Yamaha 02R User Manual

PM1D System Software Version 2

Supplementary Manual

This supplementary manual primarily describes the additional and modified func-

tions that have been incorporated into PM1D System Software version 2.0.

Please read this manual in conjunction with the original manual that came with

your Yamaha PM1D digital audio mixing system.

Table of Contents

■ Main changes..................................... 2

Auto Gain Adjustment function ......................2

PM1D Manager Remote Control function ......2

VCM Effects available .....................................3

Channel Move function in the CH COPY

screen .........................................................3

■ Changes in Scene Memories and

Libraries.............................................. 5

Expanding the Event Recall function

in the TC EVENT screen............................... 5

Overwriting libraries during the Auto Store

operation ....................................................6

Unit settings can be included in the Recall

Safe channel settings...................................7

Additional preset scenes.................................7

Expanded user area for Input EQ/Channel

libraries .......................................................7

■ Changes and additions of screens..... 8

New FADER VIEW screen ................................8

Clock on the meter bridge .............................8

Displaying the GEQ routings .......................... 8

Displaying the GR meters ...............................9

■ Other changes..................................10

Filtering during save or load operations ........10

Direct output just before the HPF ................ 11

Additional functions for the USER DEFINE

switches ................................................... 11

Inserting MIDI events from the event list ..... 12

CLEAR ALL button added to the OSCILLATOR

and TALKBACK screens............................. 13

Outputting the MONITOR and CUE signals

from the DSP1D ....................................... 13

No limitation in multiple selections for the

Global Paste function ............................... 14

Selecting WITH MIX SEND in the CH COPY

screen ...................................................... 14

Support for the MY8-DA96 card .................. 14

Compatibility of created data ...................... 14

■ Appendix .......................................... 15

Scene Memory Preset List ............................ 15

VCM Effect Parameter List............................ 18

EN

Main changes

Auto Gain Adjustment function

If you adjust the HA gain on the master CS1D (master for HA
control), the attenuation on a slave CS1D can automatically be
adjusted so that the channel output levels will remain
unchanged.

Engine

DSP1D/

DSP1D-EX

Output B

AI8 (ID=1)

Output A

Engine

DSP1D/

DSP1D-EX

ANALOG OUTPUT BOX

CONTROL

PORT

A
B
C

The master unit is the CS1D (or PM1D Manager) connected
via a DSP1D that is connected to the port through which the
AI8 is controlled. The slave unit is the CS1D (or PM1D Man­ager) connected via a DSP1D that is connected to any port
other than the master. You can switch between the master and
slave.

Slave

Console CS1D

Master

Console CS1D

2. In the upper left of the screen, click the AUTO
GAIN ADJUSTMENT button to enable the func­tion.

The Auto Gain Adjustment function is now enabled.

3. Turn the GAIN ADJ button on or off to switch the
function for each channel on or off.

Note

• Click the SET ALL button to turn on the function for all channels

globally. Click the CLEAR ALL button to turn off the function for
all channels globally.

• In most cases, turn on the Auto Gain Adjustment function only on

the slave CS1D unit. If you turn on the function on the master
CS1D unit, the output level of the master CS1D will also be
adjusted automatically.

• The GAIN ADJ button’s on/off status is not linked even if the cor-

responding two channels are paired. Even if the GAIN ADJ but­ton of either one of the paired channels is turned on, the
attenuators will not be linked.

• When you turn off the GAIN ADJ button for one of the paired

channels, the attenuator value for the even-numbered channel
will change to the value for the odd-numbered channel. In this
case, please note that the volume level might increase more than
expected.

• If the attenuator values are selected as one of the Recall Safe

items, and if the GAIN ADJ button for the recalled scene is set to
on, this function will apply to the recalled HA gain. The Recall
Safe function does not apply to the GAIN ADJ button and AUTO
GAIN ADJUSTMENT button settings. Therefore, you must first
store these button settings in the scenes.

PM1D Manager Remote Control func­tion

■ Switching the Auto Gain Adjustment function on and off

1. On the slave CS1D, display the ATT screen for the
IN EQ function.

AUTO GAIN ADJUSTMENT button

SET ALL and CLEAR ALL buttons

ATT

GAIN ADJ buttons

2 Main changes

Connecting the PM1D Manager and a Yamaha digital mixing
console (DM2000, 02R96, or DM1000) via USB enables you to
remotely control the PM1D system from the digital mixing
console. For details, refer to the PM1D Manager V2 Owner's
Manual.

Yamaha digital mixer

(DM2000 V2, 02R96 V2,

DM1000 V2)

USB

PM1D system

Engine

DSP1D/DSP1D-EX

PM1D Manager

USB/RS232C

Console CS1D

VCM Effects available

Va r ious effects sold as Add-On Effects packages for Yamaha
digital mixing consoles (such as DM2000) are now included as
standard. To use the VCM effects, you must first specify the
number of VCM effects you wish to use to limit the number of
available GEQ modules.

EFFECT

The VCM effects employ Virtual Circuitry Modeling technol­ogy, and include compressors and EQs that model the charac­teristics of analog circuits, OpenDeck, which emulates tape
compression created by open reel tapes; and the REV-X reverb
effect, which is based on a newly-developed algorithm and
provides richly reverberant sound quality with smooth attenu­ation. For more information on the VCM effects, please refer
to the Appendix on page 18.

To use the VCM effects, you must first specify the number of
VCM effects you wish to use in the following DSP CONFIG
screen to limit the number of available GEQ modules.

DSP CONFIG

Value VCM effects

——EFFECT 1–8 GEQ 1–24

1 EFFECT 1 EFFECT 2–8 GEQ 1–22

1-2 EFFECT 1–2 EFFECT 3–8 GEQ 1–20

1-3 EFFECT 1–3 EFFECT 4–8 GEQ 1–18

1-4 EFFECT 1–4 EFFECT 5–8 GEQ 1–16

1-5 EFFECT 1–5 EFFECT 6–8 GEQ 1–14

1-6 EFFECT 1–6 EFFECT 7–8 GEQ 1–12

1-7 EFFECT 1–7 EFFECT 8 GEQ 1–10

1-8 EFFECT 1–8 — GEQ 1–8

Conventional

effects

Available GEQ

Note

• To use VCM effects on a single effect module, you must
disable two GEQ modules.

• If you change this setting, the effect and GEQ output will be tem­porarily muted.

• The disabled GEQ modules still enable you to control the param­eters, but the output will be muted.

• You can recall these new effects in the same way as the existing
effects. That is, you recall the desired effects from the Effect
library.

• Please note that if you mix a signal processed with VCM effects
with a signal that utilizes a different routing, a difference in time
resulting from the different signal paths may cause a comb filter
effect (a phenomena in which the level of some frequencies
decreases).

Channel Move function in the CH COPY screen

In addition to the CH Copy function in the CH COPY screen,
which copies channels globally, a CH Move function that
moves channels is now available.

CH MOVE button

CH COPY

The CH Move function enables you to move any input or out­put channels to specified channel locations. When the channels
are moved, the channels between the move source and destina­tion channels will move forward or backward accordingly. To
use the CH Move function, you can either use the CH COPY
screen or operate the keys on the top panel.

Main changes 3

■ Moving the channels in the CH COPY screen

1. Display the CH COPY screen for the IN CH View or
OUT CH View function.

CH MOVE button

CH COPY

■ Moving the channels from the top panel

1. Press the [SEL] switches to select the input chan­nels you wish to move.

2. Press the [CHANNEL COPY] key.

3. Hold down the [SHIFT] key and press the [SEL]
switch of the destination channels.

The CH DATA MOVING pop-up window appears, indi­cating the move source and destination channel numbers.

Move source channels Move destination channels

4. Click the OK button to execute the function.

The channels are now moved to the new locations.

2. In the CH COPY/CH MOVE section, turn on the
CH MOVE button.

If the CH COPY button is on, you can use the usual Chan­nel Copy function.

3. Press the [SEL] switches to select the channels you
wish to move.

4. Select the destination channels in the DESTINA­TION CH SELECT section.

5. Click the EXECUTE button.

The CH DATA MOVING pop-up window appears, indi­cating the move source and destination channel numbers.

Move source channels Move destination channels

Note

• The move source channel can be a single channel or two
channels that can be paired.

• You can move a single channel under the following conditions:
There are no paired channels between the move source and
destination channels, AND all the following parameters are
turned off: HA GAIN GANG, HA A/B LINK, GATE LINK, COMP
LINK, DELAY GANG, GANG PAN/INV PAN/BALANCE in PAN
MODE, and M/S DECODE.

• If you move two channels, the first channel of the destination
channels will be the first of the two channels that can be paired.
Therefore, moving two channels will never swap between the left
and right channels.

• You can move the channels only within the following channel
sections:
– Input channels 1–96
– Stereo input channels 1–8
– MIX channels 1–48
– STEREO A/B channels
–MATRIX channels 1–24

6. Click the OK button to execute the function.

The channels are now moved to the new locations.

4 Main changes

Changes in Scene Memories and Libraries

2 EVENT TRIGGER

Expanding the Event Recall function in the TC EVENT screen

In the TC EVENT screen, you can now register scenes in the
order of use, so that these scenes can be recalled manually, or
automatically according to the specified interval time.

TC EVENT

1

3

2

The TC EVENT screen features the following additional func­tions:

1 EVENT RECALLING

Use the following three buttons to switch the event list
operation.

Button function

DISABLE

ENABLE
[ALL MANUAL]

ENABLE

The upper part of the display will show indica-

tor if ENABLE [ALL MANUAL] is selected, or
indicator if ENABLE is selected.

The Event List function will not recall
scenes registered in the event list.

Scenes registered in the event list will
be recalled only by manual operation. If
the list contains events for which a time
code has been specified, the candidate
event for recall will change as time
code progresses, but events will not
actually be recalled unless you recall
them manually.

Scenes registered in the event list will
be recalled according to the specified
condition (time code, interval, or man­ual operation).

4

5

This column indicates the way in which each event is
recalled.
Click the button to display the TC EVENT pop-up
window, then click one of the following three buttons to
select the recall condition.

Button function

You can use the EVENT RECALL button

MANUAL

INTERVAL

TIME CODE

Event that is recalled when the specified time has
elapsed since the preceding scene was recalled

Event that will be recalled manually

in the EVENT RECALL section (4) or a
USER DEFINE switch to recall the event.
“[MANUAL]” appears in the EVENT TRIG­GER column.

The scene will be recalled when the spec­ified time has elapsed since the preceding
scene was recalled. If you select this but­ton, specify the INTERVAL TIME parame­ter in the range of 0.1 through 999.9sec.
An “ ” symbol and the interval time will
appear in the EVENT TRIGGER column
of the event list.

The scene will be recalled when the time
code (LTC or internal time code) reaches
the specified time. If you select this but­ton, specify the time code (hours/minutes/
seconds/frames). The specified time code
will appear in the EVENT TRIGGER col­umn of the event list.

Events that will be recalled when the time
code reaches the specified time

Changes in Scene Memories and Libraries 5

3 SCENE MEMORY

These are the number and title of the scene to be recalled.

Click the button to display the TC EVENT pop-up
window, then click the number of a scene to select it.

Button Function

DIRECT

INC

DEC

DISABLE

Recalls the specified scene. Specify a
scene to recall in the section to the
right.

Recalls the subsequent scene (regis­tered just after the current scene).

Recalls the previous scene (registered
just before the current scene).

Recalls no scene.

Overwriting libraries during the Auto Store operation

When you store scenes using the Auto Store function, you can
now select an unused library or the original library as the ini­tial store destination.

DEFAULT EDIT LIBRARY NO.

The following buttons are now available in the SCENE STORE
pop-up window that is displayed when you press the SCENE
MEMORY [STORE] switch (or the STORE button in the
MEMORY screen).

4 EVENT RECALL

These functions enable you to recall events. The following
three buttons are provided.

Button Function

PREV

DIRECT

NEXT

When you click this button, the event pre­ceding the last-recalled event in the list

will be recalled and selected.

When you click this button, the event cur­rently selected in the event list will be
recalled.

When you click this button, the event fol-
lowing the last-recalled event in the list
will be recalled and selected. This button
is useful when you recall an event that
has been assigned as “[MANUAL]” in the
EVENT TRIGGER column.

5 MOVE UP/MOVE DOWN

These buttons move the currently-selected event one posi­tion earlier (MOVE UP) or later (MOVE DOWN) in the
event list.

Note

• If the EVENT TRIGGER column of the selected event shows a
time code, these buttons will be grayed-out and unavailable. To
change the order of each event that displays a time code,
change the time code.

DEFAULT EDIT LIBRARY NO.

NEW

OVERWRITE

The lowest unused library numbers will be
selected. (This is the same as the previ­ous software version.)

The number of the most-recently recalled
library will be selected. (If the scene was
specified as read-only, or if the corre­sponding library is write-protected, the
lowest-numbered unused library will be
selected.) This selection is useful when
you wish to prevent a particular library
from becoming full or lacking space dur­ing the Auto Store operation, or when you
wish to edit a particular library.

Note

• This setting is remembered when you close the pop-up
window.

6 Changes in Scene Memories and Libraries

Unit settings can be included in the Recall Safe channel settings

You can globally apply the Recall Safe function to settings for
units that are patched to Recall Safe channels, as well as to the
Recall Safe channel settings themselves.

SAFE KEY MODE SELECT section

RECALL SAFE

Additional preset scenes

Factory-shipped preset scenes 00.0 – 00.9 in the scene memory
were reviewed and replaced with more practical scenes. For
details, please refer to the “Scene Memory Preset List” on
page 15.

Hint

• To use the preset scenes, follow the steps below:

1. Recall the desired preset scene.

2. In the INPUT PATCH screen, patch the input channels that
use the signals from the connected units. When you click the
AUTO SETUP button, the unit signals are patched from
Channel 1 in the order of the connected units.

3. In the OUTPUT PATCH screen, patch the buses to the sig­nals of the connected units.

Note

• Please note that if you mix signals that have different paths, a
difference in the time taken via the different signal paths may
cause a comb filter effect (a phenomena in which the level of
some frequencies decreases).

Expanded user area for Input EQ/ Channel libraries

SAFE KEY MODE SELECT

If you turn on or off the Recall Safe func­tion for the selected channel from the

CH

CH+UNIT

panel or in the IN CH VIEW screen, only
the Recall Safe function for the channel is
turned on or off. (This is the same as the
previous software version.)

If you turn on or off the Recall Safe func­tion for the selected channel from the
panel or in the IN CH VIEW screen, the
Recall Safe function for both that channel
and the unit patched to the channel is
turned on or off.

Note

• Selecting the Recall Safe items using the SAFE [RECALL]
switch on the panel or the button in the IN CH VIEW screen
(when the CH+UNIT button is turned on) provides the same
result as turning on the SAFE ON/OFF button and UNIT button
on the screen (when the CH button is turned on).

• When the CH+UNIT button is turned on, the SAFE [RECALL]
switch on the panel or the button in the IN CH VIEW screen is
linked to the on/off operation of the SAFE ON/OFF and UNIT
buttons on the screen.

The user area for the Input EQ library and Input Channel
libraries has been expanded.

•Input EQ library

#001 – 199 (#038 – 199 are the user area.)

•Input Channel library

#000 – 199 (#001 – 199 are the user area.)

Changes in Scene Memories and Libraries 7

Changes and additions of screens

New FADER VIEW screen

The FADER VIEW screen has been added to the IN CH View
function and OUT CH View function.

FADER VIEW

1
2

3
1

2

3

1 ON/MUTE

These buttons enable you to switch the channels on/off,
and switch DCA group muting on/off. They are linked to
the [ON] switches of the corresponding channels and the
[MUTE] switches of the DCA groups.

4

Clock on the meter bridge

The TIME CODE indicator on the meter bridge block can now
display the current time. Also, an additional parameter enables
you to switch between the current time and time code.

PREFERENCE

TIME CODE DISPLAY section

2 Level

These buttons enable you to adjust the level of the channels
and DCA groups. The current value is shown in the box
immediately below. They are linked to the encoder or fader
of the corresponding channel or DCA group.

3 CUE

These buttons enable you to switch cue monitoring on/off
for the channels and DCA groups. They are linked with the
[CUE] key of the corresponding channel or DCA group.

4 DISPLAY CH

Switches the channels that are shown in the FADER VIEW
screen.

• When you are using the IN CH View function:

INPUT [PANEL]

CH 1-48/ST IN 1-4

CH 49-96/ST IN 5-8

• When you are using the OUT CH View function:

MIX 1-48

MATRIX

Channels specified via the Panel
Assign function, and DCA groups
1–12

Input channels 1–48, ST IN chan­nels 1–4, DCA group 1–12

Input channels 49–96, ST IN
channel 5–8, DCA groups 1–12

MIX channels 1–48, STEREO A/
B channels, DCA groups 1–12

MATRIX channels 1–24, STE­REO A/B channels, DCA groups
1–12

TIME CODE DISPLAY

PRESENT TIME

TIME CODE

Displays the current time in 24-hour for­mat (hours/minutes/seconds).

Displays the time code.

Displaying the GEQ routings

When you select a GEQ module in the GEQ PARAMETER
screen, the GEQ SELECT pop-up window enables you to iden­tify any GEQ modules that have already been patched.

This window displays the signal routing of already-patched
GEQ modules, and displays “NO ASSIGN” for unpatched
GEQ modules.

8 Changes and additions of screens

Displaying the GR meters

The INPUT GR screen and OUTPUT GR screen have been
added to the Meter function. These screens display the gain
reduction meters for Input channel gates and compressors, and
Output channel compressors.

INPUT GR OUTPUT GR

1

3

2

4

3

1 DISPLAY CH

Switches the channels that are displayed in the INPUT GR
and OUTPUT GR screens.

INPUT GR screen:

4 Pair icon

This icon indicates the pairing status of two adjacent odd­numbered/even-numbered channels.

CH 1-48/ST IN 1-4

CH 49-96/ST IN 5-8

Input channels 1–48,
ST IN channels 1–4

Input channels 49–96,
ST IN channels 5–8

OUTPUT GR screen:

MIX 1-48

MATRIX 1-24/STEREO

MIX channels 1–48

MATRIX channels 1–24,
STEREO A/B channels

2 GATE/COMP (Gate/Compressor)

These buttons select whether the meters will display gain
reduction for the Gate or Compressor. These buttons
appear only in the INPUT GR screen.

3 Meters

These peak level meters indicate the amount of gain reduc­tion for each channel. The current fader value is shown in
the box below.

Changes and additions of screens 9

Other changes

Filtering during save or load opera­tions

You can specifically select any region of any scene or library
data to be saved to a memory card. You can also specifically
select any region of any scene or library data to be loaded from
a memory card.

LOAD/SAVE

be saved or loaded. If you want to change the save/load
destination numbers, click the [ ]/[ ] buttons at the
left and right of the starting number box or use the [DATA]
encoder. (The value in the ending number box will change
automatically according to the starting number and the
source range.)

When you change the save destination starting number:

1

2
3
4

In addition to BASIC mode (in which you can save the entire or
specified data in the scene memories or libraries to a memory
card, or load them from a memory card), ADVANCED mode
enables you to save or load a specified range of the data.

■ ADVANCED mode:

When you turn on the ADVANCED button in the LOAD/SAVE
screen, the left side of the screen will display the following
items:

1 MODE

Switches between BASIC and ADVANCED mode.

2 CATEGORY

Indicates the category of data that is selected for saving or
loading: scene memory or a type of library. Click the [ ]/
[] buttons at left and right or use the [DATA] encoder to
change the category.

3 SOURCE (save/load source numbers)

CS1D

Memory card

AAA

Starting

number

Ending

number

When you change the load destination starting number:

Starting

number

Ending

number

01.0
BBB

01.1
CCC

01.2
DDD

01.3
EEE

01.4
FFF

01.5

SOURCE DESTINATION

Memory card

BBB

02.1
CCC

02.2
DDD

02.3
EEE

02.4
FFF

02.5

SOURCE

Starting

number

SAVE

Starting

number

LOAD

02.0

02.1

02.2

02.3

02.4

02.5

02.6

02.7

02.8

DESTINATION

AAA

BBB
CCC
DDD

EEE

CS1D

BBB
CCC
DDD
EEE

Note

• To format a memory card first, use a computer or other external
device and select the FAT16 format. The CS1D does not
support the FAT 32 format.

• You can load the data you saved using System Software older
than version 2.0.

• The preset effects in the Effects library of System Software ver­sion 2.0 includes VCM effects. Therefore, if you try to load the
Effects library data of an older version, part of the data may not
be loaded. In such a case, change the load destination starting
number in the DESTINATION section, then load the data again.

Indicates the starting and ending numbers of the scene
memory or library items that will be saved to or loaded
from the card. Click the [ ]/[ ] buttons at the left and
right in each box or use the [DATA] encoder to change the
numbers.

4 DESTINATION (save/load destination num-

bers)

Indicates the starting and ending numbers of the scene
memory or library items into which the specified data will

10 Other changes

■ BASIC mode:

In BASIC mode, you can now specify the range of data to be
saved or loaded for the Unit library, Patch library, and Name
library.

Direct output just before the HPF

The signal can be now directly output just before the Input
channel HPF. You can also adjust the direct output level.

INSERT/DIRECT POINT

DIRECT OUT POINT column

PRE HPF buttonDIRECT OUT LEVEL column

To select a position just before the HPF as the direct output on
the INSERT/DIRECT POINT screen, turn on the PRE HPF
button for the corresponding channels in the DIRECT OUT
POINT column. The DIRECT OUT LEVEL column will indi­cate the direct output levels. However, to adjust the level, use
the INSERT/DIRECT VIEW screen.

DIRECT button LEVEL knob

To select a position just before the HPF as the direct output in
the INSERT/DIRECT VIEW screen, turn on the DIRECT but­ton located just before the HPF. Use the LEVEL knob located in
the lower right corner of the screen to change the direct output
level. The direct output levels are not linked even if the corre­sponding two channels are paired.

Hint

• These settings are saved in scene memories.

• If you load data that was saved in a System Software version
older than version 2.0, the direct output level will be set to 0 dB.
The default direct output point is PRE EQ.

INSERT/DIRECT VIEW

Additional functions for the USER DEFINE switches

More functions are available that can be assigned to the USER
DEFINED [1]–[8] switches.

USER DEFINE

The following functions have been added:

FUNCTION PARAMETER Explanation

GEQ SELECT

TAP TEMPO*

TC EVENT

TALKBACK
DIRECT
ASSIGN

* This function is enabled only when an effect that features the TEMPO

parameter is selected. The USER DEFINE switch LED flashes at the
specified tempo while and after you set the tempo. For more information
on the Tap Tempo function, please refer to page 51 of the PM1D System
Software Version 1.5 Supplementary Manual.

GEQ1–24

CURRENT

EFFECT1–8

NEXT EVENT
RECALL

PREV EVENT
RECALL

DIRECT EVENT
RECALL

ENABLE/DIS­ABLE

ENABLE[ALL
MANUAL]/DIS­ABLE

MIX 1–48,
MATRIX 1–24,
STEREO,
MONITOR B

Display the GEQ PARAM­ETER screen.

Uses the Tap Tempo func­tion available on the dis­played screen.

Uses the Tap Tempo func­tion available for the
specified effect.

Recalls the subse­quently-numbered event.

Recalls the previously­numbered event.

Recalls the specified
event registered on the
TC EVENT screen.

Switches between the
ENABLE button and DIS­ABLE button on the TC
EVENT screen.

Switches between the
ENABLE [ALL MANUAL]
button and DISABLE but­ton on the TC EVENT
screen.

Send the talkback signal
to the specified output
channels. (If you turn it
off, the previous talkback
setting will be used.)

Other changes 11

Inserting MIDI events from the event list

In addition to entering hexadecimal values, you can also spec­ify MIDI events for scene recall by entering the desired MIDI
events using the list in the new MIDI EVENT SETUP pop-up
window. To open this pop-up window, a MIDI EVENT button
has been added to the SCENE STORE pop-up window and the
SCENE TITLE pop-up window.
You can also delay the output of MIDI events by a specified
time.

1. Click the STORE button on the MEMORY screen for the Scene
function to display the SCENE STORE pop-up window. Alterna­tively, click the TITLE EDIT button to display the SCENE TITLE
EDIT pop-up window.

MIDI EVENT button

2. Click the MIDI EVENT button to open the MIDI EVENT SETUP
pop-up window.

When you click a box in which a hexadecimal value has been
input, the range of values that can be interpreted as a valid
MIDI message (including that box) will turn red. The lower
part of the window displays the MIDI channel (MIDI CH),
message type (TYPE), and data values (DATA 1, DATA 2) that
are interpreted from this MIDI message, enabling you to verify
that the appropriate MIDI message has been input.
You can use the following buttons to input or edit the message
in this window.

[ ]/[ ]buttons

INS button

DEL button

CLEAR button

Move the highlighted area to left or right.

Inserts a space (blank) at the highlighted
position. Pressing the <Insert> key on a
PS/2 keyboard will produce the same
result.

Deletes the character at the highlighted
position. Pressing the <Delete> key on a
PS/2 keyboard will produce the same
result.

Erases the entire message that was input
in the MIDI message input boxes.

2 Specifying the type of message

With this method, you specify the desired MIDI channel, type
of message, and data value. This information will be converted
into the appropriate hexadecimal values.
Click the first box into which you want to input data. Next,
click the [ ]/[ ] buttons at the left and right of the TYPE
box or use the [DATA] encoder to select the type of message.
Then use the MIDI CH, DATA 1, DATA 2, MIDI PORT boxes
to specify the MIDI channel, MIDI event settings, and output
port. The values that can be selected in the MIDI CH, DATA 1,
and DATA 2 boxes will depend on the type of message you
selected first.
The DELAY TIME box enables you to set the amount of time
by which the MIDI event output is delayed after scene recall.
You can set this delay time in 0.1 sec steps.

TYPE MIDI CH DATA 1 DATA 2

—

Note-off velocity
(0–-127)

Note-on velocity
(0–127)

Pressure value
(0–127)

Controller value
(0–127)

—

—

Pitch bend LSB
(0–127)

NOTE OFF

NOTE ON

KEY PRESSURE

CONTROL
CHANGE

PROGRAM
CHANGE

CHANNEL
PRESSURE

PITCH BEND

EXCLUSIVE
MASSAGE

1–16

Note number
(0–127)

Control number
(0–127)

Program number
(0–127)

Pressure value
(0–127)

Pitch bend MSB
(0–127)

In this pop-up window, you can assign MIDI events using one
of the following two methods:

1 Directly inputting hexadecimal values

With this method, you directly input the message as hexadeci­mal values.
In this window, you can input a message by clicking the desired
input box to select it (the box will be highlighted) and rotating
the [DATA] encoder. Use the [INC]/[DEC] switches to move
the input position.

12 Other changes

When you have specified all of the values, click the “ ”
button in the screen. The hexadecimal values for that message
will be input in the input box of the MIDI EVENT SETUP
window. As necessary, you can edit the message by clicking an
input box and rotating the [DATA] encoder.

Note

• The maximum length of MIDI events you can enter is 32 bytes,
including the MIDI output destination port and other data and
comments. When the number of bytes exceeds the maximum,
the “LENGTH OVER!” message will appear.

• You can follow the steps below to set the DELAY TIME using the
SCENE STORE (or SCENE TITLE EDIT) pop-up window.

1. Move the cursor to the COMMENT/MIDI EVENT section,

then click the EVENT CODE SET button.

2. Click T and numbers 0-9 on the character palette to specify

the two-digit delay time in 100 msec steps. For example, if
you wish to delay the MIDI event output from scene recall by
500 msec, enter “T05.” You do not need to enter a value if you
do not want to delay the event output.

3. Click 1, 2 (Console 1 or 2), or E (Engine) on the character

palette to configure a MIDI port to output MIDI events.

CLEAR ALL button added to the OSCILLATOR and TALKBACK screens

The OSCILLATOR and TALKBACK screens now feature a
CLEAR ALL button that cancels all assignments to the buses.

OSCILLATOR

Outputting the MONITOR and CUE signals from the DSP1D

The DSP1D OUTPUT 6 connector can now output MONI­TOR A/B and CUE signals. This is convenient when you use
the PM1D Manager’s remote control function for the monitor/
cue operation.

SYSTEM CONNECTION

MONITOR / CUE OUTPUT
TO #6 button

TALKBACK

When you turn on the MONITOR/CUE OUTPUT TO #6 but­ton in the SYSTEM CONNECTION screen, the MONITOR A/
B and CUE 1/2 signals are output to the device connected to
the DSP1D’s OUTPUT 6 connector (channels 25-32). The fol­lowing signals are output to the specified channels:

Channel number Output signal

25/26

27/28

29/30

31/32

MONITOR A L/R

MONITOR B L/R

CUE 1 L/R (Console 1 CUE signals)

CUE 2 L/R (Console 2 CUE signals)

Note

• Even if you have set the output patch, when the MONITOR/
CUE OUTPUT TO #6 is turned on, the MONITOR/CUE signals
will have priority and will be output.

• The MONITOR/CUE signal output to the unit is the same as the
signal output from the engine to the console. The TALKBACK
DIMMER, CUE INTERRUPT, ON/OFF, and LEVEL controls on
the console are ineffective for the signals output from the unit.
Therefore, the meter indication does not necessarily reflect the
level of the output signals. For details on the signals output from
the engine, refer to the PM1D System Block Diagram.

Other changes 13

No limitation in multiple selections for the Global Paste function

In the previous software version, the Global Paste function
enabled you to select up to 100 scenes at a time. However, this
limitation has been removed. However, if you select 101 or
more scenes to paste, you will not be able to use the Undo
function. In this case, back up all important data using the
Select All function, then execute the Global Paste function.

Selecting WITH MIX SEND in the CH COPY screen

In the previous software version, you could select WITH MIX
SEND only when the ALL parameter was selected in the CH
COPY screen for the Output CH View function. In the version

2.0 software, you can select WITH MIX SEND even if ALL is
not selected.

Support for the MY8-DA96 card

The MY8-DA96 card is now supported, and you can display
and edit the contents of the card using the CS1D or PM1D
Manager.

Compatibility of created data

Any data created in System Software version 2.0 (such as
scenes, libraries, setup data, etc.) cannot be loaded to a unit
that runs System Software version 1 (i.e., all versions prior to
version 2.0). However, any data created in System Software ver­sion 1 can be loaded to a unit that runs System Software ver­sion 2.0.

14 Other changes

Appendix

Scene Memory Preset List

Scene # Title

00.1 Front of House

This front of house preset scene is designed by a famous American
front of house engineer. It features preset parameter values for the out­put channels, including Front Fill, Delayed Speaker, as well as Stereo
Mix Send to the internal effects.

INPUT CH1-96

EQ ON, TO STEREO ON, MIX SEND ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

TO STEREO ON, CH ON

MIX1-16: Internal EFFECT SEND

PAIR ON, MIX ON, LEVEL 0 dB

MIX17-18: Stereo Sub Feed

PAIR ON, MIX ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

STEREO A-B

STEREO ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

MATRIX1-12: Front Fill Speaker, Delay Speaker, Rec Out

MATRIX ON, LEVEL –

GEQ1-12

GEQ ON, LINK ON

Scene # Title

00.2 Monitor

∞ dB, GEQ INSERT, INSERT ON (MATRIX1-6)

Scene # Title

00.3 FoH & Mon

This preset covers the front of house and monitor on a single console.
The latter half of the mix is regarded as the monitor send, and the GEQ
is inserted for Wedge monitoring. This preset setting emulates Front
Fill and Delayed Speaker, with Matrix output.

INPUT CH1-96

EQ ON, TO STEREO ON, MIX SEND ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

TO STEREO ON, CH ON

MIX1-16: Internal EFFECT SEND

PAIR ON, MIX ON, LEVEL 0 dB

MIX17-18: Stereo Sub Feed

PAIR ON, MIX ON, LEVEL –

MIX25-36: In Ear Monitor

PAIR ON, EQ ON, COMP ON —THR: 0 dB—RATIO:
KNEE: HARD, MIX ON, LEVEL 0 dB

MIX37-48: Wedge Mix

GEQ INSERT, INSERT ON, MIX ON, LEVEL 0 dB

STEREO A-B

STEREO ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

MATRIX1-12: Front Fill Speaker, Delay Speaker, Rec Out

PAIR ON, MATRIX ON, GEQ INSERT, INSERT ON (MATRIX1-6)

GEQ1-24

GEQ ON, LINK ON (GEQ1-12)

∞ dB, GEQ INSERT, INSERT ON

∞: 1—

This monitor mix preset scene is designed by a famous American mon­itor engineer. MIX 1-20 feature the inserted GEQ as Wedge monitor­ing; MIX 25-44 emulate 10-channel in-ear monitoring. Four effects are
assigned to each monitoring path. The stereo output is designed as
Side Fill, featuring the inserted GEQ.

INPUT CH1-96

HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, MIX SEND ON—
PRE FADER, TO STEREO ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, MIX SEND ON – PRE
FADER (If a signal sent to a Mix bus causes an internal feedback loop,
the corresponding MIX SEND will be turned off.), TO STEREO ON
(STEREO INPUT 1, 2, 5, 6), CH ON

MIX1-20: Wedge Mix

GEQ INSERT, INSERT ON, MIX ON, LEVEL 0 dB

MIX21-24: Internal EFFECT1-4 SEND

MIX ON, LEVEL 0 dB

MIX25-44: In Ear Monitor

PAIR ON, EQ ON, COMP ON—THR: 0 dB—RATIO:
AT TACK: 0 msec—KNEE: HARD, MIX ON, LEVEL 0 dB

MIX45-48: Internal EFFECT5-8 SEND

MIX ON, LEVEL 0 dB

STEREO A-B: Side Fill Mix

GEQ INSERT, INSERT ON, LEVEL 0 dB

GEQ1-24

GEQ ON, LINK ON (GEQ21-24)

∞: 1—

Appendix 15

Scene # Title

00.4 In Ear Monitor

This preset simulates an in-ear monitoring mix. It is a highly practical
preset, typical of the PM1D, with in-ear monitor and Wedge monitor
categorized into Output DCA for emergency use.

INPUT CH1-96

AT T: –10 dB, HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, COMP ON,
TO STEREO ON, MIX SEND ON, VARI PAN LINK ON, FIXED MIX
PAN ON, CH ON, LEVEL 0 dB

STEREO INPUT1-8: Internal EFFECT RETURN, 2-track Input

AT T: –10 dB, HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, COMP ON,
TO STEREO ON, MIX SEND ON, VARI PAN LINK ON, FIXED MIX
PAN ON, PAN MODE: BALANCE, CH ON

MIX1-24: In Ear Monitor

PAIR ON, EQ ON, DCA 11 ASSAIGN, MIX ON, LEVEL 0 dB

MIX25-36: Wedge Mix

GEQ INSERT, INSERT ON, DCA12 ASSIGN, MIX ON, LEVEL 0 dB

MIX45-48: Internal EFFECT SEND

EQ ON, DCA9 ASSIGN, MIX ON, LEVEL 0 dB

STEREO A-B

EQ ON, LEVEL 0 dB

GEQ1-24

GEQ ON, LINK ON (GEQ1-12)

DCA9, 11-12

DCA LEVEL 0 dB

Scene # Title

00.5 Musical

This preset simulates a musical mix scene. MIX1-12 are set to Fix, and
are designed to be used as buses.

INPUT CH1-96

AT T: –3 dB, INSERT OFF—PRE DELAY, EQ ON, TO STEREO ON,
FIXED MIX PAN ON

STEREO INPUT1-8: Internal EFFECT RETURN, 2-track Input

EQ ON, FIXED MIX PAN ON

MIX1-12

FIX, PAIR ON (MIX5-6,11-12), EQ ON, TO MATRIX ON—LEVEL: 0 dB
(Even-numbered MIX bus sends from MIX 5 and 11, and odd-num­bered MIX bus sends from MIX 6 and 12 are set to –∞ dB.), MIX ON,
LEVEL 0 dB

MIX13-48: Internal EFFECT SEND, etc.

VARI, PAIR ON (MIX13-24), EQ ON, DCA12 ASSIGN (MIX13-22),
DCA10 ASSIGN (MIX25-26), DCA11 ASSIGN (MIX33-35), MIX ON,
LEVEL 0 dB

STEREO A-B

EQ ON

MATRIX1-24

EQ ON, MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MIX25, EFFECT2: MIX26, EFFECT3: MIX27, EFFECT5:
MIX33, EFFECT6: MIX34, EFFECT7: MIX35, EFFECT8: MIX36

Scene # Title

00.6 OB Truck

This preset simulates a scene for an outside broadcasting truck or van.
It features the HPF setting that is very practical for broadcasting appli­cation, and a MIX send setting that will simulate both internal and
external effect sends.

INPUT CH1-96

HPF ON—F: 95 Hz—SLOPE: 18 dB, EQ ON, COMP ON, MIX1-12
SEND ON, FIXED MIX PAN ON, CH ON

STEREO INPUT1-8: Playback, Internal EFFECT RETURN

MIX1-12 SEND ON (STIN1-4), FIXED MIX PAN ON, CH ON

MIX1-4: Internal EFFECT SEND

MIX ON, LEVEL 0 dB

MIX5-12: External EFFECT SEND

PAIR ON (MIX5-8), MIX ON, LEVEL 0 dB

MIX37-48: Wireless Camera Mix, Playback Mix, Mic Mix, etc.

FIX, INSERT ON (MIX45-48), PAIR ON (MIX45-48), DELAY ON—
86 msec@fs=48 kHz (MIX41), DCA11 ASSIGN (MIX45-46), DCA12
ASSIGN (MIX41, 47-48), TO STEREO ON (MIX41, 45-48), MIX ON
(MIX41, 45-48), LEVEL 0 dB (MIX41, 45-48)

STEREO A-B

INSERT ON—POST ON, TO MATRIX ON—MATRIX1-2 SEND LEVEL:
0 dB—MATRIX3 SEND LEVEL:–3.1 dB (STEREO A L/R), STEREO
ON, LEVEL 0 dB

MATRIX1-3

PAIR ON (MATRIX1-2), MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MIX1, EFFECT2: MIX2, EFFECT3: MIX3, EFFECT4: MIX4,
EFFECT5: MIX45-46, EFFECT6: MIX47-48, EFFECT7: STEREO B L/
R, EFFECT8: STEREO A L/R, EFFECT5-8: MULTI BAND DYNA.

DCA11-12

DCA LEVEL 0 dB

16 Appendix

Scene # Title

00.7 Theatre

This preset simulates a theatrical mix scene. It features the default set­tings for L-C-R panning.

INPUT CH1-96

HPF OFF—F: 20 Hz, EQ ON, LCR ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN, etc.

HPF OFF—F: 20 Hz, EQ ON, LCR ON, CH ON

MIX1-12: Stage Mix, Monitor Mix, etc.

FIX (MIX1-4), EQ ON, DELAY ON —0.00 msec, MIX ON (MIX1-8),
LEVEL 0 dB (MIX1-8)

MIX13-48: Internal EFFECT SEND, etc.

PAIR ON (MIX13-20), EQ ON, DELAY ON—0.00 msec (MIX25-48),
MIX ON (MIX13-20,25-48), LEVEL 0 dB (MIX13-20)

STEREO A-B

LCR CENTER BUS CONTROL ON, EQ ON, TO MATRIX ON (STE­REO A L/R), STEREO ON, LEVEL 0 dB

MATRIX1-24: Delay Mix, etc.

PAIR ON (MATRIX1-8), EQ ON, DELAY ON—0.00 msec, MATRIX ON,
LEVEL 0 dB (MATRIX1-12)

EFFECT1-8

EFFECT1: MIX13-14, EFFECT2: MIX15-16, EFFECT3: MIX17-18,
EFFECT4: MIX19-20

Scene # Title

00.9 Live Recording

This preset simulates a live recording application. MIX1-48 are set to
Fix, and sent to the recorder. Each channel’s direct out also features
settings appropriate for recording.

INPUT CH1-96

DIRECT OUT POST ON, HPF OFF - SLOPE: 12 dB, EQ ON, TO STE­REO ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN, etc.

DIRECT OUT POST ON, HPF OFF—SLOPE: 12 dB, EQ ON, TO STE­REO ON, CH ON

MIX1-48: Recording Mix

FIX, TO MATRIX ON—PRE FADER, MIX ON, LEVEL 0 dB

STEREO A-B

STEREO ON

MATRIX1-4: Internal EFFECT SEND

MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MATRIX1, EFFECT2: MATRIX2, EFFECT3: MATRIX3,
EFFECT4: MATRIX4

DCA1-12

DCA LEVEL 0 dB

Scene # Title

00.8 Broadcast

This preset simulates a broadcasting application. It includes input
channel EQ and Comp settings that are typical to broadcasting, as well
as multiple sends.

INPUT CH1-24: Radio Lapel Mic

EQ ON—LOW TYPE: SHELF—LOW F: 71 Hz—LOW G: –3 dB—HIGH
MID Q: 0.90—G: +4 dB, COMP ON—THR:—18 dB—RATIO: 3.5: 1,
DCA1 ASSIGN (CH13), DCA2 ASSIGN (CH14), DCA3 ASSIGN
(CH15), DCA4 ASSIGN (CH16), DCA5 ASSIGN (CH17), DCA6
ASSIGN (CH18), DCA7 ASSIGN (CH19), DCA8 ASSIGN (CH20),
DCA9 ASSIGN (CH21), DCA10 ASSIGN (CH22), DCA11 ASSIGN
(CH23), DCA12 ASSIGN (CH24), TO STEREO ON, FIXED MIX PAN
ON, CH ON

INPUT CH25-96

HPF OFF—SLOPE: 12 dB, EQ ON, FIXED MIX PAN ON, CH ON,
LEVEL 0 dB

STEREO INPUT1-8: Internal EFFECT RETURN, Playback

TO STEREO ON, FIXED MIX PAN ON, CH ON

MIX1-16: Recording Mix

MIX ON, LEVEL 0 dB

MIX21-24: Internal EFFECT SEND

MIX ON, LEVEL 0 dB

MIX25-48: Sub Group

FIX, PAIR ON, TO STEREO ON, MIX ON, LEVEL 0 dB

STEREO A-B

COMP ON—THR:–18 dB (STEREO A), STEREO ON

EFFECT1-8

EFFECT1: MIX21, EFFECT2: MIX22, EFFECT3: MIX23, EFFECT4:
MIX24

DCA1-12

DCA LEVEL 0 dB

Appendix 17

VCM Effect Parameter List

072: REV-X HALL, 073: REV-X ROOM,
074: REV-X PLATE

These effects are a newly-developed 2-in/2-out reverb algorithm. They
provide a high-density, richly reverberant sound quality, with smooth
attenuation, spread and depth that work together to enhance the original
sound. You can choose one of three programs to suit the acoustic sound
field and your intentions: REV-X Hall, REV-X Room, and REV-X Plate.

Parameter Range Description

REV TIME 0.47–46.92 s

INI. DLY 0.0–125.0 ms

HI. RATIO 0.1–1.0

LO. RATIO 0.1–1.4

LO. FREQ 22.0 Hz–18.0 kHz Reference frequency of LO. RATIO

DIFF. 0–10

ROOMSIZE 0–28 Size of space

DECAY 0–53 Speed at which the gate closes

HPF

LPF

*1. This value applies only when the effect type is REV-X PLATE, with

THRU, 22.0 Hz–

8.00 kHz

1.00 kHz–

18.0 kHz, THRU

ROOM SIZE set to 28. The setting range varies depending on the
effect type and the ROOM SIZE value.

075: COMP276

This effect emulates the characteristics of analog compressors that are
widely used in recording studios. It will produce a thick, strong frame
sound suitable for drums and bass. You can control two monaural
channels independently.

Parameter Range Description

INPUT 1 –180 to 0 dB

OUTPUT 1 –180 to 0 dB

RATIO 1

AT TACK 1 0.022–50.4 ms

RELEASE1 10.88–544.22 ms

MAKE UP1 OFF, ON

SIDEHPF1 OFF, ON

INPUT 2 –180 to 0 dB

OUTPUT 2 –180 to 0 dB

RATIO 2

AT TACK 2 0.022–50.4 ms

RELEASE2 10.88–544.22 ms

MAKE UP2 OFF, ON

SIDEHPF2 OFF, ON

2:1, 4:1, 8:1, 12:1,
20:1

2:1, 4:1, 8:1, 12:1,
20:1

*1

Length of reverberation

Delay time until early reflection is
heard

The reverberation duration of the
high frequency range is expressed
as a ratio relative to REV TIME.

The reverberation duration of the low
frequency range is expressed as a
ratio relative to REV TIME.

Left and right directional spread of
reverb sound

Cut-off frequency for the high pass
filter

Cut-off frequency for the low pass fil­ter

Adjusts the CH1 input level

Adjusts the CH1 output gain

Ratio for CH1 compressor

Attack time for CH1 compressor

Release time for CH1 compressor

Automatically corrects output gain
reduction when CH1 compressor is
applied

When the HPF in the side chain of the
CH1 compressor is turned on, the
compression applied to the low range
will be weakened, thus emphasizing
the low range.

Adjusts the CH2 input level

Adjusts the CH2 output gain

Ratio of CH2 compressor

Attack time of CH2 compressor

Release time of CH2 compressor

Automatically corrects output gain
reduction when the CH2 compressor
is applied

When the HPF in the side chain of the
CH2 compressor is turned on, the
compression applied to the low range
will be weakened, thus emphasizing
the low range.

076: COMP276S

This effect emulates the characteristics of analog compressors that are
widely used in recording studios. It produces a thick, strong frame
sound suitable for drums and bass. You can link and control the L and
R channel parameters.

Parameter Range Description

INPUT –180 to 0 dB Adjusts the input level

OUTPUT –180 to 0 dB Adjusts the output gain

RATIO

AT TACK 0.022–50.4 ms

RELEASE 10.88–544.22 ms

MAKE UP OFF, ON

SIDE HPF OFF, ON

1:2, 4:1, 8:1, 12:1,
20:1

Ratio of the compressor

Attack time of the compressor

Release time of the compressor

Automatically corrects output gain
reduction when the compressor is
applied

When the HPF in the side chain of
the compressor is turned on, the
compression applied to the low
range will be weakened, thus
emphasizing the low range.

077: COMP260

This effect emulates the characteristics of mid 70’s compressors/limit­ers that are the standard for live SR. You can control two monaural
channels independently. You can also link several parameters via stereo
links.

Parameter Range Description

THRE.1 –60 to 0.0 dB Threshold of CH compressor

KNEE1

AT TACK1 0.01–80.0 ms Attack time of CH1 compressor

RELEASE1 6.2–999 ms Release time of CH1 compressor

RATIO1 1.0–500, ∞ Ratio of CH1 compressor

OUTPUT1 –20 to 40 dB Adjusts the CH1 output gain

THRE.2 –60 to 0.0 dB Threshold of CH2 compressor

KNEE2

AT TACK2 0.01–80.0 ms Attack time of CH2 compressor

RELEASE2 6.2–999 ms Release time of CH2 compressor

RATIO2 1.0–500,

OUTPUT2 –20 to 40 dB Adjusts the CH2 output gain

ST LINK OFF, ON

SOFT, MEDIUM,
HARD

SOFT, MEDIUM,
HARD

∞ Ratio of CH2 compressor

Knee of CH1 compressor

Knee of CH2 compressor

Links CH1 and CH2 as a stereo pair.
THRE., KNEE, ATTACK, RELEASE,
and RATIO parameters are linked;
OUTPUT parameter is not linked

18 Appendix

078: COMP260S

This effect emulates the characteristics of mid 70’s compressors/limit­ers that are the standard for live SR. You can link and control the L and
R channel parameters.

Parameter Range Description

THRE. –60 to 0.0 dB

KNEE

AT TACK 0.01–80.0 ms

RELEASE 6.2–999 ms

RATIO 1.0–500, ∞ Ratio of the compressor

OUTPUT –20 to 40 dB Adjusts the output gain

SOFT, MEDIUM,
HARD

Threshold of the compressor

Knee of the compressor

Attack time of the compressor

Release time of the compressor

079: EQUALIZER601

This effect emulates the characteristics of 70’s analog equalizers. Re­creating the distortion of typical analog circuits will add drive to the
sound.

Parameter Range Description

LO TYPE HPF-2/1, LSH-1/2 Type of EQ1

LO F

LO G –18.0 to +18.0 dB Gain of EQ1

MID1 Q 0.50–16.0 Q of EQ2

MID1 F

MID1 G –18.0 to +18.0 dB Gain of EQ2

MID2 Q 0.50–16.0 Q of EQ3

MID2 F

MID2 G –18.0 to +18.0 dB Gain of EQ3

INPUT –18.0 to +18.0 dB Input gain

OUTPUT –18.0 to +18.0 dB Output gain

MID3 Q 0.50–16.0 Q of EQ4

MID3 F

MID3 G –18.0 to +18.0 dB Gain of EQ4

MID4 Q 0.50–16.0 Q of EQ5

MID4 F

MID4 G –18.0 to +18.0 dB Gain of EQ5

HI TYPE LPF-2/1, HSH-1/2 Type of EQ6

HI F

HI G –18.0 to +18.0 dB Gain of EQ6

LO SW OFF, ON Switches EQ1 on/off

MID1 SW OFF, ON Switches EQ2 on/off

MID2 SW OFF, ON Switches EQ3 on/off

MID3 SW OFF, ON Switches EQ4 on/off

MID4 SW OFF, ON Switches EQ5 on/off

HI SW OFF, ON Switches EQ6 on/off

TYPE CLEAN, DRIVE

*1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)

16.0 Hz to

20.0 kHz

16.0 Hz to 20.0 kHz

16.0 Hz to 20.0 kHz

16.0 Hz to 20.0 kHz

16.0 Hz to 20.0 kHz

16.0 Hz to

*1

20.0 kHz

Cut-off frequency of EQ1

Center frequency of EQ2

Center frequency of EQ3

Center frequency of EQ4

Center frequency of EQ5

Cut-off frequency of EQ6

Selects the equalizer type. The
CLEAN equalizer provides non-dis­torted, clear, typical digital sound,
emulating variations in frequency
response in the analog circuits. The
DRIVE equalizer provides distorted,
driven sound that enhances analog
flavor, emulating changes in fre­quency response in the analog cir­cuits.

080: OPENDECK

It emulates the tape compression created by two open reel tape record­ers (a recording deck and a playback deck.) You can change the sound
quality by adjusting various elements, such as the deck type, tape qual­ity, playback speed, etc.

Parameter Range Description

REC DEC

REC LVL –96.0 to +18.0 dB

REC HI –6.0 to +6.0 dB

REC BIAS –1.00 to +1.00

REPR DEC

REPR LVL –96.0 to +18.0 dB

REPR HI –6.0 to +6.0 dB

REPR LO –6.0 to +6.0 dB

MAKE UP Off, On

TP SPEED 15ips, 30ips Selects the tape speed

TP KIND Old, New Selects the tape type

Swss70, Swss78,
Swss85, Amer70

Swss70, Swss78,
Swss85, Amer70

Selects the recording deck type

Adjusts the input level of the record­ing deck. As you raise the level, tape
compression is generated, which
narrows the dynamic range and dis­torts the sound

Adjusts the high range gain of the
recording deck

Adjusts the bias of the recording
deck

Selects the playback deck type

Adjusts the output level of the play­back deck

Adjusts the high range gain of the play­back deck

Adjusts the low range gain of the play­back deck

When you adjust the REC LVL, the
REPR LVL reflects the change,
maintaining the relative output level.
You can change the amount of dis­tortion without changing the output
level.

Appendix 19

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

© 2005 Yamaha Corporation

WF52680 406IPAPx.x-01A0

Printed in Japan

PM1D V2.0 System Block Diagram (CS1DV2, DSP1D, AI8, AO8, DIO8)

CH 1 A

CH 1 B

CH 2 A

CH 2 B

[AI8 + LMY2-ML]

CH 1

CH 2

CH 3

CH 4

[AI8 + LMY4-AD]

Option Card IN (8ch)

[DIO8 + MYx-xx]

from EFFECT 1(-8)

from GEQ 1(-24)

COAXIAL

2-TRACK IN

DIGITAL1(-2)

AES/EBU

Lch

2-TRACK IN

ANALOG1(-2)

Rch

AES/EBU

2-TRACK IN

DIGITAL3(-6)

1

TALKBACK IN

2

from CONSOLE2

2

to CONSOLE1

from CONSOLE2

SRC

to CONSOLE1

+48V

+48V

[CS1D]

CASCADE IN

+48V

MASTER ON/OFF

A/B

+48V

A/B

2

SRC

ADBA

2

from CONSOLE2

+48V
PHANTOM

HA

LEVEL

-44
+10

+48V
PHANTOM

LEVEL

-44
+10

to CONSOLE1

: DSP1D
: OTHER

PHANTOM

HA

GAIN

GAIN

2

2

+48V

AD

ADHA

ADBA

ADBA

ADBA

ADBA

8

DIGITAL

GAIN

2

DIGITAL

GAIN

AD

ADHA

DIGITAL

GAIN

DIGITAL

GAIN

DIGITAL

GAIN

INPUT PATCH

PEAK

DE-

EMP.

CH 1(-48)

DE-

EMPHASIS

INSERT IN 1(-48)

PEAK

DE-

EMP.

STIN Lch 1(-4)

DE-

EMPHASIS

INSERT IN STIN 1(-4) Lch

PEAK

DE-

EMP.

STIN Rch 1(-4)

DE-

EMPHASIS

INSERT IN STIN 1(-4) Rch

2

SUB IN L

SUB IN R

DIRECT IN L

DIRECT IN R

COMM IN

CONSOLE1

COMM IN

CONSOLE2

TALKBACK CONSOLE2

TALKBACK CONSOLE1

Frequncy:

100Hz - 10kHz

Frequncy:

100Hz - 10kHz

58

TALKBACK CONSOLE1

TALKBACK CONSOLE2

CH 1(-48)

to METER

ATT.

MS

DECODE

(-96)

(-96)

KEYIN SOURCE:

to METER

ATT.

MS

DECODE

(-8)

to METER

ATT.

MS

DECODE

(-8)

DE­EMPHASIS

DE­EMPHASIS

12

to CASCADE OUT

to CASCADE OUT

PINK

NOISE

BURST
NOISE

(-96)

HPF

STIN 1(-4)

(-8)

HPF

(-8)

HPF

(-8)

DE­EMPHASIS

DE­EMPHASIS

DE­EMPHASIS

DE­EMPHASIS

DE­EMPHASIS

OSC 1ch

OSC 2ch

HPF

to COMM IN
to COMM IN

to OUTPUT PATCH

INSERT OUT 1(-48)

INSERT

4BAND

PEQ

5

KEY IN

HPF

SEL

SELF PRE EQ
SELF POST EQ
LEFT CH(POST EQ)
KEYIN BUS1-4

to OUTPUT PATCH

INSERT OUT STIN L 1(-4)

METER METER METER

4BAND

PEQ

5

KEY IN

HPF

SEL

to OUTPUT PATCH
INSERT OUT STIN R 1(-4)

METER METER METER

4BAND

KEY IN

SEL

PEQ

HPF

5

from CASCADE IN

to CASCADE OUT

from CASCADE IN

to CASCADE OUT

from CASCADE IN

from CASCADE IN

LPF

LEVEL

ON/OFF

(-96)

METERMETER

GATE

LPF

KEY IN

KEYIN CUE

GATE

LPF

KEY IN

KEYIN CUE

GATE

LPF

KEY IN

KEYIN CUE

from CAS.

COMM IN

from CAS.

COMM IN

OSC ON

COMM IN CONSOLE1
COMM IN CONSOLE2

METER

COMP

SEL

DELAY

to METER

COMP DELAY

SEL

COMP

SEL

2

ON

2

ON

TALKBACK SEL

ON

OFF

to METER

DELAY

to METER

GATE

GATE

TB OUT

TB ON

OSC OUT

to COMM IN CONSOLE1

to COMM IN CONSOLE2

ON

MONITOR A

ON

MONITOR B

TALKBACK OUT

to OUTPUT PATCH

OSC OUT

to OUTPUT PATCH

TALKBACK CONSOLE1

TALKBACK CONSOLE2

from PRE ATT.

from PRE EQ

FADER

ON

MIX1(ODD)

from PRE ATT.

from PRE EQ

FADER

ON

MIX1(ODD)

from PRE ATT.

from PRE EQ

FADER

ON

LEVEL

LEVEL

to MONITOR A

to MONITOR B

Dual Console Mode Only

METER

PAN

FIXED MIX PAN

MIX PAIR

MIX2(EVEN)

DIRECT OUT 1(-48)

to OUTPUT PATCH

METER

PAN

FIXED MIX PAN

MIX2(EVEN)

DIRECT OUT STIN 1(-4) Lch
to OUTPUT PATCH

METER

PAN

FIXED MIX PAN

DIRECT OUT STIN 1(-4) Rch

to OUTPUT PATCH

TO ST

POST

TO ST

FIX

VARI

TO ST

POST

TO ST

FIX

VARI

TO ST

POST

TO ST

FIX

VARI

CUE

ON

ON

(-96)

CUE

ON

ON

(-8)

CUE

ON

ON

(-8)

CUE

Dual Console Mode Only

to TALKBACK CONSOLE1

to TALKBACK CONSOLE2

MIX1

MIX2

...

STEREO L

MIX48

...

...

...

STEREO R

CUE L

CUE R

...

KEY IN4

KEY IN1

...

DE-EMPHASIS

INSERT IN ST A Lch

CUE

DE-EMPHASIS

INSERT IN ST A Rch

DE-EMPHASIS

INSERT IN ST B Lch

DE-EMPHASIS

...

INSERT IN ST B Rch

CUE

DE-EMPHASIS

INSERT IN MIX1(-48)

CUE

from MIX1

from MIX48
from STEREO A Lch
from STEREO A Rch
from STEREO B Lch
from STEREO B Rch

SUB IN Lch
SUB IN Rch

from MIX1

from MIX48
from MATRIX1

from MATRIX24

DIRECT INPUT Lch

DIRECT INPUT Rch

2TR IN 3 Lch

2TR IN 6 Rch

MONITOR A SELECTOR

MONITOR B SELECTOR

4

to KEY IN SEL

from TALKBACK CONSOLE1
from TALKBACK CONSOLE2

from INPUT PATCH

METER

6BAND

PEQ

KEY IN

SEL

METER

COMP

from INPUT PATCH

METER METER

6BAND

PEQ

KEY IN

SEL

COMP

from INPUT PATCH

METER

6BAND

PEQ

CUE

KEY IN

SEL

METER

COMP

from INPUT PATCH

METER METER

6BAND

PEQ

KEY IN

SEL

COMP

from INPUT PATCH

METER

6BAND

PEQ

KEY IN

SEL

METER

COMP

PAN

INSERT IN
MTRX1(-24)

CUE

from STEREO A Lch
from STEREO A Rch
from STEREO B Lch
from STEREO B Rch

2TR IN 1 Lch
2TR IN 2 Rch

same as above

from MONITOR A

TALKBACK CONSOLE1
TALKBACK CONSOLE2

STEREO A

to METER

INSERT

DELAY

FADER

to METER

DELAY

FADER

STEREO B

to METER

INSERT

DELAY

to METER

MONO

DELAY

MIX 1(-48)

to METER

DELAY

FADER

MIX to STEREO

DE-EMPHASIS

from INPUT PATCH

METER METER

6BAND

PEQ

DEFINE

COMP

KEY IN

SEL

*

The Monitor B can be used in the Single Console Mode.

from COMM IN CONSOLE1

from COMM IN CONSOLE2

from PRE FADER

ON

BALANCE

from PRE FADER

from PRE FADER

FADER

BALANCE

from PRE FADER

from PRE FADER

ON

to METER

DELAY

from PRE EQ

L MONO/R MONO

from COMM IN

COMM IN

from PRE EQ

from PRE EQ

from PRE EQ

ON

from PRE EQ

from PRE EQ

MATRIX 1(-24)

DELAY

DELAY

DELAY

DELAY

COMM IN CONSOLE1

COMM IN CONSOLE2

to MONITOR

METER

to CS1D

to MATRIX

to METER

METER

to MONITOR

to CS1D

to MATRIX

to METER

METER

to MONITOR

to CS1D

to MATRIX

to METER

METER

to MONITOR

to CS1D

to MATRIX

to METER

METER

to MONITOR

to MATRIX

to METER

to MONITOR

FADER

ON

METER

DIMMER

TRIM

to MONITOR B

TO MONI B ASSIGN

(Dual Console Mode Only)

TO MONI B ASSIGN

OUTPUT PATCH
OUTPUT PATCH

8

DIGITAL

*

58

DAC

DAC

DAC

DAC

DITHER

Option Card OUT(8ch)

METERMETER

EFFECT 1(-8)

METER

31band GEQ1(-24)

with Selectable

GAIN

from DSP1D

from DSP1D

SPECTRUM

ANALYZER

2

DITHER

2

DITHER

METER
METER

DAC

DAC

METER
METER

DAC

DAC

DIMMER

DAC

DAC

TALKBACK

DAC

DAC

METER
METER

DAC

DAC

CASCADE OUT

LEVEL

LEVEL

LEVEL

CH1

CH2

CH3

CH4

[AO8 + LMY4-DA]

[DIO8 + MYx-xx]

METER

to EFFECT RETURN

METER

COAXIAL

STEREO OUT DIGITAL A

AES/EBU

COAXIAL

STEREO OUT DIGITAL B

AES/EBU

ON

ON

ON

LEVEL

LEVEL

ON

ON

MONITOR OUT B

to GEQ RETURN

[24bit Data]

[24bit Data]

L

CUE OUT

R

L

MONITOR

OUT A

R

MONITOR A
PHONES

MONITOR A
PHONES

MONITOR B
PHONES

MONITOR B
PHONES

L

R

[CS1D]

PM1D System V2.0 Level Diagram

Analog

dBu

+24
+20

+10

+4

0

–10

–20

–30

–40

–50

–60

–70

–80

–90

–100

–110

–120

–130

–140

–150

–160

–170

–180

–190

dBFS

–10

–20

–30

–40

–50

–60

–70

–80

–90

–100

–110

–120

–130

–140

–150

–160

–170

–180

–190

–200

–210

Digital

0

10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36

Bit

0
1
2
3
4
5
6
7
8
9

Max.

[+24dB]

Input
GAIN MIN

Nominal

Input [+10dB]

GAIN MIN

Max.

[–54dB]Input

GAIN MAX

Nominal

Input

GAIN MAX

[–68dB]

Analog

(LMY2-ML)

GAIN

HA

Digital

UNIT DSP1D

DIGITAL

PHASE M/S

GAIN

[+20dB]

[+6dB]

PATCH HPF COMP DELAY BUS

DE-

EMPHASIS

DECODE

ATT. EQ LEVEL PAN/SEND

GATE COMPAD

DCA

LEVEL

ON DCA

LEVEL

CASCADE IN CASCADE OUT

Adder

DSP Noise Floor

Digital
DSP1D

EQ DA

MASTER

DELAY

LEVEL

LEVEL

Digital Clipping Level

MASTER

ON

PATCH

DITHER

Analog
(LMY4-DA,CS1D)

UNIT

Max. Output

[+24dB]

STEREO OUT A-B
MIX OUT 1-48
MONITOR OUT A-B
MATRIX OUT 1-24

Nominal Output

[+10dB]

Analog

dBu

+24
+20

+10

+4

0

–10

–20

–30

–40

–50

–60

–70

–80

–90

–100

–110

–120

–130

–140

–150

–160

–170

–180

–190

[0dBu = 0.775Vrms]
[0dBFS = Full Scale]