Terminals marked with this symbol carr y
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be per formed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of elec tric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only.
Toreduce the risk of elec tric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safet y. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
17. Correct disposal of this
product: This symbol indicates that
this product must not be disposed
of with household waste,
according to the WEEE Direc tive
(2012/19/EU) and your national
law. This product should be taken
to a collection center licensed for the recycling of waste
electrical and electronic equipment (EEE). The
mishandling of this type of waste could have a possible
negative impact on the environment and human health
due to potentially hazardous substances that are generally
associated with EEE. At the same time, your cooperation
in the correct disposal of this product will contribute to
the e cient use of natural resources. For more
information about where you can take your waste
equipment for recycling, please contact your local city
o ce, or your household waste collection service.
18. Do not install in a con ned space, such as a book
case or similar unit.
19. Do not place naked ame sources, such as lighted
candles, on the apparatus.
20. Please keep the environmental aspects of battery
disposal in mind. Batteries must be disposed-of at a
battery collection point.
21. Use this apparatus in tropical and/or
moderate climates.
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
music-group.com/warranty.
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4FLASHBACK 2 DELAY User Manual
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1. About this Manual
Thank you for spending your hard-earned money on this TC ELECTRONIC product!
We have done our best to ensure that it will serve you for many years to come,
and we hope that you will enjoy using it.
This manual is available as a PD
Please read this manual in full, or you may miss
important information.
Please do not operate your TC device before you have made all connections
to external equipment as described in the “2.3 Setting Up” section. In the
subsequent sections of the manual, we assume that all connections are made
correctly and that you are familiar with the previous sections.
We reserve the right to change the contents of this
manual at any time.
To download the most current version of this manual, view the product warranty,
and access the growing FAQ database for this product, visit the web page
tcelectronic.com/support/
F download from the TC ELECTRONIC website.
2. Introduction
FLASHBACK 2 DELAY packs our entire delay legacy into a single compact
and affordable stompbox that's designed for now – and the future.
Our groundbreaking MASH technologyadds anexpression pedal toaworldclassdelay stompbox that responds to your touch andsavesprecious
pedalboard space – and blendstheetherealworld of delay with theultimate
inpersonalexpression.Add the brand-new Crystal delay algorithm and two
additional TonePrint slots, and the soon-to-be legendary FLASHBACK 2 DELAY
brings a wealth of new dimensionality to your quest for tonal perfection!
2.1 Unpacking
Your TC ELECTRONIC effect pedal box should contain the following items:
• Your TC ELECTRONICeffectpedal
• 1USBcable (TypeAtoMini-B)
• 1 TC ELECTRONICsticker
Inspectall itemsforsignsoftransitdamage. Intheunlikelyevent of transit
damage, inform the carrier and supplier. If damage has occurred, keep all
packaging, as it can be used as evidence of excessive handling force.
2.2 True Bypass
Here at TC, we have a simple philosophy: When you are using one of our products,
you should hear something great – and when it’s off, you shouldn’t hear it at all.
This is why this pedal sports True Bypass. When it is bypassed, it is really off and
as zero influence on your tone, resulting in optimum clarity and zero loss of
high end.
Sometimes, it is advisable to switch an effect pedal from True Bypass to Buffered
Bypass mode. For more information, see “6.2 Switching the pedal from
True Bypass to Buffered Bypass”
2.3 Setting up
Connect a 9 V power supply with the following symbol to the DC input socket of
your TC ELECTRONIC effect pedal.
This product does not come with a power supply.
We recommend using TC ELECTRONIC’s PowerPlug 9
(sold separately).
Formoreinformationonchangingbatteries,see “7.2 Changing the battery”.
• Plug the power supply into a power outlet.
• Connect your instrument to the in jack on the right side of the pedal using a
¼ " jack cable.
• Connect theoutjackonthe leftsideofthepedal toyouramplifierusing a
¼ " jack cable.
3. TonePrint
This TC Electronic product supports TonePrints. To learn more about TonePrints,
go to tcelectronic.com/toneprint/
3.1 What are TonePrints?
When you look at your TC Electronic e ect pedal, you’ll only see a few knobs.
