Wharfedale Pro R2004 Operating Manual

R 1604/2004 OPERATING MANUAL

.1.

R1604 & R2004 R Series Mixers

Introduction

Thank you for purchasing an R1604/2004 Mixer from Wharfedale Professional. Please read these

instructions carefully to ensure problem free operation and user satisfaction.The R Series of mixers from

Wharfedale Professional are designed to offer a superior quality audio performance in an easy to use, great

value package. The quality of the R Series is such it can be used in a variety of professional applications

such as studio, sound reinforcement, field recording and film/video production.

Features R1604/2004:

* 4(R1604)/8(R2004) balanced/unbalanced mono line input

* 4(R1604)/8(R2004) low noise, high headroom XLR mic inputs

* 4 pairs of balanced/unbalanced stereo line inputs with +4/-10 input

gain/sensitivity selector

* Insert facility on all mono channels (R2004 only)

* 48V DC global phantom power

* 3- band EQs with semi-parametric mids in all mono input channels (R2004 only)

* 3- band EQs in all input channels (12kHz, 2.5kHz, 80Hz)

* 75Hz, 18dB/octave low cut filter on mono input channels

* PFL/SOLO and Mute/ALT 3-4 on all channels

* ALT 3-4 extra stereo bus

* 2 stereo EFX returns

* EFX to Main, ALT 3-4 and AUX 1 switch

* Balanced inputs and outputs

* Peak and signal LEDs on mono channel

* Two AUX send (Pre and Post fader switch on AUX 1)

* Separate main mix, ALT3-4, control room and headphone outputs

* 2 track inputs assignable to main mix, control room/headphone outputs

* Highly accurate 10 segment bargraph meters

* High quality 60mm faders

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* 19 Rack Mounting kit included

R Series Mixers R1604 & R2004

Getting Started

1. Power Supply

The R Series mixer is supplied with an external power supply unit. Only use the power supply provided

with your mixer. Connect the R Series mixer to the power supply unit and THEN connect the power

supply unit to the Mains. During long periods of operation the mixer may become warm. Therefore it is

important that the unit is placed where the air is able to flow freely around it. The power supply is factory

set to the correct voltage and this can be checked by referring to the label on the unit. If the mixer is used

in a country having a different supply voltage then a new power supply will be required and you should

consult your dealer.

2. Packing

Every care has been taken to ensure that your mixer reaches you in perfect condition and working order.

The exterior and internal packaging has been designed to protect the unit in transit, but should you notice

any damage to the unit, please notify the place of purchase immediately.

.2.

3. Safety

Avoid the excessive heat, humidity, dust and vibration: Keep the unit away from locations

where it is likely to be exposed to high temperature or humidity, such as near radiators, stoves, etc. Also

avoid locations which are subjected to excessive dust accumulation, or to vibration that could cause

mechanical damage.

Avoid physical shocks: Strong physical shocks to the unit may cause damage. Handle the unit

with care.

Do not open the case to attempt to repairs or modifications yourself: This product

contains no user-serviceable parts. Refer all maintenance to qualified service personnel.

Always power off before making connections: Always turn the AC mains OFF before

connecting cables. This is important to prevent damage to the unit itself as well as other connected

equipment.

4. Warranty

The R Series mixers warranty covers any defects in the manufacture of the product for a period of 12

months from the date of purchase. The Warranty is non-transferable and applies to the original purchaser

only. Should you have any Warranty issues, please contact your place of purchase who will advise on a

returns procedure.

.3.

R1604 & R2004 R Series Mixers

Features of the R Series Mixer

Mono Input Channels:

1

1. Low Impedance (or Low Z) Mic Inputs

2
3

4

5

6
7

8

9
10
11

12
13

The low noise, high headroom Low Z mic inputs for use with balanced or

low impedance microphones or low level external equipment with XLR

connectors.

2. Line Inputs

The features of balanced/unbalanced high impedance mono line inputs for

use with high level signals with1/4 phone plug connectors.

3. Low Cut Filter

The low cut filter can be activated by pressing this button. The slope of this

filter is 18dB/oct., -3dB at 75Hz and should be used when it is necessary to

eliminate or reduce background rumble, breathing noises and popping.

4. Gain Control

The input level on the Mic channels is controlled by using the Gain Control

to achieve the best signal to noise ratio and dynamic range. The Gain

control should be used in conjunction with the Peak LED which will

illuminate if the input gain is too high. The gain circuit has a wide range

from -10dB to -60dB.

5. EQ Section:

R2004: Each mono input channel features a three band EQ section with

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semi-parametric mid bands. All bands provide boosts or cut of up to 15dB.

In the center position, the equalizer is off (FLAT). The Hi EQ control has

14

R1604: Each mono input channel feature a three band EQ section. The Hi EQ control has an upper shelf

limit of 12kHz, the Mid EQ 2.5kHz and the Low EQ 80 Hz. Each control has a range of -15dB to +15dB cut

and boost.

* The EQ control section should be used in conjunction with the Low Cut Filter (3) to add extra

warmth or extra punch to the mix where necessary.

an upper shelf limit of 12kHz and the Low EQ at 80Hz. For the Mid range,

the console features a semi-parametric equalizer with a filter quality (Q) of 1

octave, tunable from 100Hz to 8kHz. Use the Mid control to set the amount

of boost or cut, and the FREQUENCY control to determine the central

frequency.

AUX Section: There are two types of auxiliary: PRE FADER and POST FADER.

A PRE FADER auxiliary occurs in the signal path before the main channel fader, and therefore the amount of

signal going down the auxiliary is only affect by the auxiliary level control. Any change in the main fader level

will not affect the amount of signal going down the auxiliary. This type of auxiliary is often used for a monitor

mix when the levels need to be independent of the main mix.

R Series Mixers R1604 & R2004

A POST FADER auxiliary occurs in the signal chain after channel fader. This type of auxiliary is normally

used to send to an effects unit, such as a reverb, where the level of reverb needs to follow the level of the

main fader.

6. AUX 1 Control: The Aux Send is mono and Post EQ. This controls the amount of signal being sent down

AUX 1, and ranges from -Infinity dB to +15dB.

7. PRE/POST Switch: The AUX 1 could slect pre or post fader for monitors, effects or separately balanced

feeds for recording and broadcast. Signals being sent to an effect unit can be return to mixer via the EFX

Returns found on the top panel of the mixer.

8. AUX 2 Control: Aux 2 is set to post fader whicn allows you adjust channel send level to external devices

such as effect units or additional headphone/monitor system, and ranges from -Infinity dB to +15dB.

.4.

Volume and Panning

9. PAN Control: The Pan control adjusts the amount of channel signal sent to the left versus the right inputs.

On the mono channels the controls act as true Pan pots. When working with subgroups (ALT 3-4), you

can use PAN control to assign the signal to just one output, which gives you additional flexibility in

recording situations.

10. SOLO: The solo button allows you to meter and listen to an individual channel in isolation from other

channels. When pressed, the channel signal is sent to the headphone/control room output whilst signals

from the Main Outputs and any channels not SOLO d, are also disconnected from the headphone output.

All non SOLO d signals are also disconnected from the Main Output Meters, and these meters now

become the SOLO Meter for any SOLO d channels. The SOLO is PFL (Pre-Fader Listen) and therefore

the signal you are hearing and metering occurs before the main channel fader. Using the SOLO Button in

conjunction with Gain Level control is the best way to ensure that the signal is coming into the channel at

correct level. After pressing the SOLO Button the input gain should be adjusted so that the highest peaks

of the signal are metering at between 0 dB and +3 dB. This should be done individually for each channel.

Press the SOLO button does not affect the Main Outputs/ALT3-4 and therefore you can use this feature

to check what is coming into a channel, leaving the Main Mix undisturbed. When in operation the SOLO

ON (25) light in the Master Section will be lit.

11. MUTE Switch: The MUTE switch cuts the signal coming down the pre- fader, hence muting that channel

in the Main Mix and the input signal will be routed to the ALT 3-4 output instead of the Main Mix. The aux

send 1 & 2 which are set to post-fader are likewise muted for the channel, while the AUX 1 pre-fader

monitor path remain active (switch on) irrespective of whether the channel is muted or not.

12. Peak LED: The PEAK LED lights up when the input signal is driven too high.

13. Signal Present LED: The LED will light when the channel signal exceeds -20dBu.

,

,

,

14. The Channel Fader: The fader allows you to control the amount of channel signal being sent to the Left

and Right Main/ALT3-4 Outputs. The amount of signal ranges should from, -infinity dB (no signal) to +10

dB (maximum signal). When in 0 dB position there is no boosting or cutting of the signal coming down

the channel, and this give the optimum signal to noise ratio. To get best results it is important to set the

Input gain level correctly.

.5.

16
17

15

R1604 & R2004 R Series Mixers

Stereo Input Channel

The R1604/2004 stereo channel features two unbalanced line level

inputs with 1/4 jacks for left and right signals. These inputs can be

used as both Stereo and Mono inputs. When using them with a

mono source then the left input should be used. The stereo input

channels are designed for use with any line level sources such as

CD players and EFX units. Each stereo input channel features a

three band EQ section, the Hi EQ control has an upper shelf limit of

12kHz, the Mid EQ 2.5kHz and the Low EQ 80Hz. The AUX sends

are the same as for mono channels.

15. Stereo Input: Left and Right Input sockets.

16. Left (Mono) Input: When the left input is connected only, then the

Channel operates in mono.

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17. The Level button: This button lets you choose between the two

standard operating level -10dBV and +4dBu. It is important to check the

incoming device s operating level and choose the appropriate level on

The channel Input.

,

R Series Mixers R1604 & R2004

Master Section

AUX sends

18. AUX 1 & 2 Control: The AUX1,2 master VR provide

over all level control of AUX send.

19. AUX Send Jacks: These unbalanced 1/4 jacks are

AUX1 and AUX 2 outputs.

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.6.

33

28

Stereo EFX Returns

20. EFX Return Jacks

There are two additional Stereo AUX returns on the

R1604/2004. The EFX Return act as mini Input

Channels and are used to bring signals from Effect Unit

back to the mixer via the EFX Return inputs on the top

panel. When using an Effect Unit with stereo outputs the

left and right EFX Return inputs can be used to keep the

stereo effect. The outputs of the Effect Unit should be

plugged into the corresponding left and right EFX Return

nputs. If you wish to use an EFX Return in MONO then

only the left inputs should be used. This mono signal is

then switched to be sent equally to the left and right Main

outputs. Both EFX Return 1 and EFX Return 2 signal are

assigned to the Main mix, press the EFX TO AUX1(22)

button can route the EFX Return 1 signal to the AUX 1

bus. Press EFX to ALT3-4 (23) button can route the EFX

Return 2 signal to the ALT3-4 output.

21

22
23

18

34

35

38

37

27
26

24

25

31

30

36

21. The EFX Returns levels are operated by these controls.

22. EFX to AUX button. (EFX Return 1)

23. EFX to ALT 3-4. (EFX Return 2)

19 29

Metering

24. Level Meter

The level of the Main Mix/Solo is displayed on these 10

segment bargraph meters. When any channels Are

,

SOLO d the Left meter act as the SOLO meter, and are

used to set the correct Input Gain into a channel. If the

signal levels are too high, distortion may result, and if they are too low then unwanted noise will present.

20 32

.7.

25. The SOLO ON indicator

This LED lights up when any of the channels are SOLO d, indicating that the Left meter are now

functioning as SOLO meter.

26. Power ON LED: This LED is illuminated when Power is ON.

27. Phantom Power switch: Press this switch applies 48 volt phantom power to all the microphone inputs.

Phantom power should be turned off when not required, and must never be used with an unbalanced

microphone. Do not operate this switch with the fader up, as a loud click will result.

28. Phantom Power LED: When this LED is illuminated it indicates that the +48 V DC Phantom Power is

present.

R1604 & R2004 R Series Mixers

,

2Track In/Out

29. 2 Track Input: The two track input section has RCA jack inputs to enable easy connection to a DAT tape

devices, or a cassette and other audio equipment. This is used primarily for listening to mix playback

from a tape for example.

30. 2 TK to MIX: Press this button allows you to monitor the output from the two track tape machine

connected to the Stereo 2 Track inputs. The signal from the tape is fed in to the Main mix.

31. 2 TK to CONTROL ROOM AND PHONES: Press this button allows you to monitor the output from the

two track tape machine connected to the Stereo 2 Track inputs. The signal from the tape is fed in to the

CONTROL ROOM and PHONES.

Control Room/Phones

32. Control Room Output Jacks: The control room output is normally connected to the monitoring system

in the control room and carries the stereo MAIN mix or, when selected, the SOLO signals.

33. Headphones: This is unbalanced on a 1/4 stereo jack. Cables connected to this output should be

wired with TIP left signal, RING right signal, and SLEEVE to ground. Use only stereo headphones! Use

mono headphones may cause damage!

34. Control Room Level control: This knob controls the levels of both the stereo control room and phones

outputs.

