SPECIAL MESSAGE SECTION (U.S.A.)
This product utilizes batteries or an external power
supply (adapter). DO NOT connect this product to
any power supply or adapter other than one
described in the manual, on the name plate, or
specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is
recommended by Yamaha. If a cart, etc., is used,
please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or
obligation to update existing units.
This product, either alone or in combination with
an amplifier and headphones or speaker/s, may be
capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or
at a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
consult an audiologist. IMPORTANT: The louder
the sound, the shorter the time period before
damage occurs.
NOTICE:
Service charges incurred due to lack of knowledge
relating to how a function or effect works (when
the unit is operating as designed) are not covered
by the manufacturer’s warranty, and are therefore
the owners responsibility. Please study this
manual carefully and consult your dealer before
requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both
user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit
of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in
place. The average life span of this type of battery
is approximately five years. When replacement
becomes necessary, contact a qualified service
representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make
sure that the battery being charged is a rechargeable type and that the charger is intended for the
battery being charged.
When installing batteries, do not mix old batteries
with new, or with batteries of a different type.
Batteries MUST be installed correctly. Mismatches
or incorrect installation may result in overheating
and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any
battery. Keep all batteries away from children.
Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with
any retailer of household type batteries in your
area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond
repair, or for some reason its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the
disposal of products that contain lead, batteries,
plastics, etc. If your dealer is unable to assist you,
please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the
product. The model number, serial number, power
requirements, etc., are located on this plate. You
should record the model number, serial number,
and the date of purchase in the spaces provided
below and retain this manual as a permanent
record of your purchase.
Model CBX-K2
Serial No.
Purchase Date
92-BP
2
PLEASE KEEP THIS MANUAL
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts
or modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is
a sudden loss of sound during use of the instrument, or if any unusual
smells or smoke should appear to be caused by it, immediately turn off
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
the power switch, disconnect the adaptor plug from the outlet, and have
the instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-1D or an equivalent recommended by
Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord,
place heavy objects on it, or place it in a position where anyone could
walk on, trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Always make sure all batteries are inserted in conformity with the +/polarity markings. Failure to do so might result in overheating, fire, or
battery fluid leakage.
• Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline
batteries with manganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• If the instrument is not to be in use for a long time, remove the batteries
from it, in order to prevent possible fluid leakage from the battery.
• Keep batteries away from children.
• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the
internal components.
• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can
affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl, plastic or rubber objects on the instrument, since
this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.
* The LED display and diagrams in this owner’s manual are for instructional pur-
poses only, and may be different from the ones on your instrument.
(4)-2
3
Welcome to the CBX-K2
Congratulations and thank you for purchasing the Yamaha CBX-K2 MIDI Keyboard!
The CBX-K2 is a sophisticated, yet compact MIDI keyboard controller, for use
with computers and MIDI music systems. It allows you to play connected tone
generators and rhythm machines, and enter performance data to sequencers and
computers. It features a sophisticated touch-sensitive keyboard that can be adjusted to cover the full 128-note MIDI range. It also provides a wealth of MIDI
controls that allow you to send virtually any MIDI message directly from the
keyboard. Moreover, the CBX-K2 has three built-in assignable controllers: Assign-
able Wheel, Assignable Slider and Assignable Footswitch. The Assignable Wheel
and Assignable Slider can be set to control virtually any parameter on your connected tone generator or sequencer in real time, while the Assignable Footswitch
can be used for sustain, certain sequencer controls, or as an alternate SHIFT button.
Because of its portable size, convenient battery/AC adaptor power supply, com-
patibility with General MIDI (GM) and XG, and extraordinarily powerful and
comprehensive MIDI control functions, the CBX-K2 is an invaluable tool — a
MIDI Swiss army knife, of sorts — for all MIDI musicians and performers.
IMPORTANT ■ The CBX-K2 does not contain an internal tone generator. In order
to play sounds from the CBX-K2, you need an external tone generator, such as the
Yamaha MU series or TG series tone generators.
NOTE ■ The many MIDI functions and features of the CBX-K2 may not be sup-
ported by your particular MIDI device. Be sure to refer to the owner’s manual of
your particular MIDI device when using it with the CBX-K2.
4
Contents
The CBX-K2 — What It Is and What It Can Do............... 6
What It Is ................................................................. 6
What It Can Do ........................................................ 6
How to Use This Manual ................................................. 7
Panel Controls and Terminals......................................... 8
■
Note Range of the CBX-K2 (with Octave Shift ) .... 9
■
Default Settings of the CBX-K2 ........................... 10
Guided Tour
Power Supply .................................................................. 12
■
Using a Power Adaptor....................................... 12
■
Using Batteries .................................................. 12
■
When to Replace the Batteries............................ 12
Setting Up Your CBX-K2 ................................................. 13
What Y ou’ll Need ..................................................... 13
Setup Examples ...................................................... 13
■
With Computer and Tone Generator .................... 13
■
With Sequencer ................................................. 14
■
With Tone Generator........................................... 14
■
With Main Keyboard and Tone Generator ............ 15
Making the Connections .......................................... 15
Assignable Wheel & Slider
— Controller Number List
.............................................. 30
About MIDI ...................................................................... 31
MIDI Messages Transmitted by the CBX-K2 .............. 31
CHANNEL MESSAGES........................................... 31
SYSTEM MESSAGES............................................. 33
MIDI Data Format ........................................................... 34
MIDI Reception ....................................................... 34
MIDI T r ansmission ................................................... 34
MIDI Implementation Chart ...................................... 36
Troubleshooting .............................................................. 37
Error Messages ............................................................... 38
Specifications ................................................................. 39
About RPN and NRPN ....................................................... 39
Index ................................................................................40
Playing and Using Your CBX-K2 .................................... 16
Selecting and Playing Voices.................................... 16
Changing the Voice Banks ....................................... 17
Changing the Octave Range .................................... 17
Using the Pitch Bend Wheel, Assignable Wheel, and
Assignable Slider
Re-assigning the Assignable Wheel and Slider ......... 18
Changing the Touch Sensitivity of the Keyboard ........ 19
.................................................... 18
Reference
Using the SHIFT-Related Functions .............................. 20
Basic Operations..................................................... 21
■
Selecting Group A and Group B Functions .......... 21
■
Entering Values .................................................. 21
■
Value Entry — Some Specific Examples
and Anomalies
.................................................. 21
Setting the Functions...................................................... 22
Group A Operations................................................. 22
Group B Operations................................................. 24
Group A Functions — List .............................................. 26
Group B Functions — List .............................................. 28
5
The CBX-K2 — What It Is and What It Can Do
What It Is
The CBX-K2 is a compact, highly portable 49-key MIDI
keyboard, designed especially for use with computers and
MIDI music systems. The CBX-K2 does not generate any
sound itself, but can be used as a keyboard controller for
playing sounds on a connected tone generator or rhythm
machine. It’s also ideal for recording to sequencers and
computers. The keyboard is touch-sensitive and its octave
range can be changed to cover the full 128-note MIDI
range.
The true power and flexibility of the CBX-K2 is in its
comprehensive MIDI controls. The CBX-K2 allows you to
send virtually any type of MIDI message to connected
MIDI devices. Pre-programmed commands provide easy
control of basic sequencer/rhythm machine functions such
as Start, Stop, Tempo and Song Select, while comprehensive program change commands let you easily select
program banks and voices.
Most importantly, though, the CBX-K2 has an Assignable
Wheel and Slider that can be set for control of any controller number. This means that you can use the Assignable
Wheel to control a wide variety of parameters on your
connected tone generator — such as Volume, Pan, Brightness, and the Depth of various effects — in real time. This
gives you expressive control over different aspects of the
sound in live performance.
The CBX-K2 is also the latest instrument in the Yamaha
line to support the XG format, a new addition to the
General MIDI standard. In short, XG provides for more
instrument sounds and variations, and greater expressive
control over voices and effects. With the use of the Assignable Wheel or Slider on the CBX-K2, you have direct realtime control over many of these newly supported functions
and parameters.
What It Can Do
Here are a few application ideas on how you can use the
CBX-K2. The list below is not comprehensive, but is
meant to be a general guide to the possibilities and provide
a starting point or springboard for your own creative ideas
and explorations.
● Using With a MIDI Tone Generator
In one of the most basic setups, you can play a connected
tone generator from the CBX-K2. Because it’s so compact
and portable, you can even use it as a hand-held keyboard
for live performance.
● Using as a Second Keyboard or Dedicated
MIDI Controller
The CBX-K2 is small enough to fit on top of nearly any
keyboard, making it perfect as a second keyboard. Since
the CBX-K2 has a MIDI IN terminal, you can connect it
between your main keyboard and your tone generator, and
use the extensive MIDI capabilities of the CBX-K2 for
greater expressive control during your performance.
● Using in a MIDI Music System
Combined with a laptop computer and a compact tone
generator (like the General MIDI/XG-compatible Yamaha
MU100R), the CBX-K2 gives you comprehensive music
making power — for recording, composing, arranging,
practicing, and editing — in a portable system that’s ready
to go wherever you go. The CBX-K2 is an ideal addition
to larger MIDI studios as well, since it provides far greater
MIDI control and flexibility than nearly any other keyboard
controller. Use it along side your main MIDI keyboard as a
kind of MIDI Swiss army knife — sending necessary MIDI
messages, working the real-time controllers, or editing
already recorded sequencer tracks.
● Multimedia
Since it’s portable and compatible with the General MIDI
and XG formats, the CBX-K2 is a natural for multimedia
applications. Because of its ease of use and comprehensive
functions, it’s the only keyboard you’ll ever need for
recording and editing MIDI data on your multimedia
creations.
6
How to Use This Manual
By and large, the CBX-K2 is very easy to use and this manual is self-explanatory. However, we strongly recommend that you
take time to read the manual — especially before trying some of the more sophisticated MIDI functions. Read through all of
the initial sections first, then go on to the “Guided Tour” to set up your CBX-K2, learn how to use its various functions, and
try out some of the practical application examples to help you become more familiar with its operations. For those who need
to delve deeper, the “Reference” section provides at-a-glance information and important details on all functions.
The following conventions are used throughout this manual:
* Panel buttons and controls are indicated as they appear on the actual instrument. (For example, C and
M.
* The functions and features assigned to the keyboard are shown like this: T and {.
* Unless indicated otherwise, L refers to either of the ENTER keys, J or K. However,
when you wish to enter a decimal value, make sure to press K. Likewise, when entering a hexadecimal
number, make sure to press J.
* Actual MIDI data messages (in hexadecimal) are indicated as follows: <<FE>> and <<En 00 40>>, etc.
* Operation steps are indicated as follows:
Example Actual Operation
C + E While holding down the C button, press E (D1).
C + U → L While holding down the C button, first press U (Fm1), then
press L (either J or K).
7
Panel Controls and Terminals
SEQUENCER
STOP
SONG
SELECT
START TEMPOCONTINUE
MEASURETOP BOTTOM
TIME SIGNATURE
SOUND
OFFXGON
GM
ON
RESET
CONTROL
TG300B
RESET
SOUND OFF
ALL CH
RESET
■ Front Panel
r t u y
TIME SIGNATURE
VOICE
SONG
SELECT
B
SEQUENCER
STOP
POLY/
RESET
MAP
MONO
MEASURETOP BOTTOM
CONTROL
PROGRAM
BANK
PROGRAM
SELECT
CHANGE
START TEMPOCONTINUE
SOUND OFF
ALL CH
RESET
SOUND
DEVICE
CHANNEL
TOUCH
TG300B
MERGE
NUMBER
SENSITIVITY
RESET
OFFXGONGMON
RPN NRPN
SYSTEM
FIXED
MIDICHMERGE
VELOCITY
ON/OFF
RPN NRPN
CONTROLLER
WHEEL ASSIGN
CONTROLLER
MSB 1ST/
FOOT SW
DATA
ASSIGN
DENSITY
LSB 1ST
TRANSPOSE
DRUM
NUMBER
w e q
q Keyboard
The CBX-K2 has a 49-key, 4-octave keyboard (C1 to C5),
featuring initial touch (velocity) control. All note on, note
off and velocity data is transmitted via the MIDI OUT
terminal. When used with the C button, the keys are
used for changing various settings and sending special
MIDI messages. (Page 20.)
SLIDER ASSIGN
RPN NRPN
CONTROLLER
i o
CONTROLLER
CONTROL CHANGE
NUMBER LIST
1 MODULATION
11 EXPRESSION
2 BREATH
5 PORTA TIME
6 DATA ENTRY
DATA
DENSITYPBDENSITY
DRUM
NUMBER
7 VOLUME
10 PANPOT
The right section of the keyboard serves as value entry
and is used for those functions whose names are underlined on the panel and require value entry, such as
Program Change and Tempo.
91 REVERB
64 HOLD1(DAMPER)
93 CHORUS
65 PORTAMENTO
94 VARIATION
71 HARMONIC
RPN
72 RELEASE TIME
73 ATTACK TIME
120 PB SENSITIVITY
74 BRIGHTNESS
121 FINE TUNE
84 PORTA CTRL
122 COARSE TUNE
123456 78 9ABCDEF0
B
NRPN
123 VIBRATO RATE
124 VIBRATO DEPTH
125 VIBRATO DELAY
126 LP FILTER CUTOFF
127 LP FILTER RESONANCE
128 HP FILTER CUTOFF
129 EQ LO GAIN
130 EQ HI GAIN
131 EQ LO FREQUENCY
132 EQ HI FREQUENCY
133 EG ATTACK TIME
134 EG DECAY TIME
135 EG RELEASE TIME
136 DRUM LP FILTER CUTOFF
137 DRUM LP FILTER RESONANCE
138 DRUM EG ATTACK RATE
139 DRUM EG DECAY RATE
140 DRUM PITCH COARSE
141 DRUM PITCH FINE
142 DRUM LEVEL
143 DRUM PAN
144 DRUM REVERB
145 DRUM CHORUS
146 DRUM VARIATION
147 DRUM HP FILTER CUTOFF
148 DRUM EQ LO GAIN
149 DRUM EQ HI GAIN
150 DRUM EQ LO FREQUENCY
151 DRUM EQ HI FREQUENCY
DECIMAL
HEXA
OTHERS
152 CH PRESSURE
153 KEY PRESSURE
154 MASTER VOLUME
156 MASTER TUNING
157 VELOCITY
158 TEMPO
ENTER
DECIMAL
About the Functions of the CBX-K2: The functions are
divided into two groups: Group A and Group B. The
Group A and B functions are shown on the panel, above
the left section of the keyboard. Several functions can be
used by pressing only the relevant key; in other words,
pressing L is not necessary. These functions, such
as Sequencer Stop and Start, are shown on the panel
without underline.
TIME SIGNATURE
8
SONG
SELECT
SEQUENCER
STOP
These non-underlined functions can be
used without pressing L.
MEASURETOP BOTTOM
START TEMPOCONTINUE
These underlined functions require
value entry and pressing L.
Functions whose names appear with a dashed underline
on the panel (for example, GM ON and XG ON) require
pressing L.
These functions with dashed underline
need no value entry, but require pressing
L.
Value entry on the CBX-K2 can be done in two number
systems: Decimal and Hexadecimal. The keys labeled A
through F are for Hexadecimal entry.
NOTE
■ The normal (default) velocity range of the
CBX-K2 is from 1 to 127. The range differs according
to the Touch Sensitivity setting (pages 19, 28).
Panel Controls and Terminals
w Pitch Bend Wheel (Pitch Bend)
This spring-loaded Wheel controls Pitch Bend. (Page 18.)
e Assignable Wheel
When the CBX-K2 is turned on, this Wheel (with center
detent) is set to control Modulation Depth of the connected
MIDI device. It can be set to control other functions; see
on pages 18 and 26 for details. Turning the Wheel will
momentarily show the currently assigned controller number
in the LED display.
r Assignable Slider
When the CBX-K2 is turned on, this Slider is set to control
the data entry of the connected MIDI device. It can be set
to control other functions; see on pages 18 and 26 for
details. Moving the Slider will momentarily show the
currently assigned controller number in the LED display.
t C Button
This button is used to access the “hidden” functions of the
CBX-K2. Used with the N /
M buttons (when the LED display is set to
Program Change, Bank MSB, or Bank LSB), it allows you
to step up or down through program numbers. (Page 16.)
Whenever turned on, the program number is set to 001.
Used with the keys of the keyboard, it allows you to access
the sophisticated MIDI control functions. (Page 20.)
y N / M Buttons
These buttons are used to change the octave range of the
keyboard, allowing you to play across the entire range of
MIDI notes (C-2 to G8). When the octave setting is
modified, the current octave setting is momentarily displayed on the LED. (Page 17.) Press both of these buttons
together to restore the normal octave setting (C1 to C5).
u N / M Lamps
These lamps provide several indications:
• During normal playing conditions, these (along with the
LED display) indicate the octave setting of the keyboard, up (M) or down
(N). Both light together for the normal
octave setting. When changing the octave setting, these
flash to indicate the number of octaves, up or down.
(Page 17.)
• When using some of the “hidden” functions, these flash
when a MIDI message is transmitted or when a function
is executed.
Note Range of the CBX-K2 (with Octave Shift)
Middle C
(C3 or MIDI note number 60)
C-2
(0)
C-1
(12)
C0
(24)
3 octaves down
C1
(36)
2 octaves down
C2
(48)
1 octave down
Normal octave range
(default: when power is turned on)
C3
(60)
C4
(72)
1 octave up
C5
(84)
2 octaves up
C6
(96)
3 octaves up
C7
(108)
4 octaves up
C8
(120)G8(127)
This section is outside
the “legal” MIDI range
and plays notes Gm7
(116) through C8 (120).
9
Panel Controls and Terminals
• The right lamp flashes quickly when a MIDI error
happens. The lamp flashes until you press any one of
the panel buttons.
i LED Display
In normal playing conditions, this displays the currently
selected program number (when Y is
selected in ·; see on page 22).
When moving the Assignable Wheel or Slider, this flashes
the currently active Controller number. (When assigned to
RPN or NRPN, the display does not flash.) For the Wheel,
the default is 001 - Modulation; for the Slider, the default
is 006 - Data Entry.
When changing the octave setting, this momentarily indicates the number of octaves, up or down, from the normal
octave setting. The range is -3 (3 octaves down) to 0
(normal) to 4 (4 octaves up).
The display also indicates the status of the MIDI control
operations. Depending on the operation performed, the
display may:
• Flash rapidly, indicating the selected MIDI message has
been sent. (Ex.: When pressing C + Q.)
• Show the current condition or value. (Ex.: When
pressing C + R.) It also displays the entered
value when changing a function’s setting.
o CONTROLLER NUMBER LIST
This is a list of some of the main controller numbers (and
their names) that can be used with the Assignable Wheel
and Slider. (For a complete list, see on page 30.)
Default Settings of the CBX-K2
The CBX-K2 has no internal memory backup. As a result, all settings are returned to the factory default when turning
the power off. The basic factory default settings are listed below.
• Merge: on
• MIDI transmit channel: 1
• Octave range: C1 – C5
• Transpose: normal (no transposition)
• Fixed velocity: off (keyboard is velocity sensitive)
• Assignable Wheel: Modulation
• Assignable Slider: Data entry MSB
10
■ User-configurable Defaults:
You can change certain power-on default settings of the
CBX-K2. These include:
* Reversing the MSB, LSB order. Hold down
N and turn the power on. (Pages 28,
29.)
■ Rear Panel
Panel Controls and Terminals
!0 !1 !2 !3 !4
!0 POWER Switch
Push this switch in to turn on the power. Each time the
power is turned on, the CBX-K2 returns to the default
condition. (See boxed section on page 10.)
!1 DC IN Terminal
This is for connection to a PA-1D AC adaptor or another
adaptor recommended by Yamaha.
!2 MIDI IN Terminal
This is for connection to the MIDI OUT terminal of another
MIDI device (such as a MIDI keyboard, sequencer or
computer that has a MIDI interface), for input of that
device’s data. By using the MIDI Merge function, received
data can be combined with the data generated by the CBXK2 and transmitted via the MIDI OUT terminal.
!3 MIDI OUT Terminal
This is for connection to the MIDI IN terminal of another
MIDI device (such as a MIDI tone generator, sequencer or
computer that has a MIDI interface), for sending MIDI
messages to that device.
!4 FOOT SWITCH Jack (1/4” phone)
This is for connection of a pedal switch (such as the
optional Yamaha FC4 or FC5). The default control for the
Footswitch is sustain on/off (Controller #64). It can be set
to control other functions; see on page 28 for details.
NOTE
■ Make sure that the Footswitch plug is properly
connected to the FOOT SWITCH terminal before
turning on the power.
■
Do not press the Footswitch while turning the power
on. Doing this changes the recognized polarity of the
Footswitch, resulting in reversed Footswitch operation.
11
Guided Tour
Guided Tour
Setting Up the CBX-K2 in Your Music System
Whatever your system, you should follow the basic instructions below when setting up your CBX-K2. Use
the example illustrations as a general guide when making the connections with your own system.
Power Supply
Your CBX-K2 will run from the included power adaptor,
PA-1D or an equivalent. Batteries can also be used (see
below). However, we strongly recommend that you use the
power adaptor.
NOTE
■ Before making any connections, make sure that
all equipment to be connected is turned off.
Using a Power Adaptor
Connect one end of the power adaptor (PA-1D) to the DC
IN jack on the rear panel, and the other end to a suitable
electrical outlet.
CAUTION!
other than the PA-1D (or another adaptor recommended by Yamaha) . The use of an incompatible
adaptor may result in irreparable damage to the CBXK2, and even pose a serious shock hazard.
■
Be sure to disconnect the power adaptor from the
outlet when the CBX-K2 is not in use.
■ Do not attempt to use a power adaptor
Using Batteries
To use the CBX-K2 on battery power, remove the battery
compartment cover (as shown below) and insert six 1.5V
AA size (SUM-3, R-6 or equivalent) batteries in the battery
compartment. Make sure to follow the polarity indications
on the bottom case.
Battery compartment cover
Securely replace the battery compartment cover when done
installing the batteries.
12
DC IN
STANDBY (?)
Power adaptor
When to Replace the Batteries
When the battery power runs too low to properly operate
the CBX-K2, an “E1” message appears in the LED display.
When this happens, replace all batteries with a complete set
of six new batteries of the same type.
CAUTION!
different types of batteries! Also, to prevent possible
damage due to battery leakage, remove the batteries
from the instrument if it is not to be used for a long
time.
■ NEVER mix old and new batteries or
Setting Up Your CBX-K2
All the devices must be turned off before making connections.
In this introductory section, you’ll learn how to set up the
CBX-K2 for use in your music system. A variety of setups
are covered here; read through the one that most closely
matches your own setup.
What You’ll Need
Since the CBX-K2 is strictly a MIDI controller and does
not generate any sound by itself, you’ll need other datareceiving and sound-producing equipment. Basically, you
will need:
* The CBX-K2 and PA-1D AC power adaptor (or a set of
batteries).
* A MIDI device (such as a tone generator, keyboard or
computer) which can receive and play back MIDI data,
and at least one MIDI cable.
* (Optional) An amplifier/speaker system, preferably
stereo, with proper audio connecting cables. Alternately, you can use a set of stereo headphones.
Setup Examples
NOTE
■ All devices must be turned off before making
connections.
■
The setup examples below show only the MIDI
connections. The audio connections would vary
according to the particular equipment you use. Refer
to the owner’s manuals of your other equipment for
audio connection instructions.
With Computer and Tone Generator
In the small MIDI system below, the CBX-K2 is connected
to a computer and a single tone generator. With the proper
sequencing software on the computer, the CBX-K2 can be
used both for recording performance data to the computer
and playing the sounds of the connected tone generator.
You can also conveniently use the CBX-K2 to start and stop
the sequencer.
For tone generators with a built-in MIDI interface (such as
the Y amaha MU100R)
CBX-K2
Tone generator
MU100R
MIDI OUT
MIDI IN
TO HOST
Serial port
When connecting the instrument to other MIDI devices, be
sure to use only high-quality MIDI cables. Also, avoid
using cables longer than 15 meters, since long cables can
result in data errors.
The HOST SELECT switch
on the MU100R allows you
to match the type of
computer, when connecting
directly to a computer.
Connect the MIDI OUT terminal on the CBX-K2 to the
MIDI IN terminal on the MU100R. The MU100R should be
connected to the proper port on the computer. (For
complete connection instructions, refer to the owner’s
manual of your particular tone generator.)
Computer
13
Setting Up Your CBX-K2
For tone generators without a built-in MIDI interface
CBX-K2
Tone generator
MIDI OUT
MIDI IN
MIDI OUT
MIDI IN
MIDI
Interface
Serial port
With Sequencer
The CBX-K2 can be used with a stand-alone sequencer, for
recording and editing performance data.
CBX-K2
MIDI OUT
MIDI IN
Sequencer
Computer
Connect the MIDI OUT terminal on the CBX-K2 to the MIDI
IN terminal on the computer’s MIDI interface. The tone
generator should be connected to a MIDI OUT on the
interface.
NOTE
■ Set the MIDI Thru (or Echo Back) setting on
the sequencer software to ON.
As for the required MIDI settings for the computer and
sequencer software, refer to the respective manuals.
Connect the MIDI OUT terminal on the CBX-K2 to the MIDI
IN terminal on the sequencer.
With Tone Generator
In the simple system below, the CBX-K2 is used to play the
voices of the MU100R Tone Generator. This setup could
also serve as a simple, yet powerful live performance rig,
with the CBX-K2 being used as a portable keyboard
controller.
CBX-K2
MIDI OUT
MIDI IN
Tone generator
MU100R
14
Connect the MIDI OUT terminal on the CBX-K2 to the MIDI
IN terminal on the MU100R.
Setting Up Your CBX-K2
With Main Keyboard and Tone Generator
In this system, the CBX-K2 effectively serves as a second
keyboard. The main keyboard (in this case, the Clavinova)
is used to play both its own internal sounds and the sounds
of the connected multi-timbral tone generator on one
channel, while the CBX-K2 is used to play the sounds of
the tone generator on another channel. This lets you play
two sounds at once from the Clavinova, and play a third
sound from the CBX-K2.
CBX-K2
MIDI OUT
MIDI IN
Tone generator
MU100R
MIDI IN
MIDI OUT
MIDI keyboard
Making the Connections
CAUTION!
sure that all equipment to be connected is set to
minimum volume and turned off.
Operation
Connect the MIDI OUT terminal of the CBX-K2 to the
1.
MIDI IN terminal of the tone generator, sequencer or
computer MIDI interface (as shown in the illustrations
above).
Make all necessary audio connections, making sure first
2.
that all level controls on those devices are set to the
minimum. (Refer to the owner’s manuals of the devices
you are using for more information on connections.)
Turn the power on for the various equipment in the
3.
following order:
When turning off the power, simply reverse the above
order, turning off the CBX-K2 last.
■ Before making any connections, make
1) CBX-K2
2) Computer
3) Tone generator(s)
4) Audio devices (mixer, amplifier, etc.)
Connect the MIDI OUT terminal on the main keyboard to
the MIDI IN terminal on the CBX-K2. Also connect the
MIDI OUT terminal on the CBX-K2 to the MIDI IN terminal
on the tone generator.
In a variation of the above setup, set the Clavinova and
CBX-K2 to transmit on the same channel, and set the CBXK2’s MIDI Merge function to ON. This lets you play the
tone generator from either keyboard and use the versatile
MIDI functions of the CBX-K2 to control the tone generator — for example, changing the brightness of the sound in
real time with the Assignable Wheel.
NOTE
■ When an external MIDI device is connected to
the MIDI IN of the CBX-K2, the LED display may
indicate a MIDI error. This is probably due to a
longer-than-normal interval between active sensing
messages received from the device, or could be the
result of an improper connection. In such a case, the
CBX-K2 automatically resets to Merge Off (pages 26,
34). Check the connected device or cable before
continuing.
15
Playing and Using Your CBX-K2
This section of the manual guides you through some of the
basic features and functions of the CBX-K2. It also
provides some advanced operation examples, so that you
can get a feel for what the CBX-K2 is capable of, and how
you can best use it. Master the basics in this section, and
you’ll have the experience and know-how to easily and
confidently use any of the more advanced functions covered
later in the Reference section.
Selecting and Playing Voices
The CBX-K2 lets you select voices (or program numbers)
on your connected MIDI device in two ways: stepping up
or down through the program numbers, or directly selecting
a specific program number.
• To step up or down through the program numbers:
First, make sure that the program number is shown
in the display (see the Display Program Change
function, page 26). Then, simultaneously hold down
C and press M (to advance one
program number), or press N (to go
back one program number).
In this section, you’ll learn how to:
• Transmit program change messages and play the
keyboard.
• Select a voice bank.
• Change the octave setting of the keyboard.
• Use the Pitch Bend and Assignable Wheels.
• Re-assign the controller for the Assignable Wheel
and Slider.
• Change the Touch Sensitivity of the keyboard.
When the CBX-K2 is turned on, the starting point for
program change is 001. This means that when you first
hold down C and press M, program
number 002 will be selected.
IMPORTANT!
the CBX-K2 keyboard. Holding down C accesses
the secondary A or B group or other functions, and you
may inadvertently execute one of these functions by
playing the keyboard while continuing to hold down
C.
■
Always release C before playing
The program number in the LED display changes accordingly, and the OCTAVE SHIFT lamps quickly flash on and
off. Release C, and play the keyboard to hear the
newly selected voice.
To quickly move up or down through the program numbers,
continuously hold down C and the appropriate OC-
TAVE SHIFT button.
NOTE
■ This function does not “wrap around.” In
other words, you cannot go back to program number
128 when at 001, or advance to program number 001
when at 128.
• To change the program number:
While holding down C, press the key corresponding to Y (F1), then the keys
corresponding to the desired number, then the key
corresponding to K.
For example, to select program number 017, continue
holding down C and press Y, 1,
7, then K. Release C, and play the key-
board to hear the newly selected Voice.
16
Playing and Using Your CBX-K2
Changing the Voice Banks
Many currently available tone generators feature multiple
banks of voices. The CBX-K2 can be used to quickly and
easily select these additional banks. Some banks may not
be available on your particular tone generator; check the
manual for details.
Operation
Simultaneously hold down C and press
1.
T.
The LED display indicates the current Bank setting by
alternately flashing the MSB and LSB values. (In this
case, the default setting, both of these values are 000.)
MSB value LSB value
The display alternately flashes the
MSB and LSB values.
While continuing to hold down C, enter the
2.
number 64 (press 6, then 4), then press
K.
MSB value LSB value
This sets the Bank to 064 (LSB value). The LED
display alternately flashes the MSB and LSB values,
000 and 064.
To restore the original Bank (or select other Banks), hold
down C, press T, 0 (or another number
for a different Bank), and K.
Changing the Octave Range
The range of the 4-octave keyboard can be easily shifted up
or down to cover the full 10-1/2-octave (128-note) range of
MIDI notes. (See on page 9 for the note range.)
Operation
To shift the keyboard up one octave, press
M. To shift the keyboard down one
octave, press N.
When the octave range is changed, the LED display briefly
indicates the new setting. The OCTAVE SHIFT lamps
also rapidly flash one or more times, according to the
selected octave range. For example, when the setting is
changed to two octaves below normal, the left lamp flashes
twice.
You can instantly restore the normal octave range by
pressing both N/M buttons
simultaneously.
NOTE
■ At the highest octave setting, keys outside the
legal MIDI note range will repeat a previous octave.
17
Playing and Using Your CBX-K2
Using the Pitch Bend Wheel, Assignable Wheel, and Assignable Slider
These two wheels and slider let you control different
aspects of the sound in realtime as you play. These controls affect the connected MIDI instrument.
Move the Pitch Bend Wheel as you play to change the pitch
of the sound. Moving the wheel away from you bends the
Re-assigning the Assignable Wheel and Slider
As mentioned above, the Assignable Wheel and Slider can
be used to control a variety of different functions. The
default setting for the Wheel is modulation (MIDI Controller #1), and the default for the Slider is data entry (MIDI
Controller #6). However, either can be set to control
volume, pan position, attack or release time, coarse tuning
or fine tuning, and reverb or chorus depth, among other
Controllers. (For a complete list of the available Controllers and their numbers, see on page 30.)
Assignable Wheel / Operation
Simultaneously hold down C and press
1.
S in the fi section.
The LED display indicates the current Assignable
Wheel’s Controller number.
While continuing to hold down C, enter the
2.
number 10 (press 1, then 0), then press
K.
This sets the Assignable Wheel to Controller number 10
(Pan). Play the keyboard and move the Assignable Wheel
as you play, and hear how the sound moves left and right in
the stereo image as you move the Wheel. As you move the
Wheel, the currently assigned Controller number appears in
the LED display. The Assignable Wheel is particularly
pitch up. The Pitch Bend Wheel is spring-loaded for
returning to center (normal pitch).
Move the Assignable Wheel as you play to change the
modulation of the sound (MIDI Controller #1). Moving the
wheel away from you increases the modulation. Moving
the Assignable Slider changes the Data Entry value (MIDI
Controller #6). (Notice that the “006” flashes in the
display, indicating data for Controller #6 is being transmitted.) The Assignable Wheel and Assignable Slider can also
be set to control other functions; see the section below for
details.
Depending on the connected device and the selected voice,
there may be no response or change in the sound. Refer to
the owner’s manual of the particular device for details.
suited to control numbers such as #10 (Pan) and #73
(Attack Time) because of its center detent.
Try entering other Controller numbers, repeating steps 1
and 2 above. (A short list of Controllers is printed on the
panel. Try entering some of these; many—but not all—of
these will have an obvious effect on the sound as you move
the wheel.)
Assignable Slider / Operation
Simultaneously hold down C and press
1.
S in the ‡ section.
The LED display indicates the current Assignable
Slider’s Controller number.
While continuing to hold down C, enter the
2.
desired Controller number (for example, “7” for
MIDI volume control), then press K.
Play the keyboard and move the Assignable Slider as
you play, and hear how the volume of the sound
changes (if you are using Controller #7).
* You can also assign RPN and NRPN numbers to the
Assignable Wheel or Slider. (Pages 26 and 30.)
18
Playing and Using Your CBX-K2
Changing the Touch Sensitivity of the Keyboard
The Touch Sensitivity function lets you change how the
Voices respond to your playing strength.
NOTE
■
Touch Sensitivity is a “Group B” function. The
“Group A” functions (such as Program Change, Bank
Select, and Controller, which were covered above) are
shown on the panel and explained in detail on pages 26
– 27. The Group B functions (listed and explained on
pages 28 – 29) are also shown on the panel but are
accessed differently than Group A functions.
Operation
Simultaneously hold down C, press ç,
1.
then ˙.
Pressing ç first (before any function key) calls
up the Group B functions. The LED display indicates
the current Touch Sensitivity value.
While continuing to hold down C, enter the
2.
number 1, then press K.
This sets Touch Sensitivity to 1 (easy). Now, when you
play the keyboard, even playing softly results in a
reasonably loud sound.
Try entering other values (the range is 1–10), and hear how
they affect the response of the keyboard. The default value
is 10, and can also be restored by simply turning the CBXK2 off and on again.
NOTE
■ When Fixed Velocity is set to a value other
than 0 (off), the Touch Sensitivity setting has no effect.
For more information on Touch Sensitivity, see footnote #5
on page 28.
This concludes the basic tour of some of the important functions of the CBX-K2. To find out more about
how to use your CBX-K2, look through the Reference section that follows and try out some of the func-
tions and operations that interest you.
19
Reference
Reference
Using the SHIFT-Related Functions
The enormous flexibility and power of the CBX-K2 is in its
“hidden” or SHIFT-related functions — allowing you to
send virtually any kind of MIDI message directly from the
keyboard or use the Assignable Wheel/Slider for real-time
control change.
Displays current setting or value.
TIME SIGNATURE
VOICE
SONG
SELECT
B
SEQUENCER
STOP
POLY/
RESET
MAP
MONO
MEASURETOP BOTTOM
CONTROL
PROGRAM
BANK
PROGRAM
SELECT
CHANGE
START TEMPOCONTINUE
MIDI functions
(Group A and Group B)
SOUND OFF
ALL CH
RESET
SOUND
DEVICE
CHANNEL
TOUCH
TG300B
MERGE
NUMBER
SENSITIVITY
RESET
SYSTEM
FIXED
MIDICHMERGE
VELOCITY
ON/OFF
OFFXGONGMON
RPN NRPN
CONTROLLER
WHEEL ASSIGN
RPN NRPN
CONTROLLER
DATA
MSB 1ST/
FOOT SW
DENSITY
LSB 1ST
ASSIGN
TRANSPOSE
DRUM
RPN NRPN
NUMBER
SLIDER ASSIGN
CONTROLLER
Many of the functions can be done with one or two keystrokes, while others require you to enter a number value
and press one of the L keys to execute the function.
All functions can be accessed or executed by using one of
the operations described below.
CONTROLLER
CONTROL CHANGE
NUMBER LIST
1 MODULATION
11 EXPRESSION
2 BREATH
64 HOLD1(DAMPER)
5 PORTA TIME
65 PORTAMENTO
6 DATA ENTRY
71 HARMONIC
7 VOLUME
DATA
DENSITYPBDENSITY
DRUM
NUMBER
72 RELEASE TIME
73 ATTACK TIME
10 PANPOT
74 BRIGHTNESS
84 PORTA CTRL
123456 78 9ABCDEF0
B
Display
ç key
NRPN
123 VIBRATO RATE
131 EQ LO FREQUENCY
91 REVERB
93 CHORUS
94 VARIATION
RPN
120 PB SENSITIVITY
121 FINE TUNE
122 COARSE TUNE
124 VIBRATO DEPTH
125 VIBRATO DELAY
126 LP FILTER CUTOFF
127 LP FILTER RESONANCE
128 HP FILTER CUTOFF
129 EQ LO GAIN
130 EQ HI GAIN
132 EQ HI FREQUENCY
133 EG ATTACK TIME
134 EG DECAY TIME
135 EG RELEASE TIME
136 DRUM LP FILTER CUTOFF
137 DRUM LP FILTER RESONANCE
138 DRUM EG ATTACK RATE
139 DRUM EG DECAY RATE
140 DRUM PITCH COARSE
141 DRUM PITCH FINE
142 DRUM LEVEL
143 DRUM PAN
144 DRUM REVERB
145 DRUM CHORUS
146 DRUM VARIATION
Value entry
(Decimal and Hexadecimal)
147 DRUM HP FILTER CUTOFF
148 DRUM EQ LO GAIN
149 DRUM EQ HI GAIN
150 DRUM EQ LO FREQUENCY
151 DRUM EQ HI FREQUENCY
OTHERS
152 CH PRESSURE
153 KEY PRESSURE
154 MASTER VOLUME
156 MASTER TUNING
157 VELOCITY
158 TEMPO
ENTER
HEXA
DECIMAL
DECIMAL
L
keys
The MIDI functions can be generally divided into three
types, according to their operation.
Holding C and pressing the function’s key. For
1)
these functions, such as Sequencer Stop and Start,
pressing L is not necessary. These functions are
shown on the panel without underline.
Holding C, pressing the function’s key and then
2)
L. These functions are indicated with a dashed
underline on the panel (for example, GM ON and XG
ON) and require pressing L to execute.
Holding C, pressing the function’s key, entering
3)
a value and then pressing L. These functions
are indicated with an underline on the panel (for example, PROGRAM CHANGE and TEMPO), and
require that a value (Decimal or Hexadecimal) be
entered.
When changing a function, the LED display indicates
the on/off status or the value of the function.
In using the SHIFT-related functions, remember
Keep holding down C until the end of the
operation. If C is released in mid-operation,
you’ll have to start the operation all over again.
In the instructions that follow, “L” refers to either of
the ENTER keys, J or K. In other
words, this means that either key can be used, unless
indicated otherwise.
NOTE
■ Both N / M
lamps flash briefly when a function is executed. The
LED display flashes briefly when a MIDI message is
sent.
20
Basic Operations
Using the SHIFT-Related Functions
Selecting Group A and Group B Functions
● Selecting Group A Functions:
Hold down C and press the appropriate key. (See
on pages 26 – 27 for specific Group A functions and
how to use them.)
● Selecting Group B Functions:
Hold down C and press ç. The Group B
functions are available as long as you continue to hold
down C. (See on pages 28 – 29 for specific Group
B functions and how to use them.)
Entering Values
Value entry on the CBX-K2 can be done in two number
systems: Decimal and Hexadecimal. The keys labeled A
through F are for Hexadecimal entry.
● Entering a decimal value:
Hold down C, press the appropriate function key,
enter the desired value in decimal format, then press
K.
● Entering a hexadecimal value:
Hold down C, press the appropriate function key,
enter the desired value in hexadecimal format, then
press J.
Example — Setting the MIDI Transmit Channel to 12:
Decimal:
C + { → 1 → 2 → K
Hexadecimal:
C + { → c → J
* Also see the Decimal-Hexadecimal Conversion Chart
on page 33.)
Value Entry — Some Specific Examples
and Anomalies
● Entering MSB/LSB Values with K (3 digit bytes
for MSB, 3 digit bytes for LSB; 6 digits total message).
For messages beginning with zeroes, the first zeroes
can be omitted.
Examples:
* 3 → K
* 0 → 3 → K: results in a value of MSB = 000, LSB =
003.
: results in a value of MSB = 000, LSB = 003.
* 1 → 0 → 0 → 3 → K: results in a value of
MSB = 001, LSB = 003.
* 0 → 1 → 0 → 0 → 3 → K: results in a
value of MSB = 001, LSB = 003.
● Entering MSB/LSB Values with J (2 digit
bytes for MSB, 2 digit bytes for LSB; 4 digits total
message). For messages beginning with zeroes, the
first zeroes can be omitted.
Examples:
* 3 → J: results in a value of MSB = 00, LSB = 03.
* 0 → 3 → J: results in a value of MSB = 00,
LSB = 03.
* 1 → 0 → 3 → J: results in a value of MSB
= 01, LSB = 03.
* 0 → 1 → 0 → 3 → J: results in a value
of MSB = 01, LSB = 03.
When entering MSB and LSB values, the LED display
alternately flashes the MSB and LSB values in hexadecimal
or decimal form.
Display alternately flashes MSB and LSB
Dot in this position
indicates MSB.
NOTE
■ The order of MSB and LSB entry can be
Dot in this position
indicates LSB.
reversed. (See MSB 1ST/LSB 1ST on page 28.)
NOTES ON THE BASIC OPERATION
■
If you inadvertently press two or more function keys
while performing a function, the last pressed key has
priority.
■
If, after entering a value, you press another function
key before pressing L, the value will be cancelled.
■
If you enter a value that is outside of a function’s
range, it will be ignored. Legal messages can be one
byte in length (a value from 0 – 255) exception for
Tempo value and Measure Number.
21
Setting the Functions
This section shows by example the operations for the basic
functions.
* Unless indicated otherwise, L refers to either of
the ENTER keys, J or K. How-
Group A Operations
Group A function names are shown on the panel above the
corresponding keys. For the list and explanations of Group
A functions, refer to pages 26 – 27.
SELECT
TIME SIGNATURE
SONG
SEQUENCER
STOP
VOICE
POLY/
RESET
MAP
MONO
MEASURETOP BOTTOM
START TEMPOCONTINUE
BANK
SELECT
PROGRAM
PROGRAM
CHANGE
CONTROL
GM
ON
SOUND OFF
ALL CH
RESET
SOUND
OFFXGON
TG300B
RESET
CHANNEL
MERGE
ON/OFF
DEVICE
NUMBER
SYSTEM
MIDICHMERGE
TOUCH
SENSITIVITY
FIXED
VELOCITY
CONTROLLER
RPN NRPN
WHEEL ASSIGN
RPN NRPN
CONTROLLER
DATA
DENSITY
DRUM
NUMBER
MSB 1ST/
LSB 1ST
TRANSPOSE
ever, when you wish to enter a decimal value, make sure
to press K. Likewise, when entering a hexadecimal number, make sure to press J.
● Numbers – in the illustration correspond to the operation
numbers below.
FOOT SW
ASSIGN
SLIDER ASSIGN
RPN NRPN
CONTROLLER
DENSITY
PB
DATA
DENSITY
DRUM
NUMBER
PROGRAM
CHANGE
DISPLAY
BANK
BANK
MSB
LSB
12345
B
Sending a Simple Command
Operation: C + Function Key
1
Relevant Functions: Sequencer Stop/Continue/Start; Sound
Off
●
Example:
Sending a Start command to a sequencer or rhythm
machine
C + E
You can use the Q and W keys in the same
way, to stop the sequencer or continue playback from the
stopped point.
Setting a Simple Command (on/off)
2
Operation: C + Function Key
Relevant Functions: Merge On/Off
●
Example:
Switching the MIDI Merge function of the CBX-K2 on or off
C + P
Setting a Simple Command with L
3
Operation: C + Function Key → L
Relevant Functions: GM Mode On; XG System On; Display
●
Example:
Setting the tone generator to XG Mode
C + O → L
NOTE
■ Either L key can be used for these
commands.
Setting a Specific Value for a Function
Operation: C + Function Key → Value → L
Relevant Functions: Tempo; Program Change; MIDI Channel;
4
Fixed Velocity; Controller; Drum Number; Transpose
Down/Up
●
Example:
Changing the tempo value on a sequencer or rhythm
machine
C + R → 1 → 4 → 0 → K
22
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