. Although Full-keyboard ABC is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the Full-keyboard ABC mode to get a feel for its capabilities.

• Chord detection occurs at approximately 8th-note intervals. Extremely short

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

chords — less than an 8th note in length — may therefore not be detected.

Auto Bass Chord (ABC)

23

● Conventional Full-

keyboard ABC

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

■Volume Control

RHYTHM BASS 1 CHORD 2

MAX

MIN

The Conventional Full-keyboard ABC mode can be engaged by pressing the

[FULL KEYBOARD] and [SINGLE/FINGERED] buttons simultaneously (both indicators will light). In this mode the split point is de-activated and notes played anywhere on the keyboard are detected and used to determine the harmonization of the accompaniment. In the Conventional Full-keyboard ABC mode, chord detection is possible when at least three notes are played anywhere on the keyboard. The name of the detected chord will appear on the display.

• 2-note fingerings are not recognized in the Conventional Full-keyboard ABC mode.

NOTES

• If more than 5 notes are played in the Conventional Full-keyboard ABC mode, the lowest 4 notes are used to specify the chord.

• The (b5), 7(b5), M7(b5), and mM7(b5) chord types included in the list on the previous page are not recognized in the Conventional Full-keyboard ABC mode.

• The Dual or SPLIT mode can be used with Full-keyboard ABC.

• The Full-keyboard and Conventional Full-keyboard ABC modes will be disengaged and the Single/Fingered mode will be engaged if Solo Styleplay is turned on.

• Solo Styleplay will automatically be turned off whenever the Full-keyboard or Conventional Full-keyboard ABC mode is engaged.

• Press the [FULL KEYBOARD] button so that its indicator goes out when you want to exit from the Full-keyboard ABC mode. To exit from the Conventional Full-keyboard ABC mode press the [FULL KEYBOARD] or [SINGLE/FINGERED] button twice.

The RHYTHM, CHORD 1, CHORD 2, and BASS volume controls can be used to

adjust the volume of the corresponding accompaniment parts when using ABC. In general, CHORD 1 controls rhythmic chords while CHORD 2 controls more decora- tive chords (arpeggios, etc.). The volume of the keyboard can be independently controlled by using the BASS volume control while holding the [UTILITY] button.

• Some styles may not use all four parts: RHYTHM, CHORD 1, CHORD 2, and BASS.

AUTO ACCOMPANIMENT

BASS

UTILITY

NOTES

■Changing the ABC Split Point

SINGLE/

FINGERED

A B C

The ABC split point can be set at any key by pressing the desired key while holding

the [SINGLE/FINGERED] button. The specified split point will appear on the display.

The default split point — F#2 — will always be set automatically whenever the

power is initially turned on.

C3

• The split point is indicated by the keyboard guide lamp above the split point key.

NOTES

■Special Modes

● Mute

Some accompaniment notes may be automatically muted if they interfere musically with what is being played by the right hand. This mute function can be enabled or disabled via the “ABC Auto Mute” function described on page 64. The mute function is normally enabled (default).

● Minor Harmonization When playing a 7th chord in a minor key, the ABC system will automatically shift

a 9th note down to the octave, and a 6th note to the 5th when the “Minor Harmonization” function described on page 64 is turned on. The default setting for this function is off.

• Minor Harmonization will not function in the Full Keyboard ABC mode.

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

24

Custom Rhythm

The CVP-89 CUSTOM RHYTHM feature allows you to create 12 original rhythm patterns that can be later recalled and played at any time, just like the presets. Each custom rhythm pattern can be “stored” in any of the CVP-89’s 12 panel style memory locations.

■Creating an Original Rhythm Pattern

ZSelect a Rhythm......................................................................................................................................

PROGRAM

CUSTOM RHYTHM

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

4

5

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

23

+

–

+ / YES

1

–

/ NO



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

Begin by selecting one of the preset rhythms (NORMAL or VARIATION), a

previously-recorded custom rhythm, or a loaded disk style rhythm (NORMAL or

POP 16BEAT

DANCE

POP

BOOGIE

SLOW ROCK

VARIATION) that is close to the rhythm you want to create. For example, select a WALTZ rhythm if you want to program a rhythm pattern in 3/4 time. You cannot program a 3/4 rhythm when a 4/4 rhythm is selected, and vice versa.

XPress [PROGRAM]..................................................................................................................................

Press the [PROGRAM] button so that its LED indicator lights. The selected

rhythm will begin playing.

• When the PROGRAM mode is engaged, the LED indicators for all rhythm selectors that currently contain custom rhythm data will glow green. Any previously programmed and stored custom rhythm pattern can be erased from memory by pressing the corresponding rhythm button while holding the [CAN- CEL] (F6) key.

16BEAT

DANCE

POP

PROGRAM

CANCEL

F6

CSet the Required Resolution .................................................................................................................

TAP

METRONOME

+

–

[001]CUSTOM NORMAL œ= 78 QUANTIZE ON

The initial resolution for custom rhythm programming is 16th (for doublet-type

beats) or 12th notes (for triplet-type beats): “QUANTIZE ON” will appear on the display when the PROGRAM mode is engaged. This means that all entered notes will be adjusted to fall on the nearest 16th or 12th beat. If you need greater resolution for free-tempo passages, switch to 96th-note resolution by pressing the [TAP] key (“QUANTIZE OFF” will appear on the display). You can return to 16th (12th) note resolution at any time by pressing the [METRONOME] button.

VEnter the Rhythm....................................................................................................................................

You can now add new notes to the selected rhythm accompaniment by playing

the keyboard percussion keys at the appropriate timing. Keyboard velocity sensitivity lets you add accents and dynamics as required. The rhythm pattern is two measures long (the current measure number will appear on the display), and the pattern

CLEAR

CANCEL

ALL

F6 G6

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

will continue to repeat so you can add new instruments during each repeat, if necessary.

• If you want to create a totally new rhythm from scratch, press the [CLEAR ALL]

NOTES

(G6) key and the [CANCEL] key simultaneously before beginning to program. This cancels all the instruments in the original accompaniment, leaving only a metronome sound (the metronome sound is not recorded).

Custom Rhythm

BCancel Instruments & Correct Mistakes as Required .........................................................................

CANCEL CLEAR

ALL

F6 G6

NSave the Custom Rhythm ......................................................................................................................

POP 16BEAT

DANCE

POP

BOOGIE

SLOW ROCK

Although you can cancel all instruments in a pattern by pressing the [CLEAR

ALL] and [CANCEL] keys, it is also possible to cancel a single instrument to

erase a mistake or simply eliminate an unwanted instrument. While holding the [CANCEL] key, press the key corresponding to the instrument you want to cancel. The selected instrument should now be cleared from the pattern.

When your custom rhythm is complete, press the STYLE selector with which

you want the new rhythm to be associated. The STYLE selector indicator will glow green. This saves the custom rhythm in the selected style button. Then press the [PROGRAM] button to exit the custom rhythm programming mode (the PROGRAM indicator will go out). If you want to stop programming without saving the rhythm pattern, simply press the [PROGRAM] button so that its LED indicator goes out.

• The following patterns can be individually programmed for each Custom Rhythm:

NOTES

Basic pattern x 1 (NORMAL) Fill-in x 2 (FILL IN 1/2) Intro x 1 (INTRO) Ending x 1 (ENDING)

• If a FILL IN button or bar is pressed prior to programming, it is possible to program a one-measure custom fill-in (2 types). Custom INTRO/ENDING patterns can also be programmed: press the [INTRO/ENDING] button while the rhythm is running to program a custom ending, or while the rhythm is stopped to program a custom intro. The intro or ending pattern will be the same length as the original (8 measures maximum).

• Up to 8 notes can be played simultaneously.

• The drum kit, reverb, and pan settings for the custom rhythm can be changed as required via the “Edit Drum Instrument” function described on page 63.

25

■Playing Back Your Custom Rhythm Pattern

CUSTOM RHYTHM

Once created, your original rhythm pattern can be played back by pressing the

[CUSTOM RHYTHM] button (its LED will light), the style selector button into which it was stored, and then the [START/STOP] button. Press the [START/ STOP] button to stop playback. Your CUSTOM RHYTHM can also be used as the basis for ABC accompaniment.

• If ABC is used with a Custom Rhythm pattern, the ABC program of the original

NOTES

style will be used. If the original style is a disk style, however, no ABC sound will be produced unless that disk style is loaded.

• No sound will be produced if the selected Custom Rhythm style contains no data.

• Custom Rhythm data will be backed up for approximately one week.

• A set of 12 custom rhythms can be saved to and loaded from disk as described on page 45, 46.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

26

Disk Styles

A “Style Disk” is supplied with the Clavinova, pro-

viding an extra 50 ABC accompaniment styles. Any

DISK

1

2

STYLE

SONG/PHRASE

NUMBER

two of these patterns can be loaded into the Clavinova’s memory at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same way as the STYLE selectors se-

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

UPRIGHT

ELEC

BASS

0

VOICE

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

23

+

–

+ / YES

1

– / NO



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

RIGHT

NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

lect the internal styles.

• If no disk styles are loaded as described below, the [DISK STYLE 1] and [DISK STYLE 2] buttons select

NOTES

pre-programmed disk styles contained in internal ROM memory.

• Loaded disk styles will be retained in memory for about one week if the CVP-89 power is not turned on during that time. To keep the loaded disk steyles for longer periods, turn the power ON briefly at least once a week.

• Style disk data can be copied to a different disk — see page 47.

■Selecting & Loading Disk Styles

ZInsert the Style Disk ...............................................................................................................................

Insert the Style Disk into the disk drive with the sliding door on the disk facing the drive slot and the label side facing upward. The disk should click into place and the disk lamp will light briefly while the Clavinova reads and identifies the disk.

SONG SELECT

RHYTHM

ORCH

LEFT

2

3-10

1

REWFFREC

PAUSE

DISK ORCHESTRA

LAMP

PHRASE

GUIDE

CANCEL

REPEAT

CHORD

SONG SELECT

SEQUENCE

XMake Sure the [SONG SELECT] Indicator Is Lit ..................................................................................

SONG SELECT

The [SONG SELECT] indicator will light automatically when the disk is

ready. If a disk is already loaded and the [SONG SELECT] indicator is not lit, press the [SONG SELECT] button so that it lights. When this is done the [DISK STYLE 1] and [DISK STYLE 2] button indicators will flash alternately, and the SINGLE/FINGERED ABC mode and synchronized start mode will be engaged (any other ABC mode will remain active if it was selected before the disk was loaded).

CSelect a Style ..........................................................................................................................................

SONG/PHRASE

NUMBER

[001] Piano 1 œ=148 AmericanRock ßƒ 1

Use the SONG/PHRASE NUMBER [▲] and [▼] buttons to select the desired

style number. The selected style number, style name, and the current tempo will appear on the display. Also, an “s” will appear in front of the disk symbol on the display to indicate that a disk style is selected. You can “preview” the selected style by playing on the left-hand section of the keyboard (single-finger or fingered). Pattern playback will stop if a different pattern number is selected.

• If a tempo is set prior to loading the style, that tempo becomes the default for the

NOTES

loaded style.

VLoad the Style .........................................................................................................................................

DISK

1

2

STYLE

Press the [DISK STYLE 1] or [DISK STYLE 2] button to load the selected

pattern into that button. The [DISK STYLE 1] or [DISK STYLE 2] indicator will light, and the [SONG SELECT] indicator will go out.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

BRepeat......................................................................................................................................................

Repeat steps X through V to select and load a second pattern into the other

[DISK STYLE] button if you like.

NEject the Disk When Done .....................................................................................................................

When you’ve finished with the Style Disk, press the disk drive EJECT button

to remove it.

Disk Style List

Group No. Name

1 AMERICAN ROCK 2 ROCK’N’ROLL

ROCK

POP

DANCE POP

JAZZ

3 ROCK CLASSIC 4 ROCKABILLY 5 FIGHTING ROCK 6 60’S ROCK SHUFFLE 7 8BEAT 2 8 POP BALLAD

9 FOLK 10 MUSIC BOX 11 NEW AGE POP 12 COMPUTER GAME 13 16 BEAT POP BALLAD 14 16 BEAT SHUFFLE 2 15 DANCE 8BEAT 16 DANCE POP 2 17 HOUSE POP 18 POWER HOUSE 19 FUNK 2 20 REGGAE 2 21 BIG BAND 2 22 BIG BAND 3 23 CONTEMPORARY JAZZ 24 CHARLESTON 25 AFRO-CUBAN 26 SWING WALTZ

Group No. Name

27 CALYPSO 28 BOSSA SOFT

LATIN 29 SAMBA 2

30 SALSA 2 31 BIG BAND CHACHA 32 BROADWAY 33 SHOW TIME

MUSICAL 34

&35

NOVELTY 36

37 38 CLOCK 39 CLASSICAL POLKA 40 POP BAROQUE 1 41 POP BAROQUE 2

CLASSIC 42 QUASI BAROQUE

43 OVERTURE 1 44 OVERTURE 2 45 URBAN WALTZ 46 CHANSON 47 BOLERO

WORLD 48 CHINESE POP

49 ARABIAN POP 50 AFRICAN POP

PIT ORCHESTRA 1 (VAUDEVILLE) PIT ORCHESTRA 2 (SWING) PIT ORCHESTRA 3 (POPULAR) SNARE ROLL & PRIZE WINNER

27

■Using a Loaded Disk Style

DISK

1

2

STYLE

[001] Piano 1 œ=148 AmericanRock 51

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

After you’ve loaded the desired Disk Styles, the [DISK STYLE 1] and [DISK

STYLE 2] buttons can be used in exactly the same way as the other STYLE but-

tons to select the loaded patterns for ABC accompaniment (see “Auto Bass Chord (ABC)” beginning on page 21).

The name of the Disk Style selected by the [DISK STYLE 1] or [DISK

STYLE 2] button will be shown on the display. Also, the numbers “51” and “52” will appear when DISK STYLE 1 and DISK STYLE 2 are selected, respectively.

28

Solo Styleplay

This sophisticated feature not only provides auto-

matic rhythm, bass and chord accompaniment, but it

SOLO

STYLEPLAY

also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

MIN

FILL TO NORMAL

SLOW

CUSTOM

DANCE

POP 16BEAT

BOOGIE

ROCK

RHYTHM

POP

FILL TO

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

+

–

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

E. PIANO

TONE

23



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

■Using Solo Styleplay

ZTurn Solo Styleplay ON..........................................................................................................................

SOLO

STYLEPLAY

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

VPlay ..........................................................................................................................................................

BStop the Accompaniment ......................................................................................................................

Press the [SOLO STYLEPLAY] button to turn the SOLO STYLEPLAY mode

on. The SINGLE/FINGERED mode is automatically selected when SOLO

STYLEPLAY is turned on. If a FULL KEYBOARD mode is selected, the SINGLE/FINGERED mode will automatically be selected since Solo Styleplay cannot

be used with the FULL KEYBOARD modes.

Select an accompaniment style using the style selectors (see “Style Selection” on page 17). An appropriate voice for the selected style will automatically be selected, but you can also select any other voice after selecting the style.

Set the desired tempo if necessary using the TEMPO [▲] and [▼] buttons (see “Tempo Control” on page 18).

Play the required chords (single-finger or fingered) on the ABC section of the keyboard while playing a melody line on the upper keyboard (for some styles, only one note can be played at a time on the right-hand section of the keyboard in the Solo Styleplay mode).

Press [START/STOP] or [INTRO/ENDING] to stop the accompaniment.

RIGHT

LEFT

2

1

REWFFREC

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

NTurn Solo Styleplay OFF........................................................................................................................

Press the [SOLO STYLEPLAY] button again to turn the function off.

■Harmonization Variations

SOLO

STYLEPLAY

POP

DANCE

POP

BOOGIE16BEAT

[001] Piano 1 œ= 78 SOLO STYLEPLAY 2

It is possible to apply the harmonization type and voice from a different style to the selected style by pressing the style selector corresponding to the harmonization type you want to use (except for the [DISK STYLE 1/2] selector) while holding the [SOLO STYLEPLAY] button — the selected STYLE button indicator will flash and the selected style number will appear on the display while the [SOLO STYLEPLAY] button is held. This makes it possible, for example, to use the solo styleplay harmonization type and voice from the 16 BEAT style when actually playing in the POP style.

■The Left Pedal & Solo Styleplay

LEFT PEDAL

LEFT PEDAL FUNCTION

SOLO STYLEPLAY

If the LEFT PEDAL function is set to SOLO STYLEPLAY after the SOLO STYLEPLAY mode is selected, harmonization of notes played on the right-hand

section of the keyboard only occurs while the left pedal is pressed. This allows you to combine normal ABC type performance with SOLO STYLEPLAY as required.

• The SOLO STYLEPLAY mode will be disengaged if the ABC SINGLE/FIN-

NOTES

GERED mode is turned off or the FULL KEYBOARD ABC mode is turned on.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Registration Memory

H

The CVP-89 Registration Memory feature can be used to memorize 12 complete control-panel setups that you can recall whenever needed.

29

MEMORY

PIANO

CLAVINOVA

1

E. PIANO

TONE

23

HARPSI-

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6

RHYTHM BASS 1 CHORD 2

MAX



DEMO LEFT PEDAL

UTILITY REVERB

MIN

AUTO ACCOMPANIMENT

MASTER VOLUME

7

FULL

SINGLE/

KEYBOARD

FINGERED

SYNCHRO

A B C

START

INTRO/

START/STOP

ENDING

NORMAL

FILL TO NORMAL

89

VOICE

SOLO

PROGRAM

STYLEPLAY

VARIATION

CUSTOM

DANCE

POP 16BEAT

BOOGIE

RHYTHM

POP

FILL TO

VARIATION

UPRIGHT

BASS

ELEC

BASS

DRUMS

REGIST-

RATION

0

BEAT

STYLE

JAZZ

SLOW

SWING

BOSSA RHUMBA

BALLAD

ROCK

STYLE

DISK

WALTZ

STYLE

COUNTRY

MARCH

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

E. PIANO

TAP

PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

TEMPO

METRONOME

CHORD

TONE

+

23

–

+ / YES

5

1

6789

4

–

/ NO

VOICE

MEMORY

UPRIGHT

VOICE

REGIST-

ELEC

DRUMS

VOICE

SPLIT

BASS

13-60

RATION

BASS

0

■Memory Store

ZMake the Desired Control Settings .......................................................................................................

Set the CVP-89 panel controls to the state you want to memorize. The settings

that are memorized by the Registration Memory are listed below.

Settings Stored By the Registration Memory

• ABC On/Off

• Solo Styleplay On/Off

• Solo Styleplay Variation

• Voice Number

• Manual Volume

• Style Number

• Style Variation

• Tempo

• Rhythm Volume

• Chord 1 Volume

• Chord 2 Volume

• Bass Volume

• Split Point

• Dual/Split Mode

• Dual/Split Voice

• Dual/Split Balance

• Reverb Type

• Reverb Depth

• Left Pedal Function

• Intro

• Touch Sensitivity

• Pitch Bend Range (for the selected voice only)

• Chorus On/Off (for the selected voice only)

• Soundboard Effect Depth

SONG/PHRASE

START/STOP

LAMP

PHRASE

RIGHT

RHYTHM

ORCH

LEFT

NUMBER

GUIDE

CANCEL

REPEAT

2

3-10

1

CHORD

REWFFREC

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

XMemorize the Settings ...........................................................................................................................

PIANO

CLAVINOVA

1

E. PIANO

TONE

23

MEMORY

HA

REGIST-

C

RATION

Press one of the VOICE selectors while holding the [MEMORY] button. The

indicator of the pressed voice selector will glow green indicating that the panel data has been memorized in that location.

■Recall

Simply press the appropriate VOICE selector after pressing the [REGISTRA-

TION] button (the [REGISTRATION] button indicator should be lit) to recall the

memorized settings (the indicator of the selected VOICE selector will glow green). The recalled voice, style, and tempo will appear on the display. Once recalled, press the [REGISTRATION] button again so that its indicator goes out to return to the normal play mode.

• If DISK STYLE 1 or DISK STYLE 2 is stored in the registration memory, the same

NOTES

disk style must be assigned to the same button ([DISK STYLE 1] or [DISK STYLE 2]) when the memory is recalled otherwise the currently assigned disk style will sound.

• The contents of all 12 Registration Memory locations can be saved to and loaded from disk using the Save Registration and Load Registration utilities described on page 44.

• The Registration Tempo utility function described on page 64 determines whether the tempo setting included in the registration memory data will be used when a registration memory is recalled.

• Registration data is retained in the Clavinova memory for about one week even if the POWER is not turned on. To keep the data in memory for longer periods, turn the POWER switch on briefly at least once a week.

• 12 “preset” sets of registration data are stored in the 12 memory locations when the CVP-89 is initially shipped.

PIANO

CLAVINOVA

1

E. PIANO

TONE

23

MEMORY

HA

REGIST-

C

RATION

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

30

Disk Orchestra

Using Yamaha Disk Orchestra disks (one is supplied with the CVP-89, others are available from Yamaha), the Clavinova will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically. The CVP-89 also shows you which keys to play with keyboard guide lamps that light up above each key. You can also play “in ensemble” with the complete Disk Orchestra arrangement.

• The Disk Orchestra Collection playback data is not transmitted via the MIDI OUT

NOTES

connector.

SONG/PHRASE

NUMBER

START/STOP

RIGHT

REW

LEFT

2

1

3-10

FF

PAUSE

REC

REPEAT

CHORD

SEQUENCE

PHRASE

RHYTHM

ORCH

GUIDE

LAMP

CANCEL

SONG SELECT

DISK ORCHESTRA

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

SWING

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

TONE

+

–

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

E. PIANO

23



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

SONG/PHRASE

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

LAMP

PHRASE

RIGHT

RHYTHM

ORCH

LEFT

NUMBER

GUIDE

CANCEL

REPEAT

2

3-10

1

CHORD

REWFFREC

SONG SELECT

PAUSE

SEQUENCE

DISK ORCHESTRA

■Automatic Performance

ZInsert a Disk Orchestra Disk..................................................................................................................

Insert the DISK ORCHESTRA disk into the disk drive with the sliding door

facing the drive slot and the label side facing upward. The disk should click into place and the disk lamp will light briefly while the Clavinova reads and identifies the disk.

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the

NOTES

XSelect a Song Number ...........................................................................................................................

SONG SELECT

SONG/PHRASE

NUMBER

When the disk is inserted the [SONG SELECT], [RIGHT/1], [LEFT/2],

[ORCH/3-10], and [RHYTHM] indicators will light if the corresponding tracks

contain performance data, and the selected song number and name will be shown on the display along with the current tempo. Use the SONG/PHRASE NUMBER [▲] and [▼] buttons to select the desired song number. Select “ALL” if you want all songs on the disk to be played and repeated until playback is stopped.

[SONG SELECT] button so that the indicator lights before proceeding.

• You can also start sequential repeat playback by using the [▲] and [▼] buttons to

NOTES

[001] Piano 1 œ=144 MINUET(BACH) ƒALL

select the song number from which playback is to begin, and then pressing the [START/STOP] button while holding the [UTILITY] button.

• The songs can be made to play back and repeat either in sequence or in random order when “ALL” is selected or when starting playback by pressing the [START/ STOP] button while holding the [UTILITY] button, and playback is started, depending on the setting of the “Random All Song Repeat” function (page 62).