Actually, for some pedals, it’s just one knob. So – one knob, one function, right?
Actually, there’s a lot more to it than meets the eye.
Star-tweaked signature sounds
When TC Electronic builds an e ect pedal, the relationship between its controls
and many parameters “under the hood” are de ned by developers, musicians
and product specialists who live and breathe sound. This gives you an excellent
starting point: a great-sounding pedal with well-balanced controls.
But wouldn’t it be cool to have world-famous guitar players – guys like
Paul Gilbert, Guthrie Govan, John Petrucci or Steve Vai – virtually rewire your
reverb pedal, de ning what should happen “behind the scenes”?
tonal potential, rede ning the controls and creating their personal TonePrints.
And we are making these custom TonePrints available to you. Uploading them to
your pedal is really easy (see “Transferring Tone- Prints to your pedal using the
TonePrint app”) – and with the amazing TonePrint Editor, you can even create
your own signature pedal, tweaked speci cally to your liking.
You can change the TonePrints in your pedal as often as you like, and the best
part: It’s totally free.
3.2 Transferring TonePrints to your pedal
using the TonePrint app
Being able to virtually rewire your TC Electronic e ect pedal wouldn’t be much
use if you needed a lot of extra equipment to do it. This is why we created the
TonePrint app. The TonePrint app is free software for popular smartphones that
allows you to “beam” new TonePrints right into your e ect pedal whenever and
wherever you feel like it.
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Obtaining the TonePrint app
If you own an iPhone, you can download the TonePrint app from Apple’s App
Store. If you own an Android phone, you will nd the TonePrint app on
Google Play. Once you have the app, no additional downloads or in-app purchases
are required. You
TonePrints are free.
Transferring TonePrints to your pedal – step by step
• Hold the speaker of your smartphone next to the chosen pickup and touch
“Beamtopedal”.
canaccessall available TonePrintsfromwithinthe app,andall
3.3 Editing TonePrints with TonePrint Editor
The TonePrint app allows you to use TonePrints created by your favorite guitar
and bass players. But this is only the start. Using TC’s TonePrint Editor, you can
create your very own signature pedal sounds.
4. Inputs, Output and Controls
(1)
(2)
(8
(7)
(11)
(6)
(4)
(9
(10)
(12)
(5
(3
TonePrint Editor features
• Use TonePrint Editor to build your own custom sounds.
• Customize knob function and knob range tosuityourneedsandsounds.
• Audition your sonic creations in real-time live – make changes on the yand
listentoresultsimmediately.
• Works withbothPCandMac.
Lastbutnot least…
• TonePrint Editorisabsolutelyfree!
Obtaining TonePrint Editor
Download the TonePrint Editor manual from
tcelectronic.com/toneprint-editor/support/
If you open the manual for TonePrint Editor in Adobe Reader, you can click
on interface sections to jump directly to the sections of the manual you are
interested in.
4.1 Power / Computer connection
(1) POWER input - To power up your pedal, connect a power supply to its
power input socket. The power input socket of your TC ELECTRONIC effect
pedal is a standard 5.5/2.1 mm DC plug (centre = negative).
Your TC ELECTRONIC e ect pedal requires a 9 V power supply providing
100 mA or more (not supplied). TC ELECTRONIC recommends using the
PowerPlug 9.
To minimize hum, use a power supply with isolated outputs. If no power
supply is available, you can run this product using a battery. For more
information on changing batteries, see “7.2 Changing the battery”.
(2) USB port - Use the standard Mini-B USB port on your TC ELECTRONIC effect
pedal to connect your pedal to a computer. If there should be firmware
updates for this pedal, they can be installed using the USB port –
see “7.1 Updating the firmware”.
• To turn the e ect on, tap the footswitch. To turn the e ect o , tap the
footswitch again.
• The footswitch also controls the MASH function, whichisdetailedin
section 5.2.
*The delay tempo can still be controlled with your feet, but this is done by connecting a separate
footswitch to the Stereo Input jack. See section 4.3 for details.
(4) INDICATOR LED - The LED lights up when the effect is switched on.
4.3 Audio in and out
(5) AUDIO INPUT/TAP TEMPO - The audio inputs on the right sideofthispedal
are standard ¼ " jacks (mono/TS). Connect your guitar to the mono audio
input on the right side of your pedal using a regular ¼ " instrument cable.
The pedal also accepts stereo signals using a pair of ¼ " TS cables.
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6FLASHBACK 2 DELAY User Manual
When using the Flashback 2 in mono, you can connect an external
footswitch to the Stereo input jack with a TRS or TRS-to-TS cable to control
the delay tempo. The external footswitch will also function as a dedicated
‘Stop’ switch when using the looper mode. Note
must be enabled in the editor software, and this causes both output jacks to
operate in mono.
that external tap tempo
(6) AUDIO OUTPUT - The audio outputs on the left side of this pedal are
standard ¼ " jacks (mono/TS). Connect the audio output of your pedal to the
next device in the signal chain, either with a single cable or with a pair of
¼ " cables if both inputs are used.
4.4 E ect controls
Please note that the knob assignments on your TC Electronic pedal are the default
assignments. Using the TonePrint editor, you can rewire all knobs so they control
one or several parameters of your choice. For more information, see the TonePrint
editor manual.
(7) DELAY knob – Use this knob to adjust the time of the delay. Most delay
types have a range of 20 ms to 7000 ms (7 seconds!).
(8) SUBDIVISION switch – This switch determines the note intervals that the
delay repetitions are based on. The options are quarter note, dotted eighth,
and quarter note plus dotted eighth.
(9) FEEDBACK knob – Use the Feedback knob to determine the number of
delay repeats.
(10) MASH LED - This will light up when the MASH function isengagedby
pressing down firmly on the footswitch. The LED gets brighter as the
footswitch receives more pressure, indicating a more intense triggering of
the parameter that is assigned to this function.
(unity) level. The Level knob only controls how prominently the delay
repeats are mixed with the dry signal.
renowned TC 2290. The delay’s output level is actively altered by the dynamics
of the input level. While playing, the delay level is attenuated, and in between
phrases the delay level is increased. This allows you to play with a relatively large
amount of delay without muddying fast ri s.
MODULATED
Take the 2290’s pristine sound, send it through three (!) chorus pedals… et voilà.
If you’re into
while you’re at it, try playing around with the SUBDIVISION switch.
CRYSTALS
The Crystals e ect pitch shifts the echoes up an octave through each delay loop,
creating a haunting and other-worldly sound. This is a very unique e ect that
may open some interesting options, particularly when paired with the
MASH function.
REVERSE
If you’ve been around for some time, you know the drill: Record a guitar part on
tape. Flip the tape over. Play it back. This is a classic e ect made famous by guitar
legends such as Jimi Hendrix – and although it’s kind of “old school”, the reverse
e ect still seems to inspire people to try out new things.
LOOPER
Set the Delay type selector to LOOP to use the built-in audio looper.
This functionality is explained in ‘Chapter 5.3 Using the looper’.
TONEPRINT
Select one of the 3 TonePrint settings to access a default setting, or create your
own presets! See Chapter 3 for more details on creating and loading TonePrints.
the sound of The Edge, you don’t want to miss this setting. Oh, and
(12) Delay type selector – Selectthetypeofdelayor TonePrint with this knob.
Once upon a time… (i.e., back in 1985) TC Electronic released the 2290 Dynamic
Digital Delay. It set the bar for professional delays for years to come and is still
held in high regard among delay enthusiasts. Use the “2290” delay for the
crispest and cleanest delay you can imagine. This is the standard.
ANALOG
This is as close as you can get to the charming nature of an old analog transistor
bucket-brigade delay without buying the real thing! With every repeat, you get
more of that old-school “fade to grey” vibe.
TAP E
Who doesn’t love the smooth sound of an old tape echo machine? This new-andimproved algorithm meticulously replicates every aspect of authentic tape delay,
including the pitch shifting that occurs when the delay time is altered.
The Flashback2canbeusedseveral ways depending on your situation. While there isn’t necessarilya right and wrong use, here are the most common scenarios.
Example 1: Before the amp’s input
Input
Guitar
Combo Amp
Flashback 2
Input
(Optional amp
for stereo operation)
Chorus
(mono or stereo)
Drive pedal
When using the Flashback 2 before the amp’s input, it is generally best to place it after your other pedals. If any stereo e ects are used before the reverb pedal, you can
preserve this stereo signal by connecting to both of the Flashback 2’s inputs and sending the output jacks to di erent amps or to a stereo input on a mixer.
Example 2: In the amp’s FX loop
5.2 MASH switch
The MASH function on the Flashback 2 is a very exciting and innovative feature
that allows continuous control of a desired parameter through pressure on the
footswitch. This opens up countless creative possibilities, particularly with the
user-defined TonePrints
The standard toggle function of the footswitch reacts to single, quick presses of
Flashback 2
FX SendFX Return
the switch to turn the pedal on and off. If you press the switch slightly harder
and hold it down, the MASH function will engage, causing the associated LED
to light up slightly. As you press down harder on the switch, the LED lights up
brighter and the parameter that has been assigned to this function will increase
Input
its value. Releasing the footswitch will exit the MASH function and the LED will
turn off, but the pedal will still be engaged.
Guitar
Note that the pressure needed to reach the maximum MASH level is only 10 kg
(around 20 pounds), which can be achieved just by squeezing with your fingers.
You shouldn’t need to lean too much weight on the pedal. With some practice,
Combo Amp
The Flashback2hasaverywidegainrange,andcaneasilybeusedwithguitaror
loop-level signals.Simplyconnecttheamp’sSendjacktothe Flashback2input,
and connect the output to the amp’s Return jack.
this feature will become familiar and expressive much like a wah or
volume pedal.
Using the TonePrint editor software, you can assign your own parameter to this
unique feature and save a custom preset that allows you to create sounds that
very few reverb units have been capable of before. See Chapter 3 for more details
on TonePrints.!
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5.3 Using the looper
With the looper built into your Flashback 2, you can record and play back grooves
and lines for playing along. You can even overdub your recording an unlimited
number of times.
Thefirst roundofrecordingalwayssetsthe lengthofthe loop. The
loopcanbeupto 40secondsinmonoand20secondsinstereo, regardless of how manyoverdubsyoumake.
• Todeleteall recordings,double-tap the footswitch.
• An external footswitch can be connected to the Stereo Input jack to act as a
dedicated Stop switch (mono mode only).
duration of a
6.2 Switching between True Bypass and
Buffered Bypass
Tosetthebypassmode,proceedasfollows:
• Disconnect the pedal and turn it on its back.
• Unscrew the back plate of the pedal and look for the two small dip-switches
in the upper left corner.
• The upper DIP switch (the one closer to the power in jack), switches between
True Bypass mode (default) and Buffered Bypass mode. The other switch has
no function.
• Set the DIP switch to the desired position.
• Remount the back plate.
6.3 Kill-dry on/o
When you activate Kill-dry, the direct signal is removed from the pedal’s output.
Use this mode when you place your TC Electronic e ect pedal in a parallel
e ects loop.
To set Kill-dry mode, proceed as follows:
• Disconnect the pedal and turn it on its back.
• Unscrew the back plate of the pedal and look for the two small dip-switches
in the upper left corner.
• The lower DIP switch (the one further away from the power in jack),
switches between Kill-dry on and Kill-dry o mode.
6. Bypass Mode
6.1 True Bypass and Buffered Bypass explained
True Bypass mode is a hard-wire bypass that gives absolutely no coloration of
tone when the pedal is bypassed. This is the default mode for your effect pedal.
Using True Bypass on all pedals is a perfect choice in setups with a few pedals and
relatively short cables before and after the pedals
If...
• you use a long cable between your guitar and the first pedal or
• if you use many pedals on your board or
• if you use a long cable from yourboardtotheamp,
... then the best solution will most likely be to set the first and the last pedal in
the signal chain to Buffered Bypass mode.
Can you hear the difference between a pedal in True
Bypass or Buffered Bypass mode?
Maybe, maybe not – many factors apply: active vs. passive pick-ups, single-coil
vs. humbucker, cable quality, amp impedance and more. We cannot give a single
ultimate answer. Use your ears and find the best solution for your setup!
You can only remove the dry signal from the signal path if you have selected
Bu ered Bypass mode using the upper DIP switch (see section 6.2). Kill-dry is not
available in True Bypass mode.
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7. M a inte nan c e
7.1 Updating the firmware
TC may provide updates for the built-in software of your pedal, the firmware.
Updating your TC pedal’s firmware requires...
• a computer running Microsoft Windows or OS X with a standard
USB interface
• the specified DC power supply for your pedal.
Preparing the firmware update
• Download the newest firmware fromthe “Support” pageforyour TCpedal.
There are updaters for Microsoft Windows (these are ZIP archives containing
the firmware installer) and for OS X (these are disk image files containing the
firmware installer).
• Unplug all cables (including the power supply) from your TC pedal.
• Connect the pedal to your computer using a USB cable (not included).
• Press and hold the footswitch on your TC pedal. If your TC pedal has more
than one footswitch, press and hold the leftmost footswitch.
• TC ELECTRONIC – all productmanuals:tcelectronic.com/support/manuals/
• TC ELECTRONICuserforum:forum.tcelectronic.com/
TC ELECTRONIC on...
• the Web: tcelectronic.com/
• Facebook:facebook.com/tcelectronic
• GooglePlus: plus.google.com/+tcelectronic/
• Twitter:twitter.com/tcelectronic
• YouTube: youtube.com/user/tcelectronic
9. Speci cations
BypassmodeTrueBypass(BufferedBypassoptional)
Inputconnector2x¼ " TS, unbalanced, mono
Inputimpedance1MΩ
Output connector 2 x ¼ " TS, unbalanced, mono
Output impedance 100 Ω
Power input Standard 9 V DC, centre negative,
>300 mA
• Quit all MIDI-related applications (e.g. your DAW) on your computer and
launch the firmware updater you have downloaded in step 1.
• In the firmware updater app, select your TC pedal from the drop-down list
under the “STEP 1” heading.
• When the “Update” button under the “STEP2” heading turns green, click it.
• Theupdatedfirmware will now be transferred to your TC pedal. Wait for
the progress bar to reach 100%. When the update procedure is complete,
the pedal will automatically restart.
7.2 Changing the battery
If you need to change the battery of your TC ELECTRONIC effect pedal,
proceed as follows:
• Unscrew the thumb-screw on the back of the pedal and detach the
back plate.
• Unmount the old batteryandattachthenewbatterytothebattery clip
making sure the polarity is correct.
• Remount the back plate.
Notes regarding batteries
• Batteries must never be heated, taken apart or thrown into fire orwater.
• Only rechargeable batteries can be recharged.
Battery option 9 V
USB port Mini USB connector for
firmware updates
Dimensions (H x W x D) 93 x 48 x 48 mm (3.7 x 1.9 x 1.9")
• Remove thebatterywhenthepedal isnotbeingusedfor a longerperiodof
time to save battery life.
• Always dispose batteries according to local laws and regulations.
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FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
TC ELECTRONIC
FLASHBACK 2 DELAY
Responsible Party Name: Music Group Services NV Inc.
Address: 5270 Procyon Street
Phone Number: +1 702 800 8290
FLASHBACK 2 DELAY
EMC/EMI This equipment has been tested and found to comply with the limits
for a Class B Digital device, pursuant to part 15 of the FCC rules. These limits
are designed to provide reasonable protection against harmful interference in
residential installations.
Las Vegas, NV 89118
USA
This equipment generates,
if not installed and used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to
by turning the equipment o and on, the user is encouraged to try to correct the
interference by one or more of the following measures: