Yamaha 01V96i User Manual
Reference Manual
How to Use This Reference Manual
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2 Contents
Contents
How to Use This Reference Manual ............................................... 1
Contents of the Owner’s Manual (Booklet) .......... 3
Function Tree .......................................................... 4
Control Surface & Rear Panel ................................. 6
Control Surface .................................................................................. 6
Rear Panel ......................................................................................... 10
Analog I/O & Digital I/O ...................................... 12
Analog Inputs & Outputs ............................................................... 12
Digital Inputs & Outputs ................................................................ 13
Converting Sampling Rates of Signals Received at I/O Card
Inputs ................................................................................. 14
Monitoring Digital Input Channel Status .................................... 14
Dithering Digital Outputs .............................................................. 15
Setting the Transfer Format for Higher Sampling Rates ........... 16
Input Channels ...................................................... 17
About Input Channels .................................................................... 17
Setting the Input Channels from the Display .............................. 18
Setting the Input Channels from the Control Surface ............... 25
Pairing Input Channels ................................................................... 26
Naming Input Channels ................................................................. 28
Bus Outs ................................................................ 29
About Stereo Out ............................................................................. 29
Bus Out 1–8 ...................................................................................... 29
Setting the Stereo Out and Bus Out 1–8 from the Display ........ 30
Setting the Stereo Out and Bus Out 1–8 from the Control
Surface ............................................................................... 33
Pairing Buses or Aux Sends ........................................................... 33
Attenuating Output Signals ........................................................... 34
Naming the Stereo Out and Bus Outs .......................................... 35
Aux Outs ................................................................ 36
Aux Out 1–8 ..................................................................................... 36
Setting Aux Out 1–8 from the Display ......................................... 36
Setting Aux Out 1–8 from the Control Surface ........................... 38
Setting Aux Send Levels .................................................................. 38
Viewing Aux Send Settings for Multiple Channels .................... 40
Panning Aux Sends ......................................................................... 41
Copying Channel Fader Positions to Aux Sends ........................ 42
Input & Output Patching ..................................... 43
Input Patching ................................................................................. 43
Output Patching .............................................................................. 44
Patching Direct Outs ....................................................................... 46
Insert Patching ................................................................................. 47
Monitoring ............................................................ 49
Monitor ............................................................................................. 49
Monitor and Solo Setup .................................................................. 49
Using the Monitor ........................................................................... 50
Using the Solo Function ................................................................. 51
Surround Pan ........................................................ 52
About Surround Pan ....................................................................... 52
Setting Up and Selecting Surround Pan Modes .......................... 53
Surround Panning ........................................................................... 56
Grouping Channels & Linking Parameters .......... 59
Grouping & Linking ........................................................................ 59
Using Fader Groups and Mute Groups ........................................ 59
Using Fader Group Master ............................................................ 61
Using Mute Group Master ............................................................. 62
Linking EQ and Compressor Parameters .................................... 62
Internal Effects ..................................................... 64
About the Internal Effects .............................................................. 64
Using Effects Processors via Aux Sends ....................................... 64
Inserting the Internal Effects into Channels ................................ 65
Editing Effects .................................................................................. 66
About Add-On Effects .................................................................... 67
About Plug-Ins ................................................................................. 67
Scene Memories ................................................... 68
About Scene Memories ................................................................... 68
What is Stored in a Scene? .............................................................. 68
About Scene Numbers .................................................................... 68
Storing and Recalling Scenes .......................................................... 69
Auto Scene Memory Update .......................................................... 70
Fading Scenes ................................................................................... 71
Recalling Scenes Safely .................................................................... 72
Sorting Scenes ................................................................................... 72
Copying and Pasting a Scene (Global Paste) ............................... 73
Libraries ................................................................ 74
About the Libraries .......................................................................... 74
General Library Operation ............................................................. 74
Using Libraries ................................................................................. 75
Remote Control .................................................... 83
About Remote Function ................................................................. 83
Pro Tools Remote Layer ................................................................. 83
Nuendo/Cubase Remote Layer ...................................................... 93
Other DAW Remote Layer ............................................................. 94
MIDI Remote Layer ......................................................................... 94
Machine Control Function ............................................................. 98
MIDI .................................................................... 100
MIDI & the 01V96i ........................................................................ 100
MIDI Port Setup ............................................................................ 101
Assigning Scenes to Program Changes for Remote Recall ...... 103
Assigning Parameters to Control Changes for Real-time Control
Controlling Parameters by Using Parameter Changes ............. 106
Transmitting Parameter Settings via MIDI (Bulk Dump) ....... 107
Other Functions ................................................. 109
Setting Preferences ......................................................................... 109
Creating a Custom Layer by Combining Channels
(User Assignable Layer) ................................................. 110
Cascading Consoles ....................................................................... 111
Checking the Battery and the System Version .......................... 113
Calibrating the Faders ................................................................... 113
Index ................................................................... 115
Appendix: Parameter Lists .............................. 119
USER DEFINED KEYS ................................................................. 119
USER DEFINED KEYS Initial Assignments ............................. 121
Input Patch Parameters ................................................................ 121
Initial Input Patch Settings ........................................................... 123
Output Patch Parameters ............................................................. 125
Initial Output Patch Settings ........................................................ 127
User Defined Remote Layer Initial Bank Settings ..................... 128
Effects Parameters ......................................................................... 132
Effects and tempo synchronization ............................................. 146
Preset EQ Parameters .................................................................... 147
Preset Gate Parameters (fs = 44.1 kHz) ...................................... 148
Preset Compressor Parameters (fs = 44.1 kHz) ......................... 149
Dynamics Parameters ................................................................... 151
Appendix: MIDI ............................................... 156
Scene Memory to Program Change Table ................................. 156
Initial Parameter to Control Change Table ............................... 157
MIDI Data Format ......................................................................... 173
MIDI Implementation Chart ........... End of Manual
.. 104
01V96i—Reference Manual
Contents of the Owner’s Manual (Booklet) 3
Contents of the Owner’s Manual (Booklet)
The contents of the separate Owner’s Manual booklet are as
follows.
PRECAUTIONS
Welcome
Package Contents
About the included discs
About the included DAW software
About the utility software
Firmware updates
About this Owner’s Manual
Conventions Used in this Manual
Control Surface & Rear Panel
Control Surface
Rear Panel
Installing an Optional Card
Troubleshooting
Error messages
Contents of the Reference Manual
Specifications
General Spec
Libraries
Analog Input Spec
Analog Output Specs
Digital Input Spec
Digital Output Spec
I/O SLOT Spec
MIDI/USB/WORD CLOCK I/O Spec
Dimensions
Options
Rack Mounting the 01V96i Using RK1 Rack Mount Kit
Index
01V96i Block Diagram
01V96i Level Diagram
Contents of the Owner’s Manual (Booklet)
Operating Basics
About the Display
Selecting Display Pages
Display Interface
Selecting Layers
Selecting Channels
Selecting Fader Modes
Metering
Connections and Setup
Connections
Wordclock Connections and Settings
Input and Output Patching
Tutorial
Input and Output Patching
Setting the Input Levels
Pairing Channels
Setting the Routing
EQ’ing the Input Signals
Using the EQ Library
Compressing the Input Signals
Using the Internal Effects
Recording to DAW Software via the USB Port
Adjusting the Monitor Levels from the DAW
Using Scene Memories
Changing the Channel Names
Creating a Custom Layer by Combining Channels
(User Assignable Layer)
Using the Oscillator
Using the User Defined Keys
Using Operation Lock
Initializing
01V96i—Reference Manual
4 Function Tree
Function Tree
DISPLAY ACCESS
Page numbers in parentheses ( ) are the page numbers of the
Owner’s Manual (booklet).