CStart Playback.........................................................................................................................................

START/STOP

UTILITY

START/STOP

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Start playback of the selected song by pressing either the DISK ORCHESTRA

[START/STOP] button or the ABC [START/STOP] button. Unless “ALL” is se-

lected, the selected song will play through to the end and playback will stop automatically. It is also possible to automatically play all songs from the currently selected song repeatedly by pressing the [START/STOP] button while holding the [UTILITY] button. The current measure number will be shown on the display during playback, and the voice indicator used for the RIGHT/1TR and LEFT/2TR parts will light. The voice can be changed as required via the VOICE selectors.

Playback can be stopped at any time by pressing the DISK ORCHESTRA or

ABC [START/STOP] button.

Disk Orchestra

RIGHT

LEFT

ORCH

RHYTHM

ORCH

• Please note that playback cannot be started while the Clavinova is searching the disk for

NOTES

VEject the Disk When Done .....................................................................................................................

When you’ve finished with the currently loaded disk, simply press the disk drive

EJECT button to remove it.

a selected song (a flashing dot following the song name on the display indicates that the Clavinova is searching).

• With some songs the displayed measure numbers may not match those marked on the score.

• Some songs start after a click count-in.

• The playback tempo can be changed freely as required. The preset tempo for the selected song can be recalled at any time by pressing the TEMPO [▲] and [▼] buttons simultaneously.

• Some Disk Orchestra software does not produce a tempo display (e.g. free-tempo phrases, etc.). In this case, three dashes appear in place of the tempo on the display, and the measure numbers shown on the display will not match the actual measure numbers of the song.

• The keyboard guide lamps corresponding to the keys being played will light in real time. The keyboard guide lamps can be turned off by pressing the [LAMP CANCEL] button.

31

Disk drive lamp

CAUTION

NEVER eject a disk or turn the power off while:

1. The disk drive lamp is on.

2. The DISK ORCHESTRA function is playing.

■Playing Back only Specific Parts

RIGHT

LEFT

2

1

Track 10 12 14

ORCH

3-10

RHYTHM

[001] Piano 1 œ=120 123456789ABCDER

ORCH

3-10

Track 11 13 15

57 10

B5 C6 D6 E6 F6

(Rhythm)

(A)(C)(E)

12 14

G6 A6 B6 C7

98643

11 13 15 16

(B)(D)(R)(G)

(F)

The [RIGHT/1], [LEFT/2], [ORCH/3-10], and [RHYTHM] buttons can be used to select playback of specific parts. The [LEFT/2] button turns the left-hand part on or off, the [RIGHT/1] button turns the right-hand part on or off, the [ORCH/3-10] button turns the ORCHESTRA parts on or off, and the [RHYTHM] button turns the rhythm part on or off. When a part is on, the corresponding LED indicator lights. You can, for example, turn off the right and/or left-hand parts so you can practice them on the keyboard.

● Turning Individual Orchestra Parts On or Off

Normally the [ORCH/3-10] buttons turns all the orchestra parts (tracks 3 through

10)* on or off at once. You can, however, turn these parts on or off individually. There

are two ways to do this:

* Some software may actually have 15 or 16 tracks, indicated by numbers “1” through “9” and letters “A”

through “E” and “R” or “A” through “G” on the display, depending on the type of data.

Via the Keyboard

Turn the desired tracks on or off by pressing the keys shown in the illustration to the

left while holding the [ORCH/3-10] button (the current status of the tracks is shown

on the display while the [ORCH/3-10] button is held):

Press the key once to move the cursor to the tracks on the display, and a second to

turn the track on or off. The status of the track is indicated by the track number (or

letter):

No number.................. No data

Flashing number ........ Playback off

Lit number .................. Playback on

Via the Panel Controls

ORCH

3-10

TAP

–

METRONOME

+

– / NO

TEMPO

+ / YES

Use the [TAP] and [METRONOME] buttons while holding the [ORCH/3-10] button

to move the cursor on the display to the number of the track you want to turn on or

off, then, still holding the [ORCH/3-10] button, use the TEMPO [s] and [t] but-

tons to turn the track on or off.

NOTES

• With DOC, Performance Memory, and Disklavier data, only the numbers of tracks containing data appear on the display. With most other types of data all tracks are displayed whether they contain data or not.

In addition to the main display, the status of tracks 3 through 16 is indicated by the corresponding keyboard guide lamps while the [ORCH/3-10] button is held. If a lamp is out, the corresponding track contains no data. A flashing lamp indicates that

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

playback is off, and a lit lamp indicates that playbacks is on.

32

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

Disk Orchestra

■Volume Control

RHYTHM..... Drum and Percussion parts

(track 15).

BASS .......... Bass part (track 3).

CHORD 1 ....Other backing parts except

Bass (track 4-10).

During DISK ORCHESTRA playback use the RHYTHM volume control to adjust the volume of the drum and percussion parts, the CHORD 2 volume control adjusts the volume of the main left- and right-hand parts, the CHORD

1 volume control adjusts the volume of all other parts except the bass, and the BASS control adjusts the volume of the bass part.

CHORD 2 ....Main left- and right-hand

parts (tracks 1 & 2).

• When a different song is selected the volume settings will correspond to

NOTES

those in the song data, regardless of the positions of the volume controls.

■Guided Right- and Left-hand Practice

With this feature, the Clavinova waits for you to play the appropriate keys

before playing ahead, so you can learn to play the piece at your own pace.

Press the [GUIDE] button so that its indicator lights to turn the guide mode

on. The settings of the [RIGHT/1] and [LEFT/2] buttons will then determine whether the guide function operates for the left-hand part only, the right-hand part only, or both the right- and left-hand parts, as shown to the left.

When you press the [START/STOP] button to begin playback, the introduc-

tion will play automatically but then the Clavinova will stop and wait for you to play the next key(s). The CVP-89 indicates the next key(s) to be played via the guide lamps above the keyboard. As you play the appropriate keys, the piece will continue, pausing until you play the right keys each time.

As with automated performance, the song will stop automatically when the

end is reached, or it can be stopped at any time by pressing the [START/STOP] button.

After turning on...

Left- and right-hand guide =

Right-hand guide only

Left-hand guide only =

GUIDE

RIGHT

LEFT

2

1

or

RIGHT

LEFT

2

1

RIGHT

LEFT

2

1

LEFT

2

1

=

• Disk Orchestra playback tempo can be set to any desired value after a song

NOTES

has been selected by using the TEMPO [▲] and [▼] buttons.

• The positions of the guide lamps do not change if the transpose function is used to transpose the pitch of the keyboard.

• If the guide lamps flashing above the keyboard distract you, or you want to try playing along without them, simply press the [LAMP CANCEL] button so that its indicator lights. Repeat to turn the guide lamps back on.

• The [PAUSE], [REW] and [FF] buttons will not operate when the guide function is in use.

● Guide Modes ...........................................................................................................................................

The Clavinova has two guide modes which can be selected as follows:

-1

A

[001] Piano 1 œ=120 GUIDE

-1

B

[001] Piano 1 œ=120 GUIDE 2bar

GUIDE

● Normal Wait:

This mode is automatically selected when the power is turned on. It can also be selected by pressing the A-1 key (the lowest key) while holding the [GUIDE] button. The A-1 guide lamp will light while the [GUIDE] button is pressed. In the normal wait mode the Clavinova will wait until the appropriate key or chord, as indicated by the keyboard guide lamps, is played before proceeding to the next note.

● Delayed Wait:

This mode can be selected by pressing the B-1 key (the second-to-lowest white key) while holding the [GUIDE] button. The B-1 guide lamp will light while the [GUIDE] button is pressed. In the delayed wait mode the Clavinova will play ahead for 8 quarter-note beats (two measures in 4/4 time) and then wait until the appropriate key or chord, as indicated by the keyboard guide lamps, is played.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Disk Orchestra

RIGHT

LEFT

ORCH

RHYTHM

■Repeat Functions

● Phrase Repeat

Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the

Disk Orchestra Collection score.

ZSelect a Song ..........................................................................................................................................

SONG SELECT

SONG/PHRASE

NUMBER

XTurn Phrase Repeat ON and Select a Phrase Number........................................................................

SONG/PHRASE

NUMBER

[025] Piano 1 œ=120 PHRASE< 3>

PHRASE REPEAT

Press the [SONG SELECT] button so that its indicator lights and select the

desired song by using the SONG/PHRASE NUMBER [▲] and [▼] buttons.

Press the [PHRASE REPEAT] button (its LED indicator will light). When this

is done the phrase number will appear on the display. Use the SONG/PHRASE NUMBER [▲] and [▼]buttons to select the desired phrase number (refer to the DISK ORCHESTRA COLLECTION book that comes with the DISK ORCHESTRA COLLECTION disk).

33

CSelect a Part to Practice.........................................................................................................................

RIGHT

RHYTHM

ORCH

LEFT

2

1

3-10

Use the [RIGHT/1], [LEFT/2], [ORCH/3-10], and [RHYTHM] buttons to

turn playback of the various parts on or off, as required.

VStart Playback.........................................................................................................................................

START/STOP

Press the [START/STOP] button to begin playback of the selected phrase after

a one-measure count-in. Phrase playback will repeat until the [START/STOP] button is pressed a second time.

• The count-in may not sound with some songs — e.g. those that do not include a

NOTES

rhythm track.

● A-B Repeat

This function allows you to specify any section of a DISK ORCHESTRA song for continuous repeat playback.

UTILITY

PHRASE REPEAT

PHRASE

REPEAT

+

“A” point “B” point

[009] Piano 1 œ=120 PHRASE<A- >

[016] Piano 1 œ=120 PHRASE<A-B>

While the song is playing, hold the [UTILITY] and press the [PHRASE RE-

PEAT] button once at the beginning of the section to be repeated (the “A” point)

and again at the end of the section to be repeated (the “B” point). Repeat playback will begin automatically from the A point as soon as the B point has been specified. The programmed A and B points are retained until a different song number or mode is selected, and the A-B phrase can be selected again for repeat playback after playback has been stopped by following the Phrase Repeat procedure described above and selecting “<A-B>” instead of a phrase number in step X.

• The specified A-B repeat points will be erased when a new song number is se-

NOTES

lected.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

34

Disk Orchestra

■Other Playback Controls

● Pause .......................................................................................................................................................

PAUSE

● Rewind and Fast Forward......................................................................................................................

Press the [PAUSE] button to temporarily stop DISK ORCHESTRA playback. Press

the [PAUSE] button again (or the [START/STOP] button) to resume playback from the same point.

REW

FF

During DISK ORCHESTRA operation the [REW] and [FF] buttons function as

follows:

■ While playback is stopped or paused the [REW] and [FF] buttons can be used to

step backward or forward through the song a measure at a time. Either button can also be held for continuous stepping in the specified direction.

■ During playback the [REW] and [FF] buttons allow you to move rapidly in the

specified direction for as long as the button is held. No sound is produced during [REW] operation.

• Using the [REW] button may cause the voice, tempo, and/or volume to change.

NOTES

• The [PAUSE], [REW] and [FF] buttons do not function while a guide mode is engaged.

● Pedal Pause/Next Phrase.......................................................................................................................

If the left pedal is set for START/STOP operation using the [LEFT PEDAL] but-

LEFT PEDAL FUNCTION

START/STOP

ton, it functions as a pause/next phrase control during DISK ORCHESTRA playback: press once to pause, and again to continue from the beginning of the next phrase (refer to the DISK ORCHESTRA COLLECTION book that comes with the DISK ORCHESTRA COLLECTION disk for phrase locations).

• The pedal pause/next phrase function will not operate if the guide, phrase repeat, or

NOTES

all songs repeat modes are active.

■DISK ORCHESTRA COLLECTION Disk Copy

The [ORCH/3-10] and [RHYTHM] parts of songs from DISK ORCHESTRA COLLECTION disks — the disk sup-

plied with the Clavinova and others available from Yamaha — can be copied to separate disks by following the “Copying Disk Orchestra Disks” instructions given on page 47. Data copied in this way can be played back and manipulated via the Performance Memory (page 35) — you can, for example, record your own [RIGHT/1] and [LEFT/2] parts.

• Disk Orchestra Collection phrase marks are not copied.

NOTES

■Playing Other Types of Music Data

In addition to Disk Orchestra Collection disks, the Clavinova can also play back Yamaha Disklavier PianoSoft™ disks,

disks containing Yamaha ESEQ format sequence data, and disks containing songs recorded in Standard MIDI File format (formats 0 and 1 — the [REW] and [FF] buttons do not function with format 1 data).

It is possible to change the track 1/2 voice by using the panel voice selectors during playback of Disk Orchestra Collection and Disklavier PianoSoft disks. In this case the playback voice will become the same as the voice played via the keyboard. The playback voice cannot be changed when playing back other type of disks (the keyboard voice can be changed).

The phrase repeat function described above can only be used with Disk Orchestra Collection disks. A-B repeat can be used with any type of data. The guide function can only be used with ESEQ files.

The [ORCH/3-10TR] part select button can also be used with all types of data: with files other than General MIDI files it turns tracks 3 through 14 on or off, and with General MIDI Files it turns tracks 3 through 9 and 11 through 16 on or off. The [RHYTHM] button can be used to turn track 15 on and off with file types other than General MIDI (with General MIDI files the [RHYTHM] button turns track 10 on and off). With any type of file the individual tracks (1 through 16) can be turned on and off as described on page 31.

When playing files other than General MIDI files the Auto Accompaniment volume controls affect the following tracks

BASS Track 3 CHORD 2 Tracks 1 & 2 CHORD 1 Tracks 4 … 14 RHYTHM Track 15

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

(the volume of General MIDI format tracks cannot be controlled):

When playing General MIDI Files the Clavinova’s internal tone generator is auto-

matically switched to the GM System Level 1 voice allocation.

Performance Memory

35

The CVP-89 features a built-in “sequencer” which can be used to independently record up to ten separate parts of a single musical composition, plus a rhythm track. Each part is recorded on one

SONG/PHRASE

NUMBER

START/STOP

RIGHT

REW

LEFT

2

1

3-10

FF

PAUSE

REC

REPEAT

CHORD

SEQUENCE

GUIDE

SONG SELECT

PHRASE

RHYTHM

ORCH

of the Performance Memory “tracks” accessed via the [RIGHT/1], [LEFT/2], [ORCH/3-10], and

DISK ORCHESTRA

[RHYTHM] buttons. The music data that you record is stored on a 3.5" floppy disk loaded into the

RHYTHM BASS 1 CHORD 2

FULL

Clavinova’s disk drive unit. Up to approximately 60 songs can be recorded on a single disk, depending

MAX

MIN

MASTER VOLUME

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

CUSTOM

SLOW

DANCE

POP 16BEAT

BOOGIE

RHYTHM

ROCK

MIN

POP

FILL TO

NORMAL

VARIATION

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

TAP

PIANO

TEMPO

METRONOME

+

–

+ / YES

1

–

/ NO

UPRIGHT

VIBES GUITAR STRINGS ORGAN CHOIR

CHORD

5

4

6789

ELEC

BASS

0

VOICE

E. PIANO

TONE

23



DEMO LEFT PEDAL

UTILITY REVERB

SONG/PHRASE

NUMBER

MEMORY

START/STOP

VOICE

REGIST-

DRUMS

VOICE

SPLIT

13-60

RATION

on the amount of data contained in each song. Before you can record, however, you must “format” a new disk, as described on page 48.

• The Performance Memory playback data is not transmit-

NOTES

ted via the MIDI OUT connector.

Easy One-pass Recording & Playback

ZInsert a Formatted Disk..........................................................................................................................

If you haven’t already done so, make sure that a properly formatted disk is loaded into the Clavinova disk drive (see page 48), and that the disk’s write protect tab is set to the “write” position (tab closed).

LAMP

CANCEL

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

• If you insert an unformatted disk, “UNFORMATTED DISK!” will appear on the display.

NOTES

Please format the disk before proceeding.

• DOC disks, Disklavier PianoSoft disks, and disks formatted by the Disklavier cannot be formatted.

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the [SONG SELECT] button so that the indicator lights before proceeding.

XSelect a Song Number ...........................................................................................................................

SONG/PHRASE

NUMBER

[001] Piano 1 œ= 78 SONG 1 ƒ 1

Select a SONG NUMBER between 1 and 60 for the piece you are about to record

(up to 60 different songs, each with a different song number, can be recorded on a single disk). Make sure the song number you select has not already been used for a song previously recorded on the disk you are using.

• If the [RIGHT/1], [LEFT/2], [ORCH/3-10], or [RHYTHM] button indicator glows green

NOTES

when a song number is selected, the corresponding track of the selected song already contains recorded data. Before recording over a song that contains previous data, we recommend that you delete the entire song as described in “Song Delete” on page 47.

CSelect a Voice .........................................................................................................................................

Use the VOICE selectors to select the voice you want to record with. You can try

out the selected voice on the keyboard before proceeding.

VEngage the Record Ready Mode...........................................................................................................

REC

Remaining Disk Space

Current record track

[001] REC TRACK 1 680

œ= 78 ‘‘‘‘‘‘‘‘‘‘‘

Track status

Press the [REC] button so that its indicator lights. The [RIGHT/1] indicator

should also glow red at this point, indicating that you are ready to record on track 1. The number of the current record track and the status of tracks 1 through 16 will appear on the display (if a track number appears that track has been recorded and contains data).

● Remaining Disk Space Display

When you press the [REC] button the amount of disk space available for recording will appear on the display (in approximate kilobytes). With an empty disk you should have about 707 kilobytes of space for recording (room enough for about 57,000 notes if no other Clavinova functions are used). If no space is available for recording, “DISK FULL!” will appear on the display.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

36

Performance Memory

BStart Recording.......................................................................................................................................

Play on the keyboard. Recording will begin automatically as soon as you start

playing.

• You can turn the metronome on before or during recording (the metronome

NOTES

NStop Recording.......................................................................................................................................

START/STOP

REC

Stop recording by pressing the [START/STOP] button or the [REC] button.

When recording has finished the indicator of the recorded track will glow green, indicating that the track is ready for playback.

NOTES

MPlay Back the Recording .......................................................................................................................

START/STOP

Press the [START/STOP] button to play back your recording. Play along on the

keyboard if you like. During playback you can use the [PAUSE], [REW], and [FF] buttons, as described on page 34. You can also change the playback tempo via the TEMPO [▲] and [▼] buttons.

sound will not be recorded).

• The “

√” symbol will appear during recording.

• The Clavinova may continue to write data to the disk for a short time after you stop recording. “WRITING” will appear on the display while this occurs. DO NOT eject the disk while this display is showing.

• You can enter a name for the recorded song, as described on page 51.

<Stop Playback .........................................................................................................................................

Playback will stop automatically when the end of the recording is reached, or

you can press the [START/STOP] button to stop it at anytime.

Multi-track Recording & Playback

ZInsert a Formatted Disk..........................................................................................................................

If you haven’t already done so, make sure that a properly formatted disk is loaded into the Clavinova disk drive (see page 48), and that the disk’s write protect tab is set to the “write” position (tab closed).

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the

NOTES

XSelect a Song Number ...........................................................................................................................

SONG/PHRASE

NUMBER

Select a SONG NUMBER between 1 and 60 for the piece you are about to record (up to 60 different songs, each with a different song number, can be recorded on a single disk). Make sure the song number you select has not already been used for a song previously recorded on the disk you are using.

CSet All Performance Features As Required .........................................................................................

Set up all necessary performance features as required: voice, voice mode (normal, dual, or split), style, tempo, etc. Try out the features as you select them to check that you have the right overall sound.

[SONG SELECT] button so that the indicator lights before proceeding.

VEngage the Record Ready Mode...........................................................................................................

REC

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Press the [REC] button so that its indicator lights. The [RIGHT/1] indicator should also glow red at this point, indicating that you are ready to record on track

1. As soon as you release the [REC] button the first dot of the beat indicator will begin to flash at the currently set tempo.

• Be careful not to start recording prematurely by either playing the keyboard or

NOTES

pressing the [START/STOP] button before you’ve completed the following steps.

RIGHT

ORCH

Performance Memory

RIGHT

LEFT

ORCH

RHYTHM

BSelect the Track(s) to Record................................................................................................................

37

SONG/PHRASE

NUMBER

RIGHT

ORCH

LEFT

2

1

3-10

[001] REC TRACK 3 680

œ= 78 ‘‘‘‘‘‘‘‘‘‘‘

RHYTHM

[001] REC TRACK 3+R 680

œ= 78 Pop 1

FULL

RIGHT

KEYBOARD

A B C

1

ORCH

3-10

SINGLE/

FINGERED

A B C

[001] REC ABC+R 680

œ= 78 Pop 1

Only one track can be recorded at a time. If you press [RIGHT/1] you will

record on track number 1. If you press [LEFT/2] you will record on track number

2. If you press [ORCH/3-10], you can choose to record on track 3, 4, 5, 6, 7, 8, 9, or 10 by selecting the desired track number using the SONG/PHRASE NUMBER [▲] and [▼] buttons while holding the [ORCH/3-10] button (the selected track number will appear on the display). When a record track has been selected the corresponding indicator will light.

● Recording with Rhythm

To record a rhythm in addition to the part you play on the keyboard, select the desired style via the STYLE selectors and press the [RHYTHM] button so that its indicator glows red. “+R” and the style name will appear on the display. The rhythm data will be recorded on track 15. If you only want to record the rhythm track, de-select all other selected tracks by pressing their buttons so that their indicators go out. If you select the rhythm track for recording, or the rhythm track already contains data, the metronome will sound at the current tempo.

● Recording with ABC

When recording with ABC auto-accompaniment the keyboard part can only be recorded to track 1 or 2. To record with ABC press the [RIGHT/1] or [LEFT/2] button and then engage an ABC mode. The [ORCH/3-10] and [RHYTHM] indicators will light automatically in addition to the [RIGHT/1] or [LEFT/2] indicator, and the ABC sound will be recorded on tracks 3 through 10 while what you play on the keyboard will be recorded on track 1 or 2. If you only want to record the ABC sound, de-select track 1 or 2 by pressing the appropriate button so that the indicator goes out. In the same way, de-select the [RHYTHM] track if you don’t want to record the rhythm sound.

SOLO

STYLEPLAY

● Recording with Solo Styleplay

If you also select solo styleplay, the solo styleplay sound will be recorded on tracks 11 through 14. Solo Styleplay can be recorded at the same time as SIN- GLE/FINGERED ABC, but not at the same time as FULL KEYBOARD mode ABC.

NStart Recording.......................................................................................................................................

The synchronized start mode is automatically selected when the record ready

mode is engaged, so recording will begin automatically as soon as any key on the keyboard is pressed or the [START/STOP] button is pressed (see page 18 for the various synchro start modes). The current measure number is shown on the display as you record.

