Yamaha 01v User Manual

L

O

GAIN

7

–60

–34

ON

OFF

13

PHANTOM +48V

26dB

26dB

26dB

26dB

GAIN

26dB

26dB

GAIN

Owner’s ManualOwner’s Manual

GAIN

+10

–60–16

–34

GAIN

+10

–60–16

+10

–34

–60–16

+10

–34

–60–16

+10

–34

8 9 10 11

14

GAIN

12

PAN

–60–16

–10dBV (UNBAL)

L

15

R

16

15/16

2TR IN

–20+10

GAIN

–34

13/14 15/16

DIGITAL MIXING CONSOLE

PAN

IN

–20+10

EQ

F

OUT

2TR

MONITOR

2TR IN

HIGH

PHONES

100

LEVEL LEVELGAIN

MONITOR

OUT

HI-MID

LO-MID

100

PHONES

L STEREO R

CLIP

–3

–6

–9

–12

–15

–18

–24

–30

–36

–42

–48

1 RETURN 2

9

10

EL

11

SEL

F

12

G

SEL

13/14

SEL

SOLO

15/16

SEL

LOW

G

SELECTED CHANNEL

STEREO

MASTER

SOLO

1 RETURN 2

SELSEL

SOLO S

E

ONON

SE

ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.

VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.

VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha
may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: The wires in this mains lead are coloured in accordance with

the following code:
GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL
BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in your
plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to
the terminal in the plug which is marked by the letter E or by the safety earth
symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which
is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

NEDERLAND

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:

Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. [phone]

● Gooi de batterij niet weg, maar lever hem in als KCA.

THE NETHERLANDS

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Tel: [phone]

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

i

Important Information

Read the Following Before Operating the 01V

Warnings

• Do not locate the 01V in a place subject to exc essi ve heat or in direct sunlight. This
could be a fire hazard.

• Do not place the 01V in a place subject to exc essi v e humidity or dust. This c ould be
a fire and electrical shock hazard.

• Connect the 01V power cord only t o an AC outlet of the type stated in this Owner’s

Manual or as marked on the 01V. Failure to do so is a fire and electrical shock hazard.

• Do not plug several devices into the same AC outlet. This can overload the AC outlet,
and can be a fire and electrical shock hazard. It ma y also affect the performanc e of
some devices.

• Do not place heavy objects on the power c or d. A damaged po wer c or d is a potential
fire and electrical shock hazard.

• If the power cord is damaged (i.e., cut or a bare wire is exposed), ask y our dealer for
a replacement. Using the 01V in this condition is a fire and shock hazard.

• Hold the power co r d plug when disc onnecting from an AC outlet. Never pull the
cord. Damaging the po w er c ord in this way is a potential fire and electrical shock
hazard.

• Do not place small metal objects on top of the 01V. Metal objects inside the 01V are
a fire and electrical shock hazard.

• Do not block the 01V ventilation slots. The 01V has v entilation slots on the top and
rear to prevent the internal temperature from rising. Blocked ventilation slots are a
fire hazard.

• Do not try to modify the 01V. This could be a fire and electrical shock hazard.

• The 01V operating temperature is between 5˚C and 35˚C (41˚F and 95˚F).

Cautions

• Turn off all audio devices and speakers when connecting to the 01V. R e fer t o the
owner’s manual for eac h device. Use the correct cables and c o nnect as specified.

• If you notice any abnormality—such as smoke, odor, or noise—turn off the 01V
immediately . Remove the power cord fr om the AC outlet. C o nfirm that the abnor ­mality is no longer present. Consult your dealer for r epair . Using the 01V in this c on­dition is a fire and shock hazard.

• If a foreign object or water gets inside the 01V, turn it off immediately. Remove the
power cord fr om the A C outlet. Consult y our dealer for repair. Using the 01V in this
condition is a fire and electrical shock hazard.

• If you plan not to use the 01V for a long period of time, remove the power c ord from
the AC outlet. Leaving the 01V connected is a fire hazar d.

• Do not use benzene, thinner , cleaning det ergent, or a chemical cloth to clean the 01V.
Use only a soft, dry cloth.

• The 01V is a heavy piece of equipment. Alwa ys grip the underneath, not the side pan­els, when lifting.

01V—Owner’s Manual

ii

Interference

01V uses high-frequency digital circuits that may cause interference on radios and tele­visions placed close to it. If interference does occur, relocate the affected equipment.

Copyright

© 1998 Yamaha Corporation. All rights reserved.
No part of the 01V software or this Owner’s Manual may be reproduced or distributed

in any form or by any means without the prior written authorization of Yamaha Cor­poration.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are
registered trademarks of Alesis Corporation. Macintosh is a registered trademark of
Apple Computer, Inc. Pro Tools is a registered trademark of Digidesign or Avid Tech­nology, Inc. Tascam Digital Interface is a trademark and Tascam and TEAC are regis­tered trademarks of TEAC Corporation. W indows is a trademark of Microsoft
Corporation.

All other trademarks are the property of their respective holders and are hereby
acknowledged.

Package Contents

The 01V package should contain the following items. M ake sure that y ou have them all.

• 01V Digital Mixing Console

• Owner’s Manual
Contact your Yamaha dealer if anything is missing.

Keep this manual for future reference!