BUTTON FUNCTION PAGE NAME LINK
SCENE SCENE MEMORY 68
IN FADE INPUT FADE TIME 71
OUT FADE OUTPUT FADE TIME 71
SCENE
DIO/SETUP
MIDI
UTILITY
/INSERT/
DELAY
PAN/
ROUTING
RCL SAFE RECALL SAFE 72
SORT SORT 72
PASTE SRC
PAS TE D S T
WORD CLOCK WORD CLOCK SELECT 14
FORMAT
PREFER1 PREFERENCES 1 109
PREFER2 PREFERENCES 2 110
MIDI/HOST MIDI/TO HOST SETUP 100
MONITOR MONITOR 49
REMOTE REMOTE 85
MACHINE MACHINE CONTROL 98
SURR BUS SURROUND BAS SETUP 54
CASCADE
OUTPUT ATT
SETUP MIDI SETUP 101
PGM ASGN
CTL ASGN
BULK BULK DUMP 107
OSCILLATOR OSCILLATOR (45)
CH STATUS
BATTERY BATTERY CHECK 113
USER DEF USER DEFINED KEY ASSIGN 119
LOCK OPERATION LOCK (47)
PHASE PHASE 18
INSERT INSERT 47
DLY 1-16 INPUT CH1-16 DELAY 18
DLY17-32 INPUT CH17-32 DELAY 18
OUT DLY OUTPUT DELAY 30
PAN PAN 22
ROUT1-16 INPUT CH1-16 ROUTING 22
ROUT17-STI
BUS TO ST BUS TO STEREO 31
SURR MODE SURROUND MODE 53
CH EDIT
SURR1-16 INPUT CH1-16 SURROUND 58
SURR17-32
SURR ST IN STEREO INPUT SURROUND 58
GLOBAL PASTE SOURCE CH
SELECT
GLOBAL PASTE
DESTINATION SCENE
HIGHER SAMPLE RATE
DATA TRANSFER FORMAT
CASCADE IN
ATTENUATION
OUTPUT PORT
ATTENUATOR
PROGRAM CHANGE
ASSIGN TABLE
CONTROL CHANGE
ASSIGN TABLE
CHANNEL STATUS
MONITOR
INPUT CH17-32
ROUTING/ST IN
SELECTED CHANNEL
SURROUND EDIT
INPUT CH17-32
SURROUND
73
73
14
15
16
112
34
102
104
14
22
56
58
BUTTON FUNCTION PAGE NAME LINK
INPUT INPUT PAIR 27
OUTPUT OUTPUT PAIR 33
IN FADER INPUT FADER GROUP 59
IN MUTE INPUT MUTE GROUP 59
OUT FADER OUTPUT FADER GROUP 59
PAI R/
GROUP
PATC H
DYNAMICS
EQ
EFFECT
VIEW
OUT MUTE OUTPUT MUTE GROUP 60
IN EQ INPUT EQUALIZER LINK 62
OUT EQ OUTPUT EQUALIZER LINK 62
IN COMP INPUT COMP LINK 63
OUT COMP OUTPUT COMP LINK 63
IN MASTER
OUT MASTER
IN PATCH INPUT PATCH 43
INPUT INS INPUT INSERT IN PATCH 48
EFFECT
CASCADE IN CASCADE IN PATCH 111
IN NAME INPUT CHANNEL NAME 28
IN LIB INPUT PATCH LIBRARY 75
OUT PATCH SLOT OUTPUT PATCH 44
USB OUT USB OUT PATCH 45
OUTPUT INS OUTPUT INSERT IN PATCH 48
DIRECT OUT DIRECT OUT DESTINATION 46
2TR OUT 2TR OUT DIGITAL PATCH 45
OUT NAME OUTPUT CHANNEL NAME 35
OUT LIB OUTPUT PATCH LIBRARY 76
GATE EDIT GATE EDIT 19
GATE LIB GATE LIBRARY 79
COMP EDIT COMP EDIT 20
COMP LIB COMP LIBRARY 79
EQ EDIT EQUALIZER EDIT 21
EQ LIBRARY EQUALIZER LIBRARY 81
IN ATT INPUT ATTENUATOR 20
OUT ATT OUTPUT ATTENUATOR 30
FX1 EDIT FX1 EDIT 66
FX2 EDIT FX2 EDIT 66
FX3 EDIT FX3 EDIT 66
FX4 EDIT FX4 EDIT 66
FX1 LIB FX1 LIBRARY 76
FX2 LIB FX2 LIBRARY 76
FX3 LIB FX3 LIBRARY 76
FX4 LIB FX4 LIBRARY 76
P-IN EDIT
PARAMETER PARAMETER VIEW
FADER FADER VIEW
LIBRARY CHANNEL LIBRARY 75
1-16 AUX INPUT CH1-16 AUX VIEW 40
17-STI AUX
INPUT FADER GROUP
MASTER
OUTPUT FADER GROUP
MASTER
EFFECT INPUT/OUTPUT
PATC H
PLUG-IN EFFECT CARD
EDIT
INPUT CH17-ST IN AUX
VIEW
61
61
64
67
23
31
37
24
32
38
40
01V96i—Reference Manual
FADER MODE
BUTTON FUNCTION PAGE NAME LINK
SEND AUX1–AUX8 SEND 38
AUX1–
AUX8
HOME
(METER)
PAN AUX1 – AUX 8 PAN 41
VIEW1-16 INPUT CH1-16 AUX VIEW 40
VIEW17-STI
CH1-32 CH1-32 METER 8
ST IN ST IN METER 8
MASTER MASTER METER 8
EFFECT
STEREO STEREO METER 8
POSITION METER POSITION 8
INPUT CH17-ST IN AUX
VIEW
EFFECT1-4 INPUT/OUTPUT
METER
LAYER
BUTTON FUNCTION PAGE NAME LINK
1-16
17-32
MASTER
REMOTE
USER DEFINED 94
ProTools 83
Nuendo 93
Cubase 93
General DAW 94
USER
ASSIGNABLE
LAYER
Function Tree 5
Function Tree
40
8
8
8
8
110
01V96i—Reference Manual
6 Control Surface & Rear Panel
SOLO SOLO
ON ON
SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO
ON
SOLOONSOLO
ONON
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
1-16 17-32 MASTER REMOTE
LAYER
SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL
ST IN
ENTER
STEREO
DEC INC
SOLO CLEAR
RECALL
STORE
SCENE MEMORY
PHONES
MONITOR
OUT
MONITOR
2TR IN
CH15/16
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PAD
FADER MODE
DISPLAY ACCESS
AUX 1
AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8
AUX 2 AUX 3 AUX 4
AUX 8AUX 7AUX 6AUX 5
HOME (METER)
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
ABABABABABABABABABABABA
B
16
1513
121110987643215
14
INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O
L
R
IN OUT
2TR
-10dBV (UNBAL)
PHANTOM +48V
CH9-12CH5-8CH1-4
INPUT
(BAL)
INSERT
OUTIN
(UNBAL)
ST IN 1 ST IN 2
USER DEFINED
KEYS
12
34
56
78
55
5
+10
5
1010
10
1515
15
2020
20
303030
30
4040
40
5050
50
6060
7070
20
30
40
40
50
50
60
70
00
5
10
15
20
0
0
5
+10
5
10
15
30
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
15
0
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
20
30
40
40
50
50
60
70
30
15
20
30
40
40
20
30
40
20
30
40
20
30
40
50
50505050
20
30
40
50
20
30
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
30
15
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
303030
5
10
15
20
0
5
10
15
20
0
5
10
15
20
0
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
20
30
40
50
15 15
20
30
40
50
15
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
123456
123456
7
8 9 10 11 12
7
8 9 10 11 12
13 14 15 16
13 14 15 16
32313029282726252423222120191817
STEREO
13 14 15 16
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
AD Input Section (p. 7)
SELECTED
CHANNEL
Section (p. 9)
Monitor Out
& Headphones Section (p. 7)
SOLO Section
(p. 9)
Channel Strip Section (p. 7) STEREO Section (p. 8) USER DEFINED KEYS
Section (p. 9)
Data Entry
Section (p. 9)
LAYER Section
(p. 8)
SCENE MEMORY Section (p. 9)
Display Section
(p. 9)
DISPLAY ACCESS
Section (p. 8)
ST IN Section
(p. 8)
FADER MODE
Section (p. 8)
Control Surface & Rear Panel
Control Surface
Note: For details on the function of each item, refer to “Control Surface & Rear Panel” in the Owner’s Manual.
01V96i—Reference Manual
Control Surface 7
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
CH15
/
16
2TR IN
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PAD
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
16
1513
121110943215
14
INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O
CH1-4
INPUT
(BAL)
INSERT
OUTIN
(UNBAL)
13 14 15 16
1
3
4
5
6
7
8
2
PHONES
MONITOR
OUT
MONITOR
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
L
R
IN OUT
2TR
-10dBV
(UNBAL)
PHANTOM +48V
CH9-12CH5-8
1
2
3
4
5
SOLO
ON
SEL
AUX 1
40
50
60
70
30
5
10
15
20
0
20
30
40
50
15
5
+10
5
10
0
1
1
17
1
2
3
4
AD Input Section
1 INPUT connectors A/B
2 INPUT connectors 13–16
3 INSERT I/O connectors
4 PAD switches
5 GAIN controls
6 PEAK indicators
7 SIGNAL indicators
8 AD15/16 selector
Control Surface & Rear Panel
Monitor Out & Headphones
Section
1 2TR IN/OUT connectors
2 Monitor Source selector
3 MONITOR LEVEL control
4 PHONES LEVEL control
5 PHONES jack
Channel Strip Section
1 [SEL] buttons
2 [SOLO] buttons
3 [ON] buttons
4 Channel faders
01V96i—Reference Manual
8 Control Surface & Rear Panel
DISPLAY ACCESS
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
1 2 3
9
0 A B
4
5
6
8
7
UTILITYMIDISCENE
DIO/SETUP
1-16 17-32 MASTER REMOTE
LAYER
1 2 3
STEREO Section
1 [SEL] button
2 [ON] button
3 [STEREO] fader
ST IN Section
1 [ST IN] button
2 [SEL] buttons
3 [SOLO] buttons
4 [ON] buttons
5 Level controls
1
2
3
4
5
1
2
3
ST IN
SEL SEL
SOLOONSOLO
ON
ST IN 1 ST IN 2
SEL
ON
0
5
10
15
20
30
40
50
60
70
STEREO
DISPLAY ACCESS Section
1 [SCENE] button
2 [DIO/SETUP] button
3 [MIDI] button
4 [UTILITY] button
5 [ /INSERT/DELAY] button
6 [PAN/ROUTING] button
7 [PAIR/GROUP] button
8 [PATCH] button
9 [DYNAMICS] button
0 [EQ] button
A [EFFECT] button
B [VIEW] button
LAYER Section
1 [1–16]/[17–32] buttons
2 [MASTER] button
3 [REMOTE] button
FADER MODE Section
1 [AUX 1]–[AUX 8] buttons
2 [HOME] button
1
2
01V96i—Reference Manual
FADER MODE
AUX 1AUX 2AUX 3AUX
AUX
7
AUX
6
AUX
5
HOME (METER)
Tip : The ST IN section is not affected by the layer settings.
4
AUX
8
Control Surface 9
STEREO
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
4
1
5
2
3
6
Tab S croll arrow
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
2
3
4
5
6
1
7
8
USER DEFINED
KEYS
12
34
56
78
1
ENTER
DEC INC
2
3
1
4
SOLO CLEAR
1 2
Display Section
1 Display
2 Stereo meters
3 Contrast control
4 [F1]–[F4] buttons
5 Left Tab Scroll [ ] button
6 Right Tab Scroll [ ] button
SCENE MEMORY Section
SCENE MEMORY
STORE
13
2
RECALL
1 [STORE] button
2 Scene Up [ ] / Down [ ] buttons
3 [RECALL] button
USER DEFINED KEYS
Section
1 [1]–[8] buttons
Control Surface & Rear Panel
SELECTED CHANNEL Section
1 [PAN] control
2 [HIGH] button
3 [HIGH-MID] button
4 [LOW-MID] button
5 [LOW] button
6 [Q] control
7 [FREQUENCY] con-
trol
8 [GAIN] control
Data Entry Section
1 Parameter wheel
2 [ENTER] button
3 [DEC] & [INC] buttons
4 Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cur-
sor buttons
SOLO Section
1 [SOLO] indicator
2 [CLEAR] button
01V96i—Reference Manual
10 Control Surface & Rear Panel
PHANTOM +48V (p. 10)
Power Section (p. 11)
AD Output Section
(p. 10)
SLOT Section (p. 11)
MIDI/USB Section
(p. 10)
Digital I/O Section
(p. 10)
321
42153
Rear Panel
PHANTOM +48V
321
1 CH1–4 ON/OFF switch
2 CH5–8 ON/OFF switch
3 CH9–12 ON/OFF switch
AD Output Section
1 MONITOR OUT connectors L/R
2 OMNI OUT connectors 1–4
3 STEREO OUT connectors L/R
Digital I/O Section
1 WORD CLOCK OUT connector
2 WORD CLOCK IN connector
3 ADAT IN/OUT connectors
4 2TR OUT DIGITAL COAXIAL
5 2TR IN DIGITAL COAXIAL
MIDI/USB Section
01V96i—Reference Manual
21
1 MIDI IN/THRU/OUT ports
2 TO HOST USB port
Rear Panel 11
1
21
SLOT Section
1 SLOT
Power Section
1 POWER ON/OFF switch
2 AC IN connector
Control Surface & Rear Panel
01V96i—Reference Manual
12 Analog I/O & Digital I/O
AA
21
BB
INPUT
(BAL)
16
1513
14
INSERT I/O INSERT I/O
INSERT
OUTIN
(UNBAL)
20dB
PAD
20dB
GAIN
-16
-60
PEAK
SIGNAL
GAIN
L
R
IN OUT
2TR
-10dBV
(UNBAL)
Analog I/O & Digital I/O
This chapter describes the 01V96i’s analog and digital
input/output connectors as well as the basic operations
involving the digital I/Os.
Analog Inputs & Outputs
Input Section
The 01V96i’s top panel features input connectors, which
enable you to connect microphone and line-level sources.
• INPUT connectors A 1–12
These balanced TRS-type
phone connectors accept
line-level and microphone signals. The nominal input range is
–60 dB through +4 dB. The phantom [+48V] switches on
the rear panel turn on or off the +48V phantom power
feed to these inputs.
• INPUT connectors B 1–12
These balanced TRS-type connectors accept line-level and
microphone signals. The nominal input range is –60 dB
through +4 dB.
You cannot use same-numbered INPUT A and INPUT B
connectors simultaneously. (For example, you cannot use
INPUT A-2 and INPUT B-2 at the same time.) If you
connect cables to A and B connectors of the same number, only the signal from INPUT B is effective (e.g., B-2
takes priority over A-2).
•Phantom Power
Inputs 1 through
12 feature switchable +48V phantom powering for use with condenser-type microphones and direct boxes. The phantom
[+48V] switches on the rear panel turn on or off the +48V
phantom power feed to the corresponding inputs.
•PAD switches
Inputs 1 through 12 feature pad
switches, which attenuate input
signals by 20 dB. These switches
are effective on both INPUT A and B signals.
•GAIN controls
Inputs 1 through 16 feature
rotary gain controls that adjust
input sensitivity. Input sensitivity
for INPUT connectors 1–12
ranges from –16 dB to –60 dB when the Pad is off, and
from +4 dB to –40 dB when the Pad is on. Input sensitivity for INPUT connectors 13–16 ranges from +4 dB to
–26 dB.
•PEAK & SIGNAL Indicators
The SIGNAL indicator lights up
when the input signal level at
INPUTs 1–16 exceeds –34 dB.
The PEAK indicator lights up when the input signal level
is 3 dB below clipping.
•2TR IN connectors
These unbalanced RCA phono connectors accept line-level signals from
devices such as CD players.
When the AD 15/16 source selector is
turned on (pushed in), signals input at
these conductors are routed to AD
Inputs 15 and 16. When the Monitor source selector is
turned on (pushed in), you can monitor these signals
from the MONITOR OUT connectors.
•INPUT connectors 13–16
These balanced TRS-type phone connectors accept line-level signals. When
the AD 15/16 source selector is turned
on (pushed in), signals from INPUT 15
and 16 are ignored. Instead, signals from
the 2TR IN connector will be routed to AD Input Channels 15 and 16.
Tip: You can patch signals input from the INPU T connectors
to any Input Channels. (See page 43 for information on
patching input signals to Input Channels.)
• INSERT I/O connectors
These TRS-type phone connectors
are used to insert external devices,
such as effects processors, into AD Input Channels.
01V96i—Reference Manual
Digital Inputs & Outputs 13
L
R
IN OUT
2TR
-10dBV
(UNBAL)
Output Section
The 01V96i top and rear panels feature output connectors
that enable you to connect a monitoring system, effects processors and other line-level devices.
• MONITOR OUT connectors L/R
These balanced TRS-type phone connectors output monitoring signals or
input signals routed from the 2TR IN
connectors. The nominal output level
is +4 dB.
Use the Monitor source selector in the Monitor Out &
Headphones section to select the signal output from these
connectors.
•OMNI OUT connectors 1–4
These balanced
TRS-type phone connectors output any Bus
Outs or Input Channel
Direct Outs. The nominal output level is +4 dB.
Tip : Any signal path can be patched to the OMNI OUT connectors. (See page 44 for more information on patching signals to the OMNI OUT connectors.)
• STEREO OUT connectors L/R
These balanced XLR-3-32-type
connectors output the Stereo Out
signals. The nominal output level
is +4 dB.
•2TR OUT connectors
These unbalanced RCA phono connectors output line-level signals to a
connected recorder or other external
device. These connectors always output the Stereo Out signals.
Analog I/O & Digital I/O
Digital Inputs & Outputs
The 01V96i rear panel features digital input and output connectors that enable you to connect external digital devices.
Any signal path can be patched to these digital inputs and
outputs.
You can also add analog and digital I/Os by installing an
optional I/O card in the slot.
Digital I/O Connectors
•2TR IN DIGITAL connector
2TR IN DIGITAL is an RCA phono connector
and accepts consumer format (IEC 60958)
digital audio. You can patch digital signals
input at this connector to any Input Channel
(page 43).
• 2TR OUT DIGITAL connector
This RCA phono connector outputs consumer format (IEC 60958) digital audio. You
can patch any Bus outs or Input channel
Direct Outs to this output (page 45).
•ADAT IN connector
This TOSLINK connector accepts 8-channel ADAT optical format signals, which can be patched to any Input
Channel (page 43).
• ADAT OUT connector
This TOSLINK connector outputs an 8-channel ADAT
optical format signal. You can patch any Bus Outs or
Input Channel Direct outs to this output (page 44).
SLOT
This slot allows you to install an optional mini-YGDAI
(Yamaha General Digital Audio Interface) I/O card. This card
offers AD/DA conversion, and various analog I/O options
and digital I/O interfaces in all the popular digital audio interconnect formats, including AES/EBU, ADAT, and Tascam.
You can patch signals input at these card connectors to any
Input Channels or Insert Ins (see page 43).
You can patch the card outputs to Bus Outs or Input Channel
Direct Outs (see page 46).
For details on the mini-YGDAI I/O cards that are currently
usable, refer to “I/O Slot Specifications” in the Owner’s Manual.
For the latest information about mini-YGDAI I/O cards, refer
to the Yamaha Professional Audio website.
http://www.yamahaproaudio.com/
01V96i—Reference Manual
14 Analog I/O & Digital I/O
1
2
3
4
5
6
Converting Sampling Rates of Signals Received at I/O Card Inputs
An optional MY8-AE96S Digital I/O card features sampling
rate converters, so you can easily convert the sampling frequency of digital inputs to the current 01V96i sampling rate.
1. Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | Format
page appears.
Use the buttons in the SRC sections to turn the sampling
rate converters on and off. You can turn the sampling rate
converters of the digital I/O card on or off in pairs (odd &
even channels, in this order).
Monitoring Digital Input Channel Status
You can view and monitor the Channel Status (sampling rate,
emphasis, etc.) of digital audio signals connected to the 2TR
Digital Inputs and Slot Inputs as follows.
1. Press the DISPLAY ACCESS [UTILITY] button,
then press the [F2] button.
The Utility | CH Status page appears.
On this page, use the following buttons to select a slot or
connector for which you want to view the channel status.
Tip: The FS box on the Word Clock page displays the sampling frequency at which the 01V96i is currently operating.
Note: The sampling rate converter is available only on the
Yamaha MY8-AE96S Digital I/O card. If you have installed
another type of I/O card in the slot, or if no card is installed
in the 01V96i, the buttons in the SRC sections are disabled.
2. Use the cursor buttons to move the cursor to
any two-channel button in the SRC sections,
then press [ENTER].
The sampling rate converter for the selected 2-channel
input turns on or off. When on, the sampling rate of the
received digital audio is converted to the 01V96i’s current
sampling rate.
1 2TR IN
This button enables you to view the Channel Status of
input signals connected to the 2TR Digital Inputs.
2 SLOT
These buttons enable you to view the Channel Status of
each two adjacent (odd and even, in this order) channel
signals connected to the digital I/O card installed in the
slot.
2. Move the cursor to the desired input or slot
button, then press [ENTER].
Channel Status information for the selected input is displayed. However, if a mini-YGDAI I/O card other than
AES/EBU format is installed, Channel Status information
will be grayed out. Channel Status information includes
the following items:
3 FS
Indicates the sampling rate. If no signal is being input, or
if the incoming wordclock is not synching to the internal
clock, “Unlock” appears.
4 EMPHASIS
Indicates the Emphasis on/off status.
5 CATEGORY
Indicates the status of “Category Code Bit” included in
the IEC958 Part 2 (S/PDIF-Consumer) format. This
parameter can display the following values:
01V96i—Reference Manual
Dithering Digital Outputs 15
Parameter value Description
General Tempor aril y use d
Laser Optical Laser optical device
D/D Conv
Magnetic
D.Broadcast Digital broadcast reception
Instruments
A/D Conv
A/D Conv with (C)
Solid Memory Solid memory device
Experimental Experimental device
Unknown Unknown
Note: “AES/EBU” appears in the Category row when you are
monitoring IEC958 Part 3 (AES/EBU-Professional) format
signals (that do not include Category Code Bit).
Digital - Digital converter and
signal processing device
Magnetic tape device and magnetic disk device
Musical instrument, microphone, and sources that generate string signals
A/D converter (without copyright information)
A/D converter (with copyright
information)
6 COPY
Indicates the status of copy protection information
included in the IEC958 Part2 (S/PDIF-Consumer) format signals. “OK” appears if copying is allowed. “Prohibit” appears if copy-protected.
Analog I/O & Digital I/O
Dithering Digital Outputs
When digital audio is transferred to lower-resolution systems,
truncated bits may generate unpleasant noise. To cancel the
audible effect of this noise, a small complement of noise is
intentionally added to the digital outputs. This process is
called “dithering.”
On the 01V96i, you can dither the 2TR Digital Outputs and
Slot Outputs. For example, you can apply dithering to the
01V96i stereo mix data and record to a 16-bit digital recorder.
1. Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | Format
page appears.
The dithering settings are displayed at the bottom of the
page.
3. If you select the SLOT
button for a slot that
has an MY16-AE card installed, use the 01–08
and 09–16 buttons located in the lower-right
corner of the screen to select a channel group
you wish to display.
2. Move the cursor to the output or channel to
which you want to apply dithering, then
rotate the Parameter wheel or press the
[INC]/[DEC] buttons to select the value that
matches the resolution of the receiving
device.
Note:
• You cannot apply dithering to outputs or channels that are
set to “OFF.”
• Dithering is effective only when the resolution of the
receiving device is lower than that of the 01V96i.
Tip : To copy the currently-selected setting to all channels,
double-click the [ENTER] button. The copy confirmation
window is displayed.
01V96i—Reference Manual
16 Analog I/O & Digital I/O
Setting the Transfer Format for Higher Sampling Rates
To operate the 01V96i at higher sampling frequencies
(88.2 kHz or 96 kHz) and transfer digital audio signals to and
from connected external devices, you must set the data transfer format in accordance with the sampling frequencies supported by the external devices.
1. Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | Word
Clock page appears.
2. Select INT88.2k or INT96k as the wordclock
source.
Note: When the 01V96i operates at a high sampling rate
(88.2 k Hz or 96 kHz), only two internal effects processors are
available.
3. Press the DISPLAY ACCESS [DIO/SETUP] but-
ton repeatedly until the DIO/Setup | Format
page appears.
•DOUBLE SPEED
In Double Speed mode, digital audio data is received and
transmitted at the current high sampling rate (i.e.,
88.2 kHz or 96 kHz). Select this mode if the devices that
support the higher sampling rates transmit or receive
data.
Note: You can select this setting only for slots in which a digital I/O card that inputs/outputs double-speed digital audio
data (e.g., MY8-AE96, MY8-AE96S) is installed.
•SINGLE
In Single mode, digital audio data is received and transmitted at a sampling rate that is half (44.1/48 kHz) the
current higher sampling rate of the 01V96i. For example,
this is useful when you want to receive 44.1 kHz digital
signals from an external digital device while the 01V96i is
operating at 88.2 kHz.
Note: You cannot select this setting for slots in which a digital
I/O card that inputs/outputs double-speed digital audio data
(e.g., MY8-AE96, MY8-AE96S) is installed.
Tip: The parameter fields display “–” if the slot contains no
I/ O c ard or i f a n AD /D A ca rd o r o the r I /O c ard tha t d oes not
allow you to set the transfer format has been installed.
1
4. Use the cursor buttons to move the cursor to
an IN/OUT parameter field (
the Parameter wheel or press the [INC]/[DEC]
buttons to set the data transfer format.
The IN/OUT parameters are used to set one of the following data transfer formats for each slot input and output.
• DOUBLE CHANNEL
In Double Channel mode, digital audio data is received
and transmitted as mono signals at a sampling rate that is
exactly half (44.1/48 kHz) the current higher sampling
rate. Data is handled by two channels. This is useful when
you want to transfer data between the 01V96i operating at
a higher sampling rate and an external digital device that
supports 44.1/48 kHz.
1), then rotate
Note: Double Channel mode reduces the total number of
inputs or outputs on the corresponding slot. The even-numbered channels are disabled.
01V96i—Reference Manual
Input Channels 17
INPUT PATCH
INPUT PATCH
Input Channels
This chapter describes how to adjust the 01V96i’s Input
Channel parameters.
About Input Channels
The input Channel section enables you to adjust the level and
tone of the signals input to the 01V96i (and the signals output
from the internal Effects processors 1–4), and route the signals to Buses 1–8, the Stereo Bus, and Aux Sends 1–8. There
are two types of Input Channels, each featuring slightly different functions: monaural Input Channels 1–32 and stereo ST
IN Channels 1–4.
Input Channels 1–32
Each of these monaural Input Channels features a phase
effect, gate, compressor, attenuator, and EQ for signal processing. The following diagram illustrates the Input Channel
1–32 signal flow.
•LEVEL
This section enables you to adjust the input level of the
Input Channel signal.
•PAN
This section enables you to adjust the pan setting of the
signals routed from the Input Channels to the Stereo Bus.
You can also apply the pan setting to a pair of Bus channels.
• AUX (Aux Send level)
This section enables you to adjust the level of signals
routed to Aux Sends 1–8. The signals can be routed to
Aux Sends from either the pre-fader or post-fader position.
•INSERT
This section enables you to patch input signals to external
devices via the on-board I/O connectors or I/O card, or
insert the internal effect processors. You can patch any
inputs, outputs, or I/O card channels. (Note that this is
different from the INSERT I/O connectors in the AD
Input section.)
• METER
This section enables you to switch the metering position
of the signal levels that are displayed in the Meter page.
For more information on selecting the metering position,
refer to “Viewing the Level Meters” in the Owner’s Manual (booklet).
Input Channels
Input Channels 1–32 feature the following parameters:
• (Phase)
This section switches the phase of input signals.
•GATE
This dynamics processor can be used as a gate or for
ducking.
•COMP (Compressor)
This dynamics processor can be used as compressor,
expander or limiter. The compressor can be pre-EQ,
pre-fader, or post-fader.
•ATT (Attenuator)
This section enables you to attenuate or amplify the level
of signals that will be input to the EQ. The attenuator
enables you to prevent post-EQ signals from clipping and
to correct signal levels that are too low.
• 4 BAND EQ (4-band equalizer)
This parametric EQ features four bands (high, high-mid,
low-mid, and low).
• INPUT DELAY (Input delay)
This section enables you to delay input signals. You can
use this delay to fine-tune the timing between channels,
or as a delay effect with feedback.
• ON (On/Off)
This section enables you to turn the channel on or off.
The channel is muted with the Off setting.
ST IN Channels 1–4
These stereo channels enable you to process stereo signals
using the phase effect, attenuator, and EQ. The following diagram illustrates the ST IN Channel 1–4 signal flow.
ST IN Channels 1–4 feature the following parameters:
• (Phase)
•ATT (Attenuator)
• 4 BAND EQ (4-band equalizer)
• ON (On/Off)
•LEVEL
•PAN
• AUX (Aux Send level)
• METER
For more information on each parameter, refer to the preceding section Input Channel 1–32.
Tip: You can store these channel parameter settings in the Channel library. You can also store the Gate, Compressor, and EQ
parameter settings to the corresponding libraries.
01V96i—Reference Manual
18 Input Channels
1
2
Setting the Input Channels from the Display
To set the Input Channel parameters, you can either move the
cursor to the desired parameter on the display and change the
value, or operate the desired button or control on the top
panel to directly change the setting.
This section explains how to set the parameters via the display.
Switching the Signal Phase
To switch the phase of each Input Channel, press the
[ /INSERT/DELAY] button repeatedly until the following
/INS/DLY | Phase page appears.
Move the cursor to the NOR/REV button of the channel for
which you want to change the phase, then press the [ENTER]
or [INC]/[DEC] buttons to change the setting.
Delaying Input Channels
To set the delay for each channel, press the
[ /INSERT/DELAY] button repeatedly until the page listed
below that contains the desired channels appears.
• DLY 1-16 page
This page enables you to set the Delay function for Input
Channels 1–16.
• DLY 17-32 page
This page enables you to set the Delay function for Input
Channels 17–32.
The parameters on these two pages (and the procedure for
setting them) are the same.
213
1 NOR/REV
These buttons switch the corresponding Input Channel
phase. NOR buttons indicate normal phase, and REV
buttons indicate reversed phase.
2 GLOBAL
The GLOBAL NOR/REV buttons allow you to set the
phase for all Input Channels simultaneously.
Tip:
• The name of the currently-selected channel is indicated in the
upper-right corner of the screen.
• You can set the phase separately for each of the ST IN Channels
or for each channel in a channel pair. If you select ed the desired
ST IN Channel using the corresponding [SEL] button, pressing
the same [SEL] button repeatedly will toggle between channels
L and R.
1 DELAY SCALE
The following buttons determine the units of the delay
value shown below the msec value.
• meter........................Units are set to meters.
• feet ............................Units are set to feet.
• sample......................Units are set to samples.
• beat...........................Units are set to beats.
• frame........................Units are set to timecode frames.
2 GANG button
When this button is turned on (highlighted), the delay
time for each channel in a channel pair can be set simultaneously. When this option is turned off, the delay time
can be set for each channel in a channel pair individually.
3 Channel section
You can set individual delay parameters here. The delay
parameters include the following items:
•ON/OFF
This button switches the corresponding channel delay on
or off.
•msec
This parameter sets the delay time in milliseconds.
• meter/feet/sample/beat/frame
The delay time can be set using units of meters, feet, samples, beats, or frames, which you select by using the
DELAY SCALE buttons.
01V96i—Reference Manual
Setting the Input Channels from the Display 19
3 4 521
76
•MIX
This parameter sets the mix balance of dry (Input Channel) and wet (delayed) signals.
•FB.GAIN
This parameter sets the amount of delay feedback.
Tip:
• This function is unavailable for the ST IN Channels.
• The delay time range depends on the sampling rate at which
the 01V96i is operating.
• If you select the DELAY SCALE meter or feet button, the distance value can be converted to the delay time based on sonic
speeds (about 343.59 m/sec at 20 degrees Celsius). This option
is useful if you wish to correct the timing difference between
two sound sources that are far apart.
• If you select the DELAY SCALE beat button, a parameter box
for setting a note that represents the beat and a parameter box
for a tempo (BPM) setting appear below the DELAY SCALE
parameter. Setting the note and BPM settings in these parameter boxes enables you to set a delay time that synchronizes to
the song tempo.
Gating Input Channels
To set the Input Channel gates, use the [SEL] buttons to select
the desired Input Channel, then press the DISPLAY ACCESS
[DYNAMICS] button, then press the [F1] button. The
Dynamics | Gate Edit page appears.
2 STEREO LINK
This parameter’s ON/OFF button enables you to pair
gates for stereo operation even when the Input Channels
are not paired.
3 CURVE
This area displays the current gate curve.
4 TYPE
This area displays the current gate type (GATE or DUCKING).
Note: You cannot change the gate type on this page. To
change the gate type, recall a program that uses the desired
gate type from the Gate library.
5 Meters
These meters indicate the levels of the post-gate signals
and the amount of gain reduction.
6 ON/OFF
The ON/OFF button turns the currently-selected Input
Channel’s gate on or off.
7 PARAMETER
These controls enable you to set the gate parameters. (See
page 148 for more information on the parameters.)
Tip :
• This function is unavailable for the ST IN Channels.
• You can store the gate settings in the Gate library, which
features preset programs that can be used for various
applications (see page 79).
Input Channels
1 KEYIN SOURCE
Select one of the following buttons to determine the trigger source for the currently-selected Input Channel’s gate.
• SELF......................... The selected channel’s own input sig-
• CHANNEL ............. Another Channel’s input signal is the
• AUX ......................... An Aux Send signal is the trigger
nal is the trigger source.
trigger source. Select the desired
channel in the parameter box below
the CHANNEL button.
source. Select the desired bus in the
parameter box below the AUX button.
01V96i—Reference Manual
20 Input Channels
Compressing Input Channels
To set the Input Channel compressors, use the [SEL] buttons
to select the desired Input Channel, then press the DISPLAY
ACCESS [DYNAMICS] button, then press the [F3] button to
display the Dynamics | Comp Edit page.
3 4 521
76
1 POSITION
Use the Parameter wheel, or the [INC]/[DEC] buttons to
select the position of the compressor within the channel
from the following options:
• PRE EQ....................Immediately before EQ (default)
• PRE FADER ...........Immediately before the fader
• POST FADER ........Immediately after the fader
Attenuating Input Channels
To set the attenuator for each Input Channel, press the DISPLAY ACCESS [EQ] button, then press the [F3] button to
display the EQ | In Att page.
Move the cursor to the knob for the desired Input Channel,
then rotate the Parameter wheel to set the amount of attenuation in the range of –96 dB to +12 dB.
Tip : You can also set the attenuation amount (in dB) for the currently-selected channel on the EQ | EQ Edit page.
2 STEREO LINK
This ON/OFF button enables you to pair compressors for
stereo operation even when channels are not paired.
3 CURVE
This area displays the current compressor curve.
4 TYPE
This field indicates the compressor type used by the currently-selected channel’s compressor
(COMP/EXPAND/COMP (H)/COMP (S)).
Note: You cannot change the Compressor type on this page.
To change the compressor type , recall a program that uses the
desired compressor type from the compressor library.
5 Meters
These meters indicate the levels of the post-compressor
signals and the amount of gain reduction.
6 ON/OFF
The ON/OFF button turns the currently-selected Input
Channel’s compressor on or off.
7 PARAMETER section
These controls enable you to set the compressor parameters. (See page 149 for more information on the parameters of each compressor type.)
Tip:
• This function is unavailable for the ST IN Channels.
• You can store the compressor settings in the compressor
library, which features preset programs that can be used
for various applications (see page 80).
01V96i—Reference Manual
Setting the Input Channels from the Display 21
6
51 2 3 4
EQ’ing Input Channels
The 01V96i’s Input Channels feature 4-band (LOW,
LOW-MID, HIGH-MID, HIGH) parametric EQ. The
LOW-MID and HIGH-MID bands are a peaking type of EQ.
The LOW and HIGH bands can be set to shelving, peaking,
or HPF and LPF respectively.
1. Press the [SEL] button of the channel for
which you want to adjust EQ.
2. Press the DISPLAY ACCEESS [EQ] button, then
press the [F1] button to display the EQ | EQ
Edit page.
6 LOW, L-MID, H-MID, HIGH sections
These sections contain the Q, Frequency (F), and Gain
(G) parameters for the four bands. These parameter values range as follows:
LOW-
Parameter LOW
HPF, 10.0
Q
Frequency
Gain
1. The LOW and HIGH GAIN controls function as filter
on/off controls when Q is set to HPF or LPF respectively.
Tip :
• The LOW-band EQ functions as a high-pass filter when
the Q para meter in the LOW section i s set to HPF. It functions as a shelving-type EQ when the Q parameter is set
to L.SHELF.
• The HIGH-band EQ functions as a low-pass filter when
the Q parameter in the HIGH section is set to LPF. It functions as a shelving-type EQ when the Q parameter is set
to H.SHELF.
to 0.10
(41 steps),
L.SHELF
21.2 Hz to 20.0 kHz
(120 steps per 1/12 octave)
–18.0 dB to +18.0 dB (0.1 dB steps)
HIGH-
MID
MID
10.0 to 0.10
(41 steps)
(41 steps),
Input Channels
HIGH
LPF, 10.0
to 0.10
H.SHELF
1
The parameters on this page are described below:
1 EQ ON
The ON/OFF button turns the currently-selected Input
Channel’s EQ on or off. You can press the [ENTER] button to turn the EQ on or off as long as the cursor is located
on any parameter other than TYPE.
2 TYPE
Selects the type of EQ. TYPE I is the EQ type used on legacy Yamaha 02R series digital mixing consoles. The
TYPE II algorithm minimizes the interference between
bands.
3 ATT
Determines the amount of pre-EQ signal attenuation in
dB. It is the same Attenuator parameter that appears on
the EQ | ATT In page.
4 CURVE
This area displays the current EQ curve.
5 Meters
These meters indicate the post-EQ signal levels of the
currently-selected Input Channel and its available pair
partner.
3. Move the cursor to the desired parameter,
then rotate the Parameter wheel to change
the value.
Tip :
• The EQ settings for the ST IN Channels L & R are linked
to each other.
• You can also press the buttons in the SELECTED CHANNEL section to select the desired band and use the rotary
controls to directly edit the Q, F, and G parameters (see
page 25).
• You can store the EQ settings in the EQ library, which features preset programs that can be used for various applications (see page 147).
01V96i—Reference Manual
22 Input Channels
576
1
3
4
8
2
Panning Input Channels
Input Channels can be panned in the range of L63 through
CENTER to R63. To pan each channel, press the
[PAN/ROUTING] button repeatedly until the Pan/Route |
Pan page appears.
1
Move the cursor to the desired Pan control, then rotate the
Parameter wheel to set the value.
2
Routing Input Channels
You can route each Input Channel to the Stereo Bus, Bus 1–8,
or its own Direct Out. With the default setting, signals are
routed only to the Stereo Bus. However, you can patch signals
to a single or multiple destinations, if necessary.
1. Press the DISPLAY ACCESS [PAN/ROUTING]
button repeatedly until the page listed below
that contains the desired channels appears.
•ROUT1-16 page
This page enables you to change the routing for Input
Channels 1–16.
•ROUT17-ST1 page
This page enables you to change the routing for Input
Channels 17–32 and ST IN Channels 1–4.
The parameters on these two pages (and the procedure for
setting them) are the same.
1 Pan controls
These knobs adjust the channel pan settings.
Press the [ENTER] button to reset the currently-selected
Pan control to center.
2 MODE
The MODE parameter determines how paired Input
Channels are panned. There are three Pan modes as follows:
• INDIVIDUAL
In Individual mode, paired Input Channel pan controls operate independently.
•GANG
In Gang mode, paired Input Channel
pan controls operate in unison, maintaining the current pan range.
•INV GANG
In Inverse Gang mode, paired Input
Channel pan controls operate in unison
but move in opposite directions.
Tip:
• You can adjust the pan setting for the ST IN Channels L/R sep-
arately.
• You can als o adjust the p an setting for the Input Channels u sing
the PAN control in the SELECTED CHANNEL section.
• Surround Pan is available when the 01V96i is in Surround
mode. See page 52 for more information on Surround Pan.
1 PAN buttons
These buttons determine whether the channel’s Pan setting is applied to the Bus outs. In surround mode, they
also determine whether the Surround Pan setting is
applied to the Bus Outs.
2 Bus buttons 1–8
These buttons route the currently-selected Input Channel
to the Bus Outs. If the 01V96i is in Surround mode, the
button indicators change as follows, depending on the
selected Surround mode:
Bus buttons 12345678
Surround mode: 3-1 LRCS5678
Surround mode: 5.1 LRLsRsCE78
Surround mode: 6.1 LRLsRsCBsE8
L=Left, R=Right, C=Center, S=Surround, Ls=Left Surround
Rs=Right Surround, E=Low Frequency Effect, Bs=Back
Surround
The above table shows the default assignment. The actual
assignment may vary, depending on the settings on the
DIO/Setup | Surround Bus Setup page.
01V96i—Reference Manual
Setting the Input Channels from the Display 23
2
1
3 54 6
8
7
3 S
When this button is turned on, the currently-selected
Input Channel is routed to the Stereo Bus.
4 D
When this button is turned on, the currently-selected
Input Channel is routed to its Direct Out. See page 46 for
more information on the Direct Out.
5 ALL STEREO
This button turns on the S button for all channels on the
page.
6 ALL BUS
This button turns on the Bus buttons 1–8 for all channels
on the page.
7 ALL CLEAR
This button clears all routing assignments on the page.
8 SURROUND MODE
This field displays the current Surround mode.
Tip: The routings of the ST IN Channels L/R are linked. The D
button is unavailable for the ST IN Channels.
Viewing Input Channel Settings
Input Channels
You can view and adjust parameter settings for the currently-selected Input Channel on the View | Parameter or
Fader pages.
■ Viewing the Gate, Compressor, and
EQ Settings
To display the View | Parameter page for a specific Input
Channel, use the corresponding [SEL] button to select the
desired channel, then press the DISPLAY ACCESS [VIEW]
button repeatedly.
Move the cursor to a parameter you wish to change, then
rotate the Parameter wheel or press the [INC]/[DEC] buttons
or [ENTER] button to modify the setting.
The following parameters are available (sections marked with
an asterisk (*) are unavailable for the ST IN Channels).
1 GATE section (*)
This section enables you to turn the gate-type dynamics
processor on or off and set the parameters. (See page 19
for more information.)
2 COMP section (*)
This section enables you to turn the compressor-type
dynamics processor on or off and set the parameters. (See
page 20 for more information.)
3 INSERT section (*)
This section enables you to turn the Insert on or off and
patch the Insert In and Out. (See page 47 for more information.)
4 EQ section
This section enables you to set various EQ parameters.
(See page 21 for more information.)
5 Meters
These meters indicate the signal levels of the currently-selected Input Channel and its available pair partner.
6 (Phase) section
You can reverse the signal phase of the currently-selected
Input Channel. (See page 18 for more information.)
01V96i—Reference Manual
24 Input Channels
7 DELAY section (*)
This section enables you to set the currently-selected
channel’s Delay function. (See page 18 for more information.)
8 PAIR section (*)
This section indicates whether or not channels are paired.
The heart icon ( ) is in one piece when channels are
paired. The heart icon is broken ( ) when channels are
not paired. (See page 26 for more information.)
■ Viewing the Pan, Fader, and Aux
Send Level Settings
To display the View | Fader page of a certain Input Channel,
use the corresponding [SEL] button to select the desired
channel, then press the DISPLAY ACCESS [VIEW] button
repeatedly.
Move the cursor to a parameter you wish to change, then
rotate the Parameter wheel or press the [INC]/[DEC] buttons
to modify the setting.
321 4 5
3 BUS ROUTING/FOLLOW PAN section
•BUS ROUTING
This section enables you to select a destination Bus for the
selected channel. When the D button is turned on, the
channel signal is patched to the Direct Out selected in the
parameter box below the button. (The D button is
unavailable for the ST IN Channels.)
• FOLLOW PAN
This button determines whether the Input Channel’s Pan
setting is applied to the paired Bus Outs (Follow Pan
function). When the button is turned off, the Follow Pan
function is disabled and an identical signal is sent to the
paired Bus Outs. In surround mode, it also determines
whether the Surround Pan setting is applied to the Bus
Outs.
4 AUX section
•AUX
These controls set the currently-selected Input Channel’s
Aux Send 1–8 levels and positions. (See page 36 for more
information on Aux Sends.)
5 Meter section
•Meters
These meters indicate the levels of the currently-selected
Input Channel.
1 PAN/ON/Fader section
•PAN control
This control adjusts the currently-selected Input Channel’s Pan parameter.
Press the [ENTER] button to reset the Pan control to
Center.
• ON/OFF button
This button turns on or off the currently-selected Input
Channel.
•Fader
This parameter sets the fader position of the currently-selected Input Channel. The fader knob is highlighted when the fader is set to 0.0 dB.
Press the [ENTER] button to reset the Fader to 0.0 dB.
6
• PRE EQ/PRE FADER/POST FADER
The metering position is displayed below the meters.
6 GROUP section
• FADER/MUTE/EQ/COMP
These buttons indicate which Fader, Mute, EQ, or Comp
group, if any, the currently-selected Input Channel is in. If
the channel is in a group, the group number appears. If
the channel is not in a group, “—” appears. (The compressor is unavailable for the ST IN Channels.)
2 SURROUND PAN section
• SURROUND PAN
The Surround pan parameters for the currently-selected
Input Channel are displayed only when a Surround mode
is selected. See page 52 for more information on Surround pan.
01V96i—Reference Manual
Setting the Input Channels from the Control Surface 25
Setting the Input Channels from the Control Surface
You can use the faders, [SEL] buttons, and various buttons
and controls in the SELECTED CHANNEL section on the
top panel to directly control most parameters for Input Channels.
Setting Input Channel Levels
and Panning the Channels
■ Input Channels 1–32
1. Press the LAYER [1–16] or [17–32] button to
select a layer.
2. Press the [SEL] button of the channel for
which you want to adjust the input level
and/or pan settings.
3. Use the faders to set the Input Channel levels.
4. Rotate the SELECTED CHANNEL [PAN] con-
trol to adjust the pan settings.
When you rotate the [PAN] control, the Pan/Route | Pan
page is displayed automatically.
3. Rotate the level control of the desired chan-
nel to set the level.
You can always view the
current channel level at the
top of the display.
4. Rotate the SELECTED CHANNEL [PAN] con-
trol to adjust the pan setting.
The pan setting can be applied to
either ST IN channel L or R. To
switch between channels L and R
for the pan setting, press the same
[SEL] button repeatedly. (The
channel currently being controlled is indicated in the
upper-left corner of the display.)
EQ’ing Input Channels
1. Press the [SEL] button or move the fader for
the channel you wish to control.
2. To control EQ for the currently-selected chan-
nel, press one of the following buttons to
select the band you wish to adjust:
• [HIGH] button...... HIGH band
• [H-MID] button ... HIGH-MID band
• [L-MID] button .... LOW-MID band
• [LOW] button ....... LOW band
3. Use the SELECTED CHANNEL [Q], [FRE-
QUENCY], and [GAIN] controls to adjust the
Q, frequency, and gain of the band selected
in Step 2.
When the Auto EQUALIZER Display (page 109) check
box is on, the 01V96i displays the EQ/EQ Edit page.
Input Channels
■ ST IN Channels 1–4
1. Use the ST IN [ST IN] button to select the
desired ST IN Channels.
The indicators next to the [ST IN] button display the ST
IN Channels currently selected for control by the ST IN
section.
2. Press the [SEL] button for the channel for
which you want to adjust the level and/or pan
settings.
01V96i—Reference Manual
26 Input Channels
If the check box is off, the parameter value currently
being adjusted pops up.
See page 21 for more information on EQ.
Tip:
• Pressing and holding down the button selected in Step 2 resets
the corresponding band gain.
• Pressing the SELECTED CHANNEL [HIGH] and [LOW]
buttons simultaneously resets the Q, frequency and gain for
each band.
Pairing Input Channels
On the 01V96i, you can pair adjacent odd-even Input Channels or counterp art channels on Layer 1 and L ayer 2 that share
the same physical fader. Faders and most parame ters of paired
channels are linked for stereo operation. Paired channels’
linked parameters and non-linked parameters (that are available for independent control) are listed below:
Linked parameters Non-linked parameters
[SEL] buttons Input patches
Faders Insert patches
Channel on/off Output patches
Insert on/off Comp insert position
Solo on/off Phase
Solo Safe Delay on/off
Aux on/off Delay time
Aux Send level Delay feedback
Aux Sends as Pre or Post Delay mix
Gate Routing
Comp settings Pan, Follow Pan
EQ settings Surround pan
Fader group Aux Send pan
Mute group Balance
Fade time Attenuators
Recall Safe
* You can set this parameter for each channel indepen-
dently if the GANG button is turned off on the
/INS/DLY | DLY page.
** You can set this parameter for each channel indepen-
dently on the EQ | ATT page, but the paired channel settings are linked on the EQ | Edit and View pages.
*
**
Note: You ca nno t p ai r an ST IN cha nn el 1–4 w ith an Inp ut Ch annel.
To pair channels, or to cancel channel pairs, you can use the
[SEL] buttons on the top panel or access the Pair/Grup pages.
01V96i—Reference Manual
Pairing Input Channels 27
■ Pairing Channels by Using the
[SEL] Buttons
1. While pressing and holding down the [SEL]
button for one of the channels you wish to
pair, press the [SEL] button for the adjacent
channel. (The paired channel numbers
should be odd and even in this order).
2. When the Pair Confirmation check box is on
(see page 109), the Channel Pairing window
appears.
Note: You can pair only channels that are adjacent, odd-even
(in this order) channels. Pressing the [SEL] button for a
non-adjacent channel will be ignored. You cannot create or
cancel a pair of vertical partners.
■ Pairing Input Channels Using the
Display
1. Press the [PAIR/GROUP] button repeatedly
until the Pair/Grup | Input page appears.
21
The parameters on this page are described below:
1 PAIR MODE
Determines how channels are paired.
2 STEREO/MONO x2 buttons
These buttons turn pairs on or off.
Input Channels
3. Move the cursor to the desired button in the
Channel Pairing window, then press [ENTER].
The following buttons are available in this window:
•CANCEL
Cancels the operation.
•CH x ➔ y
Copies the odd channel parameter values to the even
channel.
•CH y ➔ x
Copies the even channel parameter values to the odd
channel.
• RESET BOTH
Resets both channel parameters to the default settings
(same as when Channel memory #01 is recalled).
Move the cursor to the desired button, then press
[ENTER] to confirm the pair.
Tip : Pressing and holding down the first [SEL] button of the
paired channels and pressing the s econd [SEL] button cancel s
the pair.
2. Move the cursor to the PAIR MODE parameter
1), then select the HORIZONTAL or
field (
VERTICAL button.
The function of each mode is described below:
•HORIZONTAL
This button pairs adjacent odd-even channels (default).
• VERTICAL
This button pairs counterpart channels on Layer 1 and
Layer 2 that share the same physical fader (e.g., CH1 &
CH17, CH16 & CH32, etc.). This mode is useful when
you wish to use one fader to control both stereo channels.
When you switch the Pair Mode, the combinations of
channel numbers displayed on the page also change.
Note:
• When Pair mode is switched, only the channel numbers
change. The mix parameters of the paired partners do not
change.
• For example, if you chan ge Pair mo de fr om Hor izont al to
Vertical, the Input Channel “2” indication changes to
Input Channel “17.” However, its parameters do not
change. (If Channels 1 and 2 have been paired, switching
the mode will pair Channels 1 and 17.)
3. Move the cursor to the desired channel’s
MONOx2 button (
The channels are paired.
2), then press [ENTER].
01V96i—Reference Manual
28 Input Channels
13 2
4. To cancel a pair, move the cursor to the
desired channel’s STEREO button, then press
[ENTER].
Tip: You can also c reate or canc el a p air of O utpu t Cha nnels
in the same way on the Pair/Grup | Output page (see
page 33).
Naming Input Channels
By default, Input Channels are named CH1, CH2, etc. You
can change these names if desired. For example, it may be
helpful for mixdown if you name a particular Input Channel
with the type of musical instrument connected to the corresponding input jack.
1. Press the DISPLAY ACCESS [PATCH] button
repeatedly until the Patch | IN Name page
appears.
You can specify Short names in the center column (1)
and Long (full) names in the right column (
When the Name Input Auto Copy check box (
the first four characters of a newly-entered Long name are
automatically copied to the Short name. On the other
hand, a newly-entered Short name is automatically added
to the beginning of the Long name.
You can reset all channel names to their default names by
moving the cursor to the INITIALIZE button, then pressing [ENTER].
2).
3) is on,
2. Move the cursor to a name you wish to
change, then press [ENTER].
The Title Edit window appears, enabling you to enter a
name.
01V96i—Reference Manual
3. Edit the name, move the cursor to the OK but-
ton, then press [ENTER].
The new name is now effective.
Tip: The edited name is stored in the Input Patch library.
Bus Outs 29
OUTPUT PATCH
OUTPUT
DELAY
METER
ATT
4BAND
EQ
INSERT
INSERT
LEVEL
ON
COMP
METER
(Gain Reduction)
BAL
INSERT
Same as stereo master L
METER
METER
(Out Meter)
STEREO L
STEREO R
[STEREO OUT]
L
R
(+4dBu)
L
R
(-10dBV)
DA
DA
[2TR OUT]
Bus Outs
This chapter describes how to adjust the 01V96i’s Stereo Out
and Bus Out 1–8 parameters.
About Stereo Out
The Stereo Out section receives Input Channel and Bus Out
1–8 signals, mixes them into two channels, processes them
using on-board EQ, compressor, etc., then routes them to the
STEREO OUT and 2TR OUT connectors. The following diagram illustrates the Stereo Out signal flow.
•INSERT
This section enables you to route the Stereo Out signals to
external devices via the on-board connectors or I/O card,
or insert internal effects processors.
•ATT (Attenuator)
This section enables you to attenuate or amplify the level
of signals to be input to the EQ. The attenuator prevents
post-EQ signals from clipping or corrects signal levels
that are too low.
• 4 BAND EQ (4-band equalizer)
This parametric EQ features four bands (HIGH,
HIGH-MID, LOW-MID, and LOW).
•COMP (Compressor)
This dynamics processor can be used as compressor,
expander, or limiter. The processor can be located
pre-EQ, pre-[STEREO] fader, or post-[STEREO] fader.
• ON (On/Off)
This button turns the Stereo Out on or off.
•LEVEL
The [STEREO] fader adjusts the Stereo Out output levels.
•Balance
This section enables you to adjust the level balance
between the L and R channels of the Stereo Out.
•OUTPUT DELAY (Output delay)
This section delays the output signals. It is mainly used to
fine-tune the signal timing.
• METER
This section enables you to switch the metering position
of signal levels that are displayed on the Meter page or by
the stereo meter to the right of the screen.
For more information on selecting the metering position,
refer to “Viewing the Level Meters” in the Owner’s Manual (booklet).
Note: You can also patch the Stereo Out signals to other output
connectors or the I/O card by using the Patch | Out Patch pages.
Bus Out 1–8
The Bus Out 1–8 section mixes signals routed from Input
Channels to the specified buses, processes them using
on-board EQ, compressor, etc., then routes them to the specified output connectors or I/O card.
The following diagram illustrates the Bus Out signal flow.
(Gain Reduction)
(Out Meter)
METER
METER
COMP
BUS8
BUS7
STEREO L
STEREO R
BUS6
BUS5
BUS4
BUS3
BUS2
BUS1
INSERT
METER
4BAND
ATT
EQ
INSERT
INSERT
ON
LEVEL
ON
PAN
•INSERT
•ATT (Attenuator)
• 4 BAND EQ (4-band equalizer)
•COMP (Compressor)
• ON (On/Off)
•LEVEL
•OUTPUT DELAY (Output delay)
• METER
The parameters and sections listed above are identical to
those for the Stereo Out. For more information, refer to
the explanation of the Stereo Out.
•Bus to Stereo
Bus Out 1–8 signals are also routed to the Stereo Bus. In
addition to the ON, LEVEL, and other parameters, you
can also set the Send Level, On/Off, Pan, and other
parameters.
Tip:
• You can also pair adjacent odd-even buses for stereo operation
(see page 33).
• By default, Slot channels 1–8 and 9–16 and ADAT OUT channels 1–8 are patched to the Bus Out 1–8 outputs. However, you
can change this patching on the Patch | Out Patch page (see
page 44).
METER
OUTPUT
DELAY
LEVEL
BUS to STEREO
BUS 1(...8)
OUTPUT PATCH
Bus Outs
01V96i—Reference Manual
30 Bus Outs
Setting the Stereo Out and Bus Out 1–8 from the Display
To set the Stereo Out and Bus Out 1–8 parameters, you can
either move the cursor to the desired parameter on the display
and change the value, or operate the desired button or control
on the top panel.
This section explains how to set the parameters on the display.
Tip: Refer to “Input & Output Patching” on page 43 for more
information on how to set inserts.
Attenuating the Stereo Out and
Bus Out
To attenuate the Stereo Out and Bus Out signals, press the
DISPLAY ACCESS [EQ] button, then press the [F4] button to
display the EQ | Out Att page. On this page, you can attenuate
the Bus Out 1–8, Aux Out 1–8, and Stereo Out signals.
Delaying the Stereo Out and
Bus Outs
To delay the Stereo Out and Bus Out 1–8 signals, press the
[ /INSERT/DELAY] button repeatedly until the
/INS/DLY | Out Dly page appears.
The parameters on this page (and the procedure for setting
them) are the same as for Input Channels, except that this
page does not include the MIX/FB.GAIN parameters (see
page 18).
The parameters on this page (and the procedure for setting
them) are the same as for Input Channels (see page 20).
Tip : You can also display the Out Dly page by pressing the
[ /INSERT/DELAY] button once, then press the [SEL] button
to select the Stereo Out or Bus Out 1–8.
Compressing the Stereo Out
and Bus Outs
To set the Stereo Out and Bus Out 1–8 compressors, press the
[DYNAMICS] button, then the [F3] button to display the
Dynamics | Comp Edit page, and use the [SEL] buttons to
select the Stereo Out or Bus Out 1–8.
01V96i—Reference Manual
The parameters on this page (and the procedure for setting
them) are the same as for Input Channels (see page 20).
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