The following parameters will be recorded in addition to notes you play:

Parameters recorded for Each Track

• Voice*

• Dual Voice*

• Split Voice*

• Volume* (Initial MIDI value = 127. Not changeable during recording)

• Expression (Not recorded as an initial setting)

• Pan*

• Damper Pedal*

• Soft Pedal*

• Sostenuto Pedal (Not recorded as an initial setting)

• Modulation*

• Pitch Bend*

• Reverb Depth*

• Dual Balance*

• Split Balance*

• Chorus*

• Pitch Bend Range

Parameters Recorded for the Entire Song

• Style

• Rhythm Volume*

• Reverb Type*

• Reverb Depth*

• Tempo*

• Intro Mode (Not changeable during recording)

• Ending Mode (Not recorded as an initial setting)

• Fill-in

• ABC Mode (Not changeable during recording)

• ABC Volume*

• Solo Styleplay Mode (Not changeable during recording)

• Solo Styleplay Variation (Not changeable during recording)

Parameters Recorded for Each Track via MIDI Only

• Coarse Tune (Not recorded as an initial setting)

• Fine Tune (Not recorded as an initial setting)

MStop Recording.......................................................................................................................................

START/STOP

REC

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Press the [REC] button a second time, or the [START/STOP] button to stop

recording.

38

Performance Memory

■Adding New Tracks

When you’ve finished recording the first track, you can simply play it back as described in the previous section or

add a new track to your song. To record a new track:

ZSelect a Voice .........................................................................................................................................

Select a voice and other parameters for the new track. Try out the voice and selected

parameters before proceeding.

XEngage the Record Ready Mode...........................................................................................................

REC

[001] REC TRACK 3 660

œ= 78 12‘‘‘‘‘‘‘‘‘

Press the [REC] button to engage the record ready mode.

● Monitoring Previously Recorded Tracks

All previously recorded tracks are automatically selected for playback when the record mode is engaged. You can turn these tracks on or off as required by pressing the corresponding track button(s) before pressing the [REC] button.

CSelect a Track .........................................................................................................................................

Select a track other than the one you used to record the previous track. The indicator

of the track selected for recording should glow red.

• Remember that if you record on a track that has already been recorded, the previous

NOTES

material will be erased and the new material will be recorded in its place.

VStart Recording.......................................................................................................................................

Play on the keyboard or press the [START/STOP] button to start recording.

BStop Recording.......................................................................................................................................

Press the [START/STOP] button or the [REC] button to stop recording.

● Changing the Initial Parameter Values

The initial values of parameters marked with asterisks (*) in the lists given in step N on page 37 can be changed for each track or the entire song by engaging the record mode for the desired track, changing the parameters as required, and then disengaging the record mode (press the [REC] button again) without actually recording. To cancel any initial parameter values you’ve made, select a different track and then press the [REC] button to disengage the record mode.

To change individual ABC part volume settings engage any ABC mode after turning [REC] on, set the RHYTHM, CHORD 1, CHORD 2, and/or BASS volume control as required, then disengage the record mode.

BASS

UTILITY

Volume of each track

The BASS volume control can be used while holding the [UTILITY] button to independently adjust the volume of each track (except the rhythm track). The volume of the rhythm track is adjusted via the RHYTHM volume control. Please note that volume settings can only be decreased.

Individual track reverb depth can be adjusted by using the BASS volume while holding the [REVERB] button, and the overall reverb depth can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [REVERB] button. Also note that the tempo, reverb type, style, style variation, fill-in, and intro/ending settings are common to all tracks and cannot be set independently for different tracks.

• Only initial parameter data created by the CVP-89 can be changed. Data converted by

NOTES

the Convert to SMF functiion (page 53) cannot be changed. If the data cannot be changed, “DATA NOT EDITABLE!” will appear on the display.

• Only the individual track volume can be changed for data converted by the Convert to DOC function (page 52).

● Erasing the Tracks

Individual tracks — except the rhythm track — can be completely erased by starting and stopping recording without actually playing or changing any parameters (i.e. press the [START/STOP] button twice). The same procedure can be used to erase the rhythm track if the RHYTHM volume control is set to its minimum position.

• Tracks 3-10 can be erased by engaging the record mode, turning ABC on, and then

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

pressing the [START/STOP] button twice.

RIGHT

LEFT

ORCH

RHYTHM

RIGHT

LEFT

ORCH

RHYTHM

■Punch-in Recording

“Punch-in recording” allows you to start recording from any “punch-in” point within a previously-recorded track and stop recording at any “punch -out” point, leaving all recorded material up to the punch-in point and following the punchout point intact.

Performance Memory

● Recording Without a Disk

The Clavinova has enough internal RAM memory to allow recording for a while even if a disk is not loaded (up to approximately 2,200 notes — 28 kilobytes — if no other data is recorded). If you accidentally record without loading a disk, make sure you use the COPY function (described on page 46) to copy the recorded data to disk if you want to keep the recorded data (the internal RAM memory is not backed up). This is necessary because the internal RAM memory is cleared automatically when a Disk Orchestra Collection, Disklavier PianoSoft, or Style Disk is loaded, or a performance disk is loaded and the [SONG SELECT] button is pressed.

● Recording Using General MIDI Voice Assignments

It is also possible to use the General MIDI voice assignments when recording with the Performance Memory. See “The Multi-Timbre Mode” on page 57 for details.

39

ZPlay the Song..........................................................................................................................................

START/STOP

Play back the song in order to locate the point you want to punch-in from. You can

also use the [FF] and [REW] buttons to locate the punch-in point.

XPause Before the Punch-in Point..........................................................................................................

PAUSE

Press the [PAUSE] button to pause playback a bit before the point at which you

want to start recording. Leave a measure or more before the punch-in point so you’ll be able to grasp the timing for the punch in.

CEngage the Record Ready Mode...........................................................................................................

REC

Press the [REC] button to engage the record ready mode. The last track selected for

recording will automatically be reselected.

VSelect a Track .........................................................................................................................................

RIGHT

LEFT

2

1

ORCH

3-10

RHYTHM

If you want to record on a different track than the one that is currently selected for

recording (red indicator), use the normal track selection procedure.

BStart Playback & Recording ..................................................................................................................

START/STOP

Press the [START/STOP] button to start playback from the current pause location,

then begin playing at the point you want to record from. Recording will begin as soon as you begin playing on the keyboard.

NStop Recording.......................................................................................................................................

START/STOP

REC

START/STOP

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

RIGHT

1

LEFT

RHYTHM

ORCH

2

3-10

Press the [START/STOP] button or the [REC] button to stop recording at the point

at which you want to “punch out”.

● Erasing All Material From the Punch-in Point

If at step B, above, you press the [START/STOP] button while holding the track button corresponding to the track on which you want to record, recording will begin immediately. If you then stop recording without actually playing anything, all recorded material from the punch-in point to the end of the track will be erased.

• Punch-in recording cannot be used with ABC, SOLO STYLEPLAY, or RHYTHM

NOTES

tracks.

40

Performance Memory

■Playback

Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 30. You can individually select tracks to play back (page 31), use the guide function and keyboard guide lamps with the data recorded on tracks 1 and 2 (page 32), and use the A-B repeat function (page 33).

• The playback voice cannot be changed when playing back Performance Memory

NOTES

data (the voice played via the keyboard can be changed).

● Volume Control

The RHYTHM, CHORD 1, CHORD 2, and BASS volume controls can be

used to adjust the volume of the corresponding accompaniment parts when

playing back data that was recorded with ABC.

When playing back data that was recorded without ABC, however, these

volume controls have the following track assignments.

RHYTHM ........ RHYTHM track

BASS ............. 3 track

CHORD 1 ....... 4 - 10 tracks

CHORD 2 ....... 1 & 2 tracks

● Multi-timbre Recording via MIDI

Data from an external MIDI device such as a sequencer or music computer can also be recorded to the Performance

Memory as follows:

ZMake the Required MIDI Connections

Connect the MIDI OUT terminal of the trans-

mitting device to the Clavinova’s MIDI IN terminal using a standard MIDI cable.

XSelect the External Clock Mode

To select the external clock mode press the

[ORGAN] VOICE button while holding the [UTILITY] button. When selected, the [ORGAN]

indicator will light while the [UTILITY] button is pressed. In this mode the Clavinova is controlled by an external MIDI clock signal.

CSelect a Song Number

Select the song number to which you want to

record the data by using the SONG/PHRASE NUMBER [▲] and [▼] buttons (of course, a properly formatted floppy disk must already be loaded in the disk drive).

VEngage the MIDI Record Ready Mode

Press the [REC] button while holding the

[UTILITY] button to engage the MIDI record ready

mode. In this mode all tracks (1 through 15) can be recorded at the same time via the correspondingly numbered MIDI channels. That is, MIDI data received on channel 1 will be recorded on track 1, data received via channel 2 will be recorded on track 2, etc.

BMatch the Time Signature & Tempo

matches that of the data you are going to record (e.g. 4/4, 3/4), and match the Clavinova tempo setting to that of the data to be recorded.

NRecord the MIDI Data

music computer, or other device. Recording will start and stop automatically.

NOTES

• Please note that the Clavinova’s internal styles cannot be played during multi-timbre recording.

• Any notes played on the keyboard and other setting changes will be recorded on track 1 during multi-timbre recording.

• Initial panel settings will not be recorded unless the settings are changed in the record ready mode.

• Previous data on all tracks will be erased when new data is recorded in the multi-timbre mode.

• If multi-timbre recording is carried out while the GM Multi-Timbre mode is turned on (page 57), or a “GM on” message is received during recording, GM voice recording is possible on tracks 1 through 14.

• Be sure to turn the multi-timbre and external clock modes off when you’re finished multi-timbre recording (see pages 57 and

58).

[001] REC TRACK ALL 680

œ= 78 Pop 1

Select a style having a time signature that

Play back the MIDI data on the sequencer,

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Performance Memory

The Chord Sequence Function

The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time.

ZEngage the Chord Sequence Function ................................................................................................

41

CHORD

SEQUENCE

Press the [CHORD SEQUENCE] button. The [ORCH/3-10] and [RHYTHM]

track button indicators will glow red, and the ABC SINGLE/FINGERED mode will be automatically selected.

• The chord sequence data will replace any previous ABC data.

[001] CHORD SEQUENCE

NOTES

œ= 78 Pop 1

XEnter the Chords and/or Style Changes...............................................................................................

qw

?

C

B6A

7

6

BEAT

[002] CHORD SEQUENCE œ= 78 Dbm

Make the required style changes (style number, normal/variation, fill-in, intro/

ending, and tempo, as necessary), play and hold a chord on the left-hand section of the keyboard, and press the [q] key (look for the “q ” symbol above the B6 key) or the [w] key (C7) to enter the chord for a quarter note or whole note, respectively. You can move one beat backward by pressing the [?] key (A6).

Continue entering chords in this manner until your sequence is complete.

• The number of the measure to be entered is shown on the display, while the beat

NOTES

to be entered is shown on the BEAT display.

• If no chords are entered, the result will be a rhythm-only sequence.

CStop Recording.......................................................................................................................................

CHORD

SEQUENCE

When all the required chords and style changes have been entered, press the

[CHORD SEQUENCE] button to stop recording.

• The chord sequence data now resides in Performance Memory tracks 3 though

NOTES

10 and 15, and can be played back in the normal way. Add melody tracks 1 and 2 as required. You can also record over individual tracks of the sequence and replace them with original material if you like by using the standard Performance Memory track selection and record procedure.

● Punch-in Chord Sequence Recording

You can begin chord sequence recording from any point within a previouslyrecorded song by pausing playback at the point you want to begin chord sequence recording, engaging the Chord Sequence function at that point, and entering the chords up to the end of the sequence as described above.

• If you attempt punch-in chord sequence recording on a song in which no chord

NOTES

sequence data has been entered, “DATA NOT EDITABLE!” will appear on the display and the recording will not be possible.

• If you record chord sequences to all songs on a disk, the maximum number of songs available on that disk will be 55.

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42

Utility Functions

The 44 “utility functions” described in this chapter include effect, disk, MIDI, and general functions that significantly enhance the versatility and flexibility of the CVP-89.

UTILITY

RHYTHM BASS 1 CHORD 2

FULL

SINGLE/

MAX

KEYBOARD

FINGERED

SYNCHRO

AUTO ACCOMPANIMENT

SOLO

A B C

PROGRAM

START

STYLEPLAY

INTRO/

VARIATION

START/STOP

ENDING

NORMAL

MIN

FILL TO NORMAL

SLOW

CUSTOM

DANCE

POP 16BEAT

BOOGIE

ROCK

RHYTHM

POP

FILL TO VARIATION



DEMO LEFT PEDAL

UTILITY REVERB

MIN

MASTER VOLUME

BEAT

STYLE

JAZZ

SWING

BOSSA RHUMBA

BALLAD

STYLE

DISK

WALTZ

STYLE

MARCH

COUNTRY

1

2

13-50

STYLE

HARPSI-

CLAVINOVA

TAP

PIANO

E. PIANO

VIBES GUITAR STRINGS ORGAN CHOIR

TEMPO

METRONOME

CHORD

TONE

+

23

–

+ / YES

5

1

6789

4

–

/ NO

VOICE

MEMORY

UPRIGHT

VOICE

REGIST-

ELEC

DRUMS

VOICE

SPLIT

BASS

13-60

RATION

BASS

0

■Selecting & Using the Utility Functions

Most of the CVP-89 utility functions are selected and set in the same way for consistent, easy operation. The general

selection and setting procedure is as follows:

ZSelect a Utility Function.........................................................................................................................

UTILITY

⁄¤‹›‚02 CHORUS

Piano OFF

• You can jump directly to the first utility function in each group by pressing the corresponding STYLE selector while holding the [UTILITY] button:

[POP] m 02: Chorus ON/OFF [16BEAT] m 05: Save Registration [DANCE POP] [BOOGIE] m 21: Send Channel Select [SLOW ROCK]

TAP

–

METRONOME

+

– / NO

TEMPO

+ / YES

m 15: Quantize Song Data

m 32:

Individual Key Tuning

While holding the [UTILITY] button use the [TAP] and/or [METRONOME]

buttons to select the desired utility function display. It is also possible to step through the utility functions by repeatedly pressing the [UTILITY] button (the utility display will remain for about one second after the [UTILITY] button is released).

The [UTILITY] button must be held until after you’ve set the function, below.

• You can cancel the selected function at this point and exit from the utility mode

NOTES

simply be releasing the [UTILITY] button.

• The last utility function selected is automatically re-selected when the [UTILITY] button is pressed (“01: Transpose” is always the first utility function selected after the power has been turned on).

• When some functions are selected “NO/YES” will flash on the display. In such cases press the TEMPO [s] (YES) button to actually engage the selected function or the TEMPO [t] (NO) button to cancel. You can release the [UTILITY] button once you’ve pressed the TEMPO [s] button.

SONG/PHRASE

NUMBER

START/STOP

RIGHT

LEFT

2

1

REWFFREC

DISK ORCHESTRA

LAMP

PHRASE

RHYTHM

ORCH

GUIDE

CANCEL

REPEAT

3-10

CHORD

SONG SELECT

PAUSE

SEQUENCE

XSet as Required ......................................................................................................................................

UTILITY

TAP

–

METRONOME

+

– / NO

TEMPO

+ / YES

Use the TEMPO [s] and [t] buttons while still holding the [UTILITY] but-

ton to select the required setting, or follow the procedure given below for the selected function.

CExit ...........................................................................................................................................................

UTILITY

The Utility Mode Functions

01 Transpose 02 Chorus ON/OFF 03 Soundboard Depth 04 Mic Reverb Depth 05 Save Registration 06 Load Registration 07 Save Individual Key Tuning 08 Load Individual Key Tuning 09 Save Custom Rhythm 10 Load Custom Rhythm 11 Song Copy

12 Song Delete 13 Disk Format 14

Standard MIDI File Playback Mode 15 Quantize Song Data 16 Track Mix 17 Volume Control 18 Song Name 19 Convert to DOC 20 Convert to SMF 21 Send Channel Select 22 Receive Channel Select

Release the [UTILITY] button to exit from the utility mode when you’ve fin-

ished making the required settings.

If you’ve used a function which is engaged by pressing the TEMPO [s] button in response to the “NO/YES” prompt on the display (i.e. the [UTILITY] button has already been released), press the [UTILITY] button again to exit from the utility mode.

23 Local Control ON/OFF 24

Program Change ON/CANCEL 25 Control Change ON/CANCEL 26 The Multi-Timbre Mode 27 The Split Send Mode 28 MIDI Clock Select 29 Panel Data Send 30 MIDI Transpose Transmit 31 GM Drum Kit 32 Individual Key Tuning 33 Touch Sensitivity

34

Accompaniment Volume Mode 35 Style Tempo Switching 36 Auto Synchro Start Switching 37 Random All Song Repeat 38 Damper Pedal Mode 39 Pitch Bend Range 40 Edit Drum Instrument 41 Split Left Octave 42 Registration Tempo 43 ABC Auto Mute 44 Minor Harmonization

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01: Transpose

■

⁄¤‹›‚01 TRANSPOSE

0

Display Transposition

-6 -6 semitones

-5 -5 semitones

-4 -4 semitones

-3 -3 semitones

-2 -2 semitones

-1 -1 semitone 0 Normal

+1 +1 semitone +2 +2 semitones +3 +3 semitones +4 +4 semitones +5 +5 semitones +6 +6 semitones

Utility Functions

Effect Functions

The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones. “Transposing” the pitch of the Clavinova keyboard makes it easier to play in difficult key signatures, and you can simply match the pitch of the keyboard to the range of a singer or other instrumentalist.

Once the Transpose function has been selected, use the TEMPO [s] and [t] buttons to select the desired degree of transposition, then release the [UTILITY] button.

The amount of transposition selected is shown on the display as shown to the left.

• Press the TEMPO [s] and [t] buttons simultaneously while holding the [UTILITY]

NOTES

button (while the Transpose function is selected) to restore normal keyboard pitch.

• Transpose is always set to Normal when the power is turned on.

• The transpose function does not affect the drums sound.

• Notes below and above the original 88-key range of the Clavinova sound one octave higher and lower, respectively.

43

■02: Chorus ON/OFF

⁄¤‹›‚02 CHORUS

Piano OFF

or OFF, depending on the voice). This function allows the chorus effect to be turned ON or OFF for the currently selected voice.

[t] buttons to turn the chorus effect ON or OFF, then release the [UTILITY] button.

■ 03: Soundboard Depth

⁄¤‹›‚03 SOUNDBOARD DEPTH

8

can be enhanced via the damper pedal. Extra soundboard and string resonance is added when the damper pedal is pressed. This function sets the maximum depth of the Soundboard effect.

[t] buttons to set the depth of the effect as required, then release the [UTILITY] button. The Soundboard Depth can be set from “0” (no effect) to “15” (maximum effect depth). The default setting is “8”.

A preset chorus effect is provided with each of the CVP-89 voices (this may be ON

Once the Chorus ON/OFF function has been selected, use the TEMPO [s] and

• The chorus ON/OFF setting is retained in memory for approximately one week even

NOTES

when the power is turned off.

• See page vii for a list of the chorus settings for each voice.

• In the Dual mode the setting of the voice shown to the left of the display takes priority, while in the Split mode the right-hand voice setting takes priority.

The CVP-89 PIANO voice ( voice number 1) features a “Soundboard” effect which

Once the Soundboard Depth function has been selected, use the TEMPO [s] and

• The Soundboard Depth setting is retained in memory for approximately one week

NOTES

even when the power is turned off.

■ 04: Mic Reverb Depth

This function sets the amount of reverb effect applied to the signal from a micro-

⁄¤‹›‚04 MIC REVERB DEPTH

8

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

phone plugged into the CVP-89 MIC. jack (page 65).

Once the Mic Reverb function has been selected, use the TEMPO [s] and [t]

buttons to set the depth of the reverb effect, then release the [UTILITY] button. The microphone reverb depth can be set from “0” (no reverb) to “15” (maximum reverb). The default setting is “8”.

44

Utility Functions

This group of utility functions covers a range of disk-related jobs: formatting new disks, copying songs, deleting songs,

saving and loading various types of data, and more.

■ 05: Save Registration

This function saves the contents of all 12 registration memory locations (page 29) to disk. The data can then be reloaded

at any time by using the Load Registration function, described next.

ZInsert a Disk & Select the Save Registration Function .......................................................................

Disk Functions

• Disk-related functions (05 through 20) can only be accessed when a disk is present in

NOTES

the Clavinova disk drive.

⁄¤‹›‚05 REGIST −> DISK

SONG 01 PRESS [START]

Insert a properly formatted disk into the Clavinova disk drive, then select the

Save Registration function — see “Selecting & Using the Utility Functions”, page

42.

XSelect a Song Number & Execute the Function ..................................................................................

Registration memory data can be saved to a blank song number or one that al-

ready contains performance memory data. Use the TEMPO [s] and [t] buttons to select the song number to which you want to save the registration memory data, then press the [START/STOP] button to actually begin saving the data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The contents of all 12 registration memory locations is saved to one song file on the disk. The Save Registration function will automatically be exited when the data has been saved.

■ 06: Load Registration

This function reloads the panel settings saved to disk by the Save Registration function, described above.

ZInsert a Disk & Select the Load Registration Function.......................................................................

Insert the disk containing the registration memory data you want to load into the

⁄¤‹›‚06 DISK −> REGIST

SONG 01 PRESS [START]

Clavinova disk drive, then select the Load Registration function — see “Selecting & Using the Utility Functions”, page 42.

XSelect a Song Number and Execute the Function...............................................................................

Use the TEMPO [s] and [t] buttons to select the song number from which you want to load the registration memory data, then press the [START/STOP] button to actually begin loading the data. “NO DATA!” will appear on the display if you select a song that contains no data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The Load Registration function will automatically be exited when the data has been loaded.

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Utility Functions

■ 07: Save Individual Key Tuning

This function saves the current individual key tuning data set up via the “Individual Key Tuning” function (page 60) to

disk. The data can then be reloaded at any time by using the Load Individual Key Tuning function, described next.

ZInsert a Disk & Select the Save Individual Key Tuning Function.......................................................

⁄¤‹›‚07 IND. KEY −> DISK

SONG 01 PRESS [START]

XSelect a Song Number & Execute the Function ..................................................................................

Insert a properly formatted disk into the Clavinova disk drive, then select the Save Individual Key Tuning function — see “Selecting & Using the Utility Functions”, page 42.

Individual key tuning data can be saved to a blank song number or one that already contains performance memory data. Use the TEMPO [s] and [t] buttons to select the song number to which you want to save the individual key tuning data, then press the [START/STOP] button to actually begin saving the data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The tuning settings are saved to one song file on the disk. The Save Individual Key Tuning function will automatically be exited when the data has been saved.

45

■ 08: Load Individual Key Tuning

This function reloads the individual key tuning data saved to disk by the Save Individual Key Tuning function, described

above.

ZInsert a Disk & Select the Load Individual Key Tuning Function ......................................................

⁄¤‹›‚08 DISK −> IND. KEY

SONG 01 PRESS [START]

Insert the disk containing the individual key tuning data you want to load into the Clavinova disk drive, then select the Load Individual Key Tuning function — see “Selecting & Using the Utility Functions”, page 42.

XSelect a Song Number and Execute the Function...............................................................................

Use the TEMPO [s] and [t] buttons to select the song number from which you want to load the individual key tuning data, then press the [START/STOP] button to actually begin loading the data. “NO DATA!” will appear on the display if you select a song that contains no data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The Load Individual Key Tuning function will automatically be exited when the data has been loaded. The Individual Key Tuning function (UTIL 32) will then be automatically engaged with the loaded tuning, unless the loaded data is the same as that currently in the CVP-89.

