• The software and this user guide are the exclusive copyrights of Yamaha Corporation.
• Copying of the software or reproduction of this user guide in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
• Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this user guide and the software.
• The screen displays as illustrated in this user guide are for instructional purposes, and may appear somewhat different from the screens which appear on your computer.
• For information on modification of system software, certain functions, or specifications due to version update of the application, please visit the following website: <a href="https://www.yamahaproaudio.com/">https://www.yamahaproaudio.com/</a>
• Windows is a registered trademark of Microsoft Corporation in the U.S. and other countries.
• The company names and product names in this user guide are the trademarks or registered trademarks of their respective companies.
1. Introduction | 3 |
---|---|
1.1. Overview | 3 |
1.2. Supported models | 3 |
2. Conversion procedure | 4 |
2.1. Procedure overview | |
2.2.
|
|
2 3
|
5 |
2.4
|
6 |
3 Reference | 7 |
3.1 Conversion Ontions | 7 |
3.2 Conversion between PM5D and M7CI | 10 |
3.2.1 Channel matching | |
3.2.2. Conversion Overview –between PM5D and M7CL | |
3.2.3. Library link – HA & Channel Name (in Input Patch/Output Patch libraries) | |
3.3. Conversion between PM5D and CL/QL | 15 |
3.3.1. Channel matching | 15 |
3.3.2. Conversion Overview –between PM5D and CL/QL | 15 |
3.4. Conversion between M7CL and LS9 | 19 |
3.4.1. Channel matching | 19 |
File Converter matches both models' channels as shown below. | |
3.4.2. Conversion Overview –between M7CL and LS9 | |
3.5. Conversion between M7CL and CL/QL | |
3.5.1. Channel matching | |
3.5.2. Conversion Overview –between M7CL and CL/QL | |
3.6. Conversion between LS9 and CL/QL | 24 |
3.6.1. Channel matching | |
3.6.2. Conversion Overview – between LS9 and CL/QL | |
3.7. Conversion between RIVAGE PM and CL/QL | |
3.7.1. Channel matching | |
3.7.2. Conversion Overview –between RIVAGE PM and CL/QL | |
3.8. "Recall Filter" Treatment |
This Console File Converter converts common parameters between different models. But because of different specifications among the models, there are some parameters which cannot be directly converted. These parameters are given a default setting or substitute setting.
Here is the compatibility overview
This converter converts the above data from the libraries, Current scenes, and scenes in the Scene list in the each library list. Data in the CL/QL Dante Input Patch library, and the PM5D GEQ library is not converted.
After conversion, parameters which are filled by their default value, and the global setup, may need to be edited manually.
Please refer to compatibility details listed in section "3.Reference".
Console File Converter supports the data formats of the following five console series.
PM5D series | M7CL series | LS9 series | CL/QL series | RIVAGE PM series |
---|---|---|---|---|
PM5D V2 | M7CL-32 V3.5 | LS9-16 | CL5 | PM10 |
PM5D-RH V2 | M7CL-48 V3.5 | LS9-32 | CL3 | PM7 |
DSP5D | M7CL-48ES V3.5 | CL1 | PM5 | |
QL5 | PM3 | |||
QL1 |
Conversions are supported between the following model pairs.
However, some data formats created by certain versions of the firmware and editor are not supported. For the latest information about the supported versions, refer to the Yamaha Pro Audio Website (https://www.yamahaproaudio.com/).
There are three steps to convert a console file.
Step1: Prepare the source file for desired result Step2: Conversion with Console File Converter Step3: Edit initialized parameters of the converted file
This section explains the conversion procedure step by step.
2.2. <Step1> Source file preparation
There are two options for preparing the source Console File* (*Console File is a file format which can be saved/loaded by both console and Studio Manager. Console models have their own file extension such as .pm5, .m7c, .ls9, .clf.)
(.pm5, .m7c, .ls9, .clf, .pm10all, .pm10part, .pm7all, .pm7part, .rivagepm), not Editor File (.yse, .cle).
🔊 Yamaha Console File Converter V5.2 | - | × | |
F ile H elp | |||
Source | |||
Source File :
From Scene 1 © To Scene 300 © |
Oper | n | |
Destination | |||
Options | |||
Select
Destination Model |
|||
Conve | 4 | Gano | el |
Quind | ogici |
This screenshot is an example.
Change the range by up/down buttons or manual direct input. Range is from 001 to 300 in PM5D, CL/QL, M7CL, and LS9. Although the range is from 1.00 to 999.99 in the RIVAGE PM, scenes are stored consecutively from number 1 up to 300, when converting to other models.
Press "Convert" button. If the same file already exists, an overwrite confirmation message will be shown.
The source file will be converted to a new file with the same name, but new file extension (e.g. m7c, pm5, I9a, clf, pm10all, etc.). The new file will be saved in the same folder as the source file.
- For converting to RIVAGE PM, the extension will be ".PM10ALL". You can read it as is in other than PM10.
When converted files are loaded, some parameters (e.g. Pair/Channel Link, Patch, Wordclock) are given their default setting or a substitute setting. Before starting to mix, such parameters may need editing. Here is an example:
- Step 3a. Load the converted file into destination console, Studio Manager, CL Editor, QL Editor, or RIVAGE PM Editor.
Specific libraries and scenes can be loaded individually.
- Open the required scene or library from the Scene window or Library window on the CL Editor or QL Editor.
- Load the required scene or library on the LOAD SELECT window.
- Load the required scene or library from a USB flash drive on the CL/QL/RIVAGE PM LOAD SELECT window.
- Load the required scene or library from a memory card on the PM5D LOAD window.
- Load the converted file into Studio Manager, then on the SCENE window or LIBRARY window, save the required individual scene or library. Synchronise with the LS9/M7CL/PM5D, and load the scene or library when ready.
- Step 3b. After recalling the first Scene in the conversion range, edit Input Patch and Output Patch including Insert/Direct out/Effect patch, and store the Scene. Also, change the Key In Source if necessary.
With PM5D, store the edited Patch setting to the Input Patch/Output Patch library which is linked to the Scene in order to avoid being overwritten by other Scene recalls. In the case of M7CL/LS9/CL/QL/RIVAGE PM, apply Recall Safe for patches. If you use multiple Patch settings in the range of scenes, create multiple Library Links in PM5D. Alternatively, utilize the Focus Recall function in M7CL/LS9/CL/QL/RIVAGE PM to recall the desired Patch.
- Step 3c. Edit Pair/Channel Link setup in each converted Scene by recalling, editing and storing one by one. (For conversion between PM5D/RIVAGE PM and other models)
- Step 3d. Edit Focus/Selective Recall setup in each Scene (for partial recall purpose) if necessary.
- Step 3e. Re-apply additional Recall Safe settings for other parameters depending on the original reason for using Recall Safe in the source file.
- Step 3f. In RIVAGE PM, HA settings (Gain and Phantom) are not converted.
This Reference section shows in detail how parameters are actually converted.
Console File Converter allows you to select the convert options indicated in the following table and convert data.
Destination | ||||||||
---|---|---|---|---|---|---|---|---|
PM5D | M7CL | LS9 | CL/QL | RIVAGE PM | ||||
Source | PM5D | - |
Option1
Option2 Option3 Option5 |
N/A |
Option1
Option4 Option5 Option6 |
N/A | ||
M7CL |
Option1
Option2 Option3 Option5 |
- | Option1 |
Option1
Option2 Option4 |
N/A | |||
LS9 | N/A | Option1 | - |
Option1
Option4 |
N/A | |||
CL/QL |
Option1
Option5 Option6 |
Option1
Option2 |
Option1 | - | Option6 | |||
RIVAGE
PM |
N/A | N/A | N/A | Option6 | - |
Option 1: Set Output Channel EQ and Dynamics to default values
Option 2: Convert between Matrix1-8 and Mix17-24
Option 3: Convert between ST IN and FX RTN
Option 4: Convert between Attenuator and Digital Gain
Option 5: Convert from/to Gate Library
Option 6: Convert from/to CL/QL 8Band PEQ Library
Note: Option 2 and Option 3 cannot be specified at the same time.
CL/QL | PM5D | M7CL | LS9 | RIVAGE PM | |
---|---|---|---|---|---|
INPUT CH | 1–199 | 1–199 *3 | 1–199 | N/A | 1–100 *3 |
OUTPUT CH | 1–199 | 1–199 *4 | 1–199 | N/A | 1–100 *4 |
DYNAMICS | 42–199 | *1 | 42–199 | 42–199 | 1–199 |
INPUT EQ | 41–199 | 41–199 | 41–199 | 41–199 | 1–199 |
OUTPUT EQ | 4–199 | 4–199 *2 | 4–199 | 4–199 | 1–199 *2 |
8Band PEQ | 1–199 | N/A | N/A | N/A | 1–199 |
EFFECT | 28–199 | 56–199 | 58–199 | 58–199 | Each type, 1-100 |
GEQ | 1–199 | N/A | 1–199 | 1–199 | 1–199 |
PREMIUM RACK |
Each type, 1-
100 |
N/A | N/A | N/A | Each type, 1-100 |
DANTE INPUT
PATCH |
1–10 | N/A | N/A | N/A | N/A |
*1 Converts to GATE 5-199 of the PM5D if Option 5 is selected, and converts to COMP 37-199 of the PM5D if not selected.
*2 Converts the CL/QL 8-Band PEQ if Option 6 is selected. Converts the CL/QL LOWER 4 bands of PM5D, or 1, 2, 7, 8 bands of RIVAGE PM, if not selected.
*3 The name of the channel is converted to blank spaces, replaced with the "Dynamic" icon, and the channel color becomes blue in CL/QL.
Conversion cannot be done if the library being converted to is READ ONLY.
The effects of selecting the different options are described below.
Option 1: Set Output Channel EQ and Dynamics to default values
Output parameters are often related to the particular amp/speaker system and room combination and so are not often required to be part of the file conversion when the engineer moves to a different console/amp/speaker system.
When this option is checked, Mix/Matrix/Stereo/Mono EQ and Dynamics parameters won't be converted, but they are conveniently restored to the default settings. EQ libraries and the like are converted.
Send parameters (e.g. Input to Mix level/on-off, Input to Matrix level/on-off) which belong to Input Channel parameters are out of this option's scope and will always be converted.
Option 2: Convert between M7CL Matrix1-8 and PM5D Mix17-24
PM5D and CL consoles both have a structure of 24 Mix buses, while M7CL has a 16 Mix bus structure. On M7CL, if additional Mix Sends are necessary, the eight Matrix outs can be used to expand the number of Mix Sends.
When this option is checked, M7CL Matrix 1-8 are mapped and converted to PM5D or CL Mix 17-24. M7CL can use its Matrix outs as more Mix Sends. When this option is checked, M7CL Matrix1-8 is regarded as PM5D Mix17-24. This option is convenient for users who operate M7CL as a 24 Mix console. Do not use this option for the QL series (which does not have Mix17-24).
In the case of conversion from PM5D or CL to M7CL, PM5D's or CL's Input to Mix 17-24 send parameters are converted to M7CL's Input to Matrix parameters, and also PM5D's or CL's Mix 17-24 parameters such as PEQ, Dynamics are converted to M7CL's Matrix channel modules. Stereo to Matrix and Mix to Matrix parameters remains as default.
The same behavior is used for Input Channel libraries.
In the case of conversion from M7CL or CL to PM5D, parameters are converted vice versa.
Option | PM5D/CL | M7CL | |
---|---|---|---|
Mix 17-24 | n/a | ||
unticked | Matrix 1-8 | Matrix 1-8 | |
Mix 17-24 | Matrix 1-8 | ||
✓ | Input to Mix 17-24 | Input to Matrix 1-8 | |
checked | Matrix 1-8 | n/a | |
Stereo/Mix to Matrix | n/a |
Option 3: Convert between ST IN and FX RTN
PM5D and M7CL do not have the same input channel count.
When this option is ticked, M7CL ST IN 1-4 is regarded as PM5D FX RTN 1-4. This option is convenient for users who want to keep effect return levels in the Scenes.
In the case of conversion from PM5D to M7CL, PM5D's FX RTN 1-4 parameters (excluding Dynamics component) are converted to M7CL's ST IN 1-4 parameters. And also DCA group assignment for PM5D's FX RTN 1-4 is re-assigned to M7CL's ST IN 1-4.
In the case of conversion from M7CL to PM5D, parameters are converted vice versa.
Option | PM5D | M7CL | |
---|---|---|---|
ST IN 1-4 | ST IN 1-4 | ||
unticked | Fx RTN 1-4 | n/a | |
1 | ST IN 1-4 | n/a |
checked | Fx RTN 1-4 ST IN 1-4 | cked | Fx RTN 1-4 | 📥 | ST IN 1-4 |
---|
Option 4: Convert between Attenuator and Digital Gain
Attenuator is sometimes used instead of Digital Gain since the PM5D/M7CL/LS9 does not have a Digital Gain feature. This option is convenient for users who want to convert Attenuator to Digital Gain.
When this option is ticked, Attenuators of PM5D/M7CL/LS9 are converted to Digital Gains of CL/QL.
The same behavior is used for Input Channel libraries.
Option | PM5D/M7CL/LS9 | CL/QL | |
---|---|---|---|
Attenuator (-) | Attenuator | ||
Attenuator (+) | 1 | Digital Gain | |
unchecked | Attopuetor | Attenuator | |
Allenualor | Digital Gain | ||
√ | Attopuetor | n/a | Attenuator |
checked | Digital Gain |
Option 5: Convert from/to Gate Library
The composition of dynamics libraries in PM5D differs from that of M7CL and CL/QL. (They are separated into GATE and COMP.)
When this option is ticked, library conversion is performed between the PM5D GATE and the Dynamics of MC7L or CL/QL.
When this option is not ticked, library conversion is performed between the PM5D COMP and the Dynamics of MC7L or CL/QL.
Option 6: Convert from/to CL/QL 8Band PEQ Library
PM5D and RIVAGE PM store both the output EQ and 8-band parametric EQ in the output EQ library.
When this option is checked, library conversion is performed between the PM5D/RIVAGE PM output EQ and the CL/QL 8-band parametric EQ. In this condition, the HPF and LPF of the PM5D/RIVAGE PM is also used for the parametric EQ band, and conversion with the CL/QL is performed with priority on the BAND1 HPF and BAND8 LPF settings. The NOTCH FILTER A, B, and C of the CL/QL 8-band parametric EQ are also converted between the CL/QL and the RIVAGE PM. When this option is not checked, library conversion is performed between the output EQ of the PM5D/RIVAGE PM and the output EQ of the CL/QL (low 4-band with PM5D, or 1, 2, 7, and 8 band with RIVAGE PM).
The following describes the scene conversion between models in detail.
The converter matches both models' channels as shown below.
PM5D | M7CL | Remarks | |
---|---|---|---|
Input 1-48 | Ĵ | Input 1-48 | |
ST IN 1-4 | t | ST IN 1-4 | |
Fx RTN 1-4 | Ĵ | n/a | (option 3) |
Stereo A | Stereo | ||
Stereo B | t | Mono | |
Mix 1-16 | ţ | Mix 1-16 | |
Mix 17-24 | n/a | (option 2) | |
Matrix 1-8 | ¢ | Matrix 1-8 | |
Effect 1-4 | t | Effect Rack 5-8 | |
GEQ 1-12 | n/a | ||
DCA 1-8 | DCA 1-8 |
Output Channel | ||
---|---|---|
Output Patch | × | |
Channel Name |
|
1) |
Bus Setup | ||
Vari/Fix |
|
|
Pair |
|
|
Follow Pan | × | |
Pick up point | × |
Output Channel Attenuator | × | |
Output Channel/Port Delay | × | |
EQ | ||
On/Off | √ | |
Q/F/G | √ | 6) |
Type I/II, Shelf/Peak | √ | 6) |
Link | × | |
Dynamics | ||
Туре | ✓ | |
On/Off | ✓ | |
Parameters | 1 | |
Key in source | 1 | 3) |
Link | × | |
Fader level | 1 | |
On/Off | 1 | |
Pan/Balance | - | 4) |
Insert | ||
On/Off | 1 | |
Insertion point | - | 5) |
Patch | × | |
Mix to Stereo | ||
On/Off | 1 | |
Pan/Balance | ✓ | 4) |
Mix/Stereo to Matrix | ||
On/Off | × | |
Level | 1 | |
Pan/Balance | ✓ | 4) |
Pre/Post | × | |
LCR | ||
LCR assignment | 1 | |
LCR ratio | - |
Global | ||
---|---|---|
DCA | ||
Channel Name | √ | 1) |
Fader level | √ | |
Assignment –Input | √ | |
Assignment -Output | × | |
Mute group | ||
Assignment –Input | 1 | |
Assignment -Output | 1 | |
Mute Safe assignment | ✓ | |
Mute Master | 1 | 7) |
Effect | ||
Туре | 1 | 8) |
Title | ~ | 8) |
Bypass | 1 | 8) |
Mix balance | 1 | 8) |
Parameters |
|
8) |
Patch | × | |
GEQ | ||
Parameters | ||
Patch | × | |
Cooperating and a second second |
Comment | ✓ | |
Time stamp | 1 | |
Library link | 1 | 9) |
Recall Safe | × | 9) |
Focus / Selective
Recall |
× | 9) |
Tracking Recall | × | |
Fade Time | * |
*Notes
In the case of conversion from PM5D to M7CL, Gate and Compressor modules are always reproduced.
In the case of conversion from M7CL to PM5D, M7CL's Dynamics1 and Dynamics2 are reproduced when the configuration matches PM5D's configuration.
Dynamics Key | /in Source –Inpu | ut Channel | ||||
---|---|---|---|---|---|---|
PM5D | Self Pre EQ | Self Post EQ | Mix 21-24 | Self Pre EQ | A Nearby Ch | ] |
M7CL | Self Pre EQ | Self Post EQ | Self Pre EQ | Mix 13-16 | Vearby Ch | |
Dynamics Key | in Source -Mix | Channel | ||||
PM5D | Self Pre EQ | Self Post EQ | Mix 21-24 | Self Pre EQ | Nearby Ch | Self Pre EQ |
M7CL | Self Pre EQ | Self Post EQ | Self Pre EQ | Mix 13-16 | Self Pre EQ | Nearby Ch |
Dynamics Key | /in Source -Matr | ix Channel | ||||
PM5D | Self Pre EQ | Self Post EQ | Mix 21-24 | Self Pre EQ | A Matrix 1-8 | Stereo AL-BR |
M7CL | Self Pre EQ | Self Post EQ | Self Pre EQ | Mix 13-16 | Matrix 1-8 | Self Pre EQ |
Dynamics Key | /in Source -Ster | eo Channel | _ | |||
PM5D | Self Pre EQ | Self Post EQ | Mix 21-24 | Self Pre EQ | ||
M7CL | Self Pre EQ | Self Post EQ | Self Pre EQ | Mix 13-16 | ||
- | - | |||||
PM5D | Matrix 1-8 | Stereo A L/R | Stereo BL | Stereo BR | ||
M7CL |
Self Pre
EQ |
Stereo A L/R | Mono |
4) Pan/Balance parameter is reproduced when PM5D's configuration and M7CL's configuration match. There are a few mismatched parameters due to the different concept of Pan and Balance. For such cases, the converter will substitute a value which keeps the rule "Odd channel signal goes to L and even channel signal goes to R".
np | put to Stereo & Input to Mix: Pan/Balance -Input Channel 1-48 | ||||||
---|---|---|---|---|---|---|---|
Individual/Gang/Inv.Gang mode | Balance mode | ||||||
PIVISD | Pan for odd Ch | Pan for even Ch | Balance for o | dd & even Ch | |||
MZCL | Pan: Copy | Pan: Copy | ┓ | Pan: L63 | Pan: R63 🗸 | ||
MITCL | In | dividual mode (or | nlv | available mod | le) |
DMED | Set Individual mode | |||
---|---|---|---|---|
FINISD | 🔶 Pan: Copy | Pan: Copy | ||
MZCI | Pan for odd Ch | Pan for even Ch | ||
INI/CL | Individual mode |
h
DMED | Individual/Gang/Inv.Gang | mode Balance mode |
---|---|---|
PIVISD | Pan for odd Ch Pan for ev | en Ch Balance for odd & even Ch |
MZCI | Balance: Center | Balance: Copy |
IVI7 CL | Balance m | ode (only available mode) |
Set Balance mode | |
---|---|
FIVIOD | Balance: Copy |
MZCI | Balance for odd & even Ch |
WI/ CL | Balance mode |
|
|||
---|---|---|---|
Un-paired Channel | Paired Channel | ||
FIVID | Balance is not available | A Balance for odd & even Ch | |
MZCI | Balance is not available | V Balance for odd & even Ch | |
WI/CL | Un-paired Channel | Paired Channel |
Mix to Stereo, Mix to Matrix & Stereo to Matrix: Pan/Balance
Un-paired | d Channel | Paired Channel * | ||
---|---|---|---|---|
FIND | Odd Ch value | Even Ch value | Odd Ch value | Even Ch value |
MZCL | Ban: Conv | Bon: Conv | Pan: L63 | Pan: R63 🦊 |
WI/ CL | Balance | e: Center | ||
PM5D | Pan: Copy | Pan: Copy | 🔶 Pan: L63 | 🔥 Pan: R63 |
PM5D | Pan: Copy |
Pan: Copy
Even Ch |
Pan: L63
Pan: L63 |
Pan: R63
Pan: R63 |
PM5D
M7CL |
Pan: Copy
Odd Ch value |
Pan: Copy
Even Ch value |
Pan: L63
Pan: L63 Balance for c |
Pan: R63
Pan: R63 odd & even Ch |
PM5D
M7CL |
Pan: Copy
Odd Ch value Un-paired |
Pan: Copy
Even Ch value |
Pan: L63
Pan: L63 Balance for c Paired |
Pan: R63
Pan: R63 odd & even Ch Channel |
els doesn't have Balance
5) Insert point and Direct Out point are reproduced, though the value will be substituted when the destination console doesn't have the same point.
Ins | sert Point -I | nput Channel | ||||
---|---|---|---|---|---|---|
PM5D | A Pre EQ | Post EQ | Pre Delay | Post Fader | ||
M7CL | Pre EQ | Pre Fader | Post On | |||
Ins | sert Point -C | Output Channel | · | |||
PM5D | A Pre EQ | Post EQ | Pre Fader | A Post On | ||
M7CL | Pre EQ | Pre Fader | Post On | |||
Dii | rect Out Poi | int -Input Channe | el | |||
PM5D | A Pre Att | Pre HPF | A Pre EQ | Pre Fader | A Post | |
MZCI | Pro Eador | Post |
If manual control of the Mute Master on PM5D is required, please set Recall Safe for "Mute Master". This is because only PM5D is able to change Mute Master status with Scene Recall
8) A limited number of Effects are reproduced due to the difference of available Effect unit numbers.
In the case of conversion from PM5D to M7CL. PM5D's Effects 1-4 are converted to M7CL's rack 5-8 Effects.
In the case of conversion from M7CL to PM5D, M7CL's Rack 5-8 Effects are converted to PM5D's Effects 1-4 (when M7CL racks are set to Effect not GEQ)
Eff | ect module | |||||
---|---|---|---|---|---|---|
PM5D | Effect 1-4 | Effect 5-8 | 1 | n/a | ||
M7CL | Effect(Rack5-8) | ┛ | n/a | GEQ (Rack5-8) |
9) HA, Channel name and Library link / Recall Safe, Focus & Selective Recall
Refer to sections "3.2.3 Library Link" and "3.4 Recall Filter Treatment".
In the case of PM5D, HA parameters belong to HA library, and Channel names belong to Input Patch and Output Patch library. In the case of M7CL, both HA and Channel names belong to Scene library.
This difference is treated as described below, on an assumption of sequential recall from the smallest Scene number in the conversion target range to the largest number.
> Conversions from PM5D to M7CL:
When a PM5D's Scene has link(s) with HA/Input Patch/Output Patch, HA parameters, Input channel names and Output channel names in the linked libraries are converted into the same numbered M7CL Scene.
When a PM5D's Scene doesn't have link(s) with HA/Input Patch /Output libraries, HA parameters, Input channel names and Output channel names remain as in the previous numbered Scene.
All Focus settings in the M7CL Scenes are enabled.
An example of sequential Scene conversion from PM5D to M7CL.
> Conversions from M7CL to PM5D:
File Converter creates a new PM5D Scene with links to HA/Input Patch/ Output Patch libraries.
When HA parameters, Input channel names or Output channel names are edited from the previous Scene in M7CL, this converter creates new HA/Input Patch/Output Patch library settings, with links to the new Scene in PM5D.
When the HA parameters, Input channel names or Output channel names are the same as the previous Scene in M7CL, this converter only creates a library link between the latest created HA/Input Patch/Output Patch settings and the new Scene in PM5D.
An example of sequential Scene conversion from M7CL to PM5D.
This behaviour is the same case as when you store a Scene in PM5D: if there is some edit in HA/Input Patch/Output Patch, PM5D stores a new HA/Input Patch/Output Patch library with the smallest free library number and makes a link with them automatically. If not, PM5D keeps the previous Scene's link status.
File Converter matches both models' channels as shown below.
PM5D | CL/QL | Remarks |
---|---|---|
Input 1-48 | Input 1-48 | Input 49 and higher are not applicable. |
ST IN 1-4 | ST IN 1-4 | |
Fx RTN 1-4 | ST IN 5-8 | |
Stereo A | Stereo | |
Stereo B | Mono | |
Mix 1-24 | Mix 1-24 | |
Matrix 1-8 | Matrix 1-8 | |
Effect 1-8 | Effect Rack 1-8 | |
GEQ 1-12 | n/a | |
n/a | Premium Rack 1-8 | |
DCA 1-8 | DCA 1-8 | |
n/a | DCA 9-16 |
Output Channel | ||
---|---|---|
Output Patch | × | |
Channel Name |
|
1) |
Bus Setup | ||
Vari/Fix | 1 | |
Pair | ✓ | |
Follow Pan | × | |
Pick up point | × | |
Output Channel Attenuator | × | ! 7) |
Output Channel/Port Delay | × | |
EQ | ||
On/Off | 1 | |
Q/F/G | 1 | 8) |
Type I/II, Shelf/Peak | 1 | 8) |
Link | × | |
Dynamics | ||
Туре | 1 | |
On/Off | 1 | |
Parameters | ✓ | |
Key in source | 1 | ! 9) |
Link | × | |
Fader level | - | |
On/Off | ||
Pan/Balance | 1 | 5) |
Insert | ||
On/Off | ✓ | |
Insertion point | 1 | ! 6) |
Patch | × | |
Mix to Stereo | ||
On/Off | 1 | |
Level | 1 | |
Pan/Balance | 1 | 5) |
Mix/Stereo to Matrix | ||
On/Off | × | |
Level | 1 | |
Pan/Balance | 1 | ! 5) |
Pre/Post | × | |
LCR | ||
LCR assignment | 1 | |
LCR ratio | 1 |
DCA Channel Name ✓ !1) Fader level ✓ Assignment –Input ✓ Mute group ✓ Assignment –Input ✓ Mute group ✓ Assignment –Output ✓ Mute Safe assignment ✓ Mute Master ✓ Effect Type Title ✓ Bypass ✓ |
---|
Channel Name ✓ !1) Fader level ✓ Assignment –Input ✓ Assignment –Output ✓ Mute group Assignment –Input ✓ Assignment –Output ✓ Mute Safe assignment ✓ Mute Master ✓ !10) Effect Type ✓ !11) Title ✓ !11) Bypass ✓ !11) |
Fader level ✓ Assignment –Input ✓ Assignment –Output ✓ Mute group Assignment –Input ✓ Assignment –Output ✓ Mute Safe assignment ✓ Mute Master ✓ !10) Effect Type ✓ !11) Title ✓ !11) |
AssignmentInput ✓ Assignment -Output ✓ Mute group AssignmentInput ✓ Assignment -Output ✓ Mute Safe assignment ✓ Mute Master ✓ Effect ✓ Type ✓ Title ✓ Bypass ✓ |
Assignment -Output ✓ Mute group Assignment -Input ✓ Assignment -Output ✓ ✓ Mute Safe assignment ✓ ✓ Mute Master ✓ !10) Effect ✓ !11) Title ✓ !11) Bypass ✓ !11) |
Mute group
Assignment –Input ✓ Assignment -Output ✓ Mute Safe assignment ✓ Mute Master ✓ !10) Effect Type ✓ !11) Title ✓ !11) Bypass ✓ !11) |
AssignmentInput ✓ Assignment -Output ✓ Mute Safe assignment ✓ Mute Master ✓ Effect ✓ Type ✓ Title ✓ Bypass ✓ |
Assignment -Output ✓ Mute Safe assignment ✓ Mute Master ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ Image: Safe assignment ✓ |
Mute Safe assignment ✓ Mute Master ✓ !10) Effect ✓ !11) Title ✓ !11) Bypass ✓ !11) |
Mute Master ✓ !10) Effect |
Effect
Type ✓ !11) Title ✓ !11) Bypass ✓ !11) |
Type ✓ !11) Title ✓ !11) Bypass ✓ !11) |
Title ✓ !11)
Bypass ✓ !11) |
Bypass 🖌 11) |
,, |
Mix balance 🖌 🚺 11) |
Parameters 🖌 !11) |
Patch 🗶 |
Premium Rack 🗶 |
GEQ |
Parameters 🗶 |
Patch 🗶 |
Clobal
Scene information | ||
---|---|---|
Comment | ✓ | |
Time stamp | √ | |
Library link | ✓ | 12) |
Recall Safe | × | 12) |
Focus / Selective
Recall |
× | ! 12) |
Tracking Recall | × | |
Fade Time | ✓ | 13) |
<Key to table> ✓ : converted ! : Check optimising logic below * : not converted
Input Channel | Output Channel | ||
---|---|---|---|
Surround | Surround | ||
L,R,C,LFE,Ls,Rs ON | × | Mode Stereo, 5.1 | ✓ |
PAN | ✓ | 3.1,6.1 | × |
Divergence | 1 | ||
LFE Level | × |
<Key to table> 🗸 : converted ! : Check optimising logic below 🤽 : not converted
*Notes
5) Pan/Balance parameters are reproduced only when the PM5D and CL/QL configurations are matched. Due to the design differences in Pan and Balance, some parameters cannot be completely reproduced. In such cases, the converter converts the parameters by making appropriate adjustments to the settings on the basis of the rule that assumes audio on odd channels are mapped to the left channel and audio on the even channels are mapped to the right channel.
Individual mode | ||||
---|---|---|---|---|
FIVID | Pan: Copy | Pan: Copy | ||
Pan for odd Ch | Pan for even Ch | |||
CL/QL | Pan r | node | ||
Input to Stereo & Input to Mix: Pan/Balance -ST IN/Fx RTN
17 | ||||
---|---|---|---|---|
Individual/Gang/ | Inv.Gang mode | Balance mode | ||
PM5D | Pan for odd Ch | Pan for even Ch | Balance for odd & even Ch | |
Pan: Copy | Pan: Copy | Balance: Copy | ||
CL/QL | Pan mode | Balance mode |
DMED | Individu | al mode | Balance mode | ||
---|---|---|---|---|---|
PIVIOD | Pan: Copy | Pan: Copy | Balance: C | Сору | |
Pan for odd Ch | Pan for even Ch | Balance for odd & e | even | ||
CL/QL | Ch | ||||
Pan r | node | Balance mode |
Mix/Stereo/Matrix Output Balance
Un-paired Channel | Paired Channel | |
---|---|---|
PIVIOD | Balance is not available | A Balance for odd & even Ch |
Balance is not available | Balance for odd & even Ch | |
CL/QL | Un-paired Channel | Paired Channel |
Mix to Stereo. Mix to Matrix & Stereo to Matrix: Pan/Balance
DM5D | Un-paired Channel | Paired Channel * | |||||
---|---|---|---|---|---|---|---|
FINISD | Odd Ch value | Even Ch value | Odd Ch value | Even Ch value | |||
Don: Conv | Don: Conv | J | Pan: L63 | Pan: R63 🚽 | |||
UL/QL | Pan. Copy | Pan. Copy | Balance | : Center |
PM5D | Pan: Copy | Pan: Copy | Pan: L63 | Pan: R63 |
Odd Ch yalua | Even Chivelue | Pan: L63 | Pan: R63 | |
CL/QL | Even on value | Balance for o | dd & even Ch | |
Un-paire | d Channel | Paired ( | Channel | |
Mix to Ctores | Mix to Matrix and Cta | rea to Matrix on DMED's | naired channels don't h | ave Belense |
6) For the Insert points and Direct Out points, if the same points cannot be selected on the conversion destination model, the settings are adjusted appropriately and converted.
Dy | namics Key | In Source -IVIIX | Channel | |||
---|---|---|---|---|---|---|
PM5D | Self Pre EQ | Self Post EQ | A Mix 21-24 | Nearby Ch | Self Pre EQ | |
CL/QL | Self Pre EQ | Self Post EQ | Vix 21-24 | Self Pre EQ | Nearby Ch | |
Dy | namics Key | /in Source -Matr | ix Channel | |||
Self Pre EQ | Self Post EQ | A Mix 21-24 | A Matrix 1-8 | Stereo AL- | ||
PM5D | · | + | ↓ | 📕 BR | ||
CL/QL | Self Pre EQ | Self Post EQ | Mix 21-24 | Matrix 1-8 | Self Pre EQ | |
Dy | namics Key | in Source -Stere | eo Channel | |||
PM5D | Self Pre EQ | Self Post EQ | A Mix 21-24 | Matrix 1-8 | ||
- | - | + | Self Pre | |||
CL/QL | Self Pre EQ | Self Post EQ | Mix 21-24 | EQ | ||
PM5D | Stereo A L/R | A Stereo BL | Stereo BR | |||
CL/QL | Stereo L/R | Mono 🗸 | ||||
• |
On the other hand, in the case of conversion from CL/QL to PM5D, only those in CL/QL Effect Rack 1-8 that are being used as Effect units are converted to PM5D Effect 1-8. If a CL/QL Effect Rack is being used as GEQ, this is not converted to the PM5D scene.
File Converter matches both models' channels as shown below.
M7CL | LS9 | Remarks |
---|---|---|
Input 1-48 | Input 1-48 | (LS9-16: 1-32) |
ST IN 1-4 | ST IN 1-4 | |
Stereo | Stereo | |
Mono | Mono | |
Mix 1-16 | Mix 1-16 | |
Matrix 1-8 | Matrix 1-8 | |
Effect/GEQ Rack 1-8 | Effect/GEQ Rack 1-8 | |
DCA 1-8 | n/a |
Output Channel Attenuator | √ |
---|---|
Output Port Delay | × |
EQ | |
On/Off | ✓ |
Q/F/G | ✓ |
Type I/II, Shelf/Peak | √ |
Dynamics | • |
Туре | 1 |
On/Off | ✓ |
Parameters | ✓ |
Key in source | ✓ |
Fader level | • |
On/Off | ✓ |
Pan/Balance | √ |
Insert | • |
On/Off | ✓ |
Insertion point | ✓ |
Patch | × |
Mix to Stereo | • |
On/Off | ✓ |
Pan/Balance | 4 |
Mix/Stereo to Matrix | • |
On/Off | ✓ |
Level | ✓ |
Pan/Balance | ✓ |
Pre/Post | 1 |
LCR | • |
LCR assignment | ✓ |
LCR ratio | ✓ |
Global | ||
---|---|---|
DCA | х | |
Mute group | • | |
Assignment -Input | 1 | |
Assignment -Output | 1 | |
Mute Safe assignment | 1 | |
Mute Master | 1 | |
Effect | ||
Туре | 1 | *3) |
Title | 1 | |
Bypass | 1 | |
Mix balance | 1 | |
Parameters | 1 | |
Patch | x | |
GEQ | ||
Parameters | 1 | |
Patch | x | |
Scene information | • | |
Comment | 1 | |
Time stamp | 1 | |
Recall Safe | x | *4) |
Focus | x | *4) |
Focus Fade Time
<Key to table>
Dir | ect Out Poi | nt -Input Chanr | nel | ||
---|---|---|---|---|---|
M7CL | Pre HPF | A Pre EQ | Pre Fader | Post On | |
LS9 | Pre HPF | Pre EQ | ✓Pre Fader | ||
<Key to table> Blue field and arrow means compatible setting Orange field and arrow means setting replaced by substitute setting
3) Effects are reproduced unless the Effect type is unavailable in LS9.
If the M7CL Scene contains effect type;
the effect module will be set to Rev-X Hall and bypass will be enabled in LS9.
4) Recall Safe & Focus
Refer to section 3.8, "Recall Filter" Treatment.
File Converter matches both models' channels as shown below.
M7CL | CL/QL | Remarks |
---|---|---|
Input 1-48 | Input 1-48 | Input 49 and higher are not applicable |
ST IN 1-4 | ST IN 1-4 | |
n/a | ST IN 5-8 | |
Stereo | Stereo | |
Mono | Mono | |
Mix 1-16 | Mix 1-16 | |
n/a | Mix 17-24 | (Option2) |
Matrix 1-8 | Matrix 1-8 | |
GEQ/Effect Rack 1-8 | Effect Rack 1-8 | |
n/a | GEQ Rack 1-16 | |
n/a | Premium Rack 1-8 | |
DCA 1-8 | DCA 1-8 | |
n/a | DCA 9-16 |
3.5.2. Conversion Overview –between M7CL and CL/QL Input Channel Output Chan
Output Channel | ||
---|---|---|
Output Patch | x | |
Channel Name | √ | |
Bus Setup | ||
Vari/Fix | ✓ | |
Pair | ✓ | |
Follow Pan | 1 | |
Pick up point | ✓ |
Output Channel Attenuator | ✓ | 4) |
---|---|---|
Output Port Delay | x | |
EQ | ||
On/Off | 1 | |
Q/F/G | 1 | |
Type I/II, Shelf/Peak | ~ | |
Dynamics | ||
Туре | 1 | |
On/Off | 1 | |
Parameters | ✓ | |
Key in source | 1 | 3) |
Fader level | ~ | |
On/Off | ~ | |
Pan/Balance | ~ | |
Insert | ||
On/Off | ~ | |
Insertion point | 1 | |
Patch | × | |
Mix to Stereo | ||
On/Off | 1 | |
Pan/Balance | 1 | |
Mix/Stereo to Matrix | ||
On/Off | 1 | |
Level | 1 | |
Pan/Balance | ~ | |
Pre/Post | ~ | |
LCR | ||
LCR assignment | 1 | |
LCR ratio | 1 |
Giopai | ||
---|---|---|
DCA | ||
Channel Name | 1 | |
Fader level | 1 | |
Assignment –Input | 1 | |
Mute group | ||
Assignment -Input | 1 | |
Assignment -Output | 1 | |
Mute Safe assignment | 1 | |
Mute Master | 1 | |
Effect | 5) | |
Туре | 1 | |
Title | 1 | |
Bypass | 1 | |
Mix balance | 1 | |
Parameters | 1 | 6) |
* | ||
Patch | ||
Patch
GEQ |
! 7) | |
Patch
GEQ Parameters |
~ | ! 7) |
Patch
GEQ Parameters Patch |
√
× |
! 7) |
Patch
GEQ Parameters Patch |
√
x |
! 7) |
Comment | ~ | |
---|---|---|
Time stamp | ✓ | |
Recall Safe | × | 8) |
Focus | × | 8) |
Fade Time | × |
<Key to table> 🗸 : converted ! : Check optimising logic below 🤽 : not converted
Dynamics Keyin Source –Input Channel | |
---|---|
M7CL Self Pre EQ Self Post EQ Mix 13-16 Self Post EQ Nearby Ch | |
CL/QL Self Pre EQ Self Post EQ Mix 21-24 Vearby Ch | |
Dynamics Keyin Source -Mix Channel | |
M7CL Self Pre EQ Self Post EQ Mix 13-16 Self Pre EQ Nearby Ch | |
CL/QL Self Pre EQ Self Post EQ Mix 21-24 Nearby Ch | |
Dynamics Keyin Source -Matrix Channel | |
M7CL Self Pre EQ Self Post EQ Mix 13-16 Self Pre EQ Matrix 1-8 | |
CL/QL Self Pre EQ Self Post EQ Self Pre EQ Mix 21-24 Matrix 1-8 | |
Dynamics Keyin Source -Stereo Channel | |
M7CL Self Pre EQ Self Post EQ Mix 13-16 Self Pre EQ Stereo L/R | Mono |
CL/QL Self Pre EQ Self Post EQ Self Pre EQ Mix 21-24 Stereo L/R | Mono |
١. | .Band Dyna. / M.Band Comp | ||||||||
---|---|---|---|---|---|---|---|---|---|
LOW/MID/Hi. GAIN | TOTAL | EXP.RAT | MAKE UP | ||||||
M7CL | -96.0dB - +12.0dB | n/a | 1:1 - ∞:1 | n/a | |||||
CL/QL | -12.0dB - +12.0dB | ᡧ | 0dB | ₹ | 1:1 - 5:1 | ₹ | ON |
The RATIO, ATTACK, RELEASE, KNEE, and BYPASS parameters of M.Band Comp were shared among all bands on M7CL, but the parameters can be set separately for each band on CL/QL. Due to this difference, these parameters are converted as indicated in the following figure.
- Conversion from M7CL to CL/QL: The shared parameter settings on M7CL are copied to the parameter settings of each band on CL/QL.
- Conversion from CL/QL to M7CL: The parameter settings of the LOW band on CL/QL are copied to the shared parameter settings on M7CL.
Inp | Input to Stereo & Input to Mix: Pan/Balance -ST IN/Fx RTN | ||||||||
---|---|---|---|---|---|---|---|---|---|
MZCI | Pan | mode | Balance mode | ||||||
INIT CL | Pan for odd Ch | Pan for even Ch | Balance for odd & even Ch | ||||||
Balance | e: Center 🦊 | Balance: Copy | |||||||
CL/QL | E | Balance mode (on | lv a | available mode) |
Set Balance mode | |
---|---|
OL/QL | Balance: Copy |
MZCI | Balance for odd & even Ch |
IVI7 CL | Balance mode |
File Converter matches both models' channels as shown below.
LS9 | CL/QL | Remarks | |
---|---|---|---|
Input 1-32 (LS9-32:1-64) | ţ | Input 1-64 | Input 65 and higher are not applicable. |
ST IN 1-4 | ţ | ST IN 1-4 | |
n/a | ST IN 5-8 | ||
Stereo | Stereo | ||
Mono | ţ | Mono | |
Mix 1-16 | 1 | Mix 1-16 | |
n/a | Mix 17-24 | ||
Matrix 1-8 | ţ | Matrix 1-8 | |
GEQ/Effect Rack 1-8 | Effect Rack 1-8 | ||
n/a | GEQ Rack 1-16 | ||
n/a | Premium Rack 1-8 | ||
n/a | DCA 1-16 |
Output Patch | × | |
Channel Name | ✓ | |
Bus Setup | ||
Vari/Fix | ✓ | |
Pair | ✓ | |
Follow Pan | ✓ | |
Pick up point | ✓ | |
! 3) | |
---|---|
! 3) | |
! 3) | |
! 3) | |
✓
✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ |
! 3) |
! 3) | |
! 3) | |
! 3) | |
! 3) | |
! 3) | |
✓
✓ ✓ ✓ |
|
✓
✓ ✓ |
|
√
√ |
|
√
√ |
|
1 | |
x | |
✓ | |
✓ | |
✓ | |
✓ | |
✓ | |
✓ | |
✓ | |
✓
✓ ✓ ✓ |
Global | ||
---|---|---|
DCA | × | |
Mute group | ||
Assignment -Input | 1 | |
Assignment -Output | 1 | |
Mute Safe assignment | ✓ | |
Mute Master | - | |
Effect | ! 6) | |
Туре | 1 | |
Title | ✓ | |
Bypass | 1 | |
Mix balance | 1 | |
Description | - | |
Parameters | ! 7) | |
Patch | x | |
GEQ | 8) | |
Parameters | ✓ | |
Patch | x | |
Scene information | |
---|---|
Comment | √ |
Time stamp | 1 |
Recall Safe | * ! 9) |
Focus | * ! 9) |
Fade Time | × |
I. | : Check | optimizing | logic k | pelow |
---|
4) For the Direct Out points, if the same points cannot be selected on the conversion destination model, the settings are adjusted appropriately and converted.
Dii | Direct Out Point -Input Channel | |||||||||
---|---|---|---|---|---|---|---|---|---|---|
LS9 | Pre HPF | Pre EQ | Pre Fader | 5 | ||||||
CL/QL | ≯ | Pre HPF | ┝ | Pre EQ | ✦ | Pre Fader | Post On |
Band Dyn | a. / M.Band Comp | |||
---|---|---|---|---|
LOW/MID/Hi. GAIN | TOTAL | EXP.RAT | MAKE UP | |
LS9 | -96.0dB - +12.0dB | n/a | 1 :1 - ∞:1 | n/a |
CL/QL | -12.0dB - +12.0dB | 0dB | 1:1 - 5:1 | UN ON |
The RATIO, ATTACK, RELEASE, KNEE, and BYPASS parameters of M.Band Comp were shared among all bands on LS9, but the parameters can be set separately for each band on CL/QL. Due to this difference, these parameters are converted as indicated in the following figure.
- Conversion from LS9 to CL/QL: The shared parameter settings on LS9 are copied to the parameter settings of each band on CL/QL.
- Conversion from CL/QL to LS9: The parameter settings of the LOW band on CL/QL are copied to the shared parameter settings on LS9.
Input to Stereo & | Input to Mix | Pan/Balance | -ST IN/Fx RTN |
1.50 | Pan | mode | Balance mode | ||
---|---|---|---|---|---|
L39 | Pan for odd Ch | Pan for even Ch | Balance for odd & even C | Ch | |
Balance: Center 🚽 🦊 Balance: Copy | |||||
UL/QL | Balance mode (on | ly available mode) |
Set Balance mode | ||
---|---|---|
Balance: Copy | ||
Balance for odd & even Ch | ||
Balance mode | ||
File Converter matches both models' channels as shown below.
RIVAGE PM | CL/QL | Remarks | |
---|---|---|---|
Input 1-72 | Input 1-72 |
|
|
Input 73-88 | ST IN 1-8 |
Channels are not
converted when the RIVAGE inputs are paired in an order from an even number to an odd number. |
|
Input 89-144 | n/a | ||
Stereo A | Stereo | ||
Stereo B | Mono | ||
Mix 1-24 | Mix 1-24 | ||
Mix 25-72 | n/a | ||
Matrix 1-8 | Matrix 1-8 | ||
Matrix 9-36 | n/a | ||
GEQ Rack 1-16 | 1 | GEQ Rack 1-16 |
Correspondence differs
when Dugan is set. |
GEQ Rack 17-48 | n/a | ||
Plug In a1-I16 | Effect Rack 1-8 | ||
Plug In m1-x16 | Premium Rack 1-8 | ||
DCA 1-16 | DCA 1-16 | ||
DCA 17-24 | n/a |
3.7.2. Conversion Overview –between RIVAGE PM and CL/QL
Input Channel | |
---|---|
Input Patch | × |
Channel Name / Color / Icon | 🖌 ! 1) |
Pair | ✓ ! 2) |
Channel Link | × |
НА | |
Gain | × |
Phantom | × |
Phase | 1 |
HPF | |
On/Off | ✓ |
Frequency | 1 |
Input Channel Attenuator/Digital Gain | √ |
Input Channel Delay | 1 |
EQ | ! 3) |
On/Off | ✓ ! 4) |
Q/F/G | ✓ ! 4) |
Type, Shelf/Peak | ✓ ! 4) |
Bypass | ✓ ! 4) |
Link | x |
Dynamics | ! 3) |
Туре | ✓ ! 5) |
On/Off | ✓ ! 5) |
Parameters | 🖌 ! 5) |
Key in source | 🖌 ! 9) |
Link | x |
Fader level | ✓ |
On/Off | ✓ |
Output Channel | ||
---|---|---|
Output Patch | × | |
Channel Name / Color / Icon | - | ! 1) |
Bus Setup | ||
Vari/Fix | 1 | |
Pair | 1 | |
Follow Pan | 1 | |
Send Point | × | |
Output Channel Attenuator | × | |
Output Channel/Port Delay | х | |
EQ | ||
On/Off | 1 | 8) |
Q/F/G | 1 | 8) |
Type, Shelf/Peak | 1 | 8) |
Bypass | 1 | 8) |
Link | × | |
Dynamics | ||
Туре | 1 | ! 10) |
On/Off | 1 | ! 10) |
Parameters | 1 | ! 10) |
Key in source | 1 | ! 9) |
Link | × | |
Fader level | - | |
On/Off | 1 | |
Balance | ~ | ! 12) |
Insert | ||
On/Off | 1 | ! 7) |
Insertion point | 1 | ! 7) |
Global | ||
---|---|---|
DCA | ||
Channel Name / Color / Icon | 1 | ! 1) |
Fader Level | 1 | |
Assignment -Input | 1 | |
Assignment -Output | 1 | |
Mute group | ||
Name | 1 | |
Assignment -Input | ✓ | |
Assignment -Output | ✓ | |
Mute Safe Assignment | ✓ | |
Mute Master | × | |
Effect | ||
Туре | 1 | ! 13) |
Title | 1 | ! 13) |
Bypass | 1 | ! 13) |
Mix balance | 1 | ! 13) |
Parameters | 1 | ! 13) |
Patch | x | |
Premium Rack | - | ! 14) |
GEQ | ||
Parameters | 1 | ! 15) |
Patch | x | |
Scene information | ||
Comment | 1 | |
Time stamp | 1 | |
Playback link | 1 | |
Recall Safe | x | ! 11) |
Dynamics1 | ||||||
---|---|---|---|---|---|---|
RIVAGE | CATE | LEGACY | COMP260 | EXPANDER | Other types | |
PM | GATE | ₽ | ↓ | ₽ | • | |
CL/QL | GATE | DUCKING | COMP | COMP | EXPANDER | Off |
Dynamics2 | |||||
---|---|---|---|---|---|
RIVAG | E LEGACY | COMP260 | ◆ DE- | 🔥 Off | Other types |
PM | ◆COMP | • | ESSER | + |
CL/QL | COMP | COMP |
DE-
ESSER |
Other types | Off |
---|
<Kev to table>
Blue field and arrow means compatible setting
6) PAN/BALANCE parameters are converted when configurations match (see table below). When RIVAGE PM configurations and CL/QL configurations do not match, the converter will substitute a value which maintains the rule that odd channel signals are assigned to L and even signals to R.
nput to Ste | ereo & Input | to Mix/Matrix |
|
-Input Channel 1 | -72 |
of inparte mind matha | Tan/Balance inpat | |||||
---|---|---|---|---|---|---|
RIVAGE | Pan m | node | Balance mode (Pair) | |||
PM | Pan for Left Ch Pan for Right Ch | Balance for Left & Right Ch | ||||
Pan: Copy | Pan: Copy | Pan: L63 | Pan: R63 | ✦ | ||
CL/QL | Pan mode (only | ble mode) | ||||
RIVAGE | Pan mode | (no Pair) | ||||
PM | Pan: Copy | Pan: Copy | ||||
Pan for Left Ch | Pan for Right Ch | |||||
UL/QL | Pan mode |
7) Converts with RIVAGE PM Insert 1. When there is no same insert point or same direct out point in the convert destination, the converter will substitute an appropriate value.
nsert Point -Input Channel | ||||||||
---|---|---|---|---|---|---|---|---|
RIVAGE | Dro Eiltor | Pre EQ | Pre Fader | Post On | ||||
PM | Pre Filler | Ŧ |
1
1 |
t | ||||
CL/QL | _ | Pre EQ | • | • | Pre Fader | Post On |
nsert Point -Output Channel | |||||||
---|---|---|---|---|---|---|---|
RIVAGE
PM |
Pre Filter | Pre DYN | Pre Delay | Post Fader | Post On | ||
CL/QL | Pre EQ | Pre Fader | Post On | ||||
virect Out Point -Input Channel | ||||||||
---|---|---|---|---|---|---|---|---|
RIVAGE | ▲ Pre EQ | ▲ Pre Fader | Post On | |||||
PM | Pre Filler | 1 I | PreDTNI | Pre D mz | t | PostFader | t | |
CL/QL | Pre HPF | Pre EQ | _ | Pre Fader | Post On |
RIVAGE
PM |
Self Pre EQ | Self Post EQ | Other types | 1 Default |
---|---|---|---|---|
CL/QL | Self Pre EQ | Self Post EQ | Default | Other types |
10) RIVAGE PM DYNAMICS A or B settings, which are currently selected, are converted to CL/QL DYNAMICS settings. CL/QL DYNAMICS settings are converted to RIVAGE PM DYNAMICS A settings. Output DYNAMICS parameters are converted when configurations match (Refer to below table). RIVAGE PM LEGACY COMP and COMP260 are converted to CL/QL COMP. CL/QL COMP are converted to RIVAGE PM LEGACY COMP. DYNAMIC parameters will be set to default values when the configurations do not match. RELEASE parameters are converted to valid values when the RIVAGE PM or the CL/QL is using the 48 kHz Wordclock.
)y | namics1 | |||||
---|---|---|---|---|---|---|
RIVAGE |
Legacy
Comp |
Comp260 | Expander | 1 Off | Other types | |
CL/QL | Comp | Comp | Expander | Other types | Off |
11) Reproducibility of Recall Safe & Focus Recall Refer to section 3.8, "Recall Filter" Treatment.
- | |||||
---|---|---|---|---|---|
No. | LIBRARY | No. | LIBRARY | No. | LIBRARY |
1 | Reverb | 11 | Symphonic | 21 | Amp Simulate |
2 | Early Reflections | 12 | Phaser | 22 | Dyna.Filter |
3 | Gate Reverb | 13 | Auto Pan | 23 | Dyna.Flange |
4 | Mono Delay | 14 | Tremolo | 24 | Dyna.Phaser |
5 | Stereo Delay | 15 | HQ.Pitch | 25 | Stereo Reverb |
6 | Mod.Delay | 16 | Dual Pitch | 26 | Comp276 |
7 | Delay LCR | 17 | Rotary | 27 | Equalizer601 |
8 | Echo | 18 | Ring Mod. | 28 | Open Deck |
9 | Chorus | 19 | Mod.Filter | 29 | REV-X |
10 | Flange | 20 | Distortion |
14) Only up to eight types that can be reproduced with both RIVAGE PM and CL/QL are converted between Plug-in m1 to x16 of RIVAGE PM and Premium Rack 1 to 8 of CL/QL. When converting from RIVAGE PM to CL/QL, the U76 in CL/QL uses two Racks in order from odd numbered Racks to even numbered Racks. If the conversion destination is an even numbered Rack, that Rack becomes Blank, and it is converted from the next Rack. When converting from CL/QL to RIVAGE PM, it is packed from m1 and mounted. However, if it does not fit on one line, mount it on the next line. In the library conversion, the vacant numbers are filled in order from small libraries numbered in the table below.
No. | LIBRARY | No. | LIBRARY | No. | LIBRARY |
---|---|---|---|---|---|
1 | Portico5033 | 4 | U76 | 7 | DynamicEQ |
2 | Portico5043 | 5 | Opt-2A | 8 | BussComp369 |
3 | Portico5045 | 6 | EQ-1A | 9 | MBC4 |
15) If Dugan is set in GEQ Rack, Dugan 16 is reproduced by converting from RIVAGE PM to CL/QL. The channel groups d and e are corrected to channel group c. Dugan32 is reproduced by converting from CL/QL to RIVAGE PM. Parameters that cannot be reproduced are set to the default settings. In addition, the number of parameters that are set after Dugan is converted to the number that can be reproduced by CL/QL (see the table below).
Dug | gan32 | Dugan64 | ||||||
---|---|---|---|---|---|---|---|---|
RIVAGE FIM | GEQ 1-16 | GEQ 17-24 | GEQ 1-32 | GEQ 33-40 | ||||
GEQ 1-8 GEQ 9-16 | GEQ 1-8 | GEQ 9-16 | ||||||
CL/QL | Dug | gan16 | Dugan16 | |||||
Dug | gan32 | Dugan32 | ||||||
RIVAGE PIM | 🛧 GEQ 1-16 | GEQ 17-28 | 🛧 GEQ 1-16 | GEQ 17-24 | ||||
GEQ 1-4 | GEQ 5-16 | GEQ 1-8 | GEQ 9-16 | |||||
CL/QL | Dugan8 | Dugan16 |
16) PAN/BALANCE parameters are not converted from RIVAGE PM to CL/QL when RIVAGE PM is paired and in Pan mode.
"Recall Filter" (e.g. Recall Safe, Selective Recall/Focus) setup parameters themselves aren't converted. But this converter takes into account the Recall Filter functions when converting a console file.
Where Recall Filters are used, it can make a difference in which order scenes are recalled. The assumption made here is that the scenes are recalled in the numbered order. If this is not your case, we strongly suggest that the scenes are re-ordered using the console or Studio Manager before the conversion process.
Here is a description of the concept with a step by step example.
The rectangles below represent the data in a source file. The yellow rectangle on the left side is the Current data. Light blue, orange and light green rectangles are Scene 001, 002 and 003. Each Scene has a Focus setting shown below. The rectangle on the far right side is a global Recall Safe setting. Focus and Recall Safe have a white part which is recalled and a gray part which is not recalled.
The Current data is converted without any regard to Recall Filtering.
Light blue rectangle Scene 001 is recalled onto the Current data.
Scene 001 Focus is set to "ALL" shown by the white rectangle with "ALL", but there is a global Recall Safe setup shown by the gray smaller rectangle marked "Safe". (Gray area is safe). Scene 001 recall result becomes the light blue rectangle which originates from Scene 001 with a yellow part which originates from the Current data. The yellow part remains due to Recall Safe.
Then, this result is converted to the destination model (indicated by the red arrow), based on the console compatibility policy.
Orange rectangle Scene 002 is recalled onto the result of previous Scene 001 recall.
Scene 002 has a Focus setup with a white "Focus" oval on a gray rectangle (White is focused), and also there is a global Recall Safe setup. Scene 002 recall result is just adding the chopped orange oval to the result of Scene 001 recall.
Then, this result is converted to the destination model based on the console compatibility policy.
Light green rectangle Scene 003 is recalled onto the result of previous Scene 002 recall.
Scene 003 Focus is set to "ALL", but there is a global Recall Safe setup. Scene 003 recall result replaces all parts other than the Recall Safe parameters, which is shown by the light green rectangle with a smaller yellow rectangle.
Then, this result is converted to the destination model based on the console compatibility policy.
The key point here is that the converted Scenes aren't the same as the Scenes in the source file as shown below.
This means, if you recall the converted Scenes sequentially from 001 to 003 in destination consoles, you won't face different data reproduction (apart from parameters filled by default or substitute values). But if you recall the converted Scenes in a different order without setting up the Recall Filtering function manually on the destination console, you could face some different data reproduction compared to that on the source console.
So please check your Recall Safe / Selective Recall / Focus settings before proceeding to mix a show!
Manual Development Group ©2015 Yamaha Corporation
Published 08/2020 YJMK-F0