35. MAIN MIX and ALT 3-4 switch: Press these buttons allow you to monitor the signal from the Main Mix or

ALT 3-4.

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Main and ALT 3-4 Level

36. Main Mix Faders: These control the overall level of any signals which have been sent to the stereo

left and right outputs on the back section.

37. ALT 3-4 fader: This fader controls the overall level of any signals which have been sent to the ALT 3-4.

38. ALT 3-4 TO MIX: Press this button allows you to send ALT 3-4 signal to the Main Mix outputs.

R Series Mixers R1604 & R2004

.8.

Rear Panel R1604/2004

39. Inserts Point (R2004 only) The Channel Inserts:

All mono input channels of R2004 are equipped with inserts. They are pre-fader, post-EQ and pre-aux

send. The Insert Points are used to send the channel signal to processors (compressors, gate, EQ unit

etc.) and to bring the processed signal back into the channel. Insert Points use stereo 1/4 (TRS) jacks

with the Ring acting as a send to the processor, and the Tip acting as a return from the processor. They

can also be used to send to effect units, return the signal through the effect return points. Inserts can also

be used as post-EQ direct outputs, without interrupting the signal path. To this end, you will need a cable

fitted with mono phone plugs on the tape machine or effect device end, and a bridged stereo phone plug

on the console side (tip and ring shorted together).

40. Main XLR Outputs: Balanced XLR will be wired pin 1 ground/ pin 2 hot (positive), pin 3 cold (negative).

41. ALT 3-4 Outputs - Balanced TRS socket will be wired tip=signal, Ring=negative, sleeve =ground.

42. AC Power Cable Connector

43. Power Switch - On/Off

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Rear Panel 1604

42

43

Rear Panel 2004

40 41

404342

41 39

.9.

R1604 & R2004 R Series Mixers

Connections

The R series use 3 different types of connectors: 3 pin XLR, 1/4 jacks, and phone plugs. Some of these are

balanced, some unbalanced, some are stereo and some have dual functions. These connectors are used in

various ways as dhow in the following.

Microphone Inputs, Main Mix & ALT 3-4 Outputs

These are balanced on female XLR connectors and connected as shown. Cables connected to any

microphone sockets should be wired with pin 1 ground, pin 2 hot(+ve) and pin 3 to cold(-ve). Use high quality

shield pair cable or multicore with individually shield pairs.

Line Inputs

These are balanced on 1/4 stereo type (TRS) jacks. Cable connected to any of these should use a stereo

jack wired with TIP hot(+ve), RING cold(-ve) and SLEEVE to ground.

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Insert Points

All of the insert points have both SEND and RETURN signals on a single 1/4 stereo jack. Cables connected

to any insert point should use a stereo jack wired with TIP return, RING send and SLEEVE to ground. Use

individually shield cable for both send and return or twin cable with individual screening on each core.

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Auxiliary send, EFX return and Control Room Outputs

There are unbalanced on 1/4 jack. Cables connected to these inputs should use a mono jack wired with TIP

signal and SLEEVE to ground.

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Stereo 2 Track Inputs and Outputs

There are unbalanced on mono plugs. Cables connected to these should be wired PIN signal, and SLEVE to

ground.

Headphone Output

2. Hot (+ve)

3. Cold (-ve)

Left Signal

Right Signal

Ground

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Unbalanced Mic XLR

Inserts

2. Hot (+ve)

Link 3 to 1

Signal send
Signal return

Ground /

Screen

1. Screen

-ve lead to Ring

3 pole jack 2 pole jack
Balanced Unbalanced

Hot (+ve)

Cold (-ve)

Ground /
Screen

+ve lead to Tip

Sleeve

Signal

Ground /
Screen

+ve lead to Tip

-ve lead and
Sleeve to Ground

This is unbalanced on a 1/4 stereo jack. Cables connected to this output should be wired with TIP left signal,

RING right signal, and SLEEVE to ground

Balanced Mic XLR

1. Screen

Headphones

Ring

Tip

Sleeve

R Series Mixers R1604 & R2004

.10.

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH XLR CONNECTORS

BALANCED OUTPUT

2 1

Ground (earth)

3

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH 1/4 JACK to XLR CONNECTORS

BALANCED OUTPUT

RING

TIP

SLEEVE

Ground (earth)

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH STEREO 1/4 JACK to XLR CONNECTORS

BALANCED OUTPUT

RING

TIP

SLEEVE

Ground (earth) CABLE

BALANCED INPUT WIRING TO WHARFEDALE PRO UNIT WITH XLR CONNECTORS to STEREO 1/4 JACK

BALANCED OUTPUT

2 1

Ground (earth)

3

UNBALANCED INPUT AND OUTPUT WIRING WITH MONO 1/4 JACK CONNECTIONS

TIP

SLEEVE

Ground (earth) CABLE

BALANCED OUTPUT WIRING FROM WHARFEDALE PRO UNIT WITH XLR CONNECTORS TO BALANCED UNIT

OUTPUT from Wharfedale Pro unit

2 1

Ground (earth)

3

SIGNAL DIRECTION

CABLE

SIGNAL DIRECTION

CABLE

SIGNAL DIRECTION

SIGNAL DIRECTION

CABLE

SIGNAL DIRECTION

CABLE

Only connect ground if hum occurs

Only connect ground if hum occurs

Only connect ground if hum occurs

Only connect ground if hum occurs

Only connect ground if hum occurs

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,,

INPUT to Wharfedale Pro unit

INPUT to Wharfedale Pro unit

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INPUT to Wharfedale Pro unit

SLEEVE

INPUT to Wharfedale Pro unitSIGNAL DIRECTIONOUTPUT

INPUT SIGNAL DIRECTIONOUTPUT Wharfedale Pro unit

SLEEVE

TIP

RING

Wharfedale Pro unit

TIP

1 2

3

1 2

3

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INPUT to

SLEEVE

TIP

RING

BALANCED INPUT

1 2

3

A great deal of mis takes in sound
installations can be down to wrongly
wired audio connections. It is important
that the connections are correct to suit
your system.
An unbalanced audio system cable is
typically a s ingle conductor shielded with
the centre conductor relaying the signal
and the shield at ground.
Using a balanced audio system is where
a two conductor shielded cable has
each of the two center conductors
carrying the signal but of opposite
phase. This gives each conductor an
equal but inverted potential difference
from that of the ground. It is recommend
that you use a balanced microphone to
the mixer. This will eliminate interference
such as mains hum. If a non balanced
microphone is used do not use this
microphone at the same time as a
microphone requiring phantom power
'on' as this could cause damage to the
non balanced microphone.
For the best results whilst using
balanced line level inputs, common
grounding should be avoided. This
means not connecting the ground on
both the mixer input and output
connectors. Wharfedale Pro advise that
you connect the ground (shield) of the
input connecting cable to the ground of
the signal source while making sure the
ground (shield) is not connected to the
mixer's input connector. The output
cable connector from the mixer when
connecting to another balanced unit
input should have the ground (shield)
connected. This is the process by which
the ground (shield) is connected (tied) at
the source unit but is not connected to
the destination unit. If hum develops in
some instances the ground (shield) can
be connected on the input. Some
manufacturer have units that
recommend that the input connector
ground (shield) is tied and the output
disconnected. In this instance you may
need to connect the input connector
ground (shield) going to the input of the
mixer.
If an unbalanced system is used with
XLR connections please connect pin 3
to pin 1 (ground) of the connector. This
will mean that pin 2 transports the
positive (+ / hot) signal. If pin 1 and 3
are not connected this results in the
negative (- / cold) input being 'open'.
This will give an audible degradation of
the signal to noise ratio. This would
relate to both the input and output
connectors and involve the cable ground
(shield) connected at both.
Please note that some manufacturers
run their units with pin 2 (- / cold) and
pin 3 (+ / hot). This should be looked out
for and then the wiring could be modified
with labeled cables so that connections
of + / hot go to their corresponding +/
hot etc. Some manufacturers run their
unit with balanced inputs and
unbalanced outputs , therefore care
should be taken with the connections
when inserted into the system.
Unbalanced System
Balanced System

.11.

BLOCK DIAGRAM R1604

R1604 & R2004 R Series Mixers

R Series Mixers R1604 & R2004
BLOCK DIAGRAM R2004

.12.

.13.

R1604 & R2004 R Series Mixers

*0dB=0.775Vrms, 0dBV=1Vrms

SPECIFICATIONS - R1604/R2004

Maximum Output Level +22dB(MIX L/ R, ALT 3~4)@600 ohm
(0.5% T.H.D at 1kHz) +22dB(AUX SEND1~2) @600 ohm

+22dB(INSERT) @40 k ohm
+22dB(CTRL RO O M) @600 ohm
Over 100mW(Headphone) @40 ohm

Total Harmonic Distortion 0.0025% @+14dB 20Hz~20kHz

(MIX L/ R, ALT 3-4, AUX SEND1~2, CTRL ROOM) @600 ohm

Frequency Response 20Hz~ 20kHz, +0/ -1dB

(MIX L/ R, ALT 3-4, AUX SEND1~2, CTRL ROOM) @600 ohm

Hum and Noise -127dB equivalent input noise
(Average, Rs=150 ) - 95dB residual noise(MIX L/ R, ALT 3-4, AUX SEND1~2, CTRL ROOM)

-90dB(MIX L/ R, ALT 3-4, AUX SEND1~2, CTRL ROOM)
* Master fader at nominal level and all channel assign switch OFF.

Maximum Voltage Gain 72dB MIC IN TO MIX L/ R, ALT3~4

72dB MIC IN TO AUX 1
72dB MIC IN TO AUX 2(POST), EFX
74dB MIC IN TO CONTROL ROO M L/ R
72dB MIC IN TO REC L/ R
54dB LINE IN TO MIX L/ R, ALT3~4
58dB LINE IN TO AUX 1
58dB LINE IN TO AUX 2(POST),
60dB LINE IN TO CONTROL ROOM L/ R
22dB ST IN TO MIX L/ R, ALT3~4
20dB AUX RETURN IN TO MIX L/ R
16dB TAPE IN TO MIX L/ R

Maximum Levels Mic in: +4dBu

Tape in: +13dBu
All other inputs: +25dBu

Interference(Crosstalk) at 1kHz Main fader down: -85dBu

Channel Alt/Mute switch engaged: -80dBu
Channel fader down: -70dBu

Mono input channel gain 50dB variable(-60dB ~ -10dB), (-40dB ~ +10dB)

Input channel EQ (R1604) HIGH: (+/-15dB) 12kHz shelving

MID: (+/-15dB) 2.5kHz shelving
LOW: (+/-15dB) 80Hz shelving
* Turnover/ rollover frequency: located 3dB below the point of maximum
amplification and attenuation

Input channel EQ (R2004) HIGH: (+/-15dB) 12kHz shelving

MID: (+/-15dB) 100~8kHz(EQ for frequency variable) peaking
LOW: (+/-15dB) 80Hz shelving
* Turnover/ rollover frequency: located 3dB below the point of maximum
amplification and attenuation

Level meter 10- Segment LED X 2(output of +4dB at 0dB)

Main L/R

Peak indicator Input channel: turns on 3dB under pre-fader signal clip

Phantom power +48V DC

Power/ power consumption R1604/ 2004: AC 100V/ 120V/ 230V/ 240V, 50/ 60Hz

Weights R1604: 5.9kg, R2004: 7.3kg

Dimensions(mm) R1604: 80.3 x 225 x 280

R2004: 80.3 x 416 x 431

R Series Mixers R1604 & R2004

Input Connector Input Impedance Regular Impedance Regular Input Level Connector Type

Channel Mic 3k ohm 50~600 ohm -60dB XLR 3-31 Type

Balanced

Channel Line 20k ohm 600 ohm -30dB Phone Jack (TRS)

T = Hot
R = Cold
S = GND

Stereo Input 10k ohm 600 ohm -20dB Unbalanced

Phone Jack

Aux Return 1~2 10k ohm 600 ohm +4dB Unbalanced

Phone Jack

.14.

Mono Channel Insert Input 10k ohm 600 ohm odB Phone Jack (TRS)

Tape In 10k ohm 600 ohm -10dBV RCA pin Jack

Output Connector Output Impedance Regular Impedance Rated Output Level Connector Type

MIX Out L/R 120 ohm 600 ohm +4dB XLR Type

CTRL Room Output 100 ohm 600 ohm +4dB Unbalanced

Aux Send 1~ 2 100 ohm 600 ohm +4dB Unbalanced

Mono Channel Insert Output 600 ohm 10k ohm 0dB Phone Jack (TRS)

T = Out
R = In
S = GND

Phone Jack

Phone Jack

T = Out
R = In
S = GND

Rec Output 600 ohm 10k ohm -10dBV RCA pin Jack

Headphone Output 100 ohm 40 ohm 3mW Stereo Phone Jack

911.395

Wharfedale Professional

IAG House, Sovereign Court, Ermine Business Park, Huntingdon, PE29 6XU

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