■ 09: Save Custom Rhythm

This function saves all the 12 current Custom Rhythm data created via the CVP-89’s Custom Rhythm programmer (page

24) to disk. The data can then be reloaded at any time by using the Load Custom Rhythm function, described next.

ZInsert a Disk & Select the Save Custom Rhythm Function ................................................................

⁄¤‹›‚09 C.RHYTHM −> DISK

SONG 01 PRESS [START]

Insert a properly formatted disk into the Clavinova disk drive, then select the Save Custom Rhythm function — see “Selecting & Using the Utility Functions”, page 42.

XSelect a Song Number & Execute the Function ..................................................................................

Custom rhythm data can be saved to a blank song number or one that already contains performance memory data. Use the TEMPO [s] and [t] buttons to select the song number to which you want to save the custom rhythm data, then press the [START/STOP] button to actually begin saving the data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The custom rhythm data is saved to one song file on the disk. The Save Custom Rhythm function will automatically be exited when the data has been saved.

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46

Utility Functions

■ 10: Load Custom Rhythm

This function reloads the custom rhythm data saved to disk by the Save Custom Rhythm function, described above.

ZInsert a Disk & Select the Load Custom Rhythm Function ................................................................

⁄¤‹›‚10 DISK −> C.RHYTHM

SONG 01 PRESS [START]

Clavinova disk drive, then select the Load Custom Rhythm function — see “Selecting & Using the Utility Functions”, page 42.

XSelect a Song Number and Execute the Function...............................................................................

Insert the disk containing the custom rhythm data you want to load into the

Use the TEMPO [s] and [t] buttons to select the song number from which

you want to load the custom rhythm data, then press the [START/STOP] button to actually begin loading the data. “NO DATA!” will appear on the display if you select a song that contains no data. Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function.

The Load Custom Rhythm function will automatically be exited when the data

has been loaded.

■ 11: Song Copy

Performance Memory song data — including any existing registration, individual key tuning, and custom rhythm data

— can be “backed up” by copying to a new song number or a different disk, as follows:

• The Song Copy function cannot be executed if the selected song contains only

NOTES

ZInsert a Disk & Select the Source Song ...............................................................................................

Insert the disk containing the song you want to copy, and use the SONG/

PHRASE NUMBER [s] and [t] buttons to select the number of the song you

wish to copy.

XSelect the Song Copy Function ............................................................................................................

Select the Song Copy function — see “Selecting & Using the Utility Functions”, page 42. “NO DATA!” will appear on the display if you select a song that contains no data.

registration, individual key tuning, and/or custom rhythm data.

• The utility mode can be exited by releasing the [UTILITY] button.

NOTES

CSelect the Destination Song ..................................................................................................................

⁄¤‹›‚11 SONG COPY

SONG 01−>02 PRESS [START]

Copy to same disk

⁄¤‹›‚11 COPY −> DISK2 SONG 01−>01 PRESS [START]

Copy to different disk

While holding the [UTILITY] button use the TEMPO [s] and [t] buttons to select the song number you wish to copy to (i.e. the destination song number), then release the [UTILITY] button. If you select a song number that already contains data, that data will be overwritten by the new song data. If you select a song number greater than 60 (“DISK 2” will appear on the display), the copy will be made to a different disk.

VStart Copying..........................................................................................................................................

Press the [START/STOP] button to begin the actual copy operation.

⁄¤‹›‚11 COPY −> DISK2

0/ 3 INSERT DISK2

Insert destination disk.

⁄¤‹›‚11 COPY −> DISK2

1/ 3 INSERT DISK1

Insert source disk.

If you chose to copy to a different disk, you may have to exchange the source and destination disks a few times if the song being copied is long and complex. In this case, the Clavinova will prompt you to insert the source and destination disks with the displays shown to the left.

“END” will appear on the display briefly when the copy operation has been successfully completed.

• While the data is being copied the number of times the disks will have to be exchanged to com-

plete the copy operation will be shown on the display.

• If you copy to a song number that already contains data, “ARE YOU SURE?” will

NOTES

appear on the display. Use the TEMPO [s] (YES) and [t] (NO) buttons to select either (YES) or (NO). (YES) if you intend to execute the copy operation or (NO) if you wish to cancel the operation. The copy operation will begin automatically if you select (YES).

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Utility Functions

• The copy operation can be aborted at any time prior to actually starting the copy operation (i.e. prior to pressing the [START/STOP] button or the TEMPO [s] button) or during the disk exchange display by pressing the [UTILITY] button.

● Copying Disk Orchestra Disks ([ORCH/3-10] and [RHYTHM] parts only) .........................................

All Disk Orchestra data except the right-hand and left-hand parts can be copied to a separate disk by following the standard copy procedure outlined above. The copied data cannot, however, be copied a second time to another disk.

• When a Disk Orchestra disk is copied, any parts using the JAZZ ORGAN 2 voice will

NOTES

● Copying the Style Disk Data..................................................................................................................

All Style Disk data can be copied to a separate disk by following the standard copy procedure outlined above. A single disk can hold up to 50 styles. Style Disk data can only be copied to a newly formatted disk (i.e. no other data can be previously recorded on the disk) or a disk which already contains copied style data.

NOTES

be shifted down one octave.

• Data from the Style Disk cannot be copied to a disk that contains Performance Memory or Disk Orchestra Collection data. The reverse is also true: Performance Memory and Disk Orchestra Collection data cannot be copied to a disk that contains data copied from the Style Disk.

47

● Copying Data Recorded Without a Disk...............................................................................................

⁄¤‹›‚11 SONG COPY

CVP −> 01 PRESS [START]

If you’ve used the performance memory to record data without first loading a disk: insert a formatted disk, select the Song Copy function, then select the destination song number and copy as described above.

• Data cannot be copied from Disklavier disks, or Standard MIDI File disks. Data can-

NOTES

not be copied to any write protected disk. It is also not possible to copy from one song number to another within the same Disk Orchestra disk.

■ 12: Song Delete

You can delete any Performance Memory song data — not including any existing registration, individual key tuning, and

custom rhythm data — from a loaded disk as follows:

ZInsert a Disk & Select the Delete Function...........................................................................................

⁄¤‹›‚12 SONG DELETE SONG 01 PRESS [START]

XSelect the Song to Delete ......................................................................................................................

CConfirm & Execute the Delete Operation .............................................................................................

Insert the disk containing the song you want to delete, then select the Delete function — see “Selecting & Using the Utility Functions”, page 42.

While holding the [UTILITY] button use the TEMPO [s] and [t] buttons to select the song number you wish to deletee, then release the [UTILITY] button.

Press the [START/STOP] button — “ARE YOU SURE?” will appear on the dis- play. Use the TEMPO [s] (YES) and [t] (NO) buttons to select either (YES) or (NO). (YES) to immediately delete the selected song, or (NO) if you wish to cancel the operation. If the selected song contains no data the “ARE YOU SURE?” prompt will not appear and the utility mode will be automatically exited.

“END” will appear on the display briefly when the delete operation has been successfully completed.

• The delete operation can be aborted at any time prior to actually starting the delete

NOTES

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operation (i.e. prior to pressing the TEMPO [s] button) by pressing the [UTILITY] button.

• Data recorded to memory without loading a disk can be deleted simply by selecting the Song Delete function and use the TEMPO [s] (YES) and [t] (NO) buttons to select either (YES) or (NO).

• Data cannot be deleted from any write protected disk, the supplied Style Disk, Disk Orchestra Collection disks, or Disklavier disks.

48

Utility Functions

■13: Disk Format

The Clavinova uses only 3.5" 2DD floppy disks. We recommend that you use Yamaha 2DD disks. Before you can use a new disk for recording, the disk must be “formatted” so that the Clavinova can recognize it and correctly write the music data onto it.

ZInsert the Disk To Be Formatted ...........................................................................................................

Insert a new blank disk. Make sure that the disk’s write protect tab is set to the “write” position (tab closed), and insert the new disk into the disk drive unit with the sliding door facing the drive slot and the label side of the disk facing upward. The disk should click securely into place, and the disk drive lamp should light briefly.

Write protect tab closed (unlocked — write enabled)

• “UNFORMATTED DISK!” will appear on the display to indicate that a blank

NOTES

(unformatted) disk or one with a format not recognizable by the CVP-89 is loaded in the drive. If you press the [UTILITY] button at this point utility function 13: Disk Format will automatically be selected.

• “DISK PROTECTED” will appear if a protected disk that cannot be formatted is loaded in the drive: a write-protected disk, a Disk Orchestra Collection disk, a Disklavier disk, or a disk formatted by the Disklavier.

XSelect the Disk Format Function...........................................................................................................

Select the Disk Format function — see “Selecting & Using the Utility Functions”,

⁄¤‹›‚13 DISK FORMAT

PRESS [START]

page 42.

When the Disk Format function is selected, “PRESS [START]” will appear on the

display. Press the [STOP/START] button to begin the disk format procedure.

CConfirm & Start the Format Operation .................................................................................................

When the [START/STOP] button has been pressed, “ARE YOU SURE?” will ap-

⁄¤‹›‚13 DISK FORMAT

ARE YOU SURE?

pear on the display. Use the TEMPO [s] (YES) and [t] (NO) buttons to confirm and continue or cancel the operation. “YES” if you intend to execute the format operation or “NO” if you wish to cancel the operation. This step is necessary because formatting completely erases any data that is already on the disk — make sure that the disk you’re about to format does not contain any important data!

Formatting will begin the instant you select “YES”. The number of each “track” on the disk will be shown on the display as the format process continues (“F80” through “END”). When formatting is complete (the display will show “END”), you can go ahead and record using the performance memory, or use the Song Copy function to copy songs or Disk Style data to the disk.

• The format operation can be aborted at any time prior to actually starting the format

NOTES

operation (i.e. prior to pressing the TEMPO [s] button) by pressing the [UTILITY] or [START/STOP] button. In this case, the disk will have to be properly formatted again before use.

■14: Standard MIDI File Playback Mode (SMF Data Format)

This function determines whether standard MIDI files on floppy disk are played

⁄¤‹›‚14 SMF VOICE MODE

GM

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back using the General MIDI voice assignments or the standard Clavinova voice assignments.

Once the Standard MIDI File Playback Mode function has been selected, use the

TEMPO [s] and [t] buttons to select “NORMAL” or “GM”, then release the [UTILITY] button.

Utility Functions

NORMAL Standard SMF Mode. Standard Clavinova voice assignments (unless a “GM

ON” message is included in the data). Track 10 not necessarily drums.

GM GM SMF Mode. General MIDI voice assignments. Track 10 is always drums.

• The Standard SMF mode is useful when playing back a disk containing Standard

NOTES

MIDI Files created on an external sequencer using the Clavinova panel voice assignments.

• The GM SMF mode is automatically selected (GM) whenever the POWER switch is turned on.

■15: Quantize Song Data

This function “quantizes” song memory data that has already been recorded to disk. This means that all notes are aligned

to the nearest specified beat, thereby “tightening up” the overall timing.

ZInsert the Disk and Select a Song.........................................................................................................

Make sure that the disk containing the song you want to quantize is loaded in the

Clavinova disk drive, and that the song to be quantized is selected.

49

XSelect the Quantize Song Data Function .............................................................................................

Select the Quantize Song Data function — see “Selecting & Using the Utility Func-

tions”, page 42. “NO/YES” will flash on the display. Press the TEMPO [s] button

⁄¤‹›‚15 QUANTIZE

NO/YES

(YES) to engage the Quantize function or the [t] button (NO) to cancel. Once you’ve pressed the TEMPO [s] button to engage the function you can release the [UTIL- ITY] button.

CSelect the Quantize Value......................................................................................................................

Use the TEMPO [s] and [t] buttons to select the desired quantize value, as

shown on the display:

TRACK –– QUANT. 16 PRESS [START]

OFF: “Free”. No quantization.

32: All notes aligned to the nearest 32nd note. 16: All notes aligned to the nearest 16th note.

8: All notes aligned to the nearest 8th note. 24: All notes aligned to the nearest 16th note triplet. 12: All notes aligned to the nearest 8th note triplet.

6: All notes aligned to the nearest quarter note tr iplet.

3

VSelect a Track .........................................................................................................................................

TRACK 2 QUANT. 16 PRESS [START]

Use the [TAP] and [METRONOME] buttons to select the track you want to

quantize.

• Up until this point you can exit from the Quantize Song Data function at any time by

NOTES

pressing the [UTILITY] button.

BQuantize the Data ...................................................................................................................................

Press the [START/STOP] button to begin quantization. During quantization the

number of the measure being quantized will appear in the lower right corner of the display. The Quantize Song Data function will automatically be exited when the data has been quantized.

• Once quantized, song data cannot be returned to its original “free” form. It is there-

NOTES

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fore a good idea to make a backup copy of the data before using this function.

• Only song data created by the CVP-89, CVP-87A, CVP-85A or CVP-83S can be quantized. Data converted by the Convert to DOC function (page 52) or Convert to SMF function (page 53) cannot be quantized.

• Only note and voice data is quantized.

50

Utility Functions

■16: Track Mix

Extra Performance Memory track space can be created by using this function to mix the data from two tracks to a single track. The data from the “source” and “destination” tracks is mixed and the result placed in the destination track. You can also use this function to copy data from one track to another by specifying a blank destination track (i.e. the source track data is copied to the destination track.

ZInsert the Disk and Select a Song.........................................................................................................

XSelect the Track Mix Function...............................................................................................................

⁄¤‹›‚16 TRACK MIX

NO/YES

CSelect the Source Track.........................................................................................................................

Make sure that the disk containing the song with the tracks you want to mix is

loaded in the Clavinova disk drive, and that the song to be affected is selected.

Select the Track Mix function — see “Selecting & Using the Utility Functions”,

page 42. “NO/YES” will flash on the display. Press the TEMPO [s] button (YES) to engage the Track Mix function or the [t] button (NO) to cancel. Once you’ve pressed the TEMPO [s] button to engage the function you can release the [UTILITY] button.

⁄¤‹›‚16 TRACK MIX

1+ 1−> 1 PRESS [START]

Use the [TAP] and [METRONOME] buttons to select the source track.

VSelect the Destination Track .................................................................................................................

⁄¤‹›‚16 TRACK MIX

1+ 2−> 2 PRESS [START]

Use the TEMPO [s] and [t] buttons to select the destination track.

• Up until this point you can exit from the Track Mix function without affecting the data

NOTES

on disk by pressing the [UTILITY] button.

BStart the Mix Operation ..........................................................................................................................

Press the [START/STOP] button to start the actual track mix operation. The

number of the measure being processed will appear in the lower right corner of the display. The Track Mix function will automatically be exited when the data has been mixed.

• The initial data values of the destination track take priority.

NOTES

• The initial data values of the source track are copied if the destination track is empty.

• The destination track cannot be returned to its pre-mix condition after the Track Mix function has been executed. It is therefore a good idea to make a backup copy of the data before using this function.

• Only song data created by the CVP-89, CVP-87A, CVP-85A or CVP-83S can be mixed. Data converted by the Convert to DOC function (page 52) or Convert to SMF function (page 53) cannot be mixed.

■17: Volume Control

This function allows you to individually adjust the playback volume of each of the Performance Memory tracks.

ZInsert the Disk and Select a Song.........................................................................................................

Make sure that the disk containing the song you want to set volume levels for is

loaded in the Clavinova disk drive, that the [SONG SELECT] indicator is lit, and that the song to be affected is selected.

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Utility Functions

XSelect the Volume Control Function.....................................................................................................

51

⁄¤‹›‚17 VOLUME CONTROL

OFF

Select the Volume Control function — see “Selecting & Using the Utility Func-

tions”, page 42. Use the TEMPO [s] and [t] buttons to turn Volume Control ON or OFF. Once you’ve turned ON to engage the function you can release the [UTILITY] button.

CSelect a Track .........................................................................................................................................

~–~~~~~~~~~~~~~~~

1:127 123456789ABCDEFG

Use the [TAP] and [METRONOME] buttons to select the track for which you

want to change the volume level.

VSet the Volume........................................................................................................................................

¥ø–~~~~~~~~~~~~~~

2: 78 123456789ABCDEFG

¥ø~~~~~~~~~~~~~~ ARE YOU SURE?

Use the TEMPO [s] and [t] buttons to set the volume of the selected track. The

volume range is from “0” (no sound) to “127” (maximum volume).

To re-record the initial volume value press the [REC] button then, in response to

the “ARE YOU SURE?” prompt, use the TEMPO [s] and [t] buttons to select “YES” or “NO” as required.

• The initially recorded volume value is always “127”.

NOTES

• Only data originally recorded on the CVP-89 can be re-recorded. Data converted by the Convert to SMF function (page 53) cannot be re-recorded.

BExit ...........................................................................................................................................................

To exit from this function first press the [UTILITY] button to return to the VOLUME CONTROL ON/OFF display, press the TEMPO [s] or [t] button while hold- ing the [UTILITY] button to turn volume control off.

• If the [SONG/PHRASE NUMBER] button is used to select a different song number

NOTES

while the Volume Control mode is engaged, the Volume Control mode will be automatically turned OFF and the utility mode will be exited.

■18: Song Name

Use this function to enter original titles (up to 12 characters) for your Performance Memory songs.

ZInsert a Disk ............................................................................................................................................

Insert the disk containing the song for which you want to enter a title.

XSelect the Song Name Function............................................................................................................

⁄¤‹›‚18 SONG NAME

NO/YES

CSelect a Song ..........................................................................................................................................

SONG 01 NAME

S–ONG 1

Select the Song Name function — see “Selecting & Using the Utility Functions”, page 42. “NO/YES” will flash on the display. Press the TEMPO [s] button (YES) to engage the Song Name function or the [t] button (NO) to cancel. Once you’ve pressed the TEMPO [s] button to engage the function you can release the [UTIL- ITY] button.

Use the [TAP] and [METRONOME] buttons to select the song for which you want to enter a name. The existing song name will appear on the display, or “NO SONG DATA” will appear if the selected song contains no data. “SONG 1”, “SONG 2”, etc. will appear if the song has not already been given a name.

VMove the Cursor to the Appropriate Character ...................................................................................

Use the TEMPO [s] and [t] buttons to move the cursor to the character location at which you want to enter a character.

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52

Utility Functions

BEnter a Character....................................................................................................................................

The following keys on the CVP-89 keyboard enter the corresponding characters

when pressed:

NP UW Z1 468 !# &(* -/ <>[ ^` }S

KIGDB

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6

B0A0G0F0E0D0C0B-1A-1 D6 E6 F6 G6 A6 B6 C7

MOQRTVXY023579 "$%')+,.:;=?]\å{|

LJHFECA

• Small capital characters can be entered by pressing the corresponding keys while holding the A-1 key.

• If you press the damper pedal while entering a character, the cursor will not move ahead to the next character. This can make it easier to select a character for a given character location.

Space

å

Back space

Delete

NRepeat Until Done...................................................................................................................................

Repeat steps V and B until your name is complete.

MRegister the Name & Exit.......................................................................................................................

Press the [START/STOP] button to register the entered name and exit from the

utility mode. Press [UTILITY] if you want to exit without registering the name.

• Names can only be entered for songs recorded on the CVP-89, CVP-87A, CVP-85A,

NOTES

or CVP-83S.

■19: Convert to DOC

This function can be used to convert the performance memory voice assignments used by the CVP-89 to DOC Voice

Assignments so songs recorded on CVP-89 can be played back on other Clavinovas.

ZInsert a Disk & Select the Convert to DOC Function ..........................................................................

⁄¤‹›‚19 CONVERT TO DOC SONG 01 PRESS [START]

Insert the disk containing the data to be converted into the Clavinova disk drive, then select the Convert to DOC function — see “Selecting & Using the Utility Functions”, page 42. This function cannot be executed if an appropriate disk is not loaded — see “Notes” below.

Insert space

XSelect a Song Number & Execute the Conversion Function..............................................................

Use the TEMPO [s] and [t] buttons to select the song number you want to convert, then press the [START/STOP] button to actually begin the conversion process.

Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function. You can release the [UTILITY] button once the conversion has started, and the conversion will continue to completion. The number of the measure being processed will appear on the display.

The Convert to DOC function will automatically be exited when the conversion is complete.

• The JAZZ ORGAN 2 voice will be shifted up one octave after conversion.

NOTES

• This function cannot be used to convert the voice data on Disk Orchestra Collection, Disklavier, Style, Standard MIDI File, write-protected, or already-converted disks. Also, Performance Memory data recorded using the GM voice assignments cannot be converted.

• Once converted, the data cannot be returned to its original form. It is therefore a good idea to make a backup copy of the data before using this function.

• The Quantize (UTIL 15) and Track Mix (UTIL 16) functions cannot be applied to data converted by the Convert to DOC function.

• Some Clavinova models may not have the required voices or different voices will be used so the sound may not be exactly the same as the original.

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Utility Functions

■20: Con vert to SMF

This function can be used to convert the performance memory data used by the CVP-89 to Standard MIDI File (SMF)

format so songs recorded on the CVP-89 can be played back on SMF-compatible devices.

ZInsert a Disk & Select the Convert To SMF Function..........................................................................

53

⁄¤‹›‚20 CONVERT TO SMF SONG 01 PRESS [START]

Insert the disk containing the data to be converted into the Clavinova disk drive, then select the Convert to SMF function — see “Selecting & Using the Utility Functions”, page 42.

XSelect a Song Number & Execute the Conversion Function..............................................................

Use the TEMPO [s] and [t] buttons to select the song number you want to convert, then press the [START/STOP] button to actually begin the conversion process.

Simply release the [UTILITY] button before pressing the [START/STOP] button if you want to cancel the function. You can release the [UTILITY] button once the conversion has started, and the conversion will continue to completion. The number of the measure being processed will appear on the display.

The Convert To SMF function will automatically be exited when the conversion is complete.

• This function cannot be used to convert the voice data on Disk Orchestra Collection,

NOTES

Disklavier, Style, write-protected, or already-converted disks.

• Once converted, the data cannot be returned to its original form. It is therefore a good idea to make a backup copy of the data before using this function.

• Further recording cannot be carried out with songs converted by the Convert to SMF function. Also, the Quantize (UTIL 15) and Track Mix (UTIL 16) functions cannot be applied to data converted by the Convert to SMF function.

■Disk Error Messages

If an error related to the disk occurs, one of the following messages may appear. If this happens, check the possible causes and solutions listed below. If all else fails, try a different disk. If this doesn’t clear up the problem, contact your Yamaha dealer.

DISK ERROR ! An error occurred while writing to or reading from the disk.

Try the operation again; if the error occurs a second time the disk or drive may be faulty. If the drive has been in use for some time the heads may be dirty. Clean the heads with a commercially-available floppy disk head cleaner. If the error still occurs with one disk and not others the disk should be considered faulty and should be discarded. If the error occurs with all disks the drive may be faulty. Refer the problem to your Yamaha dealer.

DISK PROTECTED ! You have attempted to format, write to, copy to/from, or delete data from a write-

protected disk. Use a disk that is not write protected (set the disk’s write-protect tab to the write-enable position).

UNFORMATTED DISK ! The loaded disk is not formatted for use with the Clavinova. After making sure that the

disk does not contain any important data (for another device, for example), format the disk as described on page 48.

DISK FULL ! The currently loaded disk is full and cannot hold any more data.

Either delete unnecessary data or replace the disk with one that has more available disk space.

NO DISK ! A disk read or write operation was attempted but no disk is present in the disk drive.

Make sure an appropriate disk is inserted in the disk drive before performing any operation that involves disk access.

INCOMPATIBLE DATA! You have attempted to perform a Convert to DOC or SMF function on data that cannot be

converted.

DATA NOT EDITABLE! You have attempted to record or edit data that is not recognized by the CVP-89. Refer to

the notes on pages 38, 41, 57, and 63.

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54

Utility Functions

MIDI Functions

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.

The Clavinova has 11 MIDI functions that can be accessed via the normal function selection procedure (page 42), or by pressing the appropriate VOICE selector while holding the [UTILITY] button. The MIDI functions accessed by the various VOICE selectors are shown in the following chart:

• Always use a high-quality MIDI cable to connect MIDI

Function Selector

21. Send Channel Select PIANO

22. Receive Channel Select CLAVINOVA TONE

23. Local ON/OFF E. PIANO

24. Program Change ON/CANCEL HARPSICHORD

25. Control Change ON/CANCEL VIBES

26. Multi-Timbre Mode ON/OFF GUITAR

27. Split Send Mode STRINGS

28. MIDI Clock Select ORGAN

29. Panel Data Transmit CHOIR

30. MIDI Transpose Transmit UPRIGHT BASS

31. GM Drum Kit —

NOTES

OUT to MIDI IN terminals. Never use MIDI cables longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

• When using the Clavinova with other MIDI equipment, always refer to the MIDI specifications (implementation chart and MIDI data format) of the equipment used to ensure compatibility.

■21: Send Channel Select

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper

data transfer (there are 16 MIDI channels). This function sets the MIDI send (transmit) channel of the CVP-89.

ZSelect the Send Channel Function .......................................................................................................

⁄¤‹›‚21 MIDI SEND CH.

1

XSet the MIDI Send Channel ....................................................................................................................

Select the Send Channel function as described in “Selecting & Using the Utility

Functions” (page 42), or press [PIANO] while holding [UTILITY]. The [PIANO] indicator will light while the [UTILITY] button is pressed.

Use the TEMPO [s] and [t] buttons to select the desired channel — the selected

channel number is shown on the display.

• When the power is initially turned ON, the MIDI send channel is set to 1.

NOTES

• “1” can be instantly selected by pressing the TEMPO [s] and [t] buttons simultaneously.

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Utility Functions

■22: Receive Channel Select

In addition to the 16 MIDI channels, an “OMNI” receive mode is also available which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device.

ZSelect the Receive Channel Function...................................................................................................

55

⁄¤‹›‚22 MIDI RECEIVE CH.

ALL

Select the Receive Channel function as described in “Selecting & Using the Utility

Functions” (page 42), or press [CLAVINOVA TONE] while holding [UTILITY]. The [CLAVINOVA TONE] indicator will light while the [UTILITY] button is pressed.

XSet the MIDI Receive Channel ...............................................................................................................

Use the TEMPO [s] and [t] buttons to select the desired channel — the selected

channel number is shown on the display, or “ALL” if the OMNI receive mode is selected.

• When the power is initially turned ON, MIDI receive is set to the OMNI ON mode and

NOTES

the basic receive channel is set to 1.

• “ALL” (OMNI) and basic receive channel 1 can be instantly selected by pressing the TEMPO [s] and [t] buttons simultaneously.

■23: Local Control ON/OFF

MIDI OUT

MIDI Sequencer

MIDI IN

Clavinova

Local control OFF. Played from MIDI Sequencer.

MIDI IN

Tone Generator

Played from Clavinova keyboard.

MIDI OUT

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard.

Local control can be turned off, however, so that the Clavinova keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the Clavinova’s internal voices, an external tone generator can be played from the Clavinova keyboard. Local Control is automatically turned ON when the power is initially turned on.

ZSelect the Local Control ON/OFF Function..........................................................................................

⁄¤‹›‚23 LOCAL CONTROL

ON

Select the Local Control ON/OFF function as described in “Selecting & Using the

Utility Functions” (page 42), or press [E. PIANO] while holding [UTILITY].

XTurn Local Control ON or OFF ..............................................................................................................

E. PIANO

= local control OFF.

3

E. PIANO

= local control ON.

3

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Use the TEMPO [s] and [t] buttons or the [E. PIANO] button to turn local control ON or OFF as required.

56

Utility Functions

■24: Program Change ON/CANCEL

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device, and vice versa. Program Change is automatically turned ON when the power is initially turned on.

ZSelect the Program Change ON/CANCEL Function ............................................................................

⁄¤‹›‚24 PROGRAM CHANGE

ON

Select the Program Change ON/CANCEL function as described in “Selecting &

Using the Utility Functions” (page 42), or press [HARPSICHORD] while holding [UTILITY].

XTurn Program Change ON or CANCEL.................................................................................................

HARPSI-

CHORD

= program change reception/

4

HARPSI-

CHORD

transmission CANCEL.

= program change reception/

4

transmission ON.

Use the TEMPO [s] and [t] buttons or the [HARPSICHORD] button to turn

program change reception and transmission ON or OFF as required.

■25: Control Change ON/CANCEL

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received from the controlling device. The Clavinova also transmits MIDI control change information when either of its pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want the Clavinova voices to be affected by control change data received from an external device or vice versa. Control Change is automatically turned ON when the power is initially turned on.

ZSelect the Control Change ON/CANCEL Function ..............................................................................

⁄¤‹›‚25 CONTROL CHANGE

ON

Select the Control Change ON/CANCEL function as described in “Selecting &

Using the Utility Functions” (page 42), or press [VIBES] while holding [UTILITY].

XTurn Control Change ON or CANCEL...................................................................................................

VIBES

= control change reception/

5

transmission CANCEL.

VIBES

= control change reception/

5

transmission ON.

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Use the TEMPO [s] and [t] buttons or the [VIBES] button to turn local control

reception and transmission ON or OFF as required.

Utility Functions

■26: The Multi-Timbre Mode

The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1—15 in the CVP mode; 1—10,15, 16 in the DOC mode; 1—16 in the GM mode) by an external MIDI device. The Multi-Timbre mode is off (SINGLE) when the power is initially turned on.

ZSelect the Multi-Timbre Mode Function ...............................................................................................

57

⁄¤‹›‚26 MULTI-TIMBRE

SINGLE

Select the Multi-Timbre Mode function as described in “Selecting & Using the

Utility Functions” (page 42), or press [GUITAR] while holding [UTILITY].

XSelect a Multi-Timbre Mode ...................................................................................................................

Use the TEMPO [s] and [t] buttons or the [GUITAR] button to select the de-

sired Multi-Timbre mode, described in the chart below.

GUITAR

= Multi-Timbre mode ON.

6

GUITAR

(CVP, DOC or GM)

= Multi-Timbre mode OFF.

6

(SINGLE)

SINGLE Multi-Timbre mode OFF. CVP Multi-track MIDI data received by the CVP-89 is played using the panel voice

assignments — i.e. the same voices selected by the panel controls.

DOC Multi-track MIDI data received by the CVP-89 is played using the Yamaha

DOC voice assignments. The panel voice assignments are not changed but the transmitted data is converted to DOC voice assignments.

GM Multi-track MIDI data received by the CVP-89 is played using General MIDI

voice assignments. Transmitted data is also converted to GM voice assignments. When this mode is selected the panel voices also conform to the GM assignments (voices 1—128, drum kits 129—136).

• See page vii, viii for listings of the voice assignments in each mode.

NOTES

• The Dual, Split, internal Style, ABC, and Solo Style Play functions will not operate in the DOC or GM mode.

• Either “DOC MODE” or “GM MODE” will appear on the display when you return to the play mode.

● Recording with the GM Voices

If you press the Performance Memory [REC] button while the GM mode is engaged, the [REC] indicator and the indicator of the last selected track will light (red), and that track will be in the record ready mode. The remaining recording procedure is the same as described on page 35.

• If the selected song number already contains data that was not recorded in the GM

NOTES

mode, “DATA NOT EDITABLE!” will appear on the display and recording will not be possible. The reverse is also true: i.e. panel-voice data cannot be recorded to a song that already contains GM-voice data.

• Internal styles cannot be recorded in the GM mode.

• Select a voice number between 129 and 136 to record a drum voice. When the [RHYTHM] button is pressed voice number 129 will automatically be selected if another drum voice is not already selected. Track number 10 is automatically selected for recording.

• Only tracks 3 through 9 can be selected using the [ORCH/3-10] and SONG/PHRASE NUMBER [s] and [t] buttons (track 10 is selected by pressing the [RHYTHM] button). It is possible, however, to record voices 129 through 136 to tracks 3 through 9.

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58

Utility Functions

■27: The Split Send Mode

In the split send mode notes played on the left-hand section of the keyboard (to the left of and including the split point key — see “Changing the Split Point” on page 10) are transmitted on MIDI channel 2, while the upper keyboard section transmits on the MIDI channel set using the Send Channel Select function described earlier. In this mode the left- and righthand sections of the keyboard can be used to play separate external keyboards or tone generators set to receive on the appropriate channels. The Split Send Mode is automatically turned OFF when the power is initially turned on.

ZSelect the Split Send Mode Function ...................................................................................................

⁄¤‹›‚27 MIDI SPLIT

OFF

XTurn Split Send ON or OFF....................................................................................................................

STRINGS

= Split Send Mode ON.

7

STRINGS

= Split Send Mode OFF.

7

Select the Split Send Mode function as described in “Selecting & Using the Utility

Functions” (page 42), or press [STRINGS] while holding [UTILITY].

Use the TEMPO [s] and [t] buttons or the [STRINGS] button to turn split send

ON or OFF as required.

■28: MIDI Clock Select

This function determines whether the Clavinova’s rhythm and ABC timing is controlled by the Clavinova’s own internal clock or an external MIDI clock signal received from external equipment connected to the MIDI IN connector. The Clock Mode is automatically set to INTERNAL when the power is initially turned on.

ZSelect the MIDI Clock Select Function .................................................................................................

⁄¤‹›‚28 MIDI CLOCK

INTERNAL

Select the MIDI Clock Select function as described in “Selecting & Using the Util-

ity Functions” (page 42), or press [ORGAN] while holding [UTILITY].

XSet the MIDI Clock to INTERNAL or MIDI IN.........................................................................................

ORGAN

8

= MIDI IN.

= INTERNAL.

Use the TEMPO [s] and [t] buttons or the [ORGAN] button to set the MIDI

clock to INTERNAL or MIDI IN as required.

• If the Clock Mode is set to MIDI IN and a MIDI clock signal is not being received from

NOTES

an external source, the rhythm, ABC and other clock-dependent features will not operate.

■29: Panel Data Send

This function causes all the current Clavinova panel settings (selected voice, etc.) to be transmitted via the MIDI OUT connector. This is particularly useful if you will be recording performances to a MIDI sequence recorder which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be automatically restored to the same settings when the performance is played back.

ZSelect the Panel Data Send Function ...................................................................................................

⁄¤‹›‚29 SEND PANEL DATA

PRESS [START]

Select the Panel Data Send function as described in “Selecting & Using the Utility

Functions” (page 42), or press [CHOIR] while holding [UTILITY] to send the data immediately (in the latter case the next step is not required).

XSend the Panel Data ...............................................................................................................................

Press the [START/STOP] button to begin transmission of the panel data.

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Utility Functions

■30: MIDI Transpose Transmit

This function transposes the pitch of transmitted MIDI note data up or down in semitone intervals up to a maximum of

six semitones. The pitch of notes played on the keyboard is not affected.

ZSelect the MIDI Transpose Transmit Function ....................................................................................

⁄¤‹›‚30 MIDI TRANSPOSE

0

XSet the Transpose Value As Required..................................................................................................

Select the MIDI Transpose Transmit function as described in “Selecting & Using

the Utility Functions” (page 42), or press [UPRIGHT BASS] while holding [UTIL- ITY]. The [UPRIGHT BASS] indicator will light while the [UTILITY] button is pressed.

59

Display Transposition

-6 -6 semitones

-5 -5 semitones

-4 -4 semitones

-3 -3 semitones

-2 -2 semitones

-1 -1 semitone 0 Normal

+1 +1 semitone +2 +2 semitones +3 +3 semitones +4 +4 semitones +5 +5 semitones +6 +6 semitones

■31: GM Drum Kit

The CVP-89 includes two different GM drum kits that can be selected via this function. There’s also an “AUTO” setting

that allows automatic GM drum kit selection.

⁄¤‹›‚31 GM DRUM KIT

AUTO

Use the TEMPO [s] and [t] buttons to set the MIDI Transpose Transmit value as

required.

• Press the TEMPO [s] and [t] buttons simultaneously while holding the [UTILITY]

NOTES

NORMAL The default Yamaha-standard GM drum kit. Can be used with most Gen-

TG100 This kit has the same instrument assignments as the Yamaha TG100

AUTO This is the default setting. The TG100 kit is automatically selected when

button to restore normal transmitted pitch.

• Transpose is always set to Normal when the power is turned on.

eral MIDI software.

tone generator. When a GM drum kit is selected via the panel (129 through 136 in the GM mode), the normal drum kit name will remain on the display but the TG100 kit will be played via the keyboard.

appropriate disk is inserted. The NORMAL kit is selected at other times. When “AUTO” is selected and a GM drum kit is selected via the panel (129 through 136 in the GM mode), the normal drum kit will be played via the keyboard.

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60

Utility Functions

General Utilities

The functions in this group apply to a wide range of functions and features.

■32: Individual Key T uning

The Individual Key Tuning Feature makes it possible to individually tune each key on the CVP-89 keyboard in order to match different tuning standards. The pitch of each key can be raised or lowered by a maximum of 50 cents (approximately) from the standard pitch.

ZSelect the Individual Key Tuning Function ..........................................................................................

Select the Individual Key Tuning function — see “Selecting & Using the Utility

⁄¤‹›‚32 IND. KEY TUNING

NO/YES

Functions”, page 42. “NO/YES” will flash on the display. Press the TEMPO [s] but- ton (YES) to engage the Individual Key Tuning function, or the [t] button (NO) to cancel. Once you’ve pressed the TEMPO [s] button to engage the function you can release the [UTILITY] button.

XSelect Up or Down Tuning.....................................................................................................................

INDIVIDUAL KEY TUNE ON(UP) ååå=+ 0

First, use the [TAP] and [METRONOME] buttons to select either “ON (UP)” if

you want to raise the pitch of a key or “ON (DOWN)” if you want to lower the pitch of a key.

OFF Individual key tuning OFF. ON (UP) Raise pitch. ON (DOWN) Lower pitch.

CPress the Key To Be Tuned Once .........................................................................................................

INDIVIDUAL KEY TUNE ON(UP) C 3=+ 0

Press the key to be tuned once to display the current tuning value on the display. “0” indicates normal pitch, positive values indicate that pitch has been increased by the corresponding number of steps (about 1.2 cents per step), and negative (“-”) values indicate that pitch has been lowered by the corresponding number of steps.

VPress the Key To Tune...........................................................................................................................

Subsequent presses on the key selected in the previous step tune the key in the specified “(UP)” or “(DOWN)” direction — one 1.2-cent step per press. The highest and lowest possible values are “+44” and “-44”, respectively. The TEMPO [s] and [t] keys can also be used to tune as required: [s] to tune up and [t] to tune down.

• “0” can be instantly selected by pressing the TEMPO [s] and [t] buttons simultane-

NOTES

ously.

BSelect a New Key Or Exit .......................................................................................................................

To tune a different key, repeat steps X through V, above. To exit from the Individual Key Tuning function, press the [UTILITY] button.

• Individual key tuning is automatically turned OFF whenever the POWER switch is

NOTES

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turned on.

• The Individual Key Tuning data will be erased when the power is turned off, but can be saved to and loaded from disk by using the “Save Individual Key Tuning” and “Load Individual Key Tuning” functions (page 45).

Utility Functions

■33: Touch Sensitivity

The Clavinova can be set to one of three different types of keyboard touch sensitivity to match different playing styles

and preferences.

⁄¤‹›‚33 TOUCH SENS

MEDIUM

SOFT Allows maximum loudness to be produced with relatively light key pressure. MEDIUM Produces a fairly “standard” keyboard response. HARD Requires the keys to be played quite hard to produce maximum loudness.

• The MEDIUM setting is automatically selected whenever the POWER switch is turned

NOTES

on.

■34: Accompaniment Volume Mode

Normally the Auto Accompaniment volume controls are used to adjust the volume of the Rhythm, Chord 1, Chord 2, and Bass accompaniment parts, as labelled on the Clavinova panel. This function can be used to assign these volume controls to other operations.

61

⁄¤‹›‚34 ACCOMP. VOLUME

1

1 Rhythm, Chord 1, Chord 2, and Bass volume control. 2 Modulation, Pitch Bend +, Pitch Bend -, and Expression. In this mode the RHYTHM

slider controls modulation depth, the CHORD 1 slider controls upward pitch bend, the CHORD 2 slider controls downward pitch bend, and the BASS slider controls expression (overall volume).

3 Reverb depth for the Rhythm, Chord 1, Chord 2, and Bass tracks. This applies when

playing with ABC and when playing back performance memory data that was recorded with ABC. When playing back performance memory data that was recorded without ABC, and when playing back Disk Orchestra Collection data, the CHORD 1, CHORD 2 and BASS controls correspond to tracks 4-10, 1-2, and 3, respectively.

• The Rhythm, Chord 1, Chord 2, and Bass volume setting (1) is automatically selected

NOTES

whenever the POWER switch is turned on.

• 1 and 2 can be recorded and their initial values can be changed as described on page 38. 3 applies only to playback.

■35: Style Tempo Switching

This function determines whether the preset tempo for each style will be automatically selected whenever a style is selected (while style playback is stopped) or whether the currently selected tempo will be maintained regardless of the selected style (refer to page 17).

⁄¤‹›‚35 STYLE TEMPO

SET TEMPO

KEEP TEMPO Style tempo switching OFF — the current tempo is maintained. SET TEMPO Style tempo switching ON — the preset tempo for each style is auto-

matically selected.

• Style tempo switching is automatically set to “SET TEMPO” whenever the POWER

NOTES

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switch is turned on.

62

Utility Functions

■36: Auto Synchro Start Switching

This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC

mode is turned ON and OFF (refer to page 19, 22).

⁄¤‹›‚36 ABC SYNC. START

ON

OFF Auto synchro start switching OFF — synchro start is not turned on and off with

ABC.

ON Auto synchro start switching ON — synchro start is automatically turned on and

off with ABC.

• When this function is OFF the SYNCHRO START mode will not be retained after

NOTES

stopping an accompaniment that was started using the SYNCHRO START mode.

• Auto synchro start switching is automatically turned ON whenever the POWER switch is turned on.

■37: Random All Song Repeat

This function determines whether the songs are played back and repeated in sequential or random order when “ALL” is

selected when playing back a disk (refer to page 30). This function also affects demo song playback (page 6).

⁄¤‹›‚37 RANDOM PLAY

OFF

OFF Random all song repeat OFF — the songs are played in sequence. ON Random all song repeat ON — the songs are played in random order.

• Random all song repeat is automatically turned OFF whenever the POWER switch is

NOTES

turned on.

■38: Damper Pedal Mode

Sets the damper pedal for on/off or continuous operation (refer to page 14).

⁄¤‹›‚38 DAMPER PEDAL

CONTINUOUS

CONTINUOUS Continuous damper pedal operation. SW On/off damper pedal operation.

■ 39: Pitch Bend Range

⁄¤‹›‚39 PITCH BEND RANGE

100Cent

1200 cents in 100-cent increments for each individual voice (100 cents = 1 semitone). First select the voice you want to set the pitch bend range for, then select and set the Pitch Bend Range function.

• Continuous damper pedal operation (CONTINUOUS) is automatically selected when-

NOTES

ever the POWER switch is turned on.

This function allows the maximum pitch bend range to be set from 100 cents to

• A complete list of the preset pitch bend ranges for each voice is given on page vii.

NOTES

• The pitch bend range of the voice shown to the left of the display takes priority in the DUAL mode. In the Split mode the right-hand voice setting takes priority.

• The pitch bend range settings are retained in memory for approximately one week even when the power is turned off.

• Unexpected sound may be produced if the pitch of a note is bent beyond the range of the voice. See page 8 for a list of the usable ranges for each voice.

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Utility Functions

■40: Edit Drum Instrument

The CVP-89 has two drum kits — NORMAL and PROCESSED — and this function allows either kit to be selected for

each individual drum instrument. Individual reverb depth and pan settings are also possible.

ZSelect the Edit Drum Instrument Function...........................................................................................

63

⁄¤‹›‚40 EDIT DRUM INST.

NO/YES

Select the Edit Drum Instrument function — see “Selecting & Using the Utility

Functions”, page 42. Then press the TEMPO [s] button if you actually want to engage the Edit Drum Instrument function. Once the TEMPO [s] button has been pressed you can release the [UTILITY] button. The DRUMS voice will automatically be selected and the kit (NORMAL or PROCESSED) for the currently selected style will be recalled.

XSelect an Instrument ..............................................................................................................................

⁄¤‹›‚40 EDIT DRUM INST.

PRESS [DRUM KEY]

Press the key on the CVP-89 keyboard corresponding to the drum instrument you want to edit. The name of the selected instrument and the drum kit currently selected for that instrument will appear on the display.

CSelect a Parameter .................................................................................................................................

EDIT DRUM INSTRUMENT Rim Lite KIT: NORMAL

Use the [TAP] and [METRONOME] buttons to select the parameter you want to edit: KIT, REV DEPTH, or PAN.

VEdit the Parameter as Required ............................................................................................................

Use the TEMPO [s] and [t] buttons to select the NORMAL or PROCESSED

EDIT DRUM INSTRUMENT Rim Lite REV DEPTH: 8

drum kit if the KIT parameters is selected, set the reverb depth from 0 to 15 if the REV DEPTH parameter is selected, or set the pan position from LEFT 6 through CENTER, DEFAULT to RIGHT 6 if the PAN parameter is selected.

• If you press the C7 key while the KIT parameter is selected, “ALL” will appear in

NOTES

EDIT DRUM INSTRUMENT ALL KIT:PROCESSED

place of the instrument name and the NORMAL or PROCESSED kit can be selected for all instruments. The REV DEPTH and PAN parameters for all instruments return to their default values and cannot be edited when “ALL” is selected.

• Up to 16 individual reverb depth settings, 8 pan settings, and 8 kit settings can be made — e.g. after setting KIT to “ALL” and selecting “NORMAL” or “PROCESSED”. If you attempt to make more reverb depth, pan, or kit settings the “TOO MANY!” error message will appear. The reverb depth and pan settings of an already-edited instrument can be restored to their default values by simultaneously pressing the TEMPO [▲] and [▼] buttons. Since some instruments are already edited for some accompaniment styles, the maximum number of editable instruments will be less when those styles are selected.

• The Edit Drum Instrument function cannot be used in the GM mode — “DATA NOT EDITABLE!” will appear on the display.

• See page ix for a list of the NORMAL or PROCESSED kit.

BSelect a New Instrument Or Exit ...........................................................................................................

To edit a different instrument, repeat steps X through V, above. To exit from

the Edit Drum Instrument function, press the [UTILITY] button.

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64

Utility Functions

■41: Split Left Octave

This function determines whether the left-hand voice in a split keyboard setup will be automatically shifted up one oc-

tave (refer to page 10).

⁄¤‹›‚41 SPLIT-L OCTAVE

+ 1

■42: Registration Tempo

Determines whether the tempo setting in a recalled registration memory will be used or not (refer to page 29).

0 Octave shift OFF — no octave shift will occur.

+1 Octave shift ON — all voices except BASS (voice numbers 10, 11, 49, 50, 51, and

52) and DRUMS (voice numbers 12) will be shifted.

• Octave shift is automatically turned ON (+1) whenever the POWER switch is turned

NOTES

on.

⁄¤‹›‚42 REGIST. TEMPO

SET TEMPO

KEEP TEMPO The recalled tempo setting is not used — the tempo will not change

SET TEMPO The recalled tempo setting is used — the tempo will change when a

NOTES

■43: ABC Auto Mute

Turns the Auto Accompaniment mute function on or off (refer to page 23).

⁄¤‹›‚43 ABC AUTO MUTE

ON

OFF Mute OFF. ON Mute ON.

NOTES

■44: Minor Harmonization

Turns the Auto Accompaniment minor harmonization function on or off (refer to page 23).

⁄¤‹›‚44 7th CHORD IN min

CHORD TONE

NORMAL Minor harmonization OFF. CHORD TONE Minor harmonization ON.

when a registration memory is recalled.

registration memory is recalled.

• The registration Tempo function is automatically turned SET TEMPO whenever the POWER switch is turned on.

• The mute function is automatically turned ON whenever the POWER switch is turned on.

• The Minor harmonization function is automatically turned OFF (NORMAL) whenever

NOTES

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the POWER switch is turned on.

The Connectors

Although the Clavinova is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion.

● AUX IN L and R Jacks ............................................................................................................................

AUX IN

R

Tone Generator

● AUX OUT L/L+R and R Jacks ................................................................................................................

AUX OUT

R L/L+R

L

These jacks are intended primarily for use with external synthesizers or tone

generator modules.

For example, the outputs of the synthesizer/tone generator can be to the

Clavinova AUX IN jacks, allowing the sound of the synthesizer/tone generator to be reproduced via the Clavinova’s internal amplifier and speaker system.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks, but is

NOTES

not affected by the Clavinova’s volume control or reverb effect.

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for

connection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

65

Stereo System

CAUTION

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment.

● MIDI IN, THRU and OUT Connectors ....................................................................................................

The MIDI IN connector receives MIDI data from an external MIDI device

MIDI Sequencer Tone Generator

(such as a synthesizer, sequencer, music computer, etc.) which can be used to control the Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given in “MIDI Functions” on page 54.

OUT

MIDI

THRUIN

● EXP PEDAL Jack ....................................................................................................................................

An optional Yamaha EP-1 Expression Pedal can be plugged into this jack for foot volume (expression) control of the keyboard sound only (i.e. expression doesn’t affect the auto-accompaniment sound or disk playback). Press the pedal

EXP PEDAL

forward to increase volume, and backward to decrease volume.

● MIC. Jack and VOL. Control ..................................................................................................................

MIC. VOL.

MIN

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MAX

MIC.

A standard microphone with a 1/4" phone plug can be connected to the MIC. jack. The microphone sound is then mixed with the Clavinova sound and delivered via the Clavinova’s speakers. The MIC. VOL. control can be used to adjust the microphone volume.

• The depth of the digital reverb effect applied to the microphone sound can be

NOTES

adjusted via the “Mic Reverb Depth” utility function described on page 43.

66

Factory Preset Recall

C

POWER

7

The factory preset settings for the data listed below can be restored by holding

the C7 key while turning the power on.

• Registration memory data.

• Style disk load data.

• Custom rhythm data. (no data)

• Pitch bend range data.

• Chorus ON/OFF data.

• Soundboard depth data.

• Custom Rhythm initially contains no data, so any Custom Rhythm data you have

NOTES

created will be erased when the Factory Preset Recall function is executed.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned On

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

2. No Rhythm, ABC, or Performance Memory Sound

Check the Auto Accompaniment volume control settings. No sound is produced if these are set to their minimum positions.

3. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning on or off a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa.

6. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the setting of the Clavinova volume control to a level at which the distortion ceases.

Options

● BC-10 Bench

A stable, comfortable bench styled to match your Yamaha Clavinova.

● HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

• Some items may not be available in certain areas.

NOTES

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Index

67

A

A-B repeat, disk orchestra .......................... 33

ABC auto mute............................................ 64

Accompaniment .......................................... 17

Accompaniment volume mode....................61

Assembly ....................................................... i

Auto bass chord (ABC) ............................... 21

Auto synchro start switching ....................... 62

Automatic performance, disk orchestra ...... 30

Aux jacks.....................................................65

B

Balance, split mode.....................................11

C

Chord sequence function ............................ 41

Chorus on/off .............................................. 43

Connectors..................................................65

Control change on/cancel ........................... 56

Controls, panel .............................................. 2

Convert to DOC .......................................... 52

Convert to SMF ........................................... 53

Custom rhythm............................................ 24

D

Damper pedal mode ................................... 62

Damper pedal, split mode ........................... 11

Demonstration playback ............................... 6

Disk copy, disk orchestra ............................ 34

Disk error messages ................................... 53

Disk format .................................................. 48

Disk orchestra ............................................. 30

Disk styles, loading ..................................... 26

Disk styles, using ........................................ 27

Dual mode.....................................................9

E

Edit drum instrument ................................... 63

Exp pedal jack.............................................65

Expression control ........................................ 5

F

Factory preset recall ................................... 66

Fill-ins..........................................................20

Fingered accompaniment ........................... 21

Fingering chart ............................................. xii

Floppy disk handling ..................................... 1

Full-keyboard ABC ...................................... 22

G

GM drum kit ................................................ 59

Guided practice, disk orchestra .................. 32

H

Harmonization variations, solo styleplay ..... 28

Headphones..................................................4

I

Individual key tuning ................................... 60

Introduction ................................................. 19

K

Key cover ...................................................... 4

Keyboard percussion .................................... 8

L

Left pedal .................................................... 14

Load custom rhythm ................................... 46

Load individual key tuning........................... 45

Load registration ......................................... 44

Local control on/off...................................... 55

M

Metronome .................................................. 20

Mic jack & volume control ........................... 65

Mic reverb depth ......................................... 43

MIDI clock select ......................................... 58

MIDI connectors .......................................... 65

MIDI data format ...........................................iii

MIDI transpose transmit .............................. 59

Minor harmonization ............................. 23, 64

Multi-timbre mode ....................................... 57

Multi-timbre recording via MIDI ................... 40

Music data, playing other types .................. 34

Music stand ................................................... 4

Mute mode .................................................. 23

N

Next phrase, disk orchestra ........................ 34

O

Options........................................................66

P

Pan.............................................................. 13

Panel send data .......................................... 58

Pause, disk orchestra ................................. 34

Pedal pause, disk orchestra........................ 34

Pedals ......................................................... 14

Percussion kit list ......................................... ix

Performance memory ................................. 35

Pitch bend range ......................................... 62

Pitch bend, left pedal .................................. 15

Pitch control ................................................ 16

Pitch display ................................................ 16

Playing specific parts, disk orchestra .......... 31

Polyphony ................................................... 13

Power switch ................................................. 4

Program change on/cancel ......................... 56

Punch-in recording ...................................... 39

Q

Quantize song data ..................................... 49

R

Random all song repeat .............................. 62

Recall, registration memory ........................ 29

Receive channel select ............................... 55

Recording & playback, multitrack................36

Recording & playback, one-pass ................ 35

Registration memory ................................... 29

Registration tempo ...................................... 64

Repeat functions, disk orchestra................. 33

Reverb depth control...................................12

Reverb effects ............................................. 12

Rewind & fast forward, disk orchestra ........ 34

Rhythm break, left pedal ....................... 15, 20

Right pedal .................................................. 14

S

Save custom rhythm ................................... 45

Save individual key tuning .......................... 45

Save registration ......................................... 44

Send channel select.................................... 54

Single-finger accompaniment ..................... 21

Soft, left pedal ............................................. 14

Solo styleplay, left pedal ....................... 15, 28

Solo styleplay, using ................................... 28

Song copy ................................................... 46

Song delete ................................................. 47

Song name.................................................. 51

Sostenuto pedal .......................................... 14

Soundboard depth ...................................... 43

Specifications ............................................... xi

Split left octave............................................ 64

Split mode ................................................... 10

Split point, ABC ........................................... 23

Split point, changing.................................... 10

Split send mode .......................................... 58

Standard MIDI file playback mode .............. 48

Start/stop, left pedal .................................... 15

Starting accompaniment ............................. 18

Stopping accompaniment ........................... 20

Store, registration memory.......................... 29

Style selection, accompaniment ................. 17

Style tempo switching ................................. 61

Synchronized start ...................................... 19

T

Tap start ...................................................... 19

Tempo control ............................................. 18

Touch sensitivity ......................................... 61

Track mix .................................................... 50

Transpose ................................................... 43

Troubleshooting .......................................... 66

U

Utility functions, list ..................................... 42

Utility functions, selecting............................42

V

Voice balance, dual mode............................. 9

Voice list........................................................8

Voice list.......................................................vii

Voice selection .............................................. 7

Volume control, utility .................................. 50

Volume controls ................................ 5, 23, 32

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i

Assembly/Zusammenbau/Montage/Montaje

1

2 3

Blanket, etc. Decke o.ä. Couverture, etc. Manta, etc.

5 x 20 mm screws 5 x 20 mm Schrauben Vis de 5 x 20 mm Tornillos de 5 x 20 mm

4 x 20 mm round-head screws 4 x 20 mm Rundkopfschrauben

x5

2

Vis à tête ronde de 4 x 20 mm Tornillos de cabeza redonda de

4 x 20 mm

Six 5 x 20 mm screws 1 Sechs 5 x 20 mm Schrauben 1 Six vis de 5 x 20 mm 1 Seis tornillos de 5 x 20 mm 1

x18

1

Assembly

NOTES

• We do not recommend attempting to assemble the Clavinova alone. The job can be easily accomplished, however, with only two people.

• Use only the screws provided or replacements of exactly the specified size. Using screws of the wrong size can result in damage to the instrument.

ZOpen the box and remove all

the parts.

On opening the box you should find the parts shown in the illustration above. Check to make sure that all the required parts are provided.

XCarefully lean the main unit

against a wall.

To make it easier to install the legs, place a soft blanket or similar material on the floor near a wall, close the Clavinova keyboard cover, place the front panel of the Clavinova (the side with the keyboard) on the blanket and gently lean the unit against the wall —

MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration.

CAttach the front legs.

Securely attach the two front legs using six 5 x 20 mm screws 1 each (use a Philips “+” screwdriver), as shown in the illustration. Make sure the screws are securely tightened.

Black

4

Four 5 x 20mm screws Vier 5 x 20 mm Schrauben 1 Quatre vis de 5 x 20 mm 1 Cuatro tornillos de 5 x 20 mm 1

Five 4 x 20 mm round-head screws 2 Fünf 4 x 20 mm Rundkopfschrauben 2 Cinq vis à tête ronde de 4 x 20 mm 2 Cinco tornillos de cabeza redonda de 4 x 20 mm 2

1

Schwarz Noir

Negro

White Weiß Blanc

Blanco

Black Schwarz Noir

Negro

Two 5 x 20 mm screws 1 Zwei 5 x 20 mm Schrauben 1 Deux vis de 5 x 20 mm 1 Dos tornillos de 5 x 20 mm 1

VAttach the rear leg and pedal

box assembly.

Before attaching the rear leg and pedal box assembly, insert the 3 plugs extending from the rear leg into the corresponding sockets in the main unit, making sure that the connectors must be inserted with the protruding clip facing the rear of the main unit. Then securely attach the rear leg with the six 5 x 20 mm screws 1, and the pedal bracket with the five 4 x 20 mm round-head screws 2.

IMPORTANT

• After assembling the Clavinova, check once

more to make sure that all screws have been securely fastened.

• If the stand leans to the side, makes unu-

sual noises, or otherwise seems unstable during use, check and tighten all screws while following the assembly instructions given above.

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Assembly/Zusammenbau/Montage/Montaje

Zusammenbau Montage Montaje

ii

HINWEISE

• Wir raten davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen können diese Arbeit jedoch problemlos ausführen.

• Verwenden Sie ausschließlich die mitgelieferten Schrauben oder Ersatzschrauben identischer Größe. Die Verwendung von Schrauben mit abweichenden Maßen kann eine Beschädigung des Instruments zur Folge haben.

ZDen Versandkarton öffnen und

alle Teile auspacken.

Der Karton sollte alle in der Abbildung gezeigten Teile enthalten. Vergewissern Sie sich, daß alle Teile vollzählig vorhanden sind.

XDie Haupteineit vorsichtig an

eine Wand lehnen.

Um das Anschrauben der Beine zu erleichtern, breiten Sie eine Decke oder ein weiches Tuch neben der Wand auf dem Boden aus, schließen den Tastaturdeckel des Clavinova, stellen das Instrument mit der Vorderkante (Seite mit der Tastatur) vorsichtig auf die Decke und lehnen es an die Wand, wie in der Abbildung gezeigt. VERGEWISSERN SIE

SICH, DASS DAS INSTRUMENT NICHT KIPPEN ODER WEGRUTSCHEN KANN!

CDie vorderen Beine montieren.

Beine mit jeweils sechs 5 x 20 mm Schrauben 1 (Kreuzschlitzschraubendreher verwenden!) gut am Clavinova fest, wie in der Abbildung gezeigt. Ziehen Sie die Schrauben fest an.

VDas hintere Bein mit dem

Pedalkasten montieren.

Bevor Sie das hintere Bein mit dem Pedalkasten anbringen, schließen Sie die 3 aus dem hinteren Bein ragenden Stekker an die entsprechenden Buchsen der Haupteinheit an. Die Stecker müssen mit dem hervorstehenden Clip zur Rückseite der Haupteinheit weisend in die Buchsen gesteckt werden. Schrauben Sie das hintere Bein danach mit sechs 5 x 20 mm Schrauben 1 und die Pedalstrebe mit den fünf 4 x 20 mm Rundkopfschrauben 2 gut fest.

WICHTIG

• Vergewissern Sie sich nach Zusammenbau

und Aufstellung des Clavinova noch einmal davon, daß alle Schrauben fest angezogen sind.

• Wenn der Ständer schief steht, komische

Geräusch erzeugt oder sich beim Spielen wackelig anfühlt, prüfen Sie gemäß den unter “Zusammenbau und Aufstellung” gegebenen Anweisungen, ob der Ständer richtig zusammengebaut wurde, und ziehen dabei die einzelnen Schrauben noch einmal nach.

REMARQUES

• Nous ne vous conseillons pas d’essayer d’assembler le Clavinova seul. Toutefois, ce travail peut être facilement exécuté par deux personnes.

• N’utilisez que les vis fournies ou des vis ayant exactement les mêmes dimensions. L’utilisation de vis de dimensions incorrectes pourrait endommager l’instrument.

ZOuvrir le carton et retirer tou-

tes les pièces

Les pièces indiquées sur l’illustration devraient toutes se trouver dans le carton. Vérifier qu’il n’en manque aucune.

XAppuyez le clavier contre un

mur en faisant très attention

Pour faciliter la pose des pieds, placez une couverture épaisse, ou un matériau similaire, sur le plancher à proximité d’un mur. Fermez le cache-clavier et placez le bord avant (bord côté clavier) du Clavinova sur la couverture et appuyez ensuite le Clavinova contre le mur de la manière illustrée. ASSUREZ-

VOUS QU’IL NE PEUT PAS TOMBER.

CPosez les pieds avant

Fixez chacun des deux pieds avant à l’aide de six vis de 5 x 20 mm 1 (utilisez un tournevis cruciforme “+”) comme illustré. Vérifiez que les vis sont serrées à fond.

VFixez le pied arrière et le péda-

lier

Avant de fixer le pied arrière et le pédalier, branchez les 3 connecteurs sortant du pied arrière aux prises correspondantes du clavier, en veillant à ce que les connecteurs soient branchés avec la languette dirigée vers l’arrière du clavier. Fixez ensuite le pied arrière à l’aide de six vis de 5 x 20 mm 1 et la ferrure du pédalier à l’aide de cinq vis à tête ronde de 4 x 20 mm 2.

IMPORTANT

• Après avoir assemblé le Clavinova, vérifiez

une fois de plus que toutes les vis sont bien serrées.

• Si le support du clavier penche d’un côté,

fait du bruit ou semble instable lorsque vous utilisez l’instrument, vérifiez de nouveau et resserrez toutes les vis en suivant les instructions d’assemblage données cidessus.

NOTAS

• No le recomendamos que intente montar la Clavinova usted solo. El trabajo puede ser realizado fácilmente entre dos personas.

• Utilice sólo los tornillos suministrados o reemplazos del exacto tamaño especificado. El empleo de tornillos de un tamaño erróneo puede dañar el instrumento.

ZAbra la caja y extraiga todas

las partes.

Al abrir la caja, encontrará las partes que se muestran en la ilustración de arriba. Asegúrese de que no falta ninguna de las partes requeridas.

XIncline con cuidado la unidad

principal contra una pared.

Para facilitar la instalación de las patas, coloque una manta blanda o un material semejante sobre el piso cerca de una pared, cierre la cubierta del teclado de la Clavinova, coloque el panel frontal de la Clavinova (el lado con el teclado) sobre la manta e incline con cuidado la unidad contra la pared, ASEGURAN-

DOSE DE QUE NO PUEDA CAERSE, como se muestra en la ilustración.

CInstale las patas delanteras.

Instale con seguridad las dos patas delanteras usando seis tornillos de 5 x 20 mm 1 en cada una (emplee un destornillador de cabeza en cruz), como se muestra en la ilustración. Asegúrese de que los tornillos se aprietan bien.

VInstale la pata trasera y el con-

junto de la caja de pedales.

Antes de instalar la pata trasera y el conjunto de la caja de pedales, inserte las 3 clavijas que salen de la pata trasera en los enchufes correspondientes de la unidad principal, asegurándose de que los conectores quedan insertados con el retenedor que sobresale encarado a la parte posterior de la unidad principal. Entonces, instale con seguridad la pata trasera con los seis tornillos de 5 x 20 mm 1, y la ménsula de pedales con los cinco tornillos de cabeza redonda de 4 x 20 mm 2.

IMPORTANTE

• Después de montar la Clavinova, comprue-

be otra vez para asegurarse de que todos los tornillos se han apretado bien.

• Si el soporte se inclina hacia un lado, hace

ruidos anormales, o parece inestable durante la utilización, compruebe y apriete todos los tornillos mientras sigue las instrucciones de montaje de arriba.

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iii

MIDI Data Format/MIDI-Datenformat/Format des

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Hardware-Steuerung einsetzen, werden Ihnen die nachfolgend aufgeführten Daten bei der Steuerung des Clavinovas wahrscheinlich hilfreich sein.

1. NOTE ON/OFF

[9nH] [kkH] [vvH]

9nH= Note on/off event

(n= MIDI channel number)

kkH= Note number

(Transmission: 0FH~72H= D#-1~F#7, Reception= 15H~6CH: A-1~C7)

vvH= Velocity

(Note on= 01H~7FH, Note off= 00H)

[8nH] [kkH] [vvH]

8nH= Note off event

(n= MIDI channel number)

kkH= Note number

(Transmission: 0FH~72H= D#-1~F#7, Reception= 15H~6CH: A-1~C7)

vvH= Velocity (Note off= 00H~7FH) * 8nH (note off) is receive only.

9nH (vvH=00H) used for transmission.

2. CONTROL CHANGE

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Control number vvH= Control value

• Pan [BnH] [0AH] [vvH]

n= MIDI channel number vvH= Pan (00H~7FH)

00H~17H: Left 6 18H~1FH: Left 5 20H~27H: Left 4 28H~2FH: Left 3 30H~37H: Left 2 38H~3FH: Left 1 40H~47H: Center 48H: Voice default Pan 49H:

Scaling Pan (Standard) (receive only)

4AH:

Scaling Pan (Wide) (receive only)

4BH:

Scaling Pan (Narrow L) (receive only)

4CH:

Scaling Pan (Narrow C) (receive only)

4DH:

Scaling Pan (Narrow R) (receive only)

4EH:

Scaling Pan (Half L) (receive only)

4FH:

Scaling Pan (Half R) (receive only) 50H~57H: Right 1 58H~5FH: Right 2 60H~67H: Right 3 68H~6FH: Right 4 70H~77H: Right 5 78H~7FH: Right 6

• Expression

• Modulation (Vibrato) [BnH] [01H] [vvH]

n= MIDI channel number vvH= Modulation

00H~0FH: Off : AM also off. 10H~1FH: 1 : Voice default AM

when greater than 10H

20H~2FH: 2 30H~3FH: 3 40H~4FH: 4 50H~5FH: 5 60H~6FH: 6 70H~7FH: 7

* LFO speed fixed for each voice

[BnH] [0BH] [vvH]

n= MIDI channel number vvH= Expression (00H~7FH)

00H: -∞ 6FH: -3dB 7FH= ±0dB

• Damper pedal [BnH] [40H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

8 levels max.

• Sostenuto pedal

• Volume [BnH] [07H] [vvH]

n= MIDI channel number vvH= Volume (00H~7FH)

00H: -∞ 6FH: -3dB 7FH: ±0dB

[BnH] [42H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: Off 40H~7FH: On

• Soft pedal [BnH] [43H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

8 levels max.

Si vous vous êtes déjà familiarisés avec l’interface MIDI, ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous aideront à commander le Clavinova.

Si ya está muy familiarizado con MIDI o si está usando una computadora para controlar su música con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la Clavinova.

• Portamento control [BnH] [54H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

15H~6CH: Key Number

• Reverb depth [BnH] [5BH] [vvH]

n= MIDI channel number vvH= Reverb Depth (00H~7FH)

Individually adjustable for each channel.

• Chorus depth [BnH] [5DH] [vvH]

n= MIDI channel number vvH= Reverb Depth (00H~7FH)

Individually adjustable for each channel.

3. MODE MESSAGES (receive only)

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Mode message number vvH= Mode message value

• All sound off [BnH] [78H] [00H]

n= MIDI channel number

• Reset all controllers [BnH] [79H] [00H]

n= MIDI channel number

• Local Control ON/OFF [BnH] [7AH] [vvH]

n= MIDI channel number vvH= 00H: Off

7FH: On

• All notes OFF [BnH] [7BH] [00H]

n= MIDI channel number

• OMNI OFF/All notes OFF [BnH] [7CH] [00H]

n= MIDI channel number

• OMNI ON/All notes OFF [BnH] [7DH] [00H]

n= MIDI channel number

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iv

4. REGISTERED/NON-REGISTERED PARAMETER NUMBER

• Data entry [BnH] [06H] [mmH] [BnH] [26H] [llH]

n= MIDI channel number mm/ll=RPN

• Data inc [BnH] [60H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Data dec [BnH] [61H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Non-registered parameter number [BnH] [62H] [llH] [BnH] [63H] [mmH]

n= MIDI channel number * No parameter is received, but the data is

recognized because of RPN reception.

