approximately 2 million valid pixels) allows for highdefinition shooting with superior picture quality.
Adopts 30 times optical magnification, F1.6 high
power and luminous zoom lens.
By adopting its wide and dynamic range functions,
you can see the optimised shooting image which
incorporates bright and dark subjects at the same
time.
Adopts the industry standard RS-232 interface of
VISCA camera protocol in external communication.
It is possible to operate from long distances by using
both RS-232 and RS-422.
You can install the camera on ceilings due to the
functions of high-speed and wide range pan/tilt
action and vertical image flip.
You can use the infrared remote commander to set
the camera and also to select panning, tilting and
zooming from the setting menu.
You can store up to 16 kinds of camera direction and
camera status into the camera. In the case of the
infrared remote commander, 6 kinds can be stored.
You can use the LAN cable for external
communication. This will make system construction
easier.
The camera can be set for a variety of HD video
formats and has an HDMI interface terminal. The
HDMI video interface is in widespread use.
Features
3
Connection
HDMI cable (not supplied)
to HDMI VIDEOto HDMI input
VISCA cable (not supplied)
1)
to 12V
to VISCA RS-232 IN
to VISCA RS-232 OUT
LAN cable (not supplied)
to LANto LAN
to VISCA RS-422
To VISCA IN of other
SRG series (when
connecting to more
than one camera)
2)
to RS-232
Computer with LAN or
serial communication
interface, HD video
monitor with HDMI
input interface, etc.
AC power adaptor (supplied)
to AC outlet
Power cord (supplied)
1) When the camera is connected to a computer with a VISCA cable (cross type, RS-232), you can operate the
camera with the computer. To obtain a cable, consult the dealer where you bought your camera.
2) For details on how to connect using VISCA RS-422, see page 57.
3) For details on the VISCA over IP connection using LAN cable, see page 29.
Notes
Use only the AC power adaptor (JEITA type4)
supplied with the unit. Do not use any other AC
power adaptor.
Polarity of the plug
You have to set the video format of the signal to be
output from the camera. For detailed information on
how to set the video format, see “
SYSTEM
SELECT switch” on page 8.
Do not make VISCA RS-232 and RS-422 connections
at the same time, as this may cause malfunctions.
4
System Configuration
The SRG-300H has various system configuration capabilities using optional products. This section describes three
typical system examples with the required components and the main usage of each system.
Operating a SRG-300H Using the Supplied Infrared Remote Commander
This system allows you:
To operate the camera readily from a short distance
System configuration
SRG-300H
HD video monitor
Infrared Remote Commander
(supplied)
Video signal
Signal flow
5
System Configuration
,
Operating a SRG-300H Using the RM-IP10 IP Remote Controller
This system allows you:
To perform pan/tilt and zoom operations using the joystick of the IP remote controller, and to perform the Preset
operation using the button.
System configuration
HD video monitor
SRG-300H
RM-IP10 IP Remote Controller
Video signal
Remote Control (VISCA or LAN) signal
Signal flow
When Operating Multiple SRG-300H Cameras Using Multiple RM-IP10 IP Remote Controllers
System configuration
• You can operate up to 112 cameras using five IP remote controllers.
• The joystick of the IP remote controller allows comfortable pan/tilt and zoom operations.
System configuration
HD video monitor
SRG-300H
SRG-300H
SRG-300H
Video switcher
Video signal
Remote control (LAN) signal
Signal flow
RM-IP10 IP Remote Controller
PC for the setting
Note
You cannot use the RS-232 and RS-422 connections when using the LAN connection.
Switching hub
RM-IP10 IP Remote Controller
6
Camera
Locations of Controls
Front
Lens
This is a 30-magnification optical zoom lens.
Infrared remote commander sensors
These are sensors for the supplied infrared remote
commander.
POWER lamp
Lights in green when the camera is connected to an AC
outlet using the supplied AC power adaptor and AC power
cord.
Flashes in green when the camera receives an operation
command from the supplied infrared remote commander.
When the power is turned on, it takes about 15 to 30
seconds to display the image after the lamp lights.
STANDBY lamp
Lights in amber when the power is turned off using the
infrared remote commander.
Rear
Infrared remote commander sensors
These are sensors for the supplied infrared remote
commander.
IMAGE FLIP switch
Flips the image upside down. Normally set this to OFF when
you use the camera. When the camera is attached to the
ceiling, set this to ON. Turn off the unit before setting the
IMAGE FLIP switch. Then, turn the power on by
connecting the power adaptor, by VISCA CONTROL or the
infrared remote commander. When you switch IMAGE
FLIP, the preset setting is returned to the initial setting.
VISCA RS-422 connector
To communicate via RS-422, use this connector.
Use the supplied VISCA RS-422 connector plug.
7
Locations of Controls
8
SYSTEM SELECT switch
Used for setting the video format of the signal to be output
from the HDMI VIDEO connectors.
For details, see “Setting of the SYSTEM SELECT switch” (page
8).
HDMI video connector
Supplies the images as a HDMI video signal or DVI video
signal.
IR SELECT switch
Select the camera number when you operate multiple
cameras with the same infrared remote commander.
VISCA IN connector
Connect to a computer via an RS-232 interface. When you
connect multiple cameras, connect it to the VISCA OUT
connector of the previous camera in the daisy chain
connection.
VISCA OUT connector
When you connect multiple cameras, connect it to the
VISCA IN connector of the next camera in the daisy chain
connection.
LAN connector (RJ-45 8-pin)
Connect to a switching HUB that is compatible with
10BASE-T/100BASE-TX using a LAN cable (category 5 or
higher, shielded twisted pair).
When a link is established, the green indicator lights, and it
flashes during communication. While connected with
100BASE-TX, the yellow indicator also lights.
Note
For safety, when connecting the peripheral device, do not
connect the connector that might have excessive voltage to this
connector. Follow the Operating Instructions for the
connection.
Bottom
BOTTOM switches
Used for LAN and VISCA CONTROL switching, RS-232
and RS-422 switching, 9,600 bps and 38,400 bps baud rate
selection and IR signal output setting.
For details, refer to the setting of the BOTTOM switches
(page 9).
Tripod screw hole
Fix-mounting screw holes
Setting of the SYSTEM SELECT switch
This switch allows you to select the video format of the
signal to be output from the HDMI video connector.
SRG-300H
12 V connector
Connect the supplied AC power adaptor.
Reset switch
The reset switch is enabled only when the BOTTOM switch
is set to the LAN connection. When you press down this
switch with a pointed tip for about five seconds, the camera
will reboot and only the setting relating to the IP will return
to the factory setting.
Factory settings for IP
IP address: 192.168.0.100
Subnet mask: 255.255.255.0
Name: CAM1
Set this arrow to the
desired video format.
Locations of Controls
Switch position Video format
01920×1080p/59.9459.94 Hz system
1No output
21920×1080p/29.97
31920×1080i/59.94
41280×720p/59.94
51280×720p/29.97
6EDID—
7VISCA CONTROL—
81920×1080p/5050 Hz system
9No output
A1920×1080p/25
B1920×1080i/50
C1280×720p/50
D1280×720p/25
ENo output—
FNo output—
Notes
Be sure to set this switch before you turn on the power of the
camera. You can also set this switch in the standby mode of the
camera. After completing the setting, turn on the power of the
camera by connecting it to an AC outlet using the supplied AC
power adaptor and AC power cord, by using the VISCA
command or infrared remote commander.
Be sure to use a Phillips-head screwdriver when changing the
switch position. If you use a tool other than the designated
screwdriver, the crossed groove may be damaged.
If the switch position is set to 1, 9, E and F (no output), the
POWER lamp and STANDBY lamp will both remain lit. In such
cases, control via the infrared remote commander and VISCA
communication is disabled.
If the switch position is set to 6 (EDID), the most suitable format
will be output automatically based on the resolution of the Video
monitor to be connected.
If the switch position is set to 7 (VISCA CONTROL), you can
configure the video format via external communication.
Setting of the BOTTOM switches
To change the BOTTOM switch setting, select the
BOTTOM switch with the power of this unit turned off
(not including standby state), and then turn on the DC
power. The setting cannot be changed after the power
is turned on.
ON
OFF
(Initial position)
VISCA/LAN switch
Select the communication method setting.
Set to ON to use the LAN connection and set to OFF to use
the VISCA CONTROL (serial control).
RS-232/RS-422 select switch (when using the serial
connection)
Set to OFF to operate the color video camera using the
VISCA command via the RS-232 interface. Set to ON to
operate it via the RS-422 interface.
Baud rate select switch (when using the serial
connection)
Set the communication speed in the VISCA CONTROL.
ON: 38,400 bps
OFF: 9,600 bps
IR OUT switch
Set to ON to enable output of the receiver signals, which are
transmitted from the infrared remote commander via the
VISCA IN connector (page 57), or set it to OFF to disable
the output.
Switch 5 (Not used)
Be sure to set this switch to OFF.
Switch 6 (Not used)
Be sure to set this switch to OFF.
Switch 7 (Not used)
Be sure to set this switch to OFF.
Switch 8 (Not used)
Be sure to set this switch to OFF.
9
Basic Functions
Basic Functions
Overview of Functions
Zoom
The SRG camera employs a 30× optical zoom lens
combined with a digital zoom function; this camera
allows you to zoom up to 360×.
• Optical 30
(F 1.6 to F 4.7)
Digital Zoom enlarges the center of the subject by
expanding each image in both the vertical and
horizontal directions. When the digital zoom is used,
the resolution deteriorates.
You can activate the zoom in the following modes, all
of which can be set using VISCA command.
Standard Mode
Variable Mode
There are eight levels of zoom speed.
In these standard and variable modes, it is necessary to send
Stop Command to stop the zoom operation.
Direct Mode
Setting the zoom position enables quick
movement to the designated position.
Digital Zoom ON/OFF
Note
The digital zoom is enabled only when the Video
Latency is set to NORMAL.
×, f = 4.3 mm to 129 mm
Focus
Focus has the following modes, all of which can be set
using VISCA Commands.
• Auto Focus Mode
The Auto Focus (AF) function automatically adjusts
the focus position to maximise the high frequency
content of the picture in a center measurement area,
taking into consideration the high luminance and
strong contrast components.
The minimum focus distance is 10 mm at the optical
wide end and 1200 mm at the optical tele end.
- Normal AF Mode
This is the normal mode for AF operations.
- Interval AF Mode
The mode used for AF movements carried out at
particular intervals. The time intervals for AF
movements and for the timing of the stops can be
set in one-second increments using the Set Time
Command. The initial value for both is set to five
seconds.
- Zoom Trigger Mode
When the zoom is changed, the AF mode activates
for the pre-set time. Then, it stops. The initial
value is set to 5 seconds.
AF sensitivity can be set to either Normal or Low.
- Normal
Reaches the highest focus speed quickly. Use this
when shooting a subject that moves frequently.
Usually, this is the most appropriate mode.
- Low
Improves the stability of the focus. When the
lighting level is low, the AF function does not take
effect, even though the brightness varies,
contributing to a stable image.
10
Basic Functions
• Manual Focus Mode
Manual Focus has both a Standard Mode and a
Variable Mode. Standard Mode focuses at a fixed rate
of speed. Variable Mode has eight speed levels that
can be set using a VISCA Command.
In these standard and variable modes, it is necessary to send Stop
Command to stop the zoom operation.
• One Push Trigger Mode
When a Trigger Command is sent, the lens moves to
adjust the focus for the subject. The focus lens then
holds that position until the next Trigger Command is
input.
• Infinity Mode
The lens is forcibly moved to a position suitable for an
unlimited distance.
• Near Limit Mode
Can be set in a range from 1000 (∞) to F000 (1 cm).
Default setting: D000h (30 cm)
White Balance
White Balance has the following modes.
• Auto White Balance
This mode computes the white balance value output
using color information from the entire screen. It
outputs the proper value using the color temperature
radiating from a black subject based on a range of
values from 2500K to 7500K.
This mode is the factory setting.
• ATW
Auto Tracing White balance (2000K to 10000K)
• Indoor
3200K Base Mode
• Outdoor
5800K Base Mode
• One Push WB
One Push White Balance is a function that forcibly
captures the white color once the lighting conditions
to illuminate the subject are set, enabling you to shoot
the image in the conditions as they are set. By using
this function, the natural color of the subject can be
obtained without being affected by the surrounding
lighting conditions. To set this mode, shoot the
subject that you want to capture the white color and
send the One Push White Balance Trigger.
The One Push White Balance data is lost when the
power is turned off. If the power is turned off, set One
Push White Balance again.
Automatic Exposure Mode
A variety of AE functions are available for optimal
output of subjects in lighting conditions that range
from low to high.
• Full Auto
Iris, Gain and Shutter Speed can be set automatically.
• Gain Limit Setting
The gain limit can be set at the Full Auto, Shutter
Priority, Iris Priority, Bright and Manual in the AE
mode. Use this setting when image signal-to-noise
ratio is particularly important.
• Shutter Priority
Variable Shutter Speed, Auto Iris and Gain
(1/1 to 1/10,000 sec., 16 high-speed shutter speeds
plus 6 low-speed shutter speeds)
1) Flicker can be eliminated by setting shutter to
1/100s for NTSC models used in countries with a 50 Hz
power supply frequency
1/120s for PAL models used in countries with a 60 Hz power
supply frequency
• Iris Priority
Variable Iris (F1.6 to Close, 14 steps), Auto Gain and
Shutter speed
• Manual
Variable Shutter, Iris and Gain
• Bright
Variable Iris and Gain (Close to F1.6, 14 steps and
F1.6 at 15 steps)
AE – Shutter priority
The shutter speed can be set freely by the user to a total
of 22 steps – 16 high speeds and 6 low speeds. When
the slow shutter is set, the speed can be adjusted the
slow shutter according to subject brightness. The
picture output is read at a low rate from the memory.
AF capability is low.
In high speed mode, the shutter speed can be set up to
1/10,000s. The iris and gain are set automatically,
according to the brightness of the subject.
The iris can be set freely by the user to 14 steps
between F1.6 and Close.
The gain and shutter speed are set automatically,
according to the brightness of the subject.
Parameter
11F1.60AF5.6
10F209F6.8
0FF2.408F8
0EF2.807F9.6
0DF3.406F11
0CF405F14
0BF4.800CLOSE
Setting value
Parameter
Setting value
AE – Manual
The shutter speed (22 steps), iris (14 steps) and gain
(15 steps) can be set freely by the user.
AE – Bright
The bright control function adjusts both gain and iris
using an internal algorithm, according to a brightness
level freely set by the user. Exposure is controlled by
gain when dark, and by iris when bright.
As both gain and iris are fixed, this mode is used when
exposing at a fixed camera sensitivity. When switching
from Full Auto or Shutter Priority Mode to Bright
Mode, the current status will be retained for a short
period of time.
Only when the AE mode is set to “Full Auto” or
“Shutter Priority,” you can switch it to “Bright.”
Gain
IRIS curve
Gain curve
DarkBright
Controlled
by gain
Bright limit which controllable
for this unit
ParameterIrisGainParameterIrisGain
1FF1.6
1EF1.6
1DF1.6
1CF1.6
1BF1.6
1AF1.6
19F1.6
18F1.6
17F1.6
16F1.6
15F1.6
14F1.6
13F1.6
12F1.6
+43 dB
+39 dB
+36 dB
+33 dB
+30 dB
+27 dB
+24 dB
+21 dB
+18 dB
+15 dB
+12 dB
+9 dB
+6 dB
+3 dB
Controlled by IRIS
11F1.6
10F2
0FF2.4
0EF2.8
0DF3.4
0CF4
0BF4.8
0AF5.6
09F6.8
08F8
07F9.6
06F11
05F14
00CLOSE
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
When switching from the Shutter Priority mode to the
Bright mode, the shutter speed set in the Shutter
Priority mode is maintained.
Defog mode
When the surrounding area of the subject is foggy and
low contrast, the defog mode will make the subject
appear clearer.
12
Basic Functions
Wide Dynamic Range Mode (WD)
The Wide Dynamic Range mode is a function for
dividing an image into several blocks and correcting
blocked-up shadows and blown-out highlights in
accordance with the intensity difference. It enables you
to obtain images in which portions ranging from dark
to light can be recognized, even when capturing a
subject with a large intensity difference that is backlit
or includes extremely light portions.
Images with wide dynamic range are produced by
combining long-exposure signals (normal shutter) with
the signals of the high-intensity portions obtained with
a short exposure (high-speed shutter).
• About WD Set Parameter
(Command: 8x 01 7E 04 00 0p FF)
p: WIDE D (Wide dynamic range mode)
When MODE (exposure mode) is set to FULL
AUTO, the camera distinguishes light and dark
areas in the same scene, adjusts the brightness
for dark areas, and also controls the blown out
highlights.
You can select the wide dynamic range mode
from among OFF, LOW, MID and HIGH.
(0: OFF, 1: LOW, 2: MID, 3: HIGH.)
Notes
• You can set the wide dynamic range mode when the WIDE D is
set to FULL AUTO only.
• When the WIDE D is not set to OFF, the MODE setting is fixed at
FULL AUTO.
• When changing the WIDE D, the luminance change of the screen
occurs for a moment.
• When the change of exposure is big, the screen may stop for a
moment.
• When the wide dynamic range mode is ON, false colors may
appear in some parts of the image. This phenomenon is unique to
wide dynamic range mode, and is not an indication of a camera
malfunction.
• When switching wide dynamic range mode, images are shown at a
maximum of 8 frames at the same time.
• When the intensity difference of the image is small, there is no
difference in effect between MID and HIGH.
Exposure Compensation
Exposure compensation is a function which offsets the
internal reference brightness level used in the AE
mode, by steps of 1.5 dB.
The reference brightness is 0.
ParameterStep
0E+7+10.5 dB
0D+6+9 dB
0C+5+7.5 dB
0B+4+6 dB
0A+3+4.5 dB
09+2+3 dB
08+1+1.5 dB
0700 dB
06−1−1.5 dB
05−2−3 dB
04−3−4.5 dB
03−4−6 dB
02−5−7.5 dB
01−6−9 dB
00−7−10.5 dB
Setting value
High Resolution Mode
This mode enhances edges and produces higher
definition images.
Aperture Control
Aperture control is a function which adjusts the
enhancement of the edges of objects in the picture.
There are 16 levels of adjustment, starting from “no
enhancement.” When shooting text, this control may
help by making them sharper.
Back Light Compensation
When the background of the subject is too bright, or
when the subject is too dark due to shooting in the AE
mode, back light compensation will make the subject
appear clearer.
Noise Reduction
The NR (Noise Reduction) function removes noise
(both random and non-random) to provide clearer
images.
This function has six steps: levels 1 to 5, plus off.
The NR effect is applied in levels based on the gain,
and this setting value determines the limit of the effect.
In bright conditions, changing the NR level will not
have an effect.
13
Basic Functions
High Sensitivity Mode
In this mode, higher sensitivity gain is applied as
standard gain increases, reaching a gain level at MAX
gain of up to 4x the standard gain. In such cases,
however, there will be a high volume noise in the
image.
Gamma Mode
In this mode, the gamma can be set to ON/OFF.
0: Standard
1: OFF
Image Stabilizer
You can set this function to ON or OFF. When set to
ON, you can obtain steadier images if vibration is
present. This stabilizer is effective for vibration
frequencies around 10 Hz. This function utilizes digital
zoom; therefore, the angle of view and resolution of
images may be affected. However, image sensitivity is
retained.
OFF: The image stabilizer function is not effective
operations.
ON: The image stabilizer function is effective
operations.
HOLD: The image stabilizer function is not effective
operations. (The same shift of field angle as
ON can be used.)
Low-Illumination Chroma Suppress Mode
You can configure a chroma suppress mode for lowillumination conditions. This can be useful when color
noise is particularly noticeable in such conditions.
Four levels (disabled and three levels) are available for
the low-illumination chroma suppress mode.
ICR (IR Cut-Removable) Mode
The IR Cut-Filter can be disengaged, by which the
sensitivity in the infrared range is increased, allowing
the camera to capture the image in darker area.
When the auto ICR mode is set to ON, the image
becomes black and white.
Color Gain
You can configure the color gain. Use this setting when
bright color is particularly important.
The initial setting 100% (4h) can be set to range from
approx. 60% (0h) to 200% (Eh) with 15 stages.
Color Phase
You can configure green, yellow, red, magenta, blue and
cyan individually.
The initial setting 0 degrees (7h) is adjustable between
approx.
15 increments.
−14 degrees (0h) to +14 degrees (Eh), in
Notes
• The image stabilizer function is not effective during pan/tilt
operations. It may take some time for the image to stabilize after
performing pan/tilt operations.
• If the image stabilizer function is enabled, it may take some time
for the image to stabilize after turning on the power of the camera.
• Depending on the installation conditions, the image stabilizer
may not be effective.
• When the image stabilizer function is set to ON or HOLD, the
field angle is shifted to the direction in which the subject appears
larger.
• The image stabilizer may not be effective in an installation
environment where high frequency vibration is present. In this
case, set the image stabilizer function to OFF.
• The image stabilizer function is enabled only when the Video
Latency is set to NORMAL.
Auto Slow Shutter On/Off
When set to “On,” the slow shutter functions
automatically when the light darkens. This setting is
available only when the AE mode is set to “Full Auto.”
The default setting is “Auto Slow Shutter Off.”
Auto ICR Mode
Auto ICR Mode automatically switches the settings
needed for attaching or removing the IR Cut Filter.
With a set level of darkness, the IR Cut Filter is
automatically disabled (ICR ON), and the infrared
sensitivity is increased. With a set level of brightness,
the IR Cut Filter is automatically enabled (ICR OFF).
Also, on systems equipped with an IR light, the internal
data of the camera is used to make the proper decisions
to avoid malfunctions.
Auto ICR Mode operates with the AE Full Auto setting.
14
Basic Functions
ICR
SHUTTER
DarkBright
AGC
MAX
IRIS
OPEN
Shutter 1/60 sec
ICR OFF ON
GAIN
ICR ON
IRIS
When Auto Slow Shutter is Off (initial setting)
When Auto Slow Shutter is On
Camera ID
The ID can be set up to 65,536 (0000 to FFFF). As this
will be memorized in the nonvolatile memory inside,
data will be saved.
Picture Effect
It consists of the following functions.
• Neg. Art: Negative/Positive Reversal
• Black & White: Monochrome Image
PAN/TILT SLOW mode
When this function is set to ON, the PAN/TILT
movement slows down, allowing you to easily shoot the
subject that moves slowly.
Note
The low-speed motion image may appear to be shaking
depending on the zoom factor.
Note
Depending on the information such as brightness, etc., in the ON/
OFF settings condition, a malfunction may occur when the subjects
largely consisting of blue and green colors are taken.
Video Latency setting
When the Video Latency is set to LOW, the latency
until the shot image is output from the camera is
shortened.
Note
While it is set to LOW, the digital zoom and image stabilizer
functions are disabled.
The field angle may be narrowed by Video Format.
The image distortion may be remarkable depending on the
magnification.
Check for influence of installation
environment on infrared remote commander
operation
The supplied infrared remote commander may not
operate, only occasionally, in the vicinity of the inverter
lighting device. In this case, it is possible that the
camera is installed in a place where the infrared remote
commander cannot stably receive light due to the
emission of light from the lighting device.
In either the DC power or VISCA communication, it is
judged whether or not the infrared remote commander
is under the installation environment where it can
receive signal during the initialization process
performed after the power of camera is turned on.
The result of this judgment can be obtained using the
IR_ConditionInq command. (See page 41.)
If the installation environment is judged to be unstable
for operating the infrared remote commander, try to
take such measures as to install this unit in a place
away from the lighting device having the influence, and
so on.
15
Basic Functions
Others
STANDBY
Sends the power off command. Or when the power is turned
off using the infrared remote commander, the camera
becomes STANDBY state. In the STANDBY state, the
camera can accept only the VISCA Commands and the
POWER ON of the infrared remote commander, and the
video signal output and other operations are stopped.
I/F Clear
Clears the Command buffer of the camera.
The buffer is cleared even during the power on state using
the control software.
Address Set
VISCA is a protocol, which supports a daisy chain of up to
seven connected cameras via RS-232 interface. In such cases,
the address set command can be used to assign addresses
from 1 to 7 to each of the seven cameras, allowing you to
control the seven cameras with the same personal computer.
Be sure to use the address set command to set the address
whenever a camera is connected for the first time.
The settings stored using this function are recalled
when the power is turned on.
For setting items, see the “Initial Settings and Preset”
section on page 17.
Note
Rewriting of memory is not unlimited. Be careful to avoid using the
memory area for such as unnecessary tasks as rewriting the
contents of the memory for every operation.
Memory (Preset)
Using the preset function, 16 sets of camera shooting
conditions can be stored and recalled.
This function allows you to achieve the desired status
instantly, even without adjusting the following items
each time.
• Pan/Tilt Position
• Zoom Position
• Digital Zoom On/Off
• Focus Auto/Manual
• Focus Position
• AE Mode
• Shutter control parameters
• Bright Control
• Iris control parameters
• Gain control parameters
• Exposure Compensation On/Off
• Exposure Level
• Backlight Compensation On/Off
• Auto Slow Shutter On/Off
• White Balance Mode
• R/B Gain
• Aperture Control
• ICR On/Off
• WD Parameter
• Defog On/Off
16
Basic Functions
Initial Settings and Preset
• The initial values are the factory settings.
• When the power is turned on, this unit starts operation with the settings stored in preset 1.
• In “Preset 1 to 16”, the items that are preserved even after the power from the camera is turned off are indicated by
a circle (
• When you send the CAM Memory Reset command, or select and press one of POSITION1 to 6 while pressing the
PRESET button using the infrared remote commander, the selected number is set as initial value.
• The preset 1 is the CAM Memory number “0” in the VISCA command. The preset 2 to 16 are the CAM Memory
number “1 to 15” in the VISCA command.
Pan/Tilt PositionHome position
Pan/Tilt Limit PositionMaximum range of movement
Zoom PositionWide end
D-Zoom On/Off
Focus Position
Focus Auto/Manual
Near Limit SettingD000h (30 cm)
AF Sensitivity
AF Mode
AF Run Time5 sec
AF Interval5 sec
WB Mode
WB Data (Rgain, Bgain)
One Push WB Data
AE ModeFull Auto
WD Mode
Auto Slow Shutter Mode
Shutter Position
Iris Position
Gain Position
Bright Position
Exposure Compensation On/Off
Exposure Compensation Amount
BackLight On/Off
Aperture Level
High Resolution Mode On/Off
Picture Effect
ICR On/Off
Auto ICR On/Off
Auto ICR Threshold Level
Image Stabilizer On/Off/Hold
High Sensitivity Mode On/Off
Gamma0:standard
Defog On/Off
NR Level
Gain Limit
Low-Illumination Chroma Suppress2h (Middle)
Color Gain4h (100%)
Color Hue7h (0degrees)
IR_Receive On/Off
IR_Receive Return On/Off
INFORMATION DISPLAY
A circle “” in this column signifies that the data is preserved.
A cross “” signifies that the data IS NOT preserved.
), and the items that are not preserved are indicated by a cross ().
Mode/Position settingInitial settingsPreset 1Preset 2 to 16
• The execution of memory to the preset is limited.
• When turning the power off and on again, if you want to reflect the camera conditions and pan/tilt position that
are set before the power is turned off, store the settings in POSITION1.
• The setting or deleting of memory to/from preset 1 takes approx. 2 seconds longer than other channels.
• In CameraID, the data is stored regardless of the preset.
• When ImageFlip is executed, all presets are reset to the initial value.
and stops at the Home position, until the video signal is output. Or the period from the time the CAM Power ON command is sent, until Completion is returned.
1) DC power is being supplied, but the camera has been turned off by a VISCA command.
2) The period from the time IF Clear is sent, until the Reply Packet is returned.
3) The period from the time DC power is turned on or the camera is turned on via a VISCA command, and the camera subsequently finishes the pan/tilt reset operation
4) The camera does not receive the operation sent from the Infrared Remote Commander.
5) Commands can be executed after the pan/tilt movement has been started. Before that, camera movement may be inconsistent.
6) When the menu display is updating, operation is not possible.
7) Although the command is received, it is not executed.
Output settings
Command
CAM_LowLatencyNoNoNoNoNoNoNoNoNoNoNo
CAM_VideoFormatChange
(Execution of the VISCA command
from user during the VISCA mode)
1) The Video Format state of MENU is not updated. Close MENU once, and then display it again. Other commands are not received during the execution of Format Change and Low Latency.
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