01V—Owner’s Manual

Contents

Contents

1 Welcome to the 01V . . . . . . . . . . . . . . . . . . . . . . . . 1

Welcome to the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

About this Owner’s Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

01V Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

01V Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Key Feature Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

2 Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

01V System Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Important Wordclock Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Turning On the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Turning Off the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

3 Touring the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Top Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

iii

4 Getting Around the User Interface . . . . . . . . . . . . 27

About the User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Cursor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

PARAMETER Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

–1/DEC & +1/INC Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

ENTER Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Title Edit Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

5 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Input Channel Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Phantom Powering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Pad Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Setting Input Channel Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Changing the Input Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Attenuating Input Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Applying EQ to Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Input Channels Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Muting Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Monitoring Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Input Channels & Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

01V—Owner’s Manual

iv

Contents

Input Channels & the Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Input Channels & the Option I/O Outs . . . . . . . . . . . . . . . . . . . . . . . . . 50

Swapping Inputs 1–8 & 17–24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Grouping Mutes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Copying & Swapping Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . 59

Input Channel Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

6 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

About the 01V EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Adjusting the EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

EQ Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Bypassing the EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Resetting the EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Preset EQ Program List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Storing EQ Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Recalling EQ Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Editing EQ Program Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Preset EQ Program Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

7 Solo, Monitors & Meters . . . . . . . . . . . . . . . . . . . . 75

About Monitor & Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Monitor Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Phones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Two-track Input (2TR IN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Monitor Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Using Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Monitor Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Using Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Solo Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Metering Signal Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Main Stereo Meters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Peak Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Setting the Metering Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Option I/O Meters (input channels 17–24) . . . . . . . . . . . . . . . . . . . . . . 85

Effects Send Meters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

8 Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

About the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Analog Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

2TR Out & the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Coaxial Digital Out & the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . 88

Option I/O & the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Omni Outs & the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Solo & the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Monitoring the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

01V—Owner’s Manual

Contents

Metering the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Routing Signals to the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Viewing Stereo Output Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Setting the Stereo Output Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Muting the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Balancing the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Applying EQ to the Stereo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Stereo Output Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Stereo Output Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Stereo Output Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

9 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

About the Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Option I/O & the Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Omni Outs & the Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Monitoring Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Metering Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Sending Channel Signals to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . 95

Pre-fader/Post-fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Muting Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Applying EQ to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Aux Send Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Aux Send Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Stereo Pair Aux Send Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

v

10 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

About the Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Option I/O & the Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Omni Outs & the Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Routing Signals to the Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Setting Bus Out Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Muting Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Routing Bus Signals to the Stereo Bus . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Bus Out Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Stereo Pair Bus Out Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

11 Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

About the Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Assigning Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Omni Out Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Omni Out Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

01V—Owner’s Manual

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Contents

12 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

About the Onboard Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Using the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Pre-fader/Post-fader Effects Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Viewing Effects Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Metering Effects Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Setting Effects Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Muting Effects Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Viewing Effects Returns Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Metering Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Applying EQ to Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Muting Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Setting Effects Returns Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Panning Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Routing Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitoring Effects Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Effects Returns & Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Storing Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Recalling Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Editing Effects Program Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Setting Delay, Freq, Note & Tempo Parameters . . . . . . . . . . . . . . . . . . 137

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Effects Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

13 Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . 161

About the Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Preset Dynamics Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Using the Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Editing the Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Processor Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Dynamics Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Storing Dynamics Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Recalling Dynamics Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Editing Dynamics Program Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Preset Dynamics Program Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

14 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 183

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

What’s Stored in Scene Memories? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

About the Edit Buffer & Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Scene Memory 00 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Scene Memory Display Area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Storing Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Recalling Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Recalling Mix Scenes Using MIDI Program Change Messages . . . . . . 188

Undoing Mix Scene Recalls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Protecting Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

01V—Owner’s Manual

Contents

Editing Scene Memory Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Renumbering Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Setting a Fade Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Recalling Scene Data Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

15 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Assigning Faders & On Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Setting 01V Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Initializing the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

16 Using the Digital Inputs & Outputs . . . . . . . . . . . 205

About Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Setting the Wordclock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Digital Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Output Dither . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Digital Stereo In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Cascading 01Vs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

About Option I/O Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Installing Option I/O Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Assigning Option I/O Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Option I/O Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

vii

17 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

MIDI & the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

MIDI Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

MIDI Receive Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

MIDI Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Program Change Scene Recall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

Control Change Parameter Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

System Exclusive Parameter Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232

Local Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

MIDI Machine Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

User Defined MIDI Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Linking 01Vs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

18 System Examples . . . . . . . . . . . . . . . . . . . . . . . . . . 241

01V & ADAT-Interface Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Two 01Vs & two ADAT-Interface Recorders . . . . . . . . . . . . . . . . . . . . 244

01V & Tascam-Interface Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Two 01Vs & two Tascam-Interface Recorders . . . . . . . . . . . . . . . . . . . 248

01V & Pro Tools (AES/EBU) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Appendix A: General . . . . . . . . . . . . . . . . . . . . . . . . . . 257

01V Level Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Display Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

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Contents

Security Cover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Rack-mounting Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 261

General . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Input Channels 1–16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Option I/O Inputs 17–24 (need optional card) . . . . . . . . . . . . . . . . . . . 264

Digital Stereo In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Return 1, 2 (Internal Effect 1, 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Bus 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Aux 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Omni Out 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Monitor Out (Solo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Digital Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Option I/O Output (need optional card) . . . . . . . . . . . . . . . . . . . . . . . 266

Memories & Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Analog Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Analog Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Digital Audio Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Digital Audio Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Option I/O Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Control I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

01V Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . 273

01V Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . 274

03D & Programmable Mixer 01 Parameter to Control Change Table 277

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Appendix D: Resources . . . . . . . . . . . . . . . . . . . . . . . 291

Books . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Yamaha Web Site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

01V—Owner’s Manual

In this chapter...

Welcome to the 01V

Welcome to the 01V

1

1

Welcome to the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

About this Owner’s Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

01V Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

01V Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Key Feature Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

01V—Owner’s Manual

2

Chapter 1—Welcome to the 01V

Welcome to the 01V

Thank you for choosing the Yamaha 01V Digital Mixing Console. Based on the highly
successful Yamaha digital mixer series, the Y amaha 01V has been designed with MIDI
musicians and small sound reinforcement applications in mind, although its versatility ,
compactness, and ease-of-use will appeal to both professional and semiprofessional
users.

About this Owner’s Manual

This Owner’s Manual c ontains all the information you’ll need in order to operate your
01V Digital Mixing Console. U se the table of contents to find general information and
familiarize yourself with the organization of this manual, and use the inde x t o locat e
specific items. A glossary of 01V-relat ed jargon is provided on page 293.

Each chapter cov ers a specific section of the 01V. The Input Channels Chapter, for
example, explains all about input channels, while the Scene Memories Chapter deals
with scene memories. The content of each chapter should be fairly obvious from its
title. Items such as EQ and d ynamics, which ar e available on input channels, aux sends,
and the stereo output, ar e explained in their own chapters.

Where possible, the indi vidual sections of a chapter are organized in order of signal
flow. The Input Channel Chapter, for example, starts with the input connectors and
works through each input channel function, finishing up at the buses.

01V Installation

Site the 01V on a stable surface, somewher e that complies with the important informa­tion at the front of this manual. The 01V can be rack-mounted using an optional
rack-mount kit.

01V—Owner’s Manual

01V Features

01V Features

01V Sonic Specs

• Linear 20-bit 128-times oversampling A/D co nverters

• Linear 20-bit 8-times oversampling D/A con verters (STEREO OUT)

• 105 dB typical dynamic range (CH INPUT to STEREO OUT)

• 20 Hz–20 kHz (+1, –3 dB) frequency response

• 32-bit internal digital audio processing

• 44-bit digital EQ processing

01V Features

• 24 inputs (including 8 digital inputs)

• 14 outputs (STEREO OUT, OMNI OUT s, 8 assignable digital outputs)

• Continuously variable gain controls

• Balanced XLRs with +48 V phantom powe ring (input channels 1 thr ough 12)

3

• 26 dB pad (input channels 1 through 12)

• Balanced phone jack inputs (input channels 1 through 16)

• Four configurable analog Omni outs (AUX, BUS, CH DIRECT, STEREO)

• Option I/O slot for digital interface with 8-track digital multitrack recorders

• 8 assignable digital outputs from an Option I/O card (Tascam, ADAT, AES/EBU)

• Coaxial-type digital input and output

• Versatile solo modes for comprehensive monitoring

• 3 fader groups for multiple fader control

• 3 mute groups for multiple mute contr ol

• 250 ms input delay (1–16) and 300 ms output delay (STEREO OUT, OMNI OUTs)

• Channel Copy function

• Stereo-pair operation for input channels, aux sends, and bus outs

• 100 scene memories for storing mix snapshots

• Four-band parametric EQ (2-band on Option I/O input channels)

• Pow erful EQ library with 40 preset programs and 40 user programs

• Dedicated controls for EQ and pan

• Two stereo multi-effects processors onboard

• Pow erful effects library with 42 preset programs and 57 user programs

• The equivalent of 22 dynamics processors onboard (compressor, gate, ducking,
expander, compander)

• Pow erful dynamics library with 40 preset programs and 40 user programs

• 320 x 80 dot LCD display

• Comprehensive MIDI implementation (remot e c ontr ol, MMC, Bulk)

• Built-in MIDI interface and TO HOST port for quick and simple connection t o a
personal computer

• 15 motorized 60 mm faders

01V—Owner’s Manual

4

Chapter 1—Welcome to the 01V

Key Feature Discussion

Configuration

The 01V provides a total of 24 inputs: 12 mono input channels (1 through 12), 2 stereo
input channels (13/14 and 15/16), and 8 digital inputs (17 through 24) by means of an
Option I/O card. The ster eo output signal is available fr om the analog STEREO OUT,
coaxial DIGITAL STEREO OUT, and can be assigned to the analog OMNI OUTs and
Option I/O digital outputs. The four bus outputs and four aux sends can be assigned to
the analog OMNI OUT s and Option I/O digital outputs. The Effect 1 and Effect 2 buses
feed the onboard stereo multi-effects proc essors, whose signals are r eturned via effects
returns 1 and 2, which feature four -band parametric EQ. Input channels 1 thr ough 12
feature balanced XLR and phone jack connections, with switchable phantom powering.
Input channels 13 through 16 feature phone jack connections. Input channels 17
through 24 are accessed via an Option I/O card.

Full-feature input channels 1 through 16 feature an atten uat or, four-band parametric
EQ, dynamics proc essor, delay , and can be assigned to aux sends 1 through 4 and effects
sends 1 and 2. Simplified input channels 17 through 24 feature an att enuator , two-band
parametric EQ, and can be assigned to aux sends 1 and 2 and effects sends 1 and 2.
Input channels 1 through 8 and 17 through 24 can be swapped, so that Option I/O dig­ital input signals appear on full-feature channels 1 through 8. Input dela ys can be used
for microphone-placement compensation, while output delays can be used for
delay-compensation in multi-speaker syst ems. The number of input channels can be
increased by digitally cascading two 01Vs together. Option I/O digital outputs can be
configured as bus outs, aux sends, input channel direct outs, or stereo outs. So although
the 01V is a four-bus mixer , assigning the four buses and four aux sends, or the c hannel
direct outs to the Option I/O eight outputs allows eight-track simultaneous recording.

Benefits of a Digital Mixer

You’r e pr obably alr ead y familiar with the man y benefits offer ed b y digital audio , but
what exactly are the benefits for digital audio mixing? Well, an audio mixer has the job
of combining audio signals from various sources, at differing levels and impedances,
usually into a stereo mix. And it m ust do this without introducing any new distortions
and noise. Analog mix e rs do a pretty good job , but even with the best designs, non-lin­ear effects caused by circuit components are una voidable.

In the digital realm, audio mixing consists of adding and multiplying binary numbers
that represent audio signals. The DSP (Digital Signal Proc essor) c hips used for these
calculations never get their sums wrong, so once past the initial A/D c on version, audio
signals are immune from signal degradation. With the 01V, noise, distortion, and
crosstalk are virtually eliminated, and you’ll hear a new clarity in your mix es.

Once in the digital domain, it makes sense to keep audio data digital, as multiple
AD/DA con v ersions can degrade signal quality . W ith an Option I/O int erface car d, the
01V can be connected directly to a modular digital multitrack recor der, thereby keeping
audio data in the digital domain for both recording and mixing. The final ster eo mix
can be transferred to a two-track digital recorder using the 01V’ s C oaxial STEREO
OUT.

Onboard stereo multi-effects proc essors and dynamics processors mean that signals
remain in the digital domain, eliminating unnecessary AD/D A con versions. Digital sig­nal processing is performed using third-generation Yamaha DSPs, as used in the
Yamaha ProR3 Digital Reverberator .

01V—Owner’s Manual

Key Feature Discussion

01V Sonic Performance

The 01V’s linear 20-bit 128-times o v ersampling A/D converters pr o vide a typical
dynamic range of 105 dB. The STEREO OUT features 20-bit 8-times oversampling
D/A converters, while the MONITOR OUT and OMNI OUTs feature 18-bit 8-times
oversampling D/A con verters. Oversampling techniques effectively increase the inter­nal sampling rate, so side effects caused by steep lo w-pass filters, used to filter out sam­pling frequency components during D/A conversion, are virtually eliminated.
Consequently, audio signal integrity is maintained from input through to output.

The 01V can generate the industry standard sampling rate of 44.1 kHz, or synchr onize
to an external wordclock source from 44.1 kHz –10% to 48 kHz +6%.

Four-band Parametric EQ & Library

Input channels 1 through 16, the ster eo output, aux sends, and effects returns all feature
four-band fully parametric EQ, with variable gain, frequency, Q, and bypass. Input
channels 17 through 24 feature a simplified two-band parametric EQ. High and low EQ
bands can be used as shelving, peaking, or HPF and LPF, respectively. See “EQ ” on page
61 for more information.

EQ settings can be stored in the EQ library as programs, or with all mix settings in mix
scenes. The EQ library consists of 40 preset programs and 40 user programs. User pr o­grams allow you to store frequently used EQ settings, whic h can be titled for easy iden­tification. The unique collection of preset EQ programs are designed for specific
applications and instruments, and provide a good referenc e and starting point when
making EQ adjustments. See “EQ Library” on page 67 for more information.

5

Motorized Faders

The 01V features 15 motorized 60 mm faders that move automatically when a mix
scene is recalled, pr o viding a clear and visual indication of fader levels. A fade time of
up to 25 seconds can be set for each mix scene individually. Faders can be grouped
together in one of three fader groups for multiple fader control. See “Grouping Faders”
on page 55 for more information. Faders on paired channels move simultaneously. See
“Pairing Input Channels” on page 52 for more information.

01V Faders are multifunction controls, and their exact operation depends on the
selected Fader mode. Input c hannel faders ma y be used as c hannel faders or aux or
effects send controls. The STEREO fader ma y be used as the stereo output fader or aux
or effects send master level faders. See “F ader Modes” on page 32 for more information.

Faders 1 through 16 and master can be assigned to various internal parameters on
REMOTE page 1, or used as MIDI c ontrollers on REMOTE page 3. See “Assigning Fad­ers & On Buttons” on page 194 and “User Defined MIDI Controllers” on page 238 for
more information.

01V—Owner’s Manual

6

Chapter 1—Welcome to the 01V

Onboard Effects Processors

The 01V has two stereo multi-effects proc essors onboar d: Effect 1 and Effect 2. These
processors provide a wide range of quality effects, including reverb, dela y, chorus,
flange, amp simulator, and more. There are 34 different effects types available. The
effects processors are fed by the Effect 1 and Effect 2 buses, and the pr ocessed signals are
returned through the effects return channels. Effects can be applied to input c hannels
1 through 24. Effects return 1 can be fed to Effect 2, and Effects return 2 can be fed to
Effect 1.

Effects settings can be stored in the effects library as programs, or with all mix settings
in mix scenes. The effect library consists of 42 preset programs and 57 user programs.
User programs allow y ou t o st or e your own effects programs, which can be titled for
easy identification. See “Effects Library” on page 132 for more information.

External effects processors can be patched into the 01V using the aux sends.

Onboard Dynamics Processors

Dynamics processors, pr oviding compressor, gate, ducking, expander, and compander,
are available on input channels 1 through 16, the st er eo output, and the aux sends.
That’ s equivalent to 22 dynamics processors! Dynamics proc essors can be self triggering
(i.e., the signal being processed is used as the trigger signal), or triggered by a signal
from another channel.

Dynamics settings can be stored in the dynamics library as programs, or with all mix
settings in mix scenes. The dynamics library consists of 40 preset programs and 40 user
programs. U ser programs allow y ou to st ore y our o wn dynamics programs, which can
be titled for easy identification. See “Dynamics Library” on page 173 for more informa­tion.

Option I/O & Digital I/O

The 01V features a single slot for an optional Option I/O card, pro viding eight digital
inputs (input channels 17 through 24) and eight assignable digital outputs. Option I/O
provides a direct digital connection to modular digital multitrack recorders, with cards
for the following formats: AD A T , T ascam, and AES/EBU . V arious Option I/O cards with
analog inputs and outputs are also available. See “About Option I/O Cards ” on page 216
for more information. 01V Option I/O cards are not interchangeable with the YGDAI
cards used by the Yamaha 02R and 03D Digital Recor ding C onsoles, such as the
CD8-AT.

The Coaxial DIGITAL STEREO IN and OUT allow direct connection t o stereo digital
recorders and other digital equipment. Digital ster eo signals can be routed to the Stereo
bus for cascade operation, or to input channels 13/14 for mixing and proc essing. See
“Digital Stereo In ” on page 213 for more information.

Easy-to-Learn GUI Interface

01V—Owner’s Manual

01V operation is both logical and intuitive. The 320 x 80 dot L CD display uses graphical
icons to represent rotary controls, switches, and faders, and provides a clear indication
of the current mix settings and EQ curves. Dedicated controls allow for quick EQ and
pan adjustments. Mixing functions and configuration settings are organized int o dis­play pages. Parameter selection and editing is performed using the [CURSOR],
[ENTER], [–1/DEC] and [+1/INC] buttons, and PARAMETER wheel.

Key Feature Discussion

Scene Memories

On many mixers, the only way to store mix settings is with marker pen and masking
tape. With the 01V, however, virtually every mix setting can be stored in a mix sc ene
using the 01V’s 99 sc ene memories. Mix scenes can be recalled instantly with just one
button press, or r emotely using MIDI Program Change commands. If you work on sev­eral projects at a time, you can st or e the current mix sc ene so when you return to that
project, you can start again right where you left off. Scene memories also make light
work of night-after-night sound checks. Simply press recall to r eturn to the pr evious
night’s mix settings. For theater work, scene memories allow accurate and repeatable
sound changes between scenes.

MIDI

In addition to regular MIDI ports, the 01V features a TO HOST port that allows the
01V to be connected directly to a personal c o mput er without a MIDI interface.

MIDI Program Change messages can be used to recall mix scenes, and mix parameters
can be assigned to MIDI Control Change messages for real-time remote c ontr ol. Mix
parameters that can be stored in mix scenes can be controlled r emotely using MIDI Sys­tem Exclusive messages. Scene memory, library, and setup data can be transferred to a
MIDI data filer, computer, or another 01V for backup and archive using MIDI Bulk
Dump. See “MIDI” on page 221 for more information.

7

When REMOTE page 2 is displa yed, the 01V’s [SEL] and [ON] buttons can be used to
control record ers that support MMC (MIDI Machine Control) c ommands (stop , play,
rewind, forward, and r ec or d). When REMOTE page 3 is displayed, faders, [SOLO] &
[ON] buttons function as assignable MIDI Controllers.

01V—Owner’s Manual

8

Chapter 1—Welcome to the 01V

01V—Owner’s Manual

In this chapter...

Getting Started

Getting Started

2

9

01V System Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Important Wordclock Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Turning On the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Turning Off the 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

01V—Owner’s Manual

10 Chapter 2—Getting Started

01V System Example

This example shows the kind of system possible with the 01V.

Personal computer

running MIDI software

Monitors

Power Amp

Headphones

Serial port

MIDI

interface

MIDI IN

MIDI IN

MIDI IN

MIDI OUT

Drum machine

Tone generator

MONITOR OUT

OFF

ON

PHANTOM +48V

INPUT (BAL)

PAD

26dB126dB226dB326dB426dB526dB626dB726dB826dB926dB1026dB1126dB

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

+10 –34

+10 –34

+10 –34

+10 –34

GAIN

GAIN

GAIN

GAIN

UTILITY MIDI SETUP VIEW

PAN/

DYNAMICS EQ/ATT Ø/DELAY

ROUTING

FADER MODE

EFFECT 1 EFFECT 2 OPTION I/O REMOTE

AUX 1

AUX 2 AUX 3 AUX 4

HOME

4

3

2

1

17

SEL

SEL

SEL

SEL

SOLO

SOLO

SOLO

SOLO

ON

ON

ON

ON

6

6

6

6

0

0

0

0

5

5

5

5

10

10

10

10

20

20

20

20

40

40

40

40

60

60

60

60

∞

∞

∞

∞

4

3

2

1

17 18 19 20 21 22 23 24

–60–16

+10 –34

+10 –34

+10 –34

+10 –34

GAIN

GAIN

GAIN

GAIN

FUNCTION

MEMORY

1 RETURN 2

10

9

8

7

6

5

232221201918

24

SEL

SEL

SEL

SEL

SEL

SEL

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

ON

ON

ON

ON

ON

ON

6

6

6

6

6

6

0

0

0

0

0

0

5

5

5

5

5

5

10

10

10

10

10

10

20

20

20

20

20

20

40

40

40

40

40

40

60

60

60

60

60

60

∞

∞

∞

∞

∞

∞

10

9

8

7

6

5

MIC/LINE inputs 1–16

PHONES

OFF

ON

PHANTOM +48V

–10dBV (UNBAL)

131415

L

R

16

IN

OUT

2TR

PHONES

MONITOR

15/16

2TR IN

–60–16

+10 –34

GAIN

11

SEL

SOLO

ON

6

0

5

10

20

40
60

∞

11

2TR IN

–60–16

–60–16

–60–16

–20+10 100 100

–20+10

GAIN

+10 –34

+10 –34

GAIN

13/14

12

SEL

SOLO

ON

6

6

0

0

5

5

10

10

20

20

40

40

60

60

∞

∞

13/14

12

LEVEL LEVELGAIN

+10 –34

GAIN

GAIN

MONITOR

12

13/14 15/16

PHONES

OUT

L STEREO R

EQ

HIGH

CLIP

–3
–6

HI-MID

–9
–12
–15
–18
–24

LO-MID

–30
–36
–42
–48

LOW

1 RETURN 2
SELSEL

SEL

SOLO

SOLO SOLO

ON

MEMORY

–1/DEC

+1/INC

PARAMETER

CURSOR

ENTER

OPTION I/O

OUT
DIGITAL STEREO

COAXIAL
IN

DIGITAL MIXING CONSOLE

PAN

PAN

F

F

G

G

SELECTED CHANNEL

STEREO

15/16

MASTER

SEL

SEL

SOLO

SOLO

ON

ON

ON ON

0

6

–5

0

–10
–15

5

–20

10

–30
–40

20

–50

40

–70

60

– ∞

∞

STEREO

15/16

MASTER

Digital in

Digital out

Digital in

Digital out

Digital multitrack

8-TRACK DIGITAL

DAT recorder

00.00.00.00

DAT

Guitar processor

Bass processor

MIDI IN

MIDI OUT

01V—Owner’s Manual

MIDI keyboard

Vocals Drums

Important Wordclock Information 11

Important Wordclock Information

Unlike analog audio equipment, digital audio equipment must be wordclock synchro­nized when digital audio is transferred from one device to another. See “About Word­clocks” on page 206 for more information.

If the 01V is the only digital audio device in your system, no special wordclock settings
are required, and the 01V synchronizes to its own internal wordclock. Add a D AT
recorder or digital multitrack recorder, however , and the system m ust be configured so
that digital audio equipment synchronizes to a common wor dclock sour c e. The “Sys­tem Examples” on page 241 show how to configure w ordclock settings with a variety of
digital audio equipment.

Connecting the Power Cord

Warning: Turn off all equipment before making any connections.

Connect the 01V power cor d t o a suitable AC wall outlet, one that conforms to the
power supply requirements stated on the r ear panel of the 01V.

Turning On the 01V

Always turn on your audio equipment in the following order:

1. Sound sources

2. 01V

3. Monitor amplifier

To turn on the 01V, press the 01V POWER switch located on the rear panel.
When turned on, the 01V startup screen appears for a few seconds, and then the display

page selected when the 01V was last turned off appears.

Turning Off the 01V

Always turn off your audio equipment in the following order:

1. Monitor amplifier

2. 01V

3. Sound sources

To turn off the 01V, press the 01V POWER switch located on the rear panel.
All parameter settings, scene memories, and library programs are stored when the 01V

is turned off.

POWER

ON/ OFF

01V—Owner’s Manual

12 Chapter 2—Getting Started

01V—Owner’s Manual

In this chapter...

Touring the 01V 13

Touring the 01V

3

Top Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

01V—Owner’s Manual

14 Chapter 3—Touring the 01V

Top Panel Controls

OFF

SEL

ON

INPUT (BAL)

–60–16

–60–16

+10 –34

GAIN

8

24

SEL

–60–16

+10 –34

GAIN

9

SEL

+10 –34

GAIN

1 RETURN 2

7

6

232221201918

SEL

PHANTOM +48V

PAD

26dB126dB226dB326dB426dB526dB626dB726dB826dB

–60–16

+10 –34

+10 –34

GAIN

GAIN

UTILITY MIDI SETUP VIEW

DYNAMICS EQ/ATT Ø/DELAY

FADER MODE

EFFECT 1 EFFECT 2 OPTION I/O REMOTE

AUX 1

AUX 2 AUX 3 AUX 4

HOME

2

1

17

SEL

SEL

–60–16

PAN/

ROUTING

4

SEL

+10 –34

GAIN

–60–16

+10 –34

GAIN

FUNCTION

MEMORY

5

SEL

–60–16

+10 –34

GAIN

3

SEL

OFF

PHANTOM +48V

26dB1026dB1126dB

–60–16

–60–16

+10 –34

GAIN

–60–16

+10 –34

GAIN

+10 –34

GAIN

9

ON

15

16

15/16
2TR IN

–20+10 100 100

–10dBV (UNBAL)

L

R

IN

2TR

MONITOR
2TR IN

LEVEL LEVELGAIN

MONITOR

OUT

OUT

PHONES

PHONES

13

14

–60–16

+10 –34

GAIN

12

–60–16

–20+10

GAIN

13/14 15/16

DIGITAL MIXING CONSOLE

SEL

L STEREO R

CLIP

–3
–6
–9
–12
–15
–18
–24
–30
–36
–42
–48

SOLO

10

SEL

11

SEL

12

SEL

13/14

SEL

EQ

HIGH

SELECTED CHANNEL

STEREO

MASTER

PAN

HI-MID

F

LO-MID

G

LOW

1 RETURN 2

SELSEL

PAN

F

G

15/16

SEL

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

ON

ON

ON

ON

ON

ON

ON

6

6

6

6

6

6

6

0

0

0

0

0

0

0

5

5

5

5

5

5

5

10

10

10

10

10

10

10

20

20

20

20

20

20

20

40

40

40

40

40

40

40
60

∞

1

17 18 19 20 21 22 23 24

60

60

∞

∞

3

2

60

60

∞

∞

5

4

60

60

∞

∞

7

6

The individual sections of the 01V are explained on the following pages.

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

ON

ON

ON

ON

ON

ON

ON

0

6

6

6

6

6

6

6

0

0

0

0

0

0

5

5

5

5

5

5

10

10

10

10

10

10

20

20

20

20

20

20

40

40

40

40

40

40

60

60

∞

∞

9

8

60

60

∞

∞

11

10

60

60

∞

∞

13/14

12

0

5

10

20

40
60

∞

15/16

–5
–10
–15
–20

–30
–40

–50
–70

– ∞

STEREO

MASTER

SOLO SOLO

ON ON

ON

–1/DEC

PARAMETER

ENTER

MEMORY

+1/INC

CURSOR

01V—Owner’s Manual

PAD

26dB126dB226dB

–60–16

+10 –34

+10 –34

GAIN

GAIN

Top Panel Controls 15

Analog Control Section

1 2 3

26dB426dB526dB626dB726dB826dB926dB1026dB1126dB

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

–60–16

+10 –34

+10 –34

+10 –34

+10 –34

+10 –34

+10 –34

+10 –34

+10 –34

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

+10 –34

GAIN

3

+10 –34

GAIN

12

–60–16

4 5 6

A PAD switches

These switches are used to turn on and off the 26 dB input pads. See “P ad S witches” on
page 41 for more information.

B 15/16–2TR IN Switch

This switch is used to select the signal source for input channels 15 and 16: phone jacks
15 and 16 (15/16) or the 2TR IN phono jacks (2TR IN).

15/16
2TR IN

–20+10 –20+10 –20+10

–20+10

GAIN

13/14 15/16 PHONES

MONITOR
2TR IN

LEVEL LEVELGAIN

MONITOR

OUT

C MONITOR–2TR IN Switch

This switch is used to select the signal source for the monitor out and phones: M onitor
bus (MONITOR) or 2TR IN phono jacks (2TR IN).

D GAIN controls

These controls are used to adjust the gain of the input preamps. See “Setting Input
Channel Gain” on page 41 for more information.

E MONITOR OUT LEVEL control

This control is used to adjust the monitor out level.

F PHONES LEVEL control

This control is used to adjust the phones level.

01V—Owner’s Manual

16 Chapter 3—Touring the 01V

Display, Selected Channel Controls & Meters

DIGITAL MIXING CONSOLE

L STEREO R

CLIP

–3
–6

–9
–12
–15
–18
–24
–30
–36
–42
–48

FUNCTION

MEMORY

1 RETURN 2

1

EQ

HIGH

PAN

PAN

F

G

HI-MID

F

LO-MID

G

LOW

SELECTED CHANNEL

2 3

A Display

This 320 x 80 dot LCD display pr o vides clear indication of mix settings and operating
status. As w ell as showing parameter values numerically, faders and rotary controls are
represented graphically, so you can actually see pan and fader positions. The display
also shows EQ curves and signal level meters. See “Display” on page 28 for more infor ­mation.

B SELECTED CHANNEL Controls

These controls are used to adjust the pan and EQ of the selected channel. Dedicat ed
rotary controls for PAN, EQ frequency (F) and EQ gain (G), and EQ [HIGH],
[HI-MID], [L O-MID], and [LOW] buttons make for quick operation. When the EQ
AUTO SCREEN option is turned on, and an EQ co ntrol is adjust ed, the EQ page
appears automatically. Likewise, for the PANPOT AUTO SCREEN option and PAN
control. See “Setting 01V Preferences” on page 203 for more information.

4

C Contrast

This control is used to adjust the display c ontrast. Adjust it so that the display is clear
and easy-to-read from your viewing position. You may need to readjust it when viewing
the display from a different height or angle.

D Stereo Output Meters

These 12-segment LED bar-type meters display the stereo output signal levels.

Parameter Wheel, Cursors & Enter

–1/DEC

PARAMETER

ENTER

These controls are used to na vigate ar ound the displa y pages and edit paramet ers. See
“Getting Around the User Interface” on page 27 for mor e information.

+1/INC

CURSOR

01V—Owner’s Manual

Top Panel Controls 17

Function Buttons

UTILITY MIDI SETUP VIEW

DYNAMICS EQ/ATT Ø/DELAY

PAN/

ROUTING

Function buttons are used to acc ess the following function pages. Related pages are
grouped together and can be selected by repeatedly pr essing a button. The name of the
selected function and its page number appear in the top-left corner of the display.

Button Pages
UTILITY
MIDI
SETUP
VIEW
DYNAMICS
EQ/ATT
ø/DELAY
PAN/ROUTING
MEMORY

Oscillator, Preferences-1, Preferences-2
MIDI Setup, Program Change, Control Change, Bulk, Local Control
Word Clock Select, Monitor/Solo Setup, Group, Pair, Dither
Channel View, Fader View, CH Copy
Dynamics Edit, Dynamics Library
EQ Edit, EQ Library
Phase, Input Delay 1–8, Input Delay 9–16, Output Delay
Panpot, Routing, Bus Master, Omni Out Select
Memory, Fade Time, Memory Sort, Recall Safe

MEMORY

Fader Mode Buttons

FADER MODE

EFFECT 1 EFFECT 2 OPTION I/O REMOTE

AUX 1

AUX 2 AUX 3 AUX 4

HOME

Fader mode buttons are used to select the following fader modes and display pages.
Pressing buttons repeatedly selects the various pages that are a vailable for a mode. The
name of the selected function and its page number appear in the top-left corner of the
display .

Button Pages
EFFECT 1
EFFECT 2

OPTION I/O
REMOTE

AUX 1
AUX 2
AUX 3
AUX 4

HOME

Effect1 Edit, Effect1 Library, Effect1 Pre/Post
Effect2 Edit, Effect2 Library, Effect2 Pre/Post

Option In Meter, Channel Control, Option Out Meter, Option Out
Select, Input Swap

Internal Parameter, MMC Control, User Define
Pre/Post, Aux 1-2 Pan
Pre/Post, Aux 1-2 Pan
Pre/Post, Aux 3-4 Pan
Pre/Post, Aux 3-4 Pan

Input Meter, Rtn/Output Meter, Omni Out Meter, St Out Meter,
Metering Point

01V—Owner’s Manual

18 Chapter 3—Touring the 01V

SEL, SOLO, ON buttons & Faders

1
2
3

4

1

17

SEL

SOLO

ON

6

0

5

10

20

40
60

∞

1

17 18 19 20 21 22 23 24

SEL

SEL

SOLO

SOLO

ON

ON

6

6

0

0

5

5

10

10

20

20

40

40

60

60

∞

∞

3

2

SEL

SEL

SOLO

SOLO

ON

ON

6

6

0

0

5

5

10

10

20

20

40

40

60

60

∞

∞

5

4

232221201918

SEL

SEL

SOLO

SOLO

ON

ON

6

6

0

0

5

5

10

10

20

20

40

40

60

60

∞

∞

7

6

7

6

5

4

3

2

A SEL buttons

The [SEL] buttons are used to select channels for parameter editing: input channels 1
through 24, effects returns 1 and 2, aux sends 1 through 4, effects sends 1 and 2, and the
stereo output. P ress [SEL] button 13/14 or 15/16 r epeatedly to select input channels 13
and 14 or 15 and 16, respectiv ely. Since most functions on input channels 13 and 14
(likewise 15 and 16) are linked together, the only time you’ll need to select either c han­nel 13 or channel 14 (likewise 15 or 16) is to set the Phase or Pan for a channel indi vid­ually . The number of the selected channel appears in the lower-right corner of the
display. See “Display” on page 28 for more information.

5

SOLO

SEL

8

24

SEL

SEL

SEL

SEL

SEL

SEL

MASTER

SEL

1 RETURN 2

SEL SEL

STEREO

15/16

13/14

12

11

10

9

6

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

ON

ON

ON

ON

ON

ON

ON

0

6

6

6

6

6

6

6

0

0

0

0

0

0

5

5

5

5

5

5

10

10

10

10

10

10

20

20

40

40

60

60

∞

∞

9

8

20

20

40

40

60

60

∞

∞

11

10

20

20

40

40

60

60

∞

∞

13/14

12

0

5

10

20

40
60

∞

15/16

–5
–10
–15
–20

–30
–40

–50
–70

– ∞

STEREO

ON

MASTER

SOLO SOLO

ON ON

Normally , [SEL] buttons 1 thr ough 8 select channels 1 through 8. W hen the [OPTION
I/O] button is pressed, ho w ev er, they select input channels 17 through 24, which are
only available when an Option I/O card is installed. See “SEL Buttons” on page 32 for
more information. The [SEL] buttons 1 through 6 are also used to transmit MMC
(MIDI Machine Control) Locate c ommands when REMOTE page 2 is displayed.
Finally , [SEL] buttons are also used to make and br eak c hannel pairs (“Pairing Input
Channels” on page 52) and fader and mute groups (“Grouping F aders” on page 55 and
“Grouping Mutes” on page 56).

B SOLO buttons

The [SOLO] buttons are used t o solo channels: input channels 1 through 16 and effects
returns 1 and 2. No rmally, [SOLO] buttons 1 through 8 select channels 1 through 8.
When the [OPTION I/O] button is pressed, however, they select input channels 17
through 24, which are only a vailable when an Option I/O car d is installed. See “Solo
Buttons” on page 33 for more information.

The [SOLO] buttons 1 through 16 can also be used as MIDI contr ollers on REMOTE
page 3. See “User Defined MIDI Controllers” on page 238 for more information.

C ON buttons

The [ON] buttons are used to turn channels on and off: input channels 1 thr ough 24,
effects returns 1 and 2, aux sends 1 through 4, effects sends 1 and 2, and the ster eo out-

01V—Owner’s Manual

Top Panel Controls 19

put. Normally, [ON] buttons 1 through 8 select channels 1 through 8. When the
[OPTION I/O] button is pressed, ho w ev er, they select input channels 17 through 24,
which are only available when an Option I/O card is installed. See “ON Buttons” on
page 34 for more information.

The [ON] buttons 1 through 16 and master can be assigned to various internal param­eters on REMOTE page 1, or used as MIDI c ontr ollers on REMOTE page 3. See
“Assigning Faders & On Buttons” on page 194 and “User Defined MIDI Controllers”
on page 238 for more information.

D Faders

Depending on the selected fader mode, the 01V’s 60 mm motorized faders are used to
control channel levels, aux send lev els, or effects sends levels. N o rmally, faders 1
through 8 control channels 1 through 8. When the [OPTION I/O] button is pressed,
however, they control input channels 17 through 24, which are only a vailable when an
Option I/O card is installed. See “F aders (plus Return Rotary Controls)” on page 35 for
more information.

Faders 1 through 16 and master can be assigned to various internal parameters on
REMOTE page 1, or used as MIDI c ontrollers on REMOTE page 3. See “Assigning Fad­ers & On Buttons” on page 194 and “User Defined MIDI Controllers” on page 238 for
more information.

E RETURN Controls

The RETURN controls are used to adjust the effects return levels, and their positions
are displayed in the lowe r-left corner of the display.

F SOLO Status Indicator

The SOLO status indicator lights up when a channel is soloed.

01V—Owner’s Manual

20 Chapter 3—Touring the 01V

Inputs & Outputs

Input and output connectors are located on the t o p and r ear panels.

Top Panel

PHANTOM +48V

OFF

ON

INPUT (BAL)

PHANTOM +48V

OFF

ON

131415

–10dBV (UNBAL)

L

R

16

IN OUT

2TR

1 2

A INPUT (BAL) 1–12

Input channels 1 through 12 feature balanced XLR -3-31-type and balanced phone jack
connectors, both with a nominal input range of –60 dB to +10 dB. Phantom powering
(+48 V) is supplied to the XLR connectors, with master on/off switches for connectors
1 through 6 and 7 through 12. Phone jacks, whic h can also be used with unbalanced
phone plugs, have priority over the XLR-type connectors, so when a phone plug is
inserted, the XLR -type connector is disconnected. With their high sensitivity and 26 dB
PAD switches, these inputs can handle a wide range of signals, from condenser micro­phones to “hot ” line levels.

Male XLR plug

1 (ground)

3 (cold)

1/4" TRS phone plug

Ring (cold)

PHONES

534

Tip (hot)

B INPUT (BAL) 13–16

Input channels 13 through 16 feature bal­anced phone jack connectors, with a
nominal input range of –20 dB to +10 dB.
These inputs are designed for use with
line-level sources, and can also be used
with unbalanced phone plugs. The stereo
outputs of an external effects processor or
other stereo device can be connected here.

2 (hot)

1/4" TRS phone plug

Sleeve (ground)

Tip (hot)

Ring (cold)

Sleeve (ground)

01V—Owner’s Manual