• Registered parameter number [BnH] [64H] [llH] [BnH] [65H] [mmH]

n= MIDI channel number llH= 00H, mmH= 00H: llH= 01H, mmH= 00H: Fine tune llH= 02H, mmH= 00H: llH= 7FH, mmH= 7FH: RPN Reset

Pitch bend range

Coarse tune

5. PROGRAM CHANGE

[CnH] [ppH]

CnH= Program change event

(n= MIDI channel number)

ppH= Program number

Panel Voices

dd VOICE 00H PIANO 01H CLAVINOVA TONE 02H E. PIANO 03H HARPSICHORD 04H VIBES 05H GUITAR 06H STRINGS 07H ORGAN 08H CHOIR 09H UPRIGHT BASS 0AH ELEC BASS 0BH DRUMS

Voices 13 — 60

dd VOICE 0CH BRASS 0DH POP BRASS 0EH TRUMPET 0FH MUTE TRUMPET 10H HORN 11H SAX

12H SAX SOFT 13H CLARINET 14H OBOE 15H FLUTE 16H ACCORDION 17H HARMONICA 18H STRINGS SOFT 19H VIOLIN 1AH VIOLIN HARD 1BH FULL ORGAN 1CH JAZZ ORGAN 1 1DH SYNTH BRASS 1EH SYNTH WOOD 1FH SYNTH STRINGS 20H SYNTH CHOIR 21H PIANO BRIGHT 22H PIANO SOFT 23H E. PIANO DX 24H SYNTH CRYSTAL 25H CELESTA 26H MARIMBA 27H FOLK GUITAR 28H JAZZ GUITAR 1 29H JAZZ GUITAR 2 2AH ROCK GUITAR 1 2BH ROCK GUITAR 2 2CH MUTE GUITAR 2DH BANJO 2EH PIZZICATO 2FH HARP 30H U. BASS SOFT 31H E. BASS SOFT 32H E. BASS HEAVY 33H SYNTH BASS 34H TIMPANI & ORCH. HIT 35H BASSOON 36H CHAMBER STRINGS 37H JAZZ ORGAN 2 38H ROCK GUITAR 3 39H COSMIC 1 3AH COSMIC 2 3BH COSMIC 3

6. PITCH BENDER

[EnH] [llH] [mmH]

EnH= Bender event

(n= MIDI channel number) llH= Least significant byte mmH= Most significant byte

* Caution: Each voice is set to its own bend

range when the power is turned on. The bend range is set to 300 cents when the CVP/DOC Multi-Timbre mode is engaged, and to 200 cents when the GM Multi-Timbre mode is engaged. RPN data can be used to set the range in 100-cent (semitone) increments.

7. SYSTEM REALTIME MESSAGES

[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Data Transmission Reception

F8H Transmitted every Received as 96-clock

96 clocks tempo timing when

FAH Rhythm start Rhythm start FCH Rhythm stop Rhythm stop FEH Transmitted every All notes are turned

200 milliseconds off if no data is

* Caution: If an overrun framing error oc-

curs the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.

MIDI clock is set to External

received for more than 400 milliseconds

8. SYSTEM EXCLUSIVE MESSAGES

• YAMAHA MIDI format

[F0H] [43H] [xnH] [ffH] ..... [F7H]

43H= YAMAHA ID xnH= Substatus + MIDI channel number ffH= Format number

* n specifies the receive channel regard-

less of whether omni is on or off.

x ff Information 0 7CH Panel data receive 2 7CH Panel data bulk dump request 27DH

Panel Data Send Format

F0H, 43H, 0xH, 7CH, 00H, 22H

53H, 4BH, 20 H, 20H (SK) 43H, 56H, 50H, 27H, 39H, 34H (CVP’94) 3xH, 3yH [Panel Data] [Check Sum (1byte)]= 0(53H+4BH+20H+...

F7H [Panel Data Contents]

(1) ABC ON/OFF (2) SSP ON/OFF (3) SSP NO. (4) MANUAL VOICE (5) MANUAL VOLUME (6) RHYTHM NO. (7) RHYTHM VARIATION (8) TEMPO (Absolute value LSB) (9) TEMPO (Absolute value MSB) (10) RHYTHM VOLUME (11) CHORD 1 VOLUME (12) CHORD 2 VOLUME (13) BASS VOLUME

Model ID data bulk dump request

(x: channel number, data length= Panel data+0cH)

(Version x, y)

...+Data end)

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v

MIDI Data Format/MIDI-Datenformat/Format des donées MIDI/Formato de datos MIDI

(14) SPLIT POINT (15) DUAL/SPLIT MODE (16) DUAL/SPLIT VOICE (17) DUAL/SPLIT BALANCE (18) REVERB (19) REVERB DEPTH (20) LEFT PEDAL FUNCTION (21) Reserved (22) INTRO (23) TOUCH SESITIVITY (24) PITCH BEND RANGE (25) CHORUS (26) SOUNDBOARD EFFECT DEPTH (27) DRUMS VOICE in the GM Multi-

Timbre Mode

Individual Key Tuning Data Bulk Dump Format

F0H, 43H, 73H 36H (Product ID: CVP-89) 06H (Bulk ID) 00H (Bulk No.) 00H, 00H, 0bH, 00H (Data Length= wxyH

[BULK DATA] (low (A-1), high (A-1)

[CHECK SUM (1byte)]= 0-sum

Name Data Send Format

F0H, 43H, 0xH, 7DH, 00H, 10H

byte) 53H, 4BH, 20H, 20H (SK) 43H, 56H, 50H, 27H, 39H, 34H (CVP’94) 3xH, 3yH, 20H, 20H, 20H, 20H [CHECK SUM (1byte)]= 0-(53H+4BH+20H+...

F7H

88*2 bytes)

...low (C7), high (C7))

(BULK DATA)

(Data Length= 10H

(Version x,y)

...+20H)

• Clavinova MIDI Format [F0H] [43H] [73H] [yyH] [xxH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-89= 36H) xxH= Substatus

xxH Information 02H Internal MIDI clock 03H External MIDI clock 06H Receive bulk data below 13H Multi-timbre mode off 14H

DOC voice multi-timbre mode on 15H CVP Multi-timbre mode on 18H DOC voice multi-timbre mode

individual track reverb depth on 61H MIDI FA Cancel On 62H MIDI FA Cancel Off 7nH All Note Off,

Receive Channel = n+1, Omni off

* When nn = 2, 3, 13, 14, 15, 18, or 7C,

Clavinova common ID (01H) is recognized as well as 34H.

* All Control Change values are reset when

[13H], [14H] or [15H] is received. All voices and other parameters are also reset when [14H] or [15H] is received in order to ensure the same initial settings.

• Special Messages [F0H] [43H] [73H] [yyH] [11H] [0nH] [ccH] [vvH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-89= 36H) 11H= Clavinova Special Control Code 0nH= Control MIDI Change

(n= special control change number) ccH= Control number ddH= Control value

cc Control Value [dd]

08H DUAL/SPLIT 00H= lower MAX

Balance 10H ABC Mode 00H= Off

11H

Rhythm Variation

12H Fill In Switch 00H= Fill to normal

Event Off event

13H Intro/Ending 00H=

Switch Event

14H Split [ddH]= Split key

15H

Rhythm Number 19H Volume [ddH]= Volume value

1AH

Rhythm Volume 1BH

Metronome mode

(receive only) 21H Solo Styleplay 00~17H=Style

Number number 22H Solo Styleplay 00H~3FH= Off

30H Drums Parameter Change

3DH Soundboard Effect Depth

59H Reverb 00H= Off

See Drum Parameter Expanded Format, below

7FH= upper MAX

02H= ABC Single/

Fingered

03H= Conventional

Full-Keyboard ABC

04H= Full-Keyboard

ABC 00H= Off 01H=

Variation number

01H= Fill to normal

On event 02H= Fill to variation

On event 03H= Fill to variation

Off event

Intro mode Off 01H= Intro mode On 02H=

Ending mode On 03H= Fill to normal

mode On

04H= Fill to variation

mode On

number (the highest note in the left-hand keyboard range)

[ddH]=

Rhythm number

n= 2 (BASS)

4 (CHORD 1)

5 (CHORD 2) [ddH]= Volume value 00H: Off 01H: On

40H~7FH= On

[ddH]= Volume value

01H= Room 02H= Hall 1 03H= Hall 2

04H= Cosmic

5AH

Dual/Split mode

damper)

5CH

Dual/Split Voice

5DH Pedal Function [ddH]= Function

* When cc = 59 (Reverb), SK common ID

(01H) is recognized in addition to xxH.

00H= Off 01H= Dual 02H= Split

(upper damper) 03H= Split

(lower damper) 04H= Split

(upper/lower

05H= Split & Lower Voice Oct Up (upper damper)

06H= Split & Lower Voice Oct Up (lower damper)

07H= SPLIT & Lower Voice Oct Up (upper/ lower damper)

[ddH]=

Dual/Split voice

number

Drum Parameter Expanded Format

[F0H] [43H] [73H] [xxH] [11H] [0nH]

[30H] [xxH] .....[F7H]

xxH: Product ID (CVP-89= 36H)

Common product ID also recognized (pattern editor transmits both).

0x30: /* Drum Parameter */ *2 Expanded

Format

* This resets all parameters when a differ-

ent drum kit is selected. Expands Special Message 30.

• Effect Level [F0H] [43H] [73H] [xxH] [11H] [0nH] [30H] [43H] [knH] [enH] [slH] [F7H]

11H: Clavinova special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the CVP’94, affecting all tracks. Received only on channel 10 (09H) in

the GM mode, affecting all tracks. 30H: Drums Parameter Change 43H: Effect Send Level knH: Key Number

* Also included in the panel key code in

the Clavinova DOC Voice mode (be-

cause conversion is not possible). In-

cluded in the GM key code in the GM

mode.

* When kn = 01 the en for all keys is set to

the default.

When kn = 02 the en for all keys is set to

s1. enH: Effect Number

en= 5B: Reverb Depth slH: Send Level

* This data applies a ± 40H offset to the

CH depth parameter of each channel of

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each instrument.

Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H]

[knH] [enH] [slH] [36H] [5bH] [10H]:

F#0 Brush Roll reverb depth set to -30H.

[36H] [5bH] [20H] [5dH] [60H]:

F#0 Brush Roll reverb depth set to -20H

[01H] [5bH] [xxH]:

Reverb depth for all keys set to default (±0).

[02H] [5bH] [20H]:

Reverb depth for all keys set to -20H.

• Pan Set Switching [F0H] [43H] [73H] [xxH] [11H] [0nH] [30H] [47H] [knH] [pnH] [F7H]

11H: Clavinova special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the CVP’94, affecting all tracks. Received only on channel 10 (09H) in

the GM mode, affecting all tracks. 30H: Drums Parameter Change 47H: Panpot knH: Key Number

* Also included in the panel key code in

the Common Voice mode (because

conversion is not possible). Included in

the GM key code in the GM mode.

* When kn = 01 pan is set to the value

specified in pn.

When kn = 02 the pan for all keys is set

to the pin point specified in pn. pnH: Pan

* When kn = 01 pan is set to the value

specified in pn.

pn= 00: Normal DOC Setting

= 01: Narrow DOC left

= 02: Narrow DOC center

= 03: Narrow DOC right

= 04: Normal GM Setting

= 05: Narrow GM left

= 06: Narrow GM center

= 07: Narrow GM right

* Normal pan value used when kn is other

than 01.

However, values 48…4F are also set to

pin-point center.

• Drum Kit Assign [F0H] [43H] [73H] [xxH] [11H] [0nH] [30H] [40H] [knH] [skH] [F7H]

11H: Clavinova special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the CVP’94, affecting channel 15 (0EH) only. Received only on channel 10 (09H) in the GM mode, affecting channel 10

(09H) only. 30H: Drums Parameter Change 40H: Instrument Assign knH: Key Number

* Also included in the panel key code in

the DOC Voice mode (because conver-

sion is not possible). Included in the GM

key code in the GM mode. skH: Source Kit Number

• Absolute Tempo [F0H] [43H] [73H] [yyH] [11H] [1nH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-89= 36H) 11H= Clavinova special control code 1nH= Control MIDI Change

(Transmit: n = Control Change number)

(Receive: any channel OK) cc= Absolute tempo low byte dd= Absolute tempo high byte

Tempo= dd*128+ccH

• Beat, Tempo LED ON/OFF [F0H] [43H] [73H] [yyH] [11H] [4FH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID

(CVP-89= 36H, or common 01H) 11H= Clavinova special control code 4FH= Control MIDI Change ccH= 00H: Beat lamp on/off

01H: Tempo lamp on/off ddH= 00H: On

7FH: Off

9. OTHER SYSTEM EXCLUSIVE MESSAGES

• General MIDI Mode On [F0H] [7EH] [7FH] [09H] [xxH] [F7H]

7EH= Universal Non-Real Time 7FH= ID of target device 09H= Sub-ID #1 General MIDI Message xxH= Substatus

xxH Information 01H General MIDI On 02H General MIDI Off

* All sound off and all parameters are reset

to their default values when [01H] is received.

• Master Tuning [F0H] [43H] [1nH] [27H] [30H] [00H] [00H] [mmH] [llH] [ccH] [F7H]

43H= YAMAHA ID 1nH= Ignored 27H 30H 00H 00H mmH= (mm<<4)+ll; 1step=1cent llH= mm=08H, ll=00H; ±0cent ccH= Ignored

vi

• Master Volume

7FH= Universal Real Time 7FH= ID of target device 04H 01H llH= Ignored mmH= Volume data

• All MIDI data available for general use are given above.

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vii

Voice List/Stimmenverzeichnis/Liste des voix

Panel Voices (1—12)/Voices 13—60

Voice

MIDI DOC mode

No.

Program

No.

1 00 12 Piano 100 OFF 2 01 68 Clavinova Tone 100 ON 3 02 50 E. Piano 100 OFF 4 03 14 Harpsichord 100 OFF 5 04 16 Vibes 100 OFF 6 05 24 Guitar 200 OFF 7 06 08 Strings 100 OFF 8 07 76 Organ 100 OFF

9 08 42 Choir 100 OFF 10 09 28 Upright Bass 200 OFF 11 10 30 Elec Bass 200 OFF 12 11 126 Drums 300 OFF 13 12 00 Brass 200 OFF 14 13 73 Pop Brass 200 OFF 15 14 01 Trumpet 200 OFF 16 15 40 Mute Trumpet 200 OFF 17 16 02 Horn 200 OFF 18 17 03 Sax 200 OFF 19 18 77 Sax Soft 200 OFF 20 19 04 Clarinet 200 OFF 21 20 05 Oboe 200 OFF 22 21 06 Flute 200 OFF 23 22 07 Accordion 100 OFF 24 23 41 Harmonica 100 OFF 25 24 74 Strings Soft 100 OFF 26 25 09 Violin 100 OFF 27 26 75 Violin Hard 100 OFF 28 27 10 Full Organ 100 OFF 29 28 11 Jazz Organ 1 100 ON 30 29 20 Synth Brass 200 ON 31 30 44 Synth Wood 200 ON 32 31 45 Synth Strings 100 ON 33 32 46 Synth Choir 100 ON 34 33 51 Piano Bright 100 OFF 35 34 48 Piano Soft 100 OFF 36 35 13 E. Piano DX 100 ON 37 36 22 Synth Crystal 200 ON 38 37 15 Celesta 100 OFF 39 38 17 Marimba 100 OFF 40 39 53 Folk Guitar 200 OFF 41 40 25 Jazz Guitar 1 200 OFF 42 41 72 Jazz Guitar 2 200 OFF 43 42 26 Rock Guitar 1 200 ON 44 43 69 Rock Guitar 2 200 OFF 45 44 70 Mute Guitar 200 ON 46 45 55 Banjo 200 OFF 47 46 56 Pizzicato 200 OFF 48 47 57 Harp 200 OFF 49 48 71 U. Bass Soft 200 OFF 50 49 29 E. Bass Soft 200 OFF 51 50 78 E. Bass Heavy 200 OFF 52 51 31 Synth Bass 200 OFF 53 52 23 Timpani & Orch. Hit 300 OFF 54 53 80 Bassoon 200 OFF 55 54 81 Chamber Strings 100 OFF 56 55 82 Jazz Organ 2 100 OFF 57 56 88 Rock Guitar 3 200 ON 58 57 89 Cosmic 1 200 ON 59 58 90 Cosmic 2 200 ON 60 59 91 Cosmic 3 200 OFF

MIDI

Program No.

Name

Pitch Bend

Range (Cent)

Chorus

On/Off

* Available only in DOC mode MIDI reception

Flute 2: program number 79 Orch. Hit: program number 92

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/Lista de voces

GM Mode

Voice

MIDI

No.

Program

Name

No.

Piano

1 00 Acoustic Grand Piano 2 01 Bright Acoustic Piano 3 02 Electric Grand Piano 4 03 Honky-tonk Piano 5 04 Electric Piano 1 6 05 Electric Piano 2 7 06 Harpsichord 8 07 Clavi

Chromatic Percussion

9 08 Celesta 10 09 Glockenspiel 11 10 Music Box 12 11 Vibraphone 13 12 Marimba 14 13 Xylophone 15 14 Tubular Bells 16 15 Dulcimer

Organ

17 16 Drawbar Organ 18 17 Percussive Organ 19 18 Rock Organ 20 19 Church Organ 21 20 Reed Organ 22 21 Accordion 23 22 Harmonica 24 23 Tango Accordion

Guitar

25 24 Acoustic Guitar (nylon) 26 25 Acoustic Guitar (steel) 27 26 Electric Guitar (jazz) 28 27 Electric Guitar (clean) 29 28 Electric Guitar (muted) 30 29 Overdriven Guitar 31 30 Distortion Guitar 32 31 Guitar Harmonics

Bass

33 32 Acoustic Bass 34 33 Electric Bass (finger) 35 34 Electric Bass (pick) 36 35 Fretless Bass 37 36 Slap Bass 1 38 37 Slap Bass 2 39 38 Synth Bass 1 40 39 Synth Bass 2

Strings

41 40 Violin 42 41 Viola 43 42 Cello 44 43 Contrabass 45 44 Tremolo Strings 46 45 Pizzicato Strings 47 46 Orchestral Harp 48 47 Timpani

Voice

No.

MIDI

Program

Name

No.

Ensemble

49 48 Strings Ensemble 1 50 49 Strings Ensemble 2 51 50 Synth Strings 1 52 51 Synth Strings 2 53 52 Choir Aahs 54 53 Voice Oohs 55 54 Synth Voice 56 55 Orchestra Hit

Brass

57 56 Trumpet 58 57 Trombone 59 58 Tuba 60 59 Muted Trumpet 61 60 French Horn 62 61 Brass Section 63 62 Synth Brass 1 64 63 Synth Brass 2

Reed

65 64 Soprano Sax 66 65 Alto Sax 67 66 Tenor Sax 68 67 Baritone Sax 69 68 Oboe 70 69 English Horn 71 70 Bassoon 72 71 Clarinet

Pipe

73 72 Piccolo 74 73 Flute 75 74 Recorder 76 75 Pan Flute 77 76 Blown Bottle 78 77 Shakuhachi 79 78 Whistle 80 79 Ocarina

Synth Lead

81 80 Lead 1 (square) 82 81 Lead 2 (sawtooth) 83 82 Lead 3 (calliope) 84 83 Lead 4 (chiff) 85 84 Lead 5 (charang) 86 85 Lead 6 (voice) 87 86 Lead 7 (fifth) 88 87 Lead 8 (bass+Lead )

Voice

No.

MIDI

Program

Name

No.

Synth Pad

89 88 Pad 1 (new age) 90 89 Pad 2 (warm) 91 90 Pad 3 (polysynth) 92 91 Pad 4 (choir) 93 92 Pad 5 (bowed) 94 93 Pad 6 (metallic) 95 94 Pad 7 (halo) 96 95 Pad 8 (sweep)

Synth Effects

97 96 FX 1 (rain) 98 97 FX 2 (soundtrack) 99 98 FX 3 (crystal) 100 99 FX 4 (atmosphere) 101 100 FX 5 (brightness) 102 101 FX 6 (goblins)2 103 102 FX 7 (echoes) 104 103 FX 8 (sci-fi)

Ethnic

105 104 Sitar 106 105 Banjo 107 106 Shamisen 108 107 Koto 109 108 Kalimba 110 109 Bagpipe 111 110 Fiddle 112 111 Shanai

Percussive

113 112 Tinkle Bell 114 113 Agogo 115 114 Steel Drums 116 115 Woodblock 117 116 Taiko Drum 118 117 Melodic Tom 119 118 Synth Drum 120 119 Reverse Cymbal

Sound Effects

121 120 Guitar Fret Noise 122 121 Breath Noise 123 122 Seashore 124 123 Bird Tweet 125 124 Telephone Ring 126 125 Helicopter 127 126 Applause 128 127 Gunshot

viii

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ix

Percussion Kit List/Ver zeichnis der Schlagzeug- und Percussion-

Keyboard Percussion (Voice No. 12: Drums) DOC/GM Mode

No. Key Normal Kit Processed Kit

45 A1 Cymbal Mute Cymbal Mute 46 A#1 — Bell Tree 47 B1 — Storm/Thunder 48 C2 — Applause 49 C#2 — Hand Cymbal 50 D2 — Scratch 51 D#2 — Space Hit 52 E2 — Down Zap 53 F2 — Up Zap 54 F#2 Brush Roll Noise Roll 55 G2 — Hi-Q 56 G#2 Hi-Hat Closed Heavy Analog Hi-Hat 57 A2 — Voice Huh 58 A#2 Crash Cymbal Light Chinese Cymbal 59 B2 Bass Drum Light Bass Drum Analog Deep 60 C3 Snare Drum+Rim Heavy Snare Drum Low Rim Shot 61 C#3 Ride Cymbal Cup Ride Cymbal Cup 62 D3 Snare Drum + Rim Light Snare Drum High Rim Shot 63 D#3 — Voice Ha! 64 E3 — Voice Ao! 65 F3 Bass Drum Normal Bass Drum Analog Tight 66 F#3 Rim Shot Rim Shot 67 G3 Snare Drum Heavy Processed Snare Drum Mix 68 G#3 Brush Shot Noise Shot 69 A3 Snare Drum Light Snare Drum Analog 70 A#3 Hi-Hat Pedal Hi-Hat Pedal 71 B3 Snare Drum Echo Snare Drum Techno 72 C4 Tom 4 Fix Pitch Electric Tom 4 73 C#4 Hi-Hat Closed Normal Hi-Hat Closed 74 D4 Tom 3 Fix Pitch Electric Tom 3 75 D#4 Hi-Hat Open Hi-Hat Open 76 E4 Tom 2 Fix Pitch Electric Tom 2 77 F4 Tom 1 Fix Pitch Electric Tom 1 78 F#4 Ride Cymbal Normal Ride Cymbal 79 G4 Electric Tom 3 Sweep Electric Tom 3 80 G#4 Crash Cymbal Normal Crash Cymbal 81 A4 Electric Tom 2 Sweep Electric Tom 2 82 A#4 — Crash Cymbal Reverse 83 B4 Electric Tom 1 Sweep Electric Tom 1 84 C5 Conga Low Synth Conga Low 85 C#5 Cabasa Synth Cabasa 86 D5 Conga High Synth Conga High 87 D#5 Metronome Metronome 88 E5 Bongo High Synth Bongo High 89 F5 Timbale Low Timbale Low 90 F#5 Claves Synth Claves 91 G5 Timbale High Timbale High 92 G#5 Castanets Castanets 93 A5 Cuica Low Synth Cuica Low 94 A#5 Cowbell Cowbell 95 B5 Cuica High Synth Cuica High 96 C6 Hand Clap Analog Hand Clap 97 C#6 Agogo Low Synth Agogo Low 98 D6 — Finger Snap

99 D#6 Agogo High Synth Agogo High 100 E6 Bongo Low Synth Bongo Low 101 F6 — — 102 F#6 Tambourine Synth Tambourine 103 G6 — — 104 G#6 Triangle Closed Triangle Closed 105 A6 — — 106 A#6 Triangle Open Triangle Open

•

• Cymbals can be muted by pressing the A1 key.

• Hi-Hat Open (D#4) is muted by Hi-Hat Closed Heavy (G#2), Hi-Hat Closed Normal (C#4) and HiHat Pedal (A#3).

• Brush Roll (F#2) is muted by Brush Shot (G#3).

• Triangle Open (A#6) is muted by Triangle Closed (G#6).

• Beckenklänge können durch Drücken der Taste A1 gedämpft werden.

• HI-HAT OPEN (D#4) wird durch HI-HAT CLOSED HEAVY (G#2), HI-HAT CLOSED NORMAL (C#4) und HI-HAT PEDAL (A#3) gedämpft.

• BRUSH ROLL (F#2) wird durch BRUSH SHOT (G#3) gedämpft.

• TRIANGLE OPEN (A#6) wird durch TRIANGLE CLOSED (G#6) gedämpft.

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Les cymbales peuvent être assourdies en appuyant sur

la touche A1.

• HI-HAT OPEN (D#4) est assourdi par HI-HAT CLOSED HEAVY (G#2), HI-HAT CLOSED NORMAL (C#4) et HI-HAT PEDAL (A#3).

• BRUSH ROLL (F#2) est assourdi par BRUSH SHOT (G#3).

• TRIANGLE OPEN (A#6) est assourdi par TRIANGLE CLOSED (G#6).

• Los platillos podrán silenciarse presionando la tecla A1.

• HI-HAT OPEN (D#4) se silencian con HI-HAT CLOSED HEAVY (G#2), HI-HAT CLOSED NORMAL (C#4) y HI-HAT PEDAL (A#3).

• BRUSH ROLL (F#2) se silencia con BRUSH SHOT (G#3).

• TRIANGLE OPEN (A#6) se silencia con TRIANGLE CLOSED (G#6).

No. Key 129: Standard Kit

21 A-1 Cymbal Mute — 22 A#-1 — — 23 B-1 — — 24 C0 — Square Click 25 C#0 — Brush Tap 26 D0 — Brush Swirl Lo 27 D#0 — Brush Slap 28 E0 — Brush Swirl Hi 29 F0 — SD Roll 30 F#0 Brush Roll Castanets 31 G0 — SD Lo 32 G#0 HI-HAT Closed Heavey Sticks 33 A0 — BD Lo 34 A#0 Crash Cymbal Light Open Rim Shot 35 B0 BD Light BD Mid 36 C1 SD Rim Heavey BD Hi 37 C#1 Ride Cymbal Cup Closed Rim Shot 38 D1 SD Rim Light SD Mid 39 D#1 — Hand Clap 40 E1 — SD Hi 41 F1 BD Normal Floor Tom Lo 42 F#1 Rim Shot Hi-Hat Closed 43 G1 SD Heavy Floor Tom Hi 44 G#1 Brush Shot Hi-Hat Pedal 45 A1 SD Light Tom Lo 46 A#1 HI-HAT Pedal Hi-Hat Open 47 B1 SD Echo Tom Lo Mid 48 C2 Tom 4 Tom Hi Mid 49 C#2 HI-HAT Closed Normal Crash Cymbal 50 D2 Tom 3 Tom Hi 51 D#2 HI-HAT Open Ride Cymbal 1 52 E2 Tom 2 Chinese Cymbal 53 F2 Tom 1 Ride Cymbal Cup 54 F#2 Ride Cymbal Normal Tambourine 55 G2 E. Tom 3 Splash Cymbal 56 G#2 Crash Cymbal Normal Cowbell 57 A2 E. Tom 2 Crash Cymbal 2 58 A#2 — Vibraslap 59 B2 E. Tom 1 Ride Cymbal 2 60 C3 Conga Lo Bongo Hi 61 C#3 Cabasa Bongo Lo 62 D3 Conga Hi Conga Hi Mute 63 D#3 Metronome Conga Hi Open 64 E3 Bongo Hi Conga Lo 65 F3 Timbale Lo Timbale Hi 66 F#3 Claves Timbale Lo 67 G3 Timbale Hi Agogo Hi 68 G#3 Castanets Agogo Lo 69 A3 Cuica Lo Cabasa 70 A#3 Cowbell Maracas 71 B3 Cuica Hi Samba Whistle Hi 72 C4 Hand Clap Samba Whistle Lo 73 C#4 Agogo Lo Guiro Short 74 D4 — Guiro Long 75 D#4 Agogo Hi Claves 76 E4 Bongo Lo Wood Block Hi 77 F4 — Wood Block Lo 78 F#4 Tambourine Cuica Hi (Mute) 79 G4 — Cuica Lo (Open) 80 G#4 Triangle Closed Triangle Mute 81 A4 — Triangle Open 82 A#4 Triangle Open Shaker 83 B4 — Jingle Bell 84 C5 — Bell Tree 85 C#5 — One 86 D5 — Two 87 D#5 — Three 88 E5 — Four

DOC Kit GM Kit

Sets/Liste des kits de percussion/Lista de juegos de percusión

x

130: Room Kit 131: Rock Kit 132:

——————— ——————— ——————— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Reverse Cymbal Reverse Cymbal <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Hi-Q Hi-Q <—— <—— <—— Room SD Lo Rock SD Lo Gated SD Lo A. SD Lo Jazz SD Lo Brush Slap Lo Marching SD Lo <—— <—— <—— <—— <—— <—— <—— Room BD Lo Rock BD Lo Gated BD Lo A. BD Lo Jazz BD Lo Jazz BD Lo Gran Cassa Lo <—— <—— <—— <—— <—— <—— <—— Room BD Mid Rock BD Mid Gated BD Mid A. BD Mid Jazz BD Mid Jazz BD Mid Gran Cassa Mid Room BD Hi Rock BD Hi Gated BD Hi A. BD Hi Jazz BD Hi Jazz BD Hi Gran Cassa Hi <—— <—— <—— A. Closed Rim <—— <—— <—— Room SD Mid Rock SD Mid Gated SD Mid A. SD Mid Jazz SD Mid Brush Slap Hi Marching SD Mid <—— <—— <—— <—— <—— <—— <—— Room SD Hi Rock SD Hi Gated SD Hi A. SD Hi Jazz SD Hi Brush Tap Marching SD Hi Room Tom 1 (Lo) Rock Tom 1 (Lo) E. Tom 1 (Lo) A. Tom 1 (Lo) Jazz Tom 1 (Lo) Brush Tom 1 (Lo) Jazz Tom 1 (Lo) <—— <—— <—— A. Hi-Hat Closed Hi Dark Hi-Hat Closed Hi Dark Hi-Hat Closed Hi Dark Hi-Hat Closed Hi Room Tom 2 Rock Tom 2 E. Tom 2 A. Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 <—— <—— <—— A. Hi-Hat Closed Lo Dark Hi-Hat Closed Lo Dark Hi-Hat Closed Lo Dark Hi-Hat Closed Lo Room Tom 3 Rock Tom 3 E. Tom 3 A. Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 <—— <—— <—— A. Hi-Hat Open Dark Hi-Hat Open Dark Hi-Hat Open Dark Hi-Hat Open Room Tom 4 Rock Tom 4 E. Tom 4 A. Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4 Room Tom 5 Rock Tom 5 E. Tom 5 A. Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5 <—— <—— <—— A. Cymbal <—— Brush Ride Cymbal 1 Hand Cymbal Long Lo Room Tom 6 (Hi) Rock Tom 6 (Hi) E. Tom 6 (Hi) A. Tom 6 (Hi) Jazz Tom 6 (Hi) Brush Tom 6 (Hi) Jazz Tom 6 (Hi) <—— <—— <—— <—— <—— Brush Ride Cymbal 2 Hand Cymbal Short Lo <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <——

<—— <—— A. Cowbell <—— <—— <—— <—— <—— <—— <—— <—— <—— Hand Cymbal Long Hi <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Hand Cymbal Short Hi <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— A. Conga Hi <—— <—— <—— <—— <—— <—— A. Conga Mid <—— <—— <—— <—— <—— <—— A. Conga Lo <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— A. Maracas <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— A. Claves <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Scratch Hi Scratch Hi <—— <—— <—— <—— <—— Scratch Lo Scratch Lo <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— ——————— ——————— ——————— ———————

Electronic Kit

133: Analog Kit 134: Jazz Kit 135: Brush Kit 136: Classic Kit

* “<——” indicates the content is the same as that of Standard kit. * “<——” zeigt an, daß der Inhalt identisch mit dem Standardset ist. * “<——” indique que le contenu est le même que celui du kit standard. * “<——” indica que el contenido es el mismo que el del juego estándar.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

xi

Specifications/T echnische Daten/Spécifications /Especificaciones

CVP-89

KEYBOARD 88 KEYS (A-1 — C7)

TONE GENERATOR AWM (Advanced Wave Memory)

VOICE SELECTORS & PIANO, CLAVINOVA TONE, E. PIANO, HARPSICHORD, VIBES, GUITAR, STRINGS, ORGAN, CHOIR, CONTROLS UPRIGHT BASS, ELEC BASS, DRUMS, VOICE 13 - 60, VOICE ▲/▼, SPLIT

(GM 128 voices also available)

AUTO BASS CHORD & FULL KEYBOARD, SINGLE/FINGERED, SOLO STYLEPLAY, RHYTHM VOLUME, CONTROLS CHORD 1 VOLUME, CHORD 2 VOLUME, BASS VOLUME

STYLE SELECTORS & POP, 16 BEAT, DANCE POP, BOOGIE, SLOW ROCK, SWING, JAZZ BALLAD, BOSSA, RHUMBA, MARCH, CONTROLS COUNTRY, WALTZ, STYLE 13-50, STYLE ▲/▼, DISK STYLE 1/2

START/STOP, SYNCHRO START, INTRO/ENDING, NORMAL/FILL TO NORMAL, VARIATION/ FILL TO VARIATION, TEMPO ▲/▼, TAP, METRONOME, LCD Display, BEAT LED, FILL IN Bar (right/left)

DISK STYLE 50 styles (refer to page 26)

KEYBOARD PERCUSSION Normal Kit: 44 instruments, Proccesed Kit: 58 instruments (refer to page 8, ix), GM Drum Kit x 8

REVERB ROOM, HALL 1, HALL 2, COSMIC

CUSTOM RHYTHM CUSTOM RHYTHM, PROGRAM

REGISTRATION REGISTRATION, MEMORY

DISK ORCHESTRA SONG/PHRASE NUMBER, RIGHT/1, LEFT/2, ORCH/3-10, RHYTHM, PHRASE REPEAT, GUIDE,

DISK DRIVE & CONTROLS 3.5" 2DD Micro Floppy Disk Drive.

PEDAL CONTROLS DAMPER

OTHER CONTROLS MASTER VOLUME, UTILITY, DEMO, POWER

JACKS & CONNECTORS PHONES x 2, AUX OUT R and L/L + R, AUX IN R and L, MIDI IN/OUT/THRU, EXP PEDAL, MIC., MIC. VOL.

INPUT & OUTPUT AUX OUT: Output Impedance 600 Ω LEVEL/IMPEDANCE AUX IN: Input Impedance 10 kΩ /Input Sensitivity -10dBm

MAIN AMPLIFIERS 100 W (50W x 1) + (25W x 2)

SPEAKERS 18 cm (7”) x 1, 13 cm (5-1/8”) x 2, 2.5 cm (1”) x 2, 8 cm (3-1/8”) x 2

DIMENSIONS

(W x D x H)

WEIGHT 83 kg (183 lbs.)

RIGHT

CENTER

LEFT

Music stand down

Music stand up

LAMP CANCEL, START/STOP, REW, FF, PAUSE, REC, CHORD SEQUENCE, SONG SELECT

SOSTENUTO

SOFT (START/STOP, RHYTHM BREAK, PITCH BEND, SOLO STYLEPLAY)

1434 mm x 665.6 mm x 844.8 mm (56-1/2” x 26-1/4” x 33-1/4”)

1434 mm x 665.6 mm x 1014.8 mm (56-1/2” x 26-1/4” x 40”)

* Specifications subject to change without notice. * Änderungen ohne Vorankündigung vorbehalten. * Sous toute réserve de modification des caractéristiques sans préavis. * Especificaciones sujetas a cambios sin previo aviso.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Fingering Chart/Akkordliste/Tablature/Gráfica de digitado

* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.

xii

C

D (C )

D

E (D )

E

F

b

#

b

#

Major Dur Majeur Mayor

Cm

D m

b

#

(C m)

Dm

b

E m

#

(D m)

Em

Fm

Minor Moll Mineur Menor

Seventh Dur-Septakkord Septième Séptima

C

7

b

D

7

#

(C )

7

D

7

b

E

7

#

(D )

7

E

7

F

7

Minor seventh Moll-Septakkord Mineure septième Menor de séptima

Cm

7

D m

b

7

#

(C m )

7

Dm

7

b

E m

7

#

(D m )

7

Em

7

Fm

7

F

#

b

(G )

G

A

b

#

(G )

A

B

b

##

(A )

B

F m

#

b

(G m)

Gm

A m

b

#

(G m)

Am

B m

b

(A m)

Bm

F

#

7

b

(G )

7

G

7

A

b

7

#

(G )

7

A

7

B

b

7

##

(A )

7

B

7

F m

#

b

(G m )

Gm

7

A m

b

#

(G m )

Am

7

B m

b

(A m )

Bm

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

xiii

Fingering Chart/Akkordliste/Tablature/Gráfica de digitado

Major seventh Dur-Akkord mit großer

Septime Majeure septième Mayor de séptima

CM

7

D M

b

7

#

(C M )

7

DM

7

b

E M

7

#

(D M )

7

EM

7

FM

7

Minor major seventh Moll-Akkord mit großer

Septime Septième majeure sur

mineur Menor de séptima mayor

CmM

7

D mM

bb

7

#

(C mM )

7

DmM

7

b

E mM

7

#

(D mM )

7

EmM

7

FmM

7

Caug

D aug (C aug)

Daug

b

E aug

#

(D aug)

Eaug

Faug

Augmented Übermäßig Augmenté Aumentado

#

Cdim

D dim

b

#

(C dim)

Ddim

b

E dim

#

(D dim)

Edim

Fdim

Diminished Vermindert Diminué Disminuida

F M

#

7

b

(G M )

GM

7

A M

b

7

#

(G M )

AM

7

B M

b

7

#

(A M )

BM

7

F mM

#

7

b

(G mM )

GmM

7

A mM

b

7

#

(G mM )

AmM

7

B mM

b

7

#

(A mM )

BmM

7

F aug

#

b

(G aug)

Gaug

b

A aug

#

(G aug)

Aaug

B aug

b

#

(A aug)

Baug

F dim

#

b

(G dim)

Gdim

b

A dim

#

(G dim)

Adim

B dim

b

#

(A dim)

Bdim

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Fingering Chart/Akkordliste/Tablature/Gráfica de digitado

xiv

Sixth Dur-Akkord mit

hinzugefügter Sexte Sixte Sexta

C

6

D

b

6

#

(C )

6

D

6

b

E

6

#

(D )

6

E

6

Suspended fourth Vorgehaltene

Quarte Quarte sur sensible Cuarta suspendida

Csus

4

D sus

b

4

#

(C sus )

4

Dsus

4

b

E sus

4

#

(D sus )

4

Esus

4

Minor seventh flatted fifth Moll-Septakkord mit

verminderter Quinte Quinte diminuée sur

mineure septième Menor de séptima y quinta

bemol

(b5)

Cm

7

(

b

5)

D m

b

7

(b5)

#

(C m )

7

(

b

5)

Dm

7

(

b

5)

b

E m

7

(

b

5)

#

(D m )

7

b

5)

(

Em

7

Major seventh flatted fifth Dur-Akkord mit großer

Septime und verminderter Quinte

Quinte diminuée sur majeure septième

Mayor de séptima y quinta bemol

b

5)

(

CM

7

(

b

5)

D M

b

7

#

b

5)

(

(C M )

7

(

b

5)

DM

7

(

b

5)

b

E M

7

b

5)

(

#

(D M )

7

b

5)

(

EM

7

F

6

F

#

6

b

(G )

G

6

A

6

b

#

(G )

A

6

B

b

6

#

(A )

B

6

(

b

5)

Fsus

4

F sus

#

4

b

6

(G sus )

Gsus

4

A sus

b

#

(G sus )

Asus

4

B sus

b

4

#

(A sus )

Bsus

4

Fm

7

F m

(b5)

#

7

(

b

(G m )

7

(b5)

Gm

7

(

b

5)

A m

b

7

#

(G m )

(

b

7

(

b

5)

Am

7

B m

b

5)

(

b

7

#

(A m )

b

(

7

(

b

5)

Bm

7

5)

(

b

5)

FM

7

F M

b

5)

#

(

7

b

5)

b

(

(G M )

7

(

b

5)

GM

7

(

b

5)

A M

b

7

#

(G M )

(

b

5)

7

(

b

5)

AM

7

B M

b

5)

b

(

7

#

(A M )

(

b

5)

7

BM

(

b

5)

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

xv

Fingering Chart/Akkordliste/Tablature/Gráfica de digitado

Minor major seventh flatted fifth Moll-Akkord mit großer Septime

und verminderter Quinte Septième majeure sur mineur

quinte diminué Menor mayor de séptima y

quinta bemol

(b5)

CmM

7

(

b

5)

D mM

b

7

#

(

b

(C mM )

5)

7

Minor sixth Moll-Akkord mit

hinzugefügter Sexte Mineure sixte Menor de sexta

Cm

6

D m

b

6

#

(C m )

6

Seventh suspended fourth Dur-Septakkord mit

vorgehaltener Quarte Quarte sur septième sensible Séptima y cuarta suspendida

C sus

4

7

D sus

b

4

7

(C sus )

#

4

7

Flatted fifth Verminderter Quinte Quinte diminuée Quinta bemol

(b5)

C

(

b

5)

b

D

(

b

5)

#

(C )

(

b

5)

DmM

7

(

b

5)

b

E mM

7

(

b

5)

#

(D mM )

7

b

5)

(

EmM

7

(

b

5)

FmM

7

F mM

b

5)

(

#

7

(b5)

b

(G mM )

7

(

b

5)

GmM

7

(

b

A mM (G mM )

AmM

5)

b

7

#

(

b

5)

7

(

b

5)

7

Dm

6

b

E m

6

#

(D m )

Em

6

Fm

6

F m

#

6

b

(G m )

Gm

6

A m

b

#

(G m )

Am

6

(

b

5)

D sus

4

7

b

E sus

4

7

#

(D sus )

4

6

7

E sus

4

7

F sus

4

7

F sus

#

4

7

b

(G sus )

7

G sus

4

7

A sus

b

7

#

(G sus )

7

A sus

7

4

D

(

b

5)

b

E

(

b

5)

#

(D )

b

5)

(

E

(

b

5)

F

b

5)

(

#

F

(

b

(G )

b

5)

(

G

(

b

5)

A

b

(

b

5)

#

(G )

(

b

5)

A

5)

b

5)

(

B

B sus

(

B mM

b

5)

b

7

#

(A mM )

(

b

5)

7

(

b

5)

BmM

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

B m

b

#

(A m )

Bm

6

b

7

#

(A sus )

7

B sus

7

4

b

(

b

#

(A )

(

b

5)

B

5)

Fingering Chart / Akkordliste/T ablature/ Gráfica de digitado

xvi

Minor flatted fifth Moll-Akkord mit

verminderter Quinte Mineure quinte diminuée Menor de quinta bemol

(b5)

Cm

(

b

5)

D m

b

(

b

5)

#

(C m )

(

b

5)

Dm

(

b

5)

b

E m

(

b

5)

#

(D m )

b

5)

(

Em

Seventh flatted fifth Dur-Septakkord mit

verminderter Quinte Quinte diminuée en

septième Séptima y quinta bemol

(b5)

C

7

(

b

5)

b

D

7

(

b

5)

#

(C )

7

(

b

5)

D

7

(

b

5)

b

E

7

(

b

5)

#

(D )

7

b

5)

(

E

7

Seventh sharp fifth Dur-Septakkord mit

erhöhter Quinte Septième ajoutée sur

quinte Séptima y quinta

sostenida

(#5)

C

7

(#5)

b

D

7

(

#

5)

#

(C )

7

(

#

5)

D

7

(

#

5)

b

E

7

(

#

5)

#

(D )

7

#

5)

(

E

7

Major seventh sharp fifth Dur-Akkord mit großer

Septime und erhöhter Quinte Majeure septième ajoutée

sur quinte Mayor de séptima y quinta

sostenida

(#5)

CM

7

(

#

5)

D M

b

7

#

5)

(

(C M )

7

(

#

5)

DM

7

(

#

5)

b

E M

7

#

5)

(

#

(D M )

7

(

#

5)

EM

7

(

b

5)

Fm

b

5)

(

F m

#

(

b

5)

b

(G m )

b

5)

(

Gm

(

b

5)

A m

b

(

b

5)

#

(G m )

(

b

5)

Am

b

5)

(

B m

b

#

(

b

5)

(A m )

(

b

5)

Bm

(

b

5)

F

7

b

5)

(

F

#

7

(

b

(G )

7

b

5)

(

G

7

(

b

5)

A

b

7

(

b

5)

#

(G )

7

(

b

5)

A

7

b

5)

(

B

b

7

#

(

b

(A )

7

(

b

5)

B

7

(

#

5)

F

7

#

5)

(

F

#

7

5)

(

#

5)

b

(G )

7

(

#

5)

G

7

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#

5)

A

b

7

(

#

5)

#

(G )

7

(

#

5)

A

7

(

#

5)

B

b

7

#

(

#

5)

(A )

7

(

#

5)

B

7

(

#

5)

FM

7

F M

#

5)

#

(

7

#

b

(

(G M )

7

(

#

5)

GM

7

(

#

5)

A M

b

7

#

(G M )

#

(

7

(

#

5)

AM

7

B M

(

#

5)

b

7

#

(A M )

(#5)

7

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MIDI Implementation Chart

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FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or

another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

BLUE : NEUTRAL BROWN : LIVE

electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

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IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change

in performance; or e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

92-469-2

PLEASE KEEP THIS MANUAL

VS18130 410POCP5.2-02B0 Printed in Japan

Yamaha CVP